PERFORMANCES Murder for Two

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JUNE 2015

AUDREY SKIRBALL KENIS THEATER AT THE GEFFEN PLAYHOUSE

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⁄⁄⁄⁄ JUNE 2015

CONTENTS 12  TONY TV

Many theater figures have migrated to television over the years—but it’s not a one-way street.

25 PROGRAM

Cast, who’s who, director’s notes, chairman’s letter and donors.

6 IN THE WINGS

Sound of Music’s 50th and Frank Sinatra’s 100th at Hollywood Bowl; Janis Joplin back in Pasadena.

8 DATELINE

An Act of God and Amazing Grace in New York; Light Shining in Buckinghamshire in London.

Designer Liv Ballard’s exquisitely unconventional collection expands the jewelry universe.

34

38 HOME

MidcenturyLA in North Hollywood offers Scandinavian midcentury, and in such volume it’s almost surreal.

40

40 DINING

46 TRAVEL

44 WINE

48  BACK PAGE

New All’Acqua brings high energy and veteran chef Don Dickman (ex Rocca) to Atwater Village.

Tips on enhancing the outdoor wine experience: Don’t fear the screw cap, and do chill the reds!

Looking for a contrarian travel option? Palm Springs in the summer has its fans!

TCL Chinese Theatre.

P. 34 COURTESY LIV BALLARD. P. 40 COURTESY ALL’ACQUA

34 SHOPPING

2  PERFORMANCES  MAGAZINE

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PUBLISHED BY SOUTHERN CALIFORNIA MEDIA GROUP PUBLISHER  Jeff Levy EDITOR  Benjamin Epstein ART DIRECTOR  Carol Wakano PRODUCTION MANAGER  Ellen Melton PRODUCTION ARTIST  Diana Gonzalez CONTRIBUTING DESIGNER  Heidi Schwindt ADVERTISING DIRECTORS  Richard Blankley, Lyle Laver ACCOUNT MANAGERS Kerry Brewer, Heather Heintz, Julie Hoffman, Jessica Levin, Joanna McLean Stickel, Heather Price ADVERTISING SERVICES  Dawn Kiko Cheng CONTRIBUTING WRITERS Sarah Daoust, Priscilla Goslett, Roger Grody, Joseph LeMoyne, Francis Lewis, Libby Slate, Julia Vicente, Robert Whitley MARKETING  Anna Ciric BUSINESS MANAGER  Leanne Killian

It Feels Good to Donate All donations to Council Thrift Shops support the programs and services of NCJW/LA.

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4  PERFORMANCES  MAGAZINE

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HONORARY PRESIDENT  Ted Levy For information about advertising and rates, contact Southern California Media Group. 3679 Motor Ave., Suite 300 Los Angeles, CA 90034 Phone: 310.280.2880 Fax: 310.280.2890 Visit Performances Magazine online showgoer.com PERFORMANCES MAGAZINE is published monthly by Southern California Media Group to serve theatrical attractions throughout the West. All rights reserved. © 2015 Southern California Media Group

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ADMINISTRATION Amina Karwa, Danielle Riffenburgh, Christina Xenos

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G A L ER I E M I C H A EL PR E S EN T S

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Eric and Nicole Weider with The Recall of the Gleaners, Ar tois, by Jules Breton (French, 1827-1906). Oil on canvas. 35½ x 57 inches.

Eric Weider is the president of Weider Health and Fitness, a leading global spor ts nutrition supplement company. He is also a trusted steward of his family legacy of the largest publisher of history magazines in the United States and one of the finest, most impor tant nineteenth century ar t collections in the country. His father, Ben, taught him to respect the dignity of work, of which he has found beauty and meaning in the dignity of the peasants toiling in the fields in paintings of the French masters. Eric and Nicole thank Galerie Michael for their guidance, help and exper t advice in the curating and acquisition of paintings for their nineteenth century collection. Galerie Michael has curated museum-quality collections for over 35 years for corporations and businesses. Ser vices include : • Incorporating f ine ar t in long-term f inancial planning • Enhancing corporate image and business environments • Exper t curatorial and scholarly research • Specialized archival framing and conser vation • Fine ar t design and lighting to enhance the appeal of the installation

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EVENTS ⁄⁄⁄⁄ EXHIBITS ⁄⁄⁄⁄ PERFORMANCES

INTHEWINGS

The Hollywood Bowl marks several milestone anniversaries with its pops programming this season. Power up your DeLorean, recharge your flux capacitor, and celebrate the 30th of Back to the Future on June 30: View it in HD on the Bowl’s big screen with the Los Angeles Philharmonic performing Alan Silvestri’s score, and about 15 minutes of new music, live. This year’s Sing-A-Long Sound of Music, June 26, celebrates the beloved film’s 50th anniversary with interactive fun-packs, costumes and, of course, multitudes of fans. The Count Basie Orchestra and numerous guest stars gather July 22 to toast the Frank Sinatra centennial; Old Blue Eyes was one of the most important musical figures of the 20th century and one of the best-selling artists of all time. 2301 N. Highland Ave, L.A., 323.850.2000, hollywoodbowl.com

COURTESY LOS ANGELES PHILHARMONIC

The Hollywood Bowl, Pollstar’s best major outdoor concert venue for the 11th consecutive year

6  PERFORMANCES  MAGAZINE

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COURTESY DISNEY ENTERPRISES. JOPLIN, JOAN MARCUS

LACO @ the Movies Salutes Disney MUSIC Animation Studio with nine historic animated shorts June 13 at the Theatre at Ace Hotel. The Los Angeles Chamber Orchestra program includes the world premiere of two restored “Oswald the Lucky Rabbit” shorts created by Walt Disney himself and lost for 50 years—Poor Papa (1927) and Africa Before Dark (1928)—with new scores by Mark Watters; “The Sorcerer’s

Mary Bridget Davies in A Night With Janis Joplin

Apprentice” from Fantasia, marking its 75th anniversary with a newly restored print, and The Band Concert, the first Technicolor Mickey Mouse cartoon, celebrating its 80th; and the first-ever live accompaniment to the “Silly Symphony” short Music Land (1935), which pits the Land of Symphony against the Isle of Jazz. Dustin Hoffman chairs the LACO benefit that follows. 929 S. Broadway St., downtown, 213.622.7001, laco.org

The Band Concert (1935)

Blues singer Mary Bridget Davies was nominated for a 2014 THEATER Tony Award, for best performance by an actress in a leading role in a musical, for her Broadway run with A Night With Janis Joplin. She wowed local crowds in 2013 with an earlier incarnation of the show, the highest-grossing production in Pasadena Playhouse history. Pre-Broadway acclaim included critics’ picks from the Los Angeles Times and Washington Post and three Los Angeles Drama Critics Circle Awards. Davies and the show about the rock ’n’ roll legend return to the playhouse July 21-Aug. 16. “A Night With Janis Joplin is an onstage party.... [Davies] rockets through at least a dozen of Joplin’s best-known songs, and sings them with a throbbing fervor that is often riveting,” wrote the New York Times. 39 S. El Molino Ave., Pasadena, 626.356.7529, pasadenaplayhouse.org PERFORMANCES  MAGAZINE 7

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⁄⁄⁄⁄ SHOWS ELSEWHERE

DATELINE

On TV, actor Jim Parsons, as physicist Sheldon Cooper, knows all there is to know about the big bang theory. But on Broadway, as the Almighty in NEW YORK David Javerbaum’s new comedy, An Act of God, he explains creation from a more divine perspective, eight shows a week at Studio 54. The real-life story of how John Newton came to create one of the world’s most popular hymns is told in Amazing Grace, the new Broadway musical. The sweet sound of redemption resonates throughout the Nederlander Theatre; previews begin June 25. Amazingly graceful is one way to describe Alvin Ailey American Dance Theater. During its season at Lincoln Center’s David H. Koch Theater, June 10-21, the troupe presents the world premiere of “Odetta” and repertory favorites including the aptly named “Grace.”

STEVE WILSON

Alvin Ailey American Dance Theater, Matthew Rushing’s Odetta

8  PERFORMANCES  MAGAZINE

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⁄⁄⁄⁄ SHOWS ELSEWHERE

Light Shining in Buckinghamshire at the National Theatre

Preparing Detti’s Galileo at the Court of Isabella (1878) for Pageant of the Masters

The National Theatre LONDON shows Light Shining in Buckinghamshire, the passionate, patriotic play by Caryl Churchill about England in the aftermath of a bloody civil war, through June 22. The people who rose up against the tyrannical king are now left to settle old scores, stabilize politics and survive. Beginning June 19, audiences at the Regent’s Park Open Air Theatre, at the heart of one of the capital’s best-loved parks, are treated to the Anton Chekhov masterpiece The Seagull. In it, the drama among guests watching a play in a country house moves from jealousies to betrayal. Classic Arthur Miller comes to the Noël Coward: Willy Loman’s regrets and bleak future are the focus of Death of Salesman, on through July 18.

LONDON, MARK BRENNER

Pageant of the Masters, July 8-Aug. 31 in Laguna Beach, among the world’s most distinctive theatriTHE WEST cal productions, this year explores “The Pursuit of Happiness.” The show’s renowned tableaux vivants (“living pictures”) re-create works of art—Edward Percy Moran’s painting of Betsy Ross presenting the first American flag to Gen. George Washington, for instance—using live people. Narration and orchestral accompaniment are also live. A ticket includes unlimited season admission to the adjacent open-air Festival of Arts, named one of the nation’s top art festivals by USA Today. And if its 140 artists aren’t enough, Art-A-Fair and Sawdust Festival, each with its own personality and sensibilities, are also along Laguna Canyon Road. Don’t fret if you miss either Motown the Musical or The Phantom of the Opera in Hollywood; both productions go directly to Segerstrom Center of the Arts in Costa Mesa, Motown June 16-28 and Phantom Aug. 5-16.

10  PERFORMANCES  MAGAZINE

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@CTGLA

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THE THEATER-TELEVISION CONNECTION.

WHEN CASTING DIRECTOR MARK SAKS ATTENDED the 2006 Pasadena Playhouse production of Sister Act, he noted a particular member of the ensemble: Patina Miller, a recent Carnegie Mellon University graduate he’d met there. He saw her perform again, as the show’s star in London and on Broadway and in the 2013 Broadway revival of Pippin, for which she won a Tony Award. In 2014, he cast her as Daisy Grant, press coordinator for U.S. Secretary of State Elizabeth McCord (Tèa Leoni) in the CBS drama Madam Secretary. “I thought Patina did an amazing job in Pippin,” recalls Saks, who began his career as assistant casting director at San Diego’s Old Globe Theatre. “I wanted an African-American woman in the role. There was something so compelling about her.” Miller isn’t the only Tony winner in the Madam Secretary cast. Bebe Neuwirth, who plays McCord’s chief of staff, has two, for Sweet Charity and Chicago. Keith Carradine, who plays the president, has been twice Tony-nominated; Zeljko Ivanek,

BY LIBBY SLATE

who plays his chief of staff, has three nominations. McCord’s assistant is played by Erich Bergen, who starred as Bob Gaudio in the Ahmanson Theatre production and first national tour of Jersey Boys. Over the years, theater figures Madam Secretary cast includes, at have increasingly migrated to far left, Patina television. Sutton Foster stars in Miller (Tony Award for Pippin) and the TV Land comedy Younger. Erich Bergen Andrew Rannells is a regular (Jersey Boys star at the Ahmanson). on HBO’s Girls and starred in the series The New Normal. Norbert Leo Butz, best known for his musical theater romps, turns serious for the Netflix streaming series Bloodline. Audra McDonald was a co-star of the medical drama Private Practice. Playwright Theresa Rebeck created the Broadway-set series Smash, and playwright Jon Robin Baitz created the drama Brothers and Sisters and, this season, wrote the pilot for and was an executive producer of NBC’s miniseries The Slap. This year’s Tony Awards ceremony, airing June 7 on CBS, is co-hosted by two Broadway

GIOVANNI RUFINO / COURTESY CBS BROADCASTING

TONY TV

12  PERFORMANCES  MAGAZINE

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In Conversation

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TUE 9/29

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Perform The Beatles Complete Hollywood Bowl and Dodger Stadium Concerts ‘64 - ‘66

SAT 10/17

PETER NERO TRIO

Gershwin in Hollywood

SAT 11/14

JOHN PIZZARELLI

Dear Mr. Sinatra, A Swinging Centennial

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Backstage with the Creators of SERIAL, Sarah Koenig & Julie Snyder

SAT 3/5/16

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JOAN MARCUS

veterans with strong won back-to-back Tonys for television presences: Alan Other Desert Cities and The Cumming of CBS’ The Good Assembled Parties. “That’s Wife—also cast by Saks— a tribute to the openheartedand Kristin Chenoweth. ness of the Broadway Bringing so many theater community,” she says. performers to television Behind the cameras, the reflects the New York-based transition from stage to teleSaks’ own background. “I’m vision was fairly smooth for almost always pulling from Sheldon Epps, artistic director the New York pool, where of Pasadena Playhouse, who most actors are of the had theater-directing credits Back on Broadway after years away, Judith Light won back-to-back Tony Awards, one for Other theater,” he says. “Because before helming episodes of Desert Cities, above, and a Tony nomination. Madam Secretary is not an Frasier and Friends. With most action show, but takes place in an office, usually shows shot with multiple cameras before a studio the dialogue is more suited to people in theater.” audience, “I treated it as a 22-minute play, with Saks helps stage actors adapt to TV by telling three days of rehearsal, one day of camera blocking them that “acting is being private publicly. You and then opening night,” says Epps, who recently keep the scope of it a little more intimate—you’re directed episodes of the Nickelodeon sitcom Instant not projecting to the balcony.” Mom. “The process is pretty much the same.” Early in her career, actress Judith Light had to Working with cameras, planning shots to direct adjust from stage to small screen for the daytime the viewers’ focus, was new. “In theater, it’s all drama One Life to Live. One day she told her about the composition of the stage picture, which director that she didn’t know what she was doing. you achieve with blocking, lighting and design “The director said, ‘Think of [each day] as going choices,” Epps says. Television combines “composiinto a rehearsal,’ ” relates Light, who recurred on tion and camera work. If you stage something corthe Dallas reboot and plays the ex-wife of a transrectly, the cameraman will know where to shoot.” gender woman on the Amazon Studios streaming Thanks to his long theater career, Epps became series Transparent. “ ‘Then you’re going into dress known as an actor’s director in television, someone rehearsal. Then you’re going into opening night.’ who knows how to talk to actors. “The writers and I applied that stage metaphor always.” The same producers might want the pace of a scene to be metaphor helped for a weekly episode, when she faster, but ‘Go faster’ is never a good direction— starred in the prime-time sitcom Who’s the Boss? the actors will just garble the scene,” he explains. When Light first returned to the stage after many “ ‘Find the urgency in the scene’ is better.” Epps years away, she discovered that television’s fast has brought some of his television relationships to pace made it easy for her to fit quickly into a new the Playhouse, producing shows by writers and role but that then she had to, as she says her producers and hiring actors he’s worked with. manager terms it, “go back and slow down—do the For Epps, there hasn’t been that much difference depth work.” When she returned to the Broadway between directing theater and television. For Light, stage, she was nominated for a 2011 Tony Award who’s now worked extensively in both, each for her first play, Lombardi, and the next two years medium “has informed the other.” 14  PERFORMANCES  MAGAZINE

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WELCOME TO THE GEFFEN PLAYHOUSE

Photo by Jeff Lorch Photography

MURDER FOR TWO

FROM THE ARTISTIC DIRECTOR I’M THRILLED TO WELCOME YOU TO MURDER FOR TWO, a part-musical and part-mystery homage to the whodunit genre, with a hattip to Agatha Christie and Arthur Conan Doyle. Upon seeing the play for the first time, I was struck by how much can be accomplished by creative and talented minds in the world of theater. Two actors, a piano and tour de force performances create an entire world for the audience. Without an orchestra, a cast of dozens, or sets and costumes galore, we are as magically and happily transported into this funny, sweet and irreverent romp, as if we were regaled by legions of actors and musicians. Scott Schwartz, Joe Kinosian and Kellen Blair have teamed up to infuse this piece with unbridled energy. With the incomparable Jeff Blumenkrantz and Brett Ryback — the original New York cast reunited — they have taken that energy to new heights. As we embark on the last Audrey play of 2014/2015, I thank you for coming along for the ride this season. From The Gospel According to Thomas Jefferson, Charles Dickens and Leo Tolstoy: Discord, into Switzerland and now Murder for Two, our goal, as always, is to infuse this intimate space with variety and surprises. We hope you have found both of these elements and so much more in this season of plays. We look forward to seeing you next season. Enjoy the show. Randall Arney Artistic Director

PERFORMANCES  MAGAZINE P1

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LETTER FROM THE CO-CHAIRS

BOARD OF DIRECTORS MARTHA HENDERSON CO-CHAIR

PAMELA ROBINSON HOLLANDER CO-CHAIR

PATRICIA KIERNAN APPLEGATE RANDALL ARNEY BETH BEHRS DR. GENE D. BLOCK HAROLD A. BROWN GIL CATES JR. VICE CHAIRMAN

MICHAEL CENTENO MARY ANN CLOYD DR. BRAD EDGERTON MARK FLEISCHER HERBERT M. GELFAND Photo by Bobby Quillard

CHAIRMAN EMERITUS

MARTHA HENDERSON

PAMELA ROBINSON HOLLANDER

WELCOME TO OUR FINAL SHOW IN THE 2014/2015 Audrey Skirball Kenis Theater season: Murder for Two. Hailed by The New York Times as “ingenious,” we know this “musical whodunit” will delight Los Angeles audiences all summer long. Congratulations to Joe Kinosian and Kellen Blair for creating this unique, musical murder mystery and to Scott Schwartz for directing this high-energy production. As the 2014/2015 season draws to a close, we would like to highlight the extraordinary generosity of our Geffen Playhouse Board of Directors, Trustees, Advisory Board, major donors and season sponsors, without whom we could not exist. Our deepest gratitude to the loyal subscribers and single ticket buyers who return season after season to support our art onstage, who are bold enough to join us on this artistic journey every year. Thank you for your trust and loyalty, as we could not create new work or take chances bringing world premieres or American premieres to our stages without such dedicated patrons in the audience. Our sincere thanks to all of you for joining us today and for being such an integral part of the season. We cannot wait for you to see what our 20th anniversary season brings in 2015/2016. We hope you enjoy Murder for Two and look forward to hearing your thoughts about this hilarious musical murder mystery! Enjoy the show!

PATRICIA L. GLASER SAM GORES ADI GREENBERG ARTHUR GREENBERG JOAN KALOUSTIAN GLORYA KAUFMAN LORETTA EVERETT KAUFMAN DR. GERALD S. LEVEY CARLA MALDEN SUSAN MALLORY GINNY MANCINI BARRY MEYER SCOTT MINERD STEVEN A. OLSEN HOLLY RICE LOREN ROTHSCHILD LINDA BERNSTEIN RUBIN TERI SCHWARTZ RICHARD SHERMAN FRED SPECKTOR LORRAINE SPURGE CYNTHIA P. STAFFORD HOWARD TENENBAUM

FOUNDING TRUSTEES KIRSTEN COMBS ROBERT A. DALY DAVID GEFFEN QUINCY JONES JEFFREY KATZENBERG FRANK G. MANCUSO CHAIRMAN EMERITUS

RON MEYER LESLIE MOONVES JERRY MOSS JERRY PERENCHIO BRUCE M. RAMER FOUNDING CHAIRMAN

VICTORIA MANN SIMMS ANDY SPAHN STEVEN SPIELBERG STEVE TISCH DR. CHARLES E. YOUNG CHAIRMAN EMERITUS

Martha Henderson Co-Chair, Geffen Playhouse

Pamela Robinson Hollander Co-Chair, Geffen Playhouse

IN MEMORIAM GILBERT CATES FOUNDER

MARCIA ISRAEL-CURLEY AUDREY SKIRBALL KENIS CHARLES KENIS KARL MALDEN EDIE WASSERMAN LEW WASSERMAN PETER ROSEN

LEGAL COUNSEL, LATHAM & WATKINS LLP

P2  PERFORMANCES  MAGAZINE

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THE CHAMELEON PRODUCTION MANAGER DANIEL IONAZZI ON THE EVERVERSATILE CHARMS OF THE AUDREY SKIRBALL KENIS THEATER BY REBECCA HAITHCOAT

Jake Broder and band in Louis & Keely: Live at the Sahara. Photo by Michael Lamont.

THE AUDREY SKIRBALL KENIS THEATER at the Geffen Playhouse is never the same space twice. In fact, the Audrey morphs so often that if a theatergoer isn’t familiar with the layout, one might assume the Geffen houses three or four stages instead of two. Daniel Ionazzi, the Geffen’s Production Manager, chuckles at the idea. “When we [were designing it], it wasn’t high on the priorities that it be that versatile,” he says. Yet it is, and that a theater transforms as easily as its actors is not only poetic, it’s fitting. For last spring’s production of Greg Pierce’s Slowgirl, there was seating on both sides of the performance space, only the second time the Audrey had been arranged thusly. Louis & Keely: Live at the Sahara, which had a successful run at the Geffen in 2009, converted the Audrey into a lounge straight out of Vegas. During the recent production of Joanna Murray-Smith’s Switzerland, a spiral staircase and backdrop painted with a sweeping vista of snowy mountains gave the illusion of a much larger set — despite the happy fact that while Seth Numrich wielded a knife and Laura Linney punched on her typewriter, they were within arm’s reach of many audience members. “Designers have done a great job of understanding how the space works and adapting to it,” Ionazzi says. “They’re really successful at coming up with new ideas that make it look different every time you go in.” Ionazzi and Gil Cates began discussing plans for a second theater in 2002 or 2003. The original inspiration for the Audrey Skirball Kenis Theater came from Italy’s Piccolo

Teatro di Milano, which was partially inspired by the Teatro Farnase in Parma, Italy. “[The Farnase] has a very deep thrust and is a very beautiful space. The Piccolo is a modern version of that,” Ionazzi continues. “But the idea was to stay away from the nondescript black box syndrome. [We wanted] to give it some character so it could live as it is with a single artist onstage and not have to worry about dressing or decorating the room.” The team was restricted by the footprint of the property, so they wanted flexibility. They designed the center section’s curve to be fixed, with side seating that wrapped around but could be changed up if a designer so desired. Only a handful of musicals and concerts — Alan Cumming’s I Bought a Blue Car Today, Louis & Keely: Live at the Sahara, Mona Golabeck in The Pianist of Willesden Lane and now Murder for Two — have been performed in the Audrey. Still, it’s certainly equipped to maximize auditory pleasure. “It wasn’t specifically designed for concerts,” says Ionazzi. “But the acoustics are conducive to musical performance.” Still, with its many and attractive attributes, Ionazzi namechecks The Jacksonian and says his favorite aspect of the Audrey is its intimacy. “To see that caliber of performer so intimately is great,” he enthuses. “That’s been the highlight of that space. That’s what’s been remarkable — that you’re so close, and that it can transform and be different things.” It’s hard to tell whether he means the actors, or the Audrey. PERFORMANCES  MAGAZINE P3

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GEFFEN PLAYHOUSE IN ASSOCIATION WITH

Jayson Raitt Latitude Link

Barbara Whitman

Omneity Entertainment / Richard G. Weinberg

Paula Marie Black

Steven Chaikelson Paula Kaminsky Davis

Pittsburgh CLO

Second Stage Theatre Casey Reitz, Executive Director Carole Rothman, Artistic Director Christopher Burney, Curator and Associate Artistic Director PRESENT

Book and Music by

Book and Lyrics by

Joe Kinosian

Kellen Blair

Jeff Blumenkrantz Scenic Design

Featuring

Brett Ryback

Costume Design

Beowulf Boritt

Lighting Design

Music Director

Casting

Calleri Casting

Wendy Seyb

Production Stage Manager

Production Supervisor

National Press Representative

Matt Ross Public Relations

Jill BC Du Boff

Choreographer

David Caldwell Cate Cundiff

Sound Design

Jason Lyons

Andrea Lauer

Associate Producer

Production Core

General Management

Snug Harbor Productions

Tom Casserly

Exclusive Tour Direction

AWA Partners

Directed by

Scott Schwartz The world premiere of Murder for Two was presented on May 12, 2011 at Chicago Shakespeare Theater, Chicago, IL. Barbara Gaines, Artistic Director, Criss Henderson, Executive Director. Murder for Two was developed for Chicago Shakespeare Theater by Rick Boynton, Creative Producer. New York premiere produced by the Second Stage Theatre, New York, 2013

Opening Night: Wednesday, June 3, 2015 OPENING NIGHT SPONSORS

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PRODUCTION BIOGRAPHIES

BRETT RYBACK (Marcus) Brett Ryback is an actor, composer, and playwright based in Los Angeles. He originated the role of Marcus Off-Broadway in Murder for Two at Second Stage and New World Stages. Recent TV/ Film appearances include: Modern Family, How I Met Your Mother, House and the Coen brothers’ upcoming film, Hail, Caesar! Regional theater credits include: The History Boys (Ahmanson Theatre); The Lieutenant of Inishmore (Mark Taper Forum); The 25th Annual Putnam County Spelling Bee, Little Shop of Horrors, Broadway Bound (La Mirada Theatre for Performing Arts); and the world premieres of The Prince of Atlantis, Dr. Cerberus (South Coast Repertory) and Upright Grand (Theatreworks, Palo Alto). His plays and musicals include: Liberty Inn: The Musical (Ovation nominations Best Book, Best Music/Lyrics), Darling (Weston Playhouse New Musical Award, featured on NBC’s The Apprentice), The Tavern Keeper’s Daughter (Best Musical, Pasadena Weekly) and The Many Selves of Mia Scott. He was commissioned to write music for Just A Little Critter Musical for First Stage Milwaukee, which will premiere in February 2016, and this past winter he was invited to participate in the Johnny Mercer Writers Colony at Goodspeed Musicals to develop his latest project Passing Through. brettryback.com

ZACH SPOUND (Understudy for The Suspects) Zach Spound is proud to be working with the Geffen Playhouse. Recent credits include Floyd Collins (La Mirada Theatre for the Performing Arts); A Class Act (Porchlight Music Theatre); Masque of the Red Death (Noho Arts Center); and Othello, Love’s Labors Lost and La Ronde (Shakespeare Santa Cruz). Last year, he wrote and starred in a short film, Vegetables. Zach is also the music director and arranger of The Unauthorized Musical Parody of Cruel Intentions at Rockwell Table & Stage. Also a composer, he is writing a new musical called Leap. Proud graduate of Northwestern University. Thanks to family.

MATTHEW WRATHER (Understudy for Marcus) Matthew Wrather is an actor whose career began as a child in his native Los Angeles and spans two decades and three continents. Matt appeared alongside Sam Waterston in Travesties at Long Wharf Theatre and alongside Ed Asner in the short film The Raft. Additional film credits include the titular character in Lucas Mirelles’s black comedy A Bad Person and a would-be terrorist with pangs of conscience in Iris Hefler’s Brother’s Keeper, produced by

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JEFF BLUMENKRANTZ (The Suspects) Jeff Blumenkrantz has performed on Broadway in Into the Woods (1987), Threepenny Opera (1989), Damn Yankees (1994), How to Succeed in Business… (1995), and A Class Act (2001), as well as OffBroadway in Murder for Two (Lortel Award nomination) and in the City Center Encores production of Anyone Can Whistle. Regional theater credits include productions at La Jolla Playhouse, The Old Globe, Kennedy Center, Long Wharf Theatre and Asolo Repertory Theatre. On camera, Jeff can be seen in 30 Rock, The Good Wife, Ugly Betty, Joseph … Dreamcoat, Will and Grace, Law and Order and the PBS telecasts of the New York Philharmonic concerts of Sweeney Todd and Candide. Also a musical theater composer/lyricist, Jeff received a Tony Award nomination as one of the co-writers of the score of Urban Cowboy. He is the recipient of the 2011 Fred Ebb Award as well as commissions from Lincoln Center Theater, Carnegie Hall and Guggenheim Works and Process. Most recently, he released a CD titled I’ve Been Played: Alysha Umphress Swings Jeff Blumenkrantz, featuring his jazz songs and arrangements. His songs have been recorded by Audra McDonald, Sutton Foster, Rebecca Luker and Victoria Clark, among others. To hear Jeff’s music, check out The Jeff Blumenkrantz Songbook podcast by visiting either iTunes or jeffblumenkrantz.com.

Academy Award-winner Bobby Moresco. Stage work includes Lt. Charles in The Adding Machine, directed by SITI Company’s J. Ed Araiza, and the initial reading of Paula Vogel’s A Civil War Christmas, directed by Tina Landau. Matt is an accomplished singer, pianist, and composer, with two full-length musicals and dozens of musical theater songs to his credit. He is founder and editor-in-chief of Overthinking It, a successful website for pop culture nerds. He holds an MFA from UCLA and his BA from Yale. JOE KINOSIAN (Book and Music) Joe Kinosian is the co-recipient of Chicago’s Joseph Jefferson Award recognizing Murder for Two as Best New Musical following its record-breaking run at Chicago Shakespeare Theater; Joe was also nominated for Best Actor as The Suspects. Murder for Two had its Off-Broadway premiere at Second Stage Uptown, going on to a year-long run at New World Stages. Joe’s work with Kellen Blair has been showcased at The Kennedy Center, The York Theater and on Broadway at the Theatre World Awards. Joe received the ASCAP Foundation Mary Rodgers/ Lorenz Hart Award and the Harrington Award from the BMI Workshop. Joe also appeared in Dirty Blonde with Emily Skinner (Hangar Theater) and the NYC premiere of Dear Edwina OffBroadway. kinosianandblair.com KELLEN BLAIR (Book and Lyrics) Kellen Blair is the Drama Desk-nominated co-creator of Murder for Two (OffBroadway: Second Stage Theatre and New World Stages. World premiere: Chicago Shakespeare Theater). Kellen and co-writer Joe Kinosian are the recipients of the Joseph Jefferson Award for Best New Musical Work in Chicago (2011) and the ASCAP Foundation Mary PERFORMANCES  MAGAZINE P5

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PRODUCTION BIOGRAPHIES Rodgers / Lorenz Hart Award (2013). Their work has been showcased on Broadway, the Kennedy Center and theaters across the country. Kellen is excited to be developing a new musical farce with Joe titled The More Things Change; he’s also working with Broadway composer Larry Grossman on a new show called Scrooge in Love. Updates, videos, song demos and sheet music can be found at kinosianandblair.com. A huge thank you to the most supportive family ever! SCOTT SCHWARTZ (Director) Scott Schwartz directed Murder for Two Off-Broadway at New World Stages and Second Stage Uptown. On Broadway, he directed Golda’s Balcony and Jane Eyre (co-directed with John Caird). His other Off-Broadway work includes Bat Boy: The Musical (Lucille Lortel and Outer Critics Circle Awards, Outstanding OffBroadway Musical; Drama Desk Award nomination, Outstanding Director of a Musical); tick, tick…BOOM! (Outer Critics Circle, Outstanding OffBroadway Musical; Drama Desk nomination, Outstanding Director of a Musical); Rooms: A Rock Romance; The Foreigner starring Matthew Broderick (Roundabout Theatre Company); Kafka’s The Castle (Outer Critics Circle nomination, Outstanding Director of a Play); and No Way to Treat a Lady. He also directed Golda’s Balcony on tour, in London, in Los Angeles at the Wadsworth Theatre and in San Francisco at American Conservatory Theater. He directed the world premiere of Séance on a Wet Afternoon at Opera Santa Barbara and subsequently at New York City Opera. Schwartz’s other recent credits include the US premiere of The Hunchback of Notre Dame (La Jolla Playhouse), the world premiere of Secondhand

Lions (5th Avenue Theatre), the world premiere of Theresa Rebeck’s What We’re Up Against (Alley Theatre), Arsenic and Old Lace starring Tovah Feldshuh and Betty Buckley (Dallas Theater Center) and a re-envisioning of Seven Brides for Seven Brothers (Paper Mill Playhouse, Theatre Under The Stars, Theatre on the Square and North Shore Music Theatre; 2008 IRNE Award, Outstanding Director of a Musical). He is the Artistic Director of Bay Street Theatre in Sag Harbor, NY, a member of the Stage Directors and Choreographers Society, an Associate Artist at the Alley Theatre and a graduate of Harvard University. WENDY SEYB (Choreographer) Carnegie Hall with Sting, Kevin Spacey, James Taylor, Renée Fleming; The Pee-Wee Herman Show (Broadway and HBO). Off-Broadway: The Toxic Avenger Musical (Lortel, Dora, Callaway nominations); Click, Clack, Moo (Lortel Nomination); Murder for Two. Director/Choreographer: How You Look at It (Sacramento Ballet), Birthday Sax (Ars Nova), That Reminds Me... (web series). Shows for Disney, Cartoon Network, Richard Frankel Productions and Nickelodeon. Her narrative dance comedies are created for short films, spec commercials, music videos and esteemed NYC venues including Dance Theater Workshop, Joyce SoHo and Baryshnikov Arts Center. wendyseyb.com. BEOWULF BORITT (Scenic Design) Beowulf Boritt designed the Off-Broadway production of Murder for Two. Broadway: Act One (Tony Award), The Scottsboro Boys (Tony nomination), On The Town, Sondheim On Sondheim, …Spelling Bee, LoveMusik, Rock Of Ages, Chaplin, Bronx

Bombers, Grace, The Two And Only. Off-Broadway: More than 50 shows, including Toxic Avenger, Last Five Years, Miss Julie, Roundabout Theatre Company, Manhattan Theatre Club, Public Theater, Second Stage Theatre, Vineyard Theatre, MCC Theater, Primary Stages and The New Group. Other designs: The Seven Deadly Sins (New York City Ballet) and the Ringling Brothers and Barnum & Bailey Circus. He received a 2007 OBIE Award for sustained excellence. ANDREA LAUER (Costume Design) Recent design credits include Broadway’s Bring It On, American Idiot (Broadway and touring productions). OffBroadway: What’s It All About, Michael Mayer’s upcoming Brooklynite, STREB’S event at the 2012 London Cultural Olympiad, in addition to theatrical, dance and opera productions in New York and around the country. Lauer is also a stylist for various artists, musicians and publications. Her work can be seen in Rolling Stone, Vogue, Interview, OUT Magazine, The 52nd Annual Grammy Awards, The Tony Awards, red carpet events, music videos and promo shoots. JASON LYONS (Lighting Design) Broadway: Hand to God, On The Town, Bronx Bombers, Let It Be, Bring It On, Rock of Ages (Vegas, Toronto, Australia, London and Nat. Tours), The Threepenny Opera, Barefoot In the Park, Good Vibrations. Recent: Heathers; The Commons of Pensacola (Manhattan Theatre Club); Murder for Two, Nerds (Philadelphia Theatre Club); Venice (Public Theater); Hello Dolly (Goodspeed Musicals); All in the Timing (Primary Stages); Medieval Play (Signature Theatre);

Uncle Vanya (Classic Stage Company); White Noise (Royal George Theatre); Broke-ology, Clay (Lincoln Center Theater); Happy Hour, 2 by Pinter, Scarcity (Atlantic Theater Company); 10 years with The New Group including The Good Mother, Marie & Bruce, Abigail’s Party, The Prime of Miss Jean Brodie, Hurlyburly. Faculty: Purchase College. jasonlyonsdesign.com JILL BC DU BOFF (Sound Design) Broadway: The Heidi Chronicles, Hand to God, Disgraced, Picnic, Wit, Other Desert Cities, Good People, The Constant Wife, The Good Body, Bill Maher: Victory... Off-Broadway includes Lincoln Center Theater, Manhattan Theatre Club, Atlantic Theater Company, Vineyard Theatre, MCC Theater, Playwrights Horizons, Public Theater, Second Stage Theatre, New York Theatre Workshop, Women’s Project Theater, New Georges, Flea, Cherry Lane Theatre, Signature Theatre, Clubbed Thumb (Affiliate Artist), Penguin Rep. Regional: Baystreet Theater, La Jolla Playhouse, Cincinnati Playhouse, Westport Playhouse, Berkeley Repertory Theatre, Portland Stage Company, Long Wharf Theatre, The Alley, New York Stage and Film, Humana Festival, Williamstown Theatre Festival and Adirondack Theatre Festival. Radio: Executive Producer: New Yorker Out Loud, Studio 360, Naked Radio, RadioLab. Drama Desk and Henry Hewes nominations. Awards: Ruth Morley Design Award, OBIE for Sustained Excellence, Lilly Award. Audio Producer for The New Yorker; Adjunct Professor, Sarah Lawrence College. Love to Adam. DAVID CALDWELL (Music Director) Music Director of Forbidden Broadway since 2004. He composed music and lyrics for All

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PRODUCTION BIOGRAPHIES Of Mice and Men, Venus in Fur, 33 Variations, Raisin in the Sun, Chicago, James Joyce’s The Dead. Some past Off-Broadway includes: Buyer & Cellar, The Hill Town Plays, The Revisionist, All in the Timing, Passion, My Name is Asher Lev, Fuerza Bruta, Silence! The Musical. Also Rattlestick Playwrights Theater, Classic Stage Company, Williamstown Theatre Festival, The Flea, Long Wharf Theatre, McCarter Theatre, Berkeley Repertory Theatre, Playwrights Horizons (10 seasons). Lots of TV and film including Mike Cahill’s I Origins, Sundance 2014. Awarded 12 Artios Awards for Outstanding Casting Achievement. Member CSA.

J. SCOTT LAPP (Assistant Director) J. Scott Lapp is thrilled to be back on Murder for Two after working on the initial runs at Second Stage Uptown and New World Stages! Associate/ Assistant Directing credits include Broadway: Bonnie & Clyde; Off-Broadway: Murder for Two (New World and Second Stage Theatre); Regional: Into the Woods (Fiasco/The Old Globe), Secondhand Lions (5th Ave), Somewhere in Time (Portland Center Stage), Good People (The Old Globe), A Room With A View (The Old Globe), Somewhere (The Old Globe), Bonnie & Clyde (La Jolla Playhouse, solo Repertory Theatre), Limelight: The Story of Charlie Chaplin (La Jolla Playhouse), Xanadu (La Jolla, Nat’l Tour). Current Projects: The Hunchback of Notre Dame (Paper Mill Playhouse) and The Untitled John Mayer Project (NY workshop). He also works as the co-artistic producer of Cabaret at The Merc and is a member of the Stage Directors and Choreographers Society. Love and thanks to God, Scott, Parents and Chelsea. Live blessed. jscottlapp.com

CATE CUNDIFF (Production Stage Manager) Cate is so thrilled to be back at the Geffen! Select Los Angeles stage management credits include Switzerland, The Break of Noon, Death of the Author (Geffen Playhouse); Memphis (Cabrillo Music Theatre); When You’re in Love the Whole World is Jewish, Salam Shalom, Good Bobby (Greenway Court Theatre); When You Wish (Pat Boone/ Dean McClure/The Freud Theatre); ModRock (El Portal); Man of La Mancha, Godspell, Jesus Christ Superstar (GPC/ The Brehm Center); This, Venice (Center Theatre Group); Dissonance (The Falcon); Oedipus the King Mama (The Falcon/Troubadours) and Battle Hymn (Circle X). She recently spent time in New York working as a company manager for Bard SummerScape. A New Orleans native, Cate attended the University of Louisiana theater program. Proud Equity member. Love to family and friends.

CALLERI CASTING — JAMES CALLERI, PAUL DAVIS, ERICA JENSEN (Casting) Broadway: The Elephant Man, Hedwig and The Angry Inch,

PRODUCTION CORE (Production Supervisor) Production Core lends support and guidance to theater companies that produce high quality theatrical performances

and need direction/support on the collaboration, planning and execution of the production process. The Production Core team is James E. Cleveland, Jared Goldstein, David Upton, Ron Grimshaw, Maggie Davis, Chasmin Hallyburton, Julie Shelton, Amber Mathis, S.M. Payson, Leah Vogel, Esti Bernstein, Gayle Riess, Felicia Hall, Darielle Shandler, A.J. Jacobs and Grace Richardson. Current projects include: Nevermore at New World Stages, 50 Shades! The Musical at the Elektra Theatre, Sex Tips for Straight Women from a Gay Man at the 777 Theatre, Dinner With the Boys at the Acorn Theatre, Hamlet at Classic Stage Company, Because of Winn-Dixie at the Delaware Theatre Company and The Last Two People On Earth: An Apocalyptic Vaudeville Tour. productioncore.net

A Song. Regional: Murder for Two, Nine Wives, Love Makes the World Go ‘Round, Truman Capote’s A Christmas Memory, Being Alive, The Grave White Way. Live events: Sting and Patti LuPone in Uprising of Love; Christina Aguilera and dancers from the movie Burlesque on Dancing with the Stars, The American Music Awards and X Factor (UK); cast of the movie Hairspray on The Oprah Winfrey Show, The Today Show and Macy’s Thanksgiving Day Parade; concerts in Poland and Israel for the documentary 100 Voices: A Journey Home. Jayson spent seven years on the producing team at Pasadena Playhouse.

SNUG HARBOR PRODUCTIONS (General Management) Credits include: Broadway: Ring of Fire and Elaine Stritch at Liberty (Tony Award); George Gershwin Alone and Death of a Salesman (Tony Award, starring Brian Dennehy); The Price and Fool Moon (Tony Award). OffBroadway: Murder for Two; Piece of My Heart; Martin Moran’s All the Rage (Lortel Award); Eve Ensler’s Emotional Creature; Elective Affinities (starring Zoe Caldwell); Make Me A Song: The Music of William Finn; Evil Dead The Musical; Almost, Maine; The Tricky Part (Obie Award); Peter Brook’s Tierno Bokar.

BARBARA WHITMAN (Producer) Current productions include Fun Home and Hedwig and the Angry Inch (Tony Award, Best Musical Revival). Other credits include If/Then starring Idina Menzel, Hands on a Hardbody, Red (Tony Award, Best Play), Next to Normal (Pulitzer), Hamlet starring Jude Law, 33 Variations starring Jane Fonda, Mary Stuart, Legally Blonde — The Musical, …Spelling Bee, Dirty Rotten Scoundrels and A Raisin in the Sun. A native New Yorker, Barbara attended NYU’s Gallatin School and received an MFA in Theatre Management and Producing from Columbia University. She’s on the Board of the Tectonic Theater Project and the Leadership Council of Broadway Cares/Equity Fights AIDS. Her proudest productions are her sons, Daniel and Will.

JAYSON RAITT (Producer) Jayson Raitt produces and develops new musicals. Broadway: Rock of Ages.OffBroadway: Murder for Two, Make Me A Song: The Music of William Finn, Vanities A New Musical. London: Make Me

STEVEN CHAIKELSON (Producer) Steven is a professor in the Columbia University School of the Arts, where he runs the MFA Theatre Management & Producing Program and serves as advisor to the T Fellowship, founded by Harold

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I Really Need to Know I Learned in Kindergarten and Uh-Oh Here Comes Christmas, both based on the writing of Robert Fulghum. He conducted the American premiere of Stephen Schwartz’ Children of Eden. He arranged and orchestrated Marvin Hamlisch’s song “I’m Really Dancing” for Career Transitions for Dancers’ 25th Anniversary Gala, featuring Angela Lansbury, Chita Rivera and Bebe Neuwirth. He is interviewed at length in Oliver Sacks’ book about music and the brain, Musicophilia.

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PRODUCTION BIOGRAPHIES Prince. He is a co-author of Theatre Law: Cases and Materials, the first and only law school textbook devoted to theater law, and a regular contributor to the theater volumes of Entertainment Industry Contracts, published by LexisNexis. Through his company, Snug Harbor Productions, Steven general manages productions on and Off-Broadway, around the United States and internationally. Producing credits include Private Jokes, Public Places in NYC and London; the Off-Broadway premiere of Murder for Two; Criss Angel Mindfreak and Salman Rushdie’s Midnight’s Children. SECOND STAGE THEATRE (Producer) Founded in 1979 under the leadership of artistic director Carole Rothman, Second Stage Theatre produces a diverse range of premieres and new interpretations of America’s best contemporary theatre including the 2010 Pulitzer Prize winner Next to Normal by Tom Kitt and Brian Yorkey; the 2012 Pulitzer Prize winner Water by the Spoonful by Quiara Alegria Hudes; The Last Five Years by Jason Robert Brown; Dogfight by Benj Pasek, Justin Paul, and Peter Duchan; By the Way, Meet Vera Stark by Lynn Nottage; Trust and Lonely, I’m Not by Paul Weitz; and Bachelorette by Leslye Headland. The company’s more than 130 citations include the Pulitzer Prize, seven Tony Awards and the 2002 Lucille Lortel Award for Outstanding Body of Work. 2ST.com. LATITUDE LINK (Producer) Latitude Link is led by threetime Tony Award- winning producers Ralph and Gail Bryan. They are currently represented on Broadway by Jersey Boys, Matilda The Musical and Hedwig and the Angry Inch, as well

as the upcoming Broadway productions of Doctor Zhivago and Fun Home. Their current national/international hits include Jersey Boys and Memphis. latitudelink.com.

on tour, Tail!Spin!. Investor: Vanya…, Cinderella, Nice Work…, The Trip to Bountiful, Hedwig and the Angry Inch, 54 Below and others. Avid photographer and theater lover.

OMNEITY ENTERTAINMENT / RICHARD G. WEINBERG (Producer) Richard has been involved with numerous film and television projects through his tenure with Columbia, CBS, Savoy and Sundance. Theater investments include, among others, The Producers, Hairspray, The Immigrant, Spider-Man and A Gentleman’s Guide to Love and Murder. Richard and his partner Tommye Giacchino are United States pro/am ballroom champions. Thanks to wife, Diane, parents, children and family.

CHICAGO SHAKESPEARE THEATER (Producer) Recipient of the Regional Theatre Tony Award, CST is one of America’ s largest, most celebrated theaters, producing a year-round season encompassing more than 600 performances at its home on Chicago’s Navy Pier. CST’s work is regularly represented on stages around the world including the Donmar Warehouse, Sydney Festival, Royal Shakespeare Company and Market Theatre of Johannesburg. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST produces extraordinary classics from the past and present, contemporary dramas, musical theater and premieres of new works — including Murder for Two, which CST developed in 2011. chicagoshakes.com

PAULA MARIE BLACK (Producer) London currently running: Made in Dagenham (Adelphi Theatre), Lead Producer of The Scottsboro Boys (Garrick Theatre). Broadway currently running: On the Town (Lyric Theatre); Tony Award winner for Hedwig and the Angry Inch (Belasco Theatre); Of Mice and Men; Tony Award nomination for Twelfth Night, Richard III, Romeo and Juliet; Tony Award nomination for The Trip to Bountiful; Hands on a Hardbody. Off-Broadway: Natasha, Pierre and The Great Comet of 1812, Little Miss Sunshine and Murder for Two. “My producing efforts honor the works of women directors and playwrights. I honor those who have not had a voice; I dedicate my support of the art of theater to you.” PAULA KAMINSKY DAVIS (Producer) Owner: Gem Financial Services, PKDManagement, Epkam Ventures, Drama League Board Member. Producer: Rock of Ages. Assoc. Producer: Heidi Chronicles, Becoming Dr. Ruth, Ann, Peter and the Starcatcher

AWA PARTNERS (Exclusive Tour Direction) AWA Partners represents the joint forces of AWA Touring Services, Off-Broadway Booking/OBB and AVID Touring Group. The new roster includes I Love Lucy Live on Stage, A Christmas Story — The Musical, Dr. Seuss’ How the Grinch Stole Christmas! — The Musical, Mandy Patinkin in Concert, An Evening with Patti LuPone and Mandy Patinkin, Celebrity Autobiography, among many others. Past projects include Green Day’s American Idiot, The Phantom of the Opera, Disney’s Beauty and the Beast, DreamWorks’ Madagascar Live and Monty Python’s Spamalot. AWA-Partners.com

RANDALL ARNEY (Artistic Director) Randall Arney has been a theater professional for over 30 years and has served as Artistic Director of the Geffen Playhouse since 1999. In addition to his artistic programming and oversight at the Geffen, Arney has helmed more than 10 productions for the theater, most recently The Night Alive, Reasons to Be Pretty, Slowgirl, American Buffalo, Superior Donuts, The Female of the Species, The Seafarer, Speedthe-Plow and All My Sons. Arney is an ensemble member and former Artistic Director of Chicago’s Steppenwolf Theatre where his directing credits include: Slowgirl, The Seafarer, The Beauty Queen of Leenane, Death and the Maiden, Curse of the Starving Class, Killers and The Geography of Luck, among others. Arney also directed Steppenwolf’s world premiere of Steve Martin’s Picasso at the Lapin Agile, as well as the subsequent national and international acclaimed productions. Mr. Arney’s acting credits with Steppenwolf include Born Yesterday, Ghost in the Machine, The Homecoming, Frank’s Wild Years, You Can’t Take it with You, Fool for Love, True West, Balm in Gilead and Coyote Ugly. As the Artistic Director for Steppenwolf from 1987 to 1995, he oversaw the creation of a new stateof-the-art theater which is Steppenwolf’s current home. Broadway transfers under his leadership include The Rise and Fall of Little Voice, The Song of Jacob Zulu (six Tony Award nominations) and The Grapes of

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PRODUCTION BIOGRAPHIES acclaimed independent film Order of Chaos. Gil also made his TV directorial debut with an episode of the NBC comedy, Joey, starring Emmy winner Matt LeBlanc. He studied at the National Theatre Institute in Waterford, Connecticut, and holds a BFA in Drama from Syracuse University in 1991.

TOURING STAFF FOR MURDER FOR TWO GENERAL MANAGEMENT SNUG HARBOR PRODUCTIONS Steven Chaikelson Kendra Bator EXCLUSIVE TOUR DIRECTION AWA PARTNERS L. Glenn Poppleton Robin Mishik-Jett Glenn White Jalaina Ross Nicole Hatcher

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Wrath (1990 Tony Award, Best Play). Mr. Arney has an MFA degree in Acting from Illinois State University and has taught master classes and workshops at UCLA, Steppenwolf, around the U.S. and in Tokyo.

NATIONAL PRESS REPRESENTATIVE MATT ROSS PUBLIC RELATIONS Matt Ross Nicole Capatasto Nancy Alligood Stacey Abeles GIL CATES, JR. (Interim Managing Director) Gil Cates, Jr. has proudly served as Geffen Playhouse Board Vice Chairman since 2012 and has years of producing and directing experience in theater, film, and television. Gil’s theater credits include the award winning Names (Matrix Theatre) starring Dixie Carter and Greg Mullavey, The Night I Knocked Out Joe Frazer and Lost 90 Pounds (Gardner Stage Theater), as well as Three Sisters and David Mamet’s A Life In The Theatre (both at Syracuse Stage). Gil’s film credits include The Surface (starring Sean Astin and Geffen Playhouse alumnus Chris Mulkey), Jobs (starring Ashton Kutcher, Josh Gad, Dermot Mulroney, as well as Geffen Playhouse alumni Matthew Modine and Ron Eldard) and the 2011 feature film Lucky (starring Colin Hanks, Ari Graynor, AnnMargret and recent Golden Globe winner Jeffrey Tambor). In addition, Gil produced and directed the critically acclaimed Life After Tomorrow, featuring Sarah Jessica Parker, which won best documentary at the Phoenix Film Festival and later had its premiere Christmas Eve on Showtime. His other films include Deal (starring Burt Reynolds, Bret Harrison and Charles Durning), The Mesmerist (starring Geffen Playhouse alumnus Neil Patrick Harris), and the critically

CASTING CALLERI CASTING James Calleri, CSA Paul Davis Erica Jensen REGINA MILLER (Chief Development Officer) Regina has been a development professional for over 18 years, working with non-profit institutions, foundations and corporations on strategy, analysis and fundraising. She has worked for Simon Wiesenthal Center, William J. Jefferson Clinton Foundation, Ben Affleck’s Eastern Congo Initiative, Hank Azaria’s Determined to Succeed, National Center for Missing and Exploited Children, Kind Campaign, Jewish Museum of Prague, among others. Prior to the Geffen, Regina served as the Director of Partnerships for Big Brothers Big Sisters of Greater Los Angeles and the Inland Empire where she led strategic planning and development while executing policies that advanced the organization’s visibility and growth. Regina also has a strong passion for teaching. After graduating from University of North Carolina School of the Arts and touring the world as a professional dancer, she worked as a teacher in preschools and kindergartens in New York, as well as lecturing at numerous schools in the U.S. and abroad. Regina is also a published author and photographer with Tallefellow Press and Prometheus Books and is currently working on a book with her 11 year old son Jaden.

PRODUCTION SUPERVISOR PRODUCTION CORE James E. Cleveland Production Stage Manager Cate Cundiff Company Manager Nicole Herrington General Management Assistants Erik Kaiko, Katharine Sullivan-Dawes General Management Intern Kappy Kilburn Consulting Stage Manager Kat West Assistant Director J. Scott Lapp Assistant Choreographer Steven Cardona Associate Scenic Designer Jared Rutherford Associate Costume Designer Heather Neil Associate Lighting Designer John Wilder Associate Sound Designer David Sanderson Sound Effects Consultant Daniel Carlyon Associate Production Supervisor Jared Goldstein Assistant to the Production Supervisor Chasmin Hallyburton Production Manager Dave Upton Production Manager SM Payson Production Assistant Leah Vogel Props Susan Barras and Pittsburgh CLO Production Audio Colin Whitely Production Electrician Ben Fichthorn Website Design The Pekoe Group Production Photos Joan Marcus, Jim Cox Program Cover Art aka Production Accountants Fried & Kowgios CPA’s LLP / Robert Fried CPA and Karen Kowgios, CPA Controller Galbraith & Company / Sarah Galbraith, Tabitha Falcone Banking JP Morgan Chase Bank Insurance DeWitt Stern Group, Inc. / Rebecca LaFazia Legal Counsel Sendroff & Baruch, LLP / Jason Baruch, Esq. Payroll Service Checks and Balances Payroll, Inc. PERFORMANCES  MAGAZINE P9

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ACKNOWLEDGEMENTS

GEFFEN AT A GLANCE ADDRESS

PRODUCTION STAFF FOR MURDER FOR TWO Costume Coordinator E.B. Brooks Light Board Operator Dan Tuttle Sound Board Operator Mitchell Hampton Wardrobe Supervisor/Crew Leia Crawford Stage Crew Joel Fullerton Spot Light Operators Naomi Bennett and Max Weinstein

ACKNOWLEDGEMENTS Scenery constructed by Tom Carroll Scenery Lighting Equipment provided by 4Wall Sound Equipment provided by Chinchilla Theatrical Trucking by Rock-It Cargo USA, LLC “Stepping Out” Track by Ethan Deppe Murder for Two was developed at the Adirondack Theatre Festival, 2010 Season

SPECIAL THANKS David Bell; 42nd Street Moon; Hangar Theatre; Baystreet Theatre; Tom Caruso; Scott Weinstein; The Bemis and Blair Family; Marcus Stevens; Jessica Amato; The Kinosians; UCLA School of Theater, Film and Television Scene, Prop, Sound and Costume Shops; London Cleaners; Keyboard Concepts

UCLA SCHOOL OF THEATER, FILM AND TELEVISION The Geffen Playhouse is affiliated with the University of California at Los Angeles, specifically the UCLA School of Theater, Film and Television. The Geffen Playhouse values its role as an important educational resource by providing students with master classes, workshops and internships. Students are also able to work and learn from distinguished visiting Geffen artists such as Alan Ayckbourn, Jon Robin Baitz, Annette Bening, Ed Harris, David Ives, Neil LaBute, David Mamet, Donald Margulies, Terrence McNally, John Rando and Kathleen Turner in areas of directing, playwriting, acting, design, dramaturgy, management and production. The Geffen Playhouse also draws upon the distinguished experts in the university to enhance the theater’s programs and research.

Geffen Playhouse 10886 Le Conte Avenue Los Angeles, CA 90024 Administrative Offices.......... 310.208.6500 Weekdays.........................10:00 am — 6:00 pm Box Office Phone Line........... 310.208.5454 Daily......................................7:00 am — 6:00 pm Subscriber Hotline.................. 310.208.2028 Weekdays.........................10:00 am — 6:00 pm Weekends........................ 12:00 pm — 6:00 pm Please visit geffenplayhouse.com for hours, parking and more information TICKET SERVICES Box Office Window When shows are not in performance, the box office window is open: Weekdays.........................10:00 am — 6:00 pm Weekends........................ 12:00 pm — 6:00 pm During the run of a show, the window will be open until curtain. Please note: the box office is unable to process exchanges and future sales one hour prior to curtain time on any performance day. ACCESS

ASL

Accessible Accommodation The Geffen Playhouse is fully committed to ensuring a satisfying theater experience for our patrons with special needs or disabilities. Please contact the box office or an usher to discuss your needs.

AT THE THEATER

This theater operates under agreement between the League of Resident Theaters and Actors Equity Association, the union of professional actors and stage managers in the United States.

Late Seating Should you arrive late to the theater or vacate your seat during the performance, please expect to be held in the lobby until an appropriate pause in the action on-stage. To minimize disturbance to other patrons, you may be sat into the first available location by the house staff even if different from your assigned seat. Be advised that some productions or circumstances may not allow for late or return seating.

This theater operates under agreement between the League of Resident Theaters and Stage Directors and Choreographers Society, an independent national labor union. The scenic, costume, lighting and sound designers in LORT theaters are represented by United Scenic Artists Local USA-829, IATSE. P10  PERFORMANCES  MAGAZINE

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A “remarkable portrait! Richly entertaining and ultimately touching.” — Los Angeles Times

“Enriching, humorous and replete with most of the brilliant Berlin tunes. You do not want to miss a delicious moment of it!” — Broadway World

Photo by Eighty-Eight Entertainment

Lyrics & Music by IRVING BERLIN Book by HERSHEY FELDER Directed by TREVOR HAY

Hershey Felder brings to life the remarkable story of Irving Berlin, “America’s Composer.” From the depths of anti-Semitism in Czarist Russia, to New York’s Lower East Side, and ultimately all of America and the world, Berlin’s story epitomizes the American dream. Featuring the composer’s most popular and enduring songs from “God Bless America,” to “White Christmas” and beyond, Hershey Felder’s masterful creation of character and musical performance makes this evening with Irving Berlin an unforgettable journey.

BACK BY POPULAR DEMAND! ONLY 16 PERFORMANCES – BEGINS AUGUST 4 GIL CATES THEATER AT THE GEFFEN PLAYHOUSE

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ANNUAL DONORS The Geffen Playhouse recognizes the following individuals and organizations for their generous support of our Annual Fund and Backstage at the Geffen. Donors are listed at the Associate level and higher for gifts made between March 1, 2014 and May 1, 2015. In appreciation, donors enjoy a host of special benefits including house seats, complimentary drinks, receptions and much more. For more information, please call Jamie Mikelich at 310.208.6500 ext. 128.

CHAIRMAN’S CIRCLE $50,000+

Anonymous Audi of America, Inc Ben/Joyce Eisenberg Foundation City National Bank Elizabeth Lacey & Gilbert Cates, Jr. Mary Ann Cloyd David Geffen Foundation Edgerton Foundation Joyce Eisenberg-Keefer & Melvin Keefer Herbert M. & Beverly J. Gelfand In Memory of Alice Ghostley & Felice Orlandi Sam Gores The Adi & Jerry Greenberg Foundation Guggenheim Partners Investment Management Holdings, LLC Carole & Bill Haber Harold & Mimi Steinberg Charitable Trust Martha Henderson Rabbi Uri D. Herscher & Dr. Myrna Herscher Cindy & Alan Horn HSBC Private Bank USA Marilyn & Jeffrey Katzenberg Glorya Kaufman Loretta Everett Kaufman & Victor Kaufman Kenneth T. & Eileen L. Norris Foundation Keyes Automotive Group Robert K. Kraft Sandra Krause & William Fitzgerald L&N Andreas Foundation Latham & Watkins LLP The Lauder Foundation Mr. and Mrs. Jason & Yvonne Lee Susan & David Leveton George Lucas Family Foundation Ginny Mancini Fay & Frank Mancuso Marilyn & Jeffrey Katzenberg Fund for Arts Education at the Geffen Playhouse John McCrite & Juan Lopez Donna McKenna & Flynn Chernos Kelly & Ron Meyer Scott Minerd Ann & Jerry Moss Moss Foundation Paradigm Talent Agency Ralph M. Parsons Foundation PricewaterhouseCoopers Madeline & Bruce Ramer Pamela Robinson Hollander & Robert Hollander Linda Bernstein Rubin & Tony Rubin Richard & Barbara Sherman Shubert Foundation Skirball Foundation Karen & Vic Smith Kate Capshaw Spielberg & Steven Spielberg

Cynthia P. Stafford Judith & Bruce Stern Jodi & Howard Tenenbaum UCLA The Walt Disney Company Ken Willner & Jim Stine Elaine Wynn Family Foundation Judy & Chancellor Charles E. Young Dirk & Natasha Ziff

EXECUTIVE PRODUCER $25,000 - $49,999

Anonymous Katie McGrath & J.J. Abrams Aegon Transamerica Foundation Patricia Kiernan Applegate Aria Resort & Spa Ariel Investments Robert C. Baral Beth Behrs Stephanie & Jonathan Carson Valarie De La Garza & Michael Centeno Classic Party Rentals Clay Lacy Aviation Designer 8 Event Furniture Rental The Douglas Foundation DreamWorks Animation Dwight Stuart Youth Fund The Edward A. & Ai O. Shay Family Foundation Fox Entertainment Group Carol & Paul Frimmer Gang, Tyre, Ramer & Brown, Inc. Jim & Ann Gianopulos Goldman Sachs Andy & Carlo Brandon-Gordon Greater Los Angeles New Car Dealers Association Mellody Hobson The Lear Family Foundation Los Angeles County Arts Commission Los Angeles magazine Louis Vuitton Marcia Israel Foundation, Inc. Sandra E. Milken Napa Valley Grille SOCIAL by Samantha Sackler & Tammy Ratner Shel & Cynthia Stone Warner Bros. Entertainment Wells Fargo Foundation Samantha & John Williams

PRODUCER

$10,000 - $24,999 Anonymous Laurie & Bill Benenson Charles A. Black, Jr. Board of Supervisors County of Los Angeles Heather Thomas & Skip Brittenham

Brotman Foundation of California Amanda Brown & Justin Chang Eileen & Harold Brown Brunello Cucinelli Bulgari Corporation of America Roma Downey & Mark Burnett The Capital Group Companies Charitable Foundation CenterStaging City of Los Angeles Department of Cultural Affairs Kathy & Mitch Clark Carole Bayer Sager & Robert A. Daly Fielding Edlow & Larry Clarke Dr. & Mrs. Paul Eisenberg Susan & Mark Fleischer Sarinda & Gian Fulgoni Gagosian Gallery, Inc Dr. Hilary Garland The Rosalinde & Arthur Gilbert Foundation Patty Glaser & Sam Mudie Manuela & James Goren Arthur Greenberg C. Curtis Grisham In Memory of Morris A. Hazan HBO Samantha & Eric Heer Stanley Iezman & Nancy Stark Vicki Iovine & David Coiro Joseph Drown Foundation Joan Kaloustian Fred Latsko Janine & Peter Lowy Carla Malden Mona Malden Malibu Family Wines Susan & Peter Mallory Martin Katz, Ltd Nancy & Michael McClelland Wendy & Barry Meyer MOCA Foundation Marcia & Brett Molotsky Montage Hotels & Residences James L. Nederlander & Margo MacNabb Nederlander Northern Trust, NA Anna K. Nupson Paramount Pictures Popland Studios Rollin Ransom & Chris Lacroix Judith Reichman, MD Holly Rice Richard Ruskell Pastries The Richenthal Foundation Jane Rissman & Richard Sondheimer Ronen Levy Events Loren Rothschild & Hon. Frances Rothschild The Simms/Mann Family Foundation

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ANNUAL DONORS

DIRECTOR

$5,000 - $9,999 Anonymous Jehan F. Agrama & Dwora Fried AMC Amgen Foundation Hilary & Jack Angelo The Alex Baldwin Foundation AVID The Baxter International Foundation Ruth & Jake Bloom Annette Blum Mara & Jonathan Blum The Eli & Edythe L. Broad Foundation Linda & Jerry Bruckheimer Glenn & Lynn Cardoso Marcy Carsey & Leo Yoshimura Comcast | NBC Universal Lauren Shuler Donner & Richard Donner Mica Ertegun Jo & Larry Feldman Lawrence N. Field Eric Flamholtz & Yvonne Randle Four Seasons Resort Maui at Wailea Kiki & David Gindler Priscila Giraldo Gloria & Peter Gold Grand Wailea, a Waldorf Astoria Resort Jill Grey Bucky Hazan, Teles Properties Alan Hergott & Curt Shepard Gail & Stanley Hollander Tracey Jacobs Libby & Arthur Jacobson Bernice & Wendell Jeffrey Marvin Jubas & Janet Wald Mannon Kaplan Sally & Dr. Manny J. Karbelnig Julie & David Kavner Kissick Family Foundation Wendy Kurtzman La Valencia Alan & Cindra Ladd Eileen & Kase Lawal Leo S. Guthman Fund Drs. Gerald & Barbara Levey

Padma & Rao Makineni Judy Zaban Miller & Lester Miller Kate Moran & Mikki Rosenberg Natural Resources Defense Council Conan & Liza O’Brien Christine Marie Ofiesh Mo Ostin Carol & Bill Ouchi Kay & Bob Rehme Gary Reisman | LEAP Media Investments Joyce Rey Howard Rose Rikki Rosen Thomas L. Safran Sheri Salata Hon. Nicole A. Avant & Ted Sarandos Judi & Bruce Schindler Jody & Arthur Schmid Ken & Carol Schultz Foundation Steve & Paula Mae Schwartz Helen & Martin Scorsese Sidley Austin LLP The Simon-Strauss Foundation Singer Family Foundation Lorraine Spurge & Patrick Mitchell Susan & Don Starr Arnold Stiefel Ben Stiller & Christine Taylor Eric Stonestreet Tanino Ristorante Tanzy Restaurant Barbara & Larry Tenan Lynda Thomas Thomas Safran & Associates Janet & Michael Schwartz Karen Zoller, MD & David Tillman, MD Karen & William Timberlake Dan Tishman The Travel Corporation Alice & Norman Tulchin United Talent Agency Jennifer von Schneidau Deborah & Michael E. Walsh Karen & Rick Wolfen Paula Wolff, Ph.D. & Wayne W. Whalen Jennifer Young & Katrina Nason Gail Zappa Leslie & Robert Zemeckis Ruth & Stan Zicklin In Loving Memory of Herman Ziegler

SPONSOR

$3,000 — $4,999 Pat & Sandy Adams Shelly & Libby Bergen Mrs. Carol K. Block & Chancellor Gene D. Block Susan Booth & Christopher Wadden Robert Brook & Jacqueline Kosecoff Dr. Fanya Carter, PhD Scott, Susan & Joshua Corwin Perry Goldberg Yvonne & Damien Jordan Dora & Neil Kadisha Thea & Neal Koss

Renee & Meyer Luskin Merle & Jerry Measer Benedicta & Geoffry Oblath Lori & David Rousso Paula & Allan Rudnick Judy & Mike Sapir Leigh Silverton Allen Blue & Kira Snyder Vernon, Barry & Dale Tyerman In Honor of Ruth Tyerman Lentz Uniworld River Cruises Inc The Waterman Family Foundation Leslie White & Al Limon Patricia Youngman

MURDER FOR TWO

Sondheimer Foundation Fred Specktor & Nancy Heller Steve Tisch Miranda & Brett Tollman U.S. Bank Union Bank W Hotel Los Angeles Westfield Group William Morris Endeavor Entertainment Lynn & Mark Williams Rita Wilson & Tom Hanks Linda Yellin Ruth Ziegler Ellen & Ken Ziffren Ziffren Brittenham LLP Richard & Mae Ziman

PARTNER

$1,500 - $2,999 Anonymous (2) Olga S. Alderson Margaret & Howard Arvey Robert E. & Maria H. Barron Richard Bautzer & David McDowell Laurel & Aaron Clark Linda & John Coleman Lou Colen David Conney, M.D. Shelley Wike Cranley Phil Davis Susan & Jonathan Dolgen Gerald & Sally Ducot Victoria Dummer Kitzia & Richard Goodman The Guerin Foundation Michael Parks & Judith Hayward Alan & Michelle Heilpern Mel & Faith Henkin Stephen Sass & Steven Hochstadt Roger & Linda Howard Carrie Johnson Sherry Martin Janis B. McEldowney Richard Milling Rio & Frank Morse Lisa Pierozzi Herbert & Marilyn Piken Joseph & Cynthia Rodriguez Brad & Nancy Rosenberg Dominique Shelton Snyder Family Foundation Bruce & Patti Springsteen Paul & Margaret Stein Anne C. Taubman & David Boyle Paul Tetreault Daniel Tongbai Susan & Peter Van Haften David Weber and the Arnold & Edna Weber Foundation Roberta Weintraub Barbara & Stanley Zax Marcie & Howard Zelikow Ellen & Arnold Zetcher Anthony P. Zinge David Zuckerman & Ellie Kanner-Zuckerman PERFORMANCES  MAGAZINE P13

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ANNUAL DONORS EDUCATION ADVOCATE $1,000 - $1,499

Harry & Gay Abrams/Abrams Artists Agency Dr. Richard Ackerman & Miriam Shakter Janis Adams & John Lyons Miriam Aguiar Laura & Harvey Alpert Charitable Foundation Merryl & David A. Alpert Patti & Harlan Amstutz Bonnie & Bill Apfelbaum AudioQuest Russ, August & Kabat Carol Ann & D.C. Bakeman Richard & Shelley Bayer Jerry Beckman Susan & Eric M. Bender Peter & Barbara Benedek Patricia & Mark Benjamin Paula & Bruce Bennett Wendy & John Bergquist John Bjorge & Mary McKelvey Joe Blackstone & Jamie Mohn The Bordy & Leibovic Families Brenda & Alan Borstein Lucas Boucher Dr. Wallace P. Brithinee Wendy & David Brotman The Busch-Schifino Family Chancellor Albert Carnesale & Mrs. Robin Carnesale Scott Carter David Cates & Christine Vavak Jane Cates Jonathan & Elena Cates Melissa Cates & Roger Claman Steven Cerasale & Mary Katherine Cocharo Martha Chase Sachiko T. Cochran MD & Joseph T. Araki James Costa Janine Cristiano In Loving Memory of Ed Cypert Ruth Daugherty Deluscious Cookies Susan & Jonathan Dolgen Carolyn Dirks/Brett Dougherty Dennis & Jeralyn Doty Jan & Thea Drayer William Duncan Marilyn P. Dunn Dr. & Mrs. William M Duxler Colleen M. Ellis Terri & David Elston The English Language Center Kevin Watts & Christine Enlow Carol & J.B. Esterkin Mr. & Mrs. Michael Feldman Donnovan Field Marjorie & Arthur Fine Barbara Fodor Joan & Charles Fox Robert & Sonia Freedman Steve Freedman Ben & Susan Friedman Gwen & Jacob Friend G2 Graphic Service, Inc. Pat & Sandy Gage Kathleen Garfield Jeanne & Arnold Geffner Mr. & Mrs. Arthur Geoffrion Cherna & Dr. Gary Gitnick Charlotte Gold Dr. Irene Goldenberg Helene Gordon Adrienne Grant & Paul Jennings Jack Grossbart & Marc Schwartz Sunny & Alvin Grossblatt Craig Grosvenor Madeline Gussman Monty & Marilyn Hall Salli Harris Murray & Gail Heltzer Lynda Klein & Neal Hersh

Jean Himmelstein & David Coleman Dr. John D. Hofbauer & Dr. Laura E. Fox In Honor of Development Tamara Horwich & Gerry Lipshutz Toni Hoyt Lynn Hunt & Margaret Jacob Nancy & Len Jacoby Jerome & Linda Janger Joseph B. Gould Foundation Linda & David Kagel Barbara & Ronnie Kahn Joyce & Don Kaiserman Karney Guren Family Foundation Sabrina Kay Charitable Foundation Patricia Keating Lenny & David Kelton Gerrold & Nina Kessler Barbara & Stuart Klabin Kent Klavens & Judy Vourlas Leslie & Norman Koplof Carol Krause Robin & Seth Kugler Deborah Lacusta & Daniel Castellaneta Bethany Joy Lenz Lydia & Chuck Levy John Liebes Wendy Lindley Steven & Nancy Lippman Jeffrey & Elisabeth Lipsman Judith Locke & Dennis Massie Karen & Frederick Lorig Eric G.C. Mark Edina Somlai & Rob Markus Marlene Matlow & Family Jeanne McDonald-Powers & Travis Powers Sue McHugh & Herb Seese The Miles Family Barbara & Fred Miller Craig & Catherine Miller Andrew & Laura Mintzer Joanne & Joel Mogy In Loving Memory of Harvey S. Morse Lon Morse & Toni Hollander Morse Lawrence Nelson Patricia Newcomb Albert & Barbara Nichols John Nickoll Bobbi & Rory O’Donnell Deborah & Stacey Olliff Michael R. Oppenheim Ornest Family Foundation Charles Ortner Anne Osberg Gia Paladino & Michael Wise Carol Parry & John Fox Philip & Leslie Paton Amanda Crick & Glenn Pfeffer Tara & Robert Pietri Craig Piligian In Memory of Michael Piller Berta & Lou Pitt Ruth Popkin Stephen Prudhomme Lee Ramer Richard Rasiej & Joan Herman Harvey & Joyce Reichard Rabbi Steven & Didi Carr Reuben Donald B. & Susan F. Rice In Memory of Frances Richman Esther & Howard Richmond Christy Ritts Beth Roberts & Warren Smith Richard Roberts Craig E. Rogers Sue Weiss Rosenwasser David A. & Karen Richards Sachs Mark San Filippo Nancy & Ted Sanborn Jill Sattinger Dawn & Joel Scherer Lizbeth Schiff Joanna & Jonathan Schwartz Susan Schwarz Berton In Memory of Diane Barnett-Shapiro John & Lori Shaw

Phyllis & Martin Shephard Doris & Michael Sherman Holly & Larry Shulman Steven Siegel & Lily Carey Rita & Jose Sigal Ron Silverman & Soraya Ross Joan & Jerry Snyder Drs. Matthew & Marion Solomon The Somaini Family Marcella, Joy & Grant Stanley Mitch & Sherry Stein Joannie Stern Susan Stockel Jordan Strauss Photography David & Katherine Stritzinger Eric Strom & Eileen Goodis Aaron & Melissa Stroud Katy Sweet The Tatasciore Family John Teeples & Nicolas Martinez, Jr. Audri & Stan Tendler Joyce & Josh Trabulus Catherine Unger Daniel & Shauna Valenzuela Alan Van Vliet Peter & Denise Walsh Julie & Peter Weil Doris Weinberg Joanne & Ken Weinman Gelena & Seth Weissman Alison Whalen & Steven Marenberg Marcia Williams & Gene Lucero Lesley & Jeffrey Wolman Cherie Wrigley Anna & Stephen Yallourakis Debra Zavala Anthony P. Zinge

ARTISTIC ADVOCATE $500 - $999

Anonymous (4) Sylvia Almstadt Nancy Antoniou Ares Management LLC Janet & Irwin Barnet Irene Baron Alan Belinkoff Joanne & Miles Benickes Jim & Diane Berliner Black Market Gelato Janet & Mark Brown Dr. R.W.G. Bugental Lee & Shelby Chaden William & Patricia Chin Elsbeth Collins & James Greene Ted Cordes Donald & Zoe Cosgrove Robert Cushnir Morgan Dameron Geraldine Darrow Diana Davidow & Deborah Constance Daniel & Gayle Devin Dream Warrior Group Roni & Ethan Eller David & Joyce Evans Sydney M. Finegold, M.D. Michael & Lynne Flynn Myrna Forest Burt & Nanette Forester Lois & Gerald Gallop Sharlene & Sol Galper Russell Gersten Benita & Bert Ginsberg Dr. Diane & Michael Glazer Carol & Neil Goldberg Louis & Linda Goldsman Abner & Roz Goldstine Lori & Robert Goodman Roger Gordon Diana & Ronald Granit Susan Green Marcy & Edgar Gross

Ronald Hansen Kay Harrington Richard Hart Sheila & Chester Hasday Mr. & Mrs. William Hellman Mrs. Dorothy Hoffman Rand Hoffman & Charlotte Robinson Kelley M. Hogan Jonathan Howard Gerald Isenberg Jackie & Warren Jackson Terry & Marc J. Jacoby Robert Jones Dan & Carolyn Jordan Trudy & Albert Kallis Drs. Elaine & Jeff Kamil Mr. & Mrs. Bernard Kamine Marcy Kaplan-Gold James Kelly Charlene Kodimer Donald Kottler Jeffrey Kramer Carol & Richard Kurland Tam & David Lachoff Eleanor & Mark Lainer Joan & Christopher Larkin Jeanne & Christopher Lavagnino Sandi Lawless Joyce Lederer Brenda & Warren Lincoln Neil L. & Ora D. Macfarlane George Manet Elizabeth Marcellino Mr. & Mrs. Phillips H. Marshall Joel Mendelsohn Robert Meth Geoff & Seema Miller Thomas Mitchell Allan M. Mohrman Jr. Bill & Gail Morino Paula Moseley, EdD Sandra Moss Erika & James Muhlfeld David Neilan Sherri & Arnold Nelson Chris & Richard Newman Adrienne & Arthur Omansky Donna & Paul Pekar Rebecca Perlow Jimi & Inna Petulla, Film Connection Ruth Pilot Jack & Jane Pollock Michael Post Gary & Gail Racheletsky William Ray Amy Richards Linda & Manny Rider Dolores Rogers Ronda & Fred Rose Susan & Martin Schmitt Nancy & Steven Schneider David & Margaret Schwanke Bob & Susan Schwartz Jackie & Charles Schwartz Dr. & Mrs. Jack Schwartz Michele & Peter Serchuk Peggy & Robert Shapiro Traci Shelton Robin & Robert Sills Martin & Leah Sklar Trudy Sokol Sold Out Crowd Dr. Jerry E. Spicer & W. Todd Stevens Edith L. Stoell & Linda Gach Ray Alec Sulkin Mr. & Mrs. David Tann Nancy Thomas Deborah Valdez Ira & Laurie Waldman Marcia & Dr. Charles Wasserman Geoffrey & Susan Wharton Jay Weinstein & Lori Woldar Connie & John Weston

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ANNUAL DONORS $250 - $499

Anonymous (10) Norman & Toshka Abrams Terry & Richard Abrams Anne Adair & Steve Ganzberg Elaine & Michael Agran Joan Akins AKW Helen Allan Charles & Annick Allen Jan & David Altemus Robert C. Anderson Philip Angerhofer & Stephen A. Jones Audrey & Martin Appel Eloise & Mark Appel Mark Archer Steven D. Arias Michael & June Ariff Bonnie Arnold Barbara & Ethan Aronoff Bert & Ruth Arons Marc & Betsy Axelrod Lynne & Lee Babbitt BabyShakes Deborah Baine Aimee Bakhshandehpour Edward Barad & Carol McCully Linda Barnett Randy Bayard Dawn & Marshall Bein Marshall Bell Carole A. & Charles Bennett Nancy & Scott Bennett Joel Berger Ellen Bergeron & Gary Ottoson Yvette Bergeron Ellen Bienenfeld Beverly Bierer William Bigelow & Bridget Karlin Brad Bishop Claudia & Ronald Bitzer Michael & Adrienne Blackman Marjorie Blatt Larry & Julie Blivas In Memory of Maxine Handelman Pamela & Bill Bohnert Michael J. Bordy Toby Bornstein Judge & Mrs. Anthony Borwick Burt Boyar Carol J. Bradshaw Paula Brand John & Debbie Brincko Mitchell Brown Dr. Gerald Buckberg Daniel & Ellen Burgess David & Kathy Burke Michael & Sandy Buttitta Marcia Burnam Colin Campbell Laura D. Campbell Marlene & David Capell Anthony Carbone Andrew Carlberg Phil Carlin Tia Carrere Miss Irene Castaldo Barry Charles Diane Chernansky Nancy Clark Donell Cohen Ginger Conrad Ivan Contreras Gail Cottingham Norman & Nancy Cravens Ingrid Curtiss, MD Ames Cushing Muriel Dance & Alvin Martin Beverly D’Angelo Hedva & Dr. Dudley Danoff Jaye T. Darby

Bonnie & Brian Davidoff Jeffrey S. Davidson Ruth B. Davis & Pearl Schultz Nancy & Arthur Day Suzanne & Bruce Dodds Carol Jean Doehring Traci Donat Penelope Donnelly Fred & Marilyn Dorer Sandy Dorfman Daryl & Paul F. Doucette Paul Dowling Jacki & Murray Drechsler Mr. & Mrs. Epelbaum Larry & Elke Ereshefsky Ellen Farwell Amy & Richard Fass Janet Fattal Mimi Feldman Judy & Jerry Felsenthal Abby & Malcolm Field Donna Finley William & Elisabeth Fleischman Edward Flores Loren Ford Rosella Forte Jackie Fox Sandy & Mitch Francis Gilbert & Marilyn Frank Fran Fredella & Scott Rubin Marilyn Freeman Donald & Sandy French Kenneth J. Friedman & Marilynn J. Friedman Family Foundation Ms. Laurelle Frome Tatiana Froud Yury & Yelena Furman Gina Furth Lori Galin Lee Gardenswartz Larry & Judith Garshofsky Laura Gianni Linda M Gibbs Andrew Glassman & Pilar Frausto-Glassman Hannah Godwin Colleen & Andy Gold Lorain Goldberg Marshall & Patti Goldberg and Family Francine Golden & Marvin Schlossman Denise Goldfarb Dr. Peter Goldman Julie Clayton Goldsmith Ellie & Barry Goldstein Frances Goodman & William Kobin Jo-Ann Gordon David Goren Liz Gottainer & David Sadkin Gigi & Don Grant Glenn & Debbie Gray Joan Green Gary Gross & Keith Vanderlaan Lawrence J. Guli Eve Haberfield & David N. Johnson Roberta L. Haft Kambiz Hakim Mary & Alan Halkett Jane Hall Susan Hallman Katherine Hardie Tess Harper Eugene Harris Diane Hart Dr. & Mrs. Samuel Haveson Allan Heinberg Carla & Alan A. Herd Matthew Herrmann Hella Hershson Charles Harder & Kathleen Hirose Cina Hodges Mr. & Mrs. Rob Hollman Lynn & David Horowitz Anna Horsford Mr. & Mrs. Gordon Hubbard

InSight Consulting Partners Brian Irving & Dayna Cussler Lonnie Levi Israel Frederic A. & Nancy Jacobus Barbara & Buford James Martha Jones & Paul Zerella Carolyn & Dan Jordan Martha Kadue Pat & Stan Kandel Jean Kaplan Jo Ann & Charles Kaplan Harris Katleman Owen Kato Morgan Kay William & Renee Kendall Stuart Kessler Irwin Kishner Donna & Jeffrey Klein Dr. Phyllis Klein Laurie & Milton Klorman Corie & Michael Koss John & Kimberly Kruse Doctors Mark & Lena Labowe Lynne Lainer Carol D. Lande Elizabeth Lande Jill & Michael Lasky Helene & Arthur Laub Rhonda Lawrence Larry Layne & Sheelagh Boyd Dr. & Mrs. Eric Leibovitch Ginger Leibovitz Ann Leland Aleyne Larner Fawcett Matthew Lessall Steve & Valerie Lev Ron & Marcia Levenson Donna Levi Marla E. Levine Suzann Levine Beth Levy & Lloyd Bookman Rick & Vivian Levy Lawrin & Linda Lewin Lee & Therese Linden Victor & Madeline Lindenheim Molly & Peter Lindgren Joanne Lindsay Irma & Allen Lipin Leslie & Adam Lobel Mireya Lund Marilyn Luneberg Anne L. Lynch Kenji & Sara Machida Dr. Linda Maeder John & Susan Mamer Doug & Cindy Maxwell Stewart Mayeda Tracy & Noah Maze David Israeli & Dr. Marie Mazzone Jim & Kathryn McCaffery Cheryl McCormick Patrick W. McDivitt Maria McDowell Katrina McLean Marlene McRae & Terry Winter Reed & Linda Metzger Nicolas Miccolis Philip & Joan Miller Teddie J. Milner Peter Minarik & Sharon Vera Farbod Mirfakhrai Matlin & Robert Mirman Andrew Molasky Shelagh Moriarty Carol & Jerry Muchin Bill Mullins Alex Levine & Catherine Nameth

Fran Neiman Mark & Diane Neubauer Tom Nevermann Mark Neveu Robert & Anita Nitta Shelby Notkin Roberta Novick Sandy & Alan Olick Dr. Ronald & Iris Onkin Andrea Ordin Mr. & Mrs. Irving Ostrow Victor J. Owens Anton & Olivia Pacino Cynthia & Todd Palm Edward Parker Joanne Patten Kathy & Jeff Perkins Naidu & Jane Permaul Frank Pfizenmayer & Josh Brown Joy & Gerald Picus Beverly Pine Frank Piontek Zazi Pope Michael & Rose Porterfield Diane & Michael Poryes David Posner Astrid & Howard Preston Sarah & Christopher Priore Philip Pritchett Susan Raphael Jody Rath & Shannon McIntosh Joyce S. Rich James Richards Robyn Ridgley Carlene Ringer Lindy Robbins Natalie Roberts Charles Robertson Maria Rodriguez & Victoria Bullock Janis & Avi Rojany Robert Rosania Rose Brand Adrienne Rosenthal Beverly & Melvin Rosenthal Joyce & Deane Ross Lawrence Ross & Linda Nussbaum Georgina & Alan Rothenberg Bert Royal Tyler Rubin Terry Ryan Penny Grosz Salomon & Eugene Korney Janet Salter In Memory of Hon. Maxwell Hillary Salter Laurie & Gary Samson Tawny & Gerry Sanders Susan & Kenneth Sarno Janet Sasson Maxine Savitz Clifford Schaffer Laurie Schechter Joel & Sonia Schneider Gary & Karen Schneider Elaine Carey & Vincent J. Schodolski Jane & Bill Schopf Susan & Peter Schwab John H. Scott Alvin Segel Rodolfo Segovia Barbara Seidman Andrea Sexton Bob & Sue Shadur Scott Shagrin Annette & Leonard Shapiro Melanie Sharp & Kevin Miller Tom & Judy Sharp

Muriel F. Sherman Pearl Shultz Sideshow Rare & Remarkable Books, Art & Curiosities Melinda & Yossi Sidikaro Seymour & Dorothy Siegel Nancy & Bruce Silverman Adam Singer Stephanie Small, MFT & Constance Kaplan, MFT Evelyne & Joel Smason Diane Good & Frank Smith Diane Smith Barbara Meissner & Hal Smith James Smith & Loreen Ayer Jennie Smith Dr. Jerry & Marci Smith Jimmie Smith & Tommy Garceau Marcia L. & Mark J. Smith Pamela Smith Jean Smith-Moore Bill Smitrovich Karen Smits Michael & Millie Sondermann Debra Spector Lynette Sperber Robert Stanley M Leslie Stearns Tom & Kerstin Stempel Stanley & Dee Stone Gloria Stroock William Stringer Teresa L. Sufana Kathryn & Mark Sullivan Mr. Kayser Sume & Dr. Renee Sabshin Ann Sunderland Lance & Maureen Tan Phyllis & Franklin Tell Robyn Tenenbaum Mr. & Mrs. Asadour Terterian Troy Thompson Brigitta Troy Leon & Stephanie Vahn Anthony Vasek Bobette Vikan Arnold & Carol Vinstein Mandana Visi Vital Research LLC Carole Wagner-Vallianos & Peter Vallianos Dr. & Mrs. William Walsh Ben & Rose Weinstein Marion & Russell Weis Marsha & Steven Weiss Terri Weiss Pat West Haskell & Rita Wexler Rae Jeane Williams Bruce & Marci Wiseman Marc Wishingrad Rowie & Jeffrey Wolf Jess Womack Diana Lynn Woods Karen & Frank Wurtzel The Yarkins Gerald Yoshitomi Arnold Zane Harriet Zaretsky Carol L. Zelden Dayle & Abram Zukor Sandy Zwirn

MURDER FOR TWO

ASSOCIATE

HAVE WE MADE AN ERROR? To report a misspelling or omission in these listings, please contact the Development Department at 310.208.6500 ext. 128 PERFORMANCES  MAGAZINE P15

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GEFFEN PLAYHOUSE STAFF Randall Arney Artistic Director ARTISTIC

Gil Cates, Jr. Interim Managing Director MARKETING & SALES

Mary Garrett Amy Levinson Phyllis Schuringa Young Ji Nick Johnson

Artistic Manager Artistic Associate / Literary Director Artistic Associate / Casting Director Artistic Coordinator Literary Associate

DEVELOPMENT Regina Miller Chief Development Officer Ellen Catania Director of Major Gifts & Corporate/Foundation Partnerships Jessica Brusilow Rollins Director of Education Partnerships & Donor Relations Jamie Mikelich Associate Director of Individual Giving Kristen Smith Eshaya Development & Education Programs Coordinator Development Associate & Scott Kriloff Donor Database Administrator Development Assistant Jessie Sherman Ava Bogle Development Assistant

Joseph Yoshitomi Director of Marketing & Communications Director of Advertising & Karen Gutierrez Sponsorships Ticket Services Director & Mark San Filippo Database Administrator Audience Services Manager Stephanie Strand Graphics / Production Artist Brian Dunning Jodi Feigenbaum Advertising & Promotions Assistant Janice Bernal Box Office Manager Box Office Manager Bryan Martin Korie Benavidez, Clay Dzygun, Zack Hamra, Kaitlin Huwe, Richard Martinez, Celia Rivera, Celeste Russi, Box Office Staff Alyssa Tyson

COMMUNICATIONS Tim Choy, Peter Goldman, David Barber, Niki Blumberg Davidson & Choy Publicity Rebecca Haithcoat Communications Editor

EDUCATION

FRONT OF HOUSE

Jennifer Zakkai Director of Education & Community Engagement Connor White Resident Teaching Artist & Education Associate

Jeni Pearsons Director of Special Events David Gerhardt Supervising House Manager Michelle Cantrell, Kevin Cernansky, Josiah Davis, Amy Farkas, Brennan Kelleher, Roxana Meyers, House Managers Jane Phillips Harper Ally Aberrotman, Sevana Baghdasarian, Kailey Bray, Christopher Caron,Taylor Cerny, Vianney Cossyleon, Brett Donaldson, Brigid Donovan, Dan Foote, Chelsea Fryer, Kelsey Gold, Mariel Higuera, Netta Lee Joseph, Erica Keller, Caroline Harrison Kohler, Nathaniel Meek, Keith Mitchell, JoJo Nwoko, Chase O’Donnell, Luis Ruiz, Jonathan Schwartz, Oliver Vaughn, Dennis Woullard Ushers Rob Mersola Bar Manager Manuel Mayorga Weekend Bar Manager Adam Carr, Brenda Davidson, Mariel Higuera, Lyndsi LaRose, Kimberly Legg Bartenders

ADMINISTRATION Behnaz Ataee Chief Financial Officer Frankie Ocasio Executive Assistant to the Managing Director Peter Banachowski Accounting and Payroll Manager Diana Chang Accounts Payable Marguerite Harris Receptionist

PRODUCTION Daniel Ionazzi Jill Barnes Matthew Carleton Evan Friedman Rich Gilles James Grabowski Darren Rezowalli

Production Manager Associate Production Manager Technical Director Assistant Technical Director Properties Master Sound Master Master Electrician

FACILITIES MANAGEMENT Miguel del Castillo Mario Santillan-Perez Juan Carlos Umaña

Facility Manager Custodial Cleaning Custodial

The Geffen Playhouse is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission. This project was also funded in part by the Department of Cultural Affairs, City of Los Angeles. The Geffen Playhouse, a non-profit theater company, is proudly affiliated with the University of California at Los Angeles.

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HOLLYWOOD BOWL

CHEFS PICNIC CLUB The Hollywood Bowl picnic season is just around the corner. Make your experience memorable by becoming a member of Chefs Picnic Club. Every Monday during the Hollywood Bowl season, you will be emailed simple, innovative picnic recipes themed on the venue’s weekly programming, from the hottest chefs on the dining scene.

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SAPPHIRE SEAS JEWELRY DESIGN—THE creation of tiny masterpieces whose capacity to elicit emotion far exceeds their diminutive size—is the fashion world’s most expressive art form, whether achieved through galaxies of diamonds or simple hammered brass. Designer Liv Ballard’s exquisitely unconventional collection reminds us just how endless the universe of jewelry can be. Ballard, a Mississippi native, splits her time between L.A. and Paris, designs out of a home studio and has her pieces handcrafted in Rome. “I

searched a couple of years for a goldsmith who could appreciate what I wanted to do, only to find one who spoke a language I didn’t understand,” she says with a smile. The limitedproduction collection is sold only online and at Maxfield, the chic Melrose Avenue boutique with a penchant for cutting-edge accessories. The designer’s original item, and her signature piece, is an extraordinary three-dimensional expression of our world: 18-karat-gold continents floating in a sea composed of tiny sapphires, whose graduated shades suggest depth. The

COURTESY LIV BALLARD

JEWELRY DESIGNER LIV BALLARD

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Liv Ballard’s Caput Mundi Sfumatura Sapphire Globe

earth, a sphere that features a delicate diamond equator, even spins on its axis thanks to a brilliant diamond pavé armillary. The sapphire globe ($60,000), which Ballard herself is usually wearing, is frequently customized, with emerald oceans a popular and dramatic alteration. An all-gold version of this bejeweled world features a diamond-delineated equator and Tropics of Cancer and Capricorn, and a diamondencrusted Antarctica that is Ballard’s subtle reminder of a shrinking ice cap. But the real world is light-years away from this flashy indulgence, which includes a sturdy gold chain. The piece expresses its designer’s own wanderlust, and Ballard recounts that she was on an airplane when the idea first came to her. A popular gift, she reports, the globe can be further customized to commemorate any location— a birthplace or honeymoon destination, for instance— with a sparkling red ruby. Ballard’s celestial theme continues with a one-of-a-kind solid-gold moon face pendant encircled by a pair of diamond pavé armillary rings ($150,000). A rotation of the brilliant face, whose forehead is accented

with a ruby bindi, reveals a translucent moonstone, a rare 60-carat gem, on the reverse. “My work appeals to women who aren’t afraid of getting a lot of attention,” Ballard says of her clientele. “These pieces always spark a conversation.” Among her most popular items are the “Sacro Vincolo” rings: two diamond-laden gold bands, one with a diamond ball to match the gold chain that forever binds them. A perpetual couple, these bands represent freedom paired with restraint, or the concept of being a slave to love. In contrast, the “Ucello Libero” necklace ($49,000) features a flat, diamond-clad bird with an emerald eye and tail tethered to an emeraldbeaded chain with gold hardware. Another flat piece depicts a whimsical mermaid whose flesh is crafted with different shades of gold, her tail fins adorned with sapphires fading to white diamonds. “She carries quite a lot of meaning on her slender shoulders,” Ballard says of this more recently introduced piece, “La Sirena.” Although elegant hoop diamond earrings and relatively staid gold cuffs contribute conventional notes to the collection, Ballard favors strong

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expressions, creating what moves her without commercial marketability driving her design decisions. Case in point: the tongue-incheek opulence of the “Scaccia Diavolo” charm bracelet of vampire-deterring tools: a mirror, cross, stake, sun face and garlic embellished with diamonds and rubies. “There are a lot of people who take and don’t give,” Ballard says. “This is an apotropaic piece meant to protect its wearer from those circumstances.” Gentlemen have not been forgotten in the Liv Ballard collection. Miniature versions of the designer’s signature spinning globes appear as cuff links ($22,000), and a bracelet’s minimalist design and matte gold or sterling-silver construction appeal to men—and occasionally their women. “It’s masculine and simple, intended for a man to put on and never dream of taking off,” says its creator. Because the bracelet is crafted in two separate pieces, it requires a couple to get it on or off, making it an incredibly intimate gift. —Joseph LeMoyne Liv Ballard Jewelry livballard.com Maxfield 8825 Melrose Ave., L.A. 310.274.8800, maxfieldla.com 36  PERFORMANCES  MAGAZINE

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MIDCENTURYLA IN NORTH HOLLYWOOD THERE ARE TWO PRIMARY ways to shop for Scandinavian midcentury furniture in Los Angeles: Browse overpriced, sometimes pretentious showrooms in West Hollywood, or search online, where the pricing is better but the essential tactile experience is lost. There is, however a third option: making one’s way to North Hollywood’s MidcenturyLA, where a huge inventory and low overhead result in satisfying discoveries. Located in a nondescript light-industrial neighborhood amid body shops and clothing manufacturers—acting

classes and tandoori chicken are offered just up the street— MidcenturyLA’s black façade has a vaguely Streamline Moderne look to it. But inside, it’s all Scandinavian midcentury, and in such volume it’s almost surreal. Owner David Pierce— a former software developer whose passion for the country and its furniture led to the founding of the company in 2004—believes MidcenturyLA may be the largest dealer of its kind in Southern California. The showroom alone has 12,000 square feet of space, not to mention a dozen shipping

COURTESY MIDCENTURYLA

13604 Ventura Blvd. Sherman Oaks

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Chairs are floor to ceiling at MidcenturyLA; above is a galaxy of light fixtures.

containers packed with merchandise on the property and a 5,000-square-foot warehouse a couple blocks away. Narrow aisles cut through oceans of clean-lined teak desks and sideboards. Chairs are stacked floor-to-ceiling on shelves. From the rafters hangs a veritable galaxy of midcentury lighting fixtures, most produced in the 1950s or ’60s but every bit as modern as what is being manufactured today. Pierce acknowledges that some very expensive showrooms in L.A. do a very fine job of importing midcentury furniture from Scandinavia. But he says his company is not about high prices, plush carpeting or pretenses; it’s about accessible pricing. “We want to make clients happy whether they buy from us or not,” Pierce says. “It’s about the experience, not the transaction.” Everybody is offered a superbly executed espresso drink upon entering; some regulars feel so much at home that they make their own coffee. The epitome of sexy Scandinavian midcentury design is an ultra-sleek sixdrawer rosewood desk ($5,000) designed by Kai Kristiansen for manufacturers Preben Skov Andersen and Feldballes

beit t’shuvah thrift stores Møbelfabrik. The minimalist metal drawer pulls, recessed to reinforce the streamlined design, match the capping on floating-style legs. More avantgarde is a rosewood desk reproduction, handcrafted in L.A.; its narrow top was inspired by a design by Danish architect and furniture maker Bodil Kjaer, its legs influenced by a German midcentury style. Among midcentury lighting is a metal Hans-Agne Jakobsson pendant, reflecting the futuristic approach of many Scandinavian designers from the period, and a frosted glass globe of a seemingly timeless design. A Danish diskstyle pendant ($850)—the kind described as reminiscent of flying saucers—is another sleek study in brass. Rectangular sconces feature translucent white glass with a textured geometric pattern ($750). More for mood than lighting, a pair of white floral-shaped early-’70s opaline table lamps with chrome bases ($1,300) are from Peill & Putzler, a highly regarded German glassmaker with a strong design tradition. MidcenturyLA offers intriguing art. The front room shows black-on-white abstracts from Sweden’s Anders Kumlien, and

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/CONTINUED ON PAGE 43

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DI N I N G

Your

Festival

Experience

HIGH ENERGY IN THE VILLAGE ALL’ACQUA IN ATWATER VILLAGE

SCENERY

CEDAR CIT Y

B A R D . O R G 8 0 0 - P L AY T I X Photos, top to bottom: Cedar Breaks National Monument; and a scene from Henry IV Part One, 2014.

SANDWICHED BETWEEN Glendale and Silver Lake, Atwater Village has never been much of a citywide destination, but its steady gentrification has attracted new residents, shops and a vibrant dining scene. Among its most significant restaurants is the recently opened All’Acqua, whose exceptional pedigree has generated a buzz. All’Acqua is a venture of Claudio Blotta and Adria Tennor Blotta, savvy restaurateurs responsible for Silver Lake’s Barbrix and Beverly Boulevard’s Cooks County, both offering memorable food in

relaxed, unpretentious settings. Here they deploy veteran chef Don Dickman, who has cooked all over L.A. but should be remembered for his alluringly rustic Italian cuisine at Santa Monica’s short-lived Rocca. This restaurant, a retrofitted Acapulco, is casual and loud, with noise ricocheting off brick and tile surfaces. The lighting fixtures, hanging from exposed rafters, reflect an industrial-chic vibe, and the bar is backlit but unfussy. An extension of the bar serves as a dining counter with a view into the open kitchen. As at Cooks County, success has resulted in tables

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Bucatini cacio e pepe, with pecorino, ParmigianoReggiano and black pepper

squeezed so tightly together that you should plan on getting to know your neighbors, like it or not. Among the antipasti are charred asparagus paired with a fried, breadcrumb-coated egg with speck and shavings of Parmigiano-Reggiano. This dish, a survivor from Dickman’s Rocca menu, might have benefited from a saltier cured meat but is nonetheless a strong opener. Braised meatballs, very lightly bound, are served with whipped ricotta that gradually transforms the flavorful tomato sauce from red to pink. A wide selection of salumi is offered, and a salad of Little Gem lettuce, Gorgonzola, beets and hazelnuts is dressed in a creamy lemon vinaigrette. Spanish octopus, very slightly charred from a wood-fired grill, is perfectly al dente, arriving with shaved fennel, slightly sweet Castelvetrano olives and various citrus segments. Bruschetta is amply topped with good-quality burrata and accented with pickled chilies and mint. Dickman is a skilled pasta chef. He turns out bowls of mezze maniche (think stout rigatoni) with a short rib-porcini ragù, “silk handkerchiefs” blanketed in a spring garlic-

basil pesto and mezzaluna filled with chicken liver in balsamic-brown butter sauce. The latter is more conservatively portioned and uses what some might consider an excessive splash of vinegar, perhaps justified to cut the liver’s richness. Bucatini cacio e pepe, a classic dish with pecorino, Parmigiano-Reggiano and black pepper, is beautifully prepared; the pasta’s starch and some butter create the illusion of a more luxurious cream sauce. Among pizzas—they’re larger than necessary, relatively thin-crusted and pleasantly charred from the hot oven— the carbonara is a standout. Layered with panna, pecorino, shards of pork belly, scallions and black pepper, it’s finished with a runny egg to capture the essence of the famous Roman pasta dish that inspired it. There’s a wide selection of pies coming out of the pizza oven, both tomato-based and blanca. An abbreviated selection of entrées includes a steak with rustic potatoes, pork osso buco, and grilled swordfish with saffron-scented fregola and an herbaceous salmoriglio sauce. Desserts are a strong suit here, with options such as limoncello budino, olive-oil cake with hazelnut crunch

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PERFORMANCES  MAGAZINE 41

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DI N I N G

BEVERLY HILLS, NEARLY 2 ACRES, LEGENDARY ESTATE $39,000,000 JOYCE REY EXECUTIVE DIRECTOR - COLDWELL BANKER PREVIEWS INTERNATIONAL (310) 285-7529 | www.JoyceRey.com | Joyce@JoyceRey.com |

CalBRE #00465013

#1 in Southern California | Follow me on Instagram @JoyceReyRealEstate Please visit my website to view the most beautiful homes for sale at www.JoyceRey.com as well as my daily blog www.JoyceRey.com/blog ©2015 Coldwell Banker Real Estate LLC. All Rights Reserved. Coldwell Banker Real Estate LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each Coldwell Banker Residential Brokerage office is owned by a subsidiary of NRT LLC. Coldwell Banker® and the Coldwell Banker Logo, Coldwell Banker Previews International® and the Coldwell Banker Previews International Logo, are registered service marks owned by Coldwell Banker Real Estate LLC. Broker does not guarantee the accuracy of square footage, lot size or other information concerning the condition or features of property provided by seller or obtained from public records or other sources, and the buyer is advised to independently verify the accuracy of that information through personal inspection and with appropriate professionals.

and olive-oil gelato, as well as a perfectly executed chocolate-almond tart dusted with sea salt. The wine list, an Italian-American affair with nearly every bottle poured by the glass, complements the menu. Its accessible prices— most bottles are tagged at less than $50—and intriguing, less familiar labels shouldn’t be surprising from the owners of Barbrix, a solid wine bar. To justify a final glass, All’Acqua offers a small international cheese board— appellations from Vermont to Sardinia can be expected— served with toasted rustic bread and dried-fruit marmalata. It’s one of the few places in town where you can order a single cheese rather than committing to three or five, perfect for a couple craving a single wedge of runny Époisses served at the perfect temperature. All’Acqua might be the perfect place on the Eastside for sharing a salad, pasta or pizza with a bottle of Dolcetto d’Alba, but think twice if quiet conversation is more important to you than high energy. —Roger Grody All’Acqua 3280 Glendale Blvd. Atwater Village, 323.663.3280 allacquarestaurant.com

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H OME

the HUNTINGTON STORE

/CONTINUED FROM PAGE 39

MidcenturyLA 5333 Cahuenga Blvd., North Hollywood, 818.509.3050 midcenturyla.com

1151 Oxford Road, San Marino, California

theHuntingtonStore.org

@ the movies celebrates

Walt Disney Animation Studios

eye-popping animation screened with Jeffrey Kahane Music Director

live orchestra Enjoy iconic Walt Disney cartoons — some which have not been seen in over 50 years! Highlights include Poor Papa (1927), Mickey’s Trailer (1938), The Sorcerer’s Apprentice from Fantasia (1940) and Get A Horse! (2013).

photo Michael Burke

some giant haunting photos of the imposing bows of cargo ships ($2,600) by Canadianborn artist Jock McDonald. Also from McDonald are aerial views of Southern California freeway interchanges ($850). They may be hell for motorists, but when viewed from a couple thousand feet above, these ribbons of concrete prove to be among the world’s most ambitious sculptures. Because prices are more affordable at MidcenturyLA, big names such as Arne Jacobsen and Poul Henningsen are not common, but underappreciated designers such as Denmark’s Illum Wikkelsø, one of the owner’s favorites, are. “I’m not so academic about the business,” says Pierce. “For me, it’s more about aesthetics than pedigree or provenance.” In contrast to some Westside showrooms, MidcenturyLA attracts more homeowners than interior designers, but it also sees its share of trade clients and studio set decorators. “We get some people who refuse to shop at Ikea and are willing to build their collections one quality piece at a time,” Pierce observes. —Roger Grody

sat jun 13 @ 7 pm | The Theatre at Ace Hotel Mark Watters conducts the Los Angeles Chamber Orchestra © Disney

Tickets from $35 at laco.org or call 213 622 7001 x 1

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WINE

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WINE ALFRESCO AMERICANS HAVE FINALLY put winter squarely in the rearview mirror and taken to their barbecues. The serious grillmeisters among them understand that putting the ideal char on the steaks and corn is not the only task at hand. There are thirsts to slake; I enjoy a good, dry rosé when flipping the burgers. Dining outdoors does not mean dumbing down the wine experience, and there are a few easy steps anyone can take to enhance it. Do not fear the screw cap. Once thought to be the sign of an inferior wine, the screw cap turns out to be superior for

many wines, especially crisp white wines. Many top producers have gone to the screw cap, even for their very finest wines. The list includes SonomaCutrer, Bonny Doon, Domaine Laroche, Baileyana and most top-notch wineries in Australia and New Zealand. The screw cap is ideal for picnics because you never have to worry about forgetting the corkscrew! Don’t be afraid to chill the reds. Red wines served warm tend to be dull and lifeless, and sometimes harsh. Ten to 15 minutes on ice will freshen your reds and make them go down easier. Besides, on

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The screw cap turns out to be superior for many wines, especially crisp white wines.

a warm day, something cold always refreshes more than something lukewarm. Avoid plastic stemware. Sipping wine from plastic often leaves a metallic taste on the palate. Glass is always better, unless the rules of the picnic area forbid it. If you are worried about breakage, use a sturdy water tumbler for the wine. You’re less likely to have breakage, and the tasting experience will be significantly improved.

TASTING NOTES Dutton-Goldfield 2014 Pinot Blanc (Green Valley, $25) Pinot blanc is sometimes thought of as the poor man’s chardonnay, though the world’s best pinot blanc—from Alsace and northeastern Italy—is anything but Burgundian. An underperformer domestically, pinot blanc in the right hands can be spectacular. Dutton-Goldfield’s expression is that rare flash of brilliance for this grape on our shores. It exhibits Alsatian richness on the palate, with mouth-coating generosity and mouthwatering acidity; it’s floral and spicy with citrus aromas and remarkably complex and rewarding. Surely this is one of the finest, if not the finest, pinot blancs in America. Rating: 96. —Robert Whitley PERFORMANCES  MAGAZINE 45

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TR AVE L

HOT SPRINGS ANNIE GET YOUR GUN June 26, 27, July 1, 3, 6, 8, 10, 11 At 7:30 June 28 & July 5, 12 At 1:30 At Big Bear’s own State-of-the-art Performing Arts Center 39707 Big Bear Blvd. Big Bear Lake (909) 866-4970 www.bigbeartheater.org

Directed and Choreographed by KAREN SARGENT RACHELS

PALM SPRINGS IN SUMMER HAS ITS FANS IN THE STOCK MARKET, A contrarian is an investor who believes that overly optimistic or pessimistic crowd behavior can result in mispricing and therefore buys or sells when others are doing the opposite. Contrarian travelers do much the same, going when others don’t: They visit Yellowstone in winter, when there are no crowds and wildlife viewing is superior, or Las Vegas, with its plentiful pools and air-conditioned wild life, in summer. Closer to home, Palm Springs is an ideal contrarian summer option. Though many properties, such as the Willows, close

down, Korakia Pensione, a favorite when it’s just the two of us, stays open this summer for the first time; the contrarian contingent must be growing! Kids in tow, however, we head for the iconic Hyatt Palm Springs. It’s always open in summer and with significantly reduced rates. It’s all spacious suites. And it’s downtown, one block from the Palm Springs Art Museum and within walking distance to four ice cream spots and lots of other shops, restaurants and bars. For anything farther, the hotel has a fleet of bicycles, and the city’s new Buzz Trolley runs

OPPOSITE, JOSEPH ELLIOTT

THE COMMUNITY ARTS THEATER SOCIETY (CATS) PRESENTS

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5/12/15 11:10 AM


A MAN WITH NOTHING HAS EVERYTHING TO PROVE. The fleet at the Hyatt Palm Springs. (Below) Seasonal 60-foot Tahquitz Falls in Tahquitz Canyon

Thursdays through Sundays. Outside are the pool, cooling misters and cabanas and, facing Palm Canyon, new HooDoo Cocktail Garden. Inside are Share bistro and, in the atrium lobby, remarkable photos by Taili Song Roth of Clint Eastwood and other A-listers backstage at the Palm Springs International Film Festival. Palm Springs Restaurant Week is on through June 7. The Palm Springs International ShortFest runs June 16-22. Thursday evenings, VillageFest (arts, crafts, entertainment, food) takes place downtown, and the museum is free. Seasonal 60-foot Tahquitz Falls (part of a 2-mile loop) often persists into June. The spectacular Palm Springs Aerial Tramway takes you from the desert floor to a pristine alpine environment. —Joseph Elliott

PREMIERES

SUN JUNE 21 9/8c

koce-tv

pbssocal.org

Funding for MASTERPIECE is provided by

pbs.org/poldark

#PoldarkPBS

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5/13/15 10:57 AM


BACK PAGE ⁄⁄⁄⁄ TCL CHINESE THEATRE ⁄⁄⁄⁄ PHOTO BY DALE BERMAN

48  PERFORMANCES  MAGAZINE

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We

are walkers. And talkers. We do both quite well – and often at the same time. Our individual paths brought us all here together and now we blaze new trails most every weekend. It’s what keeps us happy. Front Porch retirement And it’s what keeps us together.

LIVING

DO YOU HAVE A PASSION you’d love to share? Come to Front Porch and discover a sense of connectedness, meet like-minded enthusiasts, and enjoy the freedom to live life your way. Each community is one-of-a-kind, just like you. Explore one today.

Claremont Manor Claremont, CA 8 8 8 - 627-29 0 0 claremontmanor.org

Vista del Monte Santa Barbara, CA 8 0 0 -7 3 6 - 1 3 3 3 vistadelmonte.org

Kingsley Manor Los Angeles, CA 3 2 3 - 6 61 - 1 1 2 8 kingsleymanor.org

Walnut Village Anaheim, CA 866 -983 - 6763 walnutvillage.org

Villa Gardens Pasadena, CA 800 -958 - 4552 villagardens.org

S HARE YOU R PA SSIONS W I T H U S AT

hello@frontporch.net fpretirement.net

We’re an equal opportunity housing provider. All communities are licensed by the State of California.

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5/12/15 5:06 PM


Producing success Representing the best

Estates Beverly Hills, CA (310) 285-7508 jademills.com

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