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Mar/Apr 2018 five dollars
on the cover: The Villa Casa Casuarina was built in 1930 by architect Alden Freeman, an heir to the Standard Oil fortune. The Miami Beach mansion of fashion designer Gianni Versace, Casa Casuarina is now a luxury hotel, restaurant and event space, and makes a delightful destination for the Miami traveller. Learn more at vmmiamibeach.com.
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From the Editor-in-Chief
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The Greater Outdoors
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Bibliotaph... Spring Gleaning
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Dream in Motion
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Of Note... Sofa So Good
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Strike up the Sand
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Runway Takeaways from London and Paris
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Curating a Lifestyle: Once in a Lifetime
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Message on a Bottle
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Rolling in the Deep
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Farmhouse Chic
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Straight A’s All Around
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Island Idyll
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Sophisticated Weddings
Forevermark presents a new generation of diamonds, cut with supreme symmetry and unprecedented accuracy to release a dazzling light. Available in round, square, cushion, oval and heart shapes, the exclusive Black Label Collection is available at Reis-Nichols Jewelers. 24 slmag.net
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Mar/Apr 2018
Live where your dreams take you! Wicker Works is Indiana’s only stocking dealer of Mallin Casual Furniture, one of the finest makers of outdoor home furniture. Wicker Works offers the largest selection in Indiana, with outstanding customer service. For more information, call 317.852.1509 or visit wickerworksofbrownsburg.com.
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Sophisticated Society
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Rolex Boutique Grand Opening
and Daytona Exhibition
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Three Kings Day Celebration
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Cabaret & Calder: a Celebration
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2018 Luxe Design Showcase
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Christamore House Guild Author
Unveiling Party
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One Great School, One Great Night
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The Stories of Justice from International
Justice Mission
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Artist’s Reception Featuring
Katarzyna Kociomyk
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Other People’s Children Opening
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PUBLISHER Jennifer Cohen EDITOR-IN-CHIEF Jeffrey Cohen ASSOCIATE PUBLISHER Mollie Louret SOCIAL MEDIA EDITOR Angie Mason CONTRIBUTING EDITOR Neil Charles CONTRIBUTORS Writers Colin Dennis Caroline Hannan Scott Harper Andre James Amelia Jeffers Liz Main Jack Mitchell Stephanie Weber Bridget Williams Photographers Adam Gibson Kelley Jordan Andrew Kung Amy Rose Special Thanks Ben Drabiak Roberts Camera ADVERTISING SALES OFFICE 317.565.4555 ACCOUNT EXECUTIVES Madison Hromadka Tammy White Follow Us
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SLMAG.NET
From the Editor-in-Chief
Sometimes, memories mingle with present experiences in the most meaningful ways. My wife, Jen, who publishes this magazine as well as the Sophisticated Giving Charity Register you received with this issue, also volunteers at a thrift shop and donation center, Thrifty Threads, which benefits the National Council of Jewish Women and the Julian Center. A couple of weeks ago, Jen came home with a large print she'd purchased at the shop. Someone had donated a series of three, all of which had been on display for years at the original location of Puccini’s Smiling Teeth Pizza & Pasta at 86th and Ditch, just across the street from Thrifty Threads. The print is a whimsical illustration of a toothy man shaped as a pizza slice, and is known to insiders as “The Pizza Genie.” The originals were created for Puccini’s by acclaimed designer Chris Pyle from pastel chalk, pencil and crayon, but had been replaced with photographic prints after years of wear and tear and exposure to the sun. The print holds special meaning for us because of our history with that particular Puccini’s, which was “our” place when we started dating back in 1991. We felt like we were living large when we dined there, or got some takeaway. A pizza, a couple of salads...that was a big deal to us back then. Or even a single serving of pasta, which came with a salad and garlic bread, plus an extra salad; that was a real treat, too. We didn't have a lot, and Puccini’s was a splurge. We loved it, and we loved the staff. We got to know them all on a first-name basis. Puccini’s employees saw Jen and me go from dating to marriage to parenthood. By the time we had our first child, Puccini’s had started delivering. Back in those days, before I could afford to buy Jen fresh flowers every week, we used to have silk flowers on the kitchen table. When the delivery driver, usually Scott, would arrive with our pizza, Gracie, then about two, would grab the bouquet and toddle to the front door. Scott would smell the flowers, thank her, and then hand them back. So when Jen saw the painting of The Pizza Genie, her smile was probably as wide as his. To find him at Thrifty Threads must have seemed like kismet. That print was a reminder of a time when we weren’t as fortunate as we are now, in many ways. But even when Jen didn’t have much, she was a dedicated worker bee, devoting whatever time it took to reach her own goals and to help others reach theirs. It’s one of the things I admire most about my wife. Her generous approach to the welfare of others and her constant spirit of giving have made all our lives much richer.
Jeffrey Cohen jeff@slmag.net
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THE GREATER OUTDOORS Princess Cruises makes it easy to experience more of Alaska by land, sea, and air. Written by Patti Bailey / Photography by Tony Bailey The allure of Alaska is undeniable. It is a fascination rooted in tales—some tall, others true—relayed first by Russian explorers, and continuing with Spanish, British and American expeditioners, traders, whalers and prospectors who spoke about Eskimos and other indigenous people swaddled in furs, mushing dog teams, and hunting and scavenging in order to survive in harsh conditions that at times seemed hardly fit for man or beast. Accounts of this vast and rugged remoteness, combined later with illustrations and then photographic images of unimaginable and unblemished natural beauty, continue to fuel the fire of the imagination and make the destination a perennial bucket list trip. A little more than 700,000 people live in the largest US state (almost half of those in Anchorage), making Alaska’s vast expanses of achingly beautiful, untamed wilderness
seem unattainable, unless you are one of its native peoples, an adventurous outdoorsy type, or among the hearty souls populating its smattering of cities. As I don’t fit into any of the aforementioned categories but still longed to experience all that Alaska has to offer, I booked an 11-day Denali Explorer land and sea tour with Princess Cruises. In 1969 the Princess Italia brought 525 passengers to Alaska; in 2019, Royal Princess, the company’s largest ship ever deployed to the region, will deliver awe-inspiring moments to 3,500 guests. Thanks to a half-century of experience in providing cruise and cruisetour vacations, Princess has built a unique infrastructure in Alaska, encompassing five riverside lodges, rail service and stateof-the-art ships, which allow travelers to get to the heart of the great outdoors without sacrificing any creature comforts. slmag.net
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Princess’ award-winning on-board program, North to Alaska, includes unique Alaskan-inspired onboard enrichment, entertainment and food and beverage offerings, as well as exclusive Discovery Channel and Animal Planet recommended shore excursions that are part of the cruise line's Discovery at Sea partnership. Very popular is “Cook My Catch,” a unique culinary program allowing guests to return from select Princess fishing excursions and have the chef prepare their very own catch of the day. Our trip commenced in Anchorage, where we stayed our first night before heading by motor coach to the McKinley Princess Lodge, stopping along the way in the town of Talkeetna (population 772) for our first excursion, a Talkeetna River Float. While we were bundled in multiple layers, our guide seemed to take the 42-degree day as a heatwave, as he sported flip flops and shorts. Midway through the ride we were serenaded by a local man playing the banjo at the river’s edge, just one of many colorful characters we encountered throughout our vacation. Situated on 146 acres inside Denali State Park, the 460-room Mt. McKinley Princess Wilderness Lodge is the only cruisetour hotel within sight of Mt. McKinley, North America’s highest peak. Denali is so big that it creates its own weather, meaning that its peak is shrouded by clouds onethird of the time. To alert guests when weather conditions are 34 slmag.net
ideal for viewing, the lodge sounds a “Mountain is Out” call. The property’s newly opened, one-of-a-kind 500-square-foot treehouse, constructed by Pete Nelson of Animal Planet’s show “Treehouse Masters” is the ideal spot to take in the view. Our visit fortuitously coincided with an ideal time to view the Northern Lights, and we quickly discovered that like the weather, the aurora can be unpredictable. Rather than stay awake all night staring up at the sky and waiting for the light show, we listened for the lodge’s Northern Lights alert before bundling up and heading outside to be transfixed by the otherworldly bands of green light. We continued our journey by motor coach for the two-hour drive to the Denali Princess Wilderness Lodge. Along the way, we travelled through an amazing landscape of snow-capped mountain peaks, fast-flowing streams and trees with yellow foliage so vibrant they appeared to be alight. The 656-room lodge is located in Denali Village, just one mile from the entrance to the six-million-acre Denali National Park. When weather conditions cancelled our planned glacier landing flight, we substituted an exhilarating ATV tour of a dry glacier, which quickly abated any disappointment I’d been feeling over the aborted flight. Back at the lodge during a pre-dinner cocktail reception, a friendly riot nearly broke out when everyone scrambledto hold the evening’s honored guests: a pack of sled dog puppies.
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Release of rehabilitated bald eagle at the opening of the wilderness treehouse
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Chef's Table experience aboard the Star Princess
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Skagway, Alaska
Princess Cruises’ Direct-To-The-Wilderness rail service comfortably transported us for the duration of the eight-hour trip from the Denali lodge to the cruise ship, which was docked in the coastal town of Whittier. Featuring some of the largest domed windows ever built for a rail car, we didn’t miss a second of the scenery along the 300-mile journey. A Princess Cruises representative took care of the check-in process for the ship along the way, which made the transition from shore to ship seamless. Our cabin aboard the Star Princess was outfitted with a bespoke mattress, developed in consultation with board-certified sleep expert Dr. Michael Breus, as part of the company’s premier sleep program, an initiative that optimizes staterooms for a sleepfriendly sensory experience. Eighty percent of all outside cabins on the ship boast a private balcony; the opportunity to watch a glacier calving from ours is a sight I won’t soon forget. From small bites in the Vine Room wine bar to a black-tie dinner at Sabitini’s Italian restaurant, the cuisine on board was outstanding, supported by the fact that the quality of the Princess dining experience
has been recognized by the prestigious Chaîne des Rôtisseurs, which has inducted all of the company's ships into the exclusive gastronomic society. Across the board, traditional European dishes are blended with contemporary cuisine with a focus on seasonal foods, flavorful sauces, herbs and lighter fare to please a wide variety of tastes. When we weren’t ogling glaciers as tall as a 24-story building in Glacier Bay, riding a train to White Pass Summit at the US/ Canadian border, exploring historic waterfront towns, and watching in amazement as bears nabbed salmon from the river during a high-speed boat cruise, we were taking advantage of onboard amenities. We enjoyed a dreamy massage in the Lotus Spa, blended our own Silverado wines with a sommelier, recapped each day’s adventures with new friends over cocktails in Crooner’s Martini Bar and relaxed in the library. Even with all of the ship’s outstanding amenities, Mother Nature remains the real star of the show; Princess Cruises is simply her publicity manager, making sure that everyone gets to experience her best performances. For more information visit princess.com. sl slmag.net
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Bibliotaph... Spring Gleaning
Compiled by Victoria Chase
Nationally recognized landscape designer Susan Morrison draws on her years of experience to show you how to take advantage of a small yard. Her tips are supplemented by photos of small gardens of varying designs found throughout the country. Susan Morrison - The Less Is More Garden: Big Ideas for Designing Your Small Yard - Hardcover, 256 pages, Timber Press (timberpress.com) A collection of images by photographer Claire Takacs of more than sixty of the world's most beautiful gardens, from iconic public spaces to contemplative private places. Claire Takacs Dreamscapes: Inspiration and Beauty in Gardens Near and Far - Hardcover, 304 pages, Hardie Grant Books (chroniclebooks.com) This photo series is photographer Kenji Toma’s homage to botanical illustrations found in flower encyclopedias of the 19th century. Before the advent of color photography, images were illustrated with the purpose of replicating the botanic subject as close to reality as possible. Toma is interested in doing the exact opposite with the photographic medium. The result is a highly contemporary and fascinating revival of the concept of the botanical encyclopedia. Kenji Toma - The Most Beautiful Flowers - Hardcover, 196 pages, Kehrer Verlag (kehrerverlag.com)
Avid gardener and author Gisela Keil partnered with commercial photographer JĂźrgen Becker to capture 365 photos of some of the world's most exquisite gardens. Each image is accompanied by planting tips and techniques and botanical facts. Gisela Keil - A Year in the Garden: 365 Inspirational Gardens and Garden Tips - Hardcover, 744 pages, Prestel Publishing (randomhouse.com)
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bib 'li' o 'taph, [bib-lee-uhtaf, -tahf ]: a person who caches or hoards books Using intriguing stories and stunning full-color illustrations, Loves Me, Loves Me Not, introduces readers to flowers that have been conveying message for centuries. Author Peter Loewer writes: "The language of flowers is a delightful idea. In the world of cell phones and mass communications, sending a simple bouquet that tells a tale of love and affection seems to be a great idea whose time has come again." Peter Loewer - Loves Me, Loves Me Not: The Hidden Language of Flowers - Hardcover, 112 pages, Skyhorse Publishing (skyhorsepublishing.com)
For most of her career, artist Rebecca Louise Law has created massive installations that recreate the fields of flowers that delighted her as a child. This book is the most comprehensive collection to date of Law's work, including the evolution of her craft and why she uses preserved flowers as a sculptural material. Rebecca Louise Law Life in Death - Hardcover, The University of Chicago Press (press.uchicago,edu) Antonio Bond, owner of Transplants Floral, an independent floral boutique in Austin, Texas, scours the American Southwest in search of trinkets, bones and other items of intrigue to work into his almost otherworldly floral designs. This book boasts 200 photographs of his most compelling creations, which are accompanied by commentary on the elements comprising each piece and the design process. Antonio Bond - Transplants: Eclectic Floral Design - Hardcover, 224 pages, Blue Star Press (bluestarpress.com) Between 1914 and 1950, Ellen Shipman (1869–1950) designed more than 600 gardens in the United States, from Long Island's Gold Coast to the state of Washington. Her secluded, lush formal gardens attracted a clientele that included Fords, Edisons, Astors, and du Ponts. This book outlines her major works, richly illustrated with plans and photographs. Judith B. Tankard - Ellen Shipman and the American Garden Hardcover, 320 pages, University of Georgia Press (ugapress.org) In this children's book, originally published in French, vibrant watercolors by Vincent Gravé are accompanied by lively text penned by landscape designer Gilles Clément intended to teach young readers not only what’s involved in planning a garden, but how plants, insects, and humans interact all year long to make the garden thrive. Gilles Clément - A Big Garden - Hardcover, 32 pages, Prestel Publishing (randomhouse.com)
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DREAM IN MOTION
The Dallara Stradale represents the culmination of racecar engineer Giampaolo Dallara’s exemplary career in motorsports. Written by Andre James
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Now counted among the world’s most venerable racecar engineers, Giampaolo Dallara began his automotive career at Ferrari soon after graduating from college in 1959. Before the age of 40, Dallara held positions at Maserati, Lamborghini (where he was one of the engineers of the original Miura), and De Tomaso (to design a Formula 1 car), before founding his eponymous engineering business in 1972 in his hometown of Parma, Italy. On any given weekend, some 300 Dallara cars race on circuits around the world and in different formulas. The company also provides consulting service for top-tier car brands, including Alfa Romeo, Audi, Bugatti, Ferrari, KTM, Lamborghini, Maserati and Porsche. Despite all of his accomplishments, one thing eluded Dallara: designing a road car that bore his name. That changed on November 16, 2017, his 81st birthday, with the unveiling of the Dallara Stradale, designed in partnership with Lowie Vermeersch, CEO and Creative Director of Granstudio, a Turin-based boutique design consultancy. “This project sums up everything we learned from racing and from collaborations with our clients, and I am convinced that those who will use this car will be able to try the pleasure of
driving for the sake of driving,” said Dallara. “They will get in the car to take a nice ride and to experience the pleasure of driving.” Twenty years in the making, and drawing on Dallara’s motorsports experience, the largely carbon fiber Dallara Stradale was developed using the company’s industry-leading wind tunnel and computer simulators. Weighing in at a mere 1885-pounds in its lightest configuration—a barchetta speedster sans windshield—the car is powered by a mid-mounted Ford EcoBoost 2.4-liter engine that boasts 400-hp. The 0-60mph sprint takes 3.25-seconds; top speed is 174mph. With a design dictated by maximizing aerodynamic efficiency, the exterior has several available configurations. There are no doors in the conventional sense, as driver and passenger enter by stepping over the body of the car. With the addition of a carbon-fiber and polycarbonate windshield, the car becomes a roadster; adding a T-frame makes it a targa; attaching a pair of top-hinged gullwing doors transforms the car into a coupe. Trackminded drivers can opt for a rear wing, which provides access to exceptional levels of downforce.
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Giampaolo Dallara
“Designing the Dallara Stradale was really like transforming the dream of Giampaolo Dallara to make his own road car into a sculpture,” said Vermeersch, who was named to Automobile Magazine’s 2010 list of the “World’s 25 Most Influential Car Designers”. “It was a dream that was rooted in the timeless beauty of his Miura and fueled by a long career full of passion for the race. So, we avoided to impose a preconceived and fixed idea of the styling, but we allowed its shape to stylistically evolve during the process in a continuous interaction with Dallara's engineers, guided by a clear sense of harmony and proportions. Only in this way we could find a shape that is an absolute synthesis between performance and aesthetics.” The engine, which drives the rear wheels via a six-speed gearbox (either traditional manual or automated manual using a paddleshift system), is mounted transversely, meaning that the engine's crankshaft axis is perpendicular to the long axis of the vehicle. Supercar engineer Loris Bicocchi, who has worked for Bugatti, Pagani and Koenigsegg, was tapped to lead the chassis-development program. “For some time now, Mr. Dallara has been telling me, ‘Loris, when we find the time to make our road car, I would like you to test it for us.’ I penciled this in since then,” said Bicocchi. The combination of weight, vehicle dynamics and aerodynamics, along with customized Pirelli tires, allow drivers to reach lateral
accelerations beyond 2G under normal conditions of use. Excellent control is enabled by Bosch ESP stability control systems. Bicocchi added that the car is “Fast but safe; stability, traction and braking controls seldom intervene. It is amazing because it lets you drive and does not give you anxiety; it has a great performance both on the mountain roads and on track. It has a brilliant engine, and its light weight allows for an authentic supercar performance.” The interior, stripped down to the basics and awash in carbon fiber, is laid out to maximize physical contact between the driver and the vehicle. Dashboard instrumentation is driver-centric and supplied via a motorsports-style display screen. When mounting the windscreen, a special control panel cover is provided with integrated additional commands for the windscreen wipers. Though street legal, extended trips may prove impractical as storage is limited to a pair of bins accessed by removing the backseat supports that are large enough to accommodate a race helmet, as well as a small compartment behind the engine. The base price for the Dallara Stradale is approximately $182,500; add an additional $37,000 for the windshield, roof, and doors. All of the vehicles produced for the debut were spoken for at the time of the unveiling this past November, and the company says it will limit production over the next five years to 600 cars (dallara.it). sl
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Of Note... Sofa So Good
Compiled by Colin Dennis
Clockwise from top left: Monterey sofa from Badgley Mischka Home (badgleymischka.com), Culpepper upholstered outdoor sofa from Century Furniture (centuryfurniture.com), Drake sofa from Kindel Furniture (kindelfurniture.com), Greta sofa in Mango Pewter from Studio A Home (studioa-home.com), Belt sofa by Moroso (chaplins.co.uk).
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Clockwise from top left: Trevisan sofa from Oficina Inglesa (oficinainglesa.com), Albert sofa by Albert Sack for Hickory Chair (hickorychair.com), Vamp sofa from Koket (bykoket. com), BRIXX by Lorenza Bozzoli is DEDON's first fully upholstered outdoor collection (dedon.us), Boutique Botero sofa by Marcel Wanders for Moooi (moooi.com), Hector sofa from Armani Casa (armanicasa.com), Fingerprint Ribbon sofa from bunakara (bunakara.com).
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STRIKE UP THE SAND Opened during the Jazz Age, The Don CeSar hotel reigns as the crown jewel of Florida’s Gulf Coast. Written by Caylee Matthews
Any person, place or thing approaching the century mark has undoubtedly experienced its fair share of trials and triumphs. Such is the case for Florida’s “Pink Palace,” The Don CeSar hotel, which commands a covetable stretch of powdery sand on St. Pete Beach. Opened during the height of the Roaring 20s, developer Thomas Rowe spent $1.25-million (300% over his original budget) on the 220-room property. Designed by Indianapolis architect Henry Dupont, the striking exterior represents a combination of Mediterranean and Moorish styles borrowed from developments in Palm Beach, Coral Gables and Boca Raton. The façade’s pink pigmentation defines the structure from any other for miles around, and creates a dramatic feeling of arrival as the hotel comes into view at the crest of the causeway bridge; it also happens to be the perfect complement to frequent cotton candy-colored sunsets. The Don CeSar quickly became a playground for high society, attracting the likes of F. Scott Fitzgerald, Franklin Delano Roosevelt and Al Capone. It weathered the Great Depression largely in part due to a three-year deal made with Yankees owner Jacob Rupert to house the team there during spring training. 48 slmag.net
Following the unexpected death of Rowe, who didn’t have a will, the property was left to his estranged wife. Not as passionate about the hotel as her late husband, she allowed it to gradually fall into a state of disrepair. The hotel was sold to the Army during World War II for $450,000 and converted into a military hospital, then an Air Force convalescent center, and finally a Veterans Administration Regional Office (which vacated the property in 1967). After sitting empty for two years, the dilapidated and graffiticovered hotel was scheduled to be torn town, but outcry from local residents stopped the wrecking ball. A succession of new owners and a string of ongoing improvements and additions have allowed the property, a founding member of the National Trust Historic Hotels of America to rise, like the proverbial phoenix, and reclaim its status as the crown jewel of Florida’s Gulf Coast. It has been awarded Four Diamonds from AAA every year since 1980. Today, the independently owned resort hotel boasts 277 guest rooms (36 of which are suites), six restaurants and lounges, two heated pools, ample event space, a spa and fitness center, Camp CeSar Kids Camp, the Shoppes of The Don and access to beach rentals and water sports. There’s certainly enough going on that it would be easy to spend a long weekend entirely on property.
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Bayside King Suite
Maritana Grill The Sea Porch
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The Rowe Bar
With treatments inspired by the oceans of the world, the 11,000-square-foot Spa Oceana features 16 treatment rooms and a rooftop relaxing terrace that overlooks the Gulf of Mexico. During my signature Hamsa Healing Ritual, I felt like an ear of corn as warm melted shea butter was poured over me prior to a balancing massage, which was preceded by a sound healing ceremony with Tibetan singing bowls. Relaxing continues poolside, where scheduled treats—from chilled towels to smoothie shots—are delivered throughout the day. Complimentary half-day kids camp is ideal for parents looking to squeeze in a little “me” time. A wide, white sand beach that stretches for miles in either direction is just steps away (complimentary nonmotorized watersports are available from 8-10am each day). The pinnacle of on-property dining is the award-winning Maritana Grille. Request a seat by the saltwater aquarium and you may find yourself dining eye to eye with a five-foot eel. The menu is comprised of locally sourced coastal cuisine and complemented by an extensive wine list. The Big Reveal, Maritana’s signature dessert, is a spectacle not to be missed. Casual, alfresco dining is offered at Sea Porch and The Beachcomber Bar & Grill. Beginning with Cuban Bread French toast at breakfast through Low Country Shrimp &
Grits at dinner, the Sea Porch serves up comfort food catering to all appetites. The Kronut Burger at The Beachcomber is a worthwhile indulgence. Both The Rowe Bar and Lobby Bar offer signature seasonal craft cocktails and local beers. The latter offers live music nightly in addition to Prime Time Bar Bites and Early Bird and Late-Night Craving menus. A favorite among young and old is Uncle Andy’s Ice Cream Parlor, which serves locally made small-batch Working Cow ice cream. Should you wish to venture outside the comfortable confines of the resort, there are a number of touristy towns nearby that seem to have changed little since I first visited the area some 30 years ago (an observation that elicited satisfied smiles from locals). While exploring a quiet residential neighborhood near The Don CeSar, we discovered Grace Restaurant in Pass-a-Grille Beach, a charming place that has a list of signature cocktails all named after local dogs, and an ambitious, upscale menu. A host of greater Tampa Bay area attractions are within a 30-minute drive, including The Dali Museum, premier shopping and dining at Sundial in downtown St. Pete, Tampa Bay Rays baseball at Tropicana Field and access to championship golf courses. Room rates at The Don CeSar start at $279/night. For more information visit doncesar.com. sl
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Runway Takeaways from London and Paris
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3.Paradis AW 18 Entitled “EACH ONE TEACH ONE," the fabrics, finishes, shapes and details in the collection are heavily influenced by the 1968 youth counterculture and revolutionary ideas of the past and present. Collection photography by Fabien Montique parallels a series of corner photography taken by Irving Penn in 1968.
Astrid Andersen Ready-to-Wear and Bespoke AW 2018 Buffalo-era London was the inspiration for both the RTW and bespoke collections, a mash-up between the decadent and the rave. Fabrics in the RTW collection include colorful silk jacquard, custom printed silks, tweeds, tartans, glitter organza and puffer fabrications. Saga Furs provided inspiration and technical support for the bespoke collection.
Christopher Raeburn AW 18 Entitled “Immerse,” the collection draws inspiration from the beauty and fragility of the oceans, with a focus on responsible design and sourcing. Royal Air Force helicopter winchman coveralls, parachutes, and Russian and Danish naval blankets are among the pieces reworked into contemporary fashion items. Raeburn partnered with both cold water surf brand Finisterre to create functional outerwear, knitwear and tees, along with explorer footwear brand Palladium to devise a range of innovative footwear that embraces Raeburn’s sustainable design manifesto.
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Runway Takeaways from London and Paris
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Ziad Nakad Couture SS 18 Demeter, goddess of the harvest, served as the inspiration for the collection. Nakad is a master of precise silk embroidery and sublimated tulles. Intricate representations of wheat stalks are sprinkled throughout the collection in tribute to the goddess and as a symbol of accomplishment and peace.
Maria Aristidou Couture SS 18 A specialist in couture knitwear, Aristidou conjured a colorful fantasy world for her spring/summer daywear and eveningwear collection. Flower patterns in silk viscose and metallic yarns in elaborate embroideries decorate her luxurious knit fabric creations.
Rani Zakhem Couture SS 18 This was Rani Zakhem’s first couture fashion show in Paris. The concept of fire in various forms weaves throughout the sumptuous collection, which Zakhem says is dedicated to a “volcanic woman”. Geometric forms and draped silhouettes call to mind the disco era and designs by Halston. Other looks pay homage to the likes of Jean-Louis Scherrer, Yves Saint Laurent and Madame Grès.
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Runway Takeaways from London and Paris
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Kent & Curwen Under creative director Daniel Kern, the brand staged a presentation of their largest collection to date in January at their new London store in Covent Garden. Campaign images by British photographer and filmmaker Perry Ogden feature young London sportsmen and creatives. Founded in 1926, David Beckham became a majority owner of the brand in 2015.
What We Wear AW 18 For their third season, What We Wear tapped into the mindset of the modern-day, minimalistic man that comfortably sits under the radar, camouflaged with khaki, grey, navy, and black against hints of neon orange and reflective strips that are carefully positioned for when the wearer needs to be seen. Footwear to accompany the collection was created in collaboration with Amsterdam-based brand Filling Pieces.
Wood Wood AW 18 Entitled “Before and After,” the collection fuses the contemporary streetwear of Wood Wood with elements of Americana. Classic American wardrobe staples are updated in look and feel, while the transition from childhood to adulthood works as the thematic framework for the collection. Main materials include corduroy, raw denim, army twill, heavy wool, delicate silk and mélange knit, alongside more technical garments incorporating Primaloft insulation.
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Curating a Lifestyle: Once in a Lifetime In the world of art and antiques, jaded professionals are prone to mock words like “unique” and “important,” all the while using them when necessary to influence potential buyers to take note of a particular object. The truth is, to borrow a bit from Mark Twain, there are no new discoveries, only recycled works that we try to package up into the coveted “fresh-to-market” treasure the collecting audience so desperately wants to find. But, every once in a blue moon, a work of art or material culture is found that is so astounding an oversight, the entire world joins the art industry in breathless wonder. Such was the case when the venerable Christie’s auction company announced the fall sale of a portrait, known as Salvator Mundi (Latin for ‘Savior of the World’) by one of the most famous (and possibly the most talented) individuals to have ever lived, Leonardo da Vinci. Known as the ultimate Renaissance man, Leonardo was an accomplished painter, certainly - but also a brilliant scientist, mathematician, astronomer, cartographer and writer. He invented and envisioned concepts and contraptions that would not be developed for hundreds of years after his death. Of his roughly 15 or so works that still exist, two are recognized worldwide and parodied often: the Mona Lisa and The Last Supper. Based on style and the time period in which he lived and worked, Leonardo’s paintings would be described, considered and sold as “Old Masters,” the term that refers to works by European artists prior to 1800. In the auction world, as with most other industries, marketers rely on the old adage “fish where the fish are biting,” grouping similar styles of art, antiques and collectibles into auctions that appeal to a certain genre of collectors–presuming that when you appeal to a category loved by this defined group, you have a better chance of achieving the highest price for each item. However, Christie’s announced that Salvator Mundi would be included in its fall Post-War and Contemporary Art auction in New York, and set among works by modern masters like Mark Rothko, Andy Warhol, and Alexander Calder. A studied, romantic depiction of Christ holding a translucent, rock crystal orb in one hand while giving a benediction with the other, Leonardo’s painting stood in stark contrast to the whimsical colors and abstract forms of nearly every other work in the highpowered evening sale. As a few in the art world pondered why such a significant, in fact unique, painting would be sold out of context, most recognized that Christie’s wasn’t really selling an oil on wood panel by the world’s most famous painter. They were selling a oncein-a-lifetime opportunity, and they chose an audience known for staggering wealth and egos to match.
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Written by Amelia Jeffers
You see, of the fewer than 20 known paintings by Leonardo da Vinci, Salvator Mundi is the only work to have been owned by a private collector and available for purchase. And, Contemporary Art buyers are known to love owning something that no one else can touch–literally and figuratively. As the sale date approached, Christie’s took the painting on the tour of a lifetime, exhibiting it in salerooms across Europe, Asia, the Middle East, and culminating in a weeks-long preview at the company’s headquarters in New York City’s Rockefeller Center. So popular was the exhibit that patrons waited for hours to have just a few moments standing in front of the masterpiece. Christie’s even made a video to document viewers’ reactions, mounting a camera at the base of the painting and editing emotional moments of awe and wonder against a backdrop of powerful music. As my teenage son might say, the opportunity was “well-played” by Christie’s. As the art world rumbled and grumbled about the authenticity and condition of the painting, the people who mattered (potential bidders) frothed at the mouth, and estimates and guesstimates as to a final selling price were debated like Super Bowl odds in Vegas. Who would pay millions for a painting that no one can even guarantee was painted by Leonardo? Though the painting had been documented as a commissioned work during his lifetime, multiple copies had been created over the years by students and followers of Leonardo. Records tracing the original work leave gaps of decades through the 18th, 19th and early 20th centuries; and, remarkably, when this example came to auction in the 1950s, it was sold for about $50 as a very damaged version by one of Leonardo’s lesser pupils. In 2005, the painting came to auction again, this time at a small auction company in New Orleans. A handful of dealers who specialize in Old Masters put together a partnership and bought the painting for less than $10,000, gambling that underneath an absurd amount of overpainting lay a treasure like no other. Investing in a quality restoration and respected authentication, the team managed to have the painting displayed at the National Gallery of Art as an original Leonardo, and successfully parlayed their investment into a $10M sale to a Swiss dealer in 2013. Each time the painting changed hands, the sales price grew exponentially, until Christie’s hammer fell on an historic night in November for $400,000,000 plus fees to the buyer, which brought the final price to a record-setting, earth-shattering $453M. For more information about the Salvator Mundi, or to view the moving video “The World is Watching” by Christie’s, visit https://tinyurl.com/LeoAtChristies. sl Amelia Jeffers is an nationally-known auctioneer and appraiser who has worked in the fine art, antiques and bespoke collectibles market for over 20 years.
Leonardo da Vinci (1452-1519), Salvator Mundi, painted circa 1500 Image copyright and courtesy of Christie’s
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Château Margaux 2015 case and bottle Photo by G. de Bauchene
MESSAGE ON A BOTTLE For the first time in its history, Château Margaux has created a special bottle design to commemorate an exceptional vintage and its iconic vigneron Written by Chloe Geller For more than five centuries, the innovations, talents and shared passion among the succession of families at the helm of Château Margaux have melded to create wines of great distinction. From the end of the 16th century, Château Margaux has been part of the rising elite of the “Premiers Crus” as it was, in fact, well before being sanctioned by the official classification of 1855. Among the most notable bastions of the brand was André Mentzelopoulos, who became its owner in 1977. Today his daughter Corrine and her own daughter Alexandra carry on his legacy, supported by General Manager Philippe Bascaules. Since its founding, the vineyards that comprise 650-acre estate have occupied the same plots at the heart of the Margaux appellation. Over generations, continued experimentation, observation and adaptation to the terroir have enriched the 60 slmag.net
savoir-faire to the point that it has become an integral part of the terroir itself. Awareness of heritage and an openness to modernity (including the construction of new cellars designed by Lord Norman Foster in 2015) allows Château Margaux to create wines that are both softer and more concentrated; they are easier to drink young but have not, however, lost any of their extraordinary aging potential. Technological innovations have also extended to the bottling process, with Château Margaux implementing a number of measures designed to guard against counterfeiting and to enable better means of tracking. A laser marking system extends the tracking of wines beyond the bottling stage, while a bubble-code security system fixed to the cap of all bottles from 2011 onward permits ease of authentication.
New cellar at night Photo by Mathieu Anglada
Corinne Mentzelopoulos and her daughter Alexandra Petit-Mentzelopoulos
North facade of the Château Margaux Photo by Francois Pointe
Vats in the new cellar Photo by Mathieu Anglada
Wines produced at Château Margaux include Pavillon Blanc du Château Margaux, produced from 100-percent Sauvignon grapes; Margaux du Château Margaux, a limitedproduction wine only available in a select few restaurants in France, the UK, Japan and the US; Pavillon Rouge du Château Margaux, which is ready to drink a little earlier, while still having an excellent ageing potential; and Château Margaux Grand Vin, which has been recognized since the 16th century as one of the greatest wines in the world. For the first time in its history, and for this year only, Château Margaux has created a special bottle for its Grand Vin 2015. This wine marks a momentous occasion for the winery, as it was the last to be produced under the supervision of Paul Pontallier, who joined the estate in 1983, and assumed its
general management from 1989 until his untimely passing in March 2016. In place of the usual labels found on standard bottles, magnums, imperials and balthazars, all presentations of Château Margaux Grand Vin 2015 are decorated with a custom screenprinted design affixed to the glass. The bottle design pays tribute to Pontallier while reflecting the winery’s storied cellars and grounds, which are superimposed in grey and gold. The 2015 vintage was the last supervised by Pontallier and Corinne Mentzelopoulos believes the bottle design for this very great vintage is a fitting tribute to a legendary winemaker, who is widely credited with significantly modernizing and improving winemaking at the estate. Available now, the Grand Vin 2015 Vintage retails for $1,200. For more information visit chateau-margaux.com. sl
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A professional diving instrument, the BR 03-92 from Bell & Ross is water-resistant to 300 meters and driven by a Swiss selfwinding mechanical movement within its square steel case ($3,700; bellross.com).
ROLLING IN THE DEEP Watches to dive for Compiled by Colin Dennis For a present-day watch to be officially certified as a "dive watch," it must meet strict guidelines from the International Organization for Standardization. Among the required criteria is water resistance to a minimum of 100 meters; a watch face that is legible in total darkness (in addition to a glowing second hand to indicate that the watch is working, even in blackout conditions); and, magnetic, shock, and chemical resistance. We’ve selected a few of our favorites, all of which are equally suited to blue jeans as the deep blue sea. 62 slmag.net
Clockwise from top left: Ferdinand A. Porsche designed the original Aquatimer Ocean 2000 for IWC Schaffhausen in 1982. Limited to 350 pieces, the Aquatimer Automatic 2000 Edition “35 Years Ocean 2000” (Ref. IW329101) is the thinnest deep-sea diver’s watch in IWC’s collection. Despite the minimal case height, it functions reliably on dives of up to 2,000 meters ($6,999; iwc. com). In 2018, Audemars Piguet is celebrating the 25th anniversary of the Royal Oak Offshore. Shown is the Royal Oak Offshore Diver in Day Into Night Purple, one of four new colors available for 2018. Waterresistant to 300m, the purple dial has a “Méga Tapisserie” pattern, white gold applied hour-markers and Royal Oak hands with luminescent coating. Purple rubber strap with stainless steel pin buckle ($19,900; audemarspiguet.com). In 1892, Edouard Heuer filed the first patent for a watertight case in the history of watchmaking. Since that time, the Aquaracer (a collection created in 2003) has continued to evolve, becoming a sports watch beloved by men and women in equal measure. This Aquaracer Lady comes in steel with a blue mother-of-pearl dial and diamond bezel. It is water-resistant to 300 meters ($3,350; tagheuer.com). First launched in 1953, the Zodiac Sea Wolf was one of the first serious diver watches manufactured and marketed to the general population. This heritage style was relaunched in 2014 with the Super Sea Wolf. This model features a stainless-steel case and uni-directional mineral crystal topring, glossy blue dial and C3 SuperLuminova hands and indexes ($1,195; zodiacwatches.com). Bremont was founded in 2002 by Nick and Giles English with a mission of crafting pilot's watches of exceptional quality. The S500 Supermarine is the brand's first dive watch, water-resistant to 500 meters ($5,095; bremont.com). For 2018, Jaeger-LeCoultre released a full range of watches inspired by the Memovox Polaris E859, the 1968 diver’s alarm that is now 50 years old. The Polaris Date resembles the vintage alarm, but is a time-only watch with a date display at three o’clock like the original Polaris. The 42mm solid casebook features an engraving of a diver ($7,750; jaeger-lecoultre.com).
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Clockwise from top left: The Calibre de Cartier Diver watch is water-resistant to 300 meters. Set within a 42mm steel case, the partly snailed blue dial has Super-LumiNova indicators. The blue rubber strap closes with a steel buckle ($7,900; cartier.com). Oris launched the Oris Clipperton Limited Edition in December, 2017. A percentage of funds raised by sales of the 2,000 pieces produced will go towards the protection of the world's oceans.Boasting the same roster of high-performance functions the Oris Aquis is renowned for, the 43.5mm stainless steel case is water-resistant to 300 meters and the case back is embossed with an outline of Clipperton Island and its coordinates ($2,227; oris.ch). Baume & Mercier Clifton Club 10339 is a 42mm automatic watch with a black dial and rubber strap ($2,250; baume-et-mercier.com). Hamilton's iconic submersible Khaki Navy Frogman watch was created for the US naval “frogmen” teams and featured in the 1951 movie The Frogmen, marking the brand’s very first on-screen appearance. Relaunched in 2016, the 42mm stainless steel model shown is water-resistant to 1,000m and ISO 6424 certified, the true seal of divers' watches ($1,095; hamiltonwatch.com). The Breitling Superocean II 42 with Volcano Black dial and black rubber strap is water-resistant to 500m. The rubbermolded fluted unidirectional rotating bezel displays easily discernable large numerals, a countdown of the last 15 dive-time minutes and a triangle with a luminescent marker at 12 o’clock. ($3,400; breitling.com). A reissue of a diving watch from 1960, the lines of the original the Longines Legend Diver watch are repeated, including the domed crystal, reminiscent of the technical limitations of the time. Water-resistant to 300m, the 42-mm stainless steel box houses an L633 automatic mechanical movement and sports an engraving of a diver on its case back ($1,795; longines.com).
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TRANSITIONAL | TRADITIONAL | CONTEMPORARY RESIDENTIAL DESIGN | COMMERCIAL DESIGN
Linda A. Mordoh, Allied ASID Jim Anderson 41 S. Rangeline Rd. | Carmel, IN 46032 317.848.0020 www.SavvyDecor.com
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Corinthian Fine Homes is an award winning firm specializing in distinctive private residences. It is our goal to create uniquely inspired homes and personal spaces with superb craftsmanship. Visit us online at corinthianinc.com or contact us at 317.578.0237.
FARMHOUSE CHIC A family-oriented home embraces the modern and the traditional
Written by Neil Charles / Photography by Andrew Kung Situated on a large and shady lot just north of Williams Creek, this delightfully eclectic home inhabits the footprint previously occupied by a sprawling ranch. “The home belonged to an older person who wanted to sell to someone who was going to build a single home here, not develop it into two or three,” explains the lady of the house. “My husband and I have lived in the area for a long time, always in old homes and we have done a lot of remodeling over the years. Our former house on Meridian was very old, and needed a lot of work; it had four furnaces, and we were tired of the constant maintenance. This is the first time we have built a new home.” Having torn down the ranch, the husband and wife decided with their two young daughters to rent for a couple of years while they finalized their plans for the 1.7-acre lot. “We saw a house on Buttonwood Crescent that we really loved, and found out that architect Mark Demerly had designed it, so we approached him to design this one,” continues the wife. Enlisting the services of builder Scott Campbell and designer Linda Mordoh, the owners felt they were in amply capable hands. “We told Mark, ‘we live this way, we want this many rooms, and here are some pictures from Houzz.com.’ He took our ideas and came back with a design. We loved his plan then, and love it even more now that it’s finished.” For Mordoh, the project presented an opportunity to work with a client who had a clear idea of what she wanted, but not exactly how to get it. “This project was so amazing to work on, with a client who liked to think outside the box and was willing to be a little edgy,” she says. “The homeowners and I met every week for about a year. We worked hard to make sure every detail was perfect.”
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Photo by Chris Butcher
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Campbell observes that the parameters were well-defined from the outset: “I was lucky enough to meet the clients through a neighbor referral, and that's how we got started,” he says. “The home was already being drawn by Mark, so it was pretty easy to step in and get the ball moving. The home is a real mix of materials and different styles.” With its clean lines, large expanses of stone and visible rough-hewn wood both inside and out, the house presents a sturdy, quasi-rustic impression combined with a functional modernity that studiously avoids cuteness. The kitchen and cabinetry from Kitchens By Design balance supreme efficiency with a restrained elegance. 70 slmag.net
“The design combines the use of formal stone and reclaimed wood siding in a more contemporary, clean exterior,” explains Demerly. “The rustic exterior accents are repeated on the interior with the reclaimed wood flooring and reclaimed wood beams.” The rustic floors tie the entire first story together, finding echoes in the dining room table, the bold and striking stairwell tower, made from artificially distressed white oak, and as a continuation up the front of the kitchen island. Further adding a modern twist to the robustly traditional aesthetic are the bright, neutral palette and the concrete fireplace mantle pieces by Jeff Ware Concrete.
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“The inspiration for this design was that it was a home for a very active family, employing an aesthetic called Farmhouse Chic,” says Mordoh. “Linda got my style,” explains the wife. “She does a lot of contemporary design, but she understood what I was looking for, a combination of the modern and the traditional. And she knows where to find things.” Things, that is, like the bicycle-chain chandelier in the dining room and the gaslight-inspired pendants that not only provide illumination, but help define space within the kitchen. “I hadn’t worked with a designer before, and I didn’t know how to light spaces, and that sort of thing,” she continues. “Linda knows all that. She and Scott work together all the time, so they know how to function together.” If the exterior of the home suggests a contemporary country manor, the interior also recalls a time when every room had its own definition and purpose. With an easy flow between spaces and clear sightlines from the kitchen, a private cozy corner is,
however, never too far away, whether it be in the charming little parlor at the front, or the sunroom to the rear. The dining room is near enough to the ultra-modern kitchen to allow ease of movement, but sufficiently closed off to prevent the clanking of pots and pans from becoming a distraction. Upstairs, vaulted ceilings lend a sense of additional space to the generous but not palatial floor plan. Here, functionality rules. “I’m not a hang-out-in-the-bedroom kind of person,” says the wife. “The bathroom is the bathroom, nothing special; I’m here to get ready and then leave.” With chiselled and stained floors, again by Ware, the basement, with its high ceilings, projection television, and billiards room, makes the perfect getaway. It’s a home where form and function share equal billing and where, to paraphrase the wife, quality trumps size. One has the impression that all the bases are covered, providing a perfect environment for a busy family to pursue their activities together or apart, but seldom at too much of a distance. sl slmag.net
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building a lifetime of memories From contemporary to French country, each Scott Campbell Custom Home is carefully crafted with precision and attention to detail creating a pristine style that’s uniquely yours. When you are ready, we will create your dream home in a host of beautifully designed neighborhoods or on your own lot... simply contact Scott to start your process of building a lifetime of memories.
CREATING UNIQUE HOMES THROUGHOUT CENTRAL INDIANA 765.778.2738 | 888.214.8998 | campbellcustom@aol.com Photos by Chris Bucher
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STRAIGHT A’S ALL AROUND
Burger Study takes a studious approach to the humble patty Written by Neil Charles / Photography by Kelley Jordan Over the past quarter century, restaurateurs Steve and Craig Huse have irrevocably cemented the reputation of their flagship restaurant, St. Elmo Steak House, as one of the finest such establishments in the country. Originating in 1902 as a simple chophouse, St. Elmo has become both a bastion of Indianapolis fine dining and an iconic landmark, weathering two world wars, the Great Depression and, perhaps most importantly, Prohibition. During the intervening years, the menu has evolved and the drinks list expanded beyond recognition; today the restaurant is popular with visiting artists, athletes and celebrities, as well as with a loyal and devoted local clientele, who descend upon one of several dining rooms to consume something like 140,000 pounds of beef and 114,000 signature shrimp cocktails a year in a love affair that seems virtually boundless.
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Like many great and original institutions, St. Elmo is impossible to replicate, owing in part to its prime location and sprawling layout. In order to convey some of the restaurant’s unique character to a broader audience, Harry & Izzy’s was born in 2007, and now has expanded to three locations. Offering upscale, highquality dining at prices well-suited to today’s budgets, Harry & Izzy’s is elegant and well-appointed, sporting a horse-racing theme. The staff is warm and welcoming, the food has wide appeal and the service is both engaging and smartly efficient. Catering to power-lunchers, travellers (at the airport location) and casual upscale diners, Harry & Izzy’s menu offers a broader selection than St. Elmo, but retains a few of the mothership’s signature dishes, including the legendary shrimp cocktail. The latest addition to the St. Elmo stable of fine eateries is Burger Study, located in the Circle Centre Mall downtown in a space formerly occupied by the Nordstrom perfume department. Evoking an Ivy League dining room with its rich wood tones and rows of antique books, this sleek new establishment provides a stepping stone for a younger generation of diners seeking to get a taste of the St. Elmo experience without breaking the budget. “Taking the classic American burger and creating something innovative and unique is a great way to expand on the success of St. Elmo Steak House and Harry & Izzy’s,” explains Bryn Jones, VP of marketing and retail, St. Elmo Steak House. “Burger Study is a full-service burger restaurant and bar created for those that prioritize quality over price. Infusing our tradition of fabulous food and professional service into a burger restaurant has been an exciting project.”
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Using top-quality prime beef from the same farmers that supply St. Elmo with its legendary steaks and serving it on custom-baked buns, Burger Study takes the familiar patty and elevates it a number of notches without losing sight of its humble origins. “We found it important to highlight that our beef burgers are sourced from the same Midwest farms where St. Elmo sources award-winning steaks,” says Charlotte Gretter, marketing manager, St. Elmo Steak House. “We’re proud to recognize all of the local farmers and purveyors we partner with.” Of the nine beef burgers on offer, the Double Major is probably the most traditional, and ranks as one of our favorites. Two thinly pressed patties are seared until the edges are crispy (a sine qua non of the genre), then served simply on a fluffy potato bun with American cheese and Burger Study’s proprietary sauce. If the Double Major offers a bachelor’s degree in burgers, the Prime Degree must qualify for a master’s. Fashioned from dry-aged beef, topped with Smoking Goose bacon and various garnishes, and served on a sesame brioche bun, this juicy, intensely flavored specimen will satisfy even the most discerning burger aficionado. Continuing the theme, the Doctorate, also shaped from 14-day dry-aged beef, is topped with Hudson Valley foie gras, whipped brie and caramelized onions. “Our guests are accustomed to high quality and the best ingredients,” says Chef Ryan Pickering. A dish that would not be at all out of place around the corner, the Doctorate might be considered the gateway burger to St. Elmo.
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For those not of a carnivorous bent, Burger Study graciously offers a handful of chicken, seafood and vegetarian burgers, all of which pack a powerful flavor punch, in spite of the absence of beef. A short list of side dishes, salads and starters rounds out the menu. We were particularly taken with the delicious Brussels sprouts, served with burrata cheese and onion jam—a dish we could have happily eaten as lunch on its own—as well as the zucchini straws, best consumed fresh and piping hot. As for libations, Burger Study continues the St. Elmo tradition with a concise offering of robust, not to mention generous, cocktails, including an outstanding Manhattan made with Journeyman rye, and the Study Hall, a sturdy concoction of Knob Creek, bacon-infused syrup and a slice of bacon. In spite of the excellence of these beverages, however, I found myself constantly returning to the Bourbon Salted Caramel Shake, made with St. Elmo’s own private selection of Eagle Rare. Somehow a great burger just isn’t complete without an equally fine shake, especially one fortified with a top-flight bourbon. Scoring A’s all around for Ambition, Achievement and Artistry, Burger Study raises the bar in an already elevated class. Next up: hot dogs, perhaps? sl Burger Study is located at 28 West Georgia Street. For more information, visit burgerstudy.com.
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A romantic getaway in a family-friendly paradise Written by Jeffrey Cohen Have you paid a visit to Key Biscayne yet? Don’t mind me: you can put your magazine aside for a moment and make a reservation right now. Because, really, it’s the perfect place to get some South Florida sand between your toes, if the season here is still leaving you cold. In January, my wife, Jen, and I headed to this cosmopolitan barrier island connected to Miami via the Rickenbacker Causeway. Our destination was The Ritz-Carlton Key Biscayne, Miami, a spectacular spot for vacationing families. Because of some scheduling and rescheduling, our kids stayed at home. Don’t tell them, but it turned out to be a ravishing spot for a couple in the mood for some recharging. From the very moment we arrived, Jen and I were dazzled by the service. When we pulled in for the first time, a bellhop opened my car door and welcomed me, by name! We did a double take: 92 slmag.net
how in the world did they manage that? We were greeted in the lobby by an endearing young lady holding a sterling tray with two glasses of champagne and two small bottles of water. And we hadn't even made it to the front desk. Over the course of our three-night visit, Jen and I were escorted to numerous sites around the sprawling property. The first time, we were accompanied to our oceanfront king room, where we took a moment to count some winter blessings; after a seemingly endless Indiana winter, we could finally feel body and soul beginning to thaw. We unpacked and walked to the club lounge, where the concierge gave us an overview of the resort’s amenities. Our conversation was brief, but he made a point of asking about food and drink preferences, so I mentioned my love for salmon. He rang a short time later to ask if he could have dinner prepared for us that evening.
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After our long day of traveling, we cozied up to watch an episode of the FX miniseries “The Assassination of Gianni Versace: American Crime Story.” We joked that we were cramming for a side trip we’d arranged, but, really, we were mesmerized by the breathtaking, tragic story. Afterward, we went for a brisk walk, then dinner in the club, where I was presented with the best wild-caught salmon I have ever tasted. Lightkeepers’ Executive Chef Raul A. Del Pozo's progressive and effortless style was evident in his preparation: the fish was simply grilled and served with a garnish of snap peas, roasted corn and cucumber verjus. Cakebread Chardonnay proved to be the perfect match. And for dessert: Keez Beez Honey Rum Cake, made with raw local honey, Mount Gay Special Edition Rum and coconut sorbet, rounding out the exemplary meal in style. So impressed were we with the entire experience that we indulged in a tasting menu on the veranda at Lightkeepers the following evening. We enjoyed a spectacular meal that included grilled Spanish octopus with saffron aioli, crispy pork belly and black mussels for appetizers, followed by fabulously fresh Florida yellowtail snapper 96 slmag.net
and branzino. No dinner would be complete without a cocktail or two, and in this realm, Lightkeepers excels, with a list that combines tradition with innovation, matching ingredients that look highly improbable on paper, but harmonize into a symphony of flavor on the palate. We lost track of time, in that lovely way that vacations have of spinning seconds into minutes. We reveled in the 1,200-foot golden sand beach, where a modest daily resort fee covers two chaises, an umbrella and kayaks. Feeling your feet in the sand and seeing the ocean for the first time on a midwinter trip is magical. It took us about two minutes after we'd kicked off our flip flops to climb into his-and-her kayaks and tool around the ocean for an hour or so. Back on terra firma, we enjoyed more of the resort’s attentive and gracious service, ordering cocktails before meandering up to Dune Burgers On The Beach. Here, we indulged in creative and expertly prepared burgers, including the Signature (ground bison, foie gras and all the accoutrements), along with peel-and-eat Key West Shrimp.
Throughout our stay, the hotel continued to reveal marvelous places and spaces. Its Miami-Cuban vibe made everything seem cooler and more fun. For nightcaps, we settled into the Havanastyle Rumbar/Lobby Lounge, where I enjoyed a snifter of the extraordinary and earthy Clément XO Rhum from Martinique. Each morning, after watching the sun rise on the ocean, we stopped by Key Pantry: Eat. Drink. Shop., an open-style marketplace cafe in the lobby, for cappuccinos made with local Panther Coffee. We can tend to be lazy on vacation, but there’s no reason to be inactive at The Ritz-Carlton Key Biscayne, Miami. There’s a family pool and an adults-only pool; the gym is first rate, and we took advantage of the hotel’s beautiful tennis facility. Up the road is Crandon Park, with the public Crandon Golf course, and the gorgeous Tennis Center where the Miami Open is held each spring. The Ritz Kids program has an environmental exploration focus that takes advantage of its exclusive partnership with Jean-Michel Cousteau’s Ocean Futures Society—that’s something really exciting for even well-travelled kids. Jen and I especially enjoyed an indulgent
detoxifying treatment called the Tequesta Ritual at the hotel spa. We were butter afterward. I feel relaxed just remembering it. With five services on offer per day in the club, it was tempting to just relax. We could have puttered around the resort for our entire stay, but we’re a couple who likes to explore. One morning, we took that side trip up to South Beach for a special private tour of Gianni Versace's former home, the indescribably opulent Casa Casuarina. Jen and I are architecture buffs, so we also made a point of walking Miami Beach’s Lincoln Road. Redesigned in the 1950s by architect Morris Lapidus, the street was closed to traffic and became one of the nation's first pedestrian malls. Marveling at the art deco and Miami Modern Architecture, or MiMo, styles certainly gave us a lot to talk about. Our Key Biscayne getaway was the perfect antidote to the bleak weather we’d left behind. We enjoyed the destination so much, we were talking about returning before we even left. With the kids. We promise. sl For more information, visit ritzcarlton.com/en/hotels/miami/key-biscayne.
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STUTZARTISTS OPEN HOUSE SILVER SILVER ANNIVERSARY ANNIVERSARY
SILVER CELEBRATION & ART PREVIEW THURSDAY 4/26 6:30-10pm
Event benefits Stutz Artists Residency and Stutz Artists Association
Information & Tickets at www.stutzartists.com #StutzArtistsSilver
25 YEARS OF ART, MUSIC, FOOD & FUN FRI 4/27 5:30-10:30pm SAT 4/28 1:00-5:00pm Stutz Artists Association is a 501c3 Nonprofit Organization
PRESENTED BY
WOODARD VANRIPER FAMILY FOUNDATION & THE STUTZ BUSINESS AND ARTS TEAM SPONSORED BY
Raymond James & Associates, Inc., Member NYSE/SIPC
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SOPHISTICATED WEDDINGS Presented by
PHOTOGRAPHY & VIDEOGRAPHY Shelby (Nefouse) and Alex Handy Nathaniel Edmunds Photography
Shelby and Alex Handy were married October 21, 2017. “It was the most magical and amazing event I could have ever imagined,” said the bride. “It was truly a fairy tale.” The fairy tale began at Park Tudor, when the bride was in eighth grade and the groom was beginning his freshman year as a transfer 108 slmag.net
student from Carmel High School. The two were friends until they began dating years later at Indiana University. Things became serious during a 17-hour road trip to Colorado, and on December 17, 2016, Alex proposed to Shelby on the front steps of her childhood home. “The rest is history,” said the bride. sl
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PHOTOGRAPHY & VIDEOGRAPHY Haseeba (Dojki) and Ammar Khan Jessica Strickland, Fine Art Photography
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2018 EVENTS
C A L L TO B O O K N OW: ( 3 17 ) 28 3- 2 77 6 F I NL EY CR EEK VI N EYARD .C O M
BY
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SOPHISTICATED SOCIETY Presented by
March 3 9-11 19-4/1 22-25 22-27 24
Annual Polar Plunge, Special Olympics Indiana, Eagle Creek, firstgiving.com/soindiana Amelia Island Concours d’Elegance, ameliaconcours.org Miami Open, Key Biscayne, miamiopen.com Formula 1 Rolex Australian Grand Prix, Melbourne, grandprix.com.au Baselworld, baselworld.com 20th Annual Elegant Vintages International Wine Auction at The Conrad, indianapoliszoo.com
April 12-15 13-15 14-22 19-22 22 27-5/6 28-5/13
Barrett-Jackson Palm Beach Collector Car Auction, barrett-jackson.com International Rare Book & Fine Art Fair, Paris, salondulivrerare.paris Rolex Monte-Carlo Masters, montecarlotennismasters.com ISRAEL@70: Israeli Art Show & Sale, jewishindianapolis.org Earth Day Community Celebration, jccindy.org New Orleans Jazz & Heritage Festival, nojazzfest.com St. Margaret’s Hospital Guild Decorators’ Show House and Gardens, showhouseindy.org
Compiled by Angie Mason. Have an event you’d like Sophisticated Living to cover? Please email society@slmag.net at least one month prior.
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Photography by Amy Rose
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ROLEX BOUTIQUE GRAND OPENING AND DAYTONA EXHIBITION
Reis-Nichols Jewelers was set aglow in Rolex green Friday, November 9. More than 120 Rolex enthusiasts enjoyed a cocktail reception for the inauguration of the Daytona Exhibition and celebration of the Grand Opening of the new boutique space dedicated exclusively to Rolex. The event included a surprise auction of the stainless steel Rolex Daytona watch, with all proceeds graciously donated to the American Red Cross for hurricane relief. 6 4
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1) BJ Nichols, Luis Compres 2) Paula Garrett, Rachael Benzinger, Janet Sato 3) Ted and Jamie Lee Roberts 4) Lynn and Marty Hines 5) Meghann Potee, Jennifer Potee 6) Margot and Ted Hanulak, Veronica Lucci, Mark Kahn 7) Derrick and Jeanene Christy, Karen and David Trigg 8) Michelle and Matt Harrell, Jenny Holland, Mark Wetzel 9) Paul and Linda Pettenaro, Paige Alboher, Greg Pettenaro 10) Ken and Debra Fleetwood 11) Karen, Mohamed, Mina, Parisa and Aboul Mansoori 12) Julie and Matt Hurdle
She did it in 2011. This year, she’s doing it again. Support Kristie Smith as she raises $100,000 for the Indianapolis chapter of the Leukemia & Lymphoma Society and again pursues “Woman of the Year” as an LLS All-Star. For more info, go to IndyHomes.com/news.
(Of course, you can call Kristie to sell your home, too! 317-313-3200)
Photography by Amy Rose
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THREE KINGS DAY CELEBRATION
January 6, Jamie Gibbs and Paco Argiz hosted their Three Kings Day celebration at Dulcinea. The invited guests were selected from a long list of people who had contributed to the cultural arts community of Indianapolis in 2017. The party celebrated their contributions and specifically the overwhelming success of Winterlights at Newfields. 125 people braved freezing temps to attend the posh soirĂŠe, a party held annually since 2000.
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1) Frank Basile, Jamie Gibbs 2) Henry Fernandez, Liz Taylor, Ken Palmer 3) Benita Kennedy, Jeny Bizzoco 4) Joan Servaas, Larry Roan, Mike Rubin 5) Rob and Natlie Manges, Amy Pauszek 6) Dan and Krista Slugger, Bill Lovejoy, Jeff Sheats 7) Scott Reef, Jeff Brinkman, Girish Vitalpur 8) Bob Gowen, Virgil Chan, Henry Fernandez 9) Alpha Blackburn, Leslie Rubin, Jane Gradison 10) Stephen Taylor, Dawn Tabler 11) Nancy Thompson, Mark Chestnut 12) Monique and Curtis Spaulding 13) Paco Argiz, Greg Pence
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CABARET & CALDER: A CELEBRATION
Nearly 100 patrons attended a cocktail party benefiting Magic Thread Cabaret (MTC) at the Carmel home of Nancy Landman. Jeri Starbuck was her co-host for the fundraiser, which was also in support of “Calder, The Musical.� Producing partners for both non-profit projects are Dustin Klein and Tom Alvarez, principals of Klein & Alvarez Productions, LLC. The event, which raised more than $5,000 toward the group's inaugural season at The Cat in Carmel, featured live performances by MTC vocalists, accompanied by Klein on keyboard. Honored at the affair were MTC season title sponsors Marianne Glick and Mike Woods.
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1) Dustin Klein, Marianne Glick, Mike Woods, Tom Alvarez 2) Arlene Grambe, Maggie and Brian Kelly 3) Corby York, Katy Gentry McCord, Karen Kennedy 4) Alice Kraft, Laurie Young, Nancy Landman 5) Ed Stewart, Jess Bowyer 6) Will Wood, John McLean 7) Steve Wise, Mark Lighthizer, Chris Brown 8) Bruce Green, Darin Ramsey 9) Nancy Thomson, Jeri Starbuck 10) Michele Brown, Dustin Klein, Cindi Wise 11) Alice and David Berger
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2018 LUXE DESIGN SHOWCASE
The Indiana Design Center hosted the two-day Luxe Design Showcase February 9 and 10 to benefit the Indiana Blind Children’s Foundation, and inspire luxury home projects for 2018. Victory Surfaces presented the events, which included: a moderated discussion between designer and artist Barry Lantz and event emcee/WTHR Sunrise anchor Julia Moffitt; tabletop displays created by designers; and a reception. The Saturday event welcomed celebrity designer, TV personality and author Thom Filicia for a conversation about design and showroom activities. 6
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1) Barry Lantz, Laura Alvarado 2) Jennifer O'Connor, Julie Moorehead, Kristy Murphy 3) Madison Hromadka, Rebecca Hanson, Kathy Dulin 4) Lee Alig, Susie Keller, Tom Vriesman, Darcy Schmidt 5) Josh Koontz, Amanda Lantz, Beth Greene 6) Lauren Riley, Sarah Souers, Mandy Skelton, Susie Keller 7) Laura Musumeci, Siera Hipsher, Alexander Funk, Megan Powell 8) Adam Gibson, Sarah Hallenbeck 9) Christian and Amy Mehall 10) Meghan Mayer Martin, Deb Clemens, Terry Andreone, Jessica Albaugh 11) Char Cota, Caryn O'Sullivan 12) David Stahl, Julie O'Brien 13) Ann Day, Kim Sorrell 14) Anna Seger, Gracie Cohen
Photography by Amy Rose
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CHRISTAMORE HOUSE GUILD AUTHOR UNVEILING PARTY
The Christamore House Guild is honored to celebrate 110 years of service to the Haughville community and continues its remarkable tradition of raising money for scholarships and strengthening the educational programs at the Christamore House. Proceeds raised through the Book & Author events directly fund the Frances Carter Coburn Scholarship Fund and assist the early childhood education and after-school programs. Before celebrating the 38th Annual Book & Author Benefit Luncheon April 20, the Author Unveiling Party was held February 1, at Sullivan’s Steakhouse. 6 4
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1) Katie Meyers, Stephanie McAllister 2) Jennifer Kittle, Kara Kavensky, Kate Hayward 3) Reid and Loretta Duffy 4) Jennifer Azar, Kara Kavensky 5) Rebecca Arora, Gretchen Hueni 6) Jennifer Mitchell, Talicia Todd, Raquel Richardson, Tracey Gallion 7) Lynn Fink, Mary Hinkebein, Pitt Thompson, Stephanie Allen, Jennifer Kittle 8) Nicki Griffin, Jennifer Mitchell, Karen Kamer, Gianna Scappucci 9) Wendy Inglis, Ann Fritton, Megan Evans 10) Coleen Knerr, Laurie Annan 11) Shelle French, Leslie Gould, Heather Kulwin, Jill Gardner 12) Paige Button, Lisa Ajdaharian
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ONE GREAT SCHOOL, ONE GREAT NIGHT
The Orchard School Parents’ Association hosted its annual fundraiser January 27 at The Willows. “One Great School, One Great Night” featured more than 100 auction items, including student art projects; a Havapoo puppy; a weekend in an Airstream; golf with Fuzzy Zoeller in Naples, Florida; one week at a home in the south of France; and tickets to the 500 in the Pagoda Suite. Parents’ Association president Alyce Edwards welcomed special guests, including current Head of School Tom Rosenbluth and incoming Head, Dr. Sherri Helvie. The National Bank of Indianapolis, which serves as the premier sponsor for all Parents’ Association events at Orchard, was well-represented at the auction. Funds raised go directly back to Orchard, helping to ensure that Orchard’s unique programs continue.
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1) Sarah Lowery Henning, Kristy Sherman, Mandy Moore, Heidi Hubler, Kerry Greenlee 2) Joey Green, Allie DeHaven, Gwen Knabe, Andy Crooks 3) Mario and Kristy Garcia, Maxine and Allen Henderson, Annette Henderson, Steve Thompson 4) Mark Miles, Sally Johnson, Chris and Christa Adkins 5) Maureen and Tony Knoble 6) Connie Hackett, Kasee Carlstedt 7) Alyce and LG Edwards 8) Dewayne Herbert, Lindsay Crawley 9) David Kennedy, Cindy Hubler 10) Andrew and Tina Korty, Doug and Kathy Moses 11) Heather Karazim, Colleen O'Brien, Sherri Helvie, Jennifer Shin
The Orchard School Now Enrolling Students Age 3 - Grade 8
We would like to thank the following sponsors for making our auction one great night!
Doug & Julie Bowen L.G. & Alyce Edwards
Greg & Heidi Hubler John & Christina Kite The Orchard School Parents’ Association
Colleen O’Brien & Jamie Merisotis In-Kind Donation - Engledow Group
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THE STORIES OF JUSTICE FROM INTERNATIONAL JUSTICE MISSION The Stories of Justice from IJM (International Justice Mission) event was held January 18 at the home of David Lowry in Indianapolis, and co-hosted by Andrea Keltner. This is the first year for this event. The evening included powerful videos of IJM’s work in the field, a musical performance by Heather Bays, and a talk with Blair Burns, IJM’s Chief Program Officer, about IJM’s work to combat cybersex trafficking of children in the Philippines. IJM is based in Washington, DC, and is a global organization that protects the poor from violence in the developing world. It is the largest anti-slavery organization in the world.
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1) Rick Ranucci, Andrea Keltner, Abbie Rogers 2) David Watts, Heather Bays, Jay Rouse 3) Bernie and Julie Lacy, Mike and Suzy Burley 4) Blair Burns, Susan Umlor 5) Alma Gamero, John Luginbill, Jack Nikcevich 6) Scott Rogers, Josh Husmann 7) Kim Luginbill, Anne Chegar 8) Chris Haney, David Lowry
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ARTIST’S RECEPTION FEATURING KATARZYNA KOCIOMYK
Gallery Forty-Two hosted an artist’s reception September 16 to exhibit new and published works by European master painter Katarzyna Kociomyk. More than 70 guests attended the one-night event, enjoying drinks and hors d’oeuvres from Morton’s The Steakhouse while mingling with the gallery's newest artist. A portion of art sales from the evening benefited Riley Hospital’s Art Therapy Program, which promotes healing, self-expression and normalization for children through art, music and dance.
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1) Beth Behrens, Katie Hunter, Heather Dilley 2) Steve and Janet Hitzeman, Brady Lory 3) Emma and Zach Rossman 4) Sarah Hunter, Katie and Curt Hunter, Katarzyna Kociomyk, Nick Hunter 5) Beth Groninger, Therese Cochran 6) Lorraine Low, Mike Macke 7) Mary White, Judy O'Brien 8) Brian and Melissa Higdon 9) Brady and Mari Lori, Elizabeth and Jake Sappenfield
Photography by Amy Rose
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OTHER PEOPLE’S CHILDREN OPENING
Friday, November 3, the Harrison Center for the Arts (HCA) hosted Other People’s Children, new work by celebrated local artist and HCA curator Kyle Ragsdale in the Harrison Gallery and Gallery Annex. More than a thousand people attended the event, now in its 16th year. This work combines the figurative work Ragsdale is best known for with the plein air work he has done more recently. His subjects appear in landscapes. He returned to landscapes he had painted with fellow artists Justin Vining and Benny Sanders and photographed the kids in these same settings. Also that night, the Spirit & Place Festival kicked off its 2017 season with a Superhero’s Bash in the Harrison Center gymnasium.
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1) Charles Anderson, Gary and Karyl Boring, Kyle Ragsdale 2) Kevin Osburn, Monica Bopp, Julie Rhodes, Kyle Hendrix 3) Susan Nelson, Karen and Gary Walton 4) Genera Quinn, Megan Sullivan, Maggie Spencer, Rich Costello 5) Janet Gutwein, Kim Reinhart 6) Lori and Reed Klion 7) Mary Kuhns, Carolyn Wyatt 8) Lily Smith, Leonid Sirotkin 9) Phil and Kathy Bryant 10) Janet Carpenter, Megan Jefferson
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