Entertainment Technology Asia May-June 2013 by Spinworkz Pte Ltd

May - June 2013

MICA [P] 008/09/2012 KDN: PPS 1663/08/2013 [022991]

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Rental & Staging in India Beyerdynamic poised for next leg EAW adds character to Club kyo

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CONTENT VOL 14 ISSUE 3

May - June 2013

FIRST WORDS 06 The Publisher’s ramblings NEWS 08 Essential news from the industry ENNOVATIONS 30 A round-up of new products in the market EXHIBITION REVIEW 34 Prolight + Sound 2013

MANAGEMENT PERSPECTIVE 58 Beyerdynamic poised for next leg THE INTERVIEW 60 Perfectus-Dorier’s Hans Friis on the AV Alliance SNAPSHOT 62 Rental & Staging in India EXHIBITION PREVIEW 66 PALM EXPO 2013 68 BroadcastAsia2013 70 PALME Asia 2013 LIVE 72 Clay Paky glams up major awards ceremonies

73 KV2 Audio heads up ASEAN Heads of State Summit 74 J Davis relies on L’Acoustics 76 Sennheiser grooves with Java Jazz 78 Clay Paky Sharpys @ The Logie Awards 80 Hearing every voice with HARMAN 82 Timbre Rock and Roots 2013 84 Shure for Reynolds Sound & Lighting Services INSTALL 85 GLP Spot One gets in the TVB limelight 86 TURBOSOUND at St Helena’s Girls School 87 D.A.S. amps up the dance floor at Muse Club 88 JBL speakers set the beat for Miranda Hotel 90 Avalon gets the crowd talking at Club Gossip 92 EAW adds character to Club kyo TECH-TALK 94 Chip On Board LEDs. How do they work? THE LAST PAGE 98 Siswa Azmi Mohd Mubari

FIRST WORDS May - June 2013

INDIA AND MIDDLE EAST EDITOR Ram Bhavanashi ram@spinworkz.com

A Year Of Celebrations

There is little doubt that the audio and lighting industry is a very competitive sector. The technology in the industry has grown by leaps and bounds, thanks to the many visionaries involved in the industry. Many of the pioneers were driven more by passion than business – their passion and belief that better quality can be achieved. Many of their traditions have been passed on to the next generation in the hope that they will continue to be a name to be reckoned with within the industry. This year sees a number of companies celebrating their milestones which they richly deserve. Yamaha celebrates its 125th anniversary this year – of course their legacy started oﬀ with musical instruments but they are force to be reckoned with in the sound reinforcement field as well. As Yamaha’s President Umemura says, “Yamaha came about because of our passion for sound and music.” Outline, the Italian audio manufacturer celebrates its 40th Anniversary this year. Their founder’s mantra of ‘Delivering the true audience experience’ has enabled the company to grow from strength to strength. The North American company, Adamson, celebrates its 30th Anniversary this year as well. As many will know Adamson’s continued pursuit for sonic excellence has led to a number of important patents in key loudspeaker technologies being published. And the list of anniversaries goes on...

WRITER Rosalind Tan rosalind@spinworkz.com

WRITER Elissa Nadine elissa@spinworkz.com

ADMIN & CIRCULATION Julie Tan admin@spinworkz.com

It is heart-rendering that despite competition, financial crisis plaguing the industry, these and many other stalwarts of the industry have continued to not only survive but lead the industry. Prolight + Sound this year once again saw a bevy of solutions being introduced. This is truly a MUST ATTEND show if you want to be kept up-to-date with the latest innovations. Surprisingly we felt, and many agreed that there were less visitors from Asia this year. Can’t really point the finger why, other than maybe the move to a the later date might have had some eﬀect or the fact that the show was also held at the same time as NAB and InfoComm China. Nevertheless for those of you who missed it this issue gives you a run-down of some of the new solutions introduced. Enjoy the magazine.. Thomas Richard Prakasam Publisher / Editorial Director thomas@spinworkz.com

DESIGN AND PRODUCTION Jimmy Chin jimmy@spinworkz.com MEDIA REP IN NORTH AMERICA Broadcast Media International Michael Mitchell Tel: +1 631 673 0072 mjmitchell@broadcastmedia.tv

PRINTED BY Stamford Press Pte Ltd PUBLISHED BY Spinworkz Pte Ltd 51 Bukit Batok Crescent #06-10 Unity Centre Singapore 658077 Tel: (65) 6316 2716 Fax: (65) 63162715 www.spinworkz.com

Disclaimer Entertainment Technology Asia is published 6 times a year. All rights reserved. No part of this magazine is to be reproduced, whether mechanical or electronic without the prior written consent of the publisher. Views expressed in this magazine do not necessarily reflect those of the editor or the publisher. Unsolicited contributions are welcome but the editor reserves the discretion to use them. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies.

NEWS May - June 2013

Robe returns to the forbidden planet at Tanglin Trust School Singapore: Robe DLX LED Spots have been installed in a lighting upgrade at an international school, Tanglin Trust School in Singapore. Tanglin Trust School has over 2,700 students of which approximately 60% are British. Every student - across the Infant, Junior and Senior Schools with ages ranging from 3 to 18 years old - uses the space at some stage, with at least two events or productions taking place a week. One of the first performances to utilise the new DLXs was the Senior School’s recent production of the popular musical “Return To The Forbidden Planet” where the lighting contributed to the stunning production. The Spots were specified by the school’s theatre manager Vincent Teo for its 400 capacity Berrick Performance Hall. The Berrick Performance Hall is a multipurpose space used for a wide range of shows and events including in-house drama and musical productions, graduation and other academic ceremonies, conferences and exhibitions, music concerts, dance shows and other live performances.

The eight DLX Spots are the first Robe products purchased by the school and the first time Tanglin has owned moving lights. Vincent explained that one of the reasons Robe was successfully awarded the project – which went to open tender - was due to their energy saving properties which addressed the school’s environmental commitments.

(L-R) Theatre manager Vincent Teo and Kieran Burgess, Assistant Head of Faculty (Drama) of Tanglin Trust School, with Robe SEA’s Louis Teo.

“Being green is a key objective for Tanglin,” he shared, while highlighting the school’s need for a high output and flexible lighting fixture. Buying the power-conscious DLXs also meant that Tanglin can add to their lighting rig in the future without needing additional power installed in the building. Another influencing factor when making Vincent’s choice was the rotating and static

gobos and the endless patterns and eﬀects. “I appreciate the fact that you can do shift focus and timing transitions when changing gobos,” Vincent adds. “Robe’s superb tungsten emulation and red fade eﬀects are fantastic – they emulate the qualities of a tungsten lamp perfectly!” www.robe.cz

Layher and Prolyte Group team up for structural cooperation International: Prolyte Group has been appointed the preferred supplier for aluminium trusses by Layher. Wilhelm Layher GmbH & Co. KG – founded in 1945 – is the largest manufacturer of scaﬀolding systems. Customers around the world rely on the complete range of practical scaﬀolding, protective systems, rolling towers and ladders as well as event systems. “This partnership provides the perfect opportunity for Layher to broaden its comprehensive product portfolio with high quality and reliable truss products, which are an attractive addition to our product range.

Both companies are considered experts in our field – essentially the manufacture and supply of temporary constructions – and, as such, we are natural partners. Our products are frequently used in tandem already so this is a logical step for us.” shared Dr. Kreller, CEO of Layher. Lee Brooks, CCO of Prolyte Group adds, “We are excited by the opportunities and spin-oﬀ the collaboration will create for both our companies. Undoubtedly it will oﬀer benefits both for Prolyte and our network of distribution partners.” www.prolyte.com

NEWS May - June 2013

Prestigious Chinese clubs reach the Apex of audio quality China: Apex Intelli-X2 processors have recently been installed in two of China’s most prestigious nightclubs, with six more installations to follow. Club TNT in Xi’ang is an 850m2 venue which features a diverse array of live music and DJ sets, including pop, rock, electronic and hip-hop. The audio system was designed and installed by Real Music Acoustic & Lighting Technology, who specified four Apex Intelli-X2 48 processors to control a comprehensive Adamson audio system. “We designed the system with a matrix of loudspeakers, to ensure that all guests are covered by audio from at least two diﬀerent directions wherever they are,” says Real Music managing director Richie Wang. “This delivered a very uniform sound throughout, maximising the enjoyment and experience for clubbers.”

“They are exceptionally powerful and flexible, deliver fantastic quality sound and are also remarkably straightforward to install and program,” says Richie.

The Intelli-X2 processors were chosen because of their exceptional quality, but also because their ‘plug and play’ design means that they are very easily incorporated into any system.

So impressed were Club TNT’s owners - Nanjing Trendsetter Entertainment Management (NTEM) - with the system that they asked Real Music to install a similar one at their latest project, Club Enzo, an 875m2

venue in Nanjine, where three further Apex Intelli-X2 48s were specified. “The sound at Club TNT and Club Enzo has really impressed everybody, not least the owners, who are dedicated to building China’s very best nightclubs,” adds Richie. www.apex-audio.eu www.real-music.com.cn

Lasika Productions adds Wholehog 4 to their inventory The owner, Stephan Nugroho is an avid supporter of the Hog series.

The Lasika team

Indonesia: The new purchase includes two new additions from the Wholehog4 family of High End Systems – the Full Boar 4 and Road Hog 4 consoles. Lasika Productions is a rental & staging company operating in Indonesia for over 35 years, specialising in sound, lighting, LED screens, trussing, and multimedia.

“We love the Hog Family and are already familiar with the old Wholehog 2 and Wholehog 3. The console is fast, robust and most importantly, more than capable of handling complex shows,” shared Stephan. The Full Boar 4 has all the power of the Hog 4 in a more compact package, and is capable of delivering everything from a local theatre show to a stadium gig. It features a 10 point multi touch, motorized faders and a solid state HDD.

The Road Hog 4 offers a more cost effective option that comes with a market leading 22” multi touch display, all in a compact package, with networking and Art-Net outputs. “Since the new consoles’ arrival at our head office, we have been keeping busy by entering our lighting library and trying out all the features. We are excited to get them on a show!” Stephan adds, “With so many international artists coming in to hold concerts and events in Indonesia, I believe they will be happy to know that the Hog 4 family is available here.” www.highend.com www.lasika.com

TC Group brings new collective identity to the fore International: The TC Group of companies, which includes sound and audio brands Tannoy, TC Electronic, Lab.gruppen and TCHelicon, has announced a bold rebranding initiative. The move formally brings the collective vision and values of the group’s brand companies together under a new and visible, TC Group brand identity – increasing market awareness of both TC Group as a whole and of its individual brands. This group brand initiative is designed to align the brands, forming a more coherent relationship between them in the eyes of the end user and highlighting the high degree of shared resource and expertise across the respective brands. In doing so, it will allow TC Group to leverage better synergies between the brands in developing pioneering new products and moving towards bringing systems solutions,

to better serve its diverse customer base across the many market segments within which it’s active. While the companies have been linked by the same parent organisation for over a decade, and more recently shared sales co-ordination with the formation of sales organisations such as TC Group Americas (TCGA) and TC Group International (TCGI) in recent years, as well as increasingly collaborating on product development; individual brand identities have remained separate with no visible connection between them. Anders Fauerskov, CEO of TC Group, said: “Telling the TC Group story to our customers, as well as how the brands are connected, is important to us. We want our customers to know that we put every ounce of our collective energies into developing marketleading products, with innovation that comes only from working together. We have total faith in our brands and the people driving

TC Group’s CEO Anders Fauerskov

them forward for the benefit everyone, whether they are a musician, sound engineer, integrator or the person standing in a busy train station listening to announcements.” In uniting the brands under a visible group identity, Tannoy, TC Electronic, TC-Helicon, Lab.gruppen, Lake, White Acoustics and TC Applied Technologies will be better positioned to maximise their potential across respective market segments. While the global sales & support organisations of TC Group will also come under the new core TC Group banner, the business structure and customer contact points will not change in any way. www.tcgroup.tc

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NEWS May - June 2013

Meyer Sound appoints Chris Mead as ME Technical Manager throughout the Middle East, North Africa, and Indian sub-continent. "Our growth opportunities in the Middle East lie in our quality products as well as our ability to provide timely and knowledgeable technical support for customers in the territory," says Mauricio Saint Martin, Meyer Sound’s Director of Middle East Sales. "Chris's in-depth engineering background and extensive experience with the regional integration market make him an ideal fit to represent Meyer Sound."

UAE: Meyer Sound has announced the appointment of Chris Mead as the company's Middle East Technical Support Manager. Based at the Meyer Sound Middle East oﬃce in Dubai, Mead will be responsible for providing technical support to customers

In his new post, Mead will assume the lead role in the region by supervising the design of Meyer Sound loudspeaker and digital audio systems, on-site project commissioning, after-sale customer training, and technical seminars.

Mead comes to Meyer Sound with nine years of experience in systems engineering in the AV and broadcast industries, with assignments in both his native United Kingdom and in the Middle East. His prior experience includes key project management positions with Sat-Comm Ltd., Electrosonic Ltd, and Almoe Systems LLC. In those capacities, he managed design and installation of AV systems ranging from hotels and nightclubs to football stadiums and corporate teleconferencing suites. "I'm excited to join a company as prestigious as Meyer Sound," says Mead. "It's inspiring to see how seriously Meyer Sound approaches product quality, education, and technical support, and I look forward to supporting existing clients and expanding the company's presence in the region." www.meyersound.com

High End Systems partners with EZPro International (HK) Limited for exclusive distribution APEC: Barco Lighting Systems and EZPro International (HK) Limited have proudly announced a new partnership that will enable EZPro to serve as the exclusive distributor of High End Systems’ products throughout China, Hong Kong, and Taiwan. Eﬀective immediately, this agreement enables EZPro to make HES’ products available to their extensive network of local distributors and resellers. They will also have direct access to product knowledge, support as well as local stock. Jun Zhu, President of the EZPRO group, commented, “High End Systems is the creator and industry leader of professional lighting products and lighting control systems. It is an inspiring event that EZpro becomes the exclusive distributor for the High End Systems

brand in China. We are looking forward to creating a brand new development for High End Systems in China. Founded in 2010, EZPro International (HK) limited has overall responsibility for the product promotion and marketing plan of all the distributed brands in China. It also focuses on developing new business scopes as well as introducing and distributing new brands. EZPro has built a new team dedicated for High End Systems, which is responsible for the marketing of brand and developing the local strategies for improving the sales and dealership. Renaat De Wilde, VP of Sales for High End systems, comments: the agreement with EZPRO is strategic for HES because

of the importance of the Chinese market and our desire to work with the strongest local partner. EZPRO will oﬀer us unrivaled benefits such as dedicated focus and resources, over 500 local partners, a strong relationship with key stakeholders, a strong financial position allowing for local stock and localized marketing initiatives. We are very confident that EZPRO will strongly increase our exposure and our market share in the fastest growing geographical and economical market worldwide. A Barco company, High End Systems is a globally recognized manufacturer of automated and digital lighting, and control products for professional applications. www.highend.com

NEWS May - June 2013

ETC Gio Console for the VCA Australia: The Victorian College of the Arts has taken delivery of an ETC Gio console for its production course. The Gio utilises ETC’s powerful hardware and software in order to deliver sophisticated eﬀects including pixel mapping and media server control. The lighting control systems oﬀer direct, intuitive operational style and can instantly recognise ETC syntax. “The addition of the Gio console ensures our students can experience the very latest in lighting control consoles," comments Joseph Mercurio, lecturer in Performance Technology. "Having these up to date technical resources ensures students leave the VCA job ready and experienced.”

and it means we know one of the most common consoles in use; in fact we can be employed as Eos, Gio and Ion operators.” Gio includes two integral, articulating multitouch displays and supports up to three external displays, all of which can also be multi-touch. “The goal is to have the latest equipment available to students so they can reach their potential and be ready for the industry upon graduation," concluded Joseph. “The Gio is designed for those looking for sophisticated control in a manageable, road-ready package." www.jands.com.au

Student Leslie Ding remarked, “The Gio is easy to learn due to ETC’s operating system

PR Lighting aims to boost global strength He added that her passion and customer devotion resulted from her willingness to understand regional markets, and research the best strategies to further develop them. “She is someone who is very much in tune with both the logistical considerations of the industry as well as the creativity required to achieve sales goals.” During her eight years with PR Lighting, Mary Ma has developed a wide global knowledge, assisting the sales mission in every territory. “With such a broad lateral experience, she is a kind of Wikipedia of the International Sales Dept,” continued Armas. “She has a keen sense of organisation, grasps concepts very quickly and eﬀortlessly integrates the philosophy of the company into her daily activities.” www.pr-lighting.com Sales Manager (Americas), Anna Zhang

China: PR Lighting has announced strategic personnel changes as it strives to consolidate its expansion across the globe. Anna Zhang and Mary Ma have been promoted to Sales Manager (Americas) and Sales Assistant Supervisor, respectively. Both are long-serving and loyal members of the successful sales team. Anna has been working with PR Lighting for the past seven years, developing through the ranks, first as sales assistant and sales supervisor, before being confirmed as sales manager. Confirming the new appointment, sales director Ernie Armas said, “Anna’s career development has been impressive over such a short amount of time; she is also the first to have reached the key position of overseeing sales in the most important territory, after starting in an entry level role.”

Sales Assistant Supervisor, Mary Ma

Integrating Technologies, Experiencing Content

NEWS May - June 2013

Nexo STM market presentation in Malaysia it was all or nothing. Not just because of the weather but also since it was Concept Associates and Audio Solutions first time doing something like this. When you go live, anything can happen, the only thing I was sure of were the people and the system but still anything can happen. But even if it was raining, the system would still sound amazing.” It was Nicolas who, when asked to describe the system in 5 words or less, labelled the Nexo STM as “Technically perfect.”

Malaysia: The Nexo STM market presentation was held at the Selangor Turf Club in Kuala Lumpur, Malaysia to a crowd of almost 250 guests. Organisers and master dealer of Nexo in Malaysia, Concept Associates (KL) Sdn Bhd teamed up with sister company and main distributor Audio Solutions to host the event for friends and clients at the first ever product presentation event held at the turf club. Industry personnel from around Asia, including India and Vietnam, gathered together at the intimate venue to enjoy a night of good food, good music and above all, good company. According to Rico Yong, the system engineer at Audio Solutions and one of the main brains behind the event, the celebration was a long time coming, “From the first time I heard the Nexo STM during the launch in Australia, I was amazed that not only can you rig an entire system with one person but for the first time ever, I

could be standing next to a speaker during a show and not have to yell to be heard. It was from that point that I planned to let my fellow customers and friends in Malaysia experience and feel what I did.” He continues about the presentation, “Tonight, to me, is about letting my friends and customers to experience a technology so new that even the design of the cabinet is unique. I'm very thankful the weather worked for us as it was raining heavily the whole of today. We were very nervous and this is the first time that many industry kin from all over Asia will get the chance to hear the STM. For the actual demo, we set up sound ranges at 30m, 75m and 100m. The 100m mark was supposed to be the limit, no-one expected the STM to be able to reach more than that and still maintain clear clarity and power. I was surprised when some guests pushed pass the 100m and ironically, the best feedback came from them! I am very proud to be part of this and I believe the STM can handle any challenges that come its way.” And like Rico said, the weather had threatened disappointment just hours before the event. Many involved were murmuring under their breath, praying for the rain to stop. With just 1 hour till the event was scheduled to start, the rain decided to let the team have their day. Speaking to Sales Manager for Nexo in Asia, Nicolas Kirsch, “Before the event I felt

On the attendance to what was initially considered a small scale event, Nicolas comments, “The Asian distributors really surprised me. Many came with only a weeks notice and they brought with them many of their clients and the result of this is, tonight we have started a wave all over Asia. Nexo is coming back to the touring market in full force and its a fantastic platform for our Asian business as Malaysia is very central and easy to access. I'm as happy as anyone here tonight especially for Shelby and Rico as its their first time setting up a show like this and finally tonight they are blessed with such a huge success.” Shelby Liew, the Marketing Executive at Concept Associates, was the other main brain behind the planning, set-up and co-ordination of the event. “This

NEWS May - June 2013

man or woman. He spoke to us before the event saying, “My stomach is always in knots and I always get the pre-show jitters before just because I am so passionate about good products, and the Nexo STM is really a good product.” It was only after the presentation and the demonstration that he managed to calm down and enjoy the evening saying, “It went better than expected, now I can relax and breathe.” To this we managed to squeeze in a question about the evasive OMNI module which is the 8'' downfill and only element of the Nexo STM array that has yet to be released. When pressed for its release date, Val quips: “It will be released when it's perfect. Just like the rest of the system.” Nicolas Kirsch and Val Gilbert explaining the features of the STM system

event wasn’t merely a launching seminar or a showcase, it served to re-engage and strengthen the relationship of our company and our valued business partners. It turned out better than I expected, and right now, no words can describe how i feel. This is my first event in the industry and I'm so touched by the support especially from Mubari Group of Companies(Mubari G.O.C) who were the first in South East Asia to use the Nexo STM and also sponsored the event along with providing all the logistics that made this night possible. They did a great job during the setup and I am really thankful.”

humid night, it should be harder to hear most high frequencies of sound as they will be absorbed by the big pools of water particles in the air. So if you can still hear the clarity and pitch perfectly, even after passing the 100m mark, a system has to be really good. I am really impressed with the Nexo STM. Thank you also to Concept Associates' and Nexo's for organizing this event. This is one of the few events where I can gather with friends in the same industry and have the chance to drink, chit-chat and of course have fun while discussing how Nexo STM can help us all do better in our respective businesses.”

We also heard from some of the attendees of the night such as Yamaha Music Asia's, Assistant General Manager of PA/CA Marketing, Lawrence Tan who said, “ This is my first time hearing it and mainly 2 words come to mind,VERY GOOD. I am certainly looking forward to it coming to Singapore where I am based. The sound is diﬀerent from any line I've heard and its a big system on a large scale and more importantly its a scalable system, which is impressive on its own. It can be used from small to large venues and this is means it had the potential to be used in Singapore's sport hubs and stadiums.”

With the presentation being the first time the launch would take place in front of many from South East Asia, Val Gilbert, Nexo's Technical System Specialist along with Nicolas were asked to speak about the system before the demo. He spoke of the various uses and how the system can be used to improve the eﬃciency of set-up as it is quite straight forward and can be rigged with just one

Before expanding into the Asian market, the Nexo system had already built up a reputation for itself in Europe with shows for Ina Mueller featuring nine M46s and nine B112s along with six S118 subs in a venue with a 6'500 capacity and German Pink Floyd tribute band, Floyd Reloaded. Siswa Azmi Mubari (aka Ajun Mubari), Director at Mubari G.O.C, spoke about how it was, that Nexo was able to blow out the competition despite the wet conditions. He says, “Considering that tonight is such a

Celebrating their success: Nexo, Concept Associates (KL) Sdn Bhd and Audio Solutions

Of the entire evening, the best experience came from those who attended and were treated to a demonstration that you could feel in your bones. It was a great evening for a great product. Andrew Lee, Marketing Director, Concept Associates ended oﬀ the night with, “everyone has finally experienced the true sound of STM” www.nexo-sa.com www.conceptaudio.com.my

Sponsors and Directors of Mubari GOC , the 3 Mubari brothers: Siswa Azmi Mubari, Syaiful Rasyidi and Syaiful Nizam

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NEWS May - June 2013

Circus Maximus strengthens with Coolux Pandoras Box Quad Server

Circus Maximus in Coolux training

International: Circus Maximus International Pte Ltd, an integrated event management and experience marketing company has taken the delivery of the Coolux Pandoras Box Quad Server along with the Media Manager. The deal was concluded by Coolux’s exclusive distributor, Total Solution Marketing Pte Ltd.

which has definitely helped us in mastering this technology.”

Managing Director of Circus Maximus, Edward Kent shared his delight, “As the event landscape constantly changes, we needed something that could supplement our existing audio and visual equipment and that could evolve in terms of content development, imagery and overall customer experience. Coolux Pandoras Box met our requirements perfectly and we are excited to roll out our new purchase at our clients' upcoming events which include conferences, concerts and other entertainment and performing art events. In fact, we sent our 1st team, comprising of our technical and multimedia crew to Los Angeles for further Coolux training,

Sanjay Jegatheesan, Assistant Sales Manager for Total Solution shared his delight, “The award winning Pandoras Box Server features the most powerful renderengine oﬀering real-time compositing in 3D, on-site editing and allows for projection onto any shape and any surface making it the perfect choice for Circus Maximus. Their selection of Pandoras Box is a strong aﬃrmation that the Pandoras Box is becoming the favourite choice Media Server for our industry.”

Edward, also satisfied with the support team from Total Solution Marketing added, “Total Solution has been providing excellent technical and after-sales support and have been attending to all our needs with patience and professionalism.”

www.coolux.com www.circusmax.com www.tsm-int.com

NEWS May - June 2013

Robert Bosch launches Electro-Voice ZLX Series in Singapore

Singapore: Just a week after its showing at Prolight & Sound, Robert Bosch (SEA) Pte Ltd, held a launch event for the EV ZLX Series on 19th April at the British Club. The launch saw a healthy turnout with a good mix of industry personnel. The launch kicked off with a quick overview about the Bosch company, followed up with a quick introduction of ElectroVoice and Dynacord products as well as the new Bosch PA and conference products. The main event was, of course, the launch of the EV ZLX Series. With the launch of the new ZLX series, Electro-Voice has extended its range of speaker systems to include two active and two passive models. The ZLX series comprises of the two powered models, ZLX-12P and ZLX-15P, and their passive counterparts, ZLX-12 and ZLX-15. They are equipped in each case with 12” and 15” woofers, respectively, a 1.5” titanium HF driver and, in the case of the powered models, a 1000 W (peak) Class-D power amplifier – compromise-free, high-quality components that guarantee clear and powerful performance. The patented “split baffle” design leads, furthermore, to a clear improvement in the acoustic dispersion. In addition to a precise sonic image in music applications, the primary advantage of this is enhanced intelligibility of the spoken word. These features make the ZLX series a highly attractive choice for a multitude of different mobile applications: the speakers are just as suitable for musicians and small groups as for DJs and solo entertainers – whether as a main PA or monitor system (dispersion pattern 90° x 60°). All members of the ZLX series are notable for their lightness (14.9 kg to 17.3 kg), compact dimensions and robust polypropylene cabinets. The new

arrangement of the handles – above, below and to the side of each cabinet – further assists with setting-up and transportation. The event concluded with performances from Hariz and Lincoln as well as Charmaine Pelaez, who are EV endorsed artistes. www.electrovoice.asia

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NEWS May - June 2013

IES appointed sole distributor for Martin Audio India: Integrated Entertainment Solutions (IES) who has represented Martin Audio as regional dealers for the Western and Southern part of India for the past 7 years have now been oﬃcially appointed as sole distributor for the whole of India.

RCF D LINE

Rasesh Parekh, one of the Directors of IES, comments, “IES has been asked to step up and take on a bigger role as the sole distributor for India. It is a privilege and also a recognition of our past eﬀorts and support to Martin Audio. We are happy to accept this and work towards a bigger picture for Martin Audio and IES in India.” Rasesh also lays out IES plans for Martin Audio. “IES has a clear and focused vision for Martin Audio in India. As sole distributor there is now a proper structure from us to provide a level competing ground to all our dealers, integrators as well as clients. Top-notch service and

support would be available to all. Martin Audio's MLA series is most exciting and India is about to experience this. In brief the future is an exciting challenge which we are looking forward to as we take this brand to next higher level.” In the 7 years when IES were the regional dealers, they have built up a huge presence in the install, rental and cinema industry which they expect to build on with this new appointment. www.iesolns.com

APG announces partnership with Powersoft processing, all packaged in standard universal touring racks. However, both manufacturers have stressed that this is only the beginning of a joint development program of technologies for the future.

acoustic & lighting system MALAYSIA Tel. +603 - 8075 8990 Fax. +603 - 8075 8266 Email. acoustic@alhq.com.my SINGAPORE Tel. +65 - 6423 0682 Fax. +65 - 6423 0683 Email. info@acousticnlighting.com THAILAND Tel. +662 - 769 8199 Fax. +662 - 769 8195 Email. veera@alhq.com.my INDONESIA Tel. +62 - 21 29078968 Fax. +62 - 21 29078794 Email. edwin@acousticnlighting.com

www.acousticlighting.com

International: APG has announced a strategic partnership with Italian amplifier manufacturer, Powersoft, that culminated in the launch of a range of APG-branded amplifiers at ProLight + Sound 2013. The alliance is the fruition of a long-standing relationship and much discussion between the two manufacturers. The first result is that APG is now able to oﬀer customers a range of complete turnkey systems comprising loudspeakers, amplifiers and

The first products to be launched as a result of the partnership are the SA20:2 and SA30:2 two-channel, switch-mode class D amplifiers based on Powersoft ’s flagship K Series range. Designed for APG’s mid-to-high power and high power systems respectively, the 1U SA20:2 and SA30:3 are lighter and more compact than most other comparable amplifiers in their class. They are also supremely reliable thanks to advanced protection circuitry and variable speed forced-air cooling. www.apg-audio.com

NEWS May - June 2013

Times of India Film Awards prospers with MAC Viper

International: Associate Designer for the Times of India Film Awards, Robert Sondergaard of Electric Aura, encouraged Lighting Designer Atul Sonpal to go with the 1000W Martin MAC Viper Profile instead of an originally specified 1500W fixture, a decision that Atul and Robert proved happy with.

Besides the 42 MAC Viper Profiles, 20 MAC 2000 Wash XBs, 16 MAC 2000 Washes and 36 MAC Auras were also in the rig. Lighting vendor for the event was Christie Lites while Midnite Hour supplied Martin LC Series LED video panels, which were built into a large upstage wall to back the set.

“Given my previous experience with the Vipers on the 2012 Grey Cup, I encouraged him to try out the Vipers instead,” Robert Sondergaard stated. “I was very impressed with their speed and output and I knew he would be as well.”

www.martin.com

The Vipers were hung on three set arches as well as the furthest upstage truss where they worked as top colour and gobo wash onto the stage. The MAC Viper Profile is an award-winning fixture whose 26,0000 lumens of power outperforms that of market-leading profiles in the 1200-watt range and is even finding service as an alternative to 1500-watt fixtures. “We had the Vipers alternating with a [dedicated beam fixture] and when you zoomed the Viper right down and used the iris to get the same beam size you almost couldn’t tell the diﬀerence,” Robert said. Vancouver played host to the inaugural award event, a three-day celebration of the music and movies of India. The culmination was a main award show hosted by Ranbir Kapoor and Anushka Sharma which took place at BC Place Stadium. The star-studded aﬀair featured performances by Shah Rukh Khan, Katrina Kaif, Abhishek Bachchan, Aishwarya Rai Bachchan and Priyanka Chopra.

NEWS May - June 2013

Vari-Lite for Perfectus-Dorier SINGAPORE: Audio-visual and events production company, Perfectus-Dorier has added to its stock of Vari*Lite fixtures with the recent acquisition of 24 units of Vari*Lite VL770 Spot Luminaires. The latest consignment was supplied to PerfectusDorier by Vari*Lite distributor, Total Solution Marketing. Rony Xu, General Manager of PerfectusDorier shared his delight, “We are very pleased that once again we have chosen Vari*Lite fixtures. The VL770 Spot lighting fixtures provides brilliant colour mixing with its three-wheel CYM colour assembly and when combined with eight standard colours on a fixed wheel, the colour options are practically limitless. Basically the VL770 Spot fixture contains everything that really matters to our lighting team which is limitless colour options, unmatched clarity of optics, exceptional zoom range, fast, smooth movement and powerful output.” Rony also commented on the outstanding support rendered by Total Solution. “Definitely the deciding factor for us to purchase the Vari*Lite fixtures was the

exceptional after-sales servicing and excellent technical support provided by Total Solution all these years.” Managing Director of Total Solution Marketing, Glenn Wong commented, “Vari*Lite has been at the forefront of the automated lighting industry since 1981 and I am delighted that Perfectus-Dorier has chosen Vari*Lite fixtures again as the VL770 Spot is a compact, lightweight and cost-eﬀective, new luminaire that provides lighting designers with eﬀective and creative tools for any venue or production size.” www.perfectus-dorier.com www.vari-lite.com www.tsm-int.com

ArKaos’ new division

www.acousticlighting.com

INTERNATIONAL: ArKaos chose Prolight + Sound as the place to announce the formation of its brand new division ArKaos Pro. Dedicated purely to serve large-scale, professional level shows and lighting projects which now dominate much of the ArKaos client base. The new division will operate alongside the existing ArKaos organization. “We have formed Arkaos Pro in acknowledgement of how ArKaos has grown and developed since its start,” says business development manager, Agnes Wojewoda. “ArKaos products have evolved into far more sophisticated solutions

over the past years as our software has continued to stretch boundaries and our client base diversified.” “ArKaos Pro will dedicate its time and expertise to the professional lighting market which has expanded exponentially for us in the last few years and now demands greater attention, energy and more dedicated support than ever before.” The announcement of the new division coincided with the release of the new ArKaos Stadium Server. www.arkaos.net

Introducing

AcousticPerformance

™

The New Line of High-Output Installation Loudspeakers

Perfect for premium, high-output, high-fidelity sound reinforcement applications such as nightclubs, performance spaces, and houses of worship, AcousticPerformance represents the perfect combination of form and function that delights the ears, the eyes - and the bottom line. To learn more about AcousticPerformance and the full line of QSC integrated systems solutions, visit us online at qsc.com/products/speakers/ap

qsc.com

NEWS May - June 2013

D.T.S. Excellence Awards dinner 2013 International: D.T.S. held its fourth Excellence Awards Dinner in conjunction with Prolight & Sound at the Tryp Hotel in Frankfurt. The Awards held on the 11th of April featured a great selection of food, Italian wine and entertainment and brought together a truly international mix of guests.

Guests at the awards.

Makato of Ushio Lighting Japan was one of two winners with Stefano Trevisan of Plus Music for the Buildings category.

Henry Ang of Showtecgroup Singapore was one of two winners for the Concerts World category as well as the winner for the Houses of Worship installation category.

Paul Owen of D.T.S. Australia taking the award for the Creative Installations category.

This year’s Award saw companies in Asia and Australia also coming away as winners: AWARD CATEGORY

WINNER

COUNTRY

EVENT

CONCERTS EUROPE

SKY-CORPORATION

SERBIA

JENNIFER LOPEZ LIVE IN BELGRAD

CONCERTS WORLD

SHOWTEC

SINGAPORE

BIG BANG IN CONCERT, JAKARTA

CONCERTS WORLD

HPL

BRAZIL

JORGE E MATEUS IN CONCERT, BRAZIL

EXHIBITIONS

LIGHTPOWER

GERMANY

DRUPA 2012, DUSSELDORF

EXHIBITIONS

HPL

BRAZIL

SALAO DO AUTOMOVEL 2012, BRAZIL

EVENTS / CORPORATE

MACAIO

ARGENTINA

MILLER BEER LAUNCH, ARGENTINA

TELEVISION

LIGHTPOWER

GERMANY

SCHLAG DEN RAAB - PRO SIEBEN TV

TELEVISION

100% PURO DESIGN

ITALY

CHE TEMPO CHE FA - RAI TV

FOUNTAINS / SWIMMING POOLS MAGIC WATER

IRAN

KHALIJ FARS PERSIAN GULF COMPLEX, SHIRAZ

CREATIVE INSTALLATIONS

D.T.S. AUSTRALIA

AUSTRALIA

EARTH V SKY - SYDNEY

BUILDINGS

PLUS MUSIC

SWITZERLAND

UMWELT ARENA, ZURICH

BUILDINGS

USHIO LIGHTING

JAPAN

SAKAE PARK OASIS 21, NAGOYA

FESTIVALS

KARIOTIS

GREECE

ARK FESTIVAL, ATHENS

HOUSES OF WORSHIP

SHOWTEC

SINGAPORE

NEW CREATION CHURCH, SINGAPORE

CLUBS

MARC ANDRE

CANADA

PHI CENTRE, MONTREAL

THEATRES / EVENT HALLS

IMLIGHT

RUSSIA

NATIONAL PALACE OF CULTURE, SARANSK www.dts-lighting.com

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ENNOVATIONS May - June 2013

Martin Professional: VC-Strip VC-Strip family of narrow LED video strips are ideal for integration into stage and set designs, as well as interiors like bars, ceilings and walls. Fully compatible with Martin’s VCGrid LED video module, strips are fully pixellevel calibrated on brightness and colours for optimal uniformity and quality and are driven by Martin’s P3 System Controller family. Flexible video strips feature a pixel pitch of 25 mm and are available in lengths up to 400 mm. Available in RGB, warm white, medium white and cool white variants. RGB version has a calibrated brightness of 4000 nits while the warm/medium/cool white versions have

a calibrated brightness of 8500 nits. VC-Strips are fitted with colour temperature control, colour target control and gamma curve control, while performing at the same frame rate as a video source. Strips are fed with power and data via Martin’s P3 PowerPort 1500, which enables daisy-chains up to 18 meters and requires few cables. For mapping, users are able to map visually on the P3 System Controller by a simple drag and drop function bypassing the need to address every individual VC-Strip. www.martin.com

Studiomaster Professional: DJA2500 + DJA4000 2 new models in the DJA power amplifier series, bridged at 8 Ohms, the DJA 2500 delivers 2200W EIA power output, while the DJA 4000 delivers 3800W EIA power output. Amplifiers feature bass boost switch on rear panels adding low-frequency compensation to enhance speaker output. Filter selectivity (rear panel) allows users to output frequencies that are lower that the cut-oﬀ set by the frequency adjustment knob. The introduction of the rugged and reliable amplifiers expands the choice and ability to refine system specification to exact requirements for a variety of applications ranging from live performance, DJ, house of worship & professional installations. www.studiomasterprofessional.com

Columbus McKinnon Corporation: Universal Trolley Designed to fit virtually all Columbus McKinnon electric and air chain hoists up to 3 ton capacities. Dual Tread Wheels fit tapered or flat beams, wheels include permanently lubricated shielded ball bearings for long life and low maintenance. Features wrap-around side plates and lugs to provide additional security to improve operator safety and protect the wheels while zinc plated bolts, nuts and washers along with painted frames protect against corrosion and wear. Usable with a wide range of hoists, reducing the need to have multiple types of trolleys in inventory. Flexible design allows it to be easily converted from a push to a handgeared trolley configuration. www.cmworks.com

ENNOVATIONS May - June 2013

BEHRINGER: EUROLIVE B207MP3 Active loudspeaker designed for vocal and/ or keyboard monitoring, multimedia, press conferences, among others. Based on the BEHRINGERâ&#x20AC;&#x2122;s B205D, the B207MP3 is equipped with a built-in high-performance MP3 player for playing audio files from a USB stick, 3-band EQ, and built-in 4-channel mixer that accepts XLR, TRS and RCA inputs. Phantom power is provided for condenser microphones and one input allows connecting a Hi-Z instrument without the need for an external DI. There is also a dedicated stereo input for keyboards, MP3, CD or other sources. System is small and compact enough to be mounted on a mic stand, while the 6.5â&#x20AC;? premium-quality, full-range driver provides heavy-duty sonic performance. A Class-D amplifier and internal switchmode power supply pumps out 150 Watts, and additional active loudspeakers can be linked via a THRU socket. Housed in a super-tough, impact resistant enclosure with an integrated top-carrying

handle, making it portable for on-the-go performers and public speakers. www.behringer.com

EXHIBITION REVIEW May - June 2013

Prolight + Sound 2013 Prolight + Sound is considered the leading international trade fair for the event-technology sector and the 2013 edition definitely held up to that reputation. The exhibition is increasing year by year and its agreed that if you want to introduce a product, you have to be at Prolight + Sound. As far as lighting, audio and visual goes, its the centre of the world. From the 10th to 13th of April, the annual fair showcased thousands of products, trades and services from all around the globe dealing with both technical and commercial patrons. Keep reading for the product highlights of the exhibition that, some say, you can't aﬀord to miss!

ACME delivers low power consumption LEDs ACME has expanded its product range by adding 2 new LED solutions that provide powerful beam eﬀects to create an eyecatching visual feast. The two professional lights feature the same dimension and weight but are distinguished with diﬀerent LEDs, beam angles and luminous flux to generate diverse stage atmospheres. The CW-150 has 7 pieces 10W Quad colour (4 in 1) LEDs to create extraordinary colour mixing as well as a great beam and

wash eﬀect while the CW-108 possesses a special beam angle of 13.5° that creates an unprecedented powerful visual impact. Scientific optics system and perfect lens optimize the performance of the lumen output up to 2400lm and 5050lm at 5 meters, respectively. Both luminaires feature 3 operation modes: DMX, Master/ Slave and Sound. In the case of Master/ Slave mode, both are triggered by music, thanks to the built-in programs

incorporating the latest and highest level of lighting technology from ACME’s research and development center. The optic systems ensure a luminous flux and throwing light over large areas with homogenous colour. Users can select DMX channel modes of 4/5/7 channels which are available due to the performance of the built-in programs. www.acme.com

Adamson celebrates 30th Anniversary with additions to Energia Adamson Systems Engineering has become a fixture on the trade fair floors of Prolight + Sound in Frankfurt, Germany. This year marked the thirtieth anniversary for the Canadian company that develops and manufactures a complete line of high performance loudspeaker systems for the professional touring and installation market. In celebration, they hosted a series of parties and dinners with close friends and customers in the industry who shared in their success.

The Energia e12

The popular e15 will now have a partner in the energia line with the release of the all new e12. The e12 was designed as a standalone mid-size box that can also be used as a downfill, or side fill in a larger e15 arena system. It is a versatile solution for large format touring companies and regional rental companies. Oﬀering high powered

vocal performance for its size, the e12 shares its mid and high components with the e15. Together they create a uniform and seamless ribbon of mid/high energy when the e12 is used in a downfill configuration. Inside the box is Adamson’s new 12” Kevlar driver, the ND12S with advanced cooling and larger xmax, providing uncompromised LF extension, in a 12’ line source system. By utilizing Adamson’s advanced cone architecture, the ND12S has reduced eddy currents and intermodulation distortion by utilizing shorting rings in the motor design. The 12” cone and dustcap are manufactured entirely out of Kevlar creating a highly weather resistant low frequency component for the industry.

The Energia 218

The Energia e218 was designed as a

companion sub for the Energia Series e15 and e12 and can be flown together with an e12 or a stand alone array. The self contained rigging allows for curved or flat array when it’s flown but will also travel three up on a cart. Within the manifold design are two of Adamson’s new ND18S drivers with dual spider voice coil stabilizing design. The drivers are coated in silicone for long term suspension memory and shorting rings are used to eliminate eddy currents and reduce intermodulation distortion. www.adamsonsystems.com

EXHIBITION REVIEW May - June 2013

AFMG puts sound where it belongs FIRmaker's patent-pending algorithms can be employed universally especially when it comes to concert sound applications with large-format portable line arrays. These applications will appreciate the longer throw distances, even coverage, maximized output levels and fast set-up. Digitally steered columns in acoustically challenging spaces will be boosted in their ability to deliver increased SNR as well as maximum speech intelligibility. However, because it is a software, the AFMG FIRmaker works out of the box. Any DSP or amp platform that supports FIR signal processing can be used with the FIRmaker in order to implement audio quality for each seat in the house.

AFMG's revolutionary new FIRmaker technology combines the powers of acoustic modelling with precise system tuning and state-of-the-art DSP control. Using the venue's geometry and high-resolution

loudspeaker modelling data for the sound sources as input, FIRmaker computes FIR filter settings to deliver high SPL, spectral consistency and smooth sound coverage from the first to the last row of the audience.

The FIRmaker allows fast and a highly precise generation of FIR filters tailored to a venue, and these can now be loaded directly into Powersoft's K series of amplifiers and the DSP4 module for powered loudspeakers. And key partner to AFMG, Lab.gruppen has also integrated all of its PLM Series amplifiers to interface with FIRmaker. www.afmg.eu

Allen & Heath compacts versatility with Qu-16 digital mixer A compact digital mixer from Allen & Heath, Qu-16 comes with a professional feature set and an entry-level price tag, packaged in a stylish 19” rack size. Inheriting technology from the acclaimed GLD and iLive digital mixing systems, Qu-16 features 16 mic/line inputs, 3 stereo inputs, 4 FX engines with dedicated stereo returns, 14 mixes (including LR, 10 aux mixes, plus 2 dedicated FX busses), 12 mix processing channels, patchable AES digital output with a further 2-channel ALT output, dedicated Talkback mic pre input, and 2-Track output. Qu-16 is equipped with a high resolution (800x480) full colour Touchscreen featuring the easy to drive ‘Touch Channel’ access to channel processing, the FX racks and all the setup and system management controls. In keeping with the iLive user interface, Qu-16's SuperStrip provides control knobs for a selected channel’s key processing parameters, such as gain, HPF, parametric EQ, gate threshold, compressor threshold and pan. Qu-Drive, the mixer’s integrated USB recorder, which works with an external USB drive, can record and playback multi-

track and stereo audio .wav files. The USB interface can also be used to store scene and library data for archiving and recall. A&H’s proprietary dSNAKE low latency audio connection enables the mixer to connect over a single 120m Cat5 digital snake to a remote audio rack, such as the AR84 or AR2412, and is compatible with the ME personal mixing system.

Also available is the free iPad app which connects to the mixer via a Wi-Fi router plugged into the Ethernet control port and giving instant wireless control of the mixer’s key parameters and settings. www.allen-heath.com

â&#x20AC;&#x153;We should be able to take a lamp out of the box, install it, and immediately get the same light quality as before.â&#x20AC;? Paul Weaver, Head of Asset Management Europe, PRG

Entertainment lamps for the Real Artist Consistent performance, rapid replacement, global availability and support; little wonder our lamps are used by lighting technicians worldwide. www.philips.com/lighting/entertainment

EXHIBITION REVIEW May - June 2013

ArKaos interacts with visual technologies

A leading provider of real-time visual processing technologies for live visual performances, ArKaos released the ArKaos Stadium Server, which features 6+1 EDID managed full HD outputs, at the company's booth during the fair. The solution

encompasses full SSD storage which allows for up to 900 MB/s from the disc with multiple AMD FirePro GPUs and up to 8K width videos. 2 HD-SDI inputs are available as well as Neutrik connectors on the back of the device.

In addition, ArKaos Pro, the new subdivision of ArKaos, launched the first major revision of the ArKaos Video Mapper. The new version adds a new circle primitive, more control on the cropping area, a new and elegant way of combining multiple outputs with soft edge and a first support for DMX control of surfaces and cropping. www.arkaos.net

Clay Paky showcases its extraordinarily compact Sharpy Wash 330 Sharpy Wash 330 is an extraordinarily compact, lightweight 330W washlight. It is extremely silent and quick, and fitted with a complete CMY colour system, special colours, 6.5°-48° zoom, mechanical dimmer, beam shaping filter and Clay Paky's patented motorized top-hat. It is an eco-friendly light, allowing considerable running and consumption cost savings.

and optical performance comparable to a 1000W fixture. The fixture also features high speed movements and eﬀects; high speed stop/strobo eﬀects as well as soft-edge Filter and heavy frost filter. The Sharpy Wash only weighs 18.5kg and is available in black, white, gold-plated and “mirror-finish” chrome plated versions. www.claypaky.it

Clay Paky says it has designed the Sharpy Wash 330 to oﬀer the light output, graphic

Coda expands D-Series frequency response is the requirement, but placement of those extra sub cabinets is just impossible. Physically or aesthetically, this solution applies to just about every midsized bar, café, club, AV application, corporate presentation, TV studio, theatre, educational facility and shopping mall you can think of.

Coda Audio’s family added new members to its renowned D-Series. Created specifically for the fixed installation market, the D12 speaker is designed to provide a true, one point source system in a compact package. The cabinet contains a high power 12” woofer and a coaxially mounted ring diaphragm high frequency driver with 44.4 mm voice coil. The design aligns the acoustic centers of the

transducers to produce a single point source. With high power handling of 600W (AES), the D12 sets a state-of-the-art solution for almost any high quality, near field installed sound reinforcement applications. Then comes the D20 which doesn't simply expand the D-Series product range, it oﬀers a true solution to applications where full range

With the D20, Coda Audio introduces a compact 3-way point source cabinet designed without compromise to provide extended low frequency at high level. The cabinet contains a long excursion 12” ultra low distortion cone driver covering the range 35 Hz – 400 Hz. The 3” voice coil is 32 mm high, ensuring linear excursion of 22mm/ pp. Three aluminium shorting rings reduce inter-modulation distortion and minimize induction variation, while reducing thermal compression. This design dramatically reduces distortion, and improves overall sound quality, providing deep and punchy bass response. www.codaaudio.com

Get Ready for The Next Level When Simplicity in Motion is the ultimate goal, there’s always a next level to meet. ProLyft invites you to take that level further with a product range that is ﬁt to meet the future. WWW.PROLYTE-ASIA.COM

Palm China, Beijing 7 - 10 June E2H11 | Palm Asia, Singapore 17 - 19 July H18

EXHIBITION REVIEW May - June 2013

Coolux Pandoras Box version 5.5 radically reduces programming time The latest version of the award winning Pandoras Box product family includes a groundbreaking 3D object calibration feature. The new tool is defined by its extreme user friendliness, when it comes to realising 3D warping applications. All one needs to do

is to define four points on an actual object and the software’s calibration feature will automatically map an appropriate 3D file on to the physical object’s surface. The high accuracy of this feature will save valuable time in any kind of production setup.

www.coolux.com In addition to this, a new Playlist feature

D.A.S. Audio launches AERO 40A line array The European debut of the company's new system marks the beginning of a new breed of line arrays incorporating the latest in waveguide design, power electronics and digital signal processing. The Aero 40A is a 3-way powered line array system which incorporates connectivity for remote monitoring and control. The unique configuration of the Aero 40A employs a rear-loaded 12” transducer in a bass-horn configuration for low-end reproduction. The mid-range is handled by a new 8” transducer developed specifically for the Aero 40A. High frequency reproduction relies on two D.A.S. M-75N compression drivers attached to a new BPS-2912 waveguide. Powering the Aero 40A is a package of integrated electronics that includes the digital signal processing engine and a new 2,000W (4,000W peak) amplifier. The three channel, high eﬃciency Class D design is equipped with a switch mode power supply (SMPS) and a comprehensive protection package for both the amplifier as well as the components. The signal treatment incorporates the latest in digital signal processors. Brick wall FIR filters have been used to provide perfect alignment between ways achieving exceptionally uniform coverage all the way down to the crossover point. Top-of-the-line AD/DA converters are employed allowing for significant improvements in dynamics, lower distortion and ultra-low noise levels.

makes it possible for Pandoras Box users to create professional media slide shows by simply dragging and dropping files, thus radically reducing the time needed for programming shows.

Remote monitoring is provided by way of the DASnetTM monitoring system and software, an audio management application for D.A.S. powered cabinets and processors. The DASnetTM software oﬀers users instant and intuitive control over a range of parameters of a single cabinet or processor or a network of them. The Aero 40A enclosure is brilliant in design. Constructed using birch plywood and finished with the ISO-Flex black paint, it oﬀers excellent protection and durability. Three individual assemblies comprising the high frequency waveguide, the horn device for the 8” mid-range and the carrier for the 12” woofer are made from injection molded aluminum and attached to the front of the cabinet. A two-piece injected aluminum heat sink housing the amplifier and related electronics is attached to the rear of the cabinet. To provide both strength and resistance to corrosion, stainless steel is used for major parts of the new rigging system. A powdercoated heavy duty steel grille protects the components. The captive rigging system’s design provides ease-of-use, safe rigging and precise aiming. Using captive links and quickrelease pins, the spring-loaded links remain positioned while rigging and prevent rattling during operations. www.dasaudio.com

EXHIBITION REVIEW May - June 2013

DPA d:fines quality Sony, Shure and Sennheiser. Its simple plug-and-play features allow it to reproduce a natural sound, which reaches 160 dB. As with all DPA mics, it’s linear in frequency and phase, both on- and off-axis, while its definition and accuracy reproduces a singer’s voice effortlessly. It also sets new standards with its threestage pop protection grid that ensures the removal of unwanted noise. The d:facto II Vocal Microphone is a high quality vocal microphone that offers natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, it provides singers and engineers with a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

The d:facto II Vocal Microphone was awarded a MIPA (Musikmesse International Press Award) in the Live Microphone/IEM category. Widely regarded as the “Grammys" of the Musical Instrument/Pro Audio industry, the MIPA Awards are voted for by editors of over 100 magazines from around the world. www.dpamicrophones.com

The mic guarantees sound compatibility with existing wireless systems such as

GLP creates positive impression with its fixtures Getting its official launch at the show was the Impression X4S fixture, which is the ‘Small’ version of the Impression X4. Featuring the same 15 Watt RGBW LED’s that are used in the Impression X4 - just 7 instead of 19, it has the same homogenous output, the same stunning 7 to 50 degree zoom range and the same pixel pattern capability, but all in a smaller body which is just 12 inches high and weighs just 12 lbs. It offers all the things you have always wanted in a small moving LED washlight, but could never get in a single fixture - and it completes the feature set with fast 16 bit movement, electronic shutter control and smooth dimming. Also showcased was the bigger brother, the Impression X4 XL, which features 55 RGBW LEDs (each 15 watts) coupled with highly efficient 7° - 50° zoom lens. The optics, gives a well defined beam,

complete with hard edge in the lower zoom range whilst remaining absolutely homogeneous and soft edged at wider angles. RGBW colour mixing, variable CTO and a finely tuned dimming curve are standard in the Impression X4 XL. The Impression X4 XL features individually controllable LEDs allowing a range of diﬀerent patterns to be created and displayed on the front lenses, including arrows, numbers, letters and much more, either from stock patterns or through user created patterns. www.glp.de

D.T.S Lighting astounds with innovation

TOUCH THE

FUTURE D.T.S Marketing Manager, Pierluigi Gasperoni stands by the RAPTOR, MAX and JACK

When the Jack luminaire was first launched, it fascinated the industry. How D.T.S Lighting managed to pack 3 machines into one moving head for the first time was befuddling. This year's show saw the company take it one step further when they combined the Wash, Beam, Spot and Theatre functionality into one moving head. The MAX is a top of the range D.T.S. highpowered compact moving head. MAX’s wide excursion motorized zoom allows any application from long-throw projections to large wall washing. The Beam opening is at 1.5° - 2° ‘Beam’ projection; 2° - 37° ‘Spot’ projection; 10° - 60° ‘Wash’ projection. Add CMY synthesis, linear CTO, animation wheel, and light output its becomes comparable to the most powerful fixtures. We managed to speak to Pierluigi Gasperoni, the Marketing Manager for D.T.S Lighting and he shares his thoughts on the reason for the MAX's success. “With the MAX you don't need to store 4 machines in your warehouse. You just get one and it does the job of 4. Usually you purchase theatre machines separately but the MAX has one of the best theatre functions, its extremely luminous and the luminosity is extremely diﬀused in every point of the beam, so diﬀusion is evened out. He adds, “The evolution of the company is clearly visible in our new products, all of which are extremely powerful, luminous and versatile. What's more is that one year ago where you needed two people to carry one moving head now the opposite is true. 1 person can carry 2 machines because the MAX weighs less than 50kg, the Raptor at 15kg and the Jack at 14kg. Gone are the days of big and cumbersome machines.”

The Jack fixture is MAX's little brother. The company moved from JACK to MAX by trying to understand what kind of machine would improve a company's business and make their jobs easier. Most rental companies complain about space and purchasing. Buying many fixtures and having no where to put them but needing them anyway is frustrating to say the least. All that is solved with a single machine that does the job of 4 diﬀerent machines. It's easy to understand but according to Pierluigi, “hard to create”. Seems it paid oﬀ though, throughout the 3 days of the fair, the D.T.S stand was completely packed with people asking about the MAX, a centre stage fixture at the booth. Pierluigi adds, “The MAX was designed with ergonomics in mind. It was designed by lighting designers for lighting designers, individuals that would think of the people who would have to deal with the machines on a 50m high truss.” He continues, “You can't give them 50kg you must give them 15kg so they can manage their work with ease.” Besides the JACK and MAX, the RAPTOR also made its presence known. Considered the most powerful beam on the market right now with the fastest pan/tilt movement, the fastest strobe and the fastest colour and gobo scrolling combined with the fact that its the the size of a football, making it a popular fixture for local and international rental companies. MAX comes equipped with the ‘FPR’ system (D.T.S. patent), which allows limitless pan rotation, in either direction, never having to reverse motion. www.dts-lighting.com

TIGER TOUCH

POWER CUBE

PEARL EXPERT TOUCH Avolites: +44 (0) 2089 658 522 avosales@avolites.com www.avolites.com

Total Solution: (+65) 6287 9878 sales@tsm-int.com www.tsm-int.com

EXHIBITION REVIEW May - June 2013

FBT expands MITUS range Italian professional audio company, FBT, announced the addition of two new 2-way models to its MITUS series – the activepowered MITUS 114A and passive MITUS 114. Already a comprehensive range of active and passive line arrays, 2-way speakers, subwoofers and low-profile stage monitors, the new additions to the MITUS range both feature 360 mm (14”) B&C neodymium magnet LF drivers with 75 mm (3”) voice coils, 36 mm (1.4”) exit B&C neodymium magnet HF drivers with 64 mm (2.5”) voice coils, 70°H x 50°V rotatable HF horn and lightweight (only 24.9Kg / 54.8Lb) birch plywood enclosures.

YOU´ VE GOT THE SKILLS. SKILLS WE´ VE GOT THE TOOLS.

All MITUS active speakers feature 2-way, bi-amplified, switch-mode power supply’s, DSP with 8 EQ presets, birch plywood enclosures, scratch resistant black paint finish, control panel with XLR input and link, volume, pre-sets, ground-lift, multiple M10 fly points and two FBT designed aluminium handles. Passive versions of all active models in the MITUS range are also available. The MITUS range features high eﬃciency Class D 1200W RMS power amplifier modules with switch mode power supplies fixed to a die-cast aluminium chassis. This lightweight power amplifier module (only 3.2 Kg) has excellent eﬃciency and heat dissipation and provides maximum protection of the electronics from dust whilst preventing air loss through the input control panel.

Roberto Mataloni, Export Manager at FBT proudly presents the MITUS 114A speaker

DSP with A/D-D/A low noise converters provide 8 selectable pre-sets and full user set-up is available for total customization for any audio application along with Neutrik Powercon IN and LINK OUT power connectors along with aluminium die-cast carrying handles with rubber inserts. Heavy-duty metal grilles with antiresonance spacers and exclusive synthetic cloth protect the drivers from dust and moisture, without modifying the acoustic fidelity. Unlike widely used conventional foam linings, FBT’s synthetic cloth will not break down or disintegrate over time. www.fbt.it

HARMAN’s JBL Professional introduces JRX200 Series portable Passive loudspeakers

www.tsm-int.com Phone: +65-62879878 sales@tsm-int.com

www.coolux.com

HARMAN’s JBL Professional JRX200 Series portable passive PA loudspeakers is an upgrade from the previous JRX100 Series and features an improved highperformance compression driver, an updated, more professional appearance and additional enhancements. The four models in the new JRX200 lineup include the JRX212 12-inch 2-way loudspeaker/ stage monitor, JRX215 15-inch 2-way speaker, JRX225 dual-15-inch 2-way speaker and JRX218S 18-inch compact subwoofer.

Every JRX200 Series loudspeaker (except the JRX218S subwoofer) now incorporates the JBL 2414H-C 1-inch polymer diaphragm compression driver, which oﬀers better high-frequency performance and improved reliability. The 2414HC driver is mated to JBL’s Progressive Transition waveguide, which provides constant beamwidth and directivity across a best-in-class 90° horizontal/50° vertical coverage pattern, along with smoother frequency response and a more seamless blend with the woofer.

EXHIBITION REVIEW May - June 2013

The JRX200 enclosures feature a dualangle 36mm pole socket for easy setup (JRX212 and JRX215), along with all-steel handles and a perforated steel grille. The JRX218S subwoofer includes a 36mm pole mount receptacle to facilitate its use as a base for another JRX200 model or for a mid-high speaker cabinet.

enabling them to be driven to higher volume levels even with lower-powered amplifiers. JRX200 models include a host of additional performance features like SonicGuard high-frequency driver protection (except the JRX218S) and premium-grade crossover components. www.harman.com

All JRX200 Series loudspeakers oﬀer high sensitivity (from 98dB to 100dB SPL),

Kling & Freitag showcases SEQUENZA 5 compact line array system The SEQUENZA 5 is the compact and smaller version of the established SEQUENZA 10 from Kling & Freitag and has been acoustically designed to allow interaction between the two systems. A downfill adapter enables up to three SEQUENZA 5 units to be positioned under the SEQUENZA 10. The SEQUENZA 5 system is equipped with four 5-inch and three 1-inch neodymium drivers using passive control. Up to four elements may be operated on one channel of the K&F SystemRack (for installations on one TOPAS channel). Providing low-frequency is the SEQUENZA 5 B fly bass, which is a 12-inch subwoofer that has been designed in compliance with the 100° x 15° coverage of the SEQUENZA 5 W. The Sequenza 5 uses the same patented Snap&Fly rigging system, which has been refined and improved for its application to a small line array. It may be used for mobile live applications and in permanent installations, flown or ground-stacked. The integrated side and back surfaces of

(L-R) The SEQUENZA 10 with its smaller brother the SEQUENZA 5

the fly system are hidden, to give a tidy appearance to an installed system. The flightcase – which is only available from Kling & Freitag – oﬀers three diﬀerent ways of rigging and striking a system. www.kling-freitag.com

EXHIBITION REVIEW May - June 2013

Lab.gruppen changes the game with IPD Series Ampliﬁers stored in up to 100 user-defined pre-sets, and all processing power is harnessed for easy use through the intuitive, touchbased GUI of IntelliDrive Controller. Available for PC, Mac and as a dedicated iPad app, the software interface enables fast and accurate remote system tuning over Ethernet or wirelessly via a suitable WiFi router. The introduction of the new IPD (Intelligent Power Drive) Series from renowned Swedish amplifier manufacturer Lab.gruppen, marks a breakthrough in networked and DSP-enabled power amplifiers. In a sleek and ultra-compact package, IPD Series amplifiers unite – for the first time – renowned Lab. gruppen performance and reliability with cutting-edge DSP features and surprising aﬀordability. At the heart of the IPD Series platform is a powerful DSP engine equipped with a total of 40 real-time, multi-slope parametric EQs along with adjustable gain, input delay, output delay, and high-pass and lowpass filters adjustable to any frequency. A Software Configurable Voltage Peak Limiter (SCVPL) tailors outputs to load conditions, maintaining sound quality, while a 4-channel input mixer provides flexible input routing. Parameters may be

Two power configurations are available, IPD 1200 and IPD 2400, with power outputs (at 4 ohms) of 2 x 600 W and 2 x 1200 W, respectively. Both incorporate integrated DSP, networked monitoring and control via computer or iPad, a 4-channel input matrix, fully configurable front panel controls with graphic display, analogue and AES3 inputs (with redundant failover) and definitive Lab.gruppen limiters Martin Andersson, Lab.gruppen’s Product Manager for Touring says, “Over the last 30 years we have advanced our technology to create innovative, ‘best-in-class’ power amplifiers. Now with the IPD Series, we’ve put everything we’ve learned into a product that will serve a wider market – delivering on both performance and value.” labgruppen.com

L-ACOUSTICS showcases new coaxial enclosure and subwoofer The newest and smallest member of L-ACOUSTICS’ XT coaxial series, the 5XT is based on a two-way passive design with a nominal impedance of 16 ohms. The compact system contains a one-inch diaphragm compression driver coaxially loaded by a five-inch low-mid frequency transducer mounted in a bass-reflex tuned enclosure. A 3/8-inch microphone stand insert and two M8 inserts for the ETR5 flying bracket are integrated into the cabinet. The 5XT enclosure operates over a frequency range of 95 Hz to 20 kHz. The coaxial transducer arrangement produces a 110-degree axi-symmetric directivity output along with a smooth tonal response free of secondary lobes over the entire frequency range. Its design

L-ACOUSTICS VIP booth party

makes the 5XT perfectly suited to various distributed applications, as a main or fill system. The 5XT has already been awarded LDI 2012's sole Debuting Product Award in the category of Sound.

EXHIBITION REVIEW May - June 2013

Recommended for use with L-ACOUSTICS’ KIVA and XT series enclosures – including the 5XT – the new SB15m extends the operating frequency range of these systems down to 40 Hz. The SB15m features a single 15-inch driver in a bass reflex tuned enclosure to provide impact, sensitivity, low thermal compression and reduced distortion. The vent features a progressive profile allowing laminar airflow and reduced turbulence noise even at the highest operating levels. These combined properties contribute to the sonic qualities of the SB15m in terms of precision and musicality.

Wireless done right!

A pole-mount socket is integrated into the top of the SB15m cabinet allowing one XT enclosure or two KIVA to be mounted directly above. SB15m subwoofers can be flown or ground-stacked as a standalone vertical array or within an KIVA/SB15m array. Both the 5XT and the SB15m are powered and processed by the LA4/LA8 and the forthcoming LA4X amplified controller, each of which ensures linearization, protection and optimization for the loudspeaker system in its diﬀerent operating modes, including cardioid. www.l-acoustics.com

MA Lighting paves the way with MA onPC software The MA onPC command wing integrates mobile use of the highly flexible and powerful grandMA2 control system. In combination with the free of charge grandMA2 onPC software, the MA onPC command wing is a portable 2,048 parameter control solution that can be used in nearly any location. It oﬀers two built-in DMX ports as well as the possibility to send two additional DMX universes via Ethernet protocols with grandMA2 onPC. Designed as a hardware expansion to the grandMA2 onPC software, the MA onPC command wing enables the look and feel of the software to be as close to a real grandMA2 console as possible. Thanks to the MA onPC command wing – incorporating the command section of the grandMA2 consoles – it is now easier

to use the grandMA2 onPC software. With a simple USB connection between the MA onPC command wing and the computer running the grandMA2 onPC software, all inputs and outputs of a grandMA2 console are available to the user.. Whilst the MA onPC command wing is based on the command section of a grandMA2 console, the MA onPC fader wing resembles its fader section. To connect the MA onPC fader wing with the computer running the grandMA2 onPC software you just need a USB cable. Additionally,the MA onPC fader wing is designed to perfectly extend the MA onPC command wing and get the maximum out of the grandMA2 onPC software. www.malighting.com

• Industrys most reliable wireless DMX/RDM system • Automated Cognitive Coexistence • Is not disturbed by and will not disturb other systems • Lowest latency in the industry at 5 ms • Link range: 500-1000 meters line-of-sight • Advanced 128 bit encryption • One button takes care of all setup

For more information about LumenRadio’s wireless control products, please visit www.tsm-int.com

www.tsm-int.com • Phone: +65-62879878 • sales@tsm-int.com

EXHIBITION REVIEW May - June 2013

Martin Audio MLA Mini is the good thing in a small package necessary to power and control itself and four MLA Mini enclosures. Each MLA Mini enclosure houses 2 x 6.5” (165mm)/2” (50mm) voice coil LF drivers and a vertical column of 3 x 1.4” (35mm) aluminium dome HF drivers on a 100° horizontal dispersion horn. The 15” (380mm) reflex loaded MSX can be integrated into flown arrays or ground-stacked separately.

Lumen Freaks everywhere rejoice! Philips Vari-Lite introduces the VL3015, VL3015LT & VL3515 Spot luminaires. All using the double-ended 1500W lamp that has been so effective and reliable in our large format wash luminaires, the VL3015 and VL3515 Spot luminaires feature 6:1 zoom optics and 27,000 lumens of output, while the VL3015LT boasts 10:1 zoom optics and can produce over 41,000 lumens. All of the ﬁxtures possess features that are identical to those found in the famous luminaires they are based upon, with the LT model also boasting a second ﬁxed color wheel, frost, and a prism option.

The best just got brighter.

www.tsm-int.com Phone: +65-62879878 sales@tsm-int.com

www.vari-lite.com

James King, Marketing Director at Martin Audio talking about the new products.

The MLA Mini shares Martin's MLA technology across a wider range of small-scale portable and installed sound applications. Scalable and versatile, its ultra-compact size understates its output capabilities — 12 box array will throw 35 metres (115ft) and deliver live music in venues with a capacity of up to 1000. The system can be flown (up to 16 in an array), ground-stacked or pole mounted. In its simplest configuration, four MLA Minis can be pole-mounted above the MSX with precisely adjustable tilt angle, and function as a plug-and-play system, with the user recalling onboard presets instead of using computer control. The key to the power of MLA Mini resides in the MSX mini-sub power plant. It complements the main system and houses the amplification, networking and DSP

MSX also contains nine channels of Class D amplification to provide cellular drive while the on-board DSP interacts with proprietary DISPLAY2.1 intelligent software for accurate array optimisation. With each individual cell under software control, ‘hard-avoid’ areas can also be programmed-in to reduce sound spill, and vertical coverage can be fine-tuned electronically in-situ without the need to re-rig the array. To eliminate trial and error tuning, arrays and MSX’s can be remotely controlled from a laptop or wireless tablet running VU-NET control software. Celebrating the company's most successful Prolight + Sound experience to date, Director of Sales, Simon Bull comments, “I had considered it impossible that we could have had a better show than last year. But if we left the Messe buzzing on that occasion then 2013 has all but left us speechless.” www.martin-audio.com

Martin Professional lives light in the fast lane Martin Professional targeted the installation market in a big way with the launch of an all-new, cost-effective line of effect lights titled RUSH. The range comprises of the RUSH MH 1 Profile, a LED profile moving head with efficient optics that punches out a variety of effects and colours from two gobo wheels and one colour wheel, housing a motorized zoom and focus, electronic dimmer and strobe, iris and 3-facet prism. The RUSH MH 2 Wash LED wash light moving head which features RGBW colour mixing and a 20o fixed beam angle with beam effects that are possible via electronic dimming and strobe and the RUSH MH 3 Beam moving head that blasts an intense and narrow long-throw beam for spectacular mid-air

looks and effects. It houses a fixed gobo wheel with 7-step iris and colour wheel. Other effects include mechanical dimming and strobe, frost effect, 8-facet prism and motorized focus. Also included in the range is the RUSH Strobe 1 5x5, a white strobe/blinder made up of a 5 x 5 LED matrix panel with

EXHIBITION REVIEW May - June 2013

individually controllable LEDs. Controllable via multiple DMX options or sound activated, it includes preprogrammed eﬀect, letter and number macros. The RUSH PAR 1 RGBW LED PAR Can with premixed RGBW colour mixing and 20° fixed beam angle oﬀers electronic dimming and strobe as well as a flexible bracket for floor or truss-mounting. And finally the RUSH Pin 1 CW white LED pin spot that comes with two beam options for greater flexibility of coverage and is totally silent with an adjustable bracket.

RUSH marks Martin’s focus back onto a market they know well. Villads Thomsen, Vice President of Global Sales at Martin, comments, “We are extremely excited about this brand new range as it again brings everything that Martin stands for to the market for installation eﬀect lights. This is by no means new territory for us however as our roots lay in the market for eﬀect lighting. It’s a market we have great experience in. www.martin.com

MIDAS displays G2.1 software Introduced during the fair, the MIDAS Generation 2.1 software, adds a host of new features and functionality to the entire range of MIDAS digital consoles including new FX and dynamics options and new mixing concepts such as MIDAS’ unique MCAs and “collapsed” fader flip. MIDAS has also added a rack-full of new latency-compensated FX plug-ins and dynamics processing options to every console in the PRO series, plus the flagship XL8. “There has never been a better time to invest in MIDAS digital” says Brand Development Manager, Richard Ferriday. “G2.1 is further proof that buying into the MIDAS brand is not just buying the best-sounding mixer—it is also investing in constantly evolving products.” New FX plug-ins include a dual-channel KLARK TEKNIK DN60 Real Time Analyser, a KLARK TEKNIK tape saturation eﬀect, subharmonic generator, multi-channel input phase adjustment insert, a fifth input compressor option, ducker mode for noise gates, plus a new “transient accent” gate option and a variable presence control for all input channel compressors.

G2.1 is available as a free-of-charge download to all MIDAS owners. www.midasconsoles.com

MIPRO makes wireless personal Mipro's MA-505 Personal Wireless PA System is a rugged one-piece speaker cabinet that houses a class-D amplifier which drives high sensitivity two-way loudspeakers with a limiter (L-R) President of Mipro, Solomon circuit that reduces distortion Chang with Vice President of and increases intelligibility. It International Sales, Eugene Chen oﬀers an ideal public address solution for medium crowds, featuring a built-in 1 diversity receiver with options for 3 diversity receiver expansions or interlinking transmitter options for extended transmission range. Various music playing devices are added for including a built-in DPM-3 digital audio player and recorder, optional CDM-2 CD/ USB player and Bluetooth music receiver. Allowing users to play a CD or MP3, wirelessly stream your music over Bluetooth or connect to an iPod, MP3/CD/DVD player, notebook for sound amplification. More features include VOP (voice over music priority) to automatically mute the music input when the microphone is used, tone control for bass/treble adjustment, alarm siren provides emergency warnings and optional echo control. Built-in rechargeable batteries provide up to 8 hours of standby time per full charge. www.mipro.com.tw

BPS dSerpis™ Waveguide With M-60N drivers

DCD™ Interface with 2000 W Class D Amp

D.A.S. Audio, S.A. C/ Islas Baleares, 24 46988 Fuente del Jarro Valencia - Spain Tel. +34 961 340 860 sales@dasaudio.com

D.A.S. Audio of America, Inc. Sunset Palmetto Park 6816 NW 77TH Court Miami, FL. 3166 - U.S.A. Toll Free - 1-888-DAS 4 USA jvillegas@dasaudio.com

D.A.S. Audio Asia PTE. LTD. 25 Kaki Bukit Crescent #01-00/02-00 Kaki Bukit Techpark, 1 Singapore 416256 Tel. +65 6742 0151 jlgarcia@dasaudio.com

EXHIBITION REVIEW May - June 2013

Nexo delivers another hit with LS18 Despite not unveiling the Omni Module from the Nexo STM system, Nexo wowed visitors to their booth with the introduction of the LS18 sub-bass cabinet. Bringing a new versatility to the Nexo Geo S12 line array system, the box delivers high SPL at a relatively low cost. Light and easy-to-handle, the LS18 uses a single 18"long excursion driver and while fully compatible with the Geo S12 accessories, the system can be used as a nice sub base enforcement for the Nexo PS15s. They rely on the same principal as the S12 so it can

fly with the S1230 and S1210 line array modules, or anchor a ground stack of S12 cabinets. With a steel stand fitting on top of the cabinet, the LS18 also allows for pole mounting of GEO S12 cabinets or it can be flown in tandem with Nexo's PS15-R2 fullrange speakers. As seen at Nexo's booth, the new subwoofer dedicates itself nicely into the already existing line with all the proper rigging systems enabling optimum versatility. nexo-sa.com

Optocore launches generic intercom interfaces A world leader in fibre optic network solutions, Optocore has expanded its series of intercom interfaces with the new generic X6R-FX-INTERCOM-IC444 and V3R-FX-INTERCOM-IC444 interfaces. The nomenclature is derived from the IC444 board, which is equipped with two 37-pole connectors — one male, the other female — and provides 4 Line Inputs, 4 Line Outputs and 4 GPIO. The X6R-FX can be equipped with two IC444 boards while the V3R-FX can be equipped with a single IC444 board.

The main features of the X6R-FX-INTERCOMIC444 are: 8 Line Inputs; 8 Line Outputs; 8 GPI; 8 GPO with relay. The main features of the V3R-FX-INTERCOMIC444.are: 4 Line Inputs; 4 Line Outputs; 4 GPI; 4 GPO with relay; auxiliary power outputs for external circuits. Both interfaces oﬀer auxiliary power outputs for external circuits. www.optocore.com

Philips Vari-Lite displays VLX Colours and new 1500W luminaire Visitors to Philips Vari-Lite's booth experienced first hand the creative potential of the extremely bright,VL3015LT Spot luminaire. It provides a 42,000 lumens output and also oﬀers 10:1 zoom optics system. It comes complete with CYM colour mixing, a variable CTO wheel, two five-position colour wheels, three gobo/eﬀects wheels, a beam size iris, a separate dimmer and ultra-fast strobe mechanisms. Within the fixture there is also an independent rotating and indexing 3-facet prism as well as an independent frost glass. The zoom range of 6° to 60° allows for use in a multitude of applications from stadiums to theatres and an optional handle attachment allows the fixture to be used as manually positioned followspot while retaining DMX control of all other functions. Also on show was the newly released software for the popular VLX Wash luminaire.

With the software, users can individually control cells of seven 120-watt RGBW LED light engines inside. Sparked by the success seen in the VLX3 Wash, the software update is applicable for all existing VLX fixtures and now gives lighting designers the creative freedom to deliver stunning multi-coloured eﬀects with unique output capabilities, easily programmed from any lighting controller. "The new VLX software and VL3015LT are definite game changers, that will easily enhance the multifarious types of productions that happen worldwide," states the company's product marketing manager,Brad Schiller www.vari-lite.com

Held concurrently with

South East Asia’s Most Established International Professional Audio, Lighting, AV, Systems Integration, Music Software and Entertainment Technology Exhibition

17 – 19 July 2013 Marina Bay Sands, Singapore

Book Your Booth Space NOW to Secure a Prime Location! Please contact Ms. Anna Cheong at +65 6411 7702 or email at anna.cheong@informa.com

www.palmeseries.com/asia (Formerly IIR Exhibitions Pte Ltd)

Tel: +65 6411 7777 | Fax: +65 6411 7778 www.informa.com | www.informaexhibitions.com/sg

Vietnam’s International Showcase for Professional Audio, Lighting, AV, Broadcast, Systems Integration, Music Software and Entertainment Technology Exhibition

6 – 8 November 2013

Saigon Exhibition & Convention Centre Ho Chi Minh City, Vietnam

Book Your Booth Space NOW to Secure a Prime Location! Please contact Mr. Christopher Lim at +65 6411 7709 or email at christopher.lim@informa.com

www.palmeseries.com/vietnam (Formerly IIR Exhibitions Pte Ltd)

Tel: +65 6411 7777 | Fax: +65 6411 7778 www.informa.com | www.informaexhibitions.com/sg

EXHIBITION REVIEW May - June 2013

PR Lighting given the perfect platform PR Lighting had an excellent response to the suite of new products, premièred on the stand of their German distributor, Focon Showtechnic at this year’s show. According to International Sales Director, Ernie Armas, feedback to all three new products couldn't have been more positive. An eye-catcher of a booth, PR Lighting's stand was an inviting area with friendly faces and 72 XLED 336’s, designed as sun stripes, dominating the back wall. Beams appeared to come out of the heavens, crossing each other like an alien invasion — projected by the innovative PR Lighting XR-200, XR-300 and PR-5000 Beam. The booth design, by Focon’s Jens Ottenhus, in combination with Gunnar Loose’s intelligent programming, brought an enthusiastic response from the customers.

The Chinese manufacturer used PL+S to launch its new line of LED Studio products (represented by the LED Studio 3300). Aimed at TV studios and special photographic applications, the criteria set for this was soft and uniform light output, high light eﬃciency, stable colour temperature and high colour rendering index (with optional 3200K and 5600K colour temperature). Alongside, was the XLED 250, which houses 50W LED that outperforms a standard 250W discharge fixture. Finally PR Lighting showed the XR800 which uses the latest MSR Platinum 35 lamp to deliver an extremely bright light, with a wide zoom range from 7.5°-50°.

Summing up, Pascal says, “PLS 2013 proved to us that PR Lighting is heading in the right direction, and their presentation at this show will have done much to consolidate their position as a high quality brand on the international market." www.pr-lighting.com

ProAudio Technology presents M20 stage monitor German loudspeaker manufacturers, ProAudio Technology launched their new M20 stage monitor solution which is a powerful 2-way monitor speaker with 2 modern 10'' woofers and one 1.4'' HF driver with a large CD horn, supported by the high-performance system amping and sophisticated DSP controlling combined to deliver outstanding resolution, dynamics and reliability with high levels. The polar pattern of 80 x 60 degrees (h x v) allows a wide acoustical coverage.

The monitor is also acoustically compatible with the MT12 multi-purpose loudspeaker and also mechanically compatible with the SW18 sub-woofer. Thus the M20 fits perfectly into ProAudio Technology’s coherent system concept. All ProAudio Technology products are covered by a 5-year warranty. www.proaudio-technology.de

Prolyte Group releases DOCK Stage In the ever-changing landscape of the entertainment industry, even large structures are influenced by trends. The traditional, saddle-type roof dominates the traditional mid-size market, but Prolyte's DOCK Stage concept ties in with modern requirements – oﬀering both a fresh look and all the qualities you might expect from a Prolyte roof system. The sleek shark fin appearance of the stage enhanced by the side canopies, make it an eye-catching feature and is based upon a goal post structure; using standard MPT towers in combination with H30V arched trusses. The rotating front span of special S52SV truss not only provides the required strength but the rotating shaft also enables simple and fast build-up. A front cantilever protects the performing act from weather influences. The DOCK Stage is designed to allow ground level build-up - facilitating fast and safe

assembly. The rotating front span of special S52SV truss follows the curved design when lifted to trim height. At the required trim height the front span is locked into position and secured with four bolts. The arches are connected at the back of the perimeter truss frame to make the structure stable and strong. The perimeter truss frame can

be exchanged for adapters, if you wish to integrate the DOCK Stage roof with a staging system. The Stage will be available for delivery from June 2013. www.prolyte.com

EXHIBITION REVIEW May - June 2013

Robe gets to The Pointe Robe had a brand new booth design this year that incorporated a dynamic environment optimised to illustrate both theatrical as well as rock ‘n’ roll live stage applications. They launched the ROBIN Pointe, a new dynamic beam, spot and wash fixture whose versatile features include a 5 – 20 degree zoom with full focus control, variable frost, two separate prism effects, a rotating and a static gobo wheel as well as an inbuilt colour wheel. The lightsource is a 280W Osram discharge lamp making the Pointe a dynamic fixture to create WOW factors on a large and small scale whilst also embracing Robe’s ‘smaller, lighter, brighter’ and more ecofriendly philosophy. A custom developed homogeniser works with the rotating gobos to spread the light evenly and achieve optimum projection quality. A variable frost effect instantly transforms the output into that of an efficient wash light. Robe gets to The Pointe in delivering a robustly built, reliable fixture weighing just 15.2 kgs.

On top of The Pointe's release, Robe also presented the ROBIN MMX Blade. A 1200-series equivalent lightsource utilising Robe's popular MMX optical technology, complete with a framing shutter system of four fast ‘blades’ which can be individually positioned and angled plus or minus 45 degrees, with the whole Blade module capable of plus / minus 90 degree rotation. This allows precise shaping and fine-spotting of specific areas on a stage, set or performer. This is a crucial feature for all types of theatre and television productions. The Blade system can also produce fast, funky aerial eﬀects by being programmed into quick-movement chases and sequences. An animation wheel enables the projection of dramatic fire, water, flame and other theatrical / environmental eﬀects. www.robe.cz ROBIN Pointe

Sennheiser enables easy set-up caters to the needs of both professional and amateur users.” Users can now import lists with their licensed frequencies, which the software will use for planning the wireless set-up. Spectrum scans can also be imported, enabling RF engineers to plan oﬀ-site in advance of any event. All planning data can be exported and saved or e-mailed so once on site, the RF manager can recall this data and transfer it to the devices. The Wireless Systems Manager displays the entire data of all controlled devices, and the spectrum scan is included on this screen and can be enlarged as desired. Within the spectrum scan, users can define system regions and control in-ear monitoring systems and wireless microphones on a single screen. A new version of Sennheiser‘s free Wireless Systems Manager is set to make oﬀ-site work a lot easier for sound engineers and RF managers. Wireless Systems Manager 4.0 assists users in setting up and coordinating the frequencies of wireless microphones and personal monitors by having the most important parameters handily displayed on a single screen. Frequency management is much smoother – whether you are working with an evolution wireless set or a top-of-therange Digital 9000 system. The software also

gives a detailed overview of the spectrum, of blocked channels, of the devices to be integrated into the set-up and of the reliability of selected frequencies. “The new Wireless Systems Manager combines intermodulation calculation, frequency planning and system control in one convenient and easy-to-use tool,” said Tobias von Allwörden, Portfolio Manager for Professional Wireless Microphones. “It will do almost everything automatically and

The free Wireless Systems Manager 4.0 supports all Sennheiser wireless systems from evolution wireless 300 G3 or higher. Available from the month of May onwards, scan the QR code to download it free of charge.

EXHIBITION REVIEW May - June 2013

SGM hits the G-SPOT SGM used Prolight+Sound to demonstrate the extraordinary growth it has experienced since coming under Peter Johansen’s ownership just over a year ago. Introducing the new unique IP-65 LED profile spot which oﬀers massive ‘all-weather’ benefits, SGM had the G-Spot placed in a huge fish tank at the SGM booth allowing visitors to do their own hands-on IP65 test by pouring water on the moving head. States SGM CEO Peter Johansen,“We have overcome all the challenges thrown at us with the G-Spot. Aside from being the world’s first and only multi-environmental LED moving head it is also the brightest. With its unparalleled eﬃcacy rating it unquestionably delivers the best ROI and lowest cost of ownership anywhere in the industry.” At the heart of the system is an 850W RGB LED module, which when run through SGM’s

optical system, generating a light beam comparable to the brightest discharge lamps, while carrying all the advantages oﬀered by LED. These include SGM's revolutionary white balance automatic system (creating a perfect white beam).

strobe between 2 or more colours at any speed; Precision, fast, 16 bit 540° pan control and 270° tilt (with feedback).

With the new technology, the G-SPOT still maintains the standard features such as, wide-angle linear 16bit zoom 1:5 (9° to 45°); dynamic CT Correction (2,500K to 10,000K); linear CTO (Colour Temperature Orange); linear CTB (Colour Temperature Blue); 2 independent rotating gobo wheels and 2 independent effect wheels; fast and accurate iris with built-in dynamic effects; high-speed and precise focus control for crisp beam quality or soft de-focused effects; 4-facet rotating prism for crisp clear beam separation; Soft, high-quality frost filter; ultra-high-speed strobe, with possibility to

Members of the press were treated to a fullon demo by Peter when he continuously kept pouring water directly on to the luminaire all while showing the audience the diﬀerent eﬀects that could be done with it. Truly an impressive fixture that is well-suited for any weather challenges that comes its way. www.sgmlight.com

Wireless Solution releases W-DMX WhiteBox

CEO, Sales and Marketing Manager, Niclas Arvidsson

The W-DMX WhiteBox series is the company's solution for architectural and entertainment projects that require the reliability and ease of use with W-DMX products and all the more better when protected in an IP-65

rated casing. The W-DMX WhiteBox contains features to ensure top-notch reliability, including Adaptive Frequency Hopping to dynamically avoid interference from other radios in the vicinity with no configuration or re-configuration over time, as the system adapts to its surrounding in real time.

The series is able to transmit or receive your DMX, RDM and Ethernet signals around any outdoor installations. The units can even be supplied by PoE when transmitting Streaming ACN, Art-Net or other Ethernet based lighting data, allowing the data backbone in any installations to power your wireless system

The units are dual band 2.4GHz and 5.8GHz units, meaning even more reliability and robustness in any environment. Built to be installed on the exteriors of buildings, large structures, or anywhere exposed to harsh weather elements, WhiteBox also includes advance functions from the W-DMX G4S of Data-Safe with error correction and InvisiWire.

All the functions are the same as the BlackBox Series with standard RDM on F-series and optional Ethernet Support to convert any protocol in to any protocol out. The F-Series' are the most versatile and flexible units on the market so much so that you can change between Transmitter and Receiver on the fly. www.wirelessdmx.com

Yamaha highlights flexible networking solutions A year on from the launch of Yamaha’s hugely successful CL series of digital mixing consoles, the flexibility of the system’s Dante networking was a key focus for the company during ProLight + Sound 2013.

the seamless integration provided by the DANTE-MY16-AUD interface card, as well as Yamaha’s industry-leading power amplifiers and the DSR, DXR and DXS series loudspeakers.

The advantages of Yamaha digital solutions were shown by the majority of products being integrated in a live Dante network.

Other Yamaha products featured were the Commercial Installation Solutions (CIS) series - including MTX matrix processors, XMV multi-channel amplifiers, VXC and VXS loudspeakers - which have been devised to provide a complete system solution for situations

The CL5, CL3, CL1 consoles were on display with the expanding range of I/O options, including the Rio3224-D, Rio1608-D, Ri8-D and Ro8-D. Yamaha M7CLs and LS9s have been included on the network, showing

where there isn’t an experienced audio operator available. www.yamahaproaudio.com

MANAGEMENT PERSPECTIVE May - June 2013

Beyerdynamic poised for next leg

(L-R) Wolfgang Luckhardt with Michael Kinzel

beyerdynamic recently established its Asia regional office in Singapore as well as a full office in India. The company has for a long time engaged the industry in Asia and has seen significant progress in its sales in the region over the past few years. Entertainment Technology Asia talks to Wolfgang Luckhardt, Managing Director of beyerdynamic GmbH and Michael Kinzel, Director, Sales & Marketing for Asia, Pacific and India, beyerdynamic Asia Pte Ltd, in an exclusive interview to get their views about Asia and beyerdynamic's future plans. Establishing a beyerdynamic office in Asia speaks volumes. What instigated this move? Michael: When I joined beyerdynamic in 2006, Asia represented roughly 6% of total revenues at the company. Through the steady work from Germany the dedicated team for the Asian region managed to increase this number up to 18% in 2011/2012. This was a solid basis to do the next step. And the timing was just right – shortly after we “arrived” with our new offices in Bangalore and Singapore, Asia’s share got another significant push ahead. Asia is a wide and diversified region. Could you give us a brief idea of which countries and what specific solutions are doing well for beyerdynamic?

Michael: The region Asia/Pacific/India covers all countries starting from India all the way towards East/South-east Asia down to Australia/New Zealand. Of course, China plays a major role for us – especially after the re-structuring of distribution channels in 2008. Consumer headphones followed by conference systems create the major part of our business there.

You see – we’re doing well in many countries and enjoy a healthy diversification within our portfolio which is segmented into Conference, Pro Audio and Consumer.

Thanks to our partner TEAC we significantly increased market share in Japan over the last couple of years. Their major focus is on Consumer and Pro headphones. Followed by India with our own operation (headed by Director of Sales India, Naveen Sridhar) where – interestingly enough – our high end conference Systems play the main part.

Michael: As stated before we’ve managed to increase the percentage close to 20% already over the last 2 years. By end of first quarter 2013 we have achieved 25%! Of course, numbers will vary over the year – but I expect to keep it at least above 20% in 2013.

Other strong markets are Singapore, Korea and Australia.

How much in terms of percentage has Asia contributed to beyerdynamic's revenue over the past three years? What is your expectation for this year?

And this is already quite amazing for a traditional German company like beyerdynamic being in the market since 1924. Especially as we mainly speak about

high end hand made products from the factory in southern Germany making their way to the Asia region. Your responsibilities include the Consumer segment of beyerdynamic's business in Asia. Please can you elaborate when did beyerdynamic get involved in a serious manner in this segment? What are the solutions being offered? Michael: Being in the headphone business since 1937 beyerdynamic is a legend in the Broadcast field. Already in the 1980s one could find some first “consumer” versions of the beyer headphone classics. Actually the whole thing only significantly picked up since 2008 when we hired highly skilled staff from the Consumer Electronics field. This brought up new visions and finally went into a very healthy crossover from the Broadcast field into a very nice Portfolio of Consumer oriented headphones. The release of our all new TESLA driver technology in 2009 brought another significant push into the right direction. But still we’re keeping our heritage as a broadcast legend. Our marketing is not shiny bright or supported by big endorsements – it is all based on our huge tradition of more than 88 years of experience. What is your view of the consumer segment relating to beyerdynamic's business? Michael: It will definitely play an even more significant role in future than presently. Our team in Germany is capable to come up with enough fantastic new products to keep the ball roling and the market size alone will do its part here. The Consumer segment has the potential to become the single biggest business for beyerdynamic in the future. beyerdynamic in the earlier years was renowned for its wireless solutions. It tapered off but most recently there has been a resurrection in this aspect.

– 789MHz with just one hardware! All this combined with beyer’s famous changeable capsules, a very nice software, remote functions via smartphones and tablet PCs (each receiver carries its own IP address) and a remarkable latency of just 2.1ms……your readers will know what that means. It is just fantastic value for money for a solution made in Germany – and among others also caters for the very big events. What happened previously where the company's interest in wireless was distracted? Michael: Well, as a comparatively smaller player you sometimes need to decide where to put your resources into. And at the time when beyerdynamic lost grip in UHF wireless at the same time we invented the first wireless conference systems running on 2.4GHz which was and still is a big success story for the company. We’ve just released the fifth generation QUINTA and it is making its way further. Nowadays we’re in the position to do and support both – UHF and the GHz segment. So you could say we’re also a real wireless company. What is the view now in relation to beyerdynamic's wireless solutions? Wolfgang: Our target is to maintain and increase our wireless knowledge and use it to extend our product portfolio step by step. With TG 1000 we have presented a product for the Top level. Now we will collect the feedback and the experience of the users. And of course we want to transform this to products for the semi professional user. Our wireless microphone sound shall also be available for people with a smaller budget. What are your expectations for the wireless solutions in Asia?

Michael: Thanks for this nice lead…. Yes, you could say “beyer is back into UHF wireless”!

Wolfgang: Both, Quinta and TG 1000, the high professional products, will help us to create good solutions for our customers and to spread our brand name more and more also in the wireless area. We are optimistic to make significant sales with both products. And then follow the next (logical) steps.

After several years of being present in this field but not really recognized as a big player we’re now able to serve the market with a German made digital UHF system which is able to cover a frequency range from 470

beyerdynamic has incorporated some innovative technologies in its solutions. Could you give us a brief on some of these innovations and their impact for the industry/user.

Wolfgang: Indeed, our flagship wireless system, TG 1000, is full of innovative features. The most obvious user advantage certainly is the huge bandwidth of 319 Mhz. This gives rental companies and all other users utmost flexibility, and it makes TG 1000 a secure long-term investment in times of permanent frequency re-arrangements and Digital Dividends. Another major advantage of TG 1000 is the latency of only 2.1ms, which is a new benchmark of all digital wireless microphones. But we also paid a lot of attention to user-friendliness. A receiver with a large OLED display and all buttons being illuminated, a super-intuitive navigation menu, and our proprietary Chameleon software, which adapts to all operating systems and runs with all kinds of portable devices. Most of all however, TG 1000 delivers the high-end sound, which you can expect from a premium beyerdynamic microphone. First of all, there is a choice of changeable dynamic, condenser and ribbon capsules from our TG series. All of them are hand-made in Germany, and they all have the legendary "beyer sound". On the receiver-side, TG 1000 has some of the finest 24bit/96kHz converters available, and most importantly, we developed our own TriplePlay audio codec, which combines highend audiophile performance with high errorresilience. All of these features make TG 1000 a wireless system which truly stands out. Finally what are your future plans for beyerdynamic Asia in terms of staﬀ strength, services to be provided, etc? Wolfgang: We go for the extension of our actual development. With Singapore as the centre we will build up more and more services within the next months, for example, technical support for partners and customers. And our clear focus is to strengthen all Business units. So, the group of beyerdynamic people in Asia will grow. And in India we will intensify the communication and the support with partners and customers, too. To provide big and smaller dealers with installation products we will open up our warehouse and will do shipments from India to India in the second quarter this year. A very important first step to strengthen our presence in this attractive country. www.beyerdynamic.com

THE INTERVIEW May - June 2013

Perfectus-Dorier’s Hans Friis on the AV Alliance

By Rosalind Tan

The success of any event depends largely on the standard of the audio-visual media selected and the way it’s put to use. With 58 members from 37 countries across 78 cities, AV Alliance has established itself as the brainchild behind the assembly of “best-of-breed” specialists within the AV industry, consisting of leading event, equipment and rental companies all over the world. To paint a clearer picture, E-Tech Asia spoke with Hans Henrik Friis, Deputy Group Managing Director of Perfectus-Dorier, and Board Member of the AV Alliance on his involvement in the AV Alliance.

“We are driven by a mutual ambition to provide the very best quality at competitive rates.” – Hans Friis Dorier has since been able to leverage the well-established Perfectus brand, which is already in line with our vision of adhering to high quality standards.

First, tell us how Dorier became Perfectus-Dorier? Hans: Dorier Asia began small, as a technical services company established in Singapore in 2010 by Dorier S.A., Switzerland. Given credence to how Asia is becoming the future of the events industry, we looked for a partner which we found in Perfectus, a Singapore-based AV technical services company with oﬃces through out the region.

As a group, we cater to a vast range of technical requirements including lighting, staging and set design, audio visual, camera and video production, projection, large screen systems, microphone management and audience response systems, content capture and dissemination, sound and professional audio systems, and simultaneous interpretation systems.

sharing their expertise, manpower and experience in 78 cities around the world. The Alliance strives to deliver the best quality service at competitive prices. We handle approximately 59,000 projects a year. In Asia and the Middle East alone, we have six member companies that cover Beijing, Bangkok, Singapore, Mumbai, Dubai, and Amman.

Tell us more about AV Alliance, what does the alliance seek to achieve? Hans: The AV Alliance has existed for close to three years. We formally created it as an association about two and a half years ago. It is a grouping of like-minded companies

IFFA event in Bangkok, 2010

Angor Wat: Cambodia Project, courtesy of One Forty Seven Communications.

So what we’re doing, we’re looking at the environment and the sustainability because to ship equipment and fly staﬀ half way around the world does not make any sense, it is not sustainable and it is all available locally anyway. At the end of the day, we are not only saving money for the client, we are also looking after the environment and being financially prudent. It’s a win-win situation for everybody. There’s stability while remaining cost eﬀective.

Could you elaborate more about the membership criteria?

2012 Asia Europe Meeting, Vientiane, Laos. The alliance provides the reliability and confidence at an aﬀordable price among members and their clients. As such, we have very strict criteria for becoming members. The association vets each company before they become a member. For example, one of our clients from here, in Singapore or in China, plans to go to Europe or to America, we just have to contact our friends who are part of our network. Then I know they are in good hands. They are part of our network, they adhere to the same high standards, the same criteria that we do. We are very tough on each other in terms of quality.

Can you share with us the virtues of this alliance?

Hans: To be a member, the company has to be able to provide or supply rigging, light, sound or and video; have qualified manpower; be financially stable: positive ratings; have experience, training and expertise. After which, they are carefully vetted by a board member to see if they can qualify for membership.

How has Perfectus-Dorier benefitted from the alliance? Hans: Dorier has three member oﬃces in Asia – Singapore, Bangkok and Beijing. We have seen a tremendous amount of networking and support from members, and they know that when they need an AV company in Asia, they can come to us. In fact, at the annual general meeting we just had, there is quite a clear indication by the other members that it is an advantage to be a member of the alliance because they now know that if there is a need for an AV company in South-east Asia, they can come to us. If it is in India, they have Showbiz, who is a member in India.

Hans: It’s a very good grouping. We have seen a tremendous amount of networking and support within the group from when we started it. Dorier was one of the first members to join when Simon Ackermann (Chairman and Founder of the Association) came over to have a look at Dorier. We do work for many other American and European companies in and outside the Alliance. For instance, many Western companies that are not familiar with Asia, or conducting business in Asia; so they call us up, ask for support in terms of manpower and equipment. In the past, they might ship equipment, now they just have to make the call and we will give them the full package of manpower and equipment. We are all about how best to service our clients.

Mapping project for retail store opening in Shanghai, 2012

“It has become a blue stamp in terms of setting standards. We have very high standards for our members and there’s a much higher level of trust and support among members.” If we have a project in Europe, we fly in one or two project managers and we can get the equipment and supporting manpower in Europe. What we’re doing is that we’re actually serving our client in a much better fashion, with local knowledge and equipment on the ground, so that there is no need for us to ship it over. Saving on tremendous cost.

What are some projects that you’ve worked on through the alliance? Hans: We have a good number of references, where we have done projects and events with partners in the alliance and for some of their clients such as Satis&Fy from Germany; LMG in the US, Mediatec Solutions in Sweden, just to name a few.

Further thoughts on the alliance?

2011 International Business Meeting, Montreux.

Hans: To a large extent, it’s going to be the future. If you make the analogy with the airline industry, in about 5 or 7 years, there might only be five airlines in the world. We’re going in that direction. I’m not saying that will be the same for our industry, since we are a very small industry but I think a strategic alliance is going to be the way forward. To help each other, we don’t necessarily need to be one big company that handle everything ourselves. www.avalliance.com www.perfectus-dorier.com

SNAPSHOT May - June 2013

India’s Rental and Staging Industry: Manifold growth with many challenges By Ram Bhavanashi India’s Rental and Staging industry is going places; it is growing unbounded, literally! So much so, that it is considered diﬃcult to measure the dimensions of its scale. While the impressive growth rate across most verticals of the industry is cognizable, the industry is also faced with challenges galore. Here is an attempt by ETA to present a scenario out of what is arguably one of the most complex mixes of diverse industry segments.

Age of Infotainment

India is currently living in two ages simultaneously: Age of Information and Age of Entertainment. While the information explosion rendered the ‘Gen-Next’ of the billion-plus population to explore the world deeper and deeper, the Age of Entertainment has been adding new nerve and verve for a variety of entertainment on a consistent basis. The growth enthusiasm is so much that a cumulative account of a few surveys a few years ago pegged the Indian Entertainment (including Media) industry at roughly USD25 billion by 2013. While the figure was a holistic estimate that included diverse segments of media like filmed entertainment, television, radio and print media, the segment of Live Entertainment alone accounted for nearly USD4.5 billion. A matter of sheer irony though, is the size of organized events

industry which was pegged to touch or cross USD 875 million by 2013-14. “It’s pretty obvious,” says an industry observer. “The industry is replete with at least a few hundred, if not a thousand small players who are practically impossible to account for,” he says and adds, “they do, however, account for a large part of the business, making it diﬃcult for a precise estimation.”

How big is the industry!

According to the observer, even those in the organized sector do not often provide genuine figures for the simple fact that they don’t have one. This is borne by the fact that diﬀerent people gave highly varying figures about their estimation on the size of the rental and staging industry in the country. It varied from as high as a few hundred million USD to as low as 30 million USD.

“The rental business is growing at a rapid pace in India,” says Santana Davis of J Davis Pro-Sound and Lighting. “With the increase in the number of festivals, concerts, sporting and corporate events – and not to forget the boom in the television industry where massive staging and set designs, major lighting inventory with loads of LED and trusses are used – it’s phenomenal.” According to him, Bollywood –India’s mainstay of filmed entertainment – is also contributing in a major way along with the televised reality shows. “I cannot estimate the revenues but (I'm sure) it is a huge business at the moment,” Santana says. A largely conservative estimate about the size of the industry is from Sanjay Mudartha, Director of Bangalore-based rental and staging major Acoustic Control. According to him, the size of the industry ranges between

The year 2012 is said to have seen impressive growth in corporate events, concerts, community festivals, and televised events. Thanks to the emergence of big-time sporting events like Indian Premier League (IPL) and Formula One, the stakes of rental and staging industry in the country are up on the rise. That the 60-day multi-venue IPL sporting spectacle involves a significant usage of rental and staging, it has more or less become a regular revenue stake for the industry. A unique factor in the Indian Live Entertainment industry, is that while the concerts and install sound music festivals pale in comparison with those in the West or advanced East, the translation of religious and community celebrations into rental and staging business has been on the rise at a regular pace.

A unique factor in the Indian Live Entertainment industry, is that while the concerts and install sound music festivals pale in comparison with those in the West or advanced East, the translation of religious and community celebrations into rental and staging business has been on the rise at a regular pace. USD 75 million to USD 100 million. This extremely conservative view is echoed by Hyderabad-based rental, staging and events enterprise Highbrow Productions Services Pvt. Ltd. Managing Director Sreecharan Atluri.

in Live Entertainment of rental and staging. From highly organized Award Ceremonies and sporting celebrations, to small time community reveling occasions like festivals and weddings, the rental and staging industry expresses itself everywhere.

However, according to yet another survey, the industry is supposed to size up to 300 million USD, with a compound annual growth rate of nearly 20 per cent. On the other hand, the Event Management industry that largely overlaps with the rental and staging industry is estimated to touch or cross 860 million USD in 2013-14.

“Out of the many expressive ways, the biggest growth we have seen is in the festivals, TV-based Events, and Foreign Concerts,” says Santana Davis. “While sporting events have gained a lot of momentum Corporates are limping back to normalcy after the recession period even though budgets are still a concern.”

The variable estimates are due to the fact that the Live Entertainment is vastly segmented, and there is hardly a player that is involved across all the verticals of the segments. While this makes the estimation of the market size fairly complex, and often erroneous, the tendency of the players not to be truthful with facts and figures of their trade renders the surveys arguably ambiguous.

According to him, every year, the company invests around 10 million to 15 million USD depending on the dynamics of the economy. It posted revenues close to 20 million USD in 2012, and hopes to better the figure this year.

Factoring Growth!

The ambiguity of estimates does not, however, discount the impressive growth that’s happening all around, vouches the observer. Indicating at the phenomenal increase in the number of events bringing

Most enterprises in the organized sector make anywhere between one million to five million USD annually while the mid-range enterprises post anywhere between 5 to 15 million USD revenues every year. The highend enterprises, which are arguably very few, are estimated to make revenues between 15 million and 20 million USD. This is supported by revenues which may be many fold from the un-organised sectors.

“Though on a very small note, every occasion is an R&S setting today,” says another observer. “A college annual day function, a Navratri festivity, or a New Year celebration - every instance is a case of R&S business ,” says the observer. “Add to this, the product launches and fashion shows which are gradually turning a regular fare.” This consistently growing demand for translating every single community gettogether into a reveling with sound and light is, therefore, playing a big growth factor for most players. For most players, it is looking attractively rosy for the current year. “We expect a growth of at least 10 per cent to 18 per cent,” says a confident Sanjay, while Sreecharan forecasts that, “it would see around 10 per cent growth.” A measured outlook from J Davis Pro-Sound chief puts it a bit too early to forecast anything though Davis does see good growth prospects for the year, and so does Director of Sound.com Pvt. Ltd., Warren D’Souza. Both of them see “better business for the year” than what they had in 2012.

SNAPSHOT May - June 2013

Challenges Galore

The enthusiasm though is not free of challenges. “There are challenges galore.” Lack of skilled work force, price competition, logistics and more! “The greatest challenges we face are poor production and logistics management,” says Warren. According to the Mumbai-based rental and staging major, the industry also is faced with a major challenge of customers’ tendency of closing very large events at a very late stage due to which there wouldn’t be enough time to plan the event. This aﬀects the final result. “Very few companies manage their production well and some have now began to outsource their work to a production management company,” explains Warren. “This is surely welcome,” he says, adding, “so the situation from the production side is improving with the arrival of dedicated Production Houses.” Says Santana Davis: “It’s both lack of skilled work force as well as the price war with competing players. Adding to that is, of course, the high expenses of running the business like the warehousing.” According to him, costs of warehousing are particularly high in metro cities. Rise in shipment costs due to frequent hikes in fuel prices. More, while high pay package expectations of (under-)skilled workforce has been a drain on the revenues of most companies, delayed payments from customers has been compounding the woes. “Lack of skilled manpower has always been a potential challenge for many years now,” says Sanjay Mudartha. This had been

crippling the management of business to a large extent. Shorn of human talent, enterprises have often been falling short of customers’ expectations which in turn has become a handicap in price bargain. More, this situation has also been leading to an unwritten price competition amongst the players. In fact, “the price competition from competing players has also become potential challenge impacting businesses,” explains Sreecharan Atluri.

is happening, it is being fueled by cheap equipment (coming from China). This does impact the production quality, he admits, but feels it will improve in the coming years as there is a growing section of customers who are well informed about the quality and they are demanding. “The production levels are already on the rise,” Sanjay says, “it’s only a matter of few years wherein the magnitude and quality of production will equal that of the West.”

So, Where’s the Industry going?

Warren still wants to warn: “It lacks safety standards to begin with.” He, however, adds that the industry is growing, nevertheless.

“It’s certainly going places,” aﬃrm most players, and the observers, “but along with its challenges as well.” According to the Acoustic Control chief, while the growth

“Some of the large and reputed rental companies are running the businesses professionally by investing in quality and standard equipment; following safety standards; and employing skilled manpower,” vouches Santana Davis. “That’s an organized way of operating the business.” He, however, hastens to add that there is still a lot the SME (small and medium enterprises) are supposed to do, to be able to compete with professionalism. “The rental market of sound, lights, LEDs and trussing is definitely moving forward in the right direction,” Davis vouches again. However, the staging industry is yet to catch up on the technology and quality of install competence, he feels. “This should happen in few years to come.” “The growth is surely happening, and there is enough energy in it- both rental and staging,” assures the Highbrow chief. “We run our business as professionally as it ought to be.”

The key aspect here, according to observers, is the absence of a ‘standards’ parameter. “For the Audio-Visual and Systems Integration side of the industry, there is an apex institution like InfoComm International and its associated programmes of certification, technology standards etc,.” points out an observer, “for Live Entertainment, there’s practically nothing.” While some promoters are certainly CTS (certified technology specialist)-tagged, most others are mere engineers, who have just grown up in the field having been induced by someone, if not, started their own by passion. There’s no regulatory body to monitor this; anybody and everybody with passion and wherewithal can start a business without requiring the technical essentialsthat’s where the issues of professionalism, safety and quality standards arise from. A visibly unprofessional face of this tendency is a high degree of skepticism, fear of competition, and disregard to what is notionally considered business ethics. “There is something to do with the equipment import regulations as well,” points out another industry expert. “That these regulations are really tough, people tend to find other ways to do away with them, and it often reflects in troubling situations.”

So, What’s the way forward?

It’s both simple and tough task too. “Investment in quality products; training initiatives to develop skill sets and human

talents; helping the industry get more and more organized to ensure there is a fair competition in the market; and of course, a proactive and progressive measures to increase the budgets,” lists up Davis. “Good equipment requires good manpower and this will not happen until the budgets increase,” declares Sanjay Mudartha. “If production budgets increase, rental companies will definitely step up to the plate and deliver,” he aﬃrms, “it’s just a matter of time as we are aware of current trends; it’s a matter of sticking to high quality production and pushing the boundaries when it comes to technology so that the industry is forced to follow suit.” “It needs an initiative that sets standards with quality equipment,” opines the Highbrow chief. But who should initiate the process – in the given scenario – can be anybody’s guess. “People involved with the business should focus on final production quality,” sums up Warren D’Souza. “That itself would make the stakeholders strive for quality.”

Positives • Growing number of events • Growing demand • Adequate awareness Negatives • Unprofessionalism • Skepticism • Lack of skilled workforce • Fear of competition • Budgetary constraints • Cheap/sub-standard equipment The way forward! • Training initiatives to develop skill sets and human talents • Helping the industry get more and more organized • Ensure there is fair competition in the market • Proactive and progressive measures to increase budgets

EXHIBITION PREVIEW May - June 2013

PALM EXPO 2013 PALM EXPO returns to its 22nd edition this year, reaﬃrming its presence as China’s largest and most established international exhibition on pro audio, light, music and technology. The show will be held at the new China International Exhibition Centre in Beijing, China from 7 to 10 June 2013.

The organisers, comprising of Informa Exhibitions, China Entertainment Technology Association and China Technology Market Management & Promotion Centre have launched several new initiatives to enhance visitors’ experience at the show. These include the Hosted Buyers Program, Online Business Matching platform, 1-for-1 Program and a series of engaging visitor activities. The event will bring together the latest on pro audio, lighting and stage technologies from more than 1700 exhibiting companies and brands in ten halls spread over 110,000 square meters of exhibit space. The established brands have confirmed their participation in this not-to-be-missed show. They include BMB, Clay Paky, ClairBrothers,

D&B Audiotechnik, Harman Group, JBL, KME, Martin Audio, Nexo, Osram, Peavey, Pioneer, Sennheiser, Shure, TOA, Yamaha, W-DMX, and many more.

attend for all visitors and will cover a range of topics on the new technology and trends of pro audio and lighting in China and the international market.

Held concurrently with the show is INSTALL China, which will showcase the latest cuttingedge solutions for audio visual installation and systems integration technologies.

The organizing committee has stepped up eﬀorts in clamping down intellectual property infringements in the promotion of the intellectual property rights (IPR) protection at PALM EXPO. A booklet on “Information of the 2013 PALM EXPO Exhibitors’ Trade Marks and Patents” will be published, and distributed freely to all professional visitors. This is initiated to create awareness among exhibitors on the importance of IPRs protection; to promote a more wholesome corporate image, at the same time encourage corporation to focus on upgrading their core technology and to deter infringement acts.

Visitors can feast on the latest in Audio & Video Technologies, Audio, Video & Data Conferencing Equipment, Cables, Connectors & Switchers, Digital/LED Signages, Public Address & Intercom Systems and Screens & Projection Technologies. The VIP Hosted Buyers Program has received much recognition and buyers from Latin America and Europe have registered to take advantage of this opportunity to network with industry peers. The organisers have arranged for a range of networking opportunities such as a Buyer/Seller networking dinner and coﬀee networking reception. The technical seminars are free to

Travelling to PALM EXPO has never been easier with a series of improvement measures in place. Exhibitors and visitors can expect a hassle free trip to and from the exhibition halls with an extensive network of complimentary shuttle bus services from

the airport, subway stations and oﬃcial hotels. Visitors who would like to lunch at the shopping mall opposite the exhibition hall can take advantage of the shuttle buses that run around the perimeter of the exhibition grounds. Taxis are readily available with the deployment of additional taxis to the taxi stand during show days on the exhibition grounds. Visitors can look forward to the following special programs planned for the show: The 11th China International Entertainment Technology Summit To be held at the Radisson Blu Hotel Beijing on 6 June, this year’s summit focuses on Art and Entertainment Techniques. Renowned experts from China, Germany, UK and USA will introduce and elaborate on new stage technologies and the development of entertainment techniques in performance venues. Technical Seminars Exchange A series of technical seminars will be held during the show days from 7 to 10 June. These seminars promote the integration of new products in professional audio, lighting, stage equipment, musical instruments, audio and video systems, new technologies and trends in the China and international market. Outdoor Line Array Live Demonstration Watch the open area outside hall E3 transform into a live concert hall from 7 to 10 June, as a record 20 leading brands battle

it out, showcasing the latest in speaker technology.

candidates selected from preliminary rounds will vie for the top title.

The 8th Band Contest Finals This popular contest is sponsored by the China Entertainment Technology Association, and organized by Guitar China, 3G Audio System Group Association and Entertainment Technology magazine. The finals will be held from 7 to 10 June at the South Plaza of the new China International Ex hibition Centre.

Online Business Matching Program The online business matching program connects top quality buyers, agents and distributors with exhibitors before, during and after the exhibition. Visitors can view all exhibitors’ profiles and products online, and maximize their time at the show by prescheduling meetings with exhibitors.

PALM EXPO 1st Acoustic Guitar Contest This inaugural contest is sponsored by the China Entertainment Technology Association, and organized by Guitar China, and Entertainment Technology Asia magazine. The contest will be held from 7 to 10 June at the South Plaza of the new China International Exhibition Centre. Shortlisted

1-for-1 Program First time visitors to the show stand to enjoy a free night's stay for every one paying night that they have booked, up to a maximum of two free nights. Registration can be made online. www.palmexpo.net

EXHIBITION PREVIEW May - June 2013

BroadcastAsia2013 features stellar line-up of international exhibitors BroadcastAsia2013, Asia’s largest integrated trade show for the Film and TV industries will return with an impressive international line-up of exhibitors. BroadcastAsia is the only event in Asia that houses more than 85 per cent international broadcasting manufacturers as part of the show’s stellar line-up of exhibitors. Running from 18 to 22 June 2013, BroadcastAsia2013 will be joining CommunicAsia2013 and EnterpriseIT2013 at the Marina Bay Sands Singapore.

Unwavering support from exhibitors

BroadcastAsia exhibitors have shown confidence in the event, and their repeated participation through the years has been a strong testament. Industry players across the acquisition, management and delivery channels will congregate at the show once

again come June 2013. Visitors can look forward to the latest oﬀerings from topnotch companies like Axon, Envivo, Evertz, GoPro, GrassValley, Harmonic, Harris, Hitachi, Miranda, PCCW, Playbox Technology, Quantel, Ross Video, Sennheiser, Snell, Toshiba, Wasp3D and more. “BroadcastAsia2012 was a success for Harmonic. As broadcasters in ASEAN countries are moving from analog to digital, they were at BroadcastAsia2012 to look at what manufacturers have to oﬀer. The OTT solution also drew great interest and inquiries. Harmonic will continue to participate at BroadcastAsia2013 as our core customers are broadcasters whom are regular visitors to the trade event,” says Elson Soong, Director of Sales, SE Asia, Harmonic

Inc. Calvin Koh, Assistant Project Director for organiser Singapore Exhibition Services adds, “Asia will be the ‘place to be’ over the next few years as many of the new technologies take oﬀ in the region. BroadcastAsia evolves and improves over the years to stay ahead of the ever-changing media landscape and to oﬀer the industry an all-encompassing sourcing and networking platform.”

The latest oﬀering in Pro-audio

To complete the entire broadcasting and film ecosystem, ProfessionalAudioTechnology2013 will see professional audio companies showcase the latest audio products and services for the broadcasting and film ecosystem:

• Audio Editing • Audio Effects • Audio Production • Music and Sound Libraries • Digital Radio to Radio and more Exhibitors will be showcasing the newest products and solutions including, but not limited to: Control Devices Asia Pte Ltd – CEDAR's Dynamic Noise Suppression technology, the standard for removing background noise from dialogue. With near-zero latency, 40-bit processing, and a fast, intuitive user interface, it eliminates traffic noise, air conditioning, wind, rain, babble and general background noise from audio signals. It will also help to compensate for unfavourable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation. Yamaha Music (Asia) Pte Ltd – NUAGE, an advanced production system that empowers professionals in the television, advertising, film, and media industries with unprecedented capabilities and efficiency. Yamaha hardware integrates seamlessly with Steinberg software in a cohesive platform that ushers in a new era of post-production productivity. Mahajak SKM Electronics Pte Ltd – Harman's Studer Vista 5 adds FaderGlow™, a digital audio console that continues to meet the needs of broadcasters and live installations thanks to the future-proof upgrade path that the system provides. The newest version of the desk, the Vista 5 M3, sees the addition of the Studer FaderGlow™ system welcomed by sound engineers on the Vista 9 and more recently Vista 1, and integrated RTW loudness metering as standard, amongst other new features.

Keeping ahead of industry development

With the growing business adoption of Internet and multimedia devices, and the increasing number of media content now made available on various digital platforms, media organisations have taken action and have since benefited by migrating towards a diversified multi-platform approach to producing and distributing content. Broadcasters have exposure to a multitude of opportunities today, a result of increasing expectations from end-users for the management of big data and premium services such as IP-based video-on-demand, live streaming and HD broadcast – all of

which are changing the way media content and data are delivered. BroadcastAsia recognises this industry shift and in 2013 will see a strong focus on the business and technological aspects of multi-platform broadcasting at both the exhibition and conferences. The four-day event will also highlight the hottest array of technologies currently available in global marketplace, and address important industry trends and vital challenges that are related to OTT Opportunities in Asia, Next-Gen Innovation and Technology in TV, File-Based Workflow,

Pay-TV, DVB-T2, Broadcast Infrastructure and Transmission Quality and more. For show updates on BroadcastAsia2013, CommunicAsia2013 and EnterpriseIT2013 please visit the following channels: - Oﬃcial BroadcastAsia2013, CommunicAsia2013, EnterpriseIT2013 websites - Twitter: @BroadcastAsia and @ CommunicAsia - Facebook: http://www.facebook.com/ pages/BroadcastAsia/163768382664 and http://www.facebook.com/CommunicAsia - LinkedIn: BroadcastAsia and CommunicAsia

EXHIBITION PREVIEW May - June 2013

PALME Asia 2013 Industry Night

*Conferences & Seminars: Safety in the Entertainment Industry, Live Events, Sound Reinforcement Design, Eco Technology, LED Lighting & Houses of Worship Technology. *Smart Technology Showcase: Focus on Architainment Lighting and Classroom Technology. *Education: DJ Competition & Education Hub PALME Asia 2013, the 27th edition, is South-east Asia’s most established international professional audio, lighting, AV, systems integration, music software and entertainment technology exhibition. The PALME Asia series of shows since year 2000 have been on a circuit around Asia, and they are back in Singapore this year! This year, PALME Asia 2013 will be held concurrently with INSTALL Asia 2013 & LED Asia 2013. INSTALL Asia 2013, the 8th edition, is the unique showcase of AV installation and systems integration technologies and applications for commercial and residential projects. LED Asia 2013 is the inaugural international exhibition on LED Technologies. PALME Asia 2013 will be taking place from 17 – 19 July this year, at Marina Bay Sands, Singapore. The event will be featuring a myriad of over 200 established brands and companies from over 30 countries spread over an estimate of 5,000 square meters of exhibit space.

In line with the emerging trends in Southeast Asia, the six key focus areas of this year's show are: 1. Live Event Staging 2. LED Technology 3. Architectural Lighting 4. Houses of Worship 5. Music Software and 6. Information & Communications Technology These specialized key focus areas will pave the way for our exhibitors to bring to life the practical applications of their latest state-ofthe-art technologies and solutions. Alongside the exhibition, a full-fledged seminar programme, hands-on training workshops and exciting activities on the show-floor such as the following, is being planned:

Seminar

*Buyer/Seller Program: Industry Night, Great PALME Sale (GPS) & Happy Hour @ PALME Lounge. *Live Demo & Hands-on Session: Live Performance@5, Manufacturers' Presentation/Hands-on Demo Area.

Knowledge Upgrading – Seminar Programme @ PALME A series of seminars and workshops presented by key expert speakers from the industry will take place during the exhibition. Visitors can expect to engage themselves in the Core Principles of Audio training by renowned audio education specialist SynAudCon who will be presenting for the first time in Singapore. There will be two full day seminar sessions on Safety in the Entertainment Industry and a dedicated Safety Forum brought together by the following technical directors and safety experts: Roderick van Gelder, Chairman

of Events Safety Alliance Australia and Risk Manager & WHS Consultant at Stage Safety P/L; Bill Sapsis, Sapsis Rigging (USA); Thomas Scelo, Senior Consultant, Associate & Manager from Marshall Day Acoustics (Hong Kong); Chris Hannam, Author of Health and Safety Management in the Live Music and Events Industry, Health & Safety Consultant at Stage Safe (United Kingdom) and many more. In addition, a full day seminar session on Eco-Solutions for the Entertainment Industry will also be presented to you by Adjunct Associate Professor Robert Kevin Fleming from NUS Business School; Craig Gamble, Associate specializing in performing arts venues from Entertech (Australia) and others. Visitors will also be able to network and learn how to make the most of the AV technology in their own houses of worship by attending the half day workshop on Houses of Worship Technologies conducted by Robert Soo from Cogent Acoustics and EC Tan from Full Gospel Assembly. Whatever your faith, advanced technology can help you most eﬀectively deliver your message. Last but not least, hear about the latest Lighting Technologies shared by reputable lighting experts during the full day seminar session. New technologies are becoming increasingly important, sometimes replacing conventional lighting and, most significantly, also creating new and sustainable design possibilities. Manufacturers and Distributors will also be conducting their hands-on product workshops, featuring their innovative solutions and cutting edge technologies. Visitors can expect to obtain a greater insight and knowledge of the latest oﬀerings from the various leading manufacturers and distributors. Look out for a range of products being showcased for the first time in South-East Asia

NeXtage 16 is equipped with 16b scalers, 8 seamless inputs and 2 main outputs and offers state-of-the-art live processing and Soft Edge Blend capabilities. Clay Paky's Sharpy Wash 330 is an extraordinarily compact, lightweight 330 W washlight, with the luminous efficiency, graphic and optical performance of a 1000W fixture. HARMAN’s Soundcraft is showcasing its Si Expression digital console range, tagged as the most advanced digital console in this low price category. Available in three frame sizes, Si Expression 1, 2 and 3 offering 16, 24 and 32 fader and mic inputs respectively; all three are capable of up to a staggering 66 inputs to mix by connecting any Soundcraft stagebox including the two new Mini Stagebox 16 and 32 (16 x 8 and 32 x 16) models also launched today at the show (separate release) or by connecting additional inputs over MADI or AES/EBU. All external inputs are additional to the connections on the desk itself. Laserworld AG will be exhibiting the Laserworld CS-4000RGB. With its 4W output power the Laserworld CS-4000RGB is currently the strongest RGB system of the Club Series. Brilliant colors in red and green are complemented by a royal blue with a wavelength of 445nm for excellent visibility and bright colors. Like the other systems of the Club Series, the CS-4000RGB is fully graphics-capable.

PALME Asia 2013 promises to introduce a whole new range of exciting products this year. Many of the products will be shown for the first time in South-East Asia. Here are some of the launch highlights: Analog Way's NeXtage 16 is a powerful highend AV processor and seamless switcher based on Analog Way's LiveCore platform.

Luminex GigaCore 14R is a Gigabit Ethernet switch designed to cope with the most demanding lighting and AV installations. Shown for the first time in the region, the system is managed through a web interface. The device oﬀers a user friendly experience with an industry specific oriented interface.

Radiant Opto-Elec Technology Co. Ltd will showcase its Hybrid-18. Launched in ISE 2013 this product is the only LED display that integrates video and lighting LEDs. RCF's new TT+ series represents another prominent chapter in the long history of RCF sound system. On exhibit will the TT1-A, TT2-A and the TT-5A which are compact, active loudspeakers designed specifically for high quality indoor and outdoor near field sound amplification, equipped with varying watts of digital simplification. Robe South-East Asia will be showcasing the Robin Pointe. Robin Pointe is very bright and super-fast with a sharp parallel beam that cuts through the air and across video with ease.The Pointe has an output far greater in size, quality and power that seems impossible from its small, lightweight body – due to the eﬃcient short arc 280W discharge source and the Robe optical configuration.

Sennheiser's LSP 500 PRO promises to be a real game changer in the public address segment. This system will liberate you from hassle and hardwired cable. Up to 3 wireless microphone links, Bluetooth music streaming and built in USB player/recorder guarantee optimum audio connectivity. Its dual batteries are hot-swappable even during live operation. It is stackable from 2 to 20 speakers to fit from small to large venues. www.palmeseries.com/asia

LIVE May - June 2013

India

Clay Paky glams up major awards ceremonies

lay Paky’s increasingly strong relationship with Mumbai-based Jagmag Electric Co. is resulting in the full range of Clay Paky fixtures being utilised at many of the most glittering events across India’s major cities. Jagmag Electric Co. commenced operations in the early 1960s, as ‘government approved contractors’, handling illumination, power distribution & lighting design for prestigious VIP gatherings and government buildings. Fifty years later, that remains one of the company’s main divisions. In the early 90s, the company diversified into larger events: award functions, concerts, fashion shows, corporate launches, exhibitions & TV shows. The company became the distributor for Clay Paky in India in 2009 with an aim to develop the market for Clay Paky in India as well as to ensure that JagMag's numerous clients would have access to the feature heavy, energy eﬃcient, high output lighting stock. Since then, Jagmag (respected as one of India’s leading one-stop, full service, in-house lighting, production and power distribution

companies) has supplied cutting edge Clay Paky luminaires to many of the premier ceremonies with India. “We are committed to providing the best lighting design, production and technical know-how to ensure the success of every event,” says Lighting Designer and General Manager of Jagmag, Atul Sonpal, a man who is known for his successful Bollywood award nights and shows. Atul oversaw the collaboration between Jagmag and Clay Paky for the 2012 events which included India's Big Star Young Entertainment Awards, Film Fare Awards, Colours Screen Award, RMD Ring Ceremony,

Global Indian TV and Films Honours, Starparivar Awards and the Stardust Awards. "We are delighted to be working with such a forward looking, creative business," says Pio Nahum, Chief Commercial Oﬃcer for Clay Paky. "The Indian entertainment technology market is a lively and growing concern for Clay Paky and we believe that our feature rich range of fixtures provide a comprehensive palette for the most imaginative of lighting designers. Working with Jagmag and the company's clients is an absolute pleasure and seeing the imaginative way our products are used is the icing on the cake." www.claypaky.it

LIVE May - June 2013

India

KV2 Audio heads up ASEAN Heads of State Summit The performance took place in the Ashoka Hall which in terms of depth, is not very big, however, the crew hooked up most of the instruments, “to give the audience a feel that almost everything is acoustic” as Yogesh puts it. “Thanks to the engineering at KV2 and the 20MHz processing, even at low amplification every detail is crystal clear, thereby giving the audience an eﬀect of the sound they hear as almost acoustic.” Teamwork who were the producers and designers of the show, have also managed numerous international festivals including the Jaipur Literature Festival, Bonjour India Festival and Indian Summer Festival, among many others. They were so impressed with the sound that they have now stipulated that only KV2 speakers are to be used for all their projects.

n a high profile event at the Rashtrapati Bhawan which is Hindi for President's House, 240 musicians and dancers performed in a one hour extravaganza in front of the President and Prime Minister of India as well as the ASEAN Heads of State. Local rental production company Dhawan Electricals supplied a single KV2 Audio ES system which has become renown for its unique and versatile capabilities. A truly scalable system, it is compact and modular with all the electronics and amplification housed in separate, portable units - the EPAK2500 and 2500R. The EPAK2500/R control unit incorporates four task specific amplifiers. Electronic crossover filters, time alignment, equalization, system protection, and level controls are all done on-board utilizing industry leading 20MHz digital conversion where required. The ES1.0 Mid/High speaker and the EPAK2500/R make up the core of the system. Each ES1.0 requires an EPAK2500/R to power it and the three way cabinet includes a12'' horn loaded mid bass driver, 6'' horn loaded mid speaker, and 1.75'' Titanium compression driver. Users can rotate the ES 1.0 horn assembly in order to run the system in a vertical or horizontal configuration, and couple two

ES1.0 cabinets together horizontally to create a very powerful, long throw solution. As well as driving the three way ES 1.0 cabinet, a fourth amplifier channel in the EPAK2500/R control unit was dedicated to powering a choice of ES series subwoofers. Director of Dhawan Electricals, Yogesh Dhawan, commented “The KV2 ES system proved it's worth as a compact, easy to use, excellent performer with awesome sound quality.”

KV2 Audio’s distributors in India, Cinetekk and AG Acoustics supplied the ES System to Dhawan Electricals. Siddharth Sood from AG Acoustics stated, “Dhawan Electricals are extremely happy with the system. They are adding a second KV2 ES System this month.” Yogesh Dhawan concludes with, “I would like to thank KV2 for the excellent product they have created and I would like to continue spreading the word to who ever I meet.” www.kv2audio.com

LIVE May - June 2013

India

J Davis Prosound & Lighting

he Udaya Film Awards is considered one of the most prominent award ceremonies for Kannada films. Presented annually by Udaya TV, a Kannadalanguage division of the Sun Network, from the south-Indian state of Karnataka, the awards ceremony has been instituted to honour both artistic and technical excellence in the Kannada language film industry. Kannada is a language spoken in India predominantly in the state of Karnataka and is one of the 40 most spoken languages in the world. The evening brought together people from all over the film industry along with bureaucrats who witnessed the awards being given to the most deserving of individuals. A highlight of the show included the presentation of the prestigious ‘Udaya TV Green Award’ to environmentalist actor, Suresh Heblikar and environmental companion, Saalu Marada Timmakka. Facilitating the awards to the winners was home minister, R. Ashok with Rebel star

Ambarish, Sumalatha, Ravichandran and Shiva Raj Kumar distributing the awards. It was no surprise when the J Davis team was selected as they had been for all the Film awards before. Having worked with Udaya TV to provide complete technical support for not just the film awards, but other mega events as well.

“We are truly honoured to be associated with Udaya TV for such a long time & thank the channel for having continued faith in our deliverance” - Santana Davis, J Davis Prosound & Lighting

The acoustics put forth were heavily reliant on L'Acoustics with the set up including the 24 V-DOSC, 6 x DV-DOSC, 16 x SB 218 subs and 8 x Arcs which are equipped with LA8 advanced system drive and protection. A Yamaha PM5D console with Dolby Lake Processort managed systems. It was a colourful evening at the popular concert venue aptly named, Palace Grounds, located in Bangalore where thousands flock to every year for international and local shows, awards,concert etc. The lights and eﬀects came from a star-studded combo which, to name a few, included 8 x Clay Paky HPE Alpha Spots, 12 x SGM Colorlab, 12 x Strand Profiles, 8 x 4 Lite Molefays and 160 x Par -64 with pulsar dimmer packs.

relies on L’Acoustics Providing the technical support for LED and projections for the event was Graflex Inc, the AV division of J Davis Prosound & Lighting was chosen for the 4th year in a row to provide the LED displays for the awards. Anil Kumar, Partner & Technical head of the Graflex Inc spearheaded the technicalities of the event with Mr. Murali of CRAFTS DESIGN, Bangalore creating a set design using multiple LED displays. A total of 650sqft of p6 and 200sqft of p15 LED mesh was fragmented across the set in form of 12nos 10ft x 2ft 6mm led strips, 1nos 24ft x 14ft and 2nos 18ft x 11ft Led mesh. All LED displays were controlled by 4nos WATCHOUT V5.1 and controlled by TOUCH OSC MIDI CONTROL SURFACE on a IPAD. “We are truly honoured to be associated with Udaya TV for such a long time & thank the channel for having continued faith in our deliverance,” aﬃrms Santana Davis from J Davis Prosound & Lighting

www.jdavisprosound.com

LIVE May - June 2013

Indonesia

Sennheiser grooves

he ninth edition of the Jakarta International Java Jazz Festival, held at the Jakarta International Expo in March, is an annual music event organised since 2005. It has now become the largest jazz music event in Asia that pays tribute to the legends that once graced the world of jazz music locally and internationally. Sennheiser Asia partnered with the festival's organisers, PT Java Festival Production, as an audio equipment sponsor for its third consecutive year. Over 130 local and international wellknown musicians gathered to perform on 13 diﬀerent stages for the three-day event, including Grammy-winning musicians, singers, songwriters, and producers. Key performances featured English singers and songwriters;Joss Stone, Lisa Stansfield, and Craig David. The line-up of popular Indonesian musicians also included jazz vocalist and Sennheiser SKM 5200-II user, Andien.

The Sennheiser Asia team, together with the support of its local distributors (PT Galva Technovision, PT Indika Siar Sarana, PT Tri Tunggal Abadi, and PT Suara Visual Indonesia), were on-site to provide equipment and technical support for the festival’s main stages, press conference, gala dinner, as well as the largely-celebrated festival pre-event stage, known as “Java Jazz on the Move” (JJOTM) at the Pendopo Lounge in Hotel Borobudur.

and two SB18 subwoofers were floor-stacked per side as front-of-house speakers.

During the festival’s oﬃcial press conference in February, Sennheiser Asia took the opportunity to announce the endorsement of its first Indonesian singer, Raisa Andriana while supplying the event with four channels of evolution wireless vocal microphones and various evolution 900 series wired instrument microphones were supplied for live artiste performances, while eight MD 46 reporter microphones were also used as panel microphones for the speaking panel. Three cabinets of L-Acoustics KARA loudspeakers

The festival also hosted a by-invite only gala dinner event at Hotel Borobudur, which Sennheiser supported as part of the partnership agreement. Eight channels of 2000 Series professional wireless microphones and numerous evolution 900 series wired instrument microphones were setup to cater for live stage performances during the dinner. Three cabinets of L-Acoustics KARA loudspeakers and two SB18 subwoofers were paired per side as frontof-house speakers with two additional KARA

with Java Jazz cabinets on stage for front fill audio. One pair of K-array KR200 Redline speakers was also deployed as out fill, in order to extend coverage to the extreme left and right seating areas of the ballroom. At the Pendopo Lounge, the JJOTM stage was fitted with Sennheiser microphones. Four channels of evolution wireless 500 G3 series, assorted evolution 900 series wired instrument microphones, as well as MK 4 condenser microphones (mounted on Rycote Lyre supensions) for drums, saw many spontaneous jazz performances by the starstudded festival cast in a casual and inviting setting. In the main festival grounds, eight channels of Sennheiser evolution wireless 300 IEM G3 systems circulated amongst eight international performing stages involving celebrated artistes with the likes of Craig David and Spyro Gyra. President of Sennheiser Asia, Ng Chee Soon commented, "We are thrilled to be working with the festival organisers once again. This is an excellent platform for us to continue to showcase the Sennheiser brand as a leading audio expert in Indonesia that is synonymous with such a highly-acclaimed music festival. â&#x20AC;? On top of the audio equipment support, a 200 square-metre brand booth at the festival

President of Sennheiser Asia, Ng Chee Soon presents the MOMENTUM Black headphones to a festival attendee.

grounds was constructed with a dedicated 50 square-metre consumer experience zone, where the new MOMENTUM Black headphones were unveiled to the public for the first time in Indonesia. Festival attendees and performers alike also received numerous photo printouts at Sennheiserâ&#x20AC;&#x2122;s instant photo booth. The Sennheiser booth also featured a live performance area where festival goers were entertained by daily stage performances by local jazz bands, Lani & The

Bees and the Acadian Blues Band. The stage was equipped with four channels of evolution wireless vocal microphones, assorted evolution 900 series wired instrument microphones, as well as L-Acoustics SB18 subwoofer and 115HiQ active stage monitor speakers on each side as a front-of-house system together with one pair of K-array KR200 Redline speakers for stage side fill. www.sennheiserasia.com

LIVE May - June 2013

AUSTRALIA

Clay Paky Sharpys @ The Logie Awards

he 55th TV Week Logie Awards were held at the Crown Palladium in Melbourne, Australia and broadcast live on the Nine Network.

“The Sharpy Washes performed great, we had no failures and the spares are still covered in dust”

The annual celebration's lighting had been designed and operated by Rohan Thornton for several years previously. However, he left his role as Lighting Director at the Nine Network last year to explore freelancing. Fortunately, Nine realised they needed his talent and expertise and managed to employ him on a contract basis.

"I thought they were brilliant!" he remarked. "The speed, quality of beam, quality of colour and all the features were amazing. They have great intensity, power eﬃciency, and of course Clay Paky colours are always fantastic. The Sharpy Wash is simply a really good, small light with a lot of tricks. It's really

On request from Rohan, Show Technology, Clay Paky's Australian distributor, rushed in the new Clay Paky Sharpy Wash 330 fixtures. The Sharpy Wash is equipped with a zoom that ranges from 6° to 50°, CMY colour mixing, a wheel with special colours, a rotating beam shaper, a frost filter, a motorized top hat and even more. Even with its multitude of features, the Sharpy Wash manages to weigh in at just nineteen kilos and is as small and compact as its brother, the Sharpy Beam. Rohan first saw the Sharpy Wash at the LDI show last October and he rated the fixtures the standout products of the show.

- Rohan Thornton, Lighting Director versatile due to its beam range and beam shaping - a true multifunctional light." At the award show, Rohan positioned the Sharpy Washes above the host set so they could wash the stage. It was during the musical acts that they, along with the Clay

Paky Alpha Beam 700's, were the essence of the moving light rig. "The Sharpy Washes performed great, we had no failures and the spares are still covered in dust," commented Rohan. "We found some really cool tricks to do with them such as beam chases and the consistency across the rig was phenomenal. The CTO was really nice on them too." As well as the thirty-six Sharpy Washes the rig featured 80 x Sharpy Beams, 60 x Alpha Beam 700's, Martin TW1's, Martin MAC Auras, MAC301's and MAC101's as well as 220 Pro Shop LED MulitPARs, GLP Impression X4's and Martin Fusion Bars. Unusually, Rohan decided to use Clay Paky 1500 and 700 Alpha Profiles as key lights; a somewhat bold experiment that fortunately for everyone involved, proved to be a risk worth taking. Explaining his decision, Rohan says,"Traditionally I would key light using a tungsten based profile or something like that but the problem is that graphics are fundamentally created at daylight level so we never got really good clarity on shows at this venue.â&#x20AC;? "I decided to use the 1500 and 700 Alpha Spots but most arc lights are very diďŹ&#x192;cult to colour correct. It was then that I discovered I could get Permacolor filters supplied and this made me think to replace some of the colour corrections but, of course,

modern moving lights have fixed wheels for their fixed colours. Instead, we worked out that we could get some cut and made to go in the gobo slots. We ended up using the variable CTO and Permacolor filters to come up with a colour temperature of about 5000 degrees Kelvin. So basically, all my lectern lights and back lights were either 700's or 1500's and that allowed us to do things like have a tight lectern or if there were a lot of people at the lectern we could expand the shutters out without changing the intensity. It

worked really well and we certainly got some clarity out of the graphics that we've never had before." The main lighting suppliers for The Logies were Resolution X and PRG with Resolution X sub-hiring the Sharpy Washes from Chameleon Touring Systems. Lighting Lab and Clearlight also supplied a small amount of gear. www.showtech.com.au

LIVE May - June 2013

Thailand

Hearing every voice Ten Years After Audio ensures clarity with HARMAN’s JBL VTX Line Arrays and Crown VRack amplification systems

ajamangala National Stadium in Bangkok, Thailand drew a huge turnout of fans for Coca-Cola Thailand’s “Real Voice, Real Talent” concert. Ten Years After Audio (TYAA), one of the leading audio rental firms in Thailand, deployed thier new HARMAN JBL VTX line array system and Crown I-Tech HD amplifiers for the event, which featured performances from all 59 contenders of The Voice Thailand television series. The concert featured loudspeakers and amplifiers on all four sides of a large, square stage set up in the middle of the stadium. The main PA system featured 36 units of JBL VTX V25 full-size line array elements, flown in left-right arrays, at the front of house and opposite sides of the stage.

These were supplemented with a total of 32 units of VTX S28 18" sub-woofers,deployed on the ground in four cardioid-configured arrays of eight each that feature Diﬀerential Drive technology with two voice coils, two neodymium magnets and high peak-to peak excursion capabilities that deliver extended very low frequency performance. The other two sides of the stage featured left-right arrays of six JBL VERTEC VT4889 full size line array elements each, for a total of 24 VT4889 elements. 24 VERTEC VT4880 subwoofers were on these two sides of the stage ranging a frequency between 26 Hz - 160 Hz (-10dB). Powering the loudspeakers were 32 x Crown VRack 12000HD amplification systems. Utilizing the built-in signal

distribution and on-board DSP resources of the VRack 12000HD’s, TYAA was able to drive the entire system with JBL V5 tunings, maximizing the performance and linearity of the VERTEC and VTX loudspeakers. Sixteen JBL STX815 loudspeakers were pole-mounted for supplementary fill, with additional STX815 loudspeakers for stage monitors, powered by eight Crown I-Tech 4x3500HD amplifiers. Soundcraft Vi6 and Vi1 consoles were each used at the FOH and monitor positions, with system design and management handled by JBL HiQnet Performance Manager. “We collaborated on the system design with Performance Manager, virtually building the

with HARMAN system together within the framework of the software, and it was an incredibly smooth process,” said Eric Friedlander, Business Developer, Tour Sound, Crown Audio (who provided on-site support for the event). “TYAA worked with [Senior Manager, Tour Sound for JBL] Paul Bauman to optimize the PA virtually in JBL Line Array Calculator 2, so when setting up the system, we simply had to load the Performance Manager file into the amps and it made for a phenomenal starting point.” “In addition, Performance Manager was key in setting up the cardioid sub-woofer configurations on-site,” Friedlander added. “Setting up the proper DSP with one click on a speaker in Performance Manager enabled

TYAA to simply deploy the subs knowing the optimal settings were already in place.” This was the first event at which TYAA used its full VTX system which utilises JBL's exclusive dual voice coil, dual magnetic gap Diﬀerential Drive technology, dramatically reducing driver weight while greatly enhancing all critical performance parameters: frequency response, power output and distortion. The system was purchased through HARMAN’s Thailand distributor, Mahajak Development Co., Ltd. “Unquestionably, it is a great honour for us to have this opportunity to employ world-class audio systems for the best performance for

our customers,” said Chavalit Mahaviriyakul of TYAA. “We could not be more confident in HARMAN and Mahajak, as well as our decision to upgrade to the JBL VTX series.” www.harman.com

LIVE May - June 2013

SINGAPORE

Rocking good time @ Timbre Rock and Roots 2013

Showtec Communications provides L’Acoustics, D.T.S Lighting and Christie solutions for the ultimate festival experience

hen the annual Timbre Rock and Roots festival rolled around this year in Singapore, organizer Timbre Group Pte Ltd called upon the expertise of one of the largest rental and staging companies in the country, Showtec Communications Pte Ltd(Showtec), for the

4th time in a row. Even though the honour was bestowed upon the company ever since the festival's inauguration, the 2013 edition would be more demanding as it set out to be bigger and better than ever before. Leading the production team from Timbre Rock & Roots Pte Ltd, production manager ,Sofian Abdul Manan and assistant production manager Luthfi Hamzah decided to house the festival in Singapore's Fort Canning Green (estimated to be about 11,500 sqm). This was a testament to just how much the festival has grown in not just popularity, but quality as well. A total of 11,500 fans showed up, clamouring for sets by legendary names – in particular, American singer-songwriter Paul Simon, Led Zeppelin frontman Robert Plant and country/blues stalwart Bonnie Raitt, names who have helped shape various music genres over the years.

To do justice to the amazing music, Showtec's Project Designer, Kamal Adam Litak assisted by Audio IC, Mohd Nurhisham Bin Mohd Sidek, flew 9 units of L’Acoustics V-DOSC line source array per side on a left/right configuration supported by the L’Acoustics dV-DOSC speaker frontfills - 3 units of 4 clusters stacked on top of the subs; SB218s and SB28s coming to a cool total of 20 unit subs altogether. He explains the decision to rely on L'Acoustics, “We chose the V-DOSC mainly because of its exceptional frequency response and SPL in an outdoor venue. The system has a versatility and eﬀectiveness in providing powerful, clear coverage while maintaining its quality of sound and this suited the needs of every audio engineer who was mixing for the festival.” And it was a good decision too as the audio systems coincided precisely with what most of the artist's technical riders specified. The

audio aspects of the festival were delegated to the highly capable hands of the FOH Engineer, Uthaiyan s/o Kumanan, monitor engineer, Yuvarajan s/o Chandra, system technician, Muhamad Ridzwan Bin Fajari and RF technician, Mohamad Ermie Bin Ahmad. The area of concentration for the event consisted of one 30m stage divided into 4 sections namely, Performance, Monitor control, Guitar Tech, and Stage risers storage,. It was a physically challenging set-up which took 10 weeks to plan and 3 days to execute due to the sloping ground. The teams were forced to push all equipment manually onto the stage supervised by rigging IC, Iskandar bin Habdi. Showtec is the main distributor of DTS lighting products in South East Asia, so it was of no surprise when Lighting IC, Mohd Safiee Sawal delegated all of the festival's automated lights to DTS lighting. Handling the lighting for the 2-night event went to Showtec's lighting programmer, Nordin assisted by assistant lighting programmer, Ching King Soon and lighting system technician, Ahmad Hafriz Bin Berkath. The team utilised DTS lighting's XR3000 spot and XR1200 wash along with 8 units of the FOS 100 RGBA LED bars, with the engineers creating eﬀects befitting the festivals' level of magnitude. Kamal says, “We chose the robust and durable moving heads as they are well suited for outdoor events. The control systems for lighting consisted of a grandMA2 full size console and Road Hog's Full Boar

console due to their flexibility and the variable choices of pre-sets available which makes operations and programming easier to handle. Their capabilities in merging fixtures and show files from one to the other makes it the ultimate choice of lighting console for this type of festival.” This year's event was the first time Christie projectors were used to provide visuals. It was chosen based upon the venue's natural contours and sloping ground where it would have been diﬃcult to set up LED screens needing bigger structures to hold the weight hence 2 units of Christie Roadster HD18K projectors were introduced to give Showtec's visual IC, Chua Woon Fung, the choice of doubling an imaging or aligning two to become one. “The 2 projectors act as a backup for each other while providing a brighter and sharper image for those further away from the stage. It allowed guests to be

where ever they wanted to be but still be able to see their favourite artists' perform up close,” explains Kamal. For a festival that aims to be less-mainstream and is determined to showcase not just international but local musicians, Timbre Rock and Roots has once again hit the nail right on the head. The collaboration of the teams from Timbre Group Pte Ltd and Showtec Communications Pte Ltd have definitely wowed audiences and as Kamal says, “We hope to be given the opportunity to do the festival again next year. Every year its getting bigger and better and we would like to add in to that mix by making next year an even louder, brighter and more enjoyable experience for all that have been supporting the event.” www.showtecgroup.com

LIVE May - June 2013

India

Shure powers through for Reynolds Sound & Lighting Services Interference-free audio a critical factor in address to 800 Top-Performing Sales Associates receivers were put in place as well as Axient ShowLink remote control to enable real-time remote transmitter adjustments. Using Shure Axient wireless for the first time, Reynolds Technical Director, Michael Furtado commented, “With increasing concerns about bandwidth and the necessity to get it right the first time, Axient's channel management, integrated spectrum analyser, and most importantly, frequency diversity feature allows for completely fail-safe operations and remote control. Shure's proprietary Interference Detection and Avoidance makes Axient the ultimate wireless system. And as a rental company, we're happy about the cost savings that result from using rechargeable batteries.”

vent agency Eventisimo, with the help of audiovisual equipment rental company, Reynolds Sound & Lighting Services coordinated and produced a global sales meeting in Goa, India for international cosmetic company, Oriflame Cosmetics S.A. The event, which brought together approximately 800 attendees from more than 60 countries, relied on Shure Axient wireless system to ensure trouble-free operation with automatic interference detection. With hundreds of attendees from all over the world, the meeting incorporated nearly 500 wireless language interpretation devices to translate conference communication into 20 diﬀerent languages. To manage this complex RF environment, India distributor

Sun Infonet recommended Axient and after a demonstration of the product benefits, Reynolds’ choice was clear. Reynolds selected Axient and employed the Axient Spectrum Manager connected to Wireless Workbench 6 to seamlessly determine the best available frequencies across a total of eight wireless channels in use—for ultimate interference detection and avoidance. In addition to stellar RF performance, Reynolds also selected Axient for its advanced power management, utilising the system’s smart lithium-ion rechargeable battery packs to eliminate memory eﬀect problems and deliver accurate battery life metering. To further optimize setup eﬃciencies and event control in the congested environment, four dual channel

“Shure’s proprietary Interference Detection and Avoidance makes Axient the ultimate wireless system. We’re happy about the cost savings that result from using rechargeable batteries.” Reynolds Technical Director, Michael Furtado

When asked about what Axient means for Reynolds’ future, Managing Director, Felix Remedios replied, “I feel that Axient takes care of all the ‘problem areas’ in wireless microphone operation, and is definitely the most advanced wireless system in the market today. Given that our company handles the most prestigious conferences in the Indian market, our clients expect no less than the best. With our recent acquisition of Axient, we have shown our clients that we will settle for nothing but the best. We have always prided ourselves on being the market leader and the technology trail-blazer that other companies strive to emulate, and with Axient, we've set a benchmark for India’s audio industry.” For more information the Axient wireless systems, visit www.axient.net www.shure.com/asia

INSTALL May - June 2013

HONG KONG

GLP Spot One gets in the TVB limelight

ong Kong‘s leading TV Station, Television Broadcast Limited (TVB), has recently made a major investment in GLP’s impression Spot One for its studios. TVB’s headquarters, which is also the largest commercial television production centre in Asia, houses 22 state of the art production studios, collectively known as TVB City. Under a new management initiative to reduce the carbon footprint of the company, TVB’s engineering department headed by Ko Cheuk Wai, had the challenging task of finding an LED solution to replace their existing discharge lamp automated lighting system. Gaﬀers, photography directors, camera operators, studio managers, and directors all joined Wai and the engineering department in the search to ensure that the final decision would meet the studio’s requirements for the next generation of automated lighting. Also present at the tests was Michael Münz, General Manager of GLP Asia. “The technical tests took place at TVB‘s Studio 1 - one of the largest TV Studios in Asia. With all of the relevant departments present, there were a lot of tests to complete in order to check that the Spot One would fulfill their needs. As the tests progressed, I only saw stunned faces across the board

which proved to me that the Spot One was surpassing even the high expectations they had for an LED spotlight,” he shares. The Spot One was the first fixture of its kind to be released to the global market. By harnessing the raw power of a 400 Watt RGB LED engine and running it through an advanced optical system, GLP has created an even beam for RGB color mixing at the same time achieving a focusable area for gobo projections. The result is a true hard edge LED profile fixture with a packed graphics engine that includes two fully indexable gobo wheels. Cheuk Wai adds, “It was crucial for us not to make any compromise on the look of the lights and the appearance of our broadcast pictures. Color temperature, even beam output and smooth dimming are some of the

most important requirements in our studio environment. Seeing the Spot One in action and in direct comparison with our discharge fixtures we realized very quickly that not only would we match, but also surpass the quality that we currently had, and gain a far superior level of eﬃciency that would meet the demands of our new forward thinking initiative.” TVB also welcomed the five year warranty on the LED engine that the Spot One comes with, ensuring savings for lamp replacements that they would no longer have to budget for. This, coupled with the sealed optical section of the fixture which reduces maintenance time, along with its low heat emission which reduces HVAC demands in the studios, will present a huge financial saving in the coming years. www.glp.de

INSTALL May - June 2013

INDIA

TURBOSOUND turns heads at St Helena’s Girls School

URBOSOUND’s switchable active/ passive two-way TCS-122/64 speakers and TXD-218 dual 18” subwoofers have been installed in one of India’s most prestigious private schools.

Stage monitoring is handled by four TURBOSOUND Milan M15 powered two-way loudspeakers, which deliver a whopping 450 watts of super-clean power from a lightweight injection-moulded package.

Three pairs of 60°h x 40°v dispersion TCS122/64 are on FOH duties in St Helena’s Girls School in Pune — dubbed ‘Oxford of the East’ — and the second largest city in the Indian state of Maharashtra after Mumbai.

The TURBOSOUND equipment was supplied by Mumbai-based Narain Pro Audio Lighting Pvt Ltd, and installed by Pune-based Yash Audio Visual.

Two pairs are aﬃxed to each side of the stage in the school’s impressive new auditorium, with a further pair centre stage to cater to the front rows.

“The school’s newly opened auditorium is dedicated to enhancing musical performances, with an acoustic design by Micky Registrar,” says Narain Pro Audio’s Director, Manoj Motwani.

Two additional TURBOSOUND TXD-218 dual 18” front-loaded subwoofers have been placed in each corner of the stage providing full bandwidth down to 30Hz with excellent front to back rejection.

“We needed a sound system that would enhance the natural acoustics aﬀorded to this structure and sound that was fantastic for music and speech, and also acts as a 7.1 Dolby digital/DTH compatible cinema. The

frequency response of the system was of paramount importance to be able to deliver on all counts,” he adds. With TURBOSOUND’s TCS-122/64 on FOH, Motwani was able to achieve an even coverage of the auditorium over the first 60ft with only 2dB variation, and long throw capabilities of up to 106dB SPL at 80ft. “The core arrayable models in our TCS contracting series are oﬀered with rotatable dispersion pattern options, including 90° x 60°, 90° x 40° and 60° x 40°,” shares TURBOSOUND’S head of marketing Martin Reid. “This gives the installer the widest possible choices to ensure that coverage of the room is optimal.” www.turbosound.com

INSTALL May - June 2013

SINGAPORE

D.A.S. amps up the dance floor at Muse Club

dart lounge-and-bar, complete with good drinks and good company, the Muse Club has something for everyone. Located at the Odeon Towers, in a district known for its restaurants, stores and bustling night life, Muse Club oﬀers a range of entertainment options under one roof. The club consistently packs the house with its retro and trance DJ sessions, all-night happyhours and performances by the clubs female “muses”. Its booming success recently led the club owners to upgrade Muse Club’s sound system to D.A.S. Audio’s professional range of sound reinforcement systems to keep the crowds coming. Local company OTTO Integrate (S) Pte Ltd was appointed to handle Muse Club’s system upgrade.

After studying the Muse Club’s requirements for a versatile and robust system that could handle the venue’s variety of performances— OTTO Integrate opted to install D.A.S. Audio systems to ensure clear precise sound throughout the club. Specifically, four Avant 12A compact multipurpose systems were flown in a classic left/ right configuration for the main FOH system. The Avant 12A’s multi-angled enclosure allows for personalized coverage and an incorporated 600W Class-D 3rd generation amplifier provides dynamic range and low distortion, crucial in a space like the Muse Club. To supplement the low-frequency requirements of the club, the Avant 12As were paired with two Avant-118A subwoofers, also installed in a left/right configuration. These systems handle the low frequencies to ensure extended bass response.

Like the Avant 12A, the Avant 118A incorporates a Class-D amp along with an in-built digital signal processor to provide clients with top-notch coverage, control and exceptional sound. Alan Tham, part of the OTTO Integrate team that headed the Muse Club install, was pleased with the performance and power of the D.A.S. Audio systems. “The Avant-12A’s are loud and proud. They sound great out of the carton and minimal calibration is needed between the Avant 118A subwoofers and the Avant 12A fullrange speakers. The rotatable 80 degrees by 50 degrees horn also provided me with options on tailoring the coverage, depending on whether the speakers are flown vertically or horizontally. With on-board DSPs and limiters in the power modules, I will always have a peace of mind that there’s always a real party going on in the club!” www.dasaudio.com

INSTALL May - June 2013

Australia

JBL speakers set the beat for Miranda Hotel

fter an extensive $3 million renovation, the Sutherland Shire’s Miranda Hotel has reopened complete with a new outdoor garden bar and a totally refurbished Carmen’s Nightclub. Compact Monitor Systems Australia designed and installed the audio system throughout the venue opting for a total JBL speaker solution.

“You just cut the hole, fit it in, turn the little clips and it locks into place. It’s really very easy. They come in low impedance, high impedance and really couldn’t be any simpler to use. With the back can, all the energy comes out from the front of the speaker and doesn’t get wasted in the ceiling cavity. Most importantly they sound great.”

Bill describes the JBL Control Series as very simple, always sounding good straight out of the box. “The ceiling mount speakers come with a back can and they don’t have to be preinstalled,” he added.

“The client had had a bad experience with the former ceiling speakers in the VIP area as they were too light and too few for the job,” explained Bill. “I convinced them that we could get it right. The ceiling is pretty low so we had to have good distributed audio and the end result with the JBL Control 47LP speakers was great.”

“The JBL Control Series are my favourite speakers by a million miles,” exclaimed Bill Richardson, managing director of Compact Monitor Systems Australia. “I’ve been a JBL-head for many years and Compact has been aﬃliated with JBL since the 1970’s. The JBL Control Series of speakers is the first thing - and almost the only thing - we recommend to our clients. The only exception is if someone has a very specific request for a certain type of speakers.”

Ten of the more powerful JBL Control 47LP and a couple of JBL Control 40CST subwoofers are used in the VIP area.

The beer garden is an indoor / outdoor area thanks to a retractable roof and so four JBL Control 29AV outdoor speakers were chosen. Bill continues, “The wall-mount speakers such as the Control 29AV come with a magnificent mounting system that again couldn’t be any easier to use and is tamper proof. The Control 29AV and 25AV can be used outdoors so all you have to do is put a little flange on the back where the cable goes in and it becomes highly water resistant.” Seventeen JBL Control 24CT in-ceiling speakers are used in the bar, TAB, and dining audio zones.

All of the JBL speakers are running oﬀ Crown amplifiers; two CDi1000, three XTi6002, an XTi4002, an 1160A, and an XTi1002. “The Crown amplifiers are like Harman products that are really married to the JBL speakers. They have a wide variety of products from entry level to smart amplifiers with processing built onboard. Crown amps are excellent and we never have to convince

“There is little or no interface for the visiting users of the system other than what is presented on their mixing console(s). This provides full protection and maintains the integrity of the audio system no matter who is using it.”

anyone to use them, they are industry leading products. The Crowns three year warranty deal that is transferable is brilliant,” shared Bill. Carmen’s nightclub posed several problems particularly an inconvenient roof angle and weight constrictions plus acoustic problems with neighbours.

The Soundweb BLU-100 has a fixed configuration of 12 inputs and 8 outputs, fully configurable signal processing and fault tolerant digital audio bus. The software’s open architecture and the drag and drop method of set-up provides a simple and user friendly design and control user interface.

Close liaisons between the builder Infinity, an acoustic consultant and Compact Monitor Systems through the build ensured acceptable sound proofing of the venue. “The acoustic consultant asked me what I wanted the reverb time in the room to be and I answered zero,” commented Bill. “I asked them to make it as dead as possible and then we’d control what came out of the speaker boxes.” Bill chose the JBL VRX Curvature Line Array speaker system which is compact and lightweight. Hung in each corner of the venue is a stack of three VRX speaker cabinets. “They are so small and lightweight you really don’t expect a lot of noise to come out of them – but it does!” said Bill. “Each stack gives us 45 degrees of coverage in the vertical and 100 degrees in the horizontal. It basically does everything it is supposed to do. We get incredible SPL out of them.” Three JBL ASB6125 dual-15” subwoofers, configured in 2.6 ohm resistance, are installed under the stage in a centre cluster. “The coupling we get out of the three boxes is incredible,” Bill said.

The 6 logic outputs and 12 control inputs mean the BLU-100 can be fully integrated with standard GPIO devices which Compact Monitor Systems has done with the venue’s control system. “We configured it using the control system so that we have several modes. The DJ mode is fairly obvious with two-way stereo left – right anywhere you’re standing in the room but when the a band is onstage the rear boxes get turned oﬀ and the subs get wound back to match the top boxes and you have a normal band PA. It’s fantastic and very simple to switch between the two via the DJ’s touch screen.”

“Jands provided exceptional support and assistance throughout the build and a great deal of the praise goes deservedly to their team of professionals,” concluded Bill. www.jands.com.au

The BSS BLU range of products was chosen for the audio control and signal processing. Two of the BLU-100 12 x 8 processors were chosen for the job; one acts as the signal processor for the main PA in the nightclub, and the other as DSP and control for the balance of the venue. “The entire signal processing including eq, limiters, time alignment, etc is done using this box,” explained Bill.

WHAT’S INSTALLED?

• JBL Control 29AV loudspeakers • JBL Control 25AV monitor speakers • JBL Control 24CT in-ceiling speakers • JBL Control 47LP ceiling speakers • JBL Control 40CST subwoofers • Crown CDi1000 amplifiers • Crown XTi6002 amplifiers • Crown XTi4002 amplifiers • Crown 1160A amplifiers • Crown XTi1002 amplifiers • JBL VRX Curvature line array speaker • JBL ASB6125 dual-15” subwoofers • Soundweb BSS BLU-100 signal processor

INSTALL May - June 2013

SINGAPORE

EAW’s Avalon gets the crowd talking at Club Gossip

estled in the premise of St James Power Station, an ingeniously converted coal-fired power station from the 1920s, Club Gossip is the newest party spot to get on deck for Singapore’s night scene.

Operating since early March 2013, the club décor adapts to a standard nightclub style, with an air of spaciousness marked by its dusky gray-black walls and simplistic furniture. Regular guest appearances from renowned Vietnamese DJs spinning house music with Vietnamese beats, and frequent themed evenings such as Vietnamese Night on Sundays, also help to keep things fresh for patrons.

However, it is the sound system that drives the rumour mill around Club Gossip. Fuelling the influx of feverish dancers at the main dance floor are two pairs of bright red Avalon loudspeakers. Gossip is the first and only nightclub in Singapore to be powered by EAW’s Avalon. Louis enthused, “This place isn’t subtle. When the clock strikes 10pm, there are no quiet zones in Gossip. The club is essentially transformed into one big dance floor.” Electronics & Engineering Pte Ltd (E&E) was tasked to design and install the sound system at Gossip.

Under the stewardship of Eugene Lim, the club operates from 10pm to 6am daily, and is hugely Vietnamese-inspired with its creative use of LED washes, linear laser beams and illuminated dance floors.

The main dance floor is hemmed in by four EAW club-two Avalon bi-amplified three-way systems, neatly mounted on rising columns; while four EAW sub-two Avalon subwoofers, driven by four Powersoft DIGAM K3, two DIGAM M14D and two DIGAM K6 amplifiers, supplement the sound system.

“Our Club Director loved the concepts of clubs in Vietnam and decided to bring it over to share it with the people in Singapore,” shared Louis Low, Marketing & Admin at Gossip Entertainment Pte Ltd.

The adjacent space facing the bar, houses the side-fills adorned by two EAW club-three Avalon systems, dutifully powered by one Powersoft DIGAM M14D and DIGAM M50Q amplifier.

Undoubtfully, the large 5m in height and 7.5m in width LED wall and panels positioned behind and at the front of the 1.5-meter raised DJ platform, makes for an incredibly visually striking interior.

A further two EAW club-five Avalon threeway speakers, also driven by one Powersoft DIGAM M20D amplifier, supplement the VIP room.

All speakers are aesthetically specified in black with red grills and horns to add an edgy touch to Gossip. Stage monitoring over at the DJ booth is done via two EAW LA212 speakers, driven by Powersoft ’s DIGAM M20D amplifiers whilst processing is handled by an Ashly Protea 3.6SP. A further two EAW UX3600 digital system processors complement the entire set-up, to help manage all Avalon speaker systems in the club. “We are definitely in awe of the sound system. Coupled with our surreal lighting and lasers, Gossip is definitely the place for a fullblown visual and sonic experience. Not for the faint hearted!” concludes Louis. www.enepl.com.sg www.stjamespowerstation.com

WHAT’S INSTALLED? • EAW club-two Avalon loudspeakers • Powersoft DIGAM K3 amplifiers • EAW club-three Avalon loudspeakers • Powersoft DIGAM M14D amplifier • Powersoft DIGAM M50Q amplifier • EAW club-five Avalon loudspeakers • Powersoft DIGAM M20D amplifiers • EAW LA212 speakers • EAW UX3600 digital system processors • Ashly Protea 3.6SP

SEAMLESS MIXING. ADVANCED CONTROL. SCM820 Digital IntelliMix™ Automatic Mixer The SCM820 is an innovative 8-channel digital automatic mixer for natural-sounding speech in multiple microphone applications. IntelliMix™ technology delivers seamless automixing for optimized audio through dynamic channel gating and attenuation. IntelliMix™ Modes offer different presets of reliable automixing styles to quickly tailor the mix for a particular application. Ethernet connectivity and Dante™ options are available to enable central control for individual setting and signal routing.

™

IntelliMix Technology

IntelliMix Modes

Dual Mixer Operation

Seamless, powerful automixing

Preset, manual & custom modes

One or two independent mixes

Dante Digital Audio

Remote Control

Multiple I/O Conﬁgurations

Multichannel audio over Ethernet

Convenient browser-based software

DB25 or Logic-enabled Block Connector

™

Sole Distributor for Singapore, Malaysia and Brunei

ELECTRONICS & ENGINEERING PTE LTD 285 Outram Road Singapore 169069 • Tel: +65 6223 5873 • Fax: +65 6225 3709 Email: enepl@enepl.com.sg • Website: www.enepl.com.sg

2013 Shure Asia Limited

INSTALL May - June 2013

Singapore

EAW QX series add

ucked neatly along Cecil Street in downtown Singapore, club kyō boasts an underground location and atmosphere, complete with low lighting and earthy tones that add to the warm glow in the club. Like its sister venue The Vault at South Bridge Road, kyō was formerly occupied by a bank. The low-ceiling 6,000 sq ft basement sits about 150 and accommodates up to 220 people, with a central bar that measures up to 24 meters; making it possibly the longest bar in Singapore. Past the alluring wooden door and the dramatic artpiece adorning the entrance at the stairwell, the place hums with heavy Japanese flavour, as evident in its use of contemporary Japanese artwork and design of linear lines and wooden textures, set against a backdrop of rough-cut stone walls and minimalistic furniture.

“We came up with a multi-form concept for kyō, tinged with a bit of modernism and Japanese-inspired ideas. It’s our intention to provide a form of escapism for visitors, both visually and sonically,” shared Godwin Pereira, the man behind Singapore-based lifestyle group Limited Edition Concepts Pte Ltd. Should you be up for some sake-delics and gourmet tapas persuasion, the three-counter bar entices visitors with its rich selection of premium spirits, wines and beers. kyo prides itself as a true, visual feast. The art adorned walls help add a handmade quality and laidback vibe to the place. “We wanted a human element and of course, art does that really, really well. Our spraypaint artist Sino, is quite awesome at what he does so we got him to come in on a brief to capture the Japanese element in this

space, which is brilliantly conveyed through his geisha mask inspired artwork here,” shared Godwin. To enhance the visual details in its central artpiece, kyō adds visual mapping to the mix, handled by five units of Epson-EB435. He explains, “The white spaces on the artpiece is done deliberately to make space for visual mapping. We came up with the idea after a few tequila shots! Like a mask, the visuals keep changing, which keeps people guessing. Changing the texture and the little details help make kyō diﬀerent.” Naturally, kyō pays an equal, near-obsessive level to detail when it comes to club sound. Electronics and Engineering Pte Ltd (E&E) was contracted to install the audio system at kyō. “The system we went with was an interesting mix. I’ve always been a sound buﬀ and I love my analogue systems. But when we got this space, it’s just not practical where we’ve got events and people screaming into the microphones on a daily basis. Analogue is too sensitive and tender for day-to-day hardrunning applications,” Godwin mused. “Being in a multi-form venue, we needed a hardy system that is still very warm and robust sounding. E&E happened to carry the EAW system which I’ve worked with before.”

DJ Booth facing the dance floor

The main dance floor is anchored by four ceiling-suspended 12-inch EAW QX596i

character to Club kyō three-way loudspeakers; while four units of EAW SB1001 subwoofers, driven by four units of Powersoft DIGAM M20D, two units of DIGAM K6 and two units of DIGAM K8 amplifiers, reinforce the dance floor into a tight-sounding, loud zone. “I’ve always liked EAWs. What attracted me to the QX series is that most of the time, it is used in churches, which is strange. I like taking that and putting it in a club to be diﬀerent. The 12 inch sound resonates in a diﬀerent way, which gives a nice, warmer and tighter punch,” he adds.

stretches up to 7.8 meters; solidly styling kyō as the place where music meets urban art. Two units of 12-inch EAW LA212 two-way monitor speakers and one 15-inch EAW SB150ZP subwoofer, powered by one Powersoft DIGAM M30D and DIGAM M14D amplifier, complete the set-up for the DJ enclosure. “Looking at the acts that we bring in, which is a good mix of electronic live acts and DJs, we wanted a work desk environment where we can just plug and play. One can just set up your gear and go. The booth is also long enough to accommodate three DJs at one go.” All speakers are configured and managed by two EAW UX3600 digital system processors and monitoring system processing is handled by one Ashly Protea 3.6SP.

The lounge areas are served by ten EAW JF10 two-way speakers, reinforced with five units of 15-inch EAW SB150ZP subwoofers, driven by two Powersoft DIGAM M20D and one DIGAM K2, and one DIGAM M50Q amplifier. Godwin elaborates, “For the surrounds, we mounted the subs facing down to get a bit of a wash sound, which feels quite nice.” For the DJ booth, Godwin opted for a desktop set-up, complete with a table top to accommodate his console design, which

kyō is also looking into installing additional lighting fixtures to enhance its main dance floor in the next six to eight weeks. “We’re working with Martin Lighting. Most of the time, people hang their LEDs facing and glaring downwards. For us, we’re going for an architectural eﬀect. We want to get some kind of reverse reflection by creating a box and putting the LEDs inside, so that the light will shine upwards, towards the ceiling. We want the lights to concentrate mostly on the dance floor, and gradually bleed to the outer areas.”

In a place where elemental music meets visionary art, kyō seems to hit the right note with the eclectic crowd who appreciates its vibrant art décor and sound. www.clubkyo.com www.enepl.com.sg

WHAT’S INSTALLED? • EAW QX596i three-way loudspeakers • EAW SB1001 subwoofers • Powersoft DIGAM M20D amplifiers • Powersoft DIGAM K6 amplifiers • Powersoft DIGAM K8 amplifiers • EAW JF10 two-way speakers • EAW SB150ZP subwoofers • Powersoft DIGAM M20D amplifier • Powersoft DIGAM K2 amplifier • EAW LA212 two-way monitor speakers • EAW SB150ZP subwoofer • Powersoft DIGAM M30D amplifier • Powersoft DIGAM M14D amplifier • EAW UX3600 digital system processors • Ashly Protea 3.6SP

TECH TALK May - June 2013

Chip On Board LEDs. How do they work? By Mike Wood

his article first appeared in the Winter 2013 edition of PROTOCOL magazine. We thank Mike Wood, PLASA and PROTOCOL for giving us permission to reprint this article. Mike Wood takes a look at a method of mounting and using LEDs which is gaining popularity in entertainment lighting products. You’ll see it referred to as chipon-board or COB. What does that mean and what advantages does it give to the product designer? The first thing to say is that COB is not actually a new technique. It dates back many years both in LED usage and with semiconductors as a whole. Chip-onboard is a method of packaging and using semiconductors and has nothing to do with the design and manufacture of the semiconductor die or LED itself. We are most familiar with seeing semiconductor dies assembled into a plastic or ceramic housing to create a component. These packages form the familiar computer chips we see on every circuit board and are supplied with standardized leads or connections that make them easy to assemble onto boards. This packaging also provides protection to the semiconductor die. One downside of the chip style packaging is that it also adds a lot of bulk to the semiconductor. What was a 2 mm x 2 mm die that’s 1 mm thick becomes a 10 mm x 20 mm package that’s 5 mm thick, perhaps 250X the volume. This potential for extreme reduction in size is one of the first reason COB devices were used. With a COB device, the semiconductor die has no packaging and instead is mounted directly onto the circuit board or substrate.

that, if packaged conventionally, might be 3cm square just to accommodate all the connections. Instead, the silicon semiconductor die is adhered directly to the green circuit board and the connections are made through fine gold wires that are bonded from the die straight to points on the circuit board with no intermediate connectors. The entire assembly is then encased in the blob of black epoxy that you can see in the photograph that provides protection. The end result is tiny compared to a packaged chip. Let’s take a look at how LEDs are packaged and how they could also take advantage of chip-on-board techniques. The most familiar and oldest LED package is shown in Figure 2 below. Bond wire

LED die

Cathode (Large to provide Heat Sink)

Anode

Heat flow

Substrate (Circuit board) Solder

Through Hole Packaging

This is a through hole package where the LED die is mounted to one of the lead wires (which also provides the heat sink), and the entire assembly is surrounded by a transparent domed package. The two lead wires pass through holes on a circuit board where they are soldered to copper traces on the board. Figure 2 is roughly to scale, and you can see how large the package is compared to the tiny die inside. Next up is surface mount packaging, as shown in Figure 3 below. LED die Bond wire

Chip-on-board processor in a calculator

Figure 1 shows an example of a COB chip in a pocket calculator. The circular black blob to the right of the photograph is the processor that provides all the calculating power. It’s a complex digital semiconductor

Anode Solder Connection tabs

Substrate (Circuit board) Cathode Heatsink Slug

Heat flow

Surface Mount Packaging

In this case the die is mounted to a heatsink slug, which helps in transporting heat out of the LED die and into the substrate or an external heat sink. In this case the electrical connections are made through tabs around the edge of the package onto the top surface of the board, they don’t go through holes. Surface mount packages are simpler for automated pick-and-place machines to handle, and provide much better thermal contact for the LED. The connections to the LED die within the package are made through tiny bond wires, which are welded across to internal connection points. As with the through hole package, the packaging is large compared with the size of the die. Figure 4 below shows the same LED die as Figure 3, but now as a chip-on-board assembly.

Gold bond wire LED die Bond

Conductive epoxy Heat flow

Gold plated pad

Substrate (Circuit board)

Figure 5

Chip on Board Packaging with Optical Cup commonplace, with further optical components being incorporated into the structure.

Gold bond wire LED die Bond

Conductive epoxy Heat flow

Gold plated pad Substrate (Circuit board)

Chip on Board Packaging

The LED die is bonded directly to a connection pad on the substrate or circuit board using a conductive adhesive of some kind, often an epoxy. This provides both electrical connection for one side of the LED and a path for heat to escape. The second electrical connection comes from a bond wire, just as was used inside the surface mount package, but now used externally directly to a gold plated pad on the substrate. Compare this with Figure 3 and you can see how much smaller the assembly is. It also provides the shortest possible path for heat flow into the substrate and, therefore, allows the LED to be run at higher power, while still extracting the heat and keeping it cool. The packaging shown in figure 4 is very simple, the LED die is mounted on a flat substrate, which provides little or no optical control of the device. More sophisticated COB packaging can do better than that. Figure 5 shows a system where the substrate is formed with an optical cup that can act as a reflector to direct the light from the LED die while still retaining the advantage of small size and good heat transfer. Even more sophisticated designs are becoming

The most exacting portion of this assembly is the bond wire from the die to the substrate. These wires can be incredibly thin, 15 – 50 μm is typical, and often made of gold, but they also can be made of copper in high power LEDs where significant current flow is required. In those circumstances, you also often see multiple bond wires being used in parallel to carry the necessary current. These wires are extremely delicate and always require some kind of protection. This protection can be transparent silicone or epoxy similar to that shown in the calculator in Figure 1, but, with LEDs, it’s more likely that protection is provided as part of an external lens assembly, window, or other optical device.

Figure 6: Chip-on-board hybrid device. Photo Copyright Luminus Devices Inc.

Figure 6 shows an example of a hybrid device where four LED dies—red, green, blue, and white—are bonded in a COB manner to a single substrate. In this case that substrate is a copper-cored circuit board which also

contains a thermistor and all connection traces. The bare LED dies and the bond wires are protected with a clear glass window. You can clearly see the multiple bond wires connecting the top surfaces of each of the four dies to connection pads at the sides of the assembly. The reason I call this a hybrid device is that the entire assembly is provided as a pre-assembled package by the manufacturer and can then be used with conventional circuit boards. This hybrid model helps solve one of the major problems with COB devices: serviceability. A COB device is great when it’s working and, because of the reduced number of connection points, should be more reliable than other packages, but is almost impossible to service if it does have a problem. Removing and replacing COB devices from their substrates is sometimes possible, but is very diﬃcult and requires specialist equipment. If a single circuit board contained fifty separate LED COB devices, you may have no option but to replace the entire board if one fails. Hybrid designs avoid this problem. COB LED assemblies like this have been around for many years from a number of manufacturers, often providing compact, high density arrays of LEDs. I can recall testing them over ten years ago in high powered LED products, so the concept isn’t new. However, what is new is the widespread use in a wider range of products, not just specialist high powered devices. The substrate can be a conventional circuit board, or something with better thermal properties, such as ceramic. Figure 7 shows the potential advantages of the technique when used with an LED array.

TECH TALK May - June 2013

Surface Mount Packages

Chip On Board Packages Figure 7: Packaging comparison

At the top of Figure 7 is a typical RGB LED array of the kind comprising surface mount packages used in many current LED products. You’ll see this type of arrangement in many wash lights. Each individual package incorporates optics and connections, and they are usually mounted as close together as possible on the underlying substrate. In contrast, the lower diagram in figure 7 shows the exact same LED dies, but this time mounted as chip-on-board. In this example, it is possible to mount twice as many dies in the same space, while still maintaining good heat transfer through the substrate. Each die may still have its own optics or may, as illustrated here, share a single large optic over the entire array. This technique is been used extensively in LED backlights for monitors and also is being increasingly seen in entertainment lighting products. The closer spacing of the dies improves color homogenization and helps get rid of multi colored shadows. The potential downside, as I mentioned earlier, is the lack of serviceability, so you’ll likely see hybrid solutions or boards made up of smaller daughter boards to minimize the cost of replacement. The most common hybrids are the single packages containing three or four dies arranged as RGB or RGBW. This allows common lensing for the group. We are also starting to see non-hybrid solutions where multiple dies are mounted in a true COB manner. I’m sure you are also familiar with the kind of LED package shown in Figure 8. These devices are again a hybrid COB package. In this case there is an array of blue LEDs mounted in COB fashion to the substrate, and then the entire array is covered with a

disk of phosphor coated material. This serves both to provide protection of the dies, and to phosphor-convert a large proportion of the emitted blue light to a yellow color. The mixed combination of the blue light from the LEDs and the yellow from the phosphor disk produces a white light. The final package is very eﬃcient, in the example illustrated well over 100 lm/W, and easy for the designer to mount and use. The closely spaced array of small dies is cost-eﬀective to manufacture and produces a well homogenized beam that behaves very much like a single large light source.

Another improvement with COB also looks to be helpful for our industry: direct to metal mounting. Designers often choose to mount LEDs to a metal-backed circuit board that can assist with heat transfer (and heat is always, always the biggest problem). With COB, the die can be mounted directly onto this metal backing through a hole in the top layers of the board. This gives the best possible thermal contact with almost nothing in between the die and the heat sink. There is one layer in the sandwich rather than the four or five you get with a surface-mount device. Take a look at the next LED luminaire you get. Chances are you’ll start to see more and more chip-on-board construction. LED technology continues to develop so rapidly that last year’s products are already out of date. This is the fifth article in this column with the title, How do LEDs Work, and I’m quite sure it won’t be the last. Mike Wood runs Mike Wood Consulting LLC, which provides consulting support to companies within the entertainment industry on product design, technology strategy, R&D, standards and Intellectual Property. A 35-year veteran of the entertainment technology industry, Mike is the Immediate Past Chair of the PLASA Governing Body and Co-Chair of the Technical Standards Council. Mike can be reached at mike@mikewoodconsulting.com

Chip-on-board white light LED array. Photo Copyright Bridgelux Inc.

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THE LAST PAGE May - June 2013

Siswa Azmi Mohd Mubari. Director. Kuala Lumpur, Malaysia

Having grown up in and around the rental and staging industry in Malaysia, Siswa Azmi Mohd Mubari aka Ajun Mubari, has seen and done almost everything. A man who believes in the philosophy of 'Learning As You Go', has personally trained most of the staﬀ that have passed through the doors of Mubari Group of Companies (Mubari G.O.C). Speaking to him at his quiet residence in Kuala Lumpur, you can feel the passion emanating from a person who has dedicated much of his life to an industry he loves.

1. When did you first get involved with the Entertainment industry?

In the 1980s when I was in primary school. I was initially inspired by my father, Hj. Mubari Nasuha, who is the founder of Mubari G.O.C.

2. What has been the most memorable aspect of your work thus far? Doing lighting for Merdeka Day on the 31st of August in 2010 at the Bukit Jalil Stadium. Normally, the committee which organised the celebrations would hold the parades and activities outdoors with lots of food to go along with it. But for 2010, the day fell during the fasting month for Muslims and it was decided that the celebration would be held indoors for the first time ever. I was in charge of the lighting and I had to collaborate with diﬀerent government agencies, the result was superb. It was beautifully rendered and colourful. Everyone, especially the Prime Minister, was very happy and all the eﬀects and configurations came out without a glitch.

3. What has been the greatest challenge?

Too many jobs! Haha! What I mean when I say too many is that we frequently get the same type of jobs within one week. Our speciality is live TV broadcasting and sometimes, we will get a few diﬀerent TV stations mixed in with other functions and while we have the equipment, we are missing a vital ingredient – the crew! We have a staﬀ

of over 50 permanent crew separated to do audio, lighting, stage + truss structure, power generation, transportation, HD multicamera production, visual led screen and projector (all in-house equipment) but its is still not enough.

during the 80s. He taught me everything about the industry and he prepared me for life within it and he didn't shield me from all the hardships and problems that I would face. He was very real about it and I admire him for that.

4. What are you most happy about with your current work?

9.What are your favourite tools of the trade?

I get the most satisfaction when I know that my client is happy with the results. After an event, whenever someone comes over to me and shakes my hand and says “Good job”, it makes all the tension and stress of an event worth it.

There are so many, but if I had to choose right now, I would say the Nexo STM. It is so easy to handle and the sound quality is excellent.

10.What would you like to achieve in the coming years?

5. What advice do you have for those joining the entertainment industry? Patience. You need patience in this industry and also that you can't come into the line thinking of it as 'just a job', you have to really care and commit in order to make the most of your job.

I would like to see Mubari G.O.C expand outside of Malaysia into ASEAN and further. Right now, I have a few overseas clients calling me and trying to book jobs months in advance but in Malaysia its really diﬃcult to do that as everything here is immediate, so I am trying to figure out a way around this problem.

6. If you were not in this job or industry what do you think you would be doing?

Mubari G.O.C specialises in professional sound, lighting, trussing, lasers and musical equipment. To get in touch with Ajun, email him at: ajunmubari@gmail.com

Actually, I have a Degree in Chemical Engineering. So if I wasn't doing this, I would most probably be in the oil and gas industry like most of my friends. Most of my classmates now hold Senior Managers positions and make at least 40-50K ringgit a month.

7.Do you have any hobbies?

Collecting gadgets! From handphones to computers to even remote helicopters. I love the feeling when you get to explore a new type of gadget and figure out its diﬀerent components.

8. Is there any particular person in this industry that you admire most?

Definitely I would say my father. He was one of the pioneers in Kuala Lumpur industry

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