RME ProLine by Juruda

FireWire . PCI Cards . Preamps . Converters

PRO LINE

Fireface 800

I/O Connectivity 28 Input / 28 Output channels 10 x Analog I/O 1 x Stereo Headphone Out

The Fireface 800 is the high performance audio interface redefining the benchmark for FireWire audio devices. It combines approved features of existing RME products with today´s fastest FireWire technology. Based on the world renowned Hammerfall DSP technology, the Fireface 800 combines maximum audio quality and ﬂexibility with extreme low latency. High-end AD/DA converters and sampling rates of up to 192 kHz ensure a pure and unequaled

2 x ADAT I/O or 1 x ADAT I/O plus

audio quality. All major settings are controlled by the included TotalMix software and can be

1 x SPDIF I/O optical

stored in presets. Fireface 800 and TotalMix give you full control on the audio signal: simultaneous

1 x SPDIF I/O coaxial

recording of 28 tracks to your computer, routing the signal to the backup media on two ADAT

1 x MIDI I/O 4 x Mic/Line Inputs 1 x Instrument input

ports, an extra mix for the digital 2-track Master via SPDIF/AES, checking every signal or every combination of signals over the integrated headphone output with several different submixes - all at the same time. The Fireface 800 also supports standalone operation by storing any user setup in its flash

2 x FireWire 800

memory. It retains all settings, including the mixer configuration, and loads them when

1 x FireWire 400

the device is powered up. The unit can thus be configured and used as a standalone device,

optional: Time Code Module

e.g. as a submixer, AD and DA converter, headphone mixer, format converter, instrumentand microphone preamp, monitor mixer, etc. With its 2 ADAT interfaces the Fireface 800 can be easily expanded with RME´s OctaMic II or the or the renowned ADI series converters to expand it to a full-blown 28-channel analog mobile recording studio. Perfect for recording, monitoring, routing and audio processing. All inputs and outputs can be used at the same time! E. g., the instrument input can be used either instead of the line input on the back, or together with it. Even the TRS jack and the XLR socket of the microphone inputs can be used simultaneously. This way, up to 35 signal sources can be connected to the Fireface 800 and recorded onto 28 separate tracks!

PRO LINE FireWire

56-Channel 192 kHz

FireWire Audio Interface

Time Code Option This optional module provides the Fireface with a LTC and video synchronization input, and an additional LTC output. The TCO not only extracts absolute positions from LTC, but thanks to SteadyClockTM also a very clean low-jitter word clock from LTC and video. Thus a sample accurate timecode synchronization to audio or video sources is assured. The received Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC.

Features

Specifications

▪ Top range AD/DA converters with 24 bit and up to 192 kHz sampling frequency on all inputs and outputs

▪ Dynamic range AD: 110 dB RMS unweighted, 113 dBA

▪ 4 x Mic Inputs in Class-A design with a maximum gain of 60 dB

▪ THD AD: < -110 dB (< 0.00032 %) ▪ THD+N AD: < -104 dB (< 0.00063 %) ▪ Crosstalk AD: > 110 dB

▪ 8 x Line In and Out, servo-balanced with variable level settings

▪ Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted)

▪ High-Z Instrument In with Overdrive and Speaker Emulation

▪ THD+N DA: < -100 dB (< 0.001 %)

▪ Dedicated Headphone Out ▪ Steady ClockTM-technology for maximum jitter suppression

▪ THD DA: < -103 dB (< 0.0007 %) ▪ Crosstalk DA: > 110 Db ▪ Input/Output level for 0 dBFS @ Hi Gain: +19 dBu ▪ Input/Output level for 0 dBFS @ +4 dBu: +13 dBu

▪ Word Clock I/O, low latency MIDI I/O, SPDIF I/O coaxial (AES/EBU compatible)

▪ Input/Output level for 0 dBFS @ -10 dBV: +2 dBV

▪ 2 x ADAT digital I/Os, (1 x switchable to SPDIF optical)

▪ Sample rate external: 28 - 200 kHz

▪ 2 x FireWire 800 bi-lingual ports, 1 x FireWire 400 port for daisy chain options

▪ Frequency response AD/DA, -0.5 dB: 1 Hz - 43.5 kHz (sf 96 kHz)

▪ Built-In switching power supply for worldwide operation

▪ Sample rates internal: 32, 44.1, 48, 64, 88.2, 96, 128, 176.4, 192 kHz ▪ Frequency response AD/DA, -0.1 dB: 5 Hz – 21.5 kHz (sf 48 kHz) ▪ Frequency response AD/DA, -1 dB: 1 Hz - 70 kHz (sf 192 kHz)

Fireface 800

Fireface 400

I/O Connectivity 18 Input / 18 Output channels

36-Channel 192 kHz, Bus-powered

FireWire Audio Interface

The Fireface 400 is more than just a “little brother” to the Fireface 800 – it is a completely new device and features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, stand-alone functionality and complete controllability from the front panel. It has highly ﬂexible I/Os in professional quality, and

8 x Analog I/O

an unsurpassed 648-channel matrix router – at sample rates up to 192 kHz. With a unique

1 x ADAT I/O or 1 x SPDIF I/O optical

feature set and unparalleled performance, the Fireface 400 sets new standards among

1 x SPDIF I/O coaxial 2 x MIDI I/O 2 x FireWire 400 2 x Mic Preamp with digitally controlled gain

19-inch half-rack products. All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load. Eight analog inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. The Fireface 400 features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog

input amplification of up to 18 dB (in steps of 0.5 dB).

PRO LINE FireWire

One ADAT I/O provides digital connection to mixers and converters. Alongside the analog I/Os, these channels are constantly available. In combination with an ADI-8 DS/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I/O is fully AES/EBU compatible and works up to 192 kHz. SPDIF can also be accessed through the optical I/O. Inputs 5 to 8 on the rear feature RME‘s proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones. The Fireface 400 is flexible when it comes to power supply. Besides the Bus-powering option the included switching power supply accepts voltages from 100 to 240 Volts, and can be operated all over the world. Of course the Fireface 400 offers a second FireWire port for hub functionality. Several devices can be connected to one FireWire interface and operated in parallel. A Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of features and turn the Fireface 400 into an entire audio system of the highest quality.

FireWire Interfaces . Made by RME Optimal hardware adaption, a unique LowLatency-Concept and a high grade of performance and compatibility. It´s no surprise customers and testers respect RME Fireface interfaces as the reference for FireWire audio, with first class sound, minimal latencies, stability and the first choice for mobile recording. The secret of success: RME is the only manufacturer not to use a third party FireWire audio technology, but an own, self-developed FireWire Audio Core with an outstanding performance and uncompromising pro audio features. RME combined their outstanding FireWire technology with famous RME features: TotalMix, ultra-low latencies down to one millisecond, including On-the-Fly latency changes, support of multiple devices, sample rates up to 192 kHz and much more.

Features ▪▪ Sample rates up to 192 kHz on all channels (except ADAT) ▪▪ Two digitally controlled Mic Preamps in high-end quality ▪▪ Two balanced universal inputs for line and instrument signals ▪▪ SteadyClock for maximum jitter suppression and clock refresh

▪▪ Simple stand-alone operation with rotary encoder and front panel display ▪▪ TotalMix: 648-channel mixer with 42-bit internal resolution ▪▪ 54 Level Meter Peak/RMS, hardware-calculated ▪▪ Full mobility with Bus Power support (Power over FireWire)

Specifications ▪▪ Input AD: 6 x 1/4” TRS (4 x Line, 2 x Line/Instrument), 2 x XLR/TRS Combo connector (2 x Mic/Line), all servo-balanced. ▪▪ Output DA: 6 x 1/4” TRS, servo-balanced, DC-coupled signal path. 1 x 1/4” TRS unbalanced ▪▪ Input Digital: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) ▪▪ Output Digital: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) ▪▪ MIDI: 2 x MIDI I/O via breakout cable (4 x 5-pin DIN jacks), for 32 channels low jitter hi-speed MIDI ▪▪ Dynamic range AD: 110 dB RMS unweighted, 113 dBA ▪▪ THD AD: < -100 dB (< 0.001 %) ▪▪ THD+N AD: < -98 dB (< 0.0012 %) ▪▪ Crosstalk AD: > 110 dB ▪▪ Dynamic range DA: 110 dB RMS unweighted, 113 dBA (unmuted) ▪▪ THD DA: -100 dB (0.001 %) ▪▪ THD+N DA: -96 dB (0.0015 %) ▪▪ Crosstalk DA: > 110 dB ▪▪ Input/Output level for 0 dBFS @ Hi Gain: +19 dBu ▪▪ Input/Output level for 0 dBFS @ +4 dBu: +13 dBu ▪▪ Input/Output level for 0 dBFS @ -10 dBV: +2 dBV ▪▪ Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz ▪▪ Sample rate externally: 28 kHz - 200 kHz ▪▪ Frequency response AD/DA, -0.1 dB: 5 Hz - 20.4 kHz (sf 44.1 kHz) ▪▪ Frequency response AD/DA, -0.5 dB: 1 Hz - 43.3 kHz (sf 96 kHz) ▪▪ Frequency response AD/DA, -1 dB: 1 Hz - 80 kHz (sf 192 kHz) Fireface 400

HDSP PCI Card

PCI interface for

desktop computers

In the year 2001 RME started a revolution in mobile audio recording: the HDSP System, consisting of a PCI or CardBus card plus an external I/O-box has been the world’s first audio system, operating at both desktop and laptop. And the world’s first professional multitrack system for notebooks at all. Today we are proud to look

Connection of

back and conclude: the HDSP system has become a true ‘industry standard’. Thanks to continuing firmware and driver updates it stayed a cutting-edge product, still offers un-beaten performance, and still enjoys great

Multiface

popularity among the users. Multiface II Based on the legendary Hammerfall PCI core with its innovative zero CPU load technology, the RME PCI core developed for Digiface, Multiface and RPM, is optimized for even higher performance. Thanks to the latest chip technology, internal hi-speed RAM can be used faster and more eﬃcient than external SRAM. The PCI engine of the Hammerfall DSP System is built on a Zero wait state PCI Busmaster core. With up to 130 MB/s transfer rate in both directions the maximum performance available on the 32 bit PCI bus is used. Additionally the card offers highest compatibility by being 100% Plug & Play compatible under Windows and Mac OS, and being able to share interrupts. The card itself will only use one interrupt (IRQ) for all functions (audio/MIDI). The connection between PCI card and I/O box is established using ordinary FireWire cable (IEEE 1394, 6-pin). The data transfer does not use FireWire protocol, but RME’s own bus protocol. The supplied cable is 4 m (12 ft.) in length. The PCI card operates as power supply for the attached I/O-box.

Features PCI and CardBus Card ▪ Hammerfall hardware design: organized in 32 bit ASIO double buffers, data transmission rates up to 130 MByte/sec ▪ ASIO in hardware! 0 (zero!)% CPU load even with all channels active ▪ Automatic hardware self test at power up ▪ Hardware update via software (virtual EPROM update) ▪ Secure BIOS Technology - prevents the card from becoming unusable should the flash process fail ▪ Complete interrupt sharing ▪ “State of the art” PC and Mac drivers, constantly updated, also for Win and Mac 64 bit operating systems

HDSP PCI Card

PRO LINE PCI Cards

Digiface RPM

HDSP CardBus Card

Cardbus interface for

mobile computers

Thanks to ever-increasing CPU power, hard disk capacity and speed, today’s high

HDSP PCI Card and CardBus are still simply the best interfaces for professional audio outperforming other interface techniques that often cannot deliver the required bandwidth nor the desired compatibility. RME HDSP System: No other manufacturer offers such a flexible, robust, performing and expandable solution.

performance laptop computers can meet virtually any challenge presented by even the most demanding audio recording and processing applications. But, the overall performance depends largely on the audio interface used. RME‘s Hammerfall DSP System has been the world‘s first PCI-based high performance mobile audio system. Even FireWire 400 or USB 2.0 -based interfaces can neither deliver the same bandwidth nor the desired compatibility. For the HDSP System RME has developed a worldwide exclusive PCMCIA type II card with Zero Waitstate CardBus Busmaster technology. With up to 130 MB/s transfer rate both ways it can provide the same performance on a notebook as a PCI-card would offer on a desktop computer. This is partly down to perfect Plug & Play compatibility on Windows and MacOS based portable computers, and interrupt sharing capability that uses only one interrupt (IRQ) for all audio and MIDI functions. As the CardBus card does not provide power to the attached I/O-box, it comes with a compact professional switching power supply. A car battery cable is also included for additional mobile applications.

Specifications HDSP PCI Card / CardBus Card ▪▪ PCI Card: Short PCI 2.0 compliant PCI-card (32 bit, PCI-X compatible) ▪▪ CardBus Card: PCMCIA type II, 32 bit CardBus card ▪▪ Zero Waitstate PCI Busmaster interface (130 MB/s transfer rate both ways) ▪▪ Output: IEEE 1394 connector (RME protocol)

HDSP CardBus Card

Pro Line Mobile Solutions

Multiface II

I/O Connectivity

36-Channel 96 kHz

Audio Interface

The world’s most successful analog/digital-interface continues its successful career: RME’s Multiface II offers the best possible performance in terms of low-latency operation and CPU load, thanks to its interface options which still surpass current serial technologies

18 Input / 18 Output channels

like USB or FireWire. The compact 9.5” box is not only called ‘multi’ because of its number of

8 x Analog I/O (96 kHz)

audio channels, but also because of the variety of digital audio formats that it supports.

1 x ADAT I/O (at 96 kHz via S/MUX)

Based on RMEs award-winning Hammerfall technology and equipped with the latest circuit

1 x SPDIF I/O (96 kHz)

designs of the Fireface 800, the Multiface II offers ADAT optical I/O, SPDIF I/O, MIDI I/O, word

1 x Stereo Analog Output (separate for Submix/Phones) 1 x MIDI I/O 1 x Word Clock I/O

clock I/O and a separate hi-power monitor output. On top there are 8 analog inputs and outputs, balanced and 24-bit/96 kHz. All this can be used on laptops as well as on desktop computers with lowest latency and minimal CPU load. The reference level of the analog inputs and outputs can be changed with two separate switches on the front panel. All inputs and outputs are operational at the same time without any limitation in transfer rates or audio quality. The incorporated digital real-time mixer TotalMix™ offers unlimited mixing and routing for all I/Os – from multiple independent submixes to realtime integration of external effects. And the high-quality 24 bit/96 kHz analog line/headphone output lets you directly monitor your mix. The Multiface II connects to a computer either via RME’s HDSP PCI- or CardBus (PCI) and HDSPe PCI Card and ExpressCard (PCI Express), which are sold separately, and are also available in bundled Multiface II versions. A special Disconnect Mode lets you use the unit as standalone AD/DA-converter, digital format converter, analog/digital mixer or submixer, to name but a few applications. Being part of the HDSP system series, the Multiface II comes with drivers for Windows 2000/XP/ Vista (multi-client operation of WDM, GSIF and ASIO) and Mac OS X (Core Audio, Core MIDI).

PRO LINE External I/O

The unit’s performance and the dependability of its drivers provide the same reliability for both mobile and studio use. With some tens of thousands of rock-solid HDSP installations worldwide, and RME’s reputation for constantly updating drivers, there’s no worry about future Operating Systems.

Specifications ▪▪ Dynamic ratio analog AD: 111.5 dB(A), DA: 112 dB(A) ▪▪ THD+N AD: -98 dB (0,0012%), DA: -97 dB (0,0014%) ▪▪ Analog level @ 0 dBFS (set by front panel switch): +2 dBV, +13 dBu, +19 dBu ▪▪ Dynamic ratio stereo monitor output: 119 dB(A), 119 dBA, output impedance 30 Ohm ▪▪ Input: 8 x line (1/4” TRS jacks), 1 x optical (TOSLINK), 1 x coaxial (RCA), 1 x MIDI, Word Clock (BNC) ▪▪ Digital input formats: SPDIF, AES/EBU (Consumer, Professional), ADAT optical ▪▪ Outputs: 8 x line (1/4” TRS jacks), 1 x optical (TOSLINK), stereo analog line (TRS), 1 x coaxial (phono), 1 x MIDI, Word Clock (BNC) ▪▪ Digital format output: SPDIF, AES/EBU (Consumer/Professional), ADAT optical ▪▪ 1 x hi-power analog line/headphone output, separate output for independent submix ▪▪ Supported sample rates: 32, 44.1, 48, 88.2, 96 kHz, variable ▪▪ All settings changeable in real-time ▪▪ Automatic, intelligent master/slave clock control ▪▪ Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode ▪▪ Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring ▪▪ Comes with DIGICheck, RME’s ultimate measurement, analysis and test tool ▪▪ Hardware level calculation: freely scalable level meters, peak and RMS calculation without CPU load ▪▪ TotalMix: 720 channel mixer with 40 bit internal resolution. MIDI remote controllable. ▪▪ S/MUX poured in hardware: 4 channels 24-bit/96 kHz for record and playback via ADAT optical

Optional Add-Ons ▪▪ HDSP TCO (only with HDSPe PCI Card): Timecode Option Module with enhanced sync capabilities. 1 x word clock I/O, 1 x video sync input (switchable from WC in), 1 x LTC I/O

Multiface II

Digiface

I/O Connectivity

52-Channel 96 kHz

Digital Audio Interface

Despite its compact 9.5“ enclosure, the Digiface is equipped with a wealth of digital ports. Used either in the studio or for mobile applications, the 3 optical ADAT I/Os, SPDIF I/O and Word Clock I/O, make the Digiface an ideal breakout box for digital audio.

26 Input / 26 Output channels

The 2 high-speed MIDI I/Os can handle 32 MIDI-channels on top of all audio facilities.

3 x ADAT I/O (at 96 kHz via S/Mux)

Possible applications include hard-disk recording via AD-converters (RME ADI-series)

1 x SPDIF I/O 1 x Stereo Analog Output (separate for submix/phones) 2 x MIDI I/O Word Clock I/O

and/or ADAT-equipped mixers, simultaneous transfer of 24 ADAT-channels into a computer, or loss-free transmission of audio data. All inputs and outputs are operational at the same time without any limitation in transfer rates or audio quality. The incorporated digital real-time mixer TotalMix™ offers unlimited mixing and routing for all I/Os – from multiple independent submixes to real-time integration of external effects. Additionally, the high-quality 24 bit/96 kHz analog line/headphone output lets you directly monitor your mix. The Digiface connects to a computer either via RME’s HDSP PCI- or CardBus (PCI) and HDSPe PCI Card and ExpressCard (PCI Express), which are sold separately. Using PCI-interfacing technology, the Digiface delivers its power with “Zero Percent CPU load” and super-low latency. When working with several digital sources, it is vital to not only keep them properly locked, but also perfectly synchronized. RME’s exclusive SyncCheck® monitors all input signals and displays their actual state, while ICC™ (IntelligentClockControl) keeps control of all clocks and sync-states. The unit’s performance and the dependability of its drivers provide the same reliability for both mobile and studio use. Being part of the HDSP system series, the Digiface comes with drivers for Windows 2000/XP/Vista (multi-client operation of WDM, GSIF and ASIO) and Mac OS X (Core Audio, Core MIDI). With some tens of thousands of rock-solid HDSP installations worldwide, and RME’s reputation for constantly updating drivers, the DIGIface works flawlessly even with the latest Operating Systems.

PRO LINE External I/O

Specifications ▪▪ Inputs: 3 x optical (TOSLINK), 1 x coaxial (RCA), 2 x MIDI, word clock (BNC) ▪▪ Digital input format: SPDIF, AES/EBU (Consumer, Professional), ADAT optical ▪▪ Outputs: 3 x optical (TOSLINK), coaxial (RCA), 2 x MIDI, stereo analog line (1/4” TRS), word clock (BNC) ▪▪ Format output SPDIF: AES/EBU (Consumer/Professional), ADAT optical ▪▪ Supported sample rates: 32, 44.1, 48, 88.2, 96 kHz, variable ▪▪ 8 buffer sizes/latencies available: 1.5, 3, 6, 12, 23, 46, 93, 186 ms ▪▪ ASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 52 channels! ▪▪ All settings changeable in real-time ▪▪ Clock modes: slave and master ▪▪ Automatic and intelligent master/slave clock control ▪▪ Enhanced Mixed mode: All inputs and outputs simultaneously operational ▪▪ Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode ▪▪ Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring ▪▪ Comes with DIGICheck, RME’s ultimate measurement, analysis and test tool

Optional Add-Ons ▪▪ HDSP TCO (only with HDSPe PCI Card): Timecode Option Module with enhanced sync capabilities. 1 x word clock I/O, 1 x video sync input (switchable from WC in), 1 x LTC I/O

Digiface

HDSP AES-32

I/O Connectivity

32-Channel 192 kHz

AES/EBU PCI Card

Adding professional AES/EBU I/Os to your PC or Mac has never been easier: The HDSP AES-32 offers eight AES/EBU inputs (16 channels) and eight AES/EBU outputs (16 channels) at 192 kHz sample rate. The PCI card is also equipped with two MIDI I/O ports, word clock

16 Input / 16 Output channels 8 x AES/EBU I/O (XLR) 2 x MIDI I/O

I/O, and can be used with the optional TCO module for synchronization to LTC and video. The AES-32’ remarkable features include: - Support for 192 kHz at full channel count

Word Clock I/O

- Native support for Double and Quad Wire transfer, direct conversion between these formats

optional: HDSP TCO

- SteadyClock for highest jitter suppression and clock regeneration

optional: BOB-32

- Intuitive and clearly laid-out user interface - TotalMix: 512 channel mixer with 42-bit internal resolution - 48 level meter Peak/RMS, hardware-computed The DSP-based TotalMix is used to route or mix all 16 inputs and 16 playback channels freely to 16 physical outputs, offering extraordinary monitoring capabilities. Up to 8 fully independent stereo submixes can be created. Routings can be copied and pasted, faders ganged and grouped, which, along with the amazing matrix window, turns the HDSPe AES into a powerful and easy-to-use redistributor, patchbay, router, converter, and splitter. The hardware-based mixer is fully MIDI-controllable. Furthermore, the DSP hardware calculates RMS and peak level meters for all 48 audio channels, with no measurable CPU load. The Time Code Option (TCO) can be used with the HDSP AES-32 to sync to LTC and video. Thanks to SteadyClockTM, the TCO not only extracts absolute positions from LTC, but also a very clean

The perfect solution for

low-jitter word clock from LTC and video.

professional users in the

An optional 19” breakout box is also available. Its innovative design features XLR I/Os that can

fields of broadcast, TV,

be accessed from the front or rear in a rack, according to the user’s choice. BOB-32 provides

theater, stage/PA - and in

D-sub connectors with Tascam and Yamaha pinout, therefore can be used with other devices as

any pro-audio studio with

digital rack breakout box as well.

the typical RME features

Thanks to RME’s flash update technology, future firmware improvements, adjustments,

and quality.

and bugfixes can be installed easily at any time.

PRO LINE PCI Cards

Specifications ▪ Inputs: 8 x AES, 2 x MIDI, word clock (BNC) ▪ Outputs: 8 x AES, 2 x MIDI, word clock (BNC) ▪ Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), termination via jumper ▪ Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof

Optional ALVA AES I/O cable

▪ MIDI input and output: via four 5-pin DIN jacks ▪ All settings: changeable in real-time ▪ Automatic and intelligent master/slave clock control ▪ Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring ▪ Sync sources: 8 x AES, word clock, internal ▪ Varipitch: by input signal or word clock ▪ Sample rates: 32 kHz up to 192 kHz, variable (Sync/word clock) ▪ Sample rate range: AES: 28 kHz - 204 kHz, word clock: 28 kHz - 204 kHz ▪ Jitter: < 1 ns, internal and all inputs ▪ Jitter sensitivity: PLL operates even at 100 ns Jitter without problems ▪ Comes with DIGICheck: the ultimate measurement, analysis and test tool

Perfect Partner: BOB-32

The BOB-32 Breakout Box is an advanced solution for interconnecting multichannel XLRs and D-subs. The box connects 2 x 8 XLR connectors with two 25-pin D-sub connectors, working basically like two breakout cables. All 16 XLR connectors can be connected to the 19” rack mount unit instead of a usual multicore breakout cable, preventing cable chaos, errors and connection problems. BOB-32 is pin compatible to the digital TASCAM (=RME) and Yamaha formats. Therefore it is a perfect partner for the HDSP(e) AES-32 and many other units having digital audio D-sub I/Os. Flip-Frame. The BOB-32 allows to change rack brackets and handles from front to rear and thus to change XLR or D-sub from front to rear as well. This way a BOB will perfectly fit in every rack and working situation. Revolutionary new option: Simply fold the case in the middle to arrange both sides to one side. All connectors appear on front or rear only, as a two height unit within the rack.

I/O Connectivity ▪ 16 Input channels / 16 Output channels ▪ 8 x XLR Output ▪ 8 x XLR Input ▪ 2 x D-sub 25-pin connectors ▪ Internal jumpers to change between TASCAM and YAMAHA pinout HDSP AES-32

HDSP 9632

I/O Connectivity 16 Input / 16 Output channels

32-Channel 192 kHz

Multiformat PCI Card

RME presents the world’s most versatile PCI Audio Interface - the Hammerfall DSP 9632. This card makes the dream of an All-In-One solution for every possible application come true. As usual, RME has not made any compromises: Latest 192 kHz AD- and DA-converters with more than 110 dB signal to noise ratio, all inputs and outputs simultaneously

1 x Analog I/O (192 kHz)

operational, easy-to-install optional hi-quality analog expansion boards, the famous

1 x ADAT I/O (at 96 kHz via S/Mux)

TotalMix, a newly developed sensational clock section with maximum jitter suppression

1 x SPDIF I/O (192 kHz)

of external clock signals - all this combines into a ‘soundcard’ that the world has been waiting for so long.

1 x MIDI I/O 1 x Phones-Output optional: 4 additional Analog I/Os optional: Word Clock Module optional: TDIF Expansion Board

The HDSP 9632 offers unique features: ▪ Balanced stereo analog in- and output, 24-bit/192 kHz, > 110 dB SNR ▪ Optional analog expansion boards with 4 balanced in- or outputs ▪ All analog I/Os capable of 192 kHz, constant number of available channels ▪ 1 ADAT digital I/O, supporting 96 kHz S/MUX operation ▪ 1 SPDIF digital I/O, 192 kHz-capable ▪ 1 Breakout cable for coaxial SPDIF ▪ Up to 16 I/Os can be used simultaneously! ▪ 1 Stereo headphone output, parallel to the analog out, additional level settings ▪ 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable ▪ DIGICheck, RMEs unique metering- and analysing tool ▪ Includes freely scalable level meters with peak- and RMS calculation directly in hardware ▪ TotalMix: 512 channel mixer with 40 bit internal resolution The HDSP 9632 ships in a basic version including two RCA/phono breakout cables (headphone:

The All-In-One solution

TRS jack). Therefore all analog I/Os and the SPDIF I/O are unbalanced. XLR breakout cables

for every possible audio

are available as an option (headphone: Neutrik TRS locking jack), turning analog and AES/EBU

application from recording

into balanced mode*.

up to the final mastering!

PRO LINE PCI Cards

Specifications

Breakout Cables

▪ Supported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz ▪ Automatic and intelligent master/slave clock control ▪ All settings changeable in real-time ▪ Enhanced Mixed mode: All inputs and outputs simultaneously operational

Standard analog I/O cable (included)

▪ TMS (Track Marker Support): Supports CD/DAT start-IDs and the read out of CD subcode ▪ Unique status windows for record and playback, showing mode and sample rate ▪ Digital inputs and outputs ground-free transformer coupled ▪ ZLM® (Zero Latency Monitoring) for latency-free submixes and perfect ASIO Direct Monitoring ▪ 3-stage hardware level control for analog inputs and outputs ▪ Servo-balanced analog input and output, DC-coupled signal path

Standard digital I/O cable (included)

▪ 192 kHz / 24-bit converters. SNR 110 dB RMS unweighted, 113 dBA ▪ Maximum input and output level (0 dBFS @ HiGain): +19 dBu ▪ Analog input and output level configurable via software ▪ Low impedance headphone output (75 ohm), stepless output level through software faders ▪ Headphone Speaker Protection minimizes noise during power on/off

* Optional balanced analog I/O cable

▪ SteadyClock®: Jitter-immune, super-stable digital clock ▪ Super low jitter design: < 1 ns in all clock modes ▪ Comes with DIGICheck, RME’s ultimate measurement, analysis and test tool

* Optional AES/EBU and SPDIF I/O cable

Optional Add-Ons ▪ Word Clock Module (WCM): provides a galvanically isolated word clock input and two word clock outputs via BNC jacks. ▪ TEB: HDSP 9632 can provide a TDIF interface when using the TDIF Expansion Board. ▪ AI4S-192 and AO4S-192: An easy to handle ribbon cable connects the optional AI4S-192 and AO4S-192. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I/O of the HDSP 9632: up to 192 Khz, balanced and 3 different reference levels. With this a maximum of 6 inputs and/or outputs can be achieved.

HDSP 9632

HDSP 9652

I/O Connectivity 26 Input / 26 Output channels

52-Channel 96 kHz

ADAT PCI Card

The HDSP 9652 can be regarded as the studio standard digital I/O card, which turns every computer into a powerful Digital Audio Workstation (DAW). The PCI card is based on the award-winning Hammerfall DSP technology, combining superb handling and stability with extremely low latency. All 26 input and 26 playback channels can be routed and

3 x ADAT I/O

mixed independently making it the ideal interface to any ADAT I/O-equipped mixer, or to

1 x SPDIF I/O

RME’s high-end analog devices like the ADI-8 DS/QS or the OctaMic-II.

2 x MIDI I/O

HDSP 9652 offers 3 x ADAT optical I/O, ADAT-Sync In, SPDIF I/O and Word Clock I/O. On top, there

Word Clock I/O

are 2 MIDI I/Os and TotalMix, a DSP-based real-time mixer/router, with hardware-calculated level

1x ADAT Sync In optional: Word Clock Module optional: TDIF Expansion Board

metering and complete MIDI remote capability. The HDSP 9652 also supports the TDIF Expansion Board. Two internal ADAT inputs and outputs allow you to realize up to two TDIF ports directly inside the computer. Thanks to its unique Zero CPU Load technology Hammerfall DSP guarantees highest performance and lowest latency together with full flexibility! When working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RMEs exclusive SyncCheck® checks all input signals and displays their actual state, and thanks to Intelligent Clock Control (ICC) you have all clocks and states under control - with ease. A display of the time code at the ADAT Sync-In port offers a quick check of the communication between the external device and Hammerfall.

Some tens of thousands of installations worldwide are

The HDSP 9652’s Secure BIOS Technology allows to perform hardware updates via software/ driver without any risk.

proof that the HDSP 9652 is a perfect partner for all software-based DAWs.

PRO LINE PCI Cards

Specifications ▪ Input: 3 x optical (TOSLINK), 1 x coaxial (RCA), 2 x MIDI, Word Clock (BNC) ▪ Input format: SPDIF, AES/EBU (Consumer, Professional), ADAT® optical ▪ Output: 3 x optical (TOSLINK), coaxial (RCA), 2 x MIDI, word clock (BNC) ▪ Output format: SPDIF, AES/EBU (Consumer/Professional), ADAT® optical ▪ Supported sample rates: 32, 44.1, 48, 88.2, 96 kHz, variable ▪ All settings changeable in real-time ▪ Automatic and intelligent master/slave clock control ▪ Enhanced Mixed mode: All inputs and outputs simultaneously operational ▪ Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode ▪ Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring ▪ HDSP Meter Bridge: freely scalable level meters, peak- and RMS calculation directly in hardware ▪ TotalMix: 1352 channel Mixer with 40 bit internal resolution ▪ S/MUX poured in hardware: 12 channels 24-bit/96 kHz for record and playback on ADAT optical ▪ Comes with DIGICheck, RME’s ultimate measurement, analysis and test tool

Optional Add-Ons ▪ TEB: The HDSP 9652 can provide up to two TDIF interfaces when using the TDIF Expansion Boards.

HDSP 9652

Time Code Option

I/O Connectivity 1 x Word Clock I/O 1 x Video Sync Input (alternative to WC In) 1 x LTC I/O

Optional HDSPe

synchronization module

The TCO module is an optional extension for selected RME cards. Placed in a free slot of the computer chassis the TCO will be connected with the HDSPe card via a ﬂat ribbon cable. The small module adds a Word Clock input to the HDSPe card, and offers a synchronization to LTC and video. The TCO has a combined switchable Word Clock/Video input (BNC) as well as an LTC input (BNC). The Word Clock / Video input can comfortably be terminated (relay-controlled) with a 75 Ohm terminator from the card’s Settings dialog. The TCO also features an additional LTC output (BNC) with two level settings (configurable via jumper). Thanks to SteadyClock, the TCO not only extracts absolute positions from LTC, but also a very

Supported Cards ▪ all RME HDSPe PCI Express Cards ▪ HDSP AES-32 ▪ Other cards only in multi-card usage

clean low-jitter word clock from LTC and video. Thus a sample accurate timecode synchronization to audio or video sources is assured. LTC can be derived and generated in all common formats, i.e. 24, 25, 30, and 29.97 frames; drop-frame or non-drop-frame. Commonly used Pull-Up and Pull-Down Formats (+/- 0.1% and +/- 4%) can be utilized, and PAL and NTSC video formats will be automatically detected and processed. The received Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC. An application can send APP or MTC to the TCO, which will generate LTC on hardware level with lowest jitter (no software/driver routine). Several fly-wheel functions facilitate chase operation (adjustable drop-out length, Continuous- or Jam-Sync). One single TCO can be used with different HDSPe cards at the same time, if connected to a supported card.

Time Code Option

PRO LINE PCI Cards Accessories

Expansion Boards

Optional Add-Ons

AI4S-192 and AO4S-192 4-Channel analog I/O modules with 192 kHz support HDSP 9632 / HDSPe AIO

These option cards for the HDSP 9632 and HDSPe AIO are analog expansion boards,

designed as bracket with 4 stereo TRS jacks each. AI4S-192 provides four servobalanced inputs, AO4S-192 provides four servo-balanced outputs. With this a maximum of 6 (including the stereo I/O of the card) inputs and/or outputs on the HDSPe AIO can be achieved. The converters offer the same performance as the on-board stereo analog I/O: up to 192 kHz, balanced connection and the choice of three different reference levels, selected in the Settings dialog. Both modules can be used single or in combination. The display of the channels in TotalMix changes accordingly.

TEB TDIF Expansion Board HDSP 9632 / 9652 and HDSPe RayDAT / AIO

The optional module adds an 8-Channel TDIF interface

to all ADAT-capable RME cards. Special features include manual choice of clock reference, status LEDs and a TDIF word clock output. The TEB is designed for maximum flexibility. Used with the HDSPe RayDAT, AIO and HDSP 9652, it can even be used at sample rates of 88.2 kHz and 96 kHz. Meeting the TDIF specification, Double Line mode uses two channels in single speed to get one channel in Double Speed. Therefore at 88.2/96 kHz up to 4 channels are available. The integrated Clock Select Switch selects the TDIF reference clock, thus avoids any clocking problems even with problematic TDIF devices.

WCM Word Clock Module HDSP 9632 / HDSPe RayDAT / AIO

The 9632 Word Clock Module provides a galvanically iso-lated word clock

input and two word clock outputs (BNC connectors). Both outputs have their own driver stages, providing an extremely low jitter signal. A push switch activates 75 Ohms termination for the hi-impedance input. SteadyClock, part of the PCI card, guarantees an excellent performance in all clock modes. Its highly eďŹ&#x192;cient jitter suppression refreshes and cleans up any clock signal, and provides it as reference clock at the two BNC outputs. The module is internally connected to the PCI card via a flat ribbon cable. Thanks to several LEDs (power, termination, LOCK) and the highly integrated concept of installation, first operation and usage are simple even for the inexperienced user.

Expansion Boards

OctaMic II

I/O Connectivity 8 x Mic / Line Preamp Input (XLR/TRS Combo) 8 x Line Output (TRS balanced) 8 x AD-converter (up to 192 kHz) 2 x ADAT Output (S/MUX, up to 96 kHz) 4 x AES/EBU Output (D-sub, up to 192 kHz) 1 x AES/SPDIF Sync Input

The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology. Lowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged. OctaMic II offers 8 balanced XLR mic / line inputs via Neutrik XLR/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unitâ&#x20AC;&#x2122;s status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly. Frontside switches include power on/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RMEâ&#x20AC;&#x2122;s current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS). The balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is

Three in one: High-End

fully regulated against voltage fluctuations, and suppresses mains interference.

microphone preamp, High-

The 8-channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal

End line signal preamp,

is available simultaneously at the double ADAT output (S/MUX, up to 96 kHz), and at a DB-25

8-channel AD-Converter for

connector (4 AES/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master)

different analog sources.

and externally via word clock, AES/EBU and SPDIF.

PRO LINE Preamps

8-Channel

MicPreamp and AES.ADAT A/D converter

RME’s outstanding SteadyClockTM ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal/clip indication and the AD-conversion will react only to the Gain-pots.

Specifications ▪ 8 balanced XLR/TRS mic/line inputs with 54 dB gain range ▪ Input impedance: XLR 2 kOhm, TRS 5 kOhm ▪ Analog input level: from -40 dBu up to +21 dBu ▪ Maximum output level: +21 dBu ▪ Output impedance: 75 Ohm ▪ Output level switchable Hi Gain / +4 dBu / -10 dBV ▪ Signal to noise ratio (SNR): 129 dB EIN @ 150 Ohm ▪ THD: < 0.0005 % @ 30 dB Gain ▪ Large frequency range (200 kHz) with special EMI input filtering ▪ Frequency response -0.5 dB: 5 Hz - 200 kHz ▪ Hi-pass filter: 80 Hz, 18 dB/oct. ▪ Line Out: 1/4” TRS (6.3 mm stereo jack), servo-balanced ▪ Phantom power: +48 Volt in every channel ▪ Internal wide range switching power supply 100-240 Volt AC ▪ Unbeatable price/performance ratio! ▪ AD conversion SNR: >110 dB(A) ▪ Supported sample rates: 28 kHz - 200 kHz ▪ THD: < 0.0003 %, < -110 dB ▪ Sync Sources: AES/EBU (also SPDIF coaxial), Word Clock, internal ▪ SteadyClockTM ensures best sound quality even with jittery external clocks

OctaMic II

QuadMic

I/O Connectivity

8-Channel

Portable Mic Preamp

Excellent signal/noise ratio and sophisticated discrete Class-A technology make the QuadMic a first choice for superior studio recordings. Due to its compact dimensions and ability to run on batteries, the QuadMic is also the ideal microphone preamp for all high-

4 x Mic Preamp Inputs (XLR/TRS combo jack)

class mobile recording situations.

4 x Line Output

Each of the 4 channels features balanced microphone and line inputs with Neutrik XLR/TRS

optional battery powered operation

combo jacks, switchable 48V phantom power, phase reversal and a low cut filter. All channels are also equipped with LEDs for signal presence, clip state, and activated phantom power. The input amplification can be set from 10 to 60 dB. The balanced line level output signals are located on the rear of the unit via 4 stereo TRS jacks. The output reference level can be chosen between HiGain or +4 dBu, making the QuadMic fully compatible to RME‘s ADI-8 series and all HDSPs products with analog inputs. The QuadMic complements the Multiface II or any RME HDSP system by adding external microphone inputs. Since the unit runs on supply voltages from 8-38V DC and 7-27V AC, it can operate on virtually any power source available including batteries and rechargeable batteries. RME‘s universal rackmount holder can be used to fit the QuadMic into any 19“ rack. The included professional switching power supply offers safe operation world wide, even when

The QuadMic offers a high-

the power lines are weak or noisy.

tech, state-of-the-art design - exactly what ‚Made in Germany‘ stands for, and you‘ll wonder how something so impressive could cost so little.

PRO LINE Preamps

Application examples: ▪▪ High-End Microphone Preamp ▪▪ High-End Line signal Preamp

Specifications ▪▪ Power supply: Operates with voltages ranging from 7-38V DC, 7-27V AC. Operation with practically any power source, including batteries and rechargeable batteries. ▪▪ 100% hum-free through internal switching regulators ▪▪ High-quality switching power supply included, for worldwide operation at 100-240 Volt ▪▪ Max. input level: +11 dBu ▪▪ Max. output level: +21 dBu ▪▪ SNR: 129 dB EIN @ 150 Ohm ▪▪ THD: < 0.006% @ 30 dB Gain ▪▪ Wide frequency response with special RF input filters ▪▪ Frequency response: 5 Hz - 200 kHz, - 0.5 dB ▪▪ Hi-pass filter at 80 Hz, 18 dB/oct ▪▪ Phantom power +48 Volt switchable per channel

QuadMic

ADI-8 DS

The ADI-8 DS is an 8-channel AD/DA converter with reference approach. The compact

I/O Connectivity

19“ 1U rackmount enclosure includes several outstanding features, like Intelligent Clock Control (ICC), SyncCheck®, SyncAlign®, TDIF/ADAT converter and Bit Splitter. Use of the

8 x Analog I/O

latest 24 bit converters, with 128 times oversampling, results in 117 dBA true dynamic

2 x ADAT I/O

range. The AD- and DA-circuits automatically operate either independently or linked.

1 x TDIF I/O

All digital inputs and outputs operate at full 24-bit resolution.

1 x Word Clock I/O

The ADI-8 DS’ astonishing capabilities are easy to explore thanks to a simple and easy to understand user interface. Setting up the ADI-8 DS starts with an input sensitivity and output level that perfectly suits your needs and maintains the excellent dynamic range of the AD Converters. The Input and Output Level option lets you choose between Lo Gain/Hi Gain, +4 dBu, -10 dBV. Each analog input and output has its own ‚Signal Present‘ LED which works in an analog fashion (brighter at higher levels). DS stands for Double Speed, meaning double sample rate. As the ADAT format does not support sample rates higher than 48 kHz the DS mode requires two ADAT channels to transmit the data of 8 audio channels. The used method called Sample Split is compatible to S/MUX, and also found in HDSP-series products. The combination HDSP/ADI-8 DS allows DVD-compatible Hi-End recordings (up to 8-channel recording at 96 kHz),

The ADI-8 DS shows an

at an astonishing low price.

RME‘s Intelligent Clock Control (ICC) provides professional features you won‘t find anywhere else.

con-nectors of all kinds,

First set the clock of the AD-Converter, choose between INTERNAL, EXTERNAL (BNC word clock)

which result in an unbeaten

or INPUT (the digital input signal ADAT or TDIF.) The internal clock can be 44.1/48 kHz or - when

flexibility and compatibility

DS is active - 88.2 or 96 kHz. The DA-Converter section has the same settings available.

If you have been waiting for

The ADI-8 DS Copy Mode routes the currently selected digital input to the digital outputs ADAT

a flexible, fully professional

and TDIF simultaneously. This way the unit not only turns into a superior ADAT/TDIF converter, but

yet affordable multi-channel

also allows copying between devices of the same format and a distribution to different devices.

converter - the wait is over!

For example an ADAT signal can be distributed to 2 ADAT plus 2 TDIF outputs simultaneously.

impressive

number

PRO LINE Converters

8-Channel 96 kHz

ADAT.TDIF AD/DA converter

Features

Specifications

▪ 8 channel AD-converter, completely symmetrical and DC-coupled audio path, 117 dBA SNR AD

▪ Input AD: 1/4” TRS jack and 25 pin D-type connector, servo balanced, completely symmetrical DC-coupled audio path

▪ 8 channel DA-converter, balanced output, 112 dBA DA

▪ Output DA: 1/4” TRS jack and 25 pin D-type connector, servo balanced, DC-coupled audio path SNR AD: 117 dB(A)

▪ ADAT optical inputs, 24-bit, based on RME’s unsurpassed Bitclock PLL for sample accurate lock

▪ Input DA/Output AD: ADAT optical, TDIF-1 (both 24-bit), word clock ▪ THD AD: < -110 dB (< 0.00032 %)

▪ ADAT optical outputs, 24-bit, fully compatible to all ADAT optical inputs

▪ THD+N AD: < -104 dB (< 0.00063 %)

▪ TDIF-1 interface, 24-bit, Low Jitter PLL, Emphasis support, DA-88 compatible

▪ SNR DA: 112 dB(A) unmuted

▪ Crosstalk AD: > 130 dB

▪ Bit Split/Combine, Copy Mode, ADAT and TDIF usable in all combinations

▪ THD DA: < -104 dB (< 0.00063 %)

▪ Copy Mode adds a unique 24-bit ADAT to/from TDIF converter

▪ Crosstalk DA: > 110 dB

▪ Digital Patchbay operation, allows to copy, duplicate and distribute the digital input signals

▪ Input/Output level at 0 dBFS @ +4 dBu: +13 dBu

▪ Dither available, for full compatibility to 16-bit even at 96 kHz ▪ SyncCheck, unique technology to check clock synchronisation ▪ Virtual Sample Buffer, allows to use the internal Low Jitter Clock (quarz crystal) even for DA-conversion

▪ THD+N DA: < -102 dB (< 0.0008 %) ▪ Input/Output level at 0 dBFS @ Hi Gain: +19 dBu ▪ Input/Output level at 0 dBFS @ -10 dBV: +2 dBV ▪ Frequency response AD/DA -0,1 dB: 5 Hz - 21,5 kHz (sf 48 kHz) ▪ Frequency response AD/DA -0,5 dB: < 5 Hz - 44,8 kHz (sf 96 kHz) ▪ Power supply: internal, 100 V-240 V AC, 100 V-240 V AC

▪ Automatic storage of all settings

ADI-8 DS

ADI-2

I/O Connectivity

2-Channel 192 kHz

High-End AD/DA converter

The ADI-2 is a compact and ﬂexible 2-channel reference-class AD/DA-converter. It offers AD/DA conversion with up to 192 kHz in top notch quality. The ADI-2 is remarkably versatile as it is able to handle digital signals in SPDIF and AES/EBU as well as in the ADAT

1 x Stereo Analog I/O

format. Key features include balanced inputs and outputs, monitoring via headphone

1 x ADAT or SPDIF I/O

out, SteadyClock™-controlled converters and 3-stage hardware controlled input and

(optical and coaxial, AES/EBU compatible)

output levels. The ADI-2 is equipped with a balanced stereo line input with two Neutrik XLR combo jacks, a balanced stereo line output with XLR plus separate TRS jacks in parallel, and an adjustable highpower headphone output. The volume pot on the front optionally controls not only the front headphone output, but the rear line outputs as well. The ADI-2 uses the latest generation of AD/DA-converters capable of up to 192 kHz sampling frequency at S/N ratios up to 119 dBA. The analog inputs and outputs use the same circuitry as RME’s famous ADI-8 DS to ensure outstandingly low noise and distortion. Three different settings for the input and output levels are available to make perfect adjustments in the analog domain. A further highlight is SteadyClock™, a proprietary clock technology for maximum jitter suppression. SteadyClock™ guarantees superb sound quality completely independent from

With hard to beat technical specifications and its superior sound quality the ADI-2 not only made its way into the state of the art-class of AD-converters in various top-studios, but also into the audio reference charts of high-end Hi-Fi enthusiasts all over the world.

the quality of the current reference clock. But the ADI-2 has more to offer than tremendous sound, it also gives you exciting digital connectivity. Its transformer-balanced coaxial (RCA) SPDIF I/O has switchable channel status to make it fully AES/EBU compatible. The optical TOSLINK I/Os can handle up to 192 kHz and also serve as ADAT I/O with up to 96 kHz sample rate. You can even use SPDIF input and ADAT output or vice versa in AD/DA mode. Furthermore the unit can operate as digital to digital converter with added monitoring. In this mode, the digital input signal is available at the digital and analog outputs.

PRO LINE Converters

Following RME´s ‘Universal Power Supply‘ philosophy the ADI-2 comes with an external switching power supply. Its additional internal switching power supply has been specially designed and optimized for audio applications. It even runs on batteries and rechargeable batteries.

Application Examples ▪▪ High-End analog to digital / digital to analog converter with up to 192 kHz mastering grade quality ▪▪ High-End line signal preamp ▪▪ SPDIF or ADAT signal refresher/jitter remover with analog monitoring ▪▪ SPDIF to ADAT (stereo) converter ▪▪ ADAT to SPDIF (stereo) converter

Specifications ▪▪ Input AD: 1/4” TRS jack and XLR via Neutrik combo jacks, servo-balanced, completely symmetrical, DC-coupled signal path ▪▪ Output AD: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible ▪▪ Input DA: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible ▪▪ Output DA: 1/4” TRS jack and XLR, servo-balanced, DC-coupled signal path ▪▪ Dynamic range AD: 110 dB RMS unweighted, 113 dBA ▪▪ Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted) ▪▪ THD AD: < -110 dB (< 0.00032%) ▪▪ THD+N AD: < -104 dB (< 0.00063%) ▪▪ Crosstalk AD: > 110 dB ▪▪ THD DA: < -103 dB (< 0.0007 %) ▪▪ THD+N DA: < -100 dB (< 0.001 %) ▪▪ Crosstalk DA: > 110 dB ▪▪ Input/Output level, 0 dBFS @ Hi Gain: +19 dBu ▪▪ Input/Output level, 0 dBFS @ +4 dBu: +13 dBu ▪▪ Input/Output level, 0 dBFS @ -10 dBV: +2 dBV ▪▪ Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz ▪▪ Sample rate externally: 28 kHz - 200 kHz ▪▪ Frequency response AD/DA, -0.1 dB: 5 Hz - 21.5 kHz (sf 48 kHz) ▪▪ Frequency response AD/DA, -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz) ▪▪ Frequency response AD/DA, -1 dB: < 5 Hz - 70 kHz (sf 192 kHz) ▪▪ Accepted power supply voltage DC 8 V - 28 V, AC 8 V - 20 ▪▪ Switching power supply: included, for worldwide operation at 100-240 Volt

ADI-2

ADI-192 DD

I/O Connectivity 4 x AES/EBU I/O (XLR) 2 x ADAT I/O (optical) 2 x TDIF I/O (D-sub)

This outstanding unit consists of three 8-channel format converters with AES/EBU, ADAT and TDIF I/Os. Switchable 24 bit/192 kHz sample rate converters allow for an 8-channel sample rate conversion and clock decoupling of the highest quality. Double Wire, Quad Wire, S/MUX and S/MUX4 are fully supported, making the unit compatible to all methods of increasing sample rates by sample multiplexing on all platforms. The ADI-192 DD offers full 24 bit audio resolution at any sample rate. The unit consists of three

1 x SPDIF I/O (optical)

8-channel format converters with 24 bit audio resolution. The three output formats ADAT, TDIF

1 x Word Clock I/O

and AES independently access the three input formats ADAT, TDIF and AES. Thanks to free selection of inputs, signals can be copied and distributed between all connected devices - without the need to change any cables. Due to the unlimited input selection, the unit not only transfers data to the same output format, but can also be operated as quad AES/EBU sample rate converter. Four XLR AES/EBU inputs and outputs each, and two ADAT and TDIF inputs and outputs allow full 8-channel operation even at 96 kHz with 24 bit resolution. At 192 kHz, there are eight AES channels and four ADAT and TDIF channels. Switchable 24 bit/192 kHz sample rate converters allow 8-channel sample rate conversion and clock decoupling of the highest quality. Professionals will love the fact that the ADI-192 DD supports Double Wire, Quad Wire, S/MUX and S/MUX4, making it compatible with all methods of increasing sample rates for high-class recordings by sample multiplexing on all platforms. The unit can also convert between these

The ADI-192 DD is the all-

formats, even along with SRC. If more than 8 channels are required, several units can be cascaded

in-one solution for every

and synchronized with sample accuracy by word clock. The ADI-192 DD also features an automatic

application of format and

distribution mode. If only one of the four AES inputs is used, the device will copy these two

sample rate conversion,

channels to the other three AES outputs 48 LEDs clearly display the current status of the incoming

from 2 to 8 channels. Its

and outgoing signals and the processing performed within the unit. RME´s SyncCheck technology

flexibility is unsurpassed

indicates whether the input signal is locked and whether all inputs are synchronized.

and the price/performance

The AES output signal can be given a “consumer“ or “professional“ status. The first AES output

ratio is simply sensational.

is also available as optical TOSLINK.

PRO LINE Converters

8-Channel 192 kHz

AES/EBU.ADAT.TDIF Format/Samplerate-Converter

Application Examples

▪ AES/EBU frontend for RME‘s digital I/O-cards (with ADAT optical I/O) ▪ TDIF frontend for RME‘s digital I/O-cards (with ADAT optical I/O) ▪ AES and ADAT frontend for DTRS machines ▪ 8-channel AES, TDIF and ADAT input and output for digital mixers with ADAT/TDIF port ▪ Operation of 4 SPDIF or AES devices with diﬀerent sample rates and clock references in any digital audio network ▪ Triple format converter AES/TDIF/ADAT with added SPDIF TOSLINK I/O ▪ Converts Double and Quad Wire to Single Wire and vice versa, even with simultaneous sample rate conversion ▪ 8-channel sample rate converter up to 192 kHz ▪ Supported Modes: S/MUX and S/MUX4

Double

and

Quad Wire,

RME‘s SteadyClock™ enables the ADI-192 DD to be operated without additional word clock connection and guarantees excellent clock quality in every situation. Due to the highly eﬃcient jitter reduction, any clock signal (even AES and word clock) can be improved and refreshed, and subsequently be used as reference clock at the word clock output. Intelligent Clock Control (ICC) will retain the last valid sample frequency even in case of a loss of the input signal. All settings are retained when the device is switched off.

Specifications ▪ Input AES/EBU: 4 x XLR, transformer balanced, highly sensitive input stage (< 0.3 Vpp), SPDIF compatible, max. 192 kHz Single Wire ▪ Output AES/EBU: 4 x XLR, transformer balanced, 4.5 Vpp, max. 192 kHz Single Wire ▪ Input ADAT optical: 2 x TOSLINK, 24-bit, Bitclock PLL ▪ Output ADAT optical: 2 x TOSLINK, 24-bit ▪ Input/Output TDIF: 2 x D-sub 25 pin, 24-bit ▪ Input/Output SPDIF front: 2 x TOSLINK, 24-bit, max. 192 kHz ▪ Input Word Clock: Signal Adaptation Circuit (functional from 1.2 Vpp) ▪ Output Word Clock: BNC, low impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof ▪ Sync sources: Internal, ADAT optical in, AES/EBU in, TDIF in, word clock in ▪ Varipitch: by input signal or word clock ▪ Sample frequencies: 444.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (sync/word clock) ▪ Sample rate range: AES, word clock: 28 kHz-204 kHz, ADAT/TDIF 30 kHz - 54 kHz ▪ Jitter: Internal clock < 1 ns, external clocks < 1 ns ▪ Jitter sensitivity: all PLLs operate error-free even at 100 ns ▪ Jitter suppression: >30 dB (2.4 kHz) ▪ SRC dynamic ratio: 140 dB RMS unweighted, 143 dBA ▪ SRC THD+N: < -140 dB ▪ Sample rate ratio: max. 7:1 / 1:7 ▪ Power supply: Internal switching mode PS, 100V - 240V AC, 20 Watt ADI-192 DD

ADI-4 DD

I/O Connectivity

8-Channel 96 kHz

AES.ADAT format converter

RME‘s ADI-4 DD is a cost-eﬃcient AES to ADAT and ADAT to AES converter. Support for up to 96 kHz and built-in jitter suppression is just two of several outstanding features. Built into a space-saving half-rack enclosure the ADI-4 DD features a lot of the advanced

4 x AES/EBU I/O (1 x XLR, D-sub) 2 x ADAT I/O (optical)

technology of the ADI-192 DD. The device essentially consists of two converters: four AES/EBU inputs to double ADAT

1 x SPDIF (optical, instead of the 2nd ADAT I/O)

outputs, and double ADAT inputs to four AES/EBU outputs. The double ADAT ports enable full

1 x Word Clock I/O

A 25-pin D-sub connector allows for the use of industry standard AES/EBU I/O breakout cables.

8 channel support, from 32 kHz up to 96 kHz (S/MUX). The unit provides one XLR I/O directly. Setting an internal connector easily changes the D-sub 25-pin connector to match the pinout of Tascam (Digidesign), Yamaha and Euphonix cables. The AES output signal can be set to Professional or Consumer subcode. Channel 1/2 can also be received and output optically (TOSLINK). LEDs of different colours clearly display the status of incoming and outgoing signals as well as of internal operations. SyncCheck® not only shows the locking status of an input signal, but also the synchronicity of multiple inputs. Furthermore RME‘s SyncAlign™ technology prevents accidental misalignment errors of ± 1 sample between the AES/EBU inputs. RME‘s SteadyClock™ technology guarantees an excellent performance in all clock modes.

All in all the ADI-4 DD shows an

Its highly eﬃcient jitter suppression enables the ADI-4 DD to refresh and clean up any clock signal,

unsurpassed flexibility together

and to provide the incoming clock signal as reference clock at its word clock output. Additionally,

with a sensational price point. It

Intelligent Clock Control (ICC) will maintain the last sample rate detected as valid in case of fault

is a perfect interface solution in

and loss of the input signal.

all areas, from the advanced

The device can be stacked without limit; all devices will be sample synchronous by using

studio work up to broadcast

word clock. All settings are stored at power-off.

applications.

PRO LINE Converters

Application examples: ▪▪ AES/EBU frontend for RME’s digital I/O cards (ADAT optical I/O) ▪▪ Serves as 8-Channel AES and ADAT I/O for all digital mixing desks with ADAT or AES ports ▪▪ Allows to operate up to 4 SPDIF or AES devices ▪▪ Converts between AES-3, SPDIF and SPDIF optical ▪▪ Removes jitter from AES-3 and ADAT signals

Conversion modes (selection): ▪▪ 8-Channel AES to ADAT optical converter (96 kHz) ▪▪ 2-Channel AES to 8-Channel ADAT splitter (96 kHz) ▪▪ 8-Channel ADAT to AES converter (96 kHz) ▪▪ 2-Channel AES to 8-Channel AES splitter (96 kHz) ▪▪ 4-Channel AES Double Wire to AES Single Wire converter (96 kHz) ▪▪ 4-Channel AES Single Wire to AES Double Wire converter (96 kHz)

Specifications ▪▪ Input AES/EBU: 1 x XLR, 4 x via DB-25 connector, tranformer balanced, highly sensitive input stage (< 0.3 Vpp), SPDIF compatible ▪▪ Output AES/EBU: 1 x XLR, 4 x via DB-25 connector, transformer balanced, 5 Vpp ▪▪ Input ADAT® optical: 2 x TOSLINK, 24-bit, Bitclock PLL ▪▪ Output ADAT® optical: 2 x TOSLINK, 24-bit ▪▪ SPDIF Optical: Second ADAT port can be switched to serve as SPDIF I/O ▪▪ Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal) ▪▪ Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof ▪▪ Sync sources: ADAT optical, AES/EBU, word clock ▪▪ Varipitch: by input signal or word clock ▪▪ Sample rates: 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock) ▪▪ Sample rate range: AES, word clock: 27 kHz-105 kHz, ADAT 33 kHz - 57 kHz ▪▪ Jitter: Internal clock < 1 ns, word clock In < 2 ns, ADAT In < 2 ns ▪▪ Jitter sensitivity: all PLLs operate even at 100 ns Jitter without problems ▪▪ Jitter suppression: circa 30 dB (2.4 kHz) ▪▪ Power Supply: Operates with voltages ranging from 7-30V DC oder AC, allowing operation with practically any power source, including batteries ▪▪ High-quality switching power supply included, for worldwide operation at 100-240 Volt

ADI-4 DD

PRO LINE . MADE by RME page FireWire

Fireface 800 FF 800 TCO Fireface 400

PCI Cards

HDSP PCI HDSP CardBus Multiface II

1 x Word Clock/Video Sync Input . 1 x LTC I/O

2 3

8 x Analog I/O . 1 x ADAT I/O or 1 x SPDIF I/O optical . 1 x SPDIF I/O coaxial . 2 x MIDI I/O 2 x Mic Preamp with digitally controlled gain . Bus-powered

PCI interface . Connection of Multiface, Multiface II, Digiface and RPM

PCMCIA CardBus interface . Connection of Multiface, Multiface II, Digiface and RPM

8 x Analog I/O (96 kHz) . 1 x ADAT I/O (at 96 kHz via S/Mux) . 1 x SPDIF I/O (96 kHz) 1 x Stereo Analog Output (separate for Submix/Phones) . 1 x MIDI I/O . 1 x Word Clock I/O

3 x ADAT I/O (at 96 kHz via S/Mux) . 1 x SPDIF I/O . 1 x Stereo Analog Output (separate for submix/phones) . 2 x MIDI I/O . Word Clock I/O

AES-32

8 x AES/EBU I/O . 2 x MIDI I/O . Word Clock I/O optional: HDSP TCO / BOB-32

BOB-32

8 x XLR Output . 8 x XLR Input . 2 x D-sub-D 25-pin connectors . Supports RME (=Tascam) and Yamaha-Formats . Flip-Frame Rack (1 or 2 HE)

HDSP 9632

1 x Analog I/O (192 kHz) . 1 x ADAT I/O (at 96 kHz via S/Mux) . 1 x SPDIF I/O (192 kHz) 1 x MIDI I/O . 1 x Phones-Output . Optional: Expansion Boards

HDSP 9652

3 x ADAT I/O . 1 x SPDIF I/O . 2 x MIDI I/O . Word Clock I/O . 1x ADAT Sync In Optional: Expansion Boards TEB / WCM

HDSP TCO

1 x Word Clock I/O . 1 x Video Sync Input (alternative to WC In) . 1 x LTC I/O

Digiface

Expansion Boards

Preamps

10 x Analog I/O . 1 x Stereo Headphone Out . 2 x ADAT I/O or 1 x ADAT I/O plus 1 x SPDIF I/O optical 1 x SPDIF I/O coaxial . 1 x MIDI I/O . 4 x Mic/Line Inputs with Preamps . 1 x Instrument input

AI4S-192 / AO4S-192 . TEB . WCM

OctaMic II

8 x Mic / Line Preamp Input (XLR/TRS) . 8 x Line Output (TRS balanced) . 8 x AD-converter (192 kHz) 2 x ADAT Output (S/MUX, 96 kHz) . 4 x AES/EBU Output (192 kHz) . 1 x AES/SPDIF Sync Input

QuadMic

4 x Mic Preamp Inputs (XLR/Klinke Combibuchse) . 4 x Line Output Optional battery powered operation

ADI-8 DS

8 x Analog I/O . 2 x ADAT I/O . 1 x TDIF-I/O . 1 x Word Clock I/O Samplerate: up to 96 kHz

1 x Stereo Analog I/O . 1 x ADAT or SPDIF I/O (optical and coaxial, AES/EBU compatible) Samplerate: up to 192 kHz

4 x AES/EBU I/O (XLR) . 2 x ADAT I/O (optical) . 2 x TDIF I/O (D-sub) 1 x SPDIF I/O (optical) . 1 x Word Clock I/O

4 x AES/EBU I/O (1 x XLR, D-sub) . 2 x ADAT I/O (optical) 1 x SPDIF (optical, instead 2nd ADAT I/O) . 1 x Word Clock I/O

Converters

ADI-2 ADI-192 DD ADI-4 DD

Worldwide Distribution

www.rme-audio.com Audio AG . Am Pfanderling 60 . 85778 Haimhausen Telefon: 08133 / 918170 . Telefax: 08133 / 9166 E-Mail: info@audioag.com Internet: www.audioag.de

© Audio AG 2008 All specifications hereafter are subject to change without further notice. Made in Germany – All RME-products are engineered and manufactured in Germany. Design . pixelarranger Prepress . udo gauss

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