ACOUSTIC ROOSTER’S BARNYARD BOOGIE: STARRING INDIGO BLUME

ADAPTED FROM THE BOOKS BY Kwame Alexander and Mary Rand Hess

MUSIC BY Randy Preston

MUSIC SUPERVISION, ARRANGEMENTS & ORCHESTRATIONS

Mark G. Meadows

ILLUSTRATION

Tim Bowers

PRODUCTION STAGE MANAGER / DANCE CAPTAIN

MEET & GREET WITH KWAME ALEXANDER ON APRIL 23!

Join us after the final performance on Sun, April 23 for a book signing of Indigo Blume and the Garden City with Kwame Alexander. Books will be available for purchase.

Joey Blakely

CHOREOGRAPHY BY Breon Arzell

DIRECTED BY

Lili-Anne Brown

CREATIVE TEAM

Kevin Alexander, Delaney Bray, Priscilla Bruce, Dominic DeSalvio, Nadia Guevara, Mark Hamberger, Michelle Kozlak, Marsha LeBoeuf, Andrea “Dre” Moore, Mark Reiter, Arnel Sancianco, Alberto Segarra, Mollie Singer, Erik Teague, Channing Tucker

APRIL 22 - 23, 2023

Bram Goldsmith Theater

Running Time: One hour, no intermission.

This production is made possible by generous support from the Nemeroff family.

Cast Of Characters

ACOUSTIC ROOSTER/DAD

CHICKEE MINAJ/MOM

WILLIAMS

RILEY INDIGO BLUME

DAVIS

MISS DAIRY PARTON/SAMANTHA.........................................................................................CAITLIN WITTY

DUCK ELLINGTON/ELIJAH

RYAN MIDDER*

MULES DAVIS/MR. WOODY.................................................................................................JAYSEN WRIGHT

Additional Staff

TECHNICAL DIRECTOR /LIGHTING SUPERVISOR

Montana Kern

ASST. TECHNICAL DIRECTOR/ SOUND SUPERVISOR

Liv Farley

PROPS/ WARDROBE SUPERVISOR

Arah Slagle

ACOUSTIC ROOSTER’S BARNYARD BAND

KEYBOARD

Mark G. Meadows

BASS

Zack Pride

DRUMS

Carroll Dashiell III TRUMPET

Joe Herrera

Kennedy Center Staff

VICE PRESIDENT OF EDUCATION

Jordan LaSalle

ARTISTIC PRODUCER, KCTYA

Sean-Maurice Lynch

DIRECTOR OF EDUCATION PROGRAMS AND PRODUCTIONS

David Kilpatrick

ASSISTANT MANAGER, TYA PRODUCTION

Maribeth Weatherford

SENIOR PRESS REPRESENTATIVE FOR THEATER EDUCATION

Brendan Padgett

ASSISTANT MANAGER, MARKETING

Hayley McGuirl

DIRECTOR OF EDUCATION ACTIVATION AND ENGAGEMENT

Vanessa Thomas

MANAGER, KCACTF

Kelsey Mesa

MANAGER, MARKETING

Steven Dawson

PRODUCTION MANAGER

Lena Salins

Commissioned by the Kennedy Center Education Division.

Support for Acoustic Rooster’s Barnyard Boogie: Starring Indigo Blume is provided by the A. James and Alice B. Clark Foundation, the Kimsey Endowment, the Morris and Gwendolyn Cafritz Foundation, the Paul M. Angell Family Foundation, and the U.S. Department of Education.

LAUREN DAVIS (Chickee Minaj/Mom) hails from Baltimore and is excited to be a part of Acoustic Rooster. Her acting credits include Don’t Let the Pigeon Drive the Bus! (The Kennedy Center); Love’s Labour’s Lost, Romeo and Juliet, The Taming of the Shrew, and A Christmas Carol (Chesapeake Shakespeare Company); Corduroy, Akeelah and the Bee, Shrek the Musical, The Scarecrow and His Servant, Cinderella and Charlotte’s Web (Childrens Theatre Company); Oliver! (Theater Latté Da); Marcus; or the Secret of Sweet (Pillsbury House Theatre/ Guthrie Theater); Greensboro Four and American Song Book (The Smithsonian). Television credits include “America’s Most Wanted” (Lifetime). Most recently she directed the players of Olive Branch and Laurel Crown in a production of To Be A Solider and will be directing a production of MacBeth. She holds an M.F.A. from the Catholic University of America and a theater degree from Frostburg State. She would like to thank God and her family for their love and support.

VAUGHN RYAN MIDDER (Duck Ellington/Elijah) is very excited for his Wallis debut. Privileged to have been a part of the musical’s debut in 2021, Vaughn Ryan is thrilled to share this touching story with even more families throughout the country. Other credits include: The John F. Kennedy Center: A Wind in the Door, The Watsons Go to Birmingham - 1963; Mosaic Theatre: The Emmett Till Trilogy, Native Son; Everyman Theatre: Sweat; Gala Hispanic Theatre: In the Heights en Español (Helen Hayes nomination); Woolly Mammoth Theatre Company: Black Side of the Moon; Adventure Theatre MTC National Tour: Three Little Birds; Constellation Theatre Company: Urinetown, Avenue Q (Helen Hayes Award); Studio Theatre: Choir Boy. Education: B.A. Theatre, University of Maryland, College Park. IG: @vaughn_ryan_ Black Lives Matter.

DANIEL RILEY (Acoustic Rooster/Dad): The Wallis debut. Daniel is excited to join the cast as Acoustic Rooster! Born and raised in Chicago. Favorite roles include Othello (Othello), Coalhouse Walker Jr. (Ragtime), and Narrator (Passing Strange). Jeff Award: Buddy: The Buddy Holly Story (Best Ensemble), Silver Telly Winner: Christmas Mass at Mercy Home (Use of Music). Featured on Dark Side of the Moon a Capella (VOCOMOTION Records). Regional theatre: Nina Simone: Four Women (MRT). Thanks to everyone at the Kennedy Center. Support live theater! “If music be the food of love, play on.”

KANYSHA WILLIAMS (Indigo Blume) is a Washington Metropolitan Area native who is thrilled to be making her Kennedy Center TYA debut! Kanysha is a graduate of the Duke Ellington School of the Arts in Washington, D.C. and George Mason University. Theatrical credits include: Sister Act, The Color Purple, Always...Patsy Cline, Aida, Little Shop of Horrors, Ain’t Misbehavin’ and more! Off stage, Kanysha works as a singer, performer, educator and a private music instructor specializing in vocal and piano training. To God Be The Glory!

CAITLIN WITTY (Dairy Parton) is ecstatic to be at the Barnyard. Workshops/Readings: Alice Bliss (Mark Brokaw/Adam Gwon); Funny Face (Michael Mayer/Dick Scanlan). Regional: Marvelous Wonderettes (Swing: Alabama Shakespeare Festival) Jesus Christ Superstar (U/S Mary/Ensemble: ACT of CT); Sister Act (Sister Mary Robert: Arrow Rock Lyceum); Swingtime Canteen (Katie: Arrow Rock Lyceum); The Little Mermaid (Adella: STL Variety Children’s Theatre). Music Video/ Vocalist: Break The Chain (Eve Ensler/Debbie Allen). Film/ Commercial: Stand Up (SilverArt s.r.o); Neutrogena Promo. BFA Webster Conservatory. Caitlin is a national YoungArts finalist. Thank you for supporting live theatre! Light and love!

JAYSEN WRIGHT (Mules Davis/Mr. Woody) Previous credits: The Ballad of Emmett Till, That Summer in Sumner, and Benevolence (Mosaic Theater); Gaston in Beauty and the Beast (5th Avenue); Choir Boy (Marin Theatre and Studio Theatre productions); I Hate it Here, Wig Out!, and Rocky Horror (Studio Theatre); The Royale (Olney Theatre and 1st Stage co-production); Take Me Out and Now Comes the Night (1st Stage); Smart People and Jubilee (Arena Stage); The Importance of Being Earnest (Everyman Theatre); Actually and Sons of the Prophet (Theater J); Macbeth (Folger Theatre); The Wiz and A Christmas Carol (Ford’s Theatre); Measure for Measure, Wallenstein, and Coriolanus (Shakespeare Theatre); and Looking for Roberto Clemente, The Miraculous Journey of Edward Tulane, Anatole, and Davy Copperfield (Imagination Stage). Jaysen is an adjunct professor of theater at The George Washington University where he teaches acting. Education: MFA in Acting from Indiana University, BA in Theatre form Grinnell College.

Instagram: @thejayceface; www.jaysenwright.com

KWAME ALEXANDER (Author) has written 37 books, three of them in a chair next to a fireplace at his neighborhood Panera Bread. He now writes in a penthouse in London, where he lives. But, he misses the writing studio he built in Virginia a few years ago. It has huge windows, a large painting of John Coltrane, 3000 books, heated floors, a blue couch, and a loft which was Randy’s idea. Kwame has eaten snails, chocolate covered bugs, and grasscutter, which is like a big rat, which he had no idea he was eating because it was in a really tasty stew he ate in Ghana while building a library and a health clinic in a village called Konko. He’s never eaten frogs. But, he has written a book about them called Surf’s Up. And, some other books you may have heard of like The Crossover and The Door of No Return, and How to Read a Book, all New York Times Bestsellers, which his Dad likes to brag about in grocery stores and doctor’s offices. Oh he also wrote the book this musical is based on: ACOUSTIC ROOSTER’S BARNYARD BAND. Kwame loves jazz. Kwame loves his family. Kwame loves his job. Part of Kwame’s job is to write and produce the Disney Plus TV series based on his novel The Crossover. The other part of Kwame’s job is to Change the World One Word at a Time. Oh yeah, he also won the Newbery Medal. Whoa!

MARY RAND HESS (Playwright) is a poet, playwright, screenwriter, and New York Times bestselling author of notable and award-winning books such as Solo (CABA Honor Book and NAACP Image Award Finalist) and Swing, coauthored with Newbery Medalist Kwame Alexander, The One and Only Wolfgang: From Pet Rescue to One Big Happy Family, written with Steve Greig of @wolfgang2242 Instagram fame, and the forthcoming picture books Belong and Quiet is Strength. Hess loves collaboration and is currently at work on several exciting film and media projects. Acoustic Rooster’s Barnyard Boogie: Starring Indigo Blume is Hess’ first musical collaboration, but certainly not her last. She lives in California with her husband, two wildly creative sons, and one quirky dog, who loves to sing while she composes on the piano. www.maryrandhess.com

RANDY PRESTON (Composer), an African Native American is a singer-songwriter, educator and storyteller, was raised and educated in the UK and Kenya. He taught English literature for 18 years before switching careers, spending the past 7 years touring with Kwame Alexander, visiting over 700 schools throughout 6 different countries and 48 of the 50 U.S. states. Preston starred in the Kennedy Center’s limited episode series, Songbook, where he wrote and sang songs with selected young poets. Songbook debuts in 2023. He recently signed a two-book deal with Penguin Books, and is eagerly awaiting the publication of his picture book collaboration with Alexander titled, How to Sing a Song, releasing in the summer of 2023. He was thrilled to present his original score for Acoustic Rooster’s Barnyard Boogie: starring Indigo Blume, and played the role of Acoustic Rooster in the KCTYA debut in November of 2021.

LILI-ANNE BROWN (Director), a Chicago South Side native, works as a director, actor and educator, and has performed in, directed and produced many award-winning shows in Chicago and nationally. Recent directing credits include: Joe Turner’s Come and Gone (Huntington Theatre), School Girls, or The African Mean Girls Play and the world premieres of Ike Holter’s I Hate It Here and Lottery Day (Goodman Theatre); Ain’t No Mo’ (Woolly Mammoth and Baltimore CenterStage), The Color Purple (The Muny), Once on This Island (Oregon Shakespeare Festival), Acoustic Rooster...(Kennedy Center), Put Your House in Order (La Jolla Playhouse), Cullud Wattah (Victory Gardens). She is the former Artistic Director of Bailiwick Chicago, where she focused programming on Chicago-premiere musicals and new play development with resident playwrights. She is a member of SDC, AEA, and SAG-AFTRA, and represented by William Morris Endeavor. {www.lilbrownchicago.com.}

KEVIN LEE ALEXANDER (Sound Designer) is excited to join the Kennedy Center’s Theater for Young Audiences on this production of Acoustic Rooster’s Barnyard Boogie. Recent regional credits include Hair: The American Tribal Love-Rock Musical and Oliver (New Repertory Theatre); Day of Absence and The Raid (Theater Alliance); A Misanthrope (Avant Bard Theatre); Huckleberry Finn’s Big River (Adventure Theatre MTC); Bright Star (Lyric Theatre of Oklahoma); and Step Afrika’s The Migration: Reflections of Jacob Lawrence (National Tour). Kevin holds a Master of Science in Entertainment Business from Full Sail University, and a Bachelor of Arts in Theatre from the University of Maryland. He is also a member of IATSE Local USA 829.

BREON ARZELL (Choreographer) Breon’s breakout, and award-winning*, premiere as a choreographer came with a Chicago production of The Hairy Ape. Detroit native, he has worked at various studios, schools, universities (DePaul, Northwestern, and Roosevelt), and theaters. Chicago credits include: Little Shop of Horrors (Metropolis PAC), *Kill Move Paradise (TimeLine Theatre), The Color Purple (Drury Lane), *Head Over Heels & The Wiz (Kokandy Productions), *The Total Bent (Haven Theatre), Marie Christine, *Scottsboro Boys, and more. Regional & TV credits include: The Color Purple (MUNY), Once on This Island (Oregon Shakespeare Festival), Miss You Like Hell (Olney Theatre), ‘South Side’ (HBO Max), ‘The 4400’ (CW), ‘Empire’ (Fox). A dedicated teaching artist, critically acclaimed, and listed as one of the 50 Players for Chicago 2018 & 2020, he has worked/ toured the U.S., England, Italy, Germany, Denmark, & Singapore. Currently, along with developing original works, he is working on the restoration and revival of a historical black musical. Hip-Hop, Jazz, Modern, Lyrical, Contemporary, & Body Percussion. www.breonarzell.com

JOEY BLAKELY he/him (Stage Manager) KENNEDY CENTER: 50th Anniversary Celebration Concert. DC AREA: Shakespeare Theatre: Much Ado About Nothing. Signature Theatre: No Place to Go, The Upstairs Department, Rent, Escaped Alone, Gun & Powder, Assassins, Blackbeard, Billy Elliot, Passion, The Scottsboro Boys, Light Years, A Little Night Music, Jesus Christ Superstar, Titanic, The Fix. Theater J: The Jewish Queen Lear, The How and the Why, The Last Schwartz, Body of an American, Sons of the Prophet.

DELANEY BRAY (Assistant Sound Designer) recently graduated from Rutgers University – Camden, where she served as Sound Designer for Clybourne Park, Top Girls, The Vagina Monologues, and 2018 Student Directed One Act Festival, as well as Assistant Sound Designer for Hamlet and Frankenstein. Recent local credits include Round House Theatre, Constellation Theater Company, and Studio Theatre. Delaney has also worked at the Colorado Shakespeare Festival’s 2019 season, Jacob’s Pillow Dance Festival. Delaney would like to thank her friends and family for always supporting her, as well as every dog ever.

MARIKA COUNTOURIS (Sub Music Director) is excited to be back after working on last year’s tour launch of Don’t Let the Pigeon Drive the Bus. She holds a BM in Musical Theatre from The Catholic University of America and serves as Vocal Instructor & Area Accompanist for Howard University’s BFA Musical Theatre Program. Some of her credits include: WOOLLY MAMMOTH: A Strange Loop (Pre-Broadway Run); ARENA STAGE: Ride the Cyclone; FORD’S: Grace (World Premiere); SIGNATURE: The Color Purple; FLYING V: We’re Gonna Die (Helen Hayes Nomination for Outstanding Music Direction); GREAT LAKES CENTER FOR THE ARTS: Godspell; CONSTELLATION: The Last Five Years; MONUMENTAL: Songs for a New World, Head Over Heels, Be More Chill, Daddy Long Legs, and Brooklyn. Next up: SIGNATURE: Passing Strange. Instagram: @marikanne

DOMINIC DESALVIO (Assistant Lighting Designer) has worked on shows throughout the DC area including at The Kennedy Center, Signature Theatre, NextStop Theatre, Solas Nua, and Mosaic Theatre. He has also worked professionally at Shakespeare festivals, regional theaters, opera companies, dance companies, TV news studios, and live music venues across the country. A graduate of the University of North Carolina School of the Arts, he was also the proud recipient of the Kenan Fellowship at The Kennedy Center. www.DeSalvioDesigns.com

LIV FARLEY Acoustic Rooster is Liv’s debut show at The Wallis. They are really excited to be working here, and they hope you enjoy the show!

NADIA GUEVARA she/her is the proud recipient of the 20222044 Drama League Stage Directing Fellowship. For Kennedy Center TYA: Acoustic Rooster’s Barnyard Boogie (Associate Director), Show Way (Associate Director), Beastgirl (Dramaturg). Directing credits include: Fefu and Her Friends (American University), N (Keegan Theatre), Palabras de encanto: Tales of

Borikén (ACA at GWU), Little Women (Johns Hopkins), Guadalupe in the Guest Room, Cinderella Eats Rice and Beans: A Salsa Fairy Tale (NVA), El encuentro (Old Globe Arts Engagement). Readings: L’HÔTEL (Fulton Theatre Stories in Diversity Playwriting Fest), Azul (San Diego Repertory Theatre Latinx New Play Festival) Associate Director: Show Way (Kennedy Center, dir. Schele Williams), The Odyssey (Dallas Theatre Center/Dallas Public Works, dir. Kevin Moriarty), Assistant Director: Daphne’s Dive (Signature Theatre, dir. Paige Hernandez), Put Your House In Order (La Jolla Playhouse, dir. Lili-Anne Brown). www.nadiaguevara.com @nadiaguevaradc

MONTANA KERN A Centre College alumni, Kern moved to Greenville, SC in 2013. He has made his way as a Designer and Theater Mercenary for the last decade, and held house positions with the Peace Center and Warehouse Theatre. In 2022, Montana designed The Wolves (scenic) and Native Gardens (Lighting) for the Warehouse Theatre. Educating Rita (Scenic) for Lean Ensemble Theatre, and Lights and Audio for the Albino Skunk Music Festival. Montana is excited to be joining the Kennedy Center in his first ever touring position.

MARK G. MEADOWS (Orchestrator/Music Director) Acclaimed jazz pianist, music director, & composer/arranger, Mark G. Meadows is a man on a mission: to create a unifying sound that harmonizes different walks of life. Ever since his award-winning turn as lead role “Jelly” in Signature Theater’s electrifying production of Jelly’s Last Jam, venues everywhere, including the Kennedy Center and Jazz at the Lincoln Center, have sought him for his ability to combine the raw, spontaneous nature of jazz with the story-telling component of live theatre. He is the recipient of numerous awards, including DC Jazz Artist of the Year in 2020 and a Henry Award for Outstanding Music Direction in 2022. He has performed alongside world-renowned artists including Cynthia Erivo, Usher, Renee Fleming, Bobby McFerrin, DeeDee Bridgewater, and many more. Mark’s work exudes his joy and fosters a sense of freedom among his collaborators. Website / socials: @markgmeadows

ANDREA “DRE” MOORE (Properties Designer) Her properties and puppet designs have been on proud display at various theatres in the MD/DC area for the past 20 years (Adventure Theatre – MTC, CenterStage Baltimore, Discovery Theatre, Flying V, Imagination Stage, Olney Theatre, Rep Stage, Rorschach Theatre, Round House Theatre, Theatre J). She currently calls the Puppet Co in Glen Echo her artistic home, building sets, puppets, and props for various productions. Several of her works are on rotating display at DoodleHATCH, and interactive art museum experience in Columbia, MD - doodlehatch.com

ARNEL SANCIANCO (Scenic Designer) is an award-winning set designer and a professor of scenic design at Arizona State University. He is a graduate of Northwestern University where he received his MFA in stage design. His nationally recognized portfolio includes, The Color Purple (The Muny), Joe Turner’s Come and Gone (The Huntington Theatre Co.) The Lifespan of a Fact

(Repertory Theatre of St. Louis), Acoustic Rooster’s Barnyard Boogie (Kennedy Center), Ain’t No Mo (Woolly Mammoth), Put Your House in Order (La Jolla Playhouse), Lottery Day (Goodman Theatre), Choir Boy, I Am Not Your Perfect Mexican Daughter, We Are Proud to Present, (Steppenwolf), Athena, A Doll’s House (Writers Theatre), Nina Simone: Four Women (Arizona Theatre Company), The Mousetrap, Photograph 51, The Belle of Amherst (Court Theatre), Twelfth Night (American Players Theatre), The Nerd, The All Night Strut! (Milwaukee Rep). arneldesigns.com

ALBERTO SEGARRA (Lighting Designer) selected DC credits include: The Thanksgiving Play at Olney Theatre Center; Quixote Nuevo at Round House Theatre; Good People at Keegan Theatre; Tender Age at Studio Theatre; El Perro del Hortelano at GALA Theatre; Earthrise at The Kennedy Center; Blood at the Root at Theater Alliance (Helen Hayes Award for Outstanding Lighting Design); Satchmo at the Waldorf at Mosaic Theater; and An Act of God at Signature Theatre. Regional credits include 1776 and The Gift Horse at New Repertory Theatre and Priscilla, Queen of the Desert at Blue Barn Theatre. Alberto received his MFA in Lighting Design from the University of Maryland, College Park, and he is a USA 829 member. albertosegarra.com.

MOLLIE SINGER (Assistant Scenic Designer) A Christmas Carol (Chesapeake Shakespeare Co.) Naked Mole Rat Gets Dressed (Scenic, Imagination Stage) Mr. Popper’s Penguins (Props, Imagination Stage), The Glass Menagerie (Scenic, Rep Stage) Fuller (Scenic, Duke University) Hookman (UMD, Scenic Design) Subject to Change (UMD, Scenic Design), Souvenir (Rep Stage, Scenic Design) Lady Day at Emerson’s… (Rep Stage, Scenic Design), True West (Rep Stage, Properties), The Heidi Chronicles (Rep Stage, Properties), Dorian’s Closet (Rep Stage, Properties), What Every Girl Should Know in rep with Dry Land (Forum Theatre, Properties) H2O (Rep Stage, Properties), Richard III (Chesapeake Shakespeare Co., Properties), American Hero (Rep Stage, Props), Hunting and Gathering (Rep Stage, Scenic Design), Sunset Baby (Rep Stage, Properties).

SARAH SLAGLE (Wardrobe & Prop Supervisor) is a wardrobe technician, costume designer & teaching artist from Cleveland, Ohio. Sarah has studied at the Moscow Art Theatre (MXAT) in Moscow, Russia and received her MFA in Costume Design from Northern Illinois University in May 2021. Previous credits: Wardrobe Supervisor Randall L Jones & Englestadt Theaters at the Utah Shakespeare Festival, Dresser at Porthouse Theatre. Design credits: Twelfth Night (Kane Repertory Theatre), Macbeth (Shakespeare at the Castle) and Bent (MUSE Theatre Collective). If you were to ask her whether she prefers teaching, designing, or dressing more the answer is always whichever she’s currently doing. Love to her family & teachers. Thank you for supporting live theater!

ERIK TEAGUE (Costume Designer) DC AREA: Blackbeard: Signature Theatre; The Kennedy Center: Acoustic Rooster; Washington National Opera: The Lion, The Unicorn and Me; Wolf Trap Opera: The Touchstone; National Gallery of Art: Color’s Garden; Constellation Theatre: Master and Margarita, The Wild Party, Equus; Synetic Theater: The Phantom of the Opera, Richard III, The Trial, Titus Andronicus, Sleepy Hollow, The Hunchback of Notre Dame, Man in the Iron Mask. REGIONAL: The Atlanta Opera: The Threepenny Opera, Cabaret; The Glimmerglass Festival: The Cunning Little Vixen, La bohéme, Ariadne in Naxos, Odyssey, Wilde Tales, Trouble in Tahiti, The Flying Dutchman; Opera Southwest: Lohengrin; Actor’s Express Atlanta: Les Liaisons Dangereuses; AWARDS: one Helen Hayes Award, six Helen Hayes Award nominations, two Suzy Bass Awards, two-time KCACTF National winner. erikteaguedesign.com

CHANNING TUCKER (Assistant Costume Designer) is a costume and puppet designer and a recent graduate of the University of Maryland’s MFA program. They most frequently design for dance, including various dance concerts for Dance Exchange, the University of Maryland, and Howard Community College. They designed the world premiere of Monstrous at Howard Community College. Past design credits include Puffs! (Howard Community College), The Netherand The Burn (Montgomery College), and Risk of Play, Ghost Bride, Outbound, Flyin’ West, Corpora Caelestia, and Tides (University of Maryland). Their long-term project is a puppet film adaptation of the Epic of Gilgamesh.

THE WALLIS PRESENTS