Greenwich & Lewisham Weekender - March 22nd 2023

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Greenwich & Lewisham Cinema / Theatre / Education / Arts / Music / Food & Drink / Family / Property Weekender March 22 2023 • www.weekender.co.uk AXS.com Fri 14 Apr Greenwich Weekender Indigo O2 MOM Strip.indd 1 17/02/2023 16:29 Bringing Boudica to life The warrior queen on stage at the Woolwich Tramshed
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Holly O'Mahony

TheGreenwich & Lewisham Weekender is an independent weekly newspaper, covering the boroughs of Greenwich and Lewisham.

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Issue: GW303

Pick of the Week

Putting planet to paper

One for little artists and their adults: this drawing session is a chance to sketch your impressions of Mars, with help from professional artist Jenny Staff and local astronomer Affelia Wibisono. The setting inside the Peter Harrison Planetarium at the Royal Observatory will be your inspiration. Gaze at footage of the Red Planet and have a go at replicating its canyons and icy dunes on paper. The session is running as part of RMG’s Drawn Together series, and all equipment will be provided. National Maritime Museum, Romney Road, London SE10 9NF. Royal Observatory Greenwich, Blackheath Avenue, London SE10 8XJ. March 26, 10:30am - 11:15am. £7/£5 kids. www.rmg.co.uk/whats-on/national-maritime-museum/drawn-together-seasondrawings

Calling all jazz fans

Franco-American jazz pianist Tom Sochas is bringing his mellow, multi-layered music to Woolwich Works this Friday. He’ll be performing work from his debut trio album The Sorcerer, recorded with Greek bassist Thodoris Ziarkas and Italian drummer Filippo Galli. They say: “Expect a blend of hard-hitting post-bop and delicate melodies, infused with textural analogue electronics and a couple of very special guests.” Woolwich Works, The Fireworks Factory, 11 No 1 Street, Royal Arsenal, London SE18 6HD. March 24, 8pm. Admission: £12.50 - £15.50. www.woolwich.works/events/tom-sochas-trio

Uke’s Got Talent

They blame themselves for the worldwide surge in people playing ukuleles (affectionately known as the ‘bonsai guitar’), and between them have performed with mega music stars including Clean Bandit, Robbie Williams and Cat Stevens. This week, you can see them live, as George Hinchliffe’s Ukulele Orchestra of Great Britain is coming to Blackheath Halls, promising a fun and feelgood concert. Blackheath Halls, 23 Lee Road, Blackheath, London SE3 9RQ. March 23, 8pm. Admission: £32. www.blackheathhalls.com/whats-on/ george-hinchliffes-ukulele-orchestraof-great-britain/

When The Cat in the Hat met Horton the Elephant

The talented students of prestigious drama school Rose Bruford are bringing the feisty characters and delicious poetry of beloved children’s author Dr. Suess to the Greenwich Theatre stage. Called Seussical, this musical comedy by Lynn Ahrens and Stephen Flaherty sees a whole gaggle of the author’s memorable characters, including the Cat in the Hat and Horton the Elephant, collide on stage. There will be suspense and some turbulence, yes, but the story will see friendship, loyalty, family and community triumph in the end. Suitable for all ages. Greenwich Theatre, Crooms Hill, London SE10 8ES. March 22 - 24, 7pm. Admission: £11.

www.greenwichtheatre.org.uk/events/suessical/

Next gen Shakespeare hits the stage

Pupils from

all backgrounds

across Greenwich and Lewisham are having a go at staging the Bard’s timeless plays this weekend as part of the Shakespeare Schools Festival. Run by the Coram Shakespeare Schools Foundation, a cultural education charity that’s worked with over 300,000 young people in its history, the festival sees school groups perform abridged versions of the playwright’s works: comedies, tragedies and history plays alike. The performances take place in professional theatres, with both Greenwich Theatre and the Albany in Deptford lending their stages to the cause. Come along and support it.

Greenwich Theatre, Crooms Hill, London SE10 8ES. March 28 & 30, 7pm; March 29,

7:30pm. Admission: £10.95. www.greenwichtheatre.org.uk/events/ shakespeare-schools-festival-23/ / The Albany, Douglas Way, London SE8 4AG. March 28 & 29, 7pm. Admission: £9.95. www.thealbany.org.uk/shows/ coram-shakespeare-schools-festival/

March 22 2023 3 www.weekender.co.uk editorial@weekender.co.uk
E di T or

Old Royal Naval College marks 300 years since Sir Christopher Wren

Leading architect Sir Christopher Wren (1632 – 1723) was responsible for rebuilding some of London’s most significant landmarks after the Great Fire of 1666 – including 52 churches. While chiefly known as the brains behind St Paul’s Cathedral, he’s celebrated closer to home for designing the Old Royal Naval College, which still stands in his vision today. Wren was not only an architect, though. He somehow found time to become a qualified anatomist, astronomer, geometer and mathematician-physicist in his 90 years. The Old Royal Naval College is commemorating Wren’s life and achievements 300 years

Holly O’Mahony: 2023 marks 300 years since the death of Sir Christopher Wren, who designed the Old Royal Naval College (ORNC). How are you marking it?

Sarah Codrington: The programme has been carefully considered to appeal to a wide range of visitors, from families with young children to tourists just here for a day trip, as well as architectural and Wren enthusiasts who want to dive deeper into the stories around the design of Old Royal Naval College and learn about Wren. The events draw together all the expertise we have on site, from our brilliant guides to the exhibition and conservation teams.

HOM: Is there any way of knowing whether, and how, Wren was commemorated at the ORNC on the last centenary of his death, or even the first?

SC: From the Bath Chronicle dated February 17 1923, a few days prior to the 200th anniversary of Wren’s death, there’s a piece that reflects on one of the very letters written by Sir Christopher Wren that we are exhibiting right now in the Painted Hall. It talks about the supply of Portland stone for the rebuilding of St Paul’s Cathedral and for service at the Royal Hospital at Greenwich – now known as the Old Royal Naval College.

HOM: Wren was a polymath who notched up a number of varied, impressive achievements over the course of his life – many outside the field of architecture. Is there an interesting fact you’ve learned about him while curating the 300 Years of Wren programme?

SC: Christopher Wren was talented from an early age and was very keen

after his death with a bumper yearlong programme of events. The Weekender spoke to

to find out more…

answering the very questions that Wren concerned himself with hundreds of years ago.

HOM: You’re also staging a Baroque concert as part of the programme. Wren famously worked in what was known as the English Baroque style. Is the concert about allowing visitors a chance to contemplate Wren’s designs while immersed in the sounds that might have inspired them?

on inventing scientific instruments, such as sundials. He went to study at Oxford University at the age of 17 in 1649, and soon after graduation he became a fellow of All Souls College. He was appointed Gresham Professor of Astronomy in London in 1657, and in 1661 he became the Savilian Professor of Astronomy at Oxford. This enthusiasm for astronomy must have stayed with him – it can’t be a mistake that the cross on top of the outer dome of St. Paul’s Cathedral is 365 feet above the main floor of the cathedral – it takes 365 days for the earth to revolve around the sun!

HOM: One of your events, Wren’s Studio, will allow visitors to explore the architect’s designs through 3D animation. How will this work?

SC: Using the latest, state-of-the-art scanning techniques, working with the University of Greenwich, we are creating visualisations of some of Wren’s architectural masterpieces. These latest 3D scans are noninvasive tools, enabling us to capture the details of Wren’s buildings. The

aim is to inspire a new generation of architects, and excite people with new perspectives, showing the beauty of the site and buildings in a previously unseen visual format. This is an exciting opportunity to bring the Old Royal Naval College to life in a new way, and educate visitors through 3D imagery, showing how the modern digital processes are relevant in today’s world of architecture.

HOM: There’s also a photography exhibition, featuring the portraits of eight contemporary movers and shakers whose work is inspired by Wren. What can visitors expect from this?

SC: Not only did Wren create immense physical monuments, he was also responding to the social and scientific questions of the day. He explored many areas of life, from nutrition to sign language, astronomy and town planning. This photographic exhibition by artist Hamish MacPherson draws attention to people living now, including an MP, a nutritionist and an architect, who are asking and

SC: The acoustics in the Chapel of St Peter and St Paul are sublime, and we are lucky enough to have a world-class music conservatoire on site: Trinity Laban. For them to join together with the Brandenburg Sinfonia playing a programme of Baroque music, seemed a fitting celebration.

HOM: Tell us about the family events running as part of the programme. How do you hope to teach little visitors about Wren’s significance?

SC: When children learn about historical events in school, such as the Great Fire of London, they don’t always get taught about it from the perspective of the impact Wren had on the city around us. Wren was literally the chief architect in redesigning and rebuilding London after the fire, so has had a huge impact on the way the city looks. With our interactive activity guide, ‘Through Wren’s Eyes’, young visitors will learn about Wren’s designs and have a go at creative tasks to give them a flavour of what it might be like to be a designer.

We can take a lot of our

architecture for granted, but there are always new ways of seeing it and looking at it, which visitors (aged 10 – 16) can do when they come along for our photography workshops in the school holidays. And a visit to the Old Royal Naval College wouldn’t be complete without meeting Wren himself, so during the summer, our character actors will be recreating the past with our outdoor games for everyone to come along and join in with. Our aim is to help young people learn a little bit more about Wren, and bring the past to life. We may even inspire some future designers and architects!

300 Years of Wren events are running throughout 2023 at the Old Royal Naval College, King William Walk, London SE10 9NN. For more information, visit: www.ornc.org/whats-on/wren-tours300-years-of-wren/

4 March 22 2023 www.weekender.co.uk editorial@weekender.co.uk spot L i G ht
Sarah Codrington, Head of Marketing at the Old Royal Naval College,

Bringing Boudica to life on stage in Woolwich

The story of Boudica, the warrior queen who attempted to lead Britain into a revolt against the Roman Empire, is a longstanding favourite on school syllabi. Yet, some little ones might struggle to follow her remarkable feats (and ultimate failure) as words on the page. Bringing the story vividly to life as an action-packed, immersive and participatory theatre show is Wild Geese Theatre Company, working with awardwinning writer Olivia Hirst and the Tramshed in Woolwich to see it onto the stage, writes Holly O’Mahony…

Those who know their children’s theatre might recall Wild Geese from their work as the leading youth outreach initiative on The Inaugural London Climate Change Festival. The company, which formed in 2019, is also behind the successful multi-disciplinary show, Fiona & The Fox.

Coming in at 75-minutes, Boudica is primarily aimed at Key Stage 2 (Years 3 & 4) pupils, but is suitable for ages 5 - 11. Each performance is followed by a Q&A, offering audiences a chance to meet the company and ask them questions about the play. School groups will also be given a Teacher Resource Pack for help with follow up activities for the classroom.

The Weekender spoke to Lyle Fulton, Marketing Director of Wild Geese and producer of Boudica, to find out more about the show…

Holly O’Mahony: Firstly, could you start by telling us a little bit about Wild Geese Theatre Company? What sets it apart from other children’s theatre companies?

Lyle Fulton: Our style of theatre-making is all about putting young people in the

driver’s seat. We help them experience theatre whilst engaging creatively with it at the same time. Our team of performers and facilitators bring children into the world of the show by asking them to imagine how the characters are feeling, what they might be thinking, and predict what they might do next. It’s essentially about calling on their empathy and reasoning skills to enrich the stories. In all our shows, the audience is involved throughout the performance, be it through rhythmic participation, atmospheric activities or playing key characters. We want children to feel a part of the arts, to feel supported in their creativity, and ultimately to grow through experiencing live theatre.

HOM: What made you decide to create a show about the famous warrior queen Boudica?

LF: Our Artistic Director Andrew Baker has always been hugely intrigued by the story of Boudica. She’s a character from history that children and adults alike will be very familiar with, but often the story is told predominantly from the perspective of the Roman Empire and within a study of Romans in general.

As a company who engages our young audiences and makes them part of the narrative, we were keen to explore the fact there are two very clear sides to this story: on the one hand, there is the might of the Roman Empire determined to expand their dominance, and on the other there is the warrior queen Boudica committed to defending her land and her people. Our Boudica invites audiences to decide which side of the story they’re on.

HOM: The show is both ‘immersive’, taking the audience inside the setting of the story, and ‘interactive’, encouraging them to get involved with it. How does that work?

LF: Our shows are immersive in the sense that our audiences become part of the scenery, the atmosphere, and the world of the play. Our performers lead chants and group set pieces that bring the audience into the world of the play and make them feel a part of the environment we are working in. Alongside these group activities, we choose members of the audience to join us on stage to play certain characters that affect the narrative of the story. The chosen children are provided with costumes and props, and are briefed on

what to do next, making them feel part of the cast itself.

HOM: Wild Geese creates theatre for all sorts of venues, including outside of traditional performance spaces. For Boudica, you’ve chosen a relatively

multiculturalism and progress among them. What do you hope your young audience members take away from the show?

LF: Above all, we hope our young audiences leave with a better

conventional performance space in Woolwich Tramshed. How come?

LF: We pride ourselves on being a ‘pop-up’ theatre company, which makes us pretty agile with where we stage our shows. We have performed on conventional stages, in national parks, and even by the seaside. Our aim is to be able to bring our productions to as many audiences as possible. There can be financial and administrative challenges with organising group trips to see our shows though, especially if they’re in far-flung locations. To keep these minimal, we have decided to stage our productions for schools at established theatres, such as Tramshed in southeast London.

HOM: Your production of Boudica touches on some big themes: courage,

understanding of the story of Queen Boudica and her fight against the might of the Roman Empire. It is, in and of itself, a very complex story that requires a great deal of independent thought and creativity, and we hope to stimulate that creativity through our production. On top of this, the themes of courage, multiculturalism and progress are central to the story. We hope our audience members leave with a confidence to stand up for what they believe in, and to question everything as they progress through their own studies.

Boudica is showing at the Tramshed, 51-53 Woolwich New Road, Woolwich, London SE18 6ET. March 20 - 24, 10am & 1:30pm. Admission: £4-£5pp. Suitable for ages 5 - 11.

www.tramshed.org/whats-on/boudica

6 March 22 2023 www.weekender.co.uk editorial@weekender.co.uk
fa M i Ly

Funding Criteria

Funky Monkey Keyboard Classes

We teach how to read, write and play music to first grade in small groups, using a funpacked course and electronic keyboards.

We have a lovely Saturday school at John Ball School, Blackheath SE3 and we are offering TWO FREE LESSONS and 10% OFF your first term’s fees with us.

First free trial Saturday 22nd April 10.10am (4 years) and 1.10pm (5+ years) Jazzy Jack is your teacher!

Booking essential via www.funkymonkey.info or call us on 01732 457100

March 22 2023 7 www.weekender.co.uk editorial@weekender.co.uk
Application open to charities and not-for-profit organisations. To qualify your project needs to fit within the following categories: To support local charities and organisations that represent inclusive and diverse communities across East London. Building stronger, safer and healthier communities Creating more sustainable and greener communities Raising aspirations of East Londoners Creating pathways into employment Barking & Dagenham | Bexley | Epping Forest District Council | Greenwich | Hackney | Havering | Newham | Lambeth | Lewisham | Redbridge | Southwark | Tower Hamlets | Waltham Forest
below the eligible locations: £75,000 Apply Now To apply, please fill out the application form on our website: www.londoncityairport.com/corporate/responsible-growth/community-fund Contact us for more information: Community.Fund@londoncityairport.com For Terms and Conditions and submission deadlines, please visit our website.
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Experience the benefits of becoming a Homes for Ukraine host!

Residents across the Royal Borough of Greenwich have opened their homes to Ukrainian refugees since the Russian invasion began.

Under the Homes for Ukraine scheme, 464 people in our borough have registered as hosts. We have welcomed 602 Ukrainian guests, with some of those guests now moving on to live in their own homes in the UK, and others going on to host their own guests.

The success of the Homes for Ukraine scheme has been highlighted by the bond formed between hosts and their guests and the many benefits it has brought to everyone involved. We spoke with two of our hosts John and Kathy and their guest Maiia, who told us what the Homes for Ukraine scheme has meant to them.

John and Kathy said, “Following the outbreak of the war in Ukraine, besides donating money to charities involved, we felt it would be more helpful to offer practical support. Having a spare bedroom enabled us to consider offering a room to a refugee from Ukraine.”

“It has been a very positive experience overall and we would encourage anyone who has the physical and emotional space to welcome a Ukrainian refugee into their home. It is a very rewarding experience.”

Maiia reflected on her time with her new family, “I am immensely happy to have such a family that surrounded me with natural care and attention, accepted and supports me as a member of their very friendly family. It is truly priceless.”

You can become a Homes for Ukraine host to guests seeking refuge. Check if you’re eligible to sponsor someone who would like to resettle, to help provide them with the safety they need royalgreenwich.gov.uk/ukraine-support

save the date for Together 23!

It’s time to get excited as the Council’s free family festival is back, and the best part? All residents are invited!

When is this free summer extravaganza? Together 23 will be at Charlton Park on Saturday 10 June. Get the date in the diary and bring the whole family along.

The event will run from 12noon to 6pm, filling Charlton Park with free activities and entertainment for families to enjoy.

Expect live music and performances, arts and crafts, community stalls, a marketplace and street food, ‘have a go’ sports and kids’ activities, funfair rides and much more.

We’re also looking for local performers, exhibitors and traders to entertain the crowds at the biggest community get together of the year.

Traders and performers interested in taking part in the event should apply before 31 March at royalgreenwich.gov.uk/take-part-T23

ADVERTORIAL www.royalgreenwich.gov.uk @royal_greenwich royalgreenwich royal_greenwich News from the Royal Borough of Greenwich
It’s official,

Artist and filmmaker Darryl Dayley on his first solo show

Darryl Dayley, a south London filmmaker with Jamaican roots, is the multidisciplinary artist behind NOW Gallery’s latest Young Artist exhibition. With his show What You See Here / What You Hear Here opening this week , the Weekender speaks to Darryl and exhibition curator Kaia Charles to find out more…

Holly O’Mahony: Darryl, tell us a bit about your journey as an artist. What led you into filmmaking?

Darryl Daley: I’ve always been interested in the craft of film. I’m a self confessed film buff. I co-ran a collective and cinema night called Scene & Heard in places like the Whirled Cinema in Loughborough Junction, the Ritzy in Brixton and Rye Wax in Peckham for about five years. The idea behind it was to present Black cinema of the past and curate DJ line ups that reimagined the films within the current space.

The art space is all new to me to be honest. I’ve been a Creative Director and Graphic Designer for the past 10 years. I studied photography before graphic design so I essentially went full cycle and started taking photos again for myself, Instagram being my portfolio. From photos I started dabbling in recording life, trying to be creative with it by applying music to scenes that you wouldn’t necessarily put together,

finding that once they were sat together they became something else entirely.

HOM: When did you mentally make the switch and start calling yourself an artist?

DD: It wasn’t until I went to 180 The Strand to see The Infinite Mix show that I had my eyes opened to what it was I had been doing all this time, and that there was a place and a space for what it was that I was creating. That was the start of it all in terms of recognising what I was doing as art.

HOM: How would you describe the relationship between filmmaking and storytelling? What sort of considerations do you take into account when weaving a narrative into your films?

DD: For me, it’s video art rather than film making. Yes the medium is film, but it’s combined with many other things. My priority is always the storytelling. I’m

currently using film and the palette it lends, where I can tap into different mediums –sound, sight and design – to ultimately tell the story. My considerations for my pieces are always trying to make sure expression and emotion lives within the work. The work should have soul and feeling.

HOM: How does it feel to be selected for NOW Gallery’s next Young Artist commission?

DD: To be recognised by NOW Gallery for the work that I’ve done so far and to be granted this opportunity is very humbling. It’s also encouraging to know I’m on the right path. I’m happy that the work is resonating with people and making them feel a certain way, as it does when I’m making it. It’s a confirmation, or maybe a reality check.

HOM: Kaia, when did you first come across Darryl’s work and what made you decide to commission him for your next Young Artist exhibition?

Kaia Charles: I’d first been introduced to his work in 2020 when his film BLK Soap was featured by curatorial collective i.as.in.we. Since then his work has continued to create a buzz amongst rising curators who are exploring the hybridity of Britishness and diasporic narratives. We were excited to take up the challenge of presenting a predominantly video-led exhibition. Darryl’s work has so much depth, it can easily hold space.

HOM: As this is a video-led exhibition, what additional considerations have you

had to think about when curating it?

KC: We’ve pared back the design and used a muted palette to allow the video works to take precedent. There is a symbolic use of a strong accent colour, which was artist led. In its simplicity, this show will draw you in and captivate.

HOM: Darryl, will the exhibition mark the first time you’ve worked across different disciplines? Have you got visions yet as to how your work will travel beyond the screen to fill the space?

DD: This is my first solo exhibition. It’s a video art exhibition, but within the films I work across different disciplines: film, graphic design via typography and sound design. It’s quite collage based.

HOM: You’re especially interested in ideas around memory, home and transition, and have focused in the past on these areas in relation to your grandmother’s journey. Can you tell us more about this?

DD: My work is ultimately a reflection of the time we live in. In terms of memory and home, those themes stem from my grandmother and my family in general, who have come from somewhere else and brought memories and the idea of a home not ‘here’ but from someplace else. In a way their identity has been transferred onto myself.

My grandmother is the matriarch of the family. When she came here she never intended to stay. I’ve been pondering

what that means for my existence being here. She never got to go back home and so home for her became a fragment of her imagination. This is what my film UNU ‘You&You’ is about – the home that you remember that is no longer.

HOM: How do you hope visitors interact with the exhibition and what do you hope they take away from seeing it?

KC: Darryl has bravely revealed deeply private familial moments. It will appeal to all but we hope it resonates with anyone who has experienced the impact of past or current migration, or who may feel displaced or ‘othered’. I hope it reminds visitors of the importance of intergenerational conversations in rooting identity.

DD: I hope they take the time to sit down and watch or experience the work, and that the themes and the stories within the work they can find in themselves, too. My aim is to make work that resonates; work that visitors will still remember tomorrow morning. In this age when everything is so transient and we consume so much imagery in our day to day, my hope is that the exhibition leaves people with a feeling that they remember.

Darryl Daley’s show What You See Here / What You Hear Here is showing at NOW Gallery, Soames Walk, London SE10 0SQ. March 23 - June 11; Tuesday - Friday, 10am - 7pm; Saturday 10am - 5pm; Sunday 11am - 4pm. Admission: FREE. www.nowgallery.co.uk/exhibitions/ what-you-see-here-what-you-hear-here

March 22 2023 9 www.weekender.co.uk editorial@weekender.co.uk ARTS & ENTS

CACT offers a wide range of football courses for girls of all ages. Find out more by visiting cact.gives/courses

CACT’s Kim Bignall discusses the recent growth in popularity for girls’ football

Growing up I attended a school where there was no extra-curricular football available for girls, so those interested in playing had to join the boys. However, I was fortunate enough to play for a local girls football team outside of school.

I fondly remember being voted as the “Most likely to become a professional footballer” out of all the boys and girls in my year, but there never was a clear pathway for girls to have a career in football.

Instead, I focused on having a career as a PE teacher to give girls of all ages a different experience to what I had and encourage their involvement in sport as much as possible.

Women’s & girls’ football has been on a long journey. The success

of the Lionesses in Euro 2022, however, has inspired girls of all ages to play and increased the popularity of the women’s game.

It’s clear that there are girls out there who want to start playing football and have dreams of becoming a professional player so it’s exciting that a pathway is now there for them to do that.

It is so important to provide an environment where girls can feel safe, comfortable, and not discriminated against, and I’m proud that CACT’s girls football programmes are continually growing.

The women’s and girls’ sessions at CACT provide a clear pathway, for example Wildcats sessions (5 to

11 years old); Squad Girls sessions (12-16) and Women’s Recreational Football Session (18+ years).

We are also excited to be offering a Post 16 Female Football and Education Academy starting in September 2023. This offers girls between the

ages of 16-18 the opportunity to continue their education, as well as take part in an intensive football programme. Find out more by emailing me on kim.bignall@cact.org.uk

It is amazing to see the growth of women’s and girls’ football and it

is my aim to continue to provide opportunities to increase female participation and raise awareness of the pathway available.

If you’d like to take a look at all the football programmes we run please visit cact.gives/courses

10 March 22 2023 www.weekender.co.uk editorial@weekender.co.uk At The Heart Of The Community NEWS FROM CHARLTON ATHLETIC COMMUNIT y TRUST
In my role as CACT’s first ever Women’s and Girls’ Football Development Officer, I am aiming to create opportunities for women and girls and increase female participation in sport.
„ „ To help inspire the young girls at CACT tournaments, Charlton Athletic Women players come along to visit the events.
Box office 020 8463 0100 • blackheathhalls.com • PART OF TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE APR-JUN 2023 VERDI REQUIEM SUN 23 APR 7.30pm ANGELINE MORRISON FRI 21 APR 8 pm STEPHAN LOGES SAT 22 APR 7.30 pm ANDY HAMILTON SAT 10 JUN 8pm IAN BOSTRIDGE SONG & SELF WED 3 MAY 8.00 pm CINDERELLA WED 12 APR 3 pm LE VENT DU NORD SAT 20 MAY 8pm SAT 29 & SUN 30 APR VARIOUS TIMES

Mary Mills

THE MOVE FROM RURAL TO URBAN

The Roberts family’s tenure of the farm is the subject of Sally Jenkinson’s part of the booklet about Coombe Farm which was published by the Gordon Teachers Centre in 1987. It is presented to us as a diary of life on the farm in 1858 with material taken from diaries, one by Mary Roberts herself and another, later one, written by her son Daniel. It is illustrated by a series of entertaining drawings by Sally Jenkinson herself.

for the sort of suburban road it was becoming – no longer just a farm lane - and seen as a ‘great improvement and great convenience for the public’.

worked it and when? Was a lime kiln still worked in the 1840s and 1850s?

The farm buildings remained on the site until around 1900. I finished last week with the late 18th century when the farm was owned by members of the Moore family. They seemed to be operating a copperas works on the Greenwich Peninsula and had had one for some years at Deptford Creek. The Moore family was one of a succession of owners and residents on the site who had industrial interests nearby. I also hope that I had established that, although I’m sure it was farmed in the sense of keeping cows or growing fruit and vegetables, the farm had a very strong industrial aspect to it.

Although the Moore family were still at the farm around 1800 we need to go back a few years in the history of the area. We need to go just up the road from the farm into what is now Mycenae Road. RIght at the top is the building which is now used as the Steiner School, but which was for many years the Greenwich Local History Department. Called Woodlands, it was built in 1774 for John Julius Angerstein and the presence here of the Angerstein family would very much influence the future of Coombe Farm. John Julius Angerstein is well known and has featured in a great many local history books and articles. Recently he has

been investigated for links to slavery in the West Indies and one of the main contributors to this debate has been the National Gallery, which was founded using the pictures which Angerstein collected to show in his Blackheath House. John Julius died in 1821 but his work was carried on by his son, John.

In 1833 the farm was advertised for sale as a ‘Remarkably Valuable Freehold Estate, comprising that capital and well-known Farm called East Farm with a Spacious House, barn, stabling, granary, and other agricultural buildings, and One Hundred and Eighteen Acres of very Rich and Productive Arable, Meadow, and Pasture Land’. Most tellingly however the house is described as being ‘easily convertible Into Villa Residence’. A few months late another sale advertisement sounds more like part of a farm: ‘two stacks of excellent straw, 10 acres of potatoes, a quantity of mangel straw, a stack of flags, large grain cart, a strong cart mare, sundry harness’.

John Angerstein bought the farmhouse in 1838. He used it as a home for his daughter and her husband, a naval captain, Richard Rowley. They stayed there until 1846. The farm was then sold to Mary Roberts.

Mary Roberts was a commercial grower of vegetables for London markets. She had had a business in Wick Lane, Hackney and was looking to expand. The Roberts family were to keep Coombe Farm for 40 years. In 1861 it covered-30 acres had a staff of 64 men, 46 women and two boys.

The book begins in January with skating on local ponds and work of the farm - planting red cabbage and radishes. The family go to see army parades in Woolwich, and, more excitingly, the launch of Brunel’s Great Eastern - later they go by boat to have a good look at it close up. The book continues with the work of the farm along with social events and news of family and friends. At the end are some advertisements and lists of things like the contents of workshops, farmyard equipment. It also tells us what they grew in the garden and what furniture was in the house.

In 1847 some other things were going on in the neighbourhood. John Angerstein’s workmen had constructed a fence on the west side of Coombe Farm Lane and the Parish Highways Committee went to view it and decided it encroached on Parish property. This was resolved within a couple of months and resulted in the straightening of the lane and widening it to 30 feetwhich would be much more suitable

One of the recommendations by the Parish Surveyor was that the ‘watercourse … remain on the east side of the hedge which Mr Angerstein had erected’. There is no sign of this water course on numerous maps of the area but there were, and are, many streams which go down the hillside from Blackheath and I would be more surprised if one didn’t exist, than if one did.

There is also an issue about the fields on the east side of the farm, across what became the Angerstein Railway line. It’s quite clear from maps that this field had been used for chalk extraction in that there are two large craters marked on contemporary maps as ‘chalk pits’. In 1848 there was an incident concerning 1,000 yards of copper wire being removed by some men ‘calling themselves builders’. This mentions a Mr.Noakes of the ‘Combe Farm lime kilns’- so, who is he? Is he some sort of subcontractor leasing the field to manage the lime kilns? On the 1867 OS map a lime kiln is marked south of the main railway between Westcombe Park and Charlton. It is north of the curve of the railway which takes the line from Charlton to the Angerstein Line and the River. Effectively it was inside the ‘U’ shaped line easily seen on maps, then and now.

Today this area appears to be some sort of clearing used as a rubbish dump, reached by a path from the Police Car Pound. It is marked on other maps as ‘old chalk pit’ and some old photographs show chalk cliffs around some of the area. Was this chalk pit attached to the farm – who

Chalk was sometimes extracted to use for ‘land improvement’ and so maybe needed for the marshland. I don’t know, but it is clearly part of the farm.

In 1848 more changes were coming with great rapidity. There is a report in this year of a fire in the workshops of the railway tunnel between Blackheath Station and Charlton, still under construction. I don’t know if these workshops, said to be at one end of the tunnel, were near Blackheath station or on the much wider piece of open ground, adjacent to Coombe Farm Lane. This is where the tunnel mouth now stands, almost totally unseen although in constant use.

The tunnel was built to connect Charlton and Woolwich with Blackheath and central London. It came into use with the original North Kent Line on 30th July 1849. The South Eastern Railway would have preferred extending the line by tunnelling underneath Greenwich Park, to reach Greenwich and the London & Greenwich Railway station. However, opposition from the Royal Observatory prevented this, so the circuitous route via Blackheath and Lewisham was provided –and the tunnel was part of it.

With the tunnel coming so near to the area in Coombe Farm Lane/ Westcombe Hill which we are looking at, this is surely about the steady ‘modernisation’ of the area. We take very little notice now of the railway which comes through Blackheath, and down to the Charlton junction. That is because the Angerstein line, built in 1851, and the motorway, effectively masks the main line railway although they lie parallel with Charlton Farm Lane/Westcombe Hill.

12 March 22 2023 www.weekender.co.uk editorial@weekender.co.uk h istory
Last week I started writing about the small industrial area which lies to the south of Westcombe Park station. I didn’t get very far with it and all I wrote was about the early history of Coombe Farm which was on the site of the future industrial area
„ John Angerstein

I’m sure you’ve all heard more than enough about the Angerstein Line - I write about it constantly. But it is about change from a rural farming area to an urban one. Many little houses were beginning to be built and cover the area through the late 19th century. In newspapers then are advertisements for blocks of houses being built around the area - we know them well and many of us live in them. They were being constructed by building companies and then being rented out. They were then sold on to a commercial agency as investments by making money from the rents. Today most of them have been sold and the people in them are owner occupiers. We forget this exploitative system which built up so much of our urban areas in London. And yes it may have been the countryside in 1870 but was very soon inner city.

To finish this episode of our story of the little trading estate north of Westcombe Park Station - this is another letter from John Angerstein to the parish council – whose members, I regret to say, all had a bit of a chuckle and said they hoped that his letter might be an invite to dine with them. His proposal was to level, at his own expense, the inequalities of the hill and surface of Coombe Farm Lane. The Parish councillors, however, were quite clear that the plan was about the as yet unannounced railway and would ‘no doubt greatly benefit Mr. Angerstcin’.

At around the same time a letter was received Mrs Mary Roberts and her son at Coombe Farm. She was very concerned and called attention to the fact that at the extreme end of the parish it was not properly lighted and there were no proper kerbs on the streets. The place is becoming more urban by the minute.

Licensing Team, 4th Floor, Woolwich Centre, 35 Wellington Street, London SE18 6HQ. Tel: 020 8921 8018; Fax: 020 8921 8380; Email: licensing@royalgreenwich.gov.uk

NOTICE APPLICATION FOR A PREMISES LICENCE - LICENSING ACT 2003

Notice is given that: Mr Lawrence Olaleye for and on behalf of Obas Meat Ltd, trading as Kingsmeat Smokehouse has applied for the Grant of a Premises Licence for the following premises:

KINGSMEAT SMOKEHOUSE, 49 LAKEDALE ROAD, PLUMSTEAD, LONDON SE18 1PR.

A record of this application may be inspected by appointment.

Other persons may make representations to the Council on this application by no later than Sunday 26 March 2023 (last date for making representations). Representations can be made in writing, by email or fax using the contact details above. Representations can only be made on the grounds of one or more of the four licensing objectives, namely:

• Prevention of Crime and Disorder

• Prevention of Public Nuisance

• Public Safety

• Protection of Children from Harm.

Any person who makes a false statement in connection with an application is liable on summary conviction to an unlimited fine. It is proposed that the following licensable activity will take place at the premises:

On & Off-Sale & Supply of Alcohol between 12:00 noon and 21:00 hours (9pm) Monday to Thursday, and until 22:00 hours (10pm) Friday & Saturday (in line with opening times). There shall be no licensable activity on a Sunday.

The premises proposes to operate as a dine-in and takeaway food establishment.

BOROUGH of GREENWICH

ROYAL

ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1)

TUNNEL AVENUE BUS LANE

PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich make’s this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by TFL who need to carry out improvement works on the foot bridge for the Silvertown tunnel project.

2. The Order will come into operation on 31st March 2023 and would continue to be valid for 18 months. However, the works are expected to take 3 months over a frame of 10 weekends (nights). The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily close the bus only lane & prohibit Buses entering, proceeding, or waiting (including waiting for the purposes of loading or unloading), North Bound by the footbridge opposite Dreadnought Street.

4. Whilst the Order is in operation Buses will be diverted via Tunnel Avenue, Blackwall Lane & Blackwall Tunnel Southern Approach. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport. The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 14/03/2023

(INTERNAL REF: PL/517/LA449847)

ROYAL BOROUGH OF GREENWICH

The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) (Amendment No. 92) Order 2023

The Greenwich (Charged For-Parking Places) (Amendment No. 96) Order 2023

1. NOTICE IS HEREBY GIVEN that the Council of the Royal Borough of Greenwich (hereinafter referred to as “the Council”) has made the abovementioned Orders under sections 6, 45, 46, 49, 124 and Part IV of Schedule 9 of the Road Traffic Regulation Act 1984, as amended. The Order will come into operation on 23rd March 2023.

2. The general effect of the Orders would be to:

a) Introduce double yellow line ‘at any time’ waiting restrictions on Maryon Road, south-west side, from its junction with Kidd Place for 47.5 metres in a north-westerly direction.

b) Introduce single yellow line No Waiting Mon-Fri 11am-1pm restrictions on Felixstowe Road, north side, from a point 12.5 metres east of its junction with Hermitage Close for 9 metres in an easterly direction.

c) Introduce 2 Car Club bays on Felixstowe Road, north side, from a point 21.5 metres east of its junction with Hermitage Close for 14.5 metres in an easterly direction.

d) Introduce a Loading Bay 40 Mins No Return 2 Hours bay on Felixstowe Road, north side, from a point 36 metres east of its junction with Hermitage Close for 10.5 metres in an easterly direction.

e) Revoke the existing double yellow line ‘at any time’ waiting restrictions at the following locations:

i) Invermore Place, east side, from a point 40 metres south of its junction with Plumstead Road for 2 metres in a southerly direction.

ii) Invermore Place, east side, from a point 47.5 metres south of its junction with Plumstead Road for 6 metres in a southerly direction.

iii) Villas Road, east side, from a point 46 metres south of its junction with Plumstead Road for 2.5 metres in a southerly direction.

iv) Villas Road, east side, from a point 52.5 metres south of its junction with Plumstead Road for 3 metres in a southerly direction.

f) Revoke the existing Residents and Business Permit Holders Only Mon-Fri 11am-1pm Zone AW bay on Felixstowe Road, north side, from a point 12.5 metres east of its junction with Hermitage Close for 33.5 metres in an easterly direction.

g) Extend the existing Free Parking Place on Calydon Road, south-east side, adjacent to No. 59 Victoria Way, in a north-easterly direction to the south-western property boundary of No. 19 Calydon Road replacing the existing single yellow line No Waiting Mon-Sat 9am-6.30pm restrictions.

h) Replace the existing Permit Holders Only Mon-Fri 11am-12.30pm (E) bay with single yellow line No Waiting Mon-Fri 11am-12.30pm restrictions on Dunvegan Road, north side, outside No. 117 Dunvegan Road.

i) update the map tiles attached to The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) Order 2018 and The Greenwich (Charged-For Parking Places) Order 2018 so as to reflect the provisions referred to in sub-paragraphs (a) to (h).

3. Further information about the Orders may be obtained by emailing parking-design@royalgreenwich.gov.uk

4. The Orders and other documents giving more detailed particulars of the Orders can be viewed by emailing parking-design@royalgreenwich.gov.uk requesting electronic copies.

5. If any person wishes to question the validity of the Orders or of any of the provisions contained therein on the grounds that they are not within the powers conferred by the Road Traffic Regulation Act 1984, or that any requirement of that Act or of any instrument made under that Act has not been complied with, that person may, within six weeks from the date on which the Orders were made, apply for that purpose to the High Court.

Assistant Director, Transport Communities, Environment and Central Royal Borough of Greenwich

Dated 22nd March 2023

March 22 2023 13 www.weekender.co.uk editorial@weekender.co.uk h istory
„ Modern day - the steps that go up to the Angerstein railway on the line of the farm crossing „ Farm 1863 ordnance survey map - shows limekilns pub L ic notices

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1)

HAIMO ROAD PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich makes this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Southern Gas Network who need to install a new service.

2. The Order will come into operation on 3rd April 2023 and would continue to be valid for 18 months. However, the works are expected to take 5 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Haimo Road outside no 5

4. Whilst the Order is in operation traffic will be diverted via Southbound – Westhorne Avenue, Lionel Road and Froissart Road Northbound – Froissart Road, Horsfeld Road, and Westhorne Avenue. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 08/03/23

(INTERNAL REF: PL/505/LA448481)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1)

[Hasted Road]

PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich makes this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984 This is to facilitate works by Openreach who need to carry out telegraph pole replacement.

2. The Order will come into operation on 27th March 2023 and would continue to be valid for 18 months. However the works are expected to take one day. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding or waiting (including waiting for the purposes of loading or unloading) in, Hasted Road outside 6.

4. Whilst the Order is in operation traffic will be diverted by the placing of the appropriate signage. Prohibitions remain in force, pedestrians are not affected and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Assistant Director, Transport

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 17th March 2023

(INTERNAL REF: PL/473/LA443185)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) [Swingate Lane] PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich intends to make this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Thames Water who need to carry out water main repairs.

2. The Order will come into operation on 5th April 2023 and would continue to be valid for 18 months. However the works are expected to take 7 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding or waiting (including waiting for the purposes of loading or unloading) in, Swingate Lane outside 27.

4. Whilst the Order is in operation traffic will be diverted via Flaxton Road, Melling Street and vice versa. Prohibitions remain in force, pedestrians are not affected and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Assistant Director, Transport

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 17th March 2023

(INTERNAL REF: PL/493/LA447918)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) HORN PARK LANE

PLANNED PARKING RESTRICTION (ORDER)

1. The Royal Borough of Greenwich intends to make this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Colfe’s School who need to carry out building modules delivery.

2. The Order will come into operation on 3rd April 2023 and would continue to be valid for 18 months. However, the works are expected to take 3 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from parking or waiting (including waiting for the purposes of loading or unloading), from outside no 45 to 59.

4. Whilst the Order is in operation no traffic will be diverted. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 15/03/23

(INTERNAL REF: PL/511/LN67206)

ROYAL

BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION

[Waldstock Road]

PLANNED ROAD CLOSURE (ORDER)

14(1)

1. The Royal Borough of Greenwich makes this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Thames Water who need to carry out water mains repair.

2. The Order will come into operation on 29th March 2023 and would continue to be valid for 18 months. However the works are expected to take 7 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding or waiting (including waiting for the purposes of loading or unloading) in, Waldstock Road at the junction of Hutchins Road.

4. Whilst the Order is in operation traffic will be diverted via Hutchins Road and vice versa. Prohibitions remain in force, pedestrians are not affected and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Assistant Director, Transport

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 17th March 2023

(INTERNAL REF: PL/514/LA448467)

Call 020 7232 1639 to place a public notice

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) [Erindale Terrace] PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich makes this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by ABG Fibre services who need to carry out blockage repair in ducts.

2. The Order will come into operation on 3rd April 2023 and would continue to be valid for 18 months. However the works are expected to take 3 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding or waiting (including waiting for the purposes of loading or unloading) in, Erindale Terrace at the junction of Plumstead common Road.

4. Whilst the Order is in operation traffic will be diverted via Erindale, Garland Road, Plumstead Common Road and vice versa. Prohibitions remain in force, pedestrians are not affected and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Assistant Director, Transport

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 24th March 2023

(INTERNAL REF: PL/489/LA447189)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) APPLETON ROAD PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich intends to make this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Thames Water who need to carry out repair works.

2. The Order will come into operation on 11th April 2023 and would continue to be valid for 18 months. However, the works are expected to take 7 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Appleton Road outside 43.

4. Whilst the Order is in operation traffic will be diverted via Appleton Road, Rochester Way, Wendover Road & vice versa. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 15/03/23

(INTERNAL REF: PL/475/LA445612)

14 March 22 2023 www.weekender.co.uk editorial@weekender.co.uk pub L ic notices WANTED CARS + VANS ANY CONDITION ANY AREA PROMPT & POLITE SERVICE ANY DAY, ANY TIME, 7 DAYS CASH / CASH / CASH / CASH / CASH CASH / CASH / CASH / CASH / CASH CLASSIC & UNSUAL CARS ALSO WANTED 020 8659 8988 TELEPHONE 07850 323 508 MOBILE c L assified

Royal Borough of Greenwich

Town & Country Planning Act 1990 (AS AMENDED)

Town & Country Planning (Development Management Procedure) (England) Order 2015 Planning (Listed Buildings & Conservation Areas) Act 1990 (AS AMENDED) Planning (Listed Buildings & Conservation Areas) Regulations 1990 (AS AMENDED)

Notice is hereby given that application(s) have been made to The Royal Borough of Greenwich in respect of the under mentioned premises/sites. You can see the submissions and any plans at http://www.royalgreenwich.gov.uk/planning.

If development proposals affect Conservation Areas and/or Statutorily Listed Buildings under the Planning (Listed Building and Conservation Area) Act 1990 (As Amended) this will be shown within the item below.

Anyone who wishes to comment on these applications should be made in writing to Development Planning within 23 days of the date of this notice.

Please quote the appropriate reference number.

Date: 22/03/2023

Victoria Geoghegan

Assistant Director - Planning and Building Control

List of Press Advertisements - 22/03/2023

Publicity for Planning Applications

Applicant: Greenwich New Builds 22/0903/F

Site Address: LAND AT CONGLETON GROVE, PLUMSTEAD, LONDON, SE18 7HT

Development: Construction of 2 x 3-bed 2 storey dwellinghouses with associated landscaping, parking, cycling and bin storage (DEPARTURE FROM THE DEVELOPMENT PLAN).

Conservation Area: PLUMSTEAD COMMON

Applicant: Mr Felix Marot 23/0005/F

Site Address: 26 GLENLUCE ROAD, BLACKHEATH, SE3

Development: Installation to repair and replace external roof covering, roof cheeks, mock Tudor timber framing, soffit and fascia boards, window surrounds, and windows of the three existing dormers with like for like materials and all associated works.

Conservation Area: WESTCOMBE PARK

Applicant: Miss Thi Bao Ngoc Tran 23/0040/F

Site Address: 115 TRAFALGAR ROAD, LONDON, SE10 9TS

Development: Change of Use from existing retail unit (Use Class E) to a beauty salon (Use Class Sui Generis).

Conservation Area: EAST GREENWICH

Applicant: Greenwich Builds 23/0066/F

Site Address: Garages Adjacent to 33 Richmount Gardens, Blackheath, SE3 9AE

Development: Demolition of existing garages and the erection of two, 1 bedroom semi-detached bungalows with rear gardens, associated landscaping and parking.

Conservation Area: BLACKHEATH PARK

Applicant: Ms Cashell 23/0298/F

Site Address: 11 WELLINGTON STREET, WOOLWICH, LONDON, SE18 6PQ

Development: Construction of three additional storeys to rear of no. 11 Wellington Street to provide additional Class E(e) floor space and 2 x 2-bed residential units with associated external alterations including new windows and doors

Conservation Area: Woolwich Conservation Area

Applicant: Mr Million 23/0390/HD

Site Address: 51 ASHRIDGE CRESCENT, PLUMSTEAD, LONDON, SE18 3EA

Development: Installation of new driveway and gates.

Conservation Area: SHREWSBURY PARK ESTATE

Applicant: Dr Alan Walker 23/0500/HD

Site Address: 38 REYNOLDS PLACE, BLACKHEATH, LONDON, SE3 8SX

Development: Replacement of roof.

Conservation Area: RECTORY FIELD

Applicant: Britnest Ltd 23/0563/F

Site Address: 95A TRAFALGAR ROAD, GREENWICH, LONDON, SE10 9TS

Development: Change of use of property from a commercial unit with an ancillary residential element to formalised self-contained residential unit with an entrance at front, part retention of the ground floor commercial unit and excavation of its basement to convert into usable commercial space; construction of a single storey rear extension; other associated external alterations. (Resubmission)

Conservation Area: EAST GREENWICH

Applicant: Mrs Nick Willson 23/0635/HD

Site Address: 139 LANGTON WAY, BLACKHEATH, LONDON, SE3 7JS

Development: Construction of a single storey outbuilding in the rear garden.

Conservation Area: BLACKHEATH

Applicant: Local Authority New Builds 23/0648/F

Site Address: Public toilets and adjacent land at Herbert Road, north of Mayplace Lane and Acworth House, London, SE18 3BD

Development: Demolition of existing temporary buildings and public toilets. Redevelopment of the site comprising the construction of a new part four storey/part six storey building to provide 24 x residential units (Use Class C3) together with associated landscaping and disabled car parking.

Applicant: Mr Oliver Lucas 23/0653/HD

Site Address: 24 DEVONSHIRE DRIVE, GREENWICH, LONDON, SE10 8JZ

Development: Construction of a lower ground floor side extension with flat roof and two skylights, removal of chimney breasts on all floors and placing a concrete slab on the front garden for waste bins.

Conservation Area: ASHBURNHAM TRIANGLE

Applicant: Mr Uttam Kandel 23/0659/HD

Site Address: 38 MAUDSLAY ROAD, ELTHAM, LONDON, SE9 1LJ

Development: Construction of a single storey rear extension.

Conservation Area: PROGRESS ESTATE

Applicant: Mr Paul Rye 23/0662/F

Site Address: 26A HEAVITREE ROAD, PLUMSTEAD, LONDON, SE18 7RB

Development: Replacement of all existing windows and doors to the ground floor level, front and rear of the host dwelling with associated external works [Amended description]

Conservation Area: PLUMSTEAD COMMON

Applicant: London Fire Brigade 23/0760/F

Site Address: PLUMSTEAD FIRE STATION, 1 LAKEDALE ROAD, PLUMSTEAD, LONDON, SE18 1PP

Development: The erection of a small substation within the enclosed rear yard (affects setting of Grade II listed building).

Applicant: Mr and Mrs Nixson 23/0763/HD

Site Address: 16 KIRKSIDE ROAD, BLACKHEATH, LONDON, SE3 7SQ

Development: Construction of two rear dormer including two roof lights to the front roof slope.

Conservation Area: WESTCOMBE PARK

Applicant: Mrs Brian 23/0841/HD

Site Address: 2 HAWKS MEWS, LUTON PLACE, LONDON, SE10 8RA

Development: Introduce light into the 1st floor of the property by way of flat roof velux fanlights along with replacing the tired flat roof with long life GRP roofing.

Conservation Area: WEST GREENWICH

Applicant: Ms Sarah Tew 23/0916/HD

Site Address: 54 COUTHURST ROAD, BLACKHEATH, LONDON, SE3 8TW

Development: Proposed ground floor rear extension, replacement of windows, floorplan redesign and all associated works

Conservation Area: RECTORY FIELD

Applicant: Mr Johnny Lamb 23/0930/PN2

Site Address: 73 LASSELL STREET, GREENWICH, LONDON, SE10 9PJ

Development: Prior Notification is sought for the change of use from Class E (Commercial) to Class C3 (Residential) to increase the area of the existing residential unit.

Conservation Area: EAST GREENWICH

Publicity for Listed Building Consent

Applicant: London Fire Brigade 23/0761/L

Site Address: PLUMSTEAD FIRE STATION, 1 LAKEDALE ROAD, PLUMSTEAD, LONDON, SE18 1PP

Development: The erection of a small substation within the enclosed rear yard (affects setting of Grade II listed building).

Conservation Area: Not Applicable

Listed Building: Grade 2

Why not speak to the Weekender team, to find out about our competitive advertising prices in print and online? Call 020 7232 1639

Royal Borough of Greenwich

Notice of Planning Application

Town & Country Planning Act 1990 (As Amended)

Town & Country Planning (Development Management Procedure) (England) Order 2015 Planning (Listed Buildings and Conservation Areas) Act 1990 (As Amended)

Planning (Listed Buildings and Conservation Areas) Regulations 1990 (As Amended)

Town & Country Planning (Environmental Impact Assessment) Regulations 2017 (as amended)

Proposed Development At: Flint Glass Wharf, 3 Herringham Road, Charlton, London SE7 8NJ

Reference Number: 18/0732/F

Notice is hereby given that an application is being made to the Royal Borough of Greenwich By: Sattar

Hybrid Application:

• Detailed Planning Permission for the demolition of existing buildings and structures on site and redevelopment of the eastern area (Phase 1) comprising residential dwellings (Use Class C3), non-residential floor space (Use Class E) and improvements to public realm with hard and soft landscaping, highways works, car parking, cycle parking, refuse and recycling storage, plant and energy centre, external amenity space and play space.

• Outline Planning Permission (landscaping, scale and appearance reserved) to provide up to 45,000 sqm floorspace GEA, comprising up to 358 residential units and up to 1,300 sqm of non-residential floor space within Class E, F1 and F2. Further explanation of the detailed planning permission only (not forming part of the formal description of development set out above):

• 142 residential dwellings (Use Class C3)

• 482 sqm (GIA) of non-residential floorspace

• Two blocks, with a maximum no. of storeys and building heights of:

• Block A (7 - 8 Storeys) up to 33.10 metres Above Ordnance Datum (m AOD)

• Block B (9 - 10 Storeys) up to 41.9 metres Above Ordnance Datum (m AOD)

(The development may impact on the setting of the Thames Barrier and Bowater Road Conservation Area as well as the setting of the Grade II listed building at 37 Bowater Road)

(This application is an EIA development and is accompanied by an Environmental Statement Addendum For the avoidance of doubt this re-consultation does not include further environmental information pursuant to Regulation 25 of The Town and Country Planning (Environmental Impact Assessment Regulations 2017)

(This re-consultation is required following submission of revised plans and reports which include amendments the landscaping resulting from the revised river wall design as well as minor changes to the elevations, the affordable mix, defensible landscaping provision, revised fire strategy, change to car and cycle parking provision and overall energy strategy to provide air source heat pumps (ASHP) including amendments to the roof)

A copy of the application and any plans and/or documents submitted with it is available for inspection by the public at www.royalgreenwich gov.uk/planning.

Members of the public may obtain copies of the Environmental Statement and Addendum from Waterman Group by contacting ie watermangroup.com or phoning the London office: 0207 928 7888 quoting 3 Herringham Road. A full set of hard copy ES documents would be £300 plus delivery. A CD would be £5 plus postage. No charge for digital copies.

Representations to the Council about the application should be made within 32 days of the date of this notice using the above link or to the Planning Department, 5th floor, Woolwich Centre, 35 Wellington Street, Woolwich, SE18 6HQ stating the full reference number(s) above.

Date: 22/03/2023

Victoria Geoghegan - Assistant Director - Planning and Building Control

Call

Licensing Team, 4th Floor, Woolwich Centre, 35 Wellington Street, London SE18 6HQ. Tel: 020 8921 8018; Fax: 020 8921 8380; Email: licensing@royalgreenwich.gov.uk

NOTICE OF APPLICATION FOR A VARIATION PURSUANT TO SECTION 34 OF THE LICENSING ACT 2003

Notice is given that MISS SOPHIE OKOYE has applied for the Variation of a Premises Licence for the following premises:

CHI CHI DISHES, 29-31 HARE STREET, WOOLWICH, SE18 6NE.

A record of this application may be inspected by appointment.

Other persons may make representations to the Council on this application by no later than Thursday 13 April 2023 (last date for making representations). Representations can be made in writing, by email or fax using the contact details above. Representations can only be made on the grounds of one or more of the four licensing objectives, namely:

• Prevention of Crime and Disorder • Prevention of Public Nuisance

• Public Safety • Protection of Children from Harm.

Any person who makes a false statement in connection with an application is liable on summary conviction to an unlimited fine.

The following variations to licensable activity are proposed:

On-Sale & Supply of Alcohol:

Currently: Sunday to Thursday from 14:00 hours until 22:30 hours

Variation to 14:00 until 01:00 each following day.

Currently: Friday & Saturday from 14:00 hours until 00:30 each following day

Variation to 14:00 until 02:00 each following day.

Regulated Entertainment (Basement only) – Recorded Music:

Currently: Sunday to Thursday from 20:00 hours until 22:30 hours

Variation to 23:00 until 01:00 each following day.

Currently: Friday & Saturday from 20:00 hours until 01:00 each following day

Variation to 23:00 until 02:00 each following day.

Regulated Entertainment (Basement only) – Live Music (e.g. solo saxophonist), Dance, and Anything Similar (e.g. spoken word / comedy, karaoke):

Currently: Sunday to Thursday from 20:00 hours until 22:30 hours

Variation to 23:00 until 01:00 each following day.

Currently: Friday & Saturday from 20:00 hours until 00:30 hours

Variation to 23:00 until 02:00 each following day.

Late Night Refreshment (Hot food & hot drink after 11pm) – NO CHANGE.

Friday & Saturday from 23:00 hours until 01:00 each following day.

LNR is not authorised Sunday to Thursday.

March 22 2023 15 www.weekender.co.uk editorial@weekender.co.uk pub L ic notices
or
of, existing licence conditions are being applied for.
No changes to,
removal
020 7232 1639 to place a public notice

For help quitting, call Live Well Greenwich free on 0800 470 4831

Get your lung health checked!

Together with the NHS South East London Cancer Alliance, we are encouraging residents who have received an invite for an NHS lung health check to book an appointment. Health checks are being rolled out across the borough for the first time and aims to help people who are most at risk of developing lung cancer to get diagnosed early.

Do you smoke?

Around 14,000 residents aged 55 to 74 who are registered as a current or former smoker with their GP, can expect to receive a letter in the post. The check can detect lung cancer and other respiratory conditions early on even before symptoms appear. With doctors able to treat patients early on, the chance of survival is higher.

Councillor Densie Scott-Mcdonald, Cabinet Member for Health and Social Care, said: “Most people find out they have lung cancer when it's too late, which is why it's essential to attend your appointment and get checked if asked.

“You may not be experiencing any symptoms right now, but that’s exactly why we need to catch any respiratory problems early – to stop things from getting worse. If you’re not a smoker but you know someone who has received a letter, please encourage them to go along to their health check.”

Highest levels of lung cancer in south east London

Currently, the number of new lung cancer cases in south east London is the highest in London, with majority of cases diagnosed at a later stage. In fact, only 24 per cent of these cases are diagnosed early (stage 1 and 2), demonstrating the need to make these checks available.

Lung health screening forms part of our longer-term objective to tackling health inequalities. Research has shown lung cancer disproportionally affects those from poorer backgrounds, where smoking rates remain higher.

What does the check include?

The check includes an initial phone assessment with a nurse, to explore chest symptoms and risk of lung cancer and other respiratory conditions. Residents who would benefit from having an additional face-to-face examination will have the opportunity to receive a CT scan of their lungs in a community van at Park Row Car Park, Greenwich.

Please note the lung health check is for people without symptoms. If you’ve noticed a change, don’t wait for your lung health check appointment, tell your GP as soon as possible.

Get help to quit

There is also support available via Live Well Greenwich to help quit smoking. The Stop Smoking service offers one-to-one support, self-help advice and much more.

For more information on support for quitting smoking and lung health checks visit royalgreenwich.gov.uk/lung-healthchecks

ADVERTORIAL www.royalgreenwich.gov.uk @royal_greenwich royalgreenwich royal_greenwich News from the Royal Borough of Greenwich

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