A RISTEU P IR ES SKETC H E S A NGE L A
A NGE LA A RM C H A I R BY AR I ST E U P I R E S 29. 5 2" H 24" W 20. 86" D • 17" S H
A natural saddle hide back comprises this remarkable dining chair featuring golden metallic embellishments. Angela sports the uprightness of a wood dining chair while offering the slightest give of a hammock-like hug to cradle the spine just so. Whether turning to beckon to the guest at your left or conversing directly across a table, Angela has got your back. Natural leather will form the character and patina of a fine heirloom over time. The hand-sculpted cur ve just beneath each arm is soothing to touch; the burnished accents are a counterpoint to the natural Brazilian leather.
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AU RO RA A R MCHA I R BY A RIST EU P IRES 31.5" H 2 6.1 8" W 2 2 . 6 3 " D • 1 7. 8 3 " SH
Remarkably, Aurora was perfection the first time around. Aristeu’s ver y first iteration of her was also the final one.
A NA A RM C H A I R
C LAU DI A A RM C H A IR
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
32. 67" H 25. 98" W 23. 62" D • 17. 44" S H
29. 13" H 23. 62" W 21. 06" D • 18. 3 " S H
DA NI E LLA A RM C H A I R
DA NI E LLA C H A IR
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
31. 1" H 22. 44" W 21. 65 " D • 18. 97" S H
31. 1" H 22. 44" W 21. 65 " D • 18. 97 " S H
LU I Z A C H A I R
NA RA C H A IR
LAURA CHAIR BY ARISTE U PIRE S 31.4 9 " H 1 8.1 1 " W 21.6 5" D • 1 8.89 " SH
Laura brings the whimsy and peace of the garden indoors.
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BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
ALS O AVAILAB LE IN OUT DOOR F INIS H AND OUT DOOR CORD
35. 03" H 17. 5 1" W 19. 88" D
33. 46" H 23. 22" W 21. 65 " D • 17. 71" S H
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DAN I EL L A AR M CHAI R S
D U DA STO O L S
DUDA CHAIR & STO O L BY ARISTE U PIRE S C H AIR 27.6 " H 22.4 4 " W 21.6 5" D • 1 8.34 " SH C O U N TER STO O L 31.89 " H 22.4 4 " W 21.6 5" D • 24 " SH BARSTOOL 37.79" H 22.44" W 21.65" D • 30 " S H
RU T H C H A I R & STOOL BY A RIST EU P IRES C HA I R 2 9.5 2 " H 1 7. 5 2 " W 2 0. 07 " D COU NT ER STO O L 3 6.2 2" H 1 7. 3 2 " W 2 1. 06 " D • 24 " SH BA RSTO O L 41.3 3 " H 1 7. 3 2 " W 2 1. 06 " D • 3 0" SH
ANITA CHAIR & STOO L BY ARISTE U PIRE S STAC KABLE C H AIR 34.6 4 " H 1 9.6 8" W 1 9.6 8" D • 1 7.75" SH C O U N TER STO O L 34.6 4 " H BAR STO O L 4 0.55" H
36
1 6.73" W 1 6.73" D • 24 " SH
1 6.73" W 1 6.73" D • 30" SH
D U DA STO O L S
ISABELA CHAIR & STOO L BY ARISTE U PIRE S C H AIR 35.03" H 1 7.51 " W 1 9.6 8" D • 1 8.5" SH C O U N TER STO O L 35.6 2" H 1 7.51 " W 1 9.6 8" D • 24 " SH BARSTOOL 39. 6 2" H 17.51" W 19.68" D • 30 " S H
YO KO C H A I R & STO O L BY AR I ST E U P I R E S CHAIR 27. 5 5 " H 22. 44" W 21. 65 " D • 18. 42" S H COUNT E R STOOL 29. 92" H 18. 11" W 21. 45 " D • 24" S H
G I U LI A C H A I R & STOOL
BARSTOOL 39.76" H 18.11" W 21.45" D • 30" S H
BY A R I ST EU P IRES CHA I R 31.1 " H 1 7.9" W 1 9. 6 8 " D • 1 8. 3 4 " SH COUN T ER STO O L 3 4.64" H 1 7. 9 " W 1 9. 6 8 " D • 24 " SH BARSTOOL 40.55" H 17.9" W 19.68" D • 3 0" SH
MELISSA CHAIR & STO O L BY ARISTE U PIRE S C H AIR 31.88" H 22.83" W 21.41 " D • 1 8.6 6 " SH C O U N TER STO O L 35.23" H 1 7.9 1 " W 1 9.29 " D • 24 " SH BARSTOOL 40.94" H 17.91" W 19.29" D • 30 " S H
TE RE Z A C H A I R & STO O L BY AR I ST E U P I R E S CHAIR 35. 03" H 17. 91" W 19. 68" D • 18. 89" S H COUNT E R STOOL 31. 88" H 22. 44" W 21. 65 " D • 24" S H BARSTOOL 37. 79" H 22. 44" W 21. 65 " D • 30" S H
40
41
AN ITA BAN C O ALTO STOOLS
NA RA STO O L BY AR I ST E U P I R E S COUNT E R STOOL 24" H 17. 71" W 17. 71" D BARSTOOL 30" H 17. 71" W 17. 71" D
M A X I M A STO O L BY AR I ST E U P I R E S COUNTER STOOL 24.8" H 18.89" Ø BARSTOOL 30. 7" H 18. 89" Ø
A NI TA BA NC O A LTO STO O L BY AR I ST E U P I R E S COUNTER STOOL 24" H 18.11" W 18.11" D BARSTOOL 30" H 18.11" W 18.11" D
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MARCIA STOOLS
MA RCIA STOO L BY ARISTE U PIRE S 2 7 " H 1 4.9 6 " W 1 8.1 1 " D
The exquisite movements of Brazilian prima ballerina Marcia Haydée Salaverr y Pereira da Silva were Aristeu’s inspiration for this distinctive design. Her legs manifest motion, positioned as a dancer’s croisé just before leaping into a breathtaking arabesque. Delicate appearances deceiving, she is well engineered to support weight and force. 44
ZYV TA B L E, T ER EZA C H A I R S, F R I S O S C E NTE R P I E CE
Z Y V TA B LE BY AR I ST E U P I R E S AVAILAB LE IN G LAS S OR WOOD TOP S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
CATA VE NTO TA B LE BY AR I ST E U P I R E S S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
BA I LA RI NA BA R TA B LE BY AR I ST E U P I R E S AVAILAB LE IN G LAS S OR WOOD TOP S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
BA I LA RI NA TA B LE BY AR I ST E U P I R E S S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
47
AMSTERDAM TABLE, DUDA CHAIRS
HEXA TABLE BY ARISTE U PIRE S SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES
O K TA BL E
ZX TABLE
BY ARIST EU P IRES
BY ARISTE U PIRE S
S EE S O S S EG O D ES I G N. C O M FO R AVA I L A B L E SI Z E S
SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES
A MST ERDAM TABLE BY ARISTE U PIRE S AVA I L A B L E IN GLASS O R WO O D TO P SE E SO SSE GO D E SIGN.C O M FO R AVAILABLE SIZ ES
48
T U L IPA B E D, T U L IPA N IG H T STAND
TU LI PA B E D BY AR I ST E U P I R E S S ING LE 38. 18" W 79. 5 2" D • DOUB LE 5 7. 87" W 79. 5 2" D QUE E N 65. 74" W 83. 46" D • KING 79. 5 2" W 85. 43" D
“I want to make furniture so well loved that the children of those who own it today will want to have it in their homes tomorrow.” Aristeu Pires
51
BA IL A R IN A N ESTI NG TA B LE S, TUL I PA B E D
TU LI PA NI GH TSTA ND
A NA FO OTSTOOL
BY AR I ST E U P I R E S
BY AR I ST E U P I R ES
22. 44" H 31. 49" W 18. 11" D
16. 93" H 24. 21" W 18. 89" D • 20 " S H
BAILARINA NESTING TABLES BY ARISTE U PIRE S SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES
ANA FOOTSTO O L, TU L I PA B ED
52
53
Some discover their deepest dreams, treasures, and playfulness in the sossego they can only experience in the great out of doors.
outdoor The trend is coming out: to the great out of doors, whether a city terrace or lush backyard. We snip herbs from the garden, entertain on a veranda, by the pool or fireside, and take in fresh, sweet air. Outdoor living and the ubiquitous Brazilian hammock are now de rigueur in the US. Casual is one of the fastest growing furniture categories in North America. Brazilians live for the beach, sky and sun. Even the smallest city balcony will boast a bench or folding chair layered with bright pillows next to a small table for breakfast, lunch or dinner.
LUIZ A CHA IR S A N D Z X TA B L E
CA M IL A FOL D IN G C H A IR BY A R I STE U P I R E S 29. 52" H 18. 89" W 17. 52" D
L U IZ A C H A IR BY A R I STE U P I R E S 33. 46" H 23. 22" W 21. 65" D • 17. 7 1" S H
A NA A R M C H A IR BY A R I STE U P I R E S 32. 67" H 25. 98" W 23. 62" D • 17. 4 4 " S H
NA R A STOOL BY A R I STE U P I R E S COUNT E R STOO L 24 " H 17. 7 1" W 17. 7 1" D BARSTOOL 3 0 " H 17. 7 1" W 17. 7 1" D
57
G I S E LE LOUN G E CHA I R & FOOT STOOL BY ARIST EU P IRES LOU NG E C HA I R: 3 4.6 4" H 2 7. 7 5 " W 3 2 . 6 7 " D • 1 6. 5 3 " SH FO OT STO O L : 1 6. 9 2 " H 24 " W 1 7. 7 1 " D
Daylight is dimming. Endless grassy hills fade gently into the blue of the sky. Gisele reclines on the hilltop with you, full of feminine charm, her raw cotton cording connecting lanky wooden limbs. It is not hard to understand why this chair was named after the Brazilian supermodel—or was the model named after the chair? Rest in Gisele’s arms once, and you’ll never want to leave. Let her grace ease its way into your ever yday routine.
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YLLA B EN CH, A MST ER DA M TA B L E, A NA A R M C H A I R S
BAI L AR I N A S I D E TAB L E, GISEL E LO U N GE CHAI R, GI S EL E FO OTSTO O L
YLLA BENCH SIN GL E TO N E BY ARISTE U PIRE S 1 7.71 " H 70.07" W 1 8.5" D
A M STERDAM TABLE BY ARISTE U PIRE S AVAILABLE IN GLASS TO P SE E SO SSE GO DESIGN.C O M FO R AVAILABLE SIZ ES
ZX TABLE BY ARISTE U PIRE S SE E SO SSE GO DESIGN.C O M FO R AVAILABLE SIZ ES
BA IL A RIN A SI D E TA BL E
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TULIPA SIDE TABLE
BY A R I ST EU P IRES
BY ARISTE U PIRE S
SE E S O S S EG O D ES I G N. C O M FO R AVA I L A B L E SI Z E S
22.04 " H 31.4 9 " W 1 8.1 1 " D
contract The heart of true sossego is all about genuine and purposeful human connection.
As an engineer-cum-ar tist, Aristeu Pires designs each piece with great forethought to desired outcomes of human behavior. He envisions a chair to facilitate warm connections, forging and exchanging energy among collaborators. Some pieces are designed for small gatherings of ideators, a respite from a task chair. Others are purposed for working in solitude, naturally enabling a correct posture while engaged with a tablet or smartphone. The cur ve of a backrest, placement of an arm, and pitch of a seat are thoughtfully engineered to rejuvenate the body, whether negotiating an agreement or entertaining a client. Aristeu’s Aurora and Daniella armchairs will sustain long nights in the boardroom as well as an evening of fine dining. They are designed to refresh the body and provide warm hospitality, all while enabling relaxed conversation and the sharing of ideas, goals, and hopes.
GISELE LOUNGE CHAIR, MELISSA LOUNGE CHAIRS, MESA ÁGUA, BAILARINA SIDE TABLE
J U L I ETA LOVESEAT
MELISSA LO UNGE CHAIR
BY ARIST EU P IRES
BY ARISTE U PIRE S
2 7.55" H 4 9. 2 1 " W 2 2 . 4 4 " D • 1 8. 9 7 " SH
31.4 9 " H 27.1 6 " W 30.7" D • 1 7.51 " SH
G I S EL E LOUN GE CHAIR & FO OTSTO O L BY ARISTE U PIRE S LO UN GE C H A I R : 3 4.6 4 " H 27.75" W 32.6 7" D • 1 6.53" SH FO OTSTO O L: 1 6.9 2" H 24 " W 1 7.71 " D
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BEATR IZ LOU N G E CH A I R S, A M STE R DA M DE S K
B E ATRI Z LOV E S E AT BY AR I ST EU P I R E S 30. 7" H 61. 41" W 30. 7 " D • 19. 4 8" S H 3 S E AT AND 4 S E AT S O FA AVAI L ABL E
Aristeu Pires designed Beatriz in honor of the beloved wife of Sérgio Rodrigues, the “Father of Brazilian Design”. Vera Beatriz was Sérgio’s steady presence and beautiful muse. B E ATRI Z LO U N G E C H A IR BY AR I ST E U P I R E S 30. 7" H 30. 7" W 30. 7 " D • 18. 3 " S H
Y LLA B E NC H L I M I T E D E D I T I ON - T W O-TONE BY AR I ST E U P I R E S 17. 71" H 70. 07" W 18. 5 " D
69
VE R E DA B E N CH
VE R E DA B E N C H BY D O M I N GO S TÓTO R A 17. 71" H 82. 67 " W 23. 62" D
SOLO B E N C H BY D O M I N GO S TÓTO R A 16. 92" H 82. 67 " W 25. 19" D
“The colors, forms, and textures of the Minas Gerais region — the sinuosity of the mountains, are all embedded in my work. The soil, the dirt, all this is my trademark.” Domingos Tótora
KRA F T B E N C H T E R R A E DI TI O N BY D O M I N GO S TÓTO R A 17. 71" H 7 0. 86" W 19. 68" D
HELENA BENCH BY A R I STE U P I R E S 17. 71" H 7 0. 86" W 19. 69" D
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S E M I N E CHA I R W IT H B O R D ER
L EI RAS CHAIR BY DO MIN GO S TÓTO RA
BY D O MIN GO S TÓTO RA
BY D O M I N GO S TÓTORA
C O N TAC T SH OWR O O M TO O R DER
C O N TAC T SH OWR O O M TO O R DER
C O NTAC T S HOWRO O M TO O R D E R
CASCA CHAIR 71
JULIETA LOV ESEAT, BA I L A R I NA S I D E TA B L E
BA I LA RI NA SI DE TA B LE
BA I LA RI NA O C CA S ION A L TA B L E
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
S E E S OS S E G ODE S IG N. COM FO R AVAI L ABL E S I Z E S
TU LI PA SI DE TA B LE
O K SI DE TA B L E
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
22. 04" H 31. 49" W 18. 11" D
S E E S OS S E G ODE S IG N. COM FO R AVAI L ABL E S I Z E S
O K C O RI A N SI DE TA B LE
PRI SM A SI DE TA B L E
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
S E E S OS S E G ODE S IG N. COM FO R AVAI L ABL E S I Z E S
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GISELE LOUNGE CHAIR, MESA ÁGUA, BAILARIN A N ESTI N G TAB L ES
ME S A ÁG UA BY D O M I N GO S TÓTORA 1 1.8 1 " H 5 9 " Ø
AMSTERDAM CONSOLE TABLE BY ARISTE U PIRE S AVAILABLE IN GLASS O R WO O D TO P SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES
HEXA O C CA S I ONA L TA BL E BY ARIST EU P IRES S EE S O S S EG O DE SI GN. C O M FO R AVA I L A B L E SI Z E S
P R I SMA CON S OL E TABLE BY A RIST EU P IR E S SE E SO SSE GO D E SI GN. C O M FO R AVAILABLE SIZ ES
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A NGEL A CH A IRS, BA I L A R I NA TA B L E, Â NFO R A S
AU RO RA A RM C H A I R
LI LY A RM C H A IR
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
31. 5 " H 26. 18" W 22. 63" D • 17. 83" S H
35. 03" H 24. 4" W 25. 5 9" D • 18. 5" S H
A NGE LA A RM C H A I R
JU LI E TA A RM CH A IR
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
29. 5 2" H 24" W 20. 86" D • 17" S H
27. 5 5 " H 23. 22" W 19. 68" D • 18. 3 8" S H
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A N A A R MCHA I R BY A RIST EU P IRES 32 . 6 7 " H 2 5. 9 8 " W 2 3. 6 2 " D • 1 7. 4 4 " SH
The comfort of Ana may start with a full day in the boardroom and can continue long into the evening, from pre-dinner hors d’oeuvres through post-dinner conversation. Sporting just the hint of a tilt, the seat appears to move back but doesn’t quite reach her hind legs – ever a nod to the ubiquitous swinging Brazilian hammock. Her solid, steady form provides comfort all night long. Remarkable and distinctive with a touch of intrigue best visible from her profile, she holds her own.
LAU RA C H A I R BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
31. 49" H 18. 11" W 21. 65 " D • 18. 89" S H
35. 03" H 17. 5 1" W 19. 8 8" D
DA NI E LLA A RM C H A I R
C LAU DI A A RM C H A IR
BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
31. 1" H 22. 44" W 21. 65 " D • 18. 97" S H
29. 13" H 23. 62" W 21. 06" D • 18. 3 " S H
CA M I LA FO LDI NG C H A I R 78
NA RA C H A I R
LU I Z A C H A IR BY AR I ST E U P I R E S
BY AR I ST E U P I R E S
ALS O AVAILAB LE IN OUT DOOR F INIS H A N D O UTD O O R C O R D
29. 5 2" H 18. 89" W 17. 5 2" D
33. 46" H 23. 22" W 21. 65 " D • 17. 7 1" S H
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N AR A STO O L S
M AR CI A STO O L S
N A R A STOOL
MAXIMA STO O L
BY ARIST EU P IRES
BY ARISTE U PIRE S
C O U N T ER STO O L 24 " H 1 7. 7 1 " W 1 7. 7 1 " D
COUNTER STOOL 24.8" H 18.89" Ø
BA RSTO O L 3 0" H 1 7. 7 1 " W 1 7. 7 1 " D
BARSTOOL 30.7" H 1 8.89 " Ø
M A R CI A STOOL
ANITA BANCO ALTO
BY ARIST EU P IRES
BY ARISTE U PIRE S
2 7 " H 1 4. 9 6 " W 1 8. 1 1 " D
C O U N T E R STO O L 24 " H 1 8. 1 1 " W 1 8. 1 1 " D BAR STO O L 30" H 1 8.1 1 " W 1 8.1 1 " D
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AN I TA CHA I R & STOOL BY A RIST EU P IRES STAC K A BLE C H A I R 3 4. 6 4 " H 1 9. 6 8 " W 1 9. 6 8 " D • 1 7.75" SH C O U N T E R STO O L 3 4. 6 4 " H BA RSTO O L 4 0. 5 5 " H
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1 6. 7 3 " W 1 6. 7 3 " D • 24 " SH
1 6. 7 3 " W 1 6. 7 3 " D • 30" SH
Like a team of Clydesdales bred to perfection, Anita has a hard-working stamina that is not initially obvious, but lies beneath her sleek surface. Her strong, deft lines enable her capable and playful all at once. A subtle arc moves from her hind legs to the top of her back in one sportive swish, beautiful in profile view. Whether in a coffee shop, gathered ‘round a meeting area, or neatly stacked in the closet awaiting her next appearance, she delivers, ever y time.
ISABELA CHAIRS, HEXA TABLE
ISABELA CHAIR & STO O L BY ARISTE U PIRE S C H AIR 35.03" H 1 7.51 " W 1 9.6 8" D • 1 8.5" SH C O U N TER STO O L 35.6 2" H 1 7.51 " W 1 9.6 8" D • 24 " SH BARSTOOL 39. 6 2" H 17.51" W 19.68" D • 30 " S H
YO KO C H A I R & STOOL BY A R IST EU P IRES C HA I R 2 7.5 5" H 2 2 .4 4 " W 2 1. 6 5 " D • 1 8. 4 2 " SH COUN T ER STO O L 2 9.92 " H 1 8. 1 1 " W 2 1. 4 5 " D • 24 " SH BARSTOOL 39.76” H 18.11” W 21.45” D • 3 0” SH
MELISSA CHAIR & STOO L BY ARISTE U PIRE S C H AIR 31.88" H 22.83" W 21.41 " D • 1 8.6 6 " SH C O U N TER STO O L 35.23" H 1 7.9 1 " W 1 9.29 " D • 24 " SH BARSTOOL 40.94” H 17.91” W 19.29” D • 3 0 ” S H
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Left brain meets right at Aristeu Pires’ design and manufacturing facility where he devised a rare blend of old world artisanal craftsmanship with new world technolog y. Modern engineering via CNC technolog y is the start of as many as 156 steps in the processes that include hand finishing by local craft workers from the Serra Gaúcha region. Each piece, crafted of sustainably har vested Brazilian hardwood, emerges with its individual personality.
“I like wood; it is an incredible material. It is alive, and when sustainably har vested, is the most ecologically friendly material.” Aristeu Pires
M ISTER J IU ’ S, SA N FR A NC I S C O DUDA CH A IRS, A N ITA C H A I R S
RU TH C H A I R & STO O L BY AR I ST E U P I R E S CHAIR 29. 5 2" H 17. 5 2" W 20. 07" D COUNT E R STOOL 36. 22" H 17. 32" W 21. 06" D • 24" S H BARSTOOL 41. 33" H 17. 32" W 21. 06" D • 30" S H
TEREZA CHAIR & STO O L BY ARISTE U PIRE S C H AIR 35.03" H 1 7.9 1 " W 1 9.6 8" D • 1 8.89 " SH C O U N TER STO O L 31.88" H 22.4 4 " W 21.6 5" D • 24 " S H BAR STO O L 37.79 ” H 22.4 4 ” W 21.6 5” D • 30” SH
G I U LI A CHA I R & STOOL BY ARIST EU P IRES CHA I R 31.1 " H 1 7. 9 " W 1 9. 6 8 " D • 1 8. 3 4 " SH CO U N T ER STO O L 3 4. 6 4 " H 1 7. 9 " W 1 9. 6 8 " D • 24 " SH BARSTOOL 40.55" H 17.9" W 19.68" D • 3 0" SH
DU DA C H A I R & STOOL BY AR I ST E U P I R E S CHAIR 27. 6" H 22. 44" W 21. 65" D • 18. 3 4 " S H COUNT E R STOOL 31. 89" H 22.4 4 " W 21. 65" D • 24 " S H BARSTOOL 37.79" H 22.44" W 21.65" D • 3 0 " S H
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93
AMSTERDAM TABLE, AU R O R A AR M CHAI R S
Z YV DES K, L I LY AR M CHAI R
ZY V D E S K BY A R I STEU PIRES AVA I L A BL E I N G L A S S O R W O O D TO P S EE S O S S EG O D ESI GN. C O M FO R AVA I L A BL E SI Z E S
CATA V ENTO TABLE BY ARISTE U PIRE S SE E SO SSE GO D ESIGN.C O M FO R AVAILABLE SIZ ES
BAILARINA BAR TABLE BY ARISTE U PIRE S AVAILABLE IN GLASS O R WO O D TO P SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES
BA I LARINA TABLE BY ARISTE U PIRE S SE E SO SSE GO D ESIGN.C O M FO R AVAILABLE SIZ ES
96
ZX TABLE
A M STE RDA M DE SK
BY ARISTE U PIRE S
BY AR I ST E U P I R E S
SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES
AVAILAB LE IN G LAS S OR WOOD TOP S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S
OK TA BL E
98
H E X A TA B LE
BY A RIST EU P IRES
BY AR I ST E U P I R E S
S EE S O S S EG O D E SI G N. C O M FO R AVA I L A B L E SI Z E S
S E E S OS S E G ODE S IG N. COM FOR AVAI L ABL E S I Z E S
99
accessories A lifestyle of unpretentious sossego cherishes the pure, the genuine, and the authentic.
That Domingos TĂłtora is a dreamer is reflective in his organic and sometimes compulsive work style. He may begin a design with no final stor y in mind. As a form evolves, it may tell him the narrative. For example, the Mesa Ă gua originated as three separate pieces, which he randomly positioned for a galler y show. A friend placed a glass top on the objects, and voila! It took on the form of a bubbling brook with sunlight reflecting off water, smooth stones nestled in the riverbed below. Sustainability is the characteristic enabling a system to be indefinitely productive. There may be no artist who demonstrates this concept as wholly as Domingos. His inspiration derives from the cur vaceous land of his birth. He sources commodities that many would perceive to have no value. His materials are soil and water plus discarded trash. His methodologies incorporate hand labor. The energy for the process is derived from direct sunlight. The result: cardboard repurposed into sensuous and inspirational objects for utility and visual delight at home, in hotels, eateries, and workplace settings around the globe.
ÂN FOR AS, VAZAD O S C U L PT U R E, OR GAN IC S H E L L VASE, S M OOT H S H E L L VAS E S, S C U L PT U R AL VASE
 NFO RA S BY D OM I NG OS TÓTOR A AVAILAB LE AS S MOOT H OR RIB B E D, WIT H OR WIT HOUT B E AK S MALL 19. 29" H 3. 5 4" Ø ME DIUM 25. 5 9" H 3. 5 4" Ø LARG E 28. 74" H 3. 5 4" Ø
103
SOLO BEN CH, FR I S O S D I S K
F RI SOS D I SK S BY D OMING OS TÓTORA I N N AT U R A L O R TE R R A F I N I SH S EE S O SSE G O D E SI G N. C O M FO R AVA I L A BL E SI Z E S, F I N I SH E S A N D PATTE R N S
RELEV O WALL HANGING BY D O MIN GO S TÓTO RA SEE SO SSEGO DESIGN.C O M FO R AVAILABLE SIZ ES, FIN ISH ES AN D PATTER N S
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ORGA N IC SHEL L VA S E S, VA Z A D O B OW L
O R GA N IC SH E L L VA S E S BY D O M I N GO S TÓTO R A S E E S OS S E GO D E S I GN. C O M FOR AVAILA BL E S I Z E S AN D F I N I S H E S
SC U LPTU RA L VA SE S BY D OM I NG OS TÓTOR A S E E S OS S E G ODE S IG N. COM FOR AVAILAB LE S IZE S AND F INIS HE S
Handcrafted of recycled cardboard that is crushed to a pulp, blended with soil and water, then baked in natural sunlight, each vase is an organic work of art, making a unique sculptural statement of the stor y of the cycle of life. The shapes are evocative of nature’s beauty.
SM O OTH S H E L L VA S E S BY D OM I N GO S TÓTO R A S E E S OS S E G OD E S I GN. C O M FO R AVAILAB LE S IZ E S AN D F I N I S H E S
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F RI S OS CEN T ER P I ECES BY DOMING OS TÓTORA S EE S O SSE G O D E SI G N. C O M FO R AVA I L A B L E SI Z ES
VAZADO SCULPTURE BY D O MIN GO S TÓTO RA SMALL 22.04 " H 9.4 4 " W 9.4 4 " D LAR GE 27.55" H 9.25" W 9.25" D
TA RSI LA C OAT H A NGE R BY AR I ST E U P I R E S 63" H 18. 89" Ø
VA ZA D O BOWL S BY DOMING OS TÓTORA I N TE R R A O R K R A F T F I N I SH 9. 4 4 " H 1 7. 7 1 " W 4. 7 2 " D
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Amsterdam Console Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23, 74
Lily Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28, 77, 97
Amsterdam Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26-27, 48, 49, 60-61, 62, 94-95
Luiza Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 56, 57, 79
Amsterdam Desk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22, 68, 99
Marcia Stool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44, 45, 82, 83
Ana Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33, 57, 60-61, 78
Maxima Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43, 82
Ana Footstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12, 53
Melissa Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 86
Ana Lounge Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Ânforas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cover, 26, 76, 102, 103 Angela Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31, 76, 77 Anita Banco Alto Stool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42, 43, 82 Anita Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36, 84, 85, 90-91 Anita Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36, 84 Aurora Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32, 77, 94-95 Bailarina Bar Table. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47, 96 Bailarina Occasional Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20, 73 Bailarina Nesting Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 52, 75 Bailarina Side Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21, 62, 63, 67, 72, 73 Bailarina Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47, 76, 96
Melissa Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 86 Melissa Lounge Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 66, 67 Mesa Água . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cover, 18-19, 24, 67, 74, 75 Nara Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 79 Nara Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43, 57, 80-81, 82 OK Corian Side Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20, 73 OK Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48, 98 OK Side Table. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20, 73 Organic Shell Vases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102, 106, 107 Pitu Chaise Lounge Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 11 Pitu Footstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 11
Beatriz Lounge Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 22, 68, 69
Prisma Console Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23, 74
Beatriz Loveseat / Sofa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12, 69
Prisma Side Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18-19, 20, 73
Camila Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57, 79
Relevo Wall Hanging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Casca Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14, 70
Ruth Chair. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36, 93
Cata Vento Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47, 96
Ruth Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36, 93
Claudia Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 79
Sculptural Vases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cover, 102, 107
Daniella Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 34-35, 79
Semine Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Daniella Chair. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Semine Chair with Border . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Duda Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7, 36, 49, 90-91, 93
Smooth Shell Vases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cover, 102, 107
Duda Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7, 36, 37, 39, 93
Solo Bench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17, 71, 105
Frisos Centerpieces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46, 108 Frisos Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24, 104, 105 Gisele Footstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13, 58, 63, 66 Gisele Lounge Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cover, 13, 18-19, 58, 59, 63, 66, 67, 75 Giulia Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 92 Giulia Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 92 Helena Bench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17, 71 Hexa Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48, 87, 99 Hexa Occasional Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23, 74 Isabela Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 86, 87 Isabela Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 86
Tarsila Coat Hanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Tereza Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 46, 92 Tereza Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 92 Tulipa Bed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 50, 51, 52, 53 Tulipa Nightstand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50, 53 Tulipa Side Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20, 62, 73 Vazado Bowls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106, 108 Vazado Sculptures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cover, 102, 108 Vereda Bench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 70, 71 Ylla Bench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16, 60-61, 62, 69
Julieta Armchair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29, 77
Yoko Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 86
Julieta Loveseat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12, 26-27, 29, 66, 72
Yoko Counter Stool / Barstool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 86
Kraft Bench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17, 71
ZX Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48, 56, 62, 98
Laura Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32, 79
ZYV Desk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96, 97
Leiras Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14, 70
ZYV Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46, 47
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Interior Design
David Meister
Graphic Design
Julie Hodgins juliekaren.com
Production Assistance Editorial Architecture & Interior Design
Photography
Sarah Baker Sharon Durling Julie Anderson William Scholtens Elements Architectural Group elementsarchitects.com Durling Photography Eduardo Camara LT9
The Portuguese word sossego means tranquility. Sossego brings the Brazilian lifestyle of warm, relaxed, and welcomed comfort Pão to deNorth queijo is America. a simple cheese roll, a ubiquitous Brazilian concoction of tapioca flour and Parmesan formed into small balls. In centuries past, cassava roots were peeled and soaked to make the bite-size bread rolls. Today they are still baked and served fresh from breakfast to dinner, sold by street vendors and fine restaurants alike. The unleavened tapioca flour is key to the resultant mixed textures: a crispy shell exterior and surprisingly soft interior. When visiting Domingos last summer in Maria da Fé, he ser ved this comfort food, exhibiting the warm hospitality found across all of Brazil, including in his own home.
Kassie Borreson (pages 90-91) kassieborreson.com @housfraufotografie Locations
200 West Madison, Chicago “Bathed in Light” house, Lincoln Park, Chicago Mister Jiu’s, 28 Waverly Place, San Francisco Private home, Canela, Rio Grande do Sul, Brazil
Product Loans
Scantling floor lamp (page 10) Marset.com Cr ystal formation (page 50) Cr ystal obelisk and float lamps (page 97) deAurora 222 W Merchandise Mart Plaza Suite 1449 Chicago IL 60654 312.644.4430 info@deaurora.com Lilou box set (page 50) Royston rectangle tray (pages 50, 53) Made Goods 222 W Merchandise Mart Plaza Suite 14-106 Chicago IL 60654 626.333.1177 info@madegoods.com
S H OWN O N C O VER : M ES A ÁG UA, G I S E L E LOUN G E C H A I R, ÂN FOR A S, VA ZA DO S C U LPT U R ES, S M O OT H S H E L L VA S E S, S C UL P T UR A L VA S E S
Mosaic rug, hand knotted wool and silk (page 67) Lapchi Rug Design Studio 222 Merchandise Mart Plaza Suite 6-160 Chicago IL 60654 312.321.0090 atelier.ch@lapchi.com
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