sophie lauriault ARCHITECTURE PORTFOLIO 2013
CONTENTS
projects
004 02 2 03 8 05 6 0 68 08 2
objects
0 94 SERIAL BUNDLES 1 00 dis FIGURE 1 08 POLYCARBONATE BODY
DRAWINGS
1 1 6 OF MARGINAL INTEREST 1 24 SCRIPTED INTRICACY
Professional
1 3 2 XEFIROTARCH 1 3 8 RUFproject
INSIDE IN WITH A TWIST MASS OF VOIDS FIGURAL ABSORPTION PATTERNING PROJECTION MAGIC BOX
001
PROJECTS 002
004 02 2 03 8 05 6 0 68 08 2
INSIDE IN WITH A TWIST MASS OF VOIDS FIGURAL ABSORPTION PATTERNING PROJECTION MAGIC BOX
003
GRADUATE THESIS EVERSION AND ITS FORMS
Inside in 004
SUMMER 2013
THESIS
005
ADVISOR: ANDREW ATWOOD INSIDE IN
006
Inside In investigates the interdependency of a
The thesis relies on the transformation of the
Rudolf Arnheim that βone cannot see oneβs own
buildingβs exterior form and interior volume, by
Stanford bunny to understand the implications of
face.β 2
everting a form on itself and reconstructing its
the reorganization of an objectβs surface and mass
continuous surface. There still is an interior and an
on itself. Through a series of cuts and stitches,
The thesis benefits from a program that originally
exterior. But the intricate eversion of the two charges
the exterior and interior structure of the form
negotiates with a complex interior/exterior mise
their initial separation with ambiguity. A more
is reconfigured to enclose an exterior within an
en scène. The planetariums and science exhibition
complex relationship between interior and exterior
intensified inside. By turning itself inside in, the
spaces contradict their sealed and layered interiority
is established, but neither loses its specificity nor do
Stanford bunny disrupts its familiar form and alters
with a replication of an exterior environment
they merge into a continuous modernist experience.
its original hierarchical construction of interior and
through special effects, form and scale. The project
exterior volume. By pushing frontality inwards, the
de-stabilizes oneβs visit of the science center through
βYou can do anything you want to the Stanford
thesis confounds the distinction between interior
an intentional misreading of interior and exterior
bunny.β
and exterior elevations and challenges the idea of
βrealityβ.
1
SUMMER 2013
βThe Stanford 3D Scanning Repositoryβ, last modified September 6, 2011. http://graphics.stanford.edu/data/3Dscanrep/.
1
2
Rudolf Arnheim, Wolfgang M. Zucker and Joseph Watterson, βInside and Outside in Architecture: A Symposiumβ, The Journal of Aesthetics and Art Criticism 25 (1966): 3-15.
THESIS
007
008
SUMMER 2013
THESIS
009
010
SUMMER 2013
THESIS
011
012
SUMMER 2013
THESIS
013
014
SUMMER 2013
THESIS
015
016
SUMMER 2013
THESIS
017
018
SUMMER 2013
THESIS
019
020
SUMMER 2013
THESIS
021
PROJECT II ARCHITECTURE IN AN AWKWARD POSITION
with a twist 022
SPRING 2013
PROJECT II
023
instructor: ANDREW zago WITH A TWIST With a Twist is a suite of country houses that sits
and twists. Where the contortion of the house allows
awkwardly on its bumpy landscape. Each house
for new points of contact, the interior space expands,
suggests an imposed twist yet articulated enough
creating spatial continuity within the large country
to find comfort in its geometric puzzle. Just like the
houses.
forms, the colors are developed in a suite of contrast and punch, and applied as continuous bands wrapping the houses around. The zones of color establish new sets of visual connections, apart from the existing geometric joints. Apertures cover the edges, like bandages pulling on separated surfaces. By suggesting a bond between the painted areas, the apertures reinforce the separation between colors
024
SPRING 2013
PROJECT II
025
026
SPRING 2013
88Β°
13Β°
100Β° 31Β°
40Β°
122Β°
15Β° 46Β°
164Β° 92Β° 172Β°
102Β°
PROJECT II
027
028
SPRING 2013
PROJECT II
029
030
SPRING 2013
PROJECT II
031
032
SPRING 2013
PROJECT II
033
034
SPRING 2013
PROJECT II
035
036
SPRING 2013
PROJECT II
037
PROJECT III ARCHITECTURE MUTILATIONS - LIVING MACHINES/GHOST OBJECTS
mass of voids 038
FALL 2012
PROJECT III
039
instructor: Hernan Diaz-alonso MASS OF VOIDS Mass of Voids is an exploration of the opposition
within the agglomerated volumes shape the public
between volumes and voids through agglomeration
space at the center of the mass. The house has no
and excision. The collision of distinct geometric
intention of spreading its substance across the
forms both in their substantial tangible state and in
site. It is an opportunity of centralizing domestic
their negative state is meant to dissolve the edge of
behaviors as a way of initiating overlaps of rituals.
the house and generate moments of synthesis with the landscape. The change of scale amongst the agglomerated forms gives the mass a porous quality that blurs the houseΓ’€™s exterior boundaries and induces spatiality within them. As the parts unfold and grow in size, the private rooms of the house are being defined. The resulting ring of private areas
040
FALL 2012
Animated Plan PROJECT III
041
042
FALL 2012
PROJECT III
043
044
FALL 2012
PROJECT III
045
046
FALL 2012 2011
PROJECT III
047
048
FALL 2012
PROJECT III
049
050
FALL 2012 2011
PROJECT III
051
052
FALL 2012
PROJECT III
053
054
FALL 2012
PROJECT III
055
PROJECT IV COMPLEX MORPHOLOGIES - INCONGRUOUS FIGURES
FIGURAL ABSORPTION 056
FALL 2011
PROJECT IV
057
instructor: Ramiro diaz granados FIGURAL ABSORPTION Figural Absorption is a study of the incongruous in
colors projected on the surface breaks up the
architecture through the discordance between line
space and creates a dissociation between form
and surface and the layering of internal spatiality.
and materiality. The figure is made visible to the
The delineated figure, extracted from David KleinΓ’€™s
visitor in the inbetween space where interiority and
illustration, controls the hierarchy of interior spaces
exteriority are blending. The reading of the figure is
by defining major programmatic zones within the
interrupted due to its scale that only allows for its
volume that it defines. Located at the entry point of
absorption in parts.
the project, the figure is nested within the surface that folds on itself to follow the geometry of the line. Invisible from the hearth of the building, the figure emits light to allow for the reading of its silhouette from the inside of the surface. The spectrum of
058
FALL 2011
1 Illustration by Scott Balmer - Tribute to David Klein 2 Figure 3 Delineated figure
2
1
TOP VIEW
3 PROJECT IV
059
SIDE VIEW
060
FALL 2011
FRONT VIEW
PROJECT IV
061
062
FALL 2011
PROJECT IV
063
064
FALL 2011
PROJECT IV
065
066
FALL 2011
PROJECT IV
067
PROJECT V GENERATIVE MORPHOLOGIES - DEEP SURFACE
patterning projection 068
SPRING 2012
PROJECT V
069
070
SPRING 2012
Instructor: ELENA MANFERDINI GROUP: RYAN TYLER MARTINEZ, SOPHIE LAURIAULT Patterning Projection applies a geometric pattern
through the slicing and translation of the cylinders
throughout the layers of plans in an attempt to
along the main lines of the geometric pattern,
express the buildingΓ’€™s formal quality with the
creating apertures and openings onto the gardens.
transformation of its figures. Cylinders borrowed
The sectional quality of the project is further
from the scripted drawing puncture the simple
exposed with its south elevation being treated as
mass and defines circulation zones as well as
a section through the entire building, creating a
garden spaces. The cylinders expand from the
spectacle with the exhibition of interior circulation
upper level and fold back to shape the rooftop
and activities.
plaza. The continuity of the pattern onto these fluid forms transformed their surface through a series of From left to right: Initial scripted drawing, 2.5D transformation and 3D interpretation
colored push-pull that defines the spatial character of the upper public space. New figures are expressed
PROJECT V
071
072
SPRING 2012
PROJECT V
073
074
SPRING 2012 1 GROUND PLAN
1 Ground floor plan 2 Garden plan 3 Roof plan 2
GARDEN PLAN
5
10
20ft
3
5
10
20ft
PROJECT V
075
076
SPRING 2012 1
1 South elevation 2 North-West elevation 3 Section 2
3
SECTION
5
10
20ft
PROJECT V
077
078
SPRING 2012
PROJECT V
079
080
SPRING 2012
PROJECT V
081
PROJECT VI DESIGN DEVELOPMENT INSTRUCTORS: TOM WISCOMBE, herwig baumgartner GROUP: ANASS BENHACHMI, JINMING FENG, CHENG GONG, JOEL KERNER, SOPHIE LAURIAULT, RYAN TYLER MARTINEZ, CHRISTIAN SANTINI, ASHLEY SHOLDER, LUIS TORNEL
magic box 082
FALL 2012
PROJECT VI
083
GROUP III Anass Benhachmi Jinming Feng Cheng Gong Joel Kerner Sophie Lauriault Ryan Tyler Martinez Ashley Sholder Christian Santini Luis Gerardo Tornel
43β10β 18β5β
11β2β
14β3β
CONSULTANTS Herwig Baumgartner Tom Wiscombe
3β 0β β0
11
14β7 5/16β
2β 1/ 4β β
10
Entrance [100]
F.F. 0β0β
DESIGN DEVELOPMENT ISSUE
14β7 5/16β
43β10β
CNC Room [104]
6 Axis Milling Room [101]
Dec. 4th 2012
Shop Ofο¬ce [102]
F.F. 4β10β
Existing Shop MAGIC BOX | SCI-Arc
8β10β
14β7 5/16β
960 East 3rd Street Los angeles, CA 90013
TITLE Ground Floor Plan
DRAWN BY Cheng Gong
SCALE
084
FALL 2012
SHEET NUMBER
3/16β = 1β
Ground Floor Plan Scale:
N 3/16β =1'- 00"
DATE December 4th, 2012
A1 - 2
GROUP III Anass Benhachmi Jinming Feng Cheng Gong Joel Kerner Sophie Lauriault Ryan Tyler Martinez Ashley Sholder Christian Santini Luis Gerardo Tornel
43β10β 18β5β
11β2β
14β3β
CONSULTANTS
14β7 5/16β
Herwig Baumgartner Tom Wiscombe
3D Print Room [201]
14β7 5/16β
DESIGN DEVELOPMENT ISSUE Dec. 4th 2012
Mechanical Room [202]
F.F. 12β11β MAGIC BOX | SCI-Arc 960 East 3rd Street Los angeles, CA 90013
8β10β
Laser Cutting Room [204] 14β7 5/16β
43β10β
Meeting Room [203]
TITLE Second Floor Plan
DRAWN BY Cheng Gong
SCALE
SHEET NUMBER
3/16β = 1β
Second Floor Plan Scale:
3/16β =1'- 00"
N PROJECT VI
085 DATE
December 4th, 2012
A1 - 3
086
FALL 2012
PROJECT VI
087
GROUP III
6 TR. @ 11β= 5β-6β
Anass Benhachmi Jinming Feng Cheng Gong Joel Kerner Sophie Lauriault Ryan Tyler Martinez Ashley Sholder Christian Santini Luis Gerardo Tornel
4β-0β
2 A0.5 7 RIS. UP
CONSULTANTS
6 TR. @ 11β= 5β-6β
7 RIS. UP
Herwig Baumgartner Tom Wiscombe
LANDING 1 EL +4β-2β 4β-0β
GROUND FLOOR EL +0β-0β 4 A0.6
5 A0.6
2 A0.5
4β-0β
8 RIS. UP
Staircase Section 1 scale 3/8β = 1β-0β
3 A0.5
7 TR. @ 11β= 6β-5β
1 A0.5
Main Staircase Plan scale 3/8β = 1β-0β
DESIGN DEVELOPMENT ISSUE
1β-11β
3β-4β
Dec. 4th 2012
2β CONCRETE FILL
11β (TYP.)
3β-6β
STEEL PAN TREAD STEEL CHANNEL STRINGER
MAGIC BOX | SCI-Arc
10 β
1-1/4β x 1-1/4β x 1/8β ANGLE SUPPORTS
7β (TYP.)
960 East 3rd Street Los angeles, CA 90013
TITLE Staircase detail
DRAWN BY Sophie Lauriault Ryan Tyler Martinez
SCALE
3 A0.5
Staircase Detail 1 scale 1β = 1β-0β
DATE Dec. 4th 2012
088
FALL 2012
SHEET NUMBER
As noted
A0 - 5
GROUP III Anass Benhachmi Jinming Feng Cheng Gong Joel Kerner Sophie Lauriault Ryan Tyler Martinez Ashley Sholder Christian Santini Luis Gerardo Tornel SECOND FLOOR EL +12β-11β
CONSULTANTS Herwig Baumgartner Tom Wiscombe
7 A0.6 LANDING 2 EL +8β-3β
LANDING 2 EL +8β-3β
LANDING 1 EL +4β-2β LANDING 1 EL +4β-2β
GROUND FLOOR EL +0β-0β GROUND FLOOR EL +0β-0β
DESIGN DEVELOPMENT ISSUE
Staircase Section 2 scale 3/8β = 1β-0β
5 A0.6
Staircase Section 3 scale 3/8β = 1β-0β
Dec. 4th 2012
1 1/2β 1-3/8β x 1-3/8β STEEL BAR ADJUST.
1-1/2β HANDRAIL
3 1/4β 1/16β ALUMINUM SHEET
38β FROM NOSE OF STEP
MAGIC BOX | SCI-Arc 42β FROM NOSE OF STEP
4 A0.6
960 East 3rd Street Los angeles, CA 90013
1-3/8β x 1-3/8β STEEL BAR 3β x 1-1/2β STEEL CHANNEL 3/4β PLY RUBBER MAT 3/4β PLY
TITLE Staircase detail
1β 2β TRUSS BOLTS PER STRUC. DETAILS
STEEL CHANNEL STRINGER 2β CONCRETE INFILL STEEL PAN THREAD
6 A0.6
Staircase Detail 2 scale 1β = 1β-0β
W 21 x 44 BEAM
DRAWN BY
10β STEEL CHANNEL STRINGER
Sophie Lauriault Ryan Tyler Martinez
7 A0.6
SCALE
Staircase Detail 3 scale 1β = 1β-0β
SHEET NUMBER
As noted DATE Dec. 4th 2012
PROJECT VI
089
A0 - 6
GROUP GROUP III III Anass Benhachmi Anass Benhachmi JinmingJinming Feng Feng Cheng Cheng Gong Gong Joel Kerner Joel Kerner Sophie Sophie Lauriault Lauriault Ryan Tyler Ryan Martinez Tyler Martinez Ashley Sholder Ashley Sholder Christian Christian Santini Santini Luis Gerardo Luis Gerardo Tornel Tornel
CONSULTANTS CONSULTANTS Herwig Herwig Baumgartner Baumgartner Tom Wiscombe Tom Wiscombe
DESIGN DESIGN DEVELOPMENT DEVELOPMENT ISSUE ISSUE Dec. 4th Dec. 2012 4th 2012
MAGICMAGIC BOX | SCI-Arc BOX | SCI-Arc 960 East960 3rdEast Street 3rd Street Los angeles, Los angeles, CA 90013 CA 90013
TITLE TITLE 3D Chunk 3D Chunk
DRAWN DRAWN BY BY Luis Tornel Luis Tornel
SCALE SCALE
SHEET NUMBER SHEET NUMBER
As Noted As Noted
090
FALL 2012
DATE
DATE
December December 4th, 2012 4th, 2012
A2 -A2 9 -9
PROJECT VI
091
OBJECTS 092
0 94 SERIAL BUNDLES 1 00 dis FIGURE 1 08 POLYCARBONATE BODY
093
OBJECT I FROM OBJECTS TO FORMS
serial bundles 094
FALL 2012
OBJECT I
095
instructor: ANDREW ATWOOD GROUP: BENJAMIN FARSNWORTH, JOEL KERNER, SOPHIE LAURIAULT Serial Bundles consists of a series of foam forms.
and refined, as a way to strenghten the objectβs form.
It is an investigation on the limit of the character
The result of each scupted form is an experiment
of βbeing interestingβ. In the same lineage of
on the possible form that an interestion of
thought as in the essay entitled Merely Interesting by
extrusions can create. It is not meant to be designed
Sianne Ngai, interesting here suggests an aesthetic
or expected, in order to avoid the dilution of its
experience contrary to the beautiful and implies a
βinterestingβ character.
repeated attention leading to further questions and discussions. The forms were sculpted into a standard sized block of foam using a wirecutter attached to a robot arm. Through the repetition of the same technique and the adaptation of the motion path of the robot, the character of the object is extracted
096
FALL 2012
OBJECT I
097
098
FALL 2012
OBJECT I
099
OBJECT II MODELING, TOOLING AND COMPUTATION
disfigure 100
FALL 2011
OBJECT II
101
1 Psychopsis papilio 2 Calypso Bylbosa 3 Composition
Instructor: Elena Manferdini GROUP: RONALD ECKELS, SOPHIE LAURIAULT DisFIGURE speculates on the potential of surfaces to produce new sensations and multiple figures by focusing on material, chromatics and their response to flat and curved surfaces. The project establishes a relationship between analog and digital matter in order to design a developable canvas that reconnect existing figures and create new imagery.
1
102
FALL 2011
2
3
OBJECT II
103
104
FALL 2011
OBJECT II
105
1
106
FALL 2011
1 Unfolded surface 2 Developable canvas 3 Installation
3
2
OBJECT II
107
OBJECT III ADVANCED TECTONICS
polycarbonate BODY 108
FALL 2011
OBJECT III
109
Instructor: MARCELO SPINA GROUP: JOHANNES BECK, ANASS BENHACHMI, DAVID ESKENAZI, JOEL KERNER, SOPHIE LAURIAULT Polycarbonate Body tests the possibilities and limits of a material with the design of an aggregated system. Using a vacuum forming process to shape the plastic, two surfaces are connected into cells that present various angles of attachment. At a building scale, the agglomeration of cells intends to create a deep screen that filters light and blocks wind and rain.
110
FALL 2011
OBJECT III
111
MATERIAL TESTING
Heat polycarbonate sheet over mold
Vacuum form
Cut the components
Attach cells, then group with rivets
112
FALL 2011
3β
3β
8β
8β
square square pieces 5 5pieces
cell cellconnection connection
angle angle pieces 2020 pieces
face connection faceto to face face connection
rotation rotation pieces 9 9pieces
cell connection cellcelltoto cell connection
OBJECT III
113
DRAWINGS 114
1 1 6 OF MARGINAL INTEREST 1 24 SCRIPTED INTRICACY
115
drawing I STUDIES IN PERIPHERAL SECTIONS
of marginal interest 116
SPRING 2013
DRAWING I
117
instructor: ANDREW zago OF MARGINAL INTEREST This exercise studies peripheral sectional conditions as a drawing problem. Starting from geometric figures extracted from plates from Claude Nicolas Ledoux, the drawings investigate marginal section conditions through scale, layering and texture. The investigation is pushed forward by giving volume to figures and adding depth to patterns. The piling of the two boxes with their corresponding mesh creates a dense center that fades into the periphery, where irregular edges disrupts the regularity of their texture and the extent of the canvas.
118
SPRING 2013
DRAWING I
119
120
SPRING 2013
DRAWING I
121
DRAWING I
123
DRAWING II SCRIPTING, TOOLING COMPUTATION
scripted intricacy 124
SPRING 2012
DRAWING II
125
Instructor: SATORU SUGIHARA GROUP: RYAN TYLER MARTINEZ, SOPHIE LAURIAULT Developed in parallel with the project Patterning Projection, Scripted Intricacy focuses on the potential of scripting as a tool for the production of complex drawings. As an attempt to create deep surfaces from a layering of lines, the project relies on the use of colors and contrasting scales to create hierarchy between lines and define layers of information. The interpretation and transformation of the drawing emphasizes the value of a critical approach to computation in architecture.
126
SPRING 2012
DRAWING II
127
1 Scripting development 2 Final drawing
1
128
SPRING 2012
2
DRAWING II
129
PROfessional 130
1 3 2 XEFIROTARCH 1 3 8 RUFproject
131
professional experience XEFIROTARCH | Hernan Diaz Alonso - Los Angeles, CA
work at xefirotarch 132
SUMMER 2012
right Animation for the Alessi Centerpiece
Supervisor: Ivan Bernal Tasks: -Scenes composition and rendering -Animation editing
PROFESSIONAL EXPERIENCE
133
1 134
SUMMER 2012
1 Animation for a Limoge lamp Supervisor: Ivan Bernal Tasks: -Scenes composition and rendering -Animation editing 2 Animation for the Helsinki Library Supervisor: Ivan Bernal in collaboration with David Eskenazi Tasks: -Scenes composition -Animation editing
2 PROFESSIONAL EXPERIENCE
135
Illustration for Venice Biennale 2012 in collaboration with Ivan Bernal -postcard published in Log 27
136
SUMMER 2012
PROFESSIONAL EXPERIENCE
137
professional experience RUFproject | Sean Pearson - Vancouver, Canada
work at RUFproject 138
WINTER-SUMMER 2011
right Natoli Residence
Lead: Sean Pearson Tasks: -Remodeling design -3D modeling -Renderings and drawings -Presentation layout
PROFESSIONAL EXPERIENCE
139
INTERIOR F
SARA + CHRI RESID
DESIGN CO
Rural Urban Fanta 260-49 Dunlevy A BC V6A 3A3 Tel: 604.569.3282 E.mail: info@rufpr Web: www.rufproje
SCALE
1/2β=1β-0 PROJ NR
R005
This drawing is copyrig RUF accepts no respon whom it was commissi This drawing to be use Dimension not to be sc Only figured dimension All dimensions are in fe Discrepancies must be
INTERIOR FLAT RENOVATION
SARAH FOGARTY + CHRIS HOLD RESIDENCE
INTERIOR FLAT RENOVATION DESIGN CONSULTANT/PROJECT MANAGER
SARAH FOGARTY + CHRIS HOLD RESIDENCE SCALE Rural Urban Fantasy Project Ltd. 260-49 Dunlevy Ave Vancouver BC V6A 3A3 Tel: 604.569.3282 E.mail: info@rufproject.com Web: www.rufproject.com
INTERIOR INTERIOR FLAT FLAT REN REN
DATE
1/4β=1β-0β
DESIGN CONSULTANT/PROJECT MANAGER
29-MAR-11
Rural Urban Fantasy Project Ltd. PROJ NR 260-49 Dunlevy Ave Vancouver BC V6A 3A3 Tel: 604.569.3282 E.mail: info@rufproject.com Web: www.rufproject.com
DRAWING
A0.1
R005
SARAH FO SARAH FO +CHRIS HO CHRIS HO RESIDENC RESIDENC DESIGN DESIGN CONSULTAN CONSULTAN
INTERIOR FLAT REN + +
Rural Urban Fantasy Project Ltd. Rural Urban Fantasy Project Ltd.
260-49 Dunlevy Ave Vancouver 260-49 Dunlevy Ave Vancouver DESIGN BC V6A 3A3 CONSULTAN BC V6A 3A3 Tel: 604.569.3282 Rural Urban Fantasy Project Ltd. Tel: 604.569.3282 E.mail: info@rufproject.com 260-49 Dunlevy Ave Vancouver E.mail: info@rufproject.com Web: www.rufproject.com BC V6Awww.rufproject.com 3A3 Web: Tel: 604.569.3282 E.mail: info@rufproject.com Web: www.rufproject.com SCALE
SCALE
SCALE
1/4β=1β-0β PROJ NR
R005
140
WINTER-SUMMER 2011
DATE
This drawing is copyright. RUF accepts no responsibility for this document to any other party other than the person by whom it was commissioned. This drawing to be used in conjunction with all other drawings and specifications. Dimension not to be scaled - refer to dimensions given. Only figured dimensions are to be worked from. All dimensions are in feet unless otherwise indicated. Discrepancies must be reported immediately to the design consultant before proceeding.
29-MAR-11 DRAWING
A0.1
This drawing is copyright. RUF accepts no responsibility for this document to any other party other than the person by whom it was commissioned. This drawing to be used in conjunction with all other drawings and specifications. Dimension not to be scaled - refer to dimensions given. Only figured dimensions are to be worked from. All dimensions are in feet unless otherwise indicated. Discrepancies must be reported immediately to the design consultant before proceeding.
1/2β=1β-0β 1/2β=1β-0β SCALE 1/2β=1β-0β PROJ PROJ NR NR R005 R005 PROJ NR R005
This drawing is copyright. This drawing is copyright. RUF accepts no responsibility for this docu RUF accepts no responsibility for this docu whom it was commissioned. whom it was commissioned. Thisdrawing drawing to be used in conjunction wit This This drawingistocopyright. be used in conjunction wit Dimension not to be scaled - refer todocu dime RUF acceptsnot no to responsibility thisto Dimension be scaled - for refer dime Only figured dimensions are to be worked whom it was commissioned. Only figured dimensions are to be worked All dimensions are in feet unless otherwis This drawing to are be used in unless conjunction with All dimensions in feet otherwis Discrepancies must be reported Dimension not to be scaled - referimmediat to dimen Discrepancies must be reported immediat Only figured dimensions are to be worked f All dimensions are in feet unless otherwise Discrepancies must be reported immediate
MOVTABL 11 1/4β
2 1/2β
6 5β -
3/4β 1 3/4β
β 3/4β 1 3/4β
2β - 5β
10 1/2β
3/4β
2β -
A
2β
B
BENK 3β - 1
β
11β 10
2
3/4β
3
1β - 7β
1
450XS residence
Lead: Sean Pearson Tasks: -Remodeling design -3D modeling -Renderings and drawings -Presentation layout
4
5
6
PROFESSIONAL EXPERIENCE
141
Point Grey residence - Railing 1 Lead: Sean Pearson Tasks: -Railing design -3D modeling -Renderings -Drawings
142
WINTER-SUMMER 2011
PROFESSIONAL EXPERIENCE
143