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BEYOND THE VINE Emile Joubert’s brandy and gin selection
the vineBeyond
Brandy and gin are sources of pleasure – especially when enjoyed in their finest forms. BY EMILE JOUBERT
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As a professional in the wine world, I am often asked whether I dare allow anything other than the magical result of fermented grapes to pass one’s lips. As if anything nonvinous would desensitise the tasting faculties. My answer is: indeed, I do. In fact, exposing your senses to other alcohol products gives you a greater reference source from which to make general assumptions on flavour and taste. And yes, variety is the spice of life.
A FIRM FAVOURITE
When appreciating the spectacular depths of good cognac, you must make an effort to realise the quality of South African brandies as they are truly brilliant. Actually, this year sees the 350th anniversary of the country’s brandy industry. For it was in 1672 that brandy was first distilled in the Cape when a chef in service of the Dutch VOC used some rough local wine and the recognised distilling prowess of his European forebears to produce a few drams of brandy.
Since that event, brandy has grown and developed in tandem with the country’s famous wine industry. Access to Chenin Blanc grapes, widely planted in South Africa and a fine variety for brandy-making, forms the basis of local brandy. In addition to this are the strict regulations that producers adhere to; rules aimed at ensuring local brandy meets certain quality standards.
LOCAL QUALITY
These standards entail that any South African spirit purporting to be brandy must start off as a low-alcohol, sulphur-free wine, usually Chenin Blanc, which has been approved for distillation. It must then have undergone a double-distillation process, ensuring the rough edges are cooked out, with only the pure, smooth elixir remaining. All brandy needs to have at least a 30 percent portion of pot-distilled brandy that has been aged for a minimum of three years on oak casks. In the case of so-called pot-stilled brandies, also known as Cape Brandy, the spirit must be exclusively distilled in copper pot stills and all of it aged in wood for at least three years. This category of pot-stilled brandies has me reaching for the snifter regularly, especially if there is a fire going and a good cigar on hand. As in wine, we South Africans are spoilt for choice when it comes to good brandy.
Over the years, the house of Oude Molen near Elgin has proven to make superb brandies, and its Oude Molen XO is a delicious spirit blended from a variety of barrels, of which the youngest component has undergone 10 years’ maturation. In the same class is Van Ryn’s 12, one of the products out of the famous Van Ryn’s Distillery at Vlottenburg, Stellenbosch.
THE PERFECT TECHNIQUE
With a good brandy, such as these mentioned, there are many suggestions as to how best enjoy it. Purists will advise adding only a splash of water to release the esters and flavour compounds. Others deem soda water to add a sprightly deliciousness, while the true gritters sip it as is, and that is neat.
Personally, I will pour a double tot into a snifter and add one block of ice, allowing the ice to melt halfway. In the aforementioned brandies from Oude Molen and Van Ryn – both spirits averaging over a decade in age – the slight dilution of the ice and the coolness will bring those heady and mesmerising flavours of a good brandy to the fore. On the nose, it is spice, ground coffee and tobacco. The first sip releases that comforting warmth, with the flavours following: dried apricot, cardamom, fruit cake and prunes. However, what stands out about these Cape brandies is the overall polish and seamless structure of the spirit. There is a purity and majestic quality that is not only very impressive, but it makes you realise brandy is one of the jewels in the offerings from the South African vineyard.
A TRUE CLASSIC
Keeping to a spirited theme, I’ll admit gin is another favourite of mine. The sharp coolness of a gin-and-tonic sharpens the wine-tasting tools. And a dry gin Martini is the most decadently fortifying drink known to man. But here, I must state that all gins are not created equal. My taste is not attuned to the floral frivolousness of these craft gins going around, being neither young nor tattooed enough to appreciate such hip products. Gin, for me, is robust, dry and spirited, the characteristic taste of juniper are all that is required to give it singularity of person. Names such as Stretton’s, Gordon’s or Beefeater state true gin for me. If I am feeling stylish, Tanqueray will do with its slight citrus kick.
My gin-and-tonic is lifted with a few drops of bitters and a slice of lemon. Believe me, I am not alone: in the warm summer months of the wine harvest, you will find tired winemakers, their shirts stained with fermenting grape juice, reaching for a cold G&T as the first drink of the evening.
SHAKE IT UP
One of life’s other pleasures, although a bit more formidable, is the dry Martini. Here I also use the aforementioned gins, to which two necessary additions come into play: a freezing temperature and the slightest touch of dry vermouth. I’ll pour three tots of gin into an ice-filled shaker with, literally, a few drops of vermouth; about a quarter of a teaspoon. Shake the mixture for 45 seconds and strain into a chilled Martini glass. One green olive. Bliss.
However, once you have cut a taste for a dry Martini, it becomes notable that the ice in the shaker has a diluting effect, taking some of the oomph from the drink. A sage trick is to crack open a bottle of gin and use one tot for a G&T. Add half a tot of vermouth to the gin bottle and keep it in the freezer. Whenever Martini hour arrives, simply remove the bottle, give it a few shakes, and a neat Martini is on hand, ready for pouring. Not glamorous, true, but a sign of a real spirit lover.