Springfield Symphony Orchestra (MO) Fancy Footwork Program Book

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field Symphony Orc Spring hestra 2021-2022 PERFORMANCE: 7:30 PM | Juanita K. Hammons Hall

Fancy Footwork OCTOBER 9, 2021

2021 Hellam Competition Winner, Simon Karakulidi, Piano THIS CONCERT SPONSORED BY


TABLE OF CONTENTS 3

Tonight’s Sponsors

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Upcoming Symphony Events

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Concert Etiquette

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Letter from the President

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About the Conductor

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Letter from the Music Director

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Springfield Symphony Guild Jewelry Raffle Information

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Ways to Give and Overture Club

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21/22 Season Preview

34

Season Concert Sponsors

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Symphony Night Fever: 12th Annual Gala

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Education and Outreach Information

40

Endowment

42

Swing for the Symphony: 2021 Golf Tournament

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Program Page

44

Orchestra Roster

47

Guest Artist Bio

48

Program Notes

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Sponsored Musicians

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Follow Us on Social Media

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History of the Springfield Symphony Orchestra

70

Thank You for Your Support

72

Beethoven Society

75

Livestream Sponsors and Access

78

Scholarship Information

79

Hellam Young Artists’ Competition

80

Springfield Symphony Supporters

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Spooky Symphony


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BOARD OF DIRECTORS 2021-2022 Board Members

David Kean . . . . . . . . . . . . . . . . . . . . . . . . President James B. Johnson . . . . . Immediate Past President Raylene Appleby . . . . . . . . . . . . . . . . Vice President Jean Bardy . . . . . . . . . . . . . . . . .Guild Co-President Greg Beck . . . . . . . . . . . . . . . . . . . . . . . . . Treasurer Julia McGuire . . . . . . . . . . . . . .Guild Co-President Tom O’Neal . . . . . . . . . . . . . . . . . . . . . . . .Secretary Denise Baumann Bryan Brooker Mark Chambers Regina Greer Cooper Dr. Sam Coryell Lynn Dvorak

Nancy S. Back Judith A. Beisner

Leaster Foster Gibson *Tijuana Julian *Daniel Ketter Bob Hammershcmidt *David Hays Loretta Knutson Bridgette Leonard Jeff Hays Rebecca Hogan Randy Mayes Barbara Rae Hughes Bryan N. Musgrave *denotes orchestra representatives to the Board

2021-2022 Board of Trustees Irwin Cohen J. Howard Fisk

Guy Mace John H. Simmons

Ruth MushynskiBeagley Randy Saul Kara Turner Lincoln Whisler Daniel K. Wooten

John B. Steinberg Don Wessel, Honorary

2021-2022 Staff

Executive Director . . . . . . . .Jennifer Cotner-Jones Operations Manager . . . . . . . . . . . . Aleksis Zarins Development Manager . . . . . . . . . . . . Tery O’Shell Executive Assistant . . . . . . . . . . . . . . . . Connie Bell Marketing Manager . . . . . . . . . . . . . . . . Lexi Locke As of 9/22/2021

2021-22 SPRINGFIELD SYMPHONY GUILD MEMBER LIST Jean Bardy Betty Beach Judy Beisner Starla Blair Linda Boswell Mary Beth Breshears Ermilou Bryan Karen Burmood Betty Carlton Susan Cohen Jennifer Cotner-Jones Carolyn Courtney Laura Cowart Walter Cowart Patricia Cox

Judy Everett Kay Fulnecky Lucille Garrison Nancy Gayer Tracey Glaessgen Barbara Hall Jakie Harmon Don Hatfield Barbara Hays Judy Hellam Pearl Hershberger Linda Hills Janet Hopkins David Jenkins Sally Jenkins

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Bob Johnson Loretta Knutson Tyler S. Krtek, CP Ron Lewis Kathy Love Julia McGuire Vicki Mitchell Donna Murney Stephanie O’Neal Linda Overend Barbara Page Linda Peacock Ruth PeñaherreraNorton Alice Wiley Pickett Mary Reuterfors

Camille Ricketts Jennifer Robinett Beverly Rohlf Denise Slagle Nancy Smith Diane Stalder Eleanor Strauser Janet Thomas Janet Trotter Kara Turner Dee Wampler Diana Weaver Krista Wilson Beverly Young As of 9/22/2021


TONIGHT’S SPONSORS

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The all-new 2022 Civic

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field Symphony Orc Spring hestra 2021-2022 PERFORMANCE: 7:30 PM | Juanita K. Hammons Hall

Highland – Broadway in Concert

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NOVEMBER 6, 2021

THIS CONCERT SPONSORED BY GUEST ARTIST SPONSOR

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LERNER AND LOEWE’S BRIGADOON; Book and Lyrics by ALAN JAY LERNER; Music by FREDERICK LOEWE; Original dances created by AGNES DE MILLE. Is presented through5special arrangement with Musical Theatre International (MTI). All authorized materials are also supplied by MTI. www.mtishows.com


CONCERT ETIQUETTE The symphony orchestra came of age during the time when the concept of ‘reverential listening’ was first born. Music was no longer background entertainment, but rather composers were pouring bold and important ideas into their symphonic music. Symphonic music was conceived as art for our contemplation; it is an exciting experience to be met by our own intensity as listeners. It has become traditional for audiences at symphony concerts to observe a few simple rules in order to fully enjoy the experience of a live concert. Masks and Social Distancing: Per the Springfield Symphony Board of Directors, the Springfield Symphony is requiring masks to be worn while attending performances in Hammons Hall at this time. Please always keep your mask on while in attendance of our performances. If you have a medical condition making you unable to fulfill this request, please notify a Hammons Hall usher or Springfield Symphony staff member. We ask that you social distance within Hammons Hall as much as the space allows and to remain in your assigned seat printed on your Hammons Hall ticket. Late Arrivals and Seating: Patrons arriving after the beginning of a concert, as well as late re-entry into the auditorium, will take place during the first appropriate pause in the program at the discretion of management or during intermission. Reserved seats are not guaranteed after the concert begins. Latecomers may be seated in the back or sides out of courtesy to the musicians and other patrons. Patrons may relocate to their ticketed seat at intermission. Talking: As a courtesy to those around you and to the musicians who must concentrate on their playing, patrons are asked to refrain from talking during the performance. Cell Phones, Pagers and Beeping Watches: Please do not bring these devices into the concert hall or make certain that the noise mechanism has been turned off. Photography and Recording Devices: The use of cameras or recording equipment inside the hall is strictly forbidden. When to Applaud: Many musical works consist of more than one section. These separate sections (called ‘movements’) are always listed in your program book. It is customary to hold applause until after the entire work is completed. Of course, your applause is always appreciated by the members of the orchestra. The Springfield Symphony Orchestra, Inc. and the members of the orchestra are delighted that you have chosen to spend an evening with us. Whether you are sitting in Hammons Hall or watching the livestream at home, we hope that you have a very enjoyable time and look forward to having you with us throughout the season. 6


PRESIDENT’S MESSAGE Welcome to the 87th consecutive season of the Springfield Symphony Orchestra (SSO): Dance Mix. I would like to thank the board, staff, and musicians for successfully completing our season last year through unprecedented challenges. More importantly, I want to thank our sponsors, patrons, and everyone who supported us last season, as well as those who are again supporting the symphony this season. While we are still faced with challenges, we will continue to provide the highest level of symphonic music to Southwest Missouri. I am excited about our offering of “Dance Mix” which will deliver an energetic and upbeat season that will uplift and inspire our patrons and community. The symphony will continue to provide the highest standard of entertainment and will take the necessary steps to protect our audiences and musicians. I believe that this season will be another success with such diverse and enjoyable music. We extend our sincerest appreciation to our sponsors, donors, and patrons who continue to support the Springfield Symphony and make this exciting and diverse season possible. David P. Kean, SSO President

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“Where words fail, music speaks” Hans Christian Anderson

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Inspiring vibrant communities You know and appreciate the value of a vibrant art scene. The arts enrich local culture while encouraging creativity and self-expression. That’s why U.S. Bank Wealth Management is proud to support Springfield Symphony Orchestra. We believe every investment in the arts is an investment in the heart of our community. Candice J. Reed Vice President 417.888.2201 usbank.com

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ABOUT THE CONDUCTOR Kyle Wiley Pickett is the Music Director and Conductor for the Springfield Symphony Orchestra and the Topeka Symphony Orchestra. He formerly held the same posts with the Juneau Symphony and California’s North State Symphony. In 2019, Maestro Pickett made his Asian conducting debut with Thailand Philharmonic Orchestra for the Thailand International Composition Festival. He has also recently conducted the Naples Philharmonic for the Martha Graham Dance Company, the University of Kansas Symphony, the Montana Ballet Company, and the City of Prague Philharmonic for an acclaimed recording. A native of Los Gatos, California, Maestro Pickett holds a Bachelor’s degree in music from Stanford University and a Master’s degree in choral conducting from the California State University, Chico, where he studied with William Ramsey. His Doctorate of Musical Arts degree in orchestral conducting was conferred by the Peabody Conservatory in Baltimore under the direction of Frederik Prausnitz. Pickett is also an accomplished flutist whose teachers include Frances Blaisdell and Robert Willoughby. He lives in Springfield with his wife, Alice, and his two sons, Ned and Grant. Visit www.kylewileypickett.com for a complete biography.

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MUSIC DIRECTOR’S MESSAGE Get ready to dance! Dance is a universal artistic expression. It tells stories, can express both exultation and angst, and it is an essential part of celebrations and social gatherings the world over. Humans seem to instinctively move to music. We tap our toes when we hear a catchy beat, we can dance almost as soon as we learn to walk, and we sway to rhythms even sitting in our seats watching a concert or driving in our cars. We’re wired to move to music, and this year we’re cranking up the tunes for our audiences with the best of dance music for orchestra. The orchestral repertoire is full of wonderful dance music. There is music written specifically for dance performances like the great ballets of Tchaikovsky and Stravinsky and the musicals of Broadway. Then there is music written for us all to dance to, such as waltzes and polkas, and in a more stately era, sarabandes and minuets. There is also music inspired by dance, when composers turn to their country’s dance traditions and bring them alive in the concert hall. We’ll be playing all of these this year, in a season full of energetic, eclectic, and upbeat dance music. We know it’s going to have us all tapping our toes and dancing along. We’re so glad to have you here dancing with us! Kyle Wiley Pickett

Music Director and Conductor, Springfield Symphony Orchestra 14


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WAYS TO GIVE By attending this performance, your passion for the Symphony enriches Springfield, however, in order to provide all the people of Southwest Missouri with a live professional Symphonic experience, we need your support. Show your love for music with a tax-deductible gift to the SSO, a 501(c)3 charitable organization.

Individual Gifts

■ Online with Credit/Debit Card: Visit www.springfieldmosymphony.org and click on the “Donate” button or call the Symphony office. ■ Check: If you prefer to give your support by check, please make your check payable to Springfield Symphony Orchestra. ■ IRA Required Minimum Distributions (RMD): You can donate your RMD (up to $100,000) if you make the distribution directly to the Symphony, therefore lowering your tax liability. ■ Gifts of Appreciated Stock: You may give appreciated stock to the Symphony and avoid capital gains tax. Please call the Symphony office for simple instructions on how to transfer stock to the Symphony.

Corporate Gifts

◆ Corporate Donations ◆ Sponsorships ◆ Grants

Education & Outreach

◆ Community Outreach Fund ◆ Musician’s Initiative Fund

Join our

◆ ◆ ◆ ◆

Legacy Gifts

Wills & Trust Bequests Charitable Remainder Trust IRA Beneficiary Designation Life Estate, Life Insurance & Annuities

verture Club ub

Sup Support p pport t our extraord extraordinary dinary y performances and d unrivaled education year edu du ucatio catio tio on programs p g all lll yea y ar llong b a by jjoinin joining i ing ng o our monthly hl Overture Club. You can make a great difference with regular contributions of any amount. Monthly giving is an easy and efficient way to give, and this ongoing and steadfast support has a tremendous impact all year long. To learn more on how you can support the Springfield Symphony visit www.springfieldmosymphony.org/ways-to-give

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Symphony Season At-A-Glance JANUARY 1 2: Symphony in the Ozarks Radio Program 13: Behind the Baton 15: Sentimental Sarabande – Classical Concert 26: Symphony in the Ozarks Radio Concert Broadcast FEBRUARY 2: Symphony in the Ozarks Radio Program 3: Behind the Baton 5: Pas de Deux – Classical Concert 16: Symphony in the Ozarks Radio Concert Broadcast 19: Symphony Night Fever: Springfield Symphony Gala

SEPTEMBER 15: Symphony in the Ozarks Radio Program 16: Behind the Baton 18: Springfield Symphony Guild’s Opening Night 18: Homecoming Dance – Classical Concert 29: Symphony in the Ozarks Radio Concert Broadcast

MARCH 2: Symphony in the Ozarks Radio Program 3: Behind the Baton 5: Symphonic Dances – Classical Concert 16: Symphony in the Ozarks Radio Concert Broadcast 26: 25th Annual Hellam Young Artists’ Competition 30: Symphony in the Ozarks Radio Program 31: Behind the Baton

OCTOBER 6: Symphony in the Ozarks Radio Program 7: Behind the Baton 9: Fancy Footwork – Classical Concert 20: Symphony in the Ozarks Radio Concert Broadcast 25: Swing for the Symphony Golf Tournament 29: Spooky Symphony NOVEMBER 3: Symphony in the Ozarks Radio Program 6: Highland – Broadway in Concert - Lerner and Loewe’s Brigadoon – POPS

APRIL 2: Dance Around, Around – Classical Concert 13: Symphony in the Ozarks Radio Concert Broadcast

DECEMBER 8: Symphony in the Ozarks Radio Program 11: En Pointe Community Holiday Matinee 11: En Pointe – POPS

MAY 4: Symphony in the Ozarks Program 7: Flamenco! – POPS Indicates livestreaming available.

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DECEMBER 14, 2021; 7:30 PM Redeemer Lutheran Church 2852 S Dayton Ave; Springfield, MO Guests: Redeemer Lutheran Church Choir

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2021-22 CONCERT SPONSORS

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Carla L. Calvin Dr. Michael and Krystyna Clarke

William T. White

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See information about Pre-Concert Talk here!

Behind the Baton This is a FREE event where you have the opportunity to meet Music Director Kyle Wiley Pickett, along with guest artists, to hear about the upcoming Classical concert. This season, Behind the Baton will take place at Hammons Hall, as well as LIVE on the Springfield Symphony Orchestra Facebook page. The meet & greet begins at 5:15 p.m. with a mobile food cart provided by Mama Jean’s Natural Market and the program will begin at 5:45 p.m. Behind the Baton will take the place of the Pre-Concert Talk this season.

9/16/21 | 10/7/21 | 1/13/22 | 2/3/22 | 3/3/22* | 3/31/22 Meet & Greet - 5:15 PM | Program - 5:45 PM Juanita K. Hammons Hall for the Performing Arts *takes place at Springfield Art Museum

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Join us for Symphony Night Fever, the Springfield Symphony’s biggest fundraiser of the season. Reserve your table now for the party with the groovy music, dancing live and silent auction, and delicious food!

February 19, 2022 5:30 pm Oasis Hotel and Convention Center 2546 N. Glenstone Ave Springfield, MO 65803 Call 417-864-6683 to reserve your table.

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EDUCATION & OUTREACH The Springfield Symphony’s education and outreach programs are funded through the generosity of businesses, foundations, and individuals who know the value of education and cultural enrichment through music. These programs include a variety of interactive concerts both in and out of the concert hall with large and small ensembles.

Annual Young People’s Concerts The annual Young People’s Concerts brings together more than 4,000 fourth grade children in order to gain valuable exposure to elements of musical styles and eras. Our audience includes invited students from all Springfield R-12 district schools, 65 surrounding school districts, private and parochial schools including homeschool programs. Each of our Young People’s Concerts is specifically designed to be an in-depth learning experience. Before the performance, the teachers discuss important elements of the musical experience with each class enabling them to integrate the concert experience into the students’ curriculum. Two concerts are planned for January 25, 2022. The music is interspersed with entertaining facts about each composition and musical instrumentation is explained, as are differences in musical styles. Modifications may be made due to COVID guidelines.

Ensembles-In-Schools Program The Ensembles-in-Schools program allows small groups of Springfield Symphony musicians to travel to area elementary and middle schools to perform for the students. Each small ensemble presents a 30-minute program Want to become an education and Outreach sponsor?

Our music education and outreach programs impacts nearly 10,000 people each season! learn more at www.springfieldmosymphony.org/ways-to-give

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for up to 200 students at each school. Our program is designed to heighten awareness of the many varieties of musical styles, explain why different musical instruments create different sounds, and to demonstrate how music expresses emotions and creates beauty. A question-and-answer session follows each performance allowing the young students to learn from the musicians. The overall experience creates a more rewarding educational experience for the student attendees. Modifications may be made due to COVID guidelines.

Musgrave Community Balcony/ Students At The Symphony With an endowment set up by the Musgrave Foundation, the entire petite balcony is designated for every concert to youth or underserved people in the community, free of charge, in collaboration with area nonprofits and schools. This will provide 3,033 (337 per concert) people the chance to see the Symphony for free.

Hellam Young Artists’ Competition The 25th Annual Hellam Young Artists’ Competition will be held on Saturday, March 26, 2022. The Competition is open to musicians 18-26 years of age who are currently enrolled in undergraduate studies in colleges and universities or in music conservatories. It was founded by Dr. Duane and Judy Hellam, and is directed and partially underwritten by Judy Hellam. Its purpose is to provide a valid professional evaluation of performance art by young virtuosi in a competitive setting. In addition, private conferences and discussions with jurors are available to any and all competitors at their request following performances. Competitions such as this, held in many venues nationally, provide important elements of the Curricula vitae of these young virtuosi. The efforts of the Competition are sustained by contributions from underwriters, business sponsors, host families and volunteers. Thank you Springfield Yellow Cab Co!

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SPRINGFIELD SYMPHONY ENDOWMENT, ENDOWED ORCHESTRA CHAIRS, PERFORMANCES, AND SPECIAL ENDOWMENTS Endowments benefiting the Springfield Symphony Orchestra are gifts that continue to support the performances, operations, and support the continuity of providing our community with symphonic music for generations. Gifts of less than $5,000 are directed into the Springfield Symphony Endowment Fund in order to provide maximum earnings from investments. Gifts of $5,000 or more can be established with a named fund to honor the donor’s outstanding commitment to the long-term support of the orchestra. We like to recognize our generous benefactors for their support by acknowledging their gifts. We would like to thank the following:

Endowed Orchestra Sections & Chairs

Mary Lou Andrews Endowment Fund Second Violin Section The Judith A. Beisner Endowment Fund Principal Cello Chair The Paul and Marie Brewster Memorial Endowment Fund Trumpet Chair The Raver-Detrick Endowment Fund Principal Flute Chair The Patricia A. LeFevre Fund Concertmaster Chair The Peggy Day Lee Endowment Fund Cello Section The Luke and Cynthia Green Libby Endowment Fund Oboe Section

The Walter and Ruth Thomas Endowment Fund French Horn Section The Dr. Yates and Janet Trotter Endowment Fund Principal Tuba Chair The William M. “Joe Bill” and Elizabeth J. “Betty Jane” Turner Memorial Endowment Fund French Horn Chair The Don and Betty Wessel Endowment Fund Piano Chair The Kay Whitlock Endowment Fund Principal Viola Chair

The Carla L. Calvin Endowment Fund Pops Performance

*The William T. White Endowment Fund Special Guest Artist

Special Endowments

Endowment

The Springfield Symphony Orchestra continues to benefit from major contributions to our Endowment through the following named funds: The Springfield Symphony Guild The Bill H. and Margo Simson Endowment Fund Armstrong Endowment Fund The Springfield Symphony Cultural The Nancy S. Back Scholarship Fund Trust Fund The Earl L. and Jane Barkley Memorial Fund 40


The Donald H. and Judith A. Beisner Endowment Fund The Stephen and Linda Paganini Brite Endowment Fund The Dr. Guy Callaway, Jr. Endowment Fund *The William H. Calhoun and Mary Helen Calhoun Endowment Fund The Shirley A. Carr Endowment Fund The Charles R. and Barbara Cook Hall Endowment Fund The Francis J. Ellis Memorial Fund The Carolyn Compton Fay Memorial Endowment Fund The John and Carolyn Gerdes Endowment Fund The Mrs. Harley R. Gleason Memorial Fund The Rosemary Keller Endowment Fund The Fern Kightlinger Memorial Fund The Harry F. and Zealia Kirkpatrick Endowment Fund The Frances Duemler Knox Endowment Fund The Jeanne M. Loveless Memorial Fund Tributes

The Shirley C. Maddy Endowment Fund The Evelyn J. McNabb Endowment Fund The Mr. and Mrs. Wm. T. McQueary Fund The Samuel M. Minasian Memorial Fund The Dr. Don and Linda Overend Endowment Fund The Jacqueline H. Powell Memorial Fund The Grace Allan Rosser Memorial Fund The Randy and Donna Renkel Endowment Fund The Joseph Schellhardt Memorial Scholarship Fund The John H. and Katherine E. Simmons Fund The Lester F. and Hanna R. Strauss Memorial Fund The Lester T. Sunderland Foundation Fund The VAN-NAN-PAT Endowment Fund The Frances S. Wilke Memorial Fund The Don S. and Rosemary Witt Memorial Fund *  Through the Community Foundation of the Ozarks, Inc.

Memorial gifts and Tributes are a heartwarming way of remembering and honoring friends and family through their love of the Springfield Symphony. These gifts help ensure the Springfield Symphony Orchestra provides the highest level of symphonic music and music education to all of Southwest Missouri. The following people have graciously made recent contributions to the Springfield Symphony in memory or honor of the following people:

Memorial Gifts

In Memory of Dr. Leo T. Neu, Jr. Commerce Bank

In Memory of John Gerdes Dr. Jay Milne

Support reflective of 9/22/2021 for the current fiscal year Fiscal year runs July 1, 2021 through June 30, 2022 41


Swing for the Symphony Millwood Golf & Racquet Club 3700 E Millwood Dr Ozark, MO 65721 October 25, 2021 | 1:00PM $600 per Four Player Scramble* springfieldmosymphony.org/golf

This event is brought to you by: Hole-in-One Sponsor:

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SPRINGFIELD SYMPHONY

CONCERT PROGRAM October 9, 2021

Fancy Footwork Samuel Coleridge-Taylor (1875 - 1912)

Petite Suite de Concert Op. 77 (1911) I. La Caprice De Nannette II. Demande et Réponse III. Un Sonnet D’Amour IV. La Tarantelle Frétillante

Running time: approximately 16 minutes

Antonín Dvorak (1841 – 1904)

Slavonic Dances Op. 46 (1878) I. Presto II. Allegretto scherzando III. Poco Allegro VIII. Presto

Running time: approximately 20 minutes

INTERMISSION Sergei Prokofiev (1891 – 1953)

Piano Concerto No. 2 in G min, Op. 16 (1912) I. Andantino – Allegretto II. Scherzo: Vivace III. Intermezzo: Allegro moderato IV. Finale: Allegro tempestoso With Simon Karakulidi, Piano

Running time: approximately 33 minutes

Esy White Creative is the exclusive photographer of the Springfield Symphony, see ad on page 82 Financial assistance for this This evening’s performance is being project has been provided by recorded for broadcast the Missouri Arts Council, a on KSMU 91.1 FM on October 20, 2021. state agency, and by the National Endowment for the The use of photographic or recording devices is strictly prohibited. Arts, a federal agency.

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Oct. 9, 2021 Orchestra

Fancy Footwork +denotes on leave *denotes acting position String sections use revolving seating

VIOLA

Kirsten Weingartner Weiss, Principal

The Kay Whitlock Endowed Viola Chair Sponsored by Irwin & Susan Cohen Ned Horner, Assistant Principal+ Sponsored by Walnut Street Inn Kathy Murray, Assistant Principal

VIOLIN I

David R. Hays, Concertmaster

The Patricia A. Le Fevre Endowed Concertmaster Chair Sponsored by Bryan & Amber Musgrave Aleksis Zarins, Assistant Concertmaster Sponsored by PJC Insurance

Zoe Barnes* Starla Blair

Sponsored by The Springfield Symphony Guild

Abigail Diaz Carla Geter Matthew Pavon Lisa Sinden Gottfried* Mary Zimmerman+

Timothy Daucher

Sponsored by Bryan Properties

Carol L. Harrison

Sponsored by Tony & Jan Atkinson

Amanda Hellmer+ Michael MacLaughlin Joanna Metsker+ Roshelle Pekarek* Bethany Phillips Cynthia Rose* Santiago Salazar Allison Steiner+ Jill Woodhouse

CELLO

Daniel Ketter, Principal+

The Judith A. Beisner Endowed Cello Chair Sponsored by Hotel Vandivort-A Tribute to Shirley McQueary Jacqueline Trtan, Principal Sponsored by Nan Anderson in memory of Dr. Becky Hartley Emilia Stauffer, Assistant Principal

VIOLIN II

Larry Hernandez* Jessica Hunt Jiae Lee Kathy Love+ Esther Loya Michael Murray

The Mary Lou Andrews Endowment Fund (in honor of the Second Violin section) Larry Dissmore, Principal Sponsored by Dr. Sam & Connie Coryell Karolina Fraczak, Assistant Principal+ Kelly Owens, Assistant Principal Sponsored by Tony & Jan Atkinson

Sponsored by Judy Hellam

Danyal Collins-Sallee Suzannah Dolanc Pugh Linda Hills

BASS

Sue Stubbs, Principal

Sponsored by The Springfield Symphony Guild

Sponsored by Pioneer Outdoor

Janet Hopkins

Jarrett Bastow, Assistant Principal+ Riley Robison, Assistant Principal Joe Bauer+ Nikki Clark* David Curtman Kassie Ferrero+ Ryan Jones* James McMannis+

Sponsored by David & Becky Kean

Elizabeth Johnston* Barbara Page

Sponsored by Anonymous

Elizabeth Suh+

Sponsored by John W. Hunt, PhD and Karen L. Hunt

FLUTE

Jill Heyboer, Principal

The Lois Detrick Endowed Flute Chair

Kathleen Cowens+

Sponsored by Kids Directory

Betsy Nace

Sponsored in memory of Esther S. Karchmer

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PICCOLO

TROMBONE

Betsy Nace

Robert Kehle, Principal Michael Stine

Sponsored in memory of Esther S. Karchmer

OBOE

BASS TROMBONE

The Luke and Cynthia Green Libby Endowment Fund (in honor of the Oboe section) Sara Renner, Principal*

William Hartman

Sponsored by Linda Overend

Andrew Baker Jill Andrews Goodman

TUBA

Max Gerhart, Principal

ENGLISH HORN

The Yates & Janet Trotter Endowed Tuba Chair

PERCUSSION

Jill Andrews Goodman

CLARINET

Scott Cameron, Principal+

Sponsored by Robert & Peg Carolla

Susanna Reichling, Principal

Brite

Allison Storochuk, Principal

Sponsored by Stephen & Linda Paganini

Sponsored by Community Foundation of the Ozarks

Larkin Sander* Sheri Slater+ Joanne Britz+

Richard Collister III Ethan Linfoot

Sponsored by Don Wessel Honda

Tim Morton

BASS CLARINET

Sponsored by Rob Hooley

Joanne Britz+

KEYBOARD

BASSOON

Melinda Smashey Jones, Principal+

The Don & Betty Wessel Endowed Piano Chair Sponsored by Judy Hellam

John Atteberry, Principal

Sponsored by James and Marilyn Johnson

HARP

Brent Fillmer James Keel Williams+

Maria Trevor, Principal+

CONTRABASSOON

OPERATIONS MANAGER

James Keel Williams+

Aleksis Zarins

HORN

STAGE MANAGER

The Walter and Ruth Thomas Endowment Fund (in honor of the French Horn section) Lisa Casey, Principal The William M. ‘Joe Bill’ & Elizabeth “Betty Jane” Turner Endowed Horn Chair

Nathan Price

STAGEHAND

Richard Ruhe

Bailee Schobert

Sponsored by Rob Hooley

Eric Jackson Stephanie Ruhe

MILESTONES

Sponsored by Ms. Bonnie Shackter

TRUMPET

John Atteberry – 25 years Barbara Page – 30 years Mary Zimmerman – 30 years Kelly Owens – 35 years Sue Stubbs – 35 years J Matthew White – 40 years

Tijuana Julian, Principal

The Paul & Marie Brewster Endowed Trumpet Chair

Timothy Wootton

Sponsored by Commerce Bank

J. Matthew White+

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Special thanks to the DoubleTree Hotel and John and Pat Horner for hosting our out of town orchestra members during the 2021-22 season.


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For more information, please stop by for a personal tour or give us a call at 417-889-0773

3705 S. Jefferson Ave. Springfield, MO 65807 | birchpointehealth.com 46


GUEST ARTIST

SIMON KARAKULIDI, PIANO Born in 1997 in Surgut, Siberia, pianist Simon Karakulidi was educated in the Russian piano tradition. He began studies with Prof. Mira Marchenko at the Central Musical School in Moscow in 2013. In 2016, he made the decision to relocate to Parkville, Missouri to work with Van Cliburn competition gold medalist Stanislav Ioudenitch. An aspiring polymath with interests ranging from politics to philosophy, he will be pursuing his master’s degree at the Yale School of Music, a tuition free program at Yale University.

Simon is strongly enthusiastic about North American contemporary music, and has given a number of performances of works by David Lang and Nico Muhly. He is especially concerned with the format of classical music concerts (if “classical music” still means anything today), and hopes to ignite interest in art music by making performances more interactive and accessible. Most recently, Simon took the gold medal at the 2019 Wideman International Piano Competition and the third prize of the 2019 Olga Kern International Piano Competition. He is also a prizewinner of the First Vladimir Krainev Piano Competition in Moscow (Second Prize and two special awards), and the “Astana Piano Passion” Piano Competition (First Prize). In June 2018, Simon was awarded the Enlight Prize at the Art of Piano Festival in Cincinnati, Ohio. In 2019, he received First Prize at the Ann & Charles Eisemann International Young Artists Competition and the Grand Prize of the Naftzger Competition. In the summer of 2019, Simon was a laureate in the International Keyboard Institute & Festival Competition in New York City. 47


PROGRAM NOTES by Pam Davis, Assistant Concertmaster

Samuel Coleridge-Taylor (1875 - 1912)

Petite Suite de Concert, Opus 77 (1910)

Samuel Coleridge-Taylor was born in Victorian England the son of an African doctor and an Englishwoman. After his father returned to Africa, Coleridge-Taylor grew up with his mother and grandparents who encouraged his musical interest. He studied violin and piano at The Royal College of Music, where he was a classmate of Vaughan-Williams. Dvořák was Coleridge-Taylor’s idol and his influence is said to be evident in some shorter works. Among his great compositional output, the work to make him famous was his critically acclaimed Hiawatha’s Wedding Feast. After his death his works remained popular and years later, his son Hiawatha and his daughter Avril, who were also musicians conducted some of his works. Before Coleridge-Taylor even visited the United States, a Coleridge-Taylor Choral Society was founded in Washington, D.C. for black singers. Three subsequent visits cemented his popularity where he was received by Theodore Roosevelt at the White House and became friends with W.E.B. Dubois. Dubois stated that the life and achievement of Samuel Coleridge-Taylor showed what could happen if the artificial restraints placed on African American children were removed. The international sensation lived in relative poverty; his tragic death from pneumonia at 37 years old was said to be caused by exhaustion from overwork. Primarily a light composition, the Petite Suite has been said to be somewhere between Elgar and Arthur Sullivan, his elder contemporaries. Elgar helped Coleridge-Taylor get published and described him as “far and away the cleverest fellow going amongst the younger men.” Opening with a bold announcement, the first movement, La Caprice de Nanette, relaxes into a charming waltz. Demande et Réponse, the second movement, has a melody reminiscent of popular songs of the day. A peaceful ballet-like interlude follows with Un Sonnet d’Amour. The final movement, Tarantella Frétillante, erupts in a mad dash to the finish with its ‘fretting tarantella’. e WORLD EVENTS: Stravinsky’s Firebird premieres in Paris, Mother Teresa is born, Florence Nightingale dies e FIRST PERFORMANCE: April 20, 1911, Bournemouth, England e MOST RECENT SSO PERFORMANCE: Tonight is the SSO premiere

Antonin Dvořák (1841 -1904)

Slavonic Dances, Opus 46 (1878)

Born to a Bohemian peasant family, Dvořák was apprenticed to his butcher father until his musical interest and ability were recognized, when his family agreed to his pursuit of a musical career. For the Slavonic Dances which catapulted Dvořák to fame, he indirectly had Brahms to thank. Brahms had recommended Dvořák to his publisher, who then commissioned him to write a set of dances in the style of Brahms’s Hungarian Dances. His first extended use of authentic Czech dance forms, this set was originally for piano four hands, then imme48


diately arranged for orchestra. Whereas Brahms’s work utilized actual folk tunes, Dvořák employed the folk rhythms and attitudes while the melodies were strictly his own. The success of Opus 46 prompted composition of a second set published in 1887 as Opus 72. Explaining the rapid popularity of the dances, composer and publisher Franz Hoffmeister said at the time “nationalism in music was beginning to be appreciated and the Slavonic Dances came as a distinct revelation. They were, it was felt, authentic, springing directly from the soul of the people. Something of the Slavic character speaks in every phrase of them—the stormy high-spirited mood of the Furiants; the whimsical merriment, the charm, the touch of coquetry, the ardent tenderness of the lyrical passages.” e WORLD EVENTS: First moving pictures caught on camera, Carl Sandburg is born, Sarasate’s Ziguenerweisen premieres e FIRST PERFORMANCE: Unknown e MOST RECENT SSO PERFORMANCE: March 1995, Bob Lappin, conductor

Sergei Prokofiev (1891 -1953)

Concerto for Piano and Orchestra, No. 2, G Minor, Opus 16 (1913)

His first two piano concertos were written while Prokofiev was still a student at St. Petersburg Conservatory. A precocious child, he wrote his first piano piece at five years of age and was playing Beethoven sonatas at nine. He was admitted to the conservatory at 13 and was a rebellious student who did not excel in his studies, including those with Rimsky-Korsakov. His early piano concertos exhibited a distancing from the prevailing tastes. The first concerto established his maverick reputation and critics complained of its superficial bravura and exhibitionist, “acrobatic” technique. The second concerto was partly an effort to demonstrate greater depth, but the result was even more technical difficulty. The score of this work was lost when he came to America: he left it in his apartment where his tenants used it as fuel to cook an omelet! Prokofiev reconstructed the score in 1923 and we will never know for sure how much it changed from the original. But its impact was dramatic. One critic wrote of the premiere that it left the audience “frozen with fright, hair standing on end.” It is said that he took his bow to hisses and defiantly performed an encore. The form of the work is unconventional: it is in four movements and there is no slow movement. The first movement contains the only delicate and lyrical theme in the work. The traditional development and recapitulation morphs into a virtuoso cadenza. The orchestra only returns for the very end of the movement. Nonstop sixteenth notes create the perpetual motion of the scherzo, with the orchestra commenting along the way. The intermezzo also departs from the expected: over a repeating bass line a fierce march is heard. A skirmish between soloist and orchestra comprises the finale with the soloist the clear winner. Surprisingly, there is a brief interlude with a folk-like melody followed by another ornate cadenza before the discordant chords that troubled that first audience close out the work. e WORLD EVENTS: Richard Nixon is born, Stravinsky’s Rite of Spring premieres, Harriet Tubman dies e FIRST PERFORMANCE: September 5, 1913, Pavlovsk, Russia, with the composer as soloist e MOST RECENT SSO PERFORMANCE: Tonight is the SSO premiere 49


sponsored musicians

Sponsoring a musician is a wonderful way to acknowledge and support the Springfield Symphony. We would like to thank the following for sponsoring our Springfield Symphony Musicians: John Atteberry, Principal Bassoon

Sponsored by James and Marilyn Johnson

Starla Blair, Viola

Sponsored by Springfield Symphony Guild

Tim Morton, Percussion Sponsored by Rob Hooley Michael Murray, Cello Sponsored by Judy Hellam Betsy Nace, Piccolo Sponsored in Memory of Esther S. Karchmer Barbara Page, Violin II Sponsored by Anonymous Susanna Reichling, Percussion Sponsored by Community Foundation of the Ozarks Richard Ruhe, Horn Sponsored by Rob Hooley Stephanie Ruhe, Horn Sponsored by Ms. Bonnie Shackter Melinda Smashey Jones, Principal Keyboard Sponsored by Judy Hellam Allison Storochuk, Principal Clarinet Sponsored by Robert and Peg Carolla Sue Stubbs, Principal Bass Sponsored by Pioneer Outdoor Elizabeth Suh, Violin Sponsored by John W. Hunt, PhD. and Karen Hunt Jacque Trtan, Assistant Principal Cello Sponsored by Nan Anderson in Memory of Dr. Becky Hartley Kirsten Weingartner-Weiss, Principal Viola Sponsored by Irwin and Susan Cohen Timothy Wootten, Trumpet Sponsored by Commerce Bank Aleksis Zarins, Violin I Sponsored by PJC Insurance

Scott Cameron, Principal Percussion Sponsored by Stephen and Linda Paganini Brite Kathleen Cowens, Flute Sponsored by Kids Directory Timothy Daucher, Violin I Sponsored by Bryan Properties Larry Dissmore, Principal Violin II Sponsored by Dr. Sam and Connie Coryell Kelly Owens, Principal Violin II Sponsored by Tony and Jan Atkinson Daniel Ketter, Cello Sponsored by Hotel Vandivort - A Tribute to Shirley McQueary Carol Harrison, Violin I Sponsored by Tony and Jan Atkinson William Hartman, Bass Trombone Sponsored by Linda Overend David Hays, Concertmaster Sponsored by Bryan and Amber Musgrave Ethan Linfoot, Percussion Sponsored by Don Wessel Honda Linda Hills, Violin II Sponsored by Springfield Symphony Guild Janet Hopkins, Violin II Sponsored by David and Becky Kean Ned Horner, Assistant Principal Viola Sponsored by Walnut Street Inn www.springfieldmosymphony.org/

musicians 50


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Begin Your Evening On A

High Note www.fisk.limo

417.862.2900

Your Concert

Connection

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at Landers Theatre

DECEMBER 17-20, 2021

Coppelia APRIL 29 - MAY 1, 2022

TICKETS springfieldballet.org 417.862.1343

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© 2021 Springfield Ballet. All rights reserved.

SEASON

Photo courtesy of Miles Boyer Photography

2021-2022


words fail Where

music speaks

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In the heart of Springfield’s Historic District www.walnutstreetinn.com | 417.864.6346

If you haven’t been “inn” lately, find us on: @walnutstreetinn.springfield.mo @comestaywithus

Every Legacy Deserves Protection Because of the trust you and your families have placed in us, we’ve grown to serve eight locations in the Ozarks. We offer our sincerest thanks for your business and your trust. REQUEST A FREE CONSULTATION:

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A HISTORY OF THE SPRINGFIELD SYMPHONY: 1934 – PRESENT The Springfield Symphony Orchestra (SSO) came to life in the spring of 1934 after a group of Springfield High School students approached their music teacher, James Robertson, about forming a civic orchestra. With Robertson as the conductor, the orchestra performed its first concert on February 26, 1935, in Clara Thompson Hall, on the campus of Drury University. In 1936 a Board of Directors was formed, and beginning in 1943, orchestra members began receiving payment for their services – 50 cents an hour! In 1942, the Symphony joined 39 other orchestras from across the country in founding the League of American Orchestras, formally known as the American Symphony Orchestra League. The League of American Orchestras is still the largest and most prestigious international body representing the orchestral industry today. On March 19, 1950, Robertson left Springfield to take over the orchestra program at Wichita (KS) University and upon his departure; David Blumenthal became the second conductor of the SSO. Blumenthal believed strongly that the SSO’s purpose was to offer the city the best symphonic music possible and to allow the musicians of Springfield an opportunity to participate in a community orchestra. Blumenthal served as conductor until 1955 when he left Springfield to further his education back East. Following Blumenthal’s departure, Chester Moffatt was elected by the board to assume the post of conductor. A native of Plato, MO, he taught high school music in Plato, Conway and Buffalo prior to coming to Springfield in 1941 at which time he joined the staff of the Springfield Public School system as the music instructor for Jarrett, Reed and Pipkin Junior High schools. In 1956, the Women’s Division of the SSO was established. This dynamic group of volunteers is alive and well today in the form of the Springfield Symphony Guild, and has been instrumental in many major fundraising projects for the Symphony throughout its existence. In 1961 a permanent Springfield Symphony Endowment was established for the purpose of investing funds to provide for future needs. Currently the endowment stands at over $2M. Following the Symphony’s departure from the campus of Drury University, concerts were performed in both Central High School’s auditorium as well as in the Evangel University Chapel Auditorium. Upon the completion of the new Juanita K. Hammons Hall for the Performing Arts in September 1992, the Symphony moved into the new facilities and has performed its subscription concerts there ever since. Through the Symphony’s history, various locations have been utilized for other performances such as chamber orchestra concerts and the annual Young People’s Concerts. Following Moffat’s resignation for health reason in 1966, Charles Hall was named interim conductor of the Symphony. Twenty-three applications were received for the permanent position and, after researching all the candidates, the search committee recommended that Hall be retained as the permanent conductor of the orchestra. Under his leadership the first annual Young People’s Concert were presented, the first Young Artists’ Competition was held, the Lester F. and Hanna R. Strauss Music Camp Scholarship Fund was established, the Summer Park Concerts were started and the Ensembles-In-Schools program was also launched. All of these programs, with the 63


exception of the Summer Park Concerts, are still an important part of the Symphony’s mission today. Following Hall’s resignation in the summer of 1978, Charles Bontrager of Hamilton, Ohio, accepted the position of the conductor. Bontrager was the first conductor in the Symphony’s history to lead the orchestra on a fulltime basis. During his tenure as conductor, the first Carols of Christmas holiday concert was performed. In 1982 Bontrager was instrumental in working with others in the community in establishing the highly acclaimed Firefall celebration. The Springfield Symphony held the distinction of being the only group that had performed in every Firefall from its beginning and the Symphony’s annual Concert in the Sky® accompanied by the fireworks, was the highlight of the daylong festivities. At the conclusion of the 1993-94 season, Bontrager announced his resignation and the next season saw six guest conductors appearing as finalists for the position of conductor. On June 30, 1995, Apo Hsu was named as the new music director/conductor of the Symphony. The first woman to lead the orchestra, Hsu remained in the position of conductor through the 2002-03 season. Upon Hsu’s announcement of her pending departure, a national search for her successor was launched in the summer of 2002. One hundred eighty-three applicants from 35 states, the District of Columbia, and five foreign countries expressed interest in her position. Through a lengthy process of elimination, the search committee narrowed the applicants to six finalists who appeared with the orchestra during the 2003-04 season. At the conclusion of the season Ron Spigelman was chosen as the next music director/conductor of the orchestra. With the beginning of the 2004-05 season, Spigelman joined the organization as the seventh conductor and in August 2005 the Spigelman family moved to Springfield, at which time he became the first resident conductor in ten years. Under Ron Spigelman’s leadership the Symphony became more involved in serving the underprivileged and underserved individuals of the Springfield community through outreach programs including two annual, free matinees and a casual, informative event each Thursday before a subscription concert that showcases the guest artist(s) and the music that will be performed, previously known as Coffee & Classics and now known as Behind the Baton. At the conclusion of the 2011-12 season, Spigelman announced his resignation and a national search to find his successor began. During the 2012-2013 season, the search for a new music director/conductor began. Six finalists were chosen and each one appeared with the orchestra throughout the season. After an evaluation process, Kyle Wiley Pickett was named as the eighth music director/ conductor of the Symphony. Our eighth and current conductor, Kyle Wiley Pickett, has worked to integrate the community directly into SSO concerts. Notable examples include the Salute to Veterans concert in 2014, where Pickett interviewed local veterans about their war experiences and then played the interviews between pieces creating a unified work of music and words while collaborating with local musical and visual artists. Today, the Symphony is comprised of approximately 70 professional musicians, with tenures ranging from 1 to 50 years. Most recently, the SSO Board of Directors has established the Musgrave Community Balcony, designed to expand the Symphony experience to as many people as possible, regardless of socioeconomic status. As the SSO’s 2020-2021 season began, the Springfield Symphony continued to perform music safely through the ongoing COVID-19 pandemic. The Springfield Symphony was one of 23% of orchestras performing live, in-person performances across the nation. Always striving for new ways to enhance and contribute to the city of Springfield, the Symphony is thrilled to be ushering in a new era in its long and illustrious history; one it hopes will bring an unprecedented level of arts accessibility and relevance to the community. 64


Collaborate. Advocate. Educate. #whereartlives springfieldarts.org 65


COMPOSING MEMORABLE RESULTS TEN YEARS OF ADVERTISING FOR OUR SYMPHONY

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Digital Lunchbox delivers creative video production solutions that are on-time, on-budget and on-message. Since 2012 we’ve developed social media videos and television advertising that stands out, helping the Springfield Symphony Orchestra reach its goals.

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Springfield's Sprriingfield''s s Talk TTa alk 104.1 1004 44...11

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When you donate to the Springfield Symphony, the performance lasts for generations.

STAND UP FOR THE ARTS: For information on how you can leave a legacy, contact the CFO at (417) 864-6199 or a member of our Professional Advisors Council at cfozarks.org/professional-advisors-council/members.

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Thank you for your support!

Welcome to our 2021-2022 season

Dance Mix!

By attending the Springfield Symphony's concerts, your passion for our music sustains our community pride of arts and culture within Southwest Missouri. Whether you are a season ticket holder, purchased single tickets, or will be livestreaming, you're supporting the arts you love. Thank you for keeping our music alive.

DoubleTree, a proud sponsor of the Springfield Symphony

Springfield's Newest Conference Center

With over 17,500 square feet of meeting space, and award winning food and beverage services, we can accommodate any type of event. 417-831-3131 SGFDT_DS@hilton.com Springfield.DoubleTree.com 70


Supporting the arts and encouraging creative expression for children in the Ozarks

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JOIN THE BEETHOVEN SOCIETY The Symphony established the Beethoven Society to recognize donors who have provided for the future of the Orchestra through a planned gift. For as long as the Springfield Symphony has enriched people’s lives through the power of music, it has relied on the generosity and vision of dedicated friends to ensure its legacy for generations. Your planned gift can benefit you, your family, the Springfield Symphony, and thousands who will experience beautiful performances and numerous education and community programs for seasons to come.

Benefits:

• Recognition on our website and in our Concert Program • Yearly admission to VIP receptions • Invitations to special events and exclusive gatherings

Planned Giving Opportunities: • • • •

Trust/Will (Bequest) Life Insurance Charitable Remainder Trusts Gift of your Home

Beethoven Society

The following have notified the Springfield Symphony that they have included the Symphony in their wills: Mrs. Judy Beisner Earl M. Brake Jr. Bernard G. and Pamela N. Burrier Mrs. Jerome A. Caplan Ms. Carol Cook Mrs. Mildred Eisele

Dr. Eric and Kristi Fulnecky Guy and Dorothy Mace Thomas and Evelyn Mangan Greg and Judy McManus Dr. and Mrs. Yates Trotter

As of 8/31/2021

For more information regarding planned gifts to the Symphony, please contact our office at (417) 864-6683 or visit our website at springfieldmosymphony.org/ 72


417.886.4PIE

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ThePieBox.com

Full Service Small & Large Scale Event & Catering Services 417.866.4630 DBDGourmet.com


Mid-West Family Digital, Audio, Radio Marketing

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2021-22 SEASON

LIVESTREAM SPONSORS

2021-2022 livestreaming access and Memberships

Experience the Springfield Symphony in the comfort of your home with livestreaming access and subscriptions! Coming Soon:

Streaming apps to be released Fall 2021! www.springfieldmosymphony.org/livestreaming

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The Springfield News-Leader is proud to be a sponsor of the Springfield Symphony Thank you for bringing the gift of music to our community!

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THE PLACE TO BE

PROUD SUPPORTERS OF

THE SPRINGFIELD SYMPHONY

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SUMMER MUSIC CAMP SCHOLARSHIP PROGRAM The Summer Music Camp Scholarship program is funded and supported by the Springfield Symphony Guild, the Springfield Symphony Orchestra, Inc., along with donations made by individual donors, businesses, and grants. These awards are given to deserving music students in grades 7-11 who are recommended by their music instructor and have a financial need. Selections for scholarship recipients are made by the Springfield Symphony Guild. The winners of the scholarships are invited to be guests of the Springfield Symphony Orchestra, Inc. at the second classical concert of the current concert season. Each winner will receive a complimentary ticket and may purchase up to two (2) additional tickets at a special price of $20 each. For more information on the Summer Music Camp Scholarship Program, please contact any representative at the Springfield Symphony office at 417-864-6683.

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Twenty-Fifth

PRIZES: 1st–$7,000 2nd–$3,500 3rd–$1,500 The Stephen & Linda Paganini Brite Award $1,000

March 26, 2022 9:30 am Free Admission

Evangel University – Barnett Recital Hall Held annually, the competition is open to musicians 18-26 years of age who are currently engaged in undergraduate or graduate studies in colleges or universities or in music conservatories. The competition was founded by and is directed and underwritten by Dr. and Mrs. Duane and Judy Hellam. Additional support provided by the following:

Applause and Thanks to our Underwriters:

Gratitude to our Host Families: Janet Trotter

Dr. Donald & Nancy Back

Robert & Boyda Hood

Judy Beisner

Dr. Teresa Olsen

Stephen & Linda Paganini Brite

John Steinberg

Karen Burmood

Janet Trotter

Linda Peacock

Aija Gotti

Danielle Tuscher

Sharon Bates Benton

David & Sally Jenkins Diana Weaver John Steinberg

For application information contact judyhellam@gmail.com or visit

www.hellamcompetition.com 79


SPRINGFIELD SYMPHONY SUPPORTERS 2021-22 The Springfield Symphony Orchestra extends its sincere gratitude and appreciation to the following individuals, sponsors, corporations, and foundations for their generous support of our Symphony programs, services, and special events.

Platinum Baton Level

$25,000 and above Judith A. Beisner Reliable Superstore

Gold Baton Level

$10,000 to $24,999 Yvonne Bussman Dr. Sam & Mrs. Connie Coryell Don Wessel Honda KSGF* KY3 Inc/KSPR* Mediacom* Pioneer Outdoor* Positronic Industries Schneider Family Foundation

Silver Baton Level

$5,000 to $9,999 417 Magazine* Altec Solutions Group Inc.* Central Bank/Central Trust CoxHealth Creekside at Elfindale Digital Lunchbox* DoubleTree by Hilton* Fast Frames & Gallery* Foster Hospitality Group Hiland Dairy Barbara Rae Hughes Independent Printing* KGBX* Kids Directory* KSMU Radio* Mid-West Family Marketing* Linda Overend RMMC* Springfield News-Leader Media Group* Springfield Symphony Guild

TLC Properties Walnut Street Inn* Ms. Maggie Wilcox John & Beverly Young

Concerto Level

$2,500 to $4,999 Tony & Jan Atkinson Stephen & Linda Paginini Brite Robert & Peg Carolla Dr. & Mrs. Michael Clarke Great Southern Bank Harter House Supermarkets* Judy Hellam Robert Hooley Hotel Vandivort Jim & Marilyn Johnson Bryan & Amber Musgrave Nelson Family Fund PJC Insurance Agency Michael & Karen Schneider John Steinberg U.S. Bank Wealth Management

Conductor Level

$1,000 to $2,499 Anonymous Nancy Anderson David & Raylene Appleby Bryan & Gayle Brooker Bryan Properties Carla L. Calvin Dr. Lynn & Betty Carlton Dr. Mark Chambers & Mr. Rick Albaugh Irwin & Susan Cohen Commerce Bank Community Foundation of the Ozarks Dining by Design* Ed & Vickie Donnell 80


Evelyn Gwin Mangan, PC J. Howard & Jan Fisk Derek Fraley Mary Belle Graham Mrs. Barbara Cook Hall Hilton Garden Inn* Fon & Kimberly Huang John & Karen Hunt David & Becky Kean Nesbitt Construction Mrs. Arleen Pickett Regent Bank Mr. Ned Reynolds Bill & Camille Ricketts Bonnie Shackter Drs. Gary Soderberg & Loretta Knutson Systematic Savings Bank Dr. & Mrs. Yates Trotter Robert & Joan Vienhage Rosalie Wooten

Concertmaster Level

$500 to $999 Margo S. Armstrong Donald & Nancy Back Ron & Paula Baird Lanny & Mary Brent Patti Brooks Ray & Karen Burmood William & Regina Cooper DB Advisors Andy Ebbrecht Judy Everett Willam, Crista & Sam Garvin Marcia Hernandez

David & Sally Jenkins Jimm’s Steakhouse* Ozarks Coca-Cola/Dr. Pepper Bottling Co.* Route 66 Car Museum Randy & Claudia Saul Simmons Bank Sue-Carrol Terry Krista Wilson

President’s Level

$100 to $499 Appleby Healy Attorneys at Law Bambinos Café* Thomas & Susan Barr Al & Rosemond Clapp Mary Connor Mary Ann Cyr William & Virginia Darr Don Emler Michael & Barbara Gentry Mark & Bonnie Herron Susan Holliday Houlihan’s* Shirley Huffman Marcia Jones Tyler S. Krtek, CP Doug & Susan McNeal Rae Anna McShane Debby Melcher Schultz & Dooley’s* James Stewart Carol Thornsberry Robert Titus

OVERTURE CLUB

We are extremely grateful to our Overture Club Members. Their generosity provides the Springfield Symphony with a monthly donation: Kathleen P. Griesemer Dorothy Joslyn Gary Metzger Alfred Presiado Susan R. Staley Arvin Williams

Krista Wilson Joyce Wise *denotes in-kind donation Support reflective of 9/29/2021 for the current fiscal year Fiscal year runs July 1, 2021 through June 30, 2022

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The Springfield Symphony Would Like to Thank

1935 S. Glenstone Ave. 417-886-5466 www.jimmssteakhouseandpub.com

for Generously Providing Lunch to the Symphony & its Supporters

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y m S p h y k o o ny o p S The Springfield Symphony invites you to the 13th annual FREE Halloween concert! You and your kids will shriek with delight as you listen to spooky sounds and Halloween favorites. Admission is free and seating is limited. Tickets will be required for entry and are available through the Springfield Symphony office starting October 4th. To reserve your tickets, please register online at www.springfieldmosymphony.org/events/spooky-symphony

October 29, 2021 at 7:00 p.m. Juanita K. Hammons Hall for the Performing Arts SPONSORED BY

For more information, call the Springfield Symphony office at 417-864-6683, or email seasontickets@springfieldmosymphony.org. Hours: M-F 8:30am - 4:30pm SPRINGFIELDMOSYMPHONY.ORG 84



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