Issue 15: 8 February 2021

Page 25

8 FEBRUARY 2021 http://soasspirit.co.uk/category/culture/ Culture Editor: Elizabeth Edwards

Culture

When will the film industry go back to normal? Yasmine England BA Development Studies

The smell of fresh popcorn, the extra-large fizzy drinks, the (painfully) expensive sweets and chocolates. Going to the cinema is an

experience we all enjoy. It allows us to be completely immersed into another reality and to escape from whatever else is going on in our lives. We’re able to feel connected to others without a single word, all experiencing the same emotions and gripped by the huge screen and loudspeakers.

A drive in movie theatre with tens of cars facing it. (Credit: LA times, 2020)

However, the pandemic has had a large impact on the film industry since 2020, closing down many movie theatres and repeatedly postponing the release of movies. The film industry as a whole has suffered great financial losses and an abundance of people in the industry have lost their jobs, forcing many into insecure freelance capacities. Though there have been dire consequences, it has now prompted a mass of creativity from the film industry. There have been many efforts to find ways of replicating the same escapism and connectedness induced by cinemas, something many of us crave through these severe periods of isolation. It has led to the reintroduction and popularity of drive-in cinemas in many countries such as Italy, the US, and the UK, as well as portable cinemas in Madrid for those stuck in their flats. Some films were released and streamed online to adapt to the pandemic. Mulan (2020), the live-action adaptation of Disney's 1998 Mulan, was originally scheduled to be released on 27 March 2020 but it was postponed thrice until the decision was made to release it on Disney+ for the cost of £19.99. This produced a debate about whether the price was worth it, offering insight into the attitudes of many people towards streaming new films. Some argued that it was a

good price as it is cheaper than the price of a family trip to the cinema whilst others argued that they were already paying the subscription for Disney+ and they weren’t getting the experience of the cinema, making it extortionate pricing. This begs the question: what role does streaming play? There have been several attempts for cinemas to reopen throughout the year but as the streaming of new films online has grown, with the Warner Brothers planning to release Dune and the next Matrix sequel online, it has begun to undermine the revival of cinemas. There is already a lack of new movies being produced, so now that streaming online has become popularised, there are no major or unique components of a cinema that can currently entice people. Regardless, the UK is under a national lockdown under further notice, pushing us to our limit and the film industry to theirs. The timeline of return for the film industry back to normal is still unknown, but distribution of vaccines has provided many of us with some light at the end of the tunnel. Hopefully, we will be back in the cinema and eating expensive popcorn with an enormous fizzy drink within the year.

London Fashion Week February 2021 throughout the Covid-19 Pandemic: What to expect? Madihah Najeeb, BA Global Liberal Arts

Whilst we endure the pressures of a national lockdown through the Covid-19 pandemic, there is one occasion to look forward to if you're a fashionista with an eye for this year's latest clothing trends. London Fashion Week, which is to take place between 19 and 23 February 2021, will feature both womenswear and menswear collections with a genderless showcase in a digital formatted livestream on the LFW platform. People can access collections that would have made their debut on the runway or in a presentation, and can also watch interviews with designers, listen to podcasts, and gain access to e-commerce. It has come as a surprise to many that this global event is still taking place considering the UK’s dire situation against Covid-19. But on several platforms, the official LFW organisation have emphasised that they want to prove the industry's ‘resilience, creativity and innovation’ in these difficult times (LFW Official Website). One of the key aims for this year’s LFW is to ‘de-gender fashion’ in order to be less reliant on gender norms. This is also a result of Men’s Fashion Week’s event being cancelled in January 2021 due to resurgence of Covid-19 and its new deadly strains, as well as issues surrounding the customs union post Brexit. As a result, the MFW will merge with the upcoming LFW which will also

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minimize travel requirements in order to support the sustainable stance the fashion industry is taking on. This year's London Fashion Week will be dramatically different in comparison to last year's LFW, which occurred as normal and found itself immersed in controversies over sustainability and the importance of environmentally friendly fashion. At the time, Covid-19 was yet to be made wary of and the event took place at the Strand in Westminster, showcasing the signature London Fashion Week Catwalk and showrooms with the latest styles from high-end brands. Last year, LFW projected the concept of ‘Positive Fashion’ as a way of encouraging future business decisions to create positive changes. The event also took on a ‘City-Wide’ approach in order to unite London in an innovative festival to open up LFW to new audiences and communities. LFW faced various issues which were more pressing than Covid-19 in February 2020, such as the Extinction Rebellion (XR) protests which took place during London Fashion Week. Many protestors halted traffic towards the fashion trade show in order to voice their concerns on “false fashion” and the problematic impacts the fashion industry had on the environmental crisis at the time. Throughout the event, which took place from the 14th-18th of February, only between 9 and 13 cases of Covid-19 had been confirmed in the UK. As shown, this was not an issue significant enough to cancel the LFW event in February 2020.

Fashion in general has still played a significant role in our lives despite these strenuous circumstances. I speak for the majority who have spent most of this pandemic wearing hoodies and joggers as most of us have nowhere to go. Despite this, our obsessions with online shopping have significantly increased and our need to constantly buy new clothes is yet to be resolved. But why is this the case? Could it be because buying clothes online gives us a sense of control? Currently, everything around us, from supermarket shopping to family visits, have been controlled by the government as safety measures to prevent the spread of Covid-19. On top of that, buying clothes online provides a comfort of normality that existed before Covid-19 dominated our daily lives. As well as dwelling on the past, buying clothes online provides us with a sense of hope that one day we will live in a Covidfree society. With all this time in our hands, the various lockdowns have allowed us to take fashion into our own hands and become our own stylists. Although LFW will be held virtually, this does not impact the influential factor of the upcoming trends that will dominate the 2021 fashion landscape. The day is yet to come when we shall strut in our new clothes that would have been piling up and hidden in our wardrobes, waiting for their debut in front of the critical eyes of society and the fashion industry.

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Our Top SOAS Society Picks!

5min
page 29

Resolute Rashford and the Order of School Meals

2min
page 28

A New Wave for Women’s Surfing

3min
page 28

Getting 'Messi' in America?

5min
page 27

Somewhere over the rainbow: gay cinema's stylistic decline

3min
page 26

Bridgerton’s Race Problem

2min
page 26

London Fashion Week February 2021 throughout the Covid-19 Pandemic: What to expect?

3min
page 25

When will the film industry go back to normal?

2min
page 25

Love in the Time of Corona

2min
page 24

How the Fire got its Smoke

3min
page 24

The Story of Hacer

3min
pages 22-23

Humans of SOAS: Professor Costas Lapavitsas

4min
page 21

The Indian Farming Reformation

3min
page 20

10 Years on, did the Arab Spring bring stability to the region?

3min
page 19

The bitter truth of Israel's vaccination ‘success’

3min
page 19

Amid a tidal wave of austerity, the UK aid narrative should be one of substance over sum

3min
page 18

Mental Health Is A Social Justice Issue

2min
page 17

Belarus fights on in silence

3min
page 17

Dutch government steps down over childcare allowance scandal

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page 16

Qatar Blockade Quashed

3min
page 16

Farmers in India to reach the pinnacle of their protests on Republic Day

2min
page 15

Student protest in Sri Lankan University: how the destruction of a Tamil War Memorial highlights the legacy of the Civil War 

2min
page 15

Nigeriens Say "Saï Bazoum"

3min
page 14

Museveni declared winner of Ugandan vote amidst accusations of electoral fraud

3min
page 13

Cambodian court begins mass trial against human rights activists

1min
page 12

Rohingya: stateless and now homeless

3min
page 12

Climate Catastrophe continues as 2020 is ranked as the warmest year on record by NASA

3min
page 11

Brexit: the New Rules of the EU-UK Relationship

3min
page 10

Death of Mohamud Hassan: Family and Protesters Demand Justice

3min
page 9

Assange Extradition Put on Pause

2min
page 9

PM Regretful Over ‘Grim’ Covid Milestone

3min
page 8

London Academia: The Birthplace of Eugenics?

2min
page 7

Skirt Length Scandal

2min
page 6

Children failed and inequality soars as England enters third lockdown

3min
page 6

No Detriment Policy Explained

2min
page 5

The Robeson: SOAS's first student-led magazine for PoC

2min
page 4

SOAS Alumnus and human rights advocate freed from detainment

2min
page 4

Letter from the Editor

2min
page 2

Interview with new SOAS Director, Adam Habib

9min
pages 1, 3
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