Sophisticated Living Cincinnati March/April 2018 by Sophisticated Living Magazine

{Cincinnatiâ&#x20AC;&#x2122;s Finest}

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Mar/Apr 2018 five dollars

1235 Edwards Rd. | Hyde Park | $1,395,000 Our Featured Listings

REAL ESTATE

2349 East Hill Ave. | Hyde Park | $983,000

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9005 Camargo Road | Village of Indian Hill | $7,499,000 An incomparable property with an 8-figure replacement value, this 27,000 sq. ft. brick, stone & slate Château - majestically sited on over 5 acres adjacent to 300 acres of forever greenbelt - is accessed via a welcoming gravel drive leading to a motor court & garages that can comfortably accommodate 25 cars. Constructed with zealous attention to detail in 1999 & added onto in 2005, this masterpiece features 6 bedrooms (including a 5-room 1st floor master suite), 8 full & 4 half baths, 7 magnificent masonry fireplaces and a resplendent pool & well-appointed pool house. Features include a dramatic slate roof salvaged from 2 NYC churches, old-world plaster walls, rustic limestone & walnut floors, century 600 Ridge -old beam Road ceilings, gourmet kitchen & catering kitchen, an English ustom built in 2000 on a private/flatsound 2.24 acres this 4 BR/5+2 BA was meticulously conservatory, sophisticated & lighting systems, 1000-bottle esigned for today’s lifestyles to live almost entirely on 1 floor. 1st fl features: entry wine cellar,living, movie theater, billiards room, exercise library yer & gallery, dining, eat-in kitchen open to a family room,studio, master suite (w/his &hers carriage apartment. Like. No. Other. baths &house room-sized closets), 2 Simply. powder rooms, theater room, laundry room

his/hers garages (4-cars-plus). 2nd fl features 3 bedrooms all w/ensuite baths a home gym. Covered terrace provides ultimate enjoyment of the spectacular ndscaped yard & pool. Every designer detail has been attended to from multiple replaces w/limestone surrounds, limestone & hardwood floors and much more.

Amberley Village | $1,190,000

Bob Dorger

Lori Wellinghoff

David Wellinghoff Mary Dorger

David Wellinghoff Mariza C. Cohen

Real Estate Cincinnati Chamber of Commerce Woman Entrepreneur Lori Paige of the YearWellinghoff 2013

Real Estate

Dorger

Lisa Williams Real Estate

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Jane Dorger

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Marti Schuler Real Estate

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Robbin Gilligan Brian Gibson Of Counsel

Brian Gibson Design

Design

John L. Harrison Annette Askam Design

Project Management

Owen Willis Construction

Tom Allison Construction

Josh Koch

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Alissa Groth Controller

Katrina Stahl Office Manager

Bridget Henson Office Manager

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Taste, touch, and see the true potential for your kitchen. From appliance test-drives to chef-led demos, we invite you to explore our products with all of your senses engaged.

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CINCINNATI ART GALLERIES, LLC

Return to the Garden

Longing for Eden: Sanctuary, Solace, Serenity March 9 - April 21, 2018

Exhibition and Sale

of Fine Art by Twenty-Two Local Artists

Guest Curated by Daniel Brown at Cincinnati Art Galleries Located at 225 East 6th Street | Cincinnati, Ohio 45202 Phone: 513.381.2128 | www.cincyart.com | art@cincyart.com Hours: Monday - Friday 9am - 4pm | Saturdays 10am - 4pm

{Cincinnati’s Finest}

Mar/Apr 2018

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Mar/Apr 2018 five dollars

on the cover: Tasty Comfort Ahi Tuna Stack: Layer of crispy wontons, fresh avocado, ahi tuna poke, and pickled cucumber with wasabi aioli and Guinness-soy reduction. Photo by Andrew Kung

Business Profile: James R. Tippmann

The Greater Outdoors

Bibliotaph... Spring Gleaning

Dream in Motion

Of Note... Sofa So Good

Strike up the Sand

Runway Takeaways

from London and Paris

Curating a Lifestyle: Once in a Lifetime

Message on a Bottle

Rolling in the Deep

Tasty Comfort

A Superb French Château… Mon Dieu!

Arts Profile: Dudley Taft

Philanthropy Profile: ArtsWave

52 Runway Takeaways from London and Paris Bethany Williams presentation at London Men’s Fashion Week. Photo by Fernanda Mosqueda

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46 Sofa So Good

The modular Lune sofa, designed by Jaime Hayon for the Republic of Fritz Hansen (fritzhansen.com)

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Whiskey and Watches

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Violins of Hope

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PBF Holiday Shopping Night

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Taste of The World

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HRC at MGBW

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Stepping Stones Open

Your Heart Dinner

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Lighthouse Youth Sheakley Center for

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Lindner Center of Hope’s

Touchdown for Hope

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JDRF One Awards Ceremony

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Magnified Giving Donor

Appreciation Dinner

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CCM’s Moveable Feast

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JDRF Bourbon and Bowtie Bash

EDITOR - IN - CHIEF Matthew Millett ______________________________________________ ASSOCIATE EDITORS Bridget Williams CONTRIBUTORS Writers Sheree Allgood Patti Bailey Dr. Matthew Bessen Ellana Bessen Scott Harper Amelia Jeffers Austin Pembroke Lisa Stephenson Powell Photographers DeShon Von Able Tony Bailey Mark Byron Tyrone Daniels Andrew Kung Ryan Kurtz David Long Mary Strubbe Michael Wilson Advertising Director Paul Palmer ADVERTISING SALES OFFICE 513.205.3300 ______________________________________________ SOPHISTICATED LIVING MEDIA Eric Williams - CEO Bridget Williams - President Greg Butrum - General Counsel Jason Yann - Art Director

Are you a tastemaker? Surround Yourself with Cincinnatiâ&#x20AC;&#x2122;s Finest Ad reservations call 513.205.3300

Sophisticated Living is published bimonthly by Millett Media, LLC, and is independently owned and operated. Sophisticated Living is a registered trademark of Williams Media, Inc. All rights reserved. All images and editorial are the property of Sophisticated Living, LLC, and cannot be reproduced in whole or in part without the express written permission. Annual subscriptions are $25 in the U.S., $30 outside. Single copies are $5 at select fine retailers. Address all subscription inquiries to: Sophisticated Living Cincinnati, 1301 Edwards Rd. Cincinnati, OH 45208, or call 513.205.3300.

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From the Editor-In-Chief

The March/April issue has been an important one for me these last two years, for this is the issue in which we also release our Sophisticated Giving Charity Registry. An intense labor of love, the Registry ends up being larger than a regular issue, has numerous edits, and takes close to a year in its planning and execution. With all that said, it is still my favorite issue. A true reflection on the tri-state community, Sophisticated Living at its core, has always tried to educate and inform its readers. Sophisticated Giving, by highlighting different organizations and the work they are doing, we are able to help educate and inform our readers and lead them to an organization that they feel moved to support. We always highlight philanthropic organizations and the good they are doing as a reminder that there is still a ton of good in this world. That every individual can make a difference, and highlight those important organizations making a difference in the community today. I hope you find Sophisticated Giving to be a wonderful reference guide to use throughout the year, to confirm the organizations you support, or hopefully take an interest in a new non-profit you might not have known. Most importantly, I wanted to thank the great sponsorships that partnered with this feature; PNC Bank, David A. Millett Inc., Fort Washington Investment Advisors, Evolo Design Group, Hosea Movers, Mitchell Gold & Bob Williams, and most importantly, our Presenting Sponsor, Western & Southern Financial Group. Western & Southern Financial Group President and CEO John Barrett more than anyone has continued to promote philanthropic practices and invest in the community. His dedication continues to make the community we live in a better place. These are organizations that helped support this small effort, but give so much on a regular basis, continually making this community so great! Thank you!

Matthew Millett

matthew@slmag.net

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Saks Fifth Avenue: Greenwich Village, NY Photo by AFrame Photography

Business Profile

JAMES R. TIPPMANN AND FRCH Written by Lisa Stephenson Powell

While growing up in Fort Wayne, Indiana, James R. Tippmann was surrounded by a large, loving and extended Catholic family; his father worked in finance for a Fortune 500 company and his mother successfully “ran the circus.” As one of nine children Mr. Tippmann, the co-CEO of NELSON, a leading national architecture & design firm and CEO of FRCH Design Worldwide, a NELSON company, embraced an entrepreneurial spirit at a young age. “It was ingrained in me,” he said, “and taking risks was part of the culture in my youth; it was an unusual upbringing because I was surrounded by people who owned large and successful businesses. One of our best known products is the Tippmann Paintball Gun, which is sold on Amazon, in WalMart and at Dick’s Sporting Goods stores.” Mr. Tippmann was educated at private, college prep schools and graduated from the Kelley School of Business at Indiana University. His first job was as a CPA at Arthur Andersen (in retrospect a somewhat unlikely profile), which introduced him to the operational side of business, taught him to anticipate market trends and nurtured his appreciation for creative enterprise. As his career progressed Mr. Tippmann worked at Rippe & Kingston, a regional accounting firm; 26 slmag.net

received his Series 7 Securities License; and dabbled in real estate before ultimately meeting Jim Fitzgerald, the founder of FRCH Design Worldwide, who became his mentor and best friend. He was hired in 1988, and in 2002 succeeded Mr. Fitzgerald as CEO. “Jim Fitzgerald was very innovative because the business focused on interior design which, in 1968, was not respected in the field of architecture,” Tippmann explained. “It was almost considered an add-on and his clients were primarily architecture firms that wanted to do the building, because that’s where the grandeur was, but didn’t cherish doing interiors.” The retail business became a source of recurring revenue because spaces were redesigned upon the expiration of a lease. When Bob Novak, who had worked for Federated Department Stores, joined the team, he launched a determined effort into retail that fostered an ongoing partnership with, among others, Les Wexner of The Limited, Victoria’s Secret and Express. FRCH has been diligent in expanding its presence and its most recent merger in January with the NELSON Organization has provided another facet to the company’s history.

Jim Tippmann and John ‘Ozzie’ Nelson Jr.

Saks Fifth Avenue: Greenwich Village, NY Photo by AFrame Photography

“It’s very exciting,” he said, “because we live in a time of significant growth and change in the marketplace, in business and in the world. FRCH merged operations with NELSON to combine our expertise in retail, hospitality, banking and restaurants, to help our clients communicate their brand through architecture and design. ‘Ozzie’ Nelson Jr., my co-CEO and partner, and I met more than thirty times to explore this opportunity, and we carefully weighed the merger’s impact on our organizations, our clients, the marketplace and our leadership teams.” Both companies have impressive histories and a global presence, and the gentlemen immediately recognized a symbiotic opportunity as well as a natural synergy. “With our combined skill sets I couldn’t have imagined a more complementary scenario,” he said. “The real driver behind this merger is growth and the ability to provide a higher level of service.” NELSON now has a network of twenty five locations with over one thousand employees; Cincinnati is the largest single office. The intent of design and architecture – whether it hails from the Guggenheim Museum, an object from the Art Deco movement,

the efficiency of IKEA or the redesign of a church -- has always been to establish a connection with the consumer. “It would be very difficult to rebuild the entire structure of a classic cathedral,” Mr. Tippmann said, “but with St. George’s, in Clifton, steeples were replaced after a fire, and the structure was transformed into a multi-use Crossroads Church facility. IKEA, on the other hand, is just a fascinating business. Everything in the box is unassembled; the experience leverages a childhood passion for Legos; and they use technology to engineer stylish furniture that is actually fun to put it together.” As retail continues to take a truculent hit from the Internet the dichotomous situation shows a marketplace in transition: while many retailers are shuttering their doors, American Girl expands. A young girl’s shopping experience can begin with a click at home and finish with an in-person purchase. The current macro trend in retail is to have smaller footprints and fewer locations, making retail establishments similar to a community center where shoppers can find an urgent care facility next to a movie theatre, and a hotel next to a gym.

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Saks Fifth Avenue: Greenwich Village, NY Photo by AFrame Photography

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Corbett Opera Center: Cincinnati, OH Photo by Mark Steele

Frontgate Showroom: Plano, TX Photo by Richard Cadan

American Girl Flagship Store: NYC Photo by AFrame Photography

The recession forced businesses to deal with scared consumers and corporations that halted capital spending. “Being a creative business, we responded in creative ways,” he said. “We took advantage of our international experience which is the beauty of geographical diversity; we also looked for new channels of work and downsized our personnel. It was done with a great deal of respect for our employees. And although it was difficult, we approached it with a sense of shared sacrifice, and it became one of our finest hours. We emerged from it healthier, and maintained our disciplines, markets, clients, and were able to reemploy many of the talented people we had known.” FRCH has done design work for Tiffany & Company, Harley Davidson, Saks Fifth Avenue and Walt Disney. The unifying element is to have the consumer interface with their surroundings, which is unique to each entity. Customers who frequently patronize a business do so because they are treated well and feel understood. “Architectural roll out is the part of our business that we refer to as retail architecture, which shows the life cycle of a project,” he

explained. “It starts with the concept of a business, then naming it, identifying the customer and translating all of those elements into a physical environment. In a perfect world the lifecycle starts at the very beginning, but we can enter at any point. It’s often the case that when a new concept is created a client will build them in multiple locations, just as Hilton Hotels did with their line of Home2 Suites.” Whether their design is for a restaurant, a bank or a retail store, FRCH considers the customer’s approach, flow and journey, and develops a palette that best complements the triumvirate. The importance of the merger will significantly impact Cincinnati. “The city has always been extremely important to us and that’s the beauty of the new transaction,” he said. “It not only enhances our commitment to the community, it will infuse new capabilities into the region while adding employment. We have enjoyed the benefits of the University of Cincinnati and the DAAP School of Design, and other architecture firms covet our ability to draw from the talent base that it produces. I like being with an organization with employees that other companies want.”

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Cincinnati Reds Scouts Alley: Cincinnati, OH Photo by Christian Dohn

Mr. Tippmann’s days begin early and end late, as he moves from topic to topic, and from state to state, meeting members of the newly combined organizations. Mr. Tippmann has been married thirty-two years (“to a fabulous, supportive teammate”) and has three children. He favors all outdoor activities and has participated in marathons, boating and cycling. He described the corporate culture at FRCH and NELSON as “cool and creative,” with colleagues who are passionate about their work. “I’m surrounded by fun people who are extraordinary, and who inspire me every day,” he said. “They have ambition and drive, are smart and agile, and we laugh a lot together. Even during the darkest economic times we had a sense of humor; Ozzie and I have a great partnership because we share that in common, too.” The merger with NELSON had fortuitous timing as FRCH is poised to celebrate its golden anniversary this year. “It’s a dramatic change,” Mr. Tippmann said, “but it will take us into

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the next fifty years, and will expand our footprint in the industries that we serve. Design communicates beauty and culture, and architecture defines culture and history, in ways that no other business does. Its permanence is a reflection of a society’s values.” As a manager Mr. Tippmann has maintained an environment where individuals can grow professionally as well as personally, which will continue as FRCH, a NELSON company, moves forward. “I always said that I liked being the youngest guy in the room because I was always learning; and although I’m not the youngest from an age perspective, I cherish being able to step into a whole new learning experience – and it’s a lot of learning – at this time in my life. During this phase of my career I will be able to leverage all of my experience to bring value to a larger, and much more complex organization, which will, in turn, create a new, successful partnership with wonderful people, unparalleled creativity and outstanding career opportunities.” sl

Timeless Interiors

THE GREATER OUTDOORS Princess Cruises makes it easy to experience more of Alaska by land, sea, and air. Written by Patti Bailey / Photography by Tony Bailey The allure of Alaska is undeniable. It is a fascination rooted in tales—some tall, others true—relayed first by Russian explorers, and continuing with Spanish, British and American expeditioners, traders, whalers and prospectors who spoke about Eskimos and other indigenous people swaddled in furs, mushing dog teams, and hunting and scavenging in order to survive in harsh conditions that at times seemed hardly fit for man or beast. Accounts of this vast and rugged remoteness, combined later with illustrations and then photographic images of unimaginable and unblemished natural beauty, continue to fuel the fire of the imagination and make the destination a perennial bucket list trip. A little more than 700,000 people live in the largest US state (almost half of those in Anchorage), making Alaska’s vast expanses of achingly beautiful, untamed wilderness

seem unattainable, unless you are one of its native peoples, an adventurous outdoorsy type, or among the hearty souls populating its smattering of cities. As I don’t fit into any of the aforementioned categories but still longed to experience all that Alaska has to offer, I booked an 11-day Denali Explorer land and sea tour with Princess Cruises. In 1969 the Princess Italia brought 525 passengers to Alaska; in 2019, Royal Princess, the company’s largest ship ever deployed to the region, will deliver awe-inspiring moments to 3,500 guests. Thanks to a half-century of experience in providing cruise and cruisetour vacations, Princess has built a unique infrastructure in Alaska, encompassing five riverside lodges, rail service and stateof-the-art ships, which allow travelers to get to the heart of the great outdoors without sacrificing any creature comforts. slmag.net

Princess’ award-winning on-board program, North to Alaska, includes unique Alaskan-inspired onboard enrichment, entertainment and food and beverage offerings, as well as exclusive Discovery Channel and Animal Planet recommended shore excursions that are part of the cruise line's Discovery at Sea partnership. Very popular is “Cook My Catch,” a unique culinary program allowing guests to return from select Princess fishing excursions and have the chef prepare their very own catch of the day. Our trip commenced in Anchorage, where we stayed our first night before heading by motor coach to the McKinley Princess Lodge, stopping along the way in the town of Talkeetna (population 772) for our first excursion, a Talkeetna River Float. While we were bundled in multiple layers, our guide seemed to take the 42-degree day as a heatwave, as he sported flip flops and shorts. Midway through the ride we were serenaded by a local man playing the banjo at the river’s edge, just one of many colorful characters we encountered throughout our vacation. Situated on 146 acres inside Denali State Park, the 460-room Mt. McKinley Princess Wilderness Lodge is the only cruisetour hotel within sight of Mt. McKinley, North America’s highest peak. Denali is so big that it creates its own weather, meaning that its peak is shrouded by clouds onethird of the time. To alert guests when weather conditions are 34 slmag.net

ideal for viewing, the lodge sounds a “Mountain is Out” call. The property’s newly opened, one-of-a-kind 500-square-foot treehouse, constructed by Pete Nelson of Animal Planet’s show “Treehouse Masters” is the ideal spot to take in the view. Our visit fortuitously coincided with an ideal time to view the Northern Lights, and we quickly discovered that like the weather, the aurora can be unpredictable. Rather than stay awake all night staring up at the sky and waiting for the light show, we listened for the lodge’s Northern Lights alert before bundling up and heading outside to be transfixed by the otherworldly bands of green light. We continued our journey by motor coach for the two-hour drive to the Denali Princess Wilderness Lodge. Along the way, we travelled through an amazing landscape of snow-capped mountain peaks, fast-flowing streams and trees with yellow foliage so vibrant they appeared to be alight. The 656-room lodge is located in Denali Village, just one mile from the entrance to the six-million-acre Denali National Park. When weather conditions cancelled our planned glacier landing flight, we substituted an exhilarating ATV tour of a dry glacier, which quickly abated any disappointment I’d been feeling over the aborted flight. Back at the lodge during a pre-dinner cocktail reception, a friendly riot nearly broke out when everyone scrambledto hold the evening’s honored guests: a pack of sled dog puppies.

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Release of rehabilitated bald eagle at the opening of the wilderness treehouse

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Chef's Table experience aboard the Star Princess

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Skagway, Alaska

Princess Cruises’ Direct-To-The-Wilderness rail service comfortably transported us for the duration of the eight-hour trip from the Denali lodge to the cruise ship, which was docked in the coastal town of Whittier. Featuring some of the largest domed windows ever built for a rail car, we didn’t miss a second of the scenery along the 300-mile journey. A Princess Cruises representative took care of the check-in process for the ship along the way, which made the transition from shore to ship seamless. Our cabin aboard the Star Princess was outfitted with a bespoke mattress, developed in consultation with board-certified sleep expert Dr. Michael Breus, as part of the company’s premier sleep program, an initiative that optimizes staterooms for a sleepfriendly sensory experience. Eighty percent of all outside cabins on the ship boast a private balcony; the opportunity to watch a glacier calving from ours is a sight I won’t soon forget. From small bites in the Vine Room wine bar to a black-tie dinner at Sabitini’s Italian restaurant, the cuisine on board was outstanding, supported by the fact that the quality of the Princess dining experience

has been recognized by the prestigious Chaîne des Rôtisseurs, which has inducted all of the company's ships into the exclusive gastronomic society. Across the board, traditional European dishes are blended with contemporary cuisine with a focus on seasonal foods, flavorful sauces, herbs and lighter fare to please a wide variety of tastes. When we weren’t ogling glaciers as tall as a 24-story building in Glacier Bay, riding a train to White Pass Summit at the US/ Canadian border, exploring historic waterfront towns, and watching in amazement as bears nabbed salmon from the river during a high-speed boat cruise, we were taking advantage of onboard amenities. We enjoyed a dreamy massage in the Lotus Spa, blended our own Silverado wines with a sommelier, recapped each day’s adventures with new friends over cocktails in Crooner’s Martini Bar and relaxed in the library. Even with all of the ship’s outstanding amenities, Mother Nature remains the real star of the show; Princess Cruises is simply her publicity manager, making sure that everyone gets to experience her best performances. For more information visit princess.com. sl slmag.net

Bibliotaph... Spring Gleaning

Compiled by Victoria Chase

Nationally recognized landscape designer Susan Morrison draws on her years of experience to show you how to take advantage of a small yard. Her tips are supplemented by photos of small gardens of varying designs found throughout the country. Susan Morrison - The Less Is More Garden: Big Ideas for Designing Your Small Yard - Hardcover, 256 pages, Timber Press (timberpress.com) A collection of images by photographer Claire Takacs of more than sixty of the world's most beautiful gardens, from iconic public spaces to contemplative private places. Claire Takacs Dreamscapes: Inspiration and Beauty in Gardens Near and Far - Hardcover, 304 pages, Hardie Grant Books (chroniclebooks.com) This photo series is photographer Kenji Tomaâ&#x20AC;&#x2122;s homage to botanical illustrations found in flower encyclopedias of the 19th century. Before the advent of color photography, images were illustrated with the purpose of replicating the botanic subject as close to reality as possible. Toma is interested in doing the exact opposite with the photographic medium. The result is a highly contemporary and fascinating revival of the concept of the botanical encyclopedia. Kenji Toma - The Most Beautiful Flowers - Hardcover, 196 pages, Kehrer Verlag (kehrerverlag.com)

Avid gardener and author Gisela Keil partnered with commercial photographer JĂźrgen Becker to capture 365 photos of some of the world's most exquisite gardens. Each image is accompanied by planting tips and techniques and botanical facts. Gisela Keil - A Year in the Garden: 365 Inspirational Gardens and Garden Tips - Hardcover, 744 pages, Prestel Publishing (randomhouse.com)

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bib 'li' o 'taph, [bib-lee-uhtaf, -tahf ]: a person who caches or hoards books Using intriguing stories and stunning full-color illustrations, Loves Me, Loves Me Not, introduces readers to flowers that have been conveying message for centuries. Author Peter Loewer writes: "The language of flowers is a delightful idea. In the world of cell phones and mass communications, sending a simple bouquet that tells a tale of love and affection seems to be a great idea whose time has come again." Peter Loewer - Loves Me, Loves Me Not: The Hidden Language of Flowers - Hardcover, 112 pages, Skyhorse Publishing (skyhorsepublishing.com)

For most of her career, artist Rebecca Louise Law has created massive installations that recreate the fields of flowers that delighted her as a child. This book is the most comprehensive collection to date of Law's work, including the evolution of her craft and why she uses preserved flowers as a sculptural material. Rebecca Louise Law Life in Death - Hardcover, The University of Chicago Press (press.uchicago,edu) Antonio Bond, owner of Transplants Floral, an independent floral boutique in Austin, Texas, scours the American Southwest in search of trinkets, bones and other items of intrigue to work into his almost otherworldly floral designs. This book boasts 200 photographs of his most compelling creations, which are accompanied by commentary on the elements comprising each piece and the design process. Antonio Bond - Transplants: Eclectic Floral Design - Hardcover, 224 pages, Blue Star Press (bluestarpress.com) Between 1914 and 1950, Ellen Shipman (1869–1950) designed more than 600 gardens in the United States, from Long Island's Gold Coast to the state of Washington. Her secluded, lush formal gardens attracted a clientele that included Fords, Edisons, Astors, and du Ponts. This book outlines her major works, richly illustrated with plans and photographs. Judith B. Tankard - Ellen Shipman and the American Garden Hardcover, 320 pages, University of Georgia Press (ugapress.org) In this children's book, originally published in French, vibrant watercolors by Vincent Gravé are accompanied by lively text penned by landscape designer Gilles Clément intended to teach young readers not only what’s involved in planning a garden, but how plants, insects, and humans interact all year long to make the garden thrive. Gilles Clément - A Big Garden - Hardcover, 32 pages, Prestel Publishing (randomhouse.com)

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DREAM IN MOTION

The Dallara Stradale represents the culmination of racecar engineer Giampaolo Dallaraâ&#x20AC;&#x2122;s exemplary career in motorsports. Written by Andre James

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Now counted among the world’s most venerable racecar engineers, Giampaolo Dallara began his automotive career at Ferrari soon after graduating from college in 1959. Before the age of 40, Dallara held positions at Maserati, Lamborghini (where he was one of the engineers of the original Miura), and De Tomaso (to design a Formula 1 car), before founding his eponymous engineering business in 1972 in his hometown of Parma, Italy. On any given weekend, some 300 Dallara cars race on circuits around the world and in different formulas. The company also provides consulting service for top-tier car brands, including Alfa Romeo, Audi, Bugatti, Ferrari, KTM, Lamborghini, Maserati and Porsche. Despite all of his accomplishments, one thing eluded Dallara: designing a road car that bore his name. That changed on November 16, 2017, his 81st birthday, with the unveiling of the Dallara Stradale, designed in partnership with Lowie Vermeersch, CEO and Creative Director of Granstudio, a Turin-based boutique design consultancy. “This project sums up everything we learned from racing and from collaborations with our clients, and I am convinced that those who will use this car will be able to try the pleasure of

driving for the sake of driving,” said Dallara. “They will get in the car to take a nice ride and to experience the pleasure of driving.” Twenty years in the making, and drawing on Dallara’s motorsports experience, the largely carbon fiber Dallara Stradale was developed using the company’s industry-leading wind tunnel and computer simulators. Weighing in at a mere 1885-pounds in its lightest configuration—a barchetta speedster sans windshield—the car is powered by a mid-mounted Ford EcoBoost 2.4-liter engine that boasts 400-hp. The 0-60mph sprint takes 3.25-seconds; top speed is 174mph. With a design dictated by maximizing aerodynamic efficiency, the exterior has several available configurations. There are no doors in the conventional sense, as driver and passenger enter by stepping over the body of the car. With the addition of a carbon-fiber and polycarbonate windshield, the car becomes a roadster; adding a T-frame makes it a targa; attaching a pair of top-hinged gullwing doors transforms the car into a coupe. Trackminded drivers can opt for a rear wing, which provides access to exceptional levels of downforce.

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Giampaolo Dallara

“Designing the Dallara Stradale was really like transforming the dream of Giampaolo Dallara to make his own road car into a sculpture,” said Vermeersch, who was named to Automobile Magazine’s 2010 list of the “World’s 25 Most Influential Car Designers”. “It was a dream that was rooted in the timeless beauty of his Miura and fueled by a long career full of passion for the race. So, we avoided to impose a preconceived and fixed idea of the styling, but we allowed its shape to stylistically evolve during the process in a continuous interaction with Dallara's engineers, guided by a clear sense of harmony and proportions. Only in this way we could find a shape that is an absolute synthesis between performance and aesthetics.” The engine, which drives the rear wheels via a six-speed gearbox (either traditional manual or automated manual using a paddleshift system), is mounted transversely, meaning that the engine's crankshaft axis is perpendicular to the long axis of the vehicle. Supercar engineer Loris Bicocchi, who has worked for Bugatti, Pagani and Koenigsegg, was tapped to lead the chassis-development program. “For some time now, Mr. Dallara has been telling me, ‘Loris, when we find the time to make our road car, I would like you to test it for us.’ I penciled this in since then,” said Bicocchi. The combination of weight, vehicle dynamics and aerodynamics, along with customized Pirelli tires, allow drivers to reach lateral

accelerations beyond 2G under normal conditions of use. Excellent control is enabled by Bosch ESP stability control systems. Bicocchi added that the car is “Fast but safe; stability, traction and braking controls seldom intervene. It is amazing because it lets you drive and does not give you anxiety; it has a great performance both on the mountain roads and on track. It has a brilliant engine, and its light weight allows for an authentic supercar performance.” The interior, stripped down to the basics and awash in carbon fiber, is laid out to maximize physical contact between the driver and the vehicle. Dashboard instrumentation is driver-centric and supplied via a motorsports-style display screen. When mounting the windscreen, a special control panel cover is provided with integrated additional commands for the windscreen wipers. Though street legal, extended trips may prove impractical as storage is limited to a pair of bins accessed by removing the backseat supports that are large enough to accommodate a race helmet, as well as a small compartment behind the engine. The base price for the Dallara Stradale is approximately $182,500; add an additional $37,000 for the windshield, roof, and doors. All of the vehicles produced for the debut were spoken for at the time of the unveiling this past November, and the company says it will limit production over the next five years to 600 cars (dallara.it). sl

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Of Note... Sofa So Good

Compiled by Colin Dennis

Clockwise from top left: Monterey sofa from Badgley Mischka Home (badgleymischka.com), Culpepper upholstered outdoor sofa from Century Furniture (centuryfurniture.com), Drake sofa from Kindel Furniture (kindelfurniture.com), Greta sofa in Mango Pewter from Studio A Home (studioa-home.com), Belt sofa by Moroso (chaplins.co.uk).

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Clockwise from top left: Trevisan sofa from Oficina Inglesa (oficinainglesa.com), Albert sofa by Albert Sack for Hickory Chair (hickorychair.com), Vamp sofa from Koket (bykoket. com), BRIXX by Lorenza Bozzoli is DEDON's first fully upholstered outdoor collection (dedon.us), Boutique Botero sofa by Marcel Wanders for Moooi (moooi.com), Hector sofa from Armani Casa (armanicasa.com), Fingerprint Ribbon sofa from bunakara (bunakara.com).

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STRIKE UP THE SAND Opened during the Jazz Age, The Don CeSar hotel reigns as the crown jewel of Florida’s Gulf Coast. Written by Caylee Matthews

Any person, place or thing approaching the century mark has undoubtedly experienced its fair share of trials and triumphs. Such is the case for Florida’s “Pink Palace,” The Don CeSar hotel, which commands a covetable stretch of powdery sand on St. Pete Beach. Opened during the height of the Roaring 20s, developer Thomas Rowe spent $1.25-million (300% over his original budget) on the 220-room property. Designed by Indianapolis architect Henry Dupont, the striking exterior represents a combination of Mediterranean and Moorish styles borrowed from developments in Palm Beach, Coral Gables and Boca Raton. The façade’s pink pigmentation defines the structure from any other for miles around, and creates a dramatic feeling of arrival as the hotel comes into view at the crest of the causeway bridge; it also happens to be the perfect complement to frequent cotton candy-colored sunsets. The Don CeSar quickly became a playground for high society, attracting the likes of F. Scott Fitzgerald, Franklin Delano Roosevelt and Al Capone. It weathered the Great Depression largely in part due to a three-year deal made with Yankees owner Jacob Rupert to house the team there during spring training. 48 slmag.net

Following the unexpected death of Rowe, who didn’t have a will, the property was left to his estranged wife. Not as passionate about the hotel as her late husband, she allowed it to gradually fall into a state of disrepair. The hotel was sold to the Army during World War II for $450,000 and converted into a military hospital, then an Air Force convalescent center, and finally a Veterans Administration Regional Office (which vacated the property in 1967). After sitting empty for two years, the dilapidated and graffiticovered hotel was scheduled to be torn town, but outcry from local residents stopped the wrecking ball. A succession of new owners and a string of ongoing improvements and additions have allowed the property, a founding member of the National Trust Historic Hotels of America to rise, like the proverbial phoenix, and reclaim its status as the crown jewel of Florida’s Gulf Coast. It has been awarded Four Diamonds from AAA every year since 1980. Today, the independently owned resort hotel boasts 277 guest rooms (36 of which are suites), six restaurants and lounges, two heated pools, ample event space, a spa and fitness center, Camp CeSar Kids Camp, the Shoppes of The Don and access to beach rentals and water sports. There’s certainly enough going on that it would be easy to spend a long weekend entirely on property.

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Bayside King Suite

Maritana Grill The Sea Porch

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The Rowe Bar

With treatments inspired by the oceans of the world, the 11,000-square-foot Spa Oceana features 16 treatment rooms and a rooftop relaxing terrace that overlooks the Gulf of Mexico. During my signature Hamsa Healing Ritual, I felt like an ear of corn as warm melted shea butter was poured over me prior to a balancing massage, which was preceded by a sound healing ceremony with Tibetan singing bowls. Relaxing continues poolside, where scheduled treats—from chilled towels to smoothie shots—are delivered throughout the day. Complimentary half-day kids camp is ideal for parents looking to squeeze in a little “me” time. A wide, white sand beach that stretches for miles in either direction is just steps away (complimentary nonmotorized watersports are available from 8-10am each day). The pinnacle of on-property dining is the award-winning Maritana Grille. Request a seat by the saltwater aquarium and you may find yourself dining eye to eye with a five-foot eel. The menu is comprised of locally sourced coastal cuisine and complemented by an extensive wine list. The Big Reveal, Maritana’s signature dessert, is a spectacle not to be missed. Casual, alfresco dining is offered at Sea Porch and The Beachcomber Bar & Grill. Beginning with Cuban Bread French toast at breakfast through Low Country Shrimp &

Grits at dinner, the Sea Porch serves up comfort food catering to all appetites. The Kronut Burger at The Beachcomber is a worthwhile indulgence. Both The Rowe Bar and Lobby Bar offer signature seasonal craft cocktails and local beers. The latter offers live music nightly in addition to Prime Time Bar Bites and Early Bird and Late-Night Craving menus. A favorite among young and old is Uncle Andy’s Ice Cream Parlor, which serves locally made small-batch Working Cow ice cream. Should you wish to venture outside the comfortable confines of the resort, there are a number of touristy towns nearby that seem to have changed little since I first visited the area some 30 years ago (an observation that elicited satisfied smiles from locals). While exploring a quiet residential neighborhood near The Don CeSar, we discovered Grace Restaurant in Pass-a-Grille Beach, a charming place that has a list of signature cocktails all named after local dogs, and an ambitious, upscale menu. A host of greater Tampa Bay area attractions are within a 30-minute drive, including The Dali Museum, premier shopping and dining at Sundial in downtown St. Pete, Tampa Bay Rays baseball at Tropicana Field and access to championship golf courses. Room rates at The Don CeSar start at $279/night. For more information visit doncesar.com. sl

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Runway Takeaways from London and Paris

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3.Paradis AW 18 Entitled “EACH ONE TEACH ONE," the fabrics, finishes, shapes and details in the collection are heavily influenced by the 1968 youth counterculture and revolutionary ideas of the past and present. Collection photography by Fabien Montique parallels a series of corner photography taken by Irving Penn in 1968.

Astrid Andersen Ready-to-Wear and Bespoke AW 2018 Buffalo-era London was the inspiration for both the RTW and bespoke collections, a mash-up between the decadent and the rave. Fabrics in the RTW collection include colorful silk jacquard, custom printed silks, tweeds, tartans, glitter organza and puffer fabrications. Saga Furs provided inspiration and technical support for the bespoke collection.

Christopher Raeburn AW 18 Entitled “Immerse,” the collection draws inspiration from the beauty and fragility of the oceans, with a focus on responsible design and sourcing. Royal Air Force helicopter winchman coveralls, parachutes, and Russian and Danish naval blankets are among the pieces reworked into contemporary fashion items. Raeburn partnered with both cold water surf brand Finisterre to create functional outerwear, knitwear and tees, along with explorer footwear brand Palladium to devise a range of innovative footwear that embraces Raeburn’s sustainable design manifesto.

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Runway Takeaways from London and Paris

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Ziad Nakad Couture SS 18 Demeter, goddess of the harvest, served as the inspiration for the collection. Nakad is a master of precise silk embroidery and sublimated tulles. Intricate representations of wheat stalks are sprinkled throughout the collection in tribute to the goddess and as a symbol of accomplishment and peace.

Maria Aristidou Couture SS 18 A specialist in couture knitwear, Aristidou conjured a colorful fantasy world for her spring/summer daywear and eveningwear collection. Flower patterns in silk viscose and metallic yarns in elaborate embroideries decorate her luxurious knit fabric creations.

Rani Zakhem Couture SS 18 This was Rani Zakhem’s first couture fashion show in Paris. The concept of fire in various forms weaves throughout the sumptuous collection, which Zakhem says is dedicated to a “volcanic woman”. Geometric forms and draped silhouettes call to mind the disco era and designs by Halston. Other looks pay homage to the likes of Jean-Louis Scherrer, Yves Saint Laurent and Madame Grès.

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Runway Takeaways from London and Paris

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Kent & Curwen Under creative director Daniel Kern, the brand staged a presentation of their largest collection to date in January at their new London store in Covent Garden. Campaign images by British photographer and filmmaker Perry Ogden feature young London sportsmen and creatives. Founded in 1926, David Beckham became a majority owner of the brand in 2015.

What We Wear AW 18 For their third season, What We Wear tapped into the mindset of the modern-day, minimalistic man that comfortably sits under the radar, camouflaged with khaki, grey, navy, and black against hints of neon orange and reflective strips that are carefully positioned for when the wearer needs to be seen. Footwear to accompany the collection was created in collaboration with Amsterdam-based brand Filling Pieces.

Wood Wood AW 18 Entitled “Before and After,” the collection fuses the contemporary streetwear of Wood Wood with elements of Americana. Classic American wardrobe staples are updated in look and feel, while the transition from childhood to adulthood works as the thematic framework for the collection. Main materials include corduroy, raw denim, army twill, heavy wool, delicate silk and mélange knit, alongside more technical garments incorporating Primaloft insulation.

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Curating a Lifestyle: Once in a Lifetime In the world of art and antiques, jaded professionals are prone to mock words like “unique” and “important,” all the while using them when necessary to influence potential buyers to take note of a particular object. The truth is, to borrow a bit from Mark Twain, there are no new discoveries, only recycled works that we try to package up into the coveted “fresh-to-market” treasure the collecting audience so desperately wants to find. But, every once in a blue moon, a work of art or material culture is found that is so astounding an oversight, the entire world joins the art industry in breathless wonder. Such was the case when the venerable Christie’s auction company announced the fall sale of a portrait, known as Salvator Mundi (Latin for ‘Savior of the World’) by one of the most famous (and possibly the most talented) individuals to have ever lived, Leonardo da Vinci. Known as the ultimate Renaissance man, Leonardo was an accomplished painter, certainly - but also a brilliant scientist, mathematician, astronomer, cartographer and writer. He invented and envisioned concepts and contraptions that would not be developed for hundreds of years after his death. Of his roughly 15 or so works that still exist, two are recognized worldwide and parodied often: the Mona Lisa and The Last Supper. Based on style and the time period in which he lived and worked, Leonardo’s paintings would be described, considered and sold as “Old Masters,” the term that refers to works by European artists prior to 1800. In the auction world, as with most other industries, marketers rely on the old adage “fish where the fish are biting,” grouping similar styles of art, antiques and collectibles into auctions that appeal to a certain genre of collectors–presuming that when you appeal to a category loved by this defined group, you have a better chance of achieving the highest price for each item. However, Christie’s announced that Salvator Mundi would be included in its fall Post-War and Contemporary Art auction in New York, and set among works by modern masters like Mark Rothko, Andy Warhol, and Alexander Calder. A studied, romantic depiction of Christ holding a translucent, rock crystal orb in one hand while giving a benediction with the other, Leonardo’s painting stood in stark contrast to the whimsical colors and abstract forms of nearly every other work in the highpowered evening sale. As a few in the art world pondered why such a significant, in fact unique, painting would be sold out of context, most recognized that Christie’s wasn’t really selling an oil on wood panel by the world’s most famous painter. They were selling a oncein-a-lifetime opportunity, and they chose an audience known for staggering wealth and egos to match.

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Written by Amelia Jeffers

You see, of the fewer than 20 known paintings by Leonardo da Vinci, Salvator Mundi is the only work to have been owned by a private collector and available for purchase. And, Contemporary Art buyers are known to love owning something that no one else can touch–literally and figuratively. As the sale date approached, Christie’s took the painting on the tour of a lifetime, exhibiting it in salerooms across Europe, Asia, the Middle East, and culminating in a weeks-long preview at the company’s headquarters in New York City’s Rockefeller Center. So popular was the exhibit that patrons waited for hours to have just a few moments standing in front of the masterpiece. Christie’s even made a video to document viewers’ reactions, mounting a camera at the base of the painting and editing emotional moments of awe and wonder against a backdrop of powerful music. As my teenage son might say, the opportunity was “well-played” by Christie’s. As the art world rumbled and grumbled about the authenticity and condition of the painting, the people who mattered (potential bidders) frothed at the mouth, and estimates and guesstimates as to a final selling price were debated like Super Bowl odds in Vegas. Who would pay millions for a painting that no one can even guarantee was painted by Leonardo? Though the painting had been documented as a commissioned work during his lifetime, multiple copies had been created over the years by students and followers of Leonardo. Records tracing the original work leave gaps of decades through the 18th, 19th and early 20th centuries; and, remarkably, when this example came to auction in the 1950s, it was sold for about $50 as a very damaged version by one of Leonardo’s lesser pupils. In 2005, the painting came to auction again, this time at a small auction company in New Orleans. A handful of dealers who specialize in Old Masters put together a partnership and bought the painting for less than $10,000, gambling that underneath an absurd amount of overpainting lay a treasure like no other. Investing in a quality restoration and respected authentication, the team managed to have the painting displayed at the National Gallery of Art as an original Leonardo, and successfully parlayed their investment into a $10M sale to a Swiss dealer in 2013. Each time the painting changed hands, the sales price grew exponentially, until Christie’s hammer fell on an historic night in November for $400,000,000 plus fees to the buyer, which brought the final price to a record-setting, earth-shattering $453M. For more information about the Salvator Mundi, or to view the moving video “The World is Watching” by Christie’s, visit https://tinyurl.com/LeoAtChristies. sl Amelia Jeffers is an nationally-known auctioneer and appraiser who has worked in the fine art, antiques and bespoke collectibles market for over 20 years.

Leonardo da Vinci (1452-1519), Salvator Mundi, painted circa 1500 Image copyright and courtesy of Christieâ&#x20AC;&#x2122;s

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Château Margaux 2015 case and bottle Photo by G. de Bauchene

MESSAGE ON A BOTTLE For the first time in its history, Château Margaux has created a special bottle design to commemorate an exceptional vintage and its iconic vigneron Written by Chloe Geller For more than five centuries, the innovations, talents and shared passion among the succession of families at the helm of Château Margaux have melded to create wines of great distinction. From the end of the 16th century, Château Margaux has been part of the rising elite of the “Premiers Crus” as it was, in fact, well before being sanctioned by the official classification of 1855. Among the most notable bastions of the brand was André Mentzelopoulos, who became its owner in 1977. Today his daughter Corrine and her own daughter Alexandra carry on his legacy, supported by General Manager Philippe Bascaules. Since its founding, the vineyards that comprise 650-acre estate have occupied the same plots at the heart of the Margaux appellation. Over generations, continued experimentation, observation and adaptation to the terroir have enriched the 60 slmag.net

savoir-faire to the point that it has become an integral part of the terroir itself. Awareness of heritage and an openness to modernity (including the construction of new cellars designed by Lord Norman Foster in 2015) allows Château Margaux to create wines that are both softer and more concentrated; they are easier to drink young but have not, however, lost any of their extraordinary aging potential. Technological innovations have also extended to the bottling process, with Château Margaux implementing a number of measures designed to guard against counterfeiting and to enable better means of tracking. A laser marking system extends the tracking of wines beyond the bottling stage, while a bubble-code security system fixed to the cap of all bottles from 2011 onward permits ease of authentication.

New cellar at night Photo by Mathieu Anglada

Corinne Mentzelopoulos and her daughter Alexandra Petit-Mentzelopoulos

North facade of the Château Margaux Photo by Francois Pointe

Vats in the new cellar Photo by Mathieu Anglada

Wines produced at Château Margaux include Pavillon Blanc du Château Margaux, produced from 100-percent Sauvignon grapes; Margaux du Château Margaux, a limitedproduction wine only available in a select few restaurants in France, the UK, Japan and the US; Pavillon Rouge du Château Margaux, which is ready to drink a little earlier, while still having an excellent ageing potential; and Château Margaux Grand Vin, which has been recognized since the 16th century as one of the greatest wines in the world. For the first time in its history, and for this year only, Château Margaux has created a special bottle for its Grand Vin 2015. This wine marks a momentous occasion for the winery, as it was the last to be produced under the supervision of Paul Pontallier, who joined the estate in 1983, and assumed its

general management from 1989 until his untimely passing in March 2016. In place of the usual labels found on standard bottles, magnums, imperials and balthazars, all presentations of Château Margaux Grand Vin 2015 are decorated with a custom screenprinted design affixed to the glass. The bottle design pays tribute to Pontallier while reflecting the winery’s storied cellars and grounds, which are superimposed in grey and gold. The 2015 vintage was the last supervised by Pontallier and Corinne Mentzelopoulos believes the bottle design for this very great vintage is a fitting tribute to a legendary winemaker, who is widely credited with significantly modernizing and improving winemaking at the estate. Available now, the Grand Vin 2015 Vintage retails for $1,200. For more information visit chateau-margaux.com. sl

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A professional diving instrument, the BR 03-92 from Bell & Ross is water-resistant to 300 meters and driven by a Swiss selfwinding mechanical movement within its square steel case ($3,700; bellross.com).

ROLLING IN THE DEEP Watches to dive for Compiled by Colin Dennis For a present-day watch to be officially certified as a "dive watch," it must meet strict guidelines from the International Organization for Standardization. Among the required criteria is water resistance to a minimum of 100 meters; a watch face that is legible in total darkness (in addition to a glowing second hand to indicate that the watch is working, even in blackout conditions); and, magnetic, shock, and chemical resistance. Weâ&#x20AC;&#x2122;ve selected a few of our favorites, all of which are equally suited to blue jeans as the deep blue sea. 62 slmag.net

Clockwise from top left: Ferdinand A. Porsche designed the original Aquatimer Ocean 2000 for IWC Schaffhausen in 1982. Limited to 350 pieces, the Aquatimer Automatic 2000 Edition “35 Years Ocean 2000” (Ref. IW329101) is the thinnest deep-sea diver’s watch in IWC’s collection. Despite the minimal case height, it functions reliably on dives of up to 2,000 meters ($6,999; iwc. com). In 2018, Audemars Piguet is celebrating the 25th anniversary of the Royal Oak Offshore. Shown is the Royal Oak Offshore Diver in Day Into Night Purple, one of four new colors available for 2018. Waterresistant to 300m, the purple dial has a “Méga Tapisserie” pattern, white gold applied hour-markers and Royal Oak hands with luminescent coating. Purple rubber strap with stainless steel pin buckle ($19,900; audemarspiguet.com). In 1892, Edouard Heuer filed the first patent for a watertight case in the history of watchmaking. Since that time, the Aquaracer (a collection created in 2003) has continued to evolve, becoming a sports watch beloved by men and women in equal measure. This Aquaracer Lady comes in steel with a blue mother-of-pearl dial and diamond bezel. It is water-resistant to 300 meters ($3,350; tagheuer.com). First launched in 1953, the Zodiac Sea Wolf was one of the first serious diver watches manufactured and marketed to the general population. This heritage style was relaunched in 2014 with the Super Sea Wolf. This model features a stainless-steel case and uni-directional mineral crystal topring, glossy blue dial and C3 SuperLuminova hands and indexes ($1,195; zodiacwatches.com). Bremont was founded in 2002 by Nick and Giles English with a mission of crafting pilot's watches of exceptional quality. The S500 Supermarine is the brand's first dive watch, water-resistant to 500 meters ($5,095; bremont.com). For 2018, Jaeger-LeCoultre released a full range of watches inspired by the Memovox Polaris E859, the 1968 diver’s alarm that is now 50 years old. The Polaris Date resembles the vintage alarm, but is a time-only watch with a date display at three o’clock like the original Polaris. The 42mm solid casebook features an engraving of a diver ($7,750; jaeger-lecoultre.com).

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Clockwise from top left: The Calibre de Cartier Diver watch is water-resistant to 300 meters. Set within a 42mm steel case, the partly snailed blue dial has Super-LumiNova indicators. The blue rubber strap closes with a steel buckle ($7,900; cartier.com). Oris launched the Oris Clipperton Limited Edition in December, 2017. A percentage of funds raised by sales of the 2,000 pieces produced will go towards the protection of the world's oceans.Boasting the same roster of high-performance functions the Oris Aquis is renowned for, the 43.5mm stainless steel case is water-resistant to 300 meters and the case back is embossed with an outline of Clipperton Island and its coordinates ($2,227; oris.ch). Baume & Mercier Clifton Club 10339 is a 42mm automatic watch with a black dial and rubber strap ($2,250; baume-et-mercier.com). Hamilton's iconic submersible Khaki Navy Frogman watch was created for the US naval “frogmen” teams and featured in the 1951 movie The Frogmen, marking the brand’s very first on-screen appearance. Relaunched in 2016, the 42mm stainless steel model shown is water-resistant to 1,000m and ISO 6424 certified, the true seal of divers' watches ($1,095; hamiltonwatch.com). The Breitling Superocean II 42 with Volcano Black dial and black rubber strap is water-resistant to 500m. The rubbermolded fluted unidirectional rotating bezel displays easily discernable large numerals, a countdown of the last 15 dive-time minutes and a triangle with a luminescent marker at 12 o’clock. ($3,400; breitling.com). A reissue of a diving watch from 1960, the lines of the original the Longines Legend Diver watch are repeated, including the domed crystal, reminiscent of the technical limitations of the time. Water-resistant to 300m, the 42-mm stainless steel box houses an L633 automatic mechanical movement and sports an engraving of a diver on its case back ($1,795; longines.com).

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Modern MAster PAinter Art spanning decades and continents

Eisele Gallery of Fine Art presents an important retrospective exhibition of artwork by Paul-Henri Bourguignon (1906–1988) February 23–March 31. The show spans four decades and includes more than 100 paintings and drawings. Although most of this work was produced in Ohio, Bourguignon’s unique perspective began in Europe at the forefront of mid-century modern art movements. Born in Brussels, Bourguignon studied painting at the Académie des Beaux-Arts in Brussels and Art History at the Université Libre de Bruxelles in the 1920s before going to Paris. He became active in the European art scene where he was introduced to revolutionary art innovations as they swept through Europe. As the art critic for the Brussels newspaper, Le P e, in the late

Exhibition: February 23–March 31, 2018 Opening reception: February 23, 2018, 5–8 p.m. Artist’s talk: What’s So Great About Mid-Century Modern Art? March 10, 2018, 11 a.m. at Eisele Gallery of Fine Art 5729 Dragon Way • Cincinnati OH 45227 513.791.7717 • www.eiselefineart.com

1940s, Bourguignon continually monitored the contemporary art world, interviewing and writing about artists exhibiting in Belgium and France. His insatiable curiosity about people and customs of faraway places led him to travel to Spain, Corsica, France, Haiti, Italy, Yugoslavia, North Africa, the Caribbean, and Peru. He lived in Haiti and Peru before settling in Ohio in 1950 with his wife, Erika Eichhorn, an anthropologist at The Ohio State University. From then until his death, Bourguignon was a prolific painter, recalling with vivid intensity scenes from his travels and his impressions of the people and places he encountered. In this comprehensive exhibition, a viewer can find a thousand influences dancing through the work of Bourguignon: Cubist

PAul-Henri Bourguignon perspective innovations, Fauvist intensity of color, strong emotions portrayed in Expressionist styles, and poignant Minimalism. Bourguignon explored these and other modernist movements through his own lens, developing a style distinct from his European contemporaries, imbuing his work with the richness of his own personal experiences mixed with whimsy. Doug Eisele, gallery owner, said, “We are thrilled to share this exciting museum-quality exhibition with Cincinnati. It is rare to find an Ohio artist as worldly and knowledgeable as Bourguignon. Because he was a newspaper art critic during such an important art period, he had access to the most successful modern artists of his time. He understood modernism in all its intricacies and his art reflects his

sophistication. His paintings are fresh, accessible, and affordable and they appeal to both seasoned and new collectors.” Bourguignon artwork can be found in public and private collections and in museums in the United States and Europe. The Columbus Museum of Art mounted a solo exhibition of his work in 1964, and, 50 years later, in 2014. The Eisele Gallery is one of Cincinnati’s oldest and most respected fine art galleries specializing in original paintings by noted 18th, 19th and 20th century American and European artists as well as renowned local, regional and national living artists. More information about the artist: www.paulbourguignon.com

TASTY COMFORT

Matt the Miller’s Tavern combines tasty food with great ambience Written by Bridget Williams / Photography by Andrew Kung Sometimes we take our simple pleasures too seriously and that includes the act of dining out. However, that does not mean we need to lower our wellhoned taste buds’ expectations. Matt the Miller’s Tavern, a new addition to the Kenwood Collection shopping destination, offers a fine balance of relaxed atmosphere, warm lively wait staff, and scrumptious comestibles. The establishment’s name is indicative of just what a fun restaurant it is. According to the eatery’s website, mtmtavern.com, the tavern’s idea, theme, and feel was fomented by a certain pub to be found in the ancient town of Kilkenny, Ireland. Seems Matt the Miller would purloin the best barley for his brew, and over time was able to perfect his libation and open his own establishment. It became a community gathering spot, and the place where the county’s condemned requested their last meal of Matt’s soda bread and his superior quaff. It is said that twice a year, Matt’s ghost appears to ensure the quality of his ale is still to his standards. It’s Ohio iteration took shape in 2008 in, appropriately enough, Dublin, Ohio. While there are currently 21 craft and imported brews available on Matt the Miller’s bar menu, there is a fabulous new focus on fine wine as well. An impressive Enoline Wine Serving System allows patrons to enjoy premium wines by the glass, a wonderful way to discover and sample wines that otherwise might not be available by the single glass. Selections rotate, but there are currently 16 gorgeous wines available “on tap”, including a lovely Joseph Drouhin Saint-Veran Chardonnay from France, and a yummy Owen Roe ‘Rosa Mystica’ Cab Franc from the Yakima Valley. For those more spirit-centric, seek out the beautiful Blueberry Basil Limoncello Martini, a sly mixture of Stoli Blueberry, Limoncello, fresh basil, lemon juice and simple syrup, or the delightful Barrel Aged Manhattan, with CBL’s Knob Creek Single Barrel, maraschino liquor, sweet vermouth and bitters. Always on the lookout for the perfect Manhattan, this is quite the stunner. There also a variety of Matt’s Mules, and a luscious and plentiful selection of top shelf liquors. Thursday nights are especially popular, with special Lady’s Night offerings.

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Chicken Bruschetta, Bavarian Pretzel Bites, and Wild Mushroom Flatbread

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Ahi Tuna Stack: Layer of crispy wontons, fresh avocado, ahi tuna poke, and pickled cucumber with wasabi aioli and Guinness-soy reduction

The Miller: Signature 3/4 lb hand made burger topped with bacon, swiss, cheddar, lettuce, tomato, onion straws, creamy slaw, and garlic sauce

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While the bar offerings are impressive, the food is exceptional, very fresh, inventive and delicious. Moreover, it is chef driven and inspired, and truly offers something for everyone. Inventive starters perfectly pair with the extensive wine and beer offerings. Especially impressive was the Artisan Cheese Plate, with brie, gruyere, and smoked bleu cheese, a dollop of fig jam, dried apricots, house-made spiced nuts, and cracker which was lovely paired with a spicy red wine. One of Matt the Miller’s signature starters, Bavarian Pretzel Bites, are wonderful with one of the many beers offered. These golden nuggets are served with a light dusting of sea salt and a flavorful garlic dipping sauce and tangy sweet mustard. The Miller’s Original Flatbreads are newer to the menu and are a kicked-up and outrageously good remake of standard pizza. The toppings are phenomenal flavor combinations including Chicken & Watermelon Salsa which is a zesty avocado mousse with grilled chicken, jalapeno, and white cheddar finished with a refreshing watermelon salsa. A personal favorite was the Ahi Tuna flatbread with miso mousse and avocado slices, Asian slaw, rare sliced ahi tuna, toasted sesame seeds, wasabi aioli and soy reduction. Don’t miss the Pear and Gorgonzola either. For the more traditionally inclined, there is a Classic Margherita resplendent with fresh mozzarella, sweet basil, ripe plum tomatoes and parmesan cheese. For the burger lover, The Miller is the real deal. A hearty, juicy grilled ¾ handmade patty is cooked to order and topped with crispy onion straws, lettuce, tomato, bacon, swiss, cheddar and garlic sauce and creamy slaw, served on a homemade rosemary potato bun. This is a big, big burger, so much so it is served with a steak knife through its top to assist in wrangling its heft. There are a variety of other sandwiches available for all tastes, and each are served with a choice of fries, sweet potato fries, side Matt’s salad, Balsamic Salad, or Miller salad.

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Artisan Cheese Plate: Brie, gruyere, and smoked blue cheese, with fig jam, dried fruit, and house made spiced nuts and crackers

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14oz New York Strip Steak Oscar

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Mini Dessert Flight: Carrot Cake, Chocolate Cake, Cheesecake, and Oreo Brownie

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Shrimp & Grits: White corn and cheddar grits cake topped with sautéed shrimp, tasso ham, peppers, onions, and a cajun creamy sauce

Matt’s Favorites include some decidedly chef-forward dishes, the most popular by far being the low country favorite Shrimp and Grits. White corn and cheddar grits cakes are topped with perfectly sautéed shrimp, tasso ham, peppers and onions, lovingly bathed in a piquant Cajun sauce. For seafood and sushi lovers, and for a truly special treat, the Ahi Tuna Stack is outstanding. This remarkably fresh and flavorful dish is layers of crispy wontons, fresh avocado, ahi tuna pole, and pickled cucumber, finished with a wasabi aioli and a Guinness soy reduction. This scrumptious dish is served with a petite Asian salad. The restaurant is committed to obtaining the freshest fish, but also is ecologically minded as they offer only sustainably caught seafood. Finally, but by no means least in this galaxy of delicious offerings are some sensational dry and wet aged steaks. All Matt the Miller’s steaks are purveyed from Buckhead Beef, the premier supplier of USDA Prime Beef in the US, and each is an individual masterpiece in flavor. Matt’s Filet is prepared to perfection and offered with a mélange of possible toppers including garlic butter, onion straws or gorgonzola. A variety of perfectly prepared sides are offered to round out the steak. The desserts at Matt the Miller’s are plentiful, but the dessert minis offer a bit of everything good and sweet. These smaller portions allow for just a taste and can be shared (or not) with the table. Included are a perfectly spiced carrot cake, and very chocolatey good chocolate cake mini, a creamy cheesecake mini, and an Oreo brownie mini. There are also full-size servings of warm banana bread pudding.

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In addition to their wide daily menu, Matt the Miller’s Tavern offers an extensive and very popular Sunday Brunch, which runs from 10 a.m. – 2 p.m., an homage to the opulent brunches of by-gone days. There are, of course, made-to-order omelets, eggs benedict, hash browns, lovely fresh fruit and salad, and a variety of sweet cinnamon rolls and savory flatbreads. The chicken and waffles are very toothsome as well, and pair well with Matt’s bloody Mary bar. The regular menu is not available during Sunday Brunch. One of the most impressive aspects of Matt the Miller’s is the truly electric energy of the place. The place starts to fill early, and on weekends there can be a wait. But even when waiting in line everyone seems to be glad to be having this special dining experience. The servers are all engaged, friendly and attentive. The diners know each other, are happy to see and be seen. Matt the Miller’s has deftly and easily melded into the community and brought a spirit of fun and flavor. sl Matt the Miller’s Tavern is located at 5901 E. Galbraith Road on the second level of The Kenwood Collection. Hours: Monday – Thursday 11 a.m. – 11 p.m., Friday and Saturday 11 a.m. – Midnight and Sunday 10 a.m. – 10 p.m.

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A SUPERB FRENCH CHÂTEAU… MON DIEU! Indian Hill’s Most Magnificent Manse Reveals Its Many Delights Written by Sheree Allgood / Photography by Helen Adams

There is nothing quite like the impressive French chateau resplendently surrounded by a 300-acre permanent green belt in the heart of the village of Indian Hill. It is truly the purest gem in the crown of many spectacular homes in the area, a masterpiece of style, discriminating taste, exquisite detail and meticulous craftsmanship. Constructed with oldworld materials including brick, stone, hand-hewn beams and reclaimed slate the home conveys an inspired impression of the great estate châteaus of France. The grounds host prancing deer in the vast meadow ringed by a stand of birch trees while red tail hawks serve as sentinels on-high like falcons of old. It is not hyperbole to say this home’s form, function and fabulousness are peerless in this region and beyond. 78 slmag.net

The original main residence and two 4-car carriage houses each with apartments above was constructed between 1997 and 2002. In 2005, a stunning 54’ by 27’ pool, spa and pool house with outdoor kitchen and attached two-story garage with space for an additional 20 cars were added to the compound. The surrounding outdoor bluestone terrace leads to a covered lanai with a substantial outdoor fireplace overlooking the magnificent yet fanciful European limestone fountain. The scale of these outdoor spaces is in perfect symmetry with the home and its verdant and impeccably planted grounds. One of the most noticeable features of the home’s exterior is its gorgeous slate roof, holy and wholly reclaimed from a centuriesold Monastery in the Bronx.

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This rare feeling of the incomparable extends into the home’s breathtaking yet earthy and warm French-country inspired interior, every inch of its 27,000 square foot span a work of art and consummate craftsmanship. While the house is undeniably large, the rooms all enjoy a human scale and flow naturally from one to the other making this every bit a comfortable and welcoming dwelling. A combination of limestone and walnut floors, each room featuring a different flooring pattern, can be found throughout the home. Each room also showcases a unique ceiling detail be it coffered, or beamed, or recessed, or vaulted, or paneled and all rooms have multi-stage layers of crown and base molding – none are heavy handed – all perfectly suit the scale and substance of this home. There are six serene bedrooms in the home, with a possible seventh in the lower level as well as eight full and four half baths – each more spectacular than the next. Another august feature of this abode is its seven stately masonry fireplaces which add literal and figurative warmth both inside and out. 80 slmag.net

The home’s large-scale elegance, stunning interiors and easily accessed outdoor spaces via countless French doors make it ideal for entertaining. As with most homes, the kitchen is the hub for creating lavish feasts, yet is comfortable enough for more humble family repasts. The kitchen’s design is a magical blend of rustic and elegant with a touch of “Provence.” Adjoining the main kitchen is a well-appointed catering kitchen with two walk-in pantries. Naturally, the appliances are all professionalgrade and abundant including a Thermador 8-burner range, 72” SubZero refrigerator/freezer, a cleverly disguised TV cabinet that raises and lowers by remote control, and a charming adjoining breakfast room separated from the kitchen by a feet-thick herringbone brick archway. Natural light is plentiful in this cook’s domain as is the lighting from finely wrought chandeliers and large skylights with lighting that affords the room an inviting glow into the night. Solid, hand-scraped, knotty alder wood doors with Rocky Mountain hardware are a consistent design element throughout the house.

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The kitchen is open to a great room that epitomizes the word great. This room has a vaulted ceiling with exposed walnut trusses anchored by a massive field-stone fireplace with limestone mantle and a grand yet rusticated rod iron chandelier. Adjacent to the great room is this home’s incomparable conservatory, which was commissioned and fabricated in England. Lucky is the plant (or human) that enjoys photosynthesizing in this singularly spectacular solarium. Another room that makes this dwelling extraordinary is its billiards room, with walnut paneled and box beamed ceiling and walls. This room also has a handsome limestone fireplace as well as a wet bar with upper cabinets that reveal three televisions to delight the ultimate sports fan as well as a deftly concealed compartment in the paneling for storing billiards cues and accoutrements. For more studious pursuits, a cozy den is down the hall, with inspiring views of the impeccably landscaped grounds, a substantial, handsome masonry fireplace, a large skylight and built-in bookshelves aplenty. In keeping with the home’s many assets that make it exceptional for entertaining, there is a large and lovely formal dining room with limestone floors, beamed ceiling and an appetite-inducing limestone fireplace. Off the entry foyer, the heart of this home, is an exquisite two-chamber powder room and, for especially large gatherings, a sizable cloak room. The hospitality factor in this home is legendary having hosted multiple United States Presidents, numerous international celebrities and

frequently serving as the venue for some of Cincinnati’s most memorable philanthropic soirees. There are two master bedroom suites in this residence. The first floor master suite – really an entire wing of this home – is beyond masterful. Situated in its own private end of the house away from the public spaces and ensconced in peace and tranquility is the five-room master wing. The sumptuous bedroom has a box beam ceiling, fireplace and a walkout to the terrace. The adjacent sitting room with three walls of windows is a bright space to enjoy a morning cup of coffee while reading the paper and overlooking the dew on the grass. No slippers are necessary as the master bedroom, sitting room and bath all have heated floors. Every imaginable detail has been attended to in the spainspired master bath which features one-each of everything including two WC’s, two vanities, a luxurious walk-in steam shower and large soaking tub. Also in the master wing is a second study/office with exquisite bleached walnut “cathedral cut” paneling, three walls of windows and stunning walnut and limestone inlaid floors. And, last, but certainly not least, is the master suite’s mind-bogglingly large and luxurious dressing room/closet. At 35’ x 19’ with bright windows, sparkling crystal chandeliers, bespoke cabinetry, dressing mirrors, makeup vanity, private laundry and glass-front compartments for articles that deserve to be seen, this “I dare you to call me a closet” room can suit even the most fastidious Fashionista.

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The second floor, accessed via a stunning stairway off the plaster coved-ceiling entry foyer features a picturesque center-hall library flanked by three spectacular bedrooms including a second master bedroom â&#x20AC;&#x201C; each with large, well-appointed walk-in closets and beautiful spa-worthy ensuite baths. The lower level of this home, unlike most, is by no means an afterthought. Here you will find a superb 1,000 bottle wine cellar and tasting room with brick support walls to replicate a French grotto and a fabulous custom-crafted grapes-and-vines rod iron chandelier. Also in the lower level are the superb, bright, walk-out exercise and recreation rooms, a second sizable and well-appointed dressing room/wardrobe, a hobby room, a spa/message suite, a 86 slmag.net

staff lounge and copious storage. As well, the lower level features a state-of-the-art tiered-seating theater with its own kitchenette and popcorn popper. A residence of this magnitude naturally includes advanced technology including lighting, HVAC, phone, audio/visual and security systems ensuring the home operates efficiently and effortlessly for the ultimate in comfort and livability. The exacting attention to detail in every nuance of this property is unparalleled; to live here would be as heady and enchanting an experience as living in a centuries-old chĂ˘teau in the south of France, but with every luxury, comfort and modern amenity imaginable in the village of Indian Hill. This domain is, without a doubt, the embodiment of joie de vivre. sl

We are proud to present

9005 Camargo Road In the Village of Indian Hill

Offered at $7,499,000 Please call for a private showing

513.527.1444 | dw@comey.com

Bob Dorger

An incomparable property with an eight-figure replacement value, this 27,000 square foot brick, stone and slate French chateau majestically sited on over 5 acres adjacent 300 acres of forever greenbelt is accessed via a welcoming gravel drive leading to an auto courtyard & garages that can comfortably accommodate 25 cars. Constructed with zealous attention to detail in 1999 and added onto in 2005 with impeccable craftsmanship, this masterpiece residence features 6 sublime bedrooms (including a 5-room 1st floor master suite), 8 full and 4 half baths, 7 magnificent masonry fireplaces and a resplendent Gunite pool with wellappointed pool house. Features (too numerous to convey) include a dramatic slate roof salvaged from 2 NYC churches, substantial old-world plaster walls, limestone floors with walnut inlays, century-old beam ceilings, gourmet kitchen & catering kitchen, English conservatory, French plumbing fixtures, sophisticated sound & lighting systems, 1000-bottle brick wine cellar, movie theater, game room, exercise studio, library and carriage house apartments. Simply. Like. No. Other. Period.

David Wellinghoff

Paige Dorger

Lori Wellinghoff

Mary Dorger

Jane Dorger

Mariza Cohen

Marti Schuler

Maddie Hartman

Kim Merrell

Katrina Stahl

Arts Profile

DUDLEY TAFT Cincinnati Arts Association

Written by Lisa Stephenson Powell

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When Robert Sapolsky, a neuroscientist at Stanford, was asked to explain the physics term Elegant Solution, he wryly replied, “You know it when you see it.” The phrase refers to a desired outcome that is not only correct, but pleasant to observe. It applies to the characteristics of architecture (the Chrysler Building), couture (Givenchy), music (Mozart), sports (Federer) and dance (Astaire). It is at once graceful, simple and dignified while being, at the same time, welcoming and unpretentious. Individual parts make its whole attractive. In downtown Cincinnati, and Over-the-Rhine, two impressive footprints exhibit its definition and augment the beauty of our city: Music Hall and the Aronoff Center for the Arts, both of which are managed by the Cincinnati Arts Association (CAA). Dudley Taft, who is the CEO and President of Taft Broadcasting, and Chairman of the CAA, was seated in a conference room with an aerie view as morning sun juxtaposed the bitter chill of winter. Mr. Taft has a whimsical sense of humor and spoke about growing up in Indian Hill which was, at the time, a rural area. He was the youngest and only son of three children, and described his father as a ‘hobby farmer.’ “At one point he brought six cattle to the area near our house and they proceeded to trample everybody’s garden in the neighborhood,” he laughed. “They finally congregated

Front Facade of Music Hall

Dudley Taft

in the space of what is now the Madeira School and the Indian Hill Ranger Station, before being lured back to their farms by a milk cow.” Mr. Taft grew up in a musical family. His father and grandfather were opera buffs, his father played the piano and served on the Music Hall Association Board; both of his sisters played instruments. Mr. Taft attended Seven Hills School and Cincinnati Country Day before going to Watertown, Connecticut, where he attended an eponymously named boarding school. “It was founded by a member of my family,” he said, “and I was often asked if it was an obstacle having my name on the school. I told them it was a problem for two weeks and then I became like everybody else.” The lineage of Mr. Taft’s family dates to 1839 when Alfonso Taft migrated from New England to Cincinnati via the Ohio River aboard a flatboat; a graduate of Yale, he was also a founding member of the prestigious Skull and Bones society. “Charles P. Taft, who established the Taft Museum, was the eldest of two sons from Alfonso’s first marriage,” he explained, “and William Howard Taft was one of five children with his second wife, Louisa.” The family was steeped in history, both local and national. “There’s an interesting book by Doris Kearns Goodwin,” he added, “entitled The Bully Pulpit, which details the political careers of William Howard Taft and Teddy Roosevelt.” slmag.net

Front Facade of Aronoff Center

Although his family dynasty included a president, a governor, members of the presidential cabinet, a secretary of war and an attorney general, Mr. Taft had little interest in politics and, instead, pursued a career in the family’s media concerns. In 1879 Charles P. Taft purchased two newspapers, The Times and The Cincinnati Daily Star; a year later they merged and were published as a single afternoon paper, the Cincinnati Times-Star. The newspaper was the embryonic beginning of Taft Broadcasting, which would eventually include interests in radio, television, the development of entertainment properties and theme parks. In 1939 Mr. Taft’s father purchased the radio station WKRC 550, and ten years later the television station WKRC-TV began broadcasting in the Times-Star building downtown. When Mr. Taft was sixteen he worked as the floor boy, setting up sets and prepping equipment for announcers. “It was very cramped and primitive in those days,” he recalled, “but it was a success.” After earning his bachelor’s degree from Yale Mr. Taft served in the Marine Corps Reserves and graduated from the University of Virginia with a degree in administrative law. “I didn’t have a great interest in practicing law,” he said, “but the degree was a useful discipline.” He practiced in Washington, DC, before returning to Cincinnati, at his father’s request. A few months later, when

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Mr. Taft was twenty seven, an unexpected accident resulted in his father’s death. Mr. Taft became the president of the company and for two decades worked closely with Charles Mechem, who was the chairman and CEO. Mr. Taft also assumed his father’s place with the Music Hall Association Board. His business ventures have been diverse and far reaching. He has purchased and sold television stations; he served as a director of the US Playing Card Company, which was founded just after the Civil War and became known for its recognizable logos of bicycles, bees and aviators; he was instrumental in the planning and building of the Newport Aquarium; under his tutelage Taft Broadcasting served as the parent company of the Hanna Barbera cartoon dynasty for almost thirty years, during which time Kings Island was developed; and the company had a vested interest in an Australian television production entity that created popular police dramas. Taft Broadcasting held a fifty percent ownership of CIC Video’s Australian operations, as well as CIC-Taft Home Video. Music Hall was built in 1878 and during its history has required periodic, and necessary, upgrades. In the early 1970s, changes were implemented to accommodate the Cincinnati Opera, when performances moved from the Cincinnati Zoo; ten years later improvements were done to the auditorium, the back of house and

Lower Level Seating At Aronoff Center

View of Stage at Aronoff Center

View from Stage at Aronoff Center

the mechanical grids. “But most importantly,” he explained, “we raised three million dollars for an endowment that is now worth fifteen million, which helped us sustain the building when it was shut down for the most recent renovation. A critical goal during the 1980s was to have a foundation for financial support and the future.” In 1990 the state of Ohio offered forty million dollars to build a performing arts center in Columbus, but the project was halted by residents of the city. “Stan Aronoff, was president of the Senate at the time and he alerted people in Cincinnati,” Mr. Taft recalled. “He said, ‘Listen, there’s low hanging fruit here and we have a chance to grab those funds,’ so a committee was formed to explore the idea and to move it forward.’” It was not, however, an easy path to fruition. Local opposition denounced the project as a waste of money and a detrimental threat to Music Hall, which led to a showdown meeting with constituents of the Music Hall Association. Ultimately its members voted seventeen to three in favor of the venture, and in 1993 the CAA was established to manage the Aronoff and Music Hall. “Our plan was to operate them together,” he said. “We brought in a professional staff, financing and the necessary marketing elements; in a nutshell, it was the best thing that ever happened.” The success of the Aronoff Center’s Broadway in Cincinnati

series, as well as other events that are booked in its spaces, has been impressive. The Aronoff has been a catalyst for the renaissance of downtown, which evolved to the revitalization of the neighborhood, the redesign of Fountain Square and the involvement of 3CDC. Although the business of show business can be hit or miss, the Broadway in Cincinnati series, which is the main hinge of the Aronoff’s financial engine, began with a strong subscription base that has grown to a record number this season. Cincinnati compares favorably with other cities that host the Broadway tours, and has one of the largest Broadway subscription bases in the nation, with one of the highest number of subscriptions per capita nationally; there is mounting excitement about its 2018 – 2019 season, which will include the theatrical juggernaut Hamilton. The Aronoff Center presents a vast array of entertainment choices in its smaller spaces that include the Jarson-Kaplan Theater and the Fifth Third Bank Theater. Options range from the Cincinnati Playwrights Initiative to the Cincinnati Music Theatre, and from the Cincinnati Boychoir to Contemporary Dance Theater (CDT). The Aronoff is home to nine resident companies whose performers hone their craft, share their talent and work as artists in the community, or in the case of CDT, present acclaimed dance companies from across the country.

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View of Stage at Music Hall

Ballroom at Music Hall

“We are always looking for productions that reach audiences which may not be served by other theatres, and we are very proud of those associations,” Mr. Taft said. “The arts have always been a part of our culture, and it has been amazing to see how prevalent they are in Cincinnati, and how supportive the city has been.” The sixteen month renovation of Music Hall was a slow, and often painful, process, which was not without challenges and setbacks. “We started talking about it twelve years ago,” he said, “and we had false starts in the areas of design, budget and financing. When Otto Budig took over as chairman we were able to raise over seventy million dollars in private donations, we received fifty million in tax credits and 3CDC, as a third party, moved the project to completion.” Two of the boards with which he has had a long standing association include the Boys and Girls Club of Cincinnati, (“It’s where the rubber hits the road, and it gives the most vulnerable members of our community an alternative to difficult situations”), and ArtsWave, originally known as the Fine Arts Fund, which was founded by members of his family during the 1920s, and for which he served as vice chairman. “The years are stacking up, and at my age I should be retired, sitting around doing nothing,” he laughed, “but I don’t think I will. There always seems to be another project, and I wanted to stay with the CAA until Music Hall’s renovation was completed. The neighborhood had changed so dramatically and so quickly, and 92 slmag.net

Chandelier at Music Hall

Window Detail at Music Hall

what 3CDC has done – with Washington Park, acquiring buildings for redevelopment and their efforts to encourage new businesses and restaurants – has been incredible. I always thought it would happen – I just didn’t think it would happen as quickly as it did.” Mr. Taft has two sons and four grandchildren, the latter of whom range in age from pre-school to teenagers. He enjoys playing golf and skiing; is a lifelong pilot; and, as evidenced on his current YouTube page, strums a tenor banjo with aplomb. His group is called, appropriately, Dudley Taft and Friends, and he has performed Dixieland Jazz for more than fifty years – at Yale, for fundraisers in the garden of the Taft Museum and in venues around the city for private parties. “A career in the arts may not be the most profitable,” he said, “but it is satisfying and rewarding; without them we wouldn’t have much of a community. There are always obstacles, but it’s also very exciting, and I am very proud of what the CAA has accomplished. Three of Music Hall’s resident companies – the Symphony, the Opera and the Ballet – are in very good shape right now, which is not true in many cities around the country. The staff members at both locations are dedicated professionals who provide, and sustain, the best services for the performing arts. In a way we’ve been a maverick force in Cincinnati because we have done what we do best. The arts are the fiber of our city, and when other businesses come and go, and other activities come and go, they are the one lasting part of our history, and of mankind.” sl

Modern Master Painter Paul-Henri Bourguignon Art spanning decades and continents

February 23â&#x20AC;&#x201C; March 31, 2018

Fair Haired 1960 gouache 9 1/4 x 7

Milan 1980 acrylic 18 x 20

paulbourguignon.com

Chuckle 1975 acrylic 16 x 12

Eisele Gallery of Fine Art

Colorful Crowd 1982 acrylic 15 x 21

5729 Dragon Way Cincinnati OH 45227 513.791.7717 eiselefineart.com

2018 ArtsWave Community Campaign Chair Jim Henning with ArtsWave President and CEO Alecia Kintner

Philanthropy Profile

ArtsWave Written by Lisa Stephenson Powell

The acclaimed actor John Lithgow recently starred on Broadway in Stories by Heart, a tribute to his family and to his father’s career in the theater. “Audiences teach you a lot,” he wrote in The New York Times. “And the toughest audiences teach you the most about performing, which celebrates our collective imaginations.” Locally ArtsWave has bridged the multi-faceted outlets of creativity since 1927, as it has supported the business of producing and provided the pleasures of consuming. Its current fundraising campaign, which started in February and will continue until the end of April, is an enduring tradition in Cincinnati with impact that extends far beyond its timeframe. The President and CEO of ArtsWave, Alecia Kintner and Jim Henning, President of Ohio and Kentucky for Duke Energy, and Chair of the current campaign, shared insight on the widespread influence of the organization. Since its inception more than three hundred million dollars has been distributed to art, music, theatre, dance and community organizations. Last year over twelve million dollars was raised, making it the largest private community arts campaign in the country and benchmarking Cincinnati as one of the most generous cities for support of the arts. ArtsWave has nearly forty thousand donors and will host over one hundred performances in thirty-nine venues during its twelve-week launch of its new event series, ArtsWave Days. At the same time, more 94 slmag.net

than four hundred organizations throughout the region will hold individual campaigns to engage their employees. When a company hosts a campaign, a member of the ArtsWave team works one-on-one as a liaison with them, and a representative from an arts institution describes how resources are applied to an operating or project budget. “One of the best stories I heard was from the Cincinnati Ballet,” Mr. Henning said. “They explained how many pairs of ballet shoes are needed, how often they are replaced and what the cost is to do so. A lay person might not realize why it’s so expensive to run one of the top ballet companies in the country and sharing that kind of information clarifies the business side of a large arts organization.” A main focus of ArtsWave this year will be to broaden the base of companies that are running campaigns. “We want to tap new businesses that contribute to our entrepreneurial economy and reach out to members of our vibrant start-up community about the benefits of supporting the arts,” he added. More than one hundred arts organizations receive funding from ArtsWave and include the best known (Cincinnati Art Museum, Cincinnati Symphony Orchestra and Cincinnati Playhouse in the Park), to the lesser-known but thriving (Roundabout Opera for Kids, South Cumminsville Community Council and Melodic Connections).

The Arts Deepen Roots in the Region; Young Professionalsâ&#x20AC;&#x2122; Choral Collective at their Chromatic Vision concert

The Arts Deepen Roots in the Region; Cincinnati Museum Centerâ&#x20AC;&#x2122;s Crafting Culture at Urban Artifact, part of their CurioCity series

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The Arts Fuel Creativity and Learning; Cincinnati Ballet’s CincyDance! in Washington Park

The Arts Enliven Neighborhoods; Price Hill Will’s free community Concerts in the Square

In February Mr. Henning met with members of various chambers of commerce; guests at the event included the Chinese Chamber of Commerce, the Northern Kentucky Chamber and the African American Chamber. “When people refer to the arts many of them think about organizations that are downtown, but ArtsWave is much broader and we want to expand that geographic footprint. So whether a person is in Butler County, Campbell County or Warren County, we want to include members of those chambers to come and to celebrate the richness of the arts in our community While the goal of the campaign is to raise money, it’s also about engaging participants and retaining loyalty. “We just honored one of our volunteers,” Ms. Kintner said, “who has signed and mailed neighbor-to-neighbor letters for thirty years. While heading another arts council before coming to Cincinnati, I tried to understand what made Cincinnati so different – why the business community kept arts support as a core value. I came to learn that there is a long legacy of philanthropy invested in having a high quality and wide variety of arts central to our region’s identity.” Mr. Henning added, “That’s the secret sauce of Cincinnati – so many people have been engaged for so many years and are always eager to sign up again. When I joined Duke 96 slmag.net

The Arts Fuel Creativity and Learning; Cincinnati Shakespeare Company’s

The Arts Put Cincinnati on the Map; BLINK parade kickoff

in 1996 I became a quick adopter and a quick supporter. I led the 2008 internal campaign at the company, and I knew that at one point I would chair the campaign. When the call came a year ago, it was an easy ‘yes.’” ArtsWave is in a constant state of reinvention, as it makes trailblazing paths into the future while honoring long standing traditions. One mainstay has been the “Macy’s Sampler,” which initially offered a weekend of free events, and which has morphed into twelve weekends of activity. “Thirty years ago there weren’t as many arts festivals,” she said, “and the Cincinnati Art Museum and Contemporary Arts Center didn’t offer free admission as they do today. So as things have changed, we have reinvented Sampler to “ArtsWave Days” so it has events during the weeks that Duke Energy, P&G and Frost Brown Todd run their campaigns. There’s always something to look forward to.” An annual favorite is the ArtsWave CincySings competition which will take place at Music Hall on April 11. Fundraiser tickets will be sold; groups are formed from corporations around the city; and vocal coaches from the Cincinnati Opera and May Festival work with the finalists. The evening is comprised of singing, acting, banter and humor, and semi-final competitions

Cincinnati Youth Orchestra performs at Cincinnati Shakespeare Company’s Otto M. Budig Theater Photo by Carlynne with Bergette Photography

are held at the Jarson-Kaplan Theater at the Aronoff Center. Celebrity judges evaluate performances and Drew Lachey has hosted the finals. Participating groups include the Power Chords (Duke Energy); the P&Gtles (who sing Beatles tunes with P&G brands replacing original lyrics); Fifth Third Bank, whose team sings under the moniker of Bank Notes; and the University of Cincinnati (HarmoniCats). Accenture has been a lead sponsor, and the competition is seen as a model engagement activity for employees. Mr. Henning described it as pure joy and magic, and added, “You can’t believe the amazing talent that comes from people who are accountants and lawyers, and who repair utility lines. They provide breathtaking moments that you wouldn’t expect from amateur singers, while exhibiting great pride in their community and their company.” Ms. Kintner explained a new initiative that was patterned on Kroger’s Rewards Program. “We wanted to establish a program that would reinforce donations, engagement and attendance of the arts, so we rolled out ArtsWave Rewards,” she said. “Every time someone goes to ArtsWave Days, they can check in at the event using the app on their phone. They can take a photo of a performance and share it on social media in order to collect Waves. The person who

accrues the most Waves will be entered into a drawing to win dinner for two at Boca, two tickets to Hamilton, an overnight guest stay at 21C Hotel, breakfast for two at Metropole and a five-hundred dollar shopping spree at Macy’s to dress for the occasion.” When Charles Taft and his wife, Anna Sinton, presented the city of Cincinnati with a new philanthropic challenge in 1927 it was with their commitment that the arts would survive and thrive. Their donation of one million dollars was matched by two and a half million from the citizens of Cincinnati. The required funds were raised in three months and the Cincinnati Institute of Fine Arts (doing business as the Fine Arts Fund in 1949 and ArtsWave beginning in 2010) was established. “You can see the ledger at the Taft Museum,” Ms. Kintner said, “which lists every donor, no matter what amount they gave. The two and a half million established our endowment, and the organization managed that endowment for the benefit of the Symphony, the Art Museum, the Opera and arts organizations that had not yet been established. The Tafts were very forward thinking and very proud of Cincinnati. They also knew that the arts would establish us as a world-class city, and that their quality and variety would reflect our legacy of giving.” slmag.net

The Arts Bridge Cultural Divides; Bi-Okoto performs at the 2017 Macy’s Arts Sampler Photo by Mikki Schaffner

Under the umbrella of the annual community campaign are other ArtsWave accomplishments. The organization has been highly successful in reaching out to and maintaining associations with Young Professionals. Last year more than five thousand YPs were identified and their contributions totaled seven hundred and fifty thousand dollars. ArtsWave affords more than one hundred and eighty-five thousand arts education experiences a year, enjoyed by children who reap long lasting benefits. “It helps them become valuable employees, productive citizens and creative problem solvers who are ready for the rapidly changing jobs of tomorrow,” she said. “And the arts can play a huge part of that paradigm.” Mr. Henning shared a personal reminiscence that involved his daughter, who danced in Cincinnati Ballet’s The Nutcracker. “She was in the production for three years,” he said. “And although she didn’t pursue a career in ballet, her confidence in connecting with people, and speaking publicly, was shaped by being on stage at Music Hall in front of three thousand people. She was completely unintimidated.” The ongoing intent of ArtsWave is to help Cincinnati attract talent, businesses and cultural tourists. Members of the ArtsWave team believe that the arts can deepen the roots of people who are here, bridge cultural divides, and increase empathy and tolerance in our neighborhoods. In 2016 ArtsWave began an association with the USA Regional Tourism to raise the city’s visibility outside of our immediate area. The partnership has become a perfect example of regional collaboration. “We planned to run a cultural tourism marketing campaign from September until December,” Ms. Kintner explained. “After the first year we quantified fourteen 98 slmag.net

million dollars in new hotel revenue and occupancy demand, and a three percent change in audiences from outside the region who visited our largest arts organizations. What they experienced in Cincinnati prompted a ripple effect that drives our reputation: the arts impact the economy, create employment opportunities, boost prosperity, increase property value and contribute to the safety of schools and neighborhoods.” The role of technology has become an intrinsic part of the arts by providing knowledge at one source that can be experienced at another. “Digital exposure allows my children to hear more, and to learn more, about the arts in other parts of the country,” Mr. Henning said. “Hamilton is a perfect example. While I was growing up in Dayton during the 1970s I would never have known about it. But my daughter learned about the musical through social media, bought the sheet music and memorized the lyrics. Her anticipation of seeing the show at the Aronoff has opened up a whole new world; technology enables us to connect, and to reach people, in alternate ways.” Ms. Kintner concurred. “Consumer behavior has changed, and so has the way entertainment is consumed. Decades ago the question was ‘What can the community do for the arts,’ but now it’s ‘How can the arts benefit the community through the experiences that they provide?’ The arts are embedded in this region and give us a vibrancy and a vitality that differentiates us from other cities. During the campaign I want people to have positive experiences that are compounded with more positive experiences. I want them to participate with the arts, to enjoy them, to be engaged by them and to catch some Waves during the coming weeks.” sl

SOPHISTICATED SOCIETY March thru April 2-3 8-10 9-11 17 17-18 21 22 23 23-24 23 – 7/22 30 – 6/17

Henry Hosea House: Easter Baskets CSO Marek Janowski conducts German Masters Cincinnati International Wine Festival @ Duke Convention Center POPS Cirque de la Symphonie Starfire FCC Opening Day @ Mad Tree Brewery American Heart Association Heart Mini Opera Fusion: New Works - Hadrian Girls On The Run Star Power Happy Hour fundraiser Beechwood, Bourbon, Beer & Basketball @ The Beechwood Home CSO Louis Langree conducts Mozart & Strauss Cincinnati Art Museum Exhibit: Cagnacci: Painting Beauty and Death Ragnar Kjartansson: The Visitors

April TBD TBD 1-30 5, 12, 19 & 26 5 6-7 7 7 7 8 12 14 14 14 14 14-15 17 18 20 20-21 20 – 8/12 25-29 26 27 27 27 – 29 28 28

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Opera Goes to Church Opera Goes to Temple Zoo Blooms Tunes and Blooms at The Zoo Mercy Health: Healthy Happy Hour on Orthopaedics and Sports Medicine @ Mercy Health West Hospital CSO Rachmaninoff Symphonic Dances The Apartment Association Outreach: 5K 4 Rent @ TM Berry Friendship Park People Working Cooperatively’s 2nd Annual ToolBelt Ball @ Jack Casino Valley Interfaith Community Resource Center: Defeat Hunger 5K POPS with Special Guest Five for Fighting Mercy Health: Healthy Happy Hour on Orthopaedics and Sports Medicine @ Mercy Health Fairfield Hospital Karen Wellington Foundation: Karen’s Gifts “Forever In Bloom” Celebration @ Renaissance Hotel St. Joseph Home Incline to the Finish Line 5K Walk, Run or Roll Children’s Home of Cincinnati’s: Puzzle Day Competition for the High School for Students with Autism and Related Disorders Mayfield Foundation’s Art and Science of Healing @ The Transept CSO Prokofiev and Beethoven Lindner Center of Hope: ‘A Day of High Hopes’ @ Kenwood CC LADD’s Taking Flight CABVI Annual Meeting @ The Transept CSO Bernstein Centennial Terracotta Army: Legacy of the First Emperor of China CET ‘Action Auction’ 19th Annual Su Casa Awards Dinner for Catholic Charities of SW Ohio United Way’s Leaders & Legends Luncheon 12th Annual Champions of Hope Gala to Benefit The Greater Cincinnati Behavioral Health Services @ Jack Casino POPS West Side Story: Film with Orchestra Walk MS Rey of Light Scholarship Benefit for DePaul Cristo Rey Students

CET Enjoy an on-demand library of the best of PBS. Become a member of CET sign-in and start streaming today. CET Passport is available to all members who donate at least $5 a month or $60 a year. Learn more online: www.CETconnect.org/passport

Photography by Tony Bailey

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WHISKEY AND WATCHES

Richter and Phillips Jewelers, Hellman Clothiers, and hall of fame broadcaster and voice of the Cincinnati Reds, Marty Brennaman, hosted Whiskey & Watches to benefit the Dragonfly Foundation. The event was hosted at the new Richter and Phillips showroom downtown where guests enjoyed complementary tastings of fine bourbons and whiskeys specially assorted for the event, while perusing watches and menâ&#x20AC;&#x2122;s latest fashion trends all while benefitting the Drgonfly Foundation, a local non-profit organization dedicated to helping young cancer and bone marrow transplant patients and their families.

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1) Kent Kochheuser, George Kiniyalocts & Beth Kochzeiten 2) Jake Purcell, Evan Nolan, Eric Fehr, Gabriel Kurcab & Matt Rich 3) Marty Brennaman, Rick Fehr & Mike Heekin 4) April Hester, Matt Schloemer & Shay Fuell 5) Jim Lindsay with Steph Hull 6) Marty Brennaman & Chuck Hellman 7) Marty Crail, Matt Schloemer & Phil Faessler 8) Rebecca Goodman, Brad Hoicowitz & Marty Brennaman 9) Artie Fehr with Elizabeth Batcheller 10) Jen Morand with Laurel Markley

Photography by Phillip Groshong Photography

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VIOLINS OF HOPE

On January 23, the Holocaust & Humanity Center (HHC) brought a unique concert experience, Violins of Hope, to the Cincinnati community. The community performance featured nine Holocaust era violins, played by Cincinnatiâ&#x20AC;&#x2122;s finest musicians at Music Hall. Evans Mirageas, Cincinnati Opera Artistic Director, served as the Artistic Advisor of Violins of Hope. The concert included performances by the CSO, CCO, and CCMâ&#x20AC;&#x2122;s Ariel Quartet.

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1) Fran Coleman, Avshi Weinstein & Sarah Weiss 2) Sally & Gerry Korkin 3) Hilda & Bob Clayton 4) Father Michael Graham, Mona & Richard Kerstine, with Scott Joseph 5) O.J. & Barbara Cohen, Wilbur & Miriam Cohen, Sarah Weiss with Avshi Weinstein 6) Mona Kirstein & Christine Neyer 7) Richard Kerstine & James Cohen 8) Nancy & Steve Frank with Marty Greenwell 9) Robert Schneider with Diana & Henry Fenichel 10) Mitch Livingston, Neville Pinto, Bobby Fisher & Richard Friedman

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PBF HOLIDAY SHOPPING NIGHT

On December 6th, guests enjoyed a night of Holiday shopping with local Cincinnati vendors, light bites courtesy of La Petite Pierre, and drinks!!! A portion of the proceeds purchased went back to the Patty Brisben Foundation for Womenâ&#x20AC;&#x2122;s Sexual Health to help enhance lives of women across the country. Thank you to those who participated in our first annual Holiday Shopping Night, as well as our vendors; The Co-Op, Cincy Shirts, Paolo A Modern Jeweler, Bromwellâ&#x20AC;&#x2122;s, Kendra Scott, and Pure Romance. 6 7

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1) Emily Iddings & Janelle Evans 2) Tracie Martin & Megan West 3) Megan West & Alisander Schmid 4) Natalie rammer, Ashley Busan, Heather Snell & Stacey Berkheimer 5) Rachel Hamilton, Vinni Brown & Jill Haney 6) Pam Floyd with Jonda Proffit 7) Tiffany Moyers, Ashley Whiting & Morgan Bermhard 8) Amanda Dixer & Heather Snell

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Photography by Tony Bailey

TASTE OF THE WORLD

Back for the 14th year, The Leukemia & Lymphoma Society in partnership with The Party Source, hosted an evening of delicious food and drinks from around the globe! While touring the aquariumâ&#x20AC;&#x2122;s fascinating exhibits, guests enjoyed food by-the-bite while sampling an exceptional selection of beer, wine and spirits - all while supporting a great cause!

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1) Laura McCammon, Tom Carleton, with Jay & Susan Clark 2) Griffin Reyelts with Kelsie Essell, Dr. James & Melissa Essell 3) Shannon Flannery, Gene Rovers with Dave & Michelle Schneider 4) Neil & Neerja Chaudhry with Amanda & John Kladakis 5) Heather & Jason Redpath 6) Sesha Nandyal with Nate Benninlton 7) Ryan & Jackie Williams with Kristen Jackson & Tony Mika 8) Jason & Beth Deuer 9) Melanie Magary, Mike Clark & Barb Heath 10) Bridget & Andy Spinney

Photography submitted

HRC AT MGBW

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On Saturday, January 6th, The Human Rights Campaign Federal Club held their annual holiday party at the beautiful showroom of Mitchell Gold + Bob Williams in Kenwood. MG+BW a long-time generous supporter of HRC, the largest LGBT civil rights advocacy group and political lobbying organization in the United States. The organization focuses on protecting and expanding the rights for LGBT individuals, most notably advocating for marriage equality, anti-discrimination and hate crimes legislation, and HIV/AIDS advocacy. The annual event is a celebration of the successes of the organization each year, but also a reminder of the many challenges ahead. The Federal Club is a group of generous supporters who donate to HRC. This yearâ&#x20AC;&#x2122;s guest speaker was Lynne Bowman, Deputy Campaign Director for HRC Rising, the largest grassroots expansion in the organizationâ&#x20AC;&#x2122;s 37-year history.

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1) Chris Heck, Jan Borcherding, Karen Morgan & Leonora Polonsky 2) Drew Homan, Lisa Phair, Kim Morgan & Elizabeth Kennedy 3) Aaron Weiner & Chase Rickey 4) Derek Gonzalez, Chad Siegel & Ryan Jarrell 5) Richard Hobson, Eric Anderson, Evan Cummins, Drew Homan & Peter LaFoon 6) Steve Newson & Lynn Bowman 7) Rick Postler, Manuel Hernandez, Peter LaFoon, Joe, Koester & Richard Hobson 8) Rick Chizmadia

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Photography by Tony Bailey

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STEPPING STONES OPEN YOUR HEART DINNER

A sold-out crowd of 230 toasted the 10th anniversary of Stepping Stones’ Valentine-themed fundraising dinner, Open Your Heart, at Eddie Merlot’s Restaurant in Montgomery. The event netted more than $100,000 to support Stepping Stones’ programs for area children, teens and adults with disabilities. The evening featured hors d’oeuvres, a sit-down dinner, raffle, and live auction of “camperships” to send children to summer camp at Stepping Stones. In addition, guests browsed a selection of commemorative plates designed by Stepping Stones’ participants, which were offered for sale at the event. In one of the night’s highlights, past Stepping Stones Board of Trustees member Mary McGraw was honored by family members in a surprise video presentation. McGraw, of Indian Hill, spearheaded the first Open Your Heart dinner in 2008, and has been integral to its success, raising more than $600,000 to increase independence, improve lives, and promote inclusion for individuals with disabilities.

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1) Stephanie Dallemolle, Louise Vaughan & Kerry Mongelluzzo 2) Mary & Michael McGraw 3) Jim & Carolyn Harmann 4) Kim & Pam McCluskey with Mary McGraw 5) Jen Parry, Scherry Lewis & Karen Brown 6) Kerry & John Mongelluzzo with Patti Zesch 7) Chris & Karrie Musback 8) Sam Scoggins, Jeremy Vaughan & Chris Adams 9) Aarn Hansen, John Ryan & Macy Hansen 10) John & Stella Hassan

Photography by Tony Bailey

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LIGHTHOUSE YOUTH SHEAKLEY CENTER FOR YOUTH RIBBON CUTTING

More than 100 people attended ceremonies marking the opening of the new Lighthouse Sheakley Center for Youth. Lighthouse Youth & Family Services held an Open House in December to recognize the many donors, financing partners, government officials, and community stakeholders who supported the project. The $20 million complex in Walnut Hills houses 36 individual shelter bedrooms for youth ages 18-24, 39 apartments, and a day resource center. The building is named for Rhonda and Larry Sheakley, long-time Lighthouse supporters who made a significant contribution to the fundraising campaign.

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1) Rebecca Barron & Jessica Wabler 2) Trina & Steve Stuk 3) John Burns & Larry Sheakley 4) Eileen Chalfie with Karen Abel 5) Rhonda Sheakley, Lisa Oâ&#x20AC;&#x2122;Brien, Judy Oakman & Cathy Goold 6) Alleen Manning with Barbara Gould 7) Rhonda & Larry Sheakley 8) Darlene & Mac McBreen with Jayson Pratt 9) Sherry Martin, Kathy Kane & Chris Bolling

Photography by Tony Bailey

LINDNER CENTER OF HOPE’S TOUCHDOWN FOR HOPE

The ninth annual Touchdown for HOPE Super Bowl Sunday event took place Sunday, February 4, 2018 at the Great American Ballpark Champions Club. Sponsorships plus a generous match gift of $100,000 from the Marriott Foundation will push the total raised to an estimated $250,000. Nearly 300 people attended the event. Proceeds from Touchdown for HOPE will be used to support Lindner Center of HOPE’s cutting edge research, in addition to providing funding for acquiring new technology for mental health treatment.

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1) Jane Mintz, Tom Maisel & Troy Mintz 2) Paul Keck with Frances & Craig Lindner 3) Laura & Michael Smith 4) Judi Bessette, Tom Parker, Joan Beady & Charlie Brady 5) David Kay with Caitlin Benedetti 6) Earl Day, Jay Cross, Ryan Carroll & Stephanie Chaney 7) Debbie & Bob Shaw with Cindy & Jim Welsh 8) Rod & Kelsey Rosenkeantz 9) John Ryan, Scott Robertson & Ben Russert 10) Caroline & Jeff Ritson

Photography by Tony Bailey

JDRF ONE AWARDS CEREMONY

On Sunday, December 3, JDRF Southwest Ohio honored its top volunteers at the Savannah Center at its annual One Awards Ceremony. This event honors key volunteers and most successful fundraising participants for the organizationâ&#x20AC;&#x2122;s various events throughout the year, namely walk, ride and gala. At the One Awards, Executive Director Melissa Newman announced the 2018 recipients of the chapterâ&#x20AC;&#x2122;s most prestigious awards, the Volunteer of the Year. On May 12, former chapter board president Mark Kacher will be honored at the Cincinnatian of the Year Gala with the Cynthia Marver Marmer Volunteer of the year Award. More than 250 people were in attendance to pay tribute to these selfless volunteers.

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1) Megan Nosker & Jackie Oney 2) Nick Wagner, Carla Palmer & Patrick Smith 3) Mark Kacher with Melissa Newman 4) Laley Poynter, Greg Pointer, Jack Knapke, Jan Snell 5) Sean Lee, Jason Huebner, Becky Cable & Jordan Hughes 6) Jason, Hannah, Isaac & Melissa Litke 7) Andy & Jennifer Burg 8) Jack, Kinsey & Jonathan Faulkner 9) John Glass with Mindi Patterson

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Photos submitted

MAGNIFIED GIVING DONOR APPRECIATION DINNER

Celebrating 10 Years of Inspiring Young Philanthropists, Magnified Giving hosted friends at a Donor Appreciation Dinner, On November 15th, at the Evendale Recreation Center. Founder Roger Grein and Executive Director Kelly Collison thanked guests for supporting the nonprofit whose mission is to inspire students through a youth philanthropy program implemented through their school starting at 6th grade through graduation. Through the generosity of donors, Magnified Giving has awarded over $542,000 to local charities and over 15,000 students have been touched by the program engaging them as young philanthropists. Now partnering with 86 schools, their vision is to magnify the impact of philanthropy by empowering the next generation to understand the value of contributing their time, talent and treasure. It was a beautiful way to celebrate National Philanthropy Day!

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Photography by Tony Bailey

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CCM’S MOVEABLE FEAST

The College Conservatory of Music commemorated its 150th year with the 15th Annual ‘Moveable Feast’ on January 18th. From live theater to dance to the art of costume designing and beyond, attendees were given a sneak peek at the bright stars of tomorrow. Headlined by CCM alumnus Brian Newman, guests were able to roam the CCM compound and take in 20 minute performances from students and faculty while enjoying dinner-by-thebite and cocktails.

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1) Bill Frigge, John Hebbelgr & Angie Frigge 2) Robert & Deb Chavez with Bev & Carl Fisher 3) name 4) Jeff Thomas, Brenda and Mark Kenyon, & Kent Shaw 5) Latoya Dixon with Sonia Payne 6) Rachael Dotson with Millie Vechat 7) Karen Aerts with Jon Harmon 8) Michael & Shannon Boxer 9) Shawn Barkley, Debbie Shaw & Mary Jo Pollock 10) Daniel Tonozzi, John Harrison & Jeffery Ramirez

Photography by Tony Bailey

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JDRF BOURBON AND BOWTIE BASH

On Nov. 10, over 1,500 people attended the 4th annual JDRF Bourbon & BowTie Bash at the Duke Energy Convention Center. With 16 food vendors, 7 bourbon and spirits stations, boutiques, and live entertainment, the event was not only successful from a fun factor, but also with regarding to fundraising, bringing in a recordhigh $208,000 raised for JDRF to fund research to find a cure for type 1 diabetes. â&#x20AC;&#x153;Thanks to our Emerging Leaders Council, or ELC, for again demonstrating teamwork and leadership in making this event such a success,â&#x20AC;? said JDRF Executive Director Melissa Newman.

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1) Micheal Schuster with Jordan Hibner, Joani & Walt Hibner 2) Bre Lovelace, Samantha Redden, Ryan Miller & Melissa Newman 3) Byron & Kristina Wilber, Brandon Jones, Caroline Bryce with Nicole & Austin Kilgore 4) David & Heidi Fausz with Anthony Sanders & Emily & Max Knipper 5) Mary & Jim Plummer 6) Joran Squibb with Shelby Arnett 7) Tim & Kim Amy with Erin Petrovic & Yan Nasilevich 8) Emily & Eric Szucs 9) Nate Roadman with Katelyn Bomberdiere 10) Jen & Jeff Jorgensen

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