Architecture Portfolio
architecture portfolio Sofia Focolari sofia focolari
sofiafocolari@gmail.com
working model, Boston, 2019
education IE School of Architecture & Design Bachelor in Architecture (2016-2021) Northeastren University Boston Bachelor in Architecture, Fall Semester (2019-2020) City University London Bachelor in International Political Economy (2015-2016) Marymount International School of Rome International Baccalaureate (2013-2015) Collegio San Giuseppe Demerode Liceo Scientifico (2015-2013) Marymount International School of Rome Primary and Secondary Education (2002-2011)
languages Italian native
English advanced
Spanish fluent
personal highlights Responsable & Conscientious Driven to Excel
Positive Attitude Team Builder
working experiences NOJU Studio, Madrid October-April (2021-2022) Ramon Mendoza Arquitectos, Madrid August-September (2021) Stefano Boeri Architetti March-June (2020) | cancelled due to Covid-19 b720 Arquitectos - Fermin Vazquez, Madrid March-June (2018) Annaealex Gioielli - Anna Neri, Roma March-June (2017) Sycamore - Raniero Botti, Roma May-June (2016)
computer skills AutoCAD: High Rhinoceros: High Photoshop: High Illustrator/InDesign: High Excel: High Procreate: High
Vray: Medium ArchiCAD: Medium Sketchup: Medium Unreal Engine: Medium
extracurricular|volunteering Marble Workshop, Pietrasanta (July 2021) Member of the IEU Eco Club, Segovia (2017-2019)
Member of Marymount Environmental Club, Rome (2013-2016) Volunteer in Costarica - WalkingTreeTravel (June-July 2012)
working model, Boston, 2019
01 UniverCiudad 2021 renovation of Bodegas Vinival into a XXI century library
working models
02 mi-Rifiuto 2020
pop-up architecture - against food waste
#CREATING AWARNESS #MI-RIFIUTO Mi Rifiuto is a gathering/social space were food boxes collected from the restaurants nearby (through too good to go) can be baught and consumed all in one space. The scope of the project is generate awareness on how food waste can be faught and controlled. It is also an attempt to change the negative connotation of the italian word “rifiuto” (waste), into an active verd “Mi-rifiuto” which translates into “I refuse to...” The symbolism of the doggy-bag is literaly built into the architecture which tries to normalize in Italy a concept that is not yet accepted and practiced.
MI-STORE #FUN #COOL #FOODWASTE #PROVOCATIVE SUSTAINABLE BRAND FOR WASTE WARRIORS
163.7 ettari 0.89% rispetto a milano
17.871 residenti 1,3% rispetto a milano
10.914 ab/kmq 7.515,6 rispetto a milano
2.471 STRANIERI 13.8% rispetto a milano
443.940 VISITATORI
QUARTIERE DI BRERA QUARTIERE QUARTIERE DI DI BRERA BRERA
+ 41 NEW POTENTIAL CLIENTS
PIAZZETTA DI
BRERA
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+5000 CLIENTI IN ITALIA SCARSA VISIBILITA POCA ACCETTAZZIONE
1. IT 2. 403030 HEALTHY KITCHEN 3. TORRE DI PISA 4. PANINI DURINI 5. NOOR 6. TAVERNA DEL BORGO ANTICO 7. OBICA MOZZARELLA BAR 8. DI VIOLA LIQUIRIZIA 9. PIZZERIA DI SIBILLA 10. IL CESTINO 11. HOTERIA DELLA MUSICA 12. FIORI CHIARI PLATES 13. IL KAIMANO 14. AMORINO GELATO 15. CINC 16. ROSSO BRERA 17. AL POZZO 18. LA TARTINA 19. CARMINIO 20. RISTORANTE IL CONSOLARE 21. HONG KONG CROSSOVER 22. TRULLI LOVE 23. DEL CARMINE 9 24. ECCELLENZE CAMPANE 25. PRINCI 26. SICILIAN WINE AND FOOD 27. NON E UN PECCATO 28. IL CORIANDOLO 29. SETTE CUCINA URBANA 30. PARADISO 31. BISTROT EL BIROCC 32. DE ROS 33. L’OSTERIA DI BRERA 34. BAR BRERA 35. BAGUTTA 1924 36. CAFFE VERDI 37. BULGARI HOTEL MILANO 38. DON LISANDER 39. PALAZZO PARIGI 40. IL SALUMAIO 41. RISTORANTE BICE 42. DROGHERIA PARINI 1915 43. GRAN HOTEL ET DE MILA 44. LA CORTE 45. MANDARIN ORIENTAL MILANO 46. BRERA LUXURY SUITE
MATERIALITY OUTER FINISH- RECYCLED CARDBOARD (SPRAYED WITH WATERPROOF RESISTANT PLUS ADHESIVE STICKERS ATTACHED TO THE FAÇADE osb- MADE OUT OF FAST-GROWING SMALL DIAMETER TRESS THAT CAN BE HARVEST FROM PLANTATIONS AVOIDING CUTTING OLD TREES.THIS ELIMINATES WASTE
EPS FOAM- IS A RECYCLED MATERIAL THAT IS COMPLETELY INERT IN THE ENVIRONMENT. PRODUCING THIS KIND OF INSULATION REQUIRES LESS ENERGY. FINISH COAT- PLASTER (WHITE)
“ MI-RIFIUTO DI EMETTERE ANIDRIDE CARBONICA ”
USIAMO la bicicletta elettrica
PER TRASPORTARE 300 KG DI CIBO E
RISPARMIARE soldi e anidride carbonica al nostro ambiente
CONCEPT STORE
BICICLETTA ELETTRICA
CONSUMIAMO 0G/KM DI CO2 RISPARMIAMO 114G/KM DI CO2
EXHIBITION SPACE FOR PACKAGES
12km/giorno 95km/settimana 1140km/l’anno
PICK UP POINT SPENDIAMO 60 EUR DI MANUTENZIONE ALL’ANNO RISPARMIAMO 3000 EUR DI CARBURANTE ALL’ANNO
EXTERIOR COMMON SPACE
5.9904
BIKE ENTRANCE/DELIVERY
COLLABORATION
#MI-RIFIUTO
03 expoSpace 2020 rendering skills with Unreal Engine
UNREAL ENGINE RENDERING skills 1. Design a space 2. 3d Model the Space 3. Render the Space
04 MED North 2019 urbanism: designing a new district in the suburbs of Madrid
05 Libre-Ria 2019 XXI Library in the China Town district of Boston
Located in the Chinatown District of Boston Massachusetts, was designed this library, which responds to the everyday chan ging needs and technologies of a library. With the purpose of creating an urban edge the library respects and integrates with the surrouding buildings height. There is a free ground plan, constituted by arches which allows for a free circulation and that connects it to the Chi natonw gate (close to it). The volume was inspired to the typo logy of an Italian “Piazza”, which not only generates greater public space, but creates a surprise oasis in its interior.
Progress + Working Models
working models
1st Floor
3rd Floor
06 Copa_Museum 2018 Design of a museum in Copacabana, Ipanema
ipsum
COPAMUSEUM Through a technique of layering (pedestrian, built mass, vegetation, surface, public and private spaces), was developed an urban rearrangement of the Copacabana Coast, and a carnival museum was integrated in the program. Dealing with the existent, many topographic variation have taken place to reestablish centrality, connectivity and order. Moreover, due to an existent issue of connectivity, (between the beach/Museu Militar/The site) was solved by extruding some layers and creating a continuous circulation. Important relationship betwe en the slabs and their supportive system (evident from the exaggerated thickness of the slabs). There is a distinction between vertical and horizontal elements, where the bending platforms and the vertical elements allow circulation from one level to another as well as dividing spaces and serving as exposition walls for the museum. The stairs become part of the system. The reflection of the glass, rather than its transparency, allows visitors to enjoy the view of the forest, which remains a mystery until they are fully within the structure (thanks to the arrange ment of the wall system).
Ground 0
Axonometric
2nd Floor
1st Floor
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Progress + Working Models
08 2019 Design a space using wood-framing system
model making
Framed
model making
experimenting wood frame construction
09 Experimentation Extracurricular projects
Shooting The Office
Stage at Studio NOJU Madrid, 2022
The office of Studio Noju, located in Madrid, Spain. My role in this project was to produce the final drawings of the office as well as physical adjustments and reorganization of the spaces for the s h o o t i n g .
Leven Hotel
Leven Hotel is an unbuilt project which incarnates a unit of a resort complex. Starting from a base of quadratic and round shapes my role was to design and 3d model the space. I was also in charge of creating renders to test m a t e r i a l i t y .
Stage at Studio NOJU Madrid, 2021
Estudio Los Palacios
Stage at Studio NOJU Madrid, 2021
Estudio los Palacios are two 28m2 apartments in Sevilla, Spain. The small space available gave opportunity to explore the best way to optimize the space: two complementary walls which, through their opening and closing activate the different uses (ex. Living, sleeping, kitchen, bathroom). These modular spaces, which can contract and expand according to the respective needs, challenging the traditional notion of room in architecture, creating spaces that are easily converted through simple gesture, and where the user is an active architectural element for the space to transform.
My role in this project was to do research on the optimization of spaces and subsequently design a variation of plans options. Furthermore I 3d modelled the space, and with the help of my team, we selected the materiality to produce renders. The project was approved by the client and I was in charge of providing them with a final budget plan (including materials, electro domestics etc. ).
Shooting The Office
Stage at Studio NOJU Madrid, 2022
KIRO-Practica is an unbuilt physiotherapy space of 130 m2, that I helped design with my team at studio NOJU. I realized all the drawings, from Autocad to Adobe Illustrator, a 3d model and some fast V-ray images to test materiality and lighting.
Stage at Studio NOJU Madrid, 2022
Competition
Espectrómetro del paisaje - 01
Espectrómetro del paisaje - 02
13.00 1.20
2.40
1. Tablero Garnica contrachapado ligero de chopo europeo 18mm de espesor pintado en azul RAL 5002.
13.00
2.00
40.00
2.
3.
ALZADO OESTE
ALZADO OESTE
2
3.
2.50
3.00
0.50
2.1
2
3.
40.00
Fuente: Drone by Drone
Tablero Garnica contrachapado ligero de chopo europeo 18mm de espesor pintado en amarillo RAL 1028.
2. Panel de Plexiglass GS Gelb 1C33 o equivalente. 3. Escalera de acceso formada por paneles Garnica de ˖˛ˢˣˢ ˘˨˥ˢˣ˘ˢ ˣ˜ˡ˧˔˗ˢ˦ ˘ˡ ˅ʴʿ ʤʣʥʫ ˬ Ѓ ˝˔˗ˢ˦ ˔ ˟˔ estructura principal. Sobre el tablero de Garnica se colocará una capa de tierra natural en degradado hasta revelar el tablero amarillo del suelo.
4.
PLANTA
1.
1.50
1
2.00
0
SECCIÓN CONSTRUCTIVA
1.
4.70
1.
2.50
o
2.50
5C01
2.20
Balu
4. Estructura principal de soporte formada ˣˢ˥ ˩˜˚˔˦ ˗˘ ˠ˔˗˘˥˔ ˔ ˟˔ ˖˨˔˟ ˦˘ Ѓ ˝˔ˡ ˟ˢ˦ paneles Garnica de chopo europeo.
2. 1.50
GS
3. Rampa de acceso formada por paneles Garnica de chopo europeo pintados en azul Ѓ ˝˔˗ˢ˦ ˔ ˟˔ ˘˦˧˥˨˖˧˨˥˔ ˣ˥˜ˡ˖˜ˣ˔˟ʡ ˆˢ˕˥˘ ˘˟ tablero de Garnica se colocará una capa de tierra natural en degradado hasta revelar el tablero azul del suelo.
6.00
2. Panel de Plexiglass equivalente. 2.25
2.25
1.
0
2
4
6
8
10
SECCIÓN CONSTRUCTIVA
0
1
13.00
PLANTA
2
0
2
4
6
8
10
El paisaje agrícola está siendo objeto de un desarrollo tecnológico sin precedentes. ʸˡ ˟˔ ˕͌˦ˤ˨˘˗˔ ˗˘ ˘Ѓ ˖˜˘ˡ˖˜˔ ˬ ˢˣ˧˜ˠ˜˭˔˖˜ͅˡ ˘ˡ ˟ˢ˦ ˖˨˟˧˜˩ˢ˦ ˦˘ ˘˦˧̳ˡ ˜ˡ˧˥ˢ˗˨˖˜˘ˡ˗ˢ ˙ˢ˥ˠ˔˦ ˗˘ ˩˜˦˨˔˟˜˭˔˖˜ͅˡ ˗˘˟ ˧˘˥˥˜˧ˢ˥˜ˢ ˤ˨˘ ˖˥˘˔ˡ ˨ˡ˔ ˡ˨˘˩˔ ˗˜ˠ˘ˡ˦˜ͅˡ ˗˜˚˜˧˔˟ ˗˘˟ paisaje.
La construcción de los espectrómetros se realizará íntegramente en madera, empleando los tableros de chopo europeos de plantación sostenible aportados por Garnica, tanto para el espectrómetro de Viña Lanciano como para el de Quinta do Seixo.
ʿ˔ ˣ˥ˢ˟˜˙˘˥˔˖˜ͅˡ ˧˘˖ˡˢ˟ͅ˚˜˖˔ ˗˘ ˟ˢ˦ ˗˥ˢˡ˘˦ ˘ˡ ˟˔ ͌˟˧˜ˠ˔ ˗̻˖˔˗˔ ˛˔ ˢ˧ˢ˥˚˔˗ˢ ˔ ˟˔ ˜ˡ˗˨˦˧˥˜˔ ˗˘ ˡ˨˘˩˔˦ ˛˘˥˥˔ˠ˜˘ˡ˧˔˦ ˣ˔˥˔ ˘˟ ˔ˡ̳˟˜˦˜˦ ˗˘ ˙˔˖˧ˢ˥˘˦ ˖˟˔˩˘ ˘ˡ ˘˟ ˖˥˘˖˜ˠ˜˘ˡ˧ˢ ˗˘ ˟ˢ˦ ˖˨˟˧˜˩ˢ˦ʡ ʸ˝˘ˠˣ˟ˢ ˗˘ ˘˟˟ˢ ˦ˢˡ ˟˔˦ ˠ˘˗˜˖˜ˢˡ˘˦ ˗˘˟ ˁˉʷʼ ʛˁˢ˥ˠ˔˟˜˭˘˗ ʷ˜˙˙˘˥˘ˡ˖˘ ˉ˘˚˘˧˔˧˜ˢˡ ʼˡ˗˘˫ʜ ˤ˨˘ ˠ˜˗˘ˡ ˟˔ ˖˔ˡ˧˜˗˔˗ʟ ˖˔˟˜˗˔˗ ˬ ˗˘˦˔˥˥ˢ˟˟ˢ ˗˘ ˟˔ ˩˘˚˘˧˔˖˜ͅˡʡ ʿˢ˦ ˠ˔ˣ˔˦ ˥˘˦˨˟˧˔ˡ˧˘˦ ˗˘ ˘˦˧ˢ˦ ˘˦˖˔ˡ˘ˢ˦ ˔̻˥˘ˢ˦ ˖ˢˡ ˖̳ˠ˔˥˔˦ ˠ˨˟˧˜ʠ˘˦ˣ˘˖˧˥ˢ ˢ˙˥˘˖˘ˡ ˣ˘˥˦ˣ˘˖˧˜˩˔˦ ˜ˡ̻˗˜˧˔˦ ˗˘˟ ˣ˔˜˦˔˝˘ ˖˨˟˧˜˩˔˗ˢʡ
La estructura portante de ambos espectrómetros también se realizará con vigas macizas de madera de chopo europeo recicladas procedentes de plantaciones y bosques locales de la ribera del Ebro contribuyendo a la ˚˘ˡ˘˥˔˖˜ͅˡ ˗˘ ˕˘ˡ˘Ѓ ˖˜ˢ˦ ˣ˔˥˔ ˟˔˦ ˭ˢˡ˔˦ ˥˨˥˔˟˘˦ʡ ʿ˔˦ ˨ˡ˜ˢˡ˘˦ ˗˘ ˟˔˦ ˩˜˚˔˦ se realizarán mediante tornillos de anclaje facilitando el desmontaje ˨ˡ˔ ˩˘˭ Ѓ ˡ˔˟˜˖˘ ˘˟ ˙˘˦˧˜˩˔˟ʡ ʿˢ˦ ˧˔˕˟˘˥ˢ˦ ˗˘ ʺ˔˥ˡ˜˖˔ ˜˥̳ˡ ˔˧ˢ˥ˡ˜˟˟˔˗ˢ˦ a la estructura de vigas sólidas de forma que también se facilite su desmontaje.
ʿ˔ ˣ˥ˢˣ˨˘˦˧˔ ˣ˔˥˔ ˘˟ ˙˘˦˧˜˩˔˟ ʶˢˡ˖̻ˡ˧˥˜˖ˢ Ϣʸ˦ˣ˘˖˧˥ͅˠ˘˧˥ˢ ˗˘˟ ˣ˔˜˦˔˝˘ϣ ˣ˥ˢˣˢˡ˘ ˨ˡ ˘˦ˣ˔˖˜ˢ ˗˘ ˩˜˦˨˔˟˜˭˔˖˜ͅˡ ˔ˡ˔˟ͅ˚˜˖ˢ ˤ˨˘ ˣˢˡ˘ ˘ˡ ˩˔˟ˢ˥ ˘˦˧ˢ˦ ˡ˨˘˩ˢ˦ ˧˘˥˥˜˧ˢ˥˜ˢ˦ ˗˜˚˜˧˔˟˘˦ ˗˘ ˢ˕˦˘˥˩˔˖˜ͅˡ ˗˘˟ ˣ˔˜˦˔˝˘ ˖˨˟˧˜˩˔˗ˢʡ
Los tableros de Garnica irán terminados en pintura de exterior biodegradables y 100% ecológicas, sin tóxicos ni COVs. Para el espectrómetro de Viña Lanciano se empleará un azul RAL 5002 y para el de Quinta do Seixo un amarillo RAL 1028.
ʸ˦˧ˢ˦ ˩˜˦ˢ˥˘˦ ˦˘ ˠ˔˧˘˥˜˔˟˜˭˔ˡ ˘ˡ ˣ˨ˡ˧ˢ˦ ˗˘ ˢ˕˦˘˥˩˔˖˜ͅˡ ˗˘˟ ˧˘˥˥˜˧ˢ˥˜ˢ ˗ˢ˧˔˗ˢ˦ ˖ˢˡ Ѓ ˟˧˥ˢ˦ ˗˘ ˖ˢ˟ˢ˥ ˤ˨˘ ˥˘˔˟˭˔ˡ ˢ ˗˜˙˨ˠ˜ˡ˔ˡ ˖˜˘˥˧ˢ˦ ˘˟˘ˠ˘ˡ˧ˢ˦ ˗˘˟ ˣ˔˜˦˔˝˘ʟ ˦˜ˠ˨˟˔ˡ˗ˢ ˟˔ ˩˜˦˜ͅˡ ˗˜˚˜˧˔˟ ˣ˥ˢˣ˜˔ ˗˘ ˟˔ ˙ˢ˧ˢ˚˥˔˙̿˔ ˠ˨˟˧˜ʠ˘˦ˣ˘˖˧˥ˢʡ
La rampa de acceso al espectrómetro de Viña Lanciano y la escalera de Quinta do Seixo se pintarán también en azul y amarillo respectivamente. ˆˢ˕˥˘ ˘˦˧˔ ˥˔ˠˣ˔ ˬ ˘˦˖˔˟˘˥˔ ˦˘ ˗˜˦ˣˢˡ˗˥̳ ˨ˡ˔ Ѓ ˡ˔ ˖˔ˣ˔ ˗˘ ˔˥˘ˡ˔ ˗˘ ˟˔ ˭ˢˡ˔ ˗˘ ˘ˡ˧˥˘ ʦʠʨ ˖ˠ ˔˗˛˘˥˜˗˔ ˨˧˜˟˜˭˔ˡ˗ˢ ˥˘˦˜ˡ˔ Ѓ ˝˔˗ˢ˥˔ ˧˥˔ˡ˦ˣ˔˥˘ˡ˧˘ especial de áridos y gravas de base acuosa sin tóxicos apta para ser ˣ˜˦˔˕˟˘ ˣˢ˥ ˧˥̳Ѓ ˖ˢ ˗˘ ˣ˘˥˦ˢˡ˔˦ʡ ʸ˦˧ˢ ˖˥˘˔˥̳ ˨ˡ ˚˥˔˗˜˘ˡ˧˘ ˤ˨˘ ˠ˔˥˖˔ ˟˔ transición al interior del visor.
ʴˠ˕˔˦ ˣ˔˥˖˘˟˔˦ ˗˘ ˖˨˟˧˜˩ˢ ˩˜ˡ̿˖ˢ˟˔ ˦˘ ˗ˢ˧˔ˡ ˗˘ ˨ˡˢ ˗˘ ˘˦˧ˢ˦ ˩˜˦ˢ˥˘˦ʟ ˖˔˗˔ ˖˨˔˟ ˖ˢˡ ˨ˡ˔ ˖˔ˣ˔˖˜˗˔˗ ˗˘ Ѓ ˟˧˥˔˖˜ͅˡ ͌ˡ˜˖˔ʭ ʸˡ ˘˟ ˖˔˦ˢ ˗˘ ˟˔ ˣ˔˥˖˘˟˔ ˗˘ ˩˜̓˔˦ ʿ˔ˡ˖˜˔ˡˢ ˦˘ ˨˧˜˟˜˭˔ ˨ˡ Ѓ ˟˧˥ˢ ˗˘ ˖ˢ˟ˢ˥ ˔˭˨˟ ʛʵ˟˔˨ ʨʶʣʤʜ ˤ˨˘ ˗˘˦˔˧˨˥˔ ˣˢ˥ ˖ˢˠˣ˟˘˧ˢ ˘˟ ˖ˢ˟ˢ˥ ˩˘˥˗˘ ˗˘ ˟˔ ˩˘˚˘˧˔˖˜ͅˡ ˬ ˣˢ˧˘ˡ˖˜˔ ˟ˢ˦ ˖ˢ˟ˢ˥˘˦ ˖˟˔˥ˢ˦ ˖ˢˠˢ ˘˟ ˕˟˔ˡ˖ˢ ˢ ˘˟ ˢ˖˥˘ʟ Ϣ˗˜˚˜˧˔˟˜˭˔ˡ˗ˢϣ ˨ˡ˔ ˩˜˦˜ͅˡ ˗˘˟ ˣ˔˜˦˔˝˘ ˤ˨˘ ˣˢˡ˘ ˘ˡ ˩˔˟ˢ˥ ˟˔ ˜ˡ˙˥˔˘˦˧˥˨˖˧˨˥˔ ˤ˨˘ ˗˔ ˔ˣˢˬˢ ˔˟ ˖˨˟˧˜˩ˢʡ ʿ˔˦ ˘˦ˣ˔˟˗˘˥˔˦ʟ ˟˔ ˢ˥˚˔ˡ˜˭˔˖˜ͅˡ ˘ˡ ˥˘˧̿˖˨˟˔ʟ ˘˟ ˦˜˦˧˘ˠ˔ ˗˘ ˜˥˥˜˚˔˖˜ͅˡ ˘ ˜ˡ˖˟˨˦ˢ ˟ˢ˦ ˔˚˥˜˖˨˟˧ˢ˥˘˦ ˗˘˦˧˔˖˔˥̿˔ˡ ˔ ˧˥˔˩̻˦ ˗˘˟ Ѓ ˟˧˥ˢ ˔˭˨˟ʟ ˗˘˝˔ˡ˗ˢ ˘ˡ ˨ˡ ˦˘˚˨ˡ˗ˢ ˣ˟˔ˡˢ ˟˔ ˩˘˚˘˧˔˖˜ͅˡʡ
Los visores de los espectrómetros se realizarán con planchas de PLEXIGLAS® GS o similar caracterizados por su calidad óptica, apto tanto para interior como para exterior, sin emisión de COVs.
˃˔˥˔ ˟˔ Ѓ ˡ˖˔ ˗˘ ˄˨˜ˡ˧˔ ˗ˢ ˆ˘˜˫ˢ ˦˘ ˘ˠˣ˟˘˔ ˘˟ Ѓ ˟˧˥ˢ ˢˣ˨˘˦˧ˢʟ ˨ˡ ˔ˠ˔˥˜˟˟ˢ ʛʺ˘˟˕ ʼʶʦʦʜ ˖˔ˣ˔˭ ˗˘ ˦˔˧˨˥˔˥ ˟ˢ˦ ˧ˢˡˢ˦ ˩˘˥˗˘˦ ˬ ˛ˢˠˢ˚˘ˡ˘˜˭˔˥ ˘˟ ˥˘˦˧ˢ ˗˘ ˧ˢˡ˔˟˜˗˔˗˘˦ʡ ʸ˦˧ˢ ˣˢˡ˗˥̿˔ ˘ˡ ˩˔˟ˢ˥ ˟˔ ˗˘ˡ˦˜˗˔˗ ˗˘ ˟˔ ˠ˔˦˔ ˔˥˕ͅ˥˘˔ ˖˨˟˧˜˩˔˗˔ʟ ˢ˙˥˘˖˜˘ˡ˗ˢ ˨ˡ˔ ˟˘˖˧˨˥˔ ˗˘˟ ˣ˔˜˦˔˝˘ ˣ˔˥˘˖˜˗˔ ˔ ˟˔˦ ˠ˘˗˜˖˜ˢˡ˘˦ ˁˉʷʼʡ ʴˠ˕ˢ˦ ˩˜˦ˢ˥˘˦ ˡˢ ˦ˢ˟ˢ ˢ˙˥˘˖˘ˡ ˔˟ ˢ˝ˢ ˛˨ˠ˔ˡˢ ˨ˡ˔ ˩˜˦˜ͅˡ Ϣ˗˜˚˜˧˔˟˜˭˔˗˔ϣ ˗˘˟ ˣ˔˜˦˔˝˘ ˘ˡ ˟˔ ˤ˨˘ ˦˘ ˥˘˦˔˟˧˔ ˟˔ ˖ˢˠˣ˟˘˝˜˗˔˗ ˗˘˟ ˧˘˥˥˜˧ˢ˥˜ˢ ˖˨˟˧˜˩˔˗ˢʟ ˦˜ ˡˢ ˤ˨˘ ˧˔ˠ˕˜̻ˡ ˦˘ ˖ˢˡ˩˜˘˥˧˘ˡ ˘ˡ ˣ˨ˡ˧ˢ˦ ˗˘ ˥˘˙˘˥˘ˡ˖˜˔ ˩˜˦˨˔˟ ˔ ˚˥˔ˡ ˗˜˦˧˔ˡ˖˜˔ʡ ˆ˨ ˠ˔˧˘˥˜˔˟˜˭˔˖˜ͅˡ ˘˫˧˘˥ˡ˔ ˥˘Є ˘˝˔ ˘˟ ˧˜ˣˢ ˗˘ Ѓ ˟˧˥ˢ ˤ˨˘ ˦˘ ˘ˡ˖˨˘ˡ˧˥˔ ˘ˡ ˦˨ ˜ˡ˧˘˥˜ˢ˥ʟ ˜ˠ˜˧˔ˡ˗ˢ ˘˟ ˖ˢ˟ˢ˥ ˗˘ ̻˦˧˘ ˘ˡ ˧ˢ˗˔ ˦˨ ˦˨ˣ˘˥Ѓ ˖˜˘ʡ ʸ˦˧ˢ ˟ˢ˦ ˖ˢˡ˩˜˘˥˧˘ ˡˢ ˦ˢ˟ˢ ˘ˡ ˛˜˧ˢ˦ ˩˜˦˨˔˟˘˦ ˦˜ ˡˢ ˧˔ˠ˕˜̻ˡ ˘ˡ ˜ˡ˗˜˖˔˗ˢ˥˘˦ ˗˘˟ ˣ˔˜˦˔˝˘ ˤ˨˘ ˦˘ Ϣ˗˜˚˜˧˔˟˜˭˔ϣ ˘ˡ ˦˨ ˜ˡ˧˘˥˜ˢ˥ʡ ʶ˔˗˔ ˘˦˧˥˨˖˧˨˥˔ ˤ˨˘ ˔˟ˢ˝˔ ˘˦˧ˢ˦ ˣ˨ˡ˧ˢ˦ ˗˘ ˩˜˦˨˔˟˜˭˔˖˜ͅˡ ˦˘ ˗˜˦˘̓˔ ˣ˔˥˔ ˢ˙˥˘˖˘˥ ˔˟ ˨˦˨˔˥˜ˢ ˘˟ ˣ˨ˡ˧ˢ ˗˘ ˩˜˦˧˔ ͅˣ˧˜ˠˢ ˗˘ ˢ˕˦˘˥˩˔˖˜ͅˡʟ ˬ˔ ˕˜˘ˡ ˦˘˔ ˘˟˘˩̳ˡ˗ˢ˦˘ ˣˢ˥ ˘ˡ˖˜ˠ˔ ˗˘ ˟ˢ˦ ˖˨˟˧˜˩ˢ˦ʟ ˘ˡ ˘˟ ˖˔˦ˢ ˗˘ ˟˔ ˩˜̓˔ ʿ˔ˡ˖˜˔ˡˢ ˢ ˗˘˦˖˘ˡ˗˜˘ˡ˗ˢ ˟˔ ˟˔˗˘˥˔ ˗˘ ˄˨˜ˡ˧˔ ˗ˢ ˆ˘˜˫ˢ ˣ˔˥˔ ˘ˡˠ˔˥˖˔˥ ˟˔˦ ˟˔˗˘˥˔˦ ˗˘ ˖˨˟˧˜˩ˢ ˬ ˘˟ ˥̿ˢʡ
Ejemplo de mapeado del NDVI en cultivo vínicola
EL PAISAJE “DIGITALIZADO” A TRAVÉS DEL VISOR
VISIÓN FILTRADA DEL PAISAJE VIÑA LANCIANO
EL PAISAJE “DIGITALIZADO” A TRAVÉS DEL VISOR
ACCESO AL ESPECTRÓMETRO
VISTA AÉREA DEL ESPECTRÓMETRO
ACCESO AL ESPECTRÓMETRO
VISTA AÉREA DEL ESPECTRÓMETRO
marble_worskshop A two week intense workshop in Pietrasanta, Italy, tought me the techniques to realize my first marble statue. The teaching process involved a comibination of both ancient/ traditional ways of sculpting and the use of more technological machinery. The sculpture represents an elevated cloud, which was an experiment to tranform such a solid and heavy mass into a symbol of lightness.
title: tra le nuvole, 2021 material : carrara marble side a
side b
process
painting photograph
digitalize
play
, ad occhi aperti, 2020 Acrylic on canvas 190cm x90 cm
create
jewlery_design Sports_Center
As an intern for annaealex, an italian luxury jewlery brand, I had the opportunity of designing, drawing and seeing some of their incredible earrings being realized. I worked with autocad, Rhinoceros and Procreate to create prototypes and prepare the files for cutting/filling the plated gold
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As (an br of so ea wi ro pr /fi
sofia focolari sofiafocolari@gmail.com
working model, 2019