SNEHA PATEL
PORT F OLI O Spring 2021
SNEHA PATEL
308 E White St., Apt. 05 Champaign, IL-61820 +1(217)-305-3058 patelsneha2417@gmail.com snehap2@illinois.edu www.linkedin.com/in/sneha-patel-130690191
Education
Master of Architecture - concentration in Urbanism
May 2021 (expected graduation) | University of Illinois at Urbana-Champaign
Bachelor of Architecture
May 2018 | Andhra University, Visakhapatnam (India)
Certifications
Experience
Licensed Architect - CA/2019/107079 2019 | Council of Architecture, India
Graduate Teaching Assistant - Architectural History subjects Arch 416 &
Arch 417
Spring 2021 & Fall 2020 | University of Illinois at Urbana-Champaign
Ricker Report - Graphic Designer Spring 2021 & Fall 2020 | University of Illinois at Urbana-Champaign
Space Management Intern Summer 2020 | Facilities & Services at Univeristy of Illinois at Urbana-Champaign -Responsible for surveying campus buildings, collecting data & updating plans in AutoCAD. -Maintaining the latest data records in ArchiBus (comprising of building data, floor data and room data)
Graduate Student Hourly - Woodshop assistant at the Fabrication shops Spring 2020 | University of Illinois at Urbana-Champaign
Freelance work Fall 2017-Spring 2018 | Visakhapatnam, India -Design development and project delivery of small scale residential interior projects -Design development of a commercial lodge. -Furniture design - sofa & corner table -Design and execution of a set backdrop for a wedding event -Managerial assistance in family-owned plywood manufacturing unit:
Intern architect - Apurva Amin Architects 2016 | Ahmedabad, India| Mid-rise residential and commercial projects team -Involved in schematic designs, team discussions, development and issual of drawings including construction drawings, site drawings, detail drawings - Regular site visits and inspections for the projects
awards AND RECOGNITION
Volume zero Architecture design competition - Tiny Library 2019 | Secured a position among top 50 entries
Graduate Excellence awards - Earl Prize Nomination Fall 2019 | The Folly at Allerton Park
Ethos - Saint Gobain Transparence two-day design charette
2015 | Team Qualified for the semi-final round | Leader of team | Chennai, India
Late Sri B.r. Raju Memorial Award
2014 | Standing first in class | Awarded by CREDAI, Visakhapatnam, India
CONFERENCES
AIA Aspire - Illinois Student Leadership Conference September 2020
ArchiTech Show by Indian Institute of Architects 2016, 2015, 2014 | IIA, Visakhapatnam Chapter
SOFTWARE
Architectural Drafting & Modeling
AutoCAD, Revit Architecture, Rhinoceros, SketchUp, 3DSMax, Grasshopper
Graphics, Rendering & Data Visualization
Photoshop, Illustrator, InDesign, VRay, Lumion, TwinMotion, ArcGIS, Adobe Dreamweaver, Adobe Aftereffects, Adobe Sketchbook Pro
Energy Modeling
Covetool, Climate Consultant
Other SKILLS Languages
Experience in CNC routing, 3D Printing, Laser-cutting, Model making, Photogrammetry, Sketching, Hand-drafting, Organization, managerial and interpersonal skills.
English
Proficient | Second language
Hindi, Gujarati, Telugu
Proficient | Native languages
ORGANIZATIONS
AIA Illinois
Student Member
NOMAS, Ricker Report, Council of Architecture (India) INTERESTS
Hand-lettering, Fiction, Bowling, Fashion design, Graphic design, Art, Bollywood
ACADEM
The Zenith The URBANA(A) S The Folly of Chan The Living Ruins
COMPET Project CO-LAB
CLASSW
Experimental Env Beach(front) Plea Form Follows Mo
WORK
Internship works
MIC
AC
TITION
CO
Studio nging Natures s
01 02 03 04 05
WORK & RESEARCH CL
velope ase! otion
06 07 08
s
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WO
THE ZENITH Mixed-use High-rise building in Streeterville area, Chicago, IL Fall 2020
Prof. Armstrong With Ishan Rakshit Ushma Karia
The project is designed to explore the relationship of the high-rise building to a complex physical, social, and environmental context while engaging issues of detail and construction in expressing architectural ideas and concepts. The site is located on the north bank of the Chicago River in the 200 block of Chicago’s Streeterville District, immediately south of the NBC Tower. North Cityfront Plaza Drive on its western edge, North Water Street on its northern edge, and North Columbus Drive on its eastern edge define the site. Even in the current recession, this is an area of growing demand for housing and hotel accommodations.
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Right: Perspective rendering of theZenith in surrounding context
Conceptual Development and Layers of Structure The site is tricky, it has access on multiple levels. The pedestrian movement is allowed through the north-east and the north-west of the building. The pedestrian movement parallel to the Chicago river is also kept in mind.
Megacolumns and Outriggers
The structure is majorly supported by three outriggers at optimum levels. The mega-columns help support the slabs and transfer loads efficiently.
The flow of the spaces and user movement is kept parallel to the flow of the river. The functions of the hotel and condominium are seperated at the entry level itself and are also kept separated vertically.
Floor Slabs and Spaceframe
RCC flat slabs have been used. The self-supporting space frame and mullions help in supporting the unique and organic skin allowing the flowing aesthetic of the building.
Curtain Wall System and Skin
The flow of the Chicago river was the main conceptual inspiration for the project. The flow is dynamically represented with a flowing space frame that begins from the riverwalk level and guides the eye up gradually towards the zentih. Conceptual sketches and layers of structure diagrams
RCC flat slabs have been used. The self-supporting space frame and mullions help in supporting the unique and organic skin allowing the flowing aesthetic of the building.
Crown +1180ft SKY GARDEN - 78th floor
The sky garden offers view of the city and is a part of residential amenities
Outrigger 3 +1050ft
RESIDENTIAL UNITS - 41 to 73 2 BHK units (two types) and 1 BHK units condominiums occupy these floors
Outrigger 2 +440 ft
HOTEL UNITS - 12 to 40
Standard rooms and Luxury suite rooms occupy these floors. Total 270 units
ATRIUM HOTEL AMENITIES WINTER GARDEN BALLROOM
Outrigger 1 +90 ft
PARKING
Section cut horizontally through the site
Riverwalk Level Plan : The plan shows the interaction between the restaurant, ballroom and the riverwalk. The public pedestrian circulation is maintained around the site with the help of steps flanking the building from the North-east and the North-west
Part section through the Atrium
Plaza Level Plan : The plaza level has the entrance lobbies for the hotel and the condos. The elevator lobby is kept divided for the two functions. Leasable spaces to the East are accessible directly from road level. The winter garden and steps to ballroom are to the West.
The Spaceframe forming a canopy at the Riverwalk
Rays shining through the canopy in the winter garden
Typical Hotel Floor Plan (Levels 12 to 40)
Interior View of the Luxury hot
Typical Residence Floor Plan - 1BHK Units
Interior View of a master bedroom
tel suite (from the bed)
m in the residential units
Interior View of the Luxury hotel suite (from the living area)
Interior View of the Living and Dining area in the residential units
Bedroom
Bedroom
Toilet Bar
Dining Area
Bar
Study/ Work Area
Dining Area
Living Space
Detail Unit Plans showing the upper and lower levels of a 2BHK Duplex unit
Typical Residential Floor Plans - 2BHK units
Living Space
Blown-up section showing the Facade detail : The curtain wall includes PV Panels on the spandrel and air inlet channel that allows fresh air into the units
Interior View of the Dining and Bar area in a 2BHK duplex unit
Section through a typical 2BHK Duplex Residential Unit
Recycling Strategies Adopted Several strategies are integrated in the design to allow for energy regeneration. Recycling points within the building allow the paper and plastic waste to be recycled. The bio-waste from the gardens can be utilised in generating biogas that can be used to power the fan-coil units and the water heating.
MECHANICAL
RECYCLING BIO-GAS
Paper, plastics and cans are recycled in the recycling floors
The bio-waste from the gardens and the units is recycled into bio-gas that is used as clean energy
Waste management cycle for recycling Bio-waste is collected from gardens Bio-gas is used to power the water heating and fan-coil units
Diagram showing the locations of the Recycling and Bio-gas treatment units
MECHANICAL
Generating Clean Energy Photovoltaics are placed on the roof and on the spandrels. Wind turbines in the crown allow for energy generation, especially in the windy conditions of Chicago. The precipitation is harvested from the roofs and taken to the ground. This water can be utilised for the landscape.
WIND TURBINES
PHOTOVOLTAICS
Building integrated photovoltaics on the roof and spandrels
at the top of the tower, can generate up to 1.19 million kwh of green power per year
MECHANICAL
RAIN WATER RECYCLING
The precipitation is recycled and reused for the sky-gardens, toilets, and cooling and heating systems.
MECHANICAL
Rain water is harvested from the roof to the ground
MECHANICAL
The Wind turbines are used to power the Fan coil units The PV Panels on the roof and on the spandrels allow for clean energy to be generated on the building
WATER COLLECTION TANK
Diagram showing the clean energy strategies and rain water harvesting cycle
Left (Top to Bottom): The Sky Garden, View of the riverwalk, View of the Zenith from a yatch on the Chicago river. Right: Study model in scale 1:20 (HDF, Wooden dowels, matte board)
THE URBAN(A) STUDIO Integrating the Krannert Centre of Performing Arts with the community Spring 2020
Prof. Benjamin Bross The studio was dealt in a unique way. For the mid-term, we worked together as a studio to come up with a masterplan for integrating Krannert with the community. The next half involved explorations, individually or in teams of two, on different pockets of the whole masterplan. The KCPA occupies a large area and has become an island in itself. This studio explored ways of blurring the boundaries and making Krannert more accessible to the public, both physically and visually.
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Diagrams showing the built and unbuilt in the scope of the project
Sections draw
Initial Urban Analysis
The KCPA sits like an unscalable fort in a part of campus that is a transition between the campus and th understand all aspects of the project we carried out studies on the physical factors, vehicular traffic, built, unbu demographics, zoning, climatic analysis. Through sections, we were able to identify how Krannert’s edges surroundings. Through diagrams, we were able to identify potential sites for interventions.
View of the W.Illinois st. from KCPA
View of the front steps of KCPA from Goodwin
Edge of KCPA t
Diagram showing main building entrances
wn during the Urban Analysis Diagram showing routes to the Arts district
he Urbana community. To uilt, pedestrain movements, s were interacting with the
towards W. Oregon st.
Diagram showing bus routes around Krannert
Masterplan Developement The main goal of the project was to connect Krannert to the community. After many iterations and careful studies, the following were decided: -To develop an Arts District around KCPA which would include the Music school, School of Performing Arts, Culinary Arts school, Mixeduse buildings to generate income, Parking structures, Dog park, Multiuse University building, Krannert Art museum with the Sperlock museum
Identifying the major approach roads which may guide people towards Krannert
-To soften the harsh edges of Krannert with landscaped gardens -To limit vehicular movement by limiting traffic directions -Increasing Pedestrian activity by broadening and designing better sidewalks and bicycle lanes -Opening the East end of Krannert to form a large central plaza that would direct all the axes from Urbana to Krannert and from campus to Krannert Proposed sites and axes of developement
Masterplan Study Model built by the team
Right: East Axonometric of the Site
The existing c to proposed c and spaced tr
Centre for Performing Arts (Reaching out to Kra
For the second half of the semester, I dealt with the Kran temporary accomodation to the travelling artists and stu additional office spaces etc.
My main concept was to maintain the axes: the N-S axis w and a diagonal axis to connect with the proposed plaza t
The building form could echo movements and reach out to Krannert
Above: Conceptual developement of Krannert North Right: Site Plan showing the axes
condition of sharp edge and dense trees condition of extended sloping vegetation rees for more visaul connection
annert from across the street)
The Krannert North would transition from enclosed, semi-enclosed to open with help of widened sidewalk
Providing shade and seating to provide comfortable pedestrian movement
nnert North, a Performing arts centre that would house the School of Dance and Theatre, apart from providing udents who come to perform at Krannert. The building would also house the spillover spaces from KCPA like
which would connect Krannert North, KCPA and the Music school, the E-W to connect campus and community, to the East of KCPA.
Performing Arts
Krannert
School of music
Corner of Illinois and Goodwin: The undulations guide people along E-W axis and seem to connect to Krannert
Entrance canopy of Krannert North: It points towards the palnned water body and open plaza by Gregory
The viewing bays with Shoji screens: when people get a glimpse of what’s happening, they become curious
SECTION AA Scale 1:300
Street Section through practice spaces and sloped grass
Vegetation & Material Pallete Trees : dogwood, Bushes: Trailing juniper, Grass: Bluestem & Prairie dropseed Benches: Wood + concrete, Dustbins: Steel + wood/concrete (encasement) Paving: Concrete and brick in combination with grass Elevation Plane : Brick (Strecther Bond) Screen : Acrylic Shoji screens with wooden frame Roofing : Green slate shingles Lights: cobra heads and lantern top
Axonometric view from South-west
Axonometric view from South-east
SECTION BB Scale 1:300
Street Section through accomodation spaces and stepped landscape
THE FOLLY OF CHANGING NATURES Design+build project at Allerton Park, Monticello, IL Fall 2019
Prof. Aaron Brakke With Musa Ali Muhammed, Jingran Xu, Clayton Overmeyer, Akshay Srinivas, John Dohse, Bryan Samuel, Ivan Damian, Juan Sebastian Pazmino, Efrain Arujo, Marc De Antonio Ventura Contribution: Primary phase of design, Fabrication (Footing and folly), Material Catalog, Physical manouvering,Publication
The first phase of the studio was about studying Allerton Park and finding suitable sites for designing the folly and coming up with individual design options. Gradually, the number of design options receded by combining similar ideas. After the mid-term, the whole class were tasked with coming up with one design that was to be built and installed at Allerton. The folly was to be designed as an “observatory for changing natures”
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Right: Images from the site - Allerton Park, Monticello, IL
Conceptual Development This folly celebrates the scenery through framed views, material expression, interior experience and the journey to arrive at the folly. Initially situated deep in the woodlands, their adjacency to the ancient mounds led us to minorly shift to a clearing next to a cliff overlooking the Sangamon River, the mounds and the natural vegetation. This site was also next to a hiking trail, which allowed for high visibility of the pavilions as one treaded on the trails. The iterative process led us to the development of Nature Boxes- a set of three 650 cu.ft framed structures, which through their position, incline, elevation and enclosure system, frame distinct experiences for the visitors. The Skybox celebrates the aerial view of the top of the tree set against the dramatic skies, the Treehouse celebrates the sense of elevation from the ground, while the viewer looks at the trunk of the tree and the river in front. The Portal provides a gateway to enter into the clearing, which essentially becomes a site of heightened contemplation.
Conceptu
Site Plan
Site Plan of the Robert Allerton Park
E-W Sect
ual developmet
Skybox
Sangamon river
tional elevation through the site
Riverview
Portal
Blue Trail
1. The Portal
Enter the Portal and find your sanctuary in Allerton Park
Left to right : Section, Plan, Isometric view, View from the Portal
2. Skybox
The Tree
Tree C
anop y
Lay down in Skybox and look up at the tree canopy
Left to right : Section, Plan, Isometric view, View from the Skybox
3. Riverview
Take a seat in Riverview and enjoy the tree and the Sangamon River
The Tree
Sangamon River
Left to right : Section, Plan, Isometric view, View from the Riverview
Top: Details of the structure and wooden joints Bottom: Deconstruction of an old chicken coop on site to procure material for cladding
Top: My explorations with hand made wooden joinery Bottom: Deconstruction of an old chicken coop on site to procure material for cladding
0,05 [2"]
0,23 [9"]
0,04 [2"]
0,96 [3'-2"]
0,09 [4"] 0,22 [9"]
1 [3'-3"]
0,22 [9"]
0,22 [9"]
0,46 [1'-6"]
0,08 [3"]
0,15 [6"]
0,23 [9"]
0,05 [2"]
0,04 [2"]
0,09 [4"]
0,46 [1'-6"]
0,08 [3"]
0,15 [6"]
0,09 [4"]
0,07 [3"]
FROSTLINE
0,09 [4"]
0,22 [9"]
Top to Bottom: Details of column footing, Final Trial of column footing, Second Trial of column footing First Trial of column footing
(Right) Clockwise from top left: The Sky Box The Portal, The Riverview The Skybox in Nature at UIUC ,
THE LIVING RUINS Adaptive Re-development of an Archeological site as a tourist spot, Bavikonda, Vizag, India Spring 2018
Undergraduate Architectural Design Thesis under Prof. Sudheer Kumar The aim was to design a cultural tourism centre that would reflect and bring back the context of the archeological sites by bringing the heritage factor to the forefront, while catering to the contemporary needs of tourists. Visakhapatnam has a special place on the World Buddhist spots. Bavikonda is one of the oldest Buddhist sites of Asia which has wells for the collection of rainwater. Bavikonda Monastery dates back to the 3rd century BC.. Today, the ruins lie scattered on the hill, overlooking the crescent coastline stretching all the way to Bheemili. However, the tourists visiting these places have problems in accessing basic amenities.Also, the ancient context of the place is missing and the laymen fail to get a clear picture of the past.
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(Top to bottom): The administration centre of the Meditation wing The pond at the Peace garden Perspective view of the viewing bridge
Conceptual Development
The concept of an experiential loop is followed. Visitors first experience the story of life of Buddha in a Narratorium, followed by viewing bridge to view the ruins of the heritage site. The visitors can then relax in the Peace garden. The next stop is a Prayer hall where people can meditate/pray. The Archeological museum would then enrich people with interactive learning. The experience is incomplete without refreshments, all food items are inspired from Buddhist habits.
The Transposition of the term camouflage into realm of architecture as a strategy of spatial adaptability and as a model for the growth which provides for reconciliation between the to-be built and the existing context, all the while retaining & respecting the original character of the archeological site.
The built form has to “not” stand apart from the surroundings. The forms have to be lucid to appear natural-using natural materials and colour palette The primary goal is to create spaces of use for visitors, to enrich themselves about the historical and cultural aspects of the archeological site by experiencing the spaces. There is also a simultaneous effort to re-develop or to bring back the core use of the Archeological site,i.e a Buddhist centre of learning and meditation.
Top: Site Location Bottom: Site Plan
Clockwise from top left: Perspective view of food court, Details of the Canopy Perspective view of the Ampitheatre Interior view of Food court
Top to bottom : Plan of the Entrance Plaza Section At AA’ Front Elevation Interior view, Perspective view
Left : Perspectiv eview of the prayer hall Righ(from top to bottom): Conceptual development Plan of the floors Section AA’
The Stupa form is studied and the east-west axis is made the basis of the concept development . The dome of the stupa is made hollow and it forms the main hall for prayer. The levels are split to form two zonesone for the monks and disciples and one for the visitors The prayer hall is planned as split level - the basement has Shunyagrahas (private meditation chambers) for members of the meditation wing and the prayer hall which can be visited by visitors for meditation and prayers. The entries for both levels is separated to allow maximum privacy.
The Narratorium’s function is to “narrate”. Its best achieved by experience of the user – by senses of vision and hearing. The change in heights of roofs and twists and turns of the walls generate interest and create a different setting for each of the chapters of the story to be narrated, while blending in the context owing to use of the materials.
Top to bottom: Plan of the Narratorium Typical section through a passage, Typical section through viewing space, Perspective view of the Narratorium
The Archeological Museum has following functions: Exhibiting the actual artIfacts Virtual recreation of exhibits to describe their original form Making the visitor aware of the context Ancillary activities like seminars and lectures on the context of the site. The visitor’s movement is constrained in a path to allow them to experience the exhibits in a logical order. Levels plays an important role in experiential spaces- as justly experienced in the new acropolis museum and also F.L Wright’s Guggenheim.
The ramp takes visitors on a journey of artIfacts retrieved from the site, leading them to the viewing gallery- where they can visualize the context and surroundings in reality. From there, they are lead into the holographic gallery, where their visualizations are transformed into virtual reality for them to live the past. Top to bottom: Conceptual development Floor Plans, section AA’ Perspective view of the Museum
PROJECT CO-LAB Community Lab: Rural Library that serves as a community centre, Dholavira, Gujarat, India Volume Zero Tiny Library Competition 2019 - shortlisted top 50 With Ishan Rakshit, Sterlee Rajaseelan Dholavira is a village in Gujarat, India that has ruins from the Indus valley civilization. The tourism is the main source of income and over time, the arts and crafts of the region is being forgotten. The village lacks internet, a community centre and even a library. We explored how the functions of library could be combined with community functions like common gathering space, arts and crafts learning centre, weekend markets, internet centre and a library for all age groups.
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Right: Perspective view of CO-LAB
“Education breeds confidence. Confidence breeds hope. Hope breeds peace.” - Confucius Knowledge should be universally accessible across all age groups and all sections of society. Dholavira is a community that largely thrives on tourism and we believe that instead of teaching them inapplicable irrelevant new subjects it would help them much more if their existing skills are honed.Dholavira is a community that largely thrives on tourism. It would benefit them more to learn from practical experiences to hone their existing skills rather than theoretical framework.
Left: Conceptual development , Top right : Detail of retractable storage tables, Bottom Right : Plan of the project
Top: Section At A-A Bottom: Section at B-B
Top: Handicrafts Studio - Bandhani, Block Printing and more Middle: Kid’s Library twith retractable Tables with storage Bottom: Library - Stepping towards a better future
E X P E R I M E N TA L ENVELOPE Experimentation, Analysis and Design of building envelope for an office building in Miami, FL Fall 2020
Prof. Scott Murray An iterative design process based on experimentation and analysis of building-envelope form and performance. Working individually and using threedimensional modeling software with an energyanalysis plug-in, we learnt to evaluate our design decisions in real-time and to use data to inform future design iterations. The goal was to develop building envelope designs that achieve high levels of energy performance in response to a specific climate, while simultaneously realizing the designer’s aesthetic and formal intentions.
Perspect
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tive View from SOUTH-EAST
Perspective rendering of the Office building from SE
North/West Elevations
Covetool analysis report for the envelope
Interior on 3rd Dec12, June 21Interior at 12:00 noon, facing East Interior view view looking east, floor view looking east, 3rd floor December 21, 12:00 PM
VATIONS
Elevations
June 21, 12:00 PM
South/East Elevations
A
B
C
D E F
A Roof construction: 60 mm gravel fill bituminous sheeting 140 mm thermal insulation 200 mm hollow-core slab B Wall construction: GFRC Panels cladding 150 mm concrete masonrywall 120 mm thermal insulation 12.5 mm plasterboard vapour retarder 12.5 mm plasterboard C Double glazing: 10 mm float glass + 15 mm cavity + 15 mm laminated safety glass D 18 mm medium density fibreboard, lacquered white E 60/40 mm steel section, powder coated F floor construction: 60 mm cement screed 60 mm compression distribution slab/ underfloor heating screed Deatiled section of envelope
BE ACH(FRONT ) PLEASE! An exploration of advanced communications class to develop a website for a project proposal Fall 2020 Prof. Craig Reschke The aim was to propose a project that deals with the theme of “Excess” and to explore advanced communication tools to convey the ideas related to the proposed project. The end deliverable was to code a website that would explain the whole project. Can the sea be explored as “Excess?” The site is located in the coastal city of Visakhapatnam (also known as ‘Vizag’) in the state of Andhra Pradesh (India). It lies nestled between the serene hills of the Eastern Ghats and the coast of Bay of Bengal. While the remaining areas of beach are developed substantially,this stretch has sewage discharge points and is not maintained. This project deals with the Excess of land and water resource that lies on the beach unused. The main idea is to explore the possibilities of developing strategies to turn this eyesore of a place to an experiential public destination for all things fun.
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Note: scan the QR code to access the website designed for this project
Perspective view of the filtration garden
The pier
The boardwalk - lounge area
Site plan: The different zones
The garden and seating spaces extending to the beach
Transitional landscape elements surrounding the filtration garden
FORM FOLLOWS MOTION A Transformable Structure Fall 2019 With Ishan Rakshit, Sterlee Rajaseelan, Delnaaz Kharadi The deployable structure is an expandable and contractible structure. The deployment can be categorized in different types- radial, translation or axial. The deployment depends on the connection details and shape of the members. In this project, the deployment of the wall has been explored by using ‘eccentric’ central connections in polar scissor elements/members. Three arcs have been used to develop the profile of the wall. The wall deploys in the vertical and horizontal directions.
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Right: Different stagesof deployement of the structure Note: Scan the QR code to view the process
Pictures clicked at different stages of making
Top: Scissor elements and connection details Middle: Isometric view of the horizontal and vertical elements connected in position with connectors Bottom: Detail of hortizontal member connection
Top: View of the wall fully deployed Bottom: Geometric design process
INTERNSHIP WORKS Apurva Amin Architects
Ahmedabad, India (2016-17)
The responsibilities at the internship included exploring design options, team discussions, drafting of drawings and details, site visits. Note: The internship portfolio was a printed document from which the following pages are excerpts. The company policy only allowed for interns to obtain a portfolio printed in the office for personal use.
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Right Top : Binori Pristine - Residential cum Commercial towers at Ahmedabad RightBottom: Sky City - A gated community township at Ahmedabad
Aerial view of interior roads and pedestrian paths in Sky City gated community, Ahmedabad
Club-House at Sky City gated community, Ahmedabad
Ratnaakar Beaumond, Residential Mid-rise, Ahmedabad
3BHK Luxury villa at Sky City gated community, Ahmedabad
SNEHA PATEL snehap2@illinois.edu +1(217)-305-3058 University of Illinois at Urbana-Champaign