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• 6 • THE DRUM MEDIA 10 AUGUST 2010
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THE DRUM MEDIA 10 AUGUST 2010 • 15 •
THUR 12TH AUGUST
Tommee + Afro Moses FRI 13TH AUGUST
BLACKLIST ROCK CLUB - featuring
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Coming Soon Fri 27/08 Diana Anaid + Monique Brumby Sat 28/08 Café Of the Gate of Salvation Sun 29/08 Francesca Sidoti Fri 03/09 Born To Run – Springteen Tribute Sat 04/09 Jo Meares & The Honeyriders + Liz Martin Wed 08/09 Lonnie Lee Thur 09/09 Michael Paynter Sat 11/09 Cutom Kings Sat 18/09 Harry Manx Thur 30/09 Charlie Parr Sept 10 - 25 Sydney Fringe Festival Fri 01/10 Angie Hart + Matthew Barber 7/8/9 October Perry Keyes
THE DRUM MEDIA 10 AUGUST 2010 • 17 •
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THE DRUM MEDIA 10 AUGUST 2010 • 23 •
Contents Issue No. 1021 Tuesday 10 August 2010 All entries must be sent to giveaways@drummedia.com.au and include your full name, address and a contact number. Please note – prizes that are to be collected from the office must be done within four weeks of notification of winning.
DRUM MEDIA Giveaways – Look to your left for free stuff, silly! 24 The Front Line hits hard with industry fact and conjecture, plus we check in with One Movement For Music as the industry conference gears up for its second year. 26 Mailbag – your say on what floats your boat or makes the red mist descend, plus Backlash and Frontlash. 28 The News – just like it says, with opinions, tours, releases and more.
30
Guns N’ Roses feel the wrath of Iron Maiden. 36 Darren Hanlon was afraid of putting people to sleep with one of the songs on his new album. 38
TRIK
ROCK OUT WITH TRIK One of the world’s most respected leading manufacturers of audio, video, communications and information technology, Sony has a brand new compact and fully customisable iPod Dock Speaker System they’ve called TRiK, perfect for music lovers who want to combine powerful sound with personal style courtesy four interchangeable graphic skis – hip hop, street, chic and urban logic – with additional download limited edition skin options including Billabong designs – in fact you can even design your own online. Weighing in at just 6.3kg, TRiK gives you 75watts RMS total power, an integrated iPod/iPhone dock, headphone jack and an analogue portable audio auxiliary input so you can you can use other MP3 players or connect it straight into your PC. TRiK also charges your iPod or iPhone while it’s docked, which means you never run out of battery power and also comes with a wireless remote control, all for just $299. Sony has very generously given us two TRiK iPod Dock Speaker Systems to give away to one lucky reader and since this is pretty special, we’re running the competition for it over the next two weeks and you’re going to have to enter over Twitter. So get on your account – or start one up – and post something with “@DrumMedia #SonyTRiK” in the message before Tuesday 24 August, cross your fingers and hope that we’ll be in touch. Godspeed, dear Twits.
CKY AT SFK In a night guaranteed to be much more than the sum of their acronyms, Pennsylvania four-piece CKY, formerly known as Camp Kill Yourself, are heading down to SFX, now happily ensconced in The St James Hotel in the heart of the city, straight after they play the Manning Bar Saturday night to keep the party going at their official after-party and we have five double passes to give away so you can get down and party with them. Email us with CKY@SFX giveaway in the subject line by midday Friday.
JUST SCARY KIDS Heading into the Factory Theatre in Enmore Saturday 21 August, Arizona’s Scary Kids Scaring Kids are saying farewell to their fans after eight years of kicking out the jams together in a year-long trot around the globe. They might even play a few songs from the album that would have been their third but which they’ve opted not to release since they officially broke up before laying down the vocals. Anyway, we have two double passes to the Gaelic farewell show to give away, so email us with Scary Kids giveaway in the subject line by 5pm Tuesday 17 August.
GLIDING BACK Over the decade they performed and recorded before the man at their centre – singer, songwriter and guitarist William Arthur – passed away in August 1999 aged just 34, Sydney’s Glide carved out something of a unique niche. With their entire catalogue recently reissued exclusively through iTunes, the surviving members have reunited, bringing in Youth Group’s Toby Martin as guest vocalist, for just one Sydney show at the Annandale Saturday, paying homage to the legacy and the man. We have five double passes to that show to give away, so email us with Glide Reunion giveaway in the subject line by 5pm Thursday.
FIRST WEDDINGS ALBUM Tickets have just gone on sale for an evening at the Enmore Theatre, Saturday 9 October, where most of the original line-up of Weddings Parties Anything reunite to perform in its entirety for the first time their seminal debut album, Scorn Of The Women. Originally released independently in 1984, the album not only put the Melbourne band on the wider Australian cultural landscape, but also attracted the attention of major label Warner Music, which signed them on the strength of it and reissued it the following year. Part of the ongoing Empire Classic Album Series of concerts, we have four double passes to the concert to give away, so email us with Weddings Reunited giveaway in the subject line by 5pm Tuesday 17 August.
BLINDED BY SCIENCE The Ultimo Science Festival kicks off Monday and it’ll be running until Sunday 29 and part of the sights and sounds that’ll prove once and for all that this planet is amazing and science can be fun as well as important is the interactive sci-fi theatre piece, True Logic Of The Future, presented by the Canberra-based Boho theatre company. That kicks off down at the Powerhouse Museum 1pm and 7pm Saturday 21, the perfect way to recover from voting in the next Federal government, running through to Saturday 28. We have 11 double passes to the show to give away, so why not enjoy it on us? Email us with True Logic giveaway in the subject line by 5pm Tuesday 17 August. • 24 • THE DRUM MEDIA 10 AUGUST 2010
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An unlikely combination of hip hop and country gives Bliss N Eso the determination to succeed.
40
The Casiotone creeps into the songwriting of Clare Bowditch.
40
E from the Eels finds that, unlike in the ‘60s, he can’t do it without speed. Making albums, that is. 42 3OH!3 are fine if they aren’t in an office day in, day out.
42
CKY plan to infiltrate, destroy and rebuild – and are prepared to put their balls on the line.
43
Ross Wilson proves the doubters wrong.
44
Soul/funk act Lowrider find inspiration from an unlikely source – Rage Against The Machine. 44 Indie mainstays of the ‘90s Glide return to pay homage to their late frontman. 46 There are no weekends when it comes to Black Label Society. 46 On The Record reviews new release albums and singles from Washington, Amity Affliction, Iron Maiden and more. 48 Andrew Haug fills us in on the metal world as he makes The Racket.
56
Stu Harvey delivers a Short Fast Report on punk and hardcore.
58
Chris Maric gets local with hard rock and metal with The Heavy Shit.
58
Viktor Krum asks you to Get It Together with the latest in hip hop.
58
Adam Curley muses on the supernatural in The Breakdown.
59
Scott Fitzsimons gets Young & Restless with all ages goings on.
59
Dan Condon features the world of blues and roots with Roots Down.
60
Michael Smith delivers some Blow with jazz and world music news.
60
Go south as you enter Pedro Manoy’s Swamp Shack. 60
FRONT ROW This Week In Arts gives the lowdown on what to se and do this week ahead; Disney and violence come together in Snapshot; Cultural Cringe dissects the week’s arts news and gossip; in the wake of the new BBC series Sherlock Telly Ho looks at depictions of the famous detective. 62 Opening this week, Scott Pilgrim vs The World and Splice get reviewed; director Eamon Flack and actor Gareth Davies talk about B Sharp’s August to December season. 63 Netta Yashchin discusses her production of Woyzeck.
64
Australian actor Ryan Kwanten takes a trip to hell and back in the TV series True Blood, with its third season on local screens now. 65 DVD Reviews, featuring Doctor Who, Eastbound & Down, Chris Rock and Psychoville. 66 Comedian Kitty Flanagan waxes lyrical on her relocation from the UK to Australia; Darlinghurst’s Gallery 9 is profiled. 68
LIVE It’s all here: gig reviews, tour guide, what’s happening this week, charts, gig guide, random shit and more. 71 Backstage and BTL – your guide to studios, recording, courses and more. 88 The Classies – need a singer/bassist/ drummer/any other service/product you can think of? Your answer is here. And on iflog.com.au. 92
Zakk Wylde’s
Black Label Society THE HIGHLY ANTICIPATED NEW STUDIO ALBUM
FEATU R ES ART ONLY COVER AUSTR A LIA N ND A K BON US TR AC D WATER’ E L B U O R ER T ‘BR IDGE OV
In Stores
10-8-10 www.riotact.com.au | www.twitter.com/riotact_aust www.zakkwylde.com | www.blacklabelsociety.com | www.twitter.com/ZakkWyldeBLS www.myspace.com/blacklabelsociety | www.facebook.com/officialblacklabelsociety
THE DRUM MEDIA 10 AUGUST 2010 • 25 •
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LINE
NEWS? ANNOUNCEMENTS? TIP-OFFS? RUMOUR AND GOSSIP? SEND THEM THROUGH TO FRONTLINE@STREETPRESS.COM.AU
NEWS FROM THE INDUSTRY WITH SCOTT FITZSIMONS
SPLENDOUR TUG OF WAR With an almost double capacity, the 2010 Splendour in The Grass event drew between 32,000 and 35,000 fans to the Woodfordia grounds two weeks ago, prompting Allan Sutherland – mayor of the Woodford region – to try and entice the festival to stay. But, as reported last week, festival organisers Jessica Ducrou and Paul Pittico are hoping to bring the event back to Byron Bay and the 267-hectare site they’ve purchased, despite community and environmental groups claiming that the event has become too big for the area. Businesses want the festival back though, as during the winter downturn in tourism, they lost a much-needed injection they can usually rely on. Speaking to The Front Line last week, Mat Morris, General Manager of North Shore Byron Parklands, revealed that they were about to submit a proposal for the event to return to the purchase Yelgun site and that a decision will have to be made before year’s end.
THE TEMPER TRAP AND EMPIRE OF THE SUN: NO LONGER HARBOUR’S BUSINESS
HARBOUR’S TOP ACTS MOVE TO SPIN-OFF AGENCY
Senior Harbour Agency agent Brett Murrihy and Illusive Sounds’ Matt Gudinksi have announced a new agency, repositioning some of Australia’s top acts and decimating the Harbour Agency roster. Taking Murrihy’s acts from Harbour and Gudinski’s from Illusive Sounds allows the new venture, Artist Voice, to start with a roster that boasts The Temper Trap, Empire Of The Sun, Paul Kelly, Lisa Mitchell, Bliss N Eso, Operator Please, Evermore, Faker and more. The launch hurts Harbour most and their largest act remaining, arguably, is Short Stack.
DESCENDENTS CIRCA 1996
DESCENDENTS LEAD MYSTERY FESTIVAL The much-rumoured about punk and metal festival this December seems to be imminent, with legendary pop/punk outfit Descendents posting on their website last week that they’re touring Australia for the first time. With dates listed for Friday 17 December at Melbourne Showgrounds, Saturday 18 at Sydney University Sports Fields and Sunday 19 at Brisbane Riverstage and the City Gardens, these have not been confirmed. The post went on to read, “In addition to the Descendents, NOFX, Dropkick Murphys, Killswitch Engage, Atreyu, Frenzal Rhomb, Parkway Drive, Me First and the Gimme Gimmes and about ten other internationals (all punk, metal or hardcore) are confirmed.”
“I’ve essentially, for all intents and purposes, left Harbour now” Murrihy told The Front Line. Artist Voice will, however, remain a part of Michael Gudinski’s Mushroom Group – which owns Harbour – so Gudinski hasn’t lost his top agent. “Michael’s been very good to me and the guys still hold a hell of a lot of weight both here and overseas and I spoke to him of my willingness to pursue a different sort of agency, he was incredibly supportive and Matt in particular very excited about the possibilities of it,” said Murrihy. “We’ve been together for ten years and got along very well and particularly Matt sees the agency landscape very much evolving and so do I. We’re all on the same page; we thought that the synergy was right.” Murrihy insists the split is “amicable” and hopes it will “galvanise” both businesses. “There’s a young guy called Jason Norris [at Harbour] who I think shows a lot of promise, he’s a good young agent. But they’ve got some fine people, so I’m sure they won’t take a backwards step.” Artist Voice itself was born out of the desire to emulate international agencies and they’re hoping to offer a “full service objective” incorporating international, particularly Asian, elements. “I’d prefer not to give too much away at this stage, but it’s definitely in aspects sync, in branding, in corporate structure. It won’t be rocket science but it will be the sort of thing the American agencies have done for a long time.” Essentially, “Finding new opportunities for artists that probably don’t exist in this territory.”
BATTLES LOSE MEMBER In another blow to hopes for a new Battles album soon, a post on the Warp Records website has announced that Tyondai Braxton has left the band. “Due to Battles’ ambitions of finishing their second studio album followed by commitments to a full touring schedule in 2011 and Tyondai’s own commitments as a solo artist and his desire not to tour, both Battles and Tyondai have decided to move on without each other,” the post reads. Speaking to Street Press Australia before their last visit early 2009, the band were unsure – or just extremely tight-lipped – of their next direction or time frame. However a mellower The Line track did appear on some versions on the Twilight: Eclipse soundtrack.
SOUNDWAVE LINE-UP LEAKED Putting a swift halt to the momentum of their innovative ‘one announcement a day’ campaign, the line-up for next year’s Soundwave festival was leaked just before midnight Wednesday last week. A camera phone photo of a line-up poster was circulated around Twitter and Facebook, with its legitimacy confirmed the next day with the official announcement.
BEACH BOYS VS KATIE’S GURLS
BLISS N ESO
BLISS N ESO TAKE OVER After weeks of domination at the top of the ARIA album charts with Recovery, Eminem has been toppled by the release of Sydney hip hop crew Bliss N Eso’s Running On Air, which debuted at number one this week. Eminem holds second position and a strong showing from triple j darling Washington sees her debut album I Believe You Liar slot in at three, meaning that Universal Music hold all of the podium spots. Arcade Fire debuted in sixth while the US number one, Avenged Sevenfold sneak into the top ten in ninth. Justin Bieber has been quiet on the publicity front recently and slips to 13th because of it. • 26• THE DRUM MEDIA 10 AUGUST 2010
The New York Post have reported that the Beach Boy’s label Rondor Music have issued a label to Katy Perry’s label Capitol Records, threatening to sue over the use of the line, “I wish they all could be California girls” in Perry’s hit California Gurls. Rondor want Beach Boys songwriters Mike Love and Brian Wilson to receiving writing credit and royalties for the line which appeared in their 1965 track California Girls. In Perry’s song, the line is actually sung by Snoop Dogg.
LIQUID BRANDING Liquid Online Media will launch their new sound branding website this week, liquidonlinemedia.com, in another effort to match artists and brands, “a bit like an online dating site”. Speaking to The Front Line, Shayne Locke says that the underlying theme question to businesses is, “Do you know what your product sounds like?” Open to all bands independent and signed, bands can sign up through the website and Liquid aim to design marketing packages for businesses who source bands through their website.
DEADLINE FOR APRA LIVE RETURNS In November last year, the Australasian Performing
Rights Association (APRA) distributed $4 million to the approximately 18,000 songwriters who are registered with them, money not only from the broadcasting of their compositions but also for any and all live performances of registered compositions. If you’re an artist or in a band and are performing your own original material, that means that even if you haven’t recorded or released anything, you can gain valuable income through APRA if you’ve registered your compositions with them, plus membership is free. The deadline for members to submit their Live Performance Returns (LPRs) for performances of your work
INDIGENOUS AWARDS The finalists for the 2010 Indigenous Music Awards have been announced, with Jessica Mauboy, Geoffrey Gurrumul Yunupingu and Warren H Williams the three for Act Of The Year. Ali Mills, Garrangali, Brian Murphy and the Band Nomadics and Warren H Williams all got nods form Album Of The Year for their respective efforts. Winners will be announced Saturday 28 August.
HELPMANN NOMS The nominations for the self-nominated Helpmann Awards – acknowledging Australia’s live performing arts sectors – have been announced. In the Best International Contemporary Concert category Micahel Coppel Presents have Beyonce and P!nk tours in the running, with Dainty Consolidated Entertainment’s George Michael tour and Garry Van Egmond & Chugg Entertainment receive recognition for AC/DC’s Black Ice tour. In the category of the Best Contemporary Music Festival, Domestic Music Concepts have Homebake, Melbourne International Jazz Festival for their eponymous event, Vivian Lees And Ken West the Big Day Out and the WOMADelaide Foundation’s event.
CHAPEL SERIES TO RETURN Thanks to a partnership with Russian Standard Vodka, the Live At The Chapel series of live events recorded for TV will be returning this year with Paddington’s Uniting Church in Sydney. The new partnership will utilise Facebook to help promote its events.
MOVES AND SHAKES Splitting the partnership with Nicole Jones, Co-Director Frances Mariani has left Melbourne marketing and publicity agency Teclo, with her last day set for Friday 27 August. The business will continue under the guidance of Jones, while Mariani is contactable at mariani. frances@gmail.com. Elsewhere, Katie Head has left FUSE Music and, as is so often in the current climate,
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will be replaced by no one. Dave Curran (davec@ fusemusic.com.au) will be taking on her roles for the time being.
FRESHLY INKED The winners of Australia’s Got Talent 2010, Justice Crew have signed with Sony Music, the debut single from the Western Suburbs dance troupe And Then We Dance due Friday 27 August and too be followed by a full-length DVD release. We All Want To, a new project from Screamfeeder vocalist Tim Steward have singed on with Brisbane indie label Plus One, with Footstomp Music managing the project. One man experimental electro band Axxonn has signed with Useless Art Records, with an album Let’s Get It Straight due for release in midOctober.
VALE BOBBY HEBB US singer/songwriter Bobby Hebb died of lung cancer Tuesday 3 August at age 72 – his 1966 hit Sunny went on to be a much-covered song, the best known versions being by Dusty Springfield and Boney M. Hebb’s later material remains popular amongst northern soul fans and he won a Grammy in 1971 as composer of Lou Rawl’s A Natural Man.
VALE NATE CULT Nate Cult, frontman of Sydney industrial rock act All Eyes Dark passed away last week. Paying his respects, Horrorwood Mannequins’ James Seeney said, “Was an honour to have shared the stage with you. Thank you for the great times, you will be missed.”
WYLDE DOES COMEDY Zakk Wylde told Street Press Australia’s Brendan Crabb in a recent interview that the Black Label Society guitarist is working on a feature film. “I’m actually writing a movie right now. It’s a comedy and [I’m] getting my buddies to actually be in the movie, so it’s going to be hysterical. It’s like a Mel Brooks/Monty Python thing in steroids. I’ve got all my rock star buddies who have no acting skills whatsoever and then my athlete friends making cameos.”
YOU WORKING? Five Dock based Music Consulting and Recording Company Hype 33 are looking for a marketing assistant, a part time role that involves servicing client’s music to radio/TV, online marketing, creation of marketing plans, sales, PR, admin and Photoshop. For more information, email Belinda at belinda@hype33.com.
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LINE NEWS FROM THE INDUSTRY WITH SCOTT FITZSIMONS
GET LOST IN THE MOVEMENT
ONE MOVEMENT FOR MUSIC IS BACK FOR ITS SECOND YEAR WITH PLENTY TO KEEP MUSIC FANS, ARTISTS AND INDUSTRY FOLKS EXCITED. MATTHEW HOGAN SPEAKS TO ONE OF THE ORGANISERS, DAVID CHITTY, AND KIM BENZIE FROM DEAD LETTER CIRCUS, WHO ARE RETURNING TO TAKE PART AGAIN THIS YEAR. year, a bit I suppose like South By Southwest or The Great Escape, the plan was in year two to allow the fans to go out after the festival into these unique spaces in Perth and watch these bands from all over the world, a lot of whom aren’t even playing the festival, some are just exclusive to the showcases. They’re able to go and mix with the artists themselves and the media and the industry and watch them in those small venues.”
DAVE CHITTY
A
DEAD LETTER CIRCUS
fter a successful debut last year, the One Movement For Music festival and conference returns to Perth in October and the organisers are getting ever closer to making it a truly unique music experience. Sunset Events head honcho David Chitty says the first event was hard to get off the ground. “It was pretty full-on putting an event like this on the first year because it’s a bit different to anything that’s happened in WA before. During the event we found that it connected really well between the artists and the industry and the fans. Given the outcomes the bands got career-wise, for us that was the benchmark as to whether this was successful or not.”
smorgasbord of acts from across the world and a lot of stuff that you hadn’t heard of as well and some of the more interesting acts blew me – some amazing Japanese chick just blew me away. We saw Tigarah in LA at the Viper Room and we saw them in Perth hitting the big stage – it was awesome.”
One of the many bands that benefited from the event was Brisbane alternative rockers Dead Letter Circus, who liked it so much they’re coming back for a second serving this year. Frontman Kim Benzie says they got on-board last year after playing a Musexpo conference in LA. “It was a really great festival and there was a
With tickets only just going on sale for the Esplanade multi-stage festival component of One Movement, Chitty says the public reaction to the event has been very positive. “We just started our pre-sale today and sales from a pre-sale perspective are significantly stronger than last year. A lot of people didn’t really understand what it was
DLC also found the industry contacts beneficial. “When we were in LA, you meet a large amount of people and it’s so hard to get them to reply to an email,” Benzie says. “Some of these showcases you do, you’re basically in a room with five people on their lunchbreak trying to create a vibe and then at One Movement, you’re in front of a thousand people.”
last year – it was a conference, it was a music festival, there were showcases, there was a fringe. A lot of people didn’t really know until the artists and the industry and the fans attended, then they understood what it was. What we’re finding online is a lot of people are talking online and saying it was really great. All the online talk, from a punter perspective, is really positive.” Chitty is confident that further announcements will create more buzz for One Movement part two. “There’s some new announcements forthcoming in terms of an extra night that we’ll be offering down at the Esplanade, so that it will grow from a two to a three-day event. The lineup for that extra night, which will be coming in the next few weeks, is really strong. And the showcases in the city, like in the laneways and venues of Perth, have grown from half a dozen to around thirty.” This year regular punters will also be able to experience the showcase gigs directly after the Esplanade festival. “The showcases last year were industry only and this
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The Musexpo music business conference component of One Movement is also experiencing higher numbers of delegates registering than last year with dozens of the top industry folk all over the world making their way to Perth. “We finished last year with around 500 delegates including all the sponsors and media and so forth,” Chitty explains. “Compared to this time last year, the sales are up about 250 percent and that’s pretty consistent. At the moment it’s about two and a half times higher to what it was this time last year and there’s more companies that are getting involved in the event in terms of doing a showcase or presenting a panel – they’re using the event to communicate what they do to the industry.” As One Movement will no doubt grow into a unique and essential experience for music lovers around the country, Chitty hopes his festival can grow with Perth. “The plan is to continue to grow the showcase and club side of it to engage the city more, so that fans can head up into the city and see lots of different acts from all over the world in lots of obscure venues all over the place and grow it more and more. Particularly as the railway looks at going underground and with the new Perth Arena opening; try to grow the event into the city more and more so it’s a discovery event for unique artists in unique spaces – and to keep the Esplanade more as a high profile event and move the more emerging talent to the interesting spaces in Perth city.” WHAT One Movement For Music WHEN & WHERE Wednesday 6 – Sunday 10 October, Perth
THE DRUM MEDIA 10 AUGUST 2010 • 27 •
YOUR SAY
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All letters must have author’s correct phone number, name and address to verify identity – not for publication (NFP)
SHE’S A LITTLE RUNAWAY Dear Drum,
out their spot earlier in the night, then proceeded to chit chat through a great gig. Grrrrrrrrrrrrrr! David
This may be similar to a recent letter I sent to Drum, but anyway I’m so glad we made the trip to Sydney to see The Runaways movie recently; pity our local cinemas didn’t have it – weak as piss! Everyone who loves rock’n’roll should see this movie. It’s warts ‘n’ all; nothing hidden under the carpet and no covering up any issues of what this band went through (there was even a fair bit of humour). Joan Jett comes out as the real rock’n’roll heart of the band (and still is today with her much ignored ongoing solo career). Best of all was the soundtrack with plenty of great ‘70s rock. I was also impressed with the performance of Kristen Stewart, who’s depiction of Joan Jett was very believable, even down to the way she wears her guitar (please don’t hold back from seeing the movie if you’re not a fan of her performances in Twilight). Dakota Fanning was also great as Cherie Currie (this is turning somewhat into a movie review?). I do have a question though, where do I get a copy of the alternative version of the killer Joan Jett track Love Is Pain, as played through the end credits. It’s different to the version on the I Love Rock’n’Roll album? It’s not on the soundtrack? Regards, Rock Fan Newcastle We reckon the internets will tell you where to find that particular version of the track. We tried to look it up to find the answer, but we distracted by Keyboard Cat. – Ed
EVEN MORE IN THE MOMENT Dear Drum,
Flinders Remember, I believe the children are our future. Teach them well and let them lead the way. – Ed
BIG YAWN Dear Drum, While it’s obviously important because it will decide who leads our nation, I’ve got to say that the election campaigning has been a great, big bore for me this time around. There’s no excitement or spark, no sense of change in the air. I guess one could find the fact the polls seem to be even at the moment a point of excitement, as there seems to be no clear cut result as yet, but even that is clutching at straws. Just for the hell of it I followed Julia Gillard on Twitter. And strangely enough she followed me back. Not sure what interest the PM could have in my Twitter, but there you go. I was hoping for a bit more of a personal insight via her tweets, but it’s all been your regulation ‘Launching this policy today’, ‘Travelling to this place tomorrow’, etc. While it gives you instantaneous knowledge of what’s going on, where’s the mundane stuff people tweet about like what she had for breakfast or that she likes the new Arcade Fire album or something. It seems she just jumped on board because everyone seems to have a Twitter account these days, but she hasn’t quite grasped the concept of it. If she wins, I’d love if she claimed victory via it instead of the bog standard press conference. Then I can re-tweet @JuliaGillard “I’m the new PM” or somesuch. Jackson Merrylands Maybe Drum should follow Julia too and see who can provoke a personal response from her. – Ed
With regards to Andrew’s letter last week concerning the over exuberant security guard, your words were far too kind. Not only did he try to stop the lighter brigade and the taping, when I asked him politely at the end of the night for the setlist, I was met with a firm, “We aren’t allowed to touch anything!” His efforts at crowd control would have been much better served in controlling the pre-pubescent fans who felt the need to push in front of punters who had staked
FRONTLASH
FESTIVAL ANNOUNCEMENTS
With all these announcements coming through thick and fast, it barely gives us time to speculate on them. We can start to feel those summer vibes piercing through the winter cold.
AUSSIES ON TOP Yeaaahh, Bliss N Eso debut at number one on the charts! Sydney lads, no less.
SECRET WARS Couldn’t pick the result of the grand final by the end, could’ve gone either way. Keep an eye on these live art battles; it’s only going to get bigger and better.
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CONTRIBUTORS Adam Wilding, Alice Tynan, Andrew Haug, Anita Connors, Anthony Carew, Ben Preece, Ben Revi, Benjamin McInerney, Bethany Small, Brooke Salisbury, Chris Maric, Clare Dickins, Craig Pearce, Cyclone,
• 28 • THE DRUM MEDIA 10 AUGUST 2010
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BACKLASH
ENTOURAGE
Probably for the best, but it’s still a shame that Entourage will cease after a six-episode series eight in 2011. We’ll always have the Ari Gold YouTube compilations though.
FIGHTS IN RESTAURANTS Do you mind guys? I’m trying to enjoy my Chinese and accompanying beer – I hardly need your blood or flailing limbs to distract me from that.
BATTLES MINUS ONE Tyondai Braxton leaves Battles. Doubt it will be the same ever again.
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THE DRUM MEDIA 10 AUGUST 2010 • 29 •
NEWS@DRUMMEDIA.COM.AU Confirmed special guests on the forthcoming Australasian tour by Gorillaz include De La Soul, Hypnotic Brass, Bobby Womack, the Syrian National Orchestra of Arabic Music, Bootie Brown, Little Dragon and Rosile Wilson, with more guests to be announced. The whole shebang descends on Sydney Entertainment Centre Thursday 16 December.
MANIC STREET PREACHERS MUSE
MANICS ARE YOUNG AGAIN Returning to form recently after the mysterious and conspiracy-invoking disappearance of original lyricist Richey Edwards with a record based on his lyrics, Journal For Plague Lovers, we were reminded just why Manic Street Preachers were regarded as one of Britain’s best rock bands for a long while. With a new record, Postcards From A Young Man, due for release in September, they’ll be visiting Australia once again after a 23-date UK tour, playing tracks from throughout their 20-year career. Monday 15 November they play The Metro Theatre.
Final tickets for the forthcoming Muse shows Thursday 9 and Friday 10 December at the Acer Arena, at which the UK rockers are using 16 semi-trailer-loads of equipment to showcase their biggest production tour here yet, are practically sold out, so best get on the case or miss out. Rural Victoria’s Meredith Music Festival is turning 20 this year and happens Friday 10 through Sunday 12 December at the Meredith Supernatural Amphitheatre on a farm owned by the Nolan family, and while the only act to be announced so far are The Dirty Three, the subscriber ticket ballot is now open, so if you want to join in, head to mmf.com.au. Kiwi expats Not Ok are hitting the road with veteran Chicago punks Horace Pinker on a lightning tour that brings them to the Lansdowne midday and the Excelsior in Surry Hills Saturday evening, the Town Hall Hotel Sunday and the Hamilton Station Hotel Newcastle Wednesday 18 August. If we have to suffer one of the coldest winters in years, it may as well be surrounded by snow, which just what you get when Thredbo hosts MTV Snow Jam, with Bliss N Eso, Operator Please and DJ Duo headlining Thursday 26 August. Detroit-raised Berlin-based scenester Shaun Reeves brings his highly distinctive mix of American house and tech-house to Plantation Saturday 28 August.
SOUNDWAVE BETTERS ITSELF AGAIN
After last year’s monstrous lineup, there were only a few ways that Soundwave could top it for 2011. One of those ways is getting Iron Maiden to headline and the metal giants will be doing just that when the festival returns to Eastern Creek Raceway Sunday 27 February. We could talk for ages on the importance of this, but there’s a sensational amount of bands also on the bill we should mention. Like Queens Of The Stone Age, Slayer (pictured), Primus, Slash, Rob Zombie, Social Distortion, Stone Sour, 30 Seconds To Mars, Avenged Sevenfold, Gang Of Four, New Found Glory, Pennywise, Sum 41, Anberlin, The Gaslight Anthem, Third Eye Blind, Devildriver, Sevendust, Less Than Jake, The Bronx, Monster Magnet, Terror, MXPX, Protest The Hero, Melvins, 36 Crazyfists, Ill Nino, The Ataris, The Starting Line, Bayside, Mad Caddies, The Maine, Trash Talk, Mayday Parade, Foxy Shazam, Never Shout Never, The Blackout, Alesana, Asking Alexandria, All That Remains, High On Fire, Dommin, The Sword, Kylesa, A Skylit Drive, There For Tomorrow, Breathe Carolina, Taking Dawn, I See Stars, Rise To Remain, Nonpoint, Veara and Every Avenue. Hell, and there’s even more to be announced!
Also joining Boston hardcore bruisers Death Before Dishonour alongside Brisbane’s Against and our own Relentless when the Americans hit the Cambridge Hotel stage in Newcastle Thursday 2 September are The Hollow and Taken By Force, while at the Bald Faced Stag Friday 3 it’ll be Phantoms.
REREADING THE SCRIPT Dublin rockers The Script are about to release their second album, Science & Faith, and with luck it’ll be in your hot little hands just in time to learn all the songs so you can join in when the boys play them and all your favourites from their self-titled debut album under the Big Top in Luna Park Wednesday 6 October. They were handpicked to open for U2 and Paul McCartney when the big names toured last year, so be ready to be impressed. The Script will be supported on tour by Melbourne-born musician Michael Paynter.
Meanwhile joining UK post-hardcore merchants Enter Shikari and their main guests House Vs Hurricane in the UNSW Roundhouse Thursday 23 September are local mosh favourites Hand Of Mercy. Tuesday 14 September, Steady The Fall do the honours opening for visiting Americans Attack Attack! and Pierce The Veil at Tuggeranong Youth Centre Canberra, while Wednesday 15 it’s Sienna Skies and Thursday 16 it’ll be Revival Ashore. New Zealand’s Subtract and Sydneysiders Switchblade will be warming things up for American thrash metal kids Exodus Saturday 2 October when head into the Manning Bar at Sydney Uni. Gainsville, Florida’s Against Me! have invited Brisbane pop duo An Horse to join them and local heroes Grand Fatal at the Metro Theatre Saturday 9 October, while it’ll be Jamie Hay joining them at the Cambridge in Newcastle. Pumped about the fact that Jackass 3D will be hitting the world’s cinema screens Thursday 4 November, legendary skater Bam Margera is joining CKY on their current Australian tour, which sees them playing the Manning Bar Saturday, to give us all a taste of what to expect. The New York City-based Melbourne duo that goes by the name Luluc has been invited to support Angus & Julia Stone on their 25-date national tour, which reaches Newcastle Civic Theatre Wednesday 25 August, the Enmore Theatre Thursday 26, Friday 27 and Saturday 28, the ANU Canberra Wednesday 1 September and Wollongong Uni Thursday 2. Melbourne’s Heaven The Axe, featuring members of Manticore, Damaged, The Berzerker/Abramelin and House Of Thumbs, co-headline with Frankenbok at the Sydney Dime Show in the Jolly Frog in Windsor Friday 20 August. Brisbane’s Buick Six drive down to do the business at MUM in World Bar Friday 27 August, joined by The Vignettes, Spacetickets and Gelfing. When Perth’s 6s & 7s head into Melt Thursday 26 August to launch their debut album, Choose The Sentimental Blooze, in Sydney, where they’ll be joined by Traps and Des Miller. Brisbane collective Laneous and the Family Yah will be joining Rat Vs Possum supporting Regurgitator on their national album launch tour, playing The Maram in Canberra Thursday 23 September, Wollongong Uni Bar Friday 24, and the Manning Bar Saturday 25 • 30• THE DRUM MEDIA 10 AUGUST 2010
XAVIER RUDD
CITY NEVER SLEEPS Adelaide’s City Riots will tell you that initiative pays off. The unsigned band has yet to release an album, but after managing to organise themselves a two-year trip around the world they managed to record their debut in Chicago with Bjorn Thorsrud (Smashing Pumpkins, Dandy Warhols). They released a debut EP in 2006, and the first taste of the new material has come via the track She Never Wants To Dance – currently serviced to radio – and they’re hitting the road with The Chemist in September, playing Spectrum Friday 24 September and then Coaster Festival Saturday 25. When they return in 2011, they’ll have an album release as well.
YOU’VE WAITED FOR THIS MOMENT Well we have to admit, out of all the things we never thought we’d be announcing, the Village People were high on the list. The disco stars responsible for Macho Man, Go West, Y.M.C.A., In The Navy, Can’t Stop The Music and more, have sold more than 100 million records worldwide. In recent years tending to restrict themselves to guest spots and special performances, they’ll be in full flight and colour at the West Leagues Club in Newcastle Tuesday 12 October, and the Enmore Theatre Saturday 16.
SEASON OF SCARE
SINGING IN THE SUN The festival excitement just keeps rolling on at the moment – we don’t know which way to look and there’s barely time to have a good old contemplate about who’s going to play where – as Port Macquarie’s Festival Of The Sun at Breakwall Tourist Park Saturday 11 and Sunday 12 December, has unleashed its lineup. There are Xavier Rudd, Regurgitator, Sharon Jones and The Dap Kings, British India, Calling All Cars, That One Guy, Dallas Frasca, The Gin Club, The Seabellies, The Chemist, Barrel House, Slow Down Honey, Sierra Fin, Mojada, Ebb n Flo, Lee Rosser, The McMenamins, Bob Corbett, Lissa, Mojo Bluesman, Minnie Marks, Fans DJs and a triple j Unearthed Winner to be announced. Tickets on sale the first day of September, 10am.
Recently witnessed delivering a mellower-than-usual set in support of Midlake, Melbourne’s Big Scary will be drawing from that aspect of their sound again when they head up north for a sit-down performance of their latest release, Winter. The second of four seasonal instalments, the boy-girl duo will be playing just two shows (one also in their hometown), keeping the momentum rolling on what has already been a pulsating year for the band. Friday 27 August you can catch them at the Vanguard, with Sydney’s own Adrian Deutsch the support.
TAKING BLISS TO THE WORLD
THE BOHEMIAN MASQUERADE BALL A boutique festival that has been running annually now for over three years and recognised as a grand carnival of underground culture, The Bohemian Masquerade Ball and its associated “sideshow” Boho Club showcases Australia’s “flamboyant vanguard sub-culture boiling-pot of independent music, extreme circus and performative installations, burlesque, cabaret acts and rovers”. Featuring The Barons Of Tang throughout, The Bohemian Masquerade Ball heads into Albert Hall in Canberra Friday 10 September, with The Brothers Grimm, Lolo Lovina, Mojo Juju (solo) and The Orphanage, joining in, along with sideshow acts Frankie Valentine, La Viola Vixen and more. Then it’s the Hotel Gearin Friday 17 with the Tang joined by Kira Puru & The Bruise, Ghostboy with Golden Virtues and Mojo Juju (solo); The Gallipoli in Newcastle Friday 24 with the Tang joined by Kira Puru & The Bruise, Jephthah Francis & the Forbidden Zone, and The Factory Theatre Saturday 25 with The Crooked Fiddle Band, Lolo Lovina, Mr Fibby and more joining the Barons, as part of Sydney Fringe Festival.
CLOUD CONTROL
CHARLIE PARR
BLUES WANDERER Ever since he toured with Paul Kelly, Minnesota’s Charlie Parr has become a favourite of Australian audiences, the old-time blues and folk he offers a welcome escape from the usual sound barrages. Returning not long after his initial visit, Parr will be back in September, playing Notes Thursday 30, the Brass Monkey Friday 1 October, and the Northern Star Hotel Saturday 2. The visit coincides with the release of his new album, When The Devil Goes Blind, in late August, and is the first one to be recorded in an actual studio.
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As soon as we heard Bliss Release, the debut album from Cloud Control, it was pretty obvious that they were onto something special. They’ve recently signed to UK label Infectious (home of The Temper Trap and Local Natives), the record’s been nominated for a J Award and they’ll be hitting the road once again come October, after recently touring UK. Releasing a video for their latest single, There’s Nothing In The Water That We Can’t Fight, live they’ll be joined by Seekae and Deep Sea Arcade at The Newcastle Uni Bar On The Hill Thursday 14 October, The Metro Theatre Friday 15 and Wollongong’s Grand Hotel Saturday 16 (Deep Sea Arcade not appearing at the latter).
PINKER IN PACIFIC Having again set their sights on this corner of the world, Horace Pinker will touch down in Perth this month following gigs in Hong Kong and Singapore, after having left their homes in the US for their 2010 Pacific Rim Tour. Despite never having enjoyed commercial success, the band has tightened quite a few notches on their belts over the years, having played in festivals in Germany and Brazil, been on numerous compilations and this year are recording their follow-up to the 2005 album, Texas One Ten. Among various shows in the country they will be at The Excelsior Hotel Surry Hills on Saturday with Not OK, The Optionals and The Rumjacks.
THE DRUM MEDIA 10 AUGUST 2010 • 31 •
NEWS@DRUMMEDIA.COM.AU IRON MAIDEN. PIC BY JOHN MCMURTRIE
SURF CITY
WINNING POINTS
THE IRON FRONTIER
As you’ve no doubt heard – from our cover, the Internet, general excitement in the streets – Iron Maiden have their sights set on Australia for their upcoming The Final Frontier world tour in support of their brand new album of that name, and that’s due for release this Friday. There’s little introduction needed for the legendary metal giants, but we can tell you that the new record is quality, up there with some of their finest moments (check our track-by-track review this issue). Thursday 24 February they play the Sydney Entertainment Centre, with tickets on sale this Thursday. It will sell out and it doesn’t look like much room for extra shows, so don’t miss this.
THINGS TURN TO GOLD
EXTRA LAYERS When psychedelic rock gets heavy and really quite good, things start to sound like Los Angeles’ Dead Meadow, who are running out front of a new psych revival. Now featuring original drummer Mark Laughlin, they’ve five full-length records and a live LP under their belt and an Australian tour on their mind. Playing The Lair (in The Metro) Saturday 16 October, they’ll play two shows, a matinee from 4pm-7pm and a late show from 8pm12pm with Blarke Bayer/Black Widow and Nadja supporting.
GREAT BALLS OF FIRE The 2010 Snowball event, run by Sydney Uni and held in Manning House, has taken an increasingly electro leaning this year, with Van She Tech, Ajax, KillaQueenz, The Only, Deekline, Cutlass Supreme, Gabriel Clouston, Rogers Room, Sohda, Kid Crookes, Glenn Be Trippin, Jamie Tek and Tito gearing up for the night’s entertainment. Perfectly positioned in the middle of this cold snap to keep us on our toes and keeping warm, it happens Thursday from 8pm ‘til late.
Things are falling into place for Boy & Bear, having found themselves rubbing shoulders with the likes of Mumford & Sons and Laura Marling, to see them promptly explode. They’ve also got a great little EP, With Emperor Antarctica, out at the moment and they killed it at Splendour In The Grass. In support of their third single, Blood To Gold, they’ll be hitting Wollongong’s Harp Hotel Wednesday 27 October, the Cambridge Hotel Thursday 28 and the Oxford Art Factory Friday 29.
TWICE THE POP, TWICE THE PUNK Philadelphia’s The Wonder Years are befriending Western Sydney’s own Heroes For Hire to complete, together, A Split Record, limited edition vinyl release. The two pop-punk acts will then hit the road together to promote the release, arriving at The Gaelic Saturday 11 September, and an all age show Sunday 12. It’ll be the first time The Wonder Years have toured Australia, and they’re riding high following the release of The Upsides earlier this year, whilst Heroes For Hire finally got their debut full-length, Bright Lights In Paradise, out this year as well. Tonight Alive round out the bill.
LION IN A SEA
As he eases his way into the singles charts, pop rock songwriter Michael Paynter and his young band will be heading around the country in support of the single, Love The Fall. With support slots for The Script and A Day On The Green festivals announced, he’ll also be playing a solo show at Notes Thursday 9 September.
It’s been a while between drinks but Lions At Your Door finally have a new single, In A Sea, and an excuse to hit the tour bus and take it for a spin up the east coast. Having spent most of the year writing and recording, the six-piece is more than ready to stretch out in live mode again and kick it all off Thursday 19 August at the Gaelic Theatre, then return via The Cambridge in Newcastle Wednesday 8 September and the ANU Bar Canberra Friday 17.
THE SINGULAR GROUPER
TIN ALLEY MONSTERS
LEARNING TO FALL
Another musical delight spawned by the heady creative atmosphere that seems to permeate all things Portland, Oregon, Grouper aka Liz Harris is coming down our way to introduce herself and “the densely compelling aural micro-universes” she creates, as heard on albums like Way Their Crept, Cover The Windows And The Walls and Dragging A Dead Deer. Grouper performs at Sound Summit in Newcastle Friday 1 October, the Street Theatre Foyer in Canberra Saturday 3 and the Sandringham in Newtown Saturday 9. • 32 • THE DRUM MEDIA 10 AUGUST 2010
HELL OF A WEEKEND Sometimes it’s hard to immerse oneself in the underground music scene, because you just don’t know where to look. Thankfully, there are events like The Artless Armchair 6, which will bring together a smorgasbord of pop, indie, folk, punk and power violence acts to Seal Rocks, Bungwahl, Friday 22 October to Sunday 24. The Brutal Poodles, Hira Hira, Crab Smasher, To The North, Michael Crafter, Penguins, Little A, The (temperamental) Pocket, Origami Girls & The Craftanoon Club, Anal Discharge, Simo Soo, Pop Singles, Jess Locke, Zounds, Nick Van Breda and heaps more will be performing, so go and introduce yourself to some of the city’s best hidden sounds. Bring a tent and good vibes. Entry’s only $18.
METAL DROPS
BOY & BEAR
DEAD MEADOW
After three years in the making, New Zealand’s Surf City are ready to unleash their debut album, Kudos, on us when they return to Australia for an album tour. Building on the guitar-pop that New Zealand bands in the 1980s found so enticing, Surf City are pushing out of their country’s borders as the buzz surrounding them slowly makes its way around the world. We’ll only have to get down to the Beach Road Hotel Wednesday 8 September where they’ll play with Ghostwood or Spectrum Saturday 11 where they’ll be with The Laurels and Traps
“Expect Sirens – Expect Groove – Expect The Unexpected,” shouts the banner headline announcing the forthcoming tour by Tin Alley alerting all and sundry of the band’s tour launch of new Monster EP. The fact that the single, Out Of Control, topped the AIR charts for a month suggests you guys might just dig them, which suggests you’d better get yourselves down to Home Nightclub Saturday 28 August quick smart or miss out on, well, the unexpected.
Victorian duo Metals are having plenty said about them at the moment, with blogs tripping over keyboards to have their say on the electro-rock duo. Made up of soul vocalist Candice Butler and producer Digital Primate, they recently played their first live show at an exclusive event in Melbourne and they’ll continue to showcase themselves through a national tour that drops into Spectrum Saturday 18 September. Check out the video for their track Drop Your Guard while you wait.
ICE CUBE
ICE, ICE, BABY An alumnus of the West Coast gangsta rappers and member of the legendary group N.W.A, Ice Cube is a revered figure of the hip hop society. Followed by his fair share of controversy, the lyric spinner toured Australia in 2008 to acclaim and sold-out signs, and is returning this October to take part in the Fat As Butter Festival, one of the biggest names to ever appear at that event. He’ll also be playing a sideshow at Luna Park’s Big Top Friday 22, tickets on sale this Thursday.
THAT GAL IS BACK Australian-born Chris McNulty first visited New York City in 1985 and three years later, she decided to make it her home, the perfect base within which to immerse herself in the kind of contemporary jazz that she has made her own over half dozen albums released in the intervening years. Saturday 11 September seems as good a night as any to be away from the Big Apple, McNulty performing at 505 in Surry Hills with the Mat McMahon Trio, while Sunday 12, she’ll be performing with Chuck Morgan in the next of the Sandy White House Concert series, before heading off to Russia for a run of shows.
WHEN JAZZ COMES ALIVE The folks at SIMA (Sydney Improvised Music Association) are continuing celebrations in their anniversary year, throwing the inaugural Jazz Visions Festival this month. Showcasing both pioneers and emerging youngsters of the Australian scene, Thursday Simon Barker headlines Colbourne Avenue, Friday the Alister Spence Trio Project the Sound Lounge. On Saturday Chris Abrahams & Phillip Johnston play the Sound Lounge, Wednesday 18 August Zac Hurren Trio‘s at the same place. Thursday 19 the Charmaine Ford Trio + Katie Noonan and George Garzone with The Mick Nock Trio play the Seymour Centre’s Everest Theatre, Pochee/Robson Duo are in The Sound Lounge Friday 20, the Sandy Evans Trio the same place Saturday 21 and also on Saturday, the Andrea Keller Quartet and George Garzone with Mick Nock’s Men play The Everest Theatre..
PINK MARTINI
PINK MARTINI ANYONE? Take a splash of classical chamber music, an ounce of Brazilian marching band, a dash of cabaret and lounge, mix in some neo-swing sound, shake, pour and you’ve got Pink Martini, one of the most sophisticated world pop ensembles to come out of the US in decades. Showcasing their most recent album, 2009’s Splendor In The Grass, featuring The Dandy Warhol’s Courtney TaylorTaylor among the guest stars, Pink Martini return to Australia to play the State Theatre Friday 1 October and headline the Great Southern Blues Festival in Batemans Bay Sunday 3 October.
JERICCO RISING
WE ALL DO THE DISCO DANCE
Last year saw the Melbourne-based Jericco emerge from obscurity to make a significant play for national alternative rock attention, scoring various tour support slots with Mammal, MM9 and Karnivool as well as doing their own headline shows. Having launched their latest single, Nice To See You, in June, Jericco are heading out again to preview new songs from their forthcoming second EP, Nice To See You, available from iTunes and all good music outlets Friday 17 September, at the Sandringham in Newtown Friday 1 October.
Drawing all sorts of collaborations to Death Cab For Cuties more melancholic moments, Disco Nap – a band initiated by Ross Hope, the brains behind Iron On – will be launching their debut album, Running Red Lights, via an east coast tour. Recorded over six months, the album deals with the concepts of life, death, love and family and will come to life on the stage of the Excelsior Hotel Surry Hills Thursday 2 September, where Cameras and Sleepyhands will provide the supports, and The Front Gallery and Café Friday 3 where Voss has that role.
ETHIOPIAN JAZZ ROOM TIME
SWIRLING LAKES
Over two big nights, Friday 15 and Saturday 16 October, Jazz Rooms at the Basement Circular Quay is presenting the first ever Sydney performances of the legendary Ethiopian musician, composer and arranger Mulatu Astatke. Known as the godfather of Ethio-Jazz, an infectious hybrid music dating back to the 1960s combining Afro jazz, soul and funk with traditional Ethiopian harmony, Astatke will be joined The Black Jesus Experience and your host, DJ Russ Dewbury and special guests.
Newcastle’s Seabellies have their debut album, By Limbo Lake, ready for release, and it’s already been hyped up by those who have heard it. It’s been finished for a while, but the public will get the chance to experience the cinematic instrumental layering from Friday 20 of this month. Then it’s out on the road to launch the disc, which means shows at the Oxford Art Factory Friday 24 September, Night Eats Day at The Grand Hotel Friday 1 October, The Cambridge Hotel Saturday 9 and The Filth at The Ivanhoe Friday 15.
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THREE DOG NIGHT & THE TURTLES
14 NOV
COMING SOON
BLISS N ESO, THE NATUCH GIRLS, 1927, LUNARMORPH, WHOLE LOTTA LOVE “LED ZEPPELIN CELEBRATION” CELEBRITY THEATRESPORTS, THE FAIRIES FAVOURITES, CYPRESS HILL, UNKNOWN PLEASURES, TAME IMPALA PAUL WELLER, SARAH BLASKO, OWL CITY, SMOKIE, BLONDIE & THE PRETENDERSZ
www.enmoretheatre.com.au THE DRUM MEDIA 10 AUGUST 2010 • 33 •
CAN’T KEEP A BLONDE DOWN
SUSTAINABLY HUGE
Los Angeles’s Concrete Blonde are about to embark on their third string of life, having been active in the ‘80s/’90s, early ‘00s and now the ‘10s, and inbound to Australia they will be playing tracks from their classic 1990 album, Bloodletting, as well as a host of other staples from their back catalogue. Returning after their 2006 ‘retirement’ it seems that playing live is proving to be irresistible for original members Johnette Napolitano and James Mankey, who’ll be leading their band at the Enmore Theatre Thursday 21 October.
The sustainable arts and music festival Peats Ridge returns to Glenworth Valley over the New Year’s holidays, and they’ve just announced one of their biggest lineups ever. Running Wednesday 29 to Saturday 1, without further ado – here’s the lineup. Angus & Julia Stone (pictured), Trentemøller (Live), Built To Spill, Freestylers, Kate Miller-Heidke, Shout Out Louds, The Dynamites Featuring Charles Walker, Born Ruffians, Lightspeed Champion, PVT, Decoder Ring, The Audreys, The Break, Washington, Cloud Control, Jonathan Boulet, Freq Nasty, Space Invadas, The Jezabels, Dan Mangan, Thundamentals, Steve Poltz, Joel Plaskett, King Tide, Horrorshow, Watussi, Parades, Big Scary, Spit Syndicate, Belles Will Ring, Kim Churchill, The Chemist, The Gin Club, Tom Fun Orchestra, Carmen Townsend, Matt Barber, Chase The Sun, The Lovetones, THE E.L.F, The Seabellies, McCartney, The Delta Riggs, Holly Martin, Spooky Land, Alter Ego Mania and Dereb the Ambassador. Tickets on sale Thursday 19 August.
BACK WITH BAND Frontman of the polarising Live, Ed Kowalczyk treated fans to intimate solo and acoustic performances last year and was received well enough to warrant coming back. This time though, it’s in full band mode ahead of his debut solo release, Alive. After eight studio albums with Live, five of which hit the top five in the Australian album charts, Kowalczyk’s ability to write a popular tune is well beyond doubt. Sunday 31 October he plays the Enmore Theatre.
CHANGE OF THE GUARD There are few more iconic logos in the punk scene than that of Misfits, the late ‘70s/early ‘80s horror-punk purveyors who have become something of a cult band, especially since their mid-‘90s reformation. The band has been through a number of lineup changes and is currently operating with just one original member – bassist Jerry Only who’s taken up vocal duties – as well as Black Flag’s Dez Cadena and Robo, which is sure to be disagreed with by some of the faithful. Nevertheless, The Misfits will play the Manning Bar Saturday 5 February.
THEY NEVER LEFT Contrary to popular belief Sydney/Maitland’s Smudge never really broke up. They slowed down (averaging at least 3.75 shows a year since 2001) and released a few new albums, but they never went away. They’re about to throw that average right out of order soon with This Smudge Is True, a best of compiled chosen by the band from across the band’s career, which will see them hit the road in support. Friday 8 October they play the Sandringham Hotel with Little Lovers providing the support.
LOOK TO TOMORROW Coaster Festival has announced a new stage in the form of Tomorrowland, which will dedicated to dancing, dodgem cars, dancing, various games, dancing, the Slingshot To Infinity and dancing. But what’s there to dance to? Well, Infusion, The Aston Shuffle, Bass Kleph, Illy, Sam La More, Spit Syndicate, Band Gang DJs (pictured), Purple Sneakers DJs, SoSueMe DJs and Cheap Lettus who will all serve you well. The festival, which happens Saturday 25 September at Gosford Showgrounds has already announced that Ice Cube, Birds Of Tokyo, Art Vs Science, Silversun Pickups and more are on the bill.
FLY SCRIBBLE FLY Celebrating the release of their debut album, We’re A Chameleon (Queen Silver/MGM Green), Melbourne multi-instrumental girl duo Louise Terry and Gray Taylor, aka Flying Scribble, described as “where electronica meets dream pop”, are hitting the nation’s highways to introduce it and themselves, with their visit to The Red Rattler in Sydney locked in for Thursday 14 October, with guests We Say Bamboulee.
The new album, Come Around Sundown, from Kings Of Leon is released Friday 15 October. Abbey Road Live, whose recordings of The Pixies ‘Doolittle Live’ Australasian tour by earlier this year proved so successful, will now be recording each show on the Slash tour and making the recording available locally and internationally. A limited number of double-disc CD sets will be made available after each performance. Friday 20 August sees two classic Slayer concert titles on DVD released – 2003’s War At The Warfield and 2004’s Still Reigning – and release their 1995 Live Intrusion, recorded at the Mesa Amphitheatre in Arizona and digitally remastered, for the first time through Sony. The Black Crowes have just released their first double album of all-acoustic material, Croweology, featuring all-new arrangements of their favourites and back catalogue picks. The second “album” from Blue King Brown, Worldwize, to be released Friday 20 August, is actually a two-part four-disc affair subtitled Part 1 – North & South. Also out this week is the new album, Nirvana Nights, by Leah Flanagan, the name deriving for a small “defiantly seedy bar in Darwin”. Touring here in October, Minnesotan folk/blues artist Charlie Parr releases his latest album, When The Devil Goes Blind, Friday 27 August. The man who cofounded and wrote most of the biggest hits of The Beach Boys, Brian Wilson, has gone back into the Great American Songbook to reinterpret the legacy of brothers George and Ira Gershwin, in an album titled Reimagining Gershwin, out Friday 27. • 34 • THE DRUM MEDIA 10 AUGUST 2010
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THE DRUM MEDIA 10 AUGUST 2010 • 35 •
BRUCE DICKINSON FROM IRON MAIDEN TALKS EXCLUSIVELY TO MARK NEILSEN IN LOS ANGELES ABOUT CURVEBALLS, THE MERITS OF AUTOCUES, UNCERTAINTY IN THE WORLD AND WHETHER OR NOT THIS COULD BE THE BAND’S LAST ALBUM.
wouldn’t
CHANGEa
“Y
ou’ve just walked into an Iron Maiden tribal encounter group,” laughs Iron Maiden vocalist Bruce Dickinson, referring to the opening of their new album, The Final Frontier. Well, we’ve actually walked into a Santa Monica hotel, but for those of you worried the band may have embraced nature and brought some sort of new age element to their latest longplayer, fear not. It’s just that when you press play on the album, you’re guaranteed to be thrown by the intro, Satellite 15, seeing as it is based around some sort of crazy tribal beat. It does however segue into the big riffs of the first track proper of the album, which also happens to be the title track. “It was nothing more dramatic than a bit of music that Adrian [Smith, guitar] had just assembled, just mucking about with a drum machine as a demo and Steve [Harris, bass] heard it and went, ‘That’d be cool, we could screw around with it a bit.’ So we chopped it about and we added some drums and we added some guitars and I quite like it,” Dickinson says of the unexpected intro. “The only thing I say, which I think is going to piss a few people off, is that they can’t access the last four minutes directly. They’ve got to put up with all of the intro first before they go into Final Frontier. I like the way you can see it almost unsettling people.”
THING
not just galloping riffs – you have the two- and threepronged lead guitar lines, the odd slower tempo number thrown in (which invariably builds to a crescendo), an average song length of around seven and a half minutes (including many an epic, especially the 11-minute closer, When The Wild Wind Blows) and lyrics that read longer than most literary works.
Drum is sure there will be some confused looks from fans on the initial listen. “Yeah, I love it,” Dickinson says mischievously. “Because the record is so strong I think by the time you get to the end of it – rewind. So I don’t have any problem with that at all. In any case I think throwing people a curveball from time to time is a good thing.”
“The album goes on for days. There’s a lot of bloody words,” Dickinson admits. Drum wonders if he ever sometimes just looks at lyrics sheets and wonders what the hell is going on. His answer wasn’t quite what we expected, but better. “I saw fucking Guns N Roses and they had autocues for the backing singer,” Dickinson pauses in incredulous silence. “I’m like, ‘Take me down to the Paradise City/ Won’t you please take me home’. What the fuck? I don’t know, I just think there’s something about the sight of some icon... I mean does Mick use an autocue? I can’t believe Mick Jagger uses an autocue: [points out each word] ‘Please allow me to introduce myself/I’m a man of wealth and...’ Oh it’s wrong; it’s fucking wrong. Using an autocue turns it into fucking karaoke. It’s just wrong. If actors can remember their bloody lines, then rock’n’roll singers should be able to remember ‘Tutti Fruitti all rooty’.”
Aside from the opening though, that’s about it for curveballs for the rest of the album. The Final Frontier is Iron Maiden’s 15th studio album and once again bears all the hallmarks of their classic sound honed over 30 years. First taste El Dorado has the trademark Maiden galloping riff. “Well, Talisman as well,” Dickinson points out, mentioning nine-minute opus The Talisman. “Oh God, the rape of the ears. It just rocks that song.” But it’s
If you’ve seen the album’s artwork, or maybe caught the video for the album’s title track, you’ll notice the space theme that surrounds it. After listening to the album too, it sounds like it’s a tale, as the title suggests, of a journey to space and beyond; of being lost and journeying to many frontiers. It can be taken on this literal level, but there is also a metaphorical aspect to the album that, as it turns out, can be related back to the band.
• 36 • THE DRUM MEDIA 10 AUGUST 2010
“Not exclusively, but a lot of songs work on a couple of levels,” Dickinson begins. “So your spaceman who’s… Well, we’re not the first guys to do it. Bowie did it, people like that, so the idea of a spaceman being isolated, not just lost in space but lost within himself as well, is not a new concept. It just hasn’t been done by a metal band really. You know, final frontier, he’s wishing his life… he’s watching his life disappear before his very eyes but also saying, ‘Well, fuck it, it was great and if I had the chance I’d do it all again; I wouldn’t change a thing.’ So in that respect there’s a metaphor there for Maiden and what we’ve been up to. I don’t think any of us would change anything. “We did the record and we’re very pleased with the album. It’s a different kind of record, which is good, really, seeing as it may or may not be the last one we do. I mean, never say never, but at this point, I think two or three years down the road is a long time to start predicting things.” If you look or listen into the lyrics of the album, you can see exactly what Dickinson is talking about, as a lot of the words seem to be of someone reflecting on their journey – and some with a sense of finality. The Final Frontier has “I’ve lived my life to the full/I have no regrets”; Coming Home features “On bittersweet reflection as you kiss the earth goodbye”; Starblind mentions “I’m weary of these earthly bones and skin”, while Mother Of Mercy has “Accept the consequence, repent for what I’ve done”. “Interesting, all those words were pretty much split down the middle,” Dickinson says when the above lyrics are highlighted to him. “Steve wrote them and I wrote them. Like Coming Home was my words, Starblind
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was my words, Final Frontier was Steve’s words and we weren’t colluding with each other, saying, ‘What’s on your mind?’ I think it’s just generally, not just where the band is at, but where we’re all at as people. We’re all over fifty, we’ve all got kids, we’re looking back at them looking forward at what future they have; looking at probably the greatest period of uncertainty that I can think of for a while, globally. “When I was a kid, the only thing you had to worry about was nuclear war – that was it. The rest of the shit was like local stuff. But now everything is global, so not only is the world heading or not heading for eco disaster this week, next week, next century or maybe not. ‘Oh we made a mistake. Oh sorry we revised the figures, oh it’s not melting as much. Shit, yes it is. But there’s another disaster around the corner. That first disaster we said was gonna happen, it’s not gonna happen but there’s an even worse one and we could get wiped out by an asteroid, so… chill.’ There’s so many uncertainties and that all gets reflected in the stuff we write.” How does it feel being at that point in the band? Have you not been that uncertain as a band previously? “No, but it just seems to be the process of uncertainty in the world seems to be accelerating on a day-to-day basis and part of it is maybe real uncertainties, part of it the media wishing to unearth further disasters or future disasters. ‘Disaster narrowly averted’ – what the fuck is that? Something that didn’t happen is news. Just to scare the shit out of people. The war on terror – there’s a whole crisis in itself that was created for no good reason. The war on terror; it’s just bullshit.”
THE AMERICAN EXPERIENCE Drum was privileged to actually head over to America to not only exclusively interview Bruce Dickinson, but to also catch the band in concert at their show at San Manuel Amphitheatre in San Bernardino, California, about 100km from Los Angeles. This was part of their North American tour named after their new album, so assuming the same show makes it to Australia, what can we expect? The main thing was that the setlist was made primarily from material from their past three albums (2000’s Brave New World, 2003’s Dance Of Death and 2006’s A Matter Of Life And Death). While this may have had some fans grumbling online beforehand, rest assured the 25,000 or so that were there at the show Drum witnessed loved every minute. Speaking to those in the inner ring of the Maiden camp afterwards, they placed this specific show as one of their best ever (yeah, it may have been a case of blowing smoke up the visiting journo’s arse, but it was a strong performance nonetheless). The band displayed an agility of men 30 years their junior and the crowd was in full voice for every song. The stage set was futuristic and every song had a specific backdrop. Blood Brothers was dedicated to Ronnie James Dio – who had passed away only a month before – and in one of those weird, magic moments, a white bird (Swan? Seagull? Dove? – well, it was quite high in the air and ornithology was never Drum’s strong point) flew dead centre over the stage during Hallowed Be Thy Name; it was so perfect that those who saw it were questioning initially whether it was a stage prop. The set was frontloaded with the more recent songs (except for an appearance of new song, El Dorado), with the band bringing out the classics at the end. Even Iron Maiden mascot Eddie made an appearance in all his probably three or four metre glory, briefly “playing guitar”.
WHO Iron Maiden WHAT The Final Frontier (EMI) WHEN & WHERE Thursday 24 February, Sydney Entertainment Centre; Sunday 27, Soundwave
“Over here, it’s going fantastic,” Dickinson says of the American experience on The Final Frontier tour a couple of days after Drum witnessed a gig. “It’s actually quite surprising in a sense that the United States comes in strange waves at the moment. We’re obviously riding on some kind of peak, but it’s a peak of our own making really, because we’re not riding this on the basis of doing a bunch of what you might call classic hits from
the ‘80s, which is what most of our contemporaries rely upon now. They couldn’t make a living if they didn’t go out and… if Mötley Crüe didn’t go out and do the first two albums. We’ve got 15 albums, so us doing our history of the last three or four – well, the past couple of times we’ve been to America, has been doing some quite confrontational things in terms of… Well, judging by the reaction of a few vocal people on the internet about it, ‘Why didn’t they play this? I’ve been a fan for forty years.’ Yeah, the last record you bought was 1985.” But then there’s the response from the other fans. You’ll get one that will lament the setlist being composed of more recent songs, but ten others will say pull your head in, you should have gone to the last run of shows, which was the Somewhere Back In Time tour, consisting of Maiden tracks almost exclusively from the ‘80s. “Exactly. And those are the people actually that matter,” Dickinson affirms. “It’s the people that keep music alive that matter, not the people that want you to turn into a fossil. If you want to be a fossil, you can be, but whilst I think if you would characterise Maiden as anything, I think dinosaur would be quite good really, ‘cause there aren’t too many of us around and we’re really quite magnificent when you get up close. So dinosaur in a good way; it makes a few million years to being a dinosaur. It’s something we should embrace, but the dif-
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ference between a dinosaur and a fossil is quite great. So we’re happy to be the T-Rex of the metal world.” The thing is, Maiden is usually quite specific when they do go out on tour by saying whether their set will consist of mostly recent tracks or classic hits. “You hope that somebody gets it. Certainly after we’ve done half a dozen shows in the States, the way communications media are now, you would expect that most people would be aware what the setlist is. If they want their money back they can sell their ticket or whatever, but it’s going down great. Particularly because we’ve got the policy of re-organising the policy of the way that the Americans traditionally do their seating, which has always been frankly a pain in the butt over here, because there’s no concept… like, going to a rock concert in America is a bourgeois event. Which means air conditioning and Cokes and Pepsis and hot dogs and stuff like that. Well, fuck that. Iron Maiden is not that event. And it’s one of the reasons why we used to get bent out of shape with coming here. We were fed up with getting to fucking America and seeing fat people with hot dogs who got given corporate tickets and don’t give a shit about the band in the first three rows. But this whole thing with us, we spent a long time trying to get Iron Maiden fans at the front of these gigs. And touch wood it seems to be working on this tour.”
THE DRUM MEDIA 10 AUGUST 2010 • 37 •
AN EMOTIONAL GUY
WHEN DARREN HANLON STARTED STRUMMING A GUITAR AS A TEENAGER IN GYMPIE, QUEENSLAND, HE NEVER IMAGINED HE’D FIND HIS MUSICAL SOULMATES IN PORTLAND, OREGON, AS HE EXPLAINS TO MICHAEL SMITH.
“I
know,” Darren Hanlon laughs at the fact. “It does feel like a long way from home, especially the weather over there – I’m a Queenslander in my heart. I dunno, I just seem to fit right there [in Portland]. There’s a really, really nice community that seems to be quite supportive of itself. Just talking to people there I think it’s one of those places that is so creative. There’s so much going on that it’s actually hard to actually perform there because you’re competing with so much stuff. But I met some people there and just felt that they were enthusiastic about playing my songs as well. Maybe it’s because I came from somewhere far away and was a little bit different to what they were doing.” His most important Oregon connection is longtime collaborator and keyboards player Cory Gray, who not only once again plays on Hanlon’s new album I Will Love You At All, but was also responsible for some additional recording in his studio in Portland, where the album was recorded. “I met Adam [Selzer, bass/producer] first actually – this is way back when I recorded [2006 single] Happiness Is A Chemical there – and Cory was playing in Adam’s band, Norfolk & Western. He was just another session player but we just got along really well, so that’s how that relationship started. Adam had emailed me and asked if he could record it, which was really nice and I took as a sign – I’d never had a producer or engineer actively seek me out [laughs]. I think he’d been to a show I’d played in Portland a year before.” It might surprise readers coming into the Darren Hanlon story four albums into his solo career to learn that he didn’t really get serious about his own songwriting until the band that first brought to wider public attention, The Simpletons, broke up. That was primarily because he felt a little inhibited by the quality of material that band’s songwriter Shane Gelagin was producing. After a brief stint touring as guitarist/keyboards player for Simpletons labelmates The Lucksmiths and The Dearhunters, then a year with Mick Thomas, his then label Candle Records finally convinced Hanlon to record some of his own songs. “As always it’s just a little bit subconscious,” Hanlon describes the writing of I Will Love You At All. “I never really have themes that I want to get across – it’s just whatever comes out on that particular day. I did want the instrumentation to be a little bit more stripped back – because I was going to Portland – apart from Cory, without my normal group of musicians that I rely on here in Australia. And that kind of felt like a new beginning in a way, because a lot of the people I’ve played with here had moved on to other things. To tell the truth I’m still trying to find a drummer! Pikelet’s been helping out when she can. “The House song [on the album] in particular was an exercise in trying to write a song with only two chords – and it ended up being nearly eight minutes. You really need the percussion in that one to drive it along otherwise you would go to sleep. I was terrified of putting that on the album, thinking it would be the track everyone would skip once you know the story, ‘cause it’s quite a gruelling little tale; an emotional rollercoaster. I guess I’ve had to face the fact that that’s the kind of songwriter I am. I’m a bit of an emotional guy.” House is probably as close as Hanlon is likely to get to writing a Nick Cave-style Gothic murder ballad, though in no way as disconcertingly dark. But it’s no more typical of the album than the subversive Buy Me Presents, inspired by an album of songs performed by Marilyn Monroe, or the ukulele-driven All These Things, on which Hanlon duets with another Portland native Shelley Short, who is currently touring with Hanlon as backing vocalist as well as opening the night performing her own art-folk songs.
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“We met up again at South By South West and I saw her play solo and I just loved it. It’s not the most accessible music; it’s quite soft and you really have to give a little bit to get something out of it.” Also featured on the album are drummer Rachel Blumberg, who’s played with Bright Eyes, M Ward and The Decemberists. “My favourite parts of any album is always what the other musicians bring to it and a lot of the players on all of the albums aren’t strictly pop musicians or folk musicians so they bring something completely unique. I think it was [second album] Little Chills where we had Doug McCombs from Tortoise playing bass and he wasn’t used to playing anything with chord structures – he was used to playing motifs and riffs – and some of the melodies that he came up with I would have thought of.” After this album tour, Hanlon’s focus for the rest of the year is touring it in the US where it will be released in September, having scored a deal with seminal US label Yep Roc Records, home to Loudon Wainwright III, Ron Sexsmith and Sloan.
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“My new manager just started doing all these things and asked me if I’d like an American deal and in a way any kind of talk of industry or deals terrifies me. I still have trouble, even after ten years, seeing myself as any kind of careerist. I still try to think of it as a hobby. When I met the label I realised that they’re really nice guys and they’re really passionate about the music. They’re not really interested in making a lot of money ‘cause it’s a huge risk for them. You read about Australian bands ‘cracking it’ in America, but a lot of it’s hype – there aren’t that many bands that can really make a living over there and the label guys know it, but they still want to help in some way.” WHO Darren Hanlon WHAT I Will Love You At All (Flippin’ Yeah/MGM) WHEN & WHERE Thursday, Gallipoli Legions Club; Friday, The Factory Theatre; Saturday, Tilley’s; Sunday, Clarendon Guesthouse; Wednesday 18 August, Heritage Hotel
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THE DRUM MEDIA 10 AUGUST 2010 • 39 •
FOUR SCORE
their 2008 album, Flying Colours] so it’s a similar kind of concept, but I think with this country track it’s even more of a jump and comes even more out of leftfield.”
BLISS N ESO ARE JUMPING FOR JOY OVER THEIR NEW ALBUM, RUNNING ON AIR. WITH SOME TRADEMARK LOCAL SOUNDS AS WELL AS SOME GENRE AND GUEST SURPRISES, IT’S A FOURTH DISC TRIUMPH. BLISS CHATS TO LIZ GIUFFRE.
On the other side of the fence, the group has also secured some old school hip hop endorsement by getting Wu-Tang’s RZA to rhyme on the track, Smoke Like A Fire. No label convincing needed there. “We had the beat there and already it was a very Wu-Tang sounding track. And at the time we were doing it, it was synchronicity or something, but our label do a lot of international tours and the goal was to bring Wu-Tang out, so because there was a connection already there with management and stuff, we said, ‘Well, it’s a longshot but there’s already a connection there with management and stuff, so let’s send it across and see if he likes it’ – and that’s basically what we did,” Notley explains, gushing like any selfrespecting fan would. “We shot it across and he really, really dug it and for us it was crazy because we’ve all been massive Wu Tang fans for a long time, so it was nuts. He dropped his verse and then we were like kids in a candy store waiting to hear it. We made a pact that no one of us would hear it without everyone else, so we heard it together. It was a big deal for us, you know.”
J
onathan Notley, aka MC Bliss, has just snuck in a quick sandwich between engagements, while it seems Max MacKinnon (Eso) has been deployed to other duties (or perhaps has snuck out for a proper break). Despite the pre-album rush, Notley is warm and comfortable, with attention genuine rather than staged. Although sitting in a room promoting music must be tedious, he happily engages with the spruiking process. “With a new album there’s a fair bit of debating about all the aspects of what goes into it, from the mixes to the artwork and graphic designers. There’s a lot of to and fro for that, so it’s a live animal until it’s basically frozen in time and released, but we’re really excited. The label usually likes a minimum of six weeks between entering the masters and all that stuff, so now we’re doing the rounds and talking about it,” he begins by way of explaining the modern musician’s show-and-tell media merry-go-round. To this he adds the inevitable coda, “I think we’re in a really good place creatively and moving forward… We’re really proud of the album and just really pleased that it’s out there.” While these early comments might sound like lip service (or a polite answer to a bland question as the interviewer warms up), in the case of new album Running On Air there is audio evidence to prove this progression. Upbeat single, Down By The River is an example of what the band can achieve inhouse, however there’s plenty of exploring of other people’s music on this album too. Part of Bliss N Eso’s role in moving Australian hip hop forward to date has involved showing the band’s love of music outside the genre’s canon, Running On Air’s unlikely cross between hip hop and country music another fine addition to this art if nothing else. And it’s not just any country, but
local royalty Kasey Chambers and Shane Nicholson. Interestingly, Notley and his crew have been sitting on the idea for a while, but it took a long time to get off the ground because of some hesitation from the powers that be. Their reluctance, however, proved just the motivator required to get the track finished. “Way before we put out our first EP, The Arrival, in 2000, myself and Eso actually did some early, early recordings with [Kasey’s brother] Nash Chambers and Kasey was around, but not a prominent solo artist, just a working artist. And yeah, so we did some pretty funny stuff – the country producer trying to make hip hop beats – and it wasn’t exactly working out the way that we hoped, so everyone moved on. But we’ve known [The Chambers family] for years and when we see them around it’s like, ‘Man, one day wouldn’t it be cool to try and make something work?’ Then Hunzo [Bliss N Eso’s long-time producer], who just does remixes a lot – not necessarily for a purpose but just for fun – he flipped up the Kasey Chambers and Shane Nicolson track, Rattlin’ Bones,
and me and Eso heard it and we were like, ‘Oh man, this beat is sick, can you imagine some rhymes on this?’ The whole time during the process of making the track [which eventually became Bliss N Eso’s Late One Night], our label, who are normally amazingly supportive of what we do, this was the one song where they were just not supportive and were like, ‘Guys, what are you doing? This is going to fuck up – how are you going to mix country and hip hop?’ They were very, very concerned. But Eso and I just stuck to our guns and said, ‘Just make a call at the end. We’re going to make this thing, we have a vision for it, we’re going to do it,’ and we did it. And by the end we had their whole office buzzing; they thought it was a standout track on the album, so it was wicked to get that kind of response after not being quite sure. Me and Eso were into it from the start, we thought it would work, but I guess it comes down to that whole thing… I mean, we’ve done that kind of thing before, we’ve flipped up Angus and Julia Stone before [changing the Stone’s Paper Aeroplane to Eye Of The Storm on
NEW ADDICTION
NEW BAND – SORT OF; NEW ALBUM – TICK; NEW SOUND – SORT OF; TV WORK – LOADS! CLARE BOWDITCH CERTAINLY HAS MORE THAN ENOUGH ON HER PLATE, BUT IT’S THE MODERN CONDITION AND IT WORRIES HER, AS SHE TELLS MICHAEL SMITH.
That’s another thing that might surprise people about the new album – it sounds different. Bowditch calls it political-disco and there’s plenty of her wry wit in evidence; take, for example, the obvious contemporary pop culture reference in A E I O You: “My bedroom to your ma-ga-ga-zine. You were sweet, now you’re totally mean.” “It’s funny, as you mentioned it, we just passed a news stand that says, ‘GaGa crazy in love’,” Bowditch exclaims, as she and partner and drummer Marty Brown are driving through Melbourne while she conducts the interview. “I think our obsession with the personal stories of celebrities and even our obsession with celebrities, it’s all about us really, just about us and our insecurities and our desire for distraction and also our desire to kind of get addicted to something to appease our anxieties. I’m just as guilty of that as the next person really. I’m just as fascinated from time to time by certain popular figures, but I guess I always have the feeling that there must be more.” • 40 • THE DRUM MEDIA 10 AUGUST 2010
WHO Bliss N Eso WHAT Running On Air (Illusive) WHEN & WHERE Thursday 19 August, Enmore Theatre; Saturday 23 October, Fat As Butter; Saturday 30, Stonefest
common and I wanted to sing about it and I wanted to have a giggle about it.” Meanwhile, Bowditch also rediscovered the collection of old Casiotone keyboards she’d grown up with and that led her down a few serendipitous paths. “It was wanting to play around with a new instrument, pulling the old Casio and just having a lot of fun. And also having fun kind of shoving it to people who try and minimise all of us girls who started making music around the same time, often being shoved in the same basket or mistaken for each other and so on, which is just about playing around with people’s stereotypes of what Clare Bowditch is. The Casio was basically a comedy item for that very reason and it worked a friggin’ treat two years ago on the road – to just suddenly put on 3D glasses and do a Casio tune was really fun – but somehow mysteriously it crept into the songwriting.”
T
here would been more than a few people surprised to see Clare Bowditch turn up as a panellist on ABC1’s Monday night social commentary panel debate, Q&A back in May, but once you’ve heard her new album, Modern Day Addiction, it’ll all make sense. “When you look at the popularity of a show like Q&A, obviously there is room for popular music that questions things,” is how Bowditch sees it. “I think commercial radio, as a general rule, likes to stay away from music that has any meaning and that’s its own kind of selfish beauty too and I love a good vacuous popular song as much as the next person, but I don’t think [Modern Day Addiction] is that, even though it might appear to be that.”
Were there any expectations that his endorsement would help get Bliss N Eso out further into the big bad world? “Oh look, it’s not going to hurt anything,” Notley says cheekily. “To say your last album featured RZA is pretty cool… And look, he’s by no means an expert in Australian hip hop, but he’s certainly aware of it and that’s why he says on the track that hip hop is a universal artform and can be created anywhere. In his rhyme he talks about hip hop being universal, so you know, absolutely. But in general [Australian hip hop] is still budding internationally and we’ve come a long way just domestically building it up over the last ten years and people are now getting totally over the whole accent thing and just accepting it and embracing it.”
So what, you might wonder, sent a singer/songwriter who we’ve got to know more for her gentle, homespun folk-tinged pop melodies and hilarious asides in performance, along this particular path? “A few things actually. I think it started somewhere around the time my father passed away two years ago… And I think it started long before that too. I had a family member who was a model – I saw that world from the inside – and when I won the ARIA [in 2006 for Best Female Artist], I was kind of thrust into two worlds where I was still very much living in a share community and yet somehow I was privy to this very privileged world at the same time, so I had those extremes going. “It also had to do with sharing a makeup room with Paris and Nicky Hilton before I knew who they were and thinking, ‘Shit, these people are really… I don’t understand them!’ But as I say it was also about my father passing away and that just crunches you straight back down to your core and makes you ask the question, what does this all mean, where are we headed and who am I? “I didn’t have show parents. My parents couldn’t give a rat’s arse if I was famous or unfamous – it was never
the focus of their parenting with me and I think that’s also meant that I’ve come into this culture that I work in totally analytical about it. I think it’s there to be questioned really, because I think when we idealise anyone or anything it’s worth examining – it’s a duty!” Another thing that prompted Bowditch questioning what it was all about, which led to the writing of 11 songs that make up Modern Day Addiction – she’d written more than 100 songs for it, most of which she admits were crap – was the one thing every other band strives to achieve – constant touring, selling out shows and getting critical recognition. “At the same time, again, we were still artists who stuck between two worlds. We get a lot of support from community media and triple j and so on and some perceive us to be a mainstream act, but we’ve never been played on commercial radio – and that’s the reality. So all of those tensions are playing in there in songs like ‘We Started A Movement’ [a line from A E I O You] or Bigger Than The Money. And what else prompted it was this obsession we have with dieting and eating disorders… I think most women actually have some form of every day eating disorder, which is an obsession with their body. I think that’s really, really
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There are quite a few new and impressive names joining the Bowditch extended family on the new album, among them former Bad Seed Mick Harvey, one of Berlin’s most important producers in Mocky, and the legendary Hansa Studios (where U2, David Bowie and Lou Reed have recorded). “For the first time we actually used different producers, so it wasn’t just Marty and I in the back shed. We’ve admired Mick Harvey for a long time and it turned out he had a bit of free time and came along to the studio [to play bass] and ended up producing some of the album. But the heaviest influence on this album is probably was Mocky and that was a chance meeting. I met him in Berlin; I hired his apartment, I didn’t know who he was, I answered an ad for an apartment with a piano and it turned out we had some mutual friends, liked each other and decided to record quite a bit of the album with him.” WHO Clare Bowditch & The New Slang WHAT Modern Day Addiction (Island/Universal) out Friday WHEN & WHERE Thursday 21 October, Wollongong University; Friday 22, Newcastle Leagues; Saturday 23, The Metro Theatre; Saturday 30, Stonefest Canberra
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ANYTHING GOES
title Tomorrow Morning coming after it, it changes the meaning of ‘End Times’ and it means ‘Oh it wasn’t the end at all, it was just one of those terrible times that feels like the end.’ But then there’s always a new morning tomorrow.”
THREE ALBUMS IN JUST OVER A YEAR IS NO EASY FEAT, YET HERE SIT EELS HAVING ACHIEVED JUST THAT. BEN PREECE FINDS OUT JUST HOW CREATIVELY SPENT MAIN MAN MARK OLIVER EVERETT IS AND WHAT THE IDEOLOGY BEHIND THE TRILOGY IS. THANKFULLY IT DIDN’T INVOLVE EWOKS.
Despite the initial thought of the three records eventually revealing the three emotion-driven themes Everett describes, the albums don’t necessarily have too much sonically in common. “They were each made on their own, in a musical world of their own and they were all designed, hopefully, to stand on their own. They don’t have to be thought of as part of a trilogy. A triple album was never a consideration. I just did a double album for the last one [2005’s Blinking Lights And Other Revelations]. I thought that if I did a triple record right after that I felt that it was too much. Not to say I won’t try that one day. Some of the songs were written ahead of time – I wrote them on a guitar or a keyboard or whatever and some of them just came about from experimenting in the studio. That can often be the funnest time when that happens.”
I
t’s hard to have a conversation about Mark Oliver Everett or “E” – the man almost solely behind Eels – without the words “eccentric” or “genius” creeping in. Over the course of nine largely consistent albums, the man, with a rotating guestlist of band members, has endured the heights of commercial success, record company fallout and commercial failure, all executed with a sharp tongue of truth and his attitude on his sleeve. Pick up his autobiography, Things The Grandchildren Should Know, to read of the torments and losses, dizzying success and incredible lows all experienced virtually as Everett formed the band. Right now however, at this very moment, he claims that life is very nice and that he’s very happy. And why shouldn’t he be – after a four-year absence and a spectacular array of releases that not only included the aforementioned autobiography but also a best of compilation and DVD as well as a b-sides/rarities double release, he is poised for the release of his third album in just over 12 months, Tomorrow Morning. “Well I went four years without putting any albums out, so I figured I’d better make up for lost time,” he explains. “It was an experiment. I always admired how the pace records used to come out in the ‘60s when the norm was every six months and I always felt that was how I wanted to do it. But now that I’ve done it and I realise how much work it entails, I realise that the reason they could do it in the ‘60s is because they were all taking speed. That was back when nobody knew that speed was so bad for you. I’m glad I did it, but I’m exhausted and I don’t think I’m going to keep doing it.
“Prince used to put out an album every year. I remember back in the ‘80s, it was like every spring there’d be a new Prince album and that was a nice pace too. Record companies only want you to put one out, at the most rapidly, every two years. It’s all about marketing, they want it to be this big... it puts all this undue commercial pressure on an album because it’s all about this big marketing moment. That’s why they start putting in their two cents about, you know, what the album should be content-wise.” The run of close releases started in June 2009 with Hombre Lobo, an album that not only returned Everett to the musical radar after four years, but also spawned a couple of classic Eels singles in Fresh Blood and the stunning That Look You Give That Guy. Next was the outright dark and depressing End Times, an album that caught fans by surprise. Everett had always addressed the darker side of himself in his songs but his delivery was always somewhat tongue in cheek. Tomorrow Morning is next and as Everett explains, it completes the trilogy and thematically ties the three neatly together. “Each of these three albums is based on a human
experience or emotion that we all probably experience at some point – the first one is about desire, the second one is about loss and the third one is about renewal. The great thing about it was that I knew I wanted to do these three albums about these three subjects. I recorded each of them as their own album and amazingly as I recorded each of these three albums, something would be going on in my life that would be perfectly timed to help me with the subject matter. It was incredible.” The depressing nature of End Times, the second record of the three, attracted criticism for its blatantly dark lyrical nature and, while it left fans scratching their heads, it left Everett smiling. “The thing that was interesting for me was that I always knew what was going to happen at the end of the End Times album, that it was going to go onto this… renewal,” he explains, with renewal being of course the new release, Tomorrow Morning. “It never seemed as dark to me as it did when it came out and people were like, ‘Wow, this is a downer’. I was sort of smiling because I knew, you know, wait until you see what’s next. Because it changes – when you see the title End Times and then you see the
ONE BIG PARTY
A COMBINATION OF OLD SCHOOL HIP HOP AND A LENGTHY PUNK TOUR LEADS 3OH!3 TO INVOLVE EVERYONE, INCLUDING CHRIS CHINCHILLA, WHO SPEAKS TO THE DUO’S SEAN FOREMAN.
WHAT Tomorrow Morning (E Works/Vagrant/ Shock) out Monday 23 August WHEN & WHERE Saturday, Enmore Theatre
It was being asked to appear on a track on Lil Jon’s recent album that was the most rewarding. “The Lil Jon collaboration was huge for us. He was one of our biggest inspirations; Lil Jon made hip hop fun again. He always makes tracks with these huge sounds and it’s undeniable that everyone’s having a good time. He’s also very smart and open to changing and not being stuck doing the same old over and over again.”
S
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WHO Eels
“Different people bring different things to songs. The cool thing about working with Katy and Kesha was that they were such natural collaborations. We were all friends first and foremost before any of us had had large scale success and it was great to see what had happened to everyone.”
ean Foreman is currently taking time off from 3OH!3’s hectic schedule to undertake that most un rock’n’roll of life’s essentials, visiting his family. So it’s from Boulder, Colorado that Drum discusses the rapid rise of a band that is all over the Internet and has collaborated with some of music’s current hottest names. The band seemingly came from very quiet beginnings, pottering in their respective (and legendary career beginnings for so many American youth) parents’ basements into a nonstop celebrity party lifestyle they now enjoy. Whilst 2007’s debut album, 3OH!3, did little in terms of chart or traditional commercial success, it certainly helped set the band off on their two main prongs of attack - live shows and the Internet. Foreman puts a lot of their early success down to touring incessantly all over the United States, with their simple and easy to transport set-up making it straightforward to adopt a ‘go anywhere, play anywhere’ attitude to touring. The approach helped the band slowly get their music in the hearts and ears of a great number of people and gain them a reputation as a band that not only played the best parties, but also made the best parties happen in the first place. As with many modern bands, especially bands that focus on the younger end of the market, 3OH!3 also utilised the Internet to great effect in promoting themselves. “MySpace made us,” he says. “The Internet is definitely a tool that helps a musician operate in the new world.” Back when MySpace friends mattered and were a sign of stature and importance to fans and industry executives alike, the band spent a lot of time incessantly making friend requests and spreading their musical message across the virtual world as well. This inevitably led to being in the right places at the right time and, more importantly, meeting the right people at the right time. A deal was signed with Photo Finish (home of Rival Schools among others) and the piecing together of their ‘big time’ debut, Want, the album that was set to catapult them into commercial and celebrity success, began.
Aside from perhaps the obvious full band effort on the 1996 debut, Beautiful Freak, the attractive thing about Everett’s music is that it often sounds like one man in isolation, overdubbing layers of guitars and drums in his own home studio. He explains that this isn’t always the case and on Tomorrow Morning, despite its oneman-band vibe, it does feature a few extra musicians. “There’s a lot of collaborators involved on this one – there’s longtime Eel Koool G Murder and Knuckles the drummer and there’s an orchestra and a choir. They were all different processes but they were all done in my home studio for the most part. But they’re all uniquely musically and in environmental worlds of their own – Hombre Lobo was more of a band record, End Times was more of a solitary singer/songwriter/acoustic guitar record and this one is more of an electronic, experimental, anything goes record.”
One of the biggest problems with setting yourself up as a band with a fanbase that is primarily young and writing songs to appeal to them is that, inevitably, there will be a time when you seem manufactured and lacking in conviction. There is nothing worse than 30-year-olds singing about being teenagers (several long established bands need to realise this). Drum was intrigued to know how long Foreman felt 3OH!3 could be about youth and fun and when it would be time to call it a day.
One of 3OH!3’s most endearing and controversial properties is their propensity for creating music that is fun and is about having fun. The band has been accused of everything from being misogynistic to possessing warped senses of humour to just being plain stupid. If it’s the latter, is the band poking the slightest of fun back at their fans for lapping up their music in the first place? As, after all, who is more controversial, the creator of contentious arts or its consumer? Intellectualism aside, the music is fast-paced, loud and abrasive – exactly the kind of stuff that kids get a kick out of. Foreman sums up the 3OH!3 experience as “we’re basically trying to have one big party”. He elaborates to explain that the band has learnt how to have bigger and better parties along the way. “We took what we learned from our favourite music, such as old school hip hop and incorporated it with what we picked up from experiences on our lengthy Warped tour to create a live show where we try to involve as many people in the crowd as possible. We try to keep it as true to our recordings, but also to make the live
experience different for everyone every time.” How does a two-piece consisting of (essentially) two singers performing to a backing tape face the challenge of making a live show more than just guys and their gadgets? It’s always a dull experience for anyone but the keenest of gear heads and not the most cultivating situation for ‘one big party’. “We started out with just Nat [Nathaniel Motte] and me and an iPod. Now we use an Ableton set-up, which is live mixing software and that enables us to have a lot more interactions and flow in our live shows without just standing still.” 3OH!3 are fully paid-up subscribers to that most fashionable of pursuits for modern musicians, the collaboration. The band has collaborated on a number of commercially successful tracks with Kesha and Katy Perry, the latter becoming a top ten hit in the UK, Ireland, Finland and Australia. The experience of working with these two figures of female pop royalty was a rewarding one, explains Foreman.
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“I guess we’ll see, until we burn out I guess. At the moment it’s still fun, so when that runs out and we’re making contrived songs that aren’t even fun for us anymore. Or at least we’ll try to change and write different kinds of music. We’re not afraid of trying something different just for the sake of remaining as what we started.” A well-trod path for a lot of (especially male) dance and hip hop acts to follow is the one that leads to writing and production work. It’s something 3OH!3 may consider following when their live shows become hard to sustain night after night. “I love the live show and it’s part of who I am. I love writing too and we’ve already started writing songs for other people. I’m having a good time and whilst doors are still opening for me I’m going to see what lies behind them. As long as I’m not in a cubicle in an office day in, day out, it’s all cool with me.” WHO 3OH!3 WHAT Streets Of Gold (Warner) WHEN & WHERE Friday, UNSW Roundhouse
BALLS ON THE LINE
HAVING SUCCESSFULLY SPENT THE LAST 13 YEARS WITH THE OPEN INTENT TO INFILTRATE, DESTROY AND REBUILD THE MUSIC INDUSTRY, HEAVY ROCK GROUP CKY CAN NOW REVEL IN THEIR INDEPENDENCE. GUITARIST CHAD GINSBURG EXPRESSES HIS VIEWS TO LOCHLAN WATT.
“C
KY has always been a pioneer, in the sense that we’ve known things were about to end with the way the industry was going and we were telling people for a long time that it’s basically up to them, telling musicians not to rely on anyone but themselves and their friends,” explains CKY guitarist Chad Ginsburg over a crackling mobile connection. Himself in the thick of transferring between airports to get from LA to the UK in time for his band’s Sonisphere performance, the busy background happenings do nothing to deter the 38-year-old’s obvious passion for discussing all things industry. Claiming that “no label’s ever really given us any bit of a push”, Ginsburg has well and truly had enough of all the other fingers pervading his proverbial pie. “What the fans know about CKY is that we’ve always had a big mouth about the destruction of the industry; we’ve always claimed to take a good part in helping destroy it. At least, even if we destroy ourselves in the process, there’d be a chance for young musicians to later rebuild it, because it wasn’t going anywhere and it still isn’t at the moment. The fact is since it sucks so bad, it can’t go down too much further without the prospect of going up again. I think there’s a whole world of open adventure for the industry. Infiltrate, destroy and rebuild was pretty much our mantra in this industry. As far as CKY is concerned, we’ve infiltrated, helped destroy, but I never said it was up to us to rebuild. But we’ll exist within it and put our balls on the line to help.”
As far as CKY is concerned, we’ve infiltrated, helped destroy, but I never said it was up to us to rebuild. But we’ll exist within it and put our balls on the line to help.
Releasing their 1999 debut album, Volume 1, through Distant Records, CKY then signed to Island/Def Jam and released Infiltrate•Destroy•Rebuild and An Answer Can Be Found in 2002 and 2005 respectively. Last year saw the group release Carver City through metal giant Roadrunner Records, yet it seemed that through all these years, much like any notion of a conventional or sub-genrespecific ‘scene’, CKY didn’t really fit in. Crediting his band’s success purely to their own hard work and authenticity, Ginsburg is happy to be blunt about his feelings towards their past business associates. “Every label’s just kind of let us do what we can and over the years they’ve all just relied on us to gain our connections to use on their other artists. They never really spent their money on us. They’ve gotten to know us, learned from what we know and tried to copy it with their other bands, which never really seems to work too well.” Despite the extra promotion that can come from being a part of an active roster of signed artists, Ginsburg doesn’t think that CKY will be disadvantaged by their new plans and sees exciting new avenues ahead. “Maybe if we had seen a little bit more from record labels over the years we’d feel a little disadvantaged, but I don’t feel like we’re at any disadvantage at this point. There’s a whole new world; all types of new discoveries in the music industry. Why anyone would have a major goal to be signed by a record label...” he trails off with an almost rhetorical pause. “[Being on a label] normally doesn’t really guarantee that you have signed your ability to be doing it for a living away anyway pretty much. CKY has done it for a long time with a label, but for most of the time without a label, so I think we’ll be just fine. It’s all about keeping your fanbase and our label’s never really had anything to do with making our fanbase. A lot of bands gain their fanbase from what their labels do for them, but that’s something that we’d never really profit from.” Label business isn’t the only thing that’s changed in the CKY camp lately, with the recent departure of bassist Matt Deis leading to a bit of shuffling in their live lineup. Ginsburg explains that “we didn’t really lose him; we’d know where he is if we wanted to find him. Matt Deis left the band. He kind of just went domestic I think. He had played in the band for five years. We have the guy who has been playing synth for us for the last two years, Matt Jaunitis, playing bass and he’s a multi-talented musician that’s been working for us for a couple of years, engineering and stuff with me – and he plays a couple of instruments but he’s playing bass now. We have another guy doing synths now, a guy named Murray. He’s actually played in a band before with Matty J the bass player. They both have teched for CKY on the road, many tours, every shitty job we had and now they’re signed up for the even shittier jobs – the bass player and keyboard positions.” With a good sense of humour tied strongly to the band’s sensibilities, Ginsburg, along with mainstay members Deron Miller [vocals/ guitar] and Jess Margera [drums], is excited at getting to work on future releases and reveals that it’s quite unlikely that their new live members will be involved in any immediate creativity. “We’ve been doing a lot of new stuff in my studio. The way we record is generally the whole band is normally just me and Deron, plus Jess stops in to play some beats and then it’s just me on my own finishing it up. We recently did a song for the new Jackass movie, it’s like the main song that they have for it – the song is specifically for that movie – but we’ve been writing a bunch of new stuff and I can’t wait to release it in different ways, maybe vinyl and movie soundtracks and stuff like that. We’ll put it out ourselves. A label... unless you need somebody to instruct you on how to be a band – and we’ve kind of already figured that out – and we don’t need anyone to afford our studio time, because I own our studio and I produce all of our records and it really doesn’t... a label’s nothing but a bank to loan money off with a high interest rate; someone to give you a lot of problems.”
WHO CKY WHEN & WHERE Saturday, Manning Bar
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SOUTHERN SOUL
LAUDED AS ONE OF THE MOST MESMERISING LIVE ACTS IN AUSTRALIA, IT WAS IMPORTANT FOR ADELAIDE’S LOWRIDER THAT THEIR SECOND ALBUM CAPTURED SOMETHING OF THAT ENERGY. AS SINGER JOE BRAITHWAITE TELLS MICHAEL SMITH, SCORING SOME HORNS DIDN’T HURT.
F
orming in 2004, it seems Lowrider took a little while to find their real audience. The fact that Lowrider is a band that doesn’t have a guitarist in a time when the indie guitar sound seems to be de rigueur doesn’t exactly help. “It’s not very often you come across an Australian band, let alone an Adelaide band, that doesn’t have a guitar, so that’s something from the very start,” singer Joe Braithwaite admits. “Not really on purpose, but we were really big fans of bands like The Roots and a lot of soul music. In the beginning we really struggled, when we were playing to rock crowds all the time who didn’t really understand. And then we played one of those warehouse birthday parties or something and everyone just went crazy for it and we were like, ‘Have we been playing to the wrong people?’ [laughs] “We all like every genre of music, but with soul it is something that, I find, you really do feel – whether you feel it because of the lyrics or the beat, it’s something you can really immerse yourself into. And if you’ve got your bass, your drums and your keys, you can do a lot with that. Even saying that though, there are a few twinklings of guitar on this album but they’re very subtle – in your subconscious.” What you do get on the second album, Round The World, from this four-piece that already manages to create an big fat soul/funk sound from just three musicians – drummer Paul Bartlett, his brother John on piano and keys, and bass player Scott Duncan – is the huge punchy sound of New York’s legendary brass section, Chops Horns, a name that’s featured in the credits of albums by Parliament, Funkadelic and the artist through whom Lowrider met them, Alicia Keys. “They actually played with us when we were supporting Alicia Keys in Adelaide and they said they’d had a lot of fun playing with us and that they’d be very interested in being on the album – and we said, ‘Yeah! Okay!’ We did it all via this wonderful Internet thing; a lot of
Skype and a lot of file-sharing. That in itself was quite an experience, doing things that way and a lot of fun. We had a lot of arrangements worked out and sent those across to them and they played exactly what we wanted and then said, ‘Would you mind if we do our own little bits of flair all over the songs?’ and gave us ample amounts of stuff to choose from. They said to just pick and choose what we wanted.” Meanwhile, as well as Alicia Keys Lowrider has opened for Christina Aguilera and Lupe Fiasco, but it was another band renowned for the intensity of their live performances that might have inspired Lowrider’s approach to recording their second album. “[First album] Diamond Among The Thieves was a very kind of happy dancey, happy go lucky type vibe and I wanted to touch on something a bit darker and hopefully that comes across. I don’t know why but something inside me wanted to get out and be expressed rather than dancing around with a smile on my face. “We started writing the album just after we finished the Big Day Out tour that Rage Against The Machine was on and that in itself was probably an inspiration. Watching those guys and their music is definitely a bit darker.” WHO Lowrider WHAT Round The World (Illusive) WHEN & WHERE Thursday, The Brewery; Friday, The Annandale Hotel
STILL COOL
HE MIGHT HAVE BEEN DOING THIS FOR FIVE DECADES NOW, BUT MR DADDY COOL/MONDO ROCK, ROSS WILSON ISN’T SLOWING DOWN AS MICHAEL SMITH DISCOVERS.
“I
got on the phone to [Nashville-based Australian producer] Mark Moffatt,” Ross Wilson explains the genesis of his 15th studio album, I Come In Peace, “and I said, ‘Listen man, I wanna come over, can you put a band together, I wanna cut a bunch of tracks?’ He said, ‘No worries, easy as pie.’ So that’s what I did, saved up the bikkies and made an album. And it made a lot of sense because I was cutting these tracks with people without any preconceptions, who didn’t know anything about me, Ross Wilson, who’s done this and done that and this is how his music sounds. There was none of that – they just listened to the demos and played the song – and played it well!” Moffatt produced Mondo Rock’s 1981 album Chemistry and coproduced Wilson’s 1989 debut solo album, Dark Side Of The Man. “He moved to the States about ten years ago and he’s got a studio set up under his house. Three days after I got there we were in the studio, two days to cut the basic tracks and I was out of there and back to his home studio to do the vocals. It was kinda scary – I couldn’t keep up with it. It’s so intuitive, the way they work.” Wilson had actually already recorded the album before he “suddenly got sidetracked” into doing the two careerretrospective Five Decades Of Cool concerts, one of which was filmed and has been released as a DVD. As it turned out, an older track Wilson included on the new album, Hell Of A Time, which was originally recorded as an acoustic duet with Jimmy Barnes on the latter’s 1994 Flesh And Wood album, proved an opportune inclusion on a CD given away as a bonus with Five Decades Of Cool concert tickets. “I always felt we could do a rockin’ version of that song and it was one of the first tracks that was mixed early last year before I stalled the project while I did Five Decades… and we put it on the CD as a preview of what’s to come. Then a guy from Shock Records heard that on Triple R and rang up and said, ‘That’s a great track – what else have you got?’ So suddenly out of the blue I had distribution. “I can’t be bothered with all this negative talk I get from
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everybody – you’re too old and they won’t play your new material – so I did a video, put the album out and lo and behold I’m getting commercial airplay in Queensland and NSW and sporadic play on the Triple Ms, so I’ve already achieved my aim, which was to be one of the old guys who actually gets commercial airplay when everyone said I couldn’t do it.” The song that’s getting that bit of airplay is the first single and title track of the album, which Wilson co-wrote with Angels guitarist Rick Brewster. “We actually wrote it a few years ago and The Angels were thinking of doing it and I actually sang it with The Angels on the Gimme Ted concert [a benefit for the late Ted Mulry]. Songs sort of find their own level and the songs that fit together eventually present themselves, so with this album that was one of them. “There are a couple of tracks there about life on earth, from where we’re living in the suburbs to the actual planet and it’s all about positioning yourself. So Here On God’s Island is sort of stating very specifically this album’s about life on earth.” WHO Ross Wilson WHAT I Come In Peace (Shock) WHEN & WHERE Friday, Sharkies; Saturday, The Basement Circular Quay; Sunday, Waves
Tuesday 10th August.................. CASEY GOLDEN TRIO CLARITY ALBUM LAUNCH + BILLIE MCCARTHY With a fresh and eclectic take on the piano trio, one of the most exciting young bands on the Sydney Jazz scene, the Casey Golden Trio, launches its sensational debut album Clarity. The album, released on Scrampion Records/Planet Company/MGM, showcases Casey's original compositions and a sophisticated interplay between three of Sydney's finest young musicians.
Wednesday 11th August............. DICK & CHRISTA HUGHES *9PM START* With a collection of early Jazz and Blues songs from the 1920’s and ‘30’s featuring compositions by Bessie Smith, WC Handy, Memphis Slim and Jelly Roll Morton, legendary Jazz pianist Dick Hughes and his infamous singing daughter Christa (Machine Gun Fellatio, Circus Oz) have joined forces to create a truly formidable and always entertaining act.
Thursday 12th August................ A TRIBUTE TO JIMI HENDRIX, JANIS JOPLIN & JIM MORRISON At the beginning of the 1970’s, three of Rock’n’Roll’s most enduring and influential artists all left this mortal coil within 12 short months of each other. In equal measure but in different directions, Jimi, Janis and Jim left us a treasure trove of music, lovingly explored tonight by a helluva hot band led by Damien Lovelock and Rex Goh.
Friday 13th August..................... THE DINGOES Last August The Dingoes were finally and rightfully inducted into the ARIA Hall Of Fame. Together on stage for the first time in 30 years, sans the much missed John Lee, the four remaining Dingoes – Bois, Smith, Stockley and Tolhurst – have gone on to record a brand new album which they celebrate tonight along with songs of yore.
Saturday 14th August................ ROSS WILSON Produced by Mark Moffatt (The Saints ‘I’m Stranded’) and recorded in Nashville and Melbourne late last year, I Come In Peace – his 15th studio album - features 11 new songs which have Ross Wilson’s sublime songwriting touch all over them. In a career which spans over 40 years, Mr Eagle Rock remains one of this country's most respected artists.
Sunday 15th August................... HAVANA DE NOCHE – FEAT. ERICK TURRO + CLUB HAVANA BAND + DJS AV EL CUBANO & DWIGHT CHOCOLATE ESCOBAR Hosted by Erick Turro, Havana de Noche transports you to Cafe Cantante, the prestigious live music joint of Havana. Havana de Noche is an artistic project created by Turro in 1997 to divulge the art, culture, history and traditions of contemporary Cuba, transporting you to the beautiful island aboard the sexy dance sounds of Timba, Salsa, Reggaeton, Son, Songo, Cumbia, Cha cha cha and Boleros.
Monday 16th August................... BASIC SPACE GALLERIES FEAT. MATTHEW GILLETT The Basement has opened its doors to the wider artistic community in a collaborative effort to liven up the city. Every month the Basement’s upstairs cocktail bar is transformed into a living breathing exhibition space to allow some of Sydney’s youngest and talented artists the opportunity to showcase their work.
Monday 16th August................... SOULFOOD Local choir Soulfood serve up a cappella with heaps of groove of which their new album Scissors Paper Songs lays testament. Under the direction of head-chef Melissa Kenny, the group will present a smorgasbord of Soul, Funk, Motown and Pop with all-original arrangements of Al Green, Brand New Heavies, Stevie Wonder, Alicia Keys and many more.
Tuesday 17th August................... NICK LATTA + CLAY COUTER + SAM NEWTON + ALEX GIBSON *8:30PM START* Be swept away by singer songwriter Nick Latta's ability to recreate stories of life and love pumped out in an enticing mix of JazzPop with a definitive groove that has had ‘em coming back for more each and every time he steps onto the stage. Plus a whole raft of new and exhilarating talent from Clay Couter, Sam Newton and Alex Gibson.
Wednesday 18th August............. THE TOM FERRIS GROUP WITH SPECIAL GUEST CHAD WACKERMAN Brilliant Australian guitarist Tom Ferris presents original compositions from his new album - The Red Room - a stunning groove-based blend of acoustic and electric guitar instrumentals. Joining him on stage is a superb rhythm section featuring world-renowned star JazzRock drummer Chad Wackerman plus Leon Gaer, Stefan Nowak, Jess Ciampa and introducing young gun guitarist Paul Mason.
Coming Soon Book Now 9251 2797 Thu 19th DAVE HALLS & BAND Fri 20th SLOWHAND A TRIBUTE TO ERIC CLAPTON & CREAM Sat 21st THE TRANSATLANTICS + KON (KON & AMIR - BBE - RAPSTER) Sun 22nd AN EVENING WITH HARRY MANX (CAN)
THE DRUM MEDIA 10 AUGUST 2010 • 45 •
BUCKLEY APPROVED
FULL PLATE
WITH THE RECENT REISSUING OF THE ENTIRE BACK CATALOGUE OF SYDNEY BAND GLIDE, LONG OUT OF PRINT, THE SURVIVING MEMBERS DECIDED IT WAS TIME TO PAY HOMAGE TO THE LATE FRONTMAN WILLIAM ARTHUR. DRUMMER JASON KINGSHOTT TALKS TO MICHAEL SMITH.
AFTER BEING OUSTED FROM OZZY OSBOURNE’S RANKS AND EXPERIENCING A MAJOR HEALTH SCARE WITHIN THE PAST 12 MONTHS, YOU’D EXPECT ZAKK WYLDE WOULD BE MOTIVATED BY HAVING A POINT TO PROVE. NOT SO, THE AXEMAN TELLS BRENDAN CRABB ON THE EVE OF THE NEW BLACK LABEL SOCIETY ALBUM.
T
he career of Sydney’s indie pop Glide straddled the 1990s, ending only because of the untimely and unnecessary passing of the band’s singer, songwriter and guitarist William Arthur, in August 1999, at the age of 34. Acknowledged by his peers as one of Australia’s most accomplished and original songwriters, the surviving members – drummer Jason Kingshott, bass player Marc Lynch and guitarist Tim Scott – along with Andy Kelly, who replaced Lynch and will play second guitar, plus Youth Group’s Toby Martin, are getting together for in homage to Arthur and the legacy – three EPs and four albums, recently reissued exclusively through iTunes – they feel privileged to have created with him. “I think we took for granted how unique we were,” Kingshott suggests, looking back on the band’s career ten years on. “The original line-up brought a lot of eclectic influences with us that, now when we look back, we can really be proud of. Being involved with a really incredible songwriter like William, as a band we were so lucky to have been around him and to have met through [early Sydney streetpaper] On The Street. “William and Tim had come over from New Zealand together, but I answered an ad in On The Street and the influences stated in the ad were things like The Go-Betweens and The Smiths, things we were all into. Though Marc, the bass player, was into heavier things like Husker Du and Black Flag – not that we ever sounded like that, but looking back I can hear elements of our eclectic influences that makes it so unique. I’m not sure that Sydney was even ready for something as different as us at the time.” In their day, Glide was one of those local indie bands that ultimately achieved “musician’s musicians” status, lauded by their contemporaries and critics alike, but never successful enough for them to gain the kind of popular respect that, say, The Triffids or The
• 46 • THE DRUM MEDIA 10 AUGUST 2010
Go-Betweens achieved. Though it could be argued that William Arthur deserves a place beside David McComb and Grant McLennan on the quality of his songwriting. “We weren’t always great at following up on things, but we were getting attention from Capitol Records in the States and we toured with a band called The Dambuilders, which included Joan Wasser – who’s now Joan As Policewoman – and her boyfriend was Jeff Buckley. He came to our Melbourne show with them, came backstage and told us he really liked us and was talking to William a lot about how much he liked the songs. When Ride came out and we supported them, they’d already heard of us, while Neil Finn had been talking about William. When we went to the States for the first time to do SxSW, a lot of labels had heard of us.” As mentioned, Toby Martin is taking up the vocal duties left vacant by the late Arthur in this brief reformation of Glide, filling some pretty big shoes. “Yeah, but boy is he filling them! He’s doing an amazing job in rehearsals and you couldn’t ask for a better… I hate to use the word replacement, because this is homage and a mark of respect to William, but we can’t but think that he’d approve. I know William liked Youth Group a lot when they first came out and Toby is doing it so much justice and his vocal direction is just like William’s, so it’s great. Andy and I were workshopping the idea of the reformation together and we both thought Toby would be perfect. He is the obvious choice and he said yes straight away.” WHO Glide WHEN & WHERE Saturday, The Annandale Hotel
A
ccording to the guitarist, neither recent battles with blood clotting nor his departure from Ozzy Osbourne’s band last year could deter his focus from making a blistering record with long-time metal outfit Black Label Society, something he’s achieved with new release, Order Of The Black. “Put it this way – if it was sports, I don’t give a shit if we win the championship every year, the next year I just want to bash in everybody’s faces even more,” Wylde laughs, sounding in good spirits speaking to Drum from California. “It’s like winning the Super Bowl 20-0, then I want to win it 50-0. You can win the championship two times in a row; I want to prove you can win ten in a row.” The Black Label Society frontman has previously spoken of his relationship with the Prince of Darkness being bigger than music. Is this still the case? “Yeah, totally. I talked to him on Father’s Day and me and [wife] Barb called Ozz and ‘mom’ on their anniversary. The thing is, just ‘cause you move out of your parents’ house, doesn’t mean you don’t love your parents any less, you know what I’m saying? Without Ozz there’d be no Black Label, there’d be no Zakk Wylde.” The new album is littered with his trademark riffing style and even eight albums into the band’s career, he still gets the same thrill from writing and recording. “Whenever we’re going to do a Black Label album, it’s always a good time, because you never know what you’re going to get when you go in there. Put it this way, if Led Zeppelin had wrote Stairway To Heaven on the first album, they would have put it on there. That’s always the joy and the beauty of recording, you never know what you’re going to get when you get in there. I spent four years in between [since 2006’s Shot To Hell], but I didn’t do like Axl [Rose, of Guns N’ Roses] and spend 14 years, then whittle it down to 13 songs. When you really
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think about it, Led Zeppelin, you look at the first album they did, compared to the last album they did. It’s just like there’s four completely different guys. You look at when you got out of high school; ten years out of high school you’re not the same guy any more.” Keeping the writing process and touring life for the most part separate also helps. “The way I always do it is go right in the studio and start writing. If I have any ideas while we’re out on the road, if I got something then I go, ‘That’s pretty cool,’ [but] once we get out on the road, it’s a well-oiled machine. It’s just like meet-and-greets all day, in-stores, there’s just a million things going on. The only time I get for myself when the machine’s rolling… I fit in time for myself just to go work out, hit the weight room and then practice before we get ready to roll. In Black Label, there are no weekends. It’s eight days a week, 25/8 – not 24/7 – 365 days a year. You should have something going on every day. I’m practicing, I’m lifting weights, there’s always something going on. I’ve got pretty much a full plate, man.” The band having made their maiden tour of our shores in 2006, the conversation inevitably turns to a possible return visit. “Without a doubt,” he booms. “We have to go down and see the Australian chapter of Black Label. Tell the Australian chapter to keep bleeding Black Label and we’ll be there soon, brother.” WHO Black Label Society WHAT Order Of The Black (Riot)
THE DRUM MEDIA 10 AUGUST 2010 • 47 •
WITH ROSS CLELLAND
PAPA VS PRETTY Heavy Harm Peace & Riot/EMI Thomas Rawle is another from that school of precocious talents – and we mean that in a nice way. Rock stardom or your HSC? Decisions, decisions. On previous experience of them live, there was a tendency to not quite have a focus on who they wanted to be, and while this has a little more unity of purpose and an admitted affection for Talking Heads – the reaching strangled vocal of the title track definitely having some David Byrne to it – Paul Dempsey in his producer’s hat still lets them experiment to find the point they need.
THE PAINS OF BEING PURE AT HEART Say No To Love Lost And Lonesome/MGM Possibly in the next stage of their development, TPOBPAH – don’t you love a good acronym? – go beyond the adolescent things so often the stuff of pop, to a more realistic, if still romantic view of the world. The Love of the title track being dismissed as it’s ‘an emo boy who needs to grow a pair’ according to the band’s Kip Berman. Such bluntness is refreshing. The fuzzy tones and slightly off-kilter mood giving them just a touch of a feisty Brooklyn Jewish take on Belle & Sebastian, if you can imagine such a thing.
TEENAGERSINTOKYO New Day Stomp As the very ‘80s synths and drum machine patterns kick in, the Tokyo in question could well be the buzzing neon one of an old INXS video. There are sharp fringes and a tunefulness refined since they’ve been away from home – oh, and working with Bats For Lashes’ producer, which could be a near-perfect fit. The heartbeat getting louder suggests the album you’ll witness in a few weeks may well make them something bigger than that rickety noise I heard from upstairs in the Hoey’s Mexican bistro one evening.
THE AMITY AFFLICTION
BEACH FOSSILS
DAN KELLY
Boomtown/Shock
Popfrenzy/Inertia
Shock
Youngbloods
Beach Fossils
As international interest in hardcore bands focuses on Australian shores, acts like The Amity Affliction are quick to rise to the top of the frenzied pile. And as music communities gather around clusters of bands like The Amity Affliction, punters are looking for and finding a lot of substance locally, without religion sitting on the sidelines casting its dark shadow. The Amity Affliction offer all of this and more on their second album, Youngbloods. Expect triumphant melodies and rhythmic breakdowns and revel in the fact that they are 100 percent pure blood Aussie. Opening track I Hate Hartley opens with a synth intro that leads into a powerful and rhythmic guitar-charged verse, yet it’s the vocal content that surprises, as the positive undertones are at odds with the sonic violence. The chorus lyrics promote camaraderie and are anti suicide, “I’ve got friends by my side/I’ve got hope in my eyes.” Yet it’s the final words that leave a lasting impression, “Death won’t be my lover/I’ve got so much left to give.” Anchors harnesses the band’s tight live sound and convincingly reproduces it courtesy of producer Machine (Every Time I Die, Four Year Strong). Title track Youngbloods walks the familiar line of noisy, fast verse and half-time melody-driven chorus, as the latter sticks to the brain like a teenager’s first tattoo. Youngbloods is a career-defining album that is powerful and magical, and combines brute force with delicious melody lines, and doesn’t fail to deliver a prevailing message of hope as they ferociously punch out muscular and energetic tracks. Combined they make for an outstanding record.
The lo-fi surf-soaked sound has had an infectious impact on North American indie bands over the past twelve months, and Brooklyn newcomers Beach Fossils wade these familiar waters with a debut release of jangly, wistful songs. Chief songwriter and frontman Dustin Payseur wrote most of the tracks for the record after moving from his childhood home in North Carolina to a tiny apartment in Brooklyn, and fitting themes of longing and nostalgia wait around the corner of each track. It’s easy to say the sleepy surf rock approach is lacking originality, yet the music of Beach Fossils still manages to hold its own. There is something in the way Payseur’s lyrics float hazily over the single-note picking guitars and gentle drums that gives the voice an instrumental role, more so than a lyrical one. The languid and melancholy Window View is a perfect example of this style, while not understanding the frontman’s soft spoken words through the fog of reverb, the music itself tells of fading summers, lost youth and carefree lazy days. The slow rock track Golden Age is the most distinct on the album, with a sound combination drawn from influences the likes of New Order, The Beach Boys and The Velvet Underground, the song boasts distinct melodies and a clearer song structure than other tracks on the album. Offering a variation to Payseur’s often nondescript vocals, Daydream refreshes with a nicely up-beat sound, while final track, Gathering, closes the album with lucid ocean samples layered over some tidy jazz-inspired riffs to leave you clinging to the coastline.
Dan Kelly’s Dream No longer standing out in front of the Alpha Males, Melbourne-based singer/songwriter Dan Kelly is back. The musicians playing with him this time may be different, (to soundtrack this Dream he’s enlisted former members of Ground Components and Augie March) but by and large things haven’t changed a whole lot. The playful nature of Kelly’s writing, the dreamy (yes, that is a reference to the album title) indie pop sounds and elaborate storytelling are all still staples in the Kelly handbook. And of course, there’s a myriad of delightfully motley characters playing out the stories that come to life in these dozen songs, from a hairy-legged tranny named Mary, to a Carmelite Nun on the lamb with her not particularly godly paramour, and a DJ stuck spinning classical tunes at an outer-suburban train station. It’s always gloriously absurd and a whole lot of fun. Even when the lyrics give way to the spaced-out exploratory jam of Poisoned Estuary Jam, there’s still an air of almost magical realism about proceedings. Even when things seem about as odd as they can go lyrically (there’s a song for instance that takes place under the sea with Bindi Irwin as a main character), Kelly has ensured the music stays relaxed and easy. There’s a real funky swing to the bass all the way through the album, and the bass provides the backbone for the rest of the album’s deliberately loose and merry instrumentation to hang off. Kelly has always been an underrated gem. Unfortunately this album is unlikely to change the underrated part too much, but this album is, like the musician that made it, a gem.
James Dawson
Tom Phillips
Danielle O’Donohue
DRAKE
JEZ MEAD
LUNGS
Cash Money/Universal
Belly Up/EMI
Poison City Records
BONFIRE NIGHTS EP Mucho Bravado/MGM The drum and guitar duo has gone from a minimalist novelty with a freshness to it to a pretty formulaic last resort for people who can’t find a friend to play bass. Even Jack White seems to have run away from the idea. That said, there are some who can attack the form and keep it interesting, usually with the introduction of another element, even if that’s some rudimentary keyboard technology with it. Brisbane’s Bonfire Nights have an almost retro pop tone to the form, which at least holds the attention through this.
CELL Love And Murder EP Grandview They be from New Zealand, and are certainly more the spiritual offspring of the Shihad genre than the Flying Nun school of strangulated guitar pop. Band is built around the Thompson brothers. And their dad’s a parole officer. Just seems right, doesn’t it? Comes at you with an urgency that doesn’t let up. And they’ve got the work ethic that makes them know it’s going to take repeated touring over here to build an audience. That title track has all the fast and loud elements to suggest it might just work.
STEWART NESTEL Home Again Independent Mr Nestel has been kicking around in various indie combos for some time, Moniker being one you’ve probably seen in these pages supporting some other band you’d heard more of. In the usual manner, bands tend to go the way of all flesh, and he ends up with an album with just one name on it. The grasp of melody and quiet-if-wry storytelling shown here puts him somewhere on the not unusual Josh Pyke to Darren Hanlon continuum, but he does it with the honest effort most of those artists also displayed. • 48 • THE DRUM MEDIA 10 AUGUST 2010
Beard Of Bees
Thank Me Later
Fun is back. With his wildly successful debut album, your favourite Canadian rapper (Buck Sixty-who? K’Na-what?) has reminded us about singing along with choruses and being young, rich and welcome at all the cool parties. So, basically, Thank Me Later is a good Entourage episode. Starting an album with Fireworks when you have Fancy up your sleeve is an interesting move. Drake deliberately keeps his powder dry for the beginning of Thank Me Later as he opens with self-reflexive melodrama and a little bit of R&B. Two tracks deep and just as your partygoer brow is furrowing, Over rolls in and the LP begins in earnest. “I know way too many people here right now that I didn’t know last year/ who the fuck are y’all?” We’re at a party, with Drake, and there are industry sell-out types around. Perfect. On The Resistance Drizzy is as eloquent as he is popular: “I heard they just moved my grandmother to a nursing home and I be acting like I don’t know how to work a phone/but hit redial you’ll see that I just called some chick I met at the mall that I barely know at all.” Drake’s ability to chop and change between the pop and the personal is what really lifts this album.
In Beard Of Bees, Jez Mead transports you to a time and place where the attitude is easy and all that’s needed is a handy guitar and people who are ready to hum, clap and stomp to the music. Think ‘40s blues, harmonica-laden upbeat numbers with finger-picked guitar and shakers. But apart from some outstanding songs, a lot of the album is unremarkable. The songs are lovely in general and make good background music in their relaxed acoustic nature, but there’s nothing really special about their composition. Blackberry is a highlight of the album as Mead’s honeyed vocals flow rich and smooth over joyfullyplayed guitar and gorgeous violin. It’s so fun and folky, you can almost smell the fresh bread baking while relaxing in the sunny warmth of a porch. In a change of pace, Town’s Too Small is a rousing, hand-clapping, foot-stomping folk number, where Mead reveals his voice can also be raw, weathered and full of character. Julia Stone features on Devil, and her tender, fragile vocals bring a welcome feminine touch to the album. The song itself is sweet and optimistic, with high-noted finger-picked guitar and a folky flavour.
The Two Chief World Systems Lungs’ second album, The Two Chief World Systems, a concept record of sorts, strikes the balance between complex sounds and simple delivery to create a visceral, cohesive group of songs writhing with rage and passion. The noise made by this trio is astonishing; The Making of Phineas Cage is an auditory assault that opens an album that insistently and mercilessly pounds the eardrums with melodic riffs and lyrics. The Rosenbergs’ Piece of Jell-O-Box Code devilishly melds multiple guitar riffs with the shouts of “We aren’t blank slates/we’re bloodsoaked in a state of nature.” But it’s not just a lot of intense guitar and grunt, the trio have tongue firmly in cheek with lyrics delivered with vicious spite that often makes them undiscernible. The Battle Of The Cryptids (No One Wins) opens with the line, “It’s like organising a deathmatch between Elvis and John Belushi/post overdose fighting for the heart of Marilyn/ fucking pointless,” as grinding guitars and a pulsating drum beat keep pace in the background.
Fancy continues the trend. It’s a song about liking rich women who look good, but Drake still slips in a disarming mention of a girl he once knew who drove a purple Bentley. It’s an unexpected joy. That’s true of the album: you get a bunch of “real” Drake, and (slow starts aside) a whole lot of dancefloor jams.
Even though the album captures Mead’s optimism, it has its moments of angst. In Tree, the almost depressive vocals accompany a melancholic melody, as he sings of being, “watered… with tears”. As the shortest track, the moments of angst are but fleeting within the upbeat narrative. His fourth album is then special in its simplicity and optimism.
The hidden depth in each song is captured in the unexpected hooks of songs like Slips Or Lamark/ Baldwin (Baldwin Wins), as singer Adam Lees yelps, “Your footing slips and that’s it for you.” Despite the wordiness of its title and breakneck speed delivery, it’s resolutely catchy and singalong, without delving into overly pop punk territory. Attacks on the establishment are delivered with verbose articulation throughout the record but focused on Disqualified From The Knowledge Game. The record is packed with angry and fiery songs; one for those who still believe in the power to inspire and incite through music.
James d’Apice
Sheshtyn de Souza
Sevana Ohandjanian
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to be uplifting, and new single, Sunday Best, as gloriously wordy a slice of new wave as you ever heard in a Melbourne disco in the ‘80s. While its influences may sometimes be apparent, I Believe You Liar sounds like none of its contemporaries and is all the better for it. Australian album of the year? Maybe. Heather Fuhrer
FACT FILE
SUN KIL MOON
TIRED PONY
Caldo Verde/Shock
Fiction/Shock
Admiral Fell Promises From the very first moments of Red House Painters’ classic Grace Cathedral Park, it has been clear that Mark Kozelek is a fine guitarist. Yet over the last two decades, Kozelek’s output has tended toward dreamy shoegaze-esque layers or Neil Young jams, neither of which explore the depths of his technique. On Admiral Fell Promises, his third full-length under the moniker Sun Kil Moon, Kozelek pulls a Pink Moon and records an entire album of just voice and (nylon-string) guitar, finally proving beyond doubt that he is one of the most compelling instrumentalists around. Most of Kozelek’s songs, for two decades, have dealt with loss and loneliness. Here that loneliness is recapitulated by its musical setting, although Kozelek still doubletracks the strained beauty of his voice and occasionally doubles up the guitar. Much of the album is played as a slow waltz, with harmonies snatched from within harmonic minor keys. Kozelek’s captivating storytelling and curious melodic touches keep the record from growing tedious, from the baroque strains of Sam Wong Hotel to the familiar lofty folk of Third And Seneca and You Are My Sun. The Learning Tree is cyclic and hypnotic, leading to Australian Winter, one of the very finest moments in the Kozelek oeuvre. Distant, anxious and always drawing nearer, Australian Winter is everything of which Kozelek is capable, completely unadorned. Admiral Fell Promises is likely to haunt its listeners for years to come.
Ben Revi
Length: 12 tracks, 47 minutes. Moods: Celebratory, lively and earnest.
The Place We Ran From
DID YOU KNOW…
Surely side-projects are designed to allow musicians to go a little left-field without having to worry about alienating their fan-base. Don’t they offer the perfect opportunity for artists to get that pan-piped concept album out of their system before going back to their day job? Apparently not if you’re Snow Patrol’s Gary Lightbody. Having assembled some impressive names – including Peter Buck, Richard Colburn from Belle & Sebastian, Editors’ Tom Smith, Iain Archer, M. Ward and Zooey Deschanel – for his new country-rock band, it is equally amazing and disappointing that the result often sounds just like Snow Patrol. On the plus side, Tired Pony certainly doesn’t have any of the self-congratulatory smugness that sometimes comes with side-projects. In fact, the album has a rather disarming feeling of humility. The downside is that it’s often a little dull. While there are some nice moments – Deschanel duets prettily with Lightbody on Get On The Road, Iain Archer, as always, is charming and Tom Smith stands out for his haunting delivery on album highlight, the acoustic The Good Book – for the most part, the lack of risks taken on The Place We Ran From is hugely frustrating. It may lean slightly further towards Americana than arms-in-the-air British indie, but it is still pretty much the same congenial middle of the road stuff that Gary Lightbody has been writing for years. While this album is certainly better than the majority of Snow Patrol’s output, it would have been so much more interesting had Lightbody strayed a few steps further from his comfort zone. A wasted opportunity.
WASHINGTON
• The band’s namesake Megan Washington was born in Papua New Guinea and speaks French.
I Believe You Liar
• Every song on the album was written by Megan Washington, expect opener 1997, which she shares the credits with Michael Tomlinson.
Unearthed by triple j in 2009, Washington’s Cement, with its irresistible melody and unexpected expletives, could have been a gimmicky pop song or an introduction to an important new talent. Three EPs later, it’s clear that it was the latter. I Believe You Liar cements (no pun intended) Megan Washington’s place at the round table of “smart pop” songwriters occupied by the brothers Finn and Washington collaborator Paul Kelly; allegorical yet melodic, clever yet heartfelt, and uniquely Antipodean.
• All instruments on the first 11 tracks were played by John Castle and Megan Washington, while the closing and title track employs a range of string musicians.
Albert/Universal
The classically-trained, Papua New Guinea-born frontwoman has an unrivalled ear for a tune, with Cement’s church bells and ‘60s girl-group backing vocals still raising a smile after extensive radio airplay. Ditto Rich Kids, whose ironic lyrics and “I don’t want to dance with you” chorus contrast with handclaps and bouncy layered keyboards. There’s an abundance of such pop gems here, although songs such as Lover/Soldier and How To Tame Lions prove that she knows her way around a soaring ballad just as well. The soulful Navy Blues is vaguely reminiscent of Florence + The Machine, while the anguished title track, backed by moody strings, recalls Elvis Costello at his most introspective. To identify a highlight is almost impossible on an album full of them. If we really have to, it’s between the gorgeously delicate Underground, which finds our heroine musing upon life after death and still manages
Rob Townsend
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THE DRUM MEDIA 10 AUGUST 2010 • 53 •
NEW SINGLES/EPS ROUND UP WITH ROSS CLELLAND
BEST OF
DEPARTMENT OF EAGLES
DOVES
Bella Union/Shock
Virgin/EMI
Archive 2003-2006
GOLDFRAPP With memories of Splendour In The Grass fading into the Woodfordia sunset, various of the participants are leaving you little keepsakes to remember them by. Band Of Skulls were one of the pleasant surprises that left with an enhanced live reputation and a remix of Fires (Stomp) is a good example of their sometimes curious mix of a bluesy wall of sound and sweet harmonies. Goldfrapp’s Headfirst had her rediscovering the mirror ball she lost in the forests of the album before and Believer (Mute/EMI) is the sparkly third single. But, if you weren’t in the Queensland hinterland, where else would you care to be? Russia might not come immediately to mind, but was Astrolux’s choice. The fact they were there at the invitation of PJ Harvey was a plus. Supertoys (ATP) wobbles by on their airy vocals and rudimentary electronic racket. Further old-style drum machinery and vocals of light detachment comes with Here Sometimes (4AD/Remote Control), the prelude single to Blonde Redhead’s upcoming third album. Perth’s Voltaire Twins have also been going through the skips out the back of the local Tandy shop and their Cabin Fever (Shock) has some hints of some other musical multiple births – though maybe more Thompson than Cocteau. You want shiny old-school guitar pop? The Solomons could be for you. Ways Of Escape (Popboomerang) rings as it should. Timothy Nelson is 20 and already has two WAMIs for Song Of The Year. Precocious, much? That would belie the title of his first national release, the Nothing’s In Tune (Real2Reel). When he was 21, Nick Batterham was touring the US in The Earthmen – now he’s guitarist and producer of the reformed Cordrazine, but also keeps his own name for Dragonfly (Vitamin), an EP of mostly quietly musing mood pieces. Unassuming ‘supergroup’ Basement Birds have a second single, Not The One (Inertia), to make you aware they’re doing their possibly first and last tour – like you need to be told. You want harmonies? They got ‘em. Old Man River is a natural fit as tourmate to the Birds, though their travels might not get as far as Norway (EMI), even if his latest singalong is titled for the Scandinavian nation. This folk-with-modern-flourishes thing continues to flourish. Stornoway move in a couple of doors down from the Mumford & Sons shopfront. Zorbing (4AD/Remote Control) knows all the moves, with the bonus of a title that’d make a great Scrabble bingo. With a similar attitude Mushu aren’t here as their self-titled EP (Green/MGM) becomes extant. They’re wandering the US eastern seaboard and sneaking into Canada with an echoey, harmonised sound that may take them far. Already settled there, Tamarama – all designer-stubble and pressed denim and wanting to be in the ‘file alongside Jack Johnson’ for their Lifetime On The Run (Universal). Having had their American adventures, Jet prepare to attach themselves to Powderfinger’s bon voyage tour with a third single from Shaka Rock, with La Di Da (EMI) pretty typically them. Realising it’s worked for Rod Stewart, who gave his handlers covers records for the demographic that still buys CDs, Phil Collins rifles the Motown catalogue, with a first offering of the 918th version of Martha & The Vandellas’ Heat Wave (Atlantic). The Jam among others have already done it better. But your mum might like the album for Christmas. Stick Around (Independent) is third EP for Gold Coast combo, Misdirection. They self-describe as ‘hardrocking’ and that they do. For their part, Paris Crash claim ‘an international outlook’ for their End Of Everything… Part 2 (Silverback), from the world they appear to have appropriated Bon Jovi’s keyboard sound from 1987. Also with those indie brackets and from the darker-toned end, Winter Gaunt and October Rage’s respective EPs. Not from anywhere around these parts, but coming for the various Parklife festivities in coming weeks, Delorean have Simple Graces (Matador) which means some Air beats, a Phoenix sense of pop, and their Spanish accent – they’re from Barcelona – perhaps wearing some Madchester baggy trousers. • 54 • THE DRUM MEDIA 10 AUGUST 2010
BEST OF
The Places Between: The Best Of Doves
When not satisfying crowds with Grizzly Bear, you may have missed the quiet achievements of Daniel Rossen and the other half of Department Of Eagles, Fred Nicolaus. They’ve drawn enough critical acclaim to prompt the release of a contractual obligation collection of B-sides and half-finished ideas. Gem after gem of quietly-woven wonder and echoing acoustics, it’s an insight into what eventually became Yellow House and Vickatimest, and also DOE’s brilliant In Ear Park, it’s as if you’ve stumbled into the creation of some unfinished masterpiece.
Whatever the reasons for a ‘best of’ release from The Doves, cynical observations should be set aside as this album serves as a testament to their history and dark muse. It’s evidence of how the band has grown over the years while retaining their simple yet dark melodies over their many releases. Their best songs work on an emotional level that tends to get you in immediately, and the incredibly hypnotic, The Man Who Told Everything is still their best work. After this release perhaps Doves will be free to do another wonderfully indulgent album.
Adam Wilding
Sebastian Skeet
BEST OF
THE DANDY WARHOLS
Sony
Capitol/EMI
The Capitol Years 1995-2007
There’s no reason to look past the seminal Definitely Maybe and What’s The Story (Morning Glory) albums when entering Oasis’ world, and this post-breakup compilation does nothing to shake that. The only emotional connection here – apart from the sublime tracks individually – is the title really; it’s a totally different world today than the one the Manchester lads took by storm. For sentimental value, the box set editions will do you well – particularly the concurrently released single collection.
The Dandys have covered a lot of musical ground, from the shoegaze beginnings of Not If You Were The Last Junkie on Earth (tongue firmly in poking-fun-atAnton ‘BJM’ Newcombe cheek), the indie pop success of Bohemian Like You to the electronic twists and turns of Scientist. Diehard fans will find bonus track This Is The Tide, a grinding, echoing number reminiscent of the early days, interesting. There are gaping holes, the non-Capitol years sorely missing, but this is a fitting introduction to the unenlightened.
Scott Fitzsimons
Sevana Ohandjanian
LIVE
LIVE
DWEEZIL ZAPPA
HALFORD
Shock
Metal God/Stomp
Return Of The Son Of…
Live In Anaheim
Frank Zappa’s son has received the most acclaim during the moments where he’s wholeheartedly and unashamedly channelled his father, and Return Of The Son Of… has been drawn from his Zappa Plays Zappa live show. Surpassing his solo material and his acting career, he and the band deliver Frank’s material (this set-list heavy on the ‘70s, with The Torture Never Stops, a 27-minute version of Billy The Mountain and the polarising Broken Hearts Are For Assholes) near faultlessly. Dweezil seems to have found his calling.
Essentially one for completists, it’s a handy reminder of his immense contribution to the genre. Recorded in 2003, mere months before rejoining Priest, this twodisc set covers the expected Priest, Fight and Halford bases. Flanked by a tight, aggressive band (including Painmuseum’s Metal Mike and producer Roy Z), it’s apparent during Painkiller his voice was slightly feeling the effects of his more than 50 years, but still bristles with conviction on You’ve Got Another Thing Comin’, arguably the finest vocal performance of his career.
Scott Fitzsimons
Brendan Crabb
LIVE
R.E.M.
Murmur (Deluxe Edition) Reckoning (Deluxe Edition) Fables Of The Reconstruction (25th Anniversary Edition) I.R.S./Capitol/EMI
BEST OF
OASIS
Time Flies… 1994-2009
REISSUE
LIVE
Athens, Georgia is a pretty typical American college town – and hardly seemed likely to provide any sort of base for revolution, let alone a musical one. But, perhaps through the polyglot student community and a university radio station supporting the local scene as it should, Athens became the place where ‘alternative’ rock started a collision with the mainstream. The B-52s’ day-glo camp pop provided the first commercial outbreaks, but it was an altogether more individual and idiosyncratic band that would actually be the biggest in the world later in their lifespan. The first view of R.E.M. most of the world got was the frayed jump-cut video for the muted fanfare of Radio Free Europe. It was an odd mix of quieter-than-thentypical sound: melodic, a soft ring of Peter Buck’s Rickenbacker guitar that had a touch of The Byrds in it and, dragging you in perhaps most of all, Michael Stipe’s voice in the wilderness. Sometimes mumbled, sometimes a longing keen trailing off to a whisper. Words cryptic, Dylan-like, but knowing he was telling you something, even if you couldn’t work out quite what. Signing to Police manager Miles Copeland’s I.R.S. label, the band were stubborn enough to want things their own way from the off. They bumped heads with suggested ‘pop’ producer, Stephen Hague, eventually winning and making Murmur with Mitch Easter and Don Dixon, who they knew and trusted from their indie days. It’s a thoughtful, cohesive, really complete album for any band’s debut. The critics jumped aboard, with Rolling Stone anointing it the best album of 1983 beating – among others – Michael Jackson’s Thriller and U2’s War. And hasn’t dated to the degree of some of its contemporaries. For this repackaging, as well as musings from various directly and indirectly involved, there’s a bonus live disc, with some of the songs losing some subtlety but having a rougher energy. The record company was looking for hits, encouraging Easter and Dixon to try and get some of this live sound onto album number two. Depending on who you talk to, Reckoning was bashed out over a fortnight – or a little more, or a little less. There were difficulties: the record company looking over their shoulders, Stipe’s voice weak from touring, the producers experimenting with a ‘binaural’ recording process to try and give it some depth. The album ends up light and dark. There are songs of death and loss, plus change in themselves and Athens, the town now invaded by music business types trying to mine the town’s real or imagined ‘scene’. But get carried along by So. Central Rain (I’m Sorry), the obtuse mourning of Camera, or (Don’t Go Back To) Rockville’s evolution to something that’d probably be called alt.country this century and it’s the sound of a band working out how good it is.
In the age of YouTube clips, iPhone bootlegs and the like, it’s a little strange to see Orbison’s last concert (two days before his death) released as a fairly mediocre audio mix on CD. First released on iTunes two years ago to commemorate the 20th anniversary of the his death. Orbison’s voice is a nuclear explosion of melody, control, emotion and humanity. Here, aged 52, his voice is undiminished – even in the most magnificent stretches of Crying. A pity his musical director saw fit to match that with awful synth strings and banal backing singers.
Derek Trucks’s story is well known; the master guitarist sharing stages with the Allman Brothers (he’s the nephew of drummer Butch Trucks) at the age of 12, who’s become an accomplished bandleader in his own right. Recorded over two nights in Chicago earlier this year, this ushers in a hiatus for Trucks, and the songs represent that. A very ‘live’ album, there’s an amazing and travelled energy present, primarily through the call-and-response Trucks plays with the band’s various instrumentalists and lead vocalist Mike Mattison.
Then there’s ‘the difficult third album’, celebrating its quarter-century. With typical contrariness, the band decided to go to London to record with Joe Boyd, more known for his work with folk artists like Nick Drake. Shit weather, an exhausted band and some radical changes of musical direction means Fables… polarises even the enthusiasts. This anniversary edition comes in the fancy package, postcards, poster and most importantly a CD of the demos and sketches of the songs, some of which altered greatly. There’s Americana storytelling – Driver 8 a character study on the railroadman’s and nation’s exhaustion. It’s got a touch of The Band’s celebration of times past, through thick dark glass. Mike Mills’ pendulous rolling bass and sweet echo vocals behind Stipe are present here and there, but the layers of strings that begin to appear point the way to the rich melancholy of their following albums that saw their once niche acclaim go mainstream over the next decade. At times, R.E.M. were that rarest mix of things: successful and genuinely good.
Ben Revi
Scott Fitzsimons
Ross Clelland
ROY ORBISON
THE DEREK TRUCKS BAND
Eagle/Shock
Masterworks/Sony
Roadsongs
The Last Concert
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IRON MAIDEN
The Final Frontier EMI
It’s a mark of how highly regarded this band is in the metal world that each new LP they release is an event in itself. In short Iron Maiden are beyond the status of even metal royalty. They’re metal icons. Even when they muck it all up (ahem… The X Factor anyone?), they garner more coverage than most bands achieve when making a good record. So, it’s not surprising that Maiden’s 15th studio offering, The Final Frontier is their most anticipated album to date. Is it worth all the hype that their label has been fastidiously building up? Here’s a track-by-track run down of the metal event of 2010.
1. Satellite 15… The Final Frontier The album opens with what is essentially one song split into two. Satellite 15 is really an extended intro – three minutes or so of over the top tempo and tension building before the band burst into the sci-fi-themed Final Frontier. Frontier itself is meat and potatoes Maiden. A catchy central riff drives a track with a slightly ‘otherwordly’ feel before Maiden’s troika of guitar slingers let loose with some scintillating solo histrionics.
2. El Dorado You’ve all heard the album’s lead single and I’m sure you’ll agree that it’s a sure crowd pleaser. Driven by Steve Harris’ clockwork bass, El Dorado delivers Maiden’s signature melodic “gallop” in spades. And let’s face it, when it comes to Maiden it’s all about the gallop.
3. Mother Of Mercy What those outside the metal world don’t realise is that not all of the genre is given over to atonal chaos. Metal can be melodic and Iron Maiden are the masters of creating gorgeously melodic riffs that also carry a sense
of menace and foreboding. They do that here on this powerful Dickinson-driven tune.
4. Coming Home When they slow things down the results can be pretty impressive. Coming Home is a slow-burning track that some might call the album’s ballad. But don’t worry, there’s nothing formulaic here. Instead, Coming Home is a masterclass in taking something simple and making it soar into the stratosphere. Do people still take lighters to live concerts?
5. The Alchemist If anyone is desperately hoping that the band return to their Piece Of Mind days, then here it is. The Alchemist is to this album what The Trooper was to the aforementioned classic: a fast-paced galloping monster. Joie de vivre in under five minutes or your money back.
6. Isle of Avalon At over nine minutes, Isle of Avalon is proof that the ‘prog’-styled songwriting that characterised A Matter Of
Life And Death is here to stay. And that’s fine, because this track is a corker. The band has always accomplished soft/hard dynamic well and …Avalon builds slowly before unleashing an epic chorus and an up-tempo payoff. Looks like being the centrepiece on Maiden’s upcoming world tour.
7. Starblind This stands out as perhaps the most aggressive track on the album with its thick mid-tempo riffage and an extended instrumental jam. It also provides the album’s ‘what the fuck’ moment with some rather tasteful Seventh Son…-styled keyboards that help create an ethereal vibe.
8. The Talisman As on Isle of Avalon, The Talisman uses the soft/hard dynamic to good effect. If you need a reference point, think the title track from Fear Of The Dark. Following a gentle intro the band burst into yet another patented Maiden gallop – albeit at a mid-tempo pace that subsequently takes a few unexpected twists and turns.
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9. The Man Who Would Be King It wouldn’t be Iron Maiden without literary pretensions and this time it’s not that well read bugger Bruce Dickinson but Steve Harris, who nicked this song title from the one and only Rudyard Kipling. Lyrical thematics aside, the track itself is another monster at over eight minutes and packs in everything from keyboards to multiple tempo shifts and some pretty inspired soloing that will induce spontaneous airguitaring from anyone within listening range.
10. When The Wild Wind Blows
To finish off The Final Frontier Maiden offer up yet another literary-themed epic (cheers to Raymond Briggs this time around) that tries really hard to create ambiance. Thing is this one falls a little flat. From the opening sound effects of, well, wind blowing across a desolate plain, right through to the song’s rather twee melodic backbone, When The Wind… drags. Hopefully it’s a song that will mature with age and repeated listens. Mark Hebblewhite
THE DRUM MEDIA 10 AUGUST 2010 • 55 •
www.utopia.com.au
METAL WITH ANDREW HAUG
DEAD LETTER OPENER
THREE DEAD MEN Before they play the Lewisham Hotel this Saturday, Queensland’s prog metal outfit Dead Letter Opener’s vocalist and bassist Mick Millard introduced himself and his band to us.
How long has the band been together? And are you at your strongest at the moment? We formed the band in 2005 and started publicly performing at the beginning of 2007. It definitely feels like all the experiences we’ve had together and all the effort we’ve put in over the last five years is starting to yield results. We have a really solid foundation to build from now and that is really exciting. Our confidence as a band is on an almost logarithmic rise with every gig we play and every rehearsal we crank out. There is always room for improvement though; ask us in another five years.
Was there a game plan when you went in to record Lumen? Absolutely. We tracked it in a makeshift studio under Richie’s [Young, drummer] house, setting all the studio gear up ourselves so we had to have our shit together to ensure we got anything recorded. I could say being our first album we wanted Lumen to be pretty diverse to share the many styles of heavy music we have a passion for, but that’s just the way it turned out. It is interesting getting feedback after a show; some people really enjoy how diverse and dynamic the material is, others think we should just stick to one particular style.
With only the three band members, is it hard to bring the scope of the record to life? Indeed, it is a little bit more of a challenge, but it has never been something that has really given us too many troubles. There is definitely a lot more to think about and to keep track of when we are playing live, and relying on the extra tech to work sometimes can be a nightmare on an independent budget.
• 56 • THE DRUM MEDIA 10 AUGUST 2010
album to date.” “Peter is someone we’ve admired and very much respected as a musician and producer for quite some time,” says frontman John Henry. “Being a pioneer of the Swedish metal sound, which has so greatly influenced our band, we hope to refine all of those classic elements with him and incorporate new methods to improve our songwriting.” This time the band took a different composition route to previous outings. Guitarist and founding member Mike Schleibaum says, “We have been working on these tunes ever since we left the studio last April.”
MYYYY GODDDDDDDDDDD SOUNDWAVE LINEUP 2011 has just been revealed! Iron Maiden, Slayer, Stone Sour, Devildriver, Sevendust, The Sword, Slash, Rob Zombie, Avenged Sevenfold… Geez I can’t breathe! Wow! It’s mandatory you get your tickets when they go on sale 26 August! Another tragic tour accident has recently occurred in the US involving the death of a musician. As reported by Oregan’s KTVL “A van carrying nine members of two California-based death metal bands lost control and crashed on Interstate 5 in Central Point when the driver fell asleep, killing one passenger and injuring two others just after 5.30am last Monday. Oregon State Police say the van, pulling a trailer, was carrying the two bands to California when it crashed in the southbound lane between the Central Point and Blackwell Road exits.” According to OregonLive.com, “the man who died was identified as Makh Daniels, lead singer for the San Francisco death metal band Early Graves. Daniels, 28, from Pacifica, California, was one of five members of the band; the other four-member band travelling in the van was identified as The Funeral Pyre from La Habra, California. The Oregon State Police said there were nine people in the van when the driver, 24-year-old Justin Garcia apparently fell asleep. The van left the freeway and then rolled in a grassy area on the southbound lanes near milepost 34. Some of the men in the van were wearing seat belts. Daniels, who was in the van’s cargo area and not wearing a seat belt, was ejected and died at the scene.” I am obviously not a fan of this show at all, but will be interesting to see what now confirmed Aerosmith front man Steven Tyler will bring to American Idol shortly when he joins Idol judge singer/actress Jennifer Lopez and Randy Jackson. Talking to TMZ, Tyler said his future plans include recording “a new album and [I’m] probably going to be a judge on American Idol. I’m doing it! What do you think?” More news in the still saddened Slipknot camp, The Pulse of Radio reports the band’s drummer Joey Jordison has confirmed that the band will continue making music despite the death of bassist Paul Gray. While Slipknot is only in the very earliest stages of planning its next record, Jordison says they’ve already decided they will not recruit a new bassist. “There will be no other bass players besides Jim Root, guitarist, Mick Thomson, guitarist and me, more than likely,” he said. “Everyone
SLASH actually kind of plays guitar in the band, so I think we’re all gonna play bass on the record. We’re not gonna have anyone come in. But live, we’ll deal with that when it comes.” Godsmack front man Sully Erna has set 14 September as the release date for his long-in-the-works debut solo album, Avalon. Erna told The Pulse of Radio, “I’m not sure what category it falls in. I think ultimately, you know, it’s somewhat of a rock record, but it’s not really a rock record. It’s very eclectic and it’s very spiritual and it’s very hypnotic and primitive. It’ll be interesting to see how the public reacts to it. But all in all, people I have played it for so far have been honestly blown away by it.” Ill Niño guitarists Ahrue Luster and Diego Verduzco are laying down tracks for the band’s new album, Dead New World, in Denver, Colorado. The album is due late this year. To quote Ill Niño drummer Dave Chavarri, “Our new CD is everything you expect from Ill Niño’s original Latin metal sounds; it’s heavy as fuck, full of Cristian’s growling vocals, melodic choruses, tribal Latin rhythms, sick guitars, as well as also being the most progressive record we’ve ever recorded!” Washington D.C. metallers Darkest Hour have tapped Soilwork guitarist Peter Wichers to produce their next album. “We’re really excited about working with Peter on this album,” says Darkest Hour drummer Ryan Parish in a press release. “It’s going to be amazing collaborating with such an inventive and unique guitarist/musician to produce and document what we feel is the most emotional and melodic Darkest Hour
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The new album, In War And Pieces, veteran German thrashers Sodom is due 23 November on SPV/ Steamhammer. The CD is being produced by Waldemar Sorychta. Sodom bassist/vocalist Thomas “Angelripper” Such recently issued a statement: “There has never been a Sodom album which is so wide-ranged, as powerful and as typically Sodom this one.”
LOCAL GIG GUIDE
FRIDAY
Origin Of Janken – Club Blink, Agincourt Hotel Christian Death, Familia, The Dark Shadows – The Gaelic Lord, Platinum Brunette – Notes Horrorwood Mannequins, Celebrity Morgue – Club LED, Hotel Parramatta
SATURDAY Darker Half, Killrazer, Aeturnus Dominion, Celephai, Corotted, Dead Letter Opener, Drop Tank, Metal, Norse, Osmiun, Grid – Lewisham Hotel
TOURS TOURS TOURS Slash – Monday, Hordern Pavilion Napalm Death, Dying Fetus – Saturday 4 September, The Factory Soulfly, City Of Fire, Incite – Tuesday 9 September, UNSW Roundhouse Metallica – Saturday 18 September, Wednesday 10, Thursday 11, Saturday 13 November, Acer Arena Andrew Haug hosts triple j’s The Racket Tuesdays 10pm. theracket@drummedia.com.au
THE MUST HAVE
ALBUM OF THE YEAR JUST GOT BIGGER!
CD/DVD DELUXE EDITION IN STORES THIS FRIDAY
FEATURING: KID ROCK DAVE GROHL MYLES KENNEDY FERGIE ANDREW STOCKDALE ADAM LEVINE CHRIS CORNELL OZZY OSBOURNE + MORE
NOW INCLUDES EXTRA TRACKS
STANDARD EDITION ALSO AVAILABLE
PARADISE CITY (FERGIE & CYPRESS HILL) + BACK FROM CALI (ACOUSTIC)
& SWEET CHILD O’ MINE (ACOUSTIC) (FEATURING MYLES KENNEDY ON VOCALS) PLUS A 52 MINUTE DVD INCLUDING THE MAKING OF THE ALBUM, LIVE FOOTAGE FROM AUSTRALIA AND LOS ANGELES, VIDEO CLIPS & MORE www.bandit.fm
www.slashonline.com
THE DRUM MEDIA 10 AUGUST 2010 • 57 •
PUNK AND HARDCORE WITH STU HARVEY
I EXIST
BAD THINGS HAPPEN LOUDLY Hitting the road this week alongside Extortion, Canberra’s I Exist will be playing the ANU Bar Friday, the Sandringham Hotel Saturday and The Loft Youth Centre Sunday. Their record, I: A Turn For The Worst, is a scorcher, so we asked the band’s guitarist Aaron Osbourne to lay it out for us.
Can you tell us what the title of your record refers to? Basically it’s just referring to the fact that all the songs are about things that are bad or going from bad to worse. All the songs on the album are about stuff that is terrible and you wouldn’t want happening to you, a lot of it is made up, there is a song on there about falling in love with Medusa then having to kill her, bad, but not true, haha.
There are a few other influences beyond hardcore present. Was this intentional or just your influences? Personally I don’t really take influences guitar-wise off many hardcore bands, so I wrote riffs that came from my more direct influences such as Eyehategod, Sleep, Iron Monkey etc, then combined them with riffs that I wrote that I think fit around them and with the band as well as trying to keep a good flow from the last recording.
With Extortion also on the bill, how chaotic are these shows going to be? Hopefully very, haha. Extortion are an awesome band and we are all really excited to be touring with them, you will have to come down and see though, it will be loud, there will be a silly amount of people on stage and it will be fun.
Finally, how was having four (?) guitarists on stage at Hardcore 2010 recently? As loud as it was for us? Haha, it was pretty loud! Was a lot of fun though. We just wanted to play as loud as we could and we were all stoked to be there playing so having everyone that has been in the band thus far up there was sick.
Oh shit! The Descendents are touring! The legendary pop punk act has never been to Australia before despite legions of Australian punk fans growing up singing along to their classic catalogue. Last Friday morning the band casually announced on their website, “We’re pleased to announce that the Descendents will be playing three shows in Australia this December. This will be the first time that the band has ever played down under. More information will be made available soon. (In Sydney it’s Sat 18 Sydney University Sports Fields) In addition to The Descendents, NOFX, Dropkick Murphys, Killswitch Engage, Atreyu, Frenzal Rhomb, Parkway Drive, Me First And The Gimme Gimmes and about ten other internationals (all punk, metal or hardcore) are confirmed.” WOAH! Fronted by punk rock icon Keith Morris, OFF! have signed to Vice Records. Surrounding Morris in what is actually a legit super group are Steven McDonald from Redd Kross, Dimitri Coats from Burning Brides and one of the great punk drummers Mr. Mario Rubalcaba from Rocket From The Crypt, Chicano-Christ and Hot Snakes. Under the freshly inked deal the band will release four EPs as limited seven-inches. 12 October, the band will drop their first EP, simply called First EP. All four will eventually be compiled in the First Four EPs box-set 23 November (is this sounding familiar to anyone else?). Currently there is no music from OFF! available to preview online, only a few YouTube videos. I was able to catch them overseas earlier this year and trust me, fans of Morris’ early Black Flag and Circle Jerks work will want to get their hands on these releases. So by now you’ve had a few days to consider the Soundwave 2011 lineup. Pretty huge with international acts to suit most tastes. Personally the idea of finally seeing Social Distortion playing alongside The Bronx, Slayer, Gaslight Anthem, Terror, Melvins, High On Fire, Protest The Hero and Pennywise all on one day is pretty appealing. If you’re not yet impressed, soon after organizers learned that the lineup leaked a day early, they tweeted, “Totally crushed about leak. Just as well we have a great 2nd announcement in Oct…” There you go, more acts coming soon! The title for the eagerly anticipated third Bring Me The Horizon album was unveiled this week. If you thought the EP This Is What the Edge of Your Seat Was Made For was a mouthful, prepare yourself to walk into a store in early October and ask for There Is A Hell, Believe Me I’ve Seen It. There Is A Heaven, Let’s Keep It A Secret.
Wow. Yellowcard are still together… and they’ve just signed to Hopeless Records. The lineup is now vocalist/ guitarist Ryan Key, Sean Mackin on violin, drummer Longineu Parsons, guitarist Ryan Mendez and new bassist Sean O’Donnell. They haven’t released an album since 2007, but the band, who had hit their peak in 2003 with Ocean Avenue, release a new album in early 2011.
SHORT FAST REPORT TOP 5 SOCIAL DISTORTION CIRCA ’07 – THEY’RE BACK] Fans of old school Washington DC punk will be excited to hear Dag Nasty’s Dag With Shawn. Hitting stores in November the release is the classic Can I Say album featuring the vocals of original Dag Nasty singer Shawn Brown. Shelved for many years after Shawn left the band, the songs were re-recorded in 1986 with new vocalist Dave Smalley. The previously unheard recordings will hit stores via the wonderful Dischord label this November. Bad Religion release The Dissent Of Man September 24. Currently celebrating three decades of influential, thought-provoking and groundbreaking punk rock, this is Bad Religion’s 15th studio album. Produced by Joe Barresi (Parkway Drive, QOTSA, Tool), The Dissent Of Man’s recording process saw primary songwriters Greg Graffin and Brett Gurewitz informed by lifechanging events, with Graffin writing his forthcoming book, Anarchy Evolution, and Gurewitz embarking on parenthood again. “I feel like the last couple of records have been amongst our most conservative, never straying too far from a Bad Religion sound,” says Gurewitz in a press release. “Whereas on this one we’re taking the songs to a lot of different places, exploring our influences and trying out some new things in a way we haven’t done in years.” Original Misfits member Jerry Only will soon be touring again with Black Flag’s Dez Cadena and Robo as The Misfits. Tickets are on sale now for their show Saturday 5 February 2011 at The Manning Bar. Bad Brains, who earlier this year cancelled their long awaited second Australian tour due to “health reasons”, have announced a run of shows in California this August. Hmmm, hopefully the Australian dates will get rescheduled now that everyone is feeling better.
POP CULTURE THERAPY WITH ADAM CURLEY When I was eight, I became obsessed with the paranormal. Ghosts, witches, psychic activity – pretty much anything I couldn’t see but could talk myself into believing at any moment I caught myself alone, which at the time was a fair bit because my two sisters and brother were in high school near the city and I had the house to myself for an hour every afternoon until they got home. I’d sit downstairs in the lounge room and listen out for footsteps on the floorboards above me, or close my eyes and try to ‘sense’ if other ‘beings’ were around. It wasn’t that I was thrilled or unafraid by the prospect of hanging out with unearthly hobos or being taken by the darkness. I was fucking terrified. Most of the time I’d end up locked in the toilet or the others would find me sitting in the front yard when they came home, waiting for someone else to arrive before braving the house again. But it was the fear that attracted me. Sure, the thoughts of evil shit came on their own and with disturbing frequency, but I pushed them in my mind until they overtook me to the point of hyperventilation. At the same time as I felt like I was going to die, I loved being scared. (I also went through a phase of pretending to be dead every time my mother got home, but that’s possibly a different psychology for another time.) For my ninth birthday, I asked for a horror-themed party. My sisters had the idea of turning our doublegarage into a haunted house and they and my mother went about the business of buying up on supplies from a Halloween shop across town. This made me nervous. By that age, it already wasn’t particularly okay to be into games, let alone dress-ups, and my party was going to include both. I realised I was placing my Grade Four social status in the hands of the less-than-cool women in my family and I had a lot to lose – all five of my friends were coming. On the night, I got into my executioner’s costume (which I had to keep explaining seeing as I was really just carrying a fake axe around – and I’m sure their nine-year old repeatedly sighing, “I kill people,” wasn’t creepy for my parents at all) and my friends and I were led to the entrance of the garage. One by one we were blindfolded and taken around the cold, cement-floored room and made to touch various objects with our hands: a bucket of ‘guts’ made from offal, a plate of ‘eyeballs’ from grapes. Then, with the blindfold removed, we • 58 • THE DRUM MEDIA 10 AUGUST 2010
1. DESCENDENTS! 2. Soundwave 2011. Dear Mr. Ness. I know you have promised to bring your band Social Distortion to Australian before and let us down at the last minute, but I promise that if you do actually finally come down here for Soundwave all will be forgiven. Love, Australia. 3. Senses Fail. New Jersey’s Sense Fail are here for their first Australian tour. The band has a bunch of shows around the country with special guests The Mission In Motion. Catch them Sunday at The Factory Theatre. 4. Jonesez. Mark Stewart, formerly of Horsell Common, has a new project called Jonesez. Super catchy intelligent rock songs is what you get on debut album Betty’s Soup. Check it out and order a copy direct from jonesez.com. au. 5. Comeback Kid. The long-serving Canadian hardcore act has a new album, and if the track on their MySpace page is any indication, it will be their best album in quite a while. Check it for yourself at myspace.com/ comebackkid and keep your eyes peeled for Symptoms & Cures, which hits stores 31 August.
LOCAL GIG GUIDE
WEDNESDAY
Let Me Down Jungleman, Gently, Between The Devil And The Deep, Totally Unicorn – Sandringham Hotel
THURSDAY Envy Parade, StoneMason, The Miracle Is Now, The Never Ever – Hot Damn, Spectrum
FRIDAY Extorsion, I Exist, Sxwzd – ANU Bar Catch Stu presenting Short.Fast.Loud. every Wednesday night from 10pm on triple j. Contact Stu at shortfast@drummedia.com.au
METAL AND HARD ROCK WITH CHRIS MARIC Welcome back to the Pantera home vid… oh wait – that’s something else. Hi and welcome to the column – we hope you enjoy reading all the cool stuff we serve up to you each and every week! Drum Media has always been about you, the reader, so we’ll be attempting to give you as much info and stuff to check out in your local area as possible – Drum is after all the bible on all things happening in the scene so let us be your guide through the many different aspects of our genre of choice, metal – in all its forms – and show you stuff that maybe you didn’t even know was out there! Any and all feedback is encouraged.
SALEM had to climb through cobwebs and a tunnel and past my father sitting in the corner, staring blankly like a brain-fried patient with a torch to his face. I remember proudly thinking that my family was less sane than I’d given them credit for. The scariest part, though, was the soundtrack playing while all this happened. It was a grainy, sparse recording of doors creaking and slamming shut; of soft laughter leading into tortured breathing and muffled struggling sounds. It was purely sadistic. My mother later gave me the tape (it was orange and branded “Halloween sounds”) and I’d put it on sometimes if I wanted to freak my sisters out when they weren’t expecting it. My obsession with the paranormal eventually faded – resurfacing at 14 via an anti-Catholic-upbringing investigation into The Book Of Shadows as well as a heavy God complex – but the disturbing sounds contained on that cassette never disappeared from memory. Now I know I was not alone in having lo-fi, eerie effects ingrained into my psyche. Now, there’s ‘witch house’, the genre causing about as much “that’s not a genre” and “FUCK OFF AND DIE PITCHFORK” the last six months as ‘chill-wave’ or most other things before it. But there’s definitely some kind of ‘happening’ generally considered to be led internationally by Texas label Disaro and Michigan act SALEM, and encompassing California’s oOoOO and, most recently, Rhode Island’s Dream Boat and their ‘haunted’ beats, droning synths and interjecting effects. If it’s your ‘thing’, make sure you also share it with your younger brother or sister. They might look scared but, believe me, they secretly love it. breakdown@drummedia.com.au
Sydney’s busiest band, Lord are finalising a new EP, Return Of The Tyrant, and have announced Yarr-Fest as an all-star gig to launch it. Head down to the Gaelic Theatre Friday 29 October to see Lord, Dreadnaught, Hemina, Se Bon Ki Ra and Voyager. There’ll also be door prizes for the best dressed pirate or wench so break out your swords and scabbards for one ale of a good time! Speaking of Voyager, Perth’s finest will follow their appearance at Yarr-Fest the very next night (Saturday 30), heading to Newcastle District Tennis Club for the 15-band LedFest. That’s three shows in a row for them as they’ll be supporting the mighty Soilwork Thursday 28 in their hometown. The Sydney support for Soilwork (Friday 22, Manning Bar) will be Buried In Verona. The 2011 Soundwave lineup has had a major injection of metal this week. Topped off by the one and only Iron Maiden, you’ll see Slayer, Rob Zombie, Devildriver, A7X, Stone Sour, Sevendust, Monster Magnet, 36 Crazyfists, Ill Nino, High On Fire and a few new(ish) bands definitely worth checking out like Kylesa, The Sword and Nonpoint with more to be announced. I can see the anguish of people discovering Sideshow clashes already! The guys from Utopia Records are making the move back into the city in September. Before they do, get down to the current store at Broadway and make Craig an offer on all that ancient vinyl they have stashed in the basement – you’ll have Xmas sorted for your parents ‘til the end of time if you do. The store’s new locale will be opposite Town Hall (corner Kent and Bathurst Sts). It will be great to see them back where they belong and with the amount of touring happening in this last half
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VOYAGER of the year, expect to see plenty of in-store action once more. Last year’s inaugural Australian Metal Awards was an interesting night to say the least, and with a new group of organisers at the helm it looks set to become an annual date in our metal calendar. Sure it’s a few years away before we get Lemmy down here to present the award for Most Excessive Use Of The Horns, but with a slow build and fair representation of the overall scene, who knows, maybe those people at ARIA will see fit to once again include a metal chart in their weekly updates. There are certainly enough releases both local and international to keep it current. Did you know there are a bunch of local metal shows on radio around the state all with their own style and flavour? All killer and play everything that’s current, and some stuff that’s not, and always full of cool interviews with the biggest metal bands on the planet right down to bands fresh out of the garage. Check out Alt Metal Industries on 2SER, Dead Air on FBi, The Annex on Blu FM, Intensity out of Newcastle Uni, Beneath The Remains on SWR FM in Western Sydney and of course 2RRR in North Ryde who have been around forever and have a whole bunch of shows led by the eternal Monday Night Metal. All rounded out nicely by our one and only national show on Triple J – The Racket. Coming up at Club Blink down at the Agincourt Hotel in Broadway this Friday will be a launch for the new Iron Maiden album, The Final Frontier and also a Pre Tour Party for Bullet For My Valentine. heavy@drummedia.com.au
HIP HOP WITH VIKTOR KRUM The Illawarra Folk Festival’s Youth Stage is looking for performers under the age of 25 for next year’s event, being held Thursday 13 – Sunday 16 January. If you’ve a budding acoustic musician head to the event’s website and apply; applications close at the end of August. To get the vibe, previous events have included, “wild tango ensembles, gypsy bands, folk-infused instrumentalists, didgeridooplaying guitarists and inspired young singer/songwriters.”
The other week I met an emcee. This happens sometimes. He said that he was a battle rapper. We chatted. I explained to him that I’d never heard of him. We talked more. It was boring. He explained to me that he hadn’t been in many battles and was frustrated that he didn’t have a chance to show people his skills. I brought to his attention that there are a lot of battles going on at the moment in Australia, like Got Beef and Real Talk. He got excited. He didn’t know that there were things happening. I told him that, battlewise, everything seems to be coming together now and there were plenty of opportunities around for battles to happen, he (it’s always a “he”) just needed to keep his eyes open for the next event. His eyes lit up. Mine dimmed when he concluded with, “thanks for that, man. I don’t tend to check for stuff on the web much. Could you hit me up next time you know there’s a battle on?” Disgusting. There have never been more opportunities for hard work to pay off for up and coming rappers. They just need to do something. Not doing something is an affliction that in the past has tended to affect talented veterans who never seemed to get around to releasing the amazing album(s) they had sitting on their hard drive. These days it seems to affect the young upstarts who want to be a part of things but don’t want to do the work. It’s never been easier to upload you music online. It’s never been cheaper to burn CDs of your music to pass to friends and friends of friends. It’s never been easier to enter into battle tournaments that have a significant online following. Laziness is the only obstacle, and it seems insurmountable for some of these youngsters. If you think you’re a good rapper and no one else knows about it, do something. Start a Twitter account and update it. Write another song and improve. Go to a show and meet some people. Talk to your local pub about that stage that’s always empty on Wednesday nights. Reflect on what others in your city have done. The way to turn nothing into something is work. A couple of years ago there was no LookUp, no Big Village, no Horrorshow even. Hard work by good people changed that. If you have a friend who you reckon is talented, tell them to get to work. If you’re sitting on the couch debating about what Eminem songs it’s OK to still like, knuckle down. You’re not a charity case. Favours are earned, not granted. Reputations are built over time, not
ALL AGES WITH SCOTT FITZSIMONS
OUT AND ABOUT Black Wire Records are opening their doors to the punk bands of Sydney this Friday, from 6-10pm, with Chinese Burns Unit, Epics, Spew Up Your Guts and Nudist Colonies Of The World set to play live. It’s only five bucks. Make sure you get to gigs on time and keep a couple ears out for the support acts this week, as there’s some real quality propping up the international tours. Friday at the UNSW Roundhouse, Tonight Alive and For Out Hero go with Young & Restless’ seal of approval. They are, of course, supporting the fun-lovin’ 3OH!3.
LOU LOU instantaneously. And they are not built on your couch! Get to work, Sydney talent. Get. To. Work. One thing you could have done (kick yourself for not doing this, lazy rappers!) is register for the Got Beef’s first Sydney event. You may be familiar with Got Beef, an a cappella battle league based in Adelaide that has done some good work in flying in exciting rappers from other countries to do battle with exciting rappers from this country. In its Sydney incarnation, this event is not as huge as Got Beef’s debut, but is still worthwhile lacing your shoes up for. Head out to the Wentworth Hotel in Homebush on Saturday for a night featuring FLO, Kerser + Rates, Tavern Slander and a bunch of others. There’s an emcee battle element too! Watch competitors spit a freestyle sixteen, a written sixteen and then an a cappella sixteen, either written or freestyle. This is the sort of thing you should have entered. That’s a venue packed full of potential new fans for you and a few cameras chucking footage up on YouTube. Next time, pay closer attention. This time, rock out as Lou Lou reps our city on stage. getittogether@drummedia.com.au
Stepping away from the punk influences and towards the peculiar singer/songwriters, Laura Imbruglia will be supporting Eels at the Enmore Theatre this Saturday. On the back of Eels’ latest album, End Times, it promises to be a good night all ‘round. With their album, Somewhere Safe, dropping recently, Western Sydney favourites The Mission In Motion have a few support slots lined up. This week they warm the crowd up for Senses Fail at The Factory Theatre. And you should be paying attention to all the bands playing at The Loft Youth Venue this Sunday, with hardcore the focal point. Extorsion, I Exist and SXWZD all know how to provide a blistering set.
FEELING LUCKY? The Lucky Oz Tavern has become a regular part of this column’s listings, as one of the few venues left providing all age shows week in, week out. This week is no different, with Faith Or Fatality, Stand For The Fallen, To The Grave, Let My People Go, Sector Sixteen and Remains The Day, who are launching their new EP in the near future. Y&R spoke to Remains The Day’s Andrew Spice ahead of the show.
LAURA IMBRUGLIA How do you feel your new record came out? The EP came out a lot better than we anticipated. Working with Richie (Newman of Buried In Verona fame) was the best option for us. He has taught us so much as musicians and as people. Have you played at the Lucky Oz Tavern before? What’s the vibe like? We have played there once before, with Buried In Verona and Wolfkahn. When we played, it was one of the first Sunday afternoon lot of gigs they held there. It has the potential to become a great all ages venue. This time, it is a Saturday night, and we feel the crowd will be a lot bigger this time around. Do you have a strong all age following and how important is it to give the all age crowds shows? From what it looks like after going through our fans on Facebook, the majority of them are in the age group 16 to 24. We think it is vital to the music scene to have all age gigs, they are the ones with the expendable money. They ask their parents for money, they get it. Which is a good thing. It helps out bands like us to get out there and give back to the community. What’s next for the band? We have already started writing our album, which we will hopefully start recording mid-2011. Other than that, we want to play as many Sydney shows as possible, look into booking agents and managers, and just keep impressing crowds with our music. We are also looking for any tours that we can jump on as support acts for, so bands, if you are reading this, don’t be afraid to contact us through our MySpace page! allages@drummedia.com.au
The 2010 Music Industry Summit & Showcase 3 days of seminars, events, networking and live music Brisbane, Australia 8 – 10 September 2010 OVER 60 SPEAKERS FROM AROUND THE WORLD Robert Forster – The Go-Betweens (AUS) / Victor Van Vugt – producer (USA) / Brett Williams – Monotone Management (USA) / Colin Roberts – Big Life Management (UK) / Catherine Bottrill – Julie’s Bicycle (UK) / Michael Azerrad – author (USA) / Michael Gudinski – The Mushroom Group (AUS) / John O’Donnell – Cold Chisel management/Odfellows Publishing (AUS) / Ed Kuepper – The Saints (AUS) / Andy McGrath – ATO Records (USA) / Jonas Woost – digital music consulant (CAN) / Tim Dellow – Transgressive Records (UK) / Dave Faulkner – Hoodoo Gurus (AUS) / Brian Ritchie – Violent Femmes/MONA FOMA (USA/AUS) / Peter Jesperson – New West Records (USA) / Morgan Lebus – Domino Records and Publishing (USA) / Jake Stone – Bluejuice (AUS) + MANY MORE!
60 HOT ACTS PERFORMING AT BIGSOUND LIVE Children Collide, Boy & Bear, The Naked and Famous, The Vasco Era, Ernest Ellis, The Gin Club + MANY MORE!
Full details and summit registration at www.bigsound.org.au Tickets for BIGSOUND Live available now through Oztix Presented by Q Music – www.qmusic.com.au Across Brisbane’s Live Music Precinct Fortitude Valley
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THE DRUM MEDIA 10 AUGUST 2010 •59 •
HEADING Performing at the Jewish Music Festival this Sunday – at Bondi Beach, see the Live section for further information – Nadya is well accustomed to music from all over the world. Primarily working with an Eastern European/gypsy sound, but not allergic to gospel and blues, we asked about her, and the 101 Candles Orkestra’s roots. “Some of us in the group have our background from Eastern Europe. Mirsad Giga Jeleskovic came out here from Bosnia as a refugee from the war in former Yugoslavia and he taught me and us musicians a lot of what we know. He has provided us with priceless material and information. Daniel Weltlinger is from a Jewish French and Hungarian background. My father was Polish Jewish and a survivor of the Holocaust. My mother is Australian Catholic. My father came to Australia as a young man in the early ‘60s. We all put our own slant on the songs that we play. For example, we do Edith Piaf to Balkan rhythms. We play some of our own compositions and we also play traditional songs from Eastern Europe. It’s difficult to explain how our interpretation is different, but it is. When, for example, singing songs from the Balkans, the singers from former Yugoslavia have a very particular style of vocal ornamentation. They have been trained to do this from a very early age. It’s in their blood. I have my own style. I suppose I sing the melodies with more simplicity. But this music, regardless of our backgrounds, is a genre, which we all feel very intensely. It’s difficult not to feel it. It’s so contagiously romantic and emotional. Is contagious the right word?”
BLUES AND ROOTS WITH DAN CONDON As if we needed another festival to add to the list of amazing events happening in and around the blues scene around these parts right now, the Towradgi Beach Hotel have just announced that they are putting on another big bash of their own this year, hitting the venue on Sunday 19 September from midday through to 9pm. The lineup for their fourth annual Blues & Roots Festival is pretty damn spectacular and well worth the drive down, particularly given Canadian guitar maestro Wolf Mail is taking on headline duties and will be joined by local acts such as King Tide, Melbourne’s The Backwood Creatures, The Shane Pacey Blues Trio, Matty Woods and old favourites Whose Muddy Shoes. Tickets for this event are just $22 plus booking fee, and available either from the venue or Moshtix. Make sure you grab one soon so you don’t miss out! Modern Australian blues just wouldn’t be the same without Lloyd Spiegel. He’s been on the circuit for the best part of 18 years and in that time has managed to release six full-length albums. Most importantly, the young player is an absolute gun and seemingly just gets better and better as the years roll on. The Clarendon Guesthouse is lucky enough to have the guitarist gracing its stage this Thursday night and you can bet it will be a performance that will bring the house down – it generally is when Spiegel’s involved. Tickets for the show are $15 and the entertainment begins at 8.30pm. It’s hard to believe but this week we have the very rare opportunity of seeing one of Australia’s truly legendary acts as they make their first appearance on stage in
THE DINGOES years. The Dingoes were inducted into the ARIA Hall of Fame in 2009 and, for the first time in 30 years, John Bois, Broderick Smith, Chris Stockley and Kerryn Tolhurst all gathered on stage together. It must have been a pretty special moment for them all as they decided to reunite, head into the studio and cut a new record. As such, Tracks is now born. The band will be launching their new baby at the Clarendon Guesthouse on Wednesday night, Lizotte’s, Newcastle on Thursday night, the Basement Circular Quay on Friday night, Towradgi Beach Hotel on Saturday night and Lizotte’s, Kincumber on Sunday night. Get in touch with the venues for tickets and times. The people of Woodford aren’t being given too much respite these days; the Splendour In The Grass festival
has just wrapped up at Woodfordia and now the venue must prepare itself for the latest event it will be hosting; the Folk Alliance Australia Convention, or Ausfolk. Over three nights and two days, the conference is looking to bring together the people behind the running of festivals, events and venues to share ideas and experiences in order to create and maintain a healthy, sustainable, creative culture in Australia and one which is respectful to communities and businesses. There are also a whole heap of great bands playing such as Miguel, John Schumann & the Vagabond Crew, Richard Person, Ted Egan, Andy White, Mr Percival, Dya Singh, Leah Flanagan, Alan Glover and Kavisha Mazella, as well as discussions, speeches, workshops, tours and so much more. Head along to ausfolk.com to grab yourself a ticket and read up on what else is on offer. The event takes place from Thursday 2 to Saturday 4 September. Surry Hills is the place to be this Saturday night should you feel like kicking back and hearing some fine, fine roots music in a cosy, intimate setting. Ravál, which is on the first floor of the Macquarie Hotel, is hosting three sensational acts that will probably make you feel a little inadequate given the quality of their songcraft, but that feeling will be worth it just for the ear candy. New outfit Quiet Titans kick things off before the wonderful Mick Hart drops by for a solo set and local lass Katy Wren closes things up. Grab yourself a ticket right now from Moshtix for $12 plus booking fee. rootsdown@drummedia.com.au
CUBA’S FINEST Cuban legends Los Van Van play the Sydney Opera House’s Concert Hall Sunday, and Drum asked member Samuel Formell some questions. Naturally, he answered in Spanish.
How important is music to the Cuban culture? “La musica en Cuba tiene una gran importancia para la cultura Cubana, es una forma de identificar nuestra cultura por sus ritmos genuinos,los cuales son muy variados, las melodias originales, arrglos orquestales, y el bailador quele da el toque mas original.” [Translation] Music in Cuba has great importance for Cuban culture. It is a form of identification with our culture, through its genuine rhythms, which are many and varied, original melodies, orchestral arrangements and the original dances.
Why do you think this band has been so successful? “El exito de Van Van se debe a la originalidad de hacer la musica Cubana, desde el 1970 cuando empezo el maestro Juan Formell, creo el ritomo songo que es la mezcla del son, la rumba, el guaguanco, con influencias de la musica Cribeña y Norte Americana, tambien cada decada de Van Van ha sido un salto de evolucion ante la musica Cubana.” [Trans] Our success is owed to the fact that we do original Cuban music. Since 1970, when the band was founded by master musician Juan Formell, Van Van developed the “songo” rhythm, a mix of son, rumba and guaguanco, with influences from Caribbean music and North American music. Also, every decade of Van Van has been an evolutionary leap for Cuban music.
JAZZ/WORLD WITH MICHAEL SMITH TUESDAY
hosts an evening with the piano-led Alister Spence Trio and the tenor sax-led Remco Keijzer Band.
Another trio showcase night at 505 with the saxophoneled Sandy Evans Trio and the piano-led Jackson Harrison Trio doing the honours.
Eastside Arts hosts the 30th anniversary celebrations of Latin American Cultural Centre La Peña, featuring performances by Ricardo Andino, Jose Barroso, Luis Grimaldi, Hugo Leal, Jeannie Lewis, Jorge do Prado, Juan Carlos Rios, Justo Diaz, Olympia Karanges and Papalote.
Pianist and composer Casey Golden and his trio launch their debut album, Clarity, at the Basement in Circular Quay. Down to the Golden Sheaf the James Valentine Quartet is joined by the sultry jazz chanteuse Jane Irving.
WEDNESDAY Alto saxophonist Martin Kay, guitarist David Reaston and drummer Jamie Cameron deliver the Reaston Kay Cameron Effect to 505.
LOS VAN VAN of South Korea’s drumming tradition,” Intangible Asset No. 82, followed by a solo performance, a Q&A with Franz and a set by Jim Denley/Mike Majkowski.
From where do your Celtic influences arise? Planxty, Andy Irvine, Lunasa, Felpeyu, Alan Stivell, Tony Mcmanus, Dick Gaughan and not forgetting the English musos John Martyn, Pentangle, Sandy Denny, Jethro Tull. We play fiddle, Irish whistles, bodhran, rhythm guitar, sing three-part harmonies and am soon to pick up the latest addition to the band… my Irish bouzouki. Following on from our 2007 MusicOz award-winning Watersong, our latest CD also features our own material as well as Celtic-tinged traditional songs and tunes,
Is there a strong Celtic scene in Sydney’s surrounds, and nationally as well? Celtic music traditionally thrived in Melbourne but now Sydney is drawing a lot of talented musos and bands. Regular Irish sessions are sprouting up around town and Celtic music festivals such as Turning Wave in Gundagai are introducing a whole new audience to the joys of Celtic music. At the festivals you see how many young people are playing Celtic music in bands and sessions. It’s not a fad, it’s a whole music movement back to acoustic instruments and the musical craft.
What’s your opinion on the Fairlight Folk venue? What’s not to like? Great music played to a large appreciative audience, ambient setting, gallery space, red leather lounges, BYO, bring your friends, inexpensive. A venue for musos run by musos. • 60 • THE DRUM MEDIA 10 AUGUST 2010
Lady Cool & The Gang, featuring Mark Isaacs on piano, head into the Berkelouw Wine Bar in Leichhardt, from 7.30pm.
SATURDAY
The John Redmond Trio plays the Manhattan Lounge.
Singer Tanya Sparke and her quartet, featuring pianist Peter Desant, showcase her most recent album, Darkwood Road, and more at Ravál.
The Sappho Trio plays Sappho Books in Glebe from 6pm.
Guitarist Roman Pulati and his new trio play Opia.
Jazz Visions continues down at the Sound Lounge with pianist Chris Abrahams and soprano saxophonist Phillip Johnston in duo mode and the Hit Organ Trio.
Fresh from sell out shows at the Sydney Opera House, the Melbourne International Jazz and Adelaide Cabaret Festivals, father and pianist Dick and daughter and singer Christa Hughes return to the Basement Circular Quay tonight and the Clarendon in Katoomba Saturday for another rousing night of blues, jazz, cabaret and boogie-woogie.
Tipping their collective hat to the legacy of Weather Report, Mysterious Travellers finish their tour at the Vanguard.
Singer Yuki Kumagai heads out to Penrith RSL with the quintet, kicking off 2pm.
Notes hosts an evening of roots/world music with Indonesian-born musician Tommee and Ghanaian singer songwriter Afro Moses.
Sydney’s only 17-piece all-female contemporary jazz ensemble Sirens Big Band are sure to fill 505 in more ways than just musically.
The heady rhythms of Bandalucia Flamenco come to 505.
The hottest new addition to Sydney’s funky Balkan music scene, Lupco Stojcevski and his ensemble play the Zenith Theatre.
THURSDAY Colbourne Ave tonight hosts a screening of the Emma Franz doco on Simon Barker’s “journey to the heart
FRIDAY As part of the Jazz Visions festival, the Sound Lounge
LISTEN TO MOTHER Launching their third disc, When The Winds Begin To Sing, this Saturday at the Fairlight Folk Lounge, Drum caught up with Mothers Of Intention’s Rosie McDonald.
Singer Paul Sun takes the trio into The Arthouse Hotel, Pitt Street, from 6pm.
blow@drummedia.com.au
ROCKABILLY/PSYCHOBILLY/ALT.COUNTRY WITH PEDRO MANOY TUESDAY
Soto and Colin Watson. At the Matraville Bowling Club there’s a big rockabilly night with the Nitro Rockers from 8pm.
Finn do it acoustic style at the Royal Hotel in Leichhardt from 8pm.
WEDNESDAY
SUNDAY
The Slowdowns return to the Sandringham Hotel, which they claim is their favourite re-hydration station, while the Muso’s Club Jam Night takes over the Bald Faced Stag with Jim Finn and Al Britton.
The Blues Angels play Randall’s On The Beach Restaurant from 12.30pm and the Canberra Blues Society hosts its regular jam at the Statesman Hotel in Curtin from 1pm. There’s another regular jam hosted by the Shelley Turner Band at the Jolly Frog Hotel from 2pm. Psycho Zydeco let loose at the Towradgi Beach Hotel and Skarratt & Watts play the Macquarie Arms in Windsor. There’s a Beginner Rockabilly Dance Workshop at the fabulous El Paso Latin American Dance Studio with Limpin’ Jimmy and The Swingin’ Kitten. Call the Kitten on 0410 668 995 for registration and enquiries. The Marrickville Bowling Club hosts The Rockin Mustangs from 3pm. Dave Tice, Mark Evans and Mick O’Shea get together at the Tudor Hall Hotel from 4pm and the always entertaining Pugsley Buzzard tinkles the ivories at the Pyrmont Bridge Hotel from 5pm. Hipsister with Jack Evans play the Crowne Plaza Hotel in Terrigal and House Of Blues featuring Matt Black & The Phat Cats have a happening evening show at the Botany View Hotel from 6.30pm. Lloyd Spiegel rounds off his Sydney visit at Ravál and the Steve Edmonds Band deliver the alpine spirit at the Schuss Bar at Thredbo.
DAVID ROVICS
THURSDAY Ross Ward continues his solo residency at GJ’s Coffee Lounge in Cronulla from 6pm while the Steve Edmonds Band do likewise at the Amber Vale Hotel from 7pm. There are regular blues jams at Bar Bondi and the Carousel Inn while Lloyd Spiegel travels from Victoria to play the Clarendon Guesthouse in Katoomba.
FRIDAY American contemporary political singer/songwriter David Rovics plays the Harp Hotel, Tempe, along with The Lurkers. The John Leigh Calder Trio have their regular gig at the Hotel Clarendon in Surry Hills and Chris Mawer’s Red Beans serve up a tasty musical gumbo at the Pyrmont Bridge Hotel from 8.30pm. Ward’s Xpress featuring Don Hopkins head to Club Cronulla from 8pm. Out of town you can catch Adam Hole and the Marji Curran Band at the Lennox Point Hotel and Blind Lemon at the Nimbin Hotel. Mo Trowell & The Delivery move to Newcastle to promote their latest CD, The Suspect Way, at the
Hamilton Station Hotel along with the Dennis Boys Band.
SATURDAY The Ginhouse Blues Band have a Sydney Harbour cruise aboard the Rocks Rhythmboat, departing 11.45am from Pyrmont Bay Wharf with bookings essential on 0414 854 749. Dave Tice & Mark Evans play their legendary evening gig at the Sandringham Hotel and Don Hopkins & Rob Grosser have an 8pm spot at Mt Druitt Workers Club. Ross Ward plays Vault 146 Restaurant & Wine Bar and DV8 rock the New Orana Hotel. Lloyd Spiegel travels to the Factory Café Bar in Newcastle and the Steve Edmonds Band entertain at the Schuss Bar at Thredbo’s Alpine Hotel. Stormcellar play the Pendle Inn Hotel, and The Bellhops swing the Burwood RSL Club. There’s a special night at the Marrickville Bowlo beginning with movies at 7.00pm followed by Moto Soul featuring Lucy De
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THIS WEEK IN TUESDAY 10 Sydney Design PechaKucha night – short presentations from some of the festival’s star talent. The Ivy, 7pm. This Place: Changing Landscape – exhibition of sculptural wearables by Vanessa Samuels. Opening night. Studio 20/17, Danks St until 29 August. Winter’s Discontent – one act play of an actor facing his performance demons in the dressing room. Opening night. Darlinghurst Theatre until 22 August.
WEDNESDAY 11 Paths To Abstraction celebrity talk – Bernie Hobbs of ABC’s The New Inventors talks about scientific milestones relating to the development of abstract art. AGNSW, 6:30pm. University of Sydney Revues Season – ten comedy-musical shows from student and faculty groups. Opening night. Seymour Centre until 9 October.
THURSDAY 12 The Daisy Show and Made In The Cross – shows by Jenny Watson and Nell opening. Roslyn Oxley9 until 4 September.
FRIDAY 13 Against Nature – an exhibition of recent photographs by Eden Diebel exploring the transformation of animals into food. Opening night. Galleryeight until 2 September. Mu-Meson Horror Double – a demonic priest and cannibal zombies from 1973 in Messiah Of Evil and a sorority mock-execution going wrong in the 1977 Sisters Of Death. Mu-Meson Archive, Annandale Hotel, 7:30pm.
TELLY
ARTS The Sound Of Red Earth – the Kaldor Public Art Foundation presents US artist Stephen Vitellio’s sound installation. Opening night. Sydney Park Brickworks until 12 September. Young Blood & designboom markets – featuring emerging local and established international artists, crafters, and designers curated for Sydney Design. Opening night. Powerhouse Museum until 15 August.
SATURDAY 14 Petrina Hicks and Maleonn – photographic shows. Closing day. Stills Gallery. Ride-On Dinner – an urban meal adventure on wheels, BYO bike and get a tour of Surry Hills’ food, transport, history, and architecture. Meet at Object Gallery, 4pm. The Rocky Horror Picture Show – a traditional full dress-up, audience participation showing of the iconic musical. Chauvel Cinema, 10pm. Tusk Tusk – three children form a fortress of boxes in an unfurnished flat, fighting each other and the outside world. Opening night. Sydney Theatre until 25 September.
SUNDAY 15 Artist talks at Firstdraft – Justin Shoulder, Be Jones, Julian Day, and Mark Alperstein discuss their shows on the closing day of the exhibition. Firstdraft, 4pm. Sydney Design – festival exhibitions, tours and talks continue at the Powerhouse Museum and around the city finish today.
MONDAY 16 Matt Gillet – exhibition of Japanese and Cubist inspired oil abstracts. Opening night. Basicspace Galleries, 6pm.
SNAP-
SHOT C U LT U R A L
GUNS R US, 2010 (COLOURED RESIN, INSTALLATION) WILL COLES Displaying at Brenda May Gallery, Waterloo until 29 August
CRINGE
HO
TV WITH LIZ GIUFFRE Television loves an excuse to reuse a well established story, and the one about to get another go is Sherlock Holmes. ABC TV curiously re-ran the first couple of seasons of the ’80s/’90s series, starring Jeremy Brett as the man himself and David Burke as Watson, over the last few months (now finished), and while it might have seemed a little strange at the time, now that the BBC has launched its new mini-series Sherlock, all the clues add up. Sherlocks seem to be replaced more often than American Idol judges these days, but this latest addition is very fine indeed. So far it’s only a three-part mini created by Stephen Moffat (current Doctor Who series producer/writer in addition to a host of other great stuff) and Mark Gatiss (also Doctor Who nerd and legend of various other bits like League Of Gentlemen), and serves to bring back to the story a bit of genuine Pom grit. Unlike the lovely but inexplicably buff Robert Downey, Jr., Moffat and Gatiss cast the appropriately emaciated, and relatively unknown, Benedict Cumberbatch as a boarderline psychopathic Holmes. Therefore, and as it should be, the character of Holmes is not upstaged by the actor playing him. Continuing with the casting goodness, and proof that being the straight man sidekick is an artform, is Martin Freedman as Doctor Watson (brilliant in everything he does, including The Office). While these two do also get given a Bromance of sorts, it’s less of the • 62 • THE DRUM MEDIA 10 AUGUST 2010
petty bitching of Guy Ritchie’s big screen fair (which was a highlight of that version, admittedly), and returns original writer Arthur Conan Doyle’s intentions for the relationship between the consulting detective and his colleague. Co-dependent, sure, and perhaps too close at times, but certainly not trivial. This TV version does actually, shock horror, gesture a bit more seriously towards the possibility that Holmes might actually be gay, or at least sexually unusual. Not that there’s anything wrong with that (Watson makes a point of saying this in a believable rather than tokenistic way), and having the issue dealt with as something other than a cutting room floor Carry-On joke is refreshing. And it’s nice to leave something as a genuine mystery. Mostly this update is a thoughtful return rather than a Hey Hey It’s Saturday-like limp revival (although using the London Eye in the intro was laying on the ‘look, we’re in Modern London’ thing a big thick). But the updating works well with things like the new Holmes’ love of smart phones, with on screen text messages used as clever way (and often quite sinister) TV short hand. It’s snappy and effective, and proper multi-modal TV storytelling that doesn’t happen enough these days. The doubters might say that putting these types of low evidence who-done-its on TV makes a contemporary Holmes seem a little like a Ye Olde CSI, but surely imitation should be remembered as flattery - it was Sherlock that started that shit in the first place.
WITH JAMELLE WELLS Photographer Bill Henson has made his first public address since the drama that followed his 2008 exhibition of nude children at Roslyn Oxley9 Gallery, Paddington. Giving the Melbourne Art 2010 lecture in Federation Square he called on politicians to stop demonising artists and to support the arts instead of pandering to the demands of zealots. He said politicians need to ensure people from all walks of life have access to the arts and accused Federal Minister Peter Garrett of relegating the arts to the category of ‘heritage or museum culture’ and treating them as a ‘manifest irrelevance’. Taking questions after the lecture, Henson defended his treatment of the underage models, saying he was still friends with some of them and had the support
of their families during the 2008 controversy. Organisers of the 17th Biennale Of Sydney say the event drew its biggest crowd to date - with 517,000 punters turning up at indoor venues and outdoor works such as Roxy Paine’s Neuron on the front lawn of the Museum of Contemporary Art, Circular Quay. Visitors also supported events at the Cockatoo Island former convict prison and shipyard, where 120 artworks by 56 artists were presented. The Museum of Contemporary Art achieved record attendance for a Biennale with more than 173,000 visits. Four floors of gallery space were devoted to the exhibition. The STC is taking its work out into the suburbs with an adaptation of John Birmingham’s book Leviathan: The Unauthorised Biography Of
Sydney. The project was launched at Hurstville last week. It will tell stories that include migrant and early settlers tales, and the cast includes STC resident actors as well as performers from Chinese, Macedonian, and Indian communities.around Sydney. The show premieres at Hurstville Entertainment in September, with performances following at the Casula Powerhouse and the Wharf Theatre. It’s a surprise that the STC and its big name Artistic Director Cate Blanchett were ignored during nominations for this year’s Helpmann Awards. They were edged out by the Melbourne Theatre Company which scored 18 nominations for productions including The Drowsy Chaperone, Richard III, and August: Osage County. However The Book Of Everything, from Company B and Kim Carpenter’s Theatre Of Image, picked up five nominations, including
Best Play and Best Director for Neil Armfield. He was also nominated as Best Director for Bliss, which is up for Best Opera, Male and Female Performer (Peter Coleman-Wright and Lorina Gore), Original Score (Brett Dean), New Australian Work, Scenic Design, Lighting Design, and Sound Design. Jersey Boys, which opens in Sydney next month after a Melbourne season, leads the musical categories with 10 nominations, including Best Musical, Best Choreography (Sergio Trujillo), Best Direction (Des McAnuff) and Best Male Actor (Bobby Fox). The awards will be presented at the Opera House in September. Newtown Theatre is kicking off its annual festival with The Pink Revue on 10 September to raise money for the Pink Ribbon Cancer Foundation. Director Tanya Denny tells us it’s a cabaret night that will include burlesque.
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FILM
REVIEWS
SCOTT PILGRIM VS THE WORLD Edgy Brit director Edgar Wright has had a dream run in the film world of spoofs. First up he successfully lampooned the zombie flick with Shaun Of The Dead and then he sent up the buddy cup genre with Hot Fuzz. Now he has the difficult task of taking his satirical sense of humour stateside and see how the translation goes. Judging by the track record of other British comedic filmmakers, the odds are against him. However Scott Pilgrim vs The World is a bit of a left hand turn for him and not a bad experiment with a graphic novel by Byran Lee O’Malley. Signing up indie it-boy of the moment Michael Cera (Superbad, Juno) was not a bad move either. Scott Pilgrim sees Cera play the slacker anti-hero who is anything but a traditional wham bam action hero. In fact he is
barely keeping his head in the upright position as he plays bass in a pretty underwhelming garage band. Life is dullsville until kapow, love strikes him down with the appearance of the über-cool Ramona (Mary Elizabeth Winstead). All he has to do is duke it out with seven of her evil ex-boyfriends to win her over. Scott Pilgrim is a funny and frenetic comic book brought to life with captions included. It reminded me of something Tim Burton might get into, if his tastes didn’t run more toward the gothic. Cera could be in danger of permanent type casting however unless he grows some facial hair or tattoos his face, he will remain playing these nice guys who actually finish on top.
HIP TO B
SHARP
BELVOIR ST THEATRE IS HOME TO TWO PRODUCTION COMPANIES: COMPANY B, WHO PERFORM IN THE UPSTAIRS, AND B SHARP, RESIDENT DOWNSTAIRS. THE LATTER HAS JUST KICKED OFF ITS NEW SEASON, SO DARRYN KING SPOKE TO DIRECTOR EAMON FLACK AND ACTOR GARETH DAVIES ABOUT IT.
WHERE & WHEN: Screening in cinemas 12 August PRISCELLA ENGALL
N
SPLICE Splice is a sci-fi film about human hybrids created in the science lab. Even the film itself is a bit of a hybrid. With an unusual gene pool of talent co-opted to take part in a story that doesn’t really add up. Sarah Polley (Oscar nominee), Adrian Brody (Oscar winner) and Vincenzo Natali, talented director of cult classic Cube, team up to tell this potentially interesting tale about the dangers of playing God. Brody plays Clive, a biochemist, and Polley is his wife Elsa. They work side by side with each other in the lab and have made names for themselves in scientific circles for their successful gene splicing experiments which have resulted in new protein strains that have cured some animal diseases. Elsa gets over-ambitious however and wants to take the experiments one step further by splicing together human
and animal genes. She starts to move down this path without telling Clive and soon winds up with a new creation Dren (Delphine Chaneac), who is part-girl, with bird-like legs and a tail. And she is also on an accelerated growth spurt which means that Clive soon finds out and the family have to hide out in the country and see what exactly the creation of Dren really means. Sci-fi is always a potentially fascinating genre to explore great themes affecting mankind but Natali doesn’t quite get there with Splice. Despite the two leads taking everything so seriously, there is never enough meat here to warrant all the solemnity; though Polley does convince in her maternal pull toward the monster/child she has created. WHERE & WHEN: Screening in cinemas 12 August PRISCELLA ENGALL
owhere to hide. Sound frightening? It can be. But it can also be profound, moving, hilarious and exhilarating. ‘Nowhere to hide’ is the mantra behind one of the most cherished and important theatre spaces in Sydney, Company B Belvoir’s intimate 80-seat Downstairs Theatre in Surry Hills. As theatre spaces go, it’s about as in-your-face as it gets. “You can’t scratch yourself without it becoming a huge plot point,” is how director Eamon Flack puts it. Flack has directed two very different productions Downstairs in the past year: Samuel Beckett’s study of solitariness The End and Shakespeare’s rowdy A Midsummer Night’s Dream. “You can’t run. You can’t shout – unless you really want to piss people right off.” Yet, as Flack also says, the physical limitations can have a wonderful impact on a show. “Working on Midsummer’s, for example, we started rehearsals without a markup, so we felt very free and la-di-dah and we swanned around and used up heaps of room, but then we started shrinking the space more and more and it created this brilliant sense of chaos. And the more chaotic it became, the more things went wrong and the more fun it was, until eventually we had a show that was more or less all about things going wrong, and the audiences thought that was terrific.” Gareth Davies appreciates the Downstairs Theatre as an audience member (“I like to see the sweat on
people’s faces; I like to smell how hard they’re working,” he says) but he’s especially fond of the space from an actor’s point of view, having performed there three times in the past 12 months. “You can do the smallest thing and it will be noticed.” Like having a permanent close-up? “It’s exactly like having a close-up. You don’t have to shout anything or signpost anything. If you’re doing it and it feels right, the audience will be there with you. You get such an empathetic connection being in such a close space. “The danger of a small space, though, is that it’s much more difficult to fake anything. Audiences can really tell if you’re striking a false chord. A flicker of an eyelid will make or break what you’re doing.” Having bared all for The Only Child last year, Davies will also tell you that the Downstairs Theatre is good, in a way, for nude scenes. “There would be something cold and strange and lonely about taking your kit off in a giant space, you know,” he says. “When there’s 80 people very, very close to your privates, you also know that it’s only 80 people and not 500.” The Downstairs Theatre has its fair share of quirks, too. Noise from the Upstairs show often bleeds through the ceiling (some of the most solemn moments of the recent Downstairs show Bang were accompanied by the doof-doofing sounds emanating from Measure For Measure upstairs) and actors have to pass through the public foyer to make some entrances.
“One time I’d just done a scene and I was walking through during the Upstairs interval,” says Davies, “just walking through, nodding at people. I realised later I was sweating profusely and carrying two bottles of champagne and a gun. Which was probably why they were all looking at me so strangely.” Originally a rehearsal space for the Nimrod Theatre Company, the Downstairs Theatre was first used as a theatre in its own right – for experimental, small-scale work – in 1976. In 1998, 14 years after Company B moved into the building, it became the home of B Sharp, Company B’s annual season of independent theatre. B Sharp is programmed by Annette Madden – the “nowhere to hide” line is hers – and she’s the first to acknowledge that the shape and scale of the theatre present specific restrictions. “But I don’t see these as limitations,” she says. “They inspire artists to find creative solutions. The quirks and peculiarities of the space give artists something to wrestle with, which often results in far more interesting choices. I’m always looking for work that will provide audiences with a new experience and challenge the notion that there is one kind of work that is suited to that space.” Under Madden’s watch (and that of Lyn Wallis before her) the space has played host to an astounding range of work – even live music and stand-up comedy. “It all comes down to the vision of the artists involved and how they intend to realise the
work in that context. I would never rule something out until I’d heard the proposed vision ... Sometimes the most unlikely ideas are the most interesting.” Flack agrees. “I think there are plays that would be more or less impossible to put on down there,” he says, “but then again there’s something about the inappropriateness of doing big plays down there which creates this thrilling need for real intelligence and imagination. It’s such an odd space. It’s so strange and unusual: on the one hand it’s highly adaptable, it can almost transform completely, but on the other hand it’s so idiosyncratic and weird. The best spaces often are. So, in a way, the odder the choice of show, the more pleasurable the theatre becomes.” With its rollicking August–December B Sharp season kicking off last week and the Downstairs Theatre poised to enter a new era – from next year it will be curated by Company B’s new Artistic Director Ralph Myers and team – we’re bound to see still more great things happening in (and with) one of the most special theatre spots in Sydney. “I am continually amazed by the transformation of the space with each new production,” Madden says. “While there is nowhere to hide, there are infinite possibilities.” WHAT: B Sharp August-December programme, starting with Woyzeck WHERE & WHEN: Belvoir St Theatre until 29 August THE DRUM MEDIA 10 AUGUST 2010 • 63 •
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THE TRAGEDY OF WOYZECK B SHARP HAVE KICKED OFF THEIR SECOND 2010 SEASON WITH A PRODUCTION OF GEORG BÜCHNER’S WOYZECK. LAUREN DILLON SPEAKS TO DIRECTOR NETTA YASHCHIN.
“T
he play’s not written in a formalist way, which I think gives it a modern edge,” says Netta Yashchin. “It’s written like monologues clashing, and of course there is a plot and intertwining stories, and that’s why it’s important that the audience understand that each scene is like a play within itself. “Woyzeck is the first considered modern drama, and I think when it was written it was 100 years ahead of its time, and I think it’s still ahead of its time because of the nature of the play.” As the Lithuanian-born, Israeli-raised gypsy-like director with wild hair and electric eyes speaks of her latest project two things become apparent; this woman is intensely passionate about her work, and the theatre she does seems to be mirrored in the quick-changing, highly descriptive, and intoxicating energy of her speech and physicality. One question triggers a tangent that snakes in and out of countless ideas and opinions. Yashchin, whose ancestors were erased in World War II, and who herself witnessed daily traumas associated
• 64 • THE DRUM MEDIA 10 AUGUST 2010
with the Palestine/Israel conflicts, was first inspired to work with this text upon seeing it performed many years ago. “I think I gravitated to the play because I have the background to understand it, but I think the dialogue with the actors is a bit tougher because they grew up here where there’s not really any major physical oppression. In relation to the play itself I think also because of my training in work that is not naturalistic it can be hard for actors because they’re used to doing things that are logical so it’s tricky finding that logic when it’s also fairy tale.” Actors take to the stage alongside dancers and a live band to tell the story (that was unfinished when its playwright Georg Büchner died) of the dehumanising effects of doctors and the army on a young man during a time when capitalism was materialising and the gap between rich and poor was becoming alarmingly obvious. “[Büchner] wanted to change the world, and I’m at the stage where I don’t want to change the world but I
want to put on a good show, and if it changes individual worlds it will affect them because they would listen very carefully to the content and come to see the show again and find things they didn’t see first time round,” Yashchin says. “It’s one of those shows you need to see twice.” Performers on Woyzeck haven’t had a lot of time together, but Yashchin certainly seems one who’s able to make chaos work to her advantage and put her own signature on the text. “I steered away from sentimentalism; it’s quite Brechtian
in its style. I don’t want the audience to weep, or for a character to break down. What I hope will happen is that images will sink in, and the audience will go away and think about it. I think I’m looking to turn the audience upside down rather than make them feel sorry. It’s not a mirror to educate them on who they are; it’s in the story – there’s no point pushing it twice.” WHAT: Woyzeck WHERE & WHEN: Belvoir St Theatre until 29 August
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BLOOD SELLS FROM HOME & AWAY TO HOUSEHOLD NAME; WHO WOULD’VE GUESSED THAT A FAIRLY LOW-KEY ROLE WOULD LAND RYAN KWANTEN A PLACE IN ONE OF THE HOTTEST SHOWS ON TV, TRUE BLOOD. LIZ GALINOVIC TALKS TO THE AUSTRALIAN ACTOR.
F
or those who aspire to be actors or models or event Australian Idol contestants, there is one particular rule about the audition process that aspirants can become finicky about – taking someone else with you. An auditioning actor’s worst nightmare has to be that the friend who tags along for moral support catches the eye of the casting agent or the director. The irony of Ryan Kwanten’s success is that he didn’t set out to be an actor. He was the only child of three who didn’t attend Sydney’s Newtown High School of the Performing Arts. His brother harboured the dreams of becoming an actor but unfortunately when Mrs Kwanten dropped her son off at his audition and the unassuming Ryan Kwanten, who just happened to there, was picked for the role. “Oh you heard about that?” he says with some surprise. “He’s forgiven me. He’s certainly moved on, he’s a composer now, he plays 15 instruments, he’s a genius in that world. So he’s found his little niche in life.” Kwanten speaks of both his brothers with glowing pride in a way that almost undermines his own talents. “The youngest brother is a doctor so
he stole every ounce of intelligence. I’m not sure what I was left with but it’s something. The ability to fool people I guess.” Eight years ago, after finishing up on Home And Away, Kwanten “did a couple of films” before moving off to the states. In 2006 he appeared in the film Flicka, something he describes as a “very family friendly” film involving young girls discovering themselves and who love horses. After seeing this film, writer/director/ producer Alan Ball (American Beauty, Six Feet Under) picked Kwanten to play the role of Jason Stackhouse in his Southern vampire series True Blood. “He saw that film and some how saw elements of the character of Jason, albeit a very G-rated Jason, in this film. He was penning True Blood at the time and he said he’d love to have me come and audition. And I did and I was actually the first one cast by at least a couple of months.” True Blood has become HBO’s most watched programme since The Sopranos, averaging 12.4 million viewers throughout its second season. This is vampire fiction for adults. The concept is refreshing in its originality. The Japanese have created a synthetic blood to counter the lack
of real life donors and the real life living dead have discovered they can survive on this beverage. With human blood no longer a necessity to their survival, centuries of living a life in secrecy is no longer required. Vampires are real, they don’t need to eat us anymore and so they would like to coexist. This means they want the right to vote, own property, get married, and so on. Well, those of them who are willing to give up the old ways anyway. Based on the books by Charlaine Harris, True Blood is not for the faint hearted. This show does not revolve around 16-year-old virgins and their dreary heart palpitations. The main (human) protagonist Sookie Stackhouse, played by NZ actress Anna Paquin, makes Isabella Swan look like the pathetic whimpering teenager she, well, is. Drenched in blood, sex, and violence (quite often in the one scene) True Blood brings an entirely new “what if” characteristic the supernatural genre. Now in its third season (hitting Australia next week) Ball, following Harris to some degree, is taking it up a level. “There are a lot more characters this season and a lot more not-normal
characters, if you know what I mean. That in itself adds a whole knew element of mystery, suspense, the supernatural element, all that sort of stuff. A lot more blood, a lot more rambunctiousness...for lack of a better word.”
thing. They’re a little kind of flowery for my liking. Personally I love what Alan has done with the books, sort of made a lot more, I guess, TV savvy version. And almost to the point where the people who have read the books still don’t know what’s going to happen.”
Harris’ Southern Vampire Mysteries probably won’t be found on Stephanie Meyer’s book shelves. Their content is blush inducing for even the most promiscuity prone. They are, however, narrated by Sookie Stackhouse who loves to give details of her midriff bearing outfits that compliment her glorious tan rendering the books more palatable to a female audience.
As the story develops, so does the scope of the supernatural community and its effect on human society. What would you expect? If vampires turn out to be real, shouldn’t we begin to question the existence of the other various creatures in historic folk tales?
“I’ve read two-and-a-half of the books and they’re fantastic but not really my
The cast of season three welcomes Grant Bowler, another Kiwi, to the little group of “down unders” on the set of this prodigious show. Far from hanging out and reminiscing about home,
Kwanten states that he, Bowler, and Paquin rarely get to see each other. “I don’t know if it’s something to do with me, but I’m always off doing my own thing. So I very rarely get to see them. I’ve only seen Grant, well, I see him at every read through which is once every two weeks for an hour and that’s in a room full of 25 people. Outside of that, I saw him at the wrap party and we had a long conversation there talking about how we never get to see each other.” WHAT: True Blood WHERE & WHEN: Screening on Showcase (Foxtel) Thursdays, 8:30pm from 19 August
THE DRUM MEDIA 10 AUGUST 2010 • 65 •
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DVD
REVIEWS
DOCTOR WHO: SERIES 5 VOL. 1, VOL. 2 BBC/Roadshow Sold separately, these two Doctor Who discs will get you half a series with the newest Doctor (Matt Smith), but it seems the Classification Board (them old blokes who work out ratings according to how much skin, swearing, and guns are involved) don’t get it. The Board has rated Volume 1 as having “Mild science fiction violence and some scary scenes”, and this is the first three episodes where we meet the newbie, he gets new kit and a new assistant, visits new Britain and helps Churchill fight disco Daleks. It’s a cracking start, but the scariest and most violent bits involve fish fingers with custard or threatening Daleks 2.0 with a biscuit. By Volume 2 two, however, there’s some proper ‘hide behind your lounge’ business, with the Vampires in Venice and the return of River Song and the Weeping Angels. These three eps let new exec producer Stephen Moffat tie narratives in knots with broken necks, talking deadmen, a nearly dead assistant and a Doctor who leaves her alone. There’s even the bit where Amy tries to get the Doctor to, um, examine her - and still the OFC call it ‘mild science fiction themed and violence’, but don’t say ‘scary’. What’s wrong with these people are they also made of stone? The discs also have Monster Files docos (Daleks on Vol. 1, Angels on Vol. 2) not as exciting as the extras for the Tennant years, but no doubt more to come on the box set. LIZ GIUFFRE
EASTBOUND & DOWN: THE COMPLETE FIRST SEASON HBO/Warner Home Video Discounting Curb Your Enthusiasm, you could be forgiven for thinking HBO was responsible solely for hard-edged dramas (The Wire, The Sopranos, Deadwood) and over-the-top glossies (Entourage, True Blood, Sex & The City). But they’ve been putting out quite a few off-kilter comedies of late, such as The Ricky Gervais Show, which basically just animates the Brit comedian’s popular podcasts; Bored To Death, a genius little highbrow series starring Jason Schwartzman as a journalist dabbling in private detection and Ted Danson as his editor; and Eastbound & Down, an hilariously offbeat, somewhat offensive comedy about a washed up baseball player returning to his home town. Danny McBride (Pineapple Express) stars as mullet-haired former Major Leaguer Kenny Powers, a man with the motto “You’re fucking out!”, who finds himself down and out and returning to the town he once called home, crashing the comfortable family environment of his brother’s house, and picking up a job as a PE teacher at the local high school – which just so happens to be where his former fling is employed. Produced by Wil Ferrell’s production company, Ferrell co-stars as a BMW salesman, and it’s here – somewhat unsurprisingly – where a lot of the show’s highlights come into play, however the dialogue between Steve Little as Powers’ annoying fanboy ‘assistant’ and Powers himself that has the majority of the best lines. “If there’s one thing I hate in this life, it’s losing. If there’s two things I hate, it’s losing and getting cancer.” DCR
CHRIS ROCK: KILL THE MESSENGER HBO/Warner Home Video In the world of comedy, Chris Rock is a superstar. There are not many stand-up comedians with such an international following, particularly when only a couple of years ago the multi-Emmy-winning comic was voted the fifth best stand-up of all time by Comedy Central. Bursting with tense energy and loaded with his characteristic indignation, Rock climbs the stage in Johannesburg, New York City, and London for his latest DVD Kill The Messenger, produced by HBO, which was filmed during his 2008 world tour. Clumsily intercutting between material from the three capital cities, as it is often in the middle of a joke, Kill The Messenger skims over many of then topical issues, as well as touching superficially on such heavies as the presidential race, terrorism, and the war in Iraq to mixed effect. (It also dates the material somewhat, and you have to ask why it wasn’t released a lot sooner.) Rock is funnier however, when he covers some personal experiences, like working at Red Lobster when he was young and the diversity of his current New Jersey neighbourhood. In addition, he also hones in on the topics of money, political correctness, and race with razor-sharp timing. But again, he lets the show down with casually misogynistic comments in his supposed observations about gender and women. Kill The Messenger hits the funny bone, but not consistently. So much so that it’s baffling to see the DVD filled with shots of so many members of the three audiences pissing themselves. And with a running time of 79 minutes and with no DVD extras, the overall result really is a disappointment. For die-hard fans only. ANITA CONNORS
LOVE EXPOSURE
PSYCHOVILLE
THE BURNING PLAIN
Madman A holy lunatic (Yu, obsessed with having sins to confess to his father, a fallen Catholic priest) turning into the greatest tosatsu (upskirt photographer) ever under the tutelage of a sage, lonely pervert in a martial arts montage in field of mannequins without heads or torsos. A kawaii schoolgirl in a sailor suit (Yoko, who has escaped a sexually abusive father) beating up heaps of dudes and professing the Jesus is the only man who is cool except Kurt Cobain. A recruiter for the Scientologylike Church of Zero (Koike, whose church elder father beat her in good fundamentalist tradition until she killed him) looking evil while stroking a budgerigar in Dr No/villain from Inspector Gadget style. They’re a pretty Shakespearian love triangle, with a madly improbably mistaken identity device based on the Virgin Mary and a drag appearance, with lots of bumbling friends, ‘oops, you’re my stepsister now’ and ‘hey, you go to this school?’ plot points, and gigantic comedy erections. Speaking of which, there are a whole lot of teen film tropes here, like Koike’s Mean Girl hench-posse and Yoko’s mortification at being seen with Yu at school. There are sweet action sequences as well, from the photographers performing acrobatic feats with intricately rigged gadgetry to get their upskirt shots to swordfights and a harikiri and a really big explosion. Plus, teen lesbian subplot! And somehow, there’s a serious and moving exploration of religion and morality, and of family and abuse, and of love. DVD includes original theatrical trailer. BETHANY SMALL
BBC/Roadshow If you thought The League Of Gentlemen was warped and creepy, just wait until you cast your eyes upon Psychoville, the new television series from Gentlemen alumni Steve Pemberton and Reece Shearsmith. Taking its name, title design, and tone from the master of suspense himself, Alfred Hitchcock, Psychoville centres around a bunch of twisted characters spread across England whose lives are connected when a mysterious letter arrives at their doorsteps that simply says, “I know what you did…”. As the mystery begins to unravel, the audience becomes privy to the fact that these seemingly disconnected lives are, in fact, connected, and share a history together; so it becomes a race to see how and when they will inevitably end up in the same room – and what will happen when they do. The characters, whilst demented and vulgar, are rather sympathetic; you’ve got a man-child obsessed with serial killers who lives at home with his overbearing mother, a midwife – played by Dawn French – who thinks her doll is a real baby (hilarity ensues), an alcoholic clown, a blind millionaire with a strange hobby, and a dwarf who appears to have special powers and is constantly mocked by his co-workers. It’s obvious that Pemberton and Shearsmith had a lot of fun writing and then acting out the series – it’s full of red herrings, and odes to thrillers of yore. Episode four is genius; an obvious homage to Hitchcock’s Rope, the entire episode, is filmed without a single cut, which is surely unprecedented in today’s television. DCR
Icon Home Entertainment The directorial debut of Guillermo Arriaga, the screenwriter behind Amores Perros, 21 Grams, and Babel, unsurprisingly follows the same fractured narrative structure as his previous works. With three stories all told out of sequence – that of a promiscuous and self-harming hostess of a high-end Portland restaurant, of a crop-dusting accident, and of a love affair a decade earlier between children whose parents recently died in a caravan fire that exposed their affair– there’s a predictability right from the outset of The Burning Plain. It’s obvious that the stories will come together, and even before Arriaga’s subtle nods, it’s not that difficult to pick where they do. How fulfilling it is, then, when the film still manages to surprise and provides enough uncertainty to justify each storyline. Essentially a harrowing tale of love – which can light so passionately but also destroy with incredible force, represented in the film’s opening scene, the caravan fire – characters try and fight their way through a mess bigger than themselves but ultimately of their own doing. The mood’s captured well throughout and though the team of Arriaga and director Alejandro González Iñárritu (which delivered Amores, etc.) is no more, Arriaga’s certainly learnt his fair share. The acting, as well, is sublime, particularly Kim Basinger as a disillusioned wife and mother in search of intimacy. It’s yet to recoup a quarter of its budget internationally, and the film’s dire tone and independent status will see it fly under the radar. It’s far less than this moving film deserves. SCOTT FITZSIMONS
FOLLOW US ON @frontrowSPA • 66 • THE DRUM MEDIA 10 AUGUST 2010
TM
Tabrett Bethell T H E
Freya Stafford T R U T H
L I E S
Andy Whitfield
W I T H I N
I N S P I R E D B Y T R U E E V E N T S
BOB MARCS PRESENTSINASSOCIATIONWITH GREAT SOUTHERN LAND ENTERTAINMENT AND RMB PRODUCTIONS A SAMUEL PINCZEWSKI PRODUCTION A JAMES RABBITTS FILM ‘THE CLINIC’ TABRETT BETHELL FREYA STAFFORD ANDY WHITFIELD CLARE BOWEN WITH MARSHALL NAPIER AND LIZ ALEXANDER DIRECTOROFPHOTOGRAPHY BRAD SHIELD, A.C.S. PRODUCTIONDESIGNER NICHOLAS MCCALLUM EDITEDBY RYAN BOUCHER COSTUMEDESIGNER CATHERINE WALLACE MUSICCOMPOSEDBY KIRKE GODFREY JASON FERNANDEZ ANGELA LITTLE CASTINGBY MARIANNE JADE EXECUTIVEPRODUCERS BOB MARCS AND JONATHAN SHTEINMAN CO-PRODUCER DENNIS KIELY PRODUCEDBY SAMUEL PINCZEWSKI WRITTENANDDIRECTEDBY JAMES RABBITTS COPYRIGHT © 2009 GREAT SOUTHERN LAND ENTERTAINMENT PTY LIMITED.
Strong themes and violence
www.TheClinicFilm.com.au
From JULY 30 Cult late shows ONLY at the CHAUVEL CINEMA
“A POTENT AND PROVOCATIVE THRILLER… SEXY AND SCARY IN EQUAL DOSES!”
ROLLING STONE (US)
FROM THE DIRECTOR OF CUBE
“CHILLING, BITINGLY INTELLIGENT AND WHOLLY COMPELLING”
AND THE PRODUCER OF PAN’S LABYRINTH
FILMINK
THE BIG ISSUE
EMPIRE
“ONE OF THE MOST ORIGINAL AND UNIQUE MOVIES OF THE YEAR” BLOODY DISGUSTING
SHE
IS
NOT
SUPPOSED
TO
EXIST
Strong violence
Check the Classifi and sexcation scenes
IN CINEMAS AUGUST 12 THE DRUM MEDIA 10 AUGUST 2010 • 67 •
frontrow@drummedia.com.au
HELLO, KITTY LIZ GIUFFRE TALKS TO AUSTRALIAN COMEDIAN KITTY FLANAGAN, WHO’S PLAYING THE OPERA HOUSE THIS WEEK.
A
ustralians are still getting used to funny, home-grown lady Kitty Flanagan. With pop-up performances on the 7pm Project and Good News Week, you could be forgiven for thinking she was new to this game as we’re only just catching on (or, if you’re really good, you might vaguely remember her from a million years ago in the sketch show Full Frontal or the divine Micallef P(r)ogram(me)). Thing is, this fresh faced thing is quite the stand-up and comedy skit legend in other parts, having packed her bags for the dimly lit musty rooms and drunken festivals of the Old Country nearly a decade ago and making it big there. If you need proof check out her work on the UK’s Sketch Show, some damn fine work indeed. Like the lovely Adam Hills, Flanagan packed up not for good, but just to get some runs on the board so as to come back to us in top condition. “Look, I think it’s the best way because I went and did my apprenticeship somewhere else, out of the public’s eyes. So I did everything wrong there and came back fully formed,” she says, laughing. “I’m a slow learner so it was good to play again and again.
Here, when you start out, you might get a gig, but then not have another one for another month or so, and by that time I would have forgotten all the lessons I’d learnt.” Australia, although girt by sea, is not by comedy clubs.
“UNKNOWN, AERIAL DRAWING OF DAZHAI AND SURROUNDINGS, FROM CHINA AND REVOLUTION EXHIBITION, UNIVERSITY OF SYDNEY ART GALLERY.”
“I know it sounds really stupid, but I do think the weather plays a big part in it. Over there it’s an inside culture, it’s all about being indoors and having a beer and watching comedy, whereas people here would rather sit outside in the sun with their drink. And I think that is fair enough,” she says.
CHINA’S PROPAGANDA HISTORY ON DISPLAY The University Of Sydney Art Gallery’s new show China And Revolution: History, Parody and Memory in Contemporary Art juxtaposes propaganda posters from the ’60s and ’70s with recent works from Chinese artists who grew up during the period. Expect lots of noble peasants who’ve done lots of early-morning callisthenics in overalls, slogans, and appropriative tongue-in-cheek. Opens Sunday 8 August and runs until Friday 27.
Having said that, we can be coaxed out when given the goods, so Flanagan, along with musical sister Penny, have put together a ‘Best Of the UK stuff’ stand-up show, lovingly compiled as the show Charming And Alarming. “I was away for so long, and is quite hard to get people to understand when I came back that I was a stand-up, because they had seen, if anything, skits and things, so this show will be lots of the best bits of the last eight years and next year’s show will be all bright and shiny and new. So it’s all my best bits because I figure no one’s seen them as I was away.”
Describing the show as “a live DVD extra”, it is shamelessly a compilation, but with the odd preview of next’s album. “As we go around, if I think of something new that makes us laugh then I want to put it in the show, and my sister keeps saying, ‘No, you’ve got to hold onto that’, but you do get quite excited when you get new stuff, you want to show it off,
particularly when it’s a nice audience for somewhere like the Opera House. So yeah, I am doing the two things at once which isn’t difficult, but is about not going, ‘oh, look at this!’ Maybe I’ll pop a bit on at the end.” WHAT: Charming And Alarming WHERE & WHEN: Sydney Opera House Friday 13 August to Sunday 21
GRIFFIN THEATRE TO HOUSE ZOMBIE OUTBREAK Griffin Theatre Company’s new production Quack is described as “a mash-up of A Country Practice, Deadwood, and Shaun Of The Dead,” and they’re helpfully offering a chance to brush up on background knowledge or test that theory with a series of movie nights. Throughout September the SBW Stables Theatre will be home to four zombie films and marathons of the mild-mannered small-town issues of North Dakota, and the killing fields of Wandin Valley. See www. griffintheatre.com.au/whats-on/ between-the-lines/ for dates and tickets.
A SPRING IN THEIR STEP Seizing the making-less-scary of contemporary dance by it’s recent televisual prominence, Spring Dance is a series of short productions including an indigenous love story, Shaolin monks, and French street kids (yeah they dress better than you), but probably without the meltdowns being so visible. Don’t despair though, fans of bitchiness, as there’s dance film and an online dance comp with a $2,000 prize. It runs Tuesday 31 August to Sunday 26 September, with programme details and tickets at sydneyoperahouse. com/springdance.
AMBUSH’S CHARITY PROJECT aMBUSH Gallery present Project 5, a weekend street art showcase with Anthony Lister, Megs, Ears, and webuyyourkids creating works over a weekend to sounds provided by Future Classic, which pieces will be auctioned off with proceeds going to Information and Cultural Exchange, a charitable arts and media organisation. It’s at Cockle Bay Wharf, you know, where all the urban stuff happens. Artists are at work 6-9pm Friday 20 August and 12-3pm Saturday 21 and Sunday 22, with the auction at 3pm on the Sunday.
GIVEAWAYS name of its director Richard Kelly - impressive since it was his debut feature film. Thanks to Anchor Bay we’ve got two copies of the film on Blu-ray to giveaway, which features both theatrical and director’s cuts of the film, and a host of extras. For your chance to win one, email giveaways@drummedia.com.au with ‘DARKO’ in the subject line.
Tell us about the gallery. Gallery 9 is a contemporary art gallery in a Georgian house in Darlinghurst dedicated to presenting a dynamic program of contemporary art exhibitions. We opened in October 2006 and we exhibit a mix of younger and established artists working across a range of mediums from painting and drawing to photomedia, installation and video.
G A L L E RY
What are some of your past highlights? Just six months after opening, we were fortunate to be included in Contemporary Annual in 2007 as one of the 50 emerging galleries in the world. Over the years we have helped to foster the careers of many artists from Sydney and Melbourne, and many of the works we have shown at the gallery are now in distinguished collections within Australia.
PROFILE • 68 • THE DRUM MEDIA 10 AUGUST 2010
What’s currently exhibiting? Adam Norton has a great exhibition on at the moment (until 14 August) about the world of science, space, and UFOs. Titled Ad Astra (meaning ‘to the stars’) it looks at the widely diverging views of groups operating in the field of space. There are portraits of “visionaries”, paintings of signs and the united nation of space flags along one of the gallery walls. After that we have a group show of new work by a range of young artists, and then we have a solo exhibition of abstract paintings by Craig Waddell, who incidently just won the 2010 Mosman Art Prize.
GALLERY 9 9 Darley St, Darlinghurst gallery9.com.au
Who are some local artists you admire? There are many local artists we admire – obviously we are pretty keen on the ones we regularly exhibit! Looking to the immediate future – what’s on the cards? Well, we’ve just had a stand at Melbourne Art Fair and we will be showing artists in Melbourne next year, too. Exhibitions coming up are Craig Waddell, a nine-metre panoramic painting of the Indian chamber of the Jenolan caves by Anna Kristensen, then sound paintings by John Aslanidis. We finish the year with Tonee Messiah and Melody Willis.
The Clinic is an Australian horror film about a woman on an outback adventure with her fiancé, who wakes up in an isolated clinic with an abducted child and a group of women in a similar situation. The debut from writer/director James Rabbitts, The Clinic stars Andy Whitfield (Gabriel) and Sophie Lowe (Beautiful Kate). Thanks to Pack Screen we’ve got five double passes to a screening this weekend (either Friday or Saturday night) of the film - showing exclusively at the Chauvel Cinema - up for grabs. For your chance to win one, email giveaways@drummedia.com.au with ‘CLINIC’ in the subject line. Donnie Darko is one of the cult greats of the past 15 years; telling the story of a teenage boy trying to make sense of his Doomsday visions. With a stellar cast of Jake and Maggie Gyllenhaal, Drew Barrymore, Patrick Swayze, and Jena Malone, it made a household
Splice is a film set to become a cult classic. Starring Academy Award winning actor Adrien Brody and Sarah Polley, directed by Cube mastermind Vincenzo Natali, and co-produced by Guillermo del Toro, this horror/thriller finds the two leads parenting a creature they’re created by combining human and animal DNA. Thanks to Madman Entertainment we’ve got five double in-season passes to giveaway. For your chance to win one, email giveaways@drummedia.com.au with ‘SPLICE’ in the subject line.
THE DRUM MEDIA 10 AUGUST 2010 • 69 •
• 70 • THE DRUM MEDIA 10 AUGUST 2010
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FLORENCE + THE MACHINE
The Enmore Theatre 07/08/10
NATIONAL
FLORENCE & THJE MACHINE @ THE ENMORE THEATRE PIC: JAMIE WILLIAMS
Florence + The Machine have been having a massive year, it’s fair to say. Florence Welch has already made it out to our sunny shores twice in the past year and this second time around, her reputation had definitely preceded her. With an inspired segue, Drumming Song opened the show, with Welch beating the tom-tom on her right with vigour throughout the performance. Welch’s command of her voice as an instrument is truly spectacular. She can wail, she can yelp, she can expose her soul and she can make your soul dance. It really is something that cannot be done justice to on CD or certainly written on paper – the use of her voice is simply unbelievable. The setlist included Blinding, Cosmic Love, Girl With One Eye, Kiss With A Fist, Hurricane Drunk, Heavy In Your Arms and Dog Days Are Over, all of which were performed with a huge amount of passion, honesty and beauty. The entire set actually was reminiscent of A Midsummer Night’s Dream from Shakespeare as it felt elfin and magical; all fairies and gnomes at the bottom of the garden. And although Welch has been gigging for some time, she actually has a manner about her that gives the impression that she herself can’t believe she gets to do this for a living. She was incredibly pure and giving in her performance, leaping around the stage barefoot, sharing jokes with the audience – she even received a hollowed-out bible with a hip flask inserted into it from a fan and immediately got it filled with vodka to imbibe from through the rest of the performance. If you missed her this time around, make sure that you’re first in line when she tours next. Carolyn Miller
THE DINGOES: Aug 10 Brass Monkey, Aug 11 Clarendon, Aug 12 Lizotte’s Newcastle, Aug 13 The Basement Circular Quay, Aug 14 Bridge Hotel, Aug 15 Lizotte’s Kincumber WHITLEY: Aug 11 Cambridge Hotel, Aug 12 Oxford Art Factory, Aug 17 Brass Monkey, Aug 18 The Maram, Aug 19 Lizotte’s Kincumber, Aug 20 The Clarendon DARREN HANLON: Aug 12 Gallipoli Legions Club, Aug 13 The Factory Theatre, Aug 14 Tilley’s, Aug 15 The Clarendon, Aug 18 Heritage Hotel STONEMASON: Aug 12 Spectrum CELADORE: Aug 12 ANU Bar LOWRIDER: Aug 12 The Brewery, Aug 13 Annandale Hotel OZI BATLA: Aug 12 Harp Wollongong, Aug 13 Hotel Gearin ZENNITH: Aug 12 Annandale Hotel, Aug 13 Heritage Hotel, Aug 14 Great Northern Newcastle OTOUTO: Aug 13 Melt Bar HUNGRY KIDS OF HUNGARY, THE HOLIDAYS: Aug 13 Oxford Art Factory, Aug 14 Cambridge Hotel EXTORTION, I EXIST: Aug 13 ANU Bar, Aug 14 Sandringham Hotel, Aug 15 The Loft Newcastle GRINSPOON: Aug 13 Waves, Aug 15 The Entrance Leagues Club, Aug 18 Newcastle Leagues LORD: Aug 13 Notes, Aug 28 The Maram, Sep 16 Annandale Hotel, Oct 29 Gaelic Theatre, Oct 30 Club Led IAN MOSS: Aug 13 & 14 Lizotte’s Newcastle, Aug 19 – 21 Lizotte’s Kincumber, Sep 16 & 17 The Clarendon, Sep 18 Canterbury Hurlstone RSL GLIDE feat. TOBY MARTIN: Aug 14 Annandale Hotel ROSS WILSON: Aug 14 The Basement Circular Quay, Aug 15 Waves TINPAN ORANGE: Aug 14 The Vanguard THY ART IS MURDER: Aug 15 (day) Cambridge Hotel BASEMENT BIRDS: Aug 18 Newcastle Uni, Aug 19 Wollongong Uni, Aug 20 Metro Theatre BLISS N ESO: Aug 19 Enmore Theatre THE DEMON PARADE: Aug 19 Melt Bar, Aug 20 Grand Hotel Wollongong ART VS SCIENCE: Aug 19 Bar On The Hill, Aug 20 Wollongong Uni, Aug 21 The Metro Theatre HOUSE VS HURRICANE, HEROES FOR HIRE: Aug 19 The Cambridge, Aug 20 The Loft Youth Venue, Aug 21 Weston Creek Community Centre, Aug 22 Campbelltown PCYC LIONS AT YOUR DOOR*: Aug 19 The Gaelic, Sep 8 Cambridge Hotel, Sep 17 ANU Bar MIDNIGHT JUGGERNAUTS: Aug 20 The Forum
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FEATURE TOUR
SLASH
MONDAY, HORDERN PAVILION With all the excitement at Slash’s addition to the Soundwave bill, it’s perhaps easy to overlook the fact that he’s actually got a show here as part of his sold-out national tour this week. Releasing his guest-heavy new album Slash earlier this year, the legendary guitarist seems to have come out of his high-profile feud with ex-Guns N’ Roses band member Axl Rose with the greater dignity, and is just getting on with playing music. Bravo, ‘cause we’re just getting on with listening to it.
KATIE UNDERWOOD: Aug 20 The Vanguard CABINS: Aug 20 Melt Bar BREAKING ORBIT: Aug 20 Hamilton Station Hotel, Aug 21 ANU Bar, Sep 9 The Harp Wollongong, Sep 10 The Wall SHIHAD: Aug 20 & 21 Annandale Hotel PVT: Aug 21 Manning Bar CORDRAZINE: Aug 21 The Vanguard M-PHAZES: Aug 21 Transit Bar, Aug 26 Annandale Hotel, Aug 27 Wollongong Uni, Aug 28 Cambridge Hotel THE CAT EMPIRE: Aug 22 ANU Bar, Aug 29 Hordern Pavilion ANGUS & JULIA STONE: Aug 25 Newcastle Civic Theatre, Aug 26 & 27 Enmore Theatre, Sep 1 Llewellyn Hall, Sep 2 Wollongong Uni 6S & 7S: Aug 26 Melt Bar THE MCCLYMONTS: Aug 26 Dee Why RSL, Aug 28 Wyong Leagues, Aug 29 Campbelltown RSL, OH MERCY: Aug 27 Oxford Art Factory BIG SCARY*: Aug 27 The Vanguard THE AMITY AFFLICTION: Aug 27 Centenary Hall Wollongong, Aug 28 Blacktown Masonic Hall, Aug 29 Oasis Youth Centre, Aug 31 Cambridge Hotel TIN ALLEY*: Aug 28 Home POWDERFINGER: Sep 1 Newcastle Entertainment Centre, Sep 9 WIN Entertainment Centre, Sep 18 & 19 Sydney Entertainment Centre, Oct 12 University Of Canberra, Nov 6 Acer Arena JOHN BUTLER TRIO: Sep 2 WIN Entertainment Centre, Sep 3 Hordern Pavilion, Sep 7 Newcastle Entertainment Centre, Sep 15 Royal Theatre DEAD LETTER CIRCUS: Sep 2 Newcastle Leagues, Sep 3 The Metro, Sep 4 Wollongong Uni, Sep 5 The Maram DISCO NAP*: Sep 2 Excelsior Hotel Surry Hills, Sep 3 Front Gallery THE PARIS CRASH: Sep 3 ANU Bar, Sep 11 Space, Sep 25 Annandale Hotel HORRORSHOW: Sep 3 Gaelic Theatre, Sep 4 ANU Bar MARK SHOLTEZ: Sep 3 The Studio 1927: Sep 3 Enmore
Theatre CALLING ALL CARS: Sep 9 Wollongong Uni, Sep 10 Annandale Hotel WASHINGTON: Sep 9 Grand Hotel, Sep 10 Manning Bar MICHAEL PAYNTER*: Sep 9 Notes BOHEMIAN MASQUERADE BALL feat. THE BARONS OF TANG and more*: Sep 10 Albert Hall, Sep 17 Hotel Gearin, Sep 24 The Gallipoli, Sep 25 The Factory SKIPPING GIRL VINEGAR: Sep 10 Fitzroy Hotel, Sep 11 Raval MM9: Sep 11 The Maram, Sep 17 Gaelic Theatre CHILDREN COLLIDE: Sep 16 Fitzroy Hotel, Sep 17 The Metro, Sep 18 Wollongong Uni THOUSAND NEEDLES IN RED: Sep 17 Cambridge Hotel, Sep 18 Annandale Hotel, Sep 23 Fitzroy Hotel, Sep 24 City Diggers, Sep 25 The Maram METALS*: Sep 18 Spectrum REGURGITATOR: Sep 22 Hotel Gearin, Sep 23 The Maram, Sep 24 Wollongong Uni, Sep 25 Manning Bar PARKWAY DRIVE: Sep 24 Hordern Pavilion, Sep 25 Royal Theatre, Sep 27 Newcastle Panthers THE PARADISE MOTEL: Sep 24 Clarendon, Sep 25 Sandringham Hotel CITY RIOTS, THE CHEMIST*: Sep 24 Spectrum SEABELLIES*: Sep 24 Oxford Art Factory, Oct 1 Grand Hotel Wollongong, Oct 9 Cambridge Hotel, Oct 15 Ivanhoe Hotel MILES AWAY: Sep 29 The Wall, Sep 30 Oasis Youth Centre JERRICO*: Sep 1 Sandringham Hotel DAN KELLY & HIS DREAM BAND: Oct 7 The Maram, Oct 8 Northern Star, Oct 9 Annandale Hotel SMUDGE*: Oct 8 Sandringham Hotel TAME IMPALA: Oct 9 ANU, Oct 14 Enmore Theatre WEDDINGS, PARTIES, ANYTHING: Oct 9 Enmore Theatre AMY MEREDITH:
Oct 9 The Factory, Oct 13 The Maram, Oct 14 Wollongong Uni, Oct 16 Cambridge Hotel PAUL DEMPSEY: Oct 10 Annandale Hotel CLOUD CONTROL*: Oct 14 Bar On The Hill, Oct 15 The Metro, Oct 16 Grand Hotel Wollongong, Oct 29 Hotel Gearin FLYING SCRIBBLE*: Oct 14 Red Rattler CLARE BOWDITCH: Oct 21 Wollongong Uni, Oct 22 Newcastle Leagues, Oct 23 The Metro THE ANGELS: Oct 21 Souths Juniors, Oct 22 Rooty Hill RSL AIRBOURNE: Oct 22 The Metro Theatre BOY & BEAR*: Oct 27 Harp Hotel Wollongong, Oct 28 Cambridge Hotel, Oct 29 Oxford Art Factory SARAH BLASKO: Oct 28 Civic Theatre, Oct 29 Enmore Theatre, Oct 30 The Playhouse KATIE NOONAN: Oct 31 Opera Theatre Sydney Opera House PENDULUM: Nov 5 Hordern Pavilion CROWDED HOUSE: Nov 6 Hordern Pavilion
INTERNATIONAL A TRIBE CALLED QUEST: Aug 11 Hordern Pavilion DJ MASEO: Aug 11 Oxford Art Factory 3OH!3: Aug 13 UNSW Roundhouse CHRISTIAN DEATH: Aug 13 Gaelic Theatre SENSES FAIL: Aug 14 The Factory Theatre HORACE PINKER: Aug 14 Spectrum EELS: Aug 14 Enmore Theatre CKY: Aug 14 Manning Bar SAVAGE: Aug 14 Mona Vale Hotel, Aug 21 Fannys, Sep 4 Hellenic Club LOS VAN VAN: Aug 15 Sydney Opera House RAFAEL ANTON IRISARRI: Aug 15 El Rocco, Aug 16 1/4 Inch SLASH: Aug 16 Hordern Pavilion BRAND NEW HEAVIES: Aug 19 The Metro SCARY KIDS SCARING KIDS: Aug 21 The Factory Theatre, Aug 22 City Diggers, Aug 26 Cambridge Hotel CHRIS BOTTI: Aug 22 & 23 The Basement Circular Quay ALBERT LEE: Aug 25 Southern Cross Club, Aug 26 The Basement STRYPER: Aug 26 The Metro THE DRUM MEDIA 10 AUGUST 2010 • 71 •
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JÓNSI
SETH FRIGHTENING
The Enmore Theatre 02/08/10 XIU XIU, HIGH PLACES: Sep 2 Oxford Art Factory DEATH BEFORE DISHONOUR: Sep 2 Cambridge Hotel, Sep 3 The Wall KLAXONS: Sep 2 Enmore Theatre LA GUNS: Sep 3 The Forum NAPALM DEATH, DYING FETUS: Sep 4 The Factory BARB JUNGR: Sep 7 & 8 Street Theatre, Sep 9 The Basement, Sep 11 The Clarendon SURF CITY*: Sep 8 Beach Rd Hotel, Sep 10 Oxford Art Factory FIRST AID KIT: Sep 9 Oxford Art Factory SOULFLY, CITY OF FIRE: Sep 9 UNSW Roundhouse, Sep 10 Newcastle Panthers, Sep 11 ANU Bar BULLET FOR MY VALENTINE, BRING ME THE HORIZON, CANCER BATS: Sep 10 Hordern Pavilion THE WONDER YEARS*: Sep 11 The Gaelic, Sep 12 Blacktown Masonic Hall LEATHERFACE: Sep 12 Sandringham Hotel TAKE ACTION TOUR feat. ATTACK ATTACK!, PIERCE THE VEIL: Sep 14 Tuggeranong Youth Centre, Sep 15 The Factory, Sep 16 Oasis Youth Centre OH SLEEPER: Sep 15 Blush Nightclub, Sep 16 Gaelic Theatre, Sep 17 Campbelltown PCYC, Sep 18 Bridge 54, Sep 19 Oasis Youth Centre HAYWARD WILLIAMS: Sep 15 The Vanguard BUCK 65: Sep 17 The Factory Theatre METALLICA: Sep 18, Nov 10, 11, 13 Acer Arena JEFFREE STAR: Sep 18 The Metro ENTER SHIKARI: Sep 23 UNSW Roundhouse MAYHEM: Sep 24 The Metro CYPRESS HILL: Sep 24 Enmore Theatre OVERKILL: Sep 25 The Metro Theatre PETER HOOK: Sep 25 Enmore Theatre YOU ME AT SIX: Sep 26 The Metro EMILIE SIMON, MELANIE PAIN: Sep 30 The Metro Theatre CHARLIE PARR*: Sep 30 Notes, Oct 1 Brass Monkey, Oct 2 Northern Star, Oct 3 The Junkyard PINK MARTINI*: Oct 1 State Theatre EXODUS: Oct 2 Manning Bar SIMPLY RED: Oct 2 Bimbadgen Estate, Oct 12 & 13 Sydney Opera House Forecourt GODSKITCHEN feat. ANDY MOORE, JOHN O’CALLAGHAN, MARCEL WOODS and more: Oct 3 Hordern Pavilion GROUPER*: Oct 3 Street Theatre, Oct 9 Sandringham Hotel LIL’ BAND O’ GOLD: Oct 4 Lizotte’s Newcastle, Oct 6 The Basement Circular Quay, Oct 7 The Factory THE SCRIPT*: Oct 6 Big Top Luna Park ALEXISONFIRE: Oct 8 UNSW Roundhouse JONNEINE ZAPATA: Oct 8 Annandale Hotel
CORDRAZINE
DRUM PRESENTS
DARREN HANLON: Aug 12 Gallipoli Legions Club, Aug 13 The Factory Theatre, Aug 14 Tilley’s, Aug 15 The Clarendon, Aug 18 Heritage Hotel CKY: Aug 14 Manning Bar SLASH: Aug 16 Hordern Pavilion ART VS SCIENCE: Aug 19 Bar On The Hill, Aug 20 Wollongong Uni, Aug 21 The Metro MIDNIGHT JUGGERNAUTS: Aug 20 The Forum SCARY KIDS SCARING KIDS: Aug 21 The Factory Theatre, Aug 22 City Diggers, Aug 26 Cambridge Hotel CORDRAZINE: Aug 21 The Vanguard REVOLUTION ROCK: Aug 28 Annandale Hotel KLAXONS: Sep 2 Enmore Theatre LA GUNS: Sep 3 The Forum GANGSTER’S BALL: Sep 4 The Metro FIRST AID KIT: Sep 9 Oxford Art Factory FUNK N GROOVES: Sep 11 Pokolbin TAKE ACTION TOUR: Sep 14 Tuggeranong Youth Centre, Sep 15 The Factory, Sep 16 Oasis Youth Centre WHOLE LOTTA LOVE: Sep 16 Enmore Theatre THOUSAND NEEDLES IN RED: Sep 17 Cambridge Hotel, Sep 18 Annandale Hotel, Sep 23 Fitzroy Hotel, Sep 24 City Diggers, Sep 25 The Maram THE PARADISE MOTEL: Sep 24 Clarendon, Sep 25 Sandringham Hotel COASTER: Sep 25 Gosford Showgrounds BIRDS OF TOKYO: Sep 30 Hordern Pavilion DAN KELLY & HIS DREAM BAND: Oct 7 The Maram, Oct 8 Northern Star, Oct 9 Annandale Hotel SMUDGE: Oct 8 Sandringham Hotel SAGE FRANCIS: Oct 17 Oxford Art Factory CLARE BOWDITCH: Oct 21 Wollongong Uni, Oct 22 Newcastle Leagues, Oct 23 The Metro SARAH BLASKO: Oct 28 Civic Theatre, Oct 29 Enmore Theatre, Oct 30 The Playhouse FESTIVAL OF THE SUN: Dec 11 & 12 Sundowner Breakwall Tourist Park PEATS RIDGE: Dec 29 – Jan 1 Glenworth Valley
AGAINST ME!: Oct 9 The Metro Theatre, Oct 10 Cambridge Hotel BOREDOMS: Oct 11 The Metro VILLAGE PEOPLE*: Oct 12 West Leagues Newcastle, Oct 16 Enmore Theatre GBH: Oct 14 Gaelic Theatre RUFUS WAINWRIGHT: Oct 14 Concert Hall Sydney Opera House, Oct 21 State Theatre MULATU ASTATKE*: Oct 15 & 16 The Basement Circular Quay PARAMORE: Oct 15 Sydney Entertainment Centre BEDOUIN SOUNDCLASH: Oct 16 Annandale Hotel DEAD MEADOW*: Oct 16 (two shows) The Lair SAGE FRANCIS: Oct 17 Oxford Art Factory MIRAH: Oct 21 Red Rattler CONCRETE BLONDE*: Oct 21 Enmore Theatre SOILWORK: Oct 22 Manning Bar ICE CUBE*: Oct 22 Big Top Luna Park PAT BENATAR, THE BANGLES: Oct 22 Sydney Entertainment Centre PAUL WELLER: Oct 22, 23 Enmore Theatre KATHERINE JENKINS: Oct 23 State Theatre AMERICA, CHICAGO, PETER FRAMPTON: Oct 27 Sydney Entertainment Centre, Oct 29 WIN Entertainment Centre, Nov 6 Hope Estate, Nov 7 AIS Arena MOUSE ON MARS: Oct 30 Oxford Art Factory ED KOWALCZYK*: Oct 31 Enmore Theatre
• 72 • THE DRUM MEDIA 10 AUGUST 2010
ROBIN GIBB: Nov 2 Sydney Entertainment Centre LEONARD COHEN: Nov 8 & 9 Acer Arena JASON DERULO: Nov 9 & 10 Hordern Pavilion THREE DOG NIGHT, THE TURTLES: Nov 10 Civic Theatre Newcastle, Nov 14 Enmore Theatre, Nov 16 Royal Theatre MANIC STREET PREACHERS*: Nov 15 The Metro THE EAGLES: Dec 2 & 3 Sydney Entertainment Centre, Dec 6 & 7 Acer Arena GUNS N’ ROSES: Dec 4 ANZ Stadium BLONDIE, THE PRETENDERS: Dec 7, 8, 9 Enmore Theatre, Dec 11 Bimbadgen Estate, Dec 14 Royal Theatre MUSE: Dec 9 & 10 Acer Arena THE BOUNCING SOULS, HOT WATER MUSIC: Dec 10 The Metro JACK JOHNSON: Dec 11 The Domain GORILLAZ: Dec 16 Sydney Entertainment Centre BON JOVI: Dec 17, 18 & 19 Sydney Football Stadium MISFITS*: Feb 5 Manning Bar MICHAEL BUBLE: Feb 14 & 15 Acer Arena IRON MAIDEN*: Feb 24 Sydney Entertainment Centre RIHANNA: Feb 28 Newcastle Ent Centre, Mar 4 Acer Arena THE CHEMICAL BROTHERS: Mar 10
Sydney Entertainment Centre
FESTIVALS SHIR MADNESS: Aug 15 Bondi Beach FUNK N GROOVES: Sep 11 Pokolbin THE BIG EXO DAY: Sep 18 Sydney Showgrounds COASTER: Sep 25 Gosford Showgrounds GREAT SOUTHERN BLUES FESTIVAL: Oct 1 – 3 Mackay Park Batemans Bay BELLINGEN GLOBAL CARNIVAL: Oct 1 – 3 Bellingen FIESTA: Oct 1 – 4 Darling Harbour PARKLIFE: Oct 3 Kippax Lake RODEO ROCKFEST: Oct 8 – 10 National Park Newcastle, Oct 22 – 24 Mt Penang Gardens, Nov 5 – 7 Penrith Panthers FAT AS BUTTER: Oct 23 Camp Shortland SYDNEY BLUES FESTIVAL: Oct 29 – 31 Windsor STONEFEST: Oct 30 University of Canberra NEWTOWN FESTIVAL: Nov 14 Camperdown Memorial Rest Park STEREOSONIC: Nov 27 Sydney Showgrounds FESTIVAL OF THE SUN*: Dec 11 & 12 Sundowner Breakwall Tourist Park PEATS RIDGE*: Dec 29 – Jan 1 Glenworth Valley SOUNDWAVE: Feb 27 Eastern Creek Raceway * indicates new or amended listing this week Check with agencies for booking fees.
New Zealand two-piece Seth Frightening began the night’s proceedings in an underwhelming and sometimes downright painful way. While the recorded material is pleasant enough to listen to, live it was a mess, with the harmonising vocals sometimes raising to an ill-pitched scream that was more unfortunate than abstract. The guitars did sometimes reach a point of cohesion, with both performers occasionally taking on a rapid strum to create more interest, but altogether the songs were melodically and structurally unsound and the performance itself offered nothing interesting enough to make up for that.
ferent, more interactive Jónsi emerged. The crowd moved in delight to the ecstatic energy of songs like Go Do and Boy Lilikoi but switched right back to solemn respect as soon as the atmosphere changed again. Returning for an encore dressed in a feather headdress and Icelandic flag, Jónsi wowed the crowd with an awe-inspiring Grow Till Tall, focusing on his voice and building to an incredible climax as the lights in the venue flickered dramatically, before returning for a bow. By the end of the performance the room was completely still as the audience attempted to make sense of the night’s pure magic – though the sound mix struggled at times, the performance itself was almost impossible to fault. Giselle Nguyen
It was two years ago to the day that Sigur Rós last played in Sydney and the return of singer Jónsi – this time touring his debut solo album Go – was hotly anticipated. The gig was no replica of his band’s show, but the atmosphere provided by the Icelandic singer was beautiful in a different way. Armed with an acoustic guitar, the night began with Stars In Still Water, accompanied only by gentle glockenspiel. With a voice pure, beautiful and undulated, such a quiet and unassuming tune was an excellent way to open a set that would show off its sheer range, which sometimes strained to hit the highest registers. With a four-piece band including boyfriend and musical partner Alex Somers and techniques such as hitting the glockenspiel with a string bow, the first few songs of the set were incredibly intense, with silences hanging throughout the theatre as hauntingly quiet songs like Tornado and Icicle Sleeves worked their way through the atmosphere. The tense air dispersed as soon as the more upbeat songs from Go began to roll out and a dif-
KATE NASH
THE THIN KIDS
The Metro Theatre 05/08/10
UK music journalist Everett True is now a resident of Brisbane and finds himself the frontman of The Thin Kids. Their set may have been sloppy, but listening to an old English geezer tunelessly sing while his makeshift band (including Bridezilla’s Holiday Carmen-Sparks on percussion and Millie Hall on sax) trying their hardest to improvise around him was actually kinda awesome. A couple of years since her last Sydney appearance, Kate Nash’s return was initially low-key, playing piano for The Thin Kids while hidden beneath the hood of a parka. Soon enough though it was time for the main event. Of course her set featured the likes of Foundations, Paris, Merry Happy, Mouthwash and Do Wah Doo. Of course they were lovely slices of piano pop and of course everyone sang along. But at heart, Kate Nash has always been more Riot Grrrl than Girl Group and she set about proving it with a diverse, guitar-heavy and occasionally experimental performance. “This is a spoken word piece about not selling yourself short,” was certainly not what people who turned up to hear the hits were expecting. There were also rocky songs like the quiet/loud Pixies-esque romp, I Just Love You More, as well as moments of pure punk as Nash stomped the stage spitting lyrics. The chirpy British songwriter has a fine way with words for which she is not often given due credit. The language she uses is simple but offers truths in its succinctness. “I wish I could be quiet/ When I’m quiet people just think I’m sad/ And usually I am,” she cried during the outstanding Don’t You Want To Share The Guilt? On delicate love song, I Hate Seagulls, she demonstrated her dislike for celebrity sycophantism: “I hate anyone who, if I was serving chips, wouldn’t talk to me.” There are plenty of people happy to write Kate Nash off as merely being the girl who sang that song about your friends being “much fittah”, but the desire she showed tonight to try to push her own boundaries is what makes her a genuinely exciting and relevant artist. Rob Townsend
LAURA MARLING
BOY & BEAR
The Metro Theatre 02/08/10 Two possibilities: Boy & Bear are a pub rock band wearing the emperor’s new folk clothes, or they are actually a band working out an original personality through a physical folk exertion. If the former – and that’s all they amount to – well it’s been and will be. If
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JONSI @ THE ENMORE THEATRE. PIC: LINDA HELLER-SALVADOR
the latter, so much the better. But the sooner their tubthumping verging on histrionic approach is more from the heart than the whiteboard, the better. And then for the main course, the much-revered Laura Marling, who is one of the high priestesses of ‘new British folk’. Marling shared material from across her relatively brief, but very productive, career to date, along with some unreleased songs. The earlier songs resonated the most, though tracks such as Goodbye England, off latest album I Speak Because I Can, sent shivers down the spine with their exquisite sadness (it’s a beautifully rendered sadness though and oh so typically Marlingesque). Half the show was Marling alone, just guitar and her scything, eagle-like voice: soaring and plummeting, resonant with pain and discovery and fascination. It’s a compelling instrument, simultaneously capable of cutting you to pieces whilst holding you in a tight, passionate embrace. The other half she had a full band accompanying, helping lift her material up, though they made it neither better nor worse. The cello helped give her music something of a chamber-folk dimension, similar in some ways to what Lyle Lovett did with country earlier in the year. This approach gives the music a slightly intellectualised feel. Marling involved – and involves – the audience in her experience, yet there is still something strained, distant, at-arm’s-length, about her music. This could be either a strength or a weakness, depending on the individual performance. Tonight, she seemed quizzical, but still genuinely moved by an adoring audience. Despite being very much a fan of Marling, she was interesting and occasionally stunning, but not entirely convincing. Craig N Pearce
MUMFORD & SONS
FANFARLO
The Enmore Theatre 03/08/10 You can’t say Fanfarlo are afraid to give it a shot! A little bit Orange Juice, a drop (or should that be a drip?) of Spandau Ballet, some Arcade Fire (though not as baroque), all tightly organised through a very bright prism of Americana. Mixing organic and synthesised sounds in a sometimes roaring, celebratory fire, they were pretty convincing at times, especially when the melodies were strong. Their avant-garde edge was also likeable. Overall, a refreshing, vocal-soaked experience. Mumford & Sons are an interesting, paradoxical entity. A folk-pop conglomeration that has taken the east Atlantic high musical fashion (Americana being the west Atlantic equivalent) of folk music and given it a rustic continued pg.74
THE DRUM MEDIA 10 AUGUST 2010 • 73 •
from pg.72 Top 40 sheen. They have some wonderful melodies and, as such, some revelatory songs – Thistle And Weeds, Little Lion Man and Sigh No More, for example – yet their arrangements undermine the edge and impact they would otherwise have. This is not to say their performance wasn’t enjoyable or didn’t offer high quality entertainment. They are dulling their greatest asset, their songs, with doughy arrangements that puff out the cheeks of their sound but, ultimately, aren’t capable of blowing the house down. Of course, most of those present at The Enmore didn’t seem to agree. In fact, guaranteed they found the rollicking, OTT, virtually thigh-slapping enthusiasm of the band a right old good time. And they are very much a party time band when all that thar blowing sets sail. Singalongs prevail. Shanty singing on an ELO-like scale. The Celtic tones of Awake My Soul revealed just what heights the band is capable of. For a portion of the song, at least, its golden heart was revealed. Nuances were apparent when the rendition was restrained, but when the overblown section kicked in, the resonance that the subtlety helped convey was utterly lost in the standard bland roar. Another manifestation of this is the use of the, um, ‘banjo’. Not sure what they did to it, but very, very rarely did it actually sound like a banjo. The instrument’s character was camouflaged, which is emblematic of the band’s overall sound, in fact – terrific songs lost in the desire to have a hoedown. Maybe when they retire and go unplugged is when the fundamental richness of this band will be fully exposed. Craig N Pearce
THE PARIS CRASH
THE ART THE JEFFERSON
The Gaelic 06/08/10
Sydney’s The Jefferson deal in upbeat, commercial pop/rock which, if they were American, would probably have seen them playing stadiums by now instead of Friday night pub gigs. But it’s alright; despite taking to the stage a bit late, as soon as singer Geoff Rana wished the crowd a “happy fucking Friday” and they launched into the anthemic Final Call with all the enthusiasm of a band who knows they’re onto a good thing, all was forgiven. They’re a bit Ash, a bit Jet and a bit like the more parentally-approved end of Fueled By Ramen and the set – six snappy guitar-pop tunes – was short and sweet. The Art appeared onstage heralded by a cloud of smoke but vanished again, eventually returning 50 minutes after the scheduled start time. Fortunately The Art – black of leather, tight of jean and teased of hair – were worth the wait. The sleazy, swampy, angular rock‘n’roll of songs such as Indecisive Weirdo, A Figment Of Your Imagination and single I Wanna Know recalls all the coolest parts of the ‘80s (Sunset Strip rock, posthardcore, The Jesus And Mary Chain) and frontman Azaria’s stage presence was as manic as bassist Kara Jayne’s was coolly hypnotic. If The Art sound like the ‘80s in their more feedbacksoaked moments, five-piece The Paris Crash and their retro-futuristic light show are the guys who would have won the Battle Of The Bands if Blade Runner had been set in a high school. They even have a song called 1980. Here to kick off their Honeymoon In Vegas tour, they couldn’t have chosen a better place to do so, with the packed crowd lapping up their distinctive brand of synth-rock. The straight-up garage of I Concede, the aforementioned 1980 and the metallic pogo and twisting keyboard line of new single, Honeymoon In Vegas, were the standouts in a set light on variety but heavy on retro danceability. There’s no “slow” in the Paris Crash galaxy, just fast and faster, with encore song Soldiers being the closest they come to a ballad. But that doesn’t matter if you’re there to dance – and The Paris Crash did an admirable job of getting us to do so. Heather Fuhrer
SIMON CARTER
MONEY FOR ROPE BELL WEATHER DEPARTMENT CREEPERS
The Annandale Hotel 05/08/10
The all-girl quintet Creepers who opened the evening have a sassy frontwoman with PJ Harvey tendencies in Laura Noir and an interesting mix of percussion built into their primitive garage rock sound. They were followed by Bell Weather Department who were out • 74 • THE DRUM MEDIA 10 AUGUST 2010
WE ARE SCIENTISTS
The Great Escape. Closing their set with After Hours, it became time to wonder whether there would be a joint encore.
ASH LAST DINOSAURS
The Metro Theatre 03/08/10
The Splendour double bills have been truly amazing and this show was no exception. Before the amazing double treat of Northern Ireland rock and NYC indie could hit the stage, Last Dinosaurs performed to a receptive audience who grooved along to triple j regular Honolulu, setting the fun party atmosphere for the night.
After the foot-stamping and cheering subsided, WAS returned with Ash in tow, setting up for what would prove to be a blisteringly loud finale. Introducing the song as “something we feel should be in your respective CD collections”, they launched into Weezer’s Only In Dreams with gusto, in what became a ten-minute orgy of reverb, intense bass and impassioned shouts from the combined forces of Wheeler and Murray. Undoubtedly the highlight of an excellent bill. Sevana Ohandjanian
Ash arrived to much fanfare, in a night that would see equal love given to both headliners. Heading straight into Lose Control, frontman Tim Wheeler was a blur of thrashing guitar, grinning and shouting with fierce passion. Classic Goldfinger was pulled out early, but sat happily alongside newer songs like Arcadia and Return Of The White Rabbit. The opening refrain of Girl From Mars, delivered a cappella, was followed by four minutes of frantic word for word audience participation. Russell Lissack of Bloc Party fame filled in on guitar and was admirably faultless. Ending with Burn Baby Burn, Ash seemed genuinely awed by the warm reception, but it wouldn’t be their last time on stage for the night.
Giselle Nguyen
BROKEN SOCIAL SCENE
We Are Scientists are the ultimate party band; their songs are infinitely catchy, their energy appears boundless and there’s witty banter aplenty. The unearthly chemistry between bassist Chris Cain and singer/guitarist Keith Murray is beyond bromance, with many a secret glance and sly smile being shared between them. The best part is the audience feels like they’re part of the joke. Opening with Nice Guys, it didn’t take long for the crowd to turn into a throng of head-bobbing, hand-clapping excitement. Cain played MC for the evening, interjecting with witticisms regarding Splendour In The Grass and Budweiser beer. Murray, looking every bit the indie hipster, pulled shapes and dodged from mic to amp with adrenaline. Songs from With Love And Squalor were received best, especially the frantically melodic
of place with their heavy riff-rock that on the night sounded like a cross between Helmet and A Perfect Circle. Unfortunately many of the more appealing intricacies of their recordings were lost in the volume. Melburnians Money For Rope took the punters by the scruff of their necks and dragged them into their garage rock swamp. With a killer organ sound and a proclivity for losing their shirts and control over their limbs, they impressed with their assured attack. Melbourne has a proud history of throwing up this kind of band and Money For Rope look set to carry on the tradition with swagger and intent. Simon Carter’s debut solo album The Black Book Of The Universe has been out for a couple of months now so fans have had some time to get their heads around his new sound. As a result the small but appreciative crowd at The Annandale rose and fell with Carter’s bold and beautiful new direction into Americana-tinged indie with more than a few prog-pop overtones. Carter and band seem to be growing in confidence with each live outing and tonight showed they have reached cruise control – not in a bad way, more that their tight playing and the shades and angles that they build into the songs sound more natural and less deliberated. Carter brought his album to life, throwing himself into unabashed guitar solos and showing just how good a vocalist he has become. He doesn’t settle for an indie yelp; instead he possesses and strong and rich vocal sound that can convey passion, conviction and at times flashes of anger. The highlights of the set came with the epic and gearchanging Hold Your Horses, In The Wilderness I Wept and Grey Gardens alongside the pop-flavoured Symbio and Honesty that rode sharp and bright melodic lines. Ending on the title track from the album they showed a desire to stretch their sound with the whole band convening for some communal drumming that would be a sure highlight of summer festival stages. Chris Familton
SURFER BLOOD
PAPA VS PRETTY
Manning Bar 03/08/10
It was with as much mustard as possible that Papa Vs Pretty took to the stage as support, knocking through a number of Radiohead epics, Buckley quiet and Drones solos, with the talking point being the subliminal finger work from frontman Thomas Rawle. Criminally young, the three-piece have blipped the indie radar a number of times and while they have established themselves as purveyors of disparate and emotional rock, they have yet to settle on a consistent sound. It’s hard to pin-point, but
Adoring fans were all too eager to express their enthusiasm, with singalongs breaking out left, right and centre and a quiet awe emanated around the venue throughout the evening. Playing mostly from this year’s The Winter Of Mixed Drinks, the band opened with Skip The Youth and the charisma of frontman Scott Hutchison was immediately detected – he stopped throughout the evening to make jokes, often at his own expense and always to the delight of the crowd. The often abrasive rhythm section contrasted nicely with Hutchison’s gentle, lilting guitar tones, at times complemented also acoustically. Beautiful kaleidoscopic lights swirled as the performance progressed, with the backing vocals of Hutchison’s four bandmates airtight and atmospheric, especially on the wonderful Swim Until You Can’t See Land. None of Frightened Rabbit’s performance relied on gimmicks – the music itself was extremely focused and driven forth by incredible joy, both on and off stage. The very grateful Hutchison encored with a solo Poke before the band returned to the stage, culminating in an extended jam after Hutchison walked off following closer Keep Yourself Warm. After witnessing their live show, there’s no questioning why this band has received praise worldwide – Frightened Rabbit achieved the perfect mix of musical passion and enjoyment for both performers and spectators.
BEARHUG
The Metro Theatre 04/08/10 Sydney’s Bearhug were a fitting opener, straddling the line between ‘90s Americanised indie and ambient noise of the post-rock kind. The audience reception was warm and they aptly bantered their way through tune-ups and fix-ups, moving between slow tempos and upbeat songs in an endearingly shambolic fashion. Certainly a band with potential for growth once they home in on their chosen sound. WE ARE SCIENTISTS (TOP) AND ASH @ THE METRO THEATRE. PICS: LUKE EATON
now and then their songs are guilty of trying to squeeze in as many genres as possible. A bit more ironing out though and live-wise, things remain exciting. Whomever your god be, bless them for Splendour In The Grass 2010 – this year’s lineup arguably has to be one of the most exciting to land on Australian shores in recent years, not only for the headliners but also that up-and-coming bunch that happens to go under the guise of Surfer Blood. With their brand of surf pop – agonisingly short, simple and catchy riffs – it’s a wonder that no one has ever written these songs before. Described by the press as having a sound similar to Weezer, they also demonstrated other flavours, of Smiths, Pixies, Modest Mouse and even Dappled Cities (as varied as that sounds). Songs from the debut and album of the year Astro Coast were loads of fun, in particular tracks like Harmonix, Swim and Take It Easy with an effortlessly thumpy delivery. It being the five-piece’s last Australian show, you could forgive them for appearing a little too laidback – it was hard to tell if that’s just how they always roll or they’d had one (or several) too many nights hitting the piss. Being a professional and grateful frontman, John Paul Pitts’ courtesy extended to the PvP boys, who joined on percussion for the one of the last songs. It gets said a lot in these sorts of reviews but fingers, toes and nuts crossed they return to the Australian surf in the very near future. Adam Wilding
FRIGHTENED RABBIT
SIERRA FIN
The Factory Theatre 03/08/10 Local lads Sierra Fin have really stepped up their game of late. Having shut themselves away this year to record their debut album (arranged for an orchestra), this was their first performance since wrapping up the record. They’ve added a member, Kent Eastwood, whose accordion really adds a new dimension live. Though still treading a similar indie-pop path, some songs are now a little darker and all are more focused. The highlight of the set was Bluebird Song, where singer Russ Tainton strummed a ukulele as he and his bandmates harmonised before throwing the tune over to the audience, all too glad to oblige in a singalong as Tainton jumped off the stage and wandered through the crowd. The songs’ orchestral parts were filled out via computer, swelling to enormity. With talent to match their ambition and charm that won over an audience to whom they were mostly unknown, Sierra Fin made a triumphant return tonight. Scotland’s Frightened Rabbit has been a favourite on Australian shores this year, playing at Laneway in February and back again a mere six months later.
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Broken Social Scene had the audience in the palm of their hands from the moment they stepped out. The amount of genuine love being conjured in the room towards the nine-plus band members on stage would only grow during the evening, as they opened with the lilting guitars of World Sick and Kevin Drew took his place as orchestrator for the night, roguishly charming whether darting towards the front row or introducing his many bandmates. Songs off their latest album, Forgiveness Rock Record, blended into the set perfectly, as Forced To Love saw guitarist Andrew Whiteman’s baritone vocal get a showing, along with his highly entertaining semi-dance moves during guitar solos. The pull of their back catalogue was irresistible as Cause=Time was delivered with patient ease before Superconnected blasted in with an incessant assault of guitar. A local horn section joined the band for several songs, adding a special touch to the show. Between songs Drew and co. were quick to crack jokes and put hecklers in their place. Later Brendan Canning would have his own spotlight to perform Love Is New in all of its disco infectious glory, taken from the 2008 solo record that Drew graciously mentioned as having never toured Australia like his own. Disappointingly Lisa Lobsinger was unable to sing due to illness, appearing from side of stage to occasionally play synths and percussion. The absence of that particular song that all were waiting for was quickly replaced with a moving solo from Drew, performing an acoustic version of Lover’s Spit before the band returned for the encore with Ibi Dreams Of Pavement (A Better Day), sending the audience into the night with the memory of the instrumental clangs of Meet Me In The Basement. Sevana Ohandjanian
BRITISH INDIA
THE HOWLING TONGUES
Wollongong University 06/08/10
Local lads The Howling Tongues were stealthy in their entry on stage with sounds crawling out from under the darkness. It’s hard not to draw the comparison to Led Zeppelin, but when they’re brave enough to do a Whole Lotta Love cover, with a refrain from Get Up Stand Up thrown in, it’s probably warranted. Beyond just the hair, The Howling Tongues also draw from the subtle varieties found within the great Zep’s repertoire. From the melodic stompy bass lines of Young And Dumb and Good Times to the smooth metal of Ride, their range is good, while not losing an overall identity. The “nanana” singalong of Bypass is gold and pricked ears across the room with the opening “I’ve worked all week and now I wanna play”. The stage antics were most entertaining with pool table-top rocking out and an auction on their remaining six CDs. The heart-on-your-sleeve theme kept rolling as British India took the stage dramatically dedicating You Will Die And I Will Take Over to “those that claim to speak
THE DRUM MEDIA 10 AUGUST 2010 • 75 •
live@drummedia.com.au for the young”. A wall of energy from start to finish, singer Declan Melia let his vocal spark the night as he hid below his hoody, while guitarist Nic Wilson got the crowd bouncing. Impressed that “independent music without expert teams or labels like Birds Of Tokyo still have a place”, they duly rewarded longtime fans with kick-arse versions of Guillotine favourites Teenage Mother and Russian Roulette, as well as the rarely played Mona Lisa Overdrive. Their influences such as The Who and The Pixies were exposed through the stickers on Melia’s guitar and came to life with a cover of Beastie Boys’ Fight For Your Right. The harmonies on I Said I’m Sorry were spot on, while Avalanche favourites Because Of You, Vanilla and the title track transcended the space between stage and floor. Crowd and band ultimately became one on the shout-out This Ain’t No Fucking Disco. Despite having every right to be the precocious, egotistical darlings of Australian music, British India continue to deliver pure rock without pretences or ponce, unashamedly laying bare their souls in each track.
SIX DEGREES OF IRON MAIDEN SEPARATION This week’s cover band Iron Maiden are about to unleash their 15th studio album, The Final Frontier. The new album is the band’s longest to date, and was recorded across studios in California and The Bahamas. The Final Frontier was also the title of the fifth Star Trek movie, which was directed by sci-fi wunderkind and original Captain Kirk, William Shatner. There is a heavy sci-fi influence in the artwork for Iron Maiden’s new album, which was created by artist/designer Melvyn
ZEAHORSE
WILLIAM SHATNER
THE OVALS DARK BELLS
Stinson joined Guns N’ Roses in 1998, after the majority of the founding members had left and moved onto
Spectrum 06/08/10
MOVE YOURSELF
Dark Bells’ crackling appeal of buzz-heavy bass and washy, bleached guitars was bloody loud given there was only three people making the noise. A hint of shoegaze and post-rock, it was the sound of ‘90s wash and folly sped through the pipes of one Teneil T who does monotony with class.
Feeling spritely after making their debut film clip for single, Down, Down, Chemical Transport will hit the stage alongside The Mission In Motion supporting Senses Fail this Saturday night. Chemical will be playing tracks from their New Justice Records debut EP at the all ages Factory Theatre show.
An EP under the belt and umpteen live shows up and down the east coast of Australia, Sydney’s Zeahorse are a favourite among any number of indie gig regulars and their credentials in live circles continues to gain momentum. What makes a band a great live act isn’t always how they handle things working in their favour on any given night, but how they handle equipment failure as was the case tonight. There were still a couple of sound issues present from the previous outfit and lead singer Morgan Anthony’s guitar decided to go to sleep in the middle of a song. This didn’t deter him or the band in any way (cue Hulk-guitar-smash) and if anything it added to the performance, giving their frustrated and dark sound a particular edge. Where lots of local Sydney bands err on the indie pop side of life, Zeahorse tend to embrace skewed sounds that explore pop in all of its down-tempo melancholy and this was a feature on the night thanks to some rocking numbers like Rabbit Hole and Spider Stole My Fungus, which, by the way features the fucking awesome drumming of Julien Crendal (aspiring drummers take note damn you). It wasn’t picture perfect, but it was better for it Adam Wilding
Seminal punk band Hüsker Dü released a (far superior) live cover of The Beatles’ Helter Skelter, featuring Soul Asylum frontman Dave Pirner, in 1986 as a B-side on their 12” single, Don’t Want To Know If You Are Lonely. The record was released in the States by major label Warner Music. Soul Asylum, in a similar story to just about every other band from the ‘80s that is still kicking, have undergone numerous lineup changes. Ex-drummer Grant Young has played with David Bowie and previous drummer Sterling Campbell has played with Duran Duran, The B-52’s and Cyndi Lauper. Soul Asylum bassist, Tommy Stinson, continues to play with Guns N’ Roses.
Kristy Wandmaker
It’s getting harder and harder to define what psychedelic music in the contemporary era is and yes, there were those that came before, but The Ovals managed to make a tried and tested sound all their own, with a heady mix of early ‘70s rock that was warm and colourful. It was a shame that a crucial aspect of their live sound relies heavily on a working mix and during some songs there were a few indiscernible moments where the sounds were too melded when they should have been distinctive and drowned when it should have been swimming. Not entirely their fault though and their recorded stuff is blitzing.
Grant. As well as being an actor, director and writer, William Shatner is also responsible for the worst Beatles cover of all time. According to a 2003 Music Choice poll, his rendition of Lucy In The Sky With Diamonds was voted the worst alongside other Hollywood luminaries such as Jim Carrey, who covered I Am The Walrus.
LIKE FATHER LIKE DAUGHTER When it comes to Dick & Christa Hughes, the apple has not fallen far from the tree. The father-daughter combo will be playing the jazz and blues-filled set from their sold-out Opera House shows this Wednesday night at the Basement in Circular Quay.
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SLASH (arguably) bigger and better things. While Axl Rose has been busy trying to sue Dr Pepper and justifying Chinese Democracy, Duff McKagan continues to rock with Velvet Revolver and Jane’s Addiction, and Slash has announced he is touring Australia in 2011 (building upon his soldout upcoming tour) as part of the Soundwave Festival. Two Drum covers tied together intrinsically.
epFOCUS POM POM
What’s the title of your new EP and where did it come from? In The Gaps Between. It’s a line from one of the songs on the EP and makes sense to me that it is the title. It has a few layers of meaning.
GEAR UP FOR NEW MUSIC
ROCK AT THE ROXBURY
How many releases do you have now?
This Sunday the Hotel Gearin will play host to three of the Blue Mountains best up and coming bands, kicking off at 6pm as local bands battle for the title of BLU FM Battle of the Bands winner. Our own Michael Smith is guest judge.
Local Christian rockers Amberdeen are playing the Roxbury Hotel in Glebe this Saturday night. Doors open at 7:30pm and entry is only $10.
How long did it take to write/record?
THE BOAT THAT ROCKS
Was anything in particular inspiring you during the making?
SKY IS THE LIMIT Continuing the rigorous touring schedule that has seen them support bands such as Haste The Day, The Getaway Plan and Amity Affliction, Sienna Skies have another run of shows. You can catch the post-hardcore six-piece at Bridge 54 in Picton on Saturday, and the Cambridge Hotel in Newcastle on Sunday. Both shows are all-ages.
RENNY OR NOT
If you enjoyed The Boat That Rocked then get down to Pyrmont Bay Wharf on Saturday at 1pm for four bands on a cruise ship! Johnny Casino & The Secrets, The Crusaders, Los Chicos (Spain) and The Dunhill Blues will play during a four-hour booze-cruise of Sydney Harbour. Tickets from Mojo Music.
LET’S TALK ABOUT SAX
The Acoustic Sessions at the Roxbury Hotel continue this Friday night with singer-songwriter Renny M, The Ukeles and Sam Jones. The tunes kick off at 8pm and entry is $10.
Sydney jazz prodigy Michael Griffin kicks off his residency at the Roxbury Hotel this Saturday. Cutting his teeth with the likes of Burt Bacharach, John Scofield and James Morrison, Griffin will be playing jazz saxophone throughout the month with his backing band.
TARZAN TUNES
TOM’S MATERIAL
After relocating to Sydney from the South Coast, young guns Let Me Down Jungleman, Gently, will launch their debut EP, Nonchalant, on Wednesday night at the Sandringham Hotel. Entry is $5. Totally Unicorn and Between The Devil And The Deep to support.
While playing with Kalabash, Tommee shared the stage with Paul Simon, Jimmy Cliff and UB40. He will be launching his new solo album, Material Is Thick, this Thursday at Notes. Tommee will be accompanied by very special guest Afro Moses.
This is my first release as pom pom. I recorded it over a six-month period but the songs were written quite awhile ago now.
Personal experience and emotion. During the recording process I was inspired by working with my co-producer, Sean Carey and the knowledge that my demos could finally be fully realised.
What’s your favourite song on it? The pop ballad You Are Door I Window.
Will you do anything differently next time? Not too much. I’ll be working with the same producer on my album and the recording process will be similar. Perhaps having more money behind me to finance the next project. A little extra cash can always help.
Will you be launching it? It was launched last week at Club 77 and The Otis Bar. Melbourne and Brisbane launches in September. I’m also playing at the Under the Blue Moon ball at the Factory Theatre in October. For more info see: myspace.com/pompomtheband
2010 DELEGATES WILL RECEIVE ACCESS TO: s All MUSEXPO Asia Pacific conference and panel sessions s Opening night function s Daily networking functions including breakfast, lunch and tea breaks s VIP delegate facility at ONE MOVEMENT MUSIC FESTIVAL s Full access to all artist showcases
2010 Speakers Include:
6TH – 10TH OCTOBER 2010
TODD RUNDGREN (USA) Hit singer/ songwriter and producer
STEVE SCHNUR (USA) Worldwide Executive and President of EA Music Group
TROY CARTER (USA) Founder, Chairman & CEO, Coalitiion Media Group and Worldwide Manager for Lady Ga Ga
RON SPAULDING (USA) President, Fontana Distribution
PERTH
THE ESPLANADE SAT 9 & SUN 10 OCTOBER 2010
Delegate Passes Now On Sale: www.onemovementmusic.com • 76 • THE DRUM MEDIA 10 AUGUST 2010
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live@drummedia.com.au the all age onslaught that is Screaming Sundays has moved to the Annandale. You can catch 20 bands for $20 from midday on Sunday. 46 Clicks, Aplonea, Chemical Transport, Earth Republic, Futures in Black & White, The Perfect Revolution, The Polaroid People, The Sunpilots and more will play.
NEW REBELS Jager Uprising, a showcase of up-and-coming local talent, is on at The Annandale yet again. This Wednesday you can see Rebel Romantics, Cherry Lane, Neon Tonics and Never Knows Best for just $8. Doors open at 7.30.
HAPPY HEAVY BIRTHDAY THE MISSION IN MOTION Brett Islaub, vocals
What do you think is your band’s greatest strength? Our work ethic. We have been pushing this thing for five years now and we have worked as hard as we possibly can.
If you could time travel back to any gig in history which would it be and why? If I could choose to go back and see a band I never saw I would love to have seen Jeff Buckley or Nirvana circa In Utero when Pat Smear was playing guitar with them.
What movie do you think your music would best accompany and why? A John Hughes film like Ferris Bueller’s Day Off or The Breakfast Club. Not sure how well it would “accompany” the film though, hah.
What are your plans for the immediate future? We are going out on tour with Senses Fail next week and then the very next day we are jumping on the Scary Kids Scaring Kids tour.
Favourite “pick me up for a big night” drink? Maker’s Mark and Coke is my current vice of choice.
Favourite hangover cure? Maker’s Mark and Coke, haha.
For more info see: myspace.com/themissioninmotion Debut album Somewhere Safe (Taperjean/Shock)
When and where are your next gigs? Saturday – Factory Theatre Sunday 22 August – City Diggers Wollongong Thursday 26 – Cambridge Hotel
DRUM STAFF’S FIRST ALBUMS THEY BOUGHT Echolalia SOMETHING FOR KATE Band On The Run PAUL MCCARTNEY & WINGS The Presidents Of The United States Of America THE PRESIDENTS OF THE UNITED STATES OF AMERICA
America’s Least Wanted UGLY KID JOE Slippery When Wet BON JOVI The Battle Of Los Angeles RAGE AGAINST THE MACHINE Hollies’ Greatest THE HOLLIES Middle Of Nowhere HANSON Raiders Of The Pop Charts VARIOUS Man Of Colours ICEHOUSE
THE DARK SHADOWS
OF EYELINER & SHADOWS Local goth-punk outfit The Dark Shadows will play The Gaelic this Friday alongside Familia, DJ Caterwaul, DJ Anorexic Dead and goth metal headliners Christian Death (Sydney leg of their Necro Sexual tour). This will just be a taste of things to come for The Dark Shadows, who are celebrating their first single release on seven-inch vinyl and have an EP scheduled for release in September.
BLACK LISTED METAL The Black List Rock Club is back at Notes this Friday night. This week they’ll bring you Wollongong metal band LORD and drag punk/glam band Platinum Brunette as well as DJs Mattoo and Seccers. Entry is $15 at the door, or $10 for pre-sales.
CASH IN JOHNNY Stuart French of The Feral Swing Katz and Daniel Thompson are performing a night of Johnny Cash covers this Saturday at Notes. The duo will perform songs from across Cash’s 50-year career. Doors open 7pm.
LOSE YOURSELF Taking no time to rest after playing Splendour in the Grass, indigenous roots/reggae outfit Zennith are launching their new album, Nothin’ To Lose, this Thursday night. The band will take to the stage at The Annandale with support coming from The Last Kinection and This Version.
RIDE THE WORLD Lowrider are taking their unique blend of soul and funk out of Adelaide and onto the road as part of their Round The World national tour. The band will play The Brewery on Thursday night and The Annandale on Friday, with The Melodics, Nicholas Roy and Empire Rising in support.
GLAD TO SEE GLIDE To celebrate 20 years since the band’s formation, 1990s Sydney band Glide have reformed for one a off-show. The original lineup (minus deceased singer William Arthur) will be joined by Toby Martin, of Youth Group fame, who will provide vocals. Glide play The Annandale this Saturday from 8pm.
I-SCREAM After sell-out crowds at The Gaelic and Penrith PCYC
Metal Evilution has been supporting and promoting homegrown metal for nearly seven years. This Saturday celebrate Metalfest, their 2010 birthday at the Lewisham Hotel, with an enormous ten-band bill for an incredible $15. The Metalfest rages 2pm till 2am and features a variety of bands from across all genres of the metal realm, such as headliners Darker Half, Killrazer, Dead Letter Opener, Aeturnus Dominion, Metal, Norse and Corotted to name a few.
NONE THE PINKER US punk rock veterans Horace Pinker are on the road again after a stint of recording sessions for a follow-up to 2005’s Texas One Ten. This Saturday the energetic four-piece will be bringing their aggressive and genretraversing sound to The Excelsior Hotel, Surry Hills, with supports from The Optionals, Not OK and Easy Company.
LIKE A ROLLIN’ MO Momentum is building for Sydney alt-country quintet Mo Trowell & The Delivery, who are heading up to Newcastle this weekend to support their latest release, The Suspect Way. Good friends The Dennis Boys Band will support them this Friday at the Hamilton Station Hotel, admission will be free.
COME TOGETHER
ON THE DRUM STEREO London Calling THE CLASH Sailing The Sea Of Cheese PRIMUS Paul’s Boutique BEASTIE BOYS Dirt ALICE IN CHAINS Tumbleweed TUMBLEWEED Cold War Of The Condor DARK ORDER I Believe You Liar WASHINGTON Butterfly House THE CORAL Running Red Lights DISCO NAP The Suburbs ARCADE FIRE
ARIA TOP 10 ALBUMS 1. Running On Air BLISS N ESO 2. Recovery EMINEM WASHINGTON 3. I Believe You Liar 4. Birds Of Tokyo BIRDS OF TOKYO 5. Lungs FLORENCE + THE MACHINE 6. The Suburbs ARCADE FIRE 7. Aphrodite KYLIE MINOGUE 8. Sigh No More MUMFORD & SONS 9. Nightmare AVENGED SEVENFOLD 10. Down The Way ANGUS & JULIA STONE
FBI’S FAVOURITE NEW AUSSIE SONGS FOR THIS WEEK Run Overdrive Running On Air Bulleting Eschatol Pretend Tough Been Here Before Annie Orangetree Turn On Your Mind Set Sail Fatboy
CIVIL CIVIC BLISS N ESO MONK FLY DOMEYKO/GONZALES FAUX PAS OLD MAN RIVER POND THE LAURELS IDEA IDEA THE PEEP TEMPLE
Two prominent and wonderfully unique Australian musicians will team up for one special night this Friday at Coogee Diggers. Jeff Martin (The Tea Party) and Terepai Richmond (d.i.g./The Whitlams) will perform new compositions for their audience that underline the extent of the pair’s varied influences, from experimental rock to world. Tickets are available pre-sale or at the door for this one-off event, which is held on the eve of Martin’s Canadian/European solo tour.
THE FOURTH COMING Mates Sizknac and Tuscan make up Western Sydney hip hop duo 4th Wall City, and with such unique and diverse influences between the pair their debut release, Flight Of The Raven, could bring the perfect alternative sound to Australian hip hop. This Saturday they launch the new album at The Bald Faced Stag Hotel with support acts The Vangarde and Last Credit, come down and let them tell you what it’s all about.
LOENE CARMEN
IT SOUNDS LIKE LOVE
FOR JIMI, JANIS AND JIM th
This Friday night Dee Why RSL celebrates the 40 anniversary (since death, all at 27) of three of the most influential and revered artists of the 1960s and early ‘70s, Jimi Hendrix, Janis Joplin and Jim Morrison. A stellar group of musicians, including Jeff Duff, Damien Lovelock, Tania Murray and Floyd Vincent, will showcase some of the greatest songs from these musical icons.
It’s a case of better late than never for Loene Carmen, who is finally launching her new album, It Walks Like Love, this Thursday at the Excelsior Hotel, Surry Hills, seven months after its release. Ed Clayton Jones’ Chord Blood and A Casual End Mile will open the show, which kicks off at 8pm.
THE DRUM MEDIA 10 AUGUST 2010 • 77 •
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THOSE PIVOTAL MOMENTS
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o celebrate their 30th, for the first time in 20 years the original Choirboys lineup (that’s Mark Gable, Ian Hulme, Lindsey Tebbutt and Brett Williams) will be performing at The Metro Theatre this Saturday to support their new best of, Never Gonna Die. No doubt, it’s going to be a special show for old fans and those who haven’t seen this lineup alike. Here Mark Gable spills the beans on his top five moments of the past 30 years. 1. “On Deep Purple’s 1985 to Australia Choirboys were support. On the second night at the Sydney Entertainment Centre Deep Purple had a special guest guitarist. After Choirboys had done their set and before Deep Purple took the stage, I looked out of our dressing room door and up the hallway, I saw three men drinking beer and talking at the end of the hallway. One was our lead guitarist Brad Carr, the second was Deep Purple’s lead guitarist Ritchie Blackmore and the third was George Harrison. This highlight was when Brad spied me and raised his class in my direction like ‘how cool dude’.”
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2. “In 1987. Brent Eccles, then drummer for The Angels, announcing on his Triple M radio show that Run To Paradise was number two on the Sydney charts. Even though it went to number one the following week that initial news gave me a true sense of arrival. I celebrated with a walk up to the corner store and buying a Mars Bar.”
THE KANDY APPLES
3. “Playing two shows with Midnight Oil at Selina’s at Coogee Bay Hotel in 1983. Even though we were not headlining I have never been involved in something where there was so much energy and commitment from both the bands and the crowd. I have not experienced anything like those shows since.” 4. “The first time I ever heard a Choirboys song on the radio, in 1983. It was Never Gonna Die. As with all pivotal moments like this, I remember exactly where I was and what I was doing.” 5. “Recording our first album in the same studio that AC/DC, Rose Tattoo and The Angels did their albums. It was Studio 1 at Albert’s Studios, King Street Sydney. I was
Radio What’s the song about? Listen and make up your own mind! It could be about the digitilisation of culture or a record stuck on repeat!
How many releases do you have now?
a huge fan of those bands and it made me feel that we were going somewhere. Even though the seasons were full of adventure and misadventure, we had the time of our lives.”
We released our first single in September 2008, and our debut EP in 2009. So this is our third release.
Is this track from a forthcoming release? It’s a digital single with a B-side available online.
How long did it take to write/record?
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A MAGIC PERSPECTIVE Local electronic trio Forced Perspective will launch their debut album, The Magic, The Mythic, The Mental, at the Burdekin Hotel this Saturday from 9pm. $20 entry will entitle you to not just the exciting and diverse performance (including an animated visual element), but also cheap drinks and a copy of the new album.
BAYONETS FOR LEGS
A FRESH BREW
How chuffed are you at winning the Jager Uprising competition? Pretty chuffed… No, super chuffed! We didn’t really expect to win or even make the final.
Where’s the prize money going to go? We’re going into the studio early next month to mix down an EP we’ve been recording over the last year. We can’t wait to finish it! We might even buy some equipment that works.
What do you think is your band’s greatest strength? We can almost rehearse two half-hour sets in three hours. That’s right, we waste a lot of time. No, I think we just like playing music.
If you could time travel back to any gig in history which would it be and why? Mikey says; Pearl Jam, Drop In The Park ‘92. Best gig ever! Nathan says; The Family Values Tour. Massive fail.
What movie do you think your music would best accompany and why? Ernest Saves Christmas, The Goonies, Willow, Shazam (with Shaquille O’Neal). Nah, maybe Clerks, Lords Of Dogtown, there are too many…
What is your favourite song lyric and why? “Don’t live for the moment/live for the constant/ die for what’s right/or get killed by your conscience”. Sage Francis.
After a string of sell-out shows in Victoria, guitarist Lloyd Spiegel will bring his innovative blues sound to NSW for the launch of his eighth album, Tangled Brew. This Thursday Spiegel will play The Clarendon Guesthouse at 8pm, followed by The View Factory on Saturday with Adam Millar supporting, then on Sunday at 7.30pm the Ravál.
MIC CHECK This Friday is Dust Tones at the Beach Road Hotel, so come down for some of the finest Australian and New Zealand hip hop crews and MCs and DJs. This week from 8pm you can catch Surecut Kids, Ishu, Mike Who and Ability. Entry is free.
SPECIAL FX This Saturday SFX (remember new home at St James
Friday 20 – Notes
ve Jazzgroo else.
Tuesday 10th August
James Muller Trio Sandy Evans Trio Tuesday 17th August
The Glorious Sousaphonics
280 Cleveland St Surry Hills
• 78 • THE DRUM MEDIA 10 AUGUST 2010
BRING MUM Friday night at World Bar is MUM. If you didn’t already know that we guess you’ve been living life under a cold mossy rock, or you’re from Melbourne. As per usual we have a solid lineup of local bands - Fuzz Phantoms, City Calm Down, Sleepy Hands, Mother and Father, Corpus, Glass Towers - plus a whole kitbag of awesome DJs. The show starts at 8pm and entry is $15.
The harmonies, and our bassist KC channelling David Bowie. Also the fact you can hear one verse and start to sing along to the rest – makes it a karaoke classic in the making!
Do you play it differently live? We aim to play it as close to the recording as possible, but with live shows there always comes an added energy which is what makes live music so great.
Will you be launching it? Saturday – Oxford Art Factory, Gallery Bar. Free entry For more info see: myspace.com/thekandyapples
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TINPAN ORANGE Like Snow What’s the song about? The regrets of being bad at love.
Yes, but the entire album doesn’t exist yet. Well, it’s blowing in the wind… It just hasn’t been penned.
Two albums: Death, Love And Buildings and The Bottom Of The Lake.
Is this track from a forthcoming release?
How long did it take to write/record?
The first record I ever bought was Rage Against The Machine.
Thursday – The Gaelic
Now at 505
Thursdays the Beach Road Hotel showcases some of the finest local talents in roots and blues. This week come down for the surreal and eccentric sounds of Jack Ladder. Things kick off at 8pm and admission is free.
What’s your favourite part of the song?
Best record you stole from your folks’ collection? First record you bought?
Psychomotor
BLUES, ROOTS, TRANCE
Pugs, tea and the warm sound of an old radio.
How many releases do you have now?
Tom Petty And The Heartbreakers.
everything
This Wednesday the Beach Road Hotel brings you the unrivalled midweek kickstart, with Perth’s alternative rock outfit Parades. Supports will come from two promising local up and comers, The Laurels and Rushcutter. Entry is free and music kicks off from 8pm.
Was anything in particular inspiring you during the making?
RYAN O’CONNER FROM THE AUDITION FILLS US IN ON THE SECRETS OF HIS RECORD COLLECTION. IF HE PLAYS JT, YOU KNOW IT’S ON.
myspace.com/bayonetsforlegs
zz meets Where ja
BLISS OUT
tasteTEST
For more info see: When and where are your next gigs?
Hotel!) will host the official CKY after-party, so come and get crazy with the band themselves, who we’re told are keen to get loose with their fans. SFX kicks off at 9.30pm. (Rumour has it Bam Magera will also be in town, but we’re making no guarantees).
We wrote the initial idea for the song pretty quickly, and a few band practices workshopping it after that. The recording was done in a day at Noisegate Studios.
Like Snow took three days to write and three days to record. That’s a song in under a week.
Record you put on when you’re really miserable?
Was anything in particular inspiring you during the making?
Blink 182 – Enema Of The State.
Old French movies.
Record you put on when you bring someone home?
What’s your favourite part of the song?
R. Kelly (if you want a laugh), Justin Timberlake – Futuresexlovesounds or Sade!
Do you play it differently live?
Most surprising record in your collection? I don’t really know how to answer that. I listen to pretty much everything. If you scrolled through my iTunes you would see everything from Elton John to Maroon 5 to Notorious BIG to Phil Collins. If it’s good music, I will listen.
How it reminds me of old French movies. We are missing the 25 violins and the groovy reverbs… but Alex is able to make a pretty good sound.
Will you be launching it? Yes! At the Vanguard Saturday. For more info see: myspace.com/tinpanorange
Last thing you bought/downloaded?
DRUM SAYS:
Just got the new Jack Johnson, Train, Passion Pit and Eminem records.
A pretty and personal track that’s ends up bigger than you initially expect.
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SOUNDS OF HERITAGE
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his Sunday Shir Madness, the first ever Sydney Jewish Music Festival, arrives at Bondi Beach with a huge array of music (40 bands across four stages no less) over 11 hours. Drum caught up with some of the acts and asked them where their world music inspirations come from. FourPlay String Quartet, Lara Goodridge: “The music we play is inspired by all parts of the globe, either places we have travelled or music that we have collected, listened to, learnt or played over the years as musicians. Our heritage also plays a part. Klezmer features in a couple of pieces and the nuances of klezmer and gypsy do creep into our music. We are all fans of both klezmer and gypsy music. We play an Indianthemed piece we call Bollyrock, just our homage to the incredible rhythms and scales of Indian music, with our spin on it of course! Will there be any surprises? Well, there are always surprises at a FourPlay show!” Deborah Conway: “I don’t tend to categorise music
into such definitive genres. In my brain I either like or don’t like something I’m listening to because of its essential qualities, melody, rhythm, lyric, the sound of the production, the ability of the musicians, the indefinable energy, honesty and authenticity of a piece. These things cut across all genres for me and really to be honest, the only reason to go beyond that is because I need to quantify a piece of music for someone else who hasn’t heard it. Other than that, I’m happy to rely on the above criteria to guide me through what I like or don’t like, what I draw inspiration from or never want to hear again. As far as Shir Madness goes, I think it will be a wonderful concert and who knows what surprises may be in store?” Adrian Deutsch: “I wouldn’t say I’m a world music expert. I like pop music and I’ve been getting interested in the great tradition of Jewish pop music, from George Gershwin to Bob Dylan. Lately, my writing has been exploring some interesting personal angles and it’s been linking up with strands
ADRIAN DEUTSCH of this great Jewish Pop tradition. So I would say it’s good timing I’m playing Shir Madness Festival.”
SECRET WARS Church On Chalmers 07/07/10 Selling out the first ever Secret Wars Australian grand final, there looks to be a lot of promise for the Australian arm of the live art battle series that originated in the UK. It was also the debut event for new venue, Church On Chalmers – a heritage protected church located in Surry Hills. The night was opened up by local hip hop band, The Trax featuring L-Fresh aka The Lion & The Wiz, who, incorporating a wide range of influences to back their social and political messages, appeared like something that Elefant Traks should already have their A&R on. Houl and Creon – the latter filling in for John Doe – then battled it out on the canvas for 90 minutes, using nothing but black ink. Houl opted for a heavy concept, gravestones of the artists he’d beaten in the heats with Creon represented as a Zombie, while Creon went an extensive, 3D sketch, its intentions only revealed late in the piece to avoid extensive parody from Houl – a trademark move that had got him this far. Voting from judges was tied, but the favourite, Houl, managed to grab the victory from the crowd decision, winning by .1 of a decibel. Scott Fitzsimons
PICS BY LUKE EATON twitter.com/drummedia
THE DRUM MEDIA 10 AUGUST 2010 •79 •
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ITUNES AUSTRALIA TOP 10 SONGS
1. Love The Way You Lie EMINEM & RIHANNA TAIO CRUZ 2. Dynamite 3. Club Can’t Handle Me (feat. David Guetta) FLO RIDA 4. Teenage Dream KATY PERRY 5. DJ Got Us Fallin’ In Love USHER 6. I Like It (feat. Pitbull) ENRIQUE IGLESIAS 7. Mine TAYLOR SWIFT 8. If I Had You ADAM LABERT 9. California Gurls (feat. Snoop Dogg) KATY PERRY 10. Billionaire (feat. Bruno Mars) TRAVIE MCCOY
MISDIRECTION What’s the title of your new EP and where did it come from? Stick Around. The band has faced substantial challenges over the past few years but we’re still ‘sticking around’ and are proud of what is no doubt our best and most ambitious work to date.
How many releases do you have now? This is our third release .inertia (EP, 2005), Cast No Shadows (album – 2008).
How long did it take to write/record? A 12-month period. [The songs] needed this time to grow and evolve and I’m glad we didn’t rush into the studio.
Was anything in particular inspiring you during the making? Misdirection had come to that ‘make or break’ stage where we knew we had to step up and deliver something special, which played a huge part in inspiring us.
What’s your favourite song on it? Each song is special in its own way. I’d have to say Rock Machine as it pumps really hard and showcases our upbeat approach to rock, which isn’t being done so much right now.
Will you be launching it? Friday – Lewisham Hotel (album launch) Saturday – Trash, Agincourt Hotel (say Misdirection for cheaper entry) For more info see: myspace.com/misdirectionisloud DRUM SAYS Fast paced, but still heavily melodic, rock.
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ARIA TOP 10 AUSTRALIAN ALBUMS
HUNGRY KIDS OF HUNGARY
HUNGRY FOR MORE SHOWS Hungry Kids of Hungary have been flat-out touring across both the US and UK in recent months, but they are finally back home and about to embark on their Shady Haze of Winter Tour. You can catch the band, supported by The Holidays and Kiwi up-and-comers Artisan Guns, at the Oxford Art Factory on Friday, and the Cambridge Hotel on Sunday.
Our EP was released in April and was a self-titled release. People didn’t know anything about us until we released the EP, now the word is spreading.
How long did it take to write/record? In some cases took all of a couple of minutes, others took weeks or months. The recording process was one that was orchestrated to a tee. Spending two weeks in seclusion, we really broke down each song and reconstructed it, building it up to what you hear on the EP.
What’s your favourite song on it? Skin And Bone. It was the easiest and quickest to write, and in my mind the most powerful as a whole.
Will you do anything differently next time? Even if money was no object, when you find a process that works, and you can hear the essence of the band in the sound then I don’t think you need to do things differently.
THINGS TO SAY The regular free Wednesday night at The Gaelic will be headlined by The Preachers this week, with The Black Paintings and Jess Chalker supporting.
SECRET’S OUT The Dirty Secrets are the next band to be headlining the Radar Radio-hosted Thursday night at The Gaelic. They’ll be joined be fellow promising acts, The Cracks and Bayonets For Legs.
FRESH WEEKENDS Leading the way this Saturday into The Gaelic will be Sydney-based pop rock outfit The Affairs, whilst Brendan Maclean and Sleepy Hands will be warming up the crowd.
READY TO GO The Initiation will be the love focal point for Trash this Saturday and the Agincourt Hotel, with Misdirection, 3 Stripe Avenue and Soapbox Summer also playing live. The night will also be the Senses Fail after-party, so you might just see some famous faces.
WOR STORIES
Sunday – Shir Madness, Bondi Pavilion For more info see: myspace.com/thepreachers DRUM SAYS: A real garage rock discourse, with plenty of soul – in all meanings of the word. • 80 • THE DRUM MEDIA 10 AUGUST 2010
Stand Straight, Straight Face
BLISS N ESO WASHINGTON BIRDS OF TOKYO KYLIE MINOGUE ANGUS & JULIA STONE THE TEMPER TRAP MELINDA SCHNEIDER PENDULUM THE CAT EMPIRE JOHN BUTLER TRIO
BILLBOARD USA TOP 10 ALBUMS
1. Nightmare AVENGED SEVENFOLD 2. Recovery EMINEM 3. Teflon Don RICK ROSS 4. My World 2.0 JUSTIN BIEBER DRAKE 5. Thanks Me Later 6. Kidz Bop 18 VARIOUS 7. Need You Now LADY ANTEBELLUM 8. 100 Miles From Memphis SHERYL CROW LADY GAGA 9. The Fame 10. Now 34 VARIOUS
DIRECT INTENTIONS Head to the Lewisham Hotel this Friday to catch The Presence live, with Queensland’s Misdirection, Withintent and The Thylacines rounding out the rest of the bill.
PRESENTS ALL WEEK As The Mac celebrates its sixth birthday all this month, residencies come in the form of The Liberators on Wednesday and Sketch The Rhyme Thursday, both from 9pm. This Thursday at midnight, Reyes De Le Onda has the stage, whilst pop-soul vocalist Amali Ward will be doing her thing on Friday from 8.30pm with the Darryl Beaton Band at midnight.
A LITTLE POP The Little Stevies will be headlining The Mac hotel this Saturday, showcasing their indie pop with the helping support of Lanie Lane.
The song is about change, being apprehensive of new things. I wrote it when I was finishing high school and trying to grapple with the thought of leaving.
How many releases do you have now? We have been playing together since we were at school. So, apart from one or two songs we have recorded here and there, [the EP] Noise And Haste is our debut release. We are enormously proud of it.
How long did it take to write/record? The bulk of the song spewed out of me one night, I remember talking it over with my Dad and getting some advice from him. It was one that stood out as being representative of our individualised sound.
What’s your favourite part of the song? The ending definitely, the song is done and all there is left to do is beat the fuck out of our instruments.
Do you play it differently live? For our live performance we arranged an introduction to the song, a build up that climaxes at the song’s energetic beginning.
Will you be launching it? Absolutely! Thursday – Spectrum, Hot Damn. For more info see: myspace.com/stonemasontheband DRUM SAYS: Female fronted pop-rock, but offering more than a lazy Paramore comparison.
justVISITING
ARTISAN GUNS Why are you coming to visit our fair country? To play good music for more people, of course! And to support your Hungry Kids of Hungary
Is this your first visit? No, this is our third visit, but it’s our largest tour in Australia to date. Last time we were here we played a songwriter’s conference and drew pictures of the speakers instead of learning. It was great.
Launching their EP, Origin Of Janken play Club Blink at the Agincourt Hotel this Friday. Art Of Wor and Turning Tide have scored the supports.
MARCHING IN
How long are you here for?
Western Sydney outfit Envy Parade headline Hot Damn’s Spectrum stage this Thursday, with The Miracle Is Now, The Never Ever and Stonemason. Naturally, there’ll be plenty of punk and party DJs once everything wraps up.
Three weeks, playing six shows across the east.
What do you know about Australia, in ten words or less? I’m tempted to say… Where the bloody hell are you?
TO THE WORLD
Any extra-curricular activities you hope to participate in?
Scout TV’s next live webcast from the Lewisham Hotel will witness The Monks Of Mellonwah and Remedy perform in front of the cameras. It happens on Thursday from 7pm.
Will you be launching it? Wednesday/Wednesday 18 – The Gaelic, residency
1. Running On Air 2. I Believe You Liar 3. Birds Of Tokyo 4. Aphrodite 5. Down The Way 6. Conditions 7. Melinda Does Doris 8. Immersion 9. Cinema 10. April Uprising
DOUBLE WHOPPER Saturday night in The Oxford Art factory’s Gallery Bar, catch Kandy Apples playing alongside Baba O’Riley. Entry to see these two independent Sydney acts is free of charge.
The South Parramatta UWS Campus will host their final for the National Campus Band Comp this Wednesday, with Tiger Temple and The Affairs two of the competing acts. The event kicks off at 7.30pm with the playing times decided on the night.
What’s the title of your new EP and where did it come from?
STONEMASON What’s the song about?
SOUNDS FROM SCHOOL
THE PREACHERS
singleFOCUS
, 1962, The that on 14 August DID YOU KNOW… er Brian Beatles and manag with then ey weren’t happy Epstein decided th st and sacked him. drummer Pete Be ve gone a t of work would ha bi tle lit a w ho , Oh se. long way in this ca
HIGH ROTATION WITH ZAKK WYLDE “I love the new Stone Temple [Pilots] man, the new Stone Temple stuff is slamming; Slash’s record is great. I usually listen to classic rock all the time, flamenco guitar, Neil Young, stuff like that’s different to what I’m doing with the heavy stuff.” Interview by Brendan Crabb
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I think we’ll drop into a real Aussie-looking bar, sit down in front of the rugby league, and try to fit in with the locals. How long will it be before we Kiwis are discovered, and can we get thrown out? Only time will tell… Better wear a Parramatta Roosters jersey to fit in. [Parra Roosters!? Heresy! Long live the Eels! – Ass. Ed]
What will you be taking home as a souvenir? Heaps of photos and home movies of us being irresponsible all over Australia!
Where can we come say hi, and buy you an Aussie beer? Friday – Oxford Art Factory
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AND IN OTHER NEWS… Here are Some Reasons Why Obama Should Pull The Plug On The Internet dokimos.org/ajff/ “Accept Jesus, Forever Forgiven!” If the seizure-inducing background isn’t enough to scare you off (fair chance it will be), there are plenty more that’ll do the job. There’s a link to a “Cyberchurch” on Second Life, a banner exchange service, certain links misleadingly diverting you to advertisements and… and what the fuck is that jaguar running backwards doing? lamestwebsite.com They got one thing right, this really is the lamest website. A single line of text stating, “This is the lamest site” and an email address: lamer@ lamestwebsite.com. Not only have you wasted our time and bandwidth on the page itself but it’s taken at least 60 seconds to truly express what a pointless website this really is. That said, would love to read some of the emails you get. americannaziparty.com See, now, in real life these loonies would be wandering aimlessly around, looking for friends. And really, what sort of political organisation makes you pay for their pamphlets? worldofwarcraft.com Any game that has the addictive qualities of heroin is fraught with danger. At least Doodle Jump gets so frustrating that you break your phone – there’s no end to this one. bebo.com Blog Early, Blog Often eh? Once fun for primary school kids, this is now what we like to call an “internet ghost town”. It took everything that killed MySpace, ignored everything that people liked about it and just ran with that. If you’re drunk and bored one night, maybe you should put in an offer to buy the domain name. Would be cheaper than sitting on a poker machine.
dstock , the infamous Woo 600 acre farm. With 400,000 69 19 , st gu Au 15 a that on in Bethel, on DID YOU KNOW… Festival was held Cocker, Jimi Hendrix, Joe ed ur at fe it t, en the ev eedence Clearwapeople attending ntana, The Who, Cr Sa g, un Yo & sh Crosby Stills Na aps more. ter Revival and he
BLACK FRIDAY Get yourself in theme this Black Friday and head to Purple Sneakers’ Black Friday Party in your goriest horror theme get-up – there are prizes for the best dressed! Guest DJing on the night will be The Holidays, fresh from an Oxford Art Factory set, along with the skills of Joyride, Josh Kelly, Retox, a sad farewell to SVU and a warm welcome-back to PhDJ. Things get freaky and creepy from 7pm.
AUDIO CHALM Tuesday nights at the Albion Hotel are Audiogasm, a showcase of up and coming Sydney bands. At Audiogasm this week you can catch Chalmers, 30Three and Modern Era, all for no cover charge. Music will kick off at 8pm.
ONE STOP Your Saturday night could be filled with live music, yet still enjoyed from the comfort of a sofa. How? Head to the Ravál at 8pm and see new Sydney band the Quiet Titans, followed by Mick Hart (solo set) and for the finale see the live talents of Katy Wren and her band. Tickets are on sale now at Moshtix.
GIANT
pair plan to wow audiences with their musical explorations. Tickets are available pre-sale for this evening, with doors at 6.30pm.
SHADES OF ORANGE
ZENNITH
Saturday night at The Vanguard become drawn into a web of striking gypsy-infused folk-tinged songs from Melbourne outfit Tinpan Orange. Supporting on the night will be guests Husky and Cilla Jane. Doors open at 6.30pm and tickets are available pre-sale or at the door.
Your music is…?
TRIBAL PARTY Wednesday night at The Oxford Art Factory for the official A Tribe Called Quest after-party, featuring the DJ skills of Q-Tip and Maseo (De La Soul). The party will be in the live art space at 11pm, and tickets are $30 pre-sale.
LIGHT AS A FEATHER This Thursday The Oxford Art Factory brings the blissful and accomplished sounds of Whitley to its live art space – on his last tour under that moniker. Supporting on the night will be Victorian band Seagull.
PHANTOM GALLERY
Hip hop, reggae.
Which acts inspired you to produce your own music and why? Mantaka, because they played original music, and our country.
What’s your wildest ambition for your music? To pack out Wembley Stadium in London.
Why should we come and see you? Because we won’t disappoint. The Zennith show not only takes you on a journey but gives you insight into who we truly are!
How do you find the local live scene? We are about to find out! And add a little more spice to it with the Zennith experience.
What’s your greatest rock’n’roll moment? Playing alongside Jeff Beck, Boney M, Buddy Guy and Wolfmother. Being chosen to play Bluesfest and Splendour is a highlight so far.
Wednesday night at 8pm catch local indie act I Am Giant in The Oxford Art Factory’s Gallery Bar. Admission is free.
Melbourne garage duo Fuzz Phantoms will be performing in The Oxford Art factory’s Gallery Bar this Thursday night. Music starts at 8pm and entry will be free of charge.
For more info see:
THE OLD GUARD
FASTER IS BETTER
Next available at:
There will be surprise or two in store this Friday at The Vanguard when Deborah Conway and Willy Zygier take to the stage. Celebrating the release of their latest album, Half Man Half Woman, the
Rapids continue their Oxford Art Factory residency this Friday in the Gallery Bar, with guests Step Panther joining the indie rock quartet. Show is free and commences at 8pm.
zennithboyz.com.au myspace.com/zennithboyz Thursday – The Annandale Hotel Friday – The Heritage Hotel Saturday – The Great Northern Hotel
13TH AUG, ANNANDALE HOTEL supporting Lowrider 9TH SEPT, THE BRASS MONKEY, CRONULLA 10TH SEPT, THE METRO SYDNEY with The Whitlams 11TH SEPT, HERITAGE HOTEL, BULLI
"...in a shoebox under the bed" AVAILABLE AUGUST 6TH IN ALL MUSIC STORES AND ON ITUNES
www.myspace.com/nicholasroymusic www.nicholasroy.com twitter.com/drummedia
THE DRUM MEDIA 10 AUGUST 2009 • 81•
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singleFOCUS
HUSKY Hundred Dollar Suit What’s the song about? It’s about memories and the way in which they can take over one’s life. There’s a kind of apocalyptic, almost religious atmosphere to the song.
How many releases to you have now? This our second single release from our forthcoming second album. We released our first single, Dark Sea, a few months ago.
How long did it take to write/record? It was one of those songs that is ready to come out, that’s just waiting for you to come across it, and once you do, it just flows out.
on the ley, was found dead es Pr vis El , ng Ki , 1977, the that on 16 August e ScienDying of heart DID YOU KNOW… nd Ginger Alden. the toilet reading Frank Adams’ Th rie rlf gi s hi by om ro on th ly floor of his ba failure, supposed assed in Memphis thousand fans am y irt Th e. tim e th himself. sus at tific Search For Je eye out for the man an g in ep ke ly nt ree appare y in 1997, one in th for the anniversar
ESSENTIAL VIEWING FIVE STAR PRISON CELL I Curse This Vessel It’s good to see a government grant being put to work, and Victorian metal outfit Five Star Prison Cell have certainly done that. After recently releasing their Matriarch album, they’ve toured extensively and really generated a national profile. The video’s very low budget, but despite being shot entirely within a studio and without too much animation from the members, is cleverly cut and does what it needs to do – showcases the track and adds a dimension beyond the usual recording.
DRESSED UP
WRITE SONG AND SING
Melbourne’s Husky will be launching their new single, Hundred Dollar Suit, this weekend at a number of venues. Kicking things off at Ravál this Friday they’ll be joined by Rainbow Chan and Jack Carty.
Thom Crawford, Bridezilla’s Daisy M. Tulley, Chris O’Neill and Cigany will all be performing at the Sandringham Hotel this Friday in a night of some of the city’s most talented singer/songwriters.
FOLLOWING PAUL Much loved Australian singer/songwriter Paul Greene will be performing at Vault 146 this Friday, while on Saturday it’s the turn of blues guitarist Ross Ward and Sunday Brett Hunt, who’s recently back from a European tour.
FULL OF LOCALS This Thursday, Bud Petal headline the Sandringham’s superb new band room with Jack Cowell & The Owls, Post Paint and James Edgar Francis also lending their talents to the night’s proceedings.
Shot and edited by Will Gaffney vimeo.com/13721679
Was anything in particular inspiring you during the making? I was having wild, vivid dreams about my past. I have been throughout the recording of the whole album. I was also reading The Great Gatsby, which I first read when I was 16.
HARDCORE ALL OVER Perth hardcore favourites Extortion are in town this week on their first headline tour since their record, Loose Screws, was released in January. They’re bringing I Exist and Sxwzd with them, playing the ANU Bar Friday with 4 Dead, the Sandringham Hotel Saturday with Deathcage and the Loft Youth Centre Sunday with Taipan.
VOCAL SPARKS Vocalist extraordinaire Tanya Sparke has pride of place at Ravál this Thursday, with Lucy Hall performing as her support.
What’s your favourite part of the song?
ACROSS
The bridge; the song opens up and takes you, all of a sudden, to a very different place.
2 If Friday, this week, had a colour, what would it be?
Do you play it differently live?
6 What was the name of the first Eels album released this year?
It’s slightly different every time we play it live, which is part of the beauty of live music. The element of surprise and unpredictability…
7 Wyclef Jean is running for the presidency of which country?
Will you be launching it?
9 Which Sydney band is headlining Metalfest this Saturday at the Lewisham Hotel?
Friday – Ravál For more info see: myspace.com/huskysongs
10 In which Berlin studios did Clare Bowditch record her fourth album, Modern Day Addiction?
DRUM SAYS: Indie with pop elements, but maintaining tense and honest qualities.
DOWN 1 They’re top of the bill for 2011’s Soundwave. And on our cover.
WE THOUGHT WE KNEW ROCK
4 The band Glide are celebrating how many years together at the Annandale Hotel this Saturday? 5 British singer/songwriter, whose side project is called The Receders. 8 Bam Magera is coming to Australia next week to party with which band?
LAST WEEK’S CROSSWORD ANSWERS 1. Converge 2. Pixies 3. The Cops 4. St James 5. The Suburbs 6. The Legacy 7. Kings Of Leon 8. Basement Birds 9. Jethro Tull 10. Vegas
sydney rolLer derby league & drum media presents
BOUT 5 WRAp up
held on 7th August 2010 @ Hordern Pavilion
screaming assault sirens vs the d’viants next bout tickets on sale now
final score Screaming AsSault Sirens 146 The D’viants 89
highest scoring jam 15 points by SpeEd Demon (Screaming AsSault Sirens) making her debut
players ejected N/A
bigGest hit of the night Mad Snatch (D’Viants) bringing down Lil Whipit (Screaming AsSault Sirens)
www.sydneyrollerderby.com • 82 • THE DRUM MEDIA 10 AUGUST 2009
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PHOTOS: MELANIE BIRT
But it seems we weren’t as learned as we thought. In last week’s Mid-Year Education Feature we listed The Rock College incorrectly. Located on Bayswater Rd in Kings Cross, they offer a two-day foundation course in a working, and world class, Sydney studio, which will give you real insight into what happens in a studio and what it’s like to work to realistic deadlines. Courses are held only one weekend per month and your teachers prefer to meet in person before you enrol, so head over to therockcollege.com for more info. Be right back, checking ourselves in.
3 Cuban band playing the Opera House this Sunday?
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GONE FISIN’ Thrivladi, Tenpenny Towers, The Convicts and Green Zephyr will be playing Manly Fisho’s this Friday, and on Saturday Stimulust, The Patriarchs and We Built To Tomorrow get their chance. Both shows start at 8pm with a $10 entry fee.
DOWN BY THE WALL Kris Spence will be entertaining music lovers at The Wall this Friday as the headline act with Jess Machamer, Bella Wellsmore, Lana De Angelis and Becky Shepard also due to take to the stage.
LOVE THE LIE Iguana Bar will host Lyyar, Sooners, I Dream In Transit and Chumbucket this Thursday, with doors opening at 8pm. Entry’s only $10.
DARREN HANLON
GIG OF THE WEEK
FINAL SHAKE DOWN
YOU WILL LOVE TOO
Finish the week off in style tgus Sunday at the Excelsior Hotel Surry Hills with Carrie Phillis & The Downtown 3 kicking things off. Then Los Chicos (from Spain) will be completing their farewell show before they head off the Melbourne and The Tombstone Ramblers will headline the night.
Renowned word and song smith Darren Hanlon is launching his new album, I Will Love You At All, by way of the road this week, arriving at The Armidale Club Wednesday, Newcastle’s Gallipoli Legions Thursday, The Factory Theatre Friday, Canberra’s Tilley’s Saturday and The Clarendon Guesthouse Sunday. That’s all for this week, but he’ll be back next!
GOD’S CALL To her mum she’s Catherine Kelleher, a 23 year old pop musician who likes to play with electronics, but to the rest of us Catcall is one of the more promising artists fron the Sydney scene today. After cutting her teeth in the wildly underappreciated Kiosk, she’s now doing the solo thing and as she puts the finishing touches on her debut album, will headline the recently re-opened GoodGod club this Saturday. Alpine, Toni Toni Lee, Jimmy Sing and Coutn Doyle have the supports.
A GLIM FEELING Fresh from the studio and work on their debut album, The Glimmer will be supporting Murder Of Crow at the Newtown RSL this Friday. The bill’s filled out by Garry David and Ben Aylward.
LOOK THE PART Hanna & The Barbers will be headlining 505 this Friday, with bandleader Mick Hanna ready to ensure that his band are looking suitable for the occasion. Polyminor, a local world trio, are supporting with the gypsy/rock-opera leaning The Barbers.
BUILD IT UP Our Last Enemy continue their album launch tour this month, in honour of Fallen Empires, which was recorded by Christian Olde Wolbers and hits stores Friday 10 Septmber. This Friday they’re way out west at the Hotel Orange, but closer to home Wollongong’s CBD Bar Saturday.
A WILD RUN Ozi Batla’s on the road this week in support of his solo record Wild Colonial, hitting the Harp Hotel Wollongong on Thursday and the Hotel Gearin on Friday.
GRINNERS ARE WINNERS Heroes of the Australian rock scene, Grinspoon are out and about this week again, playing Waves on Friday and the Entrance Leagues Club on Sunday.
DON’T SAY THERE’S NOTHING ON YourSpace at The Town Hall Hotel in Newtown happens once again this Wednesday, a great mid week chance to catch emerging acts and jump up on stage yourself if you’re keen. The Falling Rocks, Jimbo Jagger Stones Tribute Band, Feick’s Device, Fiona Magee, Rachel Lin, John Van Rossen, Simon Li and James Raxworthy are billed to perform.
IT’S ALL NEW The Newtown News Music festival is taking over Shush in Newtown for two nights of action this Friday and Saturday. Showcasing some of the inner west’s top prospects, Lovers Jump Creek will headline the Friday night, with Another Minute Past Midnight, The Jones Rival, She’s The Morning And The Night, The Aldrins while Saturday has Jukebox Zombies, Mending Melissa, Satellite, Aluminize, Birds Of A Feather, The Able Archers and more.
GET YOUR SHIT IN ATTN: Local bands! If you have a gig or release in the pipeline that you want to promote, send the details, blurb (no longer than 100 words) and pic (no bigger than 1MB, NO SMALLER THAN 200 DPI and in .JPG or .PDF format) to live@drummedia. com.au. Get in quick, it’s fuckin’ FREE!
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THE DRUM MEDIA 10 AUGUST 2009 • 83 •
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10 - 16 AUGUST 2010A
TUE 10
AMAZING ENTERTAINMENT KARAOKE: Penrith Htl ANDY MAMMERS: Opera Bar BRET EASTON ELLIS, MODELS: Oxford Art Factory, Live Art Space CHARMERS, 30THREE, MODERN ERA: Albion Htl DAVE WHITE EXPERIENCE: Coogee Bay Htl DAVIDIA, DEE DONOVAN, GROOVE WORKS, MIKE MATHIESON: The Cube, Campbelltown FINN: Royal Htl Leichhardt Genevieve, ANTHONY MCKEON, MARISA MARS: Beach Rd Htl Bondi JAMES MULLER TRIO: 505, 280 Cleveland St Surry Hills JAMES VALENTINE’S SUPPER CLUB: Golden Sheaf John Hill: Dee Why RSL PETER HEAD: Harbourview Htl PHIL SPILLER: Artichoke Café Manly Pop Panic: World Bar Kings X ROB HENRY: Observer Htl RUSHCUTTER: Cafe Lounge, Surry Hills SOUP: Excelsior Surry Hills
STEVE TONGE: O’Malleys Kings X THE DINGOES: Brass Monkey THEY CALL ME BRUCE: Maloney’s Hotel
WED 11
2 WAY SPLIT: Orient Htl A TRIBE CALLED QUEST: Hordern Pavilion AMY MEREDITH, THE SNOWDROPPERS, TIM & Jean: Campbelltown RSL ANDY MAMMERS DUO, MANDI JARRY: Dee Why Hotel CATCH 22: 3 Wise Monkeys D STEADY: Queens Wharf Brewery Newcastle - Upstairs DAVE WHITE DUO: Maloney’s Hotel DICK & CHRISTA HUGHES: The Basement ELECTRIC EMPIRES: Notes, Newtown GREG BURNS: Marlborough Htl HIT AND MISS: Jack’s Bar JINJA SAFARI: Great Northern Byron Bay JP DUO: O’Malleys Kings X LAURA IMBRUGLIA, THE EXILES: Excelsior Surry Hills LET ME DOWN JUNGLEMAN GENTLY, HIRA HIRA, INTENTIONS: Sandringham Htl LOS CHICOS: Phoenix Bar ACT LUCY SASSOON: Dee Why RSL MARTY STEWART:
GRINSPOON: FRIDAY 13, WAVES, SATURDAY 14 REVESBY WORKERS Rocksia Hotel, Arncliffe MIKE BENNETT: Observer Htl MUSOS CLUB JAM NIGHT: Bald Faced Stag NAME DROPPER: Spectrum NEONTONICS: Annandale Htl PARADES, THE LAURELS, RUSHCUTTER: Beach Rd Htl Bondi PETER HEAD: Harbourview Htl PETER NORTHCOTE, DARRYL BEATON BAND: CIVIC UNDERGROUND REASTON KAY EFFECT: 505, 280 Cleveland St Surry Hills RUSHCUTTER: The Beach Road Hotel SONGSALIVE, Shining Whits, GAVIN FITZGERALD, EVE GOONAN, RUSSELL NEAL: Coach & Horses Hotel, Randwick THE BELLE CURVE: The View Factory, Newcastle THE DINGOES: Clarendon Guest House THE FALLS, MCARTNEY, RUSSELL CRAWFORD: Hotel Hollywood THE MAGIC FOUNTAIN: The Northern Hotel Byron Bay THE SLOWDOWNS: Sandringham Htl downstairs THE SMITH: Artichoke Café Manly THE WALL, SURECUT KIDS, 16 TACOS, NICK YORK, JC FUNKDAFIED, SPLITTER: World Bar Kings X THEY CALL ME BRUCE: Coogee Bay Htl TRIVIA: Vineyard Htl WHITLEY: Cambridge Htl Newcastle
THU 12
505’s Latin Night!Marsala: 505, 280 Cleveland St Surry Hills AMAZING ENTERTAINMENT KARAOKE: Penrith Htl AMY MEREDITH, THE SNOWDROPPERS: Castle Hill RSL ANDY MAMMERS: Harbord Beach Htl BRENT PARLANE: Canterbury Hurlstone Park RSL CAMBO: O’Malleys Kings X CLUB HAVANA: Mean Fiddler Htl DAVID AGIUS: PJ Gallaghers Parramatta DI SOLOMON: Club Five Dock DIRTY SECRETS: • 84 • THE DRUM MEDIA 10 AUGUST 2010
The Gaelic DUSTY THE CONCERT: Bankstown District Sports Club ELECTRIC HORSE, HELM: Tatts Hotel, Lismore FUZZ PHANTOMS: Oxford Art Factory, Gallery GREG BRYNE: Northies Cronulla HtlSport Bar HOT DAMN!: Spectrum JACK LADDER: Beach Rd Htl Bondi JAZZ FACTORY: The View Factory, Newcastle JEFF DUFF, DAMIEN LOVELOCK, FLOYD VINCENT, TANIA MURRAY, REX GOH, STEVE BULL, LLOYD G, CLARE O’MEARA: The Basement LEONE CARMEN, ED CLAYTON JONES: Excelsior Surry Hills LIONEL ROBINSON: Dee Why RSL Lloyd Spiegel, ARUNACHALA: Clarendon Guest House LOS CHICOS, JOHNNY CASINO & THE SECRETS: Old Manly Boatshed LOW RIDER, NICHOLAS ROY: Queens Wharf Brewery Newcastle LOWRIDER: Queens Wharf Brewery Newcastle - Upstairs LYYAR, SOONERS, I DREAM IN TRANSIT, CHUM BUCKET: Iguana Bar Kings X MARK DA COSTA, DAN SPILLANE: Orient Htl MARK HOPPER: Artichoke Café Manly MICHAEL MCGLYNN: Greengate Htl MIDNIGHT KAMIKAZE WEEKLY BAND NIGHT, LUMIERE, KITTEN DEATH: Hostage X, Wollongong MUSOS CLUB JAM NIGHT: Carousel Inn Rooty Hill RECKLESS: Gymea Bay Hotel ROSS WARD: gj’s Coffee Lounge ROYAL CHANT: Armidale Club RUSHCUTTER: Candys Apartment SALSA ON THE ROCKS: Cruise Bar, The Rocks SAM & JAMIE BAND: Maloney’s Hotel SCOT FINNIE: Ivy, Sydney SCOTT DONALDSON: Campbelltown Catholic Club - Caf‚ Samba SINGLED OUT: 3 Wise Monkeys SONGSALIVE, UNDER THE PURPLE TREE, TIM JONES: Henry Lawson Club SONGSALIVE, DENNIS AUBREY: Newtown RSL
SONGSALIVE, MEN WITH DAY JOBS, ANDREW DENNISTON: Pittwater RSL SONGSALIVE, MATTHEW FLOOD, HAZEL EYES THE DEVIL, TAOS: Red Lion Htl SOUNDS LIKE TWO: Coogee Bay Htl STEVE EDMONDS BAND: Empire of Annandale Hotel STEVE TONGE: Observer Htl TEENAGE KICKS, TOM LIBERTINE, JOHNNY SEGMENT, EL MARIACHI, URBY: World Bar Kings X THE DINGOES: Lizottes, Newcastle TOMMEE, AFRO MOSES: Notes, Newtown WHITLEY, SEAGULL: Oxford Art Factory, Live Art Space ZENNITH: Annandale Htl
FRI 13
2 MINDS: Hornsby RSL 3OH!3, TONIGHT ALIVE, OUR HERO: Roundhouse Kensington ACHTUNG BABY-U2 SHOW: Bull & Bush ALEX: Wentworthville Leagues A-LIVE: Vineyard Htl ALMOST FAMOUS: 3 Wise Monkeys Andy Mammers Trio: Ettamogah Htl ANOTHER BROKEN STRING, BARE GRILLZ, 69 RHYSONS, CAVERNS, SPEW YA GUTS UP, CONTROL DISORDER: Loft Youth Venue Newcastle ARMCHAIR TRAVELLERS DUO: CLUB RIVERS BACK TO FRONT DUO: Mosman RSL BEN FINN: PJ Gallaghers Drummoyne BENN GUNN: Chatswood RSL BIG BEN DUO: Rocksia Hotel, Arncliffe BIG SHOTS DEULLING PIANO SHOW: Club Five Dock BIG WAY OUT: Western Suburbs Leagues Club BLACK DIAMOND HEART CLUB, DANIEL LISSING DUO: Crows Nest Htl BLACK FRIDAY PARTY: Oatley Hotel BRENT PARLANE, PAT DRUMMOND: Clarendon Guest House
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BRYEN WILLEMS: Riverstone Memorial Club CHRISTIAN DEATH, FAMILIA, BRIGETTE HANDLEY & THE DARK SHADOWS: Gaelic Club CLIVE HAY: Hills District Bowling Club COUGAR DUO: Royal Exchange Htl Windsor D STEADY, BACK BEAT: Queens Wharf Brewery Newcastle - Upstairs DAVE TAVENDER: Club Umina DAVE WHITE: Greengate Htl DAVID AGIUS: Macquarie Htl, Liverpool DAVID ROVICS, THE LURKERS: Harp Htl DENNIS DEMELLO: Oasis on Beamish DIRTY DEEDS - AC/DC SHOW: Penrith Htl DOLLSHAY: Albion Htl DUSTY THE CONCERT: Blacktown Workers EXTORTION, I EXIST, SXWZD, 4 DEAD: ANU Bar ACT FLAMIN’ BEAUTIES: Home Htl, Wagga FUZZ PHANTOMS, CITY CALM DOWN, SLEEPYHANDS, MOTHER & FATHER, CORPUS, GLASS TOWERS: Mum @ The World Bar FUZZ PHANTOMS: World Bar Kings X GEMININE: Excelsior Surry Hills GLENN CUNNINGHAM TRIO: Kirribilli Htl GRINSPOON, AMY MEREDITH, THE SNOWDROPPERS: Waves Nightclub Towradgi GTS: Blacktown RSL HAPPY HIPPIES: Chamberlain Htl Heatwave: Penrith Gaels HENDRIX, JOPLIN, SIMONE DEE TRIO: Dee Why RSL HUNGRY KIDS OF HUNGARY: Oxford Art Factory, Live Art Space HUSKY: Raval I Am The Agent: Cambridge Htl Newcastle IAN MOSS: Lizottes, Newcastle IDOL KARAOKE: Carousel Inn Rooty Hill INTIMATE LOUNGE MUSIC: Fairfield RSL, Supper Club JAMM ZONE: Crown Htl Sydney JED ZARB: PJ Gallaghers Parramatta JEFF MARTIN, TEREPAI RICHMOND: Notes, Newtown JESSE: Matraville Htl
Johnny Vinyl, STRIKE: Cruise Bar, The Rocks KARAOKE: Gosford RSL KID RAMBLE: Mill Hill Htl KIRK BURGESS: Kro Bar, East Leagues Club, Bondi Junction LAWRENCE BAKER: Novotel - Brewery Bar, Olympic Park Liquid Sky, Itchy & Scratchy, CUNNING PANTS, D.U.I, KYRO, WIZZFIZZKIDS, OH GLAM!: Candys Apartment LJ: Panthers, Richmond LOS CHICOS, JOHNNY CASINO & THE SECRETS: Mojo Records, York Street Sydney LOVERS JUMP CREEK, ANOTHER MINUTE PAST MIDNIGHT, THE JONES RIVAL, SHE’S THE MORNING & THE NIGHT, THE ALDRINS, AND MANY MORE: SHUSH, Newtown LOWRIDER, THE MELODICS, NICHOLAS ROY, EMPIRES: Annandale Htl LUKE DIXON: Collingwood Htl MAD COW: Campbelltown Catholic Club MARK HANNA, HOBO BORDEAUX: 505, 280 Cleveland St Surry Hills MATT JONES: Miranda Htl MATT PRICE DUO: Penrith Panthers, Fluid Bar MATT SAXON: Queens Wharf Brewery Newcastle MICK BUCKLEY: Canterbury Hurlstone Park RSL MISDIRECTION, THE PRESENCE, Withintent, THYLACINE: Lewisham Livehouse MISSION JONES: Engadine RSL MUDDY FEET: Brewhouse Pub St Marys MURDER OF CROWS, THE GLIMMER, GARRY DAVID, BEN AYLWARD: Newtown RSL MYSTERY GUEST: Coogee Bay Htl New Millenium Karaoke: Auburn Htl NITE SHIFT: Sharkies OZI BATLA: Hotel Gearin, Katoomba PANORAMA: Marlborough Htl PAUL GREENE: The Vault 146 PAUL SUN, ALEX COMPTON, MONIQUE LYSIAK: Arthouse Htl PETER HEAD: Harbourview Htl PETER NORTHCOTE, DARRYL BEATON BAND: The Mac PETER NORTHCOTE, BARRY LEEF: Unity Hall Htl PHIL SPILLER: Artichoke Café Manly PIANOMAN: Cruise Restaurant PLUTO JONZ, ERNEST ELLIS, PAPER SCISSORS: Spectrum PURPLE SNEAKERS, BEN LUCID, JOYRIDE, Josh Kelly, Retox: Gladstone Htl RADIO BANDITS:
East Leagues RAPIDS, STEP PANTHER: Oxford Art Factory, Gallery RAPTURE: Customs House Sydney REBECCA JOHNSON BAND: Woy Woy Leagues ROB HENRY: Harbord Beach Htl ROCK MY SOUL: Penrith RSL, Castle Lounge Rolling Stoned: Engadine Family Tavern ROSS WARD: CLUB CRONULLA ROSS WILSON: Cronulla Sharks RUSHCUTTER: Ivanhoe Manly SAM & JAMIE BAND: Woolloomooloo Bay Htl SCOTT: Quakers Inn SHANE HOWARD BAND: John Linguard Hall, Canberra Grammar School SHANNON NOLL: Penrith RSL, Showroom SHELDON DAVIES: Caves Beachside Hotel SONGSALIVE, MATT GERBER, ANDREW DENNISTON, RUSSELL NEAL: Casa Di Musica SONS OF MERCURY: Jewells Tavern, Jewells, Central Coast STEVE EDMONDS BAND: Schuss Bar, Thredbo Alpine Hotel STEVE EDMONDS BAND: Thredbo Resort STEVE TONGE: Parramatta RSL SURECUT KIDS, ISHU (MELB), MIKE WHO, ABILITY: Beach Rd Htl Bondi SUSAN GAI DOWLING DUO: Jazushi Restaurant Surry Hills TERRY BATU: Bidwell Hotel THE AUSTRALIAN KILLERS SHOW: Heathcote Hotel THE AUSTRALIAN PINK SHOW: Hawkesbury Htl THE DINGOES: The Basement THE LITTLE STEVIES, JIMMY BRAZIL: The View Factory, Newcastle THE SUNDOWNERS: The Bank Hotel, Newtown THE THINGOS, PAUL HAYWARD, LISA MCINTOSH, KYLIE ADAMS: Town & Country, St Peters THE ZIPS: The Point Bowling Club TIM SHAW: Revesby Workers, Skyline Lounge TOM & DAVE SHOW: Hillside Htl Castle Hill WILD ON WOODSTOCK: Castle Hill RSL WILDCATZ: Maroubra RSL ZENNITH: Bulli Heritage Hotel ZOLTAN: Town Hall Htl Balmain
SAT 14
2 OF HEARTS: Camden Valley Golf Resort 4TH WALL CITY, THE VANGARDE, LAST CREDIT: Bald Faced Stag A TRIBUTE TO JOHNNY CASH:, STUART FRENCH, DANIEL THOMPSON: Notes, Newtown A.G.T: Queens Wharf Brewery Newcastle - Upstairs ACHTUNG BABY-U2 SHOW: Dicey Rileys
THE DRUM MEDIA 10 AUGUST 2010 • 85 •
gigs@drummedia.com.au
10 - 16 AUGUST 2010 AFTER PARTY BAND: Penrith RSL, Castle Lounge ALEX: The Belvedere Htl ALLY B, MICK JONES: Queens Wharf Brewery Newcastle AMBERDEEN: Roxbury Htl Glebe ANDY MAMMERS BAND: Crows Nest Htl ANNA SALLEH’S BOSSA BOOTS: Park Hyatt Sydney ARMCHAIR TRAVELLERS DUO: Miranda RSL BACK TO THE 80’S: Epping Htl BEATNIX: Campbelltown RSL BEN FINN: Northies Cronulla HtlSport Bar BILLY & I, JEFF DUFF TRIO: Dee Why RSL BLACK DIAMOND HEART CLUB: Golden Sheaf BLACK LABEL: Raby Tavern, Raby BLISS BOMBS: Kellys on King Newtown BLOW: Blacktown RSL BLUE MOON QUARTET: Fairfield RSL BLUEBIRDZ OF HAPPINESS: Town & Country, St Peters BUDDY BROWNSTONE: Artichoke Café Manly CASA, THE JACKET: Cruise Bar, The Rocks CHOIRBOYS: Metro CHRIS ORCHARD: Crown Htl Sydney CREEDENCE & BEYOND: Davistown RSL DAMIEN LEITH: Lizottes, Kincumber DARKER HALF, KILLRAZER, DEAD LETTER OPENER, AETURNUS DOMINION, METAL, NORSE, COROTTED, OSMIUM GRID, CELEPHAI: Lewisham Htl DAVE STEVENS, ROB HENRY: Observer Htl DAVE WHITE: Woolloomooloo Bay Htl DAVID AGIUS: PJ Gallaghers Drummoyne DES GIBSON: Lansvale Htl DIRTY DEEDS - AC/ DC SHOW: Oatley Hotel
DISCO DISCO feat.: Candys Apartment DOLLSHAY: Club Grandview, Peakhurst DORA D TRIO: Maloney’s Hotel DOUBLE TROUBLE: St George Motor Boat Club DREW MCALISTER: Novotel - Brewery Bar, Olympic Park DUSTY THE CONCERT: Harbord Diggers EELS: Enmore Theatre EXTORTION, I EXIST, SXWZD, HAD IT: Sandringham Htl FAITH OR FATALITY, STAND FOR FALLEN, TO THE GRAVE, LET MY PEOPLE GO, SECTOR SIXTEEN, REMAINS THE DAY: Lucky Australian Tavern Sydney FIXX8: East Leagues GLIDE, TOBY MARTIN: Annandale Htl Grandmastermonk: Town Hall Htl, Newtown GRINSPOON, AMY MEREDITH, THE SNOWDROPPERS: Revesby Workers, Whitlam Theatre GTS: Regents Park Sporting & Community Club HEATH BURDELL: Clovelly Htl HORACE PINKER, THE OPTIONALS, NOT OK: Excelsior Surry Hills HUNGRY KIDS OF HUNGARY, THE HOLIDAYS, ARTISAN GUNS: Cambridge Htl Newcastle HUORATRON, REDIAL, NADISKO, SMACKTOWN, WHY NOT, OBEY, RA: Oxford Art Factory, Live Art Space ILLAWARRA FOLK CLUB CONCERT, DAVID ROVICS, BRENT PARLANE: City Diggers Wollongong ISLAND: Kyeemagh RSL Club JAZZ NOUVEAU: Fairfield RSL, Supper Club JJ DUO: Courthouse Htl Jukebox Zombies, MENDING MELISSA, Satellite, ALUMINIZE, THE ABLE ARCHES: SHUSH, Newtown KATY WREN, MICK HART: Raval LANIE LANE: The Mac LATIN COMPANY: Grand Htl Rockdale LAWRENCE BAKER: Sir Joseph Banks Hotel LJ: Pittwater RSL
THE DINGOES:FRIDAY 13, THE BASEMENT Lloyd Spiegel, ADAM MILLER: The View Factory, Newcastle LOS CHICOS, JOHNNY CASINO & THE SECRETS, THE CRUSADERS, THE DUNHILL BLUES: Harbour Cruise LUKE DIXON: Greengate Htl M SQUARED: Winmalee Tavern MARK BISHOP: Crown Htl Camden MARK TRAVERS: PJ Gallaghers Parramatta MATT BOURNE, CHRIS STEWART: St Masonic Club, Peakhurst MATT JONES DUO: Harbord Beach Htl MATT PRICE: Woolwich Peir Hotel MICK BUCKLEY: Brighton RSL MIKE WHITNEY BAND: Bayview Tavern MOTO SOUL, HELEN JAMES, LUCY DESOTTO, COL WATSONS SWINGING LITTLE GUITAR BAND: Marrickville Bowling Club NGARIKI: Caves Beachside Hotel NIGHT SHIFT: Bull & Bush OPEN MIC NIGHT: Fitzroy Htl Windsor OUR LAST ENEMY: CBD Sports Bar Wollongong OUTLIER: Coogee Bay Htl PAUL SUN, TIM BROSNAN, DIDI MUDIGDO: Riverside Girls High School PEACHY: Mounties Club Mt Pritchard PIANOMAN: Cruise Restaurant
Rebel Rousers: Gosford RSL RECKLESS: Ettamogah Htl ROB GROSSER: Mount Druitt Workers Club ROB HENRY: Waterworks Htl, Botany ROSS WARD: Vault 146, Windsor ROSS WILSON: The Basement SENSES FAIL, THE MISSION IN MOTION: Factory Theatre SEVEN YEAR ITCH: Carousel Inn Rooty Hill SHANNON NOLL: Sussex Inlet Tavern SIRENS BIG BAND: 505, 280 Cleveland St Surry Hills SKYLINE LOUNGE: Revesby Workers, Skyline Lounge SONGSALIVE, PHIL COLE, RUSSELL NEAL: Grumpy’s, Hurlstone Park SOUNDS LIKE TWO: Taren Point Htl SOUNDSTREAM: Ryde Eastwood Leagues Club SPANK: Town Hall Htl Balmain STAV (BLUEJUICE): King St Htl Newcastle STEPPIN’ OUT: Penrith Gaels STEVE EDMONDS BAND: Schuss Bar, Thredbo Alpine Hotel STEVE EDMONDS BAND: Thredbo Resort STORM CELLER: Pendle Inn SUVI: Picton Htl TERRY BATU: Jack Duggins, Bathurst THE ANTHILL MOBB: Penrith Panthers THE DINGOES: Bridge Htl Rozelle THE KANDY APPLES: Oxford Art Factory, Gallery THE MIGHTY KINGSNAKES: Jewells Tavern, Jewells,
Central Coast THE NEVILLES: 3 Wise Monkeys THE POD BROTHERS: Sydney Rowing Club THE SONGSMITH TRIO: Kirribilli Htl THE ZIPS: Toukley RSL THY ART IS MURDER: Picton Bridge 54 TINPAN ORANGE: The Vanguard TONE RANGERS: Riverwood Inn TRASH, MISDIRECTION, MY FUTURE LIES, THE INITIATION, 3 STRIPE AVE: Agincourt Htl TWO MINDS TRIO: Mercantile Htl VELVET HOTEL: Canterbury Hurlstone Park RSL WE ARE LIARS, GARDEN GNOME REVENGE: Spectrum WHAM!, KID KENOBI, BASS KLEPH, MDX, JAMES TAYLOR N MC SHURESHOCK, BEN MORRIS, KATO, ILLYA, LEVINS: World Bar Kings X WILD ON WOODSTOCK: The Cube, Campbelltown YUKI KUMAGAI, JOHN MACKIE, TONY BURKYS, PAUL FURNISS, ALAN GILBERT: Penrith RSL ZENNITH: Great Northern Hotel ZOLTAN: Club Menai
SUN 15
ACE KARAOKE: Brighton RSL Acoustic Set, MATT BOURNE: Oatley Hotel
Level 7 Studios Have you ever dreamed you could record in an historic studio used by icons such as Bowie, Prince, Dylan, and The Easybeats?
Well now you can, and you won’t believe our prices! Complete packages available www.level7studios.com.au info@benchmarkmastering.com (02) 9211 3017 • 86• THE DRUM MEDIA 10 AUGUST 2010
ALISON PENNEY: Dee Why RSL ANDY MAMMERS DUO: Northies Cronulla HtlSport Bar ANTOINE: O’Malleys Kings X BENN GUNN: Miranda Htl BLUES SUNDAYS: Artichoke Café Manly BRENT PARLANE, PAT DRUMMOND: Harp Htl BRET HUNT: The Vault 146 CHRIS JAMES: Collingwood Htl CLIVE HAY: Campbelltown Catholic Club - Caf‚ Samba D STEADY, ULES: Queens Wharf Brewery Newcastle - Upstairs DAMIEN LEITH: Lizottes, Newcastle DAVE WHITE DUO: Northies Cronulla Htl DAVID AGIUS DUO: Penrith Panthers, Fluid Bar DUSTY THE CONCERT: Hornsby RSL EXTORTION, I EXIST, SXWZD, TAIPAN: Loft Youth Venue Newcastle FINN: Home Htl, Wagga FORTUNE, DISCO PUNX DJ’S: World Bar Kings X FUNKSTAR: 3 Wise Monkeys GREG BRYCE: Caves Beachside Hotel JJ DUO: Gymea Bay Hotel JON STEVENS: Sydney Opera House JOYCE COLLINS: The Belvedere Htl KID RAMBLE: Moorebank Htl KIRK BURGESS: Rosehill Htl LANIE LANE: Fringe Bar Paddington Lloyd Spiegel, ARU-
NACHALA: Raval LOS CHICOS, CARRIE PHILLIS & THE DOWNTOWN THREE, THE TOMBSTONE RAMBLERS: Excelsior Surry Hills LOS VAN VAN, LATIN BLOCK PARTY: Concert Hall, Syd Opera House MANDI JARRY: Woolloomooloo Bay Htl MATT SAXON, SURI K, ZOE HARKER: Queens Wharf Brewery Newcastle ME N IM: Hurstville RSL Club MICK AQUILINA: Campbelltown Catholic Club MIKE BENNETT, ROB HENRY, CAMBO: Observer Htl MILEAN, BRUCE BONGERS: Botany View Htl PANORAMA: Scruffy Murphys PETER NORTHCOTE, ASH KING: Bridge Htl Rozelle REBECCA HANCOCK & THE PRISON WIVES, BRENDAN GALLAGHER: Waverley Bowling Club ROCKIN MUSTANGS: Marrickville Bowling Club ROSS WILSON: Waves Nightclub Towradgi RUSSELL NELSON: Coogee Bay Htl SAMBA FRIENDS: Beach Rd Htl Bondi SANDO GANG BANG, LOCAL MUSOS JAM: Sandringham Htl SCREAMING SUNDAY: Annandale Htl SKARRAT, WATTS: Macquarie Arms Htl SKYSCRAPER: Macarthur Tavern Campbelltown SONGSALIVE, PEDRO’S EPIPHANY, HOWARD SHEARMAN, RUSSELL NEAL: Ettalong Htl Songwriters: The View Factory, Newcastle STEVE BALBI: Harbord Beach Htl STEVE EDMONDS BAND: Schuss Bar, Thredbo Alpine Hotel STEVE EDMONDS BAND: Thredbo Resort SUNDAY SESSIONS: Oatley Htl, afternoon SYDNEY JEWISH MUSIC FESTIVAL, DEBORAH CONWAY, MONSIEUR CAMEMBERT, FOURPLAY, ADRIAN DEUTSH,
NATHAN KUCHAR, MARK GINSBURG BAND, THE JEWS BROS BAND, THE JOSSER BAND: Bondi Pavilion TERRY BATU: Wisemans Ferry Inn THE BANDITS: East Leagues THE DINGOES: Lizottes, Kincumber THE MARTINI CLUB, MISS MATCH, JOHNNY GLEESON, JACK MCCORD (UK), TOM KELLY: Goldfish, Kings Cross THE WHITE BROS: PJ Gallaghers Parramatta THY ART IS MURDER: Cambridge Htl Newcastle TWO MINDS: Cronulla RSL WHITE BROS: Ettamogah Htl WILDSEED: Penrith RSL, Castle Lounge
MON 16 GREG COFFIN TRIO: 505, 280 Cleveland St Surry Hills OLIVIA PIPITONE: Town Hall Htl, Newtown SARAH PATON: Observer Htl SONGSALIVE, VANESSA JADE, BIG EARLE, HENDERSON ROAD SOCIETY CLUB, Josh Singer, SALOME CERDAVARGAS, April Sky, HELMUT UHLMANN: Kellys on King Newtown SONGSALIVE, PHIL COLE, UNDER THE PURPLE TREE: Springwood Sports Club SONGWRITER SESSION: Excelsior Surry Hills STEVE EDMONDS BAND: Schuss Bar, Thredbo Alpine Hotel STEVE EDMONDS BAND: Thredbo Resort THE JAM THING: Albion Htl TONY SLAVICH: Dee Why RSL Unherd: Sandringham Htl
Australia’s most prolific Mastering Suites Offering international standards at affordable rates that cater to Australia’s independent music scene Make your budget sound big! www.benchmarkmastering.com info@benchmarkmastering.com (02) 9211 3017
Don Bartley s
Benchmark Mastering twitter.com/drummedia
The Mean Fiddler wants to discover the next acoustic sensation, so if you want to showcase your unplugged prowess, send us your details to enter Unplugged! We are giving away $100 Prizes each week, and $1000 cash to our final winner with a residency in our Fiddler Bar. Send us the following information to boxoffice@meanfiddler.com.au Band Name / Artist Name Date of Birth Postcode Mobile Email Myspace / Facebook Competition kicks off August 5th with the finals being held on September 30th Cnr Commercial Road and Windsor Road, Rouse Hill 2155 (02) 9629 4811 www.meanfiddler.com.au THE DRUM MEDIA 10 AUGUST 2010 • 87 •
BROUGHT TO YOU BY BEHIND THE LINES WITH MICHAEL SMITH BTL@STREETPRESS.COM.AU
BENCHMARK MASTERING & LEVEL 7 STUDIOS
Reece Tunbridge – Mastering Engineer and General Manager
GUITAR GODS ON TV Hosted by singer and guitarist Jasmine Young, Guitar Gods And Masterpieces is a television show produced by guitarists for guitarists and fans of guitar music. It not only features interviews with guitarists known and emerging, but also segments on playing and repairing guitars and a bit of humour – just because it can. It’s currently being broadcast on C31 and has been screening in Melbourne, where it’s produced, for a few weeks now, but it has just begun screening in Sydney 8.30pm Fridays, 11.30pm Saturdays and 1am Wednesdays on TVS. Among the guitarists already interviewed for the show are Deep Purple’s Steve Morse, Australian fusion virtuoso Brett Garsed, local bluesmen Geoff Atchison and Dutch Tilders, acoustic virtuoso Bruce Mathiske and the man touted as the fastest guitarist in the country, Jeremy Barnes.
VALE BEN KEITH If you’ve seen Neil Young in concert, you’ll have seen and heard his trusty compadre of nearly 40 years, Texas-born lap steel guitarist Ben Keith, who sadly passed away the last day of July aged 73, of a suspected heart attack, at Young’s ranch in northern California when been busy collaborating on new projects. Keith hooked up with Young when the Canadian decoded to record his Harvest album in Nashville in 1971. Keith became an integral part of Young’s band but continued to be an in-demand session player for the likes of Bob Dylan, Emmylou Harris, Crosby, Stills & Nash and Todd Rundgren. In 1995 he produced the singer/songwriter Jewel’s million-selling album, Pieces Of You, as well as Young’s 2005 album, Prairie Wind. It was Keith who, in 1992, was largely responsible for reuniting the Harvest band for the recording of Young’s Harvest Moon album.
HARMONICA ESSENTIALS WORKSHOP Big Music in Crows Nest is hosting a two-hour “harmonica essentials” workshop presented by harmonica expert Ray Lechminka, 2-4pm Sunday. The workshop will provide an insight into effective harmonica playing and many of the more important techniques including bending, whatever level you’re at, beginner to advanced. The workshop costs $30 or $75 including a Hohner harmonica, but as space is limited, bookings are essential, so call (02) 8622 6555.
SOUND BYTES While Tim Palmer, whose credits include albums for U2, Pearl Jam and David Bowie, was the main producer for the ninth album, Something For The Rest Of Us, from the Goo Goo Dolls, the album also features additional production by Butch Vig, John Fields and the band themselves. The recording of the latest album, Invented, by Jimmy Eat World, saw the band reunite with producer Mark Trombino, who produced three of their early albums including their breakthrough, Bleed American, recording it in their own Unit 2 Studio in Tempe, Arizona. Sydney’s Peabody recorded their forthcoming fourth album, Loose Manifesto, over four days in a small shack at Balls Head, with engineer Tim Kevin on the very same eight-track tape machine on which Nirvana recorded their debut album, Bleach. Singer/songwriter Maxine Kauter has been recording new material down at Damien Gerard’s with Dave Learn engineering and producing the sessions. Recorded at Sing Sing Studios in Melbourne, Midnight Juggernauts produced their latest album, The Crystal Axis, with engineer Chris Moore, whose CV includes working with TV On The Radio, Yeasayer and Yeah Yeah Yeahs. Recorded in Sydney, New York City and Gothenburg Sweden, the new and eponymous album by Birds Of Tokyo was produced by Scott Horscroft (The Presets, Silverchair) and mixed by Michael Brauer. They’ve also filmed a 3D clip for their new single, The Saddest Thing I Know, using two DSLR cameras. Clare Bowditch began recording her latest album, Modern Day Addiction, with producer Mocky (Feist, Gonzales, Peaches) in the legendary Hansa Studios in Berlin late last year, but finished it off back in Melbourne in the backyard shed studio she and husband Marty Brown set up a few years ago. The first single, The Start Of War, came from those latter sessions and was produced by Bowditch, Brown and Mick Harvey. Lachlan Mitchell was called in to produce, engineer and mix the forthcoming debut album from Sydney posthardcore combo, Between The Devil And The Deep. Singer/songwriter Steve Charles has been recording an album, Imagica, at Enrec Studio in Tamworth, produced by Lawrie Minson and John Cunliffe.
• 88 • THE DRUM MEDIA 10 AUGUST 2010
We encourage people to use our engineers as they know how to get the best from the studio. However we are happy to have outside engineers using the facility. Is the studio capable of holding a full band at once for recording? We can accommodate most standard band line-ups without a problem. We’re an impoverished indie band – do you offer any deals for acts in our situation? What’s the studio set up you have there equipment-wise? Benchmark Mastering has two dedicated mastering suites with gear from GML, Manly, Avalon, Neve, Duntech, Dangerous, Tubetech and ATR, and a Neumann mastering console. Level 7 Studios is configured with a large control room, two recording spaces, a recreation room, kitchenette, and bathrooms with showers. Equipped with SSL console, Pro Tools HD3, Quested monitoring with outboard from Urei, Avalon, Empirical Labs, Lexicon, Universal Audio, mics from AKG, Josephson, Shure, Beyer, Rode and many more. Any tips for artists entering a studio for the first time? Be well rehearsed and ensure your instruments and equipment are in good working order. Discuss a plan of attack with the engineer/producer on how the recording will take place. Have a budget and allocate accordingly. For example don’t spend your entire budget on recording with little left for quality mixing and mastering. Which notable artists have worked at the studio? The facility has a 60-year history. In the past artists such as The Easybeats, Split Enz, David Bowie, Prince, Alanis Morrisette, Stevie Wonder, Duran Duran, INXS and many others. In its current guise Benchmark and Level 7 have worked on artists such as Thirsty Merc, Silverchair,
Powderfinger, Richard Clapton, Youth Group, Regular John, British India, Galarrwuy Yunupingu, Leo Sayer, Harry Connick Jr, etc Who do you have on staff and what’s their background in the industry? With 40-year history as Australia’s foremost mastering guru, Benchmark Mastering is owned by mastering engineer Don Bartley who, together with Reece Tunbridge, who has over a decade’s experience working in Australia’s top mastering studios and has a great ear for all genres of music, also operates Level 7 Studios. Level 7 Studio’s house engineers comprise of Anthony The and Drew Bisset. Anthony has extensive experience in working with Australian artists such as The Vines, Sarah Blasko and Youth Group, plus has engineered a plethora of Sydney’s independent bands. Drew Bisset brings a youthful yet experienced attitude to the team and has already built up quite the client list. Analogue vs digital – discuss. For musicality analogue still wins. Most top studios and engineers still rely heavily on analogue equipment for the fundamental tone of their recordings right through to mastering. Combining this with good digital gear and experience is a recipe for great sounds. Can bands bring in their own engineer or do they have to solely use a house engineer?
Our facility is ideal for the independent artist. Our rates are aimed at artists who are working to a budget yet still require a world-class sound. We offer complete packages from recording right through to CD replication to ensure a quality-controlled result for any band. Do you have any in-house instruments at the studio acts can use, or is it totally BYO? We have a Yamaha C5 grand piano, guitar amps from Marshall, Vox and Fender and a great house drum kit. What’s the access to the studio like with regards to parking, flat load, etc? We are located in Sydney’s CBD. There is a large parking station opposite and load-in is just one step from the street and straight up the elevator to Level 7. Working in the studio can be arduous and we’ll need a break – what are the amenities in the local area? Being located in the Chinatown end of the city provides an endless choice of great food with several pubs and restaurants all within a block. There’s even a café on the ground floor. What are your contact details? For all Studio and Mastering inquiries contact Benchmark Mastering (02) 9211 3017; email info@benchmarkmastering.com; web –www. benchmarkmastering.com; www.level7studios.com.au
WRITING AT 360 DEGREES
S
ongwriter Mark Simos is the fourth professor from Berklee College of Music to be invited to present seminars at Sydney’s JMC Academy this year and perhaps the first two have a direct connection to Australian music, though from his background that might not seem immediately obvious.
“I didn’t set out to be a commercial songwriter. I grew up in the ‘70s in California and there was a very active traditional folk music scene there, so after a very typical teenage period of listening to Crosby Stills & Nash, The Grateful Dead and The Beatles and all of that, I stumbled on, sort of at the same time, traditional Irish music and old-time American fiddle music and bluegrass and that was sort of the world I was travelling in. But I was also writing songs from an early age, some of which were in the popular style, some of which sounded old Irish style except they were about alien beings and things like that. What happened is the bluegrass community in the Untied States is one that is very open to new songwriting it turns out and I was lucky enough to get a song of mine recorded by a bluegrass artist named Laurie Lewis. A few years later I ran into Alison Krauss when she was just coming out of the bluegrass scene; she knew the song of mine that Laurie had recorded, so that became an opportunity to write some songs with her band and voice in mind and one thing led to another.” Since then Simos has had more than 100 of his songs and instrumentals recorded by artists like Del McCoury, the Infamous Stringdusters, Laurie Lewis and Doyle Lawson, plus he’s co-written with a variety of other artists including, as it happens, Jimmy Barnes, with their collaborations making up much of the latter’s new album, Rage And Ruin. “When I got the chance to write with Jimmy I was laughing to myself because even though we’re actually similar in age, we’ve probably had about the most different personal backgrounds of any two people I can imagine. But amazingly enough we connected and part of why we connected was through the very diversity of our backgrounds because when I co-write with people, especially when they’re also artists, I do try to find out something about their story and see if there’s a way
to let them write the story that they have in mind that sometimes an outside perspective can help them see the possibilities more clearly. So the very first song I worked on with Jimmy was based on thinking about experiences that he’d had that I could only imagine, being a hard rocker in Adelaide in the ‘70s and ‘80s when I was busy making Irish folk music: and we came up with a song called I’ve Seen It All. “I met Jimmy through his son Jackie, who was a student at Berklee where I’ve been teaching for the last five years. Jackie told me his dad was coming to the States on a writing trip and Jackie had been in a class that I created at Berklee that’s specifically on collaboration and co-writing for songwriters. And so Jimmy came to Boston and I met him in his hotel room and we wrote a couple of songs and on the last day of the semester I got a call to say that the folks at his label were very excited about the songs and wanted to fly me out to write more with him for his new record. So I came out to Australia for about two weeks and Jimmy and I wrote eight songs, seven of which are on the album.” The seminar Simos is conducting at JMC Academy is based on what he calls his 360˚songwriting philosophy. “One of the directions I’ve taken at Berklee, where you have a real diversity of students trying to write in every conceivable style and coming from all sorts of different
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backgrounds, was creating 360˚songwriting, which looks at how you can approach your own songwriting in as flexible a way as possible in a way that generates as many possibilities as you can. So it’s kind of a discipline for learning to write songs from every direction, whether you’re starting from a lyrical inspiration or a melody or chord progression.” As well as teaching and writing, Simos has had a career as a recording artist, so I wondered about his most unusual recording session. “I did a recording with an Irish piper in a little studio out in Virginia run by a complete audiophile fanatic. He had bought a house off the grid so there were no electric lines within 200 yards and would only record on a vintage 1960 Sony reel-toreel recorder that had to be no more than ten feet away from the microphones, connected with solid gold wire – it was like a sort of strange religious cult. Of course that meant there was no overdubbing – everything had to be done in one un-editable take.” Mark Simos’ songwriting seminars are presented at JMC 10am to 4pm Saturday and Sunday, so for details and to book a place call Clare McCleod on 0417 049 616 or check into the CMC Productions website. Simos is also presenting a free seminar for APRA members 6.30-8pm Thursday, but again an RSVP is essential to secure a place so once again email info@cmcproductions.com.au.
BACKSTAGE BUSINESS DIRECTORY THE DRUM MEDIA 10 AUGUST 2010 • 89 •
BACKSTAGE BUSINESS DIRECTORY
STREET POSTERS
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email: office@shoogposters.com
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GREAT RECORDING RATES
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Ph: 02 9746 2865 26/159 Arthur St Homebush
• 90 • THE DRUM MEDIA 10 AUGUST 2010
www.pinnaclestudios.com.au
BACKSTAGE BUSINESS DIRECTORY
YOUR AD IN THIS SPACE CALL JAMES AT DRUM MEDIA ON 9331 7077
STUDIO
2
$500 + GST a day with an engineer if you mention Drum Media
50 mins North of Syd.
Contact Kathy on 02 4362 3299 or info@thegrovestudios.com
Join the ranks of Australian Recording history: Silverchair, The Butterfly Effect, Eskimo Joe, Angus and Julia Stone, Kisschasy, Operator Please, Grinspoon, Missy Higgins, INXS, The Whitlams, Little Red...
www.thegrovestudios.com
EWI034
THE DRUM MEDIA 10 AUGUST 2010 • 91 •
EMPLOYMENT
EDUCATION & TRAINING
ADMINISTRATION
MAL’S OPEN MIC NIGHTS
inch fender special design speaker, reverb, EFX loop. Cover and footswitch included. One year warranty RRP$1799 SALE $1205 Logans Music Burwood 9744 2400 www. loganspianos.com.au AUTHORISED FENDER DEALER
BASS PLAYER WANTED.
iFlogID: 6163
Good bass player wanted for original blues/funk/rock band must have transport and a good sense of humour.
For Sale Eden D112XLT bass cabinets $1250.00 Mint condition EDEN SOUND Please contact
iFlogID: 6528
BON SCOTT WANTED Bon Scott wanted for AC/DC tribute show Great money with work waiting. mangement and agency backing NO TIME WASTERS please email Picture of yourself and a recording of your best Bon voice to Bruce Matherson at stageshowentertainment@gmail. com iFlogID: 6867
CHEAPEST REHEARSAL STUDIO IN SYDNEY, CANTERBURY Ajay’s Rehearsal Studio in Canterbury Super Cheap Rehearsal Studio Available to hire or to share in Big Warehouse in Canterbury. $ 10 per hour , min booking 3 hrs or $50 per day . Bands, Trio’s, Duo’s or Soloist or Music Teachers all are welcome. vVery powerful P.A. System vBig and Huge Soundproof Room vPlenty of Car parking vVery Easy Access vOnly 2 Minutes Walk From Canterbury Station vNear the park and cooks River, beautiful and suitable place for Creating new ideas and lyrics and new music or what ever it is that you do. To find out more please Call Ajay Goldsmith On 0409 334 240 or 0458 294 110 or you can email me with the questions on bluesyaj@yahoo. com.au iFlogID: 5763
CHEAPEST REHEARSAL STUDIO IN SYDNEY, CANTERBURY
in4mal entertainment, Soundbasement Studios, Jumbonote Recording & Shire Music provide opportunities for musicians, song writers, covers & original bands to perfect your performance, learn stage craft & test out your material in a professional environment at: Taren Point Hotel Wed wkly, Harp Tempe Thurs ftntly, Amber Ale Annandale Fri ftntly & Panania Hotel Sat ftntly. Go blogs at www. myspace.com/in4mal_entertainment for all dates, venues, artist lists & photo’s. Call Mal to register your spot. 0413735773 iFlogID: 5949
ENTERTAINMENT Are you studing music production? CJ Wilson is looking for a Producer/ Audio Engineer to help build and work in home studio. Regular long term work will be offered all of which paid. Sutherland Shire. Please call 0408489-964 for more info. iFlogID: 6749
ASIAN DJ’s and promoters wanted for new Asian Dance Party events. Once a month at Level 1 Chatswood. Contact Peter K @ the Chatswood Club on 9419 5481 iFlogID: 6883
CONTRIBUTORS WANTED TheHeadChimp.com is looking for writers, artists, advertisers and photographers to be part of our newest initiative, The Head Chimp Magazine. Our site is growing extremely fast and we are looking to implement the Mag very soon. If you feel like becoming part of our awesome team, drop us an email: info@theheadchimp.com. Ajay’s Rehearsal Studio in Canterbury Super Cheap Rehearsal Studio Available to hire or to share in Big Warehouse in Canterbury. $ 10 per hour , min booking 3 hrs or $50 per day . Bands, Trio’s, Duo’s or Soloist or Music Teachers all are welcome. vVery powerful P.A. System vBig and Huge Soundproof Room vPlenty of Car parking vVery Easy Access vOnly 2 Minutes Walk From Canterbury Station vNear the park and cooks River, beautiful and suitable place for Creating new ideas and lyrics and new music or what ever it is that you do. To find out more please Call Ajay Goldsmith On 0409 334 240 or you can email me with the questions on bluesyaj@yahoo.com.au iFlogID: 5761
HELL ITSELF REQUIRES DRUMMER
MANAGER REQUIRED An opportunity exists for an enthusiastic and energetic person with a solid knowledge of the music industry to manage a well established indie rock outfit releasing debut album in Nov. Please make contact via text/ call on 0438 454 687. iFlogID: 6128
Resident DJ’s WANTED Nth Shore Venue. Level 1 Chatswood, a new venue on the North Shore. Resident nights are up for grabs. Call Peter K @ the Chatswood Club on 9419 5481. iFlogID: 6881
WANTED FLYER, USHER,DJ PERSON
Black and White Tattoo and Art Gallery are looking for talented and enthusiastc artists to join our brand new, bright and modern shop. NO APPRENTICES PLEASE!! Portfolio a must and provern work history. Enquiries 0405 819 096 iFlogID: 5413
VOCALSIT / MC’S WANTED Male or Female vocalists or MC’s wanted for Downtempo, electronic, trip hop or whatever its called. Either way its a bit dark and moody and very much beat driven. If interested then send a demo to itsmaximillion@ gmail.com iFlogID: 5893
ADVERTISING / MEDIA Do you get a thrill from creating something from nothing? I do and I want a sassy young someone to join me as a business partner in my latest project - an online service for Sydneysiders.. tmb08@live.com.au. iFlogID: 6893
Talk about variety! If you require versatility with the punch & touch of valves, than this is it! 40 all valve watts, many amp types,plenty of effects.Combo with celestion V-30 speaker. Be FAST! Selling $900.Used Once! Call Grant on 0400 264 754. iFlogID: 6459
MESA BOOGIE TRIPLE RETIFIER
Wanted: Current Uni students in Sydney and Melbourne to profile their uni courses positively and constructively for a socially important project. Please email madeleine@bathtubproductions.com for more info. Big thanks. iFlogID: 6871
FOR SALE
A CLASS TUBE AMP $250!!!
iFlogID: 5996
PEAVEY 6505+ 112 COMBO
iFlogID: 6428
THE BRAND NEW GENE SIMMONS SIGNATURE BASS. WAS $799 - NOW ONLY $649 IN DELUXE GIG BAG. CALL US FOR MORE DETAILS 07 54743033 - TIM
iFlogID: 6574
iFlogID: 5915
FENDER FRONTMAN 65R
iFlogID: 7052
PROMOTER WANTED NTH SHORE
Awesome solid state amp. 65 watts with a 12 inch speaker, 2 selectable channels(clean and overdrive) and Effects Loop CRAZY PRICE $351 Hurry, limited stock. Logans Music Burwood 9744 2400 www.loganspianos.com.au
PEAVEY MILLENIUM 4 BASS
iFlogID: 6946
DDRUM DEFIANT DOUBLE BASS DRUM
ACOUSTIC GUITAR HARD CASE
Brand New Yamaha Gigmaker 5 piece drum kit. Includes double braced hardware and bonus Paiste Cymbal Pack(RRP $239). Black finish. SPECIAL $899 1 only at this price. Logans Music 9744 2400 www.loganspianos. com.au iFlogID: 5977
GUITARS
Whether your at home or on the road, protect your guitar with this great hard case RRP $119 DRUM MEDIA SPECIAL $57 Mention this ad to get this awesome deal. Logans Music Burwood 9744 2400 www.loganspianos.com.au iFlogID: 5284
CD / DVD “COLOURS” EP OUT JUNE 1ST
PEAVEY WINDSOR GUITAR AMP 100 Watt all valve/tube head. HUGE hardcore tone. Incredible bottom end. Has been professionally modified 2 channel foot switchable. Runs EL34 power valve. Mint condition $750.00 ono. 0428744963. Cooroy iFlogID: 6510
Peavey Millenium 4 bass guitar. 2 single coil pickups. Awesome Tiger eye finish. 5 year warranty. 1 only at this price RRP $595 Logans Price $347 LOGANS MUSIC BURWOOD 9744 2400 www.loganspianos.com. au AUTHORISED PEAVEY DEALER iFlogID: 6263
SECONDHAND RIVERA CLUBSTER 45
YAMAHA RBX270 BASS GUITAR
“Colours” is the new 5 track EP from Melbourne Alternative Folk-Rock musician Joe Forrester. Described as: “5 songs written on a mini guitar, recorded in a tiny room, conceived in a very short space of time after a lovely little trip to visit the fam in N.Z. ...A package of badly drawn childlike artwork, warm acoustic guitars and nostalgic strings; a classic sound, reminiscent of early rock records of the 50’s-60’s and a pinch of fat electronic synths. Songs about love, loss, wonder and French-English translation.” Available June 1st through http://www.myspace.com/ joeforrester iFlogID: 4675
CDS AND DVDS $5 EACH HUGE SELECTION FOR A LIST DONT MISS OUT EMAIL: STEVESBACKINTOWN@ HOTMAIL.COM
SECONDHAND RIVERA CLUBSTER 45 COMBO IN EXCELLENT CONDITION WITH CUSTOM MADE COVER. AS NEW ONLY $1395 CALL US FOR MORE DETAILS 07 54743033-TIM The Artemus delivers versatile EL84 clean tones with great openness and clarity to biting or smooth touchsensitive overdrive. In stock now! Custom options available. $2799! Bondi Intermusic: 93693922. iFlogID: 6753
VOX AC15 VALVE AMP
BRAND NEW 6 PCE DDRUM DEFIANT DOUBLE BASS DRUM, 3 TOMS AND SNARE. ALL HARDWARE (NO CYMBALS) WAS $2695.00 NOW ONLY $1495 ONLY ONE AVAILABLE call us 07 54743033 - Tim
iFlogID: 6734
Awesome Yamaha 4 string bass, Ideal intermediate quality bass. Great neck and big sound. Available in 4 colours Black, Red, Natural or Silver. 5 year warranty RRP $499 SUPER SALE $333 Limited Stock LOGANS MUSIC BURWOOD 9744 2400 www. loganspianos.com.au AUTHORISED YAMAHA DEALER
SECOND NATION DELINQUENT E.P
Maton M225 Solid Sitka Spruce soundboard Queensland Maple Back, sides & neck Rosewood with dot inlays fingerboard Australian Made Original Elixir strings Natural Finish $750 *pick up in Sydney area iFlogID: 3645
BC RICH ACRYLIC MOCKINGBIRD
iFlogID: 6648
DW DRUM PEDAL 8000 SERIES DW Drum pedal 8000 series near new Excellent condition with soft case bag $250 Frankie 0404089601 iFlogID: 6495
NEW DRIVERACK PX WITH DBX MIC
BRAND NEW DRIVERACK PX WITH WHIRLWIND CABLE AND DBX MEASUREMENT MIC 110VOLTS,ALL BRAND NEW IN BOX,NEVER BEEN USED. LOCATED IN BONDI JUNCTION. TWO AVAILABLE FOR $550.00. CONTACT APPLE:0406405667.
BC Rich Acrylic Mockingbird electric guitar. Awesome see-through green body, punchy pickups with sustain plus! RRP $1199 60% off Logans Price is $479. 1 only Hurry! Logans Music Burwood 9744 2400 www. loganspianos.com.au AUTHORISED BC RICH DEALER iFlogID: 6582
COLE CLARK AN2AC ANGEL
iFlogID: 4904
SABIAN CYMBALS Sabian 20” AA Rock ride, Sabian 17” med thin crash, Sabian 14” AA Regular hihats all with Ragone case. As new, $700, ph 0419760940 iFlogID: 5821
Tama Starclassic Maple 6 Piece Shell Kit. Professional Kit/Insane Price! $3100 ono. All shells are 100%! Must sell FAST!! You can see the kit live in action on “Hey Hey Its Saturday” here, http://www.youtube.com/ watch?v=CfdmoyfP55s All info contact 0410334141. iFlogID: 6869
Tama Starclassic Maple 6pc, full hardware inc. throne and pedal, cases, bags and h/ware trolley included. Each shell signed by John Blackwell. Sounds and looks stunning, colour is marine blue fade. Couple of very minor knocks on 14” shell.
Brand new Cole Clark AN2AC Angel guitar. Made in Australia. Solid spruce top with solid Blackwood back and sides. 3 piece back. Cole Clark dual pickup system. Package includes Guitar, Hard case and leather strap. Limited stock. Package price $1999 Logans Music Burwood (02)9744 2400 www.loganspianos.com.au AUTHORISED COLE CLARK DEALER iFlogID: 6620
COLE CLARK FL1AC GUITAR
iFlogID: 7028
TWO NEW DW ECO X TOMS
iFlogID: 5338
BUSINESSES MUSIC INDUSTRY BIBLE
iFlogID: 6165
Brand new Fender Hot Rod Deluxe Valve amp. 40 watt all tube amp. 12
$250 for a 20” cast, hand-hammered ride cymbal? If you are not Dreaming already, go to www.cymbalsplus. com. Dream Cymbals and Gongs, Metro Drums plus more.
iFlogID: 6159
Brand New VOX AC15 Valve amplifier with 1 year Warranty. Unbeatable tone. HOT PRICE $959 Logans Music BURWOOD 9744 2400 www. loganspianos.com.au AUTHORISED VOX DEALER
SELF-EMPLOYMENT STOP HOWLIN AT THE MOON
CASES
Brand new Peavey Classic 30 Valve amp. 30 watt RMS with a 12inch blue Marvel speaker. 3 band eq, Reverb, fx loop and External speaker capable. 5 year warranty RRP$1499 SALE $1049 Logans Music Burwood 97442400 www.loganspianos.com. au AUTHORISED PEAVEY DEALER
FENDER HOT ROD DELUXE AMP
iFlogID: 6607
iFlogID: 6045
YAMAHA GIGMAKER DRUM KIT
ACOUSTIC GUITAR MATON M225
PEAVEY CLASSIC 30 VALVE AMP
iFlogID: 5266
Huge “Metropolis” Style Venue up for grabs for the right promoter. Located in Chatswood, massive venue with Bars upstairs and downstairs. Call The Chatswood Club on Help St 0294195481 and ask for Peter K
COMPUTERS
BRAND NEW PEAVEY 6505+ 112 COMBO 5 YEAR WARRANTY. 60 WATT TUBE COMBO. WAS $1499 NOW ONLY $1099 SAVE $400 ONLY ONE AVAILABLE CALL US 07 54743033 - TIM
iFlogID: 6630
PROMOTER
iFlogID: 5112
Online cymbal store and community forum. We offer hand hammered Turkish cymbals at the best prices. Please feel free to join the community forums at www.cymbalvault.com.au/ forum/
FENDER SQUIER 5 STRING BASS
iFlogID: 6597
Carr Rambler. Hand made, boutique, all valve! Come in and try these amazing amplifiers today. Exclusive to Bondi Intermusic! $3199. (02)93693922.
SECOND NATION - delinquent E.P. AVAILABLE NOW for $4.99 at www. myspace.com/secondnation
DRUMS Well established Rehearsal and Recording studio for sale. Great opportunity. For details call 0400 261 909 or email info@mondorhythmo. com
Brand New Fender Squier 5 string Jazz bass. Delightfully playable and priced to please. 1 year warranty Logans Price $314 Logans Music Burwood 9744 2400 www. loganspianos.com.au AUTHORISED FENDER DEALER
For sale is a British made A class tube amp for dirt cheap! It is an Ashdown Peacemaker 20 watt combo which I bought a few years back for $2000. It has a beautiful vox like clean sound, great for blues jazz. The overdrive is great for that vintage blues rock tone. reason why I’m selling it so cheap is that it needs a service. Fuse needs repairing, reverb unit needs replacing. The cost of repair with the sale price is negligible compared to the value for money you are receiving with this amp! Check out more here... http://www.flickr.com/photos/scooterjohn/349150246/
SECOND NATION DELINQUENT E.P
iFlogID: 6732
iFlogID: 6572
AMPS
iFlogID: 5889
PLAYSTATION 2+7GAMES 1 MEMCARD GRANTOURISMO4 TIGERWOODS08 GTA3 GUITARHERO3+GUITAR URBANREIGN FIGHTNIGHTROUND3 GOLF. $220 ONO, 0424487379 PICKUP ONLY
CORT GENE SIMMONS BASS
Rare original 2 channel Mesa Boogie Triple Rectifier head. Better sounding than the newer 3 channel one. It is in superb condition. Comes with footswitch. $3200 email anthonydotnet@ gmail.com
VOLUNTEER
iFlogID: 6436
New Venue LEVEL 1 CHATSWOOD seeking partner for entertainment. We provide the premises, you provide the people or event. Contact Peter K @ ChatswoodClub on 9419 5481. Live Music,Dance Parties, Album Launches all welcome.
REHEARSAL - RECORDING STUDIO
BASS
iFlogID: 6757
Wanted person to hand out flyers,usher and DJ for Comedy Shows.Fri-Sat nites 1 1/2 hrs (Fri) and 2 1/2 hrs on Sat nights. $10-15 per hour to start. Automatic raise after 3 weeks. Also wanted Stand up comics, Beginners-Pros and Audience judges. Call 95472578 or www. comedyintheraw.com.au
iFlogID: 5078
to Big Cartel or CD Baby. Also, watch out for the video of “You’re So Easy”, currently in post-production. The band are set to tour in support of the new release, with shows planned for mid-August. For further information contact: 2ndnation@gmail.com www. myspace.com/secondnation
iFlogID: 6595
Carr Slant 6V! Hand made, Boutique, all valve! Exclusive to Bondi Intermusic. Come in and try this amazing amp today. Shimmering, deep, articulate tone. $4999, custom options available. (02)93693922
iFlogID: 6078
TATTOO ARTISTS WANTED
LINE6 SPIDER VALVE AMP
Brand New Vox Pathfinder 10. 10w solid state guitar amp. Unbeatable tone and value. 1 YEAR WARRANTY RRP $179 Logans Price $99 WOW!! Logans Music Burwood 9744 2400 www.loganspianos.com.au AUTHORISED VOX DEALER
iFlogID: 5391
iFlogID: 6755
ROBBIE WILLIAMS IMPERSONATOR
iFlogID: 6434
iFlogID: 6823
iFlogID: 5975
Technical groove-based death metal. Album out, headlining shows, plenty gigs booked. Rehearse weekly, payment per show. Focused musicians only. myspace.com/hellitselfsydney
Established Sydney based “Robbie Williams Tribute” is looking for a Robbie Williams Impersonator. Applicant must has Carisma!! Look, sing and have the stage presence of Robbie Williams. Agency Backed with Gigs waiting!! Call Brad for an Audition on 0404 065 976.
Make Real Money At Home...Start Your New Home Business Now.Have Your Own Cash-Sucking TwitterRelated Reseller Website Online And Earning Money... 15 Minutes From Now! WITH FREE WEBSITE and SALESPAGE Twitter is sizzling hot these days. I have put together a one-of-a-kind package that will teach people everything they need to know about Twitter: from setting up their first Twitter account to driving hundreds of followers and traffic to their website. The package includes the newest and best E-books, video tutorials and other products available out there! Twitter’s traffic is growing at an incredible rate.There are Millions of registered Twitter users,increasing 10 fold every year,Stop Howlin At The Moon and take a hold of your destiny as twitter is here to stay...start your online business now... www. twitresellersdream.com
sections covering all business sectors from Artists cross referenced by Booking Agents, Managers & Record Labels, Promoters, Music Media, Venues, Lawyers, Publishers & much more! We have 3 versions of the Directory available in Print $55 (GST & Postage included)--6 Month Online Subscription $40--iPhone App $19.95 (from Apple iTunes Store). To purchase your print or online version go to www.immedia.com.au/amid or call the IMMEDIA! Office (02) 9557 7766
VOX PATHFIINDER 10 $99!
The Directory is a sourcebook for all the contacts in the Australian music market. There are over 5,000 listed companies & individuals in 70
“They’ve really stripped back their sound to a garage/punk feel, raw without frills and great songwriting” David Harrison - Xpress Magazine The raw, no-nonsense sound of the band gives Second Nation’s Delinquent release a timeless quality: it could have been recorded in the heyday of Pub Rock, yet there is no mistaking its contemporary relevance. Don’t be fooled by the hooks of “You’re So Easy”, or the appeal of “Breathe Easy”, ‘cause you can sense something more just below the surface. Second Nation’s new EP, Delinquent, is available now on iTunes, Amazon, Napster, eMusic and Rhapsody. For those wanting the physical copy, go
TWO NEW DW ECO X DESSERT SAND FINISH TOMS. ALL BRAND NEW IN THE BOX,NEVER BEEN USED. SIZES: 7x8 and 14x16-$1500(FOR BOTH). LOCATED IN BONDI JUNCTION. CONTACT APPLE:0406405667. iFlogID: 4902
WWW.CYMBALVAULT.COM.AU
All solid Australian made guitar with dual pickup system. Different timber options available. Package includes FL1AC guitar, Hard case and leather strap Package price $1299. Logans Music Burwood 9744 2400 www. loganspianos.com.au AUTHORISED COLE CLARK DEALER
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
iFlogID: 5318
DEARMOND JAZZ GUITAR
FENDER 72 CUSTOM TELECASTER
GIBSON SG SPECIAL GUITAR
GUITAR FX BOSS MT-2,OD-20,CS-3. ROLAND GR-20 GUITARSYNTH. DIGITECH JAMMAN,HENDRIX. PICK UP ONLY 0424487379 iFlogID: 6730
HUGE SALE ON MARTIN GUITARS
iFlogID: 6642
Dearmond Jazz guitar, (late Fender) beautiful finish, excellent condition, sweet tone, original dearmond pickup, no scratches, pro set up, bone nut installed, with heavy duty carry bag. Maple body/neck, rosewood fingerboard, new flatwound strings, Was $1050, $750 ono. Please call 02 6622 4629. iFlogID: 6497
EPIPHONE AJ100 ACOUSTIC GUITAR
FENDER 72 Custom Telecaster. BRAND NEW and Ready to rock! This axe delivers the Tele® twang with the added punch of a neck-position Fender “Wide-Range” humbucker. Bullet truss rod, 3-bolt Micro-Tilt neck attachment, and chrome-tipped “skirted” knobs complete the picture. 1 year warranty. LOGANS PRICE $1199 CRAZY! Logans Music Burwood 97442400 www.loganspianos. com.au AUTHORISED FENDER DEALER
Don’t be an American Idiot...buy this bass and save! Mike Dirnt (GREEN DAY) signature Precision bass. Ready to rock. Brand new with 1 year warranty. RRP $599 Logans Price $377 Logans Music Burwood 97442400 www.loganspianos.com.au AUTHORISED FENDER DEALER iFlogID: 6599
FENDER STANDARD STRATOCASTER
Gibson SG. Made in USA. Brand new with Warranty. Polished Ebony including bag. Limited Stock RRP $1999 HOT PRICE $1192 Logans Music BURWOOD 9744 2400 www. loganspianos.com.au AUTHORISED GIBSON DEALER iFlogID: 5292
GIBSON SG STANDARD LEFTY
iFlogID: 6175
FENDER 72 THINLINE TELECASTER
Sale/Swap :1986 Fender 57 Reissue Stratocaster Lake Placid Blue w/ Original Tweed Case Mint w/ minimal dings and dangs. Rare color.$2500 Welcome to trade offers! 0430861565 MUSIC@NOOSA’S MARTIN SALE ALL NEW GUITARS HAVE A LIMITED LIFE TIME WARRANTY. OMC28E - WAS $5495 - NOW ONLY $3895 DCX1KE - WAS $1795 - NOW ONLY $1429 OMCX1KE WAS $1795 - NOW ONLY $1429 OMC1E - WAS $2795 - NOW ONLY $1995 **ALL GUITARS COME WITH FREE CASES** SECOND HAND DEALS D16RGT - GOOD CONDITION ONLY $2195 1973 D18 IN EXCEL COND W/CASE $3795 1972 D28 IN EXCEL COND W/CASE $3995. CALL US FOR MORE DETAILS 07 54743033-TIM
iFlogID: 6827
SECONDHAND MARTIN D28
Brand New Epiphone AJ100 Acoustic guitar. Great sound at an unbeatable price $153 WOW! Limited stock Logans Music 97442400 www. loganspianos.com.au AUTHORISED EPIPHONE DEALER iFlogID: 6169
EPIPHONE DOT ELECTRIC GUITAR
Fender 72 Thinline Telecaster. BRAND NEW. Features Semi-Hollow Ash body, 1 piece maple C neck, ‘70s vintage hard tail string-through bridge, 3-bolt neckplate with Micro-Tilt Adjustment and Fender “Wide Range” humbucking pickups. Natural finish. 1 year warranty. LOGANS PRICE $1199 CRAZY! Logans Music Burwood 97442400 www.loganspianos.com. au AUTHORISED FENDER DEALER
FENDER USA SRV STRATOCASTER
GRETSCH G5120 ELECTRIC GUITAR
iFlogID: 6618
iFlogID: 6253
FENDER BULLET STRATOCASTER Epiphone Dot hollowbody guitar. Brand new with 1 year warranty. Gloss Ebony. Logans Price $699 Logans Music Burwood 9744 2400 www.loganspianos.com.au AUTHORISED EPIPHONE DEALER iFlogID: 6589
EPIPHONE FLYING V GUITAR FENDER BULLET STRATOCASTER. Great place to start! 6 colours to choose from. Fender tone without the price tag. DRUM MEDIA SPECIAL. $159 Mention this ad. Logans Music 9744 2400 www.loganspianos.com. au AUTHORISED FENDER DEALER iFlogID: 6603
FENDER JAGUAR HH GUITAR
The Stevie Ray Vaughan Signature model respectfully replicates Stevie’s favourite guitar. Pure Texas blues - Stevie style! Unique features include a special “oval” neck shape, Pao Ferro fingerboard, three Fender Texas Special single-coil pickups, gold plated vintage hardware with left-handed tremolo, and special engraved pick guard. Made in USA. Includes Fender tweed case RRP $3899 Logans Price $2339 crazy!! Logans Music Burwood 9744 2400 www.loganspianos.com.au AUTHORISED FENDER DEALER
iFlogID: 6537
Brand New Gretsch G5120 Hollowbody Electric guitar. Just the ticket for Rockabilly, Jazz and everything in between. Bigsby tremelo caps off this great guitar. Check it out RRP $1499 SALE PRICE $999 WOW! Logans Music 97442400 www.loganspianos. com.au AUTHORISED GRETSCH DEALER
IBANEZ PRESTIGE MBM1BK. Matt Bachand’s (Shadows Fall) Signature guitar features an EMG 81 humbucker in the bridge position for razor sharp attack and incredible sustain, and an EMG 60 humbucker in the neck position for massive crunch. Gloss black finish with Matt Bachand’s signature skull graphic. Pearloid body binding. Includes ibanez hard case. Made in Japan RRP $5295 Logans Price $2645! 50 % off BRAND NEW 1 ONLY LOGANS MUSIC BURWOOD (02)9744 2400 www.loganspianos.com.au AUTHORISED IBANEZ DEALER iFlogID: 6549
MARTIN D28
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GRETSCH G5235T ELECTRIC GUITAR
TAKAMINE LTD EDITION GUITAR
Brand New Gretsch G5235T Electric guitar. Amazing neck and a real bite that you come to expect from a gretsch. Bigsby tremelo with a gloss black finish. RRP $1299 SALE PRICE $869 WOW! Logans Music 97442400 www.loganspianos.com.au AUTHORISED GRETSCH DEALER
iFlogID: 5280
Brand New Fender Jaguar HH in Ebony. A real player. Includes fender gig bag 1 only Logans Price $1259 Logans Music Burwood 9744 2400 www.loganspianos.com.au AUTHORISED FENDER DEALER iFlogID: 6593
FENDER MANDOLIN
The Rolls Royce of Acoustic guitars. Handmade in the USA. Solid Spruce top with Solid Rosewood Back and sides. Unbeatable tone. Includes Martin hardcase and factory warranty. RRP $4395 SALE PRICE $2988 Logans Music Burwood 9744 2400 www.loganspianos.com.au iFlogID: 5276
MARTIN USA GUITARS
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Fender USA Standard Stratocaster. Made in USA. New model Vintage Modified Strat Bridge. Includes SKB Hard case, Strap and lead. RRP $2299 SALE PRICE $1539 Logans Music Burwood 9744 2400 www. loganspianos.com.au
GUITAR AMPLITUBE IRIG
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Gibson Les Paul Custom 2004 Black Beautiful condition, beautiful guitar. Selling for the great price of $4,500. Contact 0410736672.
Epiphone LP standard plus. Set neck, flamed top, a real classic. BRAND NEW. Package includes Epiphone hard case and lead. SUPER SPECIAL $879 Logans Music 9744 2400 www. loganspianos.com.au AUTHOURISED EPIPHONE DEALER
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GIBSON LP ROBOT SILVERBURST
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Fender FM53 Mandolin. Great plug in electric/acoustic instrument. RRP $449 LOGANS PRICE $299 Logans Music Burwood www.loganspianos. com.au 9744 2400 AUTHORISED FENDER DEALER iFlogID: 6270
FENDER PINK PAISLEY STRAT.
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PA EQUIPMENT ROSS PC110 POWERED MIXER 100watt rms. 4 channell with EQ/ REVERB. stereo CD input. CUBE STYLE. Very good condition. $300.00 Ph Jimbo on 0428744963. iFlogID: 5837
Shure SM57 Replica brand new $50 each 4 available great instrument microphone call 0410 401 635 iFlogID: 6917
BURLESQUE & DRAG EYELASHES Petticoats & Gallantry has launched a new range of exclusive, boutique handmade & decorated false eyelashes perfect for going out. With a mix of over-the-top dramatic lashes suitable for Performances, Burlesque, Drag and even just for a special night out, you’re sure to find some one-ofa-kind false eyelashes to wear. Each pair is customised and decorated by hand in a variety of themes, and commission orders are very welcome. www.petticoatsandgallantry.com.au Look for us on facebook for exclusive promotions. iFlogID: 6658
TAKAMINE 90TH ANNIVERSARY MODEL. This very special guitar was made in the Takamine custom shop includes Cutaway NEX body with limited edition satin finish, scratchplate and gold tuners. This is a rare opportunity to secure 1 of only 72 of these guitars at a crazy $299. Custom shop Bling, without the price tag. Hurry, don’t miss out. LOGANS MUSIC BURWOOD www.loganspianos.com.au 9744 2400 AUTHORISED TAKAMINE DEALER
Professional model with hand engraved bell. Made in Japan Includes case and accessories. Brand New with 3 year warranty. RRP $3499 HOT PRICE $2499 Logans Music BURWOOD 9744 2400 www. loganspianos.com.au AUTHORISED YAMAHA DEALER
MUSIC SERVICES BAND MERCHANDISE CITY VENUE WANTS ORIGINAL BAND A new original night has started a a very popular Sydney venue, in the heart of the City. Venue runs cover bands 7 nights a week, and has a great in house PA system and operator. Venue is Trialling Original Bands on Monday nights, and its a great opportunity for bands to get exposure. Venue has a steady stream of clientele, so no need to drag your fans along. Venue prefers 3-4 piece guitar based rock acts, which perform mainsteam radio friendly original music. Looking for good Sydney bands, as well as interstate bands who maybe be touring Sydney and would like to tack a monday night show onto their tour. Interested acts should email me a link to their website, or myspace. Email promo to : kypo@bigpond.net. au. Your welcome to call Kypo on 0404 065 976, but its best to send me your promo first. iFlogID: 5963
Kickup your bass playing to the next level with this awesome multi-effects pedal from Digitech. Includes 11 Amp Models,5 Stompbox Models, expression pedal for real-time control, 19 Studio quality effects, Includes Fretless Simulator, Built-in Drum Machine, 40 User, 40 Factory Presets, Chromatic Tuner, headphone output. RRP $299 SALE PRICE $148. Logans Music Burwood 97442400 www. loganspianos.com.au
MUSICIANS: Make download cards to attach your music to your merch and sell at shows! Get 30 FREE at www. MerchMusic.com! iFlogID: 6842
ON LINE BOOKING AGENCY
iFlogID: 6233
EPIPHONE LP STANDARD PLUS
Fender 65 Reissue Mustang in Dakota Red or Olympic White( both Brand new) Reduced to clear. 2 only Logans Price $1029 Hurry they won’t last long! Logans Music Burwood 9744 2400 www.loganspianos.com. au AUTHORISED FENDER DEALER
1993 Ford Laser, 1.6L 4 Cylinder Manual. 150,000km’s. Rego March 2011. Perfect condition mechanically. Recent Major Service. Sony X-Plod Headunit + Pioneer Speakers. Air Conditioning. Power Steering. Sydney Based. $1,500 ONO Call Chris for inspection: 0414 901 411.
DIGITECH BP80 BASS PEDAL
FENDER USA STANDARD STRAT
Super cool guitar with the feel to match. Set neck in the Natural Korina finish, this guitar is ready to rock. Package includes Hard Case. BRAND NEW $699 Logans Music 97442400 www.loganspianos.com.au
FENDER ‘65 MUSTANG
TAKAMINE LTD EDITION GUITAR
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OTHER
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SECONDHAND MARTIN D28 IN MINT CONDITION WITH ORIGINAL DELUXE HARDCASE - ONLY 6 YEARS OLD, HARDLY USED. ONLY $2795 CALL US FOR MORE DETAILS 07 54743033TIM
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A good book still makes a great present: Journo’s Diary is heaps of fun, describing the comical misadventures of a young cadet journalist as he copes with the good, bad and ugly life throws at him. Go to www. journosdiary.biz
IBANEZ PRESTIGE MBM1BK Brand New Gibson SG Standard Lefthanded guitar. Heritage chrery finish including Gibson hard case. Logans Price $1999 WOW! (righthanded also available!) Logans Music Burwood (02)97442400 www. loganspianos.com.au AUTHORISED GIBSON DEALER
A rarely used example of this classic and much sought-after synthesizer in excellent condition. Price includes delivery to any destination on mainland Australia.
iFlogID: 6885
iFlogID: 6512
Brand New Fender standard Stratocaster.(Mexico) Updated model including new tinted neck. Different colour options available. Package includes Guitar, gig bag and stand. RRP $1100 Logans Price $756 Heaps of other Fender bargains instore. Logans Music (02) 9744 2400 www. loganspianos.com.au AUTHORISED FENDER DEALER
YAMAHA YAS62 ALTO SAXOPHONE
sustain, signed on the backside by JOE SATRIANI. Mint condition; 22fret; bolt-on neck; Seymour Duncan Invader hi-output humbucker; DiMarzio clip-lock strap; brand new uxl hard case; postage if required (from Perth) all inclusive, $2400 ono. Call/ txt for myspace address w/photos of this & more custom painted guitars. for serious inquiries only: Michael 0417184213.
Genuine 1980’s Pete Townshend jap model. all original. in case. amazing action. beatiful tone and sustain. plays great. nice patina. very rare. suit collector. EXCELLENT CONDITION! $2500.00 Ph Jimbo on 0428744963. iFlogID: 5835
FENDER SQUIRE MIKE DIRNT BASS
Gibson Les Paul Robot guitar. This awesome guitar has the playability of the gibson you love with the advanced robot tuning system. Limited Edition Silverburst only 1 of 400 made. Includes gibson hard case Logans Price $2747 Logans Music Burwood 9744 2400 www.loganspianos.com. au AUTHORISED GIBSON DEALER iFlogID: 6587
AmpliTube iRig. Plug your guitar into your iPhone/iPod touch/iPad and jam anywhere with world class guitar and bass tone right in the palm of your hand - from the leader in studio-class guitar and bass software. Simply plug the iRig interface into your mobile device, plug your instrument into the appropriate input jack, plug in your headphones, amp or powered speakers, download AmpliTube for iPhone Free and start rocking! You’ll have at your fingertips the sound and control of 3 recombinable simultaneous stompbox effects + amplifier + cabinet + microphone just like a traditional guitar or bass stage rig! Add amps and effects as you need them — you can expand your rig with up to 11 stomps, 5 amps, 5 cabinets and 2 microphones in the AmpliTube iRig app custom shop. ONLY $59.99 UNBEATABLE Logans Music (02)9744 2400 www.loganspianos.com.au iFlogID: 6545
Better exchange rate means better Martin prices! Logans are making a move on Martin guitars. Prices have been slashed on the guitar many consider to be the finest acoustics ever made. For details check out: www. loganspianos.com.au or call (02)9744 2400 Logans Music Burwood Authorised Martin dealer
FONTAINE CLARINET
TAKAMINE EF1920 CUSTOM SHOP GUITAR. This acoustic electric guitar was handcrafted by Takamine Japan to commemorate Logans 90th Anniversary. Huge list of premium features including Select Cedar top, CT4B Takamine preamp, custom inlays, 7 ply bound dreadnought body finished in Gloss Black. Package includes Takamine deluxe hard case and certificate of authenticity. Limited run of only 24 guitars, be sure to act fast. Unbeatable value at only $2499 LOGANS MUSIC BURWOOD www. loganspianos.com.au 9744 2400 AUTHORISED TAKAMINE DEALER iFlogID: 6257
KEYBOARDS HUGE ACCORDION SALE
Ideal beginners FONTAINE - Trident Series. Bb Clarinet. Grained bakelite body with 17 nickel plated keys. Adjustable rubber cushioned thumb rest. Supplied with standard 65mm barrel plus a spare 62mm barrel. “Xtreme Cases Australia”, heavy duty poly foam “back pack” style case. RRP $399. Our Price $230 LOGANS MUSIC Burwood 97442400 www. loganspianos.com.au
Australia’s first online booking agency with a difference!!!! For Artists & Promoters
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THE SPACED ARE HERE!
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GUITAR FX BOSS MT-2,OD-20,CS-3. ROLAND GR-20 GUITARSYNTH. DIGITECH JAMMAN,HENDRIX. PICK UP ONLY DEEWHY 0424487379 iFlogID: 6728
SO WHY BUY MUSIC WHEN YOU CAN GET IT FREE! Check this out www. musicforcause.com the best unsigned artists compiled into music genre packs 100% download proceeds for charity great new way to find brillant unsigned musicans Give it a GO
www.myspace.com/thespaced
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BOOKING AGENTS
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VIOLIN VIOLA CELLO BASS
CRAIG THOMSON ENTERTAINMENT
Logans has one of the largest ranges of stringed instruments in Sydney. Over 180 violins, violas, cellos instock. Offering professional setups on all instruments, repairs and bow rehairs. Come in and see our range of new and used instruments. LOGANS MUSIC BURWOOD 9744 2400 www. loganspianos.com.au
One of Sydney’s largest cover band agencies representing over 40 solo artists, duos, trios, bands and shows. Home to The Australian Pink Show, Creedence And Beyond, The Inxs Show, Barnstorming (Chisel / Barnes Show), The Pearl Show, Chart Busters, Millennium Bug, Hit Machine and many, many more. Phone 02 45714754 www.craigthomsonentertainment.com
iFlogID: 5294
RARE PAINTED 7STRING IBANEZ AX
Custom Ibanez AX7221, with AMAZING (owner/artist) brush-painted collage of HR.GIGER biomechanical landscape sealed in acrylic for heavy use. Lightweight with phat tone &
Piano accordions now on sale at Logans! Come in select from our large range of piano accordions. All sizes available Mention this ad to Receive 20% off RRP. Logans Pianos 9744 2400 www.loganspianos.com.au iFlogID: 5264
KORG TRITON EXTREME88
iFlogID: 5328
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
iFlogID: 6936
SYDNEY’S PREMIER DJS
the most competitive pricing. Contact 0402257148 or www.aaaentertainment.com.au iFlogID: 5801
MUSICIANS FOR FUNCTIONS/ VENUES
your next audio project ready for the public. DOMC work with you to get you the ‘sound’ that you are chasing.
at noon. Check out the new news at www.TheMusic.com.au iFlogID: 5089
START YOUR MUSIC CAREER TODAY!
SIMON BENNETT PHOTOGRAPHY
DO YOU AND YOUR BAND WANT TO STAND OUT? WE HAVE THE BEST STUFF FOR YOUR GIG’S, WE ARE THE PROFESSIONALS IN SOUND AND LIGHT, WE HAVE THE TOP OF THE LINE GEAR AND WE ARE READY TO GIVE YOU AND YOUR BAND THE SHOW YOU NEVER FORGET Call Roger on 0447025967
iFlogID: 5710
MATTHEW GRAY MASTERING - $99
PROFESSIONAL SOUND AND LIGHT
GUITAR GODS AND MASTERPIECES
iFlogID: 6928
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Do you want to book some of Australia’s finest DJs? Our agency supplies the most experienced & popular DJs for festivals, clubs, bars & corporate events. We can set up a roster of stellar DJs for your club or offer you the very best in DJs, or the hugely popular DJ based bands, for your event. Contact us today at info@thegrooveacademy.com.au or visit www. thegrooveacademy.com.au. iFlogID: 5847
EP RELEASE Hey kids,Have you got your copy of ‘DEATH TO DERROS’ yet? If not,do so now.Available on I-Tunes and many other Music sites.Or download some FREE tracks on TRIPLE J UNEARTHED. GET SAM ON THE RADIO!www. myspace.com/samschindler07. GRUNGE PUNK ROCK!
RETRO RECORD PRODUCTION
Are you thinking of hiring quality musicians that bring an audience ? Do you have a function/event and considering live entertainment ? For a limited period, we are offering a Venue Promotions Package featuring favourite entertainers. If it is about raising your venue profile or just great entertainment you want, contact us now. Chris 0419 272 196 http://infovisionproductions.yayabings.com.au iFlogID: 5076
$99 per song +gst for online mastering via our secure servers. Analog chain, digital chain, mix evaluations, online mastering and attended sessions - we ensure your mastered product sounds amazing. www.matthewgraymastering.com. iFlogID: 3422
OTHER AUSTRALASIAN MUSIC SPECIALIST
PA SYSTEMS, LIGHTS , STAGES
iFlogID: 6769
COMING SOON New tv show on C31 Digitalor watch online at www.c31.org.au Supporting Australian Guitarists and Led Zeppelin.Featuring Instructional licks,Performances and Interviews by our best.Includes Guitar Health with Dr Jim - James Cargil,Hosted by Jasmine Young,Artists include Steve Morse,Geoff Achison,Brett Garsed,Bruce Mathiske,Jeremy Barnes,Jimi Hocking,Michael Dolce,Dutch Tilders,Nick Charles,James Ryan,Simon Patterson,Lloyd Speigel,Marcel Yammouni,Matthew Fagan,Juan Martinez Ortiga,Pete Fidler,Sergio Ercole and many more.Make sure you press retune on your digital box and go to number 44
Simon is a Sydney press photographer working for fairfax media. He has a passion for live music photography and it shoes in his images. Plus with his experience in editorial work, he can produce exceptional images for his clients. Reasonable Rates Contact Simon on: (Mobile)0414415818 (Email) si.bennett@me.com and simon.bennett@fairfaxmedia.com.au www.stayclassysydney.com
Platinum award winning writers and producers available for co writes and all levels of production. Competitive rates for high end quality. Platinum Artist Development is a unique service. We take care of everything from writing, recording, image styling, photography and video clips , everything you need to release. We are with you all the way. For free music industry advice contact Bec on 0422213628 RETRO RECORD PRODUCTION PRODUCTION, PRODUCTION ASSISTANCE, PRODUCTION ADVICE. e-mail me at revjdlove@pacific.net.au iFlogID: 6282
PA’S AND PROFESSIONAL OPERATOR
tired of cissy ass mainstream sh*t? well check out samantha schindlers new EP ‘death to derros’ released late april for all the touching hits about hating sl*ts,derros + more. hit up www.myspace.com/samschindler07 will be available on CD and to download on cd baby. GET INTO IT KIDS,BEFORE IT BECOMES ‘COOL’ AND UR THE LAST TO KNOW!! iFlogID: 4033
ILLUSTRATOR AVAILABLE NOW!
THE CHEMISTRY OF SOUND
Jumpn’Bones PRODUCTIONS DRUMMER / PRODUCER / DJ PRODUCTIONS & PERFORMANCES 0430 829 875 Matte J Meli SYDNEY
We have the gear and have the people. From small to BIG - give me a call for a quote - PA SYSTEMS from $110 - CALL MATT on 0424 399 801
tenzenmen is a world renowned distributor of alternative music from all parts of the Australasia region. Find out more at www.tenzenmen.com
COOL PERTH NIGHTS
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LEGAL / ACCOUNTING DETAX GOT ME A GREAT REFUND!
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Cool Perth Nights weekly mailout features all the coolest live music, theatre, indie film screenings and art exhibition happenings in and around Perth Western Australia. Sign up via www.coolperthnights.com and receive this clean presented and very fun info each Wednesday lunchtime WST.
FOOTAGE FOR VIDEO CLIP NEEDED
iFlogID: 6840
MASTERING BENCHMARK MASTERING
Heavy rock band Drop Tank are making a film clip. We need your home videos of burnouts, skilled driving, awesome machines in action, to use for our song about a car. We will be pixellating numberplates (and faces if needed), so send all killer, no filler to: Droptank or droptankband@ gmail.com via sendspace (Any format will do but AVI or MPEG-2 is preffered) or to: DROP TANK PO Box 443 Brookvale NSW 2100 www.myspace. com/droptankband *Drop Tank does not promote dangerous driving iFlogID: 6076
Professional Mastering from $110 per track in Australia’s most prolific mastering suites. We have the dedication and experience to make your music come alive using the world’s best equipment. Located in the heart of Sydney’s CBD. Conditions apply email:info@benchmarkmastering. com Ph:(02) 9211 3017 www.benchmarkmastering.com
GET IN THE KNOW!
DOMC MASTERING - $95 PER TRACK
Domc Mastering is a dedicated mastering suite located just outside of Brisbane. We specialise in getting
PA’s,Lighting & Operators KV2 Audio ES Rig to suit up to 1000 people KV2 Audio EX Rig to suit up to 400 people KV2 12”+3” horn Wedges in Left & Right pairs 40 Can Light show available with Hazer. Including a Yamaha LS9-32 for total recall for return gigs with up to 8 sends to stage. This system has been supplied for Jenny Morris, Choirboys, Black Sorrows, Jon Stevens, Glen Shorock, James Blundell, Jon English and also many of the top cover bands in Sydney. Please call Paul from ISE Productions on 0408288443 for a quote. 20years+ experience in UK, USA & Australia. iFlogID: 5270
A rockin’ salute from the Team at Clk Click Publicity! Clk Click Publicity is a music and entertainment publicity company that specialises in providing excellent quality management, marketing and PR services in order to promote music, film, arts and events in Australia. We have an introductory offer that will blow your mind, and keep your pockets full! For a limited time Clk Click Publicity can whip you up a professional Bio and Press Release for only $100. We can also organise band photos and logo creation for a very reasonable price. If you’re interested in finding out about our full range of publicity services, we’d love the opportunity to have a chat with you and put together a proposal for your next release, event or tour. For further information please shoot us an email at info@clkclickpublicity.com or visit our website at www.clkclickpublicity.com We look forward to working with you!
I can help bring your song ideas to life! Northern Beaches producer/ writer with local production studio, great gear, and own indie label can help you write, arrange, record and release your songs! Whatever your project, song/spoken word, sound for image, ad or HSC music recording, I can help make it great! ABN, negotiable rates depending on project. Please call for a chat about your project! Steve Lindsay 0419 631 766, Oceanic Records.
soundornot.com
iFlogID: 6047
SPACE SHIP NEWS.COM.AU
From the people who brought you TheMusic.com.au comes two new free news resources, The Daily News Feed and Velvet Rope; the only source of music business and industry news you will ever need! Each morning the Daily News Feed posts crucial music business news, helping you stay current with Aussie and overseas breaking stories. Velvet Rope is brought to you via Door Bitch and is a weekly news column that keeps you up to date on the happenings of the music biz. From job opps, news, events & a bit of back room gossip, Door Bitch has it covered. It’s out every Friday
As Engineers/Producers our passion is to create tracks that give the listener a hard hitting, fresh sound that sonically sounds PHAT and pushes the boundaries of what music currently sounds like in Australia, which stands up amongst the international market. WE SPECIALIZE IN HIP HOP/R&B BUT LOVE ALL GENRES. We’re located at Level 7 studios and the studio is decorated in some of the most appreciated vintage and modern gear which provides our clients an incomparable advantage in the sense of both the analogue and digital domains. Artists we’ve worked with include: Pharrell Williams, N.E.R.D., Kanye West, INXS, Black Wallstreet and a myriad of local artists such as Hyjak, Potbelleez, Vice Verser, Thundamentals, Fame, Tycotic, Rai Thistlewaite (Thirsty Merc), Wendy Mathews, Gin Wigmore, Tim Freedman (The Whitlams), Carl Riseley, Hoodoo Gurus, Wes Carr, You Am I, and many more. Contact us on 0424 462 945 and check out myspace.com/mixinthelab iFlogID: 6186
PHOTOGRAPHY If rock n roll is the collected voices of the outsiders, then Dane’s camera; its Egglestonian frankness, immediacy, and oft-kilter worldview, is their microphone. www.photodane.com iFlogID: 6942
PHOTOGRAPHER / VIDEOGRAPHER
Professional illustrator available for any project. Book covers, children’s books, album art and much more. Based in Melbourne, drawing world wide! Excellent rates. www.paulikin. com -Phone: 0403 996 129 or email paul@paulikin.com iFlogID: 4701
RECORDING STUDIOS STUDIO FOR SONGWRITERS
Session Bass Player Andrew Challoner is available for any recording projects from a full album in a professional studio to a single track in a home studio. Andrew is experienced in recording, has great time/ feel, quality gear, and knows how to groove. He has knowledege in any style and has the ability to create basslines that make your songs come alive. Andrew can read chord charts or notation, and can play by ear. He is also experienced in arranging and can write printed chord charts or notated charts using Sibelius, to save time (and money) in the studio. Special offer - 1 track free for any new clients! Hear the difference a real bass player can make on your songs. www.andrewchalloner.com 0410-625-981 iFlogID: 6535
SONG PRODUCTION FOR WRITERS A comfortable, air-conditioned recording studio is available for use by Guitarists, Vocalists, Singer Songwriters and Small Ensembles. Centrally located in Petersham, in Sydney’s Inner West, the studio is fit out with the latest technology, including Cubase recording and editing software and hardware by M-Audio, Phonic, Tannoy, CAD, Rode, AER, Ampeg and Shure. Engineering is part of the package and assistance can be offered with arranging, instrumental backing, programming and other musicians. Craig Corcoran 0430344334 creative-guitar@hotmail.com www.creativeguitar.com.au iFlogID: 6325
AFFORDABLE SYDNEY PRODUCTION
Are your songs failing to impress publishers and labels due to poor production? Have radio quality production done on your songs. Mixed and mastered, ready to pitch to artists, labels and publishers.check out audio samples at www.myspace. com/nathaneshman ONLY $349 per song. Call: 0403 498 103 Email: info@nathaneshman.com iFlogID: 6524
STILL PLAYING IN THE GARAGE?!!
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PA & OPERATOR 4 HIRE 4000w FOH, 16-ch, Up to 6 foldback sends, multicore, FX & lighting. Competitive rates. Phone Rob: 0418 258 695. iFlogID: 6722
PA Hire + Sound Guy Perfect sound every time for your events. Quality PA equipment with experience operator. JBL speakers with 18”Subs, Allen & Heath Mixer, dbx, Shure, lightings. All types of your special events. Please Call Viera 0431 757 635. www.audioinborn.com
Need help of easygoing professional Photographer/Videographer,wanna showcase your next gig,promo clip or great portrait cover shot and cant afford professional price , need to deliver pro results in studio / on the night?We can help. Pro HD results /fraction of the cost. Free Quotes. www.creativefilm.com.au m0406277606 Djera
PA OPERATOR 4 HIRE
SETLIST PHOTOGRAPHY
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Promoting a CD? Want to let fans know about your gigs? Take your band to the next level with our competitive rates for your marketing and publicity needs. We strive to bring our artists to as wide an audience as possible conducting a broad media campaign which encompasses national print media and online promotion and an artist administration area allowing access to realtime 24/7 campaign results. We can also look after your paid advertising, sourcing some of
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MARKETING AND PROMOTION
PA’S,LIGHTING & OPERATORS
NTHN BEACHES SONG PRODUCTION
Detax will maximise your tax refund or minimise your tax liability, by applying years of Entertainment & Arts industry tax knowledge & personal industry experience into each and every tax return. Individual Tax Returns from only $99. Discounted rates available for multiple years. Phone Dave Elliott 0434 979 269 or email Detax@optusnet.com.au
iFlogID: 6287
MUSIC PUBLICITY AND MARKETING
in4mal entertainment, Soundbasement Studios, Jumbonote Recording & Shire Music provide opportunites for musicians, song writers, covers & original bands to perfect your performance, learn stage craft and test out your material in a professional environment at: Taren Point Hotel Wed wkly, Harp Tempe Thurs ftntly, Amber Ale Annandale fri ftntly & Panania Hotel Sat ftntly. Go to blogs at www. myspace .com/in4mal_entertainment for all dates, venues, artist lists & photos. Call Mal to register your spot. 0413735773
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SPECIAL OFFER!!!!
HIRE SERVICES
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High end quality rigs BOSE and KV2 ES systems 500-6600watts. No cheap chinese imports. 23 years experience, “Rightsounds Productions” We get it right the first time. Steve 0418964484 Office 48852200 WEB http://users.tpg.com.au/sds/ rightsound.htm
PA/OPERATOR FOR HIRE
Special Packages available for artists and bands!! Whether being recording/ mixing. With networks to many studios around town your project will sound great and professional whilst working within a budget!! OUR PASSION IS TO CREATE RECORDS THAT GIVE THE LISTENER A HARD HITTING, FRESH SOUND THAT PUSHES BOUNDARIES, WHICH STANDS UP AMONGST THE INTERNATIONAL MARKET. WE SPECIALIZE IN HIP HOP/R&B BUT LOVE AND DO ALL GENRES. For a full list of our credits see myspace.com/mixinthelab. Contact us on 0424 462 945 or Email at thelab1@hotmail.com
Complete Album & Demo Recording, Production, Instrumentation,CD Mastering. Pop, RnB, Country, Gospel etc. I’m comitted to acheiving for you the highest quality in a friendly, creative environment.30 years of experience. ph 02 9654 8143 mob 0400 323 982 info@johnertler.com www.johnertler. com
SESSION BASS PLAYER AVAILABLE
MAL’S OPEN MIC NIGHTS
iFlogID: 6404
For as low as $100, you get a PA system with a sound mixer, complete with a human operator as well to set it up for you for the evening. You can play your own music through it, sing, talk, do a disco, small function, etc, etc, etc. Contact Chris 0419 272 196.
Stately Manor Productions – Sydney’s newest Hip-Hop Production House are offering MC’s, Rappers and Hip Hop Artists recording, custom beats, songwriting, production, mixing and mastering to release quality at affordable prices. www.statelymanor.com. au for details.
RECORDING SERVICES FOR SINGERS
iFlogID: 7039
iFlogID: 5236
RAPPERS / MC’S / HIP HOPPERS
iFlogID: 6835
POSTERS
iFlogID: 6306
ONE WORD...SCHINDLER
Producer Engineer with own Recording Studio. Twenty years studio savvy seventeen of which being London based working in the UK music industry. I only make quality recordings of your songs in my spacious fun creative studio. Tours available. www. tbonetunes.com
iFlogID: 6294
iFlogID: 6354
PA / AUDIO / ENGINEERING
MOONLIGHT STUDIOS 24-trk HD by Alesis; 32-chan Mackie desk; Neumann, AKG, Shure, CAD mics. Outboard gear by Roland, Focusrite, FMR, Vintage MXR, Revox etc. Rates $330 per 8hr day or $50 per hour. Full list of credits at www. themoonlightstudio.com Phone 0412 602 042 or (02) 9939 2462
iFlogID: 6556
Band PA for hire 6000W FOH,1200W FB on 4 sends + drumfill 800W, 5 X EQ’s and , 24 chnl soundcraft mixer, eminence speakers 2x twin 21”subs,2 x twin 18”mids and high quality Horns, behringer MICS, 2 x 4 par56 can lights on stands with chaser rates from $400 Also can supply kareoke from $300 a night call richard 0424125169
Stately Manor Productions – Sydney’s newest Hip-Hop Production House are offering MC’s, Rappers and Hip Hop Artists recording, custom beats, songwriting, production, mixing and mastering to release quality at affordable prices. www.statelymanor.com. au for details. iFlogID: 4508
LEVEL 7 STUDIOS
Get out of the Garage and into the Studio! We will give you 1 Hour Completely Free when you book in at least 2 hours with us, as a bonus to New Clients. A quick testimonial, “... Recording at Nano Music Productions was a pleasure. They knew exactly what I wanted and the finished product shows that. I look forward to record with them again very soon”. – K Hudson. Book with us today and get your FREE Hour! Call 02 8005 1295 or visit our Website www.NanoMusicProductions.com iFlogID: 6387
STUDIO SPACE FOR LEASE
iFlogID: 6074
PA SYSTEM 3200W FOH FROM $300 Perth Music News Your one stop for local Perth music news, gig guides, photogrpahy, reviews, bands, CD’s & more... Sign up to our weekly e-news & keep up to date! www.spaceshipnews.com.au iFlogID: 4790
Band PA system for hire. 3200w FOH, 2 x 2x15 cabs with subs, 1350w FB, 4 wedges on 2 sends, 16 input desk, FX, mikes/stands,DIs, icolor lighting. Experienced operator, many satisfied clients. From $300 p/night. Best value for money. Chris 0432 513 479 iFlogID: 5402
Sydney’s Live Music Photography specialist with over 5 years experience in the industry. Artists include Moby, Groove Armada and festivals such as Soundwave, Good Vibrations plus many more. Cheap and affordable for local artists. Go to setlistphotography.com or email info@ setlistphotography.com for a quote. iFlogID: 6533
Historical recording location in Sydney’s CBD. SSL console, Huge control room and a great live room all at affordable rates. Complete record/ mix/master/CD duplication packages available with our experienced producer/engineers. email: info@benchmarkmastering.com Ph: (02) 9211 3017 www.level7studios.com.au iFlogID: 6215
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
Studio space for lease in Kogarah. Aprox 20 square meters adjoining rehearsal room. Looking for proffesional engineer/producer with own equipment to run a business out of our new rehearsal/recording studio. Please send expressions of interest to ben@krankstudios.com.au iFlogID: 6356
SUMSOUND MIX SUITE
can be left set up in the room, giving you free storage and time saved on setups. - wall length mirrors - Great for bands leading up to recordings or major tours. - Can be shared between 2 bands quite comfortably. - Security building - Shared bathroom & tea room facilities - walking distance from Central Station (approx 100m) City views, great vibe - Great recorded rehearsal & demo rates for rehearsal bands at the brain. $450/week min 4 weeks or $400/week 3 month commitment (works out @ less than $65/ rehearsal and includes storage) This space would also comfortably fit 4 workstations with room to spare, so we would consider applications for creative/music related office use. contact: 0431337488
A four week course that gets you playing fast. Individual tuition. Chords, Rhythm, Songs, Theory. 25 years specializing in teaching beginners! Gift vouchers available. Call David on 96603877 Annandale/ Inner West area. iFlogID: 6426
BASS & GUITAR TUITION
iFlogID: 6367
Why mix with a mouse - or worse, wait for your engineer to mix with a mouse? ICON mix suite available in Moore Park, www.sumsound.com.au Killer engineer, ex Digidesign specialist - work with one of the fastest PT operators in the world. Great plugins, great sounding room. Call Brent to discuss your project and budget 0406 501 192 PT training also available iFlogID: 6491
THE LAB STUDIOS
REPAIRS GUITAR & AUDIO ELEC REPAIRS Well known guitar & audio electronics repairer, Have done work for alot of the big names in the industry. Professional work, Great rates, Quick turnaround. Guitar Bass Amps FX Studio & Live Sound Equipment. Call Luke on 0450 998 861 or Email: antmusic76@hotmail.com iFlogID: 6209
ROCKIN’ REPAIRS - GUITAR TECH
Individually tailored music tuition from UNSW/ Sydney Conservatorium trained and accredited professional musician. Half lesson learning theory and technique, half playing the music of the student’s choice. Learn with direction with 3 stage core program enabling improvisation and composition. Dedicated, patient teacher who listens to student’s needs. Also available voice, keyboard, songwriting, arranging, and music technology. All styles offered to all ages from around 12 and over. Studio situated in Surry Hills. Contact Christian Laki on (02) 9280-3443, email christianlaki@ musicteachers.com.au or visit www. christianlaki.com iFlogID: 5213
BASS FOR BEGINNERS
We are experienced risk takers that not only know the rules, but also know when and how to break them! We have been engineering and mixing for over 15 years and have worked in Sydney’s top studios. We also have our own Mixing/Production studio called The LAB, located at the famous Level 7 studios which is decorated in some of the most appreciated vintage and modern gear in combination of a myriad of assorted software and plug-ins that provides our clients an incomparable advantage in the sense of both the analogue and digital domains. THIS IN COMBINATION WITH MANY STUDIO CONTACTS AROUND TOWN, YOUR PROJECT WILL SOUND GREAT AND PROFESSIONAL WHILST WORKING WITHIN A BUDGET!! For a full list of our credits see myspace. com/mixinthelab. Contact us on 0424 462 945 or Email at thelab1@ hotmail.com iFlogID: 6285
REHEARSAL ROOMS FREE REHEARSAL OFFER!!
Do you live to play? Whether you’ve just bought a new guitar or an old favourite is feeling a little faded, we’ll bring the best out of it! Rockin’ Repairs is based in Point Piper in Sydney, Australia and offers restrings, setups, upgrades and repairs for all guitars and basses; no matter what you play or how you play it, we’ve got the tools and techniques to breathe life back into even the most mistreated guitar. We treat every instrument individually; time, care and love is taken with each job to get the best from your guitar. We work hard to give you the feel and the sound you want. 0405 253 417 tara@rockinrepairs. com www.rockinrepairs.com iFlogID: 5992
WWW.MUSOSREPAIRSHOP. COM.AU Based on the Central Coast with over thirty years experience in playing, teaching and repairs/restoration. Specialising in guitar, bass, banjo and even trumpet. Email via website or ring Jeff on 0448559947. iFlogID: 6036
TUITION A1 HOME CALL GUITAR TUITION
Krank Studios Kogarah are Sydney’s newest rooms. Easy parking, flat load, air-con, great PAs and that new carpet smell. Come try the place, pay for one, get one FREE! Hurry, limited time and conditions apply. 95870180 ben@krankstudios.com.au
A1 very experienced guitar teacher available for home call tuition.we come to you! become a better musician soon!based in sydney’s inner west.I had the best teachers,now you can too.learn the fundamentals that make a great guitar player!many styles taught in a relaxed,fun manner that will get you happening fast.ph 0421727864.
KRANK REHEARSAL STUDIOS
ABLETON CERTIFIED TRAINER
iFlogID: 5923
Equipped with 13 years of bass guitar and musical experience, Rachael offers an introductory level of tuition for beginning musicians focussing on areas of technique, music theory, rhythm and performance. Open to all ages. Bass ownership not essential, studio location Eastern Suburbs. Contact 0415273252 or rachael.rees@ hotmail.com. iFlogID: 6161
BASS TUITION -1ST LESSON FREE! Bass Tuition with professional bass player Andrew Challoner. Fun creative and relevant. Any style, age or ability. 1st lesson free! Lesson topics include fingerstyle techniques, pick playing, slap and pop, how to groove with a drummer, song writing, scales and arpeggios, walking bass, improvising, soloing, reading chord charts and notation, aural skills, styles from rock to reggae and everything in between, and performance. Northern Beaches/North Shore For more info www.andrewchalloner.com or www. myspace.com/andrewchalloner. Ph Andrew on 0410-625-981 for your free trial lesson iFlogID: N/A
BASS TUITION Central Coast based teacher helping you get in the groove. Playing/teaching with over thirty years experience, from beginner to any level, any age. Could even come to you! go to www. musosrepairshop.com.au or ring Jeff 0n 0448559947.
iFlogID: 4682
iFlogID: 4872
iFlogID: 5913
INTEGUITAR INTERFACE KIT
GUITAR LESSONS FOR ALL AGES
Learn guitar with someone who’s actually out there working in the industry performing, writing, recording etc. (north shore area) call/email Josh: 0415248313 kellermanjosh@ gmail.com iFlogID: 4832
GUITAR LESSONS
GUITAR TUITION. STEVE MCKENNA Taught at AIM, GIT USA and London, Munich University, Sydney Conservatorium. Played with Joe Pass, Robin Ford, Mike Stern, John Schofield. All styles taught beginners to professionals. Lewisham. 0416 738 397. www.jazz-planet.com/smckenna. steviegtrplaye1@optusnet.com.au iFlogID: 5693
GUITAR TUITION
Ableton certified trainer and author of Ableton video training for Groove 3 (USA) Craig McCullough is available locally in SE Qld for private Ableton and music technology training. Video training is also availble from www. groove3.com. Mobile: 0431 556 746 email: abletontrainer@optusnet. com.au
Guitar lessons available from a Conservatorium trained musician. Most styles taught. Jazz/Blues/Rock/Pop/ Metal. Musicianship, Composition and Theory lessons also available. All ages welcome. Contact Sean on 0429 508 101 iFlogID: 6552
GUITAR, BANJO AND VOICE ham/ Leichardt/ Sydney. Real guitar for committed students. Attentive, one on one guitar lessons with Craig Corcoran. Fully equipped music studio in Petersham, centrally located in Sydney’s Inner West. Learn Jazz, Rock, Blues, Contemporary , Funk, Latin , Gypsy, Folk and other popular styles. Learn at a pace and in a direction you want to go. Beginners to advanced, all aspects of guitar are supported. Incorporate a practical approach, using rhythm, harmony, melody and improvisation.
iFlogID: 6612
SINGING TEACHER NYC TRAINED
Australian Bands Only.Do you have A You Tube Rock Band Video you want to promote,if so Mike Hunt wants to promote it.Just send your link to admin attention Mike Hunt and we will do our best to list you for free worldwide at www.clearhunt.com
WWW.MANNYS.COM.AU iFlogID: 4452
iFlogID: 6007
MUSIC VIDEOS
VP550
SYDNEY PROTOOLS USER GROUP
NOW ONLY
I’m a professional Music Producer and Sound Mixer who has worked with internationally renowned artist such as Seal and De La Soul, and I’m offering private tuition in Mixing and Production. Bring your own session (Logic or Protools) or use one of mine, and I will show the tricks that they do not teach you at school, I work from my home setup (Surry Hills) only, $65 per hour. http://www.steevebody. com iFlogID: 4776
NOT AVAILABLE FOR FREE ADS. CL Singing lesson’s cheap $25.00 half hour from experienced rock,pop,band singer , easygoing and patient in Rockdale. beginners to intermediate. Start singing sooner than you think with my help. Shannon 95563314 or 0406346239 iFlogID: 6924
NY TRAINED SONGWRITING TUITION PROFFESSIONAL ROYALTIES EARNING POP ROCK SONGWRITER AVAILABLE FOR TUITION AND GUIDANCE. TRAINED WITH LEADING NYC VOCAL TEACHER WHO HAS WORKED WITH ARTISTS IE. AVRIL LAVIGNE, KELLY CLARKESON AND BEYONCE. COMMERCIAL RADIO PLAY FOR ORIGINALS. LOCATED EASTERN SUBURBS. AVAILABLE TO TRAVEL. ORIGINALS WELCOME OR BEGINNING FROM AFRESH. K.I.S.S. = $$$$$. 0435 426 012 iFlogID: 4454
PIANO LESSONS Piano Lessons Piano lessons available in the Hawkesbury area. 22 year old teacher with a fun approach to the basics of the piano. Bachelor of Music degree with experience teaching young children the fundamentals of music. First half hour lesson free to assess whether or not lessons will be suitable to you/your child. $20 per half hour lesson. Please phone or email Katie on 0451 307 599 or katie.goodman@live.com.au
iFlogID: 6489
THE UKULELE SALON
Receive lessons from a highly experienced teacher and performer, specialised in teaching males. First introductory half hr free. Improve tone, control, performance and confidence. Guaranteed! No time like the present. Call now! Cheap rates: $50 per hr iFlogID: 5981
SINGING LESSONS NORTHERN BEACHES AREA. Private singing lessons with absolute professional. Ex Cabaret Performer, Session/Studio Singer, Music Producer. Toured Australia with Shirley Bassey and Perry Como. Free trial and assessment. Beginners and all ages welcome. Peter Flanagan 99058742, 0414860118 iFlogID: 6767
SINGING LESSONS THAT ROCK<<<<< Your voice has the ability to sing at the Audioslave/ Muse/ Aretha/ P.J.Harvey level because of Design. Pick any singer you like and you can sing as good if not better using a relaxed technique. Starting off with extending your vocal range learn to sing the right technique the first lesson, how to start a band or just fun. Microphone technique - recording techniques – songwriting –. Beginners to advanced Newtown 0405-044-513 iFlogID: 6661
1 ONLY @
BASS PLAYER AVAILABLE
Get into Ukulele consciousness. Join the Ukulele Salon. Every Tuesday night in Petersham at 7.30pm. This is 60 minutes of high quality tuition and ukulele playing. We’re developing a really fun and sometimes slightly challenging repertoire of songs for public performance. You don’t have be an ukulele expert to join this group. Just a willingness to have a go, do a bit of practise and enjoy yourself. Contact Gary 9716 8982 (m) 0414 869 352 iFlogID: 6184
iFlogID: 6663
SINGING LESSONS
$1599
Professional Bass Player Andrew Challoner is available for gigs; covers or originals, casual or permanent. Great groove/feel, quality gear, experienced in any style, large repertoire, reasonable rates and a good attitude! Also available for recording and tuition. 0410-625-981 www.andrewchalloner.com, www. myspace.com/andrewchalloner iFlogID: N/A
Beginner to Intermediate bass player available in Sydney. Keen, committed and reliable. Open to music styles. Looking to have some fun and want to learn and grow as a bassist. Contact Troy on (0414) 977 111 or email at scather@hotmail.com
VYPYR 100
iFlogID: 6873
VOICE LESSONS with professional Singer and Teacher. Vocal Technique Performance Skills Vocal Percussion Contemporary Styles-Latin, Jazz, Pop and World Music. Adults and Children Contact Toni 0423 939 119
Double Bass Player / Bass Guitarist available for working situation. Mature Age and very experienced in most types of music. 97590970
VOICE TEACHER TO THE STARS
Looking for great Bass player to complete lineup for International touring covers band playing rock, pop, top 40 with a group of easy going, young Sydney musicians. Playing 6 nights a week around the world, expenses paid, good salary and great money saving opportunity. Age 18 - 30 MUST have passport, MUST be available to head overseas with 3 months notice and be able to learn 50 songs in that time. If you have a career job, a wife and kid, an original band you can’t leave then this position isn’t for you. You could potentially be employed as a fulltime musician Internationally anywhere from 3 months to years to come. If you want to play live music for a job and want to forget about ever paying rent or food whilst traveling the world for free, saving money and you can play bass really well please call me. 0424 943 905 thanks!
2 ONLY @
$699
iFlogID: 6915
iFlogID: 6781
Teacher to the stars, Steve Ostrow. New York vocal coach who started the careers of Bette Midler, Barry Mannilow, Peter Allan and countless others. Now accepting limited amount of private students. All styles; pop, classical, beginners welcome. For my free e-book, ‘I’m Becoming A Singer: A guide to how’ Email me at sostrow@bigpond.net.au. For more info on voice classes, call me on 0408 461 868. I look forward to hearing from you. iFlogID: 4851
VIDEO / PRODUCTION GREEN SCREEN STUDIO $40/ HOUR!
FULLTIME BASS PLAYER WANTED
VT 100
2 ONLY @
$799
iFlogID: 6530
SINGING LESSONS THAT ROCK<<<<< Your voice has the ability to sing at the Audioslave/ Muse/ Aretha/ P.J.Harvey level because of Design. Pick any singer you like and you can sing as good if not better using a relaxed technique. Starting off with extending your vocal range learn to sing the right technique the first lesson, how to start a band or just fun. Microphone technique - recording techniques – songwriting –. Beginners to advanced Newtown 0405-044-513
iFlogID: 6681
ECW80C
BASS PLAYER
iFlogID: 2274
SAX TUITION IN BONDI Easy way to learn saxophone for students of different ages (from kids to adults) and different levels (from beginners to advanced). $35/hour Located in Bondi Phone: 0410041979 E-mail: lorenzo_colombo@tiscali.it
Bands who have recently made videos with us include El Duende, Line Drawings and Grace Before Meals. Get your band on Rage and Youtube, or make a video for your myspace page. Fantastic concepts and slick production that wont break your budget. See examples of our videos on facebook. com/dynamic.screen.content Call Darrin on 0413555857 (we’re based in Sydney)
MUSICIANS AVAILABLE
Guitar lessons, one on one from Chris Turner, professional rock/blues, acoustic & or electric. studio location. Phone 02 9552 6663 email guitardoctor@bigpond.com.au
Mature age, excellent gear, huge repertoire, specializing in 50’s, 60’s, 70’s and 80’s. Only working bands need apply. 0403357019 iFlogID: 6911
DRUMMER This is exciting fascility run by %100 artists since Jan 2007.We provide range of services to suit any needs and even tiniest budget!You need just cheapest green studio in Sydney ?!! or complete finished promo clip,green screen footage,motion graphics or 3D elements.120m2 fascility with fully lit pro grade studio at the amazing $40/h!!!What are you waiting for?Get that promo clip happening this week ,to just give you an idea of what could you use in backround please check this site:www.pond5.com 7days,Easy Access,Music/Promo/online Video,TVC Best rates in Sydney,Top Quality Studio!www.greenscreenstudio.com.au www.creativefilm.com.au
PRO DRUMMER AVAILABLE ITALIA GUITARS
MINIMUM
30%
OFF
Pro Drummer seeks working band or paid fill in gigs. Conversant in ALL styles, Good sightreader, Best equipment, Reliable transport. www. steeledawson.com 0409 169 496
MORE M ORE S SPECIALS PECIALS O ON-LINE N-LINE
iFlogID: 5268
PIANO: BLUES, ROOTS & POPULAR Spaces available now. Specialized
Come and meet and mingle with other protools engineers both professional, hobbyist and students. Free guest lectures, door prizes and tutorials. www.facebook.com/sydneyprotools
PROFESSIONAL GUITAR LESSONS
iFlogID: 6751
Visit web site for more information. Play songs on guitar instantly. $24.95 + $4.00 Postage KIT of 4x Interfaces + Music TutorialCD. Getting past the initial String Crashing period of learning guitar can take a number of years and its made all the more difficult by the blank fret board and the reversed perspective that books friends teacher are positioned in. InteGuitar solves this problem by giving the fret board a temporary movable visual interface of rudimentary Chords. Fit on all steel string acoustic and electric guitars and some classical nylon. Call us now on 0405 044 513 InteGuitar.com © Copyright InteGuitar2005
$1299
PRODUCTION/MIXING TUITIONS
SINGING LESSONS MARRICKVILLE
iFlogID: 5553
iFlogID: 4154
Your own private rehearsal room inside CBD recording facility. Hours of access: 7pm - 12pm Mon - Fri 7pm - 3am Weekends - Equipment
Contemporary styles with experienced performer/tutor. Beginner to advanced levels. $35/$65. guystrazz@virginbroadband.com.au 0414317967 (Dip Jazz, B.Mus, MA)
iFlogID: 7037
CONTEMPORARY AND MUSIC THEATRE SINGING TUITION. TRAINED WITH LEADING NYC VOCAL TEACHER WORKED WITH ARTISTS IE. AVRIL LAVIGNE, KELLY CLARKESON AND BEYONCE. WORLD RENOWNED VOCAL EXCERSISES TO VASTLY IMPROVE VOCAL TECHIQUE BASED ON EXCSERCISES FROM MANHATTAN SCHOOL OF MUSIC. LOCATED EASTERN SUBURBS. AVAILABLE TO TRAVEL. ORIGINALS WELCOME. AUDITION COACHING. 0435 426 012
WEEKLY ONLINE SPECIALS
iFlogID: 6009
Tuition in Acoustic & Electric Guitar, Electric Bass. Beginners welcome (children 10+yrs). Teaching since 1988. All aspects of the instrument. Can also come to you. www.guitarbass.com.au Terry 9660 5059
iFlogID: 6650
Play actual drums a block from Railway Square. All styles/levels taught. Lessons available Mon-Sat, day/ night. One-off/weekly/fortnightly ok. Get off your arse, take a lesson! Or ten! Danny Heifetz begin_of_the_ skype_highlighting 0410 517 151 end_of_the_skype_highlighting heifetzdh@yahoo.com
iFlogID: 6813
Training and advice on all aspects of Home & Professional Studio Recording. Learn from a pro with over 30 years experience. Contact John Ertler 9654 8143, 0400 323 982, email info@johnertler.com
INNER-WEST GUITAR TUITION
Drum Lessons with established Funk / Rock drummer. All levels all styles, focus on groove and the fundamentals of drumming. Creative Studio environment located in West Ryde or at your home. For bookings and enquiries please call Jay: 0418 376901
professional singer/songwriter. Lessons tailored to suit individual needs. Free introductory lesson. www.realvoice.net.au for more details. Inner West, Rosanna 0431 157 622.
iFlogID: 6909
GUITAR & BASS ANNANDALE
DRUM LESSONS - ALL STYLES
tuition from Don Hopkins (Jim Conway’s Big Wheel). Improvisation, piano technique, theory. Songwriting skills. Reading music, chords. Individual sessions. Beginners to advanced. Get to where you want to be. 0425201870 donhopkins@ me.com
PRO TOOLS & LOGIC PRO TRAINING
iFlogID: 6670
iFlogID: 4240
ABSOLUTE BEGINNERS 4 GUITAR & KEYS
GUITAR/VOCAL LESSONS, GLEBE
DRUM TUITION IN STANMORE with a Billy Hyde trained teacher. Dip Ed, Dip Drums. All styles and all ages. Beginners Welcome! Call Lee: 0403307796
iFlogID: 6877
Guitar tuition now available in Kogarah. We specialise in rock so if you want to learn to shread like slash or just learn some all time classics give us a call. 95870180 ben@krankstudios.com.au
iFlogID: 3683
PRIVATE REHEARSAL STUDIO AVAIL
iFlogID: 6638
Expand your creativity, exercise your mind, learn a skill for life,entertain people and most importantly, have fun! Music is a fulfilling pastime for a great many people. If you enjoy music get in and be a part of it. Seize the day! Beginners to intermediate of all ages welcome. I have experience in both song writing and performance aspects of music. Whether you just want to strum or sing along in your room or you’d prefer to start your own band and take over the world. Together, we should be able to get you well on your way. Just add enthusiasm!$50 per 45min Individual and 1h small group sessions available. Call Zach on 0424 047 183 zachdevans@gmail.com
iFlogID: 6038
CREATIVE GUITAR TUITION
iFlogID: 5549
TUITION WITH BROTHER JOHN. Fingerstyle guitar, open tunings, slide, flat picking, improvisation, country, blues, folk, celtic styles, music theory, ear training, singing and vocal harmonies. Banjo: up-picking and three finger picking. Mandolin, songwriting and arranging. All styles from Doc Watson and Mississippi John Hurt to Robert Johnson and Eric Clapton. www.acousticfingerpicking. com, www.rosestudios.com.au, tel. 0431953178
iFlogID: 6321
Diatonic Harmonica lessons with pro Harmonicist based in Sydneys Inner West. Over 10 years experience. Beginners to Advanced welcome. Contact Ray e-ray.lechminka@gmail. com m-0403999811
BLUES HARP LESSONS
Learn Blues Harmonica all styles from Ragtime, Country Blues , Chicago Blues styles. Private lessons in Sydney with Blue tongue & Workshops across Australia with Bluetongue, Ian Collard & Doc Span. web- http://www. bluetongueharmonica.com.au p-02 80037132 m-0412 668575
Try Krank Studios in Kogarah. Our new rooms have air-con, flat load, good PAs and snacks! Its where all the cool cats rehearse. 9587 0180 ben@krankstudios.com.au
Learn theory and all about scales and modes and how to apply them effectively. Learn songs and practice techniques. Ear training, song writing, composition and sight reading. Learn all about chords, arpeggios, substitutions, synonyms and inversions. Alternate tunings, slide guitar, finger style, chord melody and world music. Study your favourite players and learn how to develop your own sound. Comfortable, air-conditioned studio with huge resource library and comprehensive digital recording available to those wanting to demo. Days and evenings, Monday to Thursday and Friday, Saturday day. All guitar lessons are private. Ask about special introductory offer and gift vouchers. Contact Craig Corcoran: 0430344334 (02)95726702 creative-guitar@ hotmail.com creativeguitar.com.au myspace.com/craigcorcoranmusic
Singing lessons in a positive environment with a highly experienced and
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
iFlogID: 6628
iFlogID: 6689 OM.AU WWW.MANNYS.C PROFESSIONAL DRUMMER
6 486 48 9486 948 9 03HUNT HAVE YOU SEEN MIKE (
)
8555AVAILABLE 8555
FREE FREIGHT
rything else! Check out our website www.thepigs.com.au and ring if your good. Sean 0412 008 171 or email info@thepigs.com.au iFlogID: 6991
POWERHOUSE BASSPLAYER WANTED
Pro Drummer conversant in ALL styles seeks Working Band or fill in gigs. Best equipment, reliable transport www.steeledawson.com iFlogID: 6626
TOP PRO DRUMMER AVAILABLE
Professional Trombone player available for gigs, session and tours. Jazz, Funk, Latin, Pop, Rock and Classical. Can sight read, improvise and write parts. Contact Brendan 0409833827. iFlogID: 4099
ELECTRIC VIOLINIST Electric violinist available for stage & studio work. Friendly top pro with top gear and great sound, has worked with many Australian & international artists. Improvisation, rock, pop, blues, world music, experimental, avant-garde...even slide violin! Creative, spiritual musician, plays with passion. No habits. Paid work only please. Can double on guitar. iFlogID: 6564
for gigs,tours,sessions etc. Good equipment, professional attitude. Many years pro experience working with well known artists. Please check out my website, www.mikehague. com Ph 0419760940
SAXOPHONIST AVAILABLE
iFlogID: 6243
BASS PLAYER FOR CLASSIC ROCK
iFlogID: 5819
GUITARIST 18yr old lead guitarist to start/join a band to play any rock/punk/metal/ indie/etc. Open minded. Keen to jam/ gig ASAP. Want something that’s raw, youthful, energetic. Don’t call if you’re a die hard screamo or hair metal fan Otherwise, Benjamin 0448221479 King-y_21@Hotmail.com iFlogID: 6800
Guitarist Available for sessions - studio and live. All genres, reasonable rates, pro service. Got a song in your head but need a guitar part?Songwriting/collaboration available. Will play by ear or from charts. Call Pete - 0438 637 942.
Experienced saxophonist based in Sydney is looking for bands and studio sessions. Jazz, funky, afro, reggae,latin, rock, folk. If interested contact me at 0410041979. Cheers. Lorenzo iFlogID: 4974
SINGER JASON AYRES
iFlogID: 6932
GUITARRIST WANTS TO PLAY GIGS I’m a 22 year old guitar player looking for gigs with cover bands or originals. I can play a lot of different styles and I wanna play on stage as soon as posible. I can also do recordings. Send an e-mail to nikki.rausch@hotmail.com or call me: Nikki- 0404963050 iFlogID: 5199
GUITARRIST WANTS TO PLAY GIGS I’m a 22 year old guitar player looking for gigs with cover bands or originals. I can play a lot of different styles and I wanna play on stage as soon as posible. I can also do recordings. Send an e-mail to nikki.rausch@hotmail.com or call me: Nikki- 0404963050 iFlogID: 5201
Lead guitarist looking to jam/form a heavy metal band, preferably on the central coast but willing to travel. Influences: Mercyful Fate, Judas Priest, Metallica, Iron maiden - Blake 0403138542 iFlogID: 6829
PRO GUITARIST AVAILABLE
Acoustic Pop-Rock Specialist -www. jasonayres.com-
iFlogID: 5777
NOT AVAILABLE FOR FREE ADS. CL Mid 20’s female singer. good stage presence/voice. need musicians to start or join a funk/soul band or duo. Want to start gigging asap. originals, covers or both. email: singeradvertisement@gmail.com or 0406 673 818 iFlogID: 6744
MUSICIANS WANTED BASS PLAYER ~BASS PLAYER NEEDED~ Newly formed band looking for an bass player to complete the line up. Must be reliable. We write our own songs and encourage creative input. Influences include: Tool, Metallica, Rage against the machine etc. Ph: 0414742900 iFlogID: 6715
Aussieboy and mates require a bass player than can sing m/f cool We have paid gigs coming up Have released CD LA tour plans Fun music no drugs or egos Russ 0433237004 russ@musicforcause.com www. mypsace.com/aussieboynmates Fun times ahead iFlogID: 6975
Guitarist available with 30 years experience in many styles of music. Rock, Jazz, Blues, Pop, Folk, Latin, Gypsy, Country, Funk. Jazz specialist. Looking for paid gigs, as a band member or as a deputy. Excellent equiptment, transport, reliability and can read music. Guitar tuition for committed students only, beginners to advanced. Boutique, digital recording studio available to those wanting to demo, or send your existing recorded files if you want guitar parts added to it. Music samples and more information at: wwwcreativeguitar. com.au myspace.com/craigcorcoranmusic. Contact: Craig Corcoran (Inner West) 0430344334 creative-guitar@ hotmail.com iFlogID: 6329
OTHER PRO TROMBONIST AVAILABLE
Guitarist/singer seeking bass guitarist to form a 60s pop/rnb group (2 guitars, bass,drums) encompassing authentic sounds of the 1960s Brit Invasion (Beatles, Stones, Kinks, Yardbirds, Searchers, Pacemakers etc) & material of similar ilk (eg The Monkees, Billy Thorpe & The Aztecs, Easybeats etc). Also stuff by likes of Carl Perkins, Little Richard, Chuck Berry, Eddie Cochrane & early 60s African/American rnb music that inspired 60s UK beat bands. Sharing quality lead vocals and contributing 60s beat band style 2 part backup and call/response harmonies (eg Paul & George on Twist And Shout) is absolutely essential. Good gear and transport also essential and age up to 50s fine. If interested, email me at 62gretschgent@gmail.com
BASS PLAYER AND DRUMMER WANTED
We are a bunch of “old blokes” in our 40’s who were semi-pro players over the 80/90/00’s. We now play for the enjoyment and have put together a “Classic Rock” show, where we play numbers that haven’t been played for a while. We have a name. some following, and management contact to get us well-paid gigs. The emphasis is fun, but take the musicianship seriously. We only rehearse every fortnight on a weekend, as we all have family commitments. We need a bass player on the same page - ideally our age group because you will know and hopefully love the songs. We cover the big stadium stuff - think Foreigner, Doobies, Cheap Trick, Zep, Bad Co, Lizzy, Mondo, Noiseworks, Toto, Roachford..etc. This is a class act, where we get well paid to have fun. We’ll concentrate on mostly 70’s & 80’s rock...we won’t be doing 50’s or early 60’s groups. This is a Rock Show with all its charms. Like to attend - contact me at dhdiaz@ optusnet.com.au or 0409 442 446 (before 8pm)and tell me a little about yourself. Previous applicants need not apply. iFlogID: 6485
BASS PLAYER WANTED Bassist wanted to join melodic metal band with death/black/thrash influence. Must be determined, skilled and have own gear and transport. Easygoing but professional environment. Ages 18-30 Wollongong/ Sydney based. Influences: Dimmu, Old man’s child, arch enemy, children of bodom, immortal, megadeth, slayer, amon amarth etc. Interest gained nationally and internationally with distribution deals on offer for the band. Great opportunity. www. myspace.com/asmodaiaus or email asmodai_aus@hotmail.com iFlogID: 5302
CHRISTIAN BASS PLAYER WANTED Two christian guys (vocalist & lead guitarist) from the northern beaches in sydney, looking for a bass player (25-35 years old) to complete a 4 piece rock band. If you can also sing BV’s, even better! Influences include: U2, Kings Of Leon, Foo Fighters, 30 Seconds To Mars, Switchfoot. Currently we are jamming and writing, but with the vision to go full time and international one day. So if you aren’t serious about regular practices, gigging, touring and generally making a band work, please don’t apply. Email thelastjosh@gmail.com to apply. Will need to have own gear and transport. iFlogID: 6391
FEMALE MUSICIANS WANTED Female musicians wanted to jam at a studio to later looking to do recordings. Bass, Guitarist and Keyboards. A bit of experience preferred and any age. Ph Hera 02 9636 3336.
Pro Powerhouse Bassplayer wanted for an established 5 piece band Newcastle area.Covers and originals hard rock,blues,pop,rocknroll exp band gigged with the Angels 2 booking agents,a lot of paid gigs booked. Album 2011 Peter 4984 4731. Must be a team player.A good opportunity for the right person we have a small fan base and growing. iFlogID: 5789
PROGRESSIVE HEAVY ROCK Experienced bass player wanted for an original, progressive & heavy hard rock band. Must have stage worthy gear, own transport and be a 100% committed. Influences are TOOL and ISIS. For further inquiries, demos, etc contact Brett at bmaperformance@ hotmail.com, 0400464983. www. myspace.com/demo000
iFlogID: 6759
RAD BASS PLAYER WANTED
iFlogID: 6090
BASS PLAYER FOR 60S POP GROUP
iFlogID: 6774
NOT AVAILABLE FOR FREE ADS. CL The Pigs need a Double Bass player.. Bluegrass/Rockabilly style... and eve-
Crouching 80s Hidden Acronym (Sydney - listen to some of our EP (played on FBi) at triplejunearthed. com/crouching80s) Are seeking adrummer for recording/gigs. Influences include Bloc Party, The Cure (original, right?), Bowie, Foals and Metronomy. Interested? Contact Dean on 0431477933
iFlogID: 6970
iFlogID: 6395
iFlogID: 6833
DRUMMER AND BASS PLAYER WANTED
iFlogID: 6393
drummer wanted.. great gear and great feel essential.. must have the taste of wanting to make music a career!! and would prefer you be between 18-30. check out the sample page: http://www.myspace. com/matineeidyll129 and if you like it email: playitstrange@live.com
DRUMMER WANTED-PRO METAL BAND! Hard-rock / Metalcore band seeks committed, self motivated drummer capable of playing to a Pro standard. Must be available for regular gigs, rehearsal. Must have a great work ethic and be easy to get along with, and share the same passion to pursue music full-time. iFlogID: 6445
DRUMMER WANTED
Pop/rock/blues act looking for committed reliable members - bass player & drummer. Looking to gig as soon as possible - covers and originals. Weekly rehearsals around Blacktown to lower Blue Mountains area. For more info email Amelia at milly_moo_7@hotmail.com iFlogID: 6092
The Cashmere Revoluiton are seeking a minimal yet powerful and dynamic drummer for high energy live shows in Sydney and beyond... We have a bitchy-electro-pop sound that’s synth heavy, layered with acoustic guitar and atmospheric bass lines.The gigs so far have been a blast.Have a listen to myspace.com/thecashmererevolutionband If you like the demos and are excited about playing some amazing live shows call Andy 0401 544 685 or email thecashmererevolution@live.com.au iFlogID: 6904
DYNAMIC METAL DRUMMER NEEDED!
in the process of recording our songs - only being held back by the lack of a drummer! We have our own studio and jam regularly. We hope to be gigging as soon as everyone is tight. Did I mention we rock? Message or call 0431 957 583 and let’s get a jam going! (SYDNEY) iFlogID: 6831
PRO POWERHOUSE DRUMMER Pro powerhouse Drummer for an established 5 piece band Newcastle area. Covers and originals,Hard Rock,blues,pop,rock & roll exp band gigged with the Angels 2 booking agents a lot of paid gigs booked, Album 2011. Contact Peter 4984 4731
Need more stand up drummers, for on call work. Must sing harmonies. For wedding & function work and hotel / club dates. Mostly Cen Coast & Hunter - pay $200- $700 per gig. Must be exp pro. See website for clips etc. www.timpringle.com.au. Contact me for live clip with drummer. Please do not contact me if you don’t play stand up or don’t sing harmonies
PRO POWERHOUSE DRUMMER WANTED
WANNA BE IN MY BAND??!!!
iFlogID: 5793
Pro powerhouse Drummer for an established 5 piece band Newcastle area. Covers and originals>Hard rock,blues,pop,rocknroll exp band gigged with the Angels 2 booking agents alot of pai gigs booked Album 2011 Peter 4984 4731 iFlogID: 5791
Punk/Soft Rock band seeking decent drummer: we’re writing material at the moment, and planning to gig by early next year. Preferably a team player with wide music tastes. If you’re interested, call Jen on 0448 053 306. iFlogID: 6761
ROCK DRUMMER FOR ORIGINAL PROJ
DRUMMER AUDITIONS CONTINUE!!
Hello hello! Are you a bass player 18-30? Brilliant! Want to be in an original, catchy, sydney indie pop band. Think Gorillaz meets Neil Young. Gigs awaiting. Call Josh on 0402937011 or email creativefreelancer@mtvna.com.au.
iFlogID: 6962
Sunshine Coast pop/rock Band “Lending Her” are looking for a bass player. Currently finishing our debut album and looking at a tour of Brissy & Sydney in late 2010 to promote our album. For a Demo of the band www. facebook.com/LendingHer iFlogID: 6846
Sydney/Wollongong band The Watt Riot are still trying out drummers!! Need a hard hittin drum demon to join the gang. Wheels and a cool kit is important. Liking our tunes is also good... before calling check out www.myspace.com/thewattriot We have done some cool stuff such as win jjj unearthed, toured, released two ep’s. If all this applies to you then call Johnny on 0403529600 or email thewattriot@hotmail.com Thankyou thankyou!! iFlogID: 5911
DRUMMER FOR 60S POP GROUP
iFlogID: 6964
A Drummer Needed! Sydney-based 3-piece rock/metal band looking for tight, professional & committed drummer. Must have own kit. Call Mat on 0417659669 iFlogID: 6736
CHRISTIAN DRUMMER WANTED
Mature metal band based around Hills & Blacktown area. Influ: Heavy, grunge, hardcore, Death, Groove & various. Like-minded dynamic drummer own gear & car. Aiming to gig & record. cursedwithsanity@hotmail. com; myspace.com/cursedwithsanity (mp3s r old); myspace.com/mazvox (vocalist) iFlogID: 5272
FEMALE DRUMMER WANTED - PAID Management backed covers/original band with top booking agent. You must be female 18-26yrs & have own gear & transport. Talent, experience & passion a must! Regular paid gigs.0410 621 791 & jo@starpowermanagement.com.au
seeking people to join a band pop punk or alternative band live Roughly around Campbelltown age between 17 - 20 Guy or girl with experience Playing Bass Drums Guitar Synth Call 9am - 9pm Name Email Corey_staples@hotmail.com 0435881737 or tazzy_lover@hotmail.com iFlogID: 6966
Singer/songwriter/guitarist creating a new original project is looking for experienced rock drummer. Must have great sound and ability to play with vibe and groove when using click plus experience with both acoustic and electric kits and seq. BV’s also a huge bonus. Check out sample of new cd release: http:// www.myspace.com/remmosk If interested, pls contact via email remmosk@gmail.com iFlogID: 6679
SERIOUS DRUMMER WANTED
ACCA DACCA Australians most high profile touring hard rock, AC DC show band, based in Brisbane requires the services of an extremely competent guitarist.25 yrs plus We have 3 mts to fill this position however successful applicant will start as soon as he is ready. Must be, proficient player, Able to tour, Australia and overseas, have or able to obtain current passport, can have casual or part time job with flexible hours. Good gear essential. great wages and conditions. Doing some 100 plus shows per year. This show is a lot of fun and you have a unique opportunity to perform all over Australia and the world. Please only apply if you meet the criterion. phone Ph 0412622910 iFlogID: 6483
iFlogID: 7046
Guitarist/singer seeking drummer to form a 60s pop/rnb group (2 guitars, bass,drums) encompassing authentic sounds of the 1960s Brit Invasion (Beatles, Stones, Kinks, Yardbirds, Searchers, Pacemakers etc) & material of similar ilk (eg The Monkees, Billy Thorpe & The Aztecs, Easybeats etc). Also stuff by likes of Carl Perkins, Little Richard, Chuck Berry, Eddie Cochrane & early 60s African/ American rnb music that inspired 60s UK beat bands. Good vocal ability considered handy but not essential. Authentic quality drumming’s the focus. Good gear and transport also essential and age up to 50 fine. If interested, email me at 62gretschgent@gmail.com iFlogID: 6245
Drummer required for International touring starting December for covers band. Expenses paid such as free flights, food, accommodation. Good salary. Must have passport and available to tour worldwide. Great money saving opportunity. Pro players only. Email drumming CV to touringmusicians@live.com
We are a 4 piece folk/acoustic/blues/ country band consisting of 2 x vox, 2 x guitars, double bass, stomp box and keys looking to find a drummer to add colour and energy to our songs. We play all original material and are currently gigging around Sydney and recording our debut EP in July this year. We play a mix of styles so looking for someone versatile. Must be willing to commit to at least 1 night a week rehearsal, gigs and festivals. If this sounds like you then please contact Susie on susiehurley@live.com iFlogID: 6069
FUNKY RYTHYM SECTION WANTED!
ANGUS YOUNG
iFlogID: 6697
SONS OF GENGHIS NEED DRUMMER!
DIRTY DEEDS - Australia’s leading tribute to AC/DC are in need of a professional Angus Young impersonator for immediate work. If you look like Angus Young and are an Angus nut, you live and breathe AC/DC, you can get down on the floor and spin on your shirtless back while shredding to Whole Lotta Rosie - then we want you! This is the busiest AC/DC tribute show there is with the best crew so be prepared to commit fully. Send your bio, recent photos and any other supporting evidence of your bad self to info@dirtydeeds.net.au for consideration or call 0412 706 061. www. dirtydeeds.net.au www.myspace. com/dirty.deeds iFlogID: 5489
CENTRAL COAST INDI KIDZ
iFlogID: 4238
NEED DRUMMER WITH ROCK SPIRIT!
DRUMMER WANTED - SYD hey. were looking for a new drummer.. must have great gear and great feel.. must also be able to rehearse 2+ times per week in st peters and must have the taste of wanting to make music a career!! must be between 18-30... check out the sample page: http://www.myspace. com/matineeidyll129 and if you
Rich Uncle Skeleton is looking for a serious drummer to complete our line up. Influences include: SOAD, Alice in Chains, Tool, Refused,Radiohead and many more. We have a nationally distributed debut album and a booking agent. Industry showcase gigs lined up in the next few months as well as shows in Melbourne and interstate gigs. Serious drummers only- no time wasters. Must have good gear, own transport and no other projects. Age 20-30. www.myspace.com/ richuncleskeletonband contact Fox0408739583 or Fil- 0421791018
funky rythym section wanted for dynamic sexy funk/rock/blues hip hop band.influences-the meters,early rhcp,sly stone,james brown,jimi hendrix,parliament/funkadelic.phone 0421727864.
iFlogID: 6765
Two christian guys (vocalist & lead guitarist) from the northern beaches in sydney. Looking for a drummer (25-35 years old) to complete a 4 piece rock band. If you can also sing BV’s, even better! Influences include: U2, Kings Of Leon, Foo Fighters, 30
GUITARIST
18 year old guitar player looking for another guitar player to start a band with. Influences: Led Zeppelin, Guns N’ Roses, The Stones and Aerosmith. Call Tom on 0401722767. Preferably someone in the south.
iFlogID: 4390
We are a pop rock band looking to audition a few bassists, we’re willing to take things slow to get things great so email me to get your place.
seeking people to join a band pop punk or alternative band live Roughly around Campbelltown age between 17 - 20 Guy or girl with experience Playing Bass Drums Guitar Synth Call 9am - 9pm Name Email Corey_staples@hotmail.com 0435881737 or tazzy_lover@hotmail.com
iFlogID: 4394
FOLK/ACOUSTIC/COUNTRY DRUMMER
Who wants to be in a all girls original pop rock band hav some fun and make some $$$?! Guitar/bass/ drummer needed. Must be able to sing passable back up vox and luv performing!Practice 1-2 times per week. Gig asap. All ages welcome. www.myspace.com/nicolesero 0435 426 012
DRUMMER
Who wants to be in a all girls original pop rock band hav some fun and make some $$$?! Guitar/bass/ drummer needed. Must be able to sing passable back up vox and luv performing!Practice 1-2 times per week. Gig asap. All ages welcome. www.myspace.com/nicolesero 0435 426 012
ANGUS YOUNG REQUIRED
WANNA BE IN MNY BAND??!
iFlogID: 6792
iFlogID: 6479
iFlogID: 6825
iFlogID: 6889
seeking people to join a band pop punk or alternative band live Roughly around Campbelltown age between 17 - 20 Guy or girl with experience Playing Bass Drums Guitar Synth Call 9am - 9pm Email Corey_staples@ hotmail.com 0435881737 or tazzy_ lover@hotmail.com
NOT AVAILABLE FOR FREE ADS. CL Pop/rock/blues act looking for committed reliable members - Bass player & Drummer. Looking to gig as soon as possible - covers and originals. Weekly rehearsals around Blacktown to lower Blue Mountains area. For more info email Amelia at milly_moo_7@hotmail.com
like what were about email: playitstrange@live.com
iFlogID: 6934
Punk/Soft Rock band looking for bassist: we’re currently jamming and writing material, and planning to gig by the end of the year. If you’re interested, call Jen on 0448 053 306.
iFlogID: 6940
Bass player wanted for originals band. Currently gigging 12 song set. Something like, Crowded House. Influences; The Beatles, Neil Finn, Fleetwood Mac and many great melodic pop artists. Rehearse on Sydney’s upper North Shore Phone Andy 0438 648 545
Seconds To Mars, Switchfoot. Currently we are jamming and writing, but with the vision to go full time and international one day. So if you aren’t serious about regular practices, gigging, touring and generally making a band work, please don’t apply. Email thelastjosh@gmail.com to apply. Will need to have own gear and transport.
Sydney Based “Sons Of Genghis” need versatile drummer, if you play like primus meets Chilli Peppers, Faith no more meets Pantera,this is the band for you and we want your chops!! Check the sounds at www. myspace.com/sonsofgenghis. Call Jono 0410 330 702 or Andy 0420 771 357.
For developing indi outfit lambs become lions. Think kooks and the Beatles vs the beautiful girls with a bit of your influences mixed in for good measure If you’re keen for it give Patrick a call 0415680575. Please serious applicants only as studio time is expensive for half baked no shows. Thanks guys
STAND UP DRUMMER - GOOD PAY
GUITARIST FOR 60S POP GROUP
iFlogID: 4485
We’re looking for a drummer with enthusiasm to Rock N Roll! We are an originals Hard Rock band and we’re
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
iFlogID: 5023
NOT AVAILABLE FOR FREE ADS. CL Lead guitarist required for originals band in the Crowded House style. Currently gigging, we have plenty of melodic pop songs needing your expertise with solos and fills. Rehearse on Sydney’s upper north shore Phone Andy: 0438 648 545 iFlogID: 6776
PUNK/SKA RHYTHM GUITARIST WTD
Guitarist/singer seeking rhythm/lead guitarist to form a 60s pop/rnb group (2 guitars, bass,drums) encompassing authentic sounds of the 1960s Brit Invasion (Beatles, Stones, Kinks, Yardbirds, Searchers, Pacemakers etc) & material of similar ilk (eg The Monkees, Billy Thorpe & The Aztecs, Easybeats etc). Also stuff by likes of Carl Perkins, Little Richard, Chuck Berry, Eddie Cochrane & early 60s African/American rnb music that inspired 60s UK beat bands. Sharing quality lead vocals and contributing 60s beat band style 2 part backup and call/response harmonies (eg Paul & George on Twist And Shout) is absolutely essential. Good gear and transport also essential and age up to 50 fine. If interested, email me at 62gretschgent@gmail.com iFlogID: 6237
Guitarist needed for Sydney-based band. Genre is mainly contemporary country/country rock with a mix of originals & covers. If you’re up for a challenge, call Geoff 0419 112 899 or Alan 0408 116 174 iFlogID: 6784
GUITARIST WANTED The Cramps. Must have the right look and feel, girl or guy.
iFlogID: 5708
Hi guys and girls! We are a late 70’s style ska and punk outfit who have been together about 6 months. Unfortunately, our good solid rhythm player has had to leave due to commitments. We are looking for someone to step in and hopefully provide some backing and maybe even a tiny bit of lead vocals occasionally. We aim to play much more slowed down ska and are just beginning to experiment with some writing after playing lots of covers. Things that stood out so far we really enjoy jamming are: The Only Ones - Another Girl Another Planet UB40 - Food For Thought Roxy Music - Love is the Drug The Clash - Should I Stay or Should I Go The Saints - Know Your Product The Specials - Monkey Man / A Message to you Rudy So far we have 2 singers, a trombone, keyboard, bass, drummer, lead guitar and may possibly look at getting a trumpet in the near future. We rehearse in Marrickville rehearsal rooms every Saturday for 4 hours. If you’re interested in seeing if you would like to join us please contact me on imafunkybloke@hotmail.com. MSN or email are fine. Also you can add me to facebook jonathan krasnowski and I will show you the band group there so you can see our discussions and videos so far etc once we have a mutual interest. iFlogID: 6311
RELIABLE GUITARIST NEEDED
HEY WERE LOOKING FOR A GUITARIST INBETWEEN THE AGES OF 18-25 PLEASE GIVE ME AN E-MAIL OR PHONECALL E-MAIL: shane_greig1@ hotmail.com PHONE: 0433 028 200
iFlogID: 7050
LEAD GUITARIST REQUIRED
KEYBOARD PLAYER NEEDED Keyboard player wanted, backing vocals a plus. Own transport a must. Must have good gear and experience. We are currently a Sydney 3 piece looking at expanding to 5 piece. Think most bands on the Creation Records and 4AD labels. Contact Sam on 0415292247 and listen to us on www.myspace.com/ourpendingname iFlogID: 6315
KEYBOARDIST WANTED SYDNEY
The Blindfolds seek an experienced and flexible lead guitarist. Debut album ‘Nasty Canasta’in the can, unavoidable circumstances have created a vacancy. Looking to have a replacement up to speed and the band gigging again asap. A solid foundation in the blues and an open mind the most desirable assets. Writing and vocal abilities a plus. Check out our myspace at: http://www. myspace.com/theblindfoldsaustralia Call Al on 0420314462 or Ben on 0424486380 iFlogID: 6772
LEAD GUITARIST WANTED by Central Coast band “The No Such Things” infl: 60s power pop/garage/psych e.g. Standells, early Who, Nuggets, Pebbles, Love, Kinks etc. Gigs waiting when ready Phone Rob 0423 014819 or Paul 0408 429280 iFlogID: 6920
LEAD GUITARIST WANTED
Who wants to be in a all girls original pop rock band hav some fun and make some $$$?! Guitar/bass/ drummer needed. Must be able to sing passable back up vox and luv performing!Practice 1-2 times per week. Gig asap. All ages welcome. www.myspace.com/nicolesero 0435 426 012 iFlogID: 4392
KEYBOARD COVERBAND REQUIRE KEYS Sydney based, agent backed coverband requires a keyboardist. Must have good gear, own transport able to gig most fri / sat nights. We play mostly modern covers and are after ages 18 - 35. Please send your details to brotherbooth@gmail.com iFlogID: 5905
Attention UNSIGNED musos we need your help in song donations and exposure for you to help us with our charity website. www.musicforcause. com Jump on and donate a song and get free exposure and song sale opportunities, its going be big!!! iFlogID: 6977
BANDS WANTED!!!
Original Rock Band Calling Mendoza, looking for a commited keyboardists who is multi talented and have the ability to play Rock genre.Influences include U2, Simple Plan and The Fray. Vocals required and transport is essential.Age requirements between 25 to 40. Check the band web on www.myspace.com/callingmendoza. If the music suits your taste please call Simon 0421 373 194 or Ray 0412 186 874.
NEED KEYBOARD &/OR GUITAR
iFlogID: 6505
CALL FOR MUSICIANS/ BANDS/DJS Looking for musicians of all styles to play at the Woolloomooloo Festival on Wheels. Playing times are: Friday 23rd July 6-9pm Saturday 24th July 10am-6pm. This event will be @ Monstrosity Gallery, 93 Bourke Street, and Sable and Argent Cycle shop 85 Bourke St Woolloomooloo. info@monstrosity.com.au Website: www.monstrosity.com.au Phone: 8060 2332
SEEKING KEYBOARD PLAYER/ GUITARIST FOR LONG-TERM COLLABORATION. I CURRENTLY HAVE A SONGWRITER’S CONTRACT FROM NASHVILLE AND HAVE MANY IRONS IN THE FIRE. IF YOU ARE PROFICIENT WITH APPLE, GARAGEBAND IT’S A BONUS. CALL ME TO SET UP AN AUDITION ON 0407-781156 or Email me. iFlogID: 5799
Original singer/songwriter/guitarist creating a new original project is looking for experienced rock keyboard / sound artist. Hoping to find someone using GarageBand to exchange files and collaborate with. Check out: http://www.myspace.com/remmosk If interested, pls contact via email “remmosk@gmail.com” iFlogID: 6811
RAD SYNTH PERSON WANTED
iFlogID: 6432
HELP OTHERS IN NEED We are a small group of musicians(Bass,Guitar,Harp). Like many families ours has been hit with cancer. We are looking for other musicians to join us to raise money for cancer research. Because of our line up we typically play acoustic style around country, blues & folk rock and use an Alesis drum machine. If you are interested in joining and committing to our cause we practice weekly on Friday afternoons in Blaxland. We have other small groups and solos interested in performing also. Call David on 0411 618 536 email guitartime6@gmail.com
iFlogID: 6804
NOT AVAILABLE FOR FREE ADS. CL JACK NASTY FACE must LOVE, ELVIS, THE CRAMPS, THE HIVES, THE STROKES, WHITE STRIPES. Must play a hollow body and know how to use a whammy bar. Age 25-35, super stylish girls or guys only need apply.TOM 0411 874 673 iFlogID: 6987
iFlogID: 6554
NOT AVAILABLE FOR FREE ADS. CL The Pigs need a Banjo Player!!! Needs to be sharp... love Bluegrass and also be prepared to give it a twist! Check out our website www.thepigs.com. au and ring if your good. Call Sean 0412 008 171 or email info@thepigs. com.au iFlogID: 6995
PRODUCER & STUDIOS WANTED
iFlogID: 6259
Wanted: Composer/Arranger/Sound Engineer with knowledge in using Ableton Live 8/Reason 4 2 Female Singers (18+) Film Clip Buddy (18+) For collaboration on Rap/Hip Hop/RNB Project Based in Parramatta Contact Jhal du Paul on 0421 557 587 iFlogID: 6788
SINGER BRIAN JOHNSON DIRTY DEEDS - Australia’s leading tribute to AC/DC are in need of a professional Brian Johnson impersonator for immediate dep work. If you look like Brian and can scream your lungs out in the style of Johnson to all the AC/DC classics - then we want you! This is the busiest AC/DC tribute show there is with the best crew so be prepared to work. Send your bio, recent photos, mp3’s or any other supporting evidence of your bad self to info@dirtydeeds.net.au for consideration or call 0412 706 061. www. dirtydeeds.net.au www.myspace. com/dirty.deeds iFlogID: 5491
can you SING? call us! 0431516576 new rock band. Newcastle area. check us out at lasuemusic.tumblr. com iFlogID: 6746
GOSPEL SINGERS WANTED
Hello hello! Want to play synth/keys/ drumpads in up and coming sydney alternative pop band? Sounds like... Gorrilaz meets Neil Young. Project has MTV backing. Call Josh on 0402937011 or email creativefreelancer@mtvna.com.au. Gigs are awaiting.
Talented Rick Rubin-style producer with access to studio required for Funk Rock project Hot & Delicious Records http://www.hotanddeliciousrecords.com/ Funk rock project created to launch a music career. Influences include: RHCP, Rage Against The Machine, Hendrix, John Butler Trio, Faith No More, Beautiful Girls, Bob Marley, Sublime, The Rolling Stones Only those with experience and talent who are easy-going, but driven to work hard on a weekly basis need apply. Send all queries and Myspace/YouTube, Reverb Nation/ website links to: Dan Wilkinson dan@ hotanddeliciousrecords.com iFlogID: 6274
RELEASE YOUR MUSIC WORLWDIDE!!
Release your music worldwide to over 300 digital stores including iTunes and get back 100% of your royalties! Access your account 24/7! Retain ownership of your recordings! For a cost effective DIY distribution solution go to www.valleyarm.com Who needs a record company when you have Valleyarm?! GET YOUR MUSIC OUT THERE! - www.valleyarm.com
iFlogID: 5759
KEYBOARD PLAYER NEEDED Keyboard player wanted, backing vocals a plus. Own transport a must. Must have good gear and experience. We are currently a Sydney 3 piece looking at expanding to 5 piece. Think most bands on the creation records and 4AD labels. Contact Sam on 0415292247 and listen to us on www.myspace.com/ourpendingname
young high energy keyboardist wanted for indie/rock/60’s Garage outfit. gigging regularly, and recording regularly. Must be able to jam and improvise as well as being able to move around on stage (think keyboardist from wolfmother). myspace.com/jukeboxzombies, adin: 0430243915. iFlogID: 6362
iFlogID: 6455
in4mal entertainment, Soundbasement Studios, Jumbonote Recording & Shire Music provide opportunities for musicians, songwriters, covers & original bands to perfect your performance, learn stage craft and test out your material in a professional environment at: Taren Point Hotel Wed wkly, Harp Tempe Thurs ftntly, Amber Ale Annandale fri ftntly & Panania Hotel Sat ftntly. Go to blogs at: www. myspace.com/in4mal_entertainment for all dates, venues, artist lists & photo’s. Call Mal to register your spot. 0413735773 iFlogID: 5951
MUSICIANS WANTED
NORTH SHORE BASED GOSPEL BAND NEEDING SINGERS WHO CAN DANCE FOR AUDITIONS CONTACT BEN 99444984 OR snapper_watson@ hotmail.com
ARE YOU LOOKING FOR A CHOIR Two Sydney choirs are taking singers now. Wednesdays in Glebe and Thursdays in Waterloo. Styles including gospel, pop, jazz and world music. Several performances each year. Contact Gary on 0414 869 352. iFlogID: 6711
PLANT?RODGERS?GRAMM? WHERERU? We are in our 40’s ex-semi-pro players.We now play for the enjoyment in a “Classic Rock” show.The emphasis is fun, but take the musicianship seriously. We rehearse fortnightly on w/ends. We need a great singer on the same page - ideally our age group. We cover the big acts- think Foreigner, Doobies, Cheap Trick, Zep, Bad Co, Lizzy, Mondo, Noiseworks, Toto, Roachford..etc. Class act, well paid gigs to have fun.Concentrate on mostly 70’s & 80’s rock...no 50’s or early 60’s groups. Like to attend contact me at dhdiaz@optusnet.com. au or 0409 442 446 (before 8pm). Previous applicants need not apply. iFlogID: 6487
PRO SINGER WANTED Pro singer wanted for an established 5 piece band Newcastle area semi pro covers and originals hard rock,blues,pop,rocknroll.exp band gigged with the Angels 2 booking agents,a lot of paid gigs booked. Album 2011 call Peter 4984 4731 must be a team player. A good opportunity for the right person.we have A SMALL Fan base and growing. iFlogID: 5787
with good range and powerful voice. Contact Jae for more details on 0432 438 433 iFlogID: 4802
SINGER WANTED! SINGER WANTED The Havknotz are looking for a singer to guest/add to their rock/rap band (think RATM, meets Cypress Hill meets Faith No more). This is a golden opportunity for a talented and committed singer. The voice they are looking for would ideally be a strong Faith No more/Papa Roach style voice. Being able to rap wouldn’t hurt but is not necessary. This group is in a fantastic position for the right singer to come on board. The Havknotz have already supported HED P.E, NECRO, RAEKWON, METHOD MAN AND REDMAN, DJ CASH MONEY AND SCRATCH and WOLFMOTHER and play local nights such as BLINK, TRASH and SFX. Their forthcoming EP ‘MUSIC - LIFE - PAIN’ is currently being completed and features drums by Rob Hirst from Midnight Oil and ILL BILL from LA COKA NOSTRA. The next 12 months will include the EP release, national gigs/support tours and putting in the hard work back at Alberts Studios, completing The Havknotz first album for release. Send your demo to: thehavknotz@live.com iFlogID: 5473
SINGER WANTED Looking for beginner to intermediate singer who’s interested in learning/improving and wanting to have some fun with a couple of laid back guys.. Jamming at first with a view to potentially record and/or do some gigs when the time comes. Currently playing stuff by papa roach, halestorm, three days grace, green day, daughtry, lit, paramore just to name a few... Contact Pete on (0421) 258 859 or you can email at morrissey.peter@gmail.com iFlogID: 6616
PUNK BAND WANTS SINGER
SINGER WANTED
West Sydney punk band wants vocalist to front 4 piece. Influences : Nofx, Pennywise, The Bronx. No Exp needed . Contact Marc : 0413651150 iFlogID: 6654
SINGER FOR GRUNGE/ROCK BAND
MAL’S OPEN MIC NIGHTS
YOUNG-HIGH ENERGYKEYBOARDIST
iFlogID: 6313
iFlogID: 6778
iFlogID: 6570
iFlogID: 5903
Working 50’s Rock & Roll Band looking for Keyboard Player, Must have: Knowledge of 50’s Rock & Roll Music. Own Transport. Be a Team player. Work mainly focused on the Central Coast/Sydney/Newcastle. Mature age preferred. Email: atthehop54@hotmail.com http://atthehop.cjb.net
MUSOS WANTED FOR BAND guitarist ,singer song writer seeks lower mountains muso’s to form band. Drummer, Bassist, Guitarist and Vocalist welcome. Influences include The Cure, the Church, Bowie, Dylan etc Please call Dave on 0405059558
Violinst/Cellist required for Sydneybased original project http://www. reverbnation.com/kategogarty For more details contact: Dan Wilkinson dan@hotanddeliciousrecords.com
GIGS:PARRAMATTA ORIGINAL ACTS A fantastic live venue in Parramatta is looking for local original bands to perform. The venue has an amazing in house Sound system and operator, great state of the art facilities for your next live gig. Bands must have 45min set of original music. Interested acts should contact: Kypo on 0404 065 976, or email BIO/Website/Myspace details to : kypo@bigpond.net.au
iFlogID: 6706
NOT AVAILABLE FOR FREE ADS. CL
iFlogID: 6380
Sydney based, agent backed coverband requires a keyboardist. We are looking for ages 18 - 35 yrs, and we are playing modern covers. Must have good gear, own transport able to gig most fri / sat nights. Please send your details to brotherbooth@ gmail.com
KEYBOARD PLAYER FOR 50’S BAND
iFlogID: 6499
2x HIP HOP DANCERS REQUIRED. Acrobatics a must, over 18 yrs old. For live shows and video in Sydney. Must be available to rehearse regularly with Female Artist. Contact: 0423 020 324.
COVERBAND REQUIRE KEYS
Original Rock Band Calling Mendoza, looking for a commited lead guitarist who is multi talented and have the ability to play Rock genre.Influences include U2, Simple Plan and The Fray. Vocals required and transport is essential.Age requirements between 25 to 40. Check the band web on www.myspace.com/callingmendoza. If the music suits your taste please call Simon 0421 373 194 or Ray 0412 186 874.
If you want to join a band, form a band, find a new band member, get exposure, or just jam, then www. ozjam.com.au is for you! Whatever instrument or genre of music you play, Ozjam can connect you with other talented, like minded musicians who are looking to jam, gig, and even tour the World! Ozjam is loaded with features, it’s free to join and with over 4000 members its fast becoming the largest online music community in Australia today!
NOT AVAILABLE FOR FREE ADS. CL
Emerging rock act is looking for bands to gig with on warm up shows and album launch. Great promotion and pro-audio included. Send your demos to redfireredband@gmail.com
Call Kayla on 0413295951 or email heroesonholiday@live.com.au
iFlogID: 5919
iFlogID: 4300
KEYBOARDISTS WANTED
iFlogID: 6457
WANNA BE IN MY BAND??!!!
iFlogID: 6182
VIOLINIST/CELLIST REQUIRED
iFlogID: 6968
~TEMPLE OF 3~Looking for Musicians of all kinds to collaborate with or anyone that can help or may want to get involved in my newest concept concert and album. Me & Thee ~DEVIL LIVED~ Blues. Contact: templeof3@hotmail.com
iFlogID: 6261
iFlogID: 6802
Experienced Guitarist required for immediate start in Sydney originals Rock band for future performances and studio recordings. Prefered age bracket between 25yo and 35yo. Must be reliable, punctual, and with own transport. NO EGOS/TIME WASTERS PLEASE. For more info please contact us at ninthpillar@gmail.com. Audio available at www.myspace. com/9thpillar
seeking people to join a band pop punk or alternative band live Roughly around Campbelltown age between 17 - 20 Guy or girl with experience Playing Bass Drums Guitar Synth Call 9am - 9pm Name Email Corey_staples@hotmail.com 0435881737 or tazzy_lover@hotmail.com
iFlogID: 6848
Keys required for Sydney-based original project http://www.reverbnation. com/kategogarty For more details contact: Dan Wilkinson dan@hotanddeliciousrecords.com
then send Myspace, Reverb Nation, YouTube & website links to: music@ bigjumpproductions.tv
OTHER
SNOWBOARD SHOW SEEKS OZ MUSIC
Five world-class passionate vocalists wanted for a Gospel music CD project. Must have beautiful, passionate, powerful and devotional delivery. iFlogID: 3585
Hard Rock/Metal Singer ! Hard Rock Vocalist wanted for newly formed covers/originals band.Dedication and Talent taken over experience.Influences: Bon Jovi-KISS-Motley CrueSabbath-Poison-Gunners-etc... Goto www.myspace.com/cjrokks to hear a few originals.Age 25-40. Based in Penrith. Ph: 0459 1973 67 Chris
SINGER FOR RECORDING, LIVE
Original Rock Band Calling Mendoza looking for a versatile Male or Female Lead singer.Also able to take the band’s songs to a different new level to suit your style. Influences are Nickleback, Paramore etc. Commitement and Songwriting is required. Aged between 25-40. If interested please call Simon on 0421 373 194.
Heavy rock band recording an album, seek a singer. We have already put out a CD, now looking for a singer to record the new one and do live work. Diverse influences - everything from Megadeth & AC/DC to Radiohead. Call Duncan 0430 406602
Singer/Frontman wanted. Influences: White Zombie, Pantera, Murderdolls, Ministry, Alice Cooper. Check out: www.myspace.com/natural.born.killers Call: Michael 0423 764 009
iFlogID: 6352
iFlogID: 6857
iFlogID: 6887
iFlogID: 6503
iFlogID: 6855
VOCALIST / MC WANTED
SINGER NEEDED HEAVY ROCK VOCALIST WANTED Hi all, Original heavy rock outfit from Sydney’s northern beaches looking to replace current vocalist who is moving interstate due to work commitments. We are looking for a male singer (2535) than can hold a note and scream like a mofo, we need someone who is 100% commited, has transport, can write lyrics and vocal melodies are essential. Our influences include old Metallica, Suicidal Tendencies, Tool, Faith No More etc. We’ve been gigging for about 6 years and have well written and rehearsed songs ready to roll. If you are interested and think you have what it takes to fill these shoes please check out our myspace site and reply. http://www.myspace. com/killthemotive Cheers, Paul iFlogID: 6652
Looking for a experienced and professional male and female singer to join a cover band for weddings and corporate events. Located in the Eastern Suburbs area. iFlogID: 6821
Looking for female vocalists and musicians interested in auditioning for musical project, put together with the help of key figures in the industry. Must be between 20-30 years. Email myspace address and/or demos with a current photo to info@manikinn. com iFlogID: 6738
The Ballistyx Snowboard show is now into its 6th season on free-to-air TV & we are going global! We’re sourcing independent Australian music for this year’s show & so if you want to get your tunes heard all over the planet
Sydney Grunge/Rock band Samsara looking for a talented singer and front man to join a complete band looking to gig and record. An albums worth of music is already written but need vocal melodies and lyrics. Influences include Silverchair, Nirvana, Alice In Chains, Pearl Jam, Led Zeppelin, Chili Peppers, Foo Fighters, Black Sabbath etc etc. Contact Daniel: 0403 885 433, for more information and demos. 18 - 25 years only please.
Looking for talented singer to join young 4 piece originals rock band. Studio time booked, songs written, looking to gig. Aged between 18-25 would be ideal. Check us out at www.myspace.com/heroesonholiday
Singer needed for hard rock band. We’re looking for a singer, male or female, for our all original hard rock band. The guitarist and I (bass) have been playing together for over 8 years now and over 3 years with our drummer. We have been writing new songs the last 2 years and continue to work on fresh original material. We have also been playing gigs all over Melbourne for the last year getting some stage experience up but we are really dying to get a frontperson with a voice that works with our music. We’re willing to give anyone a listen, we’re all easy going and in it for the fun above all else, but also been keen to take the next step and make it a serious commitment. Have a listen at our myspace link upon application. http://www.myspace.com/psyecho Please note the myspace recordings are over 2 years old now and we have progressed in style and skill greatly since then. iFlogID: 5131
Male or female vocalist or MC wanted for sydney based Downtempo, trip hop, dark moody beat project. Influences are from right across the musical spectrum so pretty much anything goes. If you are interested in getting creative and collaborating then please send a demo to itsmaximillion@gmail.com iFlogID: 6346
WANTED MALE LEAD VOCALIST ISLAND BAND POLY REGGAE, DISCO,FUNK,70’S,80’S & IS.MUSIC WE ARE LOOKING FOR A CONFIDENT VOCALIST WITH IDEALLY STRONG AND GOOD RANGE.THIS GROUP IS IN A FANTASTIC POSITION FOR THE RIGHT SINGER PLEASE CONTACT JASON 04394521 iFlogID: 7019
SONG WRITER SONGWRITER / MUSICIANS WANTED Musicians wanted to write songs with for upcoming 80’s pop/rock project, decent guitar/keyboard ability a must. iFlogID: 6339
soundornot.com
iFlogID: 6049
SINGER WANTED FOR WORKING ELVIS AND ROBBIE WILLIAMS SHOW BAND. CALL SETT 0435 390 554
SERVICES
SINGER WANTED!
BEAUTY SERVICES
Sydney Modern/Alternative rock band with heaps of ORIGINALS! Seeking a male singer, 18-22yo,
BEAUTY FOR A CAUSE CAMPAIGN
iFlogID: 6798
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
cool work www.creativeunited.com. au Give us a call 0425 715 465 * Limited time iFlogID: 6817
AFFORDABLE GRAPHIC DESIGN
ALEY GREENBLO, A CURRENT FINALIST FOR MISS EARTH AUSTRALIA HAS RECENTLY BEEN CHOSEN TO BE THE FACE OF THE “BEAUTY FOR A CAUSE CAMPAIGN”. ALEY HOPES TO CREATE AWARENESS ABOUT CURRENT ENVIRO PROBLEMS AND HAS SET OUT ON A MISSION TO MAKE A DIFFERENCE! THIS “DOWN TO EARTH” COMMERCE LAW STUDENT IS EXTREMELY PASSIONATE ABOUT THE ENVIRONMENT & IS DEDICATED TO ENSURING THAT OUR BEAUTIFUL PLANET REMAINS CLEAN & LITTER FREE! ALEY HAS BEEN INCREDIBLY ACTIVE IN PROMOTING ENVIRONMENTAL AWARENESS & HAS TAKEN ON VARIOUS ENVIRONMENTAL INITATIVES. “IT IS SO EASY AND EVERYONE CAN HELP BY DOING THE SMALLEST THINGS!” iFlogID: 5082
BEAUTY WEBSITE: COVETED CANVAS
We can promote your band with great design for a great rate! We specialise in great promotion and killer design on a limited budget. Our services include posters, logos, adverts, programs, album covers, Shirt design, illustration, flyers, websites and much more. www.melissahowarddesign. com 0402 796 254 iFlogID: 5881
FULL COLOUR POSTERS
100 A4 Posters printed in full colour onto 150gsm gloss = $40 250 A6 Leaflets printed in full colour onto 150gsm gloss = $50 250 Full Colour Digital Business cards onto 300gsm gloss = $50 100 A3 Posters printed in full colour onto 150gsm gloss = $80 1000 Business Cards in full colour 2 sides with plastic coating = $160 1000 A5 Flyers printed in full colour onto 150gsm gloss = $210 1000 A4 Letterheads printed in full colour onto 100gsm bond = $230 1000 A4 Flyers printed in full colour onto 150gsm gloss = $300 500 A2 Posters printed in full colour onto 150gsm gloss = $490 1000 A5 Booklets 8pp printed in full colour onto gloss = $735 500 Presentation Folders printed in full colour on white board = $795 iFlogID: 4914
OTHER 1100 FULL COLOUR POSTERS = $80
Visit our website for an extensive price list and other services!
Please email chicpetiteevents@hotmail.com iFlogID: 6719
FREE WEBSITE TRAFFIC
Fantastic concepts and slick production that wont break your budget. See examples of our videos on facebook. com/dynamic.screen.content Call Darrin on 0413555857 (we’re based in Sydney) iFlogID: 6683
Need a hand running your GOOGLE ADWORDS account? Friendly freelancer can help you set it up and show you the tricks to running it yourself (agencies charge $1k-$3k). Negotiable fee, tmb08@live.com.au iFlogID: 6896
PA FOR HIRE WITH OPERATOR Geographic Website Traffic we want to hook you up with FREE Website Traffic! We’re gonna send you 1,000 website visitors for FREE!Go to our website for more details... We are your source to buy website traffic. Without Traffic - You Get No Sales We offer guaranteed website visitors, targeted by Interest, U.S. State, or C ountries,Australia,UK,Canada,the list goes on.We send more people to your website for less, and you benefit from increased website traffic. If you need more website traffic and more exposure for your business,then we can help you! for Free Website Traffic go to our website below www.geographicwebsitetraffic.com
EXPERIENCE,PROFESSIONALISM, VALUE FOR MONEY Best and cheapest PA hire with operator, JBL FH,1000w,FB1000w,shure mics,and super experienced operator guarentees quality monitoring. Don’t waste gig money on PA hire, call Shannon now on 0406 346 239. Servicing Sydney and beyond.
Visit our website for an extensive price list and other services!
COMEDY FOR LUNCH IN THE CBD
iFlogID: 6341
MUSICIAN & BAND WEBSITES
GREEN, GLAM & GORGEOUS
Aley Greenblo who was crowned as a finalist in January for the MISS EARTH AUSTRALIA PAGEANT TEACHES THE WORLD HOW TO ADOPT A GREENER WAY OF LIFE. Aley is studying COMMERCE LAW at UNSW and has been speaking out to encourage others to get active. In a speech Aley delivered to her fellow peers on Friday she mentioned that “MANY PEOPLE ARE INTIMIDATED BY THE IDEA OF ‘GOING GREEN’. IN REALITY HOWEVER, “GOING GREEN IS VERY SIMPLE AND MANY PEOPLE WOULD BE SURPRISED HOW EASY IT IS TO FOLLOW AN ECO-FRIENDLY LIFESTYLE”. ALEY GREENBLO’S ACTS INSPIRE US TO INCULCATE GREEN LIVING IN OUR LIVES AND SPREAD ENVIRONMENTAL AWARENESS IN OUR OWN LITTLE WAY. TO FIND OUT MORE GO TO: http://aleygreenblo.blogspot.com/ or facebook: aley greenblo iFlogID: 5314
Create your presence online and get noticed. Sydney based web designers are here to help you create and design your website with ease. We specialise in building websites that work. When you hire us to design your website we’ll give you a product that looks great and that actually works for your business or service. Packages start from $400 Call Richard or Kelly on 0424 125 169
100 COLOUR POSTERS ONLY $80
iFlogID: 6440
COMEDY FOR LUNCH STARTS SOON!
Simple myspace layouts from $30 / custom tshirts from $30 (cheaper for more than 1) / custom hoodies from $50 (cheaper for more than 1) / web and logo design price on quotes / call 0415 640 648 NOW iFlogID: 6853
SUPER CHEAP COLOUR PRINTING
The People who bring you Comedy Court stand up competitions featuring audience Digital voting (Fri nites) and Quick...Some Comedy Quick stand up shows (Sat nites) present the CBD’s only live Stand up comedy lunch show. One price gets you your choice of 6 mains and some spicy laughs. Held every Friday 12noon at Star bar Theater 600 George Street Sydney. Get your office mates, friends, tourist and your boss together for lunch with a twist. Book now at 95472578 or www.comedyintheraw.com.au Starts Sept 17th. Limited seating per show iFlogID: 5985
Counselling The traumas you’d rather forget can sap your creativity. Clearing their effects can make an amazing difference. Unique approach gets quick and lasting results. Enquiries and bookings: 0412-925-470 healing@engineroom.biz 1st session $20.00 Crows Nest ~ Epping ~ Campbelltown
iFlogID: 4552
Affordable graphic design! CD/DVD packaging, myspace layouts, band logos, posters, bio/press kits, advertising, photography, promo material + more! EP’s from $190* Myspace layouts from $100* Check out our
EARPLUGS FOR MUSICIANS
With over 20 years experience, ACE Design & Print has gained an unequaled reputation as a reliable supplier of quality printing with exceptional service and competitive prices. Our print services are designed for fast production and fast delivery within your budget. Here are some prices for your consideration, let us know your specific requirements and we can quote & deliver!
iFlogID: 5258
ABSOLUTE BEGINNERS FOR GUITAR
T-shirts, Hoodies, Caps, Polos, Screen Printing, Direct 2 Garment, Transfers Embroidery, Artwork Design,0415 139 056 info@freshtees.com.au iFlogID: 6027
ICE CREAM FACTORY PHOTO STUDIO Inexpensive photo/video studios for hire from $150. Located at Turrella (10 mins drive from Newtown)
Trust the professionals to capture the fun and magic of your party or event! 21st parties, sports clubs, nightclubs, promoters, concerts, seminars plus corporate and social functions! We’ve been awarded “Best scene Photograph” PDMA in 2009, member of the AIPP and have extensive experience in photographing events from parties through to music events of 40,000 revellers, so you can be assured of affordable quality and professional photos for your party or event! Check us out or make a booking today at www.atomikarts.com iFlogID: 3672
SOLICITORS
iFlogID: 4768
ILLUSTRATOR! BOOKS TO ALBUMS
Do you need an affordable Illustrator? Freelance illustrator Paul Ikin can create a range of styles for your project. No hidden cost at an affordable price. Album Covers - Film Clips - Book Sleeves - Children Books - Online Images - Fliers - Posters Editorial Artwork. Visit www.paulikin. com - T: 0403 996 129
Wright Lawyers and Associates specialisng in: * Criminal and Traffic Law * Wills and Estates * Business Law ph 1300174247 mob 0404205881 Dean@wrightlawyersandassociates. com iFlogID: 6145
SOLICITORS
Protect your hearing with custom moulded earplugs designed to reduce the level of sound without adversely affecting the frequency response of the music. Choose between 10,15 and 25dB attenuation. Fitted by professional audiologist, by appointment only. Ph 9387 3599
iFlogID: 5308
DRUMS DRUM KITS WANTED
iFlogID: 4182
or any cymbals and snare drums etc, Ph 0419760940
AUS SCHOOL OF STAND UP COMEDY
iFlogID: 5817
GUITARS
This 5-week stand up comedy course gets u on the fast track of stand up comedy. Covering writing and stage techniques to prepare U for the spot light! How to develop a solid 3-5 minute comedy routine based upon any and all topics! Plus as an added bonus, All graduating students will perform live and be videotaped at Sydney’s Comedy Court stand up show and competitions. www.comedyintheraw.com.au or 95472578 iFlogID: 4506
AWF SCHOOL OF PROWRESTLING * Applications for our next learn to wrestle beginners Spring course starting September 4 are now being accepted. 16years+, Cost: $400 * AWF’s next School Holiday “Dreamcamp” open to all ages will be 4-7 Oct. 4 consecutive Days of wrestling tuition 10am - 3pm culminating in a taped bout. Fun for all ages. Cost: $300 * On 28 August AWF will be holding a Pro-Wrestling Training Seminar hosted by former TNA stand out Sonjay Dutt of the USA, and AWF School of Pro-Wrestling Head Trainer TNT. The Seminar will be open to all ages and will have a particular emphasis on Cruiserweight / X Division Style wrestling. Cost: $100 *AWF School of Pro-Wrestling is located at 7/32 Swettenham Rd, Minto. All correspondence to be made by emailing info@awfwrestling.com.au or calling 0410 691 377. See www. awfwrestling.com.au for full details on upcoming training, shows, merchandise and upcoming TV show! iFlogID: 6578
GUITAR LESSONS FOR ALL AGES
Australia’s School of Stand up Comedy is 5 weeks of serious but fun training into the world of the stand up comic.This course will cover and include: Where and How to find and write great material Fine tuning and sharpening your performance Skills Comedy Pitfalls & Traps. What to lookout for and avoid. Finding YOUR on Stage Persona Stand up Tips and insider secrets List of Comic Venues to perfect your trade Getting past your stage fear All students who graduate will perform in front of 3live audiences. This performance will be tape for promotional purposes for the graduates. Now booking for our Sept 11th and Sept 15th weekend and weekday evening classes. Book now and Save $50.00! Book on line at www.comedyintheraw.com.au or 95462578
iFlogID: 6786
Tap Classes Join the tap revolution adult open tap classes in hornsby wed nights 7pm all ages and levels welcome. for more info email hornsbydance@gmail.com or call 0415469796 iFlogID: 6790
Whether you just want to sing for your own pleasure or dream of being a singer on stage, all aspects covered from diction, breathing, microphone technique, pitch, harmony,working with live bands and performing. How to get into the music industry. Utilising the latest vocal techniques from the US, sing without stress or fear. All lessons can be recorded and take place in a relaxed and fully equipped studio in Botany, SYDNEY. All ages welcome - female teacher- children welcome. INTRODUCTORY OFFER: FREE first lesson to assess your needs and direction, then $30 per lesson for the first 3 months. Conditions apply. Contact: alteregoprom@ gmail.com or phone 0403 869 364 iFlogID: 6516
SHARE ACCOMMODATION AVAILABLE
Wright Lawyers and Associates specilising in: *Criminal and Traffic Law *Wills and Estates *Business Law ph: 1300174247 mob: 0404205881 e: Dean@wrightlawyersandassociates.com iFlogID: 6149
in4mal entertainment, Soundbasement Studios, Jumbonote Recording & Shire Music provide opportunities for musicians, song writers, covers & original bands to perfect your performance, learn stage craft and test your material out in a professional environment at: Taren Point Hotel Wed wkly, Harp Tempe Thurs ftntly, Amber Ale Annandale Fri ftntly & Panania Hotel Sat ftntly. Go to blogs at: www. myspace.com/in4mal_entertainment for all dates, venues, artist lists & photo’s. Call Mal to register your spot. 0413735773
soundornot.com - Help us find the next hot artist, cast your vote today!
iFlogID: 6051
STAND UP COMEDY COMPETITIONS
Bands who have recently made videos with us include El Duende, Line Drawings and Grace Before Meals. Get your band on Rage and Youtube, or make a video for your myspace page.
iFlogID: 5683
HIP HOP GROOVE CLASSES Suitable for beginners to advanced dancers. Learn foundation party/club dances in a non-stop 1 hr class. Monday’s and Friday’s 7pm at Caramell Dance Studio, 78 Pyrmont Bridge Rd Camperdown. www.caramelldancestudio.com ph: 0402672080 $16 Per-class
iFlogID: 6726
Fully furnished room for rent near bondi junction $220 a week email chicpetiteevents@hotmail.com iFlogID: 6717
WANTED AMPS TOUR STAFF WANTED
iFlogID: 6194
JAZZ & CONTEMPORARY CLASSES Choose from 40 classes per week, ALL ages, ALL levels, So many styles to choose from. Visit www.caramelldancestudio.com for times or call: 0402672080
iFlogID: 5953
MUSIC VIDEOS
Learn guitar with someone who’s actually out there working in the industry performing, writing, recording etc. (north shore area) call/email Josh: 0415248313 kellermanjosh@ gmail.com
Comedy Court and Quick Some Comedy Quick, presents Australia’s only live audience digital voting stand up comedy competition and show featuring up to 10 comics per week plus audience open mic (do u have what it takes?) Every Friday and Saturday night. 8pm. Star Bar Theatre. 600 george Street (formerley Planet Hollywood)$10-$15PP. Dinner and Show packages available. Great Music, Great laughs,Great Food, Great Fun. www.comedyintheraw. com.au or 95472578 iFlogID: 4502
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LEARN GUITAR TODAY ! Have you been wondering if you have the talent to play an instrument? I am classically trained with years of teaching experience and proven methods! Learn about scales, modes, arpeggios,improvisation ,sweep picking,finger style,music theory and much more in a positive environment. Learn rock, blues, metal or classical. call Shane 0404365289 or email shanelew@bigpond.net.au iFlogID: 4835
LOOKING FOR ESP Looking for an Esp Horizon black. New or used. Email For more info. wtf_juice@hotmail.com iFlogID: 5875
OTHER MAL’S OPEN MIC NIGHTS
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street tap classes Join the street tap revolution intermediateadvanced 6pm mondays beginneradvnced beginners 7pm mondays in camperdown,sydeny. visit www. caramelldancestudio.com for more info
DEEWHY,ROOM AVAILABLE FOR N/S WORKER IN 2 BEDROOM UNIT $200PW INC BILLS, PH:0424487379
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Event Managment service,Promotions and Production. Specialising in the arts. Fashion shows, exhibitions,gig’s & album launch parties. We also offer entertainment such as dance, models, performance and live music.
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SCHOOL OF STAND UP COMEDY
poster distributors in areas where they wouldn’t normally know where to start looking. Anyone working in the industry can look for work, and also list their details so that they don’t miss out on that next ‘big job’! Registering and browsing for jobs on CoverYourArtz.com is absolutely free, you only pay when you want to apply. For further info please contact the team at info@coveryourartz.com or visit our website at www.coveryourartz.com.
4 WEEK COURSE GETS YOU PLAYING GUITAR OR KEYBOARDS FAST. CHORDS,SONGS,THEORY,INDIVIDUAL TUTION. CALL DAVID ON 0412360275 ANNANDALE AREA ,SYD
MAL’S OPEN MIC NIGHTS
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100 Full Colour A4 Gloss Posters = only $40 100 Full Colour A3 Matt Posters = only $50 100 Full Colour A3 Gloss Posters = only $80 and many more options to choose from Posters • Flyers • Handouts • Business Cards We can print a sample for you while you wait and complete the job within the hour. bsd@zip.com.au www.blackstar.com.au
Audio Courses & Tuition by Australia’s Leading Producers - [Book Now & Save up to 40% OFF Ableton Live 8] CONTACT: bookings@liveschool.net
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MYSPACE BAND PROFILE FROM 200$
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GRAPHIC DESIGN
Comedy For Lunch dates starting Sept 17th. Here’s your chance to spice up the regular CBD friday lunch with some tasty food and yummy laughs. Lunch starts at 12noon-12:35, show starts 12:35-1:10pm. We’ve lined up some very funny comic chefs to tantalise your tickle taste-buds. Plus if someone from the office is a jokester, he or she can have 3 minutes on stage to keep up the tradition :-).So gather up the gang from the office, family, friends and out of town guest and book into Comedy For Lunch. Lunch price includes choice of 6 mains, a Drink (Beer, Wine, House spirits, Juice, soft drink) and V.I.P seating in the worlds most comfortable comedy theatre, “The Star Bar Theatre” 600 George Street (formerley Planet Hollywood) or if the only serving you want is laughs, regular admission is just $10.00 for the show only! Booking now at 0295472578 or on line at www.comedyintheraw.com.au
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I’m starting a new business in CSS programming and I’m willing to charge very cheap to gather some folio with customized myspace profiles. This price will certanly increase after some productions, so be quick to not loose the oportunity. To know more about my work visit www. fugadalula.com.br/blog To quote: renato@fugadalula.com.br Thanks!
Choose from 40 classes per week, ALL ages, ALL levels, So many styles to choose from. Visit www.caramelldancestudio.com for times, or call: 0402672080
iFlogID: 6543
FRESH TEES - SCREEN PRINTING
GRAPHIC DESIGN SERVICES
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ABLETON CERTIFIED TRAINING
PARTY & FUNCTION PHOTOGRAPHY
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If you love beauty, you’ll love Coveted Canvas! We’re the beauty website for you, with tips and tricks, product reviews, salon reviews, competitions, insider advice and a personalised Q&A section like no other. With info spanning from hair to makeup, skin to nails, if it’s beauty related you’ll find it on Coveted Canvas. www.covetedcanvas.wordpress.com
POPPING BREAKING&HOUSE CLASSES
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MYSPACE - WEBSITES - ALBUM ART - POSTERS - LOGOS - PROMO - TSHIRT DESIGN - Graphic Design services for everything in the music industry. Website packages start at $449 Custom Myspace $899 WE KNOW YOUR BUSINESS Email for a free quote/consultation paul@cattanachdesign.com.au or vist the website www.cattanachdesign.com.au
TUITION
JOBS, JOBS, JOBS! Ever found yourself putting on a tour and don’t know how to get a sound engineer or someone to sell merchandise on the other side of the country? Well, that is how CoverYourArtz.com came about... The website enables anyone offering a service that can be used by touring artists to browse for work, and for touring artists to find the people they need to make their tour work anywhere in Australia. By visiting CoverYourArtz.com, anyone who is putting on an event is able to source all types of crew from tour managers, sound engineers, and lighting technicians to merchandisers, photographers and
in4mal entertainment, Soundbasement Studios, Jumbonote Recording & Shire Music provide opportunities for musicians, songwriters covers & original bands to perfect your performance, learn stage craft & test out your material in a professional environment at: Taren Point Hotel Wed wkly, Harp Tempe Thurs ftntly, Amber Ale Annandale Fri ftntly & Panania Hotel Sat ftntly. Go to bolgs at: www.myspace.com/in4mal_ entertainment for all dates, venues, artist lists & photo’s. Call Mal to register your spot. 0413735773 iFlogID: 5955
MISS WORLD AUSTRALIA FINALIST
ALEY GREENBLO has been selected to represent SYDNEY and attend the NATIONAL FINAL OF MISS BIKINI WORLD AUSTRALIA IN DARWIN. Aley will be competing against 34 other girls and the winner will represent Australia at the international final. Aley is currently MISS GLOBAL AUSTRALIA, MISS SUPRANATIONAL AUSTRALIA and a MISS EARTH finalist and is in search for a sponsor. Diesel Promotions will be filming the 11 day Miss Bikini World competition for a reality TV show which will provide great exposure. Aley will also be photographed during the competition and these photo’s will be circulated through the press and gain major publicity. In return, Aley has allowed her pictures for advertisement purposes for your own business. Additionally your logo and website link will be put on the official MISS BIKINI WORLD AUSTRALIA website as well as on Aley’s blog and other social networking pages. Aley is currently also engaging in Social Media, utilising Facebook as a way to engage with the public, increase my fan base, and raise awareness for local charities to protect the environment. The page will be custom designed, and is offering a sponsor to completely brand her Facebook page. You will also have the opportunity to run competitions on my page, as well as offer discounts, and engage with my audience. Working with a top global marketing company based in Australia, the Facebook fan page will have 10,000 fans by the end of August 2010. These fans are highly targeted towards your demographic, and will be a great way to engage with them. Please see Aley’s blog for more info about her and we look so forward to hearing back from you http://aleygreenblo.blogspot. com/ Facbook: Aley Greenblo Email: aley_greenblo@hotmail.com
For a limited time. Free online and print classifieds Book now, visit iflog.com.au
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SMALL BANDS CAN MAKE IT BIG UPLOAD YOUR TRACK TO LGUNSIGNED .COM.AU
YOU COULD PLAY LG LIVE AT THE 2010 FORMULA 1 SINGTEL SINGAPORE GRAND PRIX
ENTRIES CLOSE AUGUST 26 EVENT RUNS OVER SEPTEMBER 25 & 26 2010