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3 minute read
Dining
Singular Steak
Find New Zealand Wagyu and what may be L.A.’s best fries at new Matu in Beverly Hills.
/ by hadley tomicki /
Wagyu dinners at Matu can be three or five courses or ordered a la carte like the ribeye seen here.
Los Angeles residents dwell in a meat-lovers paradise: Consider Nancy Silverton’s Italian chophouse Chi Spacca, the cavalcade of Japanese A5 beef at Alexander’s Steakhouse, and the countless strip-mall spots glorifying barbecue styles from the Korean peninsula to South Carolina.
Chic Gusto Green New Matu in Beverly Hills offers another exceptional meat-centric and, opposite, option: The menu at this modern temple of steak revolves around its Market Salad grass-fed Wagyu from New Zealand’s First Light Farms.
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Unlike Japan’s Wagyu, which comes from cornraised, grass-finished stock carefully monitored in pens, First Light sets its Wagyu cattle free to roam, nourished by nothing other than grass—a stress-free regimen that ultimately endows the beef with impressive marbling and distinctive flavor and results in a more healthful, humane and climate-friendly product.
The restaurant’s partners include Sushi Nozawa Group co-founder Jerry A. Greenberg; among its affiliated clan of dining businesses are Sugarfish, KazuNori, Nozawa Bar, Uovo and HiHo, a burger spot that also uses First Light’s Wagyu.
Matu’s sophisticated dining room has the walnut-and-brass accents one might expect at a South Beverly Drive steakhouse. Its tables fill with couples and deal makers and its stemware fills with scarlet Cabernet.
Matu’s compact open kitchen features an Argentine-style woodfired grill. The menu rotates daily but always stars the opulent beef. Guests can choose a three- or five-course tasting or order a la carte among permutations including grilled, braised and high-heat-seared.
A welcoming cup of hot bone broth, cooked for 24 hours, foreshadows the Wagyu’s mouthfeel and taste. The starter might be plump croquetas bursting with beef and braising liquids; a hand-cut tartare, available in Piemonte or Japanese style; or a housemade pasta with braised beef ragu.
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The dining room and bar and, below, beef croquetas over celeriac puree. Opposite: Hand-cut tartare
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The meal crests on sensational steaks, of course: New Yorks and ribeyes, their middles warm and red, the wood-burning grill enhancing their depth of flavor; center-cut filets kissed by the plancha’s sear; and beyond-tender beef cheeks presented over celeriac puree.
Fries cooked in Wagyu tallow are contenders for L.A.’s best; desserts hinge on flourless chocolate cake and panna cotta with café con leche. Servers are adroit, gracious and enthusiastic.
The First Light meat hits differently, delivering both buttery textures and a savor suggesting light game. As opposed to Japan’s fat-saturated Wagyu, one can easily and eagerly indulge in this beef over numerous courses and often. Matu provides the ideal setting. 239 S. Beverly Drive, Beverly Hills, 424.317.5031, matusteak.com
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/CONTINUED FROM PAGE 16 at the Wallis, present Pauline Viardot’s 1867 work The Last Sorcerer (Le dernier sorcier) in its U.S. premiere.
“Camille Zamora and Monica Yunus, the founders of Sing for Hope, are themselves worldrenowned sopranos with broad creative vision,” Fine says. “Bringing them on board as Artists in Residence opened up some very exciting new artistic opportunities for us next season.
“They bring tremendous synergy and artistic sensibility to the diverse projects we are undertaking together.”
From Fine’s perspective, what’s happening this year is not an aberration but a continuation.
She points to a group of two or three dozen female arts leaders who meet quarterly, a group that includes CEOs and directors in the theater, music, dance, radio worlds, and at art and culture museums across the region.
“It feels pretty exceptional to me, not just in terms of representation, but also in terms of how collegially supportive and collaborative these women are,” Fine says.
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