SOPHIA A. BULLOCK PORTFOLIO
Po rtfo lio Direc to ry
Te r m i na l De sti na ti o n 4 Fall 2017
Tr a nsce nd i ng B l ue s 1 2 Fall 2016
Fuse d Cha r l o tte 1 8 Spring 2016
Vo i d 2 2 Fall 2016
[ Id e nti ty] 2 6 Summer 2017
Terminal Destination The city of Seattle is home to many modes of transportation. People move throughout the grid by walking, biking, driving, and public transportation. These grids begin to superimpose and interrupt each other. The site impliments the importnce of carrying all modes of transportation together to show connectivity and provide easy means of movement. The bridges extend from the city and into the site as they weave under, through, and around the structure, whoms form be-
Urban & Aquatic Connection
comes influenced by the path and fluidity of circulation throughout the site. There are two different paths that reference the different speeds of walking and biking. The bike path remains level, above the car que and below the building, in order to safely maintain a bikers speed as they make way to the ferry. The walking path moves and connects to multiple other bridges in order to create multiple destinations as they leisure throughout the site before boarding the ferry.
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Third Year Studio Fall 2017 Professor Peter Wong
Terminal Destination
Urban & Aquatic Connection
1. Pedestrian Path 2. Bike Path 3. Walk-In Ticketing 4. Fire Stair 5. Elevator 6. Lobby 7. Bike Ramp Entrance 8. Restrooms 9. Offices 10. Pavilion 11. Staging Area 12. Parking Garage 13. Existing Building
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4 DEAVO
8
DEAVO
11
7 9
3
14
10 6
4 5
2
1
12 N
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Composite lightweight concrete/steel deck
Painted Aluminun Coping
Fireproofed Steel Framing
Welded catwalk assembly
White painted suspension rod
Channel Glass Single Layer laminated glass system
Column steel plate connection
Slip connection on st. angle with slotted attachment to catwalk assembly
Transcending Blues Chicago Chapel & Blues Venue
path extends all the way out into the horizon of the water from the end of the pier, making it seem never ending. This extension into the water is strengthened by horizontal water inlets that are brought into the site, underneath this path. The largest water inlet carries the music barge and ties in the performance space. A performance space is about bringing someone closer to talent and emotion. It is meant to be looked upon as a focal point from any distance. How can architecture reflect this? The performance space is open and stretches horizontally across the site. It connects to the main path of circulation and requires the person to travel through it in order to enter or exit the site. It’s connection to the chapel through the path ties the two different atmospheres, both vertical and horizontal, and makes it one. Together, the chapel and performance space are both places where one transcends and moves through- which is why you have to go through both on the site.
Entrance to ground level / upper level of park
To Chicago
Vegetation
Path
scored path
Lake Michigan
Sec A
Creating an atmosphere where two different spaces can act together as one enhances the culture of a place rather than distorting it. This site project located at Jackson Park in Chicago focuses on having the architecture create circulation between two spaces that compels the individual to utilize the whole site. A chapel is about bringing you closer to the heavens- in order to feel closer to God. It allows you to rise above the horizon and over look everything around you, looking out into a better future. How can architecture reflect this? The spiritual space on the site is sitting above the music barge and looking over it, allowing it to act as one. This free space, stepped downward, is open towards the road. Allowing the prayer to act as a performance space as well, open to the public. This chapel has a path that reaches form the ground, up and around the building, allowing people to get from one atmosphere to the next while being able to view the performance. This
Ascending Path
Street Water
To UC
Ground Level Path
Lawn
Barge
Chapel
Sec B
Bridge
Stairs to performance
Performance Seating
Pier
Tunnel
Access to street
Performance Space
Tunnel light fixtures
N 1/32” = 1’-0”
Second Year Studio Fall 2016 Professor Jeffery Nesbit
Transcending Blues
Transitional Space
Positive Space
Chicago Chapel & Blues Venue
Directional Space
Directional Space
Positive Space
Transitional Space
Performance Seating
Extended Pier
Elevated Pier
Stacked Space
Stacked Space
Circulation
Circulation
Circulation
Outside Path
Negative Space
Stacked Space
Circulation
Lake Michigan Ramp Prayer Space
Barge
Stairs
UP
Entrance From Bridge
(Open To Above)
Service Space Lake Michigan Ramp Prayer Space
Barge
Stairs
UP
Entrance From Bridge
(Open To Above)
Chapel First Floor Service Space
Chapel
Chapel First Floor
Barge
Lake Michigan Viewing Space To Music Barge
DN
Men
Ramp Women
Barge
(Open To Below)
UP Viewing Space To Music Barge
DN
Exit To Bridge Ramp
Lake Michigan
Men
Ramp Women Performance Seating (Open To Below)
Barge
UP
Exit To Bridge Ramp
Chapel Second Floor
N 1/8” = 1’-0” Entrance From Ground Chapel Second Floor
Ticket Booth
Entrance From Street
Entrance From Bridge
Coat Check Vocal Room
N 1/8” = 1’-0”
Concession Stand
Lake Michigan
Womens Room
Mens Room Tables
Band Room N 1/8” = 1’-0” Service Space
FUSED CHARLOTTE
two can work tog up to the fullness individual to circ intentional.
Fused Charlotte
The organization down to dig their of the cooking cl terraces, which in
The organization of spaces are free and dynamic in order to combine program and activity. On the third floor one can browse through the library stacks before sitting down to dig their nose into a book. This contrast is enforced through the weaving of the reading rooms and library stacks. On the fourth and fifth floors, the adjacencies of the cooking classrooms create effective circulation in combination with functional learning space. The staggering of external walls allows for the multiplicity of terraces, which in turn encourages the combinations of internal and external atmosphere.
PARKING DECK
100'
18'
PARKING DECK
150'
PACKARD PLACE
GROUND FLOOR
154'
W. 3RD STREET
160'
6'
18'
180' 198'
W. 3RD STREET
8'
34'
8' 8'
22'
W. 3RD STREET
8'
24'
18'
34'
8'
8'
22'
22'
DOCK
42'
COVERED ATRIUM/LOBBY
S. CHURCH STREET
ASCENT APARTMENTS
PARKING DECK
50'
S. POPLAR STREET
This site project located at 3rd Street and Church Street in Charlotte, North Carolina focuses on having the architecture combine spaces, creating an atmosphere where two can work together as one to combine the culture of a place rather than distort it. Walking through the large glass doors into the atrium, one is immediately opened up to the fullness of the space, which extends itself underneath the second floor plinth into the café. This open floor plan creates an expanded space that allows the individual to circulate throughout the café as they witness the creation within the open kitchens. Look, drool, remember you haven’t had breakfast yet. Yes, that’s intentional.
ROMARE BEARDEN PARK
SITE PLAN 1/64" = 1'– 0"
ROMARE BEARDEN PARK
300 SOUTH TRYON
SEQUENCE- WAX
Second Year Studio Spring 2017 Professor Jeffery Balmer
CLASSROOM
CLASSROOM
Public
Semi-public
Private
Fused Charlotte TERRACE
PASTRY CLASSROOM
PASTRY CLASSROOM
CULINARY CLASSROOM
CULINARY CLASSROOM
TERRACE
LIBRARY STACKS
READING ROOM
ASCENT
BATHROOM
TERRACE
STAFF OFFICE
BREAK ROOM
STORAGE COMPUTER LABS
PUBLIC SPACES
SEMI-PUBLIC SPACES
ADMIN OFFICE
LIBRARY ENTRY
TERRACE
PRIVATE SPACES
0)
TERRACE
CAFE KITCHEN
BATHROOM
CAFE LEVEL 1/ ATTRIUM
PUBLIC KITCHEN
OUTSIDE PATIO CHURCH STREET
CAFE LEVEL .5
CAFE LEVEL 0
LOBBY Auditorium Auditorium
00) Longitudinal Section 1/16” = 1’-0”
) TERRACE
PASTRY CLASSROOM
COMBINATIONS CULINARY CLASSROOM
TERRACES
CIRCULATION
ENTRY PATH
CULINARY CLASSROOM
HYBRID
TERRACE ENTRY PATH
ADMIN OFFICE
TERRACE
READING ROOM
LIBRARY STACKS
STAFF OFFICE PACKARD PLACE
LIBRARY ENTRY
COMPUTER LABS 222 South Church
ATTRIUM
ROMARE BEARDEN PARK
OUTSIDE PATIO
CAFE LEVEL 1 HALLWAY
3RD STREET AUDITORIUM
Street Direction/Stoplights
CAFE KITCHEN
PACKARD PLACE
ATTRIUM
UP
FIRE STAIR
CAFE KITCHEN
CAFE LEVEL 0
First Floor Plan 1/16” = 1’-0”
Down
CAFE LEVEL .5
UP
PUBLIC KITCHEN
CHURCH ST
BB
Down
OUTSIDE PATIO
3RD ST
AA
Void
Shallow Relief and Wire Model The shallow relief worked as a base inspiration for this line model. The extrusion of the axis and proportional lines begin to create a central void that could then be altered by the datum and axis. But how can the axis alternate and break the ground and volumes to create void? Bending the wire in such a way that the ground plane is then replicated at a 90 degree angle sets the void that then begins to distort the ground as well. The extrusion of the planes with museum board is mirrored up onto the adjacent lines, distinguishing its volume. Using the main ground as a boundary allows for the void to form. The ground planes are extruded around this wire and reflected onto the other plane to create different degrees of the kind. The kinds and degrees are shown with wire, basswood and museum board.
Second Year Studio Fall 2016 Professor Jeffery Nesbit
Void
Shallow Relief and Wire Model
[IDENTITY] [Identity] translates the effect social injustice and housing insecurity has on a vast percentage of Chicago’s population and forms new connections between those who engage in the recon gurable architecture. Archework’s research questions how one may create identity in a monotonous frame and how to design a framework that enables people to create something to- gether. [Identity] responds with a space that now is occupiable and promotes a conversation through the interaction of creating and changing their surrounding environment. Human touch activates the installation as it utilizes a system of fabrics which can be manipulated accordingly to the user’s desire. These sheets of fabric are able to be
reconfgured and then left to rest in its formation, which allows for pedestrians to pass through and see or interact with the existing form. Not only is the fabric reconfigurable by its user, but it is able to adjust to its surrounding environment as well. If placed in an alley, the assembly may be rearranged in a lengthier formation for the users to adjust and pass through. It may also be assembled in a square formation to allow for a gathering space for strangers or peers to converse and interact while simultaneously providing a way for them to express their individuality. The 4 by 4 by 8 foot modules allow for these options while maintaining the core function of interactions.
Chicago Complex
UNC Charlotte ARCHEWORKS Summer 2017 Professor Marc Manack
[IDENTITY]
Chicago Complex
1 2
87
Longitudinal Elevation
1 2
69
Short Elevation