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2575 Handasyde Avenue
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We are proud to have represented discerning clients in the purchase of this home who were drawn to its extraordinary architecture, attention to detail, scale/room-flow, prime Hyde Park location and verdant setting. Hyde Park | $2,610,000
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1137 Fort View Place
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Breathtaking John Senhauser-designed contemporary on one of the finest streets on The Hill. 3 BR/3+1 BA. Incredibly bright. Numerous outdoor spaces. 2-car garage. Roof-top deck w/river view. Live an extraordinary life! Mt Adams | $799,000
3144 Killington Lane
One of the finest homes and yards we’ve seen in Ivy Hills.4 BR/4+1 BA.Top-of-the-line renovations & designer finishes.Incredibly bright. Greater -than-Great room. Stunning gourmet kitchen. Spectacular master suite. 3-car garage. Ivy Hills | $670,000
7 Forest Hill Drive
The one you’ve been waiting for. 4 BR/3+1 BA Tudor on one of the finest private lanes in “The 08” set amongst superb homes. Huge 22x15 updated Kitchen. Spectacular Master bath. Architectural details galore. Hyde Park | $873,500
925 Edwards Road Completely (and stunningly) renovated 1-floorliving stone ranch w/same-level garage in the heart of Hyde Park near CCC & HP Square. 3 BRs/2+1 BAs. New bright-white cook’s kitchen open to a huge great room.The scale of this house & renovations have to be seen to be believed Hyde Park | $1,150,000
900 Adams Place P-3W This nearly 5,000 sq ft top-floor/full-floor penthouse has an additional 3,000 sq ft ofterraces with walk-outs from every room. Interiors boast fine artisan details includinga gourmet eat-in kitchen, 4 fireplaces and a conservatory. Designed for grand entertaining and comfortable living. 4 reserved garagespaces. Full-service building w/ 24/7 door staff, concierge, car service, guest suites, pool,exercise facility, and more. Riverside Drive | $2,830,000
2444 Madison Road #1210 Sought-after 3 bedroom/2+1 bath plus LR, DR & Den at The Regency. Beautiful renovated cook’s kitchen and master bath. Rare laundry room. Amazing views. Full service building w/ pool, gym, 24/7 doorman, valet parking, etc. Hyde Park | $319,000
Lori Wellinghoff
David Wellinghoff Mariza C. Cohen Lisa Williams
President, DIGS Real Estate
Real Estate
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5097 Shattuc Avenue
5-year-new, tax-abated, large, private, single -family, 4 BR/3+1 BA, open floor-plan, 3-story stunner with top-of-the-line finishes, architectural details, “all the toys” and breathtaking high-on-the-hill Lunken Valley views.Walk to Ault Park. Mt Lookout | $657,000 SO
6980 Knoll Road LD
The Frank Lloyd Wright-designed Gerald B Tonkens House. Nestled in 4 private park-like acres. Impeccably maintained. Sensitivelyupgraded. Includes separate guest cottage. Amberley Village $1,200,000
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See Worthy View from Belle Monte Farm on St. Kitts. Photo by Bridget Williams.
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on the cover: A Perfect Place to Meat Jean-Robert’s Le Bar A Boeuf. Photo by Andrew Kung
Arts Profile: Cameron Kitchin and The Cincinnati Art Museum King Arthur’s Court Toys All Dolled Up An Art Advisor’s Guide to Navigating Art Fairs See Worthy Bibliotaph Five Grapes You Need to Try Weathering Your Decor 65th Pebble Beach Concours d’Elegance Times Are A-changin’ Of Note... Snappy Dressers French Accent A Non-Gambler’s Guide to Vegas A Perfect Place to Meat The University Club Starfire Council Society Calendar Ault Park’s Concours d’Elegance ‘Givin and Groovin’ Kentucky Speedway Children’s Charities Lumenocity Wild About Wine Rock Out cancer Polo for Babies Zootini Starfire Celebration
EDITOR - IN - CHIEF Matthew Millett ______________________________________________ ASSOCIATE EDITORS Kay Matton Bridget Williams CONTRIBUTORS Writers Patti Bailey Dr. Matthew Bessen Ellana Bessen Scott Harper Amelia Jefers Jef Jefers Austin Pembroke Lisa Stephenson Powell Photographers Tony Bailey Chad Henle Andrew Kung COPY EDITOR Jennifer Newton EDITORIAL ASSISTANT Claire Williams ADVERTISING SALES OFFICE 513.205.3300 ______________________________________________ SOPHISTICATED LIVING MEDIA Eric Williams - CEO Bridget Williams - President Greg Butrum - General Counsel Jason Yann - Art Director
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Sophisticated Living is published by SLM Cincinnati, LLC, PO Box 1229, Prospect, Kentucky, 40059 USA. All Rights Reserved. Sophisticated Living is published six times a year. All images and editorial are the property of Sophisticated Living, LLC and cannot be reproduced in whole or in part without written permission. Annual subscription fees are $25.00; please add $5 for subscriptions outside the US. Single copies may be purchased for $5 at select fine retail outlets. Address all subscription inquiries to: Sophisticated Living, PO Box 1229, Prospect, KY 40059. To order back issues or reprints of 100 or more, call 502.582.6563.
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SLMAG.NET
From the Editor-In-Chief
Once again it has been another quick two months, and LIFE continue to happen. While it is always important to stop, relax and enjoy life, I fnd that even when I purposely set aside time, it doesn’t always pan out as planned. My mother, father, brother and I, have taken a family vacation over the last few years every summer. Since my parents are aging (I always call them old), the wear and tear of traveling continues to get harder and harder each year for them. Vacation - a source of ease, comfort, and flled with pampering – seems to always bring them aches and pains that coincide with the whole travel experience. Tey also continue to fnd it extra hard to settle back in to the routine of regular life. We joke that the main reason my brother and I are always invited is to act more as personal assistants, or butlers on these vacations (isn’t that why we have kids anyways)! Of course I am happy to help in any and everyway possible, but along with it comes its own stress. Tankfully, we always seem to have separate rooms! Tis July we had planned an amazing cruise to the Greek Islands! Te travel itinerary was to fy out of CVG into New York, wait a short layover, then take an international fight overseas to pick up our cruise line and sail away. Of course, travel plans and fights don’t always go as scheduled these days do they! As we arrived into CVG to check into our first, connecting flight to New York, we found that it was delayed. Not just slightly, but over a couple hours, forcing us to miss our international fight! On this particular trip, being a very long excursion, planned well in advance, and going to, among anywhere else but Greece, dad took out travel insurance. Upon hearing we were going to miss our fight he was immediately irate, something else I think comes with age (and those aches and pains). We had been planning this trip for months, almost a year, and he was ready to cash in the travel insurance and cancel the whole trip before we left out of Cincinnati! During this moment, a friend reminded me of a short and very pertinent prayer: ‘God, grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the diference’. LIFE happens all around us every day. Things we plan for days, weeks, months, even years in advance can change in an instant. It is up to each of us to learn how to continually deal with these situations. Te aches and pains, the last minute cancellations, the unknown, that is LIFE. But its also about the lasting memories, the small moments, the laughs, joys, and happiness that we experience. We of course cooled dad down. We missed a full day at our embarkation port, but made the cruise. More than that we made memories and shared pure moments that will last the rest of our lives. Isn’t THAT what LIFE is all about? Tank goodness he didn’t cancel the trip!
Matthew Millett
matthew@slmag.net
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CREATE A FINANCIAL PLAN TO PURSUE THE FUTURE YOU ENVISION BY ROBERT E. MESSINGER, CFS®, CLU®, ChFC®- SENIOR VICE PRESIDENT WEALTH MANAGEMENT, UBS FINANCIAL SERVICES, INC lifestyle goals—and also for the possibility of • if you cannot work due to illness or an unforeseen events. If you keep a budget of your accident. We can do an insurance review current expenses, we can begin by reviewing together to make sure your current coverage what goes out on a regular basis. We will look meets today’s needs. at other planned expenses and then begin to • If you’re over 50 years old, consider buying consider what your future costs might include, long-term care insurance now while you’re such as healthcare for yourself or eldercare for an healthy, as these policies can become more aging parent. If you aren’t sure of your current expensive once you retire. We can also explore budget, don’t worry; we can help you determine policies that include infation protection to a thoughtful estimate. account for rising healthcare costs in the future.
Trying to accomplish your wealth management goals without a current financial plan is like trying to navigate without a map: you may arrive late or even miss your destination. By providing an integrated view of your personal and financial goals— not just your investment portfolio— a plan can help you see where you are today, and provide ideas on how to pursue the future you envision. Because personal and financial goals evolve, your existing financial plan may need to be updated to reflect those changes. Please consider the following financial strategies information, which we can discuss further. Analyze your net worth Once we tally your current assets and liabilities, we can better assess the likelihood of meeting your fnancial goals. Tis is also the frst step in ensuring our approach is thorough and organized. For example, we may identify assets that could be consolidated, such as “orphaned” 401(k) accounts at former employers or assets that you may not own yet, such as unvested equity compensation and deferred compensation. It’s important to note how your assets are held, whether in your name alone, jointly (with a spouse/partner, child, etc.) or even in a trust. We can also evaluate opportunities to repay or restructure your liabilities and set up a plan for managing that side of your balance sheet. Quantify your cost of living When planning for your future, it’s important to know whether or not you’re saving and investing appropriately toward your retirement
Establish or bolster an emergency fund Your emergency fund should cover at least six months worth of necessary expenses. Keep the fund in safe, liquid form, such as assets in a bank account, money market account or short-term certifcates of deposit. Review your asset allocation With your goals in mind and a thorough picture of your assets and liabilities, we can design or update your investment strategy, one that allocates assets across various asset classes and takes advantage of opportunities in the market at a given time. And as your needs change or the market moves, we can adjust your investment approach accordingly. Protect your assets We’ve noticed that many clients neglect to adjust insurance coverage as their lives change: • If you’ve recently completed home improvements or renovations, update your homeowners’ insurance policy to refect your home’s increased value. If you’ve added a pool, hired household staf or your children have started to drive, check that you have adequate umbrella coverage to protect against possible litigation in case of accidents. • If you’ve had a child or experienced an increase in salary or compensation, check the level of income replacement on your life insurance and disability policies. One rule of thumb suggests you should plan to replace fve to seven times (or even 10 times) your annual salary, but much depends on your lifestyle, family size and income. • Long-term disability insurance is also important if you’re relatively young. You could experience severe hardship
Update important documents If anything signifcant has changed in your life— such as a new child or grandchild, marriage or divorce (yourself or your children) or receipt of an inheritance—be sure to update your personal documents, such as your will or trusts, living wills or powers of attorney for property or healthcare. It’s also wise to regularly review benefciary designations on retirement accounts and insurance policies. We can work with you and your attorney to update these documents. Remember, with a solid plan in place, it’s easier to feel more confdent about your future. We’d be happy to work with you to develop a fnancial plan that helps ensure you achieve your goals. Tis article has been written and provided by UBS Financial Services Inc. for use by its Financial Advisors. We ofer both investment advisory and brokerage services, each of which is separate and distinct, difers in material ways, and is governed by diferent laws and separate contracts. In providing a fnancial plan, we may act as a broker-dealer or investment adviser, depending on whether we charge a fee for the service. Financial plans provided free of charge are a service incidental to our brokerage relationship and the service terminates upon delivery of the plan. We provide financial planning services as an investment adviser for a separate fee pursuant to a written agreement, which details the terms, conditions, fee and scope of the engagement. For information about our fee-based fnancial planning services, see the Firm’s Financial Planning ADV Disclosure Brochure. Note that fnancial planning does not alter or modify in any way the nature of a client’s UBS accounts, their rights and our obligations relating to these accounts or the terms and conditions of any UBS account agreement in efect during or after the fnancial planning service. Clients are not required to establish accounts, purchase products or otherwise transact business with us to implement any of the suggestions made in the fnancial plan. Should a client decide to implement their fnancial plan with us, we will act as either a broker-dealer or an investment adviser, depending on the service selected. For more information please visit www.ubs.com/team/messinger. UBS Financial Services Inc., its affiliates, and its employees are not in the business of providing tax or legal advice. Clients should seek advice based on their particular circumstances from an independent tax advisor. ©UBS 2014. All rights reserved. UBS Financial Services Inc. is a subsidiary of UBS AG. Member FINRA/SIPC. D-UBS-CF3C8B 12120711-3810 aby-FP
Advice. Beyond investing. The Messinger Financial Group
Robert E. Messinger, CFS®, CLU®, ChFC® Senior Vice President–Wealth Management Robert E. Hadnett Financial Advisor Amy C. Corelli Client Service Associate Jaime T. Messinger Client Service Associate UBS Financial Services Inc. The Towers at Kenwood 8044 Montgomery Road, Suite 200W Cincinnati, OH 45236 513-792-2117 800-543-2884 855-403-7869 fax
ubs.com/team/messinger As a firm providing wealth management services to clients, we offer both investment advisory and brokerage services. These services are separate and distinct, differ in material ways and are governed by different laws and separate contracts. For more information on the distinctions between our brokerage and investment advisory services, please speak with your Financial Advisor or visit our website at ubs.com/workingwithus. ©UBS 2015. All rights reserved. UBS Financial Services Inc. is a subsidiary of UBS AG. Member FINRA/SIPC. 31.00_Ad_8.375x10.125_WL0714_MesR
ARTS PROFILE:
CAMERON KITCHIN AND THE CINCINNATI ART MUSEUM Written by Lisa Stephenson Powell
Photo by Don Ventre.
In his book What the Dog Saw groundbreaking author Malcolm Gladwell describes two kinds of creative thinking. Te frst type, a conceptual thinker (Picasso, Mozart, Jobs), has a clear vision, often at a young age, of where they want to go, what they want to do and execute their career with precision and ease. Te second type, an experimental thinker (Cezanne, Hitchcock, Twain), tends to be a perfectionist, but their procedure is tentative and incremental, and they frequently are labeled “late bloomers.” When Cameron Kitchin, the Louis and Louise Dieterle Nippert Director of the Cincinnati Art Museum, describes his relationship with art there is no doubt in which category he belongs. “It was very early for me,” Mr. Kitchin began. “Museums were a part of my life and were something that I was exposed to with my family. I knew in the second grade that the approach to my future work would not be typical when my teacher gave us an art history assignment. We were told to select a painter whose work we liked and share it with the class; most of the students chose the expected big name artists. But when it was my turn 14 slmag.net
I said that I just loved Kenneth Noland, and that he was my favorite artist.” Mr. Kitchin laughed. “Te teacher looked at me with the combined expression of, ‘Well, that’s certainly diferent . . . and I’d better do some research to fnd out who this Kenneth Noland is.’ My passion for art has been a consistent desire and focus, and I was compelled to be with an institution that connected people with it.” Mr. Kitchin spent most of his childhood in Virginia, save for a fve-year period as a teenager when his family lived near New York City. He spent weekends during that time exploring MOMA, the Whitney and the Metropolitan Museum of Art. As an undergraduate at Harvard University he studied art history, with a focus on 20th century American Art, and received his MBA from the Mason School of Business at William and Mary College. Before landing his frst museum directorship at the Virginia Museum of Contemporary Art Mr. Kitchin worked as a consultant, a vital, but different, component to his evolving career.
Cameron Kitchin. Photo by Michael Wilson.
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Clockwise from top left: James Henry Beard (American, 1811–1893), Te Long Bill, 1840, oil on canvas. Hiram Powers (American, 1805–1873), Nicholas Longworth, designed 1837, carved 1850, marble. Table, 1869–1873, H.N. Wenning & Co. (1869–1873), attributed manufactory, walnut. All from Cincinnati Art Museum.
“Consultants look at the broad spectrum of what museums do, compare them, and then share cross-functional work from institution to institution,” he explained. “But executing those practices requires attention to detail, and a skill, that works at every level -- from motivating a staf to motivating a board of trustees, and from exhibition development to carrying out community engagements. Suddenly things look very diferent from inside a museum than they do as a consultant advising from the outside. But there was value in both experiences and I feel fortunate to have had them.” Mr. Kitchin spent seven “happy and wonderful” years at the Virginia Museum before accepting a position at the Memphis Brooks Museum of Art. Te nearly 100-year-old museum is the largest collecting institution in the mid-South region, which encompasses Tennessee, Arkansas and Mississippi. He was attracted to the tangible culture and history of Memphis, and made significant strides during his six years there advancing the Museum’s community agenda while leading their best practices. Mr. Kitchin was named director of the Cincinnati Art Museum (CAM) in October of last year. Te advantages of the opportunity were twofold. While the scale of CAM and its
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platform was appealing, Mr. Kitchin and his wife, Katie, were equally delighted with the prospect of raising their three young children in Cincinnati. CAM was founded in 1881 and houses 65,000 objects. Mr. Kitchin sees the Museum as a bedrock in the area and has been impressed by its steadfast support. By now Mr. Kitchin has often related the history of its founding, which was not done by a limited number of individuals who wanted a small club (as many early museums were), but by a group of leaders who had a very clear and precise vision of what CAM should be. Tey wanted a museum that would teach; that would inspire; that would instill pride; that would be a place where visitors could see art in the making; and that would assemble a collection comparable to those in other major cities. It was a broad community efort and on the day that the fundraising campaign to build CAM was completed the mayor proclaimed it Museum Day. The encyclopedic collection of CAM has, over the decades, benefted from gifts and bequests that could not be duplicated. In May of this year a Picasso sold for $179 million, proof that the fiscal crossroads of art have outpaced the purchasing ability of museums. Individual acquisitions can
Clockwise from top left: Credit: Jochen Lempert, Sponge-Flamingo and Belladonna, 1997-2005, gelatin silver prints. Courtesy of the artist and ProjecteSD, Barcelona. Charles James (1906-1978), Clover Leaf Ball Gown, 1953, Brooklyn Museum Costume Collection at Te Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Image © Te Metropolitan Museum of Art.
be made, of course, but it would be virtually impossible to fll galleries through today’s marketplace. “The art market is an interesting economic proposition,” Mr. Kitchin said, “and I would never advise an investor to use it to increase wealth. It’s far too difcult to see that crystal ball because it’s more complex than any intrinsic value in an object. It has to do with taste, painting, style and fashion, which are beyond any regression analysis or spreadsheet document. But the best collectors, and those I admire, have confdence in their own taste, likes and dislikes. Tey will place an object purchased at a small gallery in a rural community next to a work of art from a major New York gallery because they love both. Tose are the private collections that have personality and that have the greatest value. Ultimately, some of those works of art are donated to major public institutions, which continue to beneft from the generosity of private collectors.” Financial support of the arts and audience engagement with them are intrinsic, and Mr. Kitchin mentioned the outstanding work done by ArtsWave. Teir 2015 campaign garnered over $12 million in gifts that will assist local groups, while its successful business model has gained national respect.
An item on his wish list would be to alter the way artists are viewed by society. “I’d like them to be seen as innovators and creators,” he said, “and to be regarded as our great thinkers and leaders. Tere was a time in history when that happened – when the respect of artistic production was on par with literature and business. They should be thought of as part of the human experience which, ultimately, is why we are here. Artists are wonderful problem solvers. When Picasso looked at a blank canvas he saw an unanswered problem, because that’s what a blank canvas is. But it’s also an opportunity to create something new, diferent and ambitious. Great pieces of art are human accomplishments that can push us forward to be aspirational about ourselves.” During the recent recession many museums endured layofs, budget reductions, exhibition cancellations and an increase in admission prices. CAM, however, used the economic downturn to focus on its permanent collection. Te curator of their Asian art delved into their collection of Japanese art, which had not been studied in depth; and their curator of decorative arts documented the Cincinnati silver acquisitions. It gave members of the staf an opportunity to examine objects in the Museum that, eventually, could be the base of a larger efort. slmag.net
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Tea & Cofee Service, circa 1850, Beggs & Smith (1848–1861), retailer, silver, Cincinnati Art Museum.
One such achievement will be Van Gogh: Into the Undergrowth, which will run from October 15, 2016 until January 8, 2017. “Undergrowth with Two Figures is in our collection, and is an exemplary painting that was done shortly before his death,” he said. “Now, as we anticipate a more ambitious future, the scope of the project has expanded. Works will be represented from museums in Europe, Asia and throughout the United States, and it will be a major exhibition.” Mr. Kitchin spends considerable time in Cincinnati’s communities, at our schools and with political leaders. Sedentary moments behind his desk are rare, but if he does have unscheduled time he likes to observe people engaging with art and, anecdotally, just to see how things are working. While an average of 200,000 people visit the Museum annually, not all visitors are included in the ofcial headcount. “I’ve been told that there are several ghosts who come out at night and move throughout the museum, foor by foor. I’ve never witnessed it myself,” Mr. Kitchin said with a smile, “but our security guards insist that we have ghosts living here.” Te Museum can even boast of a celebrity apparition: Frank Duveneck, whose studio was on the top foor, has returned for an occasional visit. An institution has to change in order to survive. It must embrace the expected, which provides a sense of tradition, as 18 slmag.net
well as the unexpected, which brings a sense of surprise. Picasso advised, “Learn the rules like a pro, so you can break them like an artist.” In 2011 the Metropolitan Museum of Art hosted Savage Beauty, a show that featured the sartorial workmanship of Alexander McQueen. Te event shattered records, was seen by more than 650,000 visitors and added 20,000 to the Met’s membership. Te coexistence of an iconic New York collection and an exhibit of cutting edge design may be eschewed by some members of the main guard, but Mr. Kitchin difers. “I think it is art,” he said. “All of the decorative arts -- costume and fashion, silver and glassmaking, art carving and pottery -- are part of the fine arts. That has been one of our long standing traditions, which diferentiates the Cincinnati Art Museum; our founders took their lead from the Victoria and Albert Museum in London. But I would like people who see an exhibition to use the experience as a starting point, rather than as a one-time occasion. It would be wonderful if they returned, and upon doing so they would feel welcomed, because they would have a compelling reason to cross that front door threshold. Museums are built for everyone. A gateway experience can be the beginning of a connection with the arts that pays a lifetime of dividends going forward. When someone is transformed by a museum it gives us great satisfaction. And when it’s done right, it’s magic.” sl
Karl L. Dostal, Crystal L. Faulkner, Thomas M. Cooney and Charles R. Stevens II
Community - oriented and
G rowing S trong
Cincinnati
The Greater Cincinnati region serves as a popular location for many local, national and international businesses. The city’s accessibility from both I-75 and I-71, two professional sports teams, state-of-the-art convention centers with downtown hotels, restaurants, and entertainment districts continues to attract new and established businesses. One company that has made Cincinnati its home is the certifed public accounting frm of Cooney Faulkner & Stevens, LLC. The CPA frm started with three partners and three employees 16 years ago and has been helping advocate for and grow other businesses ever since. “We’ve grown signifcantly from where we started,” says Chuck Stevens, co-founder and partner at the frm. “Our mission is to be more than just tax professionals; we want to be innovative fnancial problem solvers, business advocates, and involved members of our community.” One of the reasons Cooney Faulkner & Stevens is the perfect accounting frm to be an advocate for private business owners is because they are in the same category. Although it’s 16 years old, the frm is still working to strengthen its core and thrive as a small, locally owned business. “We built our frm with entrepreneurial spirit on a foundation of knowledge, integrity and reliability,” says Crystal Faulkner, co-founder and partner. “Being business owners ourselves equips us with the unique insight and understanding of the challenges business owners face every day.” Their positive impact reaches more than just business owners. Cooney Faulkner & Stevens operates with its fnger on the pulse. Whether it’s a new tax law impacting their clients or a community in need, they’re ready to jump in and help. Shortly after opening its doors, the partners and employees of the frm began tutoring students in math and fnancial concepts at a local elementary school.
Word of their efforts spread and as a result, the frm founded Accounting for Kids, Inc. In an effort to have a continuous and lasting impact, they developed an annual one-day event called Accounting for Kids Day which introduces fnancial concepts to children in a fun and interactive manner, while encouraging business professionals to become tutors and mentors. On November 5th they will host this year’s Accounting for Kids Day. “We started Accounting for Kids Day to teach the importance of money management skills to younger generations,” explains Faulkner. As a result of the frm’s efforts, the event has become a statewide initiative. In addition to Accounting for Kids Day, the company is involved in a multitude of community-oriented and nonproft organizations. Each partner sits on boards and volunteers their time to work on bettering their communities. The company also sponsors events like the Thanksgiving Day Race Coat Drive and the Hyde Park Blast. It’s this level of care and consideration that the company brings to its clients on a regular basis. “It’s all about serving our clients,” says Karl Dostal, partner. “We work to get to know and understand our clients’ needs; that’s why we’re able to fnd alternative and creative solutions to solve problems.” The frm is excited about the progress they’ve made but is focused on the future. “We’ve broadened our scope, tripled the size of our frm, and quadrupled revenue,” says Tom Cooney, co-founder and partner of the company. “But at the end of the day, it’s all about making a difference for our clients and in our communities.”
•
Cooney Faulkner & Stevens is located at 3536 Edwards Road, Suite 201,Cincinnati , OH 45208. You can reach them at 513.768.6796 or visit their website at www.cfscpa.com.
KING ARTHUR’S COURT TOYS Written by Lisa Stephenson Powell Photography by Andrew Kung Tere are several anachronisms in the heart of Oakley Square. On one side of Madison Road is the 20th Century Teatre, adorned by an Art Deco façade and a movie marquee that has avoided the digital era. Across the street is Aglamesis, purveyor of all things delightful: an old fashioned soda fountain, the haunting aroma of handmade chocolates and tulip lamps that softly illuminate its interior. And, as if a city planner was determined to make that side of the street a child’s paradise, neighboring the ice cream parlor is the very happy (and equally successful) cornerstone of King Arthur’s Court Toys (KACT). Miles Altman, president, purchased KACT in 1995, but its history dates back to the 1950s. Len Rosenbaum founded the business with a small hobby shop in North Avondale. After relocating to Hyde Park Plaza, where the store expanded, KACT moved to its current location in 1992. Te building has more than 7,000 square feet of retail space on the street level and 8,000 square feet of space in the basement. Brightly lit and beautifully organized, aisles are flled with dollhouses and
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games, puppets and puzzles, arts and crafts, party favors and furniture, and a Lego inventory that has made KACT a Gold Standard Store. “We are one of the top three or four single location Lego sellers in the country,” Mr. Altman said. “Teir program gives us preferential shipping, access to items that other stores don’t have, early delivery on new releases and a great deal of support. Tere’s an eight foot tall Lego man that has 10,000 pieces in our window, which was given to Len over 20 years ago.” Mr. Altman has nine full time employees, most of whom have been with him for double digit years. Tey are, he said, a family; everyone is experienced, everything gets done and the days speed along. When he started in the business he faced expected challenges. But after 20 years of trial and error, systems at KACT are solidly in place to manage customers, employees, vendors and cash fow which, Mr. Altman explained, is what retail is all about. It’s also about the experience that a customer has in KACT. “We want it to be fun and friendly. People love to buy but they hate
being ‘sold.’ We greet them and we’re happy to answer questions, but we never hover. It’s open, it’s easy and nobody ever screams, ‘Don’t touch,’ because we want the children to play.” And while the Internet has walloped many brick and mortar stores, its access has been integrated into Mr. Altman’s business model as an addition but not as a replacement. Lara Bauer, manager, cited the locations of online orders and laughed, “Sometimes we have to look at a map to see where we’re shipping.” Bundles from Oakley have been dispatched to the far flung locations of Rio De Janeiro, Maldives, Dubai, London, Madrid, Israel, Singapore and Hong Kong. KACT has a King’s Club, which allows customers to earn credit toward a purchase and a birthday club, which gives the children a 20% discount. Although it would seem difcult not to fnd something that a child would love in the store, Mr. Altman described what propels an item into a sure fre hit. “If a parent gets involved then, bam, it becomes a hot toy,” he explained. “Nobody wants to play Candyland for the four
hundredth time. But Lego and Magna Tiles engage the parent and the child so they play with it together, and longer. Tat is the key to a successful toy. Magna Tiles, which is a magnetic building tool, has been the number one dollar producing item in the store for the past fve years.” Generations follow generations to KACT; customers who shopped as children visit with tots in tow. The store welcomes infants in buggies, nannies in charge and grandparents who are poised to spoil their beloved ofspring. “Every day is enjoyable,” Mr. Altman said. “When the children run through the front door they are so happy to be here, and they have such a wonderful time that they don’t want to leave. We’re open seven days a week, Christmas is crazy, and we constantly meet new customers. It’s like a Taste of Cincinnati for toys. We’ve been fortunate to have our location, our clients and our employees. Te fact that it has grown, and that we have been successful, is a blessing,” he said, adding thoughtfully, “and I’m proud of what we have accomplished.” sl
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ALL DOLLED UP
A carefully curated Indian Hill home and garden of consummate collectors Written by Bridget Williams Photography by Andrew Kung
“We initially thought this home would be a temporary one for us,” explained the wife as she surveys the innumerable treasures that have found their way to the gracious Indian Hill estate she has shared with her husband for more than two decades. Casually draped over the back of an armchair in one room is a nineteenth-century “fgured and fancy” coverlet, whose depictions of fora, fauna and other motifs of relevance in that era ideally encapsulate the particular passions of the homeowners, who are both consummate collectors with distinct areas of interest. Moving from a grand old house on a “postage stampsized” lot in East Walnut Hills, the homeowners were attracted to this particular property not for the house–a 1950s era structure on a slab–but the three acres surrounding it, which presented enormous potential for the wife, who has a keen
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interest in gardening. Over time, the grounds and house were reconfgured to ft the family’s lifestyle and their penchant for collecting, which they approach with great verve. Pondering antique Christmas decorations some 40 years ago served as the wife’s gateway into becoming a full-blown collector. Ornaments gave way to bisque snow babies and then to old dolls and dollhouses, which provided a bridge that allowed her to develop a unique hybrid decorating style of displaying items typically reserved for Christmas alongside non-holiday items of similar style, such as Noah’s arks that hail from the Erzgebirge region of Germany. Other pieces from Germany’s most famous toy makers–Gebruder Heubach, Dressel, Kammer & Reinhardt and Moritz Gottschalk–are certain to elicit a smile, particularly from a frst time visitor who is apt to examine the intricate details.
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The husband, an auctioneer by trade, is also an avid accumulator, though the wife is quick to point out that he prefers “fancier” pieces and singles out a tabletop adorned with an arrangement of delicately engraved and inlaid boxes of a range of materials, including silver, wood and motherof-pearl. Some of his other interests include art with religious significance (from more serious woodcarvings of icons to a grouping of lighthearted “Whipple’s Wimples” paintings by Frank Whipple) and vintage metal toys. Approaching the garden with the same due diligence as her pursuit of antique dolls and decorations, the wife holds a vast knowledge of plant materials and garden design which she has used to operate a successful garden consulting business.
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“Te property is situated on an underground spring so I had to learn what could survive wet feet and the deer factor,” she explained. Shortly after moving in the wife studied where the water ran naturally and had ditches dug that were covered with pieces of stone to provide walking paths between the landscaped beds. Today the wife still handles the bulk of the maintenance, weeding the varied beds adorned with perennials and selfsowing annuals that provide a varied display throughout the growing season. “I used to be a plant collector, but my clients all want plants that are low maintenance and provide color all summer,” she said, pointing out the primrose and limelight hydrangeas that grow in abundance.
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A small walled garden at the front of the home was the frst to be installed. Nearby is a conifer bed with a faux bois table and chairs. A variety of giant hosta fourish in the shady conditions and also play prominently in several of the planting beds at the rear, which are punctuated by man-made pieces, including statuary, a small pond and a wisteria-covered pergola. Te view of a garden cottage at the back of the property is perfectly centered with a large
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brick terrace accessed through the dining room. To reach it, one passes beneath mature specimen trees and through a garden whose corners are defned by statues depicting the four seasons. Tough their collections are vast and varied, a great sense of wit and whimsy persists from room to room in this most interesting home and the garden that surrounds it, leaving one to image what would be said if walls (and dolls) could talk! sl
{Cincinnati’s Finest}
{Cincinnati’s Finest}
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Sep/Oct 2015 five dollars
Advertising inquiries / 513.205.3300 slmag.net
An Art Advisor’s Guide to Navigating Art Fairs
Written by Anita Heriot
Scene from Cosmoscow 2014. Te 2015 event is scheduled for September 11-13 in Moscow (cosmoscow.com).
Te season is upon us for art fairs. Use this checklist to make your time at an art fair fun and productive. 1. Strategize. Choose a fair. Make a list of the top fve galleries at each fair you want to see. Locate them on the map when you enter each section of the fair, then establish your route to make sure you get to the booths you want to see. 2. Budget. Establish a budget and make a wish list. Dealers want to sell to serious buyers. Know what you are willing to pay and stick to it within 10%. Tere is something for buyers at every level of collecting. 3. Comfort. Eat before you go and bring a snack. Food will be available, but lines can be long and tables/seats unavailable. Wear comfortable shoes and leave large bags and backpacks at home. Charge your phone before you go or bring a backup. Go ahead and enjoy an alcoholic beverage while perusing the shows, it is part of the fun. 4. Navigate. Getting around to all of the fairs can be difcult. Consider opting for the free shuttle or traveling with a group of like-minded collectors. 5. Inquire. Feel free to ask questions about prices and about the artist and his or her work, but be mindful that you do not interrupt a sale in progress. Get on the gallery mailing list. 6. Avoid Faux Pas. Do not approach a gallery to sell your artwork, albeit work you own/have collected or art you have
made. Do not verbally insult the gallery or the work of an artist you know nothing about in the presence of said dealer/ artist. Do not touch. Do not forget to watch where you are walking. Do not leave empty glasses in the booths. 7. Discuss. Talk with other collectors, art advisors, and curators about artists that interest you. Investigate whether the artist sells at auction and at what price point. 8. Pause. It is okay to ask a gallery to put an item on hold while you take a break to decide if the piece is right for you. Be respectful of the time it is on hold. 9. Observe. If you see several diferent galleries carrying work by the same artists, be aware that it is a sign that the market is “hot” for that artist. Note who is NOT being shown anywhere as sign that the market may be cooling of for that artist. 10. Seek Help. Hire an experienced art advisor to walk the fair with you. He or she will have knowledge and access to the dealers at the fair. 11. Negotiate. There is usually movement in price for a work. Ofer 20% less with the goal of going 10% lower than the asking price. 12. BUY!! Acquire the very best that you can aford. Follow your heart and have fun with it! sl Anita Heriot is president of Pall Mall Advisors and a member of the Appraisers Association of America and is USPAP certifed. She can be reached at aheriot@pallmallartadvisors.com.
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SEE WORTHY Buddy Darby takes the long view as he transforms a 2,500-acre parcel on St. Kitts into Christophe Harbour Written by Bridget Williams
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Sandy Bank Bay and Te Pavilion, a private beach club for owners and members.
In response to increasing connectivity that makes the great wide world seem ever smaller and the fact that it is hardly surprising to find the familiar Golden Arches in even the most remote locales, a palpable push has emerged among globetrotters seeking authenticity and a distinct sense of place. St. Kitts is one of those places. There is but one large chain hotel on the entirety of the 69-square-mile island, of which one-quarter is a designated a national park with rainforest that is bucking the trend elsewhere and actually expanding. For adventurers there is still plenty of of the beaten path exploring to do among the peaks and valleys, where you are more likely to encounter a vervet monkey or a mongoose than one of the island’s 32,000 human inhabitants. Te turquoise waters around the island beckon with pristine dive sites teeming with massive beds of coral and fsh in every color of the rainbow.
Superyacht owner Buddy Darby was quick to recognize the potential of this West Indies Island. “When I came down here I was intrigued by its physicality,” he explained as we talked over cocktails on the deck of Andromeda la Dea, his 154-foot Perini Navi sailing yacht. Responsible for developing both Kiawah Island in South Carolina and Doonbeg Golf Club in Ireland, his latest and arguably most ambitious project is Christophe Harbour, encompassing a 2,500-acre peninsula on the southeast corner of St. Kitts that includes six of the 11 main beaches on the island. “I’m the kind of person that has the vision to look at a raw landscape and see the fnished project,” said Darby, who added that he has the added beneft of executing his plan with team members who have worked under him for 20 years. slmag.net
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Belle Mont Farm
First tee box on the planned Tom Fazio-designed golf course.
Brimstone Hill Fortress National Park.
Infnity pool at a home in Christophe Harbour.
Darby is a man who possesses an infectious level of joie de vivre along with unwavering optimism; he’s a “go big or go home” kind of guy. At a party he isn’t happy unless everyone is having the time of their lives, so it is not hard to share in his enthusiasm for the development, which he said will require a full two decades to build the 2,000 planned units. “Other than dancing on the head of a nuclear warhead I don’t know if there is anything else riskier that I could do,” he joked. Based on the successful template used for the development of Kiawah Island, the varied private residential neighborhoods and public buildings comprising Christophe Harbour have been carefully planned to tread lightly on the land and incorporate indigenous building materials and architectural infuences. Darby singled out SALT Plage, a bar and restaurant open to the public near the entrance to the development as an example. The physical structure was
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constructed utilizing fragments from an old sugar mill on property. Te mix of corrugated metal, painted Tolix chairs, dramatic colored lighting, rope hammocks integrated into an overwater deck, and an international clientele combine to make the spot as hip as any one would fnd on the more developed neighboring islands. The rugged beauty of the area is quite striking. Bordered on one side by the Atlantic Ocean and the Caribbean Sea on the other, waves of verdant peaks rise steeply from sugar-sand beaches on both coasts. From the beaches situated at St. Kitts’ southernmost tip, one can gaze across the channel to nearby Nevis. It is in this secluded spot where a 135-room fve-star Park Hyatt hotel is currently under construction, out of the sightline of property owners, allowing residents and vacationers to dually enjoy an enviable feeling of exclusivity and seclusion.
Priate home in Christophe Harbour.
Expansive ocean views from a hillside home in Christophe Harbour.
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Te Pavilion is the social hub for members and property owners at Christophe Harbour.
An oceanfront bungalow adjacent to Te Pavilion.
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A rendering of the completed Marina at Christophe Harbour.
On a recent visit we stayed in one of nine homes that comprise the Windswept Residence Club. A turnkey neighborhood, these expansive four-bedroom ensuite villas provide equity share purchase options starting at $450,000. Ocean and Great Salt Pond views are afforded from the second floor verandah and The Pavilion, a luxurious private beach club and social hub for owners and members, is a short walk away. Located in Sandy Bank Bay, the Pavilion ofers casually elegant dining and cocktails, complimentary access to watersport and tennis equipment and bicycles and ample shady and sunny areas for repose around the perimeter of a freeform oceanfront infnity-edge pool. A number of hiking trails winding up the peaks originate from the area, and it’s well worth the efort to take in the million dollar views from the top. A Tom Fazio-designed championship golf course is in the planning stages. On an exploratory run I ventured 450-feet above the Caribbean Sea to a plateau where a stake marked the frst tee box. Taking in the 360-degree views and knowing Fazio’s status as a top creator of highly rated courses around the world, I surmise that this course will be nothing short of spectacular. As a superyacht owner himself, Darby has his pulse on this exclusive community and what discerning seafarers are seeking. “Twenty years ago a ‘big’ boat was 90 feet. Today, there are 700 boats over 100-feet in length under construction,” he explained. Many of these vessels will invariably end up cruising the circuit
that includes Antigua, St. Maarten and St. Barths, as evidenced by the fact that a record 130 superyachts visited the region during the most recent winter cruising season. To capitalize on this lucrative market, this past February The Marina at Christophe Harbour debuted to great fanfare. Upon completion, this 300-acre, $100 million project will have 300 state-of-the-art berths, 60 of which will be able to accommodate vessels up to 300-feet in length. Modeled after a European seaside village, the completed complex will include a yacht club, concierge and hospitality services for owners along with a variety of housing units, shops and restaurants. Compared with it neighbors, at the moment, the diverse real estate options at Christophe Harbour present an incredible value for someone in the market for a Caribbean residence. Homesites range in price from $700,000 for a nearly half-acre hillside site with ocean views to $7.9 million for 1.3 oceanfront acres on Sandy Bank Bay. An investment of $400,000 or more makes the purchaser eligible for the Federation of St. Kitts Citizenship by Investment Program. “Life is about the acquisition of memories,” Darby said on stage prior to a performance by Darius Rucker to ofcially open Te Marina at Christophe Harbour. When they are collected in a location as special as St. Kitts they are certain to become some of the most treasured kind. For more information about Christophe Harbour visit christopheharbour.com. sl slmag.net
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Bibliotaph... Monumental Reading
Compiled by Victoria Chase
Te second volume in the series, this book highlights 32 architects and architectural frms on the leading edge of shaping the built environment of the future. Richard Schulman (Photographer), Paul Goldberger (Introduction) - Portraits of the New Architecture 2 hardcover, 170 pages, Assouline Publishing (assouline.com). Scheduled to be released in November to coincide with the 100-year anniversary of the National Park Service, photographer Ian Shive presents breathtaking photographs of U.S. national parks alongside essays by notable naturalists, scientists, adventurers and artists to tell the story of these international treasures. Ian Shive (photographer), W. Clark Bunting (introduction) -Te National Parks: An American Legacy - hardcover, 332 pages, Insight Editions (insighteditions.com). Available in late September, this book is the frst to present 47 New York City landmarks great and small, side-by-side in intricate detail. Written with a preservationist's passion, each structure is inextricably woven into the Big Apple's rich heritage. Judith Gura and Kate Wood (Authors), Larry Lederman (Photographer) - Interior Landmarks: Treasures of New York - hardcover, 240 pages, Te Monacelli Press (monacellipress.com).
Available in mid-October, this monograph covers 50 environmental works and memorials designed by American artist and architect Maya Lin, who most famously conceived the Vietnam Veterans Memorial for a class project while she was an architecture student at Yale. Maya Lin with Michael Brenson, William L. Fox and Paul Goldberger - Maya Lin: Topologies - hardcover, 400 pages, Rizzoli (rizzoliusa.com).
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bib 'li' o 'taph, [bib-lee-uhtaf, -tahf ]: a person who caches or hoards books Tirty-seven bridges cross the Seine River, collectively weaving a unique and remarkable tale of the city’s history. Photojournalist Michael Saint James has cast new illumination on this city in his new large-format photography book, Bridges of Paris, which boasts over 350 original images of Paris and the bridges that lay at its heart. Te book features glorious portraits of each bridge as well as intimate riverside moments. Michael Saint James - Bridges of Paris - Hardcover, 280 pages, Citron Bay Books (citronbaybookstore.com).
Modest to monumental landscapes around the globe under the light of full moon are captured in more than 260 time-lapse photographs by British artist Darren Almond. Hans Werner Holzwarth - Darren Almond: Fullmoon - hardcover, 400 pages, Taschen (taschen.com).
Written and compiled by architects for architects, "African Drawn" utilizes hundreds of both historical and contemporary images and drawn plans to provide an in-depth documentation and analysis of African urban spatial planning. Gary White, Marguerite Pienaar, Bouwer Serfontein - Africa Drawn: One Hundred Cities - hardcover, 224 pages, DOM publishers (dom-publishers.com).
Vatican expert Dominique Chivot provides a glimpse into the inner workings of the Vatican, a 110acre sovereign city-state, interweaving papal history with 200 breathtaking images of some of the most sacred treasures in the world. Dominique Chivot - Vatican - hardcover, 224 pages, Assouline Publishing (assouline.com). A project commissioned by the World Monuments Fund, leading contemporary writers were selected to give a voice to 50 sites of signifcance to our global heritage, supported by imagery curated by the International Center of Photography. Andre Aciman, Anne Applebaum, William Dalrymple, Justin Davidson and Fernanda Eberstadt - World Monuments: 50 irreplaceable sites to discover, explore and champion - hardcover, 240 pages, Rizzoli (rizzoliusa.com).
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Grape Expectations: Five Grapes You Need to Try Written by Scott Harper, Master Sommelier
Panoramic view of Viña Santa Cruz in Colchagua Valley in the Chilean Central Valley. Photo by Elemaki.
Trying wines from grapes new to you is one of the many enjoyable things about wine. Many people are delighted to share such an exploration with their wine aficionado friends; after all, you may be only a sip away from your new favorite. A good example would be the grape Grüner Veltliner. I have shared numerous bottles with many friends, but having written and talked about the number one grape of Austria frequently, I thought I must recommend some other grapes. Many grapes could have been included here; in fact, it may be hard to believe that there are hundreds to choose from. Look in the lamentably titled area of wine lists or wine shop isles labeled “other wines” or seek them out hidden among the country of origins for more popular grapes. Tere’s certainly nothing wrong with the popular grapes, after all they became popular for a reason, but you will be rewarded by a new adventure, perhaps great value and excellent food afnity. Give these fve grapes a go. {WHITE} Torrontés | Torrontés is Argentina’s top planted white grape. A crossing of the Muscat family, Argentina is the only place where you see this grape produced, making it a true Argentinean specialty.
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Originally believed to be from northwest Spain, it produces a fresh, rich, crisp and very aromatic wine. When you put your nose in a glass, the profusion of foral notes instantaneously makes you think of springtime. Try Torrontés as an excellent aperitif or with seafood. I believe the best area for Torrontés is Salta, the most northern area for grape growing in Argentina, producing twothirds white wine and specializing in Torrontés. Salta means “very beautiful” and is home to Bodega Colomé, owned by Hess. At 8,300 feet above sea level, it holds the distinction of being the world’s highest vineyard. Try: Torrontés Bodega Colome 2012. Vermintino | Te primary white grape of Sardinia is Vermintino. This grape lineage is Italian and is most known for being a Sardinian grape, but it is planted in Liguria under the synonym of Pigato and in Piedmont as Favorita. Vermintino is a delightfully linear citrus-mineral-driven white wine, typically un-oaked, and a perfect accompaniment for seafood. The finest example of Vermentino is produced in northern Sardinia in an area called Gallura. Vermentino di Gallura is hard to find but is a more bodied, richer and sometimes oaked-aged version. Te Sardinian’s enjoy drinking wine and eating the Mediterranean diet, which is
At 8,300 feet above sea level, Bodega Colomé is the world’s highest vineyard.
perhaps why they possess one of the world’s largest populations of centenarians. Try: Vermentino di Sadegna Argiolas Costamolino 2012. {RED} Carmenère | The name Carmenère originates from the French word for crimson as Carmenère, once thought to be Merlot in Chile, is actually an ancient Bordeaux varietal brought to Chile in the 1800s. It is all but extinct in France but thrives in Chile’s Colchagua Valley. Carmenère has soft tannins, deep red color, red and black fruit favors and an herbaceous character. Te latter is decreasing and becoming more balanced as winemakers allow the grape to ripen longer. Its qualities are similar to Cabernet Sauvignon, Cabernet Franc and, of course Merlot, hence it is often blended with them. Try: Carmenere Cono Sur Bicicleta 2011. Aglianico | Te number one red grape in Campania is Aglianico, which is planted throughout southern Italy and reaches its zenith in Taurasi. Taurasi is both the name of the place as well as the wine. A wine of great body with black fruits, structure and ageability, Taurasi can be austere in its youth. Taurasi must be aged for three years, one of which must be in wood. To be labeled
Riserva, it is required to be aged one more year, with half of the additional time spent on wood. Two of the best producers are Mastroberardino and Terredora Di Paolo. Members of the Mastroberadino family own both wineries. The 1968 Taurasi Mastroberardino is considered one of the most legendary wines of the region. Other areas for good quality Campanian Aglianico are Irpinia and Taburno. Try: Taurasi Terredora Di Paolo 2008. Lambrusco | Yes, Lambrusco. Believe it or not there is quality Lambrusco produced. I am not referring to the bargain made and priced variety, but rather the small family winery version. The grape Lambrusco hails from the food epicenter of Italy, Emilia-Romagna. This can be an unusual wine. For example, many versions have what the Italians call frizzante, or are lightly effervescent and are extremely fruity if not with a hint of sweetness. Both of these characteristics make it a delightful accompaniment with a variety of foods, from spicy barbeque to the classic pairing of salty cured meats. Try: Lambrusco Sorbara Rose Fiorini Corte Attimi 2012. sl A Certifed Wine Educator, Harper is one of 140 professionals in North America and 220 worldwide who have earned the title Master Sommelier.
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Curating a Lifestyle: Weathering Your Decor
In a world full of creative repurposing, p the transformation of industrial tools, equipment and salvaged architectural items to interior design has become almost commonplace. But, before upcycling was hip, Americana collectors were rescuing and repurposing all manner of antique utilitarian objects. Among the myriad of objects successfully transitioning from function to form, weather vanes are some of our most favorite. One of the earliest instruments of meteorology, weather vanes were critically important to alerting a community of changing weather patterns prior to the twentieth century. The earliest known weather vane was of the Greek god Triton, mounted atop the Tower of the Winds in Athens, Greece in roughly 48 B.C. Usually mounted on a central building in the center of town, a weather vane needed to be large, functional and sturdy enough to withstand life in the elements. Becoming a point of pride for a community, weather vanes eventually developed from a simple, fat banner style to three-dimensional representations of important cultural objects. The science of weather vanes is relatively simple: mounted on a pole and attached to the highest, unobstructed
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Written by Amelia and Jef Jefers
point on a building, a free-spinning, aerodynamic object is created that will turn with the force of the wind to face the direction of oncoming air currents. Te shape of the objects is only signifcant to the function in so far as the front needs to be narrower than the back. Given the labor involved in making and mounting the vane, care was often taken to use quality, weather-resistant materials like iron, zinc and copper, with the most accomplished makers utilizing a combination of materials that maximized weight versus durability. Troughout early Europe, nobility and wealthy landowners often commissioned local blacksmiths to create vanes displaying their coats of arms from sheet iron–simultaneously identifying their property and providing workers the means to predict impending weather. In the center of town, the tallest building was usually the church and impressive weather vanes were constructed as a point of pride as well as faith. Referencing St. Peter’s denial of Jesus, large full-bodied and dimensional roosters adorned steeples across the countryside. In the frst days of America, weather vanes were among the various important tools imported from Europe. As our country
developed, local blacksmiths met the needs of farmers and towns in close proximity; but, by the mid-nineteenth century, factories dedicated to the manufacture of weathervanes had developed throughout New England. Patriotic themes emerged alongside sophisticated representations of animals and symbolic representations of industry and American spirit. Most common from the period are horses – either running, leaping or pulling a sulky. Well-developed steer, fsh, roosters and stags were also popular. Some of the most valuable examples today are the more rare, fgural vanes of the period - including the angel Gabriel, American Indians and Lady Liberty. As industrialization brought steam engines and eventually the automobile to everyday America in the latenineteenth and early-twentieth centuries, three-dimensional weather vanes of locomotives and cars were created. Although not as old, these examples are generally far more valuable than their eighteenth and nineteenth century counterparts– appealing to a wider variety of collectors. Te height of the folk art market in the early 2000s saw prices for the most unusual and well-developed weather vanes
exceeding $1 million. As news about their value circulated, historic vanes were removed from churches and barns throughout the northeast and sold to folk art dealers and their customers across the country. Today, attractive and early vanes can be purchased at auction for a few hundred to tens of thousands of dollars. Form is less important than condition and surface. Original gold gilt fnish has nearly always worn off, but collectors covet a lovely green patina of weathered copper vanes. Adapting to nearly any decor, weather vanes may represent a collector’s passion (as in the quill weather vane pictured here, purchased at Garth’s for a former Presidential candidate and well-known author); or simply a fanciful interest. Interested in finding a weather vane to add to your collection? Seek well-known folk art dealers or auction firms and prepare to be patient. Although thousands of weather vanes were created, many succumbed to the elements and relatively few remain today. sl Amelia & Jef Jefers are co-owners of two fne art, antique and bespoke collectibles companies: Garth's of Delaware, Ohio and Selkirk of St. Louis, Missouri.
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A 1924 Isotta Frashini Tipo 8A owned by Te Patterson Collection.
65th Pebble Beach Concours d’Elegance Te Patterson Collection of Louisville wins “Best of Show” for a second time. Written by Andre James Photos by Kimball Studios / Courtesy of Pebble Beach Concours d'Elegance Tere have been 65 Concours d’Elegance held on the famed 18th fairway of the Pebble Beach Golf Links on California’s Monterey Peninsula. Jim Patterson of Louisville, KY has won the coveted “Best of Show” award in two of those years, thereby establishing his Patterson Collection among the upper echelon of covetable private automobile collections in the world. A Concours veteran, Patterson’s frst win came in 2010 with a 1933 Delage D8S De Villars Roadster. His 2015 entry–a 1924 Isotta Frashini Tipo 8A– bested 220 other hopefuls, including a 1914 Rolls Royce, a 1937 Delahaye and a 1953 Abarth 1100. Only 950 examples of the Isotta Frashini Tipo 8A were produced between 1924-1931. Te winning example has the distinction of having been on display at the 1933 Geneva Motor Show and winning the Grand-Prix d’Honneur in Cannes in 1933. Carrosserie Worblaufen is credited with creating the vehicle’s sport cabriolet bodywork after the 46 slmag.net
company acquired it in 1931. Te car moved from France to Switzerland as it circulated among four previous owners before being shipped to North America in 2014. Asked what he loved most about the massive cabriolet, Patterson chose to focus on its small details. "I love the cigarette lighters," he said. "You should see them! I wondered a while ago if they worked, and I've got a blister on my fnger to show they do." Ferrari was the featured marque at the 2015 event, held on August 16 as the fnale of Monterey Motoring Week. Concours Chairman Sandra Button said plans to feature Ferrari were many years in the making. “It seems particularly appropriate to be showcasing this marquee now since a Ferrari earned our top award this past year,” she explained. Tat car, Jon Shirley’s 1954 Ferrari 375 MM Scaglietti Coupe, was the frst Ferrari to be named Best of Show at the event, as well as the frst postwar car to win in nearly 50 years.
Ferraris on the fairway.
Participants in the Tour d'Elegance.
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Te awards platform and show feld.
Shelby GT350 Mustang participating in the Tour d'Elegance.
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Start of the Tour d'Elegance.
Cars arriving on the morning of the Concours.
Other marques and classes highlighted to the delight of the 20,000 spectators in attendance included duPont, Designs by Carrozzeria Touring, Pope, postwar Cunninghams, historic Mercury customs, Japanese motorcycles, British prewar sports cars, the 75th anniversary of the Lincoln Continental and the 50th anniversary of the Shelby GT350 Mustang. Motoring enthusiasts preferring to see the cars in action versus idyllic idyl on the golf green line the route of the Tour d'Elegance, an 80-mile roundtrip to Big Sur that represents quite a mechanical accomplishment considering the many of
the vehicle’s advanced ages. The Tour d’Elegance also serves an important function in determining class competition and eventually Best of Show honors: if two vehicles tie in class competition, the vehicle that has successfully completed the Tour gets the blue ribbon. The charitable arm of the Concours, the Pebble Beach Company Foundation, has raised more than $20 million to support and enhance educational programs for youth in Monterey County that encompass the arts, sciences, sports and technology. sl slmag.net
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TIMES ARE A-CHANGIN'
Te simple lines of the large rectangular case of the limited edition De New Retro watch from De Grisogono is destined to be donned by a modern dandy (price upon request; degrisogono.com.
WAT C H E S T O " FA L L B A C K " O N Compiled by Abigail Hamilton 50 slmag.net
From left to right: Te stainless steel DolceVita women's watch from Longines features a case set with 46 Top Wesselton VVS diamonds (price upon request; longines.com). Slim d'Hermès with a 32mm rose gold case, guillochÊ dial in white natural mother-of-pearl and ultraviolet alligator strap (price upon request; hermes.com). Te Chopard Happy Sport 30mm Automatic is made of 18k white gold with a diamond set case, bracelet and bezel and mother-of-pearl dial (price upon request; chopard.com). Baume & Mercier limited edition Capeland Shelby Cobra 10232 with a 44 mm steel case fnished in Shelby's Guardsman Blue racing color. Black alligator strap with red calfskin lining and grey stitching ($4,450; baume-et-mercier.com).
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Formula 1 driver, Felipe Massa, who test drives all Richard Mille watches, wearing the limited edition RM 008 Felipe Massa. Te timepiece, which bears the colors of the Brazilian fag on its inner bezel, features a baseplate in carbon nanofber and a split second chronograph (price upon request; richardmille.com).
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From left to right: (Top) Te nautically inspired Portugieser Chronograph from IWC boasts a 44-hour power reserve and stopwatch function with minutes and seconds ($7,900-$17,500; iwc. com). (Bottom) At Baselworld 2015, Rolex presented three versions of the Oyster Perpetual Datejust Pearlmaster in a new 39MM size. Shown in 18CT yellow gold with a bezel set with 48 gradient-colored baguette-cut sapphires (price upon request; rolex.com). Te Rambler 44mm travel watch from Shinola includes a Detroit-built Argonite 515.24H quartz movement handassembled from more than 100 Swiss-made components. Scratch-resistant sapphire crystal and custom rubber strap ($750; shinola.com). (Top) Resembling a compact with an incorporated mirror, the Jeweler's Secret by Harry Winston is adorned with mother-of-pearl, 752 diamonds, 48 pink sapphire cabochons and fve rosy-pink pearls (price upon request; harrywinston.com). (Bottom)Te RĂŠcital 17 is the third timepiece in Bovet's Dimier Collection to be powered by the Bovet Virtuoso II watchmaking specialties caliber. Te openwork dial shows three time zones and a moon phase highlighting the current phase of the lunar cycle in both hemispheres (price upon request; bovet.com).
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Of Note... Snappy Dressers
Compiled by Victoria Chase
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1) Te Monaco chest from Frontgate has a saturated lapis fnish contrasted with ornate silver bat-wing drawer pulls, key escutcheons, and embellishments on the legs ($3,200; frontgate. com). 2) Te Hessa dresser from Made Goods features a shell-inlay foral design fashioned from mother of pearl (to the trade; madegoods.com). 3) Part of the Kristel collection from Serge de Troyer, the K3 dresser is enveloped in embossed Italian leather. Shown in black croco with mirrored drawers and leather pulls. (to the trade; sergedetroyer.com). 4) Tao Dresser from Hellman-Chang, shown in Espresso Walnut, is available in a four, fve or six drawer layout ($14,850 as shown; hellman-chang.com). 5) Te exterior of this two-drawer dresser/nightstand from the Heritage Collection by Boca Do Lobo is lined with hand-painted tiles. Te interior is fully lined with gold leaf (to the trade; bocadolobo.com).
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6) Jackson low chest of drawers from Oly Studio (to the trade; olystudio.com). 7) Campaign-style details are found on theTremont 2 over 3 drawer dresser in black from Arhaus ($1,999; arhaus.com). 8) Double bureau fnished in black lacquer with gold painted accents and brass hardware from Kindel Furniture's Dorothy Draper Collection ($14,575; kindelfurniture.com). 9) Five-drawer dresser from the Frame Collection with metallic and stained decorative moldings applied to a wood case on tapered brass legs. Each piece is signed by the designer, Luis Pons ($12,050; nibahome.com). 10) From Giorgetti, the Yang seven-drawer chest with frame in mdf, veneer and solid walnut canaletto wood. Te top-tray is covered with leather (to the trade; georgetti.eu).
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french accent
fashion from a parisian perspective Compiled by Abigail Hamilton
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Carven Paris Fashion Week Autumn/Winter 2015-2015 / Photos and text courtesy of Carven For their designer debut the duo of Adrien Caillaudaud and Alexis Martial ofered their vision of the winter 2015 Carven girl: a fresh, contemporary and self-confdent character with a penchant for high-waisted trousers, trench coats and mini-skirts. Te collection evokes an égérie - a London girl living in Paris, swaying between an electric revival of the late 60’s and the timeless elegance of active Parisian women.
Alexis Mabille Paris Fashion Week Haute Couture Autumn/Winter 2015-2016 / Photos by Matthew Brookes / Text by Alexis Mabille My Haute Couture is the marriage of my style and my clients’ desires, a fusion of my codes and each woman’s charisma. My creative process is didactic. My inspiration? Women. Te ones whose natural charm brings my creations to life and pushes it forward. I consider my work to be a laboratory for ideas. Each piece is specially created for a unique person and designed to highlight her radiance, intensity and perpetual femininity. slmag.net
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Louis Vuitton Paris Fashion Week Autumn/Winter 2015-2016 / Photos and text courtesy of Louis Vuitton What is a fashion collection made of? It’s a multi-dimensional journey, facetted by experiences both immediate and distant. Shreds of discoveries, recollections transformed by memory, imaginative anticipation… Treasures brought back from unfamiliar lands or explorations into the intimacy of a wardrobe. A sentimental anthology of iconic images and ridiculous photos that still have primordial meaning. Te intuition of a garment and the way it’s orchestrated are the key to style. Understanding the excellence of a basic —the better to take it somewhere singularly imaginative— will always be the best path. Tis collection is a proposition of style, an invitation on a journey about fnding the momentum to transcend what we know so well in order to take it toward something we’d like to discover.
Ralph & Russo Paris Fashion Week Haute Couture Autumn/Winter 2015-2016 / Photos and text courtesy of Ralph & Russo A renewed interpretation of Ralph & Russo’s romantic sensibility is unleashed for Autumn Winter 2015/2016, manifesting in sensual femininity and sexy sophistication. Te silhouettes belong to a woman resolutely assertive. Amour-like tailleurs are encrusted with crystal and pearl mosaics and dense ogival motifs adorn structured jackets wherefrom grand ovate forms shell out dramatically in the essence of a Fabergé egg. Optical and graphic, the workmanship is a sublime blend of tradition and modernity. 58 slmag.net
Viktor&Rolf Paris Fashion Week Haute Couture Autumn-Winter 2015-2016 / Photos and text courtesy of Viktor&Rolf In his show notes for the very frst Viktor&Rolf Haute Couture show in January 1998, the late Richard Martin, curator of the Costume Institute at the Metropolitan Museum of Art, wrote:"(...) Viktor&Rolf pose clothing and they form ideas. Viktor&Rolf 's presentation mingles statue and runway, letting us see both the living statue of a fne-arts identity and the animation of a couture showing." For Haute Couture Autumn/Winter 2015, the house of Viktor&Rolf reafrms the roots as mapped out by Richard Martin 17 years ago. More than ever true to their core, fashion artists Viktor Horsting and Rolf Snoeren use a mingling of fashion and art as a means of expression, presenting a collection of wearable art.
Didit Hediprasetyo Paris Fashion Week Autumn/Winter 2015-2016 / Photos and text courtesy of Didit Hediprasetyo Gowns are the starting point of the season. Floor-length A-line skirts give a sense of stature and serenity, while mermaid silhouettes contour the beauty of feminine curves. Leather outlines long bustier dresses, highlighting their construction, making them an armor of beauty in which to face the world. Pleated silk jersey encases the bust, visually repurposing the versatility of motorcycle jackets, evoking the robotic lines of superheroes. A trench coat turns into a cropped bomber jacket, and a fuid leather bolero unfolds its wide lapels, bringing a sense of contemporary aplomb. Red becomes a vow of boldness, and the dynamic lifeline in the collection. slmag.net
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Atelier Versace Paris Fashion Week Haute Couture Autumn/Winter 2015-2016 / Photos and text courtesy Atelier Versace A new Versace evolution. Elevated deconstruction, softness. Stripped of detail, transparent silk chifon gowns fow from boned body lined in velvet, the fabric free to foat as if pure air. Lightweight chifon layers bring softness to tailoring, especially with the drape of bell sleeves. Te tailoring is punctuated by metal staples that defne the silhouette. Cut-out chifon layers create raw-edged fowers that decorate chifon dresses in dove grey, powdery pink, faded green and lilac. High platform heels are worn with each look, boots or sandals providing a toughened contrast to the softness all around. "Atelier Versace, with the ethereal drama of deconstruction and sumptuous raw edges. It is the passions of a woman, exposed and elevated," - Donatella Versace.
Alexandre Delima Paris Fashion Week Autumn/Winter 2015-2016 / Photos courtesy of Alexandre Delima For his third collection, designer Alexandre Delima presented 15 looks in what he deemed a “clear-cut, radical wardrobe for the heroine of today and the future.” Feathers, fur, leather and embroidery played prominently for Delima’s targeted clientele, whose “desire and longing are expressed in a wardrobe with no place for the slightest embellishment, where each silhouette involves combinations dictated by a plethora of moods.” 60 slmag.net
Rami Al Ali Paris Fashion Week Haute Couture Autumn/Winter 2015-2016 / Photos and text courtesy Rami Al Ali Being the only boy of fve children, Syrian native Rami Al Ali took an early interest in style and fashion. Fascinated by the dramatic transformation of his sisters – in both appearance and confdence – after stepping into a glamorous dress, he was mesmerized by the power of fashion. While he created his label in 2000, his big break came in 2009 when his spring/summer couture collection graced the runway at Rome’s AltaRoma couture week. Now on his seventh consecutive season in Paris, and with the recent launch of his debut prêt-à-porter collection, Al Ali’s transition from daydreamer to global trendsetter is complete.
Antonio Ortega Paris Fashion Week Haute Couture Autmn/Winter 2015-2016 / Photos and text courtesy of Antonio Ortega As part of Antonio Ortega’s “Mummifc” collection, mysterious bandages curl and intertwine, enveloping silhouettes. Clothes glide over the body, sensual and fragile. Dark tones are often enhanced with touches of light; the curves of the waist and hips are draped with bands of colour, graphic shapes, and contrasting shades. Dresses, suits, skirts, shorts, pants, overcoats and jackets are enhanced by sets of embroidery, knitting, weaving, enriched efects, the wink of an eye and a brilliant sheen. slmag.net
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View from the Mandarin Bar. Photo by Bridget Williams.
A NON-GAMBLER’S GUIDE TO VEGAS A frst time visitor to Sin City takes a gamble and fnds ample excitement beyond the casino foor Written by Bridget Williams
I’m a late joiner to the party that has been carrying on for decades in Las Vegas. For most of my adult life I pooh-poohed the destination, eschewing its unnaturally green and glittery garish façade in the middle of a desert. By no means a teetotaler, I’d never taken a shine to gambling, so I never took the time to see what else the city ofered. Deciding to take part in one of the 20,000-plus conventions held there annually provided the perfect opportunity to see if I could amply occupy a long weekend. I’m happy to report I wasn’t disappointed (and have been back several times since). {STAY} Curious to see if I could find tranquility in the midst of a city that never sleeps, I checked into the Mandarin Oriental (mandarinoriental.com). Te 47-story, 392 room nongaming property is the only one in Las Vegas boasting Five-Star and AAA Five Diamond recognition for the hotel, Twist by Pierre Gagnaire restaurant and the Spa. From the entry, tucked away at the entrance to the upscale CityCenter development, guests can take a seat on the 62 slmag.net
velvet bench in the elevator as they are escorted to the “Sky Lobby” on the 23rd floor; floor-to-ceiling windows hint at the whirl of activity below, but a quiet aura of sophistication pervades the space. The décor throughout is sleek and modern with subtle Oriental touches. Subdued music and a profusion of fresh foral arrangements enhance the overall sensory appeal. Even if you aren’t checking in, I would highly recommend spending time in the Mandarin Bar, where the views are as intoxicating as the specialty cocktails. Spacious guest rooms are designed to be a serene oasis, with high-tech enhancements seamlessly integrated into the interior design. Those seeking the ultimate luxury getaway will want to book into one of three presidential suites, each measuring more than 3,200-square-feet. Embellished with Art Deco accents meant to evoke Shanghai in the 1930s, the Spa, at 27,000-square-feet and encompassing two floors, is an ideal antidote to the area’s
Lobby of the Mandarin Oriental.
Temperature-controlled Tepidarium chairs in Te Spa at Mandarin Oriental.
non-stop action. It’s a must to arrive well in advance of any treatment to take advantage of the Vitality Pools, Steam Rooms, Ice Fountains, five different Experience Showers and heated Laconium Room with temperature-controlled Tepidarium chairs oriented to take in the famous view. In addition to Twist and the Mandarin Bar, the property is home to MOzen Bistro, serving both Asian and multinational fare, the seasonal Pool Café, and the intimate Tea Lounge, located in the Sky Lobby. It’s easy to while away an afternoon soaking up the desert sun in one of the elongated outdoor pools, Jacuzzis or plunge pool, and intermittently seeking refuge from the rays and a cooling beverage in one of 17 poolside cabanas. {PLAY} While I don’t know what it feels like to win big at the casino, I can’t imagine the rush is greater than getting behind the wheel of a 570hp Ferrari F430 GT racecar with a top speed of 202mph and taking several exhilarating laps
Temperature-controlled A 570hp Ferrari F430 GT racecar at Dream Racing.
around the Las Vegas Motor Speedway. Dream Racing is the only operator to ofer the racecar experience, and trust me, it’s worth every penny. (From $549; dreamracing.com) Any of the Cirque du Soleil (cirquedusoleil.com) shows are over-the-top amazing and cannot be missed. We caught “O” at the Bellagio and Te Beatles Love at Te Mirage. Of the two, I thought the diving pools that would magically appear and disappear on stage nearly as quickly as the lithe acrobats broke the surface of the water during “O” made the performance extra memorable. Shopaholics and fashionistas will find no shortage of ways to occupy their time and empty their wallets. If your style is more funky than Fendi, head to the Container Park (downtowncontainerpark.com), a three-level open air shopping destination located at the corner of 7th and Fremont Street, where boutique and pop-up shops and restaurants are housed in converted shipping containers. slmag.net
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Street scene along the Las Vegas Strip.Photo by Bridget Williams.
{DINE} According to the Las Vegas Convention and Visitors Authority, the city offers the most comprehensive collection of celebrity chefs, world-class restaurants and Master Sommeliers (12) than any other destination in the world. Restaurants earning the AAA Five Diamond rating in 2015 include: Restaurant Guy Savoy at Caesars Palace; Joël Robuchon at MGM Grand Hotel & Casino; Twist at Mandarin Oriental, Las Vegas; and Picasso and Le Cirque at Bellagio. I’ll have to admit that noshing on indulgent trufe mac and cheese and a succulent Japanese Kobe beef steak alongside “Te Seated Lady," one of two monumental and amply curvaceous sculptures by Fernando Botero that hold court in the dining 64 slmag.net
room of Botero steakhouse in the Wynn Encore certainly didn’t inspire me to overindulge, but that doesn’t mean I skipped dessert! (wynnlasvegas.com/Dining/FineDining/Botero) Opened in May 2013 in the MGM Grand Hotel & Casino, Hakkasan Las Vegas Restaurant and Nightclub is a dramatically decorated five-level space encompassing an eponymous restaurant helmed by Michelin-starred Chef Ho Chee Boon and offering Hakkasan classics such as Peking duck with Tsar Nicoulai Reserve caviar and Jasmine teasmoked beef short rib accompanied by a carefully comprised wine list and culinar y cocktail menu. (hakkasan.com/ locations/hakkasan-las-vegas/) sl
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A PERFECT PLACE TO MEAT Jean-Robert’s Le Bar A Boeuf Written by Bridget Williams Photography by Andrew Kung
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Beloved Cincinnati chef Jean-Robert de Cavel’s latest venture, Le Bar A Boeuf (“the beef bar”)¬–located in the Edgecliff building in Walnut Hills overlooking the Ohio River–came from a “silly idea” that had been percolating in his mind for a decade. “I had noticed more and more the rise in popularity of burger places and even put one on the menu at [JohnRobert’s] Table,” he explained. Knowing that trends come and go, he pondered a gourmet burger experience for dinner that was a little more civilized. “Something you can eat with a knife and a fork so you don’t have to open your mouth so wide to eat it,” he said with a chuckle.
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As a child growing up in France, Jean-Robert recalled that like many families trying to stretch their budget, his mother would grind up steak for patties and top them with a sauce. In Mastering the Art of French Cooking, Julia Child introduces her recipe for Biftek Haché à la Lyonnaise (ground beef with onions and herbs) by writing, “Shock is the reaction of some Americans we have encountered who learn that real French people living in France eat hamburgers.” Tis simple concept, excellently and expertly executed, forms the backbone of the menu at Le Bar A Boeuf, though to stop there would be a pity as there are so many other culinary delights to savor. “You can get ground meat topped with cheese anywhere, but to add a Jean-Robert sauce is a game changer,” said Richard Brown, the restaurant’s afable general manager. A playful intermingling of nostalgia and modernity weaves through the décor and the menu. An ardent collector and frequent visitor to fea markets both domestically and abroad, Jean-Robert found many of the vintage posters, artwork and bovine-themed bric-à-brac that adorn the space himself. Just inside the entry, bold wallpaper on an iridescent background by Christian LaCroix is juxtaposed with a fascinating vintage light fxture. Outside, red umbrellas dot the large terrace. “It’s an odd but interesting location,” said JeanRobert of the Edgeclif space, who added that the ease of parking and the great river views make it a dining destination.
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Cincinnati Opera’s Production of Puccini’s Turandot. Photo by David Bachman.
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Te menu, conceived by Jean-Robert and carried out by Croatian native Mirko Ravlic, reintroduces and reinvents several classic French dishes. “I tried to bring back old foods. Once in awhile you just crave it,” Jean-Robert said of classics such as snail en papillote, which will be foreign to some and quite familiar to others. “Tere are no trends. We have been eating the same meats, vegetables and grains for centuries. What is new are the techniques and technology used to prepare them,” he explained, adding that old is not necessarily bad, but that it is vital to take those old recipes and readapt them for today’s tastes and health consciousness.
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Fans of Jean-Robert from his Maisonette days will be pleased to see Shrimp Maisonette Style among the appetizer selections. “When I saw this on the menu when I frst came to the Maisonette I thought it was more suited for a country club, not a fve star restaurant,” said the chef, who added that one has to remember that when the restaurant opened in the mid-1960s, fresh white mushrooms were a luxury. His present day version remains mostly true to the original with just a few tweaks. “It’s fun to bring an old dish to a new generation,” he said. Other standouts from the starters, which would make a fne meal when paired with one of the beautifully dressed Field Greens options, include the salmon tartare, served with an “egg mimosa”, which most of us would recognize as a devilishly delicious deviled egg and one of the most popular menu items, artichokes served with mushroom ragoût, poached eggs and hollandaise sauce. “Everyone gravitates to the artichokes,” said Brown. Te biftek haché section of the menu is a fun exercise in DIY dining. Choose your 8oz selection of meat (beef, bison, lamb, fsh or wagyu) and then butter or sauce, cheese and additional garnishes, from seared foie gras to conft tomato. Te extremely capable wait staf is also able to make excellent recommendations on the ideal configurations. I ordered the Wagyu decadently topped with forestiere sauce (a red wine reduction with mushrooms) and Boursin cheese. Te quality of the meat, which would have been quite tasty without any garnish, served as an ideal foundation for the nuanced favors. Te presentation was also quite fun, with a fag of Japan in miniature placed in the center of the patty, which was served alongside a generous portion of mashed potatoes on an Arthur Court silver tray fashioned in the shape of a cow. A fine selection of additional main course options from land and sea, including golden trout and duck leg confit, along with two crave-worthy béchamel mac and cheese variations and a host of sharable throwback side dishes frmly establish Le Bar A Boeuf as way more than a humble burger joint. “From the beginning it was our intention to keep costs reasonable and make it a fun experience,” Jean-Robert. sl
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9407 Montgomery Road • Cincinnati, OH 45242 • 513.791.9970
@Blainesapparel
THE UNIVERSITY CLUB Written by Lisa Stephenson Powell Photography by Tony Bailey Henry James once said that, everything being equal, a building that sits is more pleasing than a building that stands. The New York born expatriate would approve of Te University Club, which elegantly straddles the corner of Fourth Street and Broadway, evoking a rarifed past that blends seamlessly with the present. Te Club was founded in 1879 and thrived for almost twenty years before disbanding. It was reestablished in 1907 and moved to its current site through the largesse of Charles Phelps Taft, who purchased the building and bequeathed it to the Club. Jim Singler and Ernest Eynon, who are active members, shared the history of an organization that started as a place for university gentlemen to gather, eventually admitted women and in the interim acquired an art collection that is a bastion of Cincinnati talent. “The Club has always been a social club, as opposed to a business club, and has always had its own paintings,” Mr.
Eynon explained. “Our collection has a preeminent Cincinnati component, which refects the lasting tie our local artists had with the city during the years between the Civil War and WW II. That period had a very strong colony of American artists, some of whom lived here and painted, while others maintained their connection but went to New York, or to Europe, to pursue careers.” During the late 1970s and early 1980s the Club decided to renovate its building and to expand its art collection. Te interior needed updating, many of the rooms weren’t being used and its athletic facilities were limited. While the art committee combed the facility they not only salvaged art that was stored in unusual places (an etching by James Whistler was tucked away in an upstairs bathtub), they also found paintings whose revenue could translate into new acquisitions. slmag.net
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The first work of art to be sold was a watercolor by Henry Farny. It was by all accounts, Mr. Eynon disclosed with conspiratorial charm, faded and morbid. “It was a good size for a Farny,” he said, “but it looked like a horse soldier’s last stand with Custer. Tere were dead Indians, animals and soldiers. Figures in the background held bows and arrows, and it couldn’t be hung in direct sunlight because it was too delicate. But an art dealer in Santa Fe prevailed upon us to sell it, and we did. Fortunately at that time American art in general, and Cincinnati art in particular, was underappreciated and, therefore, undervalued, so we were able to purchase paintings at extraordinarily reasonable prices.” After the Club was redecorated, and wasted spaces were reclaimed, a treasure trove of art found a new home. Te size of the paintings were chosen carefully, as private clubs traditionally have rooms that are larger than those in a house, and require artwork that is appropriately scaled. Te collection represents a litany of exceptional artists who have, or had, a Cincinnati connection. 78 slmag.net
Tere is a Massachusetts harbor scene by Frank Duveneck, an instructor at the Art Academy of Cincinnati, and an atypical oil with autumnal colors by Edward Potthast, which is a startling deviation from his genteel beach scenes. Te frst foor houses two of each by Frank McElwain, (a city landscape and a lithograph of the 1988 Bicentennial Tall Stacks celebration); John Ruthven, (a wildlife oil and an identical companion sketch in the Audubon style); and Charles Kaelin, who was a distinguished member of the Cincinnati Art Club (The Small Boats, a pastel, and River Scene, an oil). There are two portraits by Dixie Seldon; one of Barney Kroger’s daughter with her sons, and another of Edward Ernst, the Club’s first president. The Bath, which portrays a mother and child by Elizabeth Nourse, is considered one of the most valuable in the Club’s collection. And there is a portrait by Carl Samson of Roscoe Waldon who, for decades, was the head maître d. Warm and afable, he greeted each guest by name, ran the Club and branded it with his personality.
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Many Cincinnati painters were involved with events that changed the course of American art. Robert Henri, whose portrait of Isadora Duncan is in the collection, became a leading figure in the Ashcan School of American realism. There is a country landscape by George Inness who, while not a native, was infuenced by the Hudson River School and whose works are housed in the Metropolitan Museum of Art and the Art Institute of Chicago. Joseph Henry Sharp was a founding member of the Taos Society of Artists. One of his paintings has an Indian as its subject. Te other is of William Howard Taft, who was so displeased with the portrait that he fred Sharp on the spot, and instructed the artist to leave immediately with the painting in tow. Tomas Worthington Whittredge was born in a log cabin in Springfield, became a member of the Hudson River School of painters and served as president of the National Academy of Design. Mr. Eynon reflected that as the life of an artist changed often, too, did their style. “Frank Duveneck lived in Munich,” he explained, “and during those years his portraits had very dark backgrounds. But when he traveled to Florence, to Venice, and to
Massachusetts, his palette refected each venue. Herman Wessel had a style transition during his career, and it’s very evident. At some point he adopted a 1950s mode of painting, which is shown in his landscape of Mt. Adams, Summer Morning. Te painting has fat planes instead of modelled colors, but his earlier works had wonderful Impressionistic hues. We own a pastoral scene by TC Lindsay, who battled alcoholism. Some of his paintings are colorful, some are well done and some are just gruesome, but he was so prolifc that his canvases were stored in a barn. Another very popular Cincinnati artist was Alexander Wyatt, who sufered a stroke in the middle of his career. He had to learn how to paint with his left hand and while his early paintings are very precise, those done later are looser and more expressive.” Te University Club has 400 members and has reciprocal relationships with other University Clubs around the country and abroad. Unlike other Clubs it does not have overnight accommodations, but it does host a state of the art exercise facility, squash courts, several intimate library-like rooms and two main dining areas. slmag.net
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While it maintains many time-honored rituals, the Club has continued to change and to fourish. “Te most important thing that a club needs today is a young membership,” Mr. Singler said. “Ours is extremely strong and social events are incredibly well attended. We partner with local companies to instill the importance of joining an organization like this, and of the professional networking that it can foster. It’s not just a stodgy old men’s club where you go to drink Scotch and play pool; it’s so much more than that. Te Club is uniquely understated and exceeds beyond expectations. Some of my deepest friendships have begun here.” Numerous organized events are held every month; twice a year there are soirees that bring food, beverages, music and hundreds of guests together. “During those evenings,” he added, “the place rocks into the early morning hours.” Te Club hosts an annual exhibit of living Cincinnati artists whose 82 slmag.net
work is displayed and sold. Tey also sponsor a two-year Artist in Residence, which allows a local artist to use their facilities and to assist with the curation of the annual art show. M. Katherine Hurley is the current Artist in Residence. If the French are correct, Plus ça change, plus c’est la même chose, then the University Club is well poised to face the future while respecting enduring traditions. “Our current club manager, Alan O’Bryan, has done an extraordinary job,” Mr. Eynon said. “Te place looks wonderful, the staf and service is fabulous, and the food is excellent. In order to be successful a club has to have an attractive location and an appealing facility while catering to the needs of its members. We want the University Club to be a pleasant destination. We want it to be welcoming and comfortable, so the moment people walk through the front door they feel that they have reached a home away from home.” sl
JIMMY
CHOO
saks.com
Cincinnati
101 WEST 5TH ST. 513.421.6800
STARFIRE COUNCIL By Lisa Stephenson Powell
Helen Keller was born in 1880, one of five children in a loving Southern family. By all accounts she was a healthy, happy little girl; she spoke her frst words at the age of six months and walked on her frst birthday. When she was 18 months old she contracted scarlet fever and, overnight, lost the ability to see and to hear. Her parents, well aware that their daughter was highly intelligent and determined, gave her the support, guidance and assistance to fulfll her potential. As an author and activist her life was devoted to social reform; she lectured on behalf of disabled people everywhere. Ms. Keller, who graduated cum laude from Radclif College, once commented, “Alone we can do so little; together we can do so much.” It was a viewpoint that guided her life, propelled her career and afrmed her convictions. Ms. Keller’s tenet is strongly embraced by the Starfire C o u n c i l . T h e re a re m e m b e r s w h o b e n e f i t f ro m t h e i r organization, volunteers who embody the spirit of reciprocity and employees who strive to make a diference in the lives of people with disabilities. Starfre was founded in 1993. It evolved from the Camp Fire organization and held programs during the evenings and weekends for people with disabilities. Members enjoyed outings that included enjoying meals at restaurants, bowling and being involved with activities in the area. A strong connection with our community became an important linchpin in Starfire’s philosophy and objective. 84 slmag.net
Rachel Almendinger, Director of Donor Relations, joined Starfre soon after graduating from college; her frst job was as the volunteer and events coordinator. “We now work one-on-one with people,” Ms. Almendinger explained. “Instead of grouping people together based on the fact that they have a disability, we focus on the passion, talent and interests of each person. Our goal is to help them achieve what is positive and possible in his, or her, future. Ultimately our work shows people in the community that someone with a disability can be part of their lives. So often members of society who have a disability are segregated or set apart from their communities. We don’t believe in that. We’re all about inclusion.” Starfire has approximately 20 employees who work with their members and are called “connectors.” Teir very active blog, Cincibility, has almost 3,000 followers and is regularly updated with stories, poetry and event invitations. Although Starfre doesn’t have a formal outreach program it is respected around the country, and around the globe, as a leader in its field. Their Executive Director, Tim Vogt, has mentored other local nonprofts that are disability related in Cincinnati, and has traveled to other cities to share their best practices. And those success stories evoke comingled reactions that are at once heartwarming, encouraging and inspirational. Begin with Becky, an enthusiastic gardener, who did meticulous, artistic work with the fairy garden show at the Greenacres Foundation
and clocked in more hours than any other volunteer. And there is Molly Grace, who is involved with the Beechmont Players. She has ushered, handed out programs, worked on the lobby display and lent a helping hand whenever it was needed. She enjoys watching rehearsals and performances, and has built a close circle of friends. Athlete Desiree volunteers at a local recreation center. She grew up playing basketball and now shares the court with other women who play at the recreation center, embracing her enthusiasm. Starfre helped them connect, and they meet weekly for a pick-up basketball game. And then there is Adam, who loves aviation. “His grandfather was a World War II veteran, which prompted his interest,” Ms. Almendinger said. “We connected him with our board president, Jim Price, who owns and fies a plane, and who introduced him to his aviation buddies. Earlier today Adam told me that he had a new person in his life. On average, when we work with someone we establish fve new relationships in their life. So often I think we take relationships for granted, and when somebody says that they have another friend who they can count on, well, it’s really beautiful.” Te convictions of Starfre are enumerated in their fve valued experiences, which touch members, connectors and foster a sense of belonging: sharing places; making choices; making contributions; growing in relationships; and experiencing respect. Ms. Almendinger’s daily focus is on organizing committees and events that will enable successful fundraising. During the
month of March Starfre hosts the Final Four Fly Away, which is geared to young professionals and coincides with March Madness. Tere’s a silent auction and the event is held at a popular venue where attendees watch the games while enjoying food and beverages. Tis year there were almost 400 guests. For the past four years the Annual Celebration for Starfre has been an evening event that honors the members, whose stories are told in videos showing another side, and often a different side, of inclusion. This year a second celebration, a breakfast fundraiser, was held with spectacular results. “Between sponsorships and donations that day we raised over $60,000.” she said. “People give when they feel connected. We were thrilled because it will enable us to continue do our work and to let people know about our mission.” Ms. Almendinger reflected that a career in the nonprofit sector should be considered carefully. “A person has to be passionate about what they are fundraising for, or fghting for, or working for, because there’s a lot of work and a lot of burnout. It has to be dear to your heart.” She also described the organization’s hopes for the future. “What I love most about Starfre is that we help people with all abilities fnd their place in Cincinnati and help them feel valued. As we continue to work toward our goals we would like Starfre to be known as an organization that taps into a person’s greatest strengths which, in turn, promotes a positive change in our community.” sl slmag.net
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Society
Wild About Wine, Cincinnati Zoo, 6:30-8:30, cincinnatizoo.org Dress for Success Fashion Show, Horseshoe Casino, 11AM, dfscincy.org MainStrasse Village Oktoberfest, MainStrasse Covington, , mainstrasse.org Cincinnati Food and Wine Classic, Washington Park, , cincinnatifoodandwineclassic.com Touching Hearts Gala, Receptions Eastgate, 6PM, clermontseniors.com Malts in Ault, Ault Park, 6:30-10:30PM, aultparkac.org freshART, Behringer-Crawford Museum, 6-10PM, bcmuseum.org Bloom for Stepping Stones, Greenacres Arts Center, , steppingstonesohio.org Urban League Gala, Duke Convention Center, 7PM, gcul.org Sunfower Revolution Bike/Walk/Run, Sawyer Point, , sunfowerrev.org Golf Fore the Kids of St. Joseph’s Orphanage , Vineyard Golf Course, , stjosephorphanage.org Zoofari, Cincinnati Zoo, 6:30-Midnight, cincinnatizoo.org Oktoberfest Zinzinnati, 5th Street Downtown, , oktoberfestzinzinnati.com Live! On CET!, Music Hall, 5:30-9PM, cetconnect.org Forget-Me-Not Gala 2015, Phoenix, 6:30PM, ucneuroscience.com/events/forget-me-not-gala-for-memory-disorders-research/ CSO Opening Gala, Music Hall, 5:30PM, cincinnatisymphony.org Talbert House Annual Luncheon, Hyatt Regency Cincinnati, 12-1:30PM, talberthouse.org
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Cincinnati Business Hall of Fame, Cintas Center, 6 PM Laureate Induction Ceremony, juniorachievement.org Cincinnati Art Club 125th Anniversary Viewpoint 47, Eisele Gallary, , viewpointcincinnati.com Red Tie Gala for Ronald McDonald House, Hyatt Regency, , rmhcincinnati.org Hyde Park Square Art Show, Hyde Park Square, 10AM-5PM, hydeparksquare.org Pink Ribbon Luncheon, Duke Convention Center, , ccpf.proscan.com Zoo Brew, Cincinnati Zoo, 6:30-9 PM, cincinnatizoo.org Queen Bee Half Marathon, Horseshoe Casino, 8AM, queenbeehalf.com Patty Brisben Foundation Gala, Green Acres, , pattybrisbenfoundation.com 20th Annual Celebrtion of Construction, Duke Convention Center, , spirit of construction.org Arthritis Foundation Bone Bash, Masonic Center, , bonebash.org Art in Bloom, Cincinnati Art Museum, , cincinnatiartmuseum.org Beer Baron Ball, Horseshoe Casino, , Beerbaronball.org Cincinnati Arts and Antiques Festival, Music Hall Ballroom, , cincinnatiantiquesfestival.org Evening of Hope, Kenwood CC, 6:30PM, cancersupportcincinnati.org
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AULT PARK’S CONCOURS D’ELEGANCE
It was a beautiful day in Ault Park for the Annual Concours which beneftted the Kids Get Arthiritis TOO! foundation. Te event hosted thousands who came out to see some of the most sought after vehicles in the world. Te 1928 Auburn 8-88 Boattail Speedster from Beavercreek Ohio and 1931 Chrysler CG Imperial Roadster from Toronto Canada, took this year’s Best of Show nationally recognized awards.
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1) Nathan & Kim Dugan 2) Robert & Louise Reid 3) Ben & Judy Well 4) Bud Sturgeom, Terri Nordmeyer 5) Nancy Hufman, Akel Biltaji (Mayor of Amman ordain. Cincinnati is the sister to Amman Jordan)l 6) Magnus Walker, Bob Ingram (Te Porsche Hunter: Magus Walker is the world’s most unlikeliest and Most prized restored of 911’s)
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‘GIVIN AND GROOVIN’
Aston Oaks Golf Course was the venue for this year’s ‘Givin’ N Groovin’ 2015 event and golf outing. Tis years event included a golf scramble, bufet dinner, drinks, and live entertainment provided by 90 Proof Twang. Tis years’ event raised awareness and money for Cancer Family Care and the Cincinnati Association for the Blind and Visually impaired.
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1) Casey McFarland,Amy McFarland, Jef McFarland, Kathy McFarland, Jef Smith, Shannon Sehwallie Holly Eary 2) Taylor Pennington, Kelsey Rider, Alice Rider, Randy Rider 3) Mindy & Jef Smith, Shannon & Tim McClatchey 4) Carol Neidhard, Kath McFarland, Missy Deters, Tim Deters 5) Rebecca Hill, Gary Hill, Whitney Bonapfel 6) Wendy & Dennis Smith 7) Bridgette Tontlewicz, Stephanie Rider, Kelly Bombrys 8) Bill Olberding, Dawn Perrin, Jill Settlemyer, Dale Settlemyer, Juliane Belisle 9) Tom & Kelly Burke
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KENTUCKY SPEEDWAY CHILDREN’S CHARITIES
Te Kentucky Chapter of Speedway Children’s Charities (SCC) held its 2nd Annual Fundraising Dinner on Monday, June 15 at Receptions Banquet and Conference Centers in Erlanger, Kentucky. Tis year’s Guest of Honor was NASCAR Analyst and Former Crew Chief Jef Hammond, and Trevor Bayne, the youngest Daytona 500 winner in NASCAR history, made a special appearance. Over 200 guests were in attendance to this exclusive, invitation-only event, which is now held annually to raise funds for SCC’s Grant Distribution Program. Trough this program, SCC was able to provide over $70,000 in grant funding to ffteen local non-proft children’s organizations in Kentucky, Ohio and Indiana who care for children in educational, fnancial, social and medical need.
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1) Mike Schmaltz, Heather Bibee 2) Tony Bonomini, Mills Rouse, Paula Bonomini, Bob Rybolt, Charlene Rouse 3) Joe Mylor, Julanne Yauch 4) Karen Bannick, Steve Hater, Pam Mycor 5) Joe & Heather Sumpter 6) Trevor Bayne, Nick Lachey, Don Lachey, Mark Simendinger 7) Lori Simendinger, Trevor Bayne, Amy Martin 8) Tim Flanagal, Trevor Bayne, Joanne Flanagal
for the love of home
CINCINNATI 8110 Montgomery Rd.
californiaclosets.com/cincinnati 5 1 3 . 79 3 . 3 0 5 5
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LUMENOCITY
Tis year’s third annual Lumenocity event at Washington Park was increased to 5 nights of performances. Te CSO and POPS! Orchestra played fan favorites throughout a two-act production. Second act featured the popular 3-D image projections on the front façade of Music Hall. New this year was the SPOTLIGHT EXPERIENCE where guests were treated to a gourmet dinner by the bite from some of the cities’ best chefs.
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1) Keith Wood, Rebecca Bolce, Chalky Tomas, Beth Tomas, Pam Paley, Ken Paley 2) Briany & Kathryn Cottingham 3) John Borchers, Suzanne Hemmer, Julie Borchers 4) Tillie Hidollolima, Dave Lima 5) Allia & Ty Townsend 6) Joel & Elizabeth Wenger 7) Christy Lynn Schrand, Chef Jean-Robert 8) Peter & Susan Guggenheim
The Patty Brisben Foundation for Women’s Sexual Health is celebrating the sophistication of Hollywood’s Golden Age! Find yourself transported to a time of glitz, glamour and star studded style! Indulge in frosty cocktails and mouthwatering cuisine from some of the city’s fnest chefs. Experience an oh-so-glamorous evening, all done up with a Hollywood fare!
Purchase Tickets Online www.pattybrisbenfoundation.org/events For More Information 513-697-5934 info@pattybrisbenfoundation.org
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WILD ABOUT WINE
June’s Wild About Wine was once again a sold out event. Hosted by the Cincinnati Zoo and beneftting the Zoo’s Lindner Center for the Conservation and Research of Endangered Wildlife, guests were treated to food by the bite, music, and of course a large sampling of wine!
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1) Shannon Braun, Linda Bennett, Beth Kamen 2) Mark Bartley, Sara Bartley 3) Jacson Grimes, Kim Grimes 4) Eric & Marie Masters 5) Paige Donnelley, Kelsey Blum, Lizzy Vollmer 6) Pattiann Broft, Shelia Haas, Michelle Story 7) Mike & Danielle Hamilton, Kevin & Rima Rusnak 8) Aaron & Brittan Stapleton, Valerie Millinovich
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ROCK OUT CANCER
GIVE HOPE, the pancreatic cancer research and awareness fund was the host for this year’s frst Rock Out Cancer event presented at Horseshoe Casino. Guests were treated to dinner, drink, and a wonderful auction, followed by a live rock performance by Te Guess Who.
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1) Chase Elliott, Brooke Van Aman 2) Jef Wiener, Sheryl Wiener, Beth McDonald, Blue McDonald 3) Janet Ransom, Stan Smith 4) Te Guess Who, Chris & Noel Ripley 5) David Elson, Claire Elson, Nora Elson 6) Emily & Daniel Abbott 7) Alan Fries, Jef Fries, Jef Fries, Shelly Fries
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POLO FOR BABIES
Founded in 2013 Te Leonidas Foundation has been committed to supporting Cincinnati Children’s hospital and their infant and child research programs. Tis year’s second annual polo match was another smashing success that hosted guests through the game and also helped educate its visitors on the fne aspects of the sport.
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1) Megan Anacker, Matt Anacker, Bridgette Davis 2) Gina McCord, JG McCord, Jenna Bowen 3) Ashley Stick, Meredith Koch, Ashley Jones 4) Chris Musbach, Karrie Musbach, Joana Dobbs, Eric Dobbs, Juliana Tompson 5) Kara Alexandrozic, Allison Wittenbrook 6) Betsy Leonidas, Jim Fraser, Adeline Leonidas, Chris Leonidas 7) Jane Livingston, Megan Boesing, Jennie Parker 8) Megan Stacey, Drew Stacey
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ZOOTINI
July’s Zootini was again a sold out event! Guests were treated to the music of James Meade, while sampling a plethora of zoo-inspired martinis, and mingling with Zoo residents and their keepers. 7
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1) Larry Bergman, Russ Doyle, Charlie Shor 2) Leigh Ann Boehmer, Amy Juengline, Claire Ehrman, Susie Ott 3) Susan Menzies, Paula Reel, Linda Meyer 4) Rose King, Karen Daniel, Sandra Harvey 5) Leda Isenhour, Manny Rmorales 6) Nickolis Fry, Suzanne Lurie, Terri roth 7) Kate Mosher, Stephanic Swift, Emily Boland
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STARFIRE CELEBRATION
Starfre’s Annual Celebration on June 24th was two-part in design and showcased Starfre’s stories through flm at the 20th Century Teater in Oakley. Te Breakfast Celebration was a corporate fundraiser with Cincinnati City Council member Chis Seelbach as the keynote speaker and over 250 in attendance. Te Evening Celebration was free and open to the public with Jake Hodesh as the keynote and nearly 400 people in attendance. Tis is the frst year Starfre’s Annual Celebration was considered a major organization fundraiser, and Starfre raised a combined $64,000 from both events.
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1) Jason Harris, John Sallee, and Tim Vogt 2) Rachel Almendinger, Robert Reed, and Brand Almendinger 3) Kathleen and Sean Cohen 4) Amber and Paul Moran 5) Jacob and Leanne Rosenfeld 6) Keynote Speaker Jake Hodesh 7) Event Chair Liz Rigby
