Sonia Lin --- Interior Design Portfolio

Page 1

BUS STOP Designed by SONIA LIN


THOUGHT

240

Chose an English letter and design a creative and function bus stop.

320


200

320

PLAN

CONCEPT By using the posture of waiting the public vetches, STAND and SIT, take the cursive writing S for concept. Achieve the effect of both functional and artistic setting bus stop.


240

200

PURPOSE Improve the bus stops without sense of beauty. Design for the city an aesthetic, installation art-liked, functional and convenient bus stop.


20

CONSTRUCTION DRAWING

40

SPECULAR STAINLESS STEEL 5

1

WHITE LED

40

140

200

25

1

SPECULAR STAINLESS STEEL

LIGHT BOX (WHITE LED LIGHT INSIDE)

105

75

65

1

75

PLAN

4

S:1/30

DETAIL S:1/30

320

40 5

240

40 40

LIGHT BOX (WHITE LED LIGHT INSIDE)

LIGHT BOX (WHITE LED LIGHT INSIDE)

40

5

240

4 _

105

SPECULAR STAINLESS STEEL 60

45

60

SPECULAR STAINLESS STEEL

75

65

2

75

ELEVATION-a S:1/30

40

320

3

25

140

40

ELEVATION-a S:1/30

20

200

BUS STOP DESIGN 12F., No.262-7, Sec. 1, Wenhua 2nd Rd., Linkou Dist., New Taipei City, Taiwan (R.O.C.) 24442

E-mail:soniafy@gmail.com TEL:+886-916-269003

DESIGNER: FURN-YUH, LIN SONIA

BIRTHDAY: 1989/09/09

SCHOOL: FU JEN CATHOLIC UNIVERSITY

DEPARTMENT: INTERIOR DESIGN

PROJECT NAME: BUS STOP 320CM*240CM*200CM

DRAWING NAME: PLAN

SCALE: 1/30 DATE: 2012.10.16

DRAWING NO./ P.1


CONSTRUCTION DRAWING 10

95

6

8

10

40 10

10

4

40

30

60

25

40

60

5

20

5

40

60

5

240

240

60

20

85

20

55

65

75

20

40

320

12F., No.262-7, Sec. 1, Wenhua 2nd Rd., Linkou Dist., New Taipei City, Taiwan (R.O.C.) 24442

E-mail:soniafy@gmail.com TEL:+886-916-269003

45

200

1

BUS STOP DESIGN

55

DESIGNER: FURN-YUH, LIN SONIA

ELEVATION-a

2

S:1/20

BIRTHDAY: 1989/09/09

SCHOOL: FU JEN CATHOLIC UNIVERSITY

DEPARTMENT: INTERIOR DESIGN

PROJECT NAME: BUS STOP 320CM*240CM*200CM

ELEVATION-a S:1/20

DRAWING NAME: ELEVATION

SCALE: 1/20 DATE: 2012.10.16

DRAWING NO./ E.1


Motivation: Convenient transportation makes people move in short period of time. Yet, spend lots of waiting time while transiting. In order to solve the problem of nowhere to rest but sitting in a chair waiting or find the hotel outside for resting, we’d like to provide a place that travelers could relax and rest but no need to move dramatically.

SLEEP BOX

transportation without carrying their luggage to seek for hotel to take a rest. Instead, offering a place for them to rest directly.

Concept: Puzzles The process of finding matching piece is just like the time that travelers moving to their next trip. To combine part of idle places at the public transportation station and considering cost & minimum space to utilize the most suitable resting area in the station by limited arrangement.

4

Designer : SONIA LIN

Purpose: For travelers wait at airports, train stations, public

50

4

52

112

120

60

45

80 6

PLAN

25

80 203

55 6

215 240

1


2

4

2

32

01

2 34

SLEEP BOX

44

36

40

4

LINK

196

240

85

110

25

200

240

35

ELEVATION

80 25

80 190 240

55 25

64

52 120

4


40

4 28 194

2

200

2

240

240

4

4 36 200

SECTION

50

2 6 25

3EQ

2

3EQ 203 215 240

The sleep box also can be linked together for more than one people to live in.

2

3EQ

29

2EQ

2EQ

2

2

2

40

26

35

120

50

2

55

6

52 4

5

60 112

4

120

3


4

CONSTRUCTION DRAWING

1 4

1

5mmTH MIRROR WHITE ACRYLIC 5mmTH SPECULAR STAINLESS STEEL 5mmTH MIRROR BLACK ACRYLIC

3

4

S:1/5

5mmTH MILKY WHITE ACRYLIC (WHITE LED LIGHT INSIDE)

4

108

2

2

5mmTH MIRROR WHITE ACRYLIC

2 34

4 32

SLEEP BOX

01

112

2

44

36

40

4

3 _

DETAIL

5mmTH MIRROR WHITE ACRYLIC

5mmTH MIRROR WHITE ACRYLIC

240 196

2 _

25

200

240

35

5mmTH SPECULAR STAINLESS STEEL

85

110

5mmTH MIRROR BLACK ACRYLIC

80 25

80 190

55 25

240

SLEEP BOX

12F., No.262-7, Sec. 1, Wenhua 2nd Rd., Linkou Dist., New Taipei City, Taiwan (R.O.C.) 24442

E-mail:soniafy@gmail.com TEL:+886-916-269003

64

FURN-YUH, LIN SONIA

4

120

1

DESIGNER:

52

ELEVATION-a

2

S:1/20

BIRTHDAY: 1989/09/09

SCHOOL: FU JEN CATHOLIC UNIVERSITY

DEPARTMENT: INTERIOR DESIGN

PROJECT NAME: SLEEP BOX

DRAWING NAME: PLAN

ELEVATION-b S:1/20

SCALE: 1/20 DATE: 2012.09.21

DRAWING NO./ E.1


5

6

CONSTRUCTION DRAWING

5mmTH MIRROR BLACK ACRYLIC 5mmTH SPECULAR STAINLESS STEEL

1

5mmTH MIRROR WHITE ACRYLIC 5mmTH MIRROR WHITE ACRYLIC

1

PVC WHITE FLOOR

DETAIL-a

2

5

S:1/5

DETAIL-d S:1/5

4

2 _ PVC WHITE FLOOR

50

1

4

5 _

112

120

2 2

LAMINATED PLYWOOD (WHITE SURFACE)

60

45

3

5mmTH MIRROR WHITE ACRYLIC

4 1

4

PVC WHITE FLOOR

52

4 _

DETAIL-c S:1/5

4

3 _

25

55

203

6

PVC WHITE FLOOR

215

5mmTH MIRROR WHITE ACRYLIC

240

1

PLAN S:1/20

0.5

6

80

1

5mmTH SPECULAR STAINLESS STEEL 5mmTH MIRROR WHITE ACRYLIC

2

4

79

4

3

SLEEP BOX

12F., No.262-7, Sec. 1, Wenhua 2nd Rd., Linkou Dist., New Taipei City, Taiwan (R.O.C.) 24442

E-mail:soniafy@gmail.com TEL:+886-916-269003

DESIGNER: FURN-YUH, LIN SONIA

BIRTHDAY: 1989/09/09

SCHOOL: FU JEN CATHOLIC UNIVERSITY

DEPARTMENT: INTERIOR DESIGN

PROJECT NAME: SLEEP BOX

DRAWING NAME: PLAN

DETAIL-b S:1/5

SCALE: 1/20 DATE: 2012.09.21

DRAWING NO./ P.1


6

6 1.5 3 1.5

LAMINATED PLYWOOD (WHITE SURFACE)

6

1 4

1

LAMINATED PLYWOOD (WHITE SURFACE)

3

SLIDING DOOR DETAIL

5

S:1/5

2 _

DETAIL S:1/5

CONSTRUCTION DRAWING

40

4 28

4

S:1/5

4 _

4

4 36

3 _

LAMINATED PLYWOOD (WHITE SURFACE)

DETAIL

TEAK WOOD VENEER

21

4

5mmTH MIRROR WHITE ACRYLIC

the iron tube to enhance the structure

1

2 2

5 _

50

the iron tube to enhance the structure

2

3EQ

2

6 25

3EQ

2

3EQ

12F., No.262-7, Sec. 1, Wenhua 2nd Rd., Linkou Dist., New Taipei City, Taiwan (R.O.C.) 24442

215

E-mail:soniafy@gmail.com TEL:+886-916-269003

55

6

52

1

240

SLEEP BOX

TEAK WOOD VENEER

2

203

DESIGNER: FURN-YUH, LIN SONIA

2EQ

2

2

2

TEAK WOOD VENEER

WHITE LED SPOT LIGHT

2EQ

29

40

26

120

50

TEAK WOOD VENEER

35

TEAK WOOD VENEER

TEAK WOOD VENEER

200

194

200

240

LAMINATED PLYWOOD (WHITE SURFACE)

240

LAMINATED PLYWOOD (WHITE SURFACE)

SECTION-a

4

S:1/20

BIRTHDAY: 1989/09/09

5

60 112

4

120

SCHOOL: FU JEN CATHOLIC UNIVERSITY

DEPARTMENT: INTERIOR DESIGN

PROJECT NAME: SLEEP BOX

DRAWING NAME: PLAN

2

SECTION-b S:1/20

SCALE: 1/20 DATE: 2012.09.21

DRAWING NO./ S.1


BATHROOM DESIGN

02

M&P Motivation and purpose.

03

LARGE SPACE The large space bathroom and concept. PLAN & LIGHT

In the bathroom, you still can feel like in the nature.

04

ELEVATION-A The long elevation.

05

ELEVATION-B Elevation & 3D perspective

06

SMALL SPACE The small space bathroom and concept. PLAN & LIGHT

07

ELEVATION-A The short elevation.

08

ELEVATION-B Long Elevation & Section 3D perspective


02

MOTIVATION Different owner with different designing space providing. Have learned how to do the proper arrangement of 2 spaces for one is big and the other is small. Apply different material features and bath accessories arrangement to present the design concept.

According to 2 different rooms to design the proper spacing arrangement, ergonomic and fun bath. Utilizing material feature to show the spacing concept.

PURPOSE


03

PLAN

290*360*275 cm

LARGE SPACE CONCEPT Extend outdoor nature scene to indoor. Take natural material such as wood, grass to simulate the feeling of immersing forest bath along with open bath accessories arrangement. Enjoy and relax under this environment.


03

s s s LIGHTING SYMBOL DESCRIPTION LED-5W PROJECT LIGHT LED-7W LIGHT

LIGHT

290*360*275 cm

LARGE SPACE CONCEPT Extend outdoor nature scene to indoor. Take natural material such as wood, grass to simulate the feeling of immersing forest bath along with open bath accessories arrangement. Enjoy and relax under this environment.


04

ELEVATION-A Wood material, give the room a warm feeling.


05

ELEVATION-B French windows, makes the outside view extend into the room.

PERSPECTIVE Having a lawn, mix the indoor with outdoor.


06

PLAN

200*250*250 cm

SMALL SPACE CONCEPT Thought spacing is narrower, we have ďŹ t in bath accessories to meet basic demand. Adopting material feature could feel the atmosphere for embracing by woods. Extended by large scale oak wood wall and make the overall spacing with natural and warm feeling.


06

s LIGHTING SYMBOL DESCRIPTION LED-5W PROJECT LIGHT LED-7W LIGHT 200*250*250 cm

LIGHT

SMALL SPACE CONCEPT Thought spacing is narrower, we have ďŹ t in bath accessories to meet basic demand. Adopting material feature could feel the atmosphere for embracing by woods. Extended by large scale oak wood wall and make the overall spacing with natural and warm feeling.


07

ELEVATION-A Enlarge the room visul eect by using the horizontal wood grain.


08

ELEVATION-B Choosing the suitable bath equipment, we still can enjoy in a small space.


KEE TAI INTERNATIONAL APARTMENT Home, gives hard working people the place to take a break and rest. Look forwao give the owner a place that is quite, calm, warm and not sti.


GLASS BRICKS

CANOPY

ATRIUM CANOPY

152*190 HITACHI 385L 59*61.5*180

SECONDARY BADROOM MAIN BATHROOM

CANOPY

SHARING BATHROOM

TV EQUIPMENT CABINET

INTERPHONE

42 inch 103*66*9.3

152*190

ENTRANCE LIVING ROOM

DINING ROOM

MAIN BEDROOM GUEST BADROOM ART 90*260 105*180 80*160

BALCONY

BALCONY

MOTIVATION Building base in the city center. Adopting various materials to deliver fun but not vulgar space design to meet the idea of high quality home in the city. The owner works under small room for long time and hope to have an open resting space.


LIGHTING SYMBOL DESCRIPTION MR-16 / LED-5W PROJECT LIGHT LED-111 / LED-7W LIGHT T5 28W PLYWOOD LIGHT

40

30

180

ch:250cm C

60

A

45

35

50

45

9.5

30

C

30

A

65

15

35

50

A

ch:270cm

C

115

24.5

9.5 180 95

30

140 15

30

ch:290cm

30

45

NON-FRAME AIR OUTLET CEILING

CEILING & A.C. AIR OUTLET DETAIL MAINTAIN PRESENT SITUATION

01

A

C

1

ch:250cm

25

30

9.5

130

93

25

45

1

45

5

30

35

30

16

30

40

45 30

MAINTAIN OPENING

180

55

25

35

25

ch:250cm

15

ch:250cm

C

ch:250cm 30

85

ch:290cm

120

A

WOOD MAINTAIN

40

35

60

45

80 70

63

60

30

11

60

60

ch:250cm

9.5 30

30

45

30

MAINTAIN OPENING

30

BATHROOM MAINTAIN PRESENT SITUATION

93

30

40

BATHROOM MAINTAIN PRESENT SITUATION

MAINTAIN OPENING

LAYOUT

30 9.5

30

LIGHT & AIR CONDITION

30

40

60

CHANDELIER

40

DOUBLE MR16 LED LIGHT/GT 085-2 EMBEDED-L19.5cm*W9.5cm SIZE-L21.5cm*W11.5cm*H10cm

S

S

A

S3 S

C

S

S S3 A C

S3 S

C A

S3

01 LIGHT AND A.C. AIR OUTLET LAYOUT 02 LIGHT CIRCUIT LAYOUT

02


1

3 3 6

1

21 1

12

1

88

1

03 KITCHEN SLIDING DOOR GRIP DETAIL

2

PIPELINE OUTLET

KITCHEN

6.5

30

65

60

62

SHARING BATHROOM

85

55

INTERPHONE

90

5

01 LIVING ROOM TV WALL PLAN

35

WHITE CEMENT PAINT SMOOTHING

2

STAINLESS STEEL FRAME

40

VENEER STAINED PAINTING

1101

STAINLESS STEEL FRAME 5mm TAWNY GLASS

250

INTERPHONE DOOR

TV

1101

DOOR

30

40

5mm TAWNY GLASS

40

1

5

Amplifier

1 30

32

63 65

1

1

83 85

1

105

1

55

10 15 5 15

2

STAINLESS STEEL FRAME DVD Player

8mm PAINTED COATED GLASS WHITE CEMENT PAINT SMOOTHING

35

1

88 90

1

LIVING ROOM TV WALL ELEVATION

02 LIVING ROOM TV WALL ELEVATION

CONCEPT Mainly combining diямАerent material such as metal, mirror face and wood. Making the inside spacing wider and broader. Use the warm feature of wood to soften the feeling of cold cement wall. Having diverse material to link up and improve the interesting part for space. Give the vitality feeling to dull indoor room.


SHOE CABINET 45

PLAN & ELEVATION & SECTION & DETAIL

44

4EQ

4EQ

4EQ

4EQ

44

173

01

11

INSIDE GRIP

3 3

05

WHITE CEMENT PAINT SMOOTHING

5

5 44

4EQ

4EQ

4EQ 173

4EQ

44

02

01 ENTRANCE SHOE CABINET PLAN 02 ENTRANCE SHOE CABINET ELEVATION 03 ENTRANCE SHOE CABINET INNER ELEVATION 04 ENTRANCE SHOE CABINET SECTION

MOVABLE LAYER

MOVABLE LAYER

MOVABLE LAYER

MOVABLE LAYER

MOVABLE LAYER

INSIDE GRIP

1

DRAWER

2

126

19 13

22 MOVABLE LAYER

OUTSIDE

VENEER STAINED PAINTING

DRAWER DRAWER

2

2

MOVABLE BOARD

06

250 240

2EQ

19

2EQ

2

MOVABLE BOARD

MOVABLE BOARD

MOVABLE BOARD

MOVABLE BOARD

MOVABLE BOARD

MOVABLE BOARD

MOVABLE BOARD

OUTSIDE

91

110

105

GRIP

MOVABLE LAYER

INSIDE

WHITE CEMENT PAINT SMOOTHING

WHITE CEMENT PAINT SMOOTHING

5 52

250

250

3 3

MOVABLE LAYER

5 2

130

VENEER STAINED PAINTING

250 240 106 126 22 15 4 15 4 15 4 15 4 15 15 22 2 22 2 22 2 22 2

30

WHITE CEMENT PAINT SMOOTHING

WHITE CEMENT PAINT SMOOTHING

5 2

5 2

5

OUTSIDE

42 4

22 165 173

24 4

03

05 SHOE CABINET GRIP DETAIL 06 SHOE CABINET DRAWER DETAIL 07 SHOE CABINET BOTTOM DETAIL

22

4 45

04

07


7

6

7

VENEER STAINED PAINTING VENEER STAINED PAINTING

2

12

9

200

1 VENEER STAINED PAINTING 5mm TAWNY GLASS

01

04

WHITE CEMENT PAINT SMOOTHING

9

04

9

5

110

105

250

5mm TAWNY GLASS

100

100

VENEER STAINED PAINTING

15

200

01 DINING ROOM MODELING WALL PLAN 02 DINING ROOM MODELING WALL ELEVATION 03 DINING ROOM MODELING WALL SECTION 04 DINING ROOM MODELING WALL DETAIL

02

7

03

DINING ROOM MODELING WALL


5

5

3

45

45

VENEER STAINED PAINTING

45

162

80

4

43

WHITE CEMENT PAINT SMOOTHING WHITE CEMENT PAINT SMOOTHING

WHITE CEMENT PAINT SMOOTHING

45

4EQ

4EQ

4EQ

512

42 48

21

30

6

MOVABLE LAYER

VENEER STAINED PAINTING

250

MOVABLE LAYER

5 5

4EQ

4EQ

4EQ 208

4EQ

52

44 48

2

WHITE CEMENT PAINT SMOOTHING

25 14 2 2

23 2 23 2 23 2

DRAWER

2

25

87

DRAWER

MOVABLE LAYER DRAWER

MOVABLE LAYER MOVABLE LAYER

2 2 118.5

5 2

75 53

VENEER STAINED PAINTING GRIP

DRAWER

25

10 13 2

DRAWER

105

2 15 2

30

GRIP

5 55

55 208

54

42 48

VENEER STAINED PAINTING

120

MOVABLE LAYER

MOVABLE LAYER

2

30

3 3

250 240

2

MOVABLE LAYER

240

170 30 2

MOVABLE LAYER

2 62

GUEST ROOM INNER ELEVATION

5 80 2 10 13 210 13 210 13 24 1

30

CLOTH RAIL MOVABLE LAYER

5

250

VENEER STAINED PAINTING

6

38 2

MOVABLE LAYER

VENEER STAINED PAINTING

30

5 2

5 2

208

5 2

40 4EQ

162

MAIN BEDROOM & GUEST ROOM

60 5

100 25 1 24 1 20 211 60 15

60

BED

DRAWER DRAWER DRAWER

22

56 60

WHITE CEMENT PAINT SMOOTHING

80

VENEER STAINED PAINTING VENEER STAINED PAINTING DRAWER

WHITE CEMENT PAINT SMOOTHING

25

MOVABLE LAYER

30 25

17

8

100

5

53 75 15 25

VENEER STAINED PAINTING

41

45 50

15

DRAWER

21

VENEER STAINED PAINTING


YÜ BIN CARDINAL CEMETERY DESIGN

SITE ANALYSIS Cemetery is located at Fu Jen Catholic University. Due to the location is not easy to find and remote. Also, the environment is dark. Meantime the architecture is not very striking. Few people pass by or visit.

PURPOSE By reforming of this cemetery, to let more people know the contribution of the Yü Bin Cardinal to Fu Jen Catholic University. Changing this place to be an educational and lecture space. So that no more students would feel terrified passing this cemetery.


Design Concept Bloom First of all centered by building itself and then expanded outward. Attracting people / things / objects of the school proactively. Make active “people� like to go closer to this place. Along with the crowds move to get aura flows together. Make this place vivid, no longer a land-still place.


PRIEST QUARTER 3R

+40

The First Floor Model Concept / Epiphyllum

+0

COLLEGE OF THE ATRS 4R

Taking the concept for Epiphyllum flowering time is only just like a flash. But the beauty of the moment is eternal. Just as Bin Cardinal teaching spirit, hope to continue it and to convey via this space forever. +40


YÜ BIN CARDINAL CEMETERY Designed by SONIA LIN


PRIEST QUARTER 3R

+40

The Basement Place the Yü Bin Cardinal’s memorial tablet in the basement. If the people are not afraid of this, they can go to the down stair for visiting or just take a rest near the tablet.

+0

COLLEGE OF THE ATRS 4R

+40


IN THE BASEMENT Designed by SONIA LIN


Section A


Section B


B&B DESIGN DESIGNER : SONIA LIN

A B&B is not only for resting but also facing the issue with environmental protection and waste re-design.

RECYCLE X ART

01


SITE ANALYSIS Building base located around Toucheng Train Station. East side is facing the sea, with garden and parking. Close to the Wai’ao beach which is available for surfing and water sports. There is also famous LanYang Museum designed by well-known architect Mr. Yao Ren-Xi. Only one hour driving from Taipei city to base. It is the place very suitable for people’s casual activities and surfing. No need to spend too much traveling time.

SITE

Nearby

1 1

Wai’ao Train Station Pacific Ocean

2

Location

2

3

3 1

Wai’ao Service Area

2

Wushih Harbor

3

LanYang Museum

Design by Yao Ren-Xi

B&B located in Yi-Lan. Lots of typhoons affect this area in summer. Hence, there would be lots of driftwood and wastes deposited on the coast. Also this place is close to the Wai’ao beach with many visitors. Trash damaged the seashore view and scene. Hope to use environmental protection and waste re-design as the theme. By B&B promotion and place provided, plus interacted handmade class teaching to finding usable and re-usable waste to make them a new art.

+

ART

THEME 02


CONCEPT DRIFTWOOD Driftwood, each one with different shapes, they are all unique. Re-assemble and re-stack them of being a new art piece.

Wai’ao Train Station

Pacific Ocean

Location

Location

Wai’ao Train Station

Beach

Pacific Ocean

漂流趣

03


10

6 7 5 3

4

1

By using original materials, feel like immerse in the nature. Take the driftwoods to decorate the lights in the dining hall.

9

2

8

PLAN 1st FLOOR

1 Entrance 2 Lobby

3 Dining Hall 4 Surfboard Rented

5 Kitcken 6 Storage

7 Stair 8 Square and Swings

9 Driftwood Experience Area 10 Washing Area

04


1

3

2

4

4

1 Saloon

2 Driftwood Gallery

3 Quad

PLAN 2nd FLOOR

4 Double Room

Recycle the weast driftwoods and make them become to the art again.

05


1 2

3

1 Washroom

2 Swimming Pool

3

3 Double Room

Swimming pool extends outside to the building, making the view feel like combining with the sky and ocean.

PLAN 3rd FLOOR

Use all the French windows to view the mountain and ocean view.

06


SECTION

PERSPECTIVE

07


CHINESE LANE


MOTIVATION

PURPOSE

Characters are vivid and vitality which is one of the driving forces for the progress of human civilization. And better reect the local life feature and tolerance of people. While upgrading the position for Chinese in the world, it has become more and more important. Especially Taiwan is the country which has the most population who use Traditional Chinese. We need to promote this at every possible occasion.

To do promotions by combining with Chinese culture and the diversity of the Chinese characters. Improving Taiwan’s position in the Chinese cultural circle.


SHIHLIN Paper MRT SHIHLIN STATION

SHIHLIN JUNIOR HIGH SCHOOL

SHIHLIN ELEMENTARY SCHOOL

SITE ANALYSIS Shihlin paper factory is the earliest machinery factory to produce paper.

BASE

This factory has stopped 80-year paper production and now is an urban ruins. The characters and paper has an inalienable relationship. This factory is close to Shihlin district and lots of cultural and educational places such as: National Palace Museum, Taipei Fine Arts Museum, the Science Education Center and future Taipei Arts Center. Hope to activate the paper factory by words, re-utilizing this idle space.


CURRENT SITUATION Shihlin Paper factory has been a deserted space for a long time. To reuse this place, we want to combine the paper with characters .

MORNING

NOON

AFTERNOON

SUNLIGHT ANALYSIS


S PAT IAL PL AN N IN G SPACE

PROGRAM

Box Office and Service Area Permanent Exhibition Special Exhibition Chinese Characters Experience Workshop Library Souvenir Shop Staff Office Restaurant Restroom Storage Square

MATERIAL ROOM

STORAGE PAPERMAKING FACTORY 3

ADJUSTMENT PAPERMAKING FACTORY 2 DISTRICT PAPERMAKING FACTORY 1

CURRENT DESERTED PAPER FACTORY

CHINESE LANE WORKSHOP

STORAGE

CHINESE LANE EXHIBITION

PRESERVE THE PAPER FACTORY

TARGET CUSTOMER Junior and Senior high schools’ Field Trip tourists

OFFICE

DISMANTLE AREA PARK

MAIN ROAD

Use the transverse and vertical roads to open the closed paper factory.


DESIGN CONCEPT Alley In the old days, people like to chat in front of neighbors’ doors or ahead the alleys to enhance the friendship of neighborhood. The old community outside the Shihlin paper factory is full of lovely petite alleys and lanes. Similar to the paper plant were arranged by high density of long stripe form. So we have design this park by alley images. Let Chinese characters more friendly and closer to everyone.


CONCEPT MODEL

The biggest feature for the composition of Chinese characters is that you can present it’s precise and structural division in a single box. We have made the characters progressing procedure – from symbol to character to a concept model at 9 squared scale. Reflecting concept of staggered alleys.

CHINESE STRUCTURE STUDY

CONCEPT

Majority of the Chinese were formed by structural and systematic.


SPATIAL PLANNING

PERMANENT EXHIBITION The creating rules, the six categories of Chinese characters , is the biggest difference between Chinese Characters and other characters. We have use a long corridor space to express the origin and development of Chinese characters. PICTOGRAPHS

PICTOPHONETIC CHARACTERS

ASSOCIATIVE COMPOUNDS

SELF-EXPLANATORY CHARACTERS

MUTUALLY EXPLANATORY CHARACTERS

PHONETIC LOAN CHARACTERS

CHINESE CHARACTERS EXPERIENCE WORKSHOP SEAL CUTTING WORKSHOP

STEREOTYPE WORKSHOP

CALLIGRAPHY WORKSHOP WORD-CREATED WORKSHOP

CRAFT WORKSHOP

Warm skillsexperiencing the touch for words.

FUTURITY WORKSHOP

The goal for setting up workshop is to make people to experience a series of Chinese characters related skills. But also reminds you the beauty of Chinese characters by handmade activities. In addition, heritage culture from solid experience.


10

9

11 5

12 8

7 14

6 13 EXIT

15

2

4

1

3

PLAN Box Office Exhibition Workshop Library Storage Shihlin Paper Factory Reservation

ENTRANCE 1 Box Office and Service Area 2 Lobby 3 Special Exhibition 4 Permanent Exhibition 5 Library 6 Word-created Workshop 7 Seal Cutting Workshop 8 Callgraphy Workshop

9 Craft Workshop 10 Stereotype Workshop 11 Futurity Workshop 12 Callgraphy Experience 13 Souvenir Shop 14 Restaurant 15 Square


D B

E

C

A

ELLTION ELEVATION A

ELEVATION B

ELEVATION C

ELEVATION D

ELEVATION E


A B C

SECTION

SECTION A

SECTION B

SECTION C


APPEARENCE


APPEARENCE 3 2

1 2

1

3


BOX OFFICE


INTERIOR

PICTOPHONETIC CHARACTERS ASSOCIATIVE COMPOUNDS

1 PICTOGRAPHS

PICTOGRAPHS

The entrance is having a direct, figurative “Mouth shape word” to guide everyone enter in this direction.

SELF-EXPLANATORY CHARACTERS

SPECIAL EXHIBITION

1 3

2 4

3 ASSOCIATIVE COMPOUNDS The majority of Chinese characters composed by different radical combination. Therefore the concept of this area is "combination"

2 PICTOPHONETIC CHARACTERS Use the long light to present the Pictophonetic characters, which were composed by abstract lines or dots.

4 SELF-EXPLANATORY CHARACTERS By checking the sunlight falling on the ground to form an ancient word “Sun” to actually feel it in this area.


PERSPECTIVE


FIN


Neoclassical

Stage


Neoclassical

Stage ance e m r v o f i r t e Mo ssical as the p tage feature

d e t a c o L

3m

a1 h t i w r e t l Thea a n o i t a age. t in N s e g t a n i c d o n L otary la 28 m x 20m. r r e t e diam 5mx 2 e z i s r Theate

Neo-cla d and take its s un backgro n. to desig

d n u e pond h o t r n o g s on Back eal the the dem

Storny18 century, revievabl uoiflding. In order to s I d in th hed. e c l n a u e s a l e r statu the wa , n i a g a demons


Concept Designing this stage by Neo-classical style. Big pond in the middle landing as per story goes. Demons are the center for this story.

First Layer


Rotary Landing Stage The pond can be raised and lower. Combining with the story and stage feature, the rotary landing stage, let the audiences’ visual have different feelings.

Second Layer


e y a L First

n o i t a v e l E r


S

e y a L econd

n o i t a v e l E r


RENUION BOX Place a “Reunion Box” in a chosen base. Combine with the surrounding to reunion this space.


PURPOSE

SITE

Re-connect the interaction activities for elders and others within a formal activity space will help them not feel lonely. It is the place for elders to have more interaction and exchange their experience.

MOTIVE Due to the rapid progress of health, science and technology, the average life of human being have been increased which leads to many issues after elders’ retirement. Taiwan has become an aging society indicator. Hence, how to have the elders retain their dignity and living independently is a very important thing for us to face.

Building base located in Yi-Lan, which has high elder population. However, this area is lack of a place for them to gather together exchanging the life. Therefore, to reunion them with each other, I decided to build a center for the elderly.


CONCEPT Interwave The elders nearby the base are here to exchange their life experience and wisdom. They interweave their lives. Box Size : 12m (L)x 4.5m (W)x 4.5m (H)


SQUARE

1 Entrance Slope 2 Seating Area

The outdoor square with the green gives the elder a stage to show themselves, an area to exercise, and a space to exchange with each other.

3 Stretching Area 4 Restroom 5 Outdoor Square

PLAN

1 4 3

2

5


ELEVATION

MAKE TEA

Make tea, one of the best hobbies for the elders. In the seating area, having some tea to talk with others lets the elders to exchange and reunion their experiences. Also, do some stretches in the stretching area making their lives healthier.

SECTION


Legacy Nine Songs Family Photograph Songs of the Wanderers Bamboo Dream Moon Water Cursive

雲 門

CLOUD Theme GATE Restaurant CAFE


BACKGROUND Cloud Gate is the first contemporary dance group in Chinese speaking community. Founder Lin Hwai-min adopts Chinese culture as the main concept, emphasis the idea of sharing and sustain. Combine the spirits and performance of Cloud Gate within restaurant’s business space. Create a representative cultural innovative industry. So that it could integrate into the society, community and into everyone’s life. Implant the concept of heritage by dance deeply touching our hearts.

流浪者

Songs of the Wanderers

之歌


CLOUD GATE CAFE Legacy

Nine Songs

Family Photograph Songs of the Wanderers Bamboo Dream Moon Water Cursive

CONCEPT Divided into 7 different theme areas from 7 classic dances of the past 30 years for Cloud Gate Dance Theater to deliver the concept of heritage. Take concrete veins to express the heritage image and convey the spirit of the Cloud Gate Dance Theater.


+285

3 4

2

1

1 Entrance 2 Slope 3 Legancy Area 4 Kitchen

FIRST FLOOR

Furniture, is the resemble of the connected veins. Use a long slope for introducing the history of Cloud Gate.

CLOUD GATE CAFE


+285

3

2

4

1

5

+350

10

STAGE

6

9

8

7

SECOND When dining, not just have the promotion effects but also they could get to know the meaning and history of Cloud Gate.

FLOOR

1 Slope 2 Nine Songs 3 Family Photograph 4 Restroom 5 Bamboo Dream

6 Moon Water 7 Songs of the Wanderers 8 Cursive 9 Empty Space 10 Stage


EXTERIOR Transform the vein concept models to build the appearance and interior. Combine with the 7 classic dances’ images on the walls and windows.

SECTION


Make good use of the great sunshine feature to attract customers. Secure

MOTIVE clean and peaceful atmosphere

for dining at restaurant. Providing a featured cafĂŠ for students and basketball players a place where you could chat, wait and spend long time there.

THE SHELL CAFÉ


There has

SITE great sunshine,

located next to the

basketball court. Customers for the evening from evening school students. Close to recycling place and kennel.

Insects use their beautiful crustaceans to protect themselves and to attract the opposite gender. We adopt this concept to design this cafĂŠ.Shell Shield recycling yards and kennels, and attract everyone's attention by this design. Floor-to-ceiling windows help to deliver warm sunshine. You could sit inside to enjoy the ball game outside or wait for the athletes in the game.

CRUST CONCEPT


ELEVATION 1

PLAN Transform the crust concept

2

FRONT SIDE

BACK SIDE

2

F

model to be the building appearance.

E

C

Open the windows in the front side for people to view the basketball games and blank the back side, which faces the recycling yards and kennels,

B D A

by using the crust shape. 1

A. Entrance B. Seat Area C. Kitchen D. Sofa Area E. Restroom F. Storage


2

1

1

Continue the concept and use the bright colors to attract customers’ attention.

SECTION

2


1

SECTION


Designed by SONIA LIN

F URNITURE X

PAPER FURNITURE

PAPER X R OCKING CHAIR

ROCKING RABBIT & LITTLE BUNNY

F UR N I T U RE X PAPER X S MAL L S T OOL

Designed by SONIA LIN

Reverse the fragile characteristic of paper. Without using any adhesive, design a paper chair that can be used in the daily life.


THE ROCKING RABBIT Use the cute rabbit for shape and combine with the childhood memory that every child dreams to have a rocking-chair in the house. It can be easy to DIY this lovely paper chair by using the corrugated paper material.

45

90

45

W:70 D:115 H:90 cm

115


55 42

13

10 45 35

W:45 D:55 H:45 cm

45

10

Children’s little region Take the sweet rabbit shape to be another series product.

45 35

THE LITTLE BUNNY

21 3 21 45

55


THE RABBITS DESIGNED BY SONIA LIN


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