Academic & other Works 2017-2020
Srishti Dasgupta
1
1
Curriculum Vitae
2
Coffee & Culture - Research Centre
3
Samuday of Shanag - Rural Design Studio
4
Children’s Village
5
C0- Working Space
6
Working Drawing
7
Basic Design
8
Other Explorations (Pg 17-26)
9
Stories From Sketchbook (Pg 27-28)
SEM 6 ARCHITECHURAL DESIGN (Pg 3-6)
SEM 4 ARCHITECTURAL DESIGN (Pg 7-10)
SEM 3 ARCHITECTURAL DESIGN (Pg11-12) SEM 4 INTERIOR DESIGN ( Pg 13-14) SEM 6 (Pg 15-16) SEM 2 (Pg 17)
Table of Contents
This portfolio reflects not just my skills and inspiration, but the collective effort and motivation of some of the best individuals i have known...
My love for art initiated my interest in Architecture.
Architecture in turn encouraged me to unlearn all preconceived notions and perceive the world by transcending boundaries intrinsic to human beings. I am always drawn to how things work, in relation to how people feel and act.
Curriculum Vitae EDUCATION 2015
Carmel High school, Kolkata Passed secondary school certificate
2017
Army Public School, Kolkata Passed higher secondary certificate PRESENT Rizvi College Of Architecture, Mumbai
LANGUAGES ENGLISH, HINDI, BENGALI
COMPETITIONS & TEAM WORK Anual NASA Design competion 2018-19 Anual NASA Design competion 2019-20 Anual NASA Design competion 2020-21 Archdais competitions- ‘The House’ (top The Habitat by Archmello competion APIC design competition IDHALAB product design competion
50)
INTACH Heritage Awards 2018-19 (Winner) Louis kahn trophy 2019-20 (Shortlisted) (analysis team)
WORKSHOPS Carpentary work shop by Ar Parzan Daruwala Earth bag construction Workshop by PYHT Architects Play area renovation by Anukriti Studio
INTERESTS
SRISHTI
DASGUPTA
D.O.B
01.05.1999
CONTACT:
8879189839
EMAIL ID
dgsrishti010599@gmail. com
ADDRESS
W.2.C 9/10 Golf Green phase 2 Kolkata 700 095 _storiesfromsketchbook_
SOFTWARE SKILLS
SKETCHING HAND DRAFTING PHOTOGRAPHY ILLUSTRATION TRAVELLING RESEARCH
BASIC
BASIC
2
1 RESEARCH CENTRE Kochi, Kerala SEM 6 Architectural Design
K ochi, has been a harbour since 1341, when
With Ar. Esa Shaikh
flood carved out it’s harbor opening it to arab, chinese and european merchant. presently.
A research center that would benefit the local resources and culture of Kerala. The subject matter of research was selected by the • students as per their analysis. The programe is derived us that it it integrates the technical and humane aspects of the institute.
THE SOUTHERN MOST PART OF THE SITE IS DEDICATED TO .THE RESEARCH LABS FOR UTMOST PRIVACY
COFFEE AS THE SUBJECT MATTER FOR THE RESEARCH INSTITUTE • Kochi is a port city, and hence a research center can regulate and manage good quality import-export of coffee. • Kochi is near wayanad, famous for growing robusta coffee.
THE CENTRALPART IS DEDICATED TO THE COFFEE PLANTATION, WHICH ALSO SCREENS THE BREWERIES .FROM HARSH SOUTHERN SUNLIGHT
Fort kochin comprises of colonial, dutch and Portuguese style of architecture,while Mattancherry has an amalgamation of both vernacular as well as colonial style
• Kochi is a vibrant tourist hub with buzzing street cafes and local market culture.. LOCAL COFFEE BREWERS
COLLEGE STUDENTS AND RESEARCHERS
SCIENTIFIC RESEARCH •
AGRICULTURE TECHNOLOGY LAB
•
HYBRIDISATION LAB
•
PRODUCTION CONTROL LAB
•
CLASSROOM
U S E R S P R O G R A M
FARMERS /PLANTATION OWNERS
THE LARGE TREES IN THE PLANTATION COOLS THE PUBLIC AREA
MAXIMUM PREVAILING ,WIND FROM WEST HEN NARROW ENDING PROVIDES A BREEZY .INTERIOR
THE NORTHERN MOST PART IS DEDICATED TO PUBLIC AMMENITIES LIKEBREWERIES, L LIBRARIES , CANTEEN ETC
NW WIND DIRECTION IS SUITABLE FOR SEMI OPEN SPACES
SITE LOCATION: COCHIN COLLEGE GROUND, KOCHI
LOCAL ARTISANS AND SELLERS
INFORMAL ACTIVITIES/ SKILL DEVOLOPMENT •
BREWERY( ISLAMIC, JEWISH AND FILTER KOPI)
•
OUTDOOR GRASS AMPHITHEATRE
• •
SHOPPING LANE CAFETRERIA, KITCHEN AND ACCOMODATION
SITE AREA: 11673 SQM COMMERCIAL
The site is located in between Fort Kochi and Mattancherry. It lacks the intrinsic urban characteristics of the both the zones.
RESIDENTIAL
ZONING
FORT KOCHI
MATTANCHERRY
INSTITUTIONAL INDUSTRIAL
TRANSITARY PHASES • EXHIBITION SPACES( INTERMEDIARY CORRIDORS) • WASTE COFFEE ARTIST WORKSHOP • OUTDOOR GRASS AMPHITHEATRE
History and specifically documented vignettes of the past offers us best variety of material to study the progression of ideas and it’s many manifested forms.
DESIGN PROCESS URBAN AND CULTURAL FABRIC OF KOCHI
Heritage detailings in most buildings- like the Dutch windows
3
Coffee & Culture
Jewish town- dwindling lanes housing antique shops, spices and handicraft markets
Due to it’s rich cultural and trading history, multiple architectural elemeents intrinsic to different culture is found in the streets.( Predominantly Dutch, jewish and konkani elements)
A COFFEE BEAN DRYING AREA
COFFEE PRODUCTION 9.5X15M
A
INCORPORATING THE ESSENCE OF KOCHI
COFFEE WASTE WORKSHOP
COFFEE BEAN DRYING AREA
HYBRIDISATION LAB 13X15M ACCOMODATION
B
AGRICULTURAL TECHNOLOGY LAB 9.5MX10M
The informal programe area reflects the meandearing lanes of jewish town . Interactive activities like a shopping lane and hippy cafes are incorporated in that corridor to enhance the feel of bazaars of kochi.
B’
AUDITORIUM/CLASSROOM 13X10M
ROOM 5X6M
B’
B
JUXTAPOSING HISTORY AND CONTEXT EXHIBITION AREA (OUTDOOR LEARNING SPACE)
COFFEE PLANTATION
COFFEE PLANTATION KITCHEN 4X4.5M
COFFEE BREWING TEACHING AREA
STORAGE
OUTDOOR AMPHITHEATRE
OPEN AMPHITHEATRE
ISLAMIC BREWING LAB
11.5X7M
FILTER KOPI BREWING LAB 15.5X8M
JEWISH BREWERY LAB 10X16M
WAITING AREA
ADMIN
SHOPPING STREET
CHECK
KITCHEN 8X6M
RECEPTION CANTEEN LIBRARY 12X10M
8X10M
10X10M
SITOUTS
In Fort Kochi multiple lanes having different architechtural characteristics merge in to one chowk. The laboratory area tries to absorb this fabric of fort kochi. The cental junction forms the common utility space while the corridors are reserved for individual laboratory.
CHECK
ENTRY
EXIT
ENTRY
EXIT
EXIT
EXIT
CHECK
A’
A’
PLAN @ 3.2 M
ROOF PLAN ELEVATION OF THE RESEARCH LAB AREA
4
VISUALIZATION OF SPACES
HOT AIR FROM THE INTERIOR ESCAPE FROM THE JALI .INSTALLED
Interior view of islamic brewery
Workshop for crafts using coffee bean waste
Local techniques - Ehancing the micro climate
BAMBOO PANELLED LOUVERED DIRECTED ACCORDING TO THE FLOW OF PREVAILING .WINDS
Shopping lane and hippie cafes along the corridor
FRONT ELEVATION OF THE INSTITUTE
Outdoor green amphitheatre for better understand of coffee shrubs
SECTION B-B’
SECTION A-A’
5
Coffee & Culture
waiting and chilling zones along corridors of research labs
ROOF DETAILS clay tiles interlockedat at an 45 degree( opposite) angle
clay tiles interlockedat at an 45 degre angle
Canteen
Shopping street
exhibition cum outdoor learning area
breweries
waiting area
library
sit outs( attached with the canteen
• • • •
Accomodation
Workshop
research labs
COMPTESSED EARTH BLOCKS
clay tiles arranged at an angle of 90 degree using mortar
local material flexible production scale bio degradable energy efficiency
CLAY ROOF TILES • impervious to insect rot • durable( upto 50 yaer warranty) • energy efficiency
steel bars bent to form the reinforcement
• Trimble arch depend on the adhesive strength of the 3 layers of tiles • Large span structures can be designed using this technique.
FLOOR DETAILS
Wall Terracotta Tiles Lime DPC Bamboo Reinforcement
BAMBOO BLIND • • • •
cooling light filtering energy efficiency minimal maintanence
6
2 COMMUNITY HOUSING Shanag, Himachal Pradesh Sem 4, Architectural Design Climate: cold and dry
Backyard used for growing vegetables.
With Ar. Ameer Chauhan
An extended cluster, for the village of shanag, comprising of housing for 5 families and a community school for them. Their existing housing typologies, climatic factors and the structural efficiency in seismic resistance are taken into consideration.
A Thick stone walls and elements like tandoor keeps the interior warm.
Existing situation in Shanag:
The Verandah is used for storage , sitting etc Handloom weaving of carpet are performed here.
A quaint little village near Manali, in Himachal Pradesh is slowly drifing away from it’s traditional building techniques due to restricted access to resources. As a result the landscape is now dominated by concrete structures which is ineffective towards seismic resistance and has a greater carbon footprint.
DESIGN PROCESS
Existing Kathkuni technique provides stability during earthquakes
Stone walls and strategic planning( cowshed at lower level to heat upper floors) provide thermal insulation
EXCERPTS FROM TYPICAL HOUSE IN SHANAG
Frontyard as an extension to domestic activities.
The boundaries of the courtyard is raised and acts as a seating.
A Typiacl linear form
Reoriented for better reception of sunlight. Large area with gentle slope Suitable for catchment area or playground.
Comparitively steep slope Effective use of contours to prevent errosion.
SLOPE AND SHADOW ANALYSIS OF THE SITE
7
PREFERABLE ORIENTATION OF THE HOUSES FOR BETTER THERMAL INSULATION. Land along the river is susceptible to errosion, can be prevented by creating a bund or plantation
Samuday for Shanag
Kitchen and chimney located centrally to heat the whole house.
B
B A’
C
C’
A’
A
The School The school emphasizes on both on classroom curriculum and outdoor learning. Hence, the veranda forms an extension to the classroom, with nisches cut out for cozy group work space.Also it has open grounds on both sides to encourage children to participate in outdoor activities.
C
C’
The School also acts as community area for the cluster
VISUALIZATION OF THE SCHOOL
B’
B’
SECTION A- A’
8
The door and windows are made of teak wood using traditional craftmanship.
SECTION THROUGH THE EXTENSION HOUSE
The riverfront is raised and developed as a walkway to strengthen the soil there
SECTION C-C,
B
C
C’
B’
ROOF PLAN
SECTION B- B’
9
Samuday for Shanag
ISOMETRIC VISULIZATION OF HOUSE TYPOLOGY 1
Types of Joineries used
Chimney ( common for kitchen and fire place) is located centrally to heat up the entire house..
Asbestos sheet roof supported on external supports for isolated damping during earthquake Bathroom
Bedroom
Bedroom
Tensile strength of bamboo used The wall is supported by a X braced bamboo framework to counter seismic movements
Column and plinth beam detail
Flooring details
Bathroom
Kitchen at the central part of the norther facade to heat up the house
Bedroom
Sun space at the southern facade doubles up as staircase block
Kitchen
living room
Compress earth bricks ( from site) make the walls
AXONOMETRIC VISUALIZATION OF TYPOLOGY 2
Space left along sides of columns during excavation to allow isolated damping and shock absorbtion at he base.
10
AYCARE CENTRE,Madhu park, Khar, Mumbai 3 D Sem 3, Architectural Design With Ar. Shaurya Chauhan
Madhu Park, a distinctive circular recreation ground nestled within the quaint residential neighbourhood of khar; was our site. The brief suggested was to design a day care facilty for the the children of the neighbourhood along wih a farmer’s market.
Methology
• Studying the context & Understanding the requirement and interests of modern day children and their parents. • Designing programs that would cater the people of neighbourhood, as well as interdependent on each other.
Program:
Daycare centre & playground
urban farming & farmer’s market
Roof tiles- Micro Concrete Tiles ( reduces heat, noise cancellion during rains
Roof frame of bamboo and tiles fitted on it
self defence centre
Design process“A home away from home” Inspired from the cozy hut structures of bhunga,Gujrat; the form tries to create a welcoming atmosphere for kids, while keeping them connected to their indigenous roots The planning follows, a hierarchy from private to public space, the day care center becoming the core.
The recreation spaces are designed such that it incorporates a vibe of fair
C pipe frame work in self defense center
The shed of farmers market is made of teflon sheet (PTFE), supported by aluminium framework
Truss used in the roof of daycare center
ROOF PLAN
• Each hut can accomodate 3 people. • There heights vary as per the age of the child ranging from 2 to 3m
VISUALIZATION OF THE DAY CARE CENTER
11
Children's Village
SECTION
A
The walls are made of compressed earth block
ELEVATION OF THE DAY CARE CENTER
The flooring is made of machine cutterracotta tiles (30x30cm)
SECTION CUTTING THROUGH FARMER’S MARKET
All pedestrian pathways is made of turf
A’ PLAN @2.5M
A-A’
SECTION B-B’
12
4 Co- Working Space Sem 4, Interior DEsign With Conrad Gonslaves
A vibrant co working space for 30 individuals, which would also include office spaces, conference area, pantry and recreation spaces for the users.
Methology • Identifying different users of a co working space and understanding the spatial and psycological aspects of a productive working space.
Theme
Sleek lines with both organic and geometric forms
Mid C
A’ B’
A B
en tury mOd ern
The juxtaposition of different, and sometimes contrasting materials
GROUND FLOOR PLAN
Reading area act as a partition between working space and pantry 0
13
1
3
5 M
Fragmented Vintage
SECTION A-A’
COLOR PALETTE
A’ B’
A B
FIRST FLOOR PLAN
Comfy swings as work station
stepped seating with raised platform for working
MATERIAL PALETTE Natural stone (blue terrazio) flooring
Faux leather and velvet
Mahogany finished furnitures
Faux fur
SECTION B-B’
14
5 RESIDENTIAL APARTMENT
PRODUCED BY AN AUTODESK STUDENT VERSION
153
850 2500
4
6
13
7
12
8
11
9
C1 W1 F2 S3
252
PLAN SLAB TOP LEVEL
PRODUCED BY AN AUTODESK STUDENT VERSION
2850
A
1500
1790
4200
600
3
D3
4
D4
5
D5
SECOND FLOOR LEVEL
40 MM THK SCREEDING 180 MM THICK BBC
220 0
CILL LEVEL (MM) 900
W1
1800X1200 MM
ALUMINIUM FRAME WITH 6MM THICK GLASS, ALUMINIUM TRACKS (600MM), TOWERBOLT LOCK SYSTEM
W2
1200X 1200 MM
ALUMINIUM FRAME WITH 6MM THICK GLASS, ALUMINIUM TRACKS (600MM), TOWERBOLT LOCK SYSTEM
900
3
W3
600X1200 MM
ALUMINIUM FRAMED LOUVERED WINDOW WITH 6 10 MM THICK FROSTED GLASS SLATS, LEVERED WINDOW OPENER
1200
4
W4
3800X300 MM
TW FRAME WITH 6MM THICK GLASS DISPLAY WINDOW, 2 LEVERED OPENER
600
5
W5
600X1500 MM
ALUMINIUM FRAMED LOUVERED WINDOW WITH 11 10 MM THICK GLASS SLATS, LEVERED WINDOW OPENER
300
5
W5
600X1200 MM
ALUMINIUM FRAMED CASEMENT WINDOW
1200
FLOOR
700
SR NO.
FLOOR
LOCATION
DESCRIPTION
1
F1
LIVING ROOM
40MM THICK 1:2:4 SCREEDING, 15MM CERAMIC TILES
2
F2
BEDROOM
40 MM THICK 1:2:4 SCREEDING, 12MM VITRIFIED TILES(600X600MM)
3
F3
TOILET
15MM WATERPROOFING AGENT SCREEDING(DR. FIXIT BATHSEAL), 40MM THICK 1:2:4 SCREEDING,180MM BBC LAID TO SLOPE, 12MM THICK RUSTIC VITRIFIED TILES
12MM THICK INTERNAL PLASTER
50 MM DIA. STAINLESS STEEL BALLUSTERS
CEILING
1
C1
2
C2
LOCATION
DESCRIPTION
LIVING ROOM
COAT 5MM POP PUTTY; 2 COATS PRIMER
LIVING ROOM
12 MM THK 1:1:2 PLASTER; 1 COAT 5MM POP PUTTY; 2 COAT PRIMER
Cut away view 3
C3
TOILETS
A'
2200
+150 +0
SECTION A-A'
19MM THK MARINE PLYWOOD WITH 1MM LAMINATE
50 MM THICK DPC
SLAB TOP LEVEL SLAB BOTTOM LEVEL
2850
CABINET TOP LEVEL
DETAIL A
1500
COUNTER TOP LEVEL
850
0
SLAB TOP LEVEL
3000
SLAB BOTTOM LEVEL
2850
19MM MARINE PLY FINISH WITH 1MM THK LAMINATE
BLACK BIRD MD-004 STAINLESS STEEL HANDLE(10X200MM) 18MM THICK GRANITE STONE FINISH 6MM GROOVE 18MM GRANITE STONE FASCIA 40 MM MORTAR 1:2: CEMENT, LIME, SAND MIX)
DETAIL OF COUNTER TOP
1520
PLAN
SKIRTING LEVEL
1500
A
COUNTER TOP LEVEL
SECTION A-A'
BLACK BIRD MD-004 STAINLESS STEEL HANDLE(10X200MM)
20X20 MM T.W FRAME
19MM MARINE PLY FINISH WITH 1MM THK LAMINATE
BLACK BIRD MD-004 STAINLESS STEEL HANDLE(10X200MM)
DETAIL A DETAIL OF COUNTER TOP
COUNTER TOP
2500 3081
239 300
853
2534
300
205
230
300
1200
3730
3010
457
230
1200
1854
460
230
2160
W2
3000
DESCRIPTION 12 M THK 1:1:2 PLASTER, 2 COATS OF WHITE WASH, 1 COAT OF
12 MM THK VITA VITRIFIED TILES 600X600 MM , 10 MM THK CEMENT MORTAR
2
TOILET
AGENT MIXED PLASTER, 300 X 600 MM CERAMIC TILES OF 15MM
Screen assembly
A
20X20MM TW FRAME
TERRACE FLOOR LEVEL
ROUGH TEXTURE PAINT W2
W1
W2
W1
W2
W1
W2
W1
W2
W2
W1
W1
W1
W1
+25500
210 MM DEEP STAINLESS STEEL SINK(304 GRADE 1MM THICKNESS)
SIXTH FLOOR LEVEL
PCC BAND 150 MM THK
ALUMINUM GL BRIES SOLIEL FINS 30X5 MM THK
OVERHEAD CABINETS
40 MM THK SCREEDING
220 0
Working Drawing 19MM MARINE PLY FINISH WITH 1MM THK LAMINATE
3RD YEAR B.ARCH.
HINDWARE F110021 SINK COCK SWITH SWIVEL SPOUT AND WALL AND WALL FLANGE SPOUT FAUCET
1000
COUNTER TOP
850
+22500
FIFTH FLOOR LEVEL +19500 W1
W1
FOURTH FLOOR LEVEL W1
W1
W1
W1
W1
W1
W1
16500
THIRD FLOOR LEVEL +13500
SECOND FLOOR LEVEL
+7350
W1
FIRST FLOOR LEVEL +4350
W5
W5
180 MM THICK BBC
20X20 MM T.W FRAME
18MM THICK MARBLE
3000
PRIMER AND ONE COAT OF WHITE Note: Louvers snap into place and PAINT 12 MM THK RUSTIC VITRIFIED TILES(600 overlap one another by 70mm +/- 12 MM THK WATER PROOFING X600 MM), 10 MM THK MORTAR 1:2
RIZVI COLLEGE OF ARCHITECTURE
B'
40MM MORTAR(1:2:3 CEMENT, LIME, SAND RATIO)
18MM THICK MARBLE
18MM THICK GRANITE STONE FINISH 6MM GROOVE 18MM GRANITE STONE FASCIA 40 MM MORTAR 1:2: CEMENT, LIME, SAND MIX)
TOILET BEDROOMS AND OTHER ROOMS
HEIGHT FROM F.F.L
DATE -
ROLL NO - MU1773
2400
1130
210 MM DEEP STAINLESS STEEL SINK(IMM THICKNESS)
20X20 MM T.W FRAME
18MM THICK GRANITE STONE FINISH
850
STRIP SECTION STRIP SECTION
18MM THICK GRANITE STONE FINISH 6MM GROOVE 18MM GRANITE STONE FASCIA 40 MM MORTAR 1:2: CEMENT, LIME, SAND MIX) 18MM THICK MARBLE
600
SKIRTING LEVEL
2260
12MM THICK TILE DADO(300X300 VITRIFIED TILES)
2200
800
RAMMED EARTH
12MM CEMENT BACKING(SLURRY) 3000
S2
S3
LOCATION
LIVING ROOM W1 AND OTHERS
DWG. NO -
WORKING DRAWING
W2
WATERTEC POLYMER BOTTLE TRAP(300X115XX110MM)
150 MM THICK PCC
RANDOM RUBBLE
12MM THICK INTERNAL PLASTER
SCALE : 1:50
REFRIGERATOR
PRODUCED BY AN AUTODESK STUDENT VERSION
40MM MORTAR(1:2:3 CEMENT, LIME, SAND RATIO)
1200
18MM THICK GRANITE STONE FINISH
20X20MM TW FRAME
2
3
WALL louver
WALL
1
NAME : SRISHTI DASGUPTA
4000
STAINLESS STEEL SINK 1680
850
BALCONY
WATERTEC POLYMER BOTTLE TRAP(300X115XX110MM) 0
DETAIL A
SR NO. DESCRIPTION
800 600
1200
B
19MM THK MARINE PLYWOOD WITH 1MM LAMINATE 210 MM DEEP STAINLESS STEEL SINK(IMM THICKNESS)
252
PRODUCED BY AN AUTODESK STUDENT PRODUCED VERSION BY AN AUTODESK STUDENT VERSION
D3
850
20X20MM TWTILE FRAME 12MM THICK DADO(300X300 VITRIFIED TILES) COUNTER TOP LEVEL
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
12MM CEMENT BACKING(SLURRY) 1500 40MM MORTAR(1:2:3 CEMENT, LIME, SAND RATIO)
900
PRODUCED BY AN AUTODESK STUDENT VERSION
180 MM THICK BBC
SKIRTING LEVEL
12 MM THK WATER PROOFING AGENT(DR FIXIT REPELLIN) MIXED WITH PLASTER; 2 COATS OF PLASTER
LOCATION
15 MM THK ITALIAN MARBLE WHITE LIVING ROOM SATVARIO, 10MM THK CEMENT MORTAR 1:2
PROJECT- STILT + 6 RESIDENTIAL BUILDING
PRODUCED BY AN AUTODESK STUDENT PRODUCED VERSION BY AN AUTODESK STUDENT VERSION
40MM THICK SCREEDING
S1 1
TITLE - TYPICAL FLOOR PLAN
PRODUCED BY AN AUTODESK STUDENT VERSION
1790 600
210 MM DEEP STAINLESS STEEL SINK(IMM THICKNESS)
18MM THICK GRANITE STONE FINISH
70mm +/- overlap
PRODUCED BY AN AUTODESK STUDENT VERSION
4200
SLAB BOTTOM LEVEL
12MM THICK INTERNAL PLASTER CABINET TOP LEVEL
15 MM THICK CERAMIC TILES
5519
BRIES SOLEIL DETAILS
PRODUCED BY AN AUTODESK STUDENT VERSION
2850
SR NO. SKIRTING
post (TYP) 12MM THK 1:1:2 PLASTER, 1 ALL EXCEPT
STILT FLOOR PLAN
3000
12MM THICK TILE DADO(300X300 VITRIFIED TILES) SLAB TOP LEVEL
C1W1 F2S3
1170
W1
3942
SKIRTING
CEILING SCHEDULE
SR NO.
12MM CEMENT BACKING(SLURRY)
+4350
D4
PRODUCED BY AN AUTODESK STUDENT VERSION
40MM THICK SCREEDING
FIRST FLOOR LEVEL
BALCONY
C1 W1 F2 S3
louver
15 MM THICK CERAMIC TILES
30 MM DIA. STAINLESS STEEL BALLUSTERS
1200
horizontal rail
+7350
180 MM THICK BBC
D3
AREA- 14 SQ M
1029
1331
W1
1670
stringer
DESCRIPTION
1
W3
889
60% air flow
UNFINISHED OPENING
2
+19350
C3W2 F3S2
stringer
horizontal rail
WINDOW WINDOW
30 MM DIA. STAINLESS STEEL BALLUSTERS 75X75MM MS PLATE
FIXTURE
3 SATIN NICKELS HINGES, 400 MM THICK LAMINATED TWO STAINLESS STEEL DOUBLE SHUTTER LEVER HOLDER, DEADBOLT LOCK SYSTEM
2000X2000MM
SECTION B-B'
15
DESCRIPTION
3 SATIN NICKEL HINGES, 40MM THICK LAMINATED STAINLESS STEEL LEVER 800X2000MM SINGLE SHUTTER, DOUBLE HOLDER, DEADBOLT LOCK TW PANEL SYSTEM 3 SATIN NICKEL HINGES, 40MM THICK LAMINATED STAINLESS STEEL LEVER 900X200 MM SINGLE SHUTTER, DOUBLE HOLDER, DEADBOLT LOCK TW PANEL SYSTEM 3 SATIN NICKEL HINGES, 40 MM THICK LAMINATED STAINLESS STEEL LEVER 700X2000MM SINGLE SHUTTER, DOUBLE T HOLDER, DEADBOLT LOCK W PANEL SYSTEM ALUMINIUM TRACKS ALUMINIUM 100 MM THICK 2700X2000MM (9000MM) SLIDING DOOR
2.4X1.2M
BEDROOM 4X3.5M
2269
COUNTER TOP
COUNTER TOP LEVEL
3500
3728
210 MM DEEP STAINLESS STEEL SINK(304 GRADE 1MM THICKNESS)
850
50 MM DIA. STAINLESS STEEL BALLUSTERS
D1
D2
SR NO.
700
SKIRTING LEVEL
1
2
SHUTTER SIZE
W5
TOILET
4000
TYPICAL FLOOR PLAN
DOOR SCHEDULE SR. NO DOOR
W3
D1
1010
C1W1 F2S3
770
SLAB BOTTOM LEVEL
125X125 MS PLATE
C3W2 F3S2
BEDROOM 4X3.5M
AREA- 14 SQ M
900
+19350
1200
D1
770
2.4X1.2M
424
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
OVERHEAD CABINETS
A
W2
3000
2400 TOILET
2400
4000
HINDWARE F110021 SINK COCK SWITH SWIVEL SPOUT AND WALL AND WALL FLANGE SPOUT FAUCET
COUNTER TOP
PRODUCED BY AN AUTODESK STUDENT VERSION
50MM THICK DPC
B'
1000
1130
1200
40MM THICK SCREEDING
BALCONY
900
W1
1200 PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
2260
180 MM THICK BBC LAID TO SLOPE
BALCONY
2536
1520
STAINLESS STEEL SINK
2400
BALCONY
1680
B +22350
20 MM THICK MOSAIC TILES
BALCONY
3431
D3
3100
300
C2W1 F1S1
820
TERRACE FLOOR LEVEL
C2W1 F1S1
900
AREA- 20 SQ M
392
3905
LIVING ROOM 4X5M
5000
900
D3
REFRIGERATOR
1200
BALCONY
C1W1 F2 S3
205
1500
1025
1580
1506
230
1159
1000
W2
4000
BULL NOSE
1200
769
KITCHEN 4X2.5M
4000
D3
W2
2043
D2
1350
3200
900
50MM THICK DPC
808
4000
3908
ELECTRICAL DUCT
+20700
1000
4083
302
1200
AREA- 12 SQ M
2568
3
5
14
C2 W1 F1S1
204
17
15
10
5532
850
300 300 300 300
278
1400
BALCONY D4
1858
2
18
16
BEDROOM 4X3M
2355
1
230
19
MID LANDING
150 MM THICK PCC COPING
857
1200
1260
600
1378
1307
W1
D3
670
2400
1499
UP
2700
891
C3W2 F3S2
340
481
W5 W3
+19350
D1
C2W1 F1S1
2400
2.4X1.2M
+19350
3874
3905 2500
2197
W2
W3
C3 W2 F3S2
TOILET
3000
C2 W1 F1S1 5000
300 350 1899
C1W1 F2S3
+19350
2400
6380
AREA- 20 SQ M
4000
KITCHEN 4X2.5M
603
3109
3000 1238 1500
2.4X1.2M
LOBBY
D3
C3W2 F3S2
889
TOILET
601 1500
D2
+19350
+19350
2400
D3
114
600
600
2575
2400
BALCONY
252
D2
1800
1200
301
LIVING ROOM 4X5M
2.4X1.2M
3100
C1W1 F2S3
298
320
230
4000
TOILET
W3
2540
1500
2100
SERVICE LIFT 2.1X1.6M
EQ EQ EQ EQ EQ EQ 300 EQ 300
300
C3W2 F3S2 2400
300
2475
969
707
2100
1476
+19350
960
675
300
1200 1200
250
256
4000
770
W1
343
D1
PASSENGER LIFT 1.8X1.2M
D1
TOILET
D3
2726
4400
2075 2160
1010
D3
900
A'
2629
2400
C1W1 F2 S3
2.4X1.2M
W5
PRODUCED BY AN AUTODESK STUDENT VERSION
AREA- 14 SQ M
C1W1 F2S3
BEDROOM 4X3.5M
394
BEDROOM 4x3.5M
AREA- 14 SQ M
D1
900
C2W1 F1S1
3765
1310
W1
328 D1
2508
D1
AREA-17.6 SQ M
4537
2786
3636
890
KITCHEN 2.4X3M
C2 F1S1
2513
LIVING ROOM 4X4.4M
1230
C1W1 F2 S3
C1W1 F2S3
W3
D4
C1W1 F2 S3
3000
1600
4000
C1W1 F2S3
891
BALCONY
AREA- 12 SQ M
1154
4087 1400
1800 215
W1
BEDROOM 4X3.5M
AREA- 14 SQ M
D4
D4
307
460
3500
601
2271
366
1200
BALCONY
BEDROOM 3X4M
1154
600
W5
• Designing a G+6 residential apartment comprising of two 2- BHK and one 3- BHK flats. The apartment has parking on stilt are and is attached to a commercial showroom at ground floor level. • Working drawing for the above froje+ct
C2W1 F1S1
4045
EQ EQ EQ EQ EQ EQ EQ EQ EQ
Methology:
D3
201
W3
1400
4000
227
400
1316
W1
230
224
C3W2 F3S2
W5
5543
889
390
230
3380
BALCONY
3500
376
SEM 6, Working Drawing
230
+19350
W3
5707
4147
2400 2.4X1.2M
197
2431
TOILET
19MM THK MARINE PLYWOOD WITH 1MM LAMINATE
WATERTEC POLYMER BOTTLE TRAP(300X115XX110MM)
SECTION B-B'
KITCHEN DETAILS
GROUND FLOOR LEVEL +150
NORTH ELEVATION
12 13 14
15
17 18
16
19
21
20
(26640,0) C20, C22, C23
(22810,0) C14,C15, C19 (22940,0) C17,C18
C24
23
22
1350
25
24
PRODUCED BY AN AUTODESK STUDENT VERSION
I
PB13
F3
PB26 (230X550)
PB25
PB6
K
F4
(230X550)
(0,13710) C26, C34, C22
C29
(230X550)
STAINLESS STEEL WHEELS
C45
C46
COLUMN
4
6 3
2
5
7
8
14
150 MM THICK PCC 50MM THICK DPC
+150 +0
990X1950
690
990
700
900
300 700
SIXTH FLOOR LEVEL
2100
900
300
FIFTH FLOOR LEVEL
1980 1980
1380
2
D2
3
D3
REMARK 4
D4
5
D5
SR NO.
990X1650
1800X 990
SERVICE LIFT
BEDROOM
SERVICE LIFT
DESCRIPTION
1
W1
1800X1200 MM
ALUMINIUM FRAME WITH 6MM THICK GLASS, ALUMINIUM TRACKS (600MM), TOWERBOLT LOCK SYSTEM
900
2
W2
1200X 1200 MM
ALUMINIUM FRAME WITH 6MM THICK GLASS, ALUMINIUM TRACKS (600MM), TOWERBOLT LOCK SYSTEM
900
1200
3
W3
600X1200 MM
ALUMINIUM FRAMED LOUVERED WINDOW WITH 6 10 MM THICK FROSTED GLASS SLATS, LEVERED WINDOW OPENER
4
W4
3800X300 MM
TW FRAME WITH 6MM THICK GLASS DISPLAY WINDOW, 2 LEVERED OPENER
600
5
W5
600X1500 MM
ALUMINIUM FRAMED LOUVERED WINDOW WITH 11 10 MM THICK GLASS SLATS, LEVERED WINDOW OPENER
300
5
W5
600X1200 MM
ALUMINIUM FRAMED CASEMENT WINDOW
1200
FLOOR SR NO.
FLOOR
LOCATION
DESCRIPTION
1
F1
LIVING ROOM
40MM THICK 1:2:4 SCREEDING, 15MM CERAMIC TILES
2
F2
BEDROOM
40 MM THICK 1:2:4 SCREEDING, 12MM VITRIFIED TILES(600X600MM)
TOILET
15MM WATERPROOFING AGENT SCREEDING(DR. FIXIT BATHSEAL), 40MM THICK 1:2:4 SCREEDING,180MM BBC LAID TO SLOPE, 12MM THICK RUSTIC VITRIFIED TILES
3
F3
SR NO.
CEILING
LOCATION
DESCRIPTION
1
C1
ALL EXCEPT LIVING ROOM
12MM THK 1:1:2 PLASTER, 1 COAT 5MM POP PUTTY; 2 COATS PRIMER
2
C2
LIVING ROOM
12 MM THK 1:1:2 PLASTER; 1 COAT 5MM POP PUTTY; 2 COAT PRIMER
3
C3
TOILETS
12 MM THK WATER PROOFING AGENT(DR FIXIT REPELLIN) MIXED WITH PLASTER; 2 COATS OF PLASTER
FOURTH FLOOR LEVEL
CEILING SCHEDULE
700
BEDROOM
900
2100 700
BEDROOM
1200
900
2100
BALCONY
2100
PASSENGER LIFT
2100
LIVING ROOM
2850
1000
TOILET
300
50 MM DIA. BALLUSTERS 30 MM DIA. BALLUSTERS
SECOND FLOOR LEVEL 15 MM THICK CERAMIC TILES
700
D1 D4
BEDROOM
SERVICE LIFT
BALCONY
180 MM THICK BBC 50 MM DIA. BALLUSTERS 30 MM DIA. BALLUSTERS
FIRST FLOOR LEVEL
300
1200
900
2100
PASSENGER LIFT
2100
LIVING ROOM
2850
1000
40MM THICK SCREEDING
TOILET
W2
12 MM THICK VITRIFIED TILES
15 MM THICK CERAMIC TILES 40MM THICK SCREEDING
2100
2100
50 MM DIA. BALLUSTERS
900
900
900
LOBBY
180 MM THICK BBC
SERVICE LIFT
300
4050
PASSENGER LIFT
30 MM DIA. BALLUSTERS
300
1600
180 MM THICK BBC
THIRD FLOOR LEVEL
300
600
1200
D1
SERVICE LIFT
PROJECT- STILT + 6 RESIDENTIAL BUILDING
GROUND FLOOR LEVEL
SKIRTING SR NO. SKIRTING S1 1
2
3
SR NO.
50 MM THICK DPC
NAME : SRISHTI DASGUPTA SCALE : 1:50
BALCONY
2100
2100
2850
PASSENGER LIFT
LOBBY
40MM THICK SCREEDING
150 MM THICK PCC
SECTION A-A’
LOCATION
DATE -
DESCRIPTION
15 MM THK ITALIAN MARBLE WHITE LIVING ROOM SATVARIO, 10MM THK CEMENT MORTAR 1:2
S2
TOILET
12 MM THK RUSTIC VITRIFIED TILES(600 X600 MM), 10 MM THK MORTAR 1:2
S3
BEDROOMS AND OTHER ROOMS
12 MM THK VITA VITRIFIED TILES 600X600 MM , 10 MM THK CEMENT MORTAR
WALL WALL
LOCATION
1
DWG. NO ROLL NO - MU1773
F49 CILL LEVEL (MM)
UNFINISHED OPENING
900
300
600
1200 1000
LIVING ROOM
1080
TOILET DEATILS
550X230, 230X 550
C26, WINDOW C49
6 WINDOW
BALCONY
D1
D2
W3 W6
TITLE - COMPOUND WALL AND
FIXTURE
3 SATIN NICKEL HINGES, STAINLESS STEEL LEVER HOLDER, DEADBOLT LOCK SYSTEM 3 SATIN NICKEL HINGES, STAINLESS STEEL LEVER HOLDER, DEADBOLT LOCK FOUNDATION SYSTEM 3 SATIN NICKEL HINGES, 40 MM THICK LAMINATED COLUMN FOUND STAINLESS STEEL LEVER SR 700X2000MM SINGLE SHUTTER, DOUBLE T COLUMN FOUNDATION SIZE(MM) SIZE( HOLDER, DEADBOLT LOCK NO. W PANEL SYSTEM TRACKS (9000MM) ALUMINIUM MM THICK ALUMINIUM C1, C44, C50, C23, C20,100 C14, C11 450X230 F1, F44, F50, F23, F 20, F14, F11 690X1 1 2700X2000MM SLIDING DOOR C2, C4, C8, C9, C10, C12, C13, C15, F2, F4, F8, F9, F10, F12, F13, 3 SATIN NICKELS HINGES, TWO 2 500X230 1500X F15, F19, F22, LEVER F24, F25, F45, F46 C19, C22, C24, C45, C46 400 MMC25, THICK LAMINATED STAINLESS STEEL 2000X2000MM C3,C17, C18,C21, C27, SHUTTER C29, C30, C27, F29, DOUBLE HOLDER,F3,F17,F18, DEADBOLT F21, LOCK 3 230X 500 690X1 C31, C35 C42, C43, C48 F30,F31, F35, F42, F43, F43, F48 SYSTEM F6, F27, F28, F33, F38, F39, F40, C6,C27, C28, C33, C38, C39, C40, 4 230X550 690X F41 C41 550X230 C5, C7, C32, C34 F5, F7, F32, F34 5 1650X
2100
PASSENGER LIFT
1200
GROUND FLOOR LEVEL
50MM THICK DPC
BALCONY
D1
2100
2850
1000
LIVING ROOM
1080
1200
COMMERCIAL AREA
600
1000 1200
2850 2850
D2
1950
1800
2100
2100
2100
BEDROOM
1080
1500 2850 2100 900
1200 900
925
+7350
LOBBY
990X1800
1950X990 1950X990, 990X1950
S
ISOLATED SPLAYED FOUNDATION ISOLATED SPLAYED FOOTING ISOLATED SPLAYED FOOTING ISOLATED SPLAYED FOUNDATION ISOLATED SPLAYED FOUNDATION ISOLATEDV PAD FOOTING WITH COMBINED PCC BED
PRODUCED BY AN AUTODESK STUDENT VERSION
180 MM THICK BBC D2
D3
180 MM THICK BBC LAID TO SLOPE
BALCONY
SERVICE SLAB
2850
SECTION B-B' FIRST FLOOR LEVEL
GENTS TOILET
40MM THICK SCREEDING
D4
BEDROOM
D1
SERVICE LIFT
LOBBY
LOBBY
LIVING ROOM
40MM THICK SCREEDING
1800X 990
F49
D4
W6
40MM THICK SCREEDING DIA WASTE PIPE +7350 180MM THK BBC LAID TO SLOPE
W3
1650
PCC BED
PASSENGER LIFT
D2
W3
SECOND FLOOR LEVEL 75MM D2
50MM THICK DPC
TERRACE FLOOR LEVEL
690
990
690
D1
1650
D2
LIVING ROOM
LOBBY
2850
500
LIVING ROOM
TOILET
W6
+10350
75MM DIA WASTE PIPE BOTTLE TRAP(300X115X100MM) CERA HEALTH FAUCET
850
900
D2
25
24
990X1650
HEIGHT FROM F.F.L
SECTION B-B’
RIZVI COLLEGE OF ARCHITECTURE
2
DESCRIPTION
LIVING ROOM W1 AND OTHERS
3000
12 M THK 1:1:2 PLASTER, 2 COATS OF WHITE WASH, 1 COAT OF PRIMER AND ONE COAT OF WHITE PAINT
W2
3000
12 MM THK WATER PROOFING AGENT MIXED PLASTER, 300 X 600 MM CERAMIC TILES OF 15MM
3RD YEAR B.ARCH.
WORKING DRAWING
TOILET
PRODUCED BY AN AUTODESK STUDENT VERSION 558
558
690X1
REMARK
ISOLATED SPLAYED FOUNDATION ISOLATED SPLAYED FOOTING ISOLATED SPLAYED DOOR SCHEDULE 690X1500 990X1800 FOOTING SHUTTER SIZE DESCRIPTION ISOLATED SPLAYED 690X 1650 990X1950 FOUNDATION 40MMISOLATED THICK LAMINATED SPLAYED 1650X690 1950X990 800X2000MM SINGLE SHUTTER, DOUBLE FOUNDATION 1650X690, 1950X990, ISOLATEDV TW PANEL PAD 6900X1650 990X1950 FOOTING WITH COMBINED PCC BED 40MM THICK LAMINATED 900X200 MM SINGLE SHUTTER, DOUBLE TW PANEL 690X1350
1500X690
D4
PRODUCED BY AN AUTODESK STUDENT VERSION
2840
900
1200
180 MM THICK BBC
690X1350
150 MM THICK PCC COPING
D2
W3
40MM THICK SCREEDING
W3
FOUNDATION PCC(MM) SIZE(MM)
20 MM THICK MOSAIC TILES D2
1080
TOILET
2850
THIRD FLOOR LEVEL
23
FOUNDATION PCC(MM) SIZE(MM)
D4
2850
+13350
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
50MM HOT WATER SUPPLY PIPE
22
21
1500
W3
GRANITE COUNTER TOP( 18MM 100X75 THK) MM MS ANGLE CLEAT CERAMIC BASIN
F1, F44, F50, F23, F 20, F14, F11
1350
LOBBY
LIVING ROOM
FOUNDATION
450X230
FOUNDATION DETAILS:
REMARK
D2
W3
W6
D2
COLUMN SIZE(MM)
20
550X230, 230X 550
C26, C49
FOUND SIZE(
C2, C4, C8, C9, C10, C12, C13, C15, F2, F4, F8, F9, F10, F12, F13, 500X230 1500X F15, F19, F22, F24, F25, F45, F46 C19, C22, C24, C25, C45, C46 C3,C17, C18,C21, C27, C29, C30, F3,F17,F18, F21, C27, F29, 230X 500 690X1 C31, C35 C42, C43, C48 F30,F31, F35, F42, F43, F43, F48 F6, F27, F28, F33, F38, F39, F40, C6,C27, C28, C33, C38, C39, C40, 230X550 690X F41 C41 550X230 C5, C7, C32, C34 F5, F7, F32, F34 1650X 550X230, 1650X C26, C49 230X 550 6900X F49
700
+16350
2850
19
2100
TOILET
1200
600
THK VITRIFIED DADO TILES
FOUNDATION PCC(MM) SIZE(MM)
2850
1000
W3
WESTERN CLOSET
1200
17 18
2100
6
3RD YEAR B.ARCH.
W3
FOURTH FLOOR LEVEL
16
15
2100
5
FOUNDATION
2850
4
DATE -
1200
1080
3
W6
600
2850 2850
13
ISOLATED SPLAYED C1, C44, C50, C23, C20, C14, C11 450X230 F1, F44, F50, F23, F 20, F14, F11 690X1350 990X1650 FOUNDATION F2, F4, F8, F9, F10, F12, F13, C2, C4, C8, C9, C10, C12, C13, C15, ISOLATED SPLAYED 500X230 1500X690 1800X 990 F15, F19, F22, F24, F25, F45, F46 C19, C22, C24, C25, C45, C46 FOOTING W3 TOILET LIVING C3,C17, C18,C21, C27, C29, C30, F3,F17,F18, F21, ROOM C27, F29, SERVICE LIFT ISOLATED SPLAYED PASSENGER LIFT 230X 500 690X1500 990X1800 F30,F31, F35, F42, F43, F43, F48 C31, C35 C42, C43, C48 FOOTING LOBBY F6, F27, F28, F33, F38, F39, F40, ISOLATED SPLAYED C6,C27, C28, C33, C38, C39, C40, 230X550 690X 1650 990X1950 F41 FOUNDATION C41 550X230 ISOLATED SPLAYED F5, F7, F32, F34 C5, C7, C32, C34 1650X690 1950X990 FOUNDATION 550X230, 1650X690, 1950X990, ISOLATEDV PAD C26, C49 230X 550 6900X1650 990X1950 F49 FOOTING WITH COMBINED PCC BED
1080
ROLL NO - MU1773
1
COLUMN SIZE(MM)
COLUMN
2850
1200
10 11 12
FOUNDATION
DUCT SR NO.
2
PRODUCED BY AN AUTODESK STUDENT VERSION
1500
ALUMINIUM LID
W6
LIVING ROOM
F1, F44, F50, F23, F 20, F14, F11
C2, C4, C8, C9, C10, C12, C13, C15, F2, F4, F8, F9, F10, F12, F13, 500X230 1500X690 F15, F19, F22, F24, F25, F45, F46 C19, C22, C24, C25, C45, C46 C3,C17, C18,C21, C27, C29, C30, F3,F17,F18, F21, C27, F29, 230X 500 690X1500 C31, C35 C42, C43, C48 F30,F31, F35, F42, F43, F43, F48 F6, F27, F28, F33, F38, F39, F40, C6,C27, C28, C33, C38, C39, C40, 230X550 690X 1650 F41 C41 550X230 C5, C7, C32, C34 F5, F7, F32, F34 1650X690 550X230, 1650X690, C26, C49 230X 550 6900X1650 F49
40MM THK DPC
RIZVI COLLEGE OF ARCHITECTURE
40MM THICK SCREEDING
450X230
FOUNDATION PLAN
WORKING DRAWING
FIFTH FLOOR LEVEL 12MM
9
F1, F44, F50, F23, F 20, F14, F11
PCC BED
C1, C44, C50, C23, C20, C14, C11
6 4
450X230
4
C2, C4, C8, C9, C10, C12, C13, C15, F2, F4, F8, F9, F10, F12, F13, 500X230 F15, F19, F22, F24, F25, F45, F46 C19, C22, C24, C25, C45, C46 C3,C17, C18,C21, C27, C29, C30, F3,F17,F18, F21, C27, F29, 230X 500 C31, C35 C42, C43, C48 F30,F31, F35, F42,SR. F43,NO F43, F48 DOOR F6, F27, F28, F33, F38, F39, F40, C6,C27, C28, C33, C38, C39, C40, 230X550 F41 C41 550X230 C5, C7, C32, C34 F5, F7, F32, F34 1 D1
C50 (230X450)
C1, C44, C50, C23, C20, C14, C11
6
FOUNDATION
FOUNDATION
C1, C44, C50, C23, C20, C14, C11
FOUNDATION
1
5
COLUMN SIZE(MM)
6
1
COLUMN SIZE(MM)
3
R
1
SR NO.
(230X500)
COLUMN
FOUNDATION
2
PB70
PB17
400
910
2850 4380
900 1200 900
F50
5
DWG. NO -
+19350
W3
900
F46
3
NAME : SRISHTI DASGUPTA
LIVING ROOM
100MM DIA SOIL PIPE 62.5 MM ANTI SIPHONAGE PIPE
450
PB69
(230X500)
2850
SECTION A-A'
SIXTH FLOOR LEVEL
75 MM FLUSH WATER PIPE 75 MM DOMESTIC WATER PIPE
3900
PB18
PRODUCED BY AN AUTODESK STUDENT VERSION2
PROJECT- STILT + 6 RESIDENTIAL BUILDING
180 MM THICK BBC
PRODUCED BY AN AUTODESK STUDENT VERSION
C44
TITLE - FOUNDATION PLAN
50MM THICK DPC
D2
D3
S
40MM THICK SCREEDING 180 MM THICK BBC LAID TO SLOPE
75MM DIA WASTE WATER PIPE
F45 PB13
+22350
1200
W3
LIVING ROOM
D2
PLUMBING PLAN
PB68
SR NO.
2
COLUMN
SR NO.
5
PB16
230X450
SCALE : 1:50
D3
230X450
F48
PRODUCED BY AN AUTODESK STUDENT VERSION
(0,0) C44, C45, C46, C50
180MM THK BBC LAID TO SLOPE 150 MM THK RCC SLAB
150 MM THICK PCC COPING
20 MM THICK MOSAIC TILES
W3
(230X500)
4
WESTERN CLOSET 75MM DIA WASTE PIPE 40MM THICK SCREEDING
TERRACE FLOOR LEVEL D2
PLAN
C23
C48
1000
880
LIFT SERVICE ROOM
50MM THICK DPC
150
12MM CEMENT BACKING(SLURRY)
B
Q
(230X500)
20MM THK MARBLE PATTI 1OO MM PVC SOIL PIPE
1800
350
DUCT 3000
350
CERA SINGLE LEVER FAUCET WASH BASIN MOUNTED ON GRANITE PLATFORM(STARWHITE HINDWARE 350 MM DIA) KEROVIT HYDRUS PLUS FAUCET 150MM THICK LEDGE WALL 750
250
F23
PB72
C24
(230X500)
P
PCC BED
F39
PB19
2500
W3
W5
2500
450 350
870
C25
12MM THK VITRIFIED DADO TILES
1200
700 760
750
A'
PB20
(230X550)
F44
FOUNDATION
O
F41
PB12
600
PRODUCED BY AN AUTODESK STUDENT VERSION
250
PB11
F43
1650 3900
N
PCC BED
PB74
F24
PB71
PRODUCED BY AN AUTODESK STUDENT VERSION
D3
1120
PB15
C41
1
PRODUCED BY AN AUTODESK STUDENT VERSION
12MM THK DADO VITRIFIED TILES
W3
(230X550) PB66
(230X550)
C43
3600
F22
PB63
PB73
C49
PB67
PRODUCED BY AN AUTODESK STUDENT VERSION
COMPOUND WALL DETAILS
DUCT
PB65
F25
R
(230X500)
(230X550)
F34
PB64
C22
C34
PB58
6500X50MM ALUMINIUM RAILS
PLAN
M.S TOWEL HOLDER 150MM DIA GI FLOOR TRAP WESTERN WATER CLOSET (HINDWARE STUDIO RIMLESS WALL MOUNTED 450X360X410MM) OHT
F38
PB21
C38
(230X550)
M
F49
(230X550)
F40
PB10
(230X500) PB59
PB56
(230X500)
WROUGHT IRON SLIDING GATE WITH RENZO LAMINATES
2800
Q
(0,6130) C43, C41, C39,C48
40X40 WROUGHT IRON STOPPER
6000
(0,9990) C25, C24, C23
L
PB62
C26
(230X550)
PB9
F42
K
F21
C21
3
1500
3000
2950
1650
(230X550)
PB57
C42
F27
PB55
C27
(230X550)
PB60
(230X550)
C39
300X300MM BRICK PIER
A
C28
PB14
(230X500)
ELEVATION
CERA HEALTH FAUCET
C33
PB53
F28
13501650
J
230X450 F20
PRODUCED BY AN AUTODESK STUDENT VERSION
WROUGHT IRON GATE WITH RENZO LAMINATES
B'
PB24
(230X500) F29
PB8
1500
PB61 PB48
F27
C40 P
(230X500)
PB46
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(0,12130) C42, C40, C38,C49
C20
PRODUCED BY AN AUTODESK STUDENT VERSION
2200
230 MM COMPRESSED EARTH BLOCK
C19
F19
F32
(230X500) (230X550) PB52
PCC BED
PRODUCED BY AN AUTODESK STUDENT VERSION
2200
PRODUCED BY AN AUTODESK STUDENT VERSION
300X300MM BRICK PIER
PB47
3900
3600
I
(230X500) PB45
C32
1350
PB22
15MM FLAG STONE CLADDING
3000
PB54
C35
FOUNDATION DETAILS:
H
C18
PB23
(230X500)
N
F35
PB51
(0,16120) C33
1650
(230X500)
PB50
F36
C5
C4 M
F18
F5
PB7
L
PB43
C31
C6
(230X500)
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FOUNDATION DETAILS:
C36
F6
PB5
PB44
F31
(230X550)
C3
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C29, C28, C27,C21
F PB42 C7
PB4
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1380
(0,20780) C6, C36, C35 (0,20590)
PB3
C2 (230X500)
H
PRODUCED BY AN AUTODESK STUDENT VERSION
D
1980
G
(0,16350)
150 MM RCC COPING
C17 (230X500)
PB41
F7
2100
SECTION A-A'
F17
C30 (230X500)
1650
1500
1980
LIGHTING DETAIL
F2
F
C6 (0,18820) C32, C19, C20 (0,17990) C4, C5
450X400MM PRECAST GUTTER LAID TO SLOPE
F30
C
1350
1380 1380
GESTO WATER PROOF CURVE BULB PCC BENCHING
C15 (230X500) PB40
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(0,23060) C2, C7 (0,219660) C31, C19
1650
1980
230 MM RANDOM RUBBLE
FOUNDATION DETAILS: B
PB39
PB28
PB14
PB2
PB38
230X450
(230X550)
PB27 (230X500)
D
F15
C16
PB29
F9
(230X500)
C9
C30, C17 (0,24220) LIFT (0,24070) LIFT
15MM FLAG STONE CLADDING
COMPOUND GATE
C8
F8
F1
PB37
F16
990
5MM THK RENZO BARS
150MM THK PCC BED
C1 (230X450)
C
(0,24470)
50X50MM WROUGHT IRON BARS
PB32
(230X500)
B
PB1
50MM THK DPC
600
2200
300 MM BRICK PIER
F10
PB35
PRODUCED BY AN AUTODESK STUDENT VERSION
(0,28120) C10, C16, C15 (0,26790) C1,C8,C9
C14
(230X500)
(230X500)
1380
DRIP MOULD 30MM DIA 110
C12
PB36
C13
F12 PB33
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RAMP
PB34
PB31 PB30
1980
C11 (230X450)
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ELECTRIC CONDUIT DOWELS
50MM DPC
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150 MM RCC COPING
150 MM RCC COPING
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(17060,0) C50 (17340,0) C13, C26 (17360,0) C16, C32
(12040,0) C12 (13040,0) LIFT (14000,0) C35, C28
(10620,0) LIFT (10680,0) C46 (10820,0) C38, C39
(9510,0) C9 (9660,0) C36, C29 (9800,0) C11, C10
5
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(5490,0) C8, C5 (5700,0) C7
(0, 0) C3, C42, C43
(0, 140) C1, C2, C4,C44
(5270,0) C45 (5410,0) C40, C41
FOUNDATION DETAILS:
16
1650X 6900X
6 BASIC DESIGN
Urban Park renovation Bandra
Sem 2 With Ar. Przan Daruwala The brief suggested was express the spatial interpretation of a painting of an artist .
Workshop By anukriti studios
Jackson Pollock was an Americal painter. He mostly depicted contemporary crisis through abstract expressionism and painting pethod called action painting.
A handson placemaking exercise to to reimprovise an abandoned park in Bandra residential complex.
MY interpretation: A pavillion that refects the chaotic confluences of diffrent aspects post WW1 binded by a fragile web of peace.
Elements
7 OTHER
EXPLORATIONS Transition
Before
Convergence, 1952
After
17
ARCHAIS
‘ THE HOUSE’ COMPETITION TOP 50 In collaboration with:
Sweety Bhosale, Naqiya gadliwala
Brief:
• The competion aimed rethinking the idea of ‘home’ and house design with respect to the context of the location selected by individuals. • It encouraged participants in understanding the basic functionality of a home and design accordingly.
The village of Shang is nestled among the hills, away from the hustle bustle of Manali. The site chosen is at the edge of the village beside a spring of river Beas. The house is curated to reflect the culture of the context, as well a contemporary touch using local sustainable materials and techniques.
18
Archmello Design Competition
In collaboration with Sweety Bhosale and Naqiya Gadliwala • A student housing project in the city of pune, which would enhance the quality of lifestle of students by providing privacy as well as space for collective activities. • Apart from multiple occupancy options in living quaters, supporting facilities like canteen, laun-
A student housing is a thread that acts a connection between human, between past and present and different cultures.
The design attempts to capture the essence of Wadas of pune into the present urban fabric of the city. Wadas were designed such that it had a fortified aura through its exterior and a very porous form of architecture in the interiors. (in form of courtyard, verandahs, chowks)
After a long day at work, a student seeks solace. Every unit with private space- their balconies with unceasing view to reflect on their thoughts. The balconies at different levels are arranged in an intertwining manner to to achieve this goal.
Entry
The concept of stuudent community is embodied in the design through the multiple interactive spaces, for example the spaces between two units, the courtyards, sit outs and corridors.
VISUALIZATION OF THE CANTEEN
Puneri Wada
19
GROUND FLOOR PLAN
Flat for 1 user- 6.5x6.5m
Living quaters seggregated into boys and girls block Internal and external courtyards
Verandah connecting different spaces
SECTION
SECOND FLOOR PLAN
2nd & 3rd FLOOR PLANS Flat for 2 user- 6.5x8m
Flat for 4 user6.5x13M
4 & 5 th FLOOR PLANS
VISUALIZATION OF THE FRONT FACADE
VISUALIZATION OF THE LIBRARY
APIC Design Competition
In collaboration with Sweety Bhosale and Naqiya Gadliwala
Kagazi- A module that caters to an interdisciplinary approach to the concept of resuse. Cardboard and plastic- One of the most abundant Urnban trash is used as building material. It also demonstrates children about the importance of reuse and recycle. The spaces are divided such that individual learning space can be fused together to form a common multifunctional space.
• A learning space for children upto 15 years thatcan be accessed by children across all forums and background. • The facility should be flexible enough to cater to all situations. • The facilty can be expandable keeping a base area of 25 sq M.
FRONT ELEVATION
Plastic sheet Plywood Cardboard rolls Plywood frames
Strucural elementscardboard tubes and panels (derived from urban waste)
The diameter of the paper tubes varies such that they fit into each other easily.
SECTION B-B’
Cardboard panels plywood frames to fix cardboard rolls
SECTION A-A’
The sliding panels are light weight and can be operated by kids also The two adjacent blocks can be unified by sliding the panels . The space in between can act as an extension to classroom space.
Kagazi
Cardboard rolls Plywood beer craters sliding cardboard panel
AXONOMETRIC VISUALIZATION
PLAN
20
SHANAG
With Architectural design team, second year INTACH Heritage awards 2018-19 Winner A collaborative class documentation project which includes: • Studying the Vernacular Housing of the local community and their daily lifestyle • Studying the local construction techniques dealing with ecology, climatic comfort and seismic resistance.
KATHKUNI DETAIL
GROUND FLOOR PLAN OF A TYPICAL HYBRID HOUSE
TYPICAL HYBRID ROOF DETAIL
FIRST FLOOR PLAN
CLUSTER PLAN
CLIMATE RESPONSIVE DESIGN
Documentation 21
SECTION A- A’
FRONT ELEVATION
BANGARCHOLE With ANDC 2019-20 team
A collaborative documentation and design project for ANDC trophy 2019-20which includes: • Understanding the indigenous lifestyle and construction techniques.
RUCTURE MELINE: STRUCTURE
The dichotomy of sacred and civic space has always been evident. The reason behind this Location are the traditional and intricate details found in sacred structures and the flexible design parameters of civic structures. Hence, it is imperative that we understand the importance of semi-sacred spaces. Co-ordinates:
INTERPRETATION INTERPRETATION INTERPRETATION The structure wasof sacred and civic Semi space sacredhas spaces arebeen a dilution of restrictive sacred and civic spaces, they have The dichotomy always evident. The reasonnature behindofthis
Louis I Kahn Trophy •
2019-20 ( Shortlisted) Semi- Sacred space
Memorial
Topography TIMELINE:
Topography of Gujarat shows a wide range of physical features ranging from desert to coastal and marine environment. Gujarat is located near the Thar desert; therefore most of the land is dry and arid in nature. Topography is divided into 3 major regions, namely:
22.3072° N, 73.1812° E
Mahi River
Landscape
+0.00M
SRI AUROBINDO TIMELINE: SRI AUROBINDO B
B
PRODUCED BY AN AUTODESK STUDENT VERSION D'
D'
The arrangement of landscape determines the connectio Surrounded by floral and dense trees which are home to squir The hierarchy of heights of trees are in th The chirping of birds, refreshing floral fragrance and the around the structure which further flows inside as th
specially by Maharaja nodetails social found constraints on the accessibility and usage. design When it comes to experiencing these are thebuilt traditional and intricate in sacred structures and the flexible The of sacred and civic space hasones always been evident. The of reason behindorthis Sayaji Rao Gaekwad in dichotomy F spaces, spaces are which gives abeen glimpse spirituality parameters of civicIIIstructures. Hence, semi-sacred it and is imperative that wethe understand the importance The dichotomy of sacred civic space has always evident. Thefaith without • The Peninsular - the region, which is also known as are the traditional and intricate details 1896 for Khaseraospaces. Jadhav conditioning one to follow it. found in sacred structures and the flexible design Fig. 2c. The Rann of semi-sacred Saurashtra, is essentially a hilly tract. reason behind this are thestructures. traditional and details found the in sacred C C of civic Hence, it is intricate imperative that we understand importance 3. Timber: who was the sardar of parameters Mainland • The Mainland that extends from the Rann of Kutch and of semi-sacred spaces. • Teak (sagwan Gaekwad army.spacesand structures flexible parameters of spaces, civic Hence, it When faithdesign and nature spirituality is incorporated in our structures. routine and manifests physically through • The structure was Semi sacred are a the dilution of restrictive of sacred and civic they have Peninsular Vishvamitri the Aravalli hills to the river Damanganga. members like Jadhav and River architecture, brings together a community that believes in practices and ideologies specially built by Maharaja • Khaserao no social constraints on the accessibility anditusage. When it comes to experiencing these is imperative that we understand the importance of semi-sacred spaces. • Born in Bengal Presidency, India 1. onLoad 15thBearing: beams. Babool • The was Semi sacredcollectively spaces are which a dilution of restrictive nature of to sacred and civic semi-sacred. spaces, they have Aurobindo lived here spaces • The Kutch - It is a barren and rocky area containing the • Brick has low U-value which helps in keeping Sayaji Rao Gaekwad III instructure are the sacred components make a space August 1872. spaces, semi-sacred are the ones which gives a glimpse of spirituality or faith without Fig. 2b. Map of Vadodara showing Mahi great Rann. sacrednospaces are a dilution of restrictive nature sacred andandcivic members. specially built bySemi Maharaja together. interiors cool. The load bearing technique social constraints on the accessibility and usage. When itof comes to experiencing theseriver. Vishvamitri 1896 for Khaserao Jadhav A A' A A' • His father sent him to England to study and conditioning one to follow it. • Teak wood li Sayaji Rao Gaekwad III in they increases the thickness further and adds on to spaces, semi-sacred spacesconstraints are the ones which of spirituality or faith without spaces, have no social ongives thea glimpse accessibility and usage. Fig. 4b. The connection of side porch; sometimes used as a space who was the sardar of Ideas of nationalism began developing due to furniture and for meditation. the heat resistance. 1896 for Khaserao Jadhav Fig. 2a. Map of india conditioning one to follow it. Gaekwad army. atrocities of britishers. When it comes to semi-sacred spaces are the When faith and spirituality is experiencing incorporated in ourthese routine spaces, and Landscape manifests physically through What this mea Fig. 1a. In-between • In order to prevent dampness from affecting the sardar of The project dealt with demonstrating the • Khaserao Jadhav andwho was • Deliberately failed ICS exam and got History architecture, it brings together a community that believes in practices and ideologies Topography hot or too • Born in Bengal Presidency, India on 15th The arrangement of landscapeconditioning determines the connection between vociferous highway and a silent atmosphere. ones which gives a glimpse of spirituality or faith without one Fig.2k. The rustic tones of facade compliments too the surrounding the structure the sulphate content has been Gaekwad army. When faith and spirituality is incorporated in our routine and manifests physically through Aurobindo lived here introduced to Maharaja Sayaji Rao Gaekwad by floral and dense trees which are home to squirrels, pigeons and other different species of birds and animals. the cold winte collectively which are the sacred components to make a space Surrounded semi-sacred. idea Topography of the Architecture of features semi sacred, environment. August 1872. kept in check. A solution of silicon resin, sodium On the banks of thetrees Vishwamitri River, Vadodara brims with heritage. • Khaserao Jadhav and of Gujarat shows a wide range of physical The hierarchy of heights of are in three levels: Hedges, flowering plants and trees. Landscape to follow it. architecture, it brings together a community that believes in practices from andIndia’s ideologies together. Fig. 7e. Heat transfer through walls. • to Born in Bengal Presidency, India aonjob15th III Baroda in his state as elements The refreshing enduring architecture andtrees modern periods is testimony to theenvironment progressiveness the father city’s various • ofHis sentrulers. him England to of study andand secured ranging from desert to coastal and marine environment. methyl and siliconate stearate is used to damp The chirping of birds, floral fragrance and themedieval shade by create a calm and serene Aurobindo lived here located between civic Topography collectively which areisthe sacred components toour make aofspace Augustdeveloping 1872. Thein arrangement landscape determines the connection highway and a silent atmosphere. a teacher. Gujarat is located near the Thar desert; and thereforesacred. D D around the structure whichsemi-sacred. further flows inside as they between are usedvociferous for flower arrangements in the structure. When faith and spirituality incorporated routine and manifests Ideas of nationalism began due to proof the wall. C' C' together. Surrounded by floral and dense trees which are home to squirrels, pigeons and other different species of birds and animals. most of the land is dry and arid in nature. • His father sent him to England to study and 4. Flooring COURTYARD Topography shows a wide range ofregions, physical features And understand the possibilities, reasons atrocities britishers. The hierarchy a of community heights of trees that are in three Fig. levels: Hedges, flowering and trees. Topography ofisGujarat divided into 3 major namely: Why thisplants structure and what makesof it SemiStore Room physically through architecture, it brings 1a. In-between Why spirituality and how ittogether relates to Sri E nationalism ranging from desert to coastal and marine environment. The chirping of birds, refreshing floral fragrance and the shade by trees create a calm and serene environment • Deliberately F failed Ideas ICS ofexam and began got developing due to 2. Arches: sacred? Gujarat is located near thewhich Thar desert; around the structure which further flows inside as they are used for flower arrangements in the structure. Aurobindo? of ignorance annd signficance of such • The Peninsular - the region, is also knowntherefore as believes in practices and ideologies collectively which are the sacred • Kota Flooring: atrocities britishers. 2860 Fig. 1a. In-between • Arches are used instead of lintel and beams as introduced to Maharaja Sayaji of Rao Gaekwad Fig. 2c. The Rann most of the land isa hilly drytract. and arid in nature. Saurashtra, is essentially stone. Here, gr • Deliberately ICS exam and got Topography is dividedstructures. into 3 major regions, namely: it can span wider openings and has efficient components to make a space semi-sacred. III of Baroda and secured a job in hisfailed state as Mainland Sri Aurobindo Nivas is a National Memorial and India has been known for its spirituality from used. It is hard, F • The Mainland that extends from the Rann of Kutch and introduced to Maharaja Sayaji Rao Gaekwad LOCAL RELEVANCE load bearing capacity. a teacher. • The region, is also known as functions as a spiritual retreat. Peninsular the Peninsular Aravalli hills- the to the river which Damanganga. TOILETRajneesh, Kabir, past several centuriesOsho proof. Hence i III of Baroda and secured a job in his state as • The voussoir of the arches Fig. 2c. The Rann Saurashtra, is essentially a hilly tract. spread the loadhe set foot • In 1893, when DOOR SCHEDULE B' B' and many more. WhyImportance this structure and what makes it SemiFunctional a teacher. • DOOR The Kutch - It is a barren Mainland Why spirituality and how it Mother relatesTeresa to Sri HEIGHT and rocky area containing the TYPE WIDTH The Guptas The Solankis The Mughals uniformly, it can resist greater thrust compare on Indian soil a vast peace lattice work The Marathas The structure was adapted to carry forward Aurobindo spent 14 years in Baroda • TheRann. Mainland that extends from the Rann of Kutch and great Sultans Of Delhi sacred?Rashtrakuta • IPS Flooring: Aurobindo? to lintels. Thus, arches can carry loads Peninsular ostensibly as professor of English the Aravalli hills to the river Damanganga. andgreater calm descended upon Fig. 4c. Visitors sometimes circumambulate around it offering Why this structure and what makes it SemiAurobindo’s Ideologies by spreading the idea of their Key Plan Why andspirituality how it relates to Sri provides good The term embraces the deepest in state college. He was also the • 1896-1906 – Aurobindo got married to spirituality than lintels. respect. him. Fig. 2d. The dynasties which ruled Vadodara before The Marathas (Gaekwad). sacred? Why spirituality and how it relates exploring oneself Integral Yoga. brain behind the emerging national • The Kutch - It is a barren and rocky area containing the aesthetic appe Aurobindo? Why structure what makes it through Semisacred? values andfrom meanings Sri this Aurobindo Nivas isand a National Memorial and PHOTO GALLERY by which people live. Mrinalini Devi in 1901 and they lived India has been known for its spirituality Exposed radical movement.The bungalow Fig. 7f. Segmental Arch • In Baroda he later worked great Rann. C 19200X4650 Brick establishing it as the sacred core of the complex. Not all spirituality is religious, but all religion functions a spiritual retreat. The relics of Sri Aurobindo are preserved in the Samadhi, toseveral SriAurobindo? of Khaserao Jadhav as acted as a 3. Balconies: here with Khaserao Jadhav’s familyOsho Rajneesh, BACKYARD past centuriesKabir, as the king’s advisor. Fig.2m. The floral bushes and trees enchant the sacredness of the Sri Aurobindo Nivas is a National Memorial and The memorial hasstood been designed with and as covered space. The use of uniform colorwhen yet he set foot ‘Here and old trees innoa ornamentation deep Fig.2k. of facade compliments the surrounding is a relief to the there sense unlike the chaplatform for Sri AurobindoFigto2l. The green stretch at front • •In The 1893, 9700X6700 • Terrazzo Floo Indiamore. has been known for its spirituality fromThe rustic tonesContext espouses a distinctive spirituality. Physical Form small slits on the upper portion of the 2900 till 1906. Mother Teresa and many memorial. otic street associate with the local people environment. functions asto adifferent spiritual retreat.makes and Sri Aurobindo Nivas is a National Memorial textures it standfuncout in the surrounding. e. on Indian soil a vast peace marble, quart Arch meditative peace’ past several centuriesOsho Rajneesh, Kabir, The structure was adapted carry forward fig. 3a. Aurobindo with his students. lattice work prevents harsh sunlight from including his students and Aurobindo Nivas is surrounded by 5,110 Sq. meters • Aurobindo left for Calcutta and ds is testimony to the progressiveness of the city’s various rulers. • In 1893, when he set foot • Learned Sanskrit and In a very minimalistic way they have tried to imitate chatri, which is a very common form of architecture for The term spirituality embraces the suitable mater and calm descended upon effective shading by neem, sacred fig and other deciduous fellow professors of Baroda. This of open land which is consists of a different gardens Teresa and many more. Sri Aurobindo, a secularist in an attempt to be Aurobindo’s Ideologies by spreading the idea of tions as spiritual retreat. entering, while theon wide slits soil on the lower side HisThe Khaserao Jadhav resided hereMother till UPthe deepest The term spirituality embraces TOILET Fig.2k. The rustic tones of facade compliments the him surrounding green stretch at front is a relief unlike the Indian a vast peace Bengali literature. firstduring winters thereby letting in winter helped instigate his Aurobindo ideasFigof2l. The shed sunlight and alsoa • 1896-1906 – Aurobindo got married to The structure wasto the adapted tocha- carry forward and a pond, all managed by the samadhis insense India. • terrazzo has him. 2860 UP made and 5 The structure extends towards public through guided by his practiced forms exploring oneself Integral Yoga. oticthrough street helps cool wind toand enter. deepest values meanings by values environment. Landscape Location spirituality and Nationalism within by and which people live.integral fig. 3c. Details of Jaisingh They direct air into a building or deflect it away. Since, the su 6 to carry fig. 3b. The JaisinghRao Library; built byAurobMajor Charles Mant e. Society. The structure was adapted forward calm descended upon poetry was published from Mrinalini Devi in 1901 and they1922. lived E values and meanings Aurobindo’s Ideologies by spreading the idea of B it can withstan Rao Library. ADMIN one • •In The Baroda he laterofworked in 1882. the native people. However, at Factual The term spirituality embraces the deepest various spaces like Meditation halls, lawns for of reflective meditation. Sri Aurobindo was west, helps with evaporative cooling.This directs wind inside 4 projection balcony allows wind to enter ds is testimony to the progressiveness of the city’s various rulers. Importance UP • 1896-1906 – Aurobindo got married to Not which all spirituality is religious, but all religion OFFICE Topography people live. The arrangement of landscape determines the connection between vociferous as highway and advisor. a silent him. atmosphere.Baroda (Savitri) and wrote here with Khaserao Jadhav’s family STORAGE presenthighway Aurobindo Nivas is alocally oneself through Integral caused by foo enhancing air ventilation. indo’s by spreading idea ofdiscussing exploring the king’s Located along National No.8, has health exploring LOCAL values andof meanings by RELEVANCE which peopleinlive. 4600X4600 he D yoga, libraries and bookYoga. space. Theseand with it’s exposed the greatest contributors this field, 3 5400X1550 from all 3 sides, and enlarges the room without ‘HereIdeologies and there oldhas trees in the a similar deep Mrinalini they lived espouses a distinctive spirituality. neglected. few people apart stood The Kothi2sector another structure to Aurobindo Nivas. The Jaysinghrao UP Devi in 1901 and Surrounded by public floralLibrary and dense trees which are home to squirrels, pigeons and other different species of birds animals. • Inand Baroda he later worked articles for Indu Prakash. till 1906. care centre adjacent to the Very structure. A reflection The durability Co-ordinates: NotTOILET all spirituality isintroduced religious, but 7which all shows spirituality is religious, but all activities are supports the core Integral Yoga, byreligion undergoing major from meditative followers of Sri Aurobindo brick facade and Indo-saracenic style of civic architecture .The Wada style planning ofsacred the structure inspired from,Tambekar hampering the privacy. Topography ofNot Gujarat a wide range of physical features oneself through Integral Yoga. peace’ The hierarchy of heights of trees are in three levels: Hedges, flowering plants and trees. here with Khaserao Jadhav’s family of traditional pol and wada style of houses can be the king’s advisor. Functional Importance 22.3072° N, 73.1812° E • Aurobindo left for Calcutta and E surface to last are aware about the existence and Wada and Bhavaskar Vithal Wada stood (both built inold same time period).It from the urban context of elements, these ‘Here andby there trees in is evident achirping deep •create Learned Sanskrit andasenvironment ranging fromespouses desert to coastal and marine environment. espouses a distinctive spirituality. following Aurobindo’s ideologies and beliefs, reforms within himself. The of birds, refreshing floral fragrance and the shade by trees a calm and serene seen, with government quarters behind it. lattice work all religion a distinctive Aurobindo spent 14 years in Baroda till 1906. Sri Aurobindo, a secularist in an attempt todesert; be therefore purpose of this structure. were populartowards during this era . public through various Mahi here till • Futhermore started The structure extends Khaserao Jadhav resided Gujarat is located near the Thar Bengali literature. around the structure which further flows inside as they are used for flower arrangements in His the first structure. meditative peace’ WINDOW SCHEDULE ostensibly as professor of English 4. Flooring: thus supporting the sacred core and acting as RiverOFFICE left for • Aurobindo Calcutta and The structure extends towards public through guided by most his integral forms STORAGE • Learned and (yoga). COURTYARD 1 pranayama of the values land ispracticed dry and arid in Henature. Opposite to Aurobindo Niwas lies a 200 years old SILL LEVEL WIDTH HEIGHT WINDOW TYPE spirituality. 1922. in state college. was also the wasflooring published from to Sanskrit LIBRARYSri Aurobindo, a secularist 5300X4850 spaces like Meditation halls, forthe yoga, libraries •poetry Wooden is easier install. Teak wood in an attempt to be ADMIN dargah ‘Khanqah-e-Rifaiya’. 10900X18900 between civic and the sacred . 2600X4450 The Mughals Khaserao Jadhav PHOTO resided here Topography till Furthermore itlike is a Meditationinterface The Marathas various spaces halls,lawns lawns for brain behind the emerging national of reflective meditation. Sri Aurobindo was one 5400X4250is divided into 3 major regions, namely: Bengali first N •literature. Met A YogiHis Sultans Of Delhi GALLERY OFFICE Baroda (Savitri) and wrote SPATIAL ORGANISATION retains its oil content so it doesn’t crackVishnu easily Bhaskar Exposed The discussing structure extends towards public through guided byinhisthis integral values Sri Aurobindo, a secularist in an at-practiced radical movement.The bungalow forms part of the Kothiand present which of 13book Fig. 7g. Balcony and use of slits. 19200X4650 1922. Fig. 1b. Sricomprises Aurobindo book discussing space. These activities are civic yoga, libraries and space. These of the greatest contributors field, he 4600X4700 F 8 Brick poetry was published from under his Lele, meditated of Khaserao Jadhav acted as a historical structures (including this) each having articles for Indu Prakash. BACKYARD and hence durable and low maintenance. various spaces like Meditation halls, lawns for • The Peninsular - the region, which is also Sri known as ofguided reflective meditation. Aurobindo was one 2. Layout: 1. Built and Unbuilt: Fig. 2h. form and placement of courtyard Fig. 2e. Landmarks around the structure(1.) activities are civic which supports the sacred core introduced Integral Yoga, by undergoing major tempt to be by his integral platform for Sri Aurobindo to 9700X6700 it’s own unique features. Baroda (Savitri) wrote guidance for 3 days and Roof Plan Fig. 2c. The Rann The Mughals which supports the sacred core by following Aurob0and 1 5 10m Saurashtra, is essentially a hilly tract. : 2. Jaisingh Rao library 2900 The Marathas yoga, libraries and bookIn discussing space. These of the greatest contributors in local thispeople field, he associate with C the the vedas, east The direction considered to be auspicious, the pressure memorial of Sultans Of Delhi The ratio of ideologies builtabhilekhagar to unbuilt Arch isand 1:3. beliefs, by following Aurobindo’s l isform of structure creates reforms withinpracticed himself. 3. Vadodara Indu Prakash. silence of mind. values of reflecfig. 3a. Aurobindo with his students. his undergoing students and major Roofing started articles foracquired • 5. Futhermore Shri Aurobindo Nivas faces towardsby east makingasit an receive morning sunlight.The Mainland The landscape creates ainformal spatial Fig 2n. The lawn at Record back acts as an gathering space. 4. Kothi Tower activities are civic which supports the sacred core introducedforms Integralincluding Yoga, by ideologies and beliefs. Fig.2m. The floral bushes and trees enchant indo’s the sacredness of the difference, acting partial obstruct for Ashoka Neem Hopea Odorata thus supporting the sacred core and acting as • The Mainland that extends from fellow the Rann of Kutch and This professors of Baroda. memorial has been positioned adjacent to the structure in order to focus on 5. Kothi Building balance between the Secretrait built form and Physical Form south- west winds. Thus, creating pressure zones •pranayama A combination of hip-valley roof and gable roof memorial. UP (yoga). by following Aurobindo’s beliefs, TOILET reforms within himself. tive meditation 6.civic Mama Pol qualities sacred (ashram)and more than the sacred (memorial). Hence, prioritizing the helped him instigate his ideas of Peninsular the Ni spatial of the Vishvamitri INDEX started the Aravalli hills to the riverUP Damanganga. interface between enhances the and the sacred . semiideologies ADMIN • Futhermore and wind movement. The courtyard has been 0 0.5 1.5 3m 7. Tambekar wada former. C adds on to the volume, thus making the space structure. spirituality and Nationalism within • Met Yogi Vishnu Bhaskar fig. 3c. Details of Jaisingh fig. 3b. The JaisinghRao Library; built by Major Charles Mant River thus supporting the sacred core acting as OFFICE INDICATION The effectiveof shading by neem, sacred fig and other deciduous trees helps reduce heat gain during summers. Deciduous trees and S.NO. REPRESENT placed on the eastern side, to receive morning 8. Khanqah-e-Rifaiya symbol Sri Aurobindo: Raoat Library. ADMIN At The the same time landscape forms in 1882. the native people. However, The at Fig. pranayama (yoga). Fig 2n. lawn back acts as an informal gathering space. 1b. Sri Aurobindo 4600X4000 Fig.2m. The floral bushes and trees enchant the sacredness of the voluminous. Factual Importance UP • The KutchOFFICE - It is a barren and rocky area containing the Lele, meditated under his shed during winters thereby letting in winter sunlight and also increasesthe airinterface flow during summers. the civic and the sunlight. sacred . foreground ofbetween the structure present Aurobindo Nivas is locally Physical Form STORAGE ENTRANCE A The descending triangle represents Sat-Chit-Ananda . 1. Landscape memorial. Fig. 2b. Map of Vadodara showing MahiVERANDA • roofs Met Yogi Bhaskar CONFERENCE HALL They direct air into aClimate building or deflect it away. Since, the summer winds are from south-west, theexposed water body placed in the 5400X1550 6 greatLIBRARY Rann. 4600X4600 which hinders the and visual connection Hipwith and haveVishnu multiple risk of forvalley 3 days and neglected. Very similar to Aurobindo Nivas. The Jaysinghrao public Library with it’s4d. Fig. Chatri architecture UP Fig. 4e. The pattern made by flowers on the Samadhi•guidance along small B few people apart The Kothi sector has another structure DOOR SCHEDULE 4550X7200 4800X9650 and Vishvamitri river. PUMP ROOM 1b. Sri Aurobindo Thebrick ascending triangle Fig. represents the aspiring answer from matter the comfortable form of highway between the in street and theunder structure. 2400X9650 helps with evaporative cooling.This directs wind inside the structure, turn makes the interiors by B meditated Lele, under his from followers of Sri Aurobindo west, facade and Indo-saracenic of arrangement architecture .The Wada style planning of thewhich structure inspired from,Tambekar Topography HEIGHT leakage, this 2.isoftackled by using waterproof The of landscape determines the connection between vociferoustrees and a silent atmosphere. shrubs and incense sticks spread pleasant aroma in the surroundings. DOOR TYPE WIDTH The effective by neem,style sacred fig and other deciduous trees helps heathelps gaininduring summers. Deciduous acquired silence mind. Thereduce soft scape reflection of enhancing air shading ventilation. UP Introduction to the Spaces D PARKING are aware about the existence and Wada and Bhavaskar Vithal Wadajunction(both built in same time period).It is evident from the urban context ofsquirrels, elements, these C life, light and love.The the central square is the perfect manifestation having 3. Surrounded by floral and dense trees which are home to pigeons and other different species of birds and animals. for tiles 3 daysinand along summers. with trees help in shed during winters thereby letting sunlight and also increasesheat,which air flow during boards instead ofguidance mangalore some 1)in winter Built and Unbuilt: 4950 this era . purpose of this structure. were popular during 7 Fig. 2a. Map of india Topography of Gujarat shows a wide range of physical features SECURITY hierarchy of the of cooling trees are in- inside three levels: Hedges, plants and trees. thewater environment. direct air into building orThe deflect it Supreme away. Since, summer winds are south-west, the water body placed in- the flowering Hopea Odorata 6 at They its centre thea Avatar of the -heights the lotus. Thefrom the square • 1924-1944 The structure functioned acquired silence of mind. B edges near gutter. D 4. ranging from desert to coastal and marine environment. The chirping of wind birds, refreshing fragrance and the shade trees create and serene CABIN The ratio ofinside built tofloral unbuilt islarge 1:3. The landscape creates a environment STORAGE west, helps with evaporative cooling.This directs the structure, turn makes the interiors comfortable by a calm • which Denseinand foliage helpsby in shading. COURTYARD Mahi OFFICE represents the multiplicity , the creation and unfolding spiritual consciousness within as women’s hostel. Ent LIBRARY 5300X4850 MEMORIAL Gujarat is located near the Thar desert; therefore 10900X18900 2600X4450 • It provides excellent against heat The symbol of Sri Aurobindo: around the structure which further flows inside as they are used for flower arrangements in the structure. enhancing air ventilation. Einsulation MEMORIAL ADMIN 5. D 5400X4250 River History fig. 3d. Thebalance built and the unbuilt between the built form and enhances the The courty spatial Fig.2k. TheNivas rustic that tones even of facade compliments the surrounding Fig 2l. The green stretch at front is a relief to the sense unlike the chaOne thing about Sri Aurobindo pictures cannot encase most of the land is dry and arid in nature. the individual. OFFICE SPATIAL ORGANISATION and cold. The descending triangle represents Sat-Chit-Ananda . WINDOW SCHEDULE STAGE 7 UP F 6. UP Hibiscus Rohea Tube Rose Ixora Jasmine 4600X4700 Hopea Odorata The otic street Topography is divided into 3 major regions, namely: position, environment. which primarily makes the atmosphere PASSAGE is silence. Silence is something Therepresents symbol Sri Aurobindo: SILLRiver, LEVEL Vadodara brims with heritage. HEIGHT On the banksWIDTH of the Vishwamitri spatial thestructure. TYPE WINDOW N of1. the 2.matter Layout: qualities •Jasmine Dense and large foliage helps in shading. Built and Unbuilt: answer from The ascendingAtriangle aspiring under theof form of coluc axis that COCONUT The enduring architecture from India’s medieval modern is testimony to the progressiveness of the Fcity’s various rulers. calm and serene. This is experienced as soon as one enters; the The descending triangle represents Sat-Chit-Ananda . The symbol of The Mother: Fig.2o. Hierarchy of trees and plants . EMPORIUM • The Peninsular - the and region, whichperiods is also known as 7. 0 0.01 0.05 0.1m life, light and love.The junctionthe central square - is the perfect manifestation having•toScent In the vedas, east direction is considered be auspicious, theproduces memorialcalming of of jasmine and relaxing by barefeet walking and then use of materials 4000X9800 The ratio of built to unbuilt is 1:3. librarystru nor Fig. 2h. form and placement of courtyard s around the structure(1.) Fig. 2c. The Rann landscape, followed Saurashtra, is essentially a hilly tract. The ascending triangle represents the aspiring answer from matter under the form of The symbol is inspired from bloomed lotus and the center circle signifies the divine low radiation Shri Aurobindo Nivas faces towards east making it receive morning sunlight.The Roof Plan The landscape creates a spatial 0 1 5 of the 10m Supreme - the lotus. The water - inside the square - effect and has sedative properties Sacred Fig at its centre the Avatar brary HOPEA • 1924-1944 The structure functioned the side Anot memorial has been -positioned adjacent toJasmine the structure in order to focus onabsorb sound. Nand balance betweenjunctionthe built formthe and central which Mainland The l DOOR formSCHEDULE of structure creates pressure A ekhagar life, light love.The square is the perfect manifestation having conciousness. • Deciduous tree, cuts off heat during summers ODORATA Fig. 3f. Samadhi acts as a sacred core to the structure high radiation represents the multiplicity , the enhances creation and qualities unfolding consciousness within • as Thewomen’s extends 8. semi sacred (ashram) more than the sacred (memorial). Hence, prioritizing the the spatial of the spiritual hostel. ower The court difference, acting asMainland an partialthat obstruct for from the Rann of Kutch and grea Ashoka Hopea Odorata HEIGHT ADMIN DOOR TYPE by WIDTH and allows winter sun. TOILETat Fig. 1c.ROOM Sri Aurobindo’s symbol Fig. 1d. The Mother’s symbol ADMIN its centrestructure. the Avatar Neem ofE the Supreme - the lotus. The water Ixora inside the square - Fig.and MULTI-PURPOSE Peninsularof structure former. Secretrait Vishvamitri ADMIN HALLWAY the Aravalli hills topressure the • river1924-1944 Damanganga. functioned 3e. The positioning of samadhi The l form creates differ-The structure •- Scent of jasmine produces calming relaxing southwinds. Thus, OFFICE the individual. 2000X4670 ASHOKA the space 9. Fig. 2h. west form and placement of creating courtyard pressure zones s around the structure(1.) OFFICE 5700X5450 Fig. 2f. Temperature throughout the year 4550X4670 high OFFICE INDEX At the same time landscape forms River Roof Plan Sribunch Aurobindo 4600X4000 0 1 represents 5 10m the Bright colored flower and darknivas green is a load bearing structure, hence it doesn’t have effect and has sedative properties and wind movement. The courtyard has beenas women’s multiplicity , the creation and within 0 0.5 1.5 unfolding 3m spiritual• consciousness hostel. 5300X5400 3850X4700 abrary 3. Hierarchy: the foreground of the structure breaking ence,Asbythe acting an partial forarea containing the The l on form of• The structure pressure Kutch - receive It is a obstruct barren and rocky ekhagar leaves. wou S.NO. REPRESENT INDICATION placed the eastern side, tocreates morning iya • 1944-1949 state ofas LIBRARY any hindrances of columns and protruding beams which provides a freeNeem CONFERENCE HALL which hinders the visual Located connectionat an altitude of 39 meters above the individual. ower adodara showing Mahi VERANDA NEEM difference, by acting as an partial obstruct for great Rann. • attractive ornamental hedge. The hierarchy of spaces from public to private has changed drastically from The symbol ofENTRANCE The Mother: Ashoka Neem Odorata sunlight. 4800X9650 Fig. 2j. orientation • 1906 Moved to Calcutta and became the chief • Dense foliage and medicinal spaces. properties. UP PRODUCED BY AN AUTODESK STUDENT VERSION between the street and the structure. 2400X9650 southwest winds. Thus, 4550X7200 creating pressure zones porc sea level. The cityHopea is located between the A Secretrait Baroda was taken under river. 1. flowing plan making it’s transformation convenient from residence into Ixora southwest Indian winds. Thus, creating pressure zones Key plan past to present. 10. The soft scape helps in reflection of • Deciduous tree, cuts off heat during Volumetric INDEX isPUMP inspired lotus and fertile the center signifies the plains0.5 of circle Mahi1.5and Narmada rivers.divine UP editor of ‘Bande Mataram’. The orientation of the structure is towards •Hibiscus Bright colored flower and dark greenroof increases the height and adds up the volume. ROOMfrom bloomed wind movement. courtyard has been has been 3m main 2. The symbol B government, theand structure was The anbunch ashram. Gable a and wind movement. The courtyard heat,which along with trees help 0in Fig. 2i. massing summers and allows winter sun.u The symbol of The Mother: 4950 S.NO. REPRESENT INDICATION The climate of Vadodara is semi-arid. A wide the built south because of the existing road. In • Tea is made using seeds,which help lower-body leaves. placed on the eastern side, to receive morning iya • Got falsely accused inOTHER Alipore bombing case in cooling the environment. PORCH PARKING C 3. conciousness. wind abandoned. Large volumes increase of echo and makes one of northern the Reflected Cieling Plan of The Memorial Section through the Memorial The chances mass adorned (photogallery) on the eastern sideconcious of climatic conditions 11. 2970X2920 temperature, treat heart and nerve diseases. • Fig. attractive ornamental hedge. the hemisphere, the south side The symbol is inspired fromvariety bloomed lotusNivas and became the facilitates center circle signifies the divine sunlight. placed on the eastern side, to receive morning stack vent Sri Aurobindo a National Memorial for it got preserved and adapted to function as Fig. 1c. Sri Aurobindo’s symbol 1. 1d. The Mother’s symbol ENTRANCE A SECURITY 1908 and was sent to jail where he meditated protects the courtyard from North-East winds growth of different species of flora, also it by v silence. The Guptas The Solankis The Mughals recieves direct maximum radiation of sun. with symbol of ‘The Mother’ Ashoka D 4. conciousness. The Marathas BUSHES CABIN spiritual retreat. The links to compliments Aurobindo’s roots were the strongest here and was recognised Hibiscus ROOM PUMP sunlight. during winter. On sense the other hand the mass on the 2. fig. 3d. The built and the unbuilt includes one of The the rustic largest dry 12. B Rashtrakuta Sultans Of Delhi 0 spaces 1 which are3 present on 6mand attained Fig.2k. tones of deciduous facade the surrounding Fig 2l. The green stretch at front is a this relief to the unlike the chaSince all the spirituality in seclusion. • Known for its effectiveness in alleviating Tube • 1950-1963 it was used as Fig. 1c. 5. Sri Aurobindo’s symbol Fig. The Mother’s E MEMORIAL • TeaRose is made using seeds,which help1d. lower-body UP west symbol side(main structure) is more due to height, of forest in the western region. otic street UP PARKING northen side are habitated for longer hours, C by his followers as well as the localites. environment. 3. noise pollution. • Provides health benefits like decreasing stress a brims with heritage. PASSAGE UP temperature, treat heart nerve diseases. in also The and faith believes balance between aesthetic and materialistic SACRED government servants’ quarter. openings on South-Western sides receive •spaces 1906 Moved Calcutta and became the chief STAGE F 6. the life, remain cool to during summers. Hibiscus Rohea Tube Rose Ixora Jasmine SECURITY when inhaled. alIndian and modern periods is testimony to which the progressiveness of theThe city’s various rulers. Fig. 2d. The dynasties ruled Vadodara before Marathas (Gaekwad). FIG cool air during summer nights. D Samadhi isisplants constructed with white marble which symbolizes and spirituality. marble being a 4. which incorporated using certain design elements like: peace altering the EMPORIUM 44-1949 CABIN • Ornamental bulbous flowering editor of The ‘Bande Mataram’. 13. ure was As the state of COCONUT Fig.2p. Variou 4000X9800 It was in here, where he started exploring Meditation and Yogasna under professor Lele which Tube Rose C Fig. 2g. wind direction during summers (above) and Fig.2o. Hierarchy of trees and plants . • in 1906 Moved and became the chief E MEMORIAL smooth finishedofmaterial doesn’t holdthe heat in high temperatures, hence• itGot isfrom used for this covered space. Dueto Calcutta 5. 7. 0 0.01 0.05 0.1m allowances light ;manipulating circulation by blocking oda was taken under Indian The confe falsely accused Alipore bombing case in • Afterselected returning jail, winters (below). and plants. Provides health benefits like decreasing stress evolved into Integral It does•Rhoea not proceed through anysound-absorbing of mental teaching but bythermal Fig 2n. The lawn at editor back acts as an‘Bande informal gathering space. low radiation Fig.2m. The floraland bushes and trees symbols enchant the without sacredness of the STAGE of Mataram’. F became National Memorial for itYoga. got preserved andacts adapted function asset 6. to to its non-porous crystalline structure high conductivity. Marble also helps tothe achieve and doorways, materials,aroma and Sacreda Fig Hibiscus Rohea Tube Rose Ixora Jasmine the side p HOPEASri Aurobindo Nivas vernment, theContext structure was when inhaled. Fig. 4a. A was viewone from balcony Fig. 3g. hierarchy of spaces in vernacular Fig. houses gujarat and wadas. Fig.5a. The verandah surrounding the 1908 and sent to jail where he meditated 3f.of Samadhi as a sacred core to the structure EPhysical he further worked for Form Fig. 4f. The columns and arches adorned with ‘aspiration’. Self-Concentration inwards by opening thyself to an influence formed by union of Fig. 4g. Shoes are put off at the entrance to avoid noise while • Deciduous tree, cuts off heat during summers Waxy lance shaped leaves, above green memorial. • Ornamental bulbous flowering plants TOILET ODORATA • Got falsely accused in Alipore bombing case in high radiation courtyard provides sun shade using slits spiritual retreat. The links to Aurobindo’s roots were ofthe strongest here and thishold was recognised ADMIN deeper states of meditation because temperature, which fluctuate easily. changing the structure’s orignal form. of the constant cool evening, l MULTI-PURPOSE ROOM 8. ADMIN HALLWAY Fig. 3e. The positioning samadhi andoned. and attained spirituality in seclusion. COCONUT India’s freedom until hedoesn’t 2)became Vernacular Planning: 2000X4670 and allows winter sun. symbols of The Mother and Sri Aurobindo, which ornamental plant. to function as Fig.2o. Hierarchy of trees and plants . and as walking. 4. Vernacular Planning: 5700X5450 4550X4670 Sri as Aurobindo Nivas Memorialunderneath for it gotpurple. preserved andgarden adapted mind body. 7. to check direct sunlight and rainfall for OFFICE 0 0.01 0.05 a National 0.1m Aurobindo NivasOFFICE is WINDOW surrounded by 5,110 Sq. meters Ground Floor SCHEDULE 1908 and was sentmarks to their jail belonging. where he meditated poem wri by his followers as well the localites. ASHOKA 9. 5300X5400 3850X4700 3. Hierarchy: References: Climate todeciduous Pondicherry effective shading by neem, sacred figmoved and other trees helps reduce heat gain during summers. Deciduous trees its smooth functioning. low radiation SILL LEVEL HEIGHT uarter. of open land TYPE which WIDTH is consists of different gardens WINDOW Aurobindo nivas has an influence of both, spiritual retreat. The links to nivas Aurobindo’s roots were thearchitecture strongest here wada and this architecture was The recognised Sacred Fig Aurobindo has an influence ofRhoea both, wada and HOPEA Memorial and attained spirituality in seclusion. delivered Brittanica. Lotus 50-1963 it was asall made and managed by the Aurobindo shed during winters thereby letting in winter sunlight colony and also at increases andused a pond, Neem (a French that air flow during summers. • Deciduous tree,as cuts offvernacular heat during summers • Waxy lance shaped leaves, above green architecture of Gujarat.The spaces on changed the ground floor and 5 The hierarchy oflocalites. spaces from public to private has drastically from ODORATA high radiation UP byhe his followers well as the In this process the architecture of The Nivas played an important role by setting up an atmosphere 8. NEEM It was in here, where and vernacular architecture of Gujarat. • Symbol of purity. western si Fig. 2j. orientation exploring Meditation and Yogasna Lele which first floor follow a hierarchy of public under to privateprofessor spaces while the They direct air into a building or deflect ittime) away. and Since, the summer winds are from south-west, the water body placed in the • started Dense foliage and medicinal properties. and allows winter sun. 6 underneath purple. ornamental garden plant. Society.quarter. past to present. vernment servants’ dedicated B • Demonstrates a metaphysical soul from becausethe of physical mass the courtyard and theand work can is inspired from the 10. ASHOKA the mind could be at peace one cut himself off world. • west, After returning from jail, 9. • Deciduous tree, cuts offenclosing heatthrough during air and helps with evaporative cooling.This directs wind inside the structure, which in turn makes the interiors comfortable by 4 The orientation of the structure is towards evolved into Integral Yoga. It where does not proceed any setlattice of mental teaching but by The Louis I.ma K LEGEND himself to spiritual it’s unique blooming cycle oxygen content is planning of wadas. Fig. 2i. massing summers and allows winter sun. The Solankis Located along National highway No.8, PORCH The Mughals It was in here, he started exploring and under Lele which enhancing air ventilation. south because of the existing road. In he further worked for space. has a health 3 Lotus Dwhere OTHER‘aspiration’. Self-Concentration The Marathas typical layout of the vernacular houses of areYogasna placed 2970X2920 up to Gujarat 20%formed higher than other aquatic plant ‘In the silence, and hear voices of architecture of Neem inwards byThe opening thyself tostand anMeditation influence bytoinunion ofprofessor B B Public Sultans Delhi (photogallery) on the eastern side The Ofmass 11. • After returning from jail, NEEM the northern hemisphere, the south side pursuits. 2 • Symbol of purity. follow hierarchy of public to private linearly.The design ofany wada was Fig. 2j. orientation care centre adjacent to the structure. A reflection systems evolved Integral Yoga. It does not proceed through set of mental teaching but by • Denseinto foliage and medicinal properties. India’s freedom until he 7 protects the courtyard from North-East winds mind and body. recieves direct maximum radiation of sun. by theduring social and cultural factors and is similaratometaphysical the forts • Demonstrates soul because of Ashoka 10. for considered Hopea Odorata etiquettes, D' D' • worked Sri Aurobindo • Deciduous tree, cutsinfluenced off heat of traditional during pol and wada of houses can beon the BUSHES The of thewhich structure is towards winter. Onstyle the other hand the mass Nfor its 12. ‘aspiration’. Self-Concentration inwards byandopening thyself to influence formed by moved union of to Pondicherryhe further Sinceorientation all the spaces are present on with an open space in the centre massing all four sides alongan with rathas (Gaekwad). it’sonunique blooming cycle oxygen content is • Known effectiveness • Dense and large foliage helps in shading. Fig. 2i. massing Semisummers and allows in alleviating winter sun. seen, with government quarters behind it. due to height, south of the existing road. In west side(main structure) is more India’s freedom he as equal Mirra until Alfassa, indigenous lattice work on façade. northenbecause side are habitated for longer hours, Public OTHER UP upyou to 20%to higher than in other aquaticthe plant unutterable, noise mind and pollution. body. (a French colony at that something which tells experience Ground Floor Plan C The (photogallery) on the sides eastern side 11. SACRED In this process the architecture of The Nivas played an important role by setting up an atmosphere the northern hemisphere, the south side also mass openings on South-Western receive the spaces remain cool during summers. systems moved toPrivate Pondicherry yogic strature and called protects the courtyard from winds space. The mass on the old eastern side time)gathering and dedicated FIG where the mind could be recieves direct maximum radiation of sun. cool air during summer 1 Fig.2m. floral bushes and treesoff enchant the the sacredness of the world.Fig 2n. The lawn at back acts as an informal Opposite to (photogallery) Aurobindo Niwas lies anights. 200 North-East years Ashoka at peace and oneThe can cut himself from physical BUSHES the hospitality of the exposed,an atmosphere 13. during winter. On the other hand the mass on the 12. (a French colony at Mother. that Fig.2p. Various types of trees Physical her, The Since all the which areThe present on • spaces In 1971, Government tion during summers (above) and ‘Khanqah-e-Rifaiya’. Furthermore •1 Known effectiveness in alleviating memorial. dargah it is Form a In0 this process architecture of The Nivas played an important role by setting up 3for itsthe 6m himself to spiritual First Floor N C C Jasmine protects the courtyard from winds SCHEDULE westDOOR side(main structure) is moreNorth-East due to height, A northen side are habitated for longer hours, plants. noisestand pollution. and hearandvoices ‘In the silence, oftoarchitecture of Fig. and • dedicated He introduced integral of India handed over the part of the DOOR Kothi present which comprisessides of 13 ters for you follow the lead of3i. respectively. bricks, Hierarchy ofworld. spaces when the structure was used as residence and time) Spatial retreat HEIGHT SACRED WIDTH on alsoTYPE openings South-Western receive where pursuits. Fig. 3g. hierarchy of spaces in vernacular houses of gujarat and wadas. the mind could be at peace and one can cut himself off from the physical the spaces remain cool during summers. 8 The effective shading by neem, sacred fig and other deciduous trees helps reduce heat gain during summers. Deciduous treeshimself to spiritual during the other hand ens historicalwinter. structures (including this) each having the mass on the structure FIG cool airOn during summer nights. yoga in the year 1910. to Aurobindo • Scent of jasmine produces calming and relaxing +9.13M etiquettes, • of Sri Aurobindo considered 13. Fig. 2h. form and placement of courtyard Fig. 2e. Landmarks around the structure(1.) during winters thereby letting in winter sunlight and also increases air flow during summers. and set foot onvoices the impression of10mstill. ndo ‘In theshed silence, and hear of 0architecture Fig.2p. Various types of trees 4. Vernacular Planning: unique features. 5it’s own Roofstand Plan tion during summers (above) and 1 5 Ground Floor effect and has sedative properties west side(main structure) is more due to height, • Died on 5th dec 1950 in society with adjacent spaces : 2. Jaisingh Rao library They direct air intoand a building or deflect it away. Since, the summer winds water body placed thepursuits. 6 Mirra Alfassa, as in equal plants. References: Climate Responsive Architecture-Arvind Krishnan, are from south-west, the The l form of structure Aurobindo creates nivas pressure something Bwhich tells you to the unutterable, 3. Vadodara abhilekhagar sailing between the shores of: the profane and the holy, +8.11M west, helps withexperience evaporative cooling.This directs wind inside the structure, which in turn makes the interiors comfortable bySri Aurobindo 4 has an influence of both, wada architecture A and boat etiquettes, • considered Pondicherry. for alongwith the garden and also openings on South-Western sides receive Brittanica. yogic strature and called 4. Kothi Record Tower difference, by acting as an partial obstruct for of Gujarat.The spaces on the ground floor and enhancing vernacular architecture Ashoka Neem Hopea Odorata air ventilation. alth 3 D A A' A A' Mirra Alfassa, as equal 5. Kothi Building Secretrait the hospitality of the exposed, Samadhi. SCHEDULE Ixora first pressure floor followzones a hierarchy of public to private spaces while the WINDOWsummer is grateful enough to lend you a hand, south- west winds. Thus, creating References: History OfThe Vadodara-Website something which tells you to experience the unutterable, her, Mother. 2 cool air during • In 1971, The Government nights.+ tion 6. Mama Ni Pol +5.80M Fig. 4b. The connection of side porch; sometimes used as a space 7 HEIGHT INDEX - 2020 Hopea Odorata mass enclosing courtyard and the lattice work is inspired from the SILL LEVEL WIDTH WINDOW TYPE yogic strature1.5and called3m • Bright colored flower bunch and dark green The Louis I. Kahn Trophy 2019 and wind movement. The courtyard hasthebeen 0 0.5 References: Climate Responsive Architecture-Arvind Krishnan, n be 7. Tambekar wada • foliage He introduced integral LEGEND of India handed over the for you to follow thehospitality lead ofS.NO. bricks, planning of wadas. for meditation. is you: the of fetching the exposed, • Dense and large Trophy helps2019 in shading. leaves. INDICATION REPRESENT placed on the eastern side, toThereceive morning The Louis I. Kahn 2020 8. Khanqah-e-Rifaiya Brittanica. her, The Mother. • In 1971, The Government typical layout of the vernacular houses of Gujarat are placed to yoga in the year 1910. Public structure to Aurobindo Transition Into The Tranquil +4.61M • attractive ornamental hedge. follow hierarchy of public to private linearly.The design of wada was and set foot on for the you impression ofthe still. to 1.the calmness ofbricks, • He ENTRANCE A lead of of spaces India handed over the sunlight. to follow NO . the 2 still, Climate • Died on 5th dec 1950 inintroduced integral influenced by the social and cultural factors and is similar to the forts 1 society with adjacent old The Louisof: I. Kahn TrophyBSHEET 2019 - 2020 SHEET NO . 3yoga N +3.63M with openAbstraction space inboat the centre and massing on allbetween four sides along withthe in the year 1910. Fig.an1e. of the Nivas structure to Aurobindo Hibiscus ROOM PUMP s a A sailing shores the profane and the holy, Semi2. N Pondicherry. nowhere, but of to YOU’ Jasmine for alongwith the garden and A and set foot ontothe impression still. indigenous lattice work on façade. Public f 13 • Tea is made using seeds,which help lower-body Ground Samadhi. Floor Plan • Died on 5th dec 1950 in society with adjacent spaces PARKING C 8 3.a hand, is grateful enough to lend you ving temperature, treat heart and nerve diseases. .Private 2 • Scent A boat sailing between the shores SHEET of: theNO profane and theproduces holy,calming and relaxingPondicherry. of jasmine D D Fig. 2h. form and placement of courtyard for alongwith the garden and Fig. 2e. Landmarks around the structure(1.) SECURITY C' C' Roof6mPlan 0 1 5 10m effect and has sedative properties : 2. Jaisingh Rao library 0 1 3 First Floor 4. to D is fetching you: COURTYA Samadhi. CABIN The l form of structure creates pressure is grateful enough lend you a hand, 3. Vadodara abhilekhagar Store Room
Technique 34580
740
2100
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D6
950
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D9
2300
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D11
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D12
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D14
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D15
1150
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D16
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D17
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2880
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740D2
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D13
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SRI AUROBINDO NIVAS , VADODARA , GUJARAT
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difference, by acting as an partial obstruct for south- west winds. Thus, creating pressure zones and wind movement. The courtyard has been placed on the eastern side, to receive morning sunlight.
VADODARA , GUJARAT
Transition Into The Tranquil
Fig. 2f. Temperature throughout the year
Located at an altitude of 39 meters above sea level. The city is located between the fertile plains of Mahi and Narmada rivers. The climate of Vadodara is semi-arid. A wide variety of climatic conditions facilitates growth of different species of flora, also it includes one of the largest dry deciduous forest in the western region.
E MEMORIAL 5. Hopea Odorata Neem to the Ashoka calmness of the still, is fetching you: STAGE Ixora 3) Hierarchy: 0 0.5 6. 1.5 F Hibiscus RoheagreenTube Rose • Bright colored flower bunch and dark 3m to nowhere, but to YOU’ to theofcalmness of the still, leaves. has changed The hierarchy spaces from public to private COCONUT • attractive ornamental hedge. Fig.2o. Hierarchy of trees and plants . 0 0.01 7. toHistory nowhere, but to YOU’ drastically past to present. References:from Of Vadodara-Website Fig. 3i. Hierarchy of spaces when the structure was used as residence and Spatial retreat respectively.
INDEX S.NO. REPRESENT INDICATION Fig. 1e. Abstraction of1.the NivasA ENTRANCE PUMP ROOM 2. B PARKING C 3. SECURITY D 4. CABIN E MEMORIAL 5. STAGE F 6. Fig. 2j. orientation
Fig. 1e. Abstraction of the Nivas
Fig. 2i. massing
7.
Transition Into The Tranquil low radiation The mass (photogallery) on the eastern side protects the courtyard from North-East high radiation 8. winds during winter. On the other hand the mass on the 9. height, west side(main structure) is more due to
low radiation
The Louishigh I. radiation Kahn Trophy 8. 2019 - 2020 9.
SHEET NO . 3
Hibiscus
Rohea
Tube Rose
Ixora
Jasmine
Transitio
SRI AUROBINDO NIVAS
Transition Into The Tranquil
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SRI A
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Transition Into The Tranquil
SRI AUROBINDO NIVAS , VADODARA , GUJARAT SRI AUROBINDO NIVAS , Transition Into The Tranquil SRI Aurobindo AUROBINDO NIVAS , VADODARA , GUJARAT SRI AUROBINDO NIVAS , VADODARA , GUJARAT Nivas Transition Into The Tranquil
Kothi Record Tower Kothi Building Secretrait Mama Ni Pol Tambekar wada Khanqah-e-Rifaiya
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INTRODUCTION
Transition Into The Tranquil
4. 5. 6. 7. 8.
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SRI AUROBINDO NIVAS , VADODARA , GUJARAT SRI AUROBINDO NIVAS , VADODARA , GUJARAT Transition Into The Tranquil SRI AUROBINDO NIVAS , VADODARA , GUJARAT 900
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INTRODUCTION INTRODUCTION
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CONFERENCE HALL
MEMORIAL
SPATIAL ORGANISATION
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2100
D1+S
+0.45M
+0.30M
DOWN
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1340
2100
2400X9650
UP
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4600X4000
D1
LIBRARY
4550X7200
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+0.65m
D2
2700
1300
VERANDA
C'
+0.65
D1
1000
1200
D12
+0.0 M
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D2
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ADMIN OFFICE
W11
D1
D22
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D6
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D3
D1+S
D10
900
D2
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D3
+0.45
+0.65
W3
4600X4700
D1
GROUND FLOOR PLAN
+0.65
W3
ADMIN OFFICE
+0.15M
W5
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10900X18900
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D3
600
1200
D2
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5400X4250
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COURTYARD
INACCESSIBLE
+0.05M
5195
W16
900
LIBRARY
D1
D18
+0.15
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W14 +0.0 M W15
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D2
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ICONOGRAPHY ICONOGRAPHY
D5
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5300X4850
5140
2100
W11
D1
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5195
2100
800
2920
2100
1300
+0.45
+0.30
+0.13
5140
1200
D23
W11
B
D12
D1
W6
D1+S
D21
D22
ADMIN OFFICE
4600X4600
W6
D5
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STORAGE
OFFICE
2600X4450
W11
D4
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UP
D15
INACCESSIBLE
D4
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ICONOGRAPHY
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+0.0 M
D17
W7 D6
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D7
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D17 UP
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D9
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W7
W8
+0.30M
UP
W6
W8
+0.45
900
UP
+0.65M
+0.15
W5
W4
900
+0.50
W8
D7
TOILET
W7
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+0.65
1200
W8
W7
D9
W7
D1
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1000
PHYSICAL FORM W2
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STORAGE
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My contribution: Analysis and content D10
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5140
D5
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PRODUCED BY AN AUTODESK STUDENT VERSION
2100
2880
2100
900
5040
2100
2100
900
D4
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2900
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+0.45M
PRODUCED BY AN AUTODESK STUDENT VERSION
1200
1200
D3
W8
W7
9700X6700
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19200X4650
5195
Credits: Drawings, sketching and stippiling by team
D16
BACKYARD
D13
W7
W7
PHOTO GALLERY
W8
2920
W7
W12
5040
PRODUCED BY AN AUTODESK STUDENT VERSION
W8
2100
D2
W8
W7
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PRODUCED BY AN AUTODESK STUDENT VERSION
JUSTIFICATION JUSTIFICATION JUSTIFICATION
D1
D16
W8
W7
JUSTIFICATION
1200
2880
W12
Documentation and Analysis:
D1+S
2860
TOILET
Ixora 0.05
Tube Rose References: • Provides health benefits like decreasing stress Sri Aurobindo Centenary Souvenirwhen inhaled. Invocation- Savitri Bhavan. • Ornamental bulbous flowering plants
Jasmine
library,
+0.00M
EAST ELEVATION RIGHT The Louis I. Kahn Trophy 2019 - 2020 0.1m
Hibiscus Sacred Fig HOPEA • Tea is made using seeds,which help lower-body Deciduous tree, cuts off heat during summers ODORATA temperature, treat heart and •nerve diseases.
B'
Rhoea • Waxy
lance
shaped
leaves,
above
green
B'
References: Sri purple. Aurobindo Centenary Souvenir- library, underneath ornamental garden plant. Key Plan ASHOKA Invocation- Savitri Bhavan. respect. References: Sri Aurobindo Centenary Souvenir- library, Tube Rose Lotus • Provides health benefits likepreserved decreasing stress Neem The relics of Sri Aurobindo are in the Samadhi, establishing it as the sacred core of the complex. Invocation- Savitri Bhavan. NEEM • Symbol of purity. when inhaled. allows winter their sun. Fig. 4c. Visitors sometimes circumambulate and around it offering
SHEET NO . 1
space. The• use of uniform color yet soul because of a metaphysical The LouisDemonstrates I. Kahn Trophy 2019 - 2020 it’s unique blooming cycle oxygen content is a very common form of architecture forother up to 20% higher than in aquatic plantTrophy 2019 - 2020 The Louis I. Kahn systems SHEET NO . 1
Densenofoliage and medicinal The memorial has been designed• with ornamentation and asproperties. covered • Ornamental bulbous flowering plants Deciduous tree, cuts off heat during different textures makes it stand• out in the surrounding. summers and allows winter sun.
10. COCONUT The orientation of the structure is towards Fig.2o. Hierarchy of trees and plants . 0 0.01 0.05 0.1m south because of the existing road. In OTHER In a veryRhoea minimalistic way they have tried to imitate chatri, which is Sacred Fig 11. HOPEA the northern hemisphere, the south side India. • sun. Deciduous tree, cuts off heat during summers samadhis • in Waxy lance shaped leaves, above green ODORATA recieves direct maximum radiation of Ashoka BUSHES and allows winter sun.12. underneath purple. ornamental garden plant. Since all the spaces which are present on • Known for its effectiveness in alleviating ASHOKA northen side are habitated for longer hours,
22
TECHNICAL DRAWING
IDHA Labs
Product Design competition 2020
In collaboration with Sweety Bhosale The aim was to design a product that would enhance the lifestyle of people in lockdown as well as provide them with some flexibility within spaces that we are confined in.
Tea plates form the rudimentary element of the product.
Option 1
People sit on the bed with a laptop and a cup of coffee needing a plate to hold the cup- idea of combining the plates to make a table a flexible framing system holds the entire product together, which can be manenoveoured easily by the user.
ISOMETRIC VIEW
Concept and Design development the pandemic and consequential lockdown has left us with one option i.e adapting to a working environment that is familiar and alien at the same time.
Work from home-mostly people find it comfortable to sit on the bed or sofa instead of using working desktop table and chair.
Personalisation of work space by using art, may help people enjoy the mundane working hours at home.
WORKING TABLE (USING ALL JOINERY)
ISOMETRIC VIEW
Post quarantine, people will resume their previous routine of going outdoors for work. The product can be then dismantled and used alternatively, for storage, organization and aesthetics.
PLAN WORKING TABLE (USING ALL JOINERY)
This gives rise to a need for a laptop table that provides flexible working conditions
Collect. Connect. Create
23
PLAN
JOINERY ‘D’
JOINERY ‘E’
JOINERY USED(TWO SLITS FOR PLATES) ONE SLIT FOR PLATE) A(2 PIECES,C,F(2 PIECES), PIECES USED -2 PIECES USED -2 5 TEA PLATES
TEA PLATES
SET OF 10 PIECES
JOINERY USEDD(2 PIECES),E(2 PIECES), 4 TEA PLATES
JOINERY USEDB(2 PIECES),F(2 PIECES), 2 TEA PLATES
Carpentry Workshop
TECHNICAL DRAWINGS Option 2 Joinery Details ECHNICAL DRAWINGS SHELF 2 SHELF 3
Mentor - Ar. Parzan Daruwala JOINERY USED In collaboration with Sweety Bhosale JOINERY USED Design an artifact using scrap wood with rudimentary knowledge of joineries and carpentry skills.
JOINERY ‘F’
(FRONT AND BACK VIEW) PIECES USED-4
JOINERY ‘F’ JOINARY ‘A’ PIECES USED 1 JOINERY PIECES USED -2 ‘C’(FRONT AND BACK VIEW)
JOINARY ‘A’
ECHNICAL DRAWINGS ISOMETRIC VIEW
ATES)
JOINERY ‘E’
ONE SLIT FOR PLATE) PIECES USED -2
JOINERY USED
Option 3 TEA PLATES
SET OF 10 PIECES
JOINERY ‘D’
PIECES USED -2
JOINARY ‘A’ PIECES USED -2
ISOMETRIC VIEW
PIECES USED -2(TWO SLITS FOR PLATES) PIECES USED -2
JOINERY ‘B’
SHELF 3
SHELF 1 BACK VIEW) JOINERY ‘C’(FRONT AND
SHELF 1
PIECES USED 1
B(2 PIECES),F(2 PIECES),
SHELF 1
SET OF 10 PIECES
SHELF 3
TEA PLATES
SET OF 10 PIECES
PIECES USED -2
SHELF 2
JOINERY USEDA(2 PIECES,C,F(2 PIECES), 5 TEA PLATES
ISOMETRIC VIEW WORKING TABLE (USING ALL JOINERY) WORKING TABLE JOINERY ‘C’(FRONT AND BACK VIEW)
JOINERY USEDA(2 PIECES,C,F(2 PIECES), JOINERY USED5 TEA PLATES D(2 PIECES),E(2 PIECES), 4 TEA PLATES
JOINERY USEDD(2 PIECES),E(2 PIECES), 4 TEA PLATES JOINERY USEDB(2 PIECES),F(2 PIECES), 2 TEA PLATES
SHELF 3
JOINERY USE B(2 PIECES),F 2 TEA PLATE
JOINERY ‘F’
(FRONT AND BACK VIEW) PIECES USED-4
(USING ALL JOINERY) PIECES USED 1
WORKING TABLE (USING ALL JOINERY) PLAN SHELF 1
SHELF 3
PIECES USED -2
PIECES USED -2
Option 24TEA PLATES
PIECES USED -2
(FRONT AND BACK VIEW) PIECES USED-4
JOINERYTo‘D’the end ProductJOINERY ‘E’ (TWO SLITS FOR PLATES) ONE SLIT FOR PLATE) A bookshelf
ISOMETRIC VIEW JOINERY ‘B’
JOINERY JOINERY USED-USED
ISOMETRIC JOINERY ‘B’ VIEW
TEA PLATES
JOINERY ‘F’
SHELF 2
SHELF 2
JOINERY ‘E’
(TWO SLITS FOR PLATES) ONE SLIT FOR PLATE) JOINERY ‘E’ PIECES USED -2 USED -2 TEA PIECES PLATES ONE SLIT FOR PLATE) SET OF 10 PIECES PIECES USED -2
ISOMETRIC VIEW
ISOMETRIC VIEW
RY USEDECES),E(2 PIECES), PLATES
ECES USED -2
ISOMETRIC VIEW From Workshop....
JOINERY USEDB(2 PIECES),F(2 PIECES), 2 TEA PLATES
JOINERY ‘B’ JOINERY ‘D’
S
OINARY ‘A’
ISOMETRIC VIEW
JOINERY USEDD(2 PIECES),E(2 PIECES), 4 TEA PLATES
ECES),
(FRONT AND BACK VIEW) PIECES USED-4
PIECES USED 1
PIECES USED -2
(FRONT AND BACK VIEW PIECES USED-4
JOINERY ‘F’
JOINERY ‘C’(FRONT AND BACK VIEW)
JOINERY USEDPIECES), JOINERY ‘D’ A(2 PIECES,C,F(2 JOINERY ‘E’ 5 TEA PLATES (TWO SLITS FOR PLATES) ONE SLIT FOR PLATE) PIECES USED -2 PIECES USED -2
PLAN ISOMETRIC VIEW
SHELF 2
TEA PLATES
ISOMETRIC VIEW
SET OF 10 PIECES
JOINERY USEDD(2 PIECES),E(2 PIECES), 4 TEA PLATES
JOINERY USEDB(2 PIECES),F(2 PIECES), 2 TEA PLATES
ISOMETRIC VIEW ISOMETRIC VIEW
SHELF 3
ISOMETRIC VIEW ISOMETRIC VIEW
24
Stories from 8 Sketchbook Scribbling has always been the best way for me to express the unspoken, as medium to reflect within thyself and above all a story
tool.
27
telling
Expressing My
Devoloping the skill furthur.....
Observations Ranwar village, Bandra...
Digital
Illustrations
Sambhavna institute, palampur.....
28
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