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INVESTMENTS • PLANNING • RETIREMENT FA Name Compliance-Approved Title Address and Suite Number City Name, State Zip XXX-XXX-XXXX • 800-XXX-XXXX Web or E-mail Address
Name LexingtonFAOfÄce Compliance-Approved 333 E. Main St. Suite 120 Title and Suite Number Lexington,Address KY 40507 City Name, State Zip 859-233-0321 XXX-XXX-XXXX • 800-XXX-XXXX 800-998-8766 Web or E-mail Address Investment and Insurance Products:
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The L ee w. Robinson Company is pleased to announce the addition of Jeffrey Livesay to its award winning design team. Jeffrey specializ es in histor ic restoration and equine proper ties of distinction.
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slmag.net
{Lexington’s Finest}
Mar/Apr 2013
Mar/Apr 2013 five dollars
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48
Rugged and Refned Te all new Range Rover
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on the cover: Best Foot Forward From Rodes for Him and for Her (rodes.com): Christine A. Moore Millinery ‘Savannah’ hat, Alexis Bittar earrings and Judith & Charles ‘Rhea Dress’ on her and separates from Samuelsohn, Zanella, Eton and Robert Talbott on him.
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Wine Closures
34
Curating a Lifestyle: A Taste of Home
36
Bibliotaph
38
More than Machu Picchu
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Of Note… Wood You
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Rugged and Refined
54
Places in Paint
56
Best Foot Forward
66
Pied-à-terre beyond compare
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Maison & Objet
Mar/Apr 2013
83
Society Calendar
84
Pegasus Awards
86
Blue Grass Charity Ball
88
Circa Home Celebration |
Commerce Lexington Dinner
90
African American Ball
92
An Evening Among Friends |
Roundball Bash
94
Bluegrass Sports Awards
96
Bollywood Bash
56 Best Foot Forward Marching into spring style ‘Ursula’ hat by Christine A. Moore Millinery, enamel bracelets & Elizabeth McKay Scotland wrap dress – all from Keeneland Gif Shop (keeneland.stores.truition.com)
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Artistic Kitchens by Michael Smith 1205 E W a s h i n g to n s t r E E t L o u i s v i L L E , K E n t u c K y 40206 s h o W r o o m 502.639.3422 m s m i t h @ a rt i s c t i c K i t c h E n s . n E t
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EDITOR - IN - CHIEF Bridget Williams ______________________________________________ ASSOCIATE EDITORS Kay Matton ART DIRECTOR Jason Yann CONTRIBUTORS Writers Patti Bailey Dr. Matthew Bessen Ellana Bessen Scott Harper Amelia Jefers Jef Jefers Alix Rice Photographers Tony Bailey Alexandra Eye Allie Filley Chad Henle Hannah Jones Andrew Kung COPY EDITOR Jennifer Newton Michael Parker DIRECTOR OF PHOTOGRAPHY Eric Williams ADVERTISING SALES OFFICE 502.582.6563 ______________________________________________ PUBLISHER Eric Williams ASSOCIATE PUBLISHER Jamie Leveridge
Are you a tastemaker?
Sophisticated Living is published by Sophisticated Living, LLC, P.O. BOX 1229, Prospect, Kentucky 40059 USA. All Rights Reserved. Sophisticated Living is published six times a year. All images and editorial are the property of Sophisticated Living, LLC and cannot be reproduced in whole or in part without written permission. Annual subscription fees are $25.00; please add $5 for subscriptions outside the US. Single copies may be purchased for $5 at select fine retail outlets. Address all subscription inquiries to: Sophisticated Living, PO Box 1229, Prospect, KY 40059. To order back issues or reprints of 100 or more, call 502.582.6563.
Sophisticated Living is now ofering franchise opportunities in select US and international markets. To learn more call 502-582-6563 or eric@slmag.net
SLMAG.NET
From the Editor-In-Chief If you look really closely at my eyes in the top photo you may be able to glimpse the sheer terror lurking behind my smile. I’m standing at a clearing a little more than halfway up Wayna Picchu, the pointy peak that stars in the background of most Macchu Picchu photos, and is just one of the fascinating destinations featured in this month’s travel feature about exploring Peru. Only 400 people a day in two waves are permitted to make the 1000+-foot climb to the peak, via ancient stone stairs and walkways with drop-ofs of a few thousand feet straight down to the Urubamba River. I could never imagine its guardrail and waiver-free trek to be possible in the US because of our ludicrously litigious society. The climb was organized by our trip facilitator, Kensington Tours, in response to my request that “light adventure” experiences be included in the daily agenda throughout our Peruvian exploration. We’d already spent a full day with an excellent guide at Macchu Picchu, so after catching the frst bus up the winding, 2,000-foot road that leads to the entrance, we headed straight for the trailhead to wait for our 7am start time. Te assemblage massed at the gate included people of all ages and walks of life. Some appeared to be hardcore hikers, while others, appearing much less ft and donning fip fops, seemed woefully unprepared for the task ahead. A light fog shrouded the peak, which worked to my advantage as I may have backed out if I’d seen the arduous trail that spiraled along the edge of the mountain. After signing in with our name and departure time (no liabilities waivers here!), the thick foliage that shrouded the trail lulled me into a false sense of security. A short ascent and descent led to a clearing that laid out the daunting task before me. Despite an intense fear of heights, I took a deep breath and continued on, crawling like a baby up the stairs and literally clinging to rock faces at particularly scary drop-ofs to counter my irrational fear that some unknown force would draw me over the edge. Clearly the Inca weren’t afected by vertigo! The vantage point of the top photo was at the base of a particularly scary set of stairs; contemplating the climb nearly brought me to tears. Inside my brain there was a tense battle being waged: how to reckon the knot in my stomach and weak knees with wanting to savor every bit of this once-in-a-lifetime experience. At the top, the payof was magnifcent: a condor’s-eye perspective, almost 9,000 feet above sea level, one of the most celebrated cities on the planet, and one of the seven wonders of the world. From this vantage point you can really marvel at the construction and scale of the site, as well as those hikers who seemed unfazed by the dizzying heights, and demonstrated such by aping for photos while balancing on precipitous stones and scrambling over the jagged rock faces. With the summit bringing together a number of young backpackers from all over the world, it provided a platform for some interesting pickup line deliveries! I wasn’t the only one at the top with an overwhelming fear of heights; we had to help a young Brazilian girl traveling alone down from the peak as a sudden bout of fear left her nearly immobile. On the return trip, I spent a lot of time scooting down the stairs on my bum. Clearly gluttons for punishment, we took the road less traveled (with our new Brazilian friend in tow) to the Temple of the Moon and the Great Cavern, located on the far side of Huayna Picchu, which involved descending a series of primitive ladders in several places. Tucked into a cave, lined with outstanding stonework, are a series of niches that were purportedly used to hold mummies (and today make for an interesting photo opportunity). Was it all worth it? Absolutely! Would I do it again? Probably not.
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Š d. yurman 2013
From the Associate Publisher
Sitting at eight-months pregnant on a cold Sunday in February and halfway through a house renovation, my husband and I recently found ourselves longing for our next escape. Questions of where should we go? and what should we do? were quickly directed to what restaurants could we try while we’re there? At that moment it dawned on us that our travels largely center on trying new foods and exploring local restaurants. Rarely does our due diligence for prospective destinations focus on sites and tours. Instead, we fnd ourselves scrambling through apps like Food Spotting, Urbanspoon, and Te Layover, looking for favorite local dives and pictures of exciting food and interesting restaurants. Seeing as though we won’t be going anywhere anytime soon, we quickly began to appreciate all that Lexington has to ofer. We’ve seen so much culinary growth here in recent years, both in the quantity and quality of restaurants, that anyone traveling our way would have to be thrilled with the options we have around town. Whether it’s an old staple that’s been around for years, a new downtown hotspot along Short Street, or our growing “restaurant row” along Jeferson Street, I for one feel pretty proud of what we have to ofer. I say let’s keep going. I don’t particularly worry that more restaurants will hurt existing ones, rather, more destinations should only add to the buzz we are creating here, and convince more and more of us to enjoy eating out more often. And better yet, Lexington may become a destination for food savvy travelers such as my husband and I who are looking to expand their palates. Bon Appétit!
Jamie Leveridge, Associate Publisher jamie@slmag.net
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Wine Closures
Written by Scott Harper, Master Sommelier
‘Cork versus alternative closures’ would probably be a better name for this article because there are certainly more ways than one to close a bottle of wine. Gone or at least mostly gone are the days when a bottle of wine sealed with a screw cap was considered inexpensive plunk. Now wines from every country, every price level, and every quality level are sealed with a variety of closures – not just cork.
also able to be transferred into the wine from barrels in the wine making process, but according to the cork industry they have dramatically reduced the incidents of TCA; while other sources state between 1% to 15% of natural closed wines have TCA. While TCA does not pose any health risk, it certainly poses a risk to wine drinking and could be construed as a winery’s bad wine instead of a faw from the cork.
What is a cork? Natural Cork is the name given to the bark of the Cork Oak tree; this bark is stripped of to make wine bottle corks. A common fallacy is that the tree dies after the cork is harvested, when in actuality the average life of a cork tree is between 170 and 200 years. Furthermore, after the bark is harvested it regenerates and can be harvested about every nine years. With all factors included, a cork oak tree will yield around 17 harvests. The majority of the world’s cork comes from Portugal, with Algeria, Spain, Morocco, France, Italy, and Tunisia making up the balance. Cork has been used since the 1700s to seal bottles of wine. Corks are biodegradable and recyclable.
Issues with alternative closures. While alternative closures are all but a guarantee of no TCA, most consumers do not understand TCA is the largest reason for the alternative closure. Many still think it is because it is more afordable or because it is an inexpensive winemaking technique; the consumer feels uncomfortable on special occasions opening an alternative closure as they are at risk of seeming cheap. Occasionally, screw caps get stuck and require real strength to open. Some other closures simply catch consumers unaware of how to open the bottle. Lastly, what will be the long-term efects of aging a fne wine for 30 years with an unproven alternative closure?
What is an alternative closure? Most screw caps are aluminum closures that thread on to the neck of a bottle. Screw caps are the most used alternative closures and have taken off in the last 10 years. Crown caps are the same closures you see on beer bottles and are used in the sparkling wine industry for the closure during the secondary fermentation, capturing the coveted bubbles. Vino-Seal or Vino-Lok are two of the names used for a closer that makes an airtight seal; these closures remind you of a liquor bottle closure, but instead of being made from cork and plastic, they are made of glass or acrylic. Synthetic corks are made from plastic and in the same shape/size of natural corks. Tese represent the vast majority of today’s alternative closures and most are recyclable.
Benefts of Natural Cork. Natural Cork is a traditional, if not a formal way to close and therefore open a bottle of wine without it appearing inexpensive or cheap. Natural Cork has a proven track record for long term aging so there is no fear (other than TCA) of what may happen to an aged wine. Cork is biodegradable, recyclable, and a renewable natural resource.
Issues with natural corks. A bottle of wine can be tainted by a cork. It was found that if a fungus was present on a cork and the cork was cleaned with a chlorine solution, those two elements could come together and create 2,4,6-Trichloroanisole (TCA). Many people call a TCA-tainted wine ‘corked’ or having cork taint. Te result of TCA is a wine with the smell and favor of must, moldy newspaper, wet dog, or old, wet cardboard. TCA can also mute and reduce the aromas and favors of wine, taking away the characteristics the winemaker fought so hard to achieve. Cork producers have eliminated the use of chlorine and have replaced it with hydrogen peroxide, but corks with TCA still exist. TCA is
Benefits of Alternative closures. The most important benefit to alternative closures is the guarantee that there is no cork taint because there is no cork. TCA is unlikely, but still possible due to other issues at the winery. Screw caps are easier to open and do not require any special tools. Other alternative closures use very simple tools such as a bottle opener. Tis lightens the formality and ease of appreciating a bottle of wine. Most alternative closures are recyclable. I personally like alternative closures, but I also appreciate the timehonored tradition of natural corks. I say make room for both! sl
A Certifed Wine Educator, Scott is one of 118 professionals in North America and 186 worldwide who have earned the title Master Sommelier.
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Curating a Lifestyle: Taste of Home
Written by Amelia and Jef Jefers
Tis fne miniature blanket chest earned a western Virginia attribution due to the distinctive stylized fower motif found on other inscribed pieces from the region. Te exuberant decoration and fne, untouched surface make this example a stand out. It sold at Garth’s for $41,125.
If the taste of mint brings back memories of days at the Derby, you have probably spent some time in Louisville. From Cincinnati? Te thought of a “Four Way” chili may fll you with the warmth and sweetness of a Saturday night family dinner at Skyline. Is your idea of barbeque a thick sweet sauce poured over spare ribs? Yep, you must be a St. Louisan. And, who doesn’t associate the wonderful favor of jambalaya with New Orleans? Drive down the main street of any city or town, and you can usually identify a local cuisine or culinary favorite - simply by looking for the local eatery with the most cars in the lot. Tune in a bit more to your surroundings, and you should notice architectural distinctions that speak to the early history of the area. If you are lucky (and, it’s a Saturday night), you can pop
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into a bar and catch the latest tunes from a hometown music sensation. It is the cumulative efect of these tastes, sights and sounds that contribute to the identifable culture of a region. In the world of art and antiques, these characteristics manifested in construction and design elements that developed shortly after settlers in a region overcame basic survival concerns. Some collectors are willing to pay top dollar when they fnd a work that exemplifes a region to which they identify. Often, as appraisers, we are asked: how do you know where it was made? Determining the origin of a piece of furniture, pottery or painting is not so diferent from associating a favor with a region. Like food, architecture and music, the material culture (all the “stuff ” people use in their daily lives) is often
Left - An inlaid cherry Kentucky sugar chest, circa 1820 with star and string decoration. Tis example sold at Garth’s for $7,520. Center - Tis horn cup was presented to Kentucky militia General Green Clay after he successfully defended Fort Meigs (Ohio) during a critical battle of the War of 1812. Tis signifcant piece of Ohio Valley history came to Garth’s from a collection in St. Louis, where it had traveled from the Clay Plantation in Kentucky. It sold for $38,775. Right - An eponymous example of regional signifcance on material culture, the furniture from Soap Hollow, Pennsylvania is distinctively decorated and wildly collectible. With three top drawers, bold decoration and a strong signature, this “Cadillac” example brought $132,250 at Garth’s, setting a record price for the category.
infuenced by the geographic character of the area, ethnic and religious makeup of the population, indigenous materials and accessibility of major centers of commerce. Regional design was heavily infuenced by style makers in major cities, with craftsmen in smaller towns developing their own version. Some elements were lost, some gained - with the loose interpretation known as a “vernacular” or “colloquial” style. When a style can be readily identifed by comparing an unknown example to documented pieces, we can begin to understand the material culture of an area. Attribution does not have to be so technical, however. Tiger maple chest? Most certainly made in New England, Pennsylvania or Ohio - why? That’s where the wood was found. Kasten (or, schrank, depending upon your preference):
nine times out of 10 it was made in Pennsylvania, New York or New Jersey as both words translate from Dutch (and German) to “cupboard,” and those areas had large numbers of immigrants in the 18th and 19th centuries. If you are looking for a way to refine your collecting taste, consider a regional focus. Serving your favorite bread pudding from a new (old) southern sideboard will add an element of sophisticated authenticity that will serve up a healthy helping of nostalgia for any guest. sl Amelia and Jef Jefers are the co-owners of Garth's Auctioneers & Appraisers, an international frm located outside Columbus, Ohio.
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Bibliotaph Armchair travelers can experience all facets of Peru, from the ruins at Machu Picchu and dense subequatorial rain forests to the snowy peaks of the Andes Mountains. Mario Polia - Peru: An Ancient Andean Civilization - hardcover, 128 pages, White Star Publishers (sterlingpublishing.com) This book describes the grandeur and richness of the Inca civilization as well as their predecessors: the Paracas, Nazca, Recuay, Sicán-Lambayeque, Moche-Sipán, and Chimú cultures. Two hundred stunning objects—pottery, textiles, and jewelry— illustrate the varied artistic achievements of each ancient culture. Petrick Lemasson, Luis Guillermo Lumbreras, Fernando de Szyslo, Alvaro Roca-Rey - Peru: Art from the Chavin to the Incas - hardcover, 224 pages, Skira (rizzoliusa.com).
Main chapters of this book are dedicated to the geography, people and culture, history, government and economy, and nature of Peru. Full-page maps highlight physical features, vegetation and ecosystems, history, population, and political organization. Anita Croy - National Geographic Countries of the World: Peru - paperback, 64 pages, National Geographic Children's Books (ngchildrensbooks.org).
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bib 'li' o 'taph, [bib-lee-uhtaf, -tahf ]: a person who caches or hoards books This beautifully illustrated book provides the first in-depth review by international textile arts experts of featherworking in ancient Peru, a highly sophisticated textile tradition spanning several thousand years. Heidi King - Peruvian Featherworks: Art of the Precolumbian Era - hardcover, 232 pages, Metropolitan Museum of Art (store.metmuseum.org)
Written by food bloggers Morena Cuadra and Morena Escardo, this book provides recipes for everything from delicious dips to exotic entrees and desserts. Morena Cuadra and Morena Escardo - Te Everything Peruvian Cookbook - paperback, 304 pages, F+W Media (fwmedia.com).
First published in 2000, this book contains 100+ recipes from more than 20 notable Peruvian chefs. Tony Custer - Te Art of Peruvian Cuisine - hardcover, 272 pages, FundaciĂłn Custer (fundacioncuster.org).
Escape Hotel Stories takes readers on a journey to some of the world’s most stunning hotels, often located in UNESCO World Heritage Sites (such as the Machu Picchu Sanctuary Lodge), while advocating the importance of preserving the environment. Francisca Matteoli - Escape Hotel Stories: Retreat and Refuge in Nature - hardcover, 160 pages, Assouline (assouline.com).
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More than Machu Picchu
Written by Bridget Williams
View of Cusco from the Sacsayhuaman archaeological site. Photo by Eric Williams
Peru’s diverse cultural treasures and ancient wonders form a fascinating network equally intriguing as its most famous site Te ability to tick one of the boxes on my bucket list by visiting Machu Picchu was the impetus for my visit to Peru, but what I didn’t expect was the City in the Clouds would be just one, among many highlights, throughout the duration of our wanderings in the Sacred Valley and Lake Titicaca regions. We discovered so much, in fact, we had to make the experience a two-part story. Like many people these days, I began planning for my trip by conducting online research, during which, it became quickly evident the services of a tour company would be advisable to make the most of what I hoped would be an epic adventure. After reading the good, the bad, and the ugly of reviews for countless tour operators and after initial online inquiries, I settled on Kensington Tours for their ability to custom-tailor an itinerary that most suitably met my varied criteria: soft adventure opportunities and an even softer pillow on which to rest my head each night!
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After a few back-and-forth interactions via email and phone with Kensington’s South American destination expert, Noraly Barillas, I received a link to a proposed itinerary that promised a comprehensive tour of Lima, Cusco, Machu Picchu and Lake Titicaca, all with a private guide and vehicle. Each day’s schedule was outlined frst in bulleted summary form and later in expanded detail on subsequent pages, which allowed me to research each tour stop and proposed accommodation. With the itinerary settled, we booked about three months in advance of our mid-October travel date, at the tail end of peak season and just prior to the rainy season, November-April. Considering that the only way to reach Machu Picchu is via a four-day hike or a train from Cusco to Aguas Calientes (the closest town to the ruins) and the area’s elevation ranges from 8,500 – 11,000 feet, it’s advisable and enjoyable to spend a day or two in Cusco for an altitude adjustment.
A grassy terrace provided an ideal view of the nearly empty site just before sunset. Photo by Eric Williams
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More than Machu Picchu
Palacio Nazarenas
Tourism is a well-oiled machine in Peru – demonstrated by the massive assemblage of taxi drivers and sign toting tour operators just outside the terminal in Lima. Tis is the moment that always makes me hold my breath in anticipation and just a bit of worry. In this instance it was just a split second as I easily spied a smiling man holding a large printed sign with my name on it in a sea of handwritten ones. After exchanging pleasantries, Christian Chang whisked us across the street from the terminal to the Hotel Costa Del Sol Ramada. We convened briefy in the lobby to go over our welcome packet with all of the tickets we’d need over the course of the next eight days before turning in for a very brief rest. Like many airport hotels, this one was spare but clean and comfortable. I wouldn’t want to spend a week here, but it was easy for our early morning fight to Cusco the next day. Even though he’d left us at 2am the night before, Christian was back at the hotel by 6am with our boarding passes in hand to walk us back across the street to the terminal. Prior to takeof, we took his advice and had a cup of mate de coca tea; an
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herbal tea made using leaves of the coca plant and purported to help ward of altitude sickness. Te historic capital of the Inca Empire and a UNESCO World Heritage Site, the southeastern Peruvian city of Cusco receives nearly 2 million visitors each year. We were met outside the tiny airport by Meliton, our contact in Cusco who related points of interest and places we’d be wise to avoid, en route to our hotel, Palacio Nazarenas, the newest member of the Orient Express hotel portfolio in the Peru. Located in a quiet, cobblestone plaza behind Cuzco’s central square, the Plaza de Armas, and next to another Orient Express property, the opulent and lauded Hotel Monasterio, the architecture of Palacio Nazarenas, a former convent and palace, is simple, austere, and elegant. Notifed in advance of our impending arrival, we were greeted at the door by our personal butler who presented me with a bouquet of local flowers and ushered us to our room to complete the check-in process. A foating wall with a fat-panel television mounted on either side separated the living room and bedroom in our Grande Suite.
Indulgent bathrooms at Palacio Nazarenas boast a soaking tub and separate shower with rain shower head and body sprays, under-foor heating and Peruvian travertine marble décor.
A bedroom in the Grande Suite at Palacio Nazarenas.
Te interior design was serene and appropriate to the magnifcently restored building’s humble roots. Hand painted details adorned the vaulted ceiling and plaster walls, while wall niches served as a receptacle for objects that gave a nod to Catholicism. Richly colored textiles comprised the upholstery and accent pillows. Passing through the bedroom furnished with an iron, four-poster bed, there was a large walk-in closet with both silk and terrycloth robes, an even bigger bathroom with fluffy, monogrammed towels, an oversized soaking tub, and separate shower with rain shower head and body sprays, under-foor heating and Peruvian travertine marble décor. Two sets of six-pane windows fanked by blue painted shutters overlooked a central courtyard landscaped with indigenous fowers and kitchen herbs. Te tranquil sound of fowing water emanated from a multitude of fountains as well as a steady stream of water that is pumped through water channels designed to mimic irrigation channels found throughout the Sacred Valley and at Machu Picchu. Though tempted by the complimentary cocktail bar stocked with rum, Peruvian pisco, simple syrup, lemon juice,
egg whites, and recipe cards to whip up signature cocktails, I opted for even more coca tea to accompany a welcome plate of gourmet chocolates in the hope that it would counter an altitudeinduced headache. Enjoying our modifed high tea, we explored destination information pre-loaded on an in-room iPad. Palacio Nazarenas has the unique distinction of laying claim to Cusco’s first outdoor heated swimming pool. Located within the largest of seven cloistered terraces, the pool area, which also includes the Senzo Bar and Restaurant, serves as the social hub of the hotel. While it was a treat sitting poolside at lunch savoring a fresh, colorful salad and surveying the surrounding rooftops and hillsides, our fivecourse dinner later that evening inside the candlelit restaurant was the culinary high water mark of the entire trip. Every detail – from the chilled hollowed-out stone that held butter striped with cocoa and salt to accompany the warm bread service, to each of the colorful, inventive and artfully plated courses so lovely that it (almost) seemed a shame to disturb their composition – was absolute perfection!
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More than Machu Picchu
A religious festival outside the Church of la Compañía de Jesus in Cusco.
Street scene in Aguas Calientes.
Bright and early the next morning (I’d told Noraly at Kensington I’d rather spend my time exploring than sleeping), we were collected at the hotel by Rossio Echarri, our most knowledgeable guide for the day who escorted us on a private, full day tour of Cusco’s cultural, historic, and archaeological points of interest, including the impressive walled complex of Sacsayhuaman, built by the indigenous people of the Killke culture around 1100 AD. It’s hard not to stand in wonderment at the precise ftting of the massive stones (the largest of any building in prehispanic America) comprising the terrace walls. Positioned on a steep hill, the expansive site boasts panoramic views of the city. Strolling the Plaza de Armas, we happened on a religious festival outside the Church of la Compañía de Jesus, during which hundreds of festively costumed dancers swayed in unison to the rhythmic drumbeats. A persistently patient street peddler (there are many), who couldn’t have been more than nine-yearsold, fnally convinced us to buy his wares after he rattled of the names of US presidents (in order) all the way back to Richard Nixon! I came to realize quite quickly one major beneft of a private guide was the ability to stray from the itinerary if an alternate activity piqued our interest, like our impromptu stops to visit several artisans.
On day three we were picked up at 6:30am for the 1.5-hour drive to Ollantaytambo where we boarded the royal blue Hiram Bingham Orient Express for the scenic ride to Aguas Calientes. Te highly polished interior of the train car and the crisp white linen tablecloths certainly seemed at odds with my dressed down hiking attire. There was a convivial atmosphere among the passengers throughout the duration of the journey, and by the time we arrived at the station, everyone had become fast friends. The train station presented a scene reminiscent of the airport in Lima, with people from all walks of life (and levels of personal hygiene) coming and going. Once again, a Kensington Tours sign with my name on it stood out among the chaos. After a short walk through the craft and bric-a-brac vendors encircling the station and picking up some bug spray, at our guide’s request (one of the best pieces of advice we received judging from bug-bitten extremities of many we passed), we joined the queue of those waiting for a bus to Machu Picchu. The 30-min ride gains 2,000 feet of elevation via harrowing switchbacks; when a bus passed in the opposite direction you’d be hard pressed to ft a sheet of paper between them! You can also reach the entrance by foot, taking a strenuous trail that dissects the switchbacks and loosely follows the 1911 route of Hiram Bingham.
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Hotel Sumaq is the only fve-star hotel in Aguas Calientes, the town closest to Machu Picchu.
Passing through the entry and into the complex was an amazing moment, only slightly marred by the feeling I was at Disneyworld because of the huge crowds and the multitude of languages being spoken. Sensing my slight disappointment, our guide told me, after our tour, he’d show us the perfect vantage point and if I’d wait until just before closing, I’d get to experience the view as it’s portrayed in countless books and magazines. One thing to keep in mind is there are no explanatory signs, which reduces visual clutter, but those without a guide are left looking at a lot of expertly engineered rock structures with no idea of their function or significance (I noted more than one group who expressed frustration at this trip planning misstep). For a primer, visit the small Museo de Sitio Manuel Chávez Ballón, located at the end of a long dirt road near ruins detailing the history, culture, and rediscovery of the site. We peppered our guide with questions during our twohour tour, after which we adjourned for a late lunch at the Tinkuy Buffet Restaurant in Machu Picchu Sanctuary Lodge, located just outside the ticket booth. The only other choice for those who don’t opt for the bufet is an expectedly overpriced concession stand, as outside food and drinks aren’t permitted (though we had no problem bringing in bottled water). Following lunch we took the trail-less-traveled to
the Inca Bridge – a relatively easy hike that culminates at an impressive piece of architecture – a stone path cut into a clif face that is partially built up by a tower of stones. Te 20-foot gap in the path – with a nearly 2,000-foot drop in-between – was designed to be bridged by tree trunks that could easily be removed to stop intruders. After exploring every nook and cranny to our satisfaction, we sought out the spot recommended by our guide: a grassy terrace above the ruins and patiently waited, watching the interplay of light and shadow on the ancient stone structures. Just before sunset, the crowds dissipated and there it was – the magical moment I’d traveled so far to experience. Enveloped by towering, verdant mountains whose jagged peaks snag cotton-candy clouds, the town of Aguas Calientes caters to the throngs of visitors with a host of lodging and dining options at all levels of quality and service. Hotel Sumaq, positioned near the boulder-strewn banks of the Vilcanota River, has the distinction of being the only fve-star hotel in the small town. Committed to sustainable tourism, the property immerses guests in the local culture through its architecture and interior design, cuisine, and authentic custom-designed experiences. A coca sour in the Suquy Café Bar proved to be a good tonic for our aching muscles, as was the hearty Peruvian-
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More than Machu Picchu
Each of the 21 suites and two villas spread over 2.5 lushly landscaped acres at Hotel Rio Sagrado by Orient Express are oriented to overlook the Urubamba River.
style dinner with heavy American influence orchestrated by chef Rafael Piqueras. The sound of the river rushing over the boulders just outside our window provided a wonderful soundtrack for a peaceful night’s sleep. We’d turned in our bus tickets to Machu Picchu the night before and two staf members from Hotel Sumaq waited in line for us at the bus stop at 5:30am so we wouldn’t have to. An hour later, the bus stopped in front of the hotel, the staf members hopped of, and we took their seats. Among the frst to arrive, we headed to the trailhead for Wayna Picchu – the prominent peak seen behind the ruins in most photographs. Planning ahead for this experience is essential as only 400 people are given tickets to attempt the ascent each day. Dually strenuous and exhilarating, hiking shoes and stamina are a must, but the bird’s eye view of the ruins and the chance to stand at the edge of a several thousand foot drop, are well worth it. After summiting and catching your breath, I’d advise taking the much less traveled trail to the Temple of the Moon, located a few thousand feet below the peak, where a ceremonial shrine with niches, purportedly used to hold mummies, has been built into a large cavern. Following the return train to Ollantaytambo, we bedded down at Hotel Rio Sagrado by Orient Express. Ideally located
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between Cusco and Machu Picchu, each of the 21 suites and two villas, spread over 2.5 lushly landscaped acres, have riverfront views of the mighty Urubamba. The property’s riverfront orientation makes it appear rather non-descript from the street side, especially for those arriving after dark, as we did. Rooms are best described as rustic contemporary, pared down to white walls with vaulted lashed-beam ceilings. An orange velvet upholstered headboard and local textile bedspread enlivened the décor. Doors led to a private terrace. Te chic bath included a two-person rain shower with a rear glass wall to savor the river and mountain views. Recycling bins and toiletries, in large bottles, help reduce and reuse waste. We rewarded ourselves for another day of hiking by seizing on a last minute cancellation and indulging in a couples massage at Mayu Wilka, the onsite spa. Relaxed and hungry we took a short walk along a Jasmine-scented walkway to El Huerto, the hotel restaurant. Tis area of the country is known for a wide variety of high-altitude potatoes of all shapes and sizes as well as 40 diferent kinds of corn, and a variety of indigenous ingredients, including four local trout options, played heavily into the menu. Since we’d arrived at night, the next morning we were awed by the sunrise view of the river and mountains, whose scrubby brown/green vegetation were in stark contrast to the
Te Maras salt mines.
A Paso horse show accompanied lunch at Wayra Ranch.
lush tropical environs in which we’d found ourselves just a day earlier. After breakfast we were reunited with Rossio, our guide in Cusco, for a full day of exploring the Sacred Valley. Our frst stop was Inca Pisac, an impressive and expansive set of hillside ruins that encompass military, religious, and agricultural structures. Clear societal and functional delineations, evidenced in the layout and styles of architecture, provide a comprehensive overview of daily Inca life. Pisac is considered the regional center of artisan silver jewelry production, and in the colorful, bustling market, Rossio steered us to the most reputable artisans (should you be so inclined a two-hour hike leads from the aforementioned ruins to the market). An abundant al fresco lunch of grilled meats, empanadas, and the like served family style at Wayra Ranch was accompanied by the thundering hooves of Paso horses who “danced” to the rhythm of ‘la merinera’, the national dance of Peru, in unison under the direction of their Peruvian caballeros. Te exhibition culminated in a beautiful duet between one of the riders and a lovely senorita. A long trip down a dusty dirt road led to the Maras salt ponds, operated communally by local villagers since pre-Inca times. Te intricate mosaic of several hundred collecting pools, terrace down
the hillside along with a carefully controlled fow of water from a nearby natural salty spring. As water evaporates from, the salt crystals form on the inner surfaces of the pond’s wall and foor. When water fow is shut of, the pond goes dry, the salt is harvested, and the process repeats itself. The most amazing spectacle is observing men of small stature hauling bags of salt weighing in excess of 100 pounds up the hillside, balancing on pond sidewalls so narrow I had trouble staying upright unencumbered! As we headed to the day’s fnal destination, the Moray Incan Ruins – a series of enormous concentric terraced circular depressions, the largest of which is 98 ft deep, creating a temperature diference of as much as 27 degrees from top to bottom – our driver took a number of “shortcuts” on dirt paths through miniscule towns way off the tourist grid. Children in school uniforms herding sheep, sleeping babies wrapped in slings while their mother’s tended to the felds, and a man with a time worn face taking an afternoon siesta in the doorway of his adobe home – these moments of exploration provided a memorable glimpse of a robust culture whose daily lives are so diferent from my own. sl Sources Kensington Tours, kensingtontours.com, 888.903.2001; Palacio Nazarenas, palacionazarenas. com; Hiram Bingham Train, perurail.com; Hotel Sumaq, machupicchuhotels-sumaq.com; Hotel Rio Sagrado, riosagrado.com; Wayra Ranch, wayrasacredvalley.com
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Of Note... Wood You
Farah mirror from Made Goods (madegoods.com).
Guaranteed for life, each limited edition ecocollection canoe from Merrimack Canoe is built from scratch by Randy Pew and Scott Hale in Crossville, TN using the perfect combination of traditional design, superb woodworking, and modern hull materials. Te canoes start at $3,100 (merrimackcanoes.com).
Bridewell Vanity from Currey & Company (curreycodealers.com).
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Te Voranado Lounge Chair, shown in Ambella Home Collection’s new handbrushed, burnished gold leaf fnish, ofers a contemporary take on mid-century modern classic style (ambellahome.com).
Shown in maple, Desk #2 and Chair #4 are hand-crafted to order by Long Island-based artisan Nico Yektai (nicoyektai.com).
Jarrod carved wood pendant lamp from Arteriors Home (arteriorshome.com).
Te solid walnut Cabinet Du Cap by Bill Sofeld for McGuire features hand-applied paper sheets of coconut shell on the double doors (mcguirefurniture.com).
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Rugged and Refined Te All-New Range Rover Written by Bridget Williams
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Pomp and pageantry heralded in the worldwide debut of the AllNew Range Rover during a star-studded launch party held at Te Royal Ballet School in London this past September, followed by a world tour of special events including reveals in Paris and Los Angeles and a unique partnership with the American icon, Airstream. Lean and green(er), the fourth generation of the iconic Range Rover is the world’s first SUV with a lightweight, all-aluminium body produced in a new, state-of-the-art, lowenergy manufacturing facility at Solihull, UK. With over £370 million invested by Land Rover, they have created the world’s largest aluminum body shop.
“Launching the All-New Range Rover represents a major milestone for Land Rover, being the first exciting output from an unprecedented investment in premium vehicle technologies,” said John Edwards, Land Rover Global Brand Director. “The new Range Rover preserves the essential, unique character of the vehicle – that special blend of luxury, performance and unmatched, all-terrain capability. However, its clean sheet design and revolutionar y, lightweight construction have enabled us to transform the experience for luxury vehicle customers with a step change in comfort, refinement, and handling.”
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Still instantly identifiable as a Range Rover, the newest incarnation boasts a smoother and more streamlined profle. Te 15-foot long car has nearly fve additional inches of legroom than the outgoing model. “When we were developing the new Range Rover, we had a duty to protect that DNA while at the same we needed to be bold in moving it forward for a new generation.” said Land Rover Design Director & Chief Creative Officer, Gerry McGovern. Among the industry-leading innovations is the nextgeneration version of Land Rover’s Terrain Response System, which analyses the current driving conditions and automatically selects the most suitable vehicle settings. An all-new, state-ofthe-art, lightweight suspension architecture delivers class-leading wheel travel while providing exceptional wheel articulation and composure to deal with the toughest conditions. Traction and dynamic stability is provided by the proven Range Rover full-time, intelligent 4WD system, with a two-speed transfer box working in parallel with the sophisticated, electronic traction control systems. Other performance enhancing technologies that add to the driving experience while improving safety include: electric 50 slmag.net
power assisted steering enables park assist, intelligent emergency braking, blind spot monitoring with new closing vehicle sensing, reverse traffic detection warms drivers of potential collisions during reversing maneuvers, and a surround camera system. The line-up features an Autobiography 4.4-litre SDV8, Vogue 3.0-litre TDV6 and two Autobiography models powered by the 5.0-litre LR-V8 supercharged gas engine, both paired with a smooth and responsive eight-speed automatic transmission. Weight savings throughout the chassis and driveline helps the 510PS LR-V8 supercharged model to accelerate from 0-60mph in just 5.1 seconds, a reduction of 0.8 seconds over the outgoing model. At the same time, fuel consumption has been cut by 9 percent. Te new Range Rover’s environmental credentials will be further enhanced by the introduction of a state-of-the-art, high-efciency, diesel hybrid model later in 2013. True to the Range Rover DNA, the new model features the unique Command Driving Position, placing the driver in an elevated, upright seating position – typically over 3.5 inches higher than other premium SUVs – to provide a supreme sense of confdence and control.
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Te new Range Rover’s unmatched breadth of capability is also refected in its tremendously strong structure with enhanced body geometry for: all-terrain conditions, wading depth (which has improved by 200mm to 900mm), and its position as the best towing vehicle in its class with a 3,500kg trailer capability. To ensure exceptional durability and reliability, the new Range Rover was subjected to Land Rover’s punishing on-and off-road test and development regime, with a fleet of development vehicles covering countless thousands of miles over 18 months of arduous tests in over 20 countries with extremes of climate and road surfaces. Land Rover teamed up with Airstream to take part in the ultimate road-trip to one of the highest points in Africa. With an Airstream 684 Series 2 aluminum travel trailer hitched to its electrically-deployable tow bar, a Range Rover Autobiography with a 339PS SDV8 engine drove from Airstream’s European home in the English Lake District, to the top of the Atlas Mountains in Morocco - and back. Often on the move for more than 12 hours a day on every type of road and driving
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condition imaginable, the Rover rose to the challenge of towing the two and a half ton Airstream 3,676 miles in just 11 days. “Half way through Spain, we encountered horrendous side winds, the type that sees articulated trucks tipped onto their side, but the Range Rover’s Trailer Stability Assist meant any sway in the trailer was dealt with before it ever started”, said Ben Samuelson, whose frm Samuelson Wylie Associates planned and executed the trip. Te luxurious interior has a modern and pure character, incorporating distinctive Range Rover design cues, but with a fresh and very contemporary treatment. Te cabin's strong, architectural forms are emphasized by extremely clean and elegant surfaces executed using the fnest leathers and veneers. Te interior is packed with a full suite of premium features to provide both front and rear seat passengers with the same peerless luxury experience. Notable amenities include power upper and lower tailgates, cooler compartments, an exclusive Meridian surround sound music system, a full digital instrument cluster, a central eight-inch touch-screen with
Dual-View functionality, seamless connectivity package for mobile devices, upgraded seating with multi-mode massage, the exclusive new Executive Class rear seating package, and the latest LED illumination for subtle and sophisticated ambient lighting, including the ability to change the color scheme to suit the driver’s mood. Those who order an All-New Range Rover have the option of purchasing an exclusive multimedia handover experience that takes place at Land Rover’s Solihull factory in a dedicated building that evokes the look and feel of a highquality boutique hotel. Mark Cameron, Jaguar Land Rover Global Brand Experience Director - Land Rover, explained: “This facility has been designed to provide customers with the opportunity to come into direct contact with our brand. It offers an intimate setting while delivering bespoke and premium experiences using the latest technologies to ofer the very highest levels of customer service.” After being greeted by a personal concierge, guests will be ushered through a series of experiences culminating
by stepping into a dedicated room where their new Range Rover will be spectacularly unveiled using cutting-edge 3D projection technology that silhouettes the build of the car over the customer’s vehicle. Dramatic lighting and Meridian audio sound is added to the mix to create a full sensory experience. Following the reveal, customers will have the option of a factory tour and be able to drive at the Land Rover Experience of-road driving center. John Edwards, Land Rover Global Brand Director said: “This is a vehicle that will take us to the next level of success. Range Rover is our flagship and a true British success story; designed, engineered, and built in Britain. Its distinctive design, breadth of capability, and class-leading refnement and comfort has always made it unique. When we asked our customers what they wanted us to change, they told us ‘don’t change it, just make it better’. We set out to create not just the world’s fnest luxury SUV, but the world’s fnest luxury vehicle.” The 2013 All-New Range Rover is priced from $83,545 (landrover.com/us/en). sl
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Places in Paint
Written by Bridget Williams
A new book ofers a retrospective of Peter Williams’ 50-year career
The Bluegrass of Kentucky is a long way from artist Peter Williams’ Kiwi roots. Throughout the journey from New Zealand to his adopted hometown of more than 20 years, the plein air painter has captured polo, fox hunting, steeplechasing, thoroughbred, and even camel racing in various locales around the globe. He is a versatile artist who paints flower gardens, vintage automobiles, nudes, cityscapes, rodeos, and nautical scenes with equal enthusiasm. Always oil painting from life makes Williams unique in his ability. He believes spontaneity and freshness bring poetry to art, a quality lost when painting from photographs. He paints quickly with a sure hand and deft brush strokes – all the while
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conversing with the ever-present gaggle of bystanders looking over his shoulder, who soon learn his wit is as expeditious as his hand. Te passion he maintains for his craft is infectious, even inspiring his own children to attend art school and later paint scenes from life alongside their father. A chance meeting with New York gallery owner Richard Stone Reeves, who specialized in equine art, led to Williams being commissioned to paint racing scenes; a successful collaboration that lasted fve years. At the outset of this enterprise, Williams expected he would cross paths with many artists who, like him, painted only from life. However, over the past 50 years he can recall meeting only two. His trackside ubiety and outgoing
personality has led him to become known as the unofcial artistin-residence for both Keeneland and Churchill Downs. In Peter Williams Retrospective: Paintings and People Dear to Me, edited by Fran Taylor and designed by Suzanne Dornman, snapshots of dignitaries and friends (most with paintbrush in hand “enhancing” the artwork-in-progress) share the spotlight with the rich variety of paintings. From presidents to queens, jockeys to movie stars, dear friends and family – all get a quip or quote from Mr. Williams. Make no mistake, however, it is an art book and the paintings, over 160 of them, ofer a true artist’s view of the world. If you are lucky enough to catch him at a signing, he may draw a little sketch as he personalizes your book. He will be in
the Lexington and Louisville, Kentucky areas through the spring racing season – with Keeneland and Churchill Downs already lining up signings for the big race days during their meets. He will also be arranging a U.S. exhibit for later in 2013 to ofer a group of his personal collection of paintings for public sale. “After a while, you realize that you can’t take them with you and you bloody well aren’t going to live forever!” he says with a twinkle in his eye. Don’t bet on this Kiwi to be cashing in his chips any time soon -- he’s having too much fun! Published by West High LLC, Peter Williams Retrospective: Paintings and People Dear to Me is available for purchase at peterwilliamsart.net. sl
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Best Foot Forward
. e l y t s g in r p o s t n i g n i March drew Kung
Photography by An
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(Page 56) Annette Gortz 18 Dots Dress and Graph Pant (annettegoertz.com). Attilio Giusti Leombruni ballet fat (attiliogiustileombruni.com). Hublot ‘Big Bang Tutti Fruitti Caviar’ 41mm wristwatch (hublot.com). (Page 57) Lef, ‘Emery’ Hat by Christine A. Moore Millinery from the Keeneland Gif Shop. ALC ‘Howell’ top and stretch leather pant (Alcltd.com). Chan Luu necklace (chanluu.com). Rolex Lady Datejust in yellow gold from Shelia Bayes Fine Jewelers. Claudia Ciuti ‘CCal Freda’ pump (claudiaciuti.com). Right, Christine A. Moore Millinery ‘Malorie’ fascinator and Eric Javits croc clutch from the Keeneland Gif Shop. La Roque dress in Pink Carousel print and Jack Rogers ‘Claire’ rope wedge sandals from Monkee’s of Lexington. (Page 58) Bibhu Mohapatra spring 2013 beaded gown from Glasscock (glasscockinc.com). Valentino Bridal Crystal-Coated Satin Platform Pumps from Saks Fifth Avenue. (Page 59) Nicole Miller foral sequin gown from Bella Rose. Zambian emerald and diamond earrings in 18K white gold from Seng Jewelers. ‘Plume de Paon’ emerald and diamond necklace from Boucheron (boucheron.com). (Page 60) David Yurman sunglasses from John G. Roche Opticians. VPL ‘Pectoraus’ dress (vplnyc.com). 18k gold and diamond ‘Cristina’ band by Erica Courtney (ericacourtney.com). Gumuchian ‘Gallop’ bangle in 18KT pink gold and pave diamonds (gumuchian.com) (Page 61) Lef, Vince blazer, BCBG ‘Nikko’ top, 7 for all Mankind ‘Te Skinny’ foral jean and Saint Laurent ‘Y Clutch’ in blue leather, all from Saks Fifh Avenue. Attilio Giusti Leombruni ballet fat. Right, Chanel optical from John G. Roche Opticians. Elva Fields necklace from AJ’s Boutique. Teory ‘Tivona Rokel’ blazer, Alice + Olivia Dot sleeveless shif and Saint Laurent ‘Petit Cabas Y’ in yellow leather, all from Saks Fifh Avenue. Cartier ‘Baignoire’ watch, mini model (cartier. us). Stuart Weitzman ‘Platswoon’ pumps from Monkee’s of Lexington. (Page 62) RAOUL dress from Rodes for Her and 14 Districts (shop14districts.com). (Page 63) Marks + James Tweed ftted jacket and skirt from Bella Rose. Stuart Weitzman ‘Platswoon’ pumps from Monkee’s of Lexington. (Page 64) Lef, Oliver Peoples sunglasses from John G. Roche Opticians. ‘Crimson Couture’ white topaz, carnelian, diamond and 18K rose gold earrings from Doves Jewelry (dovesjewelry.com). Nanette Lepore Sandstorm jumper and duster coat from AJ’s Boutique. Seng Jewelers-made diamond pave horse head brooch/pendant in platinum and 18K gold. Claudia Ciutti ‘CCall Freda’ pump. Right, Ali-Ro ‘Alice Bloom’ dress and Stuart Weitzman ‘Platswoon’ pumps from Monkee’s of Lexington. Dior VIII Baguette 35mm watch (dior.com). (Page 65) Bibhu Mohapatra Spring 2013 peplum dress from Glasscock. Valentino ‘Noir Rockstud’ slingbacks from Saks Fifh Avenue. David Yurman ‘Midnight Melange’ stackable bangles from Corbett-Frame Jewelers.
Photography: Andrew Kung Stylist: Catherine Jones Hair & Makeup: Nick Carter Models: Anna Hurst, Sarah Mattingly SOURCES AJ’s Botique, 867 East High St., Lexington, KY; 859.253.1798; ajsclothing.com Bella Rose, 126 West Maxwell St., Lexington, KY; 859.255.2565; bellarosestyle.com Corbett-Frame Jewelers, 369 West Vine St., Lexington, KY; 859.254.1963; Corbett-frame.com John G. Roche Opticians, 2560 Bypass Road #1, Winchester, KY; 859.745.1400; johnsglasses.com Keeneland Gif Shop, 4201 Versailles Road, Lexington, KY; 866.477.4339; keeneland.stores.truition.com Monkee’s of Lexington, 116 Clay Avenue, Lexington, KY; 859.253.0427; monkeesofexington.com Rodes for Her – 4938 Brownsboro Road, Louisville, KY; 502.753.7633; rodes.com Saks Fifh Avenue, 101 West 5th Street, Cincinnati, OH; 513.421.6800; saksffhavenue.com Shelia Bayes Fine Jewelers, 410 West Vine St., Lexington, KY; 859.225.4043; sheliabayes.com Seng Jewelers, 453 Fourth St., Louisville, KY; 502.585.5109; sengjewelers.com
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Pied-à-terre beyond compare Written by Bridget Williams Photography by Andrew Kung
Continental, curious and collected, Tomas Birkman’s freewheeling interior design is comme il faut for a self-professed designophile Given a little pocket change for doing assigned chores and the choice of what to do with it, most children would squander the stash on candy or trinkets. A rare few would squirrel it away for future use, and even rarer still would be a child like Pam Whitt, who’d walk to the local Piggly Wiggly and use her allowance to buy the latest copy of Architectural Digest. “I’ve always been a closet decorator,” she said. As president of her family’s salvage and rail service business located near Ashland, Whitt fnds herself in Lexington on a regular basis to meet with clients or watch a game at the University of Kentucky. To ease the burden of frequent travel, she purchased a one-bedroom pied-à-terre in an enclave of contemporary condominiums just a stone’s throw from Rupp Arena. A bit of serendipity was at play when she stopped into the Circa Home showroom looking for a sofa and instead found a kindred design spirit in Thomas Birkman. “The way his vignettes were laid out really resonated with me,” Whitt explained. The “stem-to-stern” design project ranks among Birkman’s most memorable, due in part to Whitt’s willingness to think outside the box. Projecting the aura of an eclectic, well-traveled collector versus a color-bynumbers decorator, the compact unit is a treasure trove of furniture and accessories than spans both eras and continents. “It’s a fun menagerie of a little bit of everything,” remarked Birkman. He went on to explain that the clean lines of the architecture meant that the interior design didn’t have to be relegated to a singular style.
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An ornately carved front door, crafted by Roger Daines of Auburn, Alabama, opens to the doubleheight living area, a single open space comprised of a kitchen, dining area and two distinct seating areas.
A monochromatic color scheme in the bedroom unites varied patterns found on the bedding and Schumacher drapery.
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In the living room, a lounge chair with Jim Tompson silk upholstery is positioned in front of a Continental chest with a marble top.
Mid-century and chinoiserie infuences are palpable to varying degrees throughout each room. A plethora of foor-to-ceiling windows on the frst floor flood the combination living room and kitchen with natural light, a major selling point for Whitt. Just inside the front door, a Hallings secretary from Hickory Chair evokes the chic style of 1940s French design. Te room is rich with pattern and texture, ranging from subtle grey velvet upholstery on the tufted sofa to a lively lemon-lime Jim Tompson silk fabric with stylized feur de lis on a lounge chair positioned in front of a Continental mahogany chest of drawers with a marble top. Pushing the design accelerator full-bore left Birkman in a less familiar position of having to tap on the breaks now and then. Take the mélange of taxidermy that looks across the galley-style kitchen for example: the four trophies on display are part of a larger collection owned by Whitt that made the cut. “I have some decorated with fowers and necklaces that didn’t pass muster,” Whitt laughed, adding that Birkman was adept at listening to her ideas, editing them and making them better in the end. Adjacent to the kitchen island, a petite dining area comprised of a KnollStudio Tulip table and a settee from Hickory Chair upholstered in a Tree of Life pattern from Schumacher is illuminated by a seven-light iron beaded chandelier from Arteriors Home. An assemblage of whimsical Chinese zodiac anthropomorphic fgurines populate a French parcel-gilt console table centered with a decorative slatted wood divider defning the staircase that leads up to the second foor and down to the basement. Birkman added visual depth and unity to the narrow space by running “Woods” wallpaper from Cole & Son on all three levels. 68 slmag.net
An assemblage of whimsical Chinese zodiac anthropomorphic fgurines populate a French parcel-gilt console table centered with a decorative slatted wood divider defning the staircase. Birkman added visual depth and unity to the narrow space by running “Woods� wallpaper from Cole & Son on all three levels.
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Te Hallings secretary from Hickory Chair provides valuable storage and display space. Te beaded iron chandelier is from Arteriors Home.
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Birkman had the homeowner’s existing mahogany four-poster bed fnished with a lacquered paint treatment to match the trim. Iridescent grasscloth wallcovering and a mirrored wall behind the bed were chosen to add an enhanced feeling of space to the compact bedroom. Legacy Home bed linens and Schumacher drapery. drapery.
An Olli Studio day bed and Ralph Lauren leather side table in a windowed nook create a cozy space at the end of the second foor hallway.
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A petite dining area is comprised of a KnollStudio Tulip table and a settee from Hickory Chair upholstered in a Tree of Life pattern from Schumacher.
Birkman transformed “a dead-end corner” at the top of the stairs into what he calls a “grown-up version of a pillow fort” by placing an Olli Studio day bed and Ralph Lauren leather side table in the windowed nook and then adding damask drapery by David Hicks enabling the space to be entirely closed of. One of the home’s only prerequisites – a large, ornately carved mahogany four-poster bed from Baker – was given a modern makeover with a lacquered paint treatment to match the trim. Iridescent grasscloth wallcovering and a mirrored wall behind the bed were chosen to add an enhanced feeling of space to the compact bedroom. Te monochromatic color scheme serves to unite a wide variety of patterns present on the bedding and drapery. In less skilled hands the resulting assemblage could have veered toward the garish, but in this case all of the elements co-exist in stylish harmony. Opting for a big reveal rather than stopping by to check on progress throughout the installation, Whitt’s tear-jerking response upon entering was something Birkman will not soon forget. “Never in my 15 years in the business have I had such a positive reaction where the client actually shed tears of joy,” he said. Te display of emotion was well warranted according to Whitt, who described the fnished project as the culmination of a dream. sl
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MAISON & OBJET For the international design community, all roads lead to Paris for this biannual trade show Written by Bridget Williams
Te Il Laboratorio dell'imperfetto stand in Hall 7, Scènes d'intérieur (imperfettolab.com).
Held twice a year in Paris, the Maison & Objet exhibition draws an international crowd of the who’s who in the interior design community. Te most recent event, which took place from January 18-22nd, featured six exhibits–distinct to-thetrade shows–spread out over nine halls of the Paris-Nord Villepinte Exhibition Centre. With its unique focus, scènes d’intérieur served as the international meeting place for high-end interior design professionals. In this hall, a total of 225 exhibitors used bold and often avant-garde interior design innovations to stand out among collections of the most prestigious manufacturers and houses– some have been in business for centuries. Encompassing everything from arts and crafts, to furniture, to accessories and fabrics, the constellation of exhibitors also included some of the greatest names in fashion: Fendi Casa, Roberto Cavalli, Etro Home, and Rick Owens to name a few. Ralph Lauren Home, which does not take part in any other trade show in the world, chose Maison & Objet to mark its 30th anniversary; Rosita Missoni was on hand to support the launch of the latest Missoni Home collection. Famed Parisian lingerie designer, Chantal Thomass, partnered with ceramics manufacturer, Rometti, to produce a collection evoking her glamorous imagination, made up of 76 slmag.net
A display by Armani Casa in Hall 7, Scènes d'intérieur (armanicasa.com).
ribbons, bows, braid, lace, and guipures. In the same spirit of collaboration, Daum unveiled a new glass collection by Japanese fashion designer Manae Mori, while La Cristallerie Val Saint Lambert presented a collection signed by Studio Job, an awardwinning design studio based in Antwerp. Baccarat has long understood the benefts of collaborating with designers, showcasing pieces by Spanish architect and designer Patricia Urquiola. Christofe featured a new collection of silver plated fatware by Marcel Wanders, co-founder and art director of the successful design label Moooi, as well as a line of accessories rendered in precious metals by French designer Ora-Ïto, returning to the themes of his previous designs for the brand. Porcelain manufacturer Bernardaud celebrated its 150th year in design by launching a series of pieces executed in collaboration with contemporary artists such as Sophie Calle, David Lynch, and Jef Koons. Among the many design luminaries featured at scènes d’intérieur were a number of smaller frms who used the show as a springboard to showcase their expert combination of high-quality materials, innovation, and creativity. Londonbased Sè, which exhibited at the trade show for the frst time, embodied the ambition for excellence with furniture created by Spanish designer Jaime Hayon.
Jolipa stand in Hall 5A (jolipa.com).
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Ralph Lauren Home used their display at MAISON & OBJET to mark the company's 30th anniversary (ralphlaurenhome.com).
A display by JLC in Hall 4 Interior deco références.
Bagatelle dinnerware from Gien France (gien.com).
Te seven-foot-tall Eifel Tower by Qui est Paul displayed at the now! design à vivre segment is available in 17 colors (qui-est-paul.com).
Craftsmanship of the highest order was found among the artisan stands of: Sylvie Guyomard, who presented her subtle marquetry in slate and metal; Marie-France De Crecy, whose elegant embroideries were reminiscent of hautecouture; poetic blown-glass by Pascale Riberolles; and fabrics and accessories of Refejos De Mi Tierra, which refected the expertise of Argentine craftspeople. In its 10th year, the Maison & Objet éditeurs trade show brought together the most representative roundup of players from the high-end manufacturers of wall coverings, wallpaper, paint, brocades, and rugs. A recurring theme among many of the exhibitors in the segment was the close link between fashion and interior design. Designers Guild, for example, presented collections for Ralph Lauren and Christian Lacroix, while Fornasetti was in the spotlight at Cole & Son. Te colorimeters were ‘of the scale’ for collections from Lori Piana, the Robert Allen Group, Farrow, and Ball and Romo. 78 slmag.net
Also present, as strong focus, was the influence of historic fabrics on new collections. Not simply a reissue of old motifs, designers reinterpreted classic patterns and colors to interact with the contemporary imagination and art of living. Ian Sanderson offered a collection inspired by 1930s fabrics, while Toiles De Jouy launched an outdoor fabric imbued with a famous 18th century motif. Te dual aspect of retro futurism was a creative movement found in the collections of Kenzo for Delorme, John Robshaw, and Linum, among others. Te frst aspect celebrates the past through vintage geometric patterns, as well as tartan, stripes, and checks. Washed-out efects and faded colors, as well as a focus on lace, embroidery, pleats, and over-stitching emphasized this nostalgia. Te second movement is more forward-looking, with choices of fnishes and glossy efects evoking the future. Hall eight held now! design à vivre segment, in which leading industrialists and fashion houses mingled with
A stand in Hall 7, éditeurs.
designers who came to present their work, from furniture to objects, either as part of a consortia or independently. Attracting specifiers and buyers from department stores, specialty boutiques, concept stores, and multi-brand furniture distributors; now! design à vivre has become a vital outlet for the emergence of new designers, collections, and a place to gauge trends. Talent and expertise went hand-in-hand at Craft, the arts and crafts area, which presented a selection of 180 craftspeople and designers who embody a form of expression that is perpetually reinvented, reflecting strong and powerful imaginations. Each stand in the sector was an encounter with a work, an expertise, a journey, and an exceptional personality. Côte Déco contained four sectors ofering an exhaustive overview of prevailing trends in interior design, ranging from furniture to the smallest accessories. One segment of the sector is most noted for amassing a contemporary collection
of furniture, lighting, rugs, accessories, and decorative objects unrivalled anywhere in the world. Home accessories are Maison & Objet’s core products and a major trend at the 2013 event was the evolution of a new niche market – the masculine art of living. A total of 35 exhibitors presented a collection of decorative objects, unusual gifts, wellbeing products, and fashion accessories as an objective response to the modern man’s search for elegance. Featuring an increasing number of creative and responsible exhibitors, Maison & Objet launched a “Fil Vert” (Green Theme) pathway in 2010 to better identify those exhibitors taking a sustainable development approach. In 2013, organizers chose to highlight: CO2-free paints from Fernob, candles made from frying oil by Nahan, We Are Nothing’s handbags fashioned from old fre hoses, Marron Rouge’s seat-belt poufes, wooden radios by Fine Ecodesign, and Cocomosaic, who creates walls and upholstery from coconut. sl
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at the
Woodford Hounds Hunt Ball Saturday, March 16 – 6:30 til ? Embassy Suites Lexington Reservations: happyrasper @gmail.com or 859-229-2498 Tickets: $85/person Patrons’ Tables for 10: $1200 Patrons’ Tables for 8: $1000
Evening Dress Cocktails, Dinner and Dancing to the Music of Superfecta Live and Silent Auction featuring over 100 items
Please join us to celebrate the permanent conservation of over 18,000 acres of one of the most beautiful places on earth. Bluegrass Conservancy 13th Annual Farmland Conservation Celebration and Auction Fasig-Tipton Thursday, April 18, 2013 5:30pm Cocktail buffet & open bar Some featured auction items: King Ranch Birding Trip Dream and feel the Old West while staying in a picturesque ranch house on the Norias division, Texas.
Longwood Antique Woods Potting Shed Your very own shed constructed from antique salvaged wood from throughout the Bluegrass Region of Kentucky.
Aspen Ski Week Spend seven days in one of Aspen’s most iconic historic cabins overlooking Castle Creek, Aspen Highlands Peak and Buttermilk-Tiehack.
And much more!
Reserve your tickets at bluegrassconservancy.org
Founded in 1995, Bluegrass Conservancy is the region’s only private, nonprofit land trust working to protect the inner Bluegrass Region of Kentucky through land conservation for future generations. We encourage the preservation of these lands through the use of conservation easements for agricultural viability, natural habitat, rural heritage, and scenic open space.
859.255.4552 | 380 South Mill Street | Suite 205 | Lexington, KY 40508
March 1 1-3 2 6-24 7 8-10 9 15-17 16 22-24 30
Society
Beethoven + eighth blackbird, Lexington Philharmonic Orchestra, 7:30pm; finearts.uky.edu Kentucky Crafted: The Market, 9am-6pm, Heritage Hall; lexingtoncenter.com Color Me Rad 5K, University of Kentucky; colormerad.com USPA Piaget Gold Cup-26 Goal Polo Tournament, Intl. Polo Club Palm Beach, internationalpoloclub.com Preview Gala for the BGT Antiques & Garden Show, Alltech Arena; bgtantiquesandgardenshow.org Blue Grass Trust Antiques & Garden Show, Alltech Arena; bgtantiquesandgardenshow.org Amelia Island Concours d’Elegance; ameliaconcours.org Run for the Hill 5K, keeneland; cardinalhill.org MSEDA Gala 2013, 5:30pm, Spindletop Hall; mseda.org Broadway Live presents The Addams Family; lexingtonoperahouse.com Lexington Woman’s Club Bids for Kids, 10am, Embassy Suites Woodford Hounds Hunt Ball, 6pm, Embassy Suites 10th Annual Charleston Antiques Show, Memminger Auditorium; historiccharleston.org The Bluegrass Half Marathon, 8am, Keeneland; runthebluegrass.org
April 4-7 5-26 6 12 13 18 18-19 19 19-21 25-28 26-27 27
May 2
Central Kentucky Home, Garden & Flower Show; lexingtoncenter.com Keeneland Spring Meet; keeneland.com Spring Bay Horse Trials; kyhorsepark.com Burning Stick Foundation Stroke VI, Fasig-Tipton; burningfoundation.org The 48th Annual Atlanta Steeplechase; atlantasteeplechase.org 13th Annual Farmland Conservation Benefit Auction, Fasig-Tipton, 5:30pm; bluegrassconservancy.org L.V. Harkness & Co Restoration Event with Cincinnati Plating & Repair; lvharkness.com It’s My Derby, presented by the KY Derby Museum, Fasig-Tipton; derbymuseum.org Relay for Life, 7pm, Johnson Center; http://main.acsevents.org Broadway Live presents Dreamgirls; lexingtonoperahouse.com Rolex Kentucky Three-Day Event; rk3de.org Kentucky Reining Cup, Alltech Arena at the KY Horse Park; kentuckyreining.com The Queen’s Cup Steeplechase, Mineral Springs, NC; queenscup.org
8th Annual Kentucky Bluegrass Wine Auction & Derby Gala, Donamire Farm; lexingtonfoundation.org
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PEGASUS AWARDS
Te United States Equestrian Federation Pegasus Awards are a celebration of individuals who have made a unique impact on the horse world. Presented this year in Louisville at the USEF Annual Meeting Gala, the diverse awards give each recipient the distinctive honor of being one of the best in their field. Among the award winners was Rich Fellers, the frst American in 25 years to win the Rolex/FEI World Cup Final and the highest placing U.S. Equestrian at the London 2012 Olympic Games, who was named USEF Equestrian of the Year. Horses Flexible and Jersey Boy were named 2012 USEF International Horse of the Year and USEF National Horse of the year respectively.
Jim Woodford, Chris Knox, Jim Wolf
Dan Rattner, Martha Murdock
Scott Carling, Jim Wolf, Lori & Townes Rawls
Jess Mitchell, Crystal Taylor, Tierney Hassell
Karen & Fred Sarver
Pete Kyle, Georgie Green, Brad Etelman
Anette Curry, Joe Fargis, Bownley Curry, Marry Schwab
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Photography by Chad Henle
Kim Russell, Kathleen Landwehr
Find more photos at facebook.com/sophisticatedliving
Richard & Debbie Bass
AGELESS BEAUTY Feel Beautiful in Your Skin g
Cosmetic Surgery g DOT Therapy g Botox ® g Juvederm ®
Dr. J. Michael Moore, Dr. Joe Hill, Dr. Andrew Moore and Dr. Sherwood Moore
1401 Harrodsburg Rd. Suite B-488 859-276-3883 Plasticsurgeonsoflexington.com
BLUE GRASS CHARITY BALL
Te Blue Grass Charity Ball was held on Saturday, November 24, 2012 in the Grand Ballroom of the Marriott Grifn Gate. Kristen Baehler served as ball chairman and William Daniel Graves as master of ceremonies, and attendees enjoyed the musical talents of Jazzberry Jam and the Jimmy Church Band. Introducing young women in the area as the next generation to support and promote charitable goals in our community, this organization has been a Lexington treasure since 1961. Blue Grass Charity Ball, Inc. has contributed over $700,000 for more than 50 community charities.
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Photography by Mark Landis Photography
The Lexington Philharmonic & The Art Museum at The University of Kentucky have joined forces for
Arts in Harmony sponsored by
The Bluegrass Complex of Wells Fargo Advisors, LLC, Member SIPC A partnership between music and visual art providing a bridge for members of each organization to learn about and enjoy both art forms Please call the Art Museum 859.257.8164 or LexPhil 859.233.4226 for additional information
CIRCA HOME CELEBRATION
COMMERCE LEXINGTON DINNER
Thomas Birkman held a cocktail reception for friends and clients at Circa Home, his chic West Short Street showroom for Kimbrel Birkman Interiors. Photography by Alexandra Eye
Kentucky Employers’ Mutual Insurance presented the annual dinner and awards ceremony for Commerce Lexington, which was held in the Lexington Center’s Bluegrass Ballroom.
Isabel Ladd, Sarah Sutherland
Tony Bonner, Laura D’Angelo, Jason Sims
Tomas Birkman, Cara Lundy, Stephanie Poole, Laura Crume
Cathi Bingaman, David Boggs
Richard & Debbie Comley
Jerry Summers, Berry Popp, Sonny Jones
Basil Mccoy, Shelia Mccoy
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Jessica Kunin, Tasha Suter
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Paul Engel,Sara Smith
Scott Smith, Michele Ripley
AFRICAN AMERICAN BALL
Photography by Alexandra Eye
2013 marked the 20th anniversary of the event, presented by Te African American Forum. A tradition of excellence, a night of elegance! was the theme for the evening, which included presentations of art, culture, entertainment, dancing and fellowship.
Gina Harington, Anthony Francis
Shamaria Rankin, Amber Carter
Pattie & Don Trail
Frando & Clarice Morbley
Harless & Richard Rosie
Donna & Jay Alexander
Mary Tomas, Carlton Shelton, Bonnie Shelton
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Candy & Keith Raglin
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Tonya Taylor, Eric Tompson
celebrating 28 years.
March | 8 | 9 | 10 | 2013
awaken your senses. awaken your style.
Jon Carloftis
The Blue Grass Trust’s gorgeous three day show is a breath of spring air, featuring new perspectives on design with nationally renowned experts on antiques, landscaping, interior décor, ƪoral design, Ƥne home furnishings, and a new addition this year, culinary arts.
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March | 8 | 9 | 10 | 2013 hours Fri & Sat 10 am - 6 pm, Sun 11 am - 5 pm | tickets $10 Daily, $15 Run-of-Show March | 7 | Gala Preview Party Honorary Chairs H. Foster & Brenda Pettit | 7 - 10 pm | Catering by Donna. $125 per person | $95 Young Collector under 35 | Advance purchase required.
The Kentucky horse Park | alltech arena
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Iron Works Pkwy, Lexington, KY Free parking
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Special Events require advance purchase. Limited availability: Christopher Hirsheimer & Melissa Hamilton* Canal House Culinary ArƟsts | Lunch, Lecture & Cookbook Signing | $60 Laura Bohn* Hall of Fame Interior Designer | ConversaƟon & Cocktails with Host Dale Fisher | $40 Jon CarloŌis* Award-winning Landscape Designer | Lunch, Lecture & Book Signing | $60 *new See All 3 Special Keynote events for $130 Save $30 and be eligible for a drawing for dinner & tour of historic Botherum. Appraisal Fair ReservaƟons are a MUST; call 859.253.0362. Leslie Hindman AucƟoneers Alexander Eblen, G.G., & Rowley Kennerk, and Bluegrass AucƟon and Appraisal Filson Graham | $20 Limit 2 items per person, items subject to approval.
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2013 highlights more than 80 exhibitors silent auction a vintage car with 35 unique vehicles show spanning seven decades Exhibit Kentucky Revealed: Treasures from The Speed Art Museum complimentary lectures by Martha BirchĮeld, James D. BirchĮeld, Mack Cox, Joseph Hillenmeyer, Taylor Thistlethwaite, Beth Sebastion, Garth Vinson and Tim Depenbrock bar service a la carte café and more.
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Laura Bohn
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For More inForMAtion www.bluegrasstrust.org
| 859.253.0362
........................................................................................ Media sponsors
Christopher Hirsheimer and Melissa Hamilton
proceeds benefit
the blue Grass trust for Historic preservation | www.bluegrasstrust.org | 859.253.0362 The leading preservation advocate in Central Kentucky
AN EVENING AMONG FRIENDS
ROUNDBALL BASH
An apropos Vegas theme set the stage for a headlining performance by Donny Osmond at An Evening Among Friends to benefit St. Mark Catholic Church. Just 400 guests were privy to the fun, which included casino-style gaming for a good cause. Photography by Alexandra Eye
Presented by the Cardinal Hill Junior Board, the frst annual Roundball Bash was held at the Downtown Lexington Hilton. The festive event featured a silent auction, music by the Tim Talbert Project Band and a special appearance by Coach Cal.
Lauri & Greg Hollins
Manda McLennan, Amanda Zachary, Julia Peterson
Ann Cox, Liz Sutherland
Kelly King, Jennifer Codell, Tifany Dail
Laine Conley, Rachel Rogers
Gary & Jennifer Hammons
Scott & Angela Kelley
Jill Taylor, Anne Meade
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Ashley Norvell, Alex Terry, Lesley Wright
Micheal & Amy Huf
Jimmy & Kathy Lawson
Jaguar Louisville 4700 Bowling Blvd. 502.895.2451 jaguar.bluegrassauto.com
BLUEGRASS SPORTS AWARDS
Alltech was the presenting sponsor of the 2013 Bluegrass Sports Awards, held at the Marriott Griffin Gate. Ted Bassett was honored with the Jim Host Sports Business Award; Anna Stout accepted a lifetime achievement award on behalf of her late husband, Louis Stout; Larry Vaught received the first Kentucky Sports Media Award; and, Anthony Davis was named the 2012 Kentucky Sportsman of the Year.
John Bolinger, Eric Riggs, Jamie Lee
Catherine Clements, Christy Staten, Courtney Jones, Emily Morrison
Cary Tsamas, Bob Blandford
Mayor Issac, Priscilla Johnson
Windy & Bob Cranfll
Morgan Daulton, Megan Herde, Adam English
Amy Ratlif, Becca Collier
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Photography by Alexandra Eye
Bias Tilford, Lisa Higgins-Hord
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Jenny Whitis, Jeremy Terry
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BOLLYWOOD BASH
A taste of exotic India transformed the Alltech Arena for The Living Arts & Science Center’s annual H’Artful of Fun event. The new venue ushered in a new event format, showcasing Lexington’s fnest restaurants, bakers, caterers and artists, all for the beneft of the arts and sciences programs the Center delivers for children and adults throughout Central Kentucky.
Sarah Smith, Megan Mazurek
Annie Cobetto, Sarah Fitzgerald
Mark & Sandy Denno
Dianna Spahn, Paul Engel
Allen Perreiah, Erfan Kaetrm, Bob Klausing
Valerie & Brandon Marshall
Kevin Davis, Afai Siahkoohi, Kaity Stout
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Jon Carol, Emily Hamil
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Dean Langdon, Beth Hellebusch
T H I S M O N T H ’ S D I S C OV E RY:
Conquering Your Fears
So you’re not a superhero! We understand that some fears are imprinted at a very early age but you don’t have to live with that fear forever. Going to the dentist doesn’t have to be dreaded. Come to our place, sit in the parking lot, come lounge in our reception area, eat a cookie, sip on a cup of coffee, and consider sedation dentistry. Just don’t let fear keep you from healthy teeth.
Experienced Family, Cosmetic, Implant and Sedation Dentistry
pearsonandjustice.com
3285 Blazer Parkway, Suite 200 • Lexington, KY
(859) 309-8751