Sound Solutions

Never doubt that a small group of thoughtful committed people can change the world.

Indeed, it is the only thing that ever has.

contents

SS

SoundSolutions Issue # 36 / January-March 2012

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Time to multiplex the auditorium! - Sandeep Mittal

Anjali Srivastava anjali@sandy.in +9198 4587 2794

Bobby Chetia bobby@sandy.in

+9198 9250 4871

M Naga Bhanu

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Brighton -

Colour Sound Light

Raghavendra T raghavendra@sandy.in

+9199 8013 6233

Sandeep Mittal Yashodhara S Printing Ramya Reprographic, Bengaluru Published by Sandeep Mittal on behalf of Sandy Media 231, 7th Cross, Indiranagar 1st Stage, Bengaluru 560 038, India Phone +9180 2521 5107 / 2527 2812 Fax +9180 2521 5094 info@sandy.in www.sandy.in Regional Offices 414-D Wing, Floral Deck Plaza, Central MIDC Road, Andheri (E), Mumbai 400 093.

Phone +9122 2838 8475 / 476 Telefax +9122 2838 8470 67 Masjid Road, Jungpura Bhogal, New Delhi 110 014.

Phone +9111 2437 8061 Telefax +9111 2437 4848 B5, 2nd Floor, Gems Court, 14 Khader Nawaz Khan Road, Nungambakkam, Chennai 600 006 Phone +9144 2833 0906 Telefax +9144 2833 0907

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Lighting 'The Chase'

Champions League T20

Electrifying Atmosphere Slovakian Legends of Pop

Raviz -

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Elegant & Modern Architecture

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Khalsa Heriage Memorial Complex

RNI # KARENG02795/10/1/2002-TC SS (SoundSolutions) is a quarterly publication on AV, sound, architectural acoustics, noise control, technical lighting and design for private circulation. SS reaches to architects, interior designers, acousticians, performing space owners and trade professionals in India and select cities in the world. SS seeks a healthy promotion of acoustics, AV and allied fields through dissemination of useful information. Some of the information is compiled from industry sources, trade journals, company brochures, etc. for the benefit of readers. SS acknowledges with thanks the authors and publishers of these source materials. SS is a trademark under registration and the contents are under copyright registration. All rights reserved. Reproduction by any means in whole or part without written permission is prohibited. Unsolicited printed material is welcome but no responsibility is undertaken for the same and will not be returned. Letters to the editor are welcome but subject to editing for publishing. SS does not take responsibility for absolute accuracy of information published.

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Virasat-e-Khalsa

TRADESHOWS REVIEWS

NSA

PREVIEWS

MINDSHARE

SS EDITORIAL

Future of AV - innovative, flexible, sustainable What is the latest in audio, visual and lighting technologies or what is round the corner that the audience can expect or look forward to while sitting in an auditorium, automobile, a stadium, a live concert, a campus cafetaria, the mall or a conference room?

4k will also be a boon for data presentations in the corporate world as the inherent advantages of greater visual detail will far outweigh other considerations.

Eventually, with time, non-cinema venues will catch up with multiplexes and home theatres.

Video

Audio

When it comes to video the world is inexorably moving towards 4k projection. If hitherto, 2k (1920x1080) was the holy grail then commercial cinema has raised the bar and home theatre too is falling suit. With four times the number of pixels (3840x2160) 4k is closest to 35mm film, or to believe some, digital surpasses film!

Multichannel digital surround sound has been a greater challenge for non-cinema venues to adopt.

While luxury automobiles and corporate boardrooms do boast 5.1 or even 7.1 surround sound the impracticality of its application at other venues has meant lack of content and hardware deployment.

Expect 4k to gradually get deployed in commercial spaces as the content, media storage and streaming devices are being developed. Advertising will benefit the most from razor-sharp imagery, richer palette of colours and greater visual detail.

More than farfield sightlines like stadium and live concerts, it is the nearfield applications like shopping malls, airports, theme parks and even multipurpose venues that will be early adopters given that commercial advertising, as always, will drive this digital signage initiative.

Commercial cinema too has been stuck on 5.1 for more than a decade now with very less content and infrastructure for 7.1. More channels have been added with very less success. Current experiments continue with BarcoAuro 11.1 or 13.1 with height channels embedded in the front and/or the roof. This too is not discrete but matrixed by extracting info from existing 5.1 or 7.1 content.

None of this is expected to flow to non-cinema. Stereo will reign supreme and at the most 5.1/7.1 may get deployed in controlled environments like an auditorium.

Lighting One of the biggest changes will be seen in the world of lighting as LED slowly but surely takes over. LED has the unique ability of being hugely flexible and hence can get into the skin of things right from the floor to seating to furniture to the traditional location of walls and ceilings. LED can change colours the way cool or warm white cannot.

LED enables more focussed, taskbased approach and hence one can expect less of ambient lighting and more of discrete islands.

Above all, the driver will be energy savings as neither is electricity wasted in heat not is much required to power the LED light fixtures.

Controls Mobiles and tablets are making touchscreen technology ubiquitous.

Prices are crashing and alongwith improved resolution and tactile, touchscreen controls will be all over the place, from the remote to the console to the front panel and everything else in between.

Innnovative, lightweight, flexible, sustainable - these are the mantras that will govern the future of technologies. See them and meet us at the Infocomm Roadshows!

Sandeep Mittal Editor / Publisher

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Harman and Sierra Wireless Bring High-Speed 4G/LTE Broadband Collaboration enables Harman to invite customers to drive tests in live LTE networks in Europe; US LTE network drive test to start soon; commitment to lead the automotive industry in innovations to address demand for in-vehicle mobile broadband applications Harman, the leading global audio and infotainment group (NYSE:HAR), is advancing the integration of LTE module into production-ready infotainment systems and announced it is now ready to begin road tests through LTE-networked areas in Europe.

Test vehicles will be equipped with the latest infotainment system platform technology integrating an AirPrime embedded wireless module developed

by Sierra Wireless, a leader in highspeed mobile computing and wireless machine-to-machine communication (NASDAQ:SWIR) (TSX:SW).

As technological first-mover and innovator, Harman is committed to advance innovations around connecting the full range of digital devices and platforms, so that the automobile becomes a natural extension of both the office and the home - with a critical focus on safety.

Next generation automobile services include off-board navigation, videoon-demand streaming, Internet radio, dynamic loading apps, interactive online manuals and other telematics functions or new driver assistance features such as traffic light recognition. These bandwidth-rich applications require a reliable anytime, anywhere broadband data connection to offer leading automakers and their customers the ultimate on-road experience.

"Just as Harman is meeting today's demands for integrated navigation and infotainment solutions, we are pleased to work with Sierra Wireless to address the emerging requirements of

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automakers for an increasingly connected car", said Sachin Lawande, Chief Technology Officer and CoPresident, Harman Infotainment Division.

"Harman leverages deep experience in providing broadband connectivity to vehicle systems and combines this expertise with Sierra Wireless AirPrime intelligent embedded modules for LTE networks. First vehicle prototype integration into Harman's latest infotainment system generation is ready and shows promising results with peak data rates up to 70 Mbit/s and average speeds of 20 Mbit/s in urban conditions. This will enable us to push this technology into next generation vehicle systems," said Manfred Schedl, Vice President Connectivity of Harman's Infotainment Division.

"We are excited about the potential for 4G/LTE in the connected car, with its ability to provide a richer multimedia experience that can increase both safety and convenience for passengers and drivers," said Philippe Guillemette, Chief Technology Officer, Sierra Wireless.

"This collaboration is a first step in realizing this potential, and we are thrilled to work with Harman, a recognized industry leader, to bring these solutions to life."

Crown HiQnet Band Manager 2 Harman Professional introduced Crown HiQnet Band Manager 2 at the 2012' Winter NAMM Expo': Next Generation Connectivity and Control System for Portable PA Brings advancement system that provides audio professionals, musicians and enthusiasts with advanced system set up and design capabilities coupled with a highly intuitive user interface.

In doing so, the company is providing the broad community of musicians, DJs, venue owners and managers with access to better sound through sophisticated system integration and optimization technologies but also via a highly evolved user interface that is reliable, comprehensive and easy to navigate. This system will make DJs, engineers and audio rental professionals more efficient and effective at their job and will enable musicians, venue owners and managers to enjoy better performance - and better value - from their systems investment.

Band Manager 2 will include control and monitoring for Crown Audio's XTi 2 product line. Users will be able to manage up to eight XTi 2 amplifiers via quick and simple USB interface.

Crown will also have a brand new set of JBL presets for the XTi 2 product line that take full advantage of the enhanced processing and Peakx Plus limiters. HiQnet Band Manager 2 will also include presets for all the JBL JRX, MRX, SRX, and VRX product families and continued support for the original XTi Series, now discontinued.

HiQnet Band Manager 2 boasts the performance firepower of highly evolved systems but Flint is quick to point out that this in itself presented a considerable challenge in making HiQnet Band Manager 2 usable for the broadest community of users by working closely with target end-users and also modelling it on a browser paradigm with some good ideas from consumer interfaces to make Band Manager 2 easy to understand and quick to learn. The front-end is on a powerful, scalable engine and is for free.

Sound Reinforcement System Design Software parameters that are determined in JBL's Line Array Calculator II as part of the modeling process to optimize sound pressure level and frequency response over the defined audience geometry.

HARMAN Professional's HiQnet Performance Manager sound reinforcement system design software is now available to users as a public beta version. JBL HiQnet Performance Manager had been previously available to a closed group of 60 worldwide beta testers.

JBL HiQnet Performance Manager is a highly refined user interface that facilitates the design of touring and live performance venue sound reinforcement systems. Created especially for touring and theatrical sound engineering, Performance Manager is an application-specific iteration of the category-leading Harman HiQnet System Architect configuration and control software application for professional-grade audio system integration.

The public beta version of Performance Manager is available at http://hiqnet.harmanpro.com. The beta version is functional except that users will need to apply for a license key in order to go online and access the online operate modes of certain system devices. The full version of JBL HiQnet Performance Manager will be available in early 2012.

"JBL HiQnet Performance Manager is a powerful tool that makes the design, setup and tuning of a JBL Vertec loudspeaker system a lot faster and more efficient," noted Adam Holladay, Market Manager, Harman System Development and Integration Group.

"The response from our beta testers has been extremely positive," continued Holladay. "In venue after venue, JBL VERTEC system engineers have been able to achieve consistently higher levels of performance than before. They note that they are also able to set up a system more quickly, saving time and money. Now that we are making it available in a public beta version, many more users will have the opportunity to take advantage of the benefits of Performance Manager as a free download."

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JBL HiQnet Performance Manager provides a comprehensive, step-bystep workflow that directly corresponds to real-world system configuration, taking the workflow paradigm introduced in System Architect 2 to a higher level of functionality for any live performance audio application. It is fully integrated with JBL's Line Array Calculator II loudspeaker configuration and acoustic modeling software.

The user begins by loading templates of the speaker arrays used in the system, and then runs Line Array Calculator II for each array as part of the initial sound design task of determining how many and which type of loudspeakers are required to cover a given venue. For each array, Performance Manager automatically loads the passive VERTEC or powered VERTEC DrivePack DPDA line array configuration into the main application workspace - the first of many automated design processes native to the software application.

Loudspeakers can also be manually loaded into the templates if desired.

Once the user defines the required amplifier parameters for the passive loudspeakers within the arrays, Performance Manager automatically loads the correct number of Crown Audio VRACK or other userdetermined amplifier racks into the audio system. The software then associates the amplifier outputs with the bandpass crossover inputs for the selected array and programs the amplifiers with the correct JBL preset data, as well as gain shading and JBL Line Array Control Panel equalization

Representations of the bandpass inputs for each loudspeaker section are overlaid onto the arrays, enabling the user to easily visualize the array configuration, whether JBL DrivePackpowered or driven by external Crown power amplifiers. Performance Manager software also significantly simplifies system-networking configuration - the user can simply drag and drop devices discovered on the network onto the pre-configured devices within the Performance Manager workspace to synchronize all addressing and parameter values.

In addition, the Performance Manager graphical interface provides embedded control panels for array calibration, time alignment and system EQ which utilize input section digital signal processing resources available in either Crown ITech HD power amplifiers or JBL DrivePack-powered loudspeakers with DPDA digital audio input modules.

Input attenuation, equalization, delay settings and bandpass controls are all readily accessible directly within the main application workspace along with flexible grouping and comprehensive solo/mute functionality for system testing.

Once system tuning is complete, Performance Manager's Show Mode display is optimized for the actual live performance, offering appropriate adjustment control ballistics for equalization and dedicated monitoring interfaces for levels, speaker loads, thermal conditions and AC power requirements. The workspace for all stages of Performance Manager's workflow has a common design motif, with monitoring functions overlaid on top of the same loudspeaker bandpass representations within the workspace, making visualization easier and more consistent across various workflow screens.

HARMAN's JBL Professional Debuts Harman's JBL Professional introduced its PRX400 Series of passive portable loudspeakers, designed to bring true professional-quality performance, power handling and durability to more affordable price points. The new JBL PRX400 Series includes the 15-inch PRX415M, 12-inch PRX412M and dual 15-inch PRX425 loudspeakers, as well as the 18-inch PRX418 subwoofer.

The PRX415M and PRX412M can be used as either mains or monitors, and when used with the PRX418 subwoofer, provide a sat/subwoofer system capable of delivering 135dB of full-range, high-quality sound. The PRX425 dual-15-inch, 2-way speaker is ideal for DJs and bands that require powerful low-frequency extension from the convenience of a standalone cabinet.

JBL PRX400 loudspeakers are designed to work hand in hand with Crown Audio's powerful and innovative XTi2 Series amplifiers. Crown XTi2 amplifiers incorporate enhanced pre-set performance tunings for PRX400 Series loudspeakers, including crossover points for a sat/subwoofer setup, and optimized parametric filter that bring out the full potential of PRX400 Series loudspeakers. JBL PRX400 tunings will also be available in the dbx DriveRack PA+ signal processor/complete loudspeaker management system.

JBL PRX400 Series loudspeakers utilize extremely high-quality, tour-tested drivers and components to deliver clear, detailed and dynamic sound for bands, DJs, nightclubs, schools, houses of worship or other professional touring and installed sound applications. All PRX400 Series models feature rugged 16 gauge steel grilles.

JBL PRX400 Series loudspeakers offer versatile installation options. All fullrange models incorporate twelve M-10 suspension points and hardened steel eyebolts for safe hanging in light-duty installations. With a 10-degree down angle, the speakers can be aimed down at the audience, keeping sonic reflections off the back wall for better clarity and more efficient coverage. In

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addition, all PRX400 models feature ergonomic handles made from roadtough, lightweight glass-filled nylon.

PRX400 Series loudspeakers have survived JBL's 100-hour power test, in which they are submitted to 100 hours of continuous, high-level input. The speakers also go through a barrage of unforgiving environmental and strength tests including harsh temperatures and humidity, ensuring they will perform perfectly anywhere.

All PRX400 models incorporate JBL's Sonic Guard speaker protection circuit that automatically attenuates the signal going into the high-frequency section of the speaker if too much input signal is detected, and restores normal operation when the overload condition passes.

Neumann KH 810 and KH 870: Two Active Atudio Aubwoofers The KH 810 and KH 870 both feature Neumann's 7.1, High Definition Bass Manager technology, which complements high-definition video with the most accurate sound reproduction.

The KH 810 is far more than a simple subwoofer; it serves as the heart of a modern monitoring system. The

comprehensive 7.1 High Definition Bass Management system meets the latest demands of the industry and perfectly complements the Neumann KH 120 nearfield two-way monitor. It can be used either as a subwoofer dedicated to reproducing the LFE channel, or as a means of providing low frequency extension with an increased maximum SPL. With the KH 810, it is now possible to assemble flexible monitoring systems for studios of different sizes, with a smooth, uniform response that ranges from below 20 Hz to above 20 kHz. The integrated 7.1 High Definition Bass Manager is compatible with all formats, from mono to the latest 7.1 high definition systems such as Blu-ray.

Eight electronically balanced analog XLR inputs ensure flexible interconnectivity for modern studios.

Four-mode LFE channel processing guarantees maximum compatibility across all formats, while 4th order crossovers and flexible acoustic controls is allow for seamless system integration.

A built-in volume control permits centralized system adjustment of replay levels, independent of the source.

The electronics can be located remotely to reduce cabling, and to allow the cabinet to be mounted flush to a wall.

The KH 810 can be used either as a subwoofer dedicated to reproducing the LFE channel, or as a means of providing low frequency extension with an increased maximum SPL. The self-powered system includes a 10-inch driver, solid cabinet, and carefully designed ports guarantee tight, articulate, distortion-free low frequency reproduction down to 18 Hz. By using sum output, Plane Wave Bass Array (PWBA) techniques can acoustically improve lateral consistency in the listening area and further increase low frequency linearity.

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Sennheiser Upgrades HD 200 and HD 400 Headphone Lines Audio specialist Sennheiser announced the introduction of its stylish new HD 200 and HD 400 series headphones. The line includes six new models: the HD 219, HD 229, HD 239, HD 429, HD 439 and the HD 449 headphones.

AMX, the leading provider of solutions that simplify the implementation, maintenance, and use of technology to create effective environments, announced today the immediate availability of its advanced Vision² IPTV system (version 7.2). The innovative video solution includes several new capabilities that enable companies and universities to develop or upgrade video communications initiatives.

"Our new HD 200 and HD 400 series headphones offer a significant acoustic upgrade from stock headphones with fashion-forward design," commented Sennheiser product specialist Eric Palonen.

"Each headphone stands out with bold colors and an intricate ear cup design, while offering a variety of sonic signatures fit for any music fan."

All six models are also optimized for listening on MP3 players, tablets, Android, Windows and Blackberry smartphones, laptops, netbooks and Apple devices including iPods, the iPad series and all iPhone devices.

Some models feature a rotating earcups or cable systems fit for portable or at home use.

HD 200 Series: Combining stylish, onthe-ear design and great sound.

HD 219: The HD 219 features a rich sound and dynamic bass. The closed ear cups keep background noise to a minimum, and the minimalist, yet sophisticated design is both fashionable and flexible.

HD 229: The HD 229 offers thick, rich bass performance and is available in white with orange accents or black with deep red accents. Powerful neodymium magnets help deliver a precise stereo sound with impressive depth. The closed ear cup design helps keep the sound in and background noise out.

HD 239: The HD 239 features outstanding and balanced sound and is optimized for both portable players and home audio systems. With powerful neodymium magnets and a frequency response of 16 to 23,000 Hz, the HD 239 provides hyper-realistic and detailed sound reproduction.

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AMX Releases Vision² Streaming Video System with Next-Gen Innovations

HD 400 Series: Detailed sound and design for an immersive listening experience.

HD 429: The closed-back HD 429 headphones feature powerful, dynamic bass response and a modern design. The tangle-free, single-sided cable and replaceable leatherette ear cushions offer a comfortable listening experience. A ¼-inch adapter is included for use with home stereo systems.

HD 439: The closed-back HD 439 features a futuristic transport-inspired design, and plush, breathable earpads.

Powerful neodymium magnets offer stereo sound with powerful bass performance. The headphone includes an exchangeable cable for easy toggling between home stereo systems and portable devices.

HD 449: The closed-back HD 449 is acoustically tuned for lifelike detail and natural frequency response. This design shields against outside noise, and an additional extension cable makes it easy to lounge at home beside a stereo system or on-the-go using portable devices. An convenient storage pouch is included.

IP video has become a core communication tool, but for casual users, operating recording and management software can be complex. The new release of Vision² features a control API that allows digital video to easily be integrated into an AMX control system for userfriendly management with capabilities such as one-touch recording and archiving. And, addressing the increased use of mobile devices, AMX has added a new user interface that allows Vision² content to be viewed on-the-go.

The new MPEG Reflector Appliance function gives organizations the ability to deliver live streaming video to multiple remote locations using a single stream per location. With this capability organizations can provide video access to satellite campuses without overwhelming their corporate Internet connections due to high-bandwidth video.

Additional features include customizable layouts that give organizations the ability to create menus and guides-with custom brands, logos and colors-for Vision² compatible set-top boxes.

"Vision² is the ideal, live and ondemand video-streaming solution for any organization," said AMX Chief Technology Officer Robert Noble.

Crestron Online Lighting Fixture Compatibility Test For more than 40 years Crestron has been the world's leading manufacturer of advanced control and automation systems, innovating technology to simplify and enhance modern businesses and lifestyles.

Crestron has announced a new feature on its website that enables integrators, lighting designers and specifiers, architects and lighting manufacturers to put their fixtures to the test. The Lighting Fixture Test Request provides Crestron partners with a hub for submitting lighting fixtures for compatibility testing with Crestron lighting control products. The process gives users the ability to test and verify correct operations for the various lighting fixtures on the market. (LED, fluorescent, etc.) The Crestron report provides the dimming range and level of compatibility so they can spec the appropriate lighting solutions for the specific fixture, enabling optimal use for their clients.

This Lighting Fixture Compatibility Chart lists which Crestron lighting devices have been tested and are compatible with third party lighting fixtures. The Lighting Fixture Test Request provides an assessment of fixtures not listed on the compatibility chart. The Lighting Fixture Test Request is available to everyone.

Website visitors can simply login or create a free account, provide fixture model details and submit the request for their fixture to be tested. Crestron will confirm receipt of the submission and provide instructions for where the fixture should be sent for testing.

Once the testing is complete Crestron will send the fixture(s) back to the user at the return address specified, along with a printed copy of the test report within three to four weeks of submitting.

"The new Lighting Fixture Compatibility Request Test provides Crestron partners with a simpler way to spec a project," says Crestron Director of Engineering Rushi Kumar.

Crestron OneTouch Lecture Capture Solution

Crestron has announced that CaptureLiveHD, its new highdefinition lecture capture solution for college campuses and the corporate enterprise, is available. CaptureLiveHD provides faculty and presenters with a simple one-button solution to schedule, record, publish online, and view lectures, presentations, medical procedures, seminars, and training sessions. CaptureLiveHD is smartly designed as a complete yet practical meeting and lecture capture solution that's easy for the entire faculty to use, and budget-friendly for wide-scale deployment across any sized campus or corporate environment.

"CaptureLiveHD enables a simple and efficient end-to-end solution for recording, scheduling, processing, online distribution, and remote viewing of lecture and presentation content - at a fraction of the cost of other systems," said Fred Bargetzi, Crestron VP of Technology.

The CaptureLiveHD system includes the Capture HD High-Definition Capture Recorder, CAPTURE-TPMC4SM Touch Screen Controller, a choice of Sony PTZ, and Sony Compact HD video cameras, and CaptureLiveHD™ Software. CaptureLiveHD records a complete presentation in highdefinition 1080p and saves it in highquality H.264 format.

The recorded lecture includes content and microphone audio, plus full screen, picture-in-picture (PIP) and picture-by-picture (PBP) video, including from the instructor camera and any other presentation source such as a PowerPoint, DVD, or website.

Simply insert a USB stick into the Capture HD Recorder, press the "record" button and walk away with a complete high-definition lecture in hand at the end of the class, or let

CaptureLiveHD automatically upload it to the server for you.

"Lecture capture devices today consist of either very expensive and complex models, which many schools cannot justify with their tightening budgets, or very low-end models that are clunky to use and don't provide the power or flexibility large organizations require," said Sean Goldstein, Crestron VP of Marketing.

Adding the optional touch screen controller (CAPTURE-TPMC-4SM) enables simplified operation from a lectern, desk, or wall mount location.

The touch screen can also display a live view of the room camera and a microphone level meter to lend an extra level of confidence during presentations.

Crestron Touch Screen For Home and Building Control

In the Space of a Light Switch, TPMC3SM and TPMC-3SMD Lets You Control Your Home or Building with a tap of your finger, Crestron new line of petite 2.8" touch screens is now shipping.

Available in two models, the TPMC3SM and TPMC-3SMD provide the same complete control functionality as the larger TPMC-4SM line, while offering a discreet, stylish and affordable way to add the latest Crestron control technology into your home or corporate setting. Easily installed on a single gang wall box, the TPMC-3SM enables users convenience of one-touch control of January-March 2012

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lights, climate, home theaters, multiroom audio, and more, while remaining virtually invisible.

"TPMC-3SM consolidates every controller you have into a beautiful, ultra-modern device, yet it's affordable, and simple enough for anyone to use," said Sean Goldstein, Crestron VP of Marketing.

Enterprise network room scheduling with TPMC-3SM Installed LCD display outside the entrance to every meeting room and it will provide an immediate view of each room's availability. Look up the calendar for any room on the network and reserve the room right on-thespot. Network room scheduling across the enterprise has never been easier.

With a just few button presses, TPMC3SM users book conference rooms using popular scheduling platforms such as Outlook, Lotus Notes, and R25.

Simply select the room location, meeting time and AV presentation resources needed, and equipment will be warmed up and ready to use when the instructor arrives. Scheduling conflicts are eliminated and instructors can begin presentations promptly, without worrying about room availability or "setting up" AV gear.

Additional pushbuttons provide onetouch access to commonly used functions. The "Today" button jumps to the current day view, while the "Close" button quickly closes the currently displayed page. Touching "Select" button provides a quick way to view a meeting's details, or select a time slot to reserve a room. "Down" and "Up" buttons enable fast scrolling through the day's schedule. Dual-color green and red buttons give passersby a clear indication of a room's status at-a-glance.

Home Control with TPMC-3SMD TPMC-3SMD enables customizable touch screen graphics and icons for controlling lights, temperature, home theater, multiroom audio, security cameras, iTunes libraries and more.

With a tap on the color screen, any home control feature you desire is fast, fun and easy. Built-in streaming video lets you monitor security cameras and

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see what's playing on your Blu-ray player, media server or cable TV. Additional pushbuttons give you even more control on tap. Adjust audio volume, scroll through movie titles and TV channels, set temperature and lighting levels in every room. Two backlit hard key buttons may be assigned to access your choice of control pages on the touch screen, or to control audio/video system power and room lighting with a single press.

Installation is simple, clean and hasslefree. An Ethernet connection from your home network or corporate LAN is all that's needed to wire both models. PoE (Power over Ethernet) eliminates the need for a local power supply or any dedicated power wiring, which allows greater mounting flexibility in both new construction and retrofits.

Eon515xt Portable Pa Loudspeakers For some, music is an escape from reality. For others, it provides a road back to reality. For Gabriel the Gun, it's been both. Co-founder of the skapop band No Doubt with star Gwen Stefani, Gabriel has been through his share of adventures.

To tell his story, Gabriel relies on Harman's JBL EON515XT portable PA loudspeakers while traveling to Los Angeles school districts with the hopes of steering students from the dangers of a lifestyle he was lucky to survive.

"We started touring with No Doubt in 1986 and I got into substance abuse in a big way," Gabriel said. "It wasn't until I was flat on my back in an ICU hooked up to all types of monitors

and machines, that I knew I had to change my life. I thought of my own kids and how my actions reflected on them and vowed to get clean. I took a 3-year sabbatical and straightened out my life. At that point I started to think of young musicians and how I could turn my mistakes into their success.

I knew my destiny was to make a change in the world-maybe just one kid at a time."

Eventually, Gabriel founded a 10-piece reggae/ska band with a jazz and soul influence called the BackBeat Brawlers.

Gabriel said, "I believe that music heals and my epiphany was to serve society as an artist. And let's face it, we as humans are challenged daily by a multitude of bad situations and music helps people through hard times. The BackBeat Brawlers perform at inner city schools within the Los Angeles Unified School District. We play for the kids and then we get down to the business of the truth. At most clinics, artists discuss music theory, what scale to play within certain chords, but we talk about life on the road. And while we discuss substance abuse and the pitfalls of the addicted lifestyle, our main focus of discussion is on all the great things that music and the arts provide."

Gabriel explained the need to have an audio system that is self-reliant and easy to travel with. "When looking for speakers that would fit our needs, I went right to JBL knowing their reputation for being the best," he said. "The message we want to convey is one of positivity, creativity and the soul-enriching power of music. We needed speakers that were equal in sound to the strength of that message.

The choice was a no-brainer. The logistics behind traveling with a 10piece band are difficult, and the JBL EON515XT speakers make our new road life less complicated. They are awesome sounding, easy to transport and the setup is a breeze."

PMC-3SM and TPMC-3SMD" I am so excited by the change that we have created in schools and communities," Gabriel concluded. "If we can inspire even one child's dreams or goals, then we know we have done our job. It's such a rewarding experience."

Digital Power Factor Correction Analog Devices, Inc. (ADI), a global leader in high-performance semiconductors for signal-processing applications. Analog has introduced the ADP1048, the first interleaved digital power factor correction (PFC) controller with highly accurate AC power metering capability. The interleaved (or dual-phase) ADP1048 uses conventional, continuousconduction-mode PFC techniques to reduce harmonic distortion. The ADP1048 can be configured as an interleaved design to reduce inductor size and replace the ACDC rectifier to improve efficiency in bridgeless boost mode. These techniques convert all signals to the digital domain and allow parameters to be adjusted and reported over a PMBus compliant interface, including accurate measurement of input voltage, current and power.

More About the ADP1048 Interleaved Digital PFC Controller As with the ADP1047 single-phase controller, the ADP1048 interleaved PFC controller is easily programmed using an intuitive graphical-user interface (GUI), which enables customers to design and optimize their systems without the complex code programming required by alternative digital signal processor (DSP)-based devices. Designed specifically for high reliability AC/DC power-factor correction systems and motor control applications, the ADP1048 is suited to communications infrastructure, industrial and instrumentation systems, such as motor control, and high-power medical imaging applications.

The ADP1048 can be frequency synchronized to eliminate "beat" frequency noise, or alternatively, the switching frequency spread spectrum feature can be enabled to further improve EMI. Key ADP1048 Features and Benefits Interleaved capability enables reduction in inductor and solution size and is suited to high-power-level PFC.

Flexible; digital-control-loop PFC enables optimized harmonic correction. True RMS AC metering capability provides high accuracy power measurement. GUI programmability promotes ease of use and reduces time to market. PMBus compliance allows a standardized system software interface.

Newly Constructed Apogee Stadium At the epicenter of the University of North Texas' "Mean Green Village" outside of campus, Fort Worth, Texasbased Electro Acoustics has outfitted the newly constructed Apogee Stadium with Harman's JBL Variable Line Array (VLA).

Designed by Gary White of Wrightson, Johnson, Haddon & Williams, Inc., it was important for the PA system to provide high output, high clarity and immense power.

The 30,850-person capacity APOGEE Stadium features a main scoreboard system comprising eight JBL VLA901 line array loudspeakers, combined with eight VLA601 loudspeakers, each split four to each side. Three additional VLA901H and four VLA601H loudspeakers round out the scoreboard sound system. Installed throughout the stadium for additional PA support are 74 Control 26CT ceiling speakers and 18 Control 30 outdoor monitor speakers.

"JBL's VLA provide the power and reliability the client required in such a demanding venue," stated Chris Jordan, president of Electro-Acoustics.

"The speakers are perfect for an outdoor environment. We focused on providing a loud system that could withstand any inconvenient weather.

The VLA loudspeakers are performing exactly as they were designed."

To help make certain construction of the stadium was completed on time, Electro Acoustics designed, built, tested and tweaked the entire system in its studio-an important strategy to

ensure the safety and structural integrity of the construction site.

"The speakers were easily rigged and time was the only challenge when dealing with the new construction of Apogee," Jordan continued. "UNT was our first major install of VLA line arrays and we are very proud of the outcome. The stadium sounds amazing. The clients received exactly what they expected, on time and on budget."

Extron Now Shipping 4x4 Digital Matrix Processor Extron Electronics announced the immediate availability of the DMP 44 LC, a compact 4x4 audio matrix mixer featuring a digital signal processing platform for audio signal routing and control.

The DMP 44 LC features four mono line level inputs and outputs. It offers several audio DSP tools for mixing, routing, and room optimization.

Quick and intuitive configuration using the DSP Configurato Software allows the DMP 44 LC to be installed in very little time. The DMP 44 LC is ideal for presentation applications that require line level audio matrix mixing with DSP in a small form factor.

"The DMP 44 LC is right-sized for small integration projects needing audio routing and processing without the cost and complexity of traditional digital signal processors," says Casey Hall, Vice President of Sales and Marketing for Extron. "The small but powerful DMP 44 LC is ideal for combining audio outputs from high resolution and standard definition video switchers.

The DSP built into the DMP 44 LC provides wide dynamic range and utilizes 24-bit audio converters with 48 kHz sampling to maintain audio signal transparency. Several convenient, easy-to-configure tools are available: level controls, high and low pass filters, parametric EQ filters, bass and treble shelving filters, compressor, limiter, and ducker.

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The DMP 44 LC audio matrix mixer is ideal for many applications, such as combining two independent stereo audio sources or switchers into a single amplifier or recording system, or in a divisible room installation for feeding a switcher's audio output to the sound system for each room. The DMP 44 LC can conveniently be controlled and configured via RS-232 serial control or USB. It also includes digital input ports, which allow for external triggering.

DiGiCo Heads To BVE London 2012 British digital console manufacturer DiGiCo makes its first appearance at BVE London on Stand C2 at London's Earls Court from 14-16 February 2012, where it will show its new broadcast specific SD7B, SD10B and SD11B. DiGiCo's acclaimed SD Series is the company's latest generation of consoles. It is based on the power of FPGA technology and Stealth Digital Processing and adopts a multi application approach. It is this that has enabled it to develop application specific feature sets, resulting in dedicated broadcast versions of its SD7, SD10 and SD11 consoles.

"We have a heritage within the broadcast industry from our Soundtracks days," says DiGiCo's managing director, James Gordon. "It's exciting to be back with a set of consoles that address the entire scope of the broadcast market's needs."

The SD7B's feature set has been created to manage the extensive and challenging work of the broadcast market. In addition to the standard console's impressive feature set, it handles up to 996 simultaneous optical plus 224 MADI, 24 analogue

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and AES/EBU connections. It can run two high speed Optocore loops, with any combination of 448 inputs and outputs on each loop and all at 96KHz, while the local I/O connections are ideal for fast outside broadcast setup before setting up the racks.

Backstop PFL is available on every channel, while 256 dynamic EQ processors are available on any input or output on each band of EQ, as are 256 multiband compressors, also available on any input or output. 48 simultaneous internal Stealth digital effects, from a palette of 33, are also provided.

Next in line is the SD10B, which has a broadcast specific feature set that includes such innovations as multichannel 'folding' under a single fader allowing users to configure stereo, LCR, 5.1, or up to eleven mono channels under a single fader strip that can be unfolded for individual control, or neatly folded up for convenience and efficient work surface use, making it an exciting, cost-effective option for any broadcast project. Amongst its many features and benefits are 37 x 100mm touch sensitive faders, providing fast access to the console's large number of channels, which include 96 with full processing, 12 of which can be configured as full Flexi Channels - and outputs that can be assigned across the surface. All inputs have dual mono inputs for fast 'Main' and 'Alt' channel switching.

New for 2012, and making its debut at BVE, will be the SD11B. Designed to be equally at home as a desktop console or mounted in a 19" rack, it is set to be the most powerful broadcast console yet for its size.

All consoles are compatible with DiGiCo's SD Rack, which serves as a multi-sample rate signal splitter that also allows the ultra smooth DiGiCo microphone preamps to replace the standard mic preamps of an analogue or other digital console. DiGiCo HDSDI cards allow the user to de-embed and re-embed any combination of up to four of the available eight AES3compatible streams per I/O module.

Gain Tracking and splitting is also available.

Sennheiser Launches Microsite Audio specialist Sennheiser announced that it has launched a new microsite dedicated to its new Audio Distribution Network (ADN) conferencing system. The microsite is designed to educate dealers and customers on the features of the ADN system, including its premium Sennheiser sound quality, sophisticated design and intuitive user interface.

The microsite launch is a part of a global campaign that supports the ADN wired digital discussion system, a solution designed to accommodate small to medium-sized conferences with up to 40 participants. In addition to premium sound quality and other attractive features, ADN also includes a fully integrated software package within the central unit and does not require connection to a computer.

"Our dedicated microsite provides customers with all the information they need to make the right choiceincluding installation examples, useful illustrations and other materials", commented Vanessa Jensen, senior product specialist for Sennheiser's installed sound division.

The Sennheiser ADN microsite includes: •

Highlighted sections on ADN's integration, design and sound attributes

•

A downloadable cable calculator program that allows users to easily plan out an ADN installation in advance

•

Installation examples that illustrate how the ADN system can be used

•

Reference materials such as remote application scenarios and an operation manual

•

Answers to several frequently asked questions

The wired, digital discussion system is comprised of an easy-to-use central unit and two conference terminal options; one for the conference manager and the other for the participants. The ADN conference unit uses the high-quality Sennheiser KE 10 capsule; audio is reproduced by the station's high quality, integrated twin loudspeakers.

The design of the ADN complements is able to complement just about any decor. The stylish, understated visual appeal is emphasized by the hidden cable connections of the conference units. The RJ-45 ports allow the system to be set up quickly and easily. For fixed installations, a cable strain relief is available for added reliability.

Kramer Vp-81ksi Step-in Switcher

The VP-81KSi uses external modules to switch between inputs. Kramer Electronics is pleased to introduce the high-performance VP-81KSi, an analog Step-in switcher for computer graphics video.

The unit can switch any one of eight inputs to one computer graphics video, one unbalanced and one balanced stereo audio and one twisted pair output.

The VP-81KSi is designed to work with a family of Step-In modules: the SI1VGA, SI-1VGAT and WSI-1VGA. These Step-in modules are part of Kramer's Table Mount Solution Products, such as the line of TBUS models, which are mounted in or below conference room tables.

can connect the computer graphics video and audio from their laptops into the module located in a TBUS at their seat.

The VP-81KSi is HDTV compatible and has a very high video bandwidth of 440 MHz (-3dB) to ensure transparent performance for signals with resolutions up to WUXGA. It also includes Krisp, Kramer's innovative integrated sync processing technology.

Kr-isp restores the sync signal waveform to provide a sharp, stable image even when the sync level is too low.

Additional features include: audiofollow-video (AFV) switching and DDC (Display Data Channel) communication between the selected input and output on pins 12 and 15 of the 15-pin HD connector; Kramer's IEDIDPro intelligent EDID processing algorithm that ensures plug and play operation for analog systems.

The VP-81KSi switcher offers several very flexible control options including front panel buttons, remote step?in modules, RS-232, RS-485, Ethernet via a built?in web server, contact closure & IR remote control (remote is included).

It has a worldwide power supply that operates on 100-240V AC, fits a standard 19" rack mount and includes a standard pair of rack mount "ears".

Kramer Digital Switcher/ Distribution Amplifier Kramer Electronics is introduced the high-performance VM-114H4C, the first digital switcher/distribution amplifier in a family of new digital

switchers featuring varying output combinations. The VM-114H4C accepts two input signals, one HDMI and one DGKat (HDMI over twisted pair), and switches between these two inputs while outputting the signal selected over four identical DGKat outputs.

The VM-114H4C features Kramer's IEDIDPro Intelligent EDID Processing, an EDID handling and processing algorithm that ensures plug and play operation for HDMI systems. The unit can utilize a default EDID or it can read and store in non-volatile memory the EDID block from any output display device. It can then provide the EDID information to the source even if the display device is not connected, ensuring that the source sends the proper signal to the display device being used.

The VM-114H4C features Kramer's Equalization & re-Klocking technology, which rebuilds the digital signal so that it can travel longer distances. With a maximum data rate of 2.25 Gbps per graphics channel, the VM-114H4C supports 3D Pass?through, Deep Color, x.v.Color™ and uncompressed audio channels (Dolby TrueHD, DTS-HD). It is HDCP and HDTV compatible.

The VM-114H4C requires the use of shielded twisted pair (STP) cable, and is recommended to be used with Kramer's BC-DGKat524, BC-DGKat623 or BCP-DGKat724 cables, to ensure optimum range and performance.

The unit supports a range of up to 90m (295ft) at 1080i/SXGA resolution, or up to 30m (98ft) at 1080p/UXGA resolution when used with Kramer's shielded BC-DGKat524 cable. It supports a range of up to 90m (295ft) at 1080i resolution, and up to 70m (230ft) at 1080p/UXGA when used with Kramer BCDGKat623 and BCPDGKat724 cables. The VM-114H4C is compatible with Kramer's PT-571/572+ and TP-573/574 family of DGKat receivers and transmitters.

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Electro-Voice and Dynacord in the New Ntadium of Hallescher FC Completed in September, the 15,000plus capacity Erdgas Sportpark provides a home for Hallescher FCone of the most successful clubs in Germany's Regional League North.

To provide high quality sound, the city of Halle commissioned construction firm GP Papenburg AG, which enlisted the assistance of ssm euromicron GmbH (Schkopau branch). Led by Hans-Dieter Lemke, a team from subcontracting company Studio Elektroakustik GmbH of Leipzig devised and installed a system that features 28 EVF-1152S/99-PIB loudspeakers systems from ElectroVoice to cover the grandstands, as well as five more for the playing area. A major challenge for the audio team from SEA Leipzig, led by project manager Hans-Dieter Lemke, was the tight schedule. After elaborating an acoustic design with the help of computer simulations conducted by Richard Merget of Bosch Communication Systems, the team set to work in July to assemble to control room equipment and install the stadium loudspeakers. After meticulous resting of the sound reinforcement system in the course of July and August, the system was measured acoustically by Richard Merget in time to be handed over to the building clients on September 15th.

"In the course of the practical trials, the EVF systems completely convinced me with the transparency of their reproduction," said Lemke."The sound quality is really high and in terms of intelligibility the speech reproduction is simply excellent!" " In the VIP areas, too, Sea Leipzig relied on loudspeakers from ElectroVoice: six EVID 4.2 and two EVID 6.2 compact surface-mounted loudspeakers provide the requisite coverage. The system is driven by five Dynacord DSA 8805 power amplifiers: four for the stadium sound reinforcement and one for the VIP areas. A P64 digital audio matrix

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Electro-Voice in the National Stadium, Bucharest For over 50 years, the National Stadium in Bucharest was the venue for all home matches of the Romanian national football team. In 2005, it was decided to tear the stadium down and construct a new one in its place. The new "Stadionul National," which was three years (from 2008 to 2011) in the making, is an ultra-modern, multifunctional arena designed for both major sporting events and concerts.

manager from Dynacord provides the overall control. In all, the stadium technicians have 12 kW of amplification at their disposal enough to satisfy the demands of every occasion. A Dynacord CMS 1600 mixer and a number of audio playback devices round off the audio equipment in the stadium's sound control room.

As is usually the case with modern stadium installations, the sound reinforcement system in Halle is connected to the evacuation system.

In case of danger, a voice alarm system takes over the control of the entire sound system - a solution that assures the simplest possible handling and fastest possible reaction in case of emergency. The measured acoustic values in the stadium not only satisfy the standards imposed on regional league clubs but also, in case the club wins promotion, those applicable to the third and second divisions as well.

Visitors had their first experience of the new system at the opening match against Hamburg's prestigious HSV. "The spectators were unanimous in the view that the announcements and commentary were easily intelligible and that the music reproduction was powerful and of a very high quality," reports Lemke. "Overall, the opening match was a triumphant success to which the quality of the sound reinforcement contributed considerably."

Satisfying the very highest international standards, the stadium is capable of accommodating over 55,000 spectators, including 3,600 VIPs. If needed, the total capacity can be expanded to 62,000. The arena is the first in Romania to meet the highly exacting "elite stadium" standards for infrastructure laid down by UEFA, making it the first stadium in the country qualified to host the finals of international competitions. The first such event scheduled for the new stadium is the UEFA Europa League Final on May 9th, 2012.

Among the most important criteria prospective "elite stadiums"' need to satisfy relate to their sound systems.

Here the responsibility for ensuring compliance was entrusted to UTI INSTAL CONSTRUCT SA of Bucharest.

After conducting simulations and comparisons, those responsible for the installation opted for an extensive Electro-Voice system. Key influences on their choice were the evenness of the coverage, the high level of intelligibility, the ability to supervise and control each loudspeaker cabinet

individually, and the numerous worldclass references Electro-Voice was able to provide. The equipment featured here includes 141 EVH-1152S hornloaded (models 64-PIB, 94-PIB and 66PIB) and 32 EVID 6.2 T compact surface-mounted loudspeakers. The installation is powered and processed by 40 CPS 4.10 power amplifiers and ten N8000 NetMax controllers with MI1, AO-1, DI-1 or DO-1 cards as well as CM-1 CobraNet network modules.

Thanks to the IRIS-Net software employed here, a multitude of possibilities exist for the configuration, operation and supervision of the system. It is possible, for example, to create an interface tailored exactly to the needs of each user, in which all the most important parameters - such as the level, muting, or error conditions are clearly and intuitively laid out.

Furthermore, if required, all the parameters of the installation can be accessed from a single central location, which considerably simplifies the commissioning, operation, and maintenance of the system. The powerful N8000 task engine - which supports even the most complex programming logistics - provides automatic redundancy switching between the main and ancillary control room matrices, which both exhibit dual redundancy. As a result of the free configurability of the N8000's DSP, it is possible, for example, to selectively manage announcements to different areas of the grandstand via both the ELA system and the central operational computer. A ducking function is also available to ensure that music volume drops to an acceptable level to allow intelligibility during announcements; the music returns seamlessly to its previous level once the announcement is complete.

The entire loudspeaker processing is also handled by the N8000. CPS multichannel amplifiers are used to drive the EVH loudspeakers, and offer a comprehensive safety-switching package, the possibility of supervising the impedance of the connected loudspeaker enclosures, remote control via an optional RCM-810 module, and Variable Load Drive. All add up to make CPS multi-channel

amplifiers the ideal solution for projects of this kind.

"The selected loudspeakers represent the best solution due to their high level of intelligibility and the ability to control and supervise every cabinet individually," says Cristian Gheliuc of Prosound Solutions Romania. "I am also an absolute fan of the NetMax N8000 controller. It is simple to install and offers excellent user interfaces, with endless send, receive, and tuning possibilities." The installation has met with the complete satisfaction of the National Arena managers. "Our client is totally delighted and full of enthusiasm for the outstanding acoustic quality," Gheliuc adds. "This is the first major project of its kind in Romania and this installation now represents the standard to which all future stadiums in the country will aspire."

connections–thus enabling redundancy rings that increase the failure-safety of the discussion system.

"With our new cascadable power supply unit, the ADN PS, we are one of the few manufacturers who enable their customers to create systems with high failure-safety," explained Jens Werner, Product Manager for Conference Systems.

In such a system, the power supply unit provides power in two ringcabled lines to 20 discussion units each. If a cable fails in one redundancy ring, operation continues without interruption via the other cable path.

If a decision is made in favour of an alternative cabling–branch or daisy chain - one ADN PS can power 4 x 15 discussion units. The cable topology in each case is displayed by status LEDs on the power supply unit. Up to 15 ADN PSunits can be cascaded.

Software update

Power Supply Unit and Software Update for the ADN The ADN PS power supply unit is now available for Sennheiser's ADN conference and discussion system. The power supply unit also offers the possibility of using redundant ringcabling (redundancy rings), thus increasing the failure-safety of the system. At the same time, the audio specialist is releasing a free software update that expands the system's performance: the new software now enables conferences to be recorded and adds a PTT mode and effective acoustic feedback suppression to the system The ADN PS power supply unit features double conference

The new upgrade now makes it possible to record a conference directly onto a USB mass-storage device or an external hard drive. Each microphone and the sum of all microphones are recorded as separate files. A particularly user-friendly feature is the new Push-to-Talk mode; the microphone remains in operation as long as the speaker keeps the microphone button pressed.

The ADN CU1 The ADN CU1 central unit in a new design–the luxurious anthracite finish attractively complements both modern and classic conference environments. A special mode for acoustic feedback suppression, which uses an algorithm specially developed

by Sennheiser. "Very difficult acoustic environments often make it impossible to set a sufficiently high volume level without feedback," explained Jens Werner. "Even if the system is already operating at its limits, this new mode enables the volume to be increased even further." The mode can be activated in two stages, thus providing higher gain before feedback of up to3 dB and 6 dB respectively. The feedback reserve can be set separately for the discussion unit loudspeakers and an external PA system.

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Yamaha Digital Mixers MY8-LAKE In the month of November the MY8LAKE implements advanced Lake Processing technology including Mesa EQ, Ideal Graphic EQ, linearphase crossover, and other intuitive sonic tuning features in a DSP expansion card designed specifically for Yamaha digital mixing consoles.

The processing power packed into this compact card is astounding, offering up to 8 inputs/8 outputs in mesa mode (system EQ), 4 inputs/12 outputs in Contour mode (crossover), or combinations of the above to suit the application.

Flexible I/O configuration via the console's insert points as well as the card's AES/EBU connectors, plus the ability to run at 96, 88.2, 48, or 44.1 kHz, makes it easy to integrate Lake Processing into any system. Lake Controller software installed on a compatible Windows PC allows precision control of the MY8-LAKE as well as other Lake devices in the system, while close compatibility with Smart sound system measurement software contributes to smooth, efficient speaker system tuning. Add access to over 1,000 speaker presets and you're ready to tweak any system for optimum performance in any environment.

Kazunori Kobayashi, General Manager of Yamaha's Pro Audio Division states, "We have worked hard to provide Yamaha digital console users with advanced solutions via Mini-YGDAI (Yamaha General Digital Audio Interface) expansion cards. And now, through close cooperation with Lake, we are ready to offer the MY8-LAKE with leading-edge Lake processing capabilities that will add unprecedented sonic potential and broader appeal to Yamaha digital mixers. We are proud and pleased to be able to introduce this product as the centerpiece of a new system solution for live sound applications throughout the world."

"We are delighted to be able to provide Lake Processing as an integrated part of Yamaha mixers,

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predecessors, the new 01V96i now offers USB 2.0 connectivity along with new multi-track recording features and improved sonic quality.

High quality multi-track recording and playback via USB 2.0 connection

and excited by the potential of this product partnership with Yamaha to deliver the unique benefits of Lake Processing technology to a wider customer base. It further reinforces Lake's credentials as a leader in digital audio processing and provides significant flexibility and benefits to both our existing users and those are looking to integrate Lake into their systems." says Jon Alkhagen, Managing Director of Lab Gruppen and Lake.

Yamaha New 01V96i Digital Mixing Console The new 01V96i has launched at InterBEE in 2011, an international exhibition showcasing broadcast, video, audio and lighting equipment, which held in Japan from November 16 to 18.

Since its initial release in 1998, the 01V has been used in a wide variety of applications–both personal and professional–ranging from recording and production environments to live sound and installation setups. The proven configuration of its

The demand for multi-track recording in live sound applications is growing, and the 01V96i now features 16 in/16 out USB audio streaming at an impressive 96kHz, as well as multichannel in/out via expansion card or ADAT. The 01V96i also comes bundled with the latest version of Steinberg's Cubase AI, offering a comprehensive range of tools for recording, editing and mixing, and an intuitive interface that allows you to seamlessly execute every step of the recording process.

Full suite of Yamaha VCM Effects and high resolution REV-X reverbs Yamaha's acclaimed Virtual Circuitry Modeling (VCM) technology offers you an impressive array of tonal colors, bringing the richness and warmth of analog sound to a digital recording environment.

The 01V96i also shares all the functionality of its predecessor including precision 100mm motor faders, 99 scene memories for instant recall, and fully-configurable user defined keys to help users adapt to just about any studio or sound reinforcement environment.

Kazunori Kobayashi, General Manager of the Yamaha Pro Audio Division had this to say about the 01V96i's upcoming release: "At Yamaha, we have always considered our continued correspondence with customers to be one of our most valuable assets in developing new products. The 01V96i is the embodiment of that philosophy, offering the versatility and reliability of current version while adding updated features and capabilities geared towards professional use. With this new console we are delighted to support a broader range of applications with a fully integrated, comprehensive system that in turn meets the growing needs and requirements of our customers."

Unique Twist to New Shure KSM353 Shock Mount provide the isolation. In place of the traditional elastic bands or rubber orings found in most shock mounts, the A300SM employs wire rope.

Shure Incorporated unveiled an innovative new shock mount for its KSM353 ribbon microphone that uses advanced materials and design to deliver excellent isolation with a refreshing dose of style. The accessory was shown at the recent Audio Engineering Society conference in New York.

More than 18 months in development, the mount had to provide exceptional isolation, securely mate to the microphone, and complement the simple metallic styling of the KSM353 ribbon microphone. The KSM353's 1.5pound weight and lack of a secure attachment point posed distinct challenges to achieving these goals.

"Shock mounting a heavy microphone is a delicate balancing act," said Chad Wiggins, Director of Wired Microphones at Shure. "If the support straps are too compliant, the mount is floppy and bottoms out. If they're too tight, the mount won't isolate well. And, for a ribbon

"Our director of mechanical engineering had previous experience shock mounting delicate military equipment using wire rope, but we had no idea if it would work well with a microphone," said Wiggins. microphone, you want the movement of the mount to be perpendicular to the movement of the ribbon, which complicates the design." He added The first step was to redesign the bottom connector of the microphone to accept the successful ShureLock thread design. A standard feature on the mounts for Shure KSM-series microphones, the mount threads onto the bottom of the microphone is holding it securely regardless of orientation or stand movement.

A particular challenge was the choice of material that would actually

Prototype mounts using samples of wire rope from a variety of suppliers were tested extensively, until one with the right flex characteristics, finish, and durability was found. The new A300SM mount meets all of Shure's quality standards; including surviving multiple drops and maintaining finish quality after exposure to humidity and corrosive environments.

So far, the finished product has won praise from recording engineers, many of whom have had prized microphones damaged when they slipped out of unsecure mounting hardware.

Christie to Showcase, "Solutions That Rock" Christie, along with Draper Inc., announced "Solutions That Rock", a free event introducing several of its new display solutions to organizations involved with professional AV rental staging, fixed installs and corporate AV environments. The event takes place from 13-15 December at Scottsdale Studios in Scottsdale, Arizona.

"Solutions That Rock" provides a unique opportunity for consultants, architects, service planners and designers to get hands-on experience with some of the best projection systems available and discover inspiring ways for projection to turn their ideas into reality.

Top local integrators will exclusively sponsor two of the days: CCS Presentation Systems of Arizona will host the full day December 14 session for invited guests from the architectural sector, and AVDB of Phoenix sponsored December 15 for representatives of the houses of worship community.

"Solutions That Rock" were an informal opportunity for dealers, integrators, distributors and end users to see how the showcased products offer leadingedge and fully workable solutions for their customers. Attendees will participate in technology demonstrations and get hands-on experience of the capabilities for each solution, making them more confident when demonstrating and selling to customers and prospects.

Products on Display Highlighting the exhibits were eyecatching tower display of Christie MicroTiles, the industry's most flexible, high-resolution modular design concept. MicroTiles are built on proven DLP technology and specifically designed for maximum image quality in demanding indoor, high ambient light environments.

For the backstage experience, Christie had multiple solutions from HD and 2K

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LCD to Xenon 3-chip DLP images displayed on a 30-foot wide screen and a pair of 11-foot screens in portrait mode. The displays, including stereoscopic 3D demonstrations, were managed using the Christie Spyder X20 multi-image processor.

Christie's new FHD551-X 55-inch flat panel LCD, designed for multi-panel displays, will also be on exhibit.

To fulfill the need to interface with IT systems, Christie demonstrated its

network solutions with all projection and multi-image systems connected to, and managed through, the IP network including wireless control of all devices.

Christie AutoStack - a camera-based, software driven solution, used for maintaining projector alignment in multiple blend and stacked designs will operate across the network, offering a solution that manages both fixed installs and rental staging designs for both flat and curved screens.

QSC is Granted an Audience with European Parliament QSC K12 active loudspeakers and PowerLight 3 amplifiers provided the powerful audio behind an official concert on the promenade in front of the European Parliament building here recently. The public event celebrated Parliament's naming of two new landmarks, the "Simone Veil Agora," to honor former EP president Simone Veil and the "Solidarnoss 1980 Esplanade," to acknowledge the important Solidarnoss union movement in Europe's recent history.

Belgian audio visual company GSF Event was the project managers for the concert, and was selected by the event organizer Jerome Urbain from Tipik after their very successful delivery of a smaller show on the same site earlier in the year. According to GSF co-founder Sammy Freh, GSF managed the sound and lighting for this large scale show, with Stageco working with them to provide the staging infrastructure.

"We knew we needed a lot of power to drive the PA and provide enough coverage for this audience of around 3,000 people assembled between the ASP building and Place du Luxembourg," says Freh. "For us, QSC was the logical choice."GSF

selected 13 of QSC's PowerLight 3 flagship 8000 W PL380 amplifiers to drive the PA system and monitors, which also included four QSC K12 12", 2-Way 1000 W active loudspeakers, acting as front fills.

Freh himself has a long history with the QSC brand, buying his first QSC amplifier, a USA 850, 20 years ago.

Above all, GSF chooses QSC time after time for the company's great support and the reliability of the products. " When we provide sound reinforcement for speeches in the European Parliament we need to be 100% certain of our products; with live broadcast on different European TV stations there is no place for failure," said Frey. "Throughout the entire 20 years we have received wonderful support from AED, the QSC (Benelux) distributors. We love the QSC brand because they offer the most reliable products that we have ever seen." Added Frey.

Wolf Trap Modernizes its Loudspeaker System The most important cultural centers are Wolf Trap National Park for the Performing Arts. The main venue of wolf trap was Filene Center, a uniquely beautiful and architecturally distinctive 7,000-seat indoor/outdoor theater that is host to an average of 90 performances a year from major and local artists. The center has opened in 1984; the rebuilt Filene Center II recently upgraded its aging delay loudspeaker system with Harman's JBL Vertec VT4886 subcompact line array elements and VT4883 subcompact line array subwoofers.

Snyder says that "the First, the speakers had to fit within the existing space, and the management would not allow the new speakers to intrude upon the design of the theater, meaning they could not be placed anywhere other than the alcoves for the previous speakers, which are extremely limited for a modern line array. Secondly, that the lack of available power precluded the use of powered speakers and limited our amplification options. Also, we were looking to upgrade as economically as possible, which made the use of existing wiring desirable. Basically, the fewer the amplifier channels we needed to use, the better. In the end we were able to implement this system with just five circuits per bay."

The coverage requirements of the Wolf Trap Theater also presented a challenge. "We needed an array which could provide substantial vertical coverage-over 30 feet of elevation-yet also had a relatively short throw range; about 120 feet was needed for this installation," Snyder noted. "The VT4886 line array elements proved to be ideal for this application. Their smaller size enabled us to put a large number of enclosures into each array, and we went with 9-element arrays in each of the six bays which cover the lawn area. The controlled axial shading of the VT4886 gave us the coverage pattern we needed."

"The cardioid coverage pattern of the VT4883 subwoofer also worked to our advantage, as we had to minimize low-end spill from the delay subs into the main pavilion area," Snyder continued. "The subwoofer's dispersion pattern enabled them to integrate well with the mains, even though they were physically separated rather than used as extensions of the main line arrays.

"The lower weight of the VT4886 and VT4883 was also a big advantage, as we could easily hang all the speakers without making any major structural modifications."

Snyder was able to go into the project with a high degree of confidence. "JBL was good enough to send out demo units for our evaluation before the install, and we also used JBL Line Array Calculator II speaker configuration and acoustic modeling software to help predict the response of the system. Once the speakers were installed, we did final tuning with the aid of SMAART and SIM measurement and analysis software. We were extremely satisfied with the results."

"The Filene Center is a unique space and one of the best-designed venues in the country," Snyder concluded.

"The JBL VERTEC line arrays turned out to be just what we needed for this project, and the improvement in sound quality is just what we'd hoped for."

renovation at the San Diego Civic Theatre, which in its 45-year history, has hosted some of the world's greatest talents, shows and musicals.

Harman's JBL loudspeakers, along with Crown amplifiers and BSS processors, are part of the major retrofit at the city-owned, 2,967-seat performance venue.

The new audio system, designed by WRL Sound Consultants, features two JBL PD5322/95 full-range loudspeakers and four JBL PD5322/64 full-range loudspeakers comprising the center cluster, supplemented by four JBL ASB6128 subwoofers. An additional four JBL PD5212/95 loudspeakers serve as delay fills for loge and balcony coverage.

"There was an outdated system in the Civic Theatre before we came in," said Sound Image Project Manager, Mike Martin. "As far as retrofits go, it's always a challenge to install modern equipment with the existing structure, especially with the last update occurring more than 30 years ago. Projects like this are always a great test of an installer's mettle."

To swap out the older system for the new one, an intricate pulley system was used to bring each piece down and their replacements up, with care to avoid disturbing the fragile space.

The pulley system was originally installed during the 1990's to set up the previous loudspeaker system.

"The new JBL loudspeaker system offers a completely improved level of sound quality," Martin continued.

"This cutting-edge performance space required top-notch equipment to support the dramatic vocal and musical performances, and we were able to deliver that with JBL."

Sound Image and Harman's JBL Loudspeakers Revitalize Sound Image, one of the world's largest and most experienced sound design engineering companies, recently completed a sound system

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AMX Charges into Shipping Enova DVX-3150HD AMX has announced the scheduled availability of the Enova DVX3150HD All-In-One Presentation Switcher. Wake Forest takes delivery of the first unit, recognizing the significance of the product's open standards, simplicity, remote management, and high performance on IP networks.

The Enova DVX-3150HD provides a complete AV/IT platform for audio, video and networked control. The Enova DVX-3150HD is building momentum with integrators seeking ways to unify AV with IT networks while delivering a simple solution to install and use.

The DVX dramatically simplifies AV control and distribution in conference rooms, classrooms and auditoriums. The flexible product is perfect for any room with a mix of analog and digital sources, multiple displays or rooms that require support for video conferencing. And, it replaces the need for numerous individual components and equipment allowing integrators to save time and effort in configuring and programming. Plus, the DVX comes with exclusive AMX technologies like SmartScale, which delivers video that is perfectly scaled for each connected display, eliminating the integration challenges that can occur when sources and displays have different supported resolutions.

"AMX is charging into 2012 focusing on the most advanced AV/IT solutions, and the architecture of the Enova DVX is a hallmark example of this commitment," said Rashid Skaf, AMX President and CEO. "The DVX delivers on two very important customer requests: cost-effective, innovative solutions. With exclusive AMX technologies like SmartScale, customers are experiencing the ease of installation, programming and use. I challenge integrators to compare it to any other solution on the market. They will find it to be the most superior solution for

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answering the challenges of network-centric AV distribution," He added.

Mr. Skaf says, "I'm thrilled to personally deliver the first Enova DVX-3150HD to - not only a University renowned for leadingedge technology - but a cherished client."

Speaking of the installation, John Owen, Director of Information Technology at the Schools of Business at Wake Forest University, Said, "Wake Forest strategically invests in AV technologies that provide the necessary functionality and show an ROI. This new solution (Enova DVX-3150HD) also provides the opportunity for us to teach with future-proof, innovative technologies that work. Plus, the University will see an ROI not only through the ease of installation but also through network-based management of all our AV/IT resources using AMX's Resource Management Suite (RMS) software.

With RMS, our support staff can monitor and manage the equipment remotely from our main campus in Winston-Salem versus driving oneand-a-half hours to the satellite facility. This provides a return on both revenue and manpower. The success of this project was due to the long-time relationship of Strategic Connections (integrator), Wake Forest and AMX."

AMX and ViewSonic Partnership ViewSonic's Industry-Leading PJD6 Series DLP Projector Line Equipped with AMX Technology, Speeds Installation, and Network Enabled.

AMX, the leading provider of solutions that simplify the implementation, maintenance, and use of technology to create effective environments, it has announced ViewSonic as its newest In Concert Partner. Through the partnership, ViewSonic's PJD6 Series DLP projectors, comprised of the PJD6253, PJD6223 and PJD6553w are outfitted with AMX technology compatibility, making integration with AMX Controllers simple with little or no programming.

Specifically designed for both classroom and corporate environments, ViewSonic's networkenabled PJD6 Series projectors can be deployed with AMX Controllers for campus-wide management with centralized control.

"We are very pleased to be a partner of the AMX in Concert Program," said Roger Chien, projector product manager for ViewSonic.

ViewSonic's participation in the AMX in Concert Program, the PJD6 Series are the first of the company's projectors to be AMX certified. The alliance creates many compelling benefits for the installer, one of which is the advantage of Device Discovery, streamlining implementation and configuration of the projectors on the network.

"Teaming up with another leading ITAV company like ViewSonic is a win for integrators and end users because it makes installation and network management of corporate and educational deployments so simple," said Robert Choate, director of AMX InConcert Program. "AMX is sharply focused on delivering network-centric AV solutions for today's converging technologies. This partnership as well as Rapid Project Maker, our new cloudbased configuration tool, demonstrates our resolve to simplify system configuration and programming."

Audio-Technica Provides Microphone Solutions For 2011 CMA Awards Leading music mixers and awardwinning performers again pick A-T for sound quality and reliability - AudioTechnica, a leading innovator in transducer technology for over 45 years, has celebrated its 18th year of supporting the Country Music Association (CMA) Awards by providing an extensive selection of vocal and instrument microphones for its annual awards show.

The 45th Annual CMA Awards aired live in 5.1-channel surround sound had in November, on the ABC Television Network from the Bridgestone Arena in Nashville, and featured over 200 Audio-Technica microphones, including an impressive array of hard-wired mics and Artist Elite 5000 Series UHF Wireless Systems.

The CMA Awards presentation is recognized as Country Music's Biggest Night and represents the pinnacle of achievement for those involved in country music. The team responsible for the audio at this year's CMA's again included a who's who of broadcast audio. The audio was supervised by award-winning audio producers Michael Abbott and Tom Davis; ATK/Audiotek provided the sound system with FOH (front-ofhouse) mixers Patrick Baltzell and Rick Shimer; the broadcast music mix was handled by New Jersey/Californiabased M3's (Music Mix Mobile's) John Harris and Jay Vicari. Stage monitoring was handled by Michael Parker and Jason Spence.

The backline mic complement of A-T wired microphones included the AT4080 Phantom-powered Bidirectional Ribbon Microphone on guitars; AT4050 Multi-Pattern Condenser Microphone on guitars and bass; AT4040 Cardioid Condenser Microphone on overheads; AE2500 Dual-Element Cardioid Instrument Microphone on kick drum; AE5100 Cardioid Condenser Instrument Microphone on hi-hat and ride cymbals; AE5400 Cardioid Condenser Microphone on rotary speaker top and AT4050 on rotary speaker bottom

(used by Gregg Allman with the Zac Brown Band); ATM650 Dynamic Instrument Microphone on snare; and ATM350 Cardioid Condenser Clip-On Microphone on toms and fiddle/violin.

Michael Parker, Monitor Engineer, stated, "I have used Audio-Technica microphones for years on prominent broadcast award shows, based on their ability to deliver clear, consistent sound. I particularly am fond of their instrument mics, as they are able to reproduce the true timbre and character of the instrument. Their reliability gives me an additional comfort level, which I never take for granted at such high-profile events."

US Military Utilise Crestron Control Technology Crestron is providing the United States Northern Command (USNORTHCOM), the unified combatant command of the United States military, with AV control technology that allows personnel to seamlessly conduct briefings and share critical information with U.S. military all over the world.

USNORTHCOM selected Crestron AV control solutions for its ability to meet mission needs via a recent AV system upgrade.

"NORTHCOM requested an integrated solution that provided a consistent look and feel for military personnel, while also upholding the security measures required of the facility," said Landon Lovett, Crestron Director of Federal Government Markets.

"Crestron met the requirements and delivered an easy-to-use interface between information sources and display systems."

the integrated system, and every room is equipped with a Crestron 12 or 15inch touch screen. Each touch screen is designed with a similar display interface, giving users a familiar experience as they move from room to room. The highly intuitive system allows authorized personnel to easily select, display and route critical information with minimal training or experience.

"Crestron is proud to deliver intuitive AV technology that helps NORTHCOM conduct briefings and share critical information to military personnel all over the world," added Lovett. "We understand the specialized needs of government and military agencies and the importance of network security and reliable automation of audio/ video technology throughout a facility."

Italian Flair for Robe MMXs at Meraviglioso Modugno Show Robe ROBIN MMX Spots, LEDWash 300s and ColorWash 575 AT Zooms were the core lighting elements for LD Paolo Firulli's eye-catching design for the recent "Meraviglioso Modugno", a tribute show to Domenico Modugno, one of Italy's best known actors and singer/songwriters from the 1950s.

The show was staged in the state-ofthe-art new Teatro Petruzzelli in Bari, the largest theatre in the city and the fourth largest in Italy. It starred 13 different contemporary artists all of whom performed one of Modugno's most popular songs.

The main lighting challenge was to give each one of them a totally unique look and feel for their performance for which was able to

The USNORTHCOM facility features a combination of meeting rooms, an auditorium and smaller conference rooms for military briefings, training, and collaboration meetings. A PRO2 control processor is the backbone of

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take advantage of the massive flexibility and scope brought to the occasion by using Robe fixtures.

There were 20 each of Robe's new MMX Spots and LEDWash 300s, plus 20 ColorWash 575 AT Zooms, all supplied

by Conversano (BA) based rental company International Sound, the largest such operation in southern Italy, and is owned by the Firulli brothers - Franco, Paolo and Gianni.

The fixtures were positioned on three over stage trusses, together with some conventionals. The LEDWashes were used to illuminate an upstage backdrop, and the MMXs and ColorWash Zooms did all the main beam-work and fabulous effects.

Paolo Firulli especially likes the vivid colours and dual graphics wheel of the MMX which is excellent for fine quality projections. The near silent movement of the lights is particularly important for theatre shows, and this was also the first time he had used them in a theatre venue.

Commenting on the LEDWash 300s, Firulli likes the brightness, the 15 - 60 degree zoom and the smooth homogenised light source which has always been a feature and a strong point of Robe's LED ranges.

Midas Distributor of the year NMK In UAE Dubai-based NMK Electronics, Midas distributor of the Year and distributor of Midas and Klark Teknik products in the United Arab Emirates, has seen a surge in sales on the back of a yearlong programme of training and

support initiatives. This culminated in last month's bi-annual Midas Academy event held at the inaugural InfoComm Middle East and Africa (IFMEA) trade show.

NMK has long supported clients with one-to-one training and demo sessions at its headquarters or on location.

"The Middle East is a unique market where there is real demand for the latest technology but a limited number of professionals with the relevant experience," explain NMK's business development manager Chicco Hiranandani. "One of our core strengths is our team of knowledgeable technical sales people, plus the only Certified Midas Digital Systems Engineer in the Middle East, to ensure our clients get the best out of these phenomenal sound systems", he added.

This year's Midas Academy NMK present the all new PRO2 and PRO2C systems, the latest additions to the firmly-established Midas PRO Series of digital systems. NMK also demoed the top-of-the-range XL8 with its enhanced I/O capacity plus a range of Midas digital snakes and Klark Teknik DN network bridges which offer even greater flexibility of digital systems deployment. Midas VeniceF and VeniceF-16R analogue consoles were also presented.

NMK's committed and pro-active market presence, which has also included attendance at Palme and Cabsat every year since their inception, has paid dividends. Recent sales include a PRO6 which joins the XL8, Heritage 3000 and Klark Teknik

equipment already on site at the Dubai International Convention and Exhibition Centre, in the Dubai World Trade Centre, which caters for events ranging from weddings to corporate conferences and concerts. PRO6s have also been delivered to Qatar's National Theatre in Doha, The Pavillion in Nicosia, Cyprus, and the Raha Theature, Abu Dhabi UAE. In the rental sector, Sound on Stage, which specialises in large concerts by leading Arabic artists, has upgraded its PRO6 to a PRO9 to benefit from the 80 channel count, courtesy of NMK's dedicated service centre.

Shure Classic PBS Series in Austin City Limits Now in its 37th season, the PBS concert series Austin City Limits has captured an incredible variety of artists from every corner of the musical spectrum.

Longtime audio director David Hough of originating station KLRU-TV, Austin PBS, notes that one constant across those decades of television's longestrunning music series has been the use of Shure microphones.

"For all 37 years I have been with Austin City Limits, we have always had Shure vocal mike downstage, and they have always worked great," Hough recalls. "I remember when we shot the pilot; the fellow we rented the PA system from brought a bunch of scratched-up Shure mikes he had been using. We wanted a good look for television, so he hand-painted them with white epoxy paint. It was a different look, but of course they sounded fabulous. The SM58 is still one of our go-to vocal mikes today.

When you think about it, that's pretty amazing."

While the SM58 remains a constant, virtually everything else in the production of today's Austin City Limits is, as one would expect, thoroughly up to date. Taping has moved from Studio 6A at KLRU to a new venue, ACL Live at The Moody Theater, a state-of-the-art facility with great sightlines and more seating capacity for what has always been one

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of the hottest tickets in Austin.

Typically, the station does between 18 and 20 tapings to create the 13 onehour shows that comprise a season.

"We've moved with the times, of course, and that includes our choice of microphones," Hough explains. "With the new venue four miles from our studios, we knew we needed new mike stock to go with it. Shure has a wide selection of products that really help us capture the sound and flavor of the concerts we're taping."

Among the new models that have found a home on the new stage is the Beta 181, a compact side-address condenser microphone that Hough tried on drum overheads. "I used it on Flogging Molly, one of the first tapings in the new venue," he notes.

"I have been using it ever since. The sound is clear, and they just disappear on camera because they are so small."

The focus of nearly all bands rests squarely on the vocals, and Hough leans toward the dynamics that have been a mainstay throughout his career. "Of course, we try to let the bands sing on what they're most comfortable with," he shares, "but our go-to mikes are the Beta 58A and SM58, hardwired, especially with loud monitors and PA. The new KSM9 is a sweet-sounding vocal mike, too."

Like most television productions, Austin City Limits prefers to keep wireless use to a minimum. The production keeps a couple channels each of Shure UHF-R Series handhelds and PSM 900 personal monitors on hand, but generally allows the artist to use the RF systems they are carrying.

As conservative as that may sound, David Hough doesn't hesitate to try unconventional uses of his tools. To avoid the use of lavalier mikes for backstage interviews, the SM89 shotgun mike or VP88 stereo mike might be used on or behind the camera. Pre-show audio glitches are typically identified and addressed with the phase reversers, transformers, attenuators, and other problemsolvers in the Shure A15 Series. In fact, Hough is confident that his collection of Shure products will provide a solution to whatever production challenges he faces.

Barco SIM 7Q Projectors upgrade for Ford's Visualization pioneer Barco announced that its SIM 7Q simulation projectors will be used to upgrade Ford's VIRTTEX (VIRtual Test Track Experiment) advanced simulator to provide enhanced image rendering capabilities for use in testing active safety features for its automobiles. In concert with Blue Newt Software's image generation and software development tool kits, Barco's solution delivers an extremely realistic cardriver simulation to assist in Ford's development of a collision avoidance system.

VIRTTEX opened in 2001; Ford has completed numerous driver distraction studies, in addition to evaluations of teen driving, driver drowsiness and a pedestrian warning assessment, among others. All of these studies have led to the development of technologies, vehicle features and programs designed to improve vehicle and occupant safety, such as head-up displays, driver drowsiness alerts, lanedeparture warnings and more.

The VIRTTEX simulator features a spherical dome mounted on a hydraulic system to duplicate vehicle movement. Seven Barco SIM 7Q QXGA LCoS projectors comprise a display system that covers a 360-degree horizontal and 45-degree vertical field-of-view (FOV), mounted to a mechanical structure on the Ford motion base. The projectors surround the driver to display scenery, terrain, and various traffic situations synched to the test car's acceleration, braking and steering functions.

Blue Newt Software, Inc., an industry leader in high-fidelity, highperformance networked simulation software, provided the image generator engine and software development tool kits which model dynamic illumination; multiple, realtime shadow casters; the pixel-accurate sky dome; weather models; and other realistic visual effects for the simulation system. The company's highly advanced rendering technologies integrate with a

manufacturer's legacy data to enable them to easily and cost-effectively leverage advanced applications and models as new technologies and techniques are developed.

"Once a manufacturer subscribes to our visual technology platform, they enjoy a perpetual migration path with access to the most modern, sophisticated visual renderings as they become available," commented Robert Kuehne, Owner and President of Blue Newt Software. "This allows them to always be on the cutting edge of immersive simulation and provide the most realistic user experience. One of the most important capabilities Ford required was the lighting component, which we're one of the first to address in the industry.

Barco's SIM 7Q projectors - which feature lamp-based projection, the brightest illumination source available are designed specifically for use in multi-projector, high-speed motion simulators. Numerous features, such as DynaColo, Linked Constant Light Output, Warp geometry distortion technology, and optical edge blending, combine to deliver razor sharp, no-smear images and a smooth, continuous FOV with consistent color and luminance matching between channels. The SIM 7Q's smear reduction technology enables superior visualization of terrain details and road signs during continuous vehicle simulator operation at driving speeds.

The system was designed using Barco's SimCAD tool which accurately models the behavior of light to perform resolution, luminance and shadow analysis with high precision, reducing the risk of non-compliant performance while facilitating fast, smooth installation.

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DiGiCo SD10 at 54th Annual Monterey Jazz Fest McCune Audio / Video / Lighting have been handling the audio services for the acclaimed Monterey Jazz Fest since the 1960's. In business since 1932, this full service technical event production company has done its share of myriad events in its nearly 80-year history.

They purchased their first DiGiCo, an SD10, and the console made its debut at the 54th Annual Festival this past September.

"We purchased the console for its flexibility, features, and sound quality," said McCune VP, Mike Neal, "and were excited to get it out to the festival this year. The system includes the SD10 surface with HMA Optics and 3 of the D-Racks (32 x 16) that can operate at 48 or 96 kHz so that we can easily deploy these stage racks where they are needed on a particular show.

The console has exceeded our expectations and we're looking forward to using it on a variety of events we have coming up in the near future."

The SD10 handled FOH duties at the Dizzy's Den stage, with the weekend fare including interview segments during the day and bands in the evening-with live highlights from such names as John Pizzarelli, Donny McCaslin, Wil Blades, and Hiromi.

San Francisco State University graduate and McCune engineer Dunning Butler, who hadn't worked on a DiGiCo console previously, was able to get his hands on the desk a few days pre-event. "Up until this point, we have been utilizing Yamaha digital consoles such as the LS9, M7 and the PM5D, as well as Midas analogue consoles. The board arrived at our shop only a few days before we had to load trucks, so I was able to have some time on the system prior to the festival. I didn't need to use the offline software this time around, although I definitely will in the future.

I made that call because the SD10 was new to me and I wanted to get as much hands-on time before the MJF as I could. Programming the SD10 was great experience. Obviously there was

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a learning curve as there is on any new system, but its OS system is very well thought out. They did a great job making the presets applicable to the entire console and the macro functions are absolutely genius. I did not need use any external gear at all…not even a system processor! Not that I recommend others do that, but we were just able to get it done with the onboard EQ's and in this particular instance, it worked well."

During some of the interviews, including a conversation with Clint Eastwood and HBO "Treme" star, Wendell Pierce, Butler handled source material coming from video decks and also a record feed. "The room was very tubby sounding, so I asked one of our other senior audio engineers, Nick Malgeri, who had mixed in that room in previous years to come help tune the PA. After it was tuned to our satisfaction I was very pleased with the results. I found the audio quality of the SD10 to be the best that I've heard coming from a digital console."

One feature Butler found himself utilizing quite a bit during the

weekend was the SD10s macro keys. "I set up one key for every FX rack and another that flipped the board into 'sends on fader' mode. I also colorcoded the keys Red for 'Off' and Green for 'On' with different names for each mode on the same switch. This made it very easy for guest engineers to jump on without a sound check, and start getting a mix together quickly."

In retrospect, Dunning had nothing but a positive experience with the SD10 on his very first outing at the Monterey Jazz Fest. "I actually never had a moment the entire weekend where the board stumped me. I spent a lot of time anticipating what would be needed for the show and that influenced how I programmed the board ahead of time. When we first got the SD10, DiGiCo National Sales Manager Matt Larson gave me a tour of the console in person, and showed me his take on how to improve workflow, manage sessions and how to prepare for certain live situations. It really helped me immensely prepare for the hectic pace of the festival."

GLPAC Recognised for Innovation in Lighting & Electrical Category Architectural Products today announced the winners of the firstever Product Innovation Awards.

Crestron Green Light Integrated Lighting System won for Best Lighting Control System. In its inaugural year, Product Innovation Awards recognizes products, materials and systems innovation that leads commercial and institutional design to new heights.

Winners were selected by a diverse panel of independent judges including architects, interior designers, lighting designers and veteran A/E/C writers. Product Innovation Award winners are featured in the magazine's November issue.

GLPAC Green Light solutions provide a powerful, complete lighting and energy management solution in a compact, easy-to-install package.

GLPAC enables switching and dimming, daylight harvesting and occupancy sensing, ideal for new and retrofit homes.

Designed as a stand-alone lighting controller for the environmentallyconscious homeowner, GLPAC can also be easily tied into a centralized Crestron building control system for property-wide lighting control and monitoring. Built-in support for occupancy sensors, photocells and automated shade control enable substantial energy saving capabilities. Daylight harvesting provides an efficient balance between artificial and natural light the integrated system automatically shut lights off and adjusts HVAC settings in unoccupied areas, achieving significant energy savings.

The built-in Web browser interface and networking capability enables convenient remote control from any mobile device or PC.

Crestron Executive Boardrooms in Hyatt 48 Lex Hyatt 48 Lex, a new boutique hotel property on Lexington Avenue in New York City opened recently, offering sophisticated studios and suites with a distinctively welcoming atmosphere.

The home away from home features comfortable living quarters and business meeting amenities perfect for the frequent traveler, including Crestron integrated audio/video, lighting and shading control. Crestron integrated technology continues to meet the needs of corporate and hospitality markets, providing onetouch solutions that any user can walk up and use without prior training or knowledge.

The 48 Lex executive meeting space, located on the second floor of the hotel, has four private executive board rooms for meetings of eight to 12 people. All meeting rooms have floorto-ceiling windows and access to the Lexicon Lounge and the Alcove, a space for relaxing or taking phone calls. Each board room is equipped with the latest audio and video conferencing technology, highdefinition flat panel TVs, connectivity panels installed in breakable boardroom tables to facilitate the sharing of ideas and presentations.

The boardrooms are controlled entirely from a wireless Crestron touch screen. Through the wireless Crestron touch screens, guests can control all audio and video, lighting and shades.

There are iPod connections and individual climate controls throughout, and one room is equipped for video conferencing.

"We are thrilled to provide the integrated technology solution in the Executive Boardrooms within this Hyatt boutique hotel," says Crestron Director of Hospitality, Michael Stegmann. "Our solution allows executives to successfully host meetings, presentations and video conferences, with confidence that our technology will streamline and simplify the process."

Tunisia's Le Madison Lounge Opts for DYNACORD

Housed in the Maison Blanche hotel in Tunis, Le Madison is one of the finest bars and lounges in all Tunisia.

Centrally located, it is notable for the excellence of its service and the opulence of its interior design, which has a distinctly French flair - a combination that makes Le Madison a popular meeting place for both tourists and businessmen around the clock.

The Tunisian hotspot can also compete with the finest international clubs In terms of audio equipment, thanks to a recent investment by the Le Madison management in a brand new sound reinforcement system. Tunis-based company Acoustic Design and Broadcast (ADB) were responsible for the planning and installation of the new system. Based on exhaustive simulations and strengthened in their conviction by a long list of top international references, ADB's sound specialists opted for systems from Dynacord. The following components formed part of the September 2011 installation: D-Lite series loudspeakers systems (comprising sixteen Dynacord D8W cabinets and four Dynacord Sub 118 bass units); two Dynacord DSA 8212 amplifiers and a Dynacord DSP 260 signal processor to guarantee flawless system management; and a compact, ten-channel Dynacord CMS 1000-3 mixer.

"The Dynacord systems convinced our clients with both their sonic performance and aesthetic appeal," reports Manel Khammouma of ADB. This is a particular merit of the D8W loudspeakers, which are compact,

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extremely stylish, and perfectly suited to the ambience of this elegant and exclusive lounge."

Nor has the change gone unnoticed by the club's guests: "The regular guests commented immediately on the marked improvement in the sound quality," reports Khammouma. "That was extremely gratifying for us - and underlines the high quality of the products installed."

Electro-Voice Sound Systems Training in Bangkok Electro-Voice (EV) held its first Concert Sound Systems Training in Bangkok on the 28th and 29th of November.

The two-day session was attended by most of the Bosch ProSound employees in Asia, and existing EV line-array loudspeaker users. New XLine user CenterPoint, kindly provided the venue for the event. CenterPoint, owners of the venue and also a touring company, chose Electro Voice X-Line and TG amplifiers as their main sound reinforcement system. QRX was further chosen for their monitoring and supplementary needs.

The training was conducted by Phil Scobee, EV Product Manager for Concert Sound Systems, who has spent most of his career on the road with EV Line Arrays in the USA, most notably as Director of Operations for Morris Leasing, where he was responsible for Kenny Chesney's tour sound. Scobee has used EV X-Line and XLC systems at 60 of the largest stadiums in the U.S, and he shared his experiences with colleagues and friends in APR. The training covered system design, rigging, and configuration, as well as LAPS (Line Array Prediction Software) updates. X-Line was put through the paces. TG-series amplifiers were also effectively demonstrated, and attendees were awed by new FIR-Drive DSP settings for loudspeaker performance enhancement.

"If I would close my eyes and listened, I wouldn't have guessed that it was the same loudspeaker system that I

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have heard so many times before," says Patrick Hau, Product Marketing Manager, Asia Pacific Region. EV has dedicated their time to engineering better sound out of the same box instead of following the recent trend of just giving a loudspeaker a facelift.

Keep the facelifts for the automobile manufacturers! It was clearly demonstrated that EV is dedicated to both protecting and enhancing the investment of its existing customers."

Scobee's presentation and training session was supported the Regional Sales Office team including Patrick Hau, Edward Chia, and Ronnie Lai, and their Bosch Thailand ProSound colleagues.

Kordis Sound & Lighting at Bijou Nightclub Kordis Sound & Lighting recently upgraded the audio system at Bijou, a high-end club in Boston, Massachusetts, with a variety of Harman's JBL loudspeakers, immediately transforming it into one of the most state-of-the-art clubs in the city. With two main floors of entertainment, Bijou wanted to create two different atmospheres for its customers.

The top floor system contains four Harman JBL Dance5 loudspeakers, two CBT4 loudspeakers, eight ASB7128 subwoofers, while the back room features four AC28/95 compact 2-way loudspeakers with two SRX718S subwoofers, with four Control 26C ceiling speakers in each of the two restrooms on the floor. The DJ booth includes JBL's EON515XT portable PA speakers with a PRX718S Powered subwoofer.

Powering the top floor system are two Crown CTs 1200 amplifiers, two

CTs 3000, two MA-9000i, four MA12000i, two XTi 2000 and XTi 1000 amplifiers, plus one Crown 180A amplifier. The whole system was processed with a BSS BLU-160 signal processor.

The bottom floor features six JBL AC28/26 compact 2-way loudspeakers, 12 AC18/26 compact 2-way loudspeakers, two AC28/95 compact 2-way loudspeakers, as well as four Control 26C loudspeakers for each of the two restrooms on the floor. There are also 16 JBL ASB6112 subwoofers distributed around the floor and ground area with an AC28/95 loudspeaker used for the DJ booth with a PRX718S subwoofer.

Powering the system on the lower level are six Crown XTi 2000, four XTi 6000, and an XTi 1000 amplifiers, and a 180A amplifier for the restroom.

When deciding on which loudspeakers would fit the environment, Greg Kordis of Kordis Sound & Lighting cited JBL's ease of installation, sound quality and affordability. "The Dance5's have the nightclub levels that Bijou was looking for to turn it into a premier club," Kordis said. "The ASB7128's were chosen because they fit perfectly into the size of the cabinets that hide them, while still delivering quality sound. The horsepower on this system is like no other, it had the room bumping without even breaking a sweat."

There were many challenges that arose during the installation. At first, there were difficulties with acoustics and having the sound trapped between walls and furniture. "We dealt with this by using an assortment of smaller, AC Series speakers rather than using a few larger ones. With low ceilings in a small space, this ended up working perfectly to create the atmosphere and feeling that Bijou wanted," Kordis said.

"Bijou is very pleased with the new system, and they're looking forward to a great future with JBL," Kordis concluded. "The sound is excellent and keeps people dancing and partying all night long."

'Theatre of Nations' Powered by C Series As part of a massive 5-year renovation project that culminated in a starstudded opening ceremony recently.

Moscow's premier playhouse, the 'Theatre of Nations', has been equipped with an APG loudspeaker system. Designed, supplied and installed by Russian pro audio and lighting specialists, Doka Center, who also supplied the fully motorized lighting and staging systems, the main audio system is based around APG's versatile DS Series loudspeakers, and is powered by Lab.gruppen C Series amplifiers.

The Theatre of Nations is described as a unique structure within the system of Russian theatre with a wide-ranging palette of activities including its own original productions. Korsh theatre which was built in the year 1885 and the land were belonging to the millionaire Bakhrushin, merchant family. The reopening of the historic venue was marked by a visit from Russian Prime Minister, Vladimir Putin.

In accordance with an old theatre tradition, Putin was asked to hammer into the stage a silver ruble minted in the year the theatre was founded.

The renovation has been hailed as a success by all concerned, actors and suppliers alike. Doka Center's head of sound, Sergei Yurchenko, said, "For the Theatre of Nations we decided on a main system based around DS15s around the proscenium arch because it's an extremely versatile cabinet with a lot of flying/hanging options, and it offers superb sound reproduction. We opted for the compact MX1 for delays and fills."

The flexible C Series of four-channel and eight-channel amplifiers couple a space saving power-to-size ratio and high channel density to superb sound quality, continuous reliability, and a comprehensive six-year warranty.

All models include facilities for the individual adjustment of maximum voltage peak output and gain per channel, as well as bridge-mode operation selectable per channel pair for maximum versatility in channel

output configuration, and most efficient distribution of available power. Advanced NomadLink networking with remote monitoring and control facilities comes as standard, allowing the end-user to configure all levels and powersequence each device remotely from the control room with ease.

Filling the amp racks at the Theatre of Nations are eight C Series amplifiers three 8-channel C 10:8X, and three C 16:4 and two C 28:4 (both traditional 4 channel models). Augmenting the C Series is three of Lab.gruppen's ubiquitous FP+ Series - commonly found in touring applications - used on this occasion to power the subs, thanks to their high power density over 2-channels, perfect for driving low-frequency enclosures.

Iconic Klark Teknik Brand Targets New Markets Klark Teknik is delighted to announce a major new investment in people, brand and research and development.

The rebirth of Klark Teknik, enabled by parent corporation the Music Group, will see KT recruiting key personnel in marketing, research and development, as well as customer support and manufacturing.

developing and expanding its core expertise in signal processing and digital audio networking.

"For some time, Klark Teknik has existed in the shadow of the Midas brand," says MKT's VP of customer support, Jonathan Chitty. "The time has come to put the brand on the same level footing as Midas with a large range of innovates and exciting new products. The future for Klark Teknik is looking extremely bright and will re-energise everyone's perception of the brand. A key component will be the recruitment of a dedicated KT Brand Manager, and talented design engineers in the UK. We are right now actively seeking the right people."

Live X in Manila More than 200 guests attended the "Live X: See, hear, and feel the Live X difference" event held at the Republic Club at Resorts World, Pasay City, Philippines on November 2011. The event was organised by EVI Distribution Inc, exclusive Electro-Voice distributor for the Philippines, and showcased the superb sound quality of EV's new Live X loudspeakers to potential clients in the pro audio industry.

The event served as the official regional launch of the Live X family, and the relaxed atmosphere at the venue allowed guests an immersive, hands-on experience with the new loudspeakers. The event wrapped up with a mini concert by True Faith - one of the Philippines' most accomplished and popular bands - performed through Live X loudspeakers. The event was the latest in a string of successful Live X launches in the Asia Pacific region.

The classic brand has ambitious plans to enter new market sectors with a raft of new high-quality products, including high-performance, featureenhanced amplifiers and loudspeakers, specialist audio mixers and studio monitors, professional DJ mixers, USB and FireWire audio interfaces, as well as further

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Gearhouse Invests in Robe LEDWash 60 Gearhouse South Africa (GHSA) is one of the largest and most significant technical production companies in the southern hemisphere. GHSA has purchased 72 Robe Robin 600 LEDWashes to add to its rental stock, which already includes a substantial amount of Robe moving lights, over 250 in total, which are a mix of ColorSpot and Wash 2500E ATs and 700E ATs and LEDWash 3.192s. They also have around 24 CitySkape 48 LED washes, 16 CitySkape Xtremes.

These are distributed amongst Gearhouse SA's three facilities - their HQ in Johannesburg and branches in Cape Town and Durban. The new LEDWash 600s are also divided similarly.

Stuart Andrews, Lighting Operations Manager for the Johannesburg branch, says,"They are fantastic products, and I have wanted to be able to offer them to our clients since the first demo I saw, just after their launch about a year ago". The lights were supplied to GHSA by Robe's South African distributor DWR. Stuart confirms that LED wash moving light fixtures are becoming increasingly common on specifications, and are being requested by many LDs, so they are responding to market demand. "They are bright and versatile, and like all Robe products, proving very reliable," he confirms.

The energy efficient factor also played a part in the decision. With many clients endeavouring to make their events greener, lighting is an area where big reductions can be made in power consumption by using the right fixtures. Apart from that, there's also a considerable lower running cost advantage in using LED lighting, plus lower on-going maintenance costs. On the practical side, they are lightweight, easy to lift and put less stress on rigging requirements.

Projects on which GHSA's LEDWash 600s have been working have included the COP17 Convention on Climate Change in Durban, lighting

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Jean-Francois Zygel. The artists line up for the final included Italian opera singer Roberto Alagna, Anguun, France's 2012, Eurovision Song Contest hopeful and French jazz singer and guitarist, Thomas Dutronc.

There was also a 90 piece orchestra. It was recorded in the large Euromedia Studio 217, at the Studios de France in Paris.

The Robe equipment included 24 Robin MMX Spots, 40 ROBIN 600 LEDWashes, 14 ROBIN 300 LEDWashes and 16 Robin 600E spots, which, together with various other fixtures were spread out around the studio in the air and on the floor.

Seligmann-Forest was brought

the LGP Pavilion area and fulfilling the brief for cleaner, greener light sources.

They were also used on the recent South African leg of the Kings of Leon world tour; the high profile "46664 It's No Joke" comedy extravaganza at Emperor's Palace in Johannesburg, and also for a Johnny Clegg concert at the same venue. They have all been out on a corporate show for Castle Light at Gallagher Estates in Midrand, and Gearhouse also dispatched a quantity to Lagos for the launch of the new Christ Embassy evangelical church in the Nigerian capital.

Robe for La Grande Battle Lighting Designer and DOP David Seligmann-Forest from Lite4Life used Robe ROBIN MMX Spots, ROBIN 600E Spots and LEDWash 600s to light 'La Grande Battle', a live TV presentation aired on French network France 2.

Ten major European stars from a diversity of musical genres - rock, pop, rap, flamenco, opera, brass band, etc. battled it out to win the final of this popular series for the best reinterpretation of classical songs and music. They were selected from over 300 bands by the public vote via the website.

The event was hosted by popular TV presenter Nagui and classical musician

onboard to design the show's lighting by production company Banijay Productions, with whom he has worked on several previous projects.

He is a great advocate of Robe products, and has been using the brand in his work for 10 years - since Robe first launched as a brand in its own right. A massive amount has happened in that time, and Seligmann-Forest has used most of Robe's new technologies as they have come on-stream.

The newly launched Robin MMX was specified for La Grande Battle final because of the 8.5 - 46.5 zoom and the extremely bright beam, which he reckons is far more efficient than any competitor product in that range or even some of their higher powered fixtures. He also thinks the MMX Spot's gobos and dual animation wheel are excellent.

Having all these Robe units at his disposal offered exactly the right creative tools to be able to light. The show was dynamically and differently for each different contestant and their performances.

Robe MMX and LEDWash Specified for European Film Awards Over 100 Robe moving lights, including the new Robin MMX Spots and Robin 600 LEDWashes were specified by lighting designer Andreas Fuchs for the 24th European Film Awards, staged at the Tempodrom in Berlin.

The show - produced by the European Film Academy, presented

by Anke Engelke was broadcast the following day on national channel ARTE and streamed live to more than 100 countries. It was attended by over 1000 VIP guests and recognizes excellence in European cinematic achievements. Awards are given in over ten categories of which the most important is the Film of the year, won

by Lars von Trier's "Melancholia".

The European Film Awards show featured 23 MMX Spots, 51 Robin 600 LEDWashes, 30 ColorSpot 700E ATs and 23 ColorWash 2500E ATs, all of which were distributed on overhead trusses with some on the stage floor.

These - and all the other lighting for the show - were operated by Uli Weiss using a grandMA console.

Good use was made of the MMX's dual graphic wheel to create sophisticated fluid texturing effects across the set and stage floor, while the LEDWashes were used to produce rich and full colour washes and fabulous colour mixes all over the stage. They also made much use of the LEDWash 600's good range of 'proper' whites, and pastels, which make superb skin tones.

Robe MMXs for Bryan Adams Tour The latest Bryan Adams tour is the first major one in the UK tour to feature Robe lighting's new 'ROBIN MMX Spots', as specified by lighting designer Ewan McRobb and supplied by the tour's lighting contractor, High Wycombe, Buckinghamshire, UK based Siyan.

Robin MMX Spot is the first of Robe's next generation of 1200 series moving lights - and like its predecessors, is expected to become a workhorse lighting unit for multiple applications.

The MMX Spot is considerably smaller, brighter and lighter and seriously more power friendly designed and built with the principals of greener technology to the fore. McRobb - who has worked for superstar rocker Adams, has shown the MMXs when initially discussing the tour with Siyan's Nick Valdez, who had just taken delivery of some of Robe's newest technology. McRobb liked what he saw and decided to spec twelve MMXs onto the tour.

McRobb needed really intense fixtures on the rig that were seriously bright enough to be able to hold their own against a large 24 metre wide by 9 high upstage Stealth screen, which creates the main look and defines the visual spatiality of the stage.

This was Adams' idea, and video mainly the raw, highly effective IMAG mix of video director Mathieu Coutu plus some playback - and a sparse looking stage underpins the show's aesthetics. The power of the music takes centre-stage bordered by a monochrome, edgy industrial look.

McRobb's lighting compliments this very strong filmic aesthetic. As a photographer of some repute, Adams takes a keen interest in lighting and therefore also his stage lighting. "He has multiple ideas and knows exactly what he wants," explains McRobb, adding that Adams also fully appreciates the dramatic potential of lighting. The MMXs are spread out over the rig's four trusses and are used for general stage lighting, for key lighting the band and for some more specific

high-brightness effects. Also on the rig is a selection of other moving lights and generics, but overall it's not a large lighting set up for an arena show, and McRobb makes all fixtures - including the MMXs - work hard.

He is really impressed with the performance of the MMXs, remarking "It's the first time I have properly used Robe in a design, and the brightness of the MMX is remarkable. They have no trouble at all in cutting through and contending with all the light coming off the screen," he comments, adding that he also likes the compact physical size of the units. This is also appreciated by his crew - Iestyn Thomas, Matt West, Karl Lawton and Chris Randall.

He also remarks on the reliability of the MMX - a well-documented characteristic of Robe products to the delight of hire companies and touring techs alike!

He realises that he's only scratched the surface in terms of utilising the features and functionality of the MMX so far - due to the nature of the show and the creative requirements of the lighting which is clean, direct and nothing complicated with gobos or mixed colours. "I'm definitely interested in using them again, and exploring and expanding my MMX horizons," he concludes.

Bryan Adams is constantly touring and playing live on average about two weeks a month, a testament to his enduring popularity worldwide and is currently alternating between acoustic 'Bare Bones" concerts and a full band show which acknowledges 20 years since the seminal "Waking Up The Neighbors" album. The set includes several anthems from that work.

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• SPECIAL FEATURE •

Time to multiplex the auditorium!

- Sandeep Mittal

The advent of multiplexes in India at the turn of the century heralded a paradigm shift in the way movies were viewed so much so that it had a multiplier effect on two major industries – first the movie industry itself in the way movies were produced and distributed, so much so that movies began to be branded as multiplex movies for urban audiences that began patronising the multiplexes in large numbers and single-screen movies for the semiurban or rural audiences. And secondly, it impacted the retail industry, in the way multiplex patrons shopped and shoppers dropped by to watch movies, making multiplexes a magnet for footfalls to the mall, exponentially expanding the business.

Something similar needs to happen in the unorganised, unprofessional world of auditoria (plural for auditorium). As of now the auditoria in India, even the best of them in the top cities, government or private sector, present a dismal picture.

Exceptions are corporate auditoria housed in company campuses. But

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public auditoria are much like their single-screen cousins! They are popular because of the history and heritage attached to them, having become city landmarks over time, and because audiences have nowhere else to go - the TINA factor – there is no alternative for live performances. So the upwardly mobile middle and upper classes have begun to shun them altogether except for die-hard fans of theatre, music and dance!

Going to the auditoria for a live show has become very niche, very speciality … just for the arty class. It does not attract the sizeable population of middle and upper income classes since auditoria are not perceived as hip, happening places. Contrast this with Leicester Square in London or Broadway in New York where theatre is a craze and the experience includes downing a couple of pegs at the attached bar! Or consider the auditoria tucked into the hotels on Las Vegas’s strip that boast a variety of stage shows. Their backstage is an engineering marvel.

Why talk about developed countries?

Let’s look at a comparable country like China. Again, India is far, far behind.

There are auditoria constructed in port cities on the seashore wherein the back stage wall fully opens out and the real sea becomes a backdrop!

Auditoria with membrane roofing that allows diffused natural light in during evening shows giving a outdoorsy ambience or even opens up to reveal the starlit sky! Stage engineering that rivals the Las Vegas auditoria with water, fire as regular props and stage floors that move horizontally, vertically and/or revolve!

How bad are India’s auditoria? Nonexistent or inadequate parking space often on narrow roads that become a traffic nightmare at the start and end of shows, dimly lit exteriors with unpaved paths so a walk becomes a trek and a twisted ankle is not ruled out, broken seats with poor ergonomics that results in cramps, decrepit interiors with outdated ceilings and panellings, either poor acoustics or not in sync with modern audio, shabby stage sets, inadequate

• SPECIAL FEATURE • air-conditioning, stinking toilets etc.

Food+beverageis contracted to an external agency and the concessions counter is an apology.

The audio equipment, the original installation being in a state of perpetual disrepair, is substituted with high-quality rental loudspeakers that are stacked on either side of the stage with cables snaking all the way to the rear, where the mixer is plonked in the centre aisle. Exits, vital during a fire emergency, are routinely blocked.

When will we wake up to this potential disaster?

In short, an assault on the five senses except for the show itself which may be a delight.A show sells-out because of its superior content, not because the audience loves the auditorium, much like the single-screens that used to report house-full for popular movies. Auditoria are not winning new audiences and definitely not the younger generation that anyways is so difficult to glean away from any of the four screens they are perpetually glued too – mobile, laptop/tablet, television or multiplex! In fact today’s

auditoria are shooing away potential, high paying patrons that go for destination entertainment to the mallmultiplex, stadium or theme park.

With so many options in home entertainment to get a patron of the comfort of their homes is in itself a challenge!

Why do audiences today prefer swanky multiplexes?Why is it a booming business never mind the many duds at the box office? Because it is all so easy, convenient and comfortable … multiplexes please our five senses. Booking is online via mobile or laptop, parking is a cinch in multilevel carparks, the walk to the cinema a pleasure through the airconditioned mall or paved paths, the interiors so very contemporary, the food+beverage- though heavily westernised - presented in a glitzy ambience with engineered counters, the seating is modern with wide seats and plenty of legspace, toilets are autoflush and a pleasure, the whole technical design so very state-of-theart with the latest in sightline sciences, audio video, lighting etc. Only the bar is missing!

It is time auditoria got multiplexed! This will have its own multiplier effect on the socio-cultural scenario in India. It will impact the way shows are produced since upper class, urban patrons with deep pockets will be attracted. This will result in higher admission rates and more audiences per show which would mean more money all around. There is a rising number of aspiring middle class with generous disposable incomes and the auditoria industry, if it can be called one, must get real to plug in.

This will also impact and improve the neighbourhood where such auditoria are located benefiting the secondary ecosystem. Being a service industry it will add to employment and bring India at par with developed countries.

If we can flaunt the latest mobile, laptop, car and villa why can our visit to the auditorium also not be at par?

It is time auditorium owners,that include a sizeable number in the government sector, set their house in order. Payback would be in terms of premium rentals and houseful audiences. It is also time show producers exerted pressure on the auditoria owner/operator community.

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• INSTALLS •

Brighton -

Colour Sound Light UK based lighting rental company Colour Sound Experiment (CSE) has designed and is supplying contract rental lighting systems to four popular clubs in popular seaside destination Brighton for Inn Brighton Ltd. The operations are all being project managed by Colour Sound's Fletch, who ensures that each venue receives the quick, efficient, fuss-free service for which Colour Sound is renowned.

He comments,"The key is to assess each space and design and deliver something appropriate and specific for the size and the entertainment being staged, and also offer a cost-effective solution to the client". All the systems have been programmed and set up for straightforward operation by the venue's lighting crew or DJs. Life is a 700 capacity nightclub right on the seafront with three arched spaces towards the back forming the main dance floor, which are lit dynamically with a rig including Robe Scan 575 XTs as the central moving light system.

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These are joined by 48 x LEDJ Spectra LED battens controlled via a Hippo Critter media server - a flexible, low cost, good quality option to product some jazzy and eye-catching effects.

There are also a quantity of Pulsar ChromaScapes (an LED pin spot) and a gloriously disco-tastic 48 inch mirror

ball over the bar at the front, which when lit, shoots shafts of light out onto the seafront!

An Avolites Pearl - a favourite for installs of this type and size - is used for control.

Coalition is a 500 capacity nightclub and live music venue, into which CSE

• INSTALLS • has installed eight Robe Scan 575s - a reliable, versatile product for club environments - plus six Atomic strobes, 24 PARs and three 600 milliwatt green lasers, all run by another Avolites Pearl.

It was important to ensure that the lighting elements could double up to be used over the dance floor for club nights as well providing good stage coverage for live performers. They are rigged onto a series of scaffolding bars in the ceiling.

The Tube is a cozy disco space in a prime seafront location.

Lighting needed to be flexible and tough enough to deal with being in constant use. Fletch decided on six Robe Scanners, three 16 inch mirror balls for a bit of dancehall retro, complete with six pinspots, all controlled via a Pulsar Masterpiece.

The control system also includes a Pulsar Outstation for the DJ to operate manually if desired, otherwise the lighting is designed to run without an operator using a set of preprogrammed sequences.

The final club in the current Brighton project is Sticky Mike's Frog Bar which is in the South Lanes, a winding network of small, interesting streets leading down to the seafront.

The venue has about 200 capacity, so again, lighting needed to be just right for a relatively intimate space which hosts bands and comedians as well as having a dancefloor.

Currently there are 10 LED Zoom PARs and six classic disco effects run off a Pulsar Masterpiece. Small is beautiful!

The lighting for all these venues has been installed by Colour Sound over the last 18 months. "We make a considerable effort to ensure that each club has a totally different lighting ambience and a proper design. We are also constantly reviewing the situation, seeing how the operation is running and ensuring that the kit stays relevant," says Fletch.

He adds that one of the most important elements of long term installations is the build quality and reliability of the equipment, and this was an important factor in their choice of brands.

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• INSTALLS •

Lighting 'The Chase' UK based lighting and visuals rental company HSL is supplying specialist LED lightsources to the current series of the popular ITV quiz show, The Chase, in the process renewing its long and fruitful working relationship with leading TV lighting designer Tom Kinane, who has lit the series since it started.

HSL is supplying i-Pix BB4 LED wash lights and Satellite LED 'bricks' plus Pulsar Chroma strips to the show, which is being recorded in Studio Two at The London Studios (TLS) on the South Bank. The schedule is intense, recording three shows a day in batches of five days, and it has a daily broadcast slot on ITV 1 between 5 and 6 p.m. They have also just recorded six 'celebrity specials' - in TLS Studio One with live audiences - that are being aired on Saturdays.

HSL's project manager and TV sector specialist Sean McGlone comments, "It's always a pleasure to work with Tom, and he is a real perfectionist and always comes up with great results".

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The set, designed by Jonathan Paul Green, is defined by a large crescent shaped Pixled F-30 LED screen which wraps about 260 degrees around the studio space. Another main element is a large scenic "C" at the end of which the 'Chaser' sits.

The fascia of the C is illuminated with 49 Chroma Strips and by 30 i-Pix Satellites, 20 mounted internally and another 10 externally.

In front of the C is the table, with 6 mm LED screen surface, and below this

• INSTALLS • is a small circular stage. A few metres back towards the F-30 screen is the contestants panel, and both this and the stage are lit with more Chroma Strips and X-Flex LED. Seventeen of the BB4s are rigged vertically to a frame 26 ft directly behind the Chaser's Chair. They are used to create a dramatic white-out explosion for the Chaser's entrance, and then stunning undulating defocused background ripples while they complete their questioning session.

This is set on a gentle chase and flickers almost imperceptibly.

Twelve VARI*LITE V*L 3000 Spots are used for gobo breakup on the polished black floor. Another 16 vertically rigged BB4s follow around the line of the crescent screen about a metre higher than its top, and 20 silk tubes in five groups of four also grace its perimeter, each one up and down lit from the ends with a Satellite.

Twenty-six Sunstrips follow the screen curvature at floor level, footlight style.

HSL also supplied 24 lengths of festoon with clear bulbs, hung behind

the silk tubes ... creating an overall organic hint of showbiz.

For Kinane, the key creative objectives for lighting are enhancing the drama as the competition unfolds and the potential prize money builds, ensuring the contestants are well lit - which he does with the aid of some very tight

key- lighting, and keeping it visually interesting and stimulating for viewers.

He comments, "As always Sean at HSL has ensured that we have been brilliantly well looked after and that we get everything we need, quickly, efficiently and with no fuss".

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• INSTALLS •

Champions League T20

Electrifying Atmosphere In a country obsessed with cricket, tournaments are watched by thousands of fans with the viewership this year, further fuelled by Team India's dream run. Watching the matches on television is an experience, however the thrill and excitement of a cricket match in a stadium is second to none.

In a stadium environment, in order to equal the pulse of the game and various announcements and to ensure uninterrupted and uniform coverage across the audience section, sound plays a pivotal role. Considering the several entertainment options accompanied on the sidelines, the sound and light requirement is complex and requires a higher level of integration of the systems.

The recently concluded Champion's League T20 series were awaited by the nation, cheering for their favourite teams and most of the matches in the series were held at the Chinnaswamy Stadium, Bangalore.

The electrifying atmosphere of the Chinnaswamy Stadium in Bangalore was powered by a complete range of Harman sound system featuring JBL loudspeakers, Soundcraft digital mixer, AKG microphones, BSS signal processors and was complemented by Crown amplification.

"It is always a matter of great pride and achievement while undertaking sound reinforcement for cricketing series such as Champions League T20, especially considering the size of the stadium and the audience turnout.

Our integrated approach to sound reinforcement project is the key to a successful sound output - including installation and rental offerings, perfectly supplemented by the strong association with Harman's high performance, reliable professional audio range, which we rely for endto-end needs of the audio chain."

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Said Sanjay Mudartha, Director, Acoustic Control For high quality sound that could be heard above the din and cheering of frenzied cricket fans, Acoustic Control relied on the JBL Vertec VT 4889 large format line array boxes, in order to provide the immaculate sound required at such high profile events attended by thousands of fans. 15 clusters of JBL Vertec VT 4889, were ground stacked, 2 boxes high and deployed around the outer periphery of the playing arena. To ensure there was sufficient amplification for this large setup, Crown by Harman I-Tech 12000's set-up in custom Acoustic Control racks powered the loudspeaker systems. A large augmentation with JBL VRX 915M's were used for artist monitoring and JBL VRX 932 LA-1 with subwoofers for side fills on the artist stage.

Continuing with the reliance on the Harman range for sound mixing, Soundcraft Si Compact 32 channel digital audio mixer was used at the stadium. "The reason we used the Si Compact 32 was that we could effortlessly configure any outputs required for the broadcast feeds." added Mr. Mudartha "Acoustic Control has been a trusted partner for Harman Professional

range and the team has executed some excellent sound reinforcement projects in the region. The sound output Champion League T20 series in Bangalore is yet another excellent case of impeccable execution. With their professional approach and remarkable sound rental set-up, Acoustic Control has taken sound reinforcement to the next level."

Said, Vibhor Khanna, National SalesManager, Harman Professional India.

Additional inputs were perfectly matched with the broadcast microphones, DJs, performing artists, Master of Ceremonies etc. All wireless microphones used were the internationally acclaimed AKG DMS 700 digital wireless units.

"Acoustic Control has truly done a tremendous job of setting up the venue with the perfect sound reinforcement," said Ankush Agarwal, Senior Manager- Marketing, Harman Professional India. The true sound of Harman equipment complemented the excitement in scores of cricket fans, enjoying the match proceedings with finest details in music, announcements and entertainment.

This project was a perfect example of the entire Harman range -input to output seamlessly delivering audio experience par excellence." He added

• INSTALLS •

Slovakian Legends of Pop Robe MMX Spots were among over 50 Robe moving lights supplied by Slovakia's top technical production rental company, Q-99, to lighting designer Martin Kubanka for STV1's new music series, "Slovakian Legends of Pop", aired live during Friday night prime time on national TV channel STV1.

The 9-week Legends of Pop series was recorded at STV's studios in Slovak Republic capital Bratislava. It culminated in the presentation of songs from one of the most famous bands from the Czech/Slovak region, Elán, whose incredible forty year career went 'meteoric' back in the 1970s.

Martin Kubanka is among Slovakia's leading television lighting designers in fact, a bit of a legend himself in his own field of work! He was asked to light the show on the strength of his long and illustrious track record.

Taking the LED oriented set design by Michael Brna - which utilised three different types of LED - as a starting point, Kubanka needed some seriously powerful lightsources on the rig to hold their own amidst all the LED!

The MMXs were rigged above the midstage area, and were used to light the forestage areas with very bright beam and gobo effects.

Kubanka made extensive use of the MMX's 8.5 - 46.5 degree zoom range and its iris features in addition to the gobos which he used sparingly and in a more theatrical style, particularly for the looks in which the LED surfaces were less prominent.

Other Robe fixtures on the rig included 14 Colorwash 1200E ATs - six on the floor and eight in the air on the overhead trusses, all used as effects

lights. Twenty Robin 600 Beams in the roof made fabulous punchy down lights, and another 12 on each of three left and right set columns combined to provide some very striking cross stage beams, providing a highly visible contrast to the LED panels.

For the closing scenes with Elán onstage, ten ColorSpot 575E ATs and four LEDBlinder 96s were also used for additional lighting.

Even though it was not a massive rig, using all the latest Robe technology and his prodigious imagination, Kubanka managed to magic up an original look and feel for all the different performers appearing each week. "It's absolutely brilliant," he comments, "Having all this flexibility at my fingertips".

Q-99's Marek Adamik comments, "We have used Robe for many years now, and from a rental company perspective its ideal as the kit is well made and very reliable. However, the latest ROBIN series, including the LEDWash 600 (Robe's biggest selling unit ever) and the MMX (the 'next generation' 1200 type series fixture) have really raised the bar …… and taken moving light technology to another level".

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• INSTALLS •

Raviz -

Elegant & Modern Architecture The result of twelve years of hard work from conception to completion, this unique property is a labour of love.

Nestled in the secluded backwaters of the Arabian Sea, The Raviz is the perfect blend of elegant and modern architecture; beautifully combined with traditional design of the preindependence era. Traditional artisans, architects, engineers and waterway specialists were engaged in designing what we call today "Heaven" in God's Own Country.

At The Raviz one can indulge in nature's luxurious surroundings and tranquil waters, while they are swept away and enchanted by its beauty.

The serene Ashtamudi Backwaters exude stillness and calm, while its exotic beauty, freshness and purity welcome you. Caparisoned elephants radiating the golden warmth of rustic festive Kerala join in unrolling a redcarpet welcome to the very special guest!

The Convention Center has been designed by renowned architects of Iyer and Mahesh based out of Trivandrum in Kerala.

Convention center is equipped with Control System

supplement his team with another experienced company who were well versed and experienced in successfully completing Auditorium projects of similar stature. So Mr Sunish Jose of SUUS Electronics approached E&E Systems (India) Pvt Ltd which is an Audio Visual (AV) and information communications company that specializes in the provision of turnkey AV solutions. AV solution was required for the main hall, and two dining halls which are attached to the main hall on two separate floors.

The Audio Visual equipment installed in the Convention Center included 6 boxes of EAW JFL 210 line array speakers with 3 on each side and 2 Nos EAW JFL 118 subwoofers in the center.

The speakers have been powered with QSC RMX series amplifiers. Mackie Thump TH 15A powered speakers have been used as stage monitors. For all live performances the entire system connects to Mackie Pro FX12 mixer.

QSC Rave 522ua forms the Audio DSP backbone of the entire system. High

Mr Sunish Jose of SUUS Electronics with his Team

Mr Roshan Malim of E&E Systems handled the Technical Aspects of the Project

When The Raviz wanted an integrated Audio Visual System for the state of the art Convention Center they approached SUUS Electronics of Cochin, who after fully ascertaining the requirement of the management of the hotel felt the need to

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end Sennheiser wired and wireless microphones have also been used in the installation. For the video solution 3 nos Hitachi CP-X5021N projectors were used. Due to distance of the projectors from the control room, the integrators had to put in place a video distribution system that could transmit HDMI video signal for over 75 meters without any loss, so they decided to use a product called H-Dlight P 1000 which transmits the HDMI signal over optical fiber cable and then converts it back into HDMI signal at the receiver end.

List of Primary products used in The Raviz Kollam • • • • • • • • • • • • • • •

EAW JFL 210 EAW JFL 118 EAW CIS 300 QSC RMX 5050 QSC ISA 300 Ti QSC ISA 500 Ti Mackie Pro FX 12 QSC RAVE 522 ua Sennheiser 152 G3 Sennheiser 115 G3 Hitachi CP-X5021N H-Dlight P 1000 AMX EXP 8431 AMX NXD 500i AMX Ni 700 and many others

The SUUS Electronics team involved in this project was headed by Mr Sunish Jose and included Jayson, Shibi, Bipin among others. While the E&E Systems team included Roshan Malim, Shyam Suresh, Purushotam and Subramani.

Dining cum Training Hall (above-below)

The convention center is also equipped with a fully fledged Control System powered by AMX. Some of the AMX products that went into the project are EXP 8431, NXD 500i and Ni 700 master controller unit.

The Raviz was inaugurated by popular Bollywood cine star Mr Shah Rukh Khan and several of the leading personalities of the Malayalam movie industry such as Mohanlal, Mamoothy, Priyadarshan among others.

The efforts put into the install by both the SUUS Electronics and the E&E Systems team was appreciated by the management of The Raviz.

Entrance Lobby

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Khalsa Heriage Memorial Complex

Virasat-e-Khalsa Audio specialist Sennheiser's GuidePORT visitor information system extends its guidance to the visitors of Khalsa Heriage Memorial Complex at Anandpur Sahib 'Virasat-e-Khalsa' in Punjab.

Sennheiser Audio guide is a wireless, automatic Digital visitor guidance system which works at museums, exhibitions, trade shows, art galleries, adventure and botanical parks, city tours, monuments and spiritual museums etc.

The story to be told within the Museum's monumental architectural spaces is deeply spiritual, passionate and emotional. A multi-layered communication strategy ensures that visitor aspirations are met, in a language and level of detail of their choice. Cutting edge communication technologies juxtaposed with original artefacts have been seamlessly integrated with the vernacular aesthetic to highlight a robust, living culture.

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Sennheiser GuidePORT integrates digital RF technology and also guarantees that exciting visitor information is provided in Sennheiser's usual perfect sound quality. There are 2 versions to the Audio Guide; Automatic and Manual.

Depending on the application, a GuidePORT system consists of compact receivers for the visitors, mobile transmitters for the guides and identifiers that automatically trigger audio information, as well as cell transmitters and antennas if large amounts of new information need to be transmitted to the visitors' receivers.

Anshuman Dubey, Product Manager for Installed Sound at Sennheiser India said, "Sennheiser Audio Guide enables the visitors to experience the richness of the oldest Sikh Heritage and get mesmerized with the spectacular integration of artefacts and audio script creation".

The Audio Guide has a capacity of 20 hrs of content storage in the receiver; programming and announcement software are easy to operate; information can be customized for different types of visitors and there are no limits to system expansion. The Audio Guide can support up to 31 languages and presently the installed system at Khalsa offers 3 languages English, Hindi and Punjabi to its visitors.

EVENT CALENDAR 2012 11-13 February BES Expo New Delhi, India www.besindia.com 13,15,17 February InfoComm India India www.infocomm-india.com 11-13 April InfoComm China Beijing, China www.infocomm-china.com 14-19 April NAB Show Las Vegas www.nabshow.com 1-3 May Palme ME Dubai, UAE www.palme-middleeast.com 31 May - 2 June Palm Expo Mumbai www.palmexpo.in 31 May - 2 June Integrate Expo Mumbai, India www.infocommunica.com 13-15 June InfoComm Orlando www.infocommshow.org 19-22 June Broadcast Asia, Singapore www.broadcast-asia.com July Palme Asia Singapore www.palme-asia.com 27-29 July Pro Sound Light Expo Chennai, India www.cinematoday.in 7-11 September IBC Amsterdam, Holland www.ibc.org 9-12 September PLASA London, UK www.plasashow.com 10-12 October Broadcast India Mumbai, India www.broadcastindiashow.com

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November National Symposium on Acoustics India www.acousticsindia.org

January-March 2012

REVIEW

The 21st annual Broadcast India 2011 show opened its gates to the future of technology from October 20 to 22, 2011 at the Bombay Exhibition Centre in Mumbai.

Broadcast India was back as a hit this year. Along with the exhibition, Broadcast India also held a two day conference: a platform for informative presentations, lively discussions and enlightening debates.

Broadcast India is an exhibition dedicated to the rapidly evolving broadcast and entertainment industry in India and showcasing many of the world's leading companies with their latest technologies for the broadcast, film, 3D & Digital cinema, lights, animation, audio, radio, IPTV and mobile TV industries.

589 companies from 33 countries exhibited their state-of-the-art equipment and technology at this year's show. Some of the world's leading manufacturers like Panasonic, Sony, Avid, Harris, ARRI, Cartoni, Transvideo, Cooke, P+S Technik GmbH, Herman, Blackmagic Design, Autodesk, Christie Digital Systems, Orad, Canon, Cinectech, Datavideo, Wasp3D, Fujinon, Thomson Grass Valley, Panther, AJA Video Systems, RCS, Innovision Optics, just to name a few, On its conclusion after 3 days, both the exhibition and conference welcomed an unprecedented number of visitors from various fields of the entertainment industry, and recorded a 33% overall growth in

exhibition space, thereby making it the most well-attended and successful Broadcast India Show to date.

During the show, Jacques Delacoux, president of Transvideo and Geoff Chappell international sales director Cooke presented the Ravi K. Potdar Award to the director of photography Mr. Ratnavelu (a.k.a Randy). The ace cameraman was chosen for the prestigious award for his outstanding contribution to the Indian Film industry.

Mr. Rathnavelu is one of India's most sought-after cinematographers today. A meteoric career graph, combined with his unusual, often unconventional choice of films all have made him a much writtenabout cinematographer.

Since 1991, the Broadcast India show is a clear manifestation of the limitless possibilities in the field of broadcasting and film technology and promises to carry into the future the commitment to contribute toward and boost the progress of the industry. It would be an incomparable experience that one would want be a part of.

REVIEW

NSA

National Symposium on Acoustic 17-19 November 2011 Jhansi, India National Symposium on Acoustic (NSA-2011) event based on the theme 'Noise Pollution and Control'.

The event was in month of November 17-19 in 2011. The event was organized by department of physics Bundelkhand University, Jhansi, UP India and Acoustical Society of India New Delhi.

India is one of the pioneers in the field of Acoustics. Nowadays Acoustics is finding applications in almost all walks of life. The main objective was the National Symposium is to update and disseminated the research and development in the fields of Acoustics in various universities and laboratories of the country. The Symposium provided national platform to exchange new ideas, aim to highlight applied aspects of Acoustics and to inspire the young generation of scientists.

The participants also got an opportunity to visit various Institutions in the University and to interact with our young faculty. A galaxy of renowned scientists/ faculties, many of whom have been honored for their achievements globally will speak on various related topics during the symposium. This symposium is held every year and provides the opportunity for all acousticians to meet and discuss recent advances in their fields of interest.

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PREVIEW

13 February 2012 - New Delhi 15 February 2012 - Mumbai 17 February 2012 - Bangalore

The InfoComm India Roadshow 2012 presents the Indian market with select innovative solutions for communication, display, entertainment and presentation.

The world of InfoComm is a world where professional audio visual systems and integration comes to life for enterprises in both the private and public sectors. It's where you have the opportunity to evaluate world class AV technologies, equipment and architecture to discover how they can transform your enterprise.

Come and discover the power of AV at the InfoComm India Roadshow with business transformation solutions for corporate, education, healthcare, transportation banking, retail, entertainment, hospitality and all other business sectors. The show will be at New Delhi on February 13 at The Ashok, Mumbai on February 15 at The Lalit International and Bangalore on February 17 at The Lalit Ashok. The timings will be 10 am - 4pm.

Meet the world class companies with the power to transform your business Abtus -ABtUS had developed an exceptional sense of innovation and expertise in AV industry.

AMX hardware and software solutions are the increasing number of technologies and operating platforms at work and home. AMX diverse product portfolio spans: Device Control, Asset Control and Content Control

Crestrons Electronics is the leading provider of control and automation systems for homes, offices, schools, hospitals, hotels and more. Crestron provides the ultimate technology lifestyle.

Da-Lite Screen Company is the leading producer of high quality commercial and residential projection screens worldwide. Today Da-Lite's is demanding installations from military training simulators to boardrooms and classrooms to home theaters.

Christine is expertise in film projection. variety of display technologies and solutions for cinema, large audience environments, control rooms, business presentations, training facilities, 3D and virtual reality, simulation, education, media and government.

Barix specializes in the research, development and production of system components. Innovative, low-cost solutions for audio over IP applications (transmission and monitoring of audio signals), communications (intercom) and automation tasks (decentralised control, monitoring and maintenance operations).

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SoundSolutions at the InfoComm 2011 Roadshow January-March 2012

DNP optical screen portfolio includes an extensive range of optical projection screens for both front and rear projection screen applications for all environments including home cinema/home theatre, meeting rooms/conference rooms, control rooms, signage, advertising and more.

DNH World-wide Ltd are the world's foremost manufacturer of loudspeakers for industrial, commercial and transport applications. Technical innovation and now supplies loudspeakers for a huge range of applications such as oil platforms, airports, factories, office blocks and sports stadia.

Epson is a global leader in 3LCD projectors. Projectors known for their superior quality, functionality, compactness and energy efficiency.

Extron Electronics is a leading manufacturer of professional A/V system integration products including A/V control systems, computer-video interfaces, switchers, matrix switchers, distribution amplifiers, audio amplifiers, speakers, twisted pair and fiber optic equipment, video scalers, A/V signal processors, A/V streaming products, classroom sound field systems, and high resolution cable

Green Sources is an audio visual distribution company. Green Sources distributes products of renowned audio video brands like Lifesize, Revolabs, ClearOne, Crestron, Mimio and PLUS through its technically trained, highly motivated and experienced staff.

Ind-Agiv established in the year 1986, offer a well-knit supply and service network across India Just Lamps distribute every lamp for every projector and ship 80% of all orders from stock. We only sell genuine products and offer a full warranty back up.

Harman International, designs, manufactures and delivers a wide range of premium audio and infotainment solutions for the infotainment, lifestyle and professional markets.

Jupiter Systems is the leading global supplier of display wall processors.

Kramer is a leading manufacturer of high-quality analog and digital audio, video and computer signal management products for the ProAV, Presentation, Production, Broadcast, Home Theater and Security markets.

Mojoworx Ltd is an audio visual distribution company. That has the exclusive rights to the following products in India and SE Asia: RTI control products, Pakedge networking solutions, Procontrol remote systems, Metageek wifi test tools, Platinum tools and connectors,Vantage Point mounting solutions, Just Add power HDMI IP switching devices, Vision-K1-K12 AV solutions and Cool Components cooling accessories.

WolfVision is the leading manufacturer of Visualizers and is renowned worldwide as the "Technology Leader" and the only high end manufacturer in this field of business.

Sennheiser has been synonymous with high-end products and tailormade solutions for every aspect of the recording, transmission and reproduction of sound Projection design manufactures and markets a range of high performance projectors for professional, business and consumer applications.

WOW Vision strives to constantly be at the forefront of innovation in the realm of IT/AV convergence, and

constantly working to create better solutions and contributions to removing the limitations of traditional AV connectivity.

VTron is engaged in specialized distribution of high end audiovisual products.

The event is useful for Trade and Channels • • • •

Systems Integrators Design Consultants Distributors & Dealers Rental & Staging Companies

Institutional End-Users from • • • • • • • • • • • • • • • •

Architectural Design & Building Business / Corporate / IT Broadcast / Video Education & Training Entertainment & Performing Arts Government & Military Healthcare Hotels & F&B Integrated Resorts, Theme Parks, Sports Arenas Legal Meetings & Events Museums Retail Sales, Marketing & Advertising Transportation Worship

ADVERTISERS’ INDEX Company

Page#

Product

Email

URL

Anutone

14

Interiors

info@anutone.com

www.anutone.com

Bose

60

Sound

prosales@boseindia.com

www.boseindia.com

Beyerdynamic

25

Microphone

naveen@beyerdynamic.com

www.beyerdynamic.com

Broadcast India

51

Tradeshow

saicomtradefairs@vsnlcom

www.broadcastindiashow.com

Christie Digital

5

Projection

sales.singapore@christiedigital.com

www.christiedigital.com

EV

9

Sound

sales@mrhdigital.com

www.electrovoice.com

Hi Tech Audio

59

Sound

rajan@hitechaudiosystems.com

www.hitechaudiosystems.com

Palmexpo

49

Tradeshow

info@divcom.in

www.palmexpo.in

Pro Sound & Light

57

Tradeshow

info@buysellint.com

www.buysellint.com

Pro VA

7,13

AudioVisual

sales@provisualaudio.in

www.provisualaudio.in

Sennheiser

2,58

Audio

info@sennheiserindia.com

www.sennheiserindia.com

Yamaha

3,11

Audio

info@yamahamusicindia.com

www.yamahamusicindia.com

The next issue of SS promoted at PalmExpo, Mumbai.

The advertisement timeline is 10 April 2012. Email info@sandy.in

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