6 minute read
AND DANCE CAPTAIN
From : Ridgefield, Connecticut
Dallas Opera: Rigoletto (2022/2023, debut)
Career highlights: Mr. Spangler recently returned from San Fransisco working with director Elkhanah Pulitzer and composer Mark Grey on a groundbreaking new stateof-the-art mobile opera Birds in the Moon partnering with the New York Philharmonic, The Broad Stage Los Angeles, and Melon Foundation, featured in the NY & LA Times. He is also a recent recipient of a 2021-22 Arts Council England award as a developing artist, writer and director. Mr. Spangler has worked at the Royal Opera House, LA Opera, Bregenz Festpiel, Opera North, The Globe, and Glyndebourne Opera as a Movement & Action Director teaching in-house on their Young Artist Programmes or on main house productions. When he isn’t working in opera, Mr. Spangler works in film, TV, music videos and commercials choreographing on feature films such as Ronin 47 with Keanu Reeves, Romans with Orlando Bloom, Michael Winterbottom’s The Face of an Angel with Daniel Bruhl and Kate Beckinsale, and Netflix’s iBoy, Offbeat, and Allies, winning international awards and acclaim for film projects Embrace life and Carpool, in Rome, Cannes, and New York.
From: Dallas, Texas
Dallas Opera: The Barber of Seville (2006/2007, debut), 44 productions since 2006/2007
Career highlights: Mr. Zimmerman has worked with numerous opera companies around the world, including The Metropolitan Opera, and those of St. Louis, Santa Fe, Paris, Philadelphia, Chicago, Minnesota, Santa Barbara, Amsterdam and more. His career extends to Broadway, where he has worked with such shows as Wicked, Rocky Horror, Show Boat, South Pacific, and Evita . Some of his personal clients include Renée Fleming, Joyce DiDonato, Susan Graham, Patricia Racette, Martha Stewart, and Ricky Martin. Mr. Zimmerman has also worked with DIFFA Fashion Runway, Dallas Fashion and Art, and Yelp.com Fashion Magazine; credits include spreads inOpera News, Vanity Fair, and The New Yorker. TV and Film credits are Glamour Magazine’s Women of the Year,Margaret (starring Anna Paquin), and Hostiles (starring Christian Bale and Rosemund Pike).
Kangmin Justin Kim HANSEL
From: Austin, Texas
Dallas Opera: Flight (2021/2022, debut)
Career highlights: Ms. Villalón is a 2019 Grand Finals winner of the Metropolitan Opera National Council Auditions, and most recently took home several prizes in the Hans Gabor Belvedere Competition, including 2nd Prize, Audience Prize, CS Prize, and the Wil Keune Prize. In the 2022-2023 season, Ms. Villalón will join the ensemble of Oper Frankfurt, debuting as Iole in Hercules in a new production by Barrie Kosky as well as Atalanta in Xerxes. She will return to Houston Grand Opera as Susanna in Le nozze di Figaro, and the Queen of Sheba in Solomon for an international tour with The English Concert and Harry Bicket. She will also present a recital with the Tuesday Music Club in San Antonio, Texas.
Fro m: Evanston, Illinois
Dallas Opera: debut
Career highlights: This year, Mr. Kim made his role debut as Knusperhexe in Hänsel und Gretel in Wiesbaden, appeared in the title role of Siface in Krakow, as Epitide in La Merope in Amsterdam and Basel, and as Ruggiero in Alcina in Brno, Caen, and Versailles. He also performed Ottone in La Griselda, and Hyacinthus in Apollo et Hyacinthus in Venice and made his Santa Fe debut in the title role of the world premiere of M. Butterfly. He has performed at theatres and festivals such as the Royal Opera House Covent Garden, the Wiener Staatsoper, Staatsoper Unter den Linden Berlin, Theater an der Wien, Théâtre du Châtelet, and Opéra Comique of Paris, Oper Köln, Teatro San Carlo Naples, Glyndebourne, Salzburg Festival, New York Lincoln Center, Philharmonie of Paris and Berlin, Harris Theatre Chicago, Edinburgh Festival, Lucerne Festival and the Teatro La Fenice Venice.
From: Manchester, New Hampshire
Dallas Opera: La traviata (1999/2000, debut), Jenůfa (2004/2005)
Career highlights: Ms. Racette has appeared in the most celebrated opera houses of the world, including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Teatro alla Scala, Paris Opera, Royal Opera House Covent Garden, Teatro Real, and Gran Teatre del Liceu. She went on to make her directorial debut with a new production of La traviata at the Opera Theatre of St. Louis in the summer of 2018 and returned in the summer of 2021 to direct herself in a production of Poulenc’s La Voix Humaine. Ms. Racette is currently the Artistic Director of Opera Theatre of St Louis’ Gerdine Young Artist and Richard Gaddes Festival Artist programs.
Mark Delavan THE FATHER
From: Princeton, New Jersey
Dallas Opera: Falsta˜ (2018/2019, debut)
Career highlights: Mr. Delavan regularly appears in the title roles of Der fl iegende Holländer, Falsta˜ ,and Rigoletto, and as Iago in Otello, Scarpia in Tosca, Jochanaan in Salome, and Amonasro in Aida. In addition, as a strong character actor on stages throughout the country, he has proved himself a crossover artist of immense skill, starring as Phil Arkin in Milk and Honey with York Theatre Company, to critical acclaim. This season, Delavan returns to Maryland Lyric Opera for the title role in Falsta˜ He will also return to Dallas Symphony in 2024 as Wotan in their concert performances of Der Ring des Nibelungen
From: Mundelein, Illinois
Dallas Opera: Carmen (2018/2019, debut)
Career highlights: Ms. Metzger recently made her company debut with Austin Opera as Cherubino in Le nozze di Figaro, covered Nicklausse in Les Contes d’Ho˜ mann , and was slated to return to the Lyric Opera of Chicago to cover Taller Sister inMissy Mazzoli and Royce Vavrek’sProving Up (COVID19). During the 2022/2023 season, Ms. Metzger joins the roster of the Metropolitan Opera to cover Flora in La traviata, returns to Haymarket Opera Company to sing Nerone in L’incoronazione di Poppea, and sings Stéphano in Roméo et Juliette with Opera San Antonio.
From: Pasadena, Texas
Dallas Opera: Madame Butterfl y (2021/2022, debut)
Career highlights: As a Fort Worth Opera Lesley Resident Artist, Ms. Gilliam stepped in as Luisa in the world premiere production of Hector Armienta’s Zorro. Despite the Covid-19 pandemic, she was a district winner for the˜2020-2021˜Metropolitan Opera Council Auditions, and was engaged in a number of virtual performances. Ms. Gilliam was also a featured soloist at TDO alongside Sasha Cooke and Deanna Breiwick in the orchestra workshop of˜The Diving Bell and the Butterfl y , a new work by composer Joby Talbot. This April, she will sing the title role in La traviata at Shreveport Opera.
Kimberley Ahrens
ARTISTIC DIRECTOR, GREATER DALLAS CHORAL SOCIETY
From: ˛McKinney, Texas
Dallas Opera: debut
Career highlights: Ms. Ahrens currently serves as Artistic Director of the Greater Dallas Choral Society. From 2013 to 2022, she was a principal conductor for the Children’s Chorus of Greater Dallas and has taught choir in the public school system for eighteen years. Choirs under her direction have been invited to perform at the Texas Music Educators Association Convention in 2013 and 2018, and the American Choral Directors Association
Middle School/Junior High National Conference in 2014. Ms. Ahrens is a highly sought after clinician and guest conductor for elementary and middle school honor choirs throughout the nation and a frequent adjunct professor and guest lecturer at the university level.
Terrie Preskitt-Brown
PRINCIPAL CONDUCTOR, GREATER DALLAS CHORAL SOCIETY
From: Dallas, Texas
Dallas Opera: debut
Career highlights: Ms. Preskitt-Brown has been teaching choral music to children for over 40 years. A renowned conductor, voice instructor, and soprano, Ms. PreskittBrown serves as principal conductor of the Brio Chorus for the Greater Dallas Choral Society. From 2003-2022 she was a principal conductor for the Children’s Chorus of Greater Dallas. Ms. PreskittBrown has prepared children’s choruses for John Rutter’s “Mass for the Children” at the National American Choral Directors Association Convention in 2013, and the Dallas Symphony Orchestra’s 2016 recording of Mahler’s 3rd Symphony.
Greater Dallas Choral Society
Kimberley Ahrens, ARTISTIC DIRECTOR
Hansel and Gretel Children’s Chorus
Kimberley Ahrens & Terrie Preskitt-Brown,CONDUCTORS
Sophia Abeyta
Caleb Aldis
Ella Aldis
Samuel Aldis
Vera Aldis
Anika Ammareddygari
Ava Ansiaux
Madeline Beluso
Zoe Bennett
Finley Benton
Frederick Berger
Sadie Bono
Ruth Bruno
Zoë Cernoch
Tula Charalambopoulos
Emma Childs
Eitan Cisneros
Taryn Climer
Penelope Correa
Kayla Culpepper
Devin Desilva
Noielle Eckert
Lilly Engels
Sophia Fitzgerald
Elyta Flora
Aryahi Gairola
Alexandra Gamble
Olivia Givens
Rohini Gopal
Sam Hastings
Sofi a Hernandez
Elizabeth Holt
Austin Howarth
Emerson Irvin
Ava Jafari
Corrigan Jones
Michella Kok
Kade Kuehler
Jenna Lee
Lauren Lo
Charlotte Marlowe
Patricia McDonald
Kane McLeod
Arjun Sripal Medara Metla
Elliana Mitchell
Holden Montgomery
Conrad Moore
Ananya Nagendra
Cici Nelson
Mary Abbay Neylon
Grace Nicholson
Brendan Northrop
Reagan Pfa° enberger
Beckett Potter
Audrey Pottkotter
Katherine Pottkotter
Sienna Roper
Mira Russell
Lane Russell
Angi Sanghvi
Amy Kate Scheib
Charlie Scheib
Leila Shelton
Jenani Sivamani
Amberleigh Thurman
Rebekah Tower
Ishaana Vishwanath
Makenna Whatley
Erin Williams
Upton Wortley
Avalyn Zeng
From: Dallas, Texas
Dallas Opera: debut
Career highlights: The Greater Dallas Choral Society was created in 2022 to continue the legacy of Cynthia Nott and the Children’s Chorus of Greater Dallas, one of America’s largest and most prestigious youth choral programs. Now under the leadership of Artistic Director Kimberley Ahrens, the GDCS is dedicated to giving children and youth an experience in choral artistry in a group that refl ects the ethnic and economic diversity of greater Dallas. Currently in their 26th year of service to the greater Dallas community, the GDCS artistic sta° serves over 250 singers in grades four through twelve. GDCS’s inaugural season boasts fi ve choruses, including three treble choruses for children in grades four through eight, a high school treble chorus, and a high school mixed chorus.