University Of Cincinnati

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SRIMOYEE SINHA University of Cincinnati B. Sc. (Architecture) Class of 2018



TABLE OF CONTENTS 36 W MULTI-FAMILY HOUSING SPRING 2017: ACADEMIC WORK

MODEL IN SCALE: S TO XL SUMMER 2016: ACADEMIC WORK

CINCINNATI/COVINGTON ROWING FACILITY SUMMER 2016: ACADEMIC WORK

HOLZ UND STEIN: SWISS ARMATURE FALL 2017: ACADEMIC WORK

LINKED IN HEADQUARTERS SUMMER 2017: PROFESSIONAL WORK; STUDIOS ARCHITECTURE

SKETCHES: MIXED MEDIA FALL 2017: ACADEMIC AND RECREATIONAL

PERSONAL PHOTOGRAPHY VARIED DATES


36 W MULTI-FAMILY HOUSING PROJECT TYPE: PERIOD: SOFTWARES USED: MODEL MADE OF:

Urban Infill Spring 2017 Auto CAD, Rhinoceros, Revit, Adobe Photoshop, Adobe Illustrator MDF, Chipboard, Museum Board, Basswood

ROBERT BURNHAM HOUSING STUDIO

A continuation of residential design and program study, this project was framed to fit the rest of the 12 weeks of Spring semester. Students had the option to chose between two sites, A and B, located on 35-36 W McMillan Street, Cincinnati. Location of the following project is on Site A. With an elevation change of approximately 20 ft. between the north and south directions, this site provided an opportune topography to play with variant levels between programs. The main programs of the project scope included 6 three bedroom units, 8 two bedroom units, 6 one bedroom units, approximately 3000-5000 sq. ft. of commercial space, central lobby connecting all residents to every facility available on their premises and a multipurpose space for fitness and likewise. The design constraints were loose enough to add a few more program typologies onto the existing requirement. I focused on natural daylighting as an important factor for designing the interiors of my apartment units. Placing balconies onto the southern edge and spacious curtain wall openings on the northern face facilitated appropriate daylight into private and public spaces inside each apartment. A central lobby and circulation space connects all units to the basement parking, commercial and multipurpose spaces for ease of access.


Site Locations: A and B

Site Circulation Diagram: faded out red indicates major roads and crossings around the site

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Site Contour Diagram Site B: Elev. Change ~ 40 ft.

Site Section Diagram

Site Section Diagram

Site A: Elev. Change ~ 20 ft.


Residential Units

Commercial Space

Basement Parking

Initial Massing and Program Diagram: Scheme 1

1 and 3 bedroom units 2 and 3 bedroom units 2 and 3 bedroom units

Commercial Space

Main Circulation Space

Lobby and Multipurpose Space Basement Parking

Distributing program more precisely: Scheme 2 1 and 3 bedroom units

Main Circulation Space 2 and 3 bedroom units

2 and 3 bedroom units

Commercial Space

Two-leveled Commercial and Multipurpose Space Basement Parking

Final Massing Diagram: Scheme 3

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South side Rendering: Project located on Site A. Balconies are strategically located on the south side for avid daylighting.


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Basement Parking Plan

Level 1: Interior Layout

Level 3-6: Interior Layout

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N

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Outdoor Seating: Commercial Outdoor Garden and Hang-out Space: Residential 1

10 9

11 7 8

2

5

6

4

3

Entrance to Residential Outdoor Seating: Commercial Stairs leading down to hang out space N

1.

Fine Dining: Commercial

3.

Stairwell connecting bi-leveled commercial space Stairwell: Residential

2. Bathroom: Commercial 4.

5. 6. 7. 8.

Elevator Shaft: Residential Main lobby: Residential Elevator Shaft: Residential Stairwell: Residential

Level 2: Space and Program Plan

2 Bedroom Unit layout, section and axonometric diagram

9. Gymnasium: Residential 10. Bathroom: Commercial 11. Kitchen Space: Commercial


North Side Elevation

West and South Elevations

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South View: Cantilevered balconies receive bright daylight

North-West View: Black indicates curtain wall opening

North View: Curtain wall openings receive ambient light


making each unit look spacious

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MODEL IN SCALE: S To XL PROJECT TYPE: PERIOD: SOFTWARES USED: MODEL MADE OF:

Urban Infill Summer 2016 Auto CAD, Rhinoceros, Adobe Photoshop, Adobe Illustrator MDF, Chipboard, Museum Board, Basswood

MELANIE SWICK TECTONICS STUDIO

Tectonics- is the activity of making materially requisite construction that answers certain needs, but rather to the activity that raises this construction to an art form. Located at the General James Taylor Park, on the levee spanning across the Licking River, these experimental studies were performed in order to determine the climatological, social and aesthetic aspects involved in designing a rowing facility on or near the river. Ranging from small to extra large, various scales of data interpretation were performed in stages to understand and incorporate various findings from the existing topography, in order to influence and exaggerate different design elements involved in designing the facility. Tectonics was used as a constraint to inform these factors by using techniques such as bas relief, layering and material analyses.


Clockwise from Left: (1-6) S: Folding techniques were used to exaggerate the concept of tectonics in architecture, finding form through explorations of folds (7-12) M,L: Explorations with material and their influence on the shape and function of parts. De-constructing and reuniting shapes to form new forms that influence aesthetics, function and spatiality of the formed space XL: A general overview of the site analyzing major aspects of climate and existing aesthetics that might influence the shape of the rowing facility 07


De-constructing and reuniting shapes to form new forms that influence aesthetics, function and spatiality of the formed space


Rendering of S Model: De-constructing triangles into a tessellated pattern that forms a roof like structure mirroring the topography

Model depicting the scale S: De constructed triangles form a pattern that mirrors the topography

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CINCINNATI/ COVINGTON ROWING FACILITY PROJECT TYPE: PERIOD: SOFTWARES USED: MODEL MADE OF:

Urban Infill Summer 2016 Auto CAD, Rhinoceros, Adobe Photoshop, Adobe Illustrator MDF, Chipboard, Museum Board, Basswood

MELANIE SWICK TECTONICS STUDIO

Located at the General James Taylor Park, on the levee spanning across the Licking River, the Covington/Cincinnati Rowing facility was to be designed with the intentions of creating a habitat for rowers to practice, train and improve on their skills. Basic requirements for the project included an outdoor storage for boats, canoes, indoor storage, gymnasium, administrative facility and a rental storage for visitors to the city. I explored the idea of creating modular spaces under one roof, creating separate units but merging them into one ecosystem built onto the existing topography. I played with the elevation change between the top of the levee and the bottom close to the water, by placing modular spaces that gradually trickle down to the bottom. I mimicked the motion produced by waves in water onto the designing of roofs of each unit. The roofs extend down on some sides facilitating access to the top for great views of the Cincinnati skyline.


Site Plan: Dotted line depicts project scope

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2

1

6

Social analysis and contour of scope

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Program and Space layout plan: Level 1 1. Outdoor Boat Storage 2. Canoe/Kayak Storage 3. Gymnasium/ Work out Space

Longitudinal Section

5

3

4. Administrative Unit 5. Indoor Work-out for non-members 6. Indoor Boat Storage

Progra


am and Space layout plan: Level 2

Roof plan

Transverse Section

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Top View of the Rowing Facility

North View of the Rowing Facility

Zoomed in View through the Rowing Facility

Aerial View of Rowing Facility


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HOLZ UND STEIN: SWISS ARMATURE PROJECT TYPE: PERIOD: SOFTWARES USED: MODEL MADE OF: IN COLLABORATION WITH: CONTRIBUTION TO:

Installation Fall 2017 Auto CAD, Rhinoceros, Adobe Photoshop, Adobe Illustrator Walnut, Douglas Fur, Concrete, Rolled Steel Turnbuckles, Stringed Metal Dowels Anna Kendrick, Christine Anneken, Connor Kramer, John Garrison, Kriti Chaudhry Designing of layered screens, Interior void design, Texture of concrete

TERRY BOLING TRAVEL STUDIO

Wood and stone are two of the most ubiquitous construction materials in the history of architecture -both on the brink of ground-breaking changes as a result of new manufacturing technologies. The SAID 2017 travel studio, conducted by Professor Terry Boling, was crafted around the notion of examining these materials and their manifestations in situ in their native environments. We visited completed projects, toured architects’ offices, visited universities researching innovative construction methods, and worked for several days in one of the few remaining stonemason schools, in Europe. Upon our return to the States we articulated these design typologies onto four sets of armatures representing four regions. I was assigned to the Switzerland team. Swiss building construction relies heavily on the available materials in the forested areas of the country, namely weathered wood and cross-laminated timber (CLT). A structural armature, born out of joint collaboration with 5 other students, was designed using Douglas fir reinforced with custom steel turnbuckles, and an exterior cladding of thin walnut strips- articulated both as CLT panels and as perforated light screens, which recall the layering and stacking of materials seen in building facades in Switzerland. The dark walnut wood is reminiscent of the weathered wood seen in Switzerland, while the Douglas fir was used to articulate the lighter interior construction, a dialogue commonly seen in Swiss architecture. Angles made of rolled steel were used to connect the structural studs to each other.


Axonometric diagram: Black and White strips represent layered screens and Brown blocks represent CLT panels interconnected with the screens

Plan diagram: Representing staggered metal strings that when looked from above, show a perfect X that fills the void: a common feature seen in the Roman Ruins; Chur, Switzerland

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Scheme 1: First idea for the layered screens

Zoomed in view of the concrete base which concrete construction seen in Switzerland

Scheme 2: Second idea for the layered screens

Scheme 3: Third idea for the layered screens

Bottom view of staggered metal strings whic look like X braces holding the interior structu


represents prevalent precise

ch when looked from above ural studs

Axonometric View of the Swiss Armature 13


LINKED IN HEADQUARTERS PROJECT TYPE: PERIOD: SOFTWARES USED: MODEL MADE OF:

Urban Infill Summer 2017 Auto CAD, Rhinoceros, Adobe Photoshop, Adobe Illustrator 3D Printed Plaster, Laser cut resin and translucent plexi glass

STUDIOS ARCHITECTURE, SAN FRANCISCO INTERNSHIP

The Linked In headquarters is located in Mountain view, California. The project totals to be around 1.5 million square feet. The shape of the massing is still a work in progress, but the basic mass is derived from the shape of the site, a natural triangle. The individual buildings are then manipulated at every edge to expose or cover according to the cardinal directions of every edge. Bird Safe design has been taken into account intensively, therefore every glass facade is fritted to prevent birds from slamming against the exterior surface. As an intern for the schematic design team, I was responsible for making various iterations of the facades of each building with the materials decided at the time. The bottom two floors are made of pre-cast concrete with a fixed system of double-glass units, the next two floors are made of fritted glass panels with extruding metal strips that increase and decrease in frequency on the panels based on heat map studies conducted by the team. The top two floors are standardized curtain wall systems with integral formed aluminum, the width of which also varies depending on heat map studies conducted by the team as well.


Aerial View of Linked In Headquarters; Mountain view, California

AERI REN

CAMPUS 2017.06.23 TION

3D Printed model cladded with Resin and PETG that reflect one of the facade iterations made by me during my time at Studios Architecture

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+101’-0’’ T.O. PARAPET

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1 - NORTHEAST E3 - STOREFRONT GLAZED WALL SYSTEM WITH INTEGRAL FORMED ALUMINUM CLOSURE AND DOUBLE DOOR AS REQUIRED, TYPICAL. GLASS TYPES TO VARY.

E4 - PRECAST CONCRETE SYSTEM, ON TYPICAL 14’ X 30’ MODULE. TYPICAL. GLASS TYPES TO VARY.

E1 - STANDARD UNITIZED CURTAIN WALL, STRUCTURALLY GLAZED SYSTEM WITH MINIMUM JOINT. GLASS TYPES TO VARY.

+101’-0’’ T.O. PARAPET

+101’-0’’ T.O. PARAPET

2 - SOUTHWEST

1 - NORTHEAST

3 - NORTHWEST

N

E1 - STANDARD UNITIZED CURTAIN WALL, STRUCTURALLY GLAZED SYSTEM WITH MINIMUM JOINT. GLASS TYPES TO VARY.

+101’-0’’ T.O. PARAPET

E2 - STANDARD UNITIZED CURTAIN WALL SYSTEM WITH INTEGRAL FORMED ALUMINUM CLOSURE TYPICAL. GLASS TYPES TO VARY.

1 - EAST E1 - STANDARD UNITIZED CURTAIN WALL, STRUCTURALLY GLAZED SYSTEM WITH MINIMUM JOINT. GLASS TYPES TO VARY.

2 - SOUTHWEST

4 - SOUTHEAST

2 - WEST

Top Down: Elevation Renderings of Buildings 3 and 1; Linked In Headquarters


3 - NORTHWEST E2 - STANDARD UNITIZED CURTAIN WALL SYSTEM WITH INTEGRAL FORMED ALUMINUM CLOSURE TYPICAL. GLASS TYPES TO VARY.

E3 - STOREFRONT GLAZED WALL SYSTEM WITH INTEGRAL FORMED ALUMINUM CLOSURE AND DOUBLE DOOR AS REQUI RED, TYPICAL. GLASS TYPES TO VARY.

E4 - PRECAST CONCRETE SYSTEM, ON TYPICAL 14’ X 30’ MODULE. GLASS TYPES TO VARY.

4 - SOUTHEAST

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3 - NORTH E2 - STANDARD UNITIZED CURTAIN WALL SYSTEM WITH INTEGRAL FORMED ALUMINUM CLOSURE TYPICAL. GLASS TYPES TO VARY.

E3 - STOREFRONT GLAZED WALL SYSTEM WITH INTEGRAL FORMED ALUMINUM CLOSURE AND DOUBLE DOOR AS REQUIRED, TYPICAL. GLASS TYPES TO VARY.

E4 - PRECAST CONCRETE SYSTEM, ON TYPICAL 14’ X 30’ MODULE. TYPICAL. GLASS TYPES TO VARY.

4 - SOUTH

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SKETCHES: MIXED MEDIA PROJECT TYPE: PERIOD:

Mixed media illustrations Fall 2017

TERRY BOLING TRAVEL STUDIO

Watercolor drawing tries to capture the cityscape around the Arena; Verona, Italy


Charcoal and Graphite drawing captures the occulus of the central dome in Villa Rotunda; Verona, Italy

Charcoal, Graphite and color pencil diagram showing signature design aesthetic of Carlos Scarpa; Querini Stampalia, Venice, Italy

Charcoal and Graphite drawing portrays a rustic, molded fountain in a garden park; Venice, Italy

Sketching in situ has its own way of portraying something that might not be seen by one’s naked eye. Our minds run faster than our eyes, which sometimes result in drawing differently than you see. Sketching is my way of grounding myself from the stifled world. I use my hands to express what my words cannot. The sketches portrayed in this and the following spread were drawn during my two month travel to Europe with the Holz Und Stein Travel Studio. 16


Watercolor drawing portrays an old Croatian wall with an opening; Dubrovnik, Croatia

Graphite drawing portrays an old wooden door with an ornamented wooden exterior column; Prague cityscape, Czech Republic


Graphite and Charcoal drawing cataloging design aesthetics seen predominantly in architectural instances designed by Carlos Scarpa; Venice, Italy

Graphite drawing of a dilapidated wooden door in a garden park; Split, Croatia

Micron drawing portrays a silhouette of moving people at the Querini Stampalia; Venice, Italy 17


PHOTOGRAPHY

St. Marks Venice Ita

Canals of Venice; Venice, Italy Botanical Garden; Amsterdam, Netherlands

Stone Sculpture at the Upper Belvedere; Vienna, Austria


s Square; aly

Roof-scape of Dubrovnik; Dubrovnik, Croatia

Czech Sunset; Prague, Czech Republic

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Picturesque Door at Parq Guell; Barcelona, Spain

Picturesque Hallway at Stanford University; Stanford, California, USA


Inside the KarlsKirche; Vienna, Austria

Entrance to the Sagrada Familia; Barcelona, Spain

Upper Belvedere Front Elevation Vienna, Austria

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THANK YOU! sinhase@mail.uc.edu srimoyee1997@gmail.com M: (513) 223-2090


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