Artists Remembers Prince...
SmoothJazz May/Jun 2016
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MAGAZINE
Pieces Of A Dream 40th Ann.
International Jazz Day
Concerts
Kenny G
Tony Bennett
New Orleans Jazz & Heritage Fest
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Remembering 20 Prince in Photos 35 Prince - Artists React Lifestyle 07 LA Reid - New Book “Sing To Me�
09 Moon Rocks Touch By Stars Concert Review 65 Kenny G An Evening with... 68 Tony Bennett Sings... 73 Thelma Houston Memory Lane
74 International Jazz Day
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Features
53 40th Pieces Of A Dream Anniversary 61 Angel City Chorale Festivals
12 CA Jazz & Wine Tom Scott 16 2016 Berks Jazz Fest - in Photos
18 New Orleans Music
Heritage Festival 2016 Photos
CD Releases 79 New CDS CD Reviews 80 Jack Jones - Seriously Frank 83 Nick Colionne The Journey 85 Esperanza Spalding Emily’s D+ Evolution 87 Kandace Springs - Soul Eyes 88 Alley Gregory Porter– In The 89 Hiromi - Spark 92 BWB - BWB 94 Sweet Honey In The Rock Love In Evolution
SmoothJazz Jazz Art Jackson— Publisher/CEO May / June 2015 Doris Gee- - Research Manager Mann—Graphic Artist
Smooth Jazz Magazine Inc. 3715 Midvale Ave. Suite #6 Los Angeles, CA 90034 E-Mail:info@smoothjazzmag.com Web: www.smoothjazzmag.com
Contributing Writers Erika Nj Allen Cincinnati Maria L. Lewis Chicago Althea Turner D.C. Keivu G. Knox D.C. Eryn K. Bozeman Franklin, TN Art Jackson Los Angeles Ronda Dixon Los Angeles Shumon Hutchinson Los Angeles Jerome Jackson Myrtle Beach, SC Ahlia Love Philadelphia Lexi Lewis Tampa Contributing Photographers Erika Nj Allen Cincinnati Natalie Dorris D.C Ronald Hancox East Hartford, CT Shumon Hutchinson Los Angeles Mann Los Angeles Lexi Lewis Tampa Pat Cook San Diego
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Copyright @ 2016 by Smooth Jazz Magazine Inc. All Rights Reserved.
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Lifestyle - Books Being musically gifted is a blessing, spotting other raw musically gifted people is a double blessing that has defined LA Reid. “Sing To Me” chronicles the last 25 years of his career, all the challenges and successes that has shaped this legendary artist, writer and producer. Readers will get a sense of what the lives of unknown artists such as Toni Braxton, Kanye West,
TLC, Pink, Rihanna, Avril, Outkast, Mariah Carey, Justin Bieber, and Usher was like before becoming the stars they are today. Filled with color and black & white images this 390 page will be a easy read as you get a behind the scene glimpse of the music business and see what it takes to find unpolished diamonds and make them shine. Let the music take you… SmoothJazz Magazine | 07
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Lifestyle “Moon Rock Touched By Jazz & Stars“ Christie's first dedicated auction to Meteorites.
100% of the Proceeds to Benefit the Thelonious Monk Institute of Jazz -
APRIL 20, 2016 Quincy Jones Dianne Reeves Dee Dee Bridgewater Pharrell Williams Herbie Hancock Kenny Burrell Kevin Spacey Taj Mahal Wayne Shorter Joshua Redman Let the music take you… SmoothJazz Magazine | 09
Twenty-two other luminaries touched this same piece of the Moon that evening and signed their names to a document that states, "I touched the Moon at the Thelonious Monk Institute of Jazz All Star Jazz Salute to Bill Clinton."
Among the 80 Meteorites Featured
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By: Ronda Dixon
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Festival Fifth annual California Jazz and Wine Festival benefiting the Children's Hospital Los Angeles was a resounding success. One couldn't ask for a more beautiful venue. The event was held at the Four Seasons Hotel in Westlake Village on Sunday April 17th 2016. Presented by the Rotary Club of Westlake Village sunrise, the festival showcased local businesses, Jazz, Gourmet Wines, Microbreweries and Boutique Spirits. The event benefited several local charities including the Humane Society Association, founded by a veteran to train service dogs for use with veterans. The event also benefits music programs and many other worthy causes. The Platinum sponsor is RMS Printing, a full service printing company specializing brochures, banners and custom promotional products.
Geisinger Winery
Upon entering the venue each guest was presented with a wine glass to be used to sample the various vendors.. There were so many great beverages to choose from. The first stop was at Geisinger Winery, a local Westlake Village Winery offering French inspired wines and spirits handcrafted and presented beautifully in uniquely shaped bottles. My favorite was the 14% alcohol by volume it had a warming effect as it eased down the throat. The event was very well attended. The main stage was in the ballroom where vendors were set up with food such as the chocolate covered strawberries supplied by the Spanish Hills Country Club catering service. Great tasting chili from Paul Martin’s American Grill and pizza Let the music take you‌ SmoothJazz Magazine | 13
from Barone’s. There was an artisan Balsamic Vinaigrette Shop, Gourmet Blends, with at least 20 flavors to choose from. My favorite was the Pear Balsamic Vinaigrette. It will pair nicely with a spinach salad. There were two Chiropractic offices in attendance. I sampled both. Maximized Life offered a free electromagnetic assessment to determine if there were problems with the nervous system. They identified a problem with my neck which was accurate as I have a fused vertebrae that gives me problems. The other was Biocare a local clinic/ Med Spa. They had portable massage chairs and I was treated to a trigger point massage that helped my shoulder injury. I can play golf again. After the relaxing wine tasting and the awesome food it was time to enjoy the music. After the music it was back to sampling the wine and food. My favorite dessert was Sweet Arleen’s lemon mini cupcakes. The cake was moist and the icing was creamy with a strong sweet lemon flavor. Yum. The Urban Cafe served a spicy avocado chicken panini. Mastro’s steakhouse served an ahi cup and beef sliders. The best was a beef brisket slider with coleslaw and jambalaya. The Bubble ladies, Terina Smart and her mother, called Bottles & Babes LA, provide premiere luxury beverage catering services featuring custom designed bottles and themed catering events. 14| SmoothJazz Magazine
Bottles & Babes LA
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One of my absolute favorite beverages is TeQava, a blend of triple distilled silver tequila with a mix of natural flavors and carbonation. The cucumber and Margarita flavors were the best. I really enjoyed the cucumber’s light and refreshing taste. It would be perfect for a day at the spa. The second stage, the Bistro Stage was set up on a tent on the patio of the hotel. There were several vendors in there as well. There was food, jewelry, chiropractic and music. The line up in the Bistro Stage was the Doug Webb group, The Barrelhouse Wailers, Lori Andrews, Jazz Harpist and Westlake High School Jazz Ensemble. Then we first listened to the Barrelhouse Wailers. They were playing an instrumental New Orleans style Jazz second line. It was a lively set reminiscent of the vintage New Orleans style Jazz. Next we listened to the Westlake High School Jazz Ensemble. It’s always a treat to hear and see talented youth playing music especially jazz, a uniquely homegrown American art form. The main stage in the Hotel ballroom hosted the Adam Clark Trio, Paul McCallum and Friends, Santa Barbara Community College, Big Jazz Band and the Tom Scott Quartet. The headliner for the jazz festival was Grammy Winner Tom Scott, who performed various covers by Stanley Turpentine and Grover Washington Jr, The main ballroom was packed as there was standing room only as Tom’s hour set closed the event as everyone left on a high note. Let the music take you… SmoothJazz Magazine | 15
Photos By: Ronald Hancox
L&R: Chuck Loeb, Jonathan Butler, Russ Freeman, Eric Marienthal, Kim Waters, Jeanette Harris Jackiem Joyner.
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L to R: Kirk Whalum, Selina Albright, Gerald Veasley, Nick Colionne, Gerald Albright and Boney James. Let the music take you‌ SmoothJazz Magazine | 17
Festival MAY
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Trombone Shorty and Orleans Ave Bonnie Raitt Aaron Neville
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Festival
L to R: Michael McDonald, Dirty Dozen Band, Flo Rida, Janelle Monae, Brandi Carlile
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Remembering Prince Jeff Lorber
Stanley Clarke
Patti LaBelle
Najee
Michael Lington
Lizz Wright
Bob Baldwin
Elan Trotman
Mindi Abair
Curtis Harmon
Jessy J
Kirk Franklin
Dave Koz
Slim Man
Mike Phillips
Frank McComb
Sheila E.
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PRINCE 1958 –2016 Let the music take you… SmoothJazz Magazine | 33
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Remembering PRINCE “I was a big Prince fan from his early records which still sound fresh to this day. For a while when a new Prince record would come out the world would stop and everybody would check out what he came out with, with Controversy, Dirty Mind, 1999, sort of reminds me of an earlier period when people would do that for the Beatles.
A few years later I had a career change and I was one of the top pop and R&B arrangers in town using drum machines and early sequencers. I had to become expert in the Minneapolis sound which was pretty much ubiquitous on the airwaves.
I was always impressed with Prince in that he was always about the music. He Once the early Jeff Lorber Fusion had a had incredible talents as a guitarist of day off in Minneapolis and I asked my course but also as a keyboard player, friend Paul Peterson if he knew a place bass player singer and drummer AND we could rehearse and he arranged for songwriter and producer. And he also us to rehearse in Prince’s rehearsal stu- had a flair for putting together a dynamdio. ic show and great videos too. “ I was amazed that he was playing OBXA’s (early Oberheim synths, which I also used) through Marshall amps. And it sounded awesome! I think it was on that same trip I was invited down to watch Prince rehearse for a tour at the Target Center. He was a pretty strict band leader, sort of on the James Brown tip. He would yell at his guys if they didn’t play perfectly. Let the music take you… SmoothJazz Magazine | 35
Jeff Lorber
Remembering PRINCE "Prince was a living legend that not only pushed the envelope musically, but his business acumen made giant organizations like Billboard change the way sales were documented.
Patti LaBelle
Bob Baldwin
"I am deeply saddened by Prince's untimely passing. Not only was he a dear friend to me, but an inspiration. His talent, artistry and influence are unpar-
Michael Lington
alleled and there will never be another like Prince! The world has suffered a great loss! May he rest in everlasting peace."
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His social and music biz fingerprint will be forever impacting, making him one of the most powerful artists of this generation. He will be missed!!!"
"Prince was such an innovator and original - talk about someone walking to the beat of his own drum. His music has influenced so many and was celebrated all over the world by both his fans and musicians - I was a huge fan, such a devastating loss!" Let the music take you‌
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Remembering PRINCE Mindi Abair
"I just played Purple Rain at my show tonight. Heartbreaking yet inspiring. I was a fan ... But I became a much bigger fan after seeing Purple Rain when it came out in 1984. I've seen him live a few times... Epic. I know every lyric... Every lick... His guitar playing is in the pocket, yet over the edge pushing every boundary. He's jumping off pianos and running across the stage singing wildly while playing a flurry of notes. And it all adds up to more than it should mathematically. It's strength and cockiness and groove and intent and boldness move me to tears and applause and extreme happiness over and over. Prince, you can't leave this place. We're not prepared to go on without you." "Like everyone else, I was surprised and sad to hear the news of Prince’s passing. I have an early memory of Prince. Around 1975 I was in Minneapolis with Lenny White when a pianist friend of ours, Bobby Lyle, said we had to go see this kid at a famous club there. This band dressed different, their music was different, everything they were doing was different. After the show I told Lenny that this guy is going to change music. That kid later became Prince and he did change music.
Prince was proactive and an activist for artists. If you learn anything from him, it’s be yourself!" 38 | SmoothJazz Magazine
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Stanley Clarke
Prince was a big fan of jazz-fusion and often came to see us at Return to Forever and Animal Logic concerts when we were in town. I was flattered when I heard that he sometimes picked up the bass at the end of a show and played a bit of “Lopsy Lu.”
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Remembering PRINCE Najee January 4, 1959
February 15, 2016
Elan Trotman
“Prince was an iconic musical genius and an angelic force of a man.”
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"I can honestly say that working with Prince was one of the greatest experiences of my career! Of all the things people know about this great artist, one thing hardly ever mentioned was his generosity to so many people. He was one-of-a-kind, and he will truly be missed by all!"
"A true musician and amazing songwriter who actually had a great appreciation for jazz as a young musician." Let the music take you…
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Remembering PRINCE Slim Man
I was a big fan. He had a unique style, he was brave and bold and daring. He kept evolving, moving forward. He challenged himself, he challenged the record companies, he pushed boundaries. He wasn't afraid to be himself, and do whatever the hell he wanted to.
Prince was prolific and profound and a pretty amazing guitar player. He did the halftime show at the Super Bowl a few years ago, 2007. It was raining hard, and Prince killed it. In the pouring rain. When he did "Purple Rain", it was stunning. I watched the video again today. I got goosebumps. Then I got sad. He was so good.”
Prince Performs “Purple Rain” During Downpour | Super Bowl XLI Halftime Show | NFL
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Frank McComb "Prince was not only a great singer and musician but also a great businessman and mentor. The time I spent with him was priceless as he was the person who strongly advised me to push and promote myself as a TRULY independent recording artist after I had terrible success with two major record companies. Here I am 12 years later successfully carrying out the wisdom given to me by one who had to live it himself. Many doors have open for me due to him simply giving me the spotlight on the 36th Annual NAACP Awards. Thanks Prince for creating opportunities and paving the way for me."
Curtis Harmon
Pieces Of A Dream “Prince was an icon that bridged the gaps between Rock, R&B and Pop. He didn’t just make us accept him for who he was, but made us also love who he was through his music.”
Kirk Franklin “Been a Prince fan since day one. Played every instrument, and stood up for owning his own music. Huge loss today…”
“Rest in Peace Prince, your relentless work ethic and musical inspiration influenced me in so many ways! Thank you for the sexy & funky music .“
Jessy J
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Remembering PRINCE
"I don’t know of anyone making music in any modern idiom that hasn’t been at least somewhat influenced by the music of Prince. For me, it was his fearlessness, his unparalleled creative output and his uncompromising sense of self that was most revelatory. I think we’ll be learning from this man in so many ways, for generations to come.”
Dave Koz
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Mike Phillips
I will never forget the good times on and off stage when in 2002 Prince invited me to sit in with him at the House Of Blues, then in 2004 Prince asking me to join the NPG and go on the Musicology Tour and Prince asking me to be his musical director for his restaurant in Vegas, 3121 in 2006.
Prince has literally changed my life and my outlook on music and how its executed, the work ethic that goes into making it over the top. 48 | SmoothJazz Magazine
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Remembering PRINCE You changed my life, my whole outlook on music changed... you raised my IQ of handling my business in the name of being innovative and different. I’m devastated but a part of you will always live in me…I learned to much from you for it not to be the case… Mike Phillips
MP
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Prince memory will live on forever at Paisley Park. "We're hoping to make Paisley what [Prince wanted] it to be. [He] was working on it being a museum ," she said. "[Prince had] been gathering memorabilia and stuff from all the tours, like my drums and his motorcycle." Sheila E
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Feature By Ahlia Love They always say it's hardest to become a success in your own hometown. Well I suppose lasting 40 years in an ever changing industry such as Entertainment would Curtis Harmon and James Lloyd make Pieces of A Dream an exception to that rule. Philadelphia is known for having some of the toughest fans in America; whether it's Sports, music or tossing snowballs at Santa Clause during a nationally televised parade. So if you can make it there you can make it anywhere. Pieces of A Dream has created lasting classics that have given them a status some may consider legendary. SJM: What exactly was the original name of the group before you were discovered by the late great Grover Washington, Jr. and who came up with the name Pieces of a Dream? Curtis: Wow, we went through an array of different names. The first name we ever had was actually Galaxy. That name was good for an R&B group but not for a Smooth Jazz. My step mother DeAnna Harmon actually came up with the name Pieces of A Dream and it came from Stanley Turrentine’s album “Pieces of a Dream.” The scenario behind that was that she thought there were three guys looking for a musical dream and we made up the pieces. SJM: Speaking of Grover Washington Jr., how did that connection happen? Curtis: That happened through a television show called City Lights (Hosted by Malcolm Poindexter (a broadcast pioneer also on Philadelphia’s CBS Channel 3). Grover was one of the guests on that show. We were taping the show and he heard us play. He had originally brought a track to play and he said “well wait a minute, I Let the music take you… SmoothJazz Magazine | 53
wanna’ play with these guys.” At that time I think I was 16 and James was 15. We did the show. Grover loved our playing and we ended up playing “Mr. Magic.” Not long after that we did a gig at the Bijou Café (Philadelphia) where he did his live album (Live at the Bijou, 1977); He showed up to play with us. Obviously he had heard that we were gonna’ be there we did a couple of songs then he announced to the audience that he was starting a brand new production company and we were his first product. We were as shocked as the audience was. SJM: What stands out as one of the single most important lessons you learned from Mr. Washington? Curtis: I would have to say humility. Being the star that he was he was so down to earth and fun to be around. When we were recording in the studio he would have donuts waiting for us and all kinds of stuff. He taught us many things like how to let music breathe and not clutter it up with a bunch of sounds and instruments. Tracks actually sound more funky and sweet when it’s not so crowded. You can get into what the background music is doing and not just the lead. Grover taught us that. It was also just the way he treated us and the way he projected himself to other people. We had the chance to see him interact with other people when we were gigging and he was just like a regular person. There wasn’t like a star quality attitude. He was very approachable. That’s actually what stands out to me about him and that’s what we try to project to our audience. For instance, when we did the Tom Joyner Cruise; he only had us do one show on his cruise and the line was around the corner. People could not get in to see us. People like Kool Moe Dee and other celebrities couldn’t get in and it struck us like…all these people want to get in and see us? After the concert we were just walking around the boat. We went to sit down and people would approach us 54 | SmoothJazz Magazine
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The 40 Anniversary Interview on his cruise and the line was around the corner. People could not get in to see us. People like Kool Moe Dee and other celebrities couldn’t get in and it struck us like…all these people want to get in and see us? After the concert we were just walking around the boat. We went to sit down and people would approach us and stuff and I heard some lady in the background say “You know that is so cool that they come out and hang with us” and that’s the way we are. We’re just like regular people who just happen to play music. I take humility very seriously in how you project yourself to your audience and your fans. SJM: As you've climbed to the top professionally in Jazz; which many recognize as your primary genre, you’ve created some funky, clubby, old school classics that people expect Djs to have in their arsenal; especially at those summer Block parties. Examples being Mt. Airy Groove and what could be described as a mantra ”Keep Rising to the Top.” Did you imagine back then that these tracks would be as popular so many decades later? Oh, and we have to include among your classics R&B hit “Warm Weather” featuring the Soulful Songstress Barbara Walker. Curtis: “Rising to the Top” is a remake. Keni Burke is the original artist who did that song but that song is like iconic in the R&B and even Smooth Jazz genre. That is a song that I would probably say is timeless. It has its’ R&B qualities. It’s very danceable and it’s a nice listening song too. It was one of the best remakes that we’ve ever done. There are other songs like “Fo -Fi-Fo”, “Si La La” and it’s funny that most people don’t realize that most of our hits were R&B hits. “Warm Weather” and that stuff was played on R&B radio. And Let the music take you… SmoothJazz Magazine | 55
Feature “Warm Weather” was actually our very first single and it did very well on the charts for us. SJM: The original group consisted of you, drummer extraordinaire, Curtis Harmon. One of the craziest talents on the keys, James Lloyd. And the brother bringing the bass, Cedric Napoleon. How did you originally come together as a unit? Curtis: We came together as a Unit in Junior High School. We were part of the Junior High School Jazz Band. Cedric and I were originally part of the Jazz Band and along comes James. We walk into the music room and he’s in there by himself playing all of this stuff and we’re like, WOW, this Kid! He was about 11 years old and he’s sounding like Oscar Peterson. We were like WHOA! So he joined the Jazz Band and the school had a talent show. Cedric and I asked James to be in the talent show and there were also three horn players with us too. So we got into the talent show and did Donald Byrd’s “Happy Music” and “Reasons” by Earth, Wind & Fire. We took 3rd Place. We lost to a dance act and a Billie Holiday impressionist. But we’re the only ones that continued our career. We eventually broke off from the Jazz band to continue on as our own band. Then the horn players dropped out one by one and there was just me, Cedric and James left. So my Father sat us down and had us listening to people like the MJQ’s, Oscar Peterson, Ahmad Jamal, Milt Jackson and people like that. We learned to play straight ahead jazz. Being the ages that we were back then we were already into the R&B. Now I grew up with the straight ahead thing because my Grandfather and Father were both Jazz musicians. My Grandfather was a music 56 | SmoothJazz Magazine
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professor at Temple University in Philadelphia, Pennsylvania. He taught Harmony and Theory and Jazz Improvisation. SJM: When doing his solo thing, James Lloyd’s wife helps him focus on the creativity while she handles the arrangements for the gigs. She’s affectionately known as the Wife-ager. Your father, Danny Harmon, is the first actual Dad-a-ger I've ever met. What was that experience like, especially as young musicians getting a taste of traveling and tearing up stages… with your father handling your career? Curtis: Well we don't really know any other way but to have someone managing us that was family. Someone we could trust and could count on if anything were to happen while we were traveling. He also was a jazz enthusiast and teacher to us. He made sure to make us sit down and listen…he was very emphatic about teaching us how to play music the right way. That's kinda’ how we developed our sound and at the (young) ages we were we sounded like old men playing that stuff. SJM: All artists seem to experience a pinnacle moment in their careers. What would you consider to be your ultimate personal experience…and what event created a lasting memory as member of Pieces of A Dream? Curtis: My ultimate personal memory is hearing our very first record on the radio for the first time. It was the song "Warm Weather" and it was played on Let | 47Magazine | 57 Letthe themusic musictake takeyou… you…Magazine SmoothJazz
Feature WDAS FM radio, Philadelphia in Spring of 1980. The most memorable event was touring Japan with Grover Washington Jr. and playing at Yokohama Stadium with 60,000 people in attendance. SJM: I finally had the chance to listen to your latest cd “All In.” I like the whole cd but I am so in love with “A Quiet Night In The City.” The first thought that came to mind after checking out the entire project was what a blessing. I'm listening to the flow of a group that I've been privileged to watch grow though the years. And you come from my hometown in Philadelphia is a rare treat. Do you have a favorite track on this project? Curtis: I would have to say probably “Carribean Nights” because it has that island feel. I came up with the idea for that while I was on vacation in the Grand Cayman Islands with my Wife. I was just watching her on the beach. She loves to be in the water even though she can't swim (he laughed). So I was just looking at her and the song just came to me. Every time I get an idea like that I pick up my phone and sing it into the recording app. When I got home I started putting the song together and I actually played most of the instruments on that track. I handed it off to my Sax player who wrote the melody and the horn parts for it. SJM: Historically, the music industry Powers That Be seem to dictate which genre groups fall into. What style description do you feel best represents the music of Pieces of A Dream regardless of other opinions? Curtis: If I could put us in a category I would say Smooth Funk. Not necessarily Smooth Jazz. The slower cuts sound like Smooth Jazz. But if you listen to things like the title track “All In” or “One for the Money” which is more like a Pop track and “Up Till Dawn” stuff like that. “All In” is definitely a funk track. And that was a 58 | SmoothJazz Magazine
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song that I was scared to hand in because I thought it was too much funk for the record company. But when they heard the track they were like, we love it…this is radio right here. My Sax player again, Tony Watson Jr. put the melody on that and the horn parts and when he brought it back to me and I heard it I was like Man, this is it. When we send it to the record company they said this is the first single. That song went to Number 3 on the Billboard Magazine charts and it stayed up there for about 12 to 13 weeks. SJM: Curtis, I got this scoop straight from your website…and I quote “Pieces will re -release "In Flight," a project that was recorded twenty years ago…We are looking forward to this release, and we also have a special treat for all of our really old school fans, Hint. It will be on the "Best Of" cd. Ok, if, I make a guess are you able to confirm the accuracy of my guess in this Interview? Curtis: Yea, I would say so. SJM: My guess would be the track that made proud to be a resident of the Northwest section of Philadelphia. It was my ringtone for a while and made me proud to be a DJ. That track would be “Mt. Airy Groove.” Curtis: Oh we already re-released that it's on “The Best of Volume 2.” SJM: Oh, Well I’m still on Itunes topping off my Pieces of A Dream collection. I just hadn’t gotten that one yet. But I will. On behalf of Smooth Jazz Magazine thanks for a great interview and Happy 40th Anniversary Curtis. Keep Rising To the Top. For upcoming tour information be sure to visit the official Pieces of a Dream website http://www.piecesofadream.net/.
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Feature
Sue Fink
Artistic Director
SJM: What is special about Angel City Chorale that has helped it to survive and thrive in a very competitive and crowded entertainment-saturated city like Los Angeles?
and with its growing worldwide audience.
The music and concerts are fresh in value as our group risks various styles from classical to world music, to gospel, R&B Sue: Angel City Chorale has grown from and more. Concerts are joyous and its beginnings at McCabes Guitar Shop spontaneous and the audience particiin Santa Monica in 1993 to the 160pates, feeling engaged. voiced ensemble that flourishes today. SJM: ACC has had its first viral video hit The Chorale's eclectic repertoire and with the choir's captivating rendition of unique personality strike a chord (pun Toto’s song “Africa.” Will you perform intended) in sophisticated Los Angeles this engaging version again? Let the music take you… SmoothJazz Magazine | 61
Sue: Yes, we will! At our Spring concert, Rhythm Planet, in LA this June and on our U.K. tour in July.
by Danny Moloshok
The choir's video of Toto’s “Africa" has reached close to 3 million views in the last three months. From as far away as the Congo, choir directors have expressed that they are performing our music and embracing our approach to musical choice and joy. A few comments on our YouTube page summarize our uniqueness well: • “… the joy and emotion left me in tears.” • "I so love this, I listen over and over and over! The miracle of music and how it feeds one's soul!" • "There is something magical here” SJM: I know you love working with contemporary composers. Tell us about your collaborations with Grammy award-winning Christopher Tin. Sue: We love collaborating with composers! Most recently we have been working with two-time Grammy award-winning composer Christopher Tin. He is best known for his work on the video game, Civilization IV, and the song "Baba Yetu." His musical landscaping, vivid cinematic orchestrations and world music view resonate with our vision of creating community through music and finding respect for diversity while celebrating what unites us all. We recorded on 7 of the 10 tracks on Mr. Tin's most recent album, The Drop that Contained the Sea, which debuted at number 1 on the Billboard Classical music chart. His sweeping musical travelogue takes the singer and listener on a world voyage in languages and feels, as diverse as Khosa to Norse to Turkish and Bulgarian. 62 | SmoothJazz Magazine
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Feature We will be performing a selection of his compositions at our Rhythm Planet concerts in June and he will also conduct a portion of that concert. Then in July, we will tour with him in England and perform with the Royal Philharmonic Orchestra in London as well as at the Harrogate international Festival and in York with the Prima Vocal Ensemble. We will also record a new Tin composition at Abbey Road Studios. SJM: A memorable show? Sue: Memorable performances include singing at the National Democratic Convention with artists including Luther Vandross, Stevie Wonder, and Mary Chapin Carpenter. At the Walt Disney Concert Hall with Diane Reeves and Michael Buble and the Mancini Institute Orchestra. Singing with Dudamel on Mahler’s No. 8 ("Symphony of a Thousand”). Performances at Carnegie Hall and tours to Ireland and Africa. We are equally dedicated to great music and good deeds. In Los Angeles we take our holiday concerts on the road and bring them to those who are in the most need. Next, we look ahead to our holiday event concerts in December; and in the spring of 2017 we will present Interactive, which will be a daring combination of computer and screen interfaces and audience participation and unusual pairings... some improvisatory aspects by Danny Moloshok will be explored. Let the music take you… SmoothJazz Magazine | 63
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Concert Review Photos By: Erika Nj Allen
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Review By: Erika Nj Allen Knowing that Kenny G is the biggest-selling instrumental musician of the modern times and one of the best-selling artists of all time over a 30 year career, which were a few reasons why he played to a crowded house at the Schuster Center for The Dayton Philharmonic Orchestra.
He opened the show by performing in the middle of the aisle of the 2,300 seat venue in the dark, his energy was exhilarating. He opened up the show with his famous "Songbird" as the orchestra was a nice compliment to his talent. I have been around other musicians but Kenny is on top of my list. He showed his ability to hold a note (he’s was the world record-holder), by blaring a note exorbitantly long, I would say approximately 2 minutes or so for this evening. He even ended with a playful, whimsical series of runs that was truly astonishing.
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Concert Review Photos By: Lisa Jay
He delighted the audience with many stories, one that comes to mind is the one of his HS days and how he didn't make the band but he didn't let that stop him. For tour and other information about Kenny G please visit his website at: www.KennyG.com Let the music take you‌ SmoothJazz Magazine | 67
Concert Review
Review and Photos By: Lexi Lewis
The beautiful Mahaffey Theatre brings the finest talent in the entertainment industry through its doors one show at a time. The night of Monday, March 7th was no different. On this particular night, the nearly 90-year-old American icon, Tony Bennett, graced the stage before a sold out show - again. But, before he came on, his talented daughter Antonia Bennett opened for him. To my surprise, she came out on stage in a lovely royal blue knee length dress with a white jacket, black heels and a protruding stomach. I had to take a second look to verify that she was performing pregnant! I guess if you’re a Bennett, age nor child-bearing status will stop you from performing. Antonia delivered a stellar performance, for about thirty minutes, before her dad appeared on stage.
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Shortly after she exited the stage, Tony Bennett entered from stage right, walking past the piano as he waved to the excited and applauding audience. He took time to acknowledge the applause as he stood in front of the piano. In addition to the piano, the other instruments on stage were guitar, drums and upright bass. He wore black shoes, black pants, blue shirt, yellow jacket and a blue printed tie. As a nice transition from his opening act to his show, he called his daughter back on stage where they sang a song together. At one point during the song, they did a few cutesy synchronized steps which made the audience giggle. Antonia moved pretty well; stomach and all. After the song, he began his show. He passionately sang a Jimmy Van Heusen song, just him and a guitar. Every note which left his mouth was as pure as his forthcoming grandchild’s innocence. He finished the song, the audience clapped then he motioned acknowledgement by placing his hand on his forehead and quickly pulling it away. As he sang song after song, he held his notes long and clear! Sometimes, as one ages the voice changes a little but his voice, not one bit. In my previous review of his show two years ago, I stated that I’d become a fan. Okay, not only am I a fan but a fan who now wishes he’d only sing to her. His voice is captivating to me. While he stood by the piano the majority of the time, I kept wishing he’d walk over to the edge of the stage so we’d lock eyes and I could give him the most genuine smile I could ever exhibit. Let the music take you… SmoothJazz Magazine | 69
Concert Review He sings so eloquently and tells an emotional story through song so much so that it captures and keeps your attention. However, he did intentionally hum a little in a song but that didn’t matter to me, he could hum the entire song and he’d still have my attention – he’s Tony Bennett! The concert continued but as he spoke to the audience he mentioned he was voted artist of the year AND that he will be celebrating his 90th birthday soon (August 3rd). After he stated that he said “you guys keep me young.” Can you believe Tony Bennett will be 90 years old and he is STILL performing and STILL performing to sold out shows!? He began to sing “Just In Time” but the audience clapped before he got five words out of his mouth; I guess I wasn’t the only one anticipating his every note. After that, he stated he’d sing to us the very first song he recorded “Boulevard of Broken Dreams” from the 1952 debut album “Because of You.” Again, the audience immediately clapped.
Like many of my musician friends, he also has a sense of humor. As he transitioned to the next set of songs, he briefly talked about his project with Lady Gaga (which I own and love) then said “we’d like you to buy that record because she needs the money.” This statement made the audience burst into laughter because we ALL know that’s a joke. 70 | SmoothJazz Magazine
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Concert Review
Next up was a song which I adore “How Do You Keep The Music Playing” but done Tony Bennett style; it was so beautiful. The house lights came on to a standing ovation. He said “should we keep going?” He didn’t need to ask that question as if he would not go on!? I wasn’t ready for it to end and I don’t think the rest of the room was either. After a song or two he picked up a rather full glass of water and started singing the words “It’s a quarter to three…” The show was continuously phenomenal with world class musicians backing the Bennett's. They each played gracefully the entire time and delivered impressive solos when called upon. First the piano, then guitar, then the upright bass and finally the drums. By the way, I noticed the drummer was all smiles the entire show. Nice way to keep the energy up! There was never a dull moment in the show. After he sang “I Left My Heart in San Francisco” he received yet another standing ovation. The theatre brought the house lights up so I took the opportunity to turn and look back at the entire place on their feet. I can only imagine what that felt like to him. Let the music take you… SmoothJazz Magazine | 71
The audience sat back down and he spoke for a few moments again advising us that in June he will be performing for the Royal family. The next topic of discussion couldn’t have been sweeter for me. He spoke of his disbelief of receiving a note signed by Charlie Chaplin thanking him for making the song “Smile” famous again. Here’s where this comes full circle for me. While you, Mr. Bennett, were in disbelief of receiving a note signed by Charlie Chaplin, I was in disbelieve two years ago when I received a note from you at my home, signed by you, thanking me for a wonderful review of your show and the fact that I was a new fan. So, just as you speak of your letter, I now speak of your letter to me! I was in shock and it is now one of my prized possessions, thank YOU Mr. Bennett. But before I close have to tell you that words “if you’ll just down my face at His passionate delivjust touched me to I wasn’t emotional point, he sang “Fly with no microphone of the show! It was that the farthest balcony could hear
this review out, I when he sang the smile” a tear rolled that very moment. ery of those words my very core. As if enough at this Me To The Moon” – my favorite part so amazingly quiet chair in the upper him. Incredible.
He exited the stage after a farewell motion. The audience was on its feet screaming and applauding. He returned to the stage, touched his heart, gave a thumbs up then left again. The audience didn’t want him to go, we needed to see him one more time so the standing ovation and applause didn’t stop. He returned to the stage yet a second time to say farewell. This time he gave a huge smile and two thumbs up then left the stage for the last time. If you have not seen a Tony Bennett concert, you must. Plain and simple. It’s amazing. It’s captivating. It’s emotional. It’s memorable! For tour and other information about Tony Bennett please visit his website at: www.tonybennett.com 72 | SmoothJazz Magazine
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Concert Review
THELMA HOUSTON MOTOWN, MEMORIES & ME!
Review / Photos By: Shumon Hutchinson
From the moment she stepped on stage until the very last second of the show GRAMMY Award winner Thelma Houston was electrifying as she led a packed out crowd at the Catalina Jazz Bar & Grill in Hollywood, CA Motown, Memories & Me! a soulful musical journey starring none other than her life. She sang hits such as “Shop Around” by the Miracles, “Please Mr. Postman” by the Marvelettes and “Love is Here And Now You’re Gone” by the Supremes to describe her early days on marriage and children, she went on to sing gospel to pay homage to her days with The Art Reynolds Singers and did a marvelous job singing her many recordings which span over a 47 year career in music. Playfully mentioning her goal was always to have a “Number one, crossover, elusive hit” her show climaxed when she performed “Don’t Leave Me This Way” which did become her most notable hit record. Houston and her band did an excellent job of storytelling and entertaining through performing some of the greatest hits of the 60’s and 70’s. Proving her statement that “You are never too old to make your dreams come true” Houston continues to take her show on the road throughout this country and overseas. It was fun, heartfelt, entertaining and a definite must see. Let the music take you… SmoothJazz Magazine | 73
International JAZZ DAY
Jazz At The White House By: Althea Turner Washington DC served as one of the host cities for the 5th annual International Jazz Day. From Washington DC to South Africa to Turkey, over 190 countries observed this day of recognition and celebrated some of the top names in jazz. It's was a day for jazz lovers to hear and experience music from across the globe.
Photos by: Steve Mundinger and Natalie Dorris
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International JAZZ DAY It's only fitting that DC was chosen as a host city this year; after all, DC is the birthplace of Duke Ellington, whose birthday is April 29th. Duke paved the way for so many legendary jazz artists; a few of them made appearances at events across the city. It was a day filled with live performances, panel discussions, and inspirational testimonies from the legends to the up-and-coming artists. President Barack Obama and First Lady Michelle Obama also got involved with the day of celebration by hosting an allstar global concert at The White House. The concert featured performances by Herbie Hancock, Robert Glasper, Aretha Franklin, Dee Dee Bridgewater, Trombone Shorty, Esperanza Spalding, Diana Krall, Sting, Marcus Miller, Dianne Reeves and Chick Corea just to name a few.
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Herbie Hancock, Robert Glasper, Aretha Franklin, Christian McBride, Dee Dee Bridgewater, Trombone Shorty‌.
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International JAZZ DAY Overall, this day accomplished its main objective, "to inspire peaceful cooperation and partnership among communities around the globe." Jazz is an American art form, which sends a powerful message across the world, as the music may have many interpretations and variations each expression is a positive influence for one and all. Buddy Guy
Art Sherrod Jr.
At the Kennedy Center the legendary Al Jarreau answers questions from the audience about his influences and gives advice to members of the Thelonious Monk Institute Ensemble. Also joining him onstage is Grammy-Award winning singer and songwriter, Dee Dee Bridgewater. A legend in her own right, she also spoke of how she became a jazz lover at a very early age." Dormeshia Sumbry-Edwards, choreographer and master dance instructor has been tap dancing since age 3 as she shared the stage with both Ms. Bridgewater and Mr. Jarreau. Her performance was phenomenal!
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CD REVIEWS
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New CD Releases 2016
Eric Clapton "I Still Do" 05/20/16 BUY
Kenny Garrett “Do Your Dance" 05/06/16 BUY
Theo Croker "Escape Velocity" 05/06/16 BUY
Snarky Puppy "Culcha Vulcha" 04/29/16 BUY
Yo-Yo Ma & The Silk Road Ensemble "Sing Me Home" 04/22/16 BUY
Jack DeJohnette, Matt Garrison and Ravi Coltrane "In Movement” 05/0616 BUY
Alicia Keys "In Common" 05/04/16 BUY
Miles Davis "Miles Ahead” Sfjazz Collective "The Music of Michael Jackson” 03/04/16 04/01/16 BUY BUY
CD Review Jack’s first ever Frank Sinatra tribute album By: Keivu G. Knox When given the opportunity to review this album by Jack Jones, I was very intrigued. Despite being a multiple Grammy winner, my only familiarity with Jones was that he was the voice behind one of the most iconic TV theme songs in history; “The Love Boat.” After listening to this stellar big band tribute, I will definitely take a deeper look into his catalog. This thirteen track offering serves as a both a birthday celebration and tribute to Jones’ good friend, the Chairman of the Board, Frank Sinatra. With the help of a 22 piece band arranged by Patrick Williams,, Jones is able to delicately move across styles to make these jazz standards his own. The album’s opening track, “Teach Me Tonight,” helps to set the stage for what’s to come. With Dave Grusin carrying the piano, Jones is able to prove that at 78 years of age, he is able to deliver powerful vocals. 80 | SmoothJazz Magazine
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Celebrating the 100th Birthday of Frank Sinatra His version of “For Once in My Life” is a standout track, taking you back to being in a smoky jazz lounge in the 1960s. I found it hard to pick a favorite song from this project, because of how consistently strong it is. Two of my favorites were “Only The Lonely,” and “It Was a Very Good Year.” Both showcase how Jones is able to command the song, while allowing the music to complement emotional deliveries, The arrangement and evolution of these songs help to give these standards a level of emotion to make them sound new again. This was not an album that sounds like a simple tribute; it’s almost as if Jones was writing a musical letter to his good friend.
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No song on this album captures this feeling better than its closer, “The Singer.” It is easy to feel every word that Jones sings, and you can also feel the love, appreciation and admiration that Jones had for Sinatra. To take iconic songs from one of the greatest performers of the 20th century, and craft them into a proper tribute is not as easy task, but Jack Jones truly delivered. This is an album that not just Frank Sinatra fans or Jack Jones fans will enjoy, but music fans in general as well. Let the music take you… SmoothJazz Magazine | 81
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CD Review CD Reviews Review By: Keivu K. Knox
Photos By: David Johnson
10/25/16
Nick Colionne’s latest offering has simply become one of my favorite albums to be released this year, and based upon its strengths, it may end up on my “Best of 2016” list. It is THAT good. When I listen to albums, I tend to focus on the name of the album, and try to figure out if there is a correlation between it, and the content. After only one listen it is easy to figure out that this album is a truly musical journey. The first song on the album is in fact the title track and the lead single. It has a nice uptempo groove that serves as the perfect opening song. The next Let the music take you… SmoothJazz Magazine | 83
song on the album is aptly titled “Buckle Up.” Co-written by Chris “Big Dog” Davis and featuring Najee on the sax, this track was one of my favorites from the first time listening to it. When listening to Colionne and Najee play off each other, this song is one you have to buckle up and prepare for how great it is! Another one of my favorites is “Say What’s On Your Mind,” which features James Lloyd from “Pieces of a Dream.” Lloyd also adds his keyboard touch to the track. This is a song that could easily be the second single from this album. It has that perfect summertime feel that would be the perfect background music for any and every event. There are so many great songs on this project, that I find myself listening to the album from start to finish at one time. There’s no filler or songs that you feel comfortable skipping. “Just Another Slow Jam,” is an instant quiet storm classic. “Joint Is Poppin,” is a song that I can easily see being the next anthem for steppers and ballroom dancers, especially when considering Nick’s Chicago roots. By the time you get to the album’s closing track, appropriately titled “Closer,” you feel as if you have been on a ride with Nick, and it’s a journey that you don’t want to see come to an end.
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CD Review By: Keivu Knox
Review By: Maria L. Lewis Let’s go on a musical journey with Esperanza Spalding with her latest album titled “Emily’s D+ Evolution.” This is the singer-bassist 5th LP, and a theatrical concept album revolving around a central character named Emily, Spalding’s middle name. This album is on another level of Artistry for this extremely talented and eclectic Artist. The first song is her latest single called “Good Lava” with its Rock and Roll flavors, electric guitar, and thumping drum patterns. “Unconditional love” and “Judas” are
silky smooth with its laid back tempos, catchy melodies, and complex drum cadences. Another single released is “One” rich in dissonant tones, but yet causes you to enter into melodic bliss and pleasure in your listening ears. “Rest in Pleasure” has a vocal arrangement that is portrayed as a refined instrument-taking the level of creativity to higher dimensions; followed by a fun tune called “Elevate or Operate” with its driving bass line, and hypnotizing vocal arrangement. She is definitely making a
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strong statement with “Funk the Fear” that is bound to wow guitar lovers with its complexities, and a fist-pumping calland-response style. Don’t snooze on Esperanza! Her musical tastes and skill in multiple genres is very impressive to say the least. She is singing with a retro vocal styling throughout. Her performance resembles the same sort of Rock/Funk style that brings Prince and Janelle Monae to mind – yet remaining true to keeping the harmonic language rooted in Jazz. Esperanza Spalding is miles ahead of her time. Absolutely brilliant!
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CD Review Review By: Keivu K. Knox In our current musical landscape, it can be cool to say you were a fan of an artist before they found huge commercial success. It is fun to see the rise of an artist, watch them grow and develop, and once they reach the masses, know that you followed them every step of the way. Why do I mention this? Simply put, if or WHEN you purchase the debut album by Kandace Springs entitled “Soul Eyes,” you will immediately know that you are witnessing greatness beginning to sprout. This Nashville native may only be 27 years old, but her musical content will make you believe she’s spent a lifetime in the business. Echoing such greats ranging from Roberta Flack to Norah Jones, Springs ‘effortless vocals and piano playing is a true breath of fresh air. On the album’s title track, for instance, she more than holds her own on piano while Terence Blanchard’s trumpet compliments her every vocal and musical move. The jazz standard from Mal Waldron will satisfy listeners that yearn for the traditional jazz ballad. The other Blanchard/ Springs collaboration, “Too Good To Last” was written by Springs, is cut from a similar cloth the title track, serving as a possible contender for a modern-day jazz standard. Let the music take you… SmoothJazz Magazine | 87
CD Review By: Jerome Jackson Gregory Porter the Grammy Award winning artist returns with his latest album “Take me to the Alley.” The new album release date May 6, 2016 as he releases two singles 'Holding On” featuring Kem and “Don't Lose your Steam.“ Delivering on the promise of his million-selling Grammy Winning Blue Note debut "Liquid Spirit." Gregory Porter latest project blends his smooth and rich soulful sounds that we come accustomed to as "Don't Lose Your Steam" is dedicated to Porter’s threeyear-old son with encouraging lyrics about staying committed to one’s goals regardless of hardship, this amazing baritone blues jazz vibe certainly gets your attention while the title track Take Me To The Alley speaks to the humanity in all of us. A favorite track of mine “Insanity” is such a beautiful piece that is lyrically smooth it just melts you away. “Don't Be A Fool” is simply amazing and “French African Queen” is a upbeat dance piece that's a little funky but smooth enough to definitely groove to. Mr. Porter's gives fans a bonus track, a radio remix of “Insanity” which features Lalah Hathaway as two of today's most gifted poets blends together. The album's is certainly a great buy if you enjoy jazz vocals from time to time. This CD certainly highlights and showcases Mr. Porter's unique style and his wide range as a true jazz artist and has set him apart and vaulted him to the top. I give this beautiful and well crafted CD Two thumbs ups and a must have in your collection. 88 | SmoothJazz Magazine Let the music take you…
CD Review By: Eryn K. Bozeman Photo By: Muga Miyahara Hiromi “Spark” has the intensity of a day at the amusement park for me. You start the adventure with the piano solo on “Spark,” and that’s the feel of your arrival. The song makes you jump right in, you are riding a roller coaster, the feeling of climbing and rolling, then suddenly the songs intensity takes you whirling and flying with excitement. When you disembark, you’re going to try something new, and find “Trance,” still delivers the variety of loops and air-time fun as “Spark.” To catch your breath you find your sweet lovers lane ride in the song, “Take Me Away.” This song is one of my cd favorites. It has a beautiful feel and I tend to put this song on repeat, a lot. As you listen, song to song, I couldn’t help think of the different rides it was taking me on, from the passion of “Dilemma,” the soulful feel of “What Will Be, Will Be,” and on to “Indulgence” which is my #1 on this cd. The destination for this amusement park is truly “Wonderland,” the song has cheerful, enjoyable, fun, with a splash of cotton candy wrapped up in 5:42 minutes. It feels so brilliant, that just like your favorite roller coaster ride, you tend to ride over and over. The talent on this project explodes, and you feel all the energy and excitement intended while creating it. In my opinion, Hiromi’s talent is incomparable and “Spark” is jazz genius. In conclusion, I have to say, those who know me, know keyboardist are my thing. I Let the music take you… SmoothJazz Magazine | 89
love them intensely, and this cd delivers all the components my little heart desires. I could not end this musical thrill ride without saying this cd is musically intense and not the one you pop in to chill. This is for the jazz lover who listens to enjoy, get happy, pretend to play along, and feel every note. Please, don’t take my word for it, let “Spark” ignite you on your own musical ride, and see where the journey takes you. Will it be an amusement park, an ocean voyage, a hike in the mountains, or a winding road in Italy? Push play, only you can tell. More on Hiromi Here:
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CD Review By: Maria L. Lewis
You can almost taste the sweet Funk from the highly anticipated album titled “BWB.” This is the third collaborative album for Norman Brown (guitar, vocals) Kirk Whalum (sax, flute, vocals) and Rick Braun (trumpet, trombone, flugel horn, vocals) have cooked up since 2013 – following their combo trio “Human Nature” a tribute to Michael Jackson’s songbook. The trio comes in strong with “Triple Dare” with the rounds of solos, and then coming in collectively on the hook like Jazz heavyweights. Followed by the track “Bust A Move” a fun vocal track with a trendy keyboard solo. “BWB” is the 1st single released which is listed on Billboards Top 10, with its nice old-school feel; while the track “Memphis Steppin” Whalum’s Memphis roots comes shining through, and has a nice organ accompaniment as its backdrop. “Hey Baby” has a soul-based groove, and features the three on vocals – adding a very pleasing touch. The last track of the CD is a funky tune titled “ Turn Up.” It will surely make you want to get up and dance! You can't go wrong when these 3 collaborate together. As they play classic, smooth Jazz, R&B, and Funk in one setting. “BWB” is a nice selection to add to your Jazz music collection or library!
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"Even as the melodies, harmonies and rhythms soar, one is immediately struck by the message of the songs, for the message is what SWEET HONEY is all about." -- PBS
Friday, May 13, 2016 at 7:30pm Reserved Seating Tickets: $35-$38
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CD Review Review By: Eryn K. Bozeman This cd was a new challenge for me because my spiritual music is truly more main stream. Sweet Honey In The Rock pulls your soul to places you have deep and hidden inside. This musical journey will take you on a trip from the banks of the Mississippi, to the cries for peace at the #blacklivesmatter marches. Sweet Honey In The Rock challenges you to find your happiness, truth, and your personal place in all of today’s inhumanity. I found myself imagining I was sitting on a porch down in Mississippi listening to “Somebody Prayed For Me,” and “I Don’t Want No Trouble At The River.” Sitting, rocking and singing along with a bonus of Dr. Maya Angelo’s poem “When Great Trees Fall,” added in to intensify the journey, like sweet iced tea on a hot summer day. The journey soon leaves the old Mississippi porch, dresses you in your best Sunday clothes and you’re rejoicing at your favorite church. This feeling comes to mind with “Operator/Jesus On The Mainline/I Don’t Know What You Come To Do,” also “We Have Come This Far By Faith.” The ride does not end there; the group then takes us to the present, and reminds us that today we face many tense issues. Their voices
CAROL MAILLARD
AISHA KAHLI
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LOUISE ROBINSON
NITANJU BOLADE CASEL SHIRLEY CHILDRESS
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#LoveInEvolution
address race relations, as well as victims in the songs “OH, Sankofa,” and “Second Line Blues,” asking your spirit to do its part. The cd has its own unique chant and resonance that I found engaging, with that said, I can’t forget their cover of Marvin Gaye with two songs from his “What’s Going On” cd. They recreated “Mercy Mercy Me,” and “Wholly Holy,” with their rare style, reminding us, as did Marvin, that things are changing and we need to wake up. My personal favorite track on the cd is “The Living Waters.” This song seems to flow gracefully along, like a stream. The harmony is incomparable. There is something about the song that makes you feel so good; you will find yourself repeating it a few times. The lyrics give a sense of responsibility to save our planet, and to respect what we have a little more. I challenge others to hear this song and see what they feel. As always, I have to reach back and learn something while doing my cd review. This group was new to me but not new to the world of music. This group has been committed to make their styling of music from African American tradition and experience since 1973. It’s a group of strong black women pushing for peace, justice, and love through their extraordinary quality of song. I find their a cappella style moving and I hope their vision for peace and equality is heard worldwide.
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