Art
Style
Culture
publisher’s note
Interactive Style it’s just been recycled to display my individuality today. What has changed? The way I shop. I have purchased everything from groceries to the car I drive online (Thanks Ak!). Yes I admit it. I am a convenience shopper, and I love it! I especially love the online assistance. Have you ever used it? Instantly chatting live with an online representative about something you are challenged with finding or questioning. No hold time or voice prompts to press a random number that takes you back to the main menu. Genius! This is not to say I don’t frequent the local boutiques and consignment shops from time to time but the high tech culture has definitely influenced my buying behaviors. As it has seemingly influenced yours… I have received numerous comments from readers all over the world about how much they have enjoyed the launch and convenience of SOTAC Interactive. From our forum, The Lounge, to our downloadable version of the print edition of the magazine…you have made sotacmag.com an online success! Thank you for your comments and for supporting this new media in its most stylish form. Stay tuned! 2008 will lend itself to being an even greater year for SOTAC’s interactive display of Art, Style & Culture. This holiday season SOTAC salutes style in the true sense of
A
t the end of the summer, SOTAC Magazine
the word. Alan Flusser takes you on a journey of dressing the
commemorated its 3rd Year Anniversary in
part; Reel to Reel writer Maree Morris explores acting the part;
style with the themed question Qu’est Que
Artists Eric Edwards and Natalie Montognese show us how to
C’est Style? (What is Style?) If you missed the
create the part; and resident columnist Melissa Velazquez
celebration at Loft1523 in Charlotte, visit our
shares with you how to live the part. From me to you - thank you
photo gallery on www.sotacmag.com to view
for playing a huge part in Art, Style and Culture this year. I sin-
the pictures that tell the story of individuality in its most colorful
cerely wish you a joy-filled Christmas and a fabulous New Year!
form. You can also purchase our commemorative cover art tee shirt on our website as well. Our cover designs have been works of art within themselves if I say so myself! I’m a firm believer that that everything from your socks to
Insight: Style is the dress of thoughts; simply put, the perfection of a point of view. You are reading the 13th issue of SOTAC (State of the Arts & Culture) Magazine, our premier Style Issue. Enjoy!
your watch instantly sends a message of personal style. Style is not simply looking like you walked out of a fashion magazine or
Prosper,
becoming partial to name brand labels. Style is simply defined by your state of mind, that is, how daring you feel to do something different from the norm. If I could only show you my snapshots in time…peacock hairdos, jeans tightly rolled at the ankles, door knocker earrings, Jan sport bags, timberlands and high top pink chucks... Sound familiar? I’m sure your fashion photo gallery is just as fabulous! My point is this, the heart behind these styles has not changed,
2 SOTAC MAGAZINE • sotacmag.com • FALL 2007
Debony S. Burrowes Publisher/Editorial Director dburrowes@sotacmag.com
YOUR URBAN CONNECTION TO THE ARTS & CULTURE MOVEMENT
FALL2007
PUBLISHER & EDITORIAL DIRECTOR Debony S. Burrowes EXECUTIVE CREATIVE DIRECTOR Jameka S. Whitten EDITORIAL Maeonis Burrowes, Copy Editor Essence Caleb, Editorial Assistant
SOTAC, Volume 4 Issue 13
Content Editors Gregory Gallagher Craig Brandon Stephenson
34
Contributing Writers Garlana Hill, Donnie Golden Sharyn Roseman, Maree Morris Melissa Velazquez, Sherry Larnard, Jennifer L. Hernandez, Kaia Zawadi
MAGAZINE
departments
ART James Greene, Art Director, Illustrator Alex Long, Ad Design Champion Eye Media
6 QC SOL
Photographers Champion Eye Media Chuck Holliday Draco Photography DW Photography Jasiatic Luis Roman Silvio Suarez S. Cherry
Best of the Best- Boutique Shopping in the QC
14 MENU The Art of Presentation: Visually Stimulating Culinary Delights
SALES & MARKETING Alex Long, Direct Marketing Manager Erin Dunn, Sales & Marketing Coordinator Tamara Walker, Public Relations
32
INTERNS Josie Muriel Kameron Florence De'Anna Douglass
34 STILO Personal Style-A Photo Essay by Jaime Ibarra
PRINTER Minors Printing
48 EXCHANGE
Subscriptions Subscribe online at sotacmag.com
24 18
Advertising Call: 888.461.0141 or Email: sales@sotacmag.com ON THE COVER: Design by Alex Long, Photography by Silvio Suarez Model: Evolution Model & Talent
Provincetown's Creative Spirit
54 REEL TO REEL Charlotte Film Society
57 OFFLINE
SOTAC Magazine is published quarterly by DSB Publishing, LLC. All rights reserved. No part of this publication may be repro duced, stored in any kind of retrieval system, transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise without the prior written permission of the publish er. For editorial reprints, please contact us at: editor@sotacmag.com Visit us online at: sotacmag.com myspace.com/sotacmagazine
20 COLLAGE Emotional Rollercoaster- Artist Natalie Montognese Uses Art to Heal
14
What Is Style? SOTAC Columnist Melissa Velazquez Answers
52 22 SOTAC MAGAZINE • sotacmag.com • FALL 2007 3
speak-up * Letters to the Editor...
I don't usually read local publications, but for whatever reason I did pick up an issue of SOTAC. Nice! Kevin T. Matthews, NC
Artistic as always, innovative & original! Positive Wishes, Rebekah Jenkins Philadelphia, Pennsylvania
You guys are based in Charlotte? I just moved here from Cambridge and picked up The Music Issue at City Tavern in Ballantyne. My girlfriend is in love with John West (Spring 2007 issue). I think I'm jealous. Much continued success to you. Trevor Randolph Cambridge, MA
I find your magazine quite enlightening. Keep up the good work. Robert Johnson The Charlotte Post www.thecharlottepost.com
Thank you for monitoring the integrity of your content. I appreciate your efforts in keeping SOTAC artistic, clean, intellectual and free from offensive material -Anonymous Fantastic publication! Regards, Bryan Miller Bryan Miller Photography www.bryanmillerphotography.com
* Submissions may be edited for length and clarity.
Sure wish we knew what you were thinking... We want to hear from you! Send all of your questions, opinions, suggestions and thoughts to:
editor@sotacmag.com Letters to the editor:
SOTAC Magazine 10612-D Providence Road, Ste. 307 Charlotte, N.C. 28277
4 SOTAC MAGAZINE • sotacmag.com • FALL 2007
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qc sol
CHARLOTTE
HAPPENINGS
Charlotte Happenings during November and December In the Queen City, locals and visitors can always find a plethora of events to choose from, to satisfy the thirst for something new. Below is a list of some of Charlotte’s special events taking place during November and December. Take a look as you are bound to find an event that strikes your fancy!
November 2007 Performance North Carolina Dance Theatre presents: Innovative Works Date(s): November 1-10, 2007 Time(s): Varies Location: Booth Playhouse 130 N. Tryon Street Charlotte, N.C. Innovative Works displays the most cutting-edge choreography and music. The evening will make the audience feel like they are part of the dance. Ticket price(s): $10 Students, and $30-$69 General. For more information and to purchase tickets, please call: 704-372-0101 or visit: www.ncdance.org.
Southern Christmas Show Date(s): November 8-18, 2007 Time(s): Daily 10 a.m. to 9 p.m. Sundays, Monday and Tu e s d ay : 10 a.m.–6 p.m. Prev i ew Night, November 7, 2007: 5:30 p.m. - 9:30 p.m. Location: Charlotte Merchandise Mart 2500 E. Independence Boulevard Charlotte, N.C. 28205 Jumpstart your Holiday Season! Santa Claus will be making an early appearance to chat and take photos with children of all ages. The show will feature holi6 SOTAC MAGAZINE • sotacmag.com • FALL 2007
d ay tre ats such as, cakes, cookies, candy and strudel. Walk along Christmas Tree Lane to get treedecorating tips. Experience a Christmas extravaganza with opportunities to purchase gifts, learn new craft techniques and see the latest Christmas décor trends. Have yourself a merry-time! Ticket price(s): Adults $8 (at the door) or $7 (in advance), $6.50 at local Harris Teeter with a Vic card, Groups of 20 or more $6.50, Youth $3 (6-12), FREE Children under 6. For more information, please visit: www.southernshows.com or call: 704-376-6594.
Broadway Show The Drowsy Chaperone Date(s): November 13-18, 2007 Time(s): Varies Location: 130 North Tryon St. Charlotte, NC 28202 A new musical comedy taking Broadway by storm is making its way to the Charlotte stage. The audience is transported into a magical world that begins the moment a die-hard music fan plays his favorite 1928 cast album. Ticket price(s): $20 Student Rush. Other prices depend on subscription package. For more information, show times and ticket prices, please call: 704-335-1010 or visit: www.blumenthalcenter.org.
Opera Opera Carolina Bravo! Charity Cocktail Event Date(s): November 14, 2007 Time(s): 6 p.m. Location: Blue Restaurant & Bar Ticket and Event information, coming soon! Please visit: www.carolinaopera.org.
Performance Charlotte Symphony The Firebird Date(s): November 30, 2007 & December 1, 2007 Time: 8 p.m. Location: Belk Theater 130 N. Tryon Street Charlotte, N.C. Berlioz Royal Hunt and Storm from The Torjans Berlioz Love Scene from Romeo and Juliet Berlioz Rakoczy March( Hungarian March) from The Damnation of Faust Franck Symphonic Variations Stravinsky Firebird Edwin Outwater, conducting William Wolfram, piano Ticket price(s)/Subscription rates: 10 concerts $127 Balcony II - $605 Grand Tier. Please check with box office for individual ticket prices. For more information and to purchase tickets, please call: 704-972-2000 or visit: www.charlottesymphony.org.
spokenword SK Netcafe Every 1st & 2nd Tuesday 1425 Elizabeth Avenue 704.334.1523 Wine-Up Every Tuesday & Thursday 3306 N. Davidson Street 704.372.2633 Main Street Rag’s Poets’ Night at Owen’s Bagel & Deli Shop Every last Friday 2041 South Blvd. 704.333.5385 Main Street Rag’s Poets’ Night Every 2nd Tuesday Barnes & Noble Birkdale Shopping Village, 8725 Townley Road, Huntersville 704.895.8855 Open Mike at Tea Rex Teahouse Every 1st Friday 2102 South Blvd 704.371.4440 Jackson’s Java Every 2nd Thursday 8544 University City Blvd. 704.548.1133 Poetry Sharing at Barnes & Noble Arboretum Every 1st Tuesdy 704.341.9365 Did we miss a spot? info@sotacmag.com
SOTAC MAGAZINE • sotacmag.com • FALL 2007 7
qc sol December 2007 Show Children’s Theatre of Charlotte presents: The Christmas Doll Date(s): November 30 – December 16, 2007 Time(s): Varies Location: McColl Family Theatre 300 E. 7th Street Charlotte, N.C. 28202 The audience will walk into a Victorian London setting for this beautiful holiday musical. The story follows two orphan sisters who try to survive winter and find food and shelter. Glory dreams about a beautiful doll that will alter and most importantly, save their lives. Ticket price(s): $21 Front Orchestra and $16 General Admission. To contact the box office, please call: 704-973-2828 or visit: www.ctcharlotte.org. Tour
Annual Fourth Ward Christmas Tour Date: December 1st Location: Fourth Ward (area between 10th, Graham, 5th, and Tyron streets) 4th Ward Home Tour 420 N. Poplar St. Charlotte, North Carolina The “Grand Old Ladies” or rather the V ictorian homes, which were restored in the 1970s, are dressed up and put on display for an enchanting Fourth Wa rd Christmas Tour. The Queen City Ringers usually provide musical accompaniment for the premier of the tour and Angel Tree. Check their website: www.queencityringers.org for more information during the months closer to December.
Performance North Carolina Dance Theatre presents: Nutcracker Date(s): December 14-23, 2007 Time(s): Varies Location: Belk Theater 130 N. Tryon Street Charlotte, N.C.
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Nutcracker is a classic family ballet and great holiday treat! Ticket price(s): $10 Students, and $30$69 General. For more information and to purchase tickets, please call: 704-372-0101 or visit:www.ncdance.org.
Opera Opera Carolina Amahl & the Night Visitors by Gian Carlo Menotti Date: December 22, 2007 Time: 7 p.m. Location: Halton Theater Central Campus/CPCC Charlotte, N.C. 704-330-2722 The story begins on the road to Bethlehem. On the first Christmas night, Amahl sits outside and is amazed by the beauty of one star. His mother calls to him but he continues to play with his pipes and watch the star in the sky. She reprimands him but it is displaced anger, as they have no more money and will have to begin begging. This is a beautiful opera of love and hope. Ticket price(s): $28 - $148 (Orchestra II – Grand Tier Circle & Boxes). For more information and to purchase tickets, please visit: www.operacarolina.org. Location: Charlotte Merchandise Mart 2500 E. Independence Boulevard. Charlotte, N.C. 2820
Have an event? Email us at editor@sotacmag.com
Weʼre Coming Back! Dirty Soul Clothing...For more info
www.thesoulmovement.com
Charlotte’s Best Boutiques A Ready… Set…Go…
nd you’re off to search far and wide for elements of
qc sol n August 24, 2007, SOTAC's Summer Soiree, Qu'est Que C'est Style?, presented the QC with an alternative to the average night out on the town. Celebrating three years on the scene, SOTAC's readers --Fashionistas, Trendsetters and Culture Aficionados lounged amidst the sophisticated elegance of one of Charlotte's most ultra-hip lounges, Loft 1523. T HANK Y O U colorful people of Charlotte for truly making our third year anniversary celebration, Qu'est Que C'est Style?, a euphoric night of fun!
your personal style. But with today’s busy lifestyle, who has the time to sit and figure it out? We all
know what it is like to look for a quick stop to run in and out of, hoping to find something for that special event or wanting to finally finish putting together an ensemble to wear with those shoes that you’ve been holding onto since last summer. I am sure that many of you are tired of feeling overwhelmed ...So let me help you out… Here is a list of some ‘for sure’ spots (boutiques) to side step the hassle of big malls and parking issues, with a touch of customer service to enhance your shopping experience without the hit or miss game. If you’re looking for the Best… •Vintage Apparel:
Check out SOTAC's blog, The Buzz at www.sotacmag.com to read more about this stylestirring event! Images by DW Photography and Jasiatic.
Hong Kong •Accessories:
Sloan’s •Women’s Apparel:
Capitol •Men’s Apparel:
Paul Simon (Classic) Boris & Natasha (Contemporary) •Urban Apparel:
Flava Factory •Evening Wear:
Nitsa’s It can be just that easy. If you disagree…It’s just a matter of taste. Signing Off,
Garlana Hill SOTAC MAGAZINE • sotacmag.com • FALL 2007 10
For The Trained Eye Senior Stylist, Designer & Wardrobe Consultant
SOTAC MAGAZINE • sotacmag.com • FALL 2007 11
Dressing the Man
Your Ad Would Look Really Good Right Here
By Alan Flusser; HarperCollins
D
ressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims. Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before? According to Flusser, dressing well is not all that difficult; the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes. Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time. Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home. Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps 12 SOTAC MAGAZINE • sotacmag.com • FALL 2007
for advertising inquiries call 888.461.0141 or email info@sotacmag.com
you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face. A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest and most diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanentfashion vocabulary. For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.
menu
The art of
Presentation Image is Everything By Donnie Golden, 2006 Graduate The Art Institute of Charlotte Culinary Arts Program
f
Face it: We eat with our eyes. Color and texture are as important as taste. And you don't have to be a celebrity chef to make your meals as appealing visually as they are tasty and healthy. This technique, known in the culinary world as "plating," can make you hungry or dampen your appetite.
“Plating” and food presentation inspire chefs to create what they think of as "edible art." Overall elements of presentation include the use of appropriate garnishes, overall nutritional balance, ingredient compatibility, and the flavor, taste, texture and doneness of the food. A garnish adds harmony to a dish and provides a positive, visual element that gives food a special finishing touch. Well-designed garnishes can provide a focal point to direct the diner’s gaze. Here are some basic ABCs for creating art when you cook: Ingredient compatibility means making sure the colors
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and amounts of food are correctly portioned to give a perfect harmonization. Creative arrangements can compensate for smaller portions on a larger plate. An arrangement of colors that are too similar add no eye appeal or interest, while clashing colors detract from the food. Four general guidelines for taste and presentation should be followed: • Hot foods are hot; cold food cold (including the plates). Food is fresh and colorful, visibly seasoned, presented with some height, and pleasing to the eye. Meat and fish slices are even, straight and evenly shingled. Items are closely placed together to help maintain the temperature. • Necessary nutritional standards are adhered to. The protein weight is within set limits. • The flavors typically associated with the food ingredients in the recipe are profound. Temperatures, stated vegetable cuts, and cooking techniques have been applied correctly.
menu The textures correspond to what was implied. The flavor of the sauce/vinaigrette reflects what the recipe states and is the correct consistency.
• Determine a focal point to attract the diner’s eye; the garnish does not have to always go on the top of or next to the food. • Be creative. • Use the garnish to vary the textures of the food, like golden brown fried croutons with a smooth textured cream of cauliflower soup. • Harmonize the color with the food. An arrangement of colors that are too similar add no eye appeal or interest. A clashing of colors will detract from the food. • The garnish size should be in relation to the size of the food items. Too large a garnish will make the
To Garnish or Not To Garnish: A garnish provides a positive, visual element that gives food a special finishing touch. Most food presentations need to be garnished, but not on all occasions. Adding another element may confuse the presentation rather than complement it. But, if you choose to garnish, the garnish should suit the occasion and the dish: • Take into account the style of the main ingredient. • Never overshadow the food; keep the garnish simple. • Only edible ingredients should be presented with food. Sometimes toothpicks or skewers are
needed to hold garnishes together, but keep these to a minimum. • The flavor and style of the garnish should complement the meal. Do not use a parsley sprig to garnish a dessert. Use a mint leaf instead. • Plan the garnish with the arrangement of food so it can be viewed as a whole. 16 SOTAC MAGAZINE • sotacmag.com • FALL SPRING 2007 2007
MASTERFUL MEALS ON A NATURAL NOTE plate look overcrowded and detract from the food items; too small a garnish will be lost on the food item. • Choose a garnish suitable to the temperature of the food being served. A garnish that has the potential to melt or become limp should not be placed on hot food. • Ga rnish balance is achieved through careful arrangement of color, shape, texture, flavor and portion size. Your starch or vegetable can become your garnish. It can add color and texture to your entrée, allow for better plate presentation and eliminate the use of traditional non-functional garnishes.
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Personal Chef Service specializing in Southern-style vegan and vegetarian cuisine For a consultation today call:
704.837.1409 masterfulmeals@gmail.com
urban legend
Keith Haring
extend far beyond New York, and he was given many exhibitions around the world. Haring opened Pop Shop in 1986. This unique store was known for its floor to ceiling murals. To Haring,
this was the place that his work could be accessible to everyone. The shop stayed open for almost 20 years and did not close its doors until 2005. The most important of Haring's contributions dealt with his public service work. Haring worked with many
K
eith Haring's name popped onto the art scene after his stint as a graffiti artist on the streets of New York City. However, from there his career took off in myriad directions, and Haring soon began making a formidable name for himself. Fifteen years after his death, Haring’s work lives on, not solely because of the brilliance of his art, but also because of his character and commitment to charitable causes. The majority of his art took on a social tone, with many of his proceeds benefiting the Haring Foundation as well as other charities. Haring was born in 1958 in Reading, Pennsylvania
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By Sherry Larnard and was raised near Kutztown. After discovering his love for drawing as a child, Haring decided to try out graphic and advertising arts during college. He soon learned that those courses did not interest him. He dropped out and moved to New York where he enrolled in the School of Visual Arts and became enamored with his studies and the underground art scene. The public noticed Haring after he created a series of chalk drawings in the New York subway tunnels, which later became the subject of photographer Tseng Kwong Chi. After he began gaining recognition in the arts community in New York, he began organizing and showing at Club 57. Soon after, his name began to
charities over the years as an artist. More than 50 pieces of his art were produced for hospitals and charities. One of his most famous pieces is on FDR drive in New York, a mural that was produced for the Crack is Whack campaign. Since Haring himself was suffering from AIDS, he put a lot of his attention toward AIDS-related causes. He opened The Haring Foundation, his own AIDS related charity and program soon after his diagnosis. The Haring Foundation has created an interactive program for underprivileged children. The website includes coloring books and a lesson plan database to help teach kids in all areas of study and for all ages. Haring died on February 16, 1990 of AIDS related complications. At the young age of 31, Haring had been a significant contributor to the art world. With the continuation of the Pop Shop and the Haring Foundation; Haring continues to make a difference even after his death. His work can still be found in museums and galleries around the world. www.haring.com
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m
My father is an artist, so I have been influenced by art since I was a little girl. My dad would set up canvases for all the children, and we would paint for hours. Since those early days, I have had a passion for art –
“Rested”
and more specifically, the inherent freedom of abstract painting. In 2004, my life was devastated by the murder of my only brother Zack.
My family and I were crippled
with the pain, and it remains with us every day.
I
needed a way to express my emotions, so I found an outlet in painting.
After 16 years of painting, I
noticed something different - my creativity and emotions have connected to create my own unique style of artistry. My emotions and memories about Zack are
Straight from the Artist
in every single painting. I honor and remember my brother's life by expressing my gratitude and love through my art.
Natalie Montognese
I am a native Charlottean and a graduate from the Northwest School of the Arts in Charlotte and The Art Institute of Charlotte in 2003. nmontognese@mac.com homepage.mac.com/nmontognese
“Calm” “Tranquil”
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collage
“Peaceful Sorrow”
“Strength”
“Strong”
“Clear Skies” 22 SOTAC MAGAZINE • sotacmag.com • FALL 2007
collage Harris Holt Gallery 704.373.9090 www.harrisholt.com Hart-Witzen Gallery 704.334.1177 www.hartwitzengallery.com Hidell Brooks Gallery 704.334.7302
Hodges Taylor Gallery 704.334.3799 www.hodgestaylor.com
Charlotte Philharmonic Orchestra 704.543.5551 www.charlottephilharmonic.org
House of Africa 704.376.6160
Charlotte Symphony 704.972.2000 www.charlottesymphony.org
Afro-American Cultural Center 704.374.1565 www.aacc-charlott.org
Joie Lassiter Gallery 704.373.1464 www.lassitergallery.com
Article 704.376.5881
Kevin Starr Art Studio 704.777.0777 www.kevinstarartstudio.com
Blue Pony Gallery 704.334.9390 Center of the Earth Gallery 704.375.5756 www.centeroftheearth.com Christa Faut Gallery 704.892.5312
The Light Factory 704.333.9755 www.lightfactory.com McColl Center for Visual Art 704.332.5535 www.mccollcenter.org
MUSEUMS Charlotte Museum of History 704.568.1774 www.charlottemuseum.org
Farvan International Inc. 704.375.1424
Discovery Place 704.372.6261 www.discoveryplace.org
Foust Studio 704.525.7989
Levine Museum of the New South 704.333.1887
Gallery L 704-336-2074 Main Library
Mint Museum of Art 704.337.2000
Green Rice Gallery and Designs 704.344.0300 www.green-rice.com
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Mint Museum of Craft & Design 704.337.2000 Daniel Stowe Botanical Garden 704.825.4490 www.stowegarden.org
Visulite Theatre 704.358.9200 Elderart Gallery 704.370.6337 www.elderart.com
Afro-American Cultural Center 704.374.1565 www.aacc-charlotte.org Carolina Voices 704.374.1564 www.carolinavoices.org
Jerald Melberg Gallery 704.365.3000 www.jeraldmelberg.com
Art Institute of Charlotte Gallery 704.357.8020 www.artinstitutes.edu
Actor’s Theatre 704.342.2251 www.actorstheatrecharlotte.org
Historic South End Artist Alley 704.377.9770
GALLERIES
Atherton Mill Interiors Marketplace 704.377.6226 www.interiorsmarketplace.com
PERFORMANCE
Children’s Theatre of Charlotte 704.973.2800 www.ctcharlotte.org Community School of the Arts 704.377.4187 www.csarts.org Great Aunt Stella Center 704.944.6014 www.stellacenter.com Manor Theatre 704.334.2727 The Moving Poets 704.527.6683 www.movingpoets.com Neighborhood Theatre 704.358.9298 North Carolina Blumenthal Performing Arts Center 704.372.1000 www.performingartsctr.org North Carolina Dance Theatre 704.372.0101 www.ncdance.org Opera Carolina 704.332.7177 www.operacarolina.org Spirit Square 704.348.5823 Theatre Charlotte 704.376.3777 www.theatrecharlotte.org
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NoDa Gallery Crawl Photography by Luis Roman
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(LA Photography)
Culture Architect Spotlight on the Art, Style and Culture of Eric F. Edwards By Kaia Zawadi Photography by Champion Eye Photography
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W
hen walking into Eric Edwards enormous loft apartment in Brooklyn New York, one can’t help but observe the various pieces of African art displayed. There are masks, garbs, chairs, jewelry and paintings. All of the pieces are originals, directly from the tribes, chiefs and priests themselves; many pieces were part of rituals and ceremonies. People, who have come to know him, call him, “the hidden secret.” This name fits him well. The secret is that Edwards owns one of the most astounding African art collections in the United States. Most of the art work comes from the eastern, western and southern parts of the continent. Edwards is adamant about choosing specific pieces that have a special connection to the indigenous people. “I tell people they don’t have to spend a lot of money on a piece, but they should know the significance of the piece and how it was used in the tribe,” he stated. Edwards obtained most of the pieces he owns through galleries, auctions (e.g. Christies) and through dealers, particularly those in Europe. “Some of the artifacts that I own existed in co llections from Stockholm, Swe d e n , Belgium, France and the UK. Europeans have more of an appreciation for African art and culture,” he noted. Edwards also came across many artifacts through networking with individuals from all walks of life. “I belong to a number of audiophile societies in Westchester, NY, Long Island and New Jersey. They consist of a lot of scholarly gentlemen, mostly engineers, doctors and psychiatrists,” he added. Buying his first piece of art in 1969, Edwards has continued accumulating specific artifacts ever since. His anthology is not limited to African art. It also includes collected works of pictures, letters and autographs of famous names such as Malcolm X, James Brown and jazz great, Dizzy Gillespie. He has compiled his diverse collection of works over a span of 40
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years. “I have always had a certain level of mysticism about Africa. Through television, Africa was always considered the ‘dark continent.’ But through the teachings of my father, of course, this wasn’t true,” observed Edwards. His father’s
sands of years ago, and Africans were at the forefront in mathematics and science.” Edwards believes that every person of African descent should own at least one piece of African art that is both authentic and important. “I stress authentic because the art should have
“I te ll people they don’t have to spend a lot of money on a piece, but they should know the significance of the piece and how it was used in the tribe” teachings about African history were the foundation of his quest to learn the accurate history of Africa. Reflecting on this, Edwards said, “I sought to prove through personal research the initial teachings my Father bestowed. What I learned about Black people was invigorating. The seeds of life itself started in Africa thou-
some connection to a specific tribe. The age of the piece is equally important.” At another level, our art collector indicated that a work of art should also have personal meaning in the life of the owner, stating, “The piece has to speak to me spiritually and please me aesthetically.”
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Turning Your Home into a Work of Art
By Jennifer L. Hernandez – Thesop.org
You can capture the essence of an art gallery by following a few simple tips
T
he Center of the Earth Ga llery (www.centeroftheearth.com), Elder Gallery (www.elderart.com) and RedSky Gallery (www.redskygallery.com), in Charlotte, N.C., all create a contemporary atmosphere to display quality art. To achieve
the look: 1. Use a blank, solid colored wall and put up a shelf. Mount a mirror and picture light above the shelf and place sculptures, framed artwork and pictures. The mirror and light will provide depth and brightness. 2. Alternatively, create a grid pattern of framed art. Feel free to play around with placement of frames, especially when using Command Picture Hanging Strips, which do not damage walls. 3. Extend the art gallery into other areas of the home by placing a sturdy, square, glass container 32 SOTAC MAGAZINE • sotacmag.com • FALL 2007
upside down, on a table, over an E-lluminator Light base. The light and container act as an illuminated pedestal to highlight art pieces. 4. A fabric-covered corkboard, framed without the glass, provides a place to tack up new pictures. 5. Shadow boxes help keep mementos, like tickets from The Belk Theater of the Blumenthal Performing Arts Center, in place. 6. Also, check out Tru Vue Museum Glass or Conservation Series glass and acrylics to preserve your art. Hopefully, these tips inspire you to create your own art gallery. Let your creativity guide your palette!
stilo (stee•lo)
After 5 The Queen City sizzles with sophisticated style after 5 p.m. Join our picture perfect couple as they unwind after a long day at the office. Photography: Silvio Suarez Styling: Garlana Hill Make Up: Chris Lanston Hair: Jade (Glamour Puss) Models: Evolution Models & Talent
Homme:
Blue pin stripe suit-Etro $1,495.00 White twill button down-Zegna $225.00 Spicy red silk neck-Charvet $165.00 All courtesy of Neiman Marcus Charcoal metal tipped shoes Courtesy of Monet Shoes
Femme:
Black suit jacket-Nichole Miller $345 White woven blouse $148.00 Black pencil skirt-Nichole Miller $198 Tumi brief case $337 All courtesy of Neiman Marcus
JSD Talent Management (A Subsidiary of SOTAC Magazine, LLC) “Redefining Class, Elegance and Professionalism”
Runway Print Promotional TV/Film
888.461.0141 10612-D Providence Road #307 Charlotte, NC 28277
Homme:
Black retro sequin mini dress $475 Courtesy of Neiman Marcus Earrings/bracelets stylist's own Silver evening sandal $125 Courtesy of Monet Shoes
Pewter trouser pant-Zegna $375 Long sleeve graphic tee $95 All courtesy of Neiman Marcus
Homme:
White Monza linen suit-Concorde $275 Marine stripe-Bugatchi $99.50 Courtesy of Bruce Julian Brown sculpted seam shoe Courtesy of Monet Shoes
Femme:
Black/white mosaic print dress w/ layered bodice yoke $545 Courtesy of Neiman Marcus
Homme:
Femme:
Grey pin stripe suit-Baroni $795 Red pocket hanky $7.50 All courtesy of Bruce Julian White twill button down-Zegna $225 Courtesy of Neiman Marcus Red Eve Galleria-Nichole Miller Dress $365 Courtesy of Neiman Marcus Gold evening sandal $125 Courtesy of Monet Shoes
SOTAC MAGAZINE • sotacmag.com • SPRING 2007 57
stilo
From Hair
H
To There By Sharyn Roseman
decision but ready to embrace all that comes with it.
cannot get used to people who invade my personal space by touching and examining my hair as if
After three months, I noticed a tiny afro. At six months, medium afro, a year to the day I am
it was a science project. Our society in general still frowns upon what
a blossoming flower of hair. During my “natural" process, I came into
is not “socially acceptable.” After six years of being “natural,” looking back
Five years later, a new hair journey begins.
many realizations, two of which being 1. Hair holds energy and power.
I would not do anything different. Over the years, my journey has been both satisfying and
I remember the day. On July 8, 2001, it all started with a $10.00 haircut from my barber and a
2. Our hair still evokes questions, stares and comments.
time consuming. So, to all my brothers and sisters, in whatever
story. In the African-American community, hair has always been a co n t r oversial conversation piece. This is my journey: From Hair to There.
few enco u r aging words from a stylist. As I watched my medium length hair fall to the
During the 1970’s our hair was source of empowerment for some while it made others
state you chose to wear your hair, where it well, my “natural” is hair to stay.
ground, I was filled with mixed emotions –“What if I don’t like it? Will I look too much like my
socially and visibly uncomfortable. Unfortunately,
Picture this, at age seven – hot combs, Royal Crown hair dressing, pink rollers with tissue
brother?” Then after 15 minutes of cutting and shaping, I saw it, the shape of my apple head,
wrapped around them to “hold the curl,” multicolored barrettes (some broken, some attached)
every curve, hook and dent… Why? My hair is now boy short… As I examined my hair, I felt like
fortable. The majority of the questions about my hair come from people that look like me. Questions
and the infamous call from your mother: “Little girl, come here and let me ‘fix your hair’!” As you
a female Sampson, not in the sense that I lost my strength, but gained it ten times over.
squeeze effortlessly into the nook of her knees,
I walked out of the shop overwhelmed by my
air, whether long, short, straight, curled, faded, twisted or sewn in, has a
1 SOTAC 44 SOTACMAGAZINE MAGAZINE• •sotacmag.com sotacmag.com • •FALL FALL 2006 2007
the “fixing process” begins. Fast forward 15 years, new memories develop of Hawaiian Silky relaxers, the Mc Lyte cut, finger waves and the En Vogue wrap… as a young woman I have a new mantra: “Who has some wrap lotion and the good hairdryer?”
in 2007 some African Americans are still uncom-
that I answer almost on a daily basis such as “How do you get your hair like that?” “Are you
About the Author Sharyn Roseman is a 36 year old insurance and banking professional currently residing in Charlotte, North Carolina. She was born and raised in Philadelphia , PA amongst three military brothers. Sharyn enjoys travel, reading, working out and modeling.
apart of a righteous movement?” I have since become accustomed to the inquiries, although I SOTAC MAGAZINE • sotacmag.com • FALL 2007 45
stilo
Personal Style - A Photo Essay by Jaime Ibarra Style. A quality of imagination and individuality expressed in one's actions and tastes. The American Heritage Dictionary of the English Language, Fourth Edition. Join us on a photographic journey as we embrace, examine and exalt the nuance of personal style as seen through the lens of artist Jaime Ibarra. www.ibarraphoto.com
exchange
Provincetown by Gregory Gallagher Images Courtesy of Gregory Gallagher
exchange
exchange
T
The essence of serendipity is often a quixotic combination of elements: accommodations, cuisine, services, weather, and activities. But indelible memories, as most veteran world travellers might agree, are to be found in the local characters lodged in your memory long af ter your trip. Such is the case with Provincetown, Massachusetts, where it seems many residents have been deputized as ambassadors of the creative spirit. It is difficult to imagine a more nurturing atmosphere for the elusive butterfly of invention than Provincetown. After all, it was here that the Mayflower Compact established settlers self-determining government on the North American continent, here where Marconi’s telegraph first made a successful wireless transmission to Europe, here where the U.S. government first used private land in establishing the Cape Cod National Seashore under the pen of President Kennedy in 1961, and this is also where original live expressionist theatre entered America’s popular lexicon. The longest standing arts colony in America can also be found in Provincetown, here at the end of the world’s largest glacial peninsula, surrounded on either side by sandy beaches and mythical sand dunes. My lady Linda and I decided to forego the slow twolane drive along Cape Cod’s Route #6, which trudges through all of the beach communities dotting this sandy Massachusetts peninsula. Instead, we opted for the speedy new catamaran service from Boston’s World Trade dock, conveniently linked via a short bus trip from Logan Airport. Twice a day, this 90-minute boat journey provides us modern vagabonds with the optimum conveyance to the tip of Cape Cod. By avoiding the car altogether, visitors may relax onboard, enjoy being chauffeured across Boston Bay, and view this quaint seaside community from the same vantage point as the Portuguese whalers who settled here over 400 years ago. Many types of whales and dolphins still populate these abundant waters. Bill Schneider met Linda and I at McMillan Pier, his beaming smile connecting with us immediately. Bill is the Provincetown Director of Tourism and likely the best spokesperson the town’s ever had, and an author in his own rite. We have traveled extensively and have met many such representatives of local communities, but Bill went above and beyond his job description to
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make us feel comfortable, introduce us to his favorite local characters, and chaperoning us to events and eateries of particular note. We were privileged to meet such folks as “Selectman” Richard Olson, a local historian, town elder and legendary sto ryteller. Olson responded immediately to a call from Bill to join us at Enzo’s, a
local grotta bar and guesthouse. Olson held court for several hours, extolling the magic, mayhem and contributions to American culture that Provincetown has made, many of which have resulted in attracting a legion of creative souls to this out-of-the-way land’s end. We also met firebrands of the business community here, involved in divergent business interests, but reflecting the very same sincere and excited energy.
One was Rob Costa, who runs the popular Art’s Dune Tours. Following his gutsy father’s 1946 idea to taxi vis-
itors to the Cape Cod National Seashore, Art has taken his dad’s lead and added Lighthouse Tours, Lifesaving Station demonstrations, and our favorite, the New England Clam Bake, where visitors are driven to Race Point Beach for a sunset seafood dinner with all the trimmings. Another rising star in Provincetown’s cultural counterpoint is Christine McCarthy, the Director of the Provincetown Art Association and Museum. Chris has single-handedly reinvented the once-rundown PAAM by growing the museum into a state-of-the-art facility for all to cherish and enjoy. By elevating the physical forum to display the bounty of original visual works from Provincetown artists to an international level, Chris has crafted a much-needed tool by which the creative spirit may continue to prosper here. Perhaps the most compelling artifact of the Provincetown creative legacy crystallizes in the Cape Cod National Seashore at a place called Peaked Hill Bars, just outside town. For it is here in what is called the dune shacks, where poets, painters and writers alike, retreat with their Muse to produce great art, literature and poetry. These isolated shanties have welcomed poet e.e.cummings, painter Jackson Pollock, and writers Eugene O’Neill, Jack Kerouac, Norman Mailer, and Michael Cunningham, among hundreds more. While multiple creative disciplines are the focus for professionals rousting with imaginations in these dune shacks, nearby in Provincetown the celebration of end results abounds, as painting, sculpting, writing, dance and theatre are put on display in numerous venues for visitors, locals, and patrons alike. After all, this is the town where Pulitzer Prize-winning dramatist Eugene O’Neill started the Provincetown Players, the nation’s first such theater company. His innovative productions have gone on to influence the entire genre worldwide, and he won three Pulitzer Prizes during the 1920’s alone. Visitors to “P-Town”, as it is affectionately called by locals, may quickly find themselves caught up in the energetic rapids of art gallery openings, museum shows, studio tours, and street happenings, the likes of which exist nowhere else in the U.S., especially not with such unbridled gusto. This is particularly true during the Friday Night Vernissage, when this tiny seaside
SOTAC MAGAZINE • sotacmag.com • FALL 2007 51
exchange community virtually crackles along Commercial Street, celebrations of new artist exhibitions, premieres, and gallery parties flooding out onto the street. Of course all of this energetic fun must be fueled with food of many varieties, and the talented coterie of Provincetown chefs rises to the occasion in this arena as well. Cotton candy, burgers, pizza and other fast foods satiate the ageless beach crowds, but the culinary masterpieces are hidden behind more quaint trappings. Top of the list of haute cuisine in Provincetown is arguably the Chester Restaurant, where chef Jay Coburn and partner John Guerra’s innovative seafood concepts marry nicely with fresh garden fare, and Wine Spectator-awarded wine cellar to quench palates seeking nourishment, not just ideas. Napi’s Restaurant provides a kind of New Age family setting decorated with a tornado of curios, and a menu the size of a telephone book. Meanwhile Fanizzi’s in the quiet East End, captures the sea breezes waterside and presents value-packed lunches throughout the year. For those who love to build their own picnic, the Angel Foods gourmet delicatessen, bakery and market is building a legend for quality takeaways. Leave your caloric concerns at the door!
The populist screed against Provincetown as strictly a gay/lesbian destination, is not only tired and exaggerated, it is simply not true. Families of every stripe, color, religion, and persuasion flock here for the best of what Cape Cod has to offer. Yes, this is a vibrant, compelling, and fun community, quite an achievement considering the odds against it worldwide. Gregory B. Gallagher is one of the original writers of the Sesame Street Television Show, author/photographer of a bestselling interna tional travel guide, creator of a fifteen-part documentary history of jazz, and a regular contributor to American Airlines in-flight Latitudes Magazine, as well as National Geographic Traveler Magazine. Gregory is a member of the Society of American Travel Writers. www.gregorybgallagher.com
BELINDA W. CARR
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reel to reel as they work to slowly reclaim the little things that are largely taken for granted in other parts of the world such as driving a car, looking beautiful, or having the choice of falling in love without shame. This film is a strong, touching testament to the human spirit to triumph through adversity, and should be required viewing for women the world over. REVELATIONS- CHINESE STYLE
FANTASY VS. REALITY- SPANISH STYLE PAN’S LABYRINTH Guillermo Del Toro’s adult fairy tale set in Spain during WWII is absolutely brilliant. The viewer is given an intimate view into the war torn, fascist Spain of the 1930’s through innocent, imaginative eyes courtesy of the film’s phenomenal hero Ofelia (Ivana Boquero). Ofelia, being torn from a cozy, happy life in the city with her mother Carmen (Ariana Gil) is forced to move in with her cold stepfather - Captain Vidal (Sergi Lopez) in anticipation of the birth of her younger brother. She escapes to her vast, sometimes dark imagination, full of fairies, monsters, and a faun to help her navigate the harsh realities of her young life. Pans Labyrinth is chock full of excellent moving performances, and really shows the extremes of the human mind, from innocence to rebellion to complete and dangerous arrogance. Awarded three Oscars- for cinematography, art direction, and make up, Pans Labyrinth continues to be warmly embraced by audiences and critics everywhere. FEMALE EMPOWERMENT- AFGHAN STYLE THE BEAUTY ACADEMY OF KABUL When the Taliban invaded Kabul in 1996 and took control, their own form of Islam was imposed on the Afghan people. Women were hit especially hard-forced out of schools and employment outside of the home, they faced beatings and worse if they showed too much leg or arm in public. The documentary follows the journey of six American volunteers (three of whom fled the country at the onset of its fall over 20 years ago) as they open the beauty academy for women. Along the way, an intimate look is taken at the students’ lives at home, their pasts, and their struggles 54 SOTAC MAGAZINE • sotacmag.com • FALL 2007
THE CURSE OF THE GOLDEN FLOWER Set 1000 years in the past in ancient imperial China, this movie is as visually stimulating as it is thrilling. Capturing the beauty and glamour of a time full of opulence and economic prosperity, this film simultaneously delves into the dark, shameful secrets of the royal family, creating a glaring contrast between outer beauty and inner decay. At the center of the drama is the Empress, flawlessly brought to life by Gong Li (Memoirs of a Geisha). After discovering her husband’s ruthless plot against her health, she takes matters into her own hands, and every secret comes to light during the annual Chrysanthemum Festival in a dizzying spiral of events. Every aspect of this film is expertly done, but enough cannot be said of the beauty of the costumes (all hand made), sets, and even lighting. Visually spectacular, this film is sure to be a treat for both the viewer who appreciates a film full of action and good story, as well as the viewer who loves beauty and style! REDEMPTION- SPANISH STYLE PT. 2 VOLVER- ALMODOVAR Almodovar’s 2006 offering Volver was by far one of the best Indy films of the year. Nominated for an Academy Award, and the recipient of two awards at the Cannes Film Festival, apparently the critics agree. This film at once manages to be part thriller, part comedy, and part feel good drama with perfect ease. The story revolves around three generations of working class women in Spain who all discover dark shocking family secrets, encounter death, and learn lessons of redemption and forgiveness by the end. Penelope Cruz gives her best performance in years as Raimunda, a mother whose main focus is protecting her daughter, and is thrown for a loop by the reappearance of her deceased mother. The acting is phenomenal, the story is beautiful, and Almodovar brings all of the twists and turns together expertly. Must See! Maree Morris
reel to reel
reel to reel Cine-World Film Festival Sarasota, Fla. Nov. 9-18 Web: http://www.filmsociety.org Mail: elisabeth@filmsociety.org Margaret Mead Film & Video Festival New York City, N.Y. Nov. 9-11 Web: www.amnh.org/programs/mead/index.html Mail: meadfest@amnh.org
FALL 2007
EAST COAST Anchorage Film Festival Anchorage, Alaska Nov.30-Dec. 9 Web: www.anchoragefilmfestival.com Mail: aliza@alaska.com Virginia Film Festival Charlottesville, Va. Nov. 1-4 Web: www.vafilm.com Mail: info@vafilm.com Northampton Independent Film Festival Northampton, Mass. Nov. 2-10 Web: http://www.niff.org Mail: info@niff.org Rehoboth Beach Independent Film Festival Rehoboth Beach, Del. Nov. 7-11 Web: www.rehobothfilm.com Mail: info@rehobothfilm.com Queens Intl. Film Festival Queens, New York, N.Y. Nov. 8-11 Web: www.queensfilmfestival.com Mail: info@queensfilmfestival.com
56 SOTAC MAGAZINE • sotacmag.com • FALL 2007
Avignon/New York Film Festival New York City, N.Y. Nov. 14-18 Web: www.avignonfilmfest.com Mail: jhr2001@aol.com
MIDWEST Polish Film Festival in America Chicago, Ill. Nov. 3-18 Web: www.pffamerica.com Mail: pffamerica@pffamerica.com Ohio Independent Film Festival Cleveland, Ohio Nov. 4-11 Web: www.ohiofilms.com Mail: OhioIndieFilmFest@juno.com St. Louis Intl. Film Festival Saint Louis, Mo. Nov. 8-18 Web: www.cinemastlouis.org Mail: mailroom@cinemastlouis.org East Lansing Film Festival East Lansing, Mich. Nov. 21-29 Web: www.elff.com Mail: susanwoods@elff.com
West Coast American Indian Film Festival San Francisco, Calif.
Nov. 2-10 Web: www.aifisf.com Mail: filmfestival@aifisf.com Olympia Film Festival Olympia, Wash. Nov. 2-10 Web: http://www.olympiafilmfestival.org Mail: info@OlympiaFilmFestival.org Intl. Latino Film Festival San Francisco Bay area Nov. 2-18 Web: www.latinofilmfestival.org Mail: info@latinofilmfestival.org Lone Star Intl. Film Festival Fort Worth, Texas Nov. 8-11 Web: www.lsiff.com Mail: info@lonestarfilmsociety.com Intl. Student Film Festival Hollywood North Hollywood, Calif. Nov. 14-18 Web: www.isffhollywood.org Mail: info@isffhollywood.org Northwest Film & Video Festival Portland, Ore. Nov. 9-17 Web: www.nwfilm.org Mail: jessica@nwfilm.org Santa Fe Film Festival Santa Fe, N.M. Nov. 28-Dec. 2 Web: www.santafefilmfestival.com Mail: info@santafefilmfestival.com
International Ourense Intl. Independent Film Festival Ourense, Spain Nov. 1-30 Web: www.ourencine.com Mail: oufest@ourencine.com Amsterdam Intl. Documentary Film Festival Amsterdam Dates: Nov. 1-30
Web: www.idfa.nl Mail: info@idfa.nl Braunschweig Intl. Film Festival Braunschweig, Germany Nov. 6-11 Web: www.filmfest-Braunschweig.de Mail: info@filmfest-Braunschweig.de Lyon Asian Film Festival Lyon, France Nov. 8-13 Web: www.asiexpo.com Mail: asiexpo@asiexpo.com Amazonas Film Festival Manaus, Brazil Nov. 9-15 Web: www.amazonasfilmfestival.com Mail: kbeunel@lepublicsystemecinema.fr Tokyo FilmeX Tokyo, Japan Dates: Nov. 17-25, 2007 Web: www.filmex.net Mail: info@filmex.net Cairo Intl. Film Festival Cairo Nov. 27-Dec. 7 Web: www.cairofilmfest.com Mail: info@cairofilmfest.com Anilogue Budapest, Hungary Nov. 29-Dec. 2 Web: www.anilogue.com Mail: info@anilogue.com Bahamas Intl. Film Festival Nassau, Bahamas Dec. 6-13, 2007 Web: www.bintlfilmfest.com Mail: info@bintlfilmfest.com Dubai Intl. Film Festival Dubai, United Arab Emirates Dec. 9-16 Web: www.dubaifilmfest.com Mail: diffinfo@tecom.ae SOTAC MAGAZINE • sotacmag.com • FALL 2007 57
reel to reel
offline
offline (social commentary)* (social commentary)*
Style: Do You Have It?
S
ince its inception in 1982, the Charlotte Film Society has been the savior of the local independent film community. This non profit organization, self sustained through membership dues and the help of a few local businesses, is dedicated to providing a choice in movie going. Headed by board members who truly love cinema and the mission of the Society- they receive no compensation- their primary mission is “to bring foreign, classic, and independent films to Charlotte that might not otherwise have come here.” They believe that “Charlotte can support alternative cinema as well as smaller cities, and wish to expose that side of filmmaking.” The Society’s cornerstone event is the Second Week Series. Introduced in 2000, the Series consists of three to four films- ranging from popular alternative to small obscure films- that are run the second Friday of the month through the following Thursday. Films screened this year include “Old Joy,” French films “Army of Shadows” and “Ga b r i e lle,” and German film “Requiem.” In February of this year the Society inked a deal with Consolidated Theatres that placed the Second Week Series as well as other 58 SOTAC MAGAZINE • sotacmag.com • FALL 2007
Society events at the Park Terrace Cinemas- the second oldest cinema in the city. Prior to finding their new permanent home, the Film Society screened at Queen Park Theatre, Eastern Federal Corporation’s Manor Theatre, and Movies @ Birkdale. In celebration of their new partnership, Consolidated Theatres is extending discounts to all CFS membership for ALL films at Park Terrace, and are in the process of developing a special combo package for members at the concession stand. To find out more about becoming a member of the Society, visit their website at www.charlottefilmsociety.com. Second Week screening schedules can also be found online, as well as a link to Amazon.com that donates a portion of sales to the Society to contribute to operating costs.
I
By Melissa Velazquez s style an internal or external quality? Is it
because it is a part of us. Style has more to do with the way
something we’re born with or something we learn over time? Is there such ‘a thing’ as no
we choose to live life than necessarily with the clothing that we live life wearing. Style is the art on your walls at
style? If you had no style wouldn’t that in
home. It is the restaurant you choose to eat a meal; the
essence be your style?
seasoning you use when you cook. Style is the music you
Defining ‘Style’ should be simple to an urban diva that browses the stores of Manhattan’s
listen to. It is in your walk and in your talk. Style is visible yet it is invisible. Style cannot be touched, but it most
famous Fifth Avenue so frequently they know her name. It
definitely can be felt.
should be a breeze for the woman who looks through fashion magazines weekly, searching for the latest looks she
The next time you are walking down the street, look around and carefully note how blessed we all are that we do
wishes to adopt into her daily life.
not live in a world where everyone has the same style.
It isn’t as simple as it seems. We are speaking of style as
Imagine a world where everyone wore the same thing.
much more than the latest trend or fashion. Style relates to the way an individual habitually chooses to live life every
Everyone had the same hairstyle. Everyone lived in homes that were identical. It would be an indistinguishable soci-
moment of everyday, from which color pen to write with to
ety. Do you not think someone would find a way to stand
what mode of transportation we use to get from point A to
out and differentiate his/her self from others? You bet
B.
they would. Style is life. Go outside and breathe it in. Trends are easy to understand. They come and go.
Celebrities have certain toys and wear certain clothing, but it’s the general public, who decides, “That’s hot!” Then what happens next is someone wants that Furby and a pair of striped legwarmers and begins to say, “that’s hot”_ until something ‘bigger’ and/or ‘better’ comes along according to one’s acceptance of the trend. Trends change, style doesn’t. Style is always with us
Bed-Stuy's answer to Carrie Bradshaw, Melissa Velazquez can always be found writing about love, life & the little things that happen in between on her blog www.nycurbandiva.com . When not writing she can be found adding her two cents to a number of topics on NYConfidential radio (www.nyconfidential.net).
* The opinions expressed by the author do not neccesarily reflect the views of the publisher.
SOTAC MAGAZINE • sotacmag.com • FALL 2007 59
in closing
“So, if you are anything like me and you have a true passion for all things stylish and cool, then this is the perfect
”
issue for you
A
As a die hard fashionista, with an inherent flair for all things fabulous, I was thrilled at the prospect of SOTAC publishing a Fall "Style" Issue. I am a self-proclaimed style diva—a girly girl in every sense of word. On any given day, you can find me rocking 4inch stilettos, a pencil skirt, custom made jewelry and a vintage clutch, when everyone else in the c ity is satisfied with a pair of jeans and a tank top…not me, not now, not ever, lol. So clearly, what could be more appropriate than SOTAC creating a style issue that our readers could really sink their teeth into? So, if you are anything like me and you have a true passion for all things stylish and cool, then this is the perfect issue for you. Visions of couture clothing and one of a kind accessories danc ed festively around in my head as the entire SOTAC team assem-
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bled the very best in art, style and culture the world had to offer for your perusal. Hope you enjoyed reading SOTAC's Fall "Style" Issue, and I hope to see you at our next event (visit www.sotacmag.com today for additional details), where eclectic style is welcomed with open arms. Comments and feedback are always welcomed. Stay connected by r egistering online for SOTAC's E-updates or joining our interactive discussion forum at www.sotacmag.com/lounge . Peace & Blessings,
Jameka S. Whitten Executive Creative Director jwhitten@sotacmag.com