ACADEMIC | COMPETITION
P O R T F O L I O
| SRIJAN SUNAR
VOL. 1 11/2021
PROFESSIONAL ARCHITECTURE
|
I
O
c o m p e t i t i o n
Rejuvenate Eyeplex Mall The Net zero approach 601 Studio Iowa State University
Architects Studio Kathmandu, Nepal
Academic Project
Professional Project
|
P r o f e s s i o n a l
The Gallery: Remembrance of Insurgency Architecture Thesis, Undergraduate Academic Project Listed among Top three design
The Wooden Cabin Asian Paints Design Competition College Round Competition Project Won Consolation Prize
.07
A c a d e m i c
L
.06
O
.05
F
.04
T
.01
2 0 2 1
R |
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O
.02
P
Sunrise View Resort
Mountain Hut
Residence in Bhaktapur
Architects Studio Kathmandu, Nepal
Volzero Design Competition Using Recycled container box
Professional Project - Freelance
Professional Project
Competition Project
Rejuvenate - The Net Zero Approach Work: 601 Studio Iowa State University Type: Group Project Partner : Anurag Pal
The Gallery: Remembrance of Insurgency Work: Thesis Type: Individual Project Supervisor: Prof. Dr. Bharat Sharma Work Involved. Research Proposal Literature Review Case Studies Program Formulations Conceptual design Thesis Report Design Model
The idea of this project revolves around evoking the emotions of people and giving reminiscence of lost soul during insurgency in Nepal. The entrance is provided with two huge pillars like structure to create a distinct entrance view. That leads to land of loss. The exit of building is through the roof completing the complete loop of insurgency triangle. Green roof is introduced in roof so that the building will look like it has emerged from the ground and people can easily walk into it. The greenery is introduced in various part of land as well.
Work Involved. Research Proposal Literature Review Case Studies Conceptual design Climate analysis using Grasshopper, climate Studio Learnings: It helped me grow my knowledge in sustainble approach in design a building. I learnt grasshopper, climate studio while doing climate analysis. The net zero approach in this project was achieve with the climate simulation done through softwares.
01
601:
REJUVENATE: THE INNER CONSCIOUSNESS
First Floor Plan
The concept starts with the idea of integrating community and we choose circle as a symbol of inclusive.
During winter, we wanted to use sunken courtyard, hence we introduced snow Skies ramp from roof which will integrate communal activities
Changing of the slope according to the sun path to gain a maximum benefit on PV panels
Use of Horizontal and Vertical Louvre in the facade to reduce glare and maintain daylight comfort
Design For Integration The neighbourhood of 38th street Minneapolis comprises mostly of small residential houses with few commercial establishments along the main road. The main focus point of this site is the George Floyd Square which has been turned into a memorial to pay homage to the fallen Brave-heart. Our building named “Rejuvenation “acts as an extension for the community by focusing on the aspect of mental and spiritual well-being. It is a calm and soothing haven which acts as an urban plaza and wellness centre for the community.
Second Floor Plan
Third Floor Plan
Design For Equitable community The city of Minneapolis is burdened with a huge divide in wealth resources. Homelessness is a major problem in the city. They are seen as outcasts of society and seldom helped. Our design imbibes the idea of healing and rejuvenation of the human soul and helps the less fortunate to stand up again. There are various activities in the building from art class, yoga, meditation for the spiritual upliftment of the people and project them onto a path of greater success. The smaller blocks houses sleeping Pods for the homeless and less fortunate of the society who are in need of help and guidance.
Interior courtyard with greenery to humidify and purifty air
Design For Discovery From the outside the building looks like a cocoon with its wooden louvres. As one proceeds through the entrance, there is a gradual unfolding of spaces that elevate and rejuvenate the senses at every level. Design For Energy The solar panel is the key factor to operate the electrical appliance. After energy saving 49.14Kbtu is supported by the solar photovoltaic cell which is called from simulation. Sunken courtyard to create multi purpose space Design For Ecosystem The building houses multiple green spaces alongside greenery in the sunken courtyard. The diversity of plants revitalize the space in building. Design For Resources The facade of the builing is madeup of wood, which is sustainable material and has a long life too. Wood perfectly support the extreme climate of Minneapolis. Plywood, Douglus fir, concrete and gypsum board are jammed together to get a low U value material for the climate. Design For Well Being The building is designed with the ample amount of green space and natural ventilation which creates a visual stimulus for the relaxation and rejuvenation.
Eyeplex Mall Work: Architects Studio Type: Professional Project Supervisor: Ar. Sailendra B.C. Work Involved. Exterior Conceptual design Interior Design Construction Supervision Learnings: This project help me to see the transformation of the design from paper to reality. I designed most of the exterior and interior space under guidance and worked on site to achieve it in reality that helped me learn coordiation with contractor, solving issue which are not concieved in design process.
02
9
2'-6"
2'-4"
5'
2'-6"
2'-6"
2'
13'-8"
7'-10"
Hall manager room 10'-5"x 10'-1"
42'
4"
7'-5"
Staff room 10'-1"x 9'-4"
3' 4"
Board Room 20'-0"x 10'-6"
5'-5"
Chairman / MD room 16'-6"x 9'-8"
Half partition
10'-8"
4"
3'
11'-4" 3'-5"
A/C duct 2'-1"x3'-0"
pl . duct 2'-2"x3'-4"
5
8'-11" Account 9'-2"x 6'-3"
6
It/Server room 12'-3"x 9'-0"
9'-3"
16'-6"
5'-11" 10'-3"
21'-8"
24'-5"
6
24'-6"
40'-11"
4'
20'-7"
46'-8"
17'
21'-6"
19'
18'
134'-6"
101'-11"
10'-10"
ele. duct 3'-0"x4'-4"
10 9 8 7 6 5 4 3 2 1 UP
Rental space 9 13'-1"x29'-11" 391.40 sq.ft.
7'-7"
frieght lift 6'-4"x5'-9" 500 kg
1112 13 1415 16 17 18 19 20
9'-9"
4" 3'-5" 4"
9"
5'
Rental space 8 29'-11"x10'-10" 324.09 sq.ft.
4
Corridor 5'-1"
Staff room 12'-5"x 14'-4"
Reception 12'-9"x 10'-8"
D3
DOWN
4'-5"
3
3
14'-9"
8'-4"
UP
5' 2'-1" 2'-8"
29'-11"
5'
6'
WAITING LOBBY 26'-4"x 39'-5"
4
5
3'-10"
void above 32'-11 x 11'-8"
KITCHEN 14'-9"x 10'-0" 879.75 sq. ft.
COUNTER 6'-4"x 11'-5"
6'-4"
2
2'-9" 1'
14'-9"
KITCHEN 14'-9"x 11'-5" 104.47 sq. ft.
CASH COUNTER
VOID BELOW
26'-4"
2'-4"
2'-8"
21'-11"
9
21'-10"x0'-0"
33'-9"
20'-1"
102'-6" 24'-5"
19'
10'-6"
7'-8"
BOX OFFICE 7'-8"x 6'-0"
10'-2"
5'
3'-9" 4"
14'-9"
6'-4"
COUNTER 6'-4"x 11'-5"
18'-11"
2'-7"
7'-5"
KITCHEN 14'-9"x 9'-11" 104.47 sq. ft.
6'-4"
Corridor 5'-3"
6'-3"
2'-6"
13'-1"
32'-6"
7 8
1'
COUNTER 6'-4"x 9'-11"
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
1'
2
3' 4"
5'
14'-9"
4" 3'-3"
2'-6"
COUNTER 6'-4"x 9'-9"
12'-4"
FOOD COURT
18'-11"
2'-8"
void
4'-9"
Up
3
2'-2"
6'-6" 8'-1"
13'-8"
5'
5 6
23'-7"
24'-5"
2'-7"
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
3 4
1'
102'-5"
2'-8"
3'-11"
1''
14'-9"
KITCHEN 14'-9"x 8'-0" 118 sq. ft. KITCHEN 14'-9"x 9'-9" 108.16 sq. ft.
6'-4"
Rental space 7 19'-0"x30'-1" 198.62 sq.ft.
3'-6
2
1
5'
6'-4"
3'-2"
1
13'
COUNTER 6'-4"x 10'-3"
ELEVATOR 6'-1"x6'-1" (10 PERSONS)
14'
10'-7"
Rental space 6 10'-6"x19'-0" 194.49 sq.ft.
4'-5"
ELEVATOR 6'-1"x9'-11" (13 PERSONS) 19 20
39'-5"
10'-3"
Rental space 5 10'-2"x19'-8" 197.40 sq.ft.
19'
3
1'
2'-5"
17 18
4
27'-7"
10'-9"
Rental space 4 10'-7"x19'-6" 205.49 sq. ft.
30'-1"
10'-6"
2'-7"
"
5
8'-1"
2'-3"
ELEVATOR 6'-1"x6'-1" (10 PERSONS)
Rental space 1 10'-6"x19'-6" 199.02 sq. ft.
Rental space 3 10'-3"x19'-6" 199.02 sq. ft.
19'-8"
Dn
Up
1''
6
10'-7"
Rental space 2 10'-9"x19'-6" 199.02 sq. ft.
25'-7"
TR= 12" RI = 7"
ELEVATOR 6'-1"x9'-11" (13 PERSONS)
28'-1"
5'
trea er ris
2
18 19 20 21 22 23 24 25
19'-6"
16 7 17 6 18 5 19 20 4 3 - 1' 2 d " 1 -7
19'-6"
11 12 13 14 15
19'-6"
8
19'-6"
9
12'
16'
10
11 12 13 14 15 16
7
3 - 1' 2 ad tre r -7" 1 rise
21'-11"
8'-10"
1
1
8
73'-9"
10
2
Corridor 5'-5"
W
2'-9"
10'-3"
1
16'-11"
9'-9"
2'-6"
9'-11"
19'-6"
19'
9'-10"
2'-6"
10'
21'-6"
16'-5"
1'-6"
10'-9"
2'-9"
18' 25'-6"
3' 3" 3'
19'
14'-5"
F'
F
21'-6"
3'
17' 4'-7" 2'-6"
E
19' 65'-4"
7'-6"
7'-1"
D
C
17'
4'-9"
6'-3"
B
20'-7"
4'
8'
13'-9"
10'-3"
11'-2"
127'-2" 20'-7"
2'-5"
12'-8"
11'-5"
A'''
10'-3"
A A''
A'
F'
8"
F
3'
E
16'
3'-4"
D
C
A'
A A''
B
D
C
E
FOURTH FLOOR PLAN AREA:(10794 SQ.FT)
F'
F
29'-11"
E
19'
F
21'-6" 1'-9"
18' 2'-6"
1'-6"
16'-11"
2'-9"
11 12 13 14 15 16 7
6
5
4
17 18
19 20
OFFICE 47'-7"x 28'-8" 1239.37 square ft.
22'
3 - 1' 2 ad tre r -7" 1 rise
CAPACITY 252 PERSONS
2
3
1''
2
3
1'
65'
13'-8"
THEATRE 2 38'-6"x 63'-2"
1
25'-7"
8
2'-9"
2'-10" 1'-2" 6'-4"
19'
11'-2" 16'
9
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
8'-1"
9'-9" 2'-9"
6
17' 42'-1"
10
7'-2"
w/c
w/c
5'-0"x3'-5"
w/c 3'-4"x6'-4"
5'-0"x3'-0"
L. TOILET 14'-5"x8'-4"
duct 2'-1"x3'-0"
pl . duct 2'-2"x3'-4"
w/c
ele. duct 3'-0"x4'-4"
w/c
frieght lift 6'-4"x5'-9" 500 kg
G. TOILET 7'-5"x22'-6"
5'-0"x3'-0"
D3
UP
5'-0"x3'-0"
DOWN 11 12 13 14 1516 17 18 19 20 10 9 8 7 6 5 4 3 2 1
1
5
D
C
20'-7"
4'
38'-6"
A 21
5"
5'-10"
29'-11"
B
127'-2" 10'-3"
35'-6"
2'-9"
18'-7"
DN
A A''
A'
9'-4"
2'-4"
Up
5
F'
Y
A'''
25'-9"
Rental space 11 18'-7"x23'-10" 406.40 sq.ft.
19'-10"
Coffee Shop 43'-0' x 21'-2"
5'
21'-1"
RAMP DOWN
4
13'-3"
Rental space 10 19'-10"x29'-11" 376.45 sq.ft.
43'
30'-8"
18'-11"
5'-11"
1'
4
3'-9"
7'
11'-9"
A6
B6
C6
D6
E6
F6
G6
H6
I6
B 21
J6
C 21
55'-3"
7'-11"
19'-10" 19'
17'
41'-6" 21'-6"
18'
4
1'-6"
13'-8"
clear length of screen wall = 40'-7" clear height of screen wall = 21'-0"
18'-11"
127'-2"
I 21
K 21 L 21
C
D
E
F
C10
D10
E10
F10
G10
H10
I10
J10
PROJECTOR ROOM 17'-6"x 5'-11"
5
F'
5
OFFICE ROOM CUM STORE 28'-10"x 16'-10" DOWN 11 12 13 14 15 16 17 18 19 20
D3
4
frieght lift 6'-4"x5'-9" 500 kg
10 9 8 7 6 5 4 3 2 1
ele. duct 3'-0"x4'-4"
6
A/C duct 2'-1"x3'-0"
pl . duct 2'-2"x3'-4"
UP
9'-3"
GROUND FLOOR PLAN Area:(9235 SQ.FT)
7'-5"
B
Y
B10
4'-5"
A A''
H 21
J 21
A10
A'
6'-5"
PROJECTOR ROOM 6'-5"x 13'-8"
52'-6"
2'-9"
2'-11"
20'-7"
12'-8"
30' 4'
18'-3"
10'-3"
40'-7"
15'-11"
G 21
20'-5"
9'-2"
48'-1"
3'-5"
E 21 F 21
THEATRE 1 55'-3"x 40'-9"
6
21'-8"
20'-3"
102'-6" 24'-5"
D 21
CAPACITY 210 PERSONS
16'-6"
5'-11" 10'-3"
24'-6" 4'
40'-11" 20'-7"
46'-8" 19'
17'
21'-6"
18'
134'-6"
6 A'
A A''
B
F' D
C
E
F
SIXTH FLOOR PLAN AREA:9665 SQ.FT
Y
Eyeplex Mall was the first on hand real architectural experience for me. This project helped me grow in multiple level. It taught be how design in translated from paper. I was involved in the conceptual design process and there were multiple iterations for the cinema hall which was very hard to do as a fresh architect because of stubborn nature maybe. However, I learnt to coordinate with the views of senior, clients to achieve something.
ROOF lvl + 122'-7"
9'-4"
TRUSS lvl +116'-1"
8th FLOOR
EIGHTH FLOOR lvl + 97'-4"
9'-4"
TOP FLOOR
NINTH FLOOR lvl +106'-9"
TRUSS lvl + 87'-9" SEVENTH FLOOR
11'-2"
7th FLOOR
SIXTH FLOOR lvl + 74'-2"
FIFTH FLOOR lvl + 62'-7"
5th FLOOR
11'-7"
11'-2"
116'-1"
FOURTH FLOOR lvl + 51'-0"
4th FLOOR
11'-7"
85'-9"
THIRD FLOOR lvl + 39'-5"
62'-7"
11'-7"
74'-2"
3rd FLOOR
SECOND FLOOR lvl + 27'-10"
2nd FLOOR
39'-5"
11'-7"
51'
FIRST FLOOR lvl + 16'-3"
11'-7"
27'-10"
1st FLOOR
16'-3"
GROUND FLOOR
4'-8"
PLINTH lvl + 4'-8" GROUND lvl ± 0'-0"
mezz. BASEMENT 16'-7"
122'-7"
11'-2"
6th FLOOR
106'-9"
While doing cinema hall, I learnt about the details of viewing angles, materials to be used for the acoustics purposes. I worked on site architect for few months as well. I helped me learn the coordination between consultant and construction workers too.
11'-2"
This is the commercial project in kathmandu, which includes retails shops in multiple floors and cinema halls at the top floor. 97'-4"
MALL
B
26'-1"
A'''
16'-2"
EYEPLEX
A A''
A'
Y
BASEMENT
SECTION Y-Y
SECTION
BASEMENT lvl - 11'-11"
RENDER VS REALITY The Cinema Hall was named ONE cinemas. Hence, the huge cut out was made to show it as a photographic spot for the cinema viewers.
The idea lobby space was to make it as artificially lit as possible. This is because, the glazing on the southern side won’t naturally light all the spaces. Different kinds of lights and materials can be seen in the rendering while in reality things has be changed due to some miscommunication. The granite in the floor was brought different than the renders due to miscommunication with the contractor, hence it leads to change of the color, texture of the ceiling too so that the space wont be dark.
The design of the cinema hall was severely affected due to the budget constraint in final phase of project. All the lights and the wall treatments had to be removed. The color of the seatings were changed after that as the initial color was suitable with more light. Hence, more bright colors were used to suit in dark environemt for construction.
The lobby of the cinema hall became somehow similar to the conceptual rendering, regardless of few changes with the lights and colors. Respected client of the building wanted the space to be more vibrant, hence the light and few spaces in ceiling was changed to yellow color. In my opinion, this project was best way for me to learn challenges of real life in architecture.
DRAWING SAMPLES
5'
18'
6
Y
C
D
E
F
10'-3"
30' 4'
2'-11"
20'-7"
A'
(9339 SQ.FT)
19'-10" 19'
18'
A A''
B
Y
C
GROUND FLOOR PLAN Area:(9235 SQ.FT)
E
2'-10" 1'-2" 6'-4" 25'-7"
35'-6"
16' 22'
2'-9"
11'-2"
E6
F6
G6
H6
I6
3
B 21
J6
F
F'
48'-11"
5
D3
frieght lift 6'-4"x5'-9" 500 kg
18'-11"
10 9 8 7 6 5 4 3 2 1
changing room (M) (3'-0" X 3'-0") 9 sq,ft
W/C (6'-3" X 6'-2") 32.16 sq,ft
F 21
changing room (F) (3'-0" X 3'-0") 9 sq,ft
ele. shaft 3'-0"x4'-4"
clear length of screen wall = 40'-7" clear height of screen wall = 21'-0"
52'-6"
H 21 I 21 J 21 K 21 L 21
B10
C10
D10
E10
F10
G10
H10
I10
J10
PROJECTOR ROOM 17'-6"x 5'-11"
5 DOWN 11 12 13 14 15 16 17 18 19 20
D3
frieght lift 6'-4"x5'-9" 500 kg
10 9 8 7 6 5 4 3 2 1
ele. duct 3'-0"x4'-4"
24'-6" 4'
40'-11" 20'-7"
16'-6"
46'-8" 19'
17'
21'-6"
18'
134'-6"
A A''
B
Y FIFTH
C
6
A/C duct 2'-1"x3'-0"
pl . duct 2'-2"x3'-4"
UP
UP
5'-11" 10'-3"
4
5
OFFICE ROOM CUM STORE 28'-10"x 16'-10"
6
A/C shaft 2'-1"x3'-0"
pl . shaft 2'-2"x3'-4"
E 21
G 21
6'-5"
PROJECTOR ROOM 6'-5"x 13'-8"
9'-3"
2'-9"
DOWN
55'-3"
A10
Store (13'-2" X 9'-2") 120.18 sq,ft
E10
11 12 13 14 15 16 17 1819 20
6
1'-6"
D10
coffee shop (17'-9" X 7'-8")
A'
D
C10
Store
7'-2"
w/c
w/c
41'-6" 21'-6"
127'-2"
F'
LOWER BASEMENT PLAN
7'-11"
17'
D6
D
E
5'-11" 10'-3"
24'-6" 4'
40'-11" 20'-7"
21'-6"
19'
18'
134'-6"
A'
F
46'-8"
17'
6
F'
B
A A''
FLOOR PLAN AREA:10794 SQ.FT
Y
F' D
C
E
F
SIXTH FLOOR PLAN AREA:9665 SQ.FT
ROOF lvl + 122'-7"
9'-4"
TRUSS lvl +116'-1" NINTH FLOOR lvl +106'-9"
8th FLOOR
EIGHTH FLOOR lvl + 97'-4"
11'-2"
9'-4"
TOP FLOOR
TRUSS lvl + 87'-9" SEVENTH FLOOR
11'-2"
7th FLOOR
SIXTH FLOOR lvl + 74'-2"
11'-2"
6th FLOOR
FIFTH FLOOR lvl + 62'-7"
5th FLOOR
11'-7"
B
15'-11"
B10
D4
Smoking Zone (9'-8" X 8'-0")
6
4
4 Kitchen (15'-7" X 13'-2") 220.27 sq.ft
122'-7"
FOURTH FLOOR lvl + 51'-0"
97'-4"
4th FLOOR
85'-9"
THIRD FLOOR lvl + 39'-5"
74'-2"
3rd FLOOR
62'-7"
SECOND FLOOR lvl + 27'-10"
51'
2nd FLOOR
39'-5"
FIRST FLOOR lvl + 16'-3"
27'-10"
1st FLOOR
16'-3"
GROUND FLOOR
4'-8"
PLINTH lvl + 4'-8" GROUND lvl ± 0'-0"
mezz. BASEMENT 16'-7"
A A''
9'-2"
40'-1"
F6
5
CAPACITY 210 PERSONS
THEATRE 1 55'-3"x 40'-9"
106'-9"
A'
3'-5"
E 21 F 21
A10
5
1'-6"
126'-10"
D 21 THEATRE 2
THEATRE 1
16'-6"
55'-1" 21'-6"
19'
C6
11'-7"
2'-6"2'-8"
B6
11'-7"
14'-5" 17'
A 21 A6
11'-7"
2'-9"
2
38'-6"
11'-7"
22'-1" 20'-7"
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
11'-2"
6' 2'-8"2'-3" 10'-3" 4'
CAPACITY 252 PERSONS
1'
D 21
116'-1"
1'-7"
OFFICE 47'-7"x 28'-8" 1239.37 square ft.
3
1 1''
C 21
4'-5"
9'-9" G. TOILET 7'-5"x22'-6"
12'-5"
5'-0"x3'-5"
w/c 3'-4"x6'-4"
5'-0"x3'-0"
duct 2'-1"x3'-0"
pl . duct 2'-2"x3'-4"
w/c
ele. duct 3'-0"x4'-4"
w/c
frieght lift 6'-4"x5'-9" 500 kg
UP
5'-0"x3'-0"
D3
L. TOILET 14'-5"x8'-4"
5'-0"x3'-0"
11'-9"
DOWN
10 9 8 7 6 5 4 3 2 1
4
13'-3"
29'-11"
DN
11 12 13 14 15 16 17 18 19 20
3
3
A 21
E6
4
19 20
THEATRE 2 38'-6"x 63'-2"
9'-5"
30'-8"
18'-7"
Up
5
D6
F6
25'-9"
Rental space 11 18'-7"x23'-10" 406.40 sq.ft.
19'-10"
Coffee Shop 43'-0' x 21'-2"
4
2'-9"
5'-11"
1'
16'-2"
18'-11"
23'
RAMP DOWN
C6
F10
Rental space 10 19'-10"x29'-11" 376.45 sq.ft.
43'
B6
40'-1"
THEATRE 1 40'-1"x 40'-9"
3'-9"
7'
4
7'-5"
21'-6"
frieght lift 500 kg
6
A6
C 21
Rental space 9 13'-1"x29'-11" 391.40 sq.ft.
7'-7"
38'-6"
D4
D4
40'-9"
void above 32'-11 x 11'-8"
21'-10"x0'-0"
2'
D4
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
102'-6" 24'-5"
9
1' 1'
Rental space 8 29'-11"x10'-10" 324.09 sq.ft.
3
5
16 17 18
2 2
D5
6
B 21
21'-8"
7 8
21'-11"
Up
29'-11"
void
4'-9"
3
2'-9"
5 6
THEATRE 2 38'-6"x 39'-11"
7
21'-8"
2'-6"
2'-9"
2'-9"
2'-6"
1'-6"
12'-8"
2'-4"
16'-11"
18'-3"
5'
2'-6"
7'-5"
2'-4"
18'
19'
65'
2'-6"
D5
F
21'-6" 1'-9"
13'-8"
5'
w/c 5'-5"x3'-0"
11 12 13 14 15 8
- 1' 2 ad " tre er -7 1 ris
6'-3"
w/c 5'-5"x3'-0"
9
20'-3"
2'-7"
LADIES TOILET (17'-5"X 9'-3")
10
1'
1''
w/c 5'-5"x3'-0"
40'-7"
2'-6"
GENTS TOILET (22'-7"X17'-11") NO.OF URINAL = 11
19'
20'-5"
5'
ELEVATOR 6'-1"x6'-1" (10 PERSONS)
2
w/c 5'-5"x3'-0"
w/c 5'-5"x3'-4"
17' 42'-1"
13'-8"
2'-6"
w/c 5'-5"x4'-0"
20'-7"
102'-6" 24'-5"
2'-8"
tre er ris
1
1 w/c 5'-5"x4'-0"
w/c 5'-5"x4'-0"
ELEVATOR 6'-1"x9'-11" (13 PERSONS)
4'
9'-4"
48'-1"
5'
25'-8"
E
127'-2" 10'-3" 2'-4"
18'-11"
2'-7"
A'''
D
C
1'-6"
DN
13'-8"
2'-8"
10'-10"
3 4
32'-6"
24'-5"
5'
18'
W 11 12 13 14 10 15 9 16 8 17 7 18 6 19 5 20 4 3 - 1' 2 ad -7" 1
2'-2"
2'-7"
2
F
21'-6"
8'-1"
Rental space 7 19'-0"x30'-1" 198.62 sq.ft.
10'-6"
10'-2"
E
19' 65'-4"
B
A A''
A'
4'-5"
Rental space 6 10'-6"x19'-0" 194.49 sq.ft.
13'
17'
39'-11"
Rental space 5 10'-2"x19'-8" 197.40 sq.ft.
10'-7"
20'-7" 2'-4"
40'-8"
Rental space 4 10'-7"x19'-6" 205.49 sq. ft.
10'-3"
1 16'
Rental space 3 10'-3"x19'-6" 199.02 sq. ft.
10'-9"
1'
D
C
F' 4'
F'
Y
5"
2'-3" Rental space 2 10'-9"x19'-6" 199.02 sq. ft.
10'-6"
25'-7"
Rental space 1 10'-6"x19'-6" 199.02 sq. ft.
1''
B
A A''
A'
10'-3" 12'-9"
28'-1"
ELEVATOR 6'-1"x6'-1" (10 PERSONS)
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
2
1
102'-5"
97'-2" 2'-9"
Dn
Y
18'-11"
2'-9"
up
2'-9"
ELEVATOR 6'-1"x9'-11" (13 PERSONS)
"
23'-7"
24'-5"
21'-8"
24'-5"
2'-8"
6
16'-11"
29'-11"
25'-9"
16'-2"
16'-2"
16'-2"
18'-11"
2'-6"
24'-5"
5' 13'-8"
3
5
2'-9"
5
A'''
19'-6"
19'
3'-6
33'-9"
4
2'-6"
20'-5"
RAMP UP
21'-6"
16'-5"
18'-9"
23'-8"
TR= 12" RI = 7"
6'
45'-9"
2'-9"
19'
1'
96'-11"
18 19 20 21 22 23 24 25
Up
CAR PARKING (32 NOS.)
4
14'-5"
101'-11"
11 12 13 14 15 8 16 7 17 6 18 5 19 4 20 3 - 1' 2 1 ad "
tre er -7 ris
2
TR= 12" RI = 7"
3
19'
17' 4'-7" 2'-6"
30'-1"
16'
9
8'-1"
ELEVATOR 5'-8"x4'-2" (13 PERSONS)
7'-1"
19'
10
6'-6"
25'-7"
6'-1"
28'-1"
5'-11" 1'-3"
2
2'-9"
3
6'-1"
•• •
8'-1"
13'-8"
• ••
6'-3"
34'-7"
••
13'-9"
1
1
MACHINE ROOM UP
2
20'-7"
2'-5"
22'
10'-3"
5'
2'-3" 16'
17'-6"
1'
MACHINE ROOM
TR= 12" RI = 7"
WATER TANK (70,000 LTS.)
1''
3'-4"
2'-1"
1
1
127'-2" 26'-1"
A'''
2'-9"
13'-1"
16'-11"
11'-2"
Y
19'-6" 2'-6"
19'-8"
19'
2'-8"
2'-6"
5'
21'-6"
16'-5"
F'
2'-8"
2'-9"
3'-10"
19'
14'-5"
F
5'
17'
6" 6'-1" 6" 4'-7" 2'-6"
E
5'-10"
6'-3"
19'-6"
2'-9"
19'-6"
20'-7" 12'-10"
D
C
21'-1"
9"
B
8'-10"
10'-6"
A A''
A'
1'-4" 8'-1"
F'
19'-6"
F
12'
2'-4"
E
126'-10" 25'-4"
A'''
D
C
19'-6"
Y
B
A A''
A'
WEST ELEVATION
BASEMENT
SECTION Y-Y
BASEMENT lvl - 11'-11"
The Gallery: Remembrance of Insurgency Work: Architects Studio Type: Professional Project Supervisor: Ar. Sailendra B.C. Work Involved. Exterior Conceptual design Interior Design Construction Supervision Learnings: This project help me to see the transformation of the design from paper to reality. I designed most of the exterior and interior space under guidance and worked on site to achieve it in reality that helped me learn coordiation with contractor, solving issue which are not conceived in design process.
03
The feelings that need to be acknowledge by a gallery for insurgency should more focused to individual and communal loss during that time as said by Maya Lin. Abduction, death and hope form a triad relationship
THE GALLERY: Remembrance of Insurgency “The definition of modern approach to war is acknowledgement of individual life lost” -Maya lin
Insurgency movement occurred in Nepal between (1996-2006 B.S.) which created a lot of destruction in a form of an arm conflict. Many innocent people were killed others became displaced and physically disable due to war. War broke down due to the lack of communication and negotiation between the government and Communist Party of Nepal (Maoist). “From the beginning to the end of the people’s war, almost all rules and laws that regulated society were suspended, safety and security were disrupted, and consequently horrifying events started taking place. Extortion, threat, detention, abduction, disappearance, and death became headline of daily news.
This gives an idea of a triangle in which all the function can be managed. Symbolically, the triangle form will symbolize the stability which the country is marching after insurgency.
Appalling battles were fought there were a clash and the cross fire; countless were trapped in the ambush. More than 19,000 people (including both civilians and armed forces) were killed during the conflict, including 4,500 Nepalis killed by Maoists from 1996-2005, and 8,200 Nepalis killed by government forces from 1996-2005 The journey starts as soon as the visitor enter the site. The major entrance is enhanced and focused by two huge column type structure. Pacing down towards the building people are introduced to mass of cuboidal volumes of rustic looking brick. This place is known as land of loss. The height of cubical volumes varies from 1m to 2.5m. thus, people going downward to the building, the height will increase creating a feeling of
Alongside the main functions of triad, ancillary spaces i.e. library and administration are added. The idea of overall master-plan is to divide site in two part of memorial zone and supporting zone.
To obtain final form that emerges from the ground and ended in the ground with the light of hope placed at the top of the building it symbolizes that there is always a hope.
‘loss’ and pressure. The motive of creating land of loss is to give initial sense of uneasiness and make them prepare for the space inside. As people moves towards the center of land of loss there is courtyard that will direct people to building. Individuals should find their path up to the courtyard to direct to building. Visitors are then directed to gallery. The idea of gallery is to create a journey for the people while visiting it. A gallery provides a narration of insurgency times by translating it into spaces. The journey of gallery starts from the entrance staircase which is very small in width i.e. 1m, as only one person can enter through the entrance, it is suppose to make people feel that the journey here starts alone and it is dark as the space will be dark. Foot lights will be provided to guide the steps
Hall of Reveal Being a gallery, both didactic and interpretative information need o be presented to people so that the context will be clear to them. Entrance direct people towards hall of reveal which act as lobby as well as information center on why insurgency started. It provides information on monarchy which was the major reason for insurgency and how it ended in video format. Hall of Abduction During insurgency times, many people were abducted. Enforced disappearance happens from both government side and Maoist side. This space will give the sense of being abducted to visitor as the space will be gigantic. Small plants and trees will be placed in jail type structure
Path of Darkness After revealing about the insurgency and leading people to abduction gallery, the journey is narrated towards darkness after abduction. As the life of people after abduction was miserable and full of darkness. Thus, path of darkness is created. It is like an alley which is very dark provided with very few lights and cold ambience but at the end of it, light can be seen from door. It can be interpreted as there is always light in the end of tunnel though whatever the condition is. Path of darkness will lead to courtyard of struggle Courtyard of struggle it reflect the struggle faced by victims of insurgency. When visitor enter to courtyard of struggle from path of darkness, the end light of path of darkness may resemble light but reaching to courtyard of struggle, it will depict that struggle is still valid and it has not ended completely. It consists of a sculpture of a woman with head facing floor placed in the centre of a water body. The woman represents all the secondary victims of war who are mother, daughter and soon. People can’t reach up to the sculpture due to water body, thus giving an interpretative meaning of struggle that help was not available for those victims during that times. A glass ceiling is provided in courtyard which will give sense of imprisonment and struggle to get out of it.
Hall of Torture People were tortured during struggle phase. To depict the torture in architectural space, hall of torture is created. In this space, the ambience provided is dark with cool colours. Rustic looking chairs which is bounded by chain is provided as a symbolic representation of torture. The concrete pyramid type structure is placed in ceiling which height varies thus creating a slight tension in people giving sense of torture. Hall of Silence This space signifies the silence of people after they have been tortured. This space will be all white spaces with water a small bench and water. With white colour and a small seating space it symbolizes the mind state of people being silent after torture. The water helps people to see true reflection of themselves and be calm before revolution.
Hall of Martyrs Whenever the voices of revolution start to grow, the opposing side always try to silence it. It was no different in insurgency of Nepal as well. Many people lost their lives when they voiced against system. Hall of emptiness is devoted to those who lost their lives for revolution. It consists of the pictures of the individuals who lost their lives and the boxes are placed in floor to make people feel the emptiness of lost soul Light of Hope It is the space in which the light is illuminate inside the space will symbolize hope. After exiting from this space, people can reach to ground from roof. After light of hope, when people exit they will get to see greenery, can breathe fresh air, water bodies. They can also see the chaotic city, haphazard development where people can think is this what they want after insurgency??....... The answer varies with visitor.
This structure is dedicated in honour of warrior who lost their lives. The water body inside gives the calmness to the visitor after the depressing sort of run in gallery. The tree place in the centre of water body will show the new rise of hope
WARRIOR CIRCLE OF HONOUR THE INNER CONSCIOUSNESS
The wooden Cabin Work: All Nepal Architecture Asian Paints Design Competition: College round Type: Individual Project Consolation Prize in Competition Work Involved: Research Proposal, Literature Review, Case Studies, Conceptual design
04
Re-imagining Campus Cafeteria Design proposed in the premises of Department of Architecture of Pulchowk campus,IOE. The main theme of project was to be prepared by using wood thus, design was prepared trying to reflect the idea of architecture alongside architecture department.
THE WOODEN CABIN My proposal addresses the creation of distinct image of campus cafeteria by providing a sculptural form but a coherent envelope for the required function. Building form takes inspiration from the adjacent cave, ensuring that the design delivers the new vision in terms of architecture. As the site locality is rich of different architecture styles. it will be addition in its campus environment. Timber as a building material provides a change in architectural expression and with use of different style, I purpose to achieve a new looking building that will be addition to fabric of pulchowk campus environment.
Conceptual Process
Initial form inspired from cave but to make it looks like art form it is more rigid looking elements were added along to make itself sustaining.
The front opening is closed but to make a connection of interior exterior space glass is used
Outdoor space is purposed for more seating space
Addition of structural element in outdoor space so that it will be like a semi open space
Sunrise View Resort Work: Architects Studio Type: Professional Project Supervisor: Ar. Sailendra B.C. Work Involved. Exterior Conceptual design Interior Design Construction Supervision Learnings: This project help me to see the transformation of the design from paper to reality. I designed most of the exterior and interior space under guidance and worked on site to achieve it in reality that helped me learn coordiation with contractor, solving issue which are not concieved in design process.
05
The Zoning is started with providing facilities like Restaurants and Meeting hall below the forty feet level and Rooms of different luxury is created so that it will have view of mountain range above top of land. As the Site itself is steep, the idea is used to make slope roofs so that building will look like it emerges from the site itself blending in nature. It also provides access to every floor from the top level of land without reaching the restaurant levels.
SUNRISE VIEW RESORT The idea of this project revolves around making an iconic looking resort with luxurious facilities and architecturally building generated from earth. The site is located in very steep land in southern slope so it already has a disadvantage of no visibility to Annapurna Range of Pokhara, Nepal. Thus, steepness of the land acts as both challenges as well as the advantage to create an iconic structure for resort. Two levels forty feet apart helps us in zoning a three-star Resort facility with a full range view of Annapurna range.
This building has two face in my opinion. It looks like a 4 floors building from north side while it is 10 floors from the southern side. The major reason behind this difference is to create a view of mountains for most of the hotel room facing north. Finally, the steep land is provided with a waterfall to give a magical view of mountain and waterfall.
Typical floor plan Section
Sunrise View Resort Work: Volzero International Competition Type: Group Project Group Member: Shreejan Maharajan, Sambid Ghimire Work Involved. Literature Review Case Studies Program Formulations Conceptual design
06
THE MOUNTAIN HUT CONTAINER HOUSE
Nepal is famous for mountaineering because of numerous mountains. Machhapuchhree Trail Route is one of the famous routes which is now deserted after 2015 earthquake in Nepal as it lacks the basic infrastructure i.e. shelter. Therefore, the objective of this project is to introduce fast and easy construction of shed for the trekkers. This project was done to be presented in Volzero Competition of container house. Since the competition was all about the use of container, taking consideration of its easy and fast construction. we tend to design a shelter for trekker enthusiast as most of them were destroyed in 2015 earthquake in Nepal.
Interior space enough for 2 people to sleep in one pod.
The plank designed to sleep and put luggage.
Concept Chautari are open resting place in Nepal found on walking trails. A Chautari has raised platform with tree in the middle, water source nearby and gives sense of resting place to people. Our planning has taken this into account and container pods have been placed scattered, consistent with the site topography, around the Chautari tree. Containers of 10’X 8’X 8’6” are used as self- functioning pods providing accommodation for 3. Powered by solar panels, these pods are insulated by rockwools on interior surface with double glazed openings providing natural light. Planning was achieved according to the wind direction and solar elements were added along to make itself sustaining.
Space below can be used to the log storage so that can be used later
Residence Type: Freelance project Work Involved. Conceptual design Municipal Drawing Construction Supervision
07
4'-4"
2'-7" 1'-0"
9'-2"
1'-0" 2'-3" 9" 2'-2"
10'-2"
7'-11"
2'-0" 1'-0"
9"
3'-9"
5"
3'-0"
1'-0"
7'-11"
8'-3"
9'-2"
1'-0" 2'-3" 9" 2'-2"
10'-2"
2
3
1
2
9"
3'-9"
5"4" 2'-8" 1'-0"
9'-2"
A
A
3
4
1
2
11'-3"
A
2'-0" 1'-0"
9"
8'-2"
3'-9"
4'-6" 10'-2"
7'-11"
8'-2"
27'-4"
3
4
1
2
3
4
X
X
ROOF PLAN
SECOND FLOOR PLAN
AREA AS PER PLAN :120.92 SQ.FT NEW AREA PER CONSTRUCTION:: 147.92 SQ.FT
AREA PER PLAN: 667.92SQ.FT NEW AREA PER CONSTRUCTION:: 682.22SQ. FT
X
AREA AREA PER PLAN: 667.92SQ.FT NEW AREA PER CONSTRUCTION:= 682.22 SQ. FT
26'-7"
B 6'-4"
B
C
14'-10"
B
10'-11"
12'-9" 8'-2" 28'-6"
9" 1'-6" 9" 1'-0"
9'-11"
10'-11" 8'-6"
7'-6"
26'-7"
1'-0"
1'-0" 2'-3" 9" 2'-2"
D2
V2
27'-4"
FIRST FLOOR PLAN
AREA AS PER PLAN: 604.00 SQ.FT NEW AREA PER CONSTRUCTION: 625 SQ.FT
V1
10'-2"
7'-11"
C
W3
7"1'-0"
14'-10"
2'-0" 1'-0"
8'-3"
X
GROUND FLOOR PLAN
ROOM 12'-9" X 11'-7" W2
A
C
D2
D2
27'-4"
4
W/C 8'-0" X 5'-0"
W3
27'-4"
1
D1
D1
4'-0"
12'-9" 8'-2" 28'-6"
D1 V2
W2
A
D
6'-4"
W2
B
ROOM 12'-4" X 8'-11"
ROOM 11'-4" X 9'-8"
7'-8"
B
7"1'-0" 4'-0"
V1
FOR OFFICIAL USE.
9'-9"
V1
6'-4"
ROOM 12'-9" X 11'-7"
W1
1'-5" 7" 9" 1'-6" 9" 1'-0"
9'-11"
10'-11"
D2
4
28'-10" 10'-2" 2'-6" 4"1'-0"
4'-1"
V1
D D
9" 1'-0"
A
C
26'-9"
W/C 8'-0" X 5'-0"
W3
C
1'-0"
D1
D1
8'-6"
D1 V2
7'-6"
12'-6" 28'-6"
1'-9" 4" 9" 1'-6" 9" 1'-0"
8'-2"
A
1'-0"
1'-1"1'-0"
W1
W1
3
2 7'-11"
6'-0"
9" 1'-5"
9"3"
D2
1'-0"
14'-10"
B
ROOM 12'-4" X 8'-11"
ROOM 12'-4" X 9'-8"
6'-0"
B
1'-4"1'-0" 1'-8"
4" 2'-8" 1'-0"
D
9" 1'-0"
4'-7"
W4
1
9'-9"
4'-0"
V1
2'-9"
V1
10"1'-0"
ROOM 12'-9" X 11'-7"
2'-6"
V1
D
W1
4
28'-10" 10'-2" 2'-6" 4"1'-0"1'-5"
4'-1"
8'-6"
W1
6'-4"
W1
3
2 7'-11"
1'-0"
11" 1'-6"
1
1'-1"1'-0"
2'-6" 1'-0"1'-0"
4 9'-9" 6'-0"
1'-0" 1'-8" 2'-8"
9"
9'-11"
10'-11" 26'-9"
C
8'-6"
W/C 8'-0" X 5'-0"
D2 6'-0"
1
3
2
4
28'-10" 10'-2"
7'-11"
9'-9"
D
C
B
6'-4"
B
14'-10"
8'-6"
26'-7"
28'-6"
C
10'-11"
12'-9"
D
A
A
7'-11"
10'-2"
8'-2"
27'-4"
WEST ELEVATION
S0UTH ELEVATION
NORTH ELEVATION
EAST ELEVATION
1
2
S.N. DESCRIPTIONS
8'-5"
3'-0"
19ft Road
7"
9'-4"
5"
8'-9"
'11
10"
15'-7"
37'-0"
SETBACK LINE (5'-0")
GR
FST SEC QTY REMARK
FL
FL
FL
1.
MAIN DOOR (MD)
4'-0"X7'-0"
1
1
1
3
2.
DOOR (D1)
3'-0"X7'-0"
2
2
2
6
3.
DOOR (D2)
2'-8"X7'-0"
1
1
2
4
4.
WINDOW (W1)
6'-0"X4'-0"
3
3
2
8
2
2
1
5
1
1
3
3
3
5.
WINDOW (W2)
4'-0"X4'-0"
6.
WINDOW (W3)
3'-9"X4'-0"
7.
VENTILATION (V1) 2'-6"X1'-9"
3
8.
CHAIN GATE (CG) 8'-0"X7'-0"
1
9.
VENTILATION (V2) 1'-6"X4'-0"
10. WINDOW (W4)
2'-0"X4'-0"
11
2 IN STAIRWELL AT ROOF
1 3
3
6
1
9'-4"
13'-2" 13'-10"
11ft Road
7'-11"
31'-5"
BUILDING
Dhamala Dhoka chowk
Kiran sewa Plot no. : 1460
18'-
23 '-
0"
5"
14'-0"
RISER = 7" TREAD = 10"
21'-0"
"
'-7
50
7"
10"
Nala Road
Brahamayini Mandir
32'-11"
39'-1"
Way to chayamashingh
5'-9" MH
6'-6"
SEPTIC TANK
SETBACK LINE
2'-7"
13'-8" 13'-5" 15'-6"
6'-
SECTION AT X-X
6"
SETBACK LINE
33kv electric line
10"
9'-4"
SIZE
4
7"
10"
5'-6"
29'-6" 28'-10"
7'-4"
3
ROOF PLAN
X
OPENING SCHEDULE
1'-6"
14'-10"
C
1'-0"
D1
MD
7'-6"
12'-8" 8'-2" 1'-0"
D1
CG
4'-0"
28'-6"
ROOM 12'-4" X 8'-11"
ROOM 12'-4" X 9'-8"
1'-0"
A
3
28'-10" 10'-2" 6'-0"
V1
1'-0" 2'-10"
B
2'-6" 4"1'-0" 1'-11"
1'-0"
D
V1
C
4'-1"
V1
D
W1 1'-0"
2'-6" 1'-0"1'-0"
W1
1'-0"
1'-1"1'-0"
1'-0"
2 7'-11"
6'-0"
2'-6" 1'-0"1'-0"
V1
D
1'-4"1'-0" 1'-8"
2'-6" 1'-0"1'-0"
1
9'-9"
5'-11"
X
Architectural Drawing Sample
4
28'-10" 10'-2" 2'-6" 4"0"1'-0" 1'-11"
X
3
2 7'-11" 4'-1"
X
X
X
1
1'-0"
16'-3"
Ittacha Pati
5'-3"
Dhunghedhara
35'-0"
SITE PLAN
AREA: 1298.94 SQ.FT 0-3-3-0.72 1 "=1'-0" SCALE : 16
Rohit kattel plot no : 1250 and 1253
LOCATION PLAN
N
2
3
4
1
2
3
3
4
4
R
FOOTING DETAIL FOR MEDIUM SOIL
9'-9" 10'-2"
9'-9"
7'-11"
10'-2"
9'-9"
5'-11"
F1
F1
D
5'-6"
5'-6"
F1 D
C1
C2
C2
P
S.No. Type
F1 P
D
D
C1
5'-6"
5'-6"
3
12'-7"
12'-7"
5'-6"
5'-6"
12'-7"
5'-6"
D
12'-7"
5'-6"
5'-6"
F1 5'-6"
F1 D
5'-6"
5'-11"
5'-6"
7'-11"
R
BEARING CAPACITY =150KN/SQM
CONCRETE GRADE: M20
STEEL GRADE:TMT Fe 500 Reinforcement bar
Footing Size (LXB)
Footing depth d
X-direction
Y-direction Asty
Astx
D
1.
F1
5'-6"X5'-6"
9"
12"
• • • • • •• •• • • • • • • • •••• • • •• •• • • • • • • • • •
2.
F2
6'-0"X6'-0"
9"
12"
• • • • • •• •• • • • • • • • •••• • • •• •• • • • • • • • • •
3.
CF1
12'-5"X6'-0"
21"
• • • • • •• •• • • • • • • • •••• • • •• •• • • • • • • • • •
4.
CF2
11'-5"X9'-6"
21"
4
• • • • • •• •• • • • • • • • •••• • • •• •• • • • • • • • • • TOP & BOTTOM
TOP & BOTTOM
12'-5"
F2
C3
C
B
B
1A
A
C3
C
6'-0"
5'-0"
6'-1"
C1 B
4'-6"
5'-6"
F1
C2
6'-7"
9'-6"
CF2
13'-4"
5'-6"
6'-7"
13'-4"
11'-5"
B
C1
6'-10"
6'-0"
C1 C
6'-10"
5'-6"
6'-0"
CF1
5'-6"
F1 C
scale-1"=4'-0"
C1
A
C1 A
2 7'-11"
1
10'-2"
7'-11"
8'-2"
2
3
4
1
10'-2"
8'-2"
2
3
X 4
G.L
SCALE-1"=8'-0"
SCALE-1"=8'-0" COLUMN DETAILS OF BUILDING
SN COLUMN TYPE
SIZE in inch. (bXD)
STEEL GRADE: TMT Fe 500
CONCRETE GRADE: M25
REINFORCEMENT BAR LONGITUDINAL BAR
LATERAL TIES
SECTION
SHAPE OF TIES
IN (h+z) IN(H-2h)
1.
C1
GROUND FlOOR. • •• • • • • •• • • • •• ••••• •••••• •••••••• ••••• •••••• •• • • • • • • • • 12"X12" FIRST FlOOR. • •• • • • • •• • • • •• ••••• •••••• ••••••• ••••• •••••• •• • • • • • • • • • • • • •• •• ••• ••••• •••••• •• • • • • • • • • SECOND TO TOP • •• • • • • • • •
2.
C2
12"X12" FIRST FlOOR.
C3
12"X12" FIRST FlOOR.
GROUND FlOOR. • •• • • • • •• • • • •• ••••• •••••• ••••••• ••••• •••••• •• • • • • • • • • • •• • • • • •• • • • •• ••••• •••••• ••••••• ••••• •••••• •• • • • • • • • •
SECOND TO TOP • •• • • • • • • •
• •• • • • • •• • • • •• ••••• •••••• ••••••• ••••• •••••• •• • • • • • • • •
SCALE:1"=2'0"
+
Ld
SCALE:1"=4'-0"
+
• • • • •• •• ••• ••••• •••••• •• • • • • • • • •
scale-1"=2'-0"
As per site cond.
SECOND TO TOP • •• • • • • • • •
+
• • • • •• •• ••• ••••• •••••• •• • • • • • • • •
GROUND FlOOR. • •• • • • • •• • • • •• ••••• •••••• ••••••• ••••• •••••• •• • • • • • • • • 3.
G.L
6
GL.
G.L
f
1
Scale - 1"=1'-0" Scale - 1"=1'-0"
scale-1"=2'-0"
4
3
LANDING BEAM
XX SCALE:1"=2'-0" G.L
G.L
D
Y
1
Scale - 1"=1'-0"
2
7'-11"
V1
D
A
Scale - 1"=2'-0"
LANDING BEAM
V1
C
12'-7"
Structural Drawing Sample
1
Scale - 1"=2'-0"
+ f
CG
••• • • •
C
A
LANDING BEAM
SCALE:1"=8'-0"
Scale - 1"=1'-0"
C
Scale - 1"=2'-0" Scale - 1"=1'-0"
SCALE:1"=4'-0"
SCALE:1"=2'0"
TIE BEAM
D SCALE:1"=1'-0"
FOR OFFICIAL USE.
ART AND PHOTOGRAPHY
NYATAPOLO TEMPLE
The compositiion of roof line and the essence of material.
ALLEY IN PATAN
An architectural identity- a narrow walkway
CULTURE AND TRADITION
Elder brother teaching younger one to worship god
TWO FACE OF ARCHITECTURE AFTER EARTQHAKE
monuments unaffected and affected by earthquake of 2015
GLOW IN PAPER
Krishna Temple illuminated with yellow light
CLOCK TOWER
Monocromatic digital drawing
Re f e r e n c e s Prof. Ulrike Passe, 6O1 Studio Professor, Iowa State University Email: upasse@iastate.edu Prof. Chengde Wu, 6O1 Studio Professor, Iowa State University Email: cdwu@iastate.edu Prof. Dr. Bharat Sharma, Thesis Supervisor, Institute of Engineering,Tribhuwan University, Nepal Email: Dhabauli@gmail.com Prof. Dr. Sudha Shrestha, Head of Department, Institute of Engineering,Tribhuwan University, Nepal Email: ioe.sudhashrestha@gmail.com Ar. Prajal Pradhan,Managing Director, A for Architecture, Nepal Email: ar.prajal@gmail.com Ar. Shailendra B.C. ,Managing Director, Architects Studio, Nepal Email: archstudioO1O@gmail.com