“Great images have both a history and a prehistory; they are always a blend of memory and legend, with the result that we never experience an image directly. Indeed every great image has an unfathomable oneiric depth to which the personal past adds color… Primal images, simple engravings are but so many invitations to start imagining again. that would be our own, that would belong to us in our very depths.” Gaston Bachlard, The Poetics of Space “Since ancient times the genus loci or ‘spirit of place’, has been recognized as the concrete reality man has to face and come to terms with in his daily life. Architecture means to visualize the genus loci, and the task of the architect is to create meaningful places, whereby he helps man dwell.” Christian Norberg-Schulz, Genus Loci – Towards a phenomenology of Architecture. “If the architecture is any good, a person who looks and listens will feel its good effects without noticing.” Carlo Scarpa
“Perfection is lots of small things done well.” Marco Pierre White “Decoration is really about creating a quality of life, and a beauty in that life which nourishes the soul, that makes life beautiful. That’s what it’s all about, not just what’s in and out.” Albert Hadley “The designer of today re-establishes the long lost contact between the art and public, between living people and art as a living thing.. there should be no such thing as art divorced from life, with beautiful things to look at and hideous things to use. If what we use everyday is made with art, and not thrown together by chance or caprice, then we have nothing to hide.” Bruno Munari
SFOORTI SACHDEV design portfolio 2019 Rhode Island School of Design M.Des. 2019 Interior Architecture
ABOUT ME I am a recent graduate of the Interior Architecture, Adaptive Reuse (MDes19) program at RISD and am actively seeking a role as a designer in the Greater Boston Area. At RISD, my main focus was on adaptive reuse and I got an opportunity to further my understanding of the concepts surrounding it when I was invited by one of my professors to intern under him for the summer in Linz, Austria. I possess over nine years of professional interior architecture and design experience in high-end residential and office design in New Delhi, India. My under-grad and work experience in apparel design prior to that, continues to inform my understanding of material and color palettes today. In my future role, I look forward to applying my experience whilst continuing to grow and mature my skills. On a personal note, I love historical fiction, coming up with recipes for healthy yet delicious food and figuring out travel plans revolving around Scarpa. I hope you will enjoy having a look at a sample of my studio work from RISD and select professional work.
table of contents
SELECT PROJECTS
1 Host: SEEKING POETICof AND TheTHE Cathedral St. SPIRITUAL John on N. Main St., Providence, conversion of an unused painting to adue yoga buiult in 1972 AD. Closed downstudio in 2012 toand poor attenmeditation center, RISD 06 - 17 dance. Currently derelict and run down. 2 RISD CONVERGE - DIVERGE by the Canon of the Cathedral to was approached conversion of anof old bank facade to life a co-working and consider ways breathing new into the space. One living space, RISD of the original founders of the church was associated 18 - 27
with slave trade and keeping this in mind, the church was
3 interested PERFECT IMPERFECT FOOD & COMMUNITY in creating- an exhibition space in the basement, conversion of an unused church to a community kitchen focussing on slavery in Providence in the 1900s and adding and restaurant, RISD 28 - 39 related functions to the main level of the church. A studio
was created based on this. I chose to concentrate on the
4 main HOURGLASS level of INVERTED the church. adaptive reuse of the remains of a few old chairs, RISD
40 - 41
main level of the church. A studio was created based on
5 this. ST GABRIEL MUHLE I chose ALTE to concentrate on the main level of the church. conversion an unused mill building to a tech This studio of concentrated on breathing newstart-up life into main center, Sixtus Partners Architecten level of the church. A studio was created based on this.42I - 45
chose to concentrate on the main level of the church.
6 This PROFESSIONAL PROJECTSon breathing new life into studio concentrated select interior design work, DeMuroDas and The Holistic Design Agency
46 - 59
SEEKING THE SPIRITUAL AND POETIC conversion of an unused painting studio to a yoga and mediation center
The goal of this adaptive reuse project is to explore what makes a space poetic, how certain spaces inspire peace amidst even the most chaotic environments and what kind of changes can be made to an existing space to embue it with this spirit. The initial part of this project involved research into churches, museums, retreats and spiritual spaces as precedents. As per a new train of thought, the museum today is increasingly being considered as ‘the new church’. I studied The Hepworth, Wakefield, an art museum in England by David Chipperfield to understand the design strategies employed in its conceptualization. The host site, 50 Brook St in Providence is an unused and decrepit building, formerly used as a painting studio by Brown University. It is located in a residential area mostly occupied by Brown and RISD students. The demand for a spiritual retreat, a place to relax and occasionally get away from the stress of graduate studies has been growing in recent times. The site therefore naturally lends itself to being converted to a yoga and meditation centre. Design strategies such as thresholds to create an incremental disconnect from the outside world as one goes in, natural light and views of nature to draw one forward, creating a sense of discovery through the addition of partitions and smaller spaces expanding into bigger ones to give a sense of lightness to the soul were used to add an understated poetry to the space.
50 Brook St (host site) in plan (R), photos of Hepworth Wakefield (precedent study) (L) sfoorti sachdev 6
Precedent Study - The Hepworth Wakefield, designed by David Chipperfield in 2011 is a multiaward winning art museum and gallery in England. Jason Farago once wrote, ‘Like the cathedrals of bygone eras, galleries are now the ultimate buildings of our times – and the way we use them mimics religious rituals.’ This aptly descibes the experience of the museum.
seeking the poetic & spiritual
7
Threshholds creating incremental disconnect form outside
Thick walls and deep false ceilings giving the feel of agelessnes Natural sunlight drawing the eye upwards
Continous circulation
8
sfoorti sachdev
analysis diagrams of the design strategies used at The Hepworth Wakefield
Interior view of model and sketch exploring beckoning diffused ‘church’ lighting
Model exploring the framing views of nature. White interior create a sense of calm.
seeking the poetic & spiritual
9
The host site, 50 Brook St. in Providence, a derelict erstwhile painting studio owned by Brown University is situated at the corner of a block with open space at the back.
10
sfoorti sachdev
site exterior view, location in plan and original structure in plan and sectional elevation
B'
MEDITATION CELLS
CLASSROOM & SPACE FOR TALKS
LOUNGE LIBRARY
GUIDED MEDITATION & YOGA HALL
TOILETS
A'
LOCKERS
CAFE
first floor plan after intervention, scale: nts
N
ENTRANCE
seeking the poetic & spiritual
11
B'
MEDITATION CELLS
SNACK COUNTER
LOUNGE & STUDY SPACE
STAIRWAY TO ROOFTOP SACTUARY
ENTRANCE
ROCK SCULPTURE GARDEN A'
COUNSELLING AREA
12
sfoorti sachdev
second floor plan after intervention, scale: nts
N
Precedent studies lead to the discovery that perfect shapes tend to soothe the mind. The layout of the rooftop sculpture was created keeping this in mind.
5 5
8
5 7
7 8
7
5
8 4
SECTION AA'
5
3 MEDITATION HALL
STORAGE
4
5
4 2
6
BATHROOM
LIBRARY
SCULPTURE
STAIR CASE
Thresholds
Circulation Path
SECOND FLOOR
Thresholds
SECOND FLOOR SECOND FLOOR
4
8
7
Thresholds
Circulation Path
Circulation 3 Path Partitions
Partitions
5
7
6
4
8
2
5
3 SECOND FLOOR
1 FIRST FLOOR
Thresholds Circulation Path Partitions Thresholds and sense of discovery - While re-working the layout I tried to create many thresholds to engender an incremental disconnect from the outside on the slow journey inwards. Partitions were placed in the meditation hall and facing the 2nd floor entrance to add a sense of discovery through layering.
elevation A, scale: nts and diagrams
seeking the poetic & spiritual
13
Pa
Views of nature - Openings towards the garden area were created and the space planning done such that views of nature beckon one forward. Lighting from above on around the platform for the yoga instructors was used to draw the eyes upwards.
14
sfoorti sachdev
first floor interior elevations created in revit
SECTION AA'ofofthe Application thecontracted contractedtotoexpanded expanded space strategy Application space strategy
MEDITATION HALL SECTION AA'of the contracted to expanded space strategy Application MEDITATION HALL
STORAGE
BATHROOM
LIBRARY
SCULPTURE
STAIR CASE
STORAGE
BATHROOM
LIBRARY
SCULPTURE
STAIR CASE
Contraction & Expansion - Precedent study showed that low height smaller spaces expanding into taller bigger ones create a sense of upliftment. The height of the mediation and yoga hall and the classroom was inceased to achieve this effect. The meditation hall wall next to the garden was deliberately lowered in height and the columns surrounding the rock garden on the rooftop were made taller than the opening to the garden as well.
elevation B, diagram and 2nd floor interior elevation (stairway with seating incorporated leading to rooftop)
seeking the poetic & spiritual
15
16
sfoorti sachdev
project created in revit, document with construction dwgs available as separate file
seeking the poetic & spiritual
17
CONVERGE - DIVERGE addition of a gallery and a co-living and co-working space to the remnant of a former bank facade
The host for this project is a neo-georgian building facade, a fragment leftover from the demolition of a formerly distinguished bank. It stands in the heart of downtown Providence with what is a now large parking lot behind it. With the advent of driverless cars, parking lots wont really be required anymore in the next couple of decades. In this studio we researched what life maybe like 10 years from now and Gen Zee characteristics. That combined with Providence’s efforts towards becoming America’s cultural and creative capital since the past few years lead us to come up with a program for a co-living and co-working space for makers and creators. The intervention was designed with the idea of creating connections at its heart - connections with the building’s past history, with the city at large, with the surrounding spaces, with nature and most importantly within the community living in the proposed domestic space. This was conveyed in the building through a series of ramps that span the structure, connecting the existing facade with the new building and the public with the inhabitants.
169, Weybosset St, Providence (host site) in plan sfoorti sachdev / in collaboration 18
The host - a facade, a remnant of the bank building
A day in the life of the creators of tomorrow envisioned
The building occupants are creators who thrive in communal settings, want to live in micro apartments and have large common spaces to share. They like to collaborate and having a good work-life balance is important to them. People from this target group are either single or couples who care about wellness and want to be close to nature while living in an urban environment.
photo of existing site and user group
converge - diverge
19
planar
linear
volumes
Proportion is one of the most important aspects of neo-georgian architecture. The concept models created using itirative geometry take the proportions of the facade forward through lines, planes and volumes. 20
sfoorti sachdev / in collaboration
conceptualization with plans and models, scale : nts
The roof houses a communal vegetable garden. The outdoor space can be developed as a garden and be open to the public, providing ample space for art installations and social gatherings. The public may also access two galleries, one in the existing facade and the other in the foyer of the new structure.
site plan generated by combining concept models and adding ramps, scale: nts
converge - diverge
21
ELEVATOR
CAFE/ PUBLIC INTERFACE SPACE
LOUNGE AND GALLERY SPACE
ENTRANCE
ENTRANCE
BALCONY LOUNGE TOILET
COMMUNAL STUDIO
INFORMAL MEETING SPACE
BALCONY
22
sfoorti sachdev / in collaboration
2nd and 3rd floor plans, scale : nts
COMMUNAL KITCHEN
external perspective, scale: nts; project created in rhino and rendered in photoshop and illustrator
converge - diverge
23
MICRO APARTMENT
TOILET
MICRO APARTMENT
CO-WORKING AND PLAY SPACE
BALCONY
BALCONY
BALCONY MICRO APARTMENT
COMMUNAL GYM
TOILET
CO-WORKING SPACE
SHOWER MICRO APARTMENT
24
sfoorti sachdev / in collaboration
4th and 5th floor plans, scale : nts
TERRACE
COMMUNAL GYM
COMMUNITY WORKSPACE
BATH ROOM
COMMUNAL LOUNGE
MICRO APT
MICRO APT
COMMUNAL STUDIO
CAFE
CAFE STORAGE
sectional elevation 2, scale : nts
converge - diverge
25
26
sfoorti sachdev / in collaboration
front elevation, scale : nts (L), perspective of ramps connecting facade remnant with new building (R)
converge - diverge
27
PERFECT - IMPERFECT
creating the framework for a new narrative conversion of an unused church to a community kitchen and restaurant
The Cathedral of St. John on N. Main St., Providence was built in 1872 AD and closed down in 2012 due to poor attendance. Currently it is derelict and run down. RISD was approached by the canon of the Cathedral to consider ways of breathing new life into the space. One of the original founders of the church was associated with slave trade. Keeping this in mind, the church wanted to explore the possibility of creating a dialogue around repair and reparation for slavery in Providence in the 1900s. The church has two levels, the main level and the basement. In this studio project, I chose to concentrate on the main level of the church. While researching and analysing the architectural style of the church (neo gothic), I was struck by what was considered to be ‘perfect’ earlier and how that definition has changed with time. This combined with reading and watching documentiaries about what being forced to become a slave meant and its effect on the psyche over generations, became the starting point of my take on the project.
location of host site in plan: In one of the earliest settlements in Providence, with its axis perfectly aligned to the hill, N Main St, Benefit St andsfoorti the canal (L), interior photos of church and architectural analysis (R) 28 sachdev
The proportions of human body, as the culmination of God’s creation, is also an important source of geometry for this style.
god aristrocracy
common people
slaves original heirarchy inherent in church structure Architectural elements - In gothic revival church architecture, principles from pythagorean and neo-platonic geometry are followed. The geometry follows two rules: one is that all constructions must begin with a circle, the other that symmetry must be maintained.
Influenced by philosophers such as Plato, light is believed to be the most direct manifestation of god. The windows and ceilings are purposely designed such that when one enters, the eye is continually be drawn up.
perfect imperfect
29
the ‘imperfect’ a brief snap shot of slave trade, 20-30 million lives turned upside down, everything they knew lost with the crossing of the ocean, their families, their language, their garments, their culture cultu and lifestyle..the loss of dignity, made to feel not just imperfect but even lesser than a human being for hundreds of years...lives traumatized beyond
30
sfoorti sachdev
concept of design through the ages
the ‘perfect’
‘as any architecture progreses from the precise predictions of the ofice to the inherent ambiguity of the field, it is inevitably subject to compromise.’ Architecture and fieldwork, By Ewing & McGowan (1970AD)
wabi-sabi (n.) the discovery of beauty in imperfection; the acceptance of the cycle of life and death, 21st c.
perfect imperfect
31
eyes drawn up (from entrances to top edges of windows)
the perfect axis
scale - bigger to smaller over the ages
layers of juxtaposition juxtaposition of scale with ‘eyes drawn up’
juxtaposition of eyes drawn up, perfect axis and scale
32
sfoorti sachdev
eyes drawn up used to distort scale diagram
juxtaposed analysis diagrams used to break the heirarchy and add new life to the structure
multiple layers created in this manner
analytic model and diagrams (top row), design generative diagrams (bottom row)
form conception
perfect imperfect
33
The ‘perfect’ symmetry of the structure distorted by ‘imperfect’ fragmentation to create new form, infusing the space with dynamism and giving it a new lease of life. The framework created is open to appropriation and can grow as per the needs of the community. There is an attempt to neutralize the hierarchy inherent in the space but the ‘sacred’ is still preserved when we take what was considered to be sacred into account. Originally, among other things, ‘sacred’ pertained to what represented the interests of the larger community As such, the communal tables for eating have been placed where the alter used to be present. This type of seating is also reminiscent of The Last Supper by Da Vinci.
34
sfoorti sachdev
axon (model created in rhino and rendered in enscape)
c
co
ity restau r
le
lunte vo
ning ar
work Purpose: to create a space which can be self actualized more and more with time, a space which encourages people to reach for the top of Maslow’s heirarchy of needs. As a starting point, its purpose is social and community outreach through food. Outreach type: ‘support socialization’, which refers to identifying crucial social activities that would work for well in bringing the target population together and using these activities as an intervention point for the outreach program. Program developed: spaces for food related activities which bring
er
m
f i ce of s
n
com
nal kitc he
g
mu
sellin
t an
un
om
un
the community together. Multi-use spaces such that they can also be used for other purposes such as workshops etc. 1st floor: multi-use space for communal kitchen and restaurant for knowledge to be passed down from one generation to another, learning traditional cooking techniques, using produce from communal gardens, food processing, selling products for income generation and space for serving food for free once a week 2nd floor: space for classes related to food, workshop space, counselling area, offices and volunteer work
program, interior view of 2nd floor volunteer area and corridor to counselling offices
perfect imperfect
35
Paneling types
COMMUNAL SEATING
half the framework enclosed with panels in more open areas
COLD STORAGE
LAWN ENTRANCE
PANTRY
WASHING
DELIVERY ENTRANCE
fully enclosed framework in areas requiring complete privacy
COMMUNAL RESTAURANT
Joinery details
EQUIPMENT STORAGE
DISPLAY LAWN FACING SEATING
panel to frame
panel to panel AY DISPL
COMMUNAL KITCHEN
Materials
AREA
N A
TR
EN CE
Framework: 4” x 4” steel pipes Transparent polycarbonate (PC) panels = fully permeable = public Colored PC panels = somewhat permeable = semi private Opaque wooden panels = no permeability = private Original wooden flooring can be reused in panels
36
sfoorti sachdev
construction details and first floor plan, scale: nts
TOILET
STAIR CASE ENTRANCE
OFFICE SPACE
COUNSELING AREA
BALCONY
chimney with seating around it
CLASS ROOM
VOLUNTEER SPACE
CE N
A TR
EN
TOILET
STAIR CASE ENTRANCE
2nd floor plan, scale: nts
perfect imperfect
37
38
sfoorti sachdev
view of communal restaurant (L), view from entrance and view of communal kitchen (R)
perfect imperfect
39
THE HOURGLASS INVERTED adaptive reuse of the remains of a few old chairs
This furniture project involved creating a new type of seating with the remains of a few old chairs. Playing around with the hardwood pieces lead to the realization that they created beautiful shapes in negative space. One of these looked like an hourglass, the essential symbol of time. Where did these pieces come from, how old were the original chairs and what were their stories? The design concept originated from these questions and is as much a timepiece as it is a piece of furniture.
Trying various itirations while thinking about a timepiece inevitably lead to playing around with the idea of moving forward or back ward in time and alternately, looking backwards in time to understand how we reach where we do in life. Eventually we settled on the inverted hourglass shape to represent this.
40
sfoorti sachdev / in collaboration
Acrylic and lazercutting technology was used to create a clear differenciation between present day and the era the chair remains are from and the final result is below.
hourglass inverted
41
ST. GABRIEL ALTE MUHLE conversion of a mill building in a 100 year old monastery to a tech start up centre
St Gabriel Alte Muhle, a 100 year old monastery in Austria recently opened some unused parts of the complex to the public. In a bid to attract public interest and in keeping with today’s requirements, they wanted to convert an old mill building to a tech start-up centre. I documented the host and created the 3d model. Building the host site from scratch in Revit was an education in how construction methods and materials have changed over the last century. The initial design proposal included opening up parts of the ceiling to let more natural light in. The arch of the existing windows was picked up as a design element and taken forward for creating bigger openings between interior spaces. Large round hanging light fixtures were used to further enhance this feel.
42
sfoorti sachdev
photo of host site (L), host created and rendered in revit (R)
st gabriel alte muhle 43
Beam and column structure of existing host
Round light fixtures used to take the existing arched window design further Ceiling opened up to allow more natural light in
44
sfoorti sachdev
Arch of existing windows taken further with new curved openings
One of the existing windows
Longitudinal section
st gabriel alte muhle 45
RESIDENCE / PROFESSIONAL
new construction I Demuro Das
Project: 10000 sft duplex penthouse with 5 bedrooms and attached bathrooms. Views of entrance foyer, living, dining and master bedroom seen here. Look and Feel: Contemporary with Art Deco references. Design Elements of Note: Honeycomb pattern brass inlay in the lapiz lazuli clad table top echoed in the wide geometric weave of the carpet, bespoke fish scale screen. Role: DeMuro Das is an AD50 firm in Gurgaon (now with a branch in New York as well), known for its work in high-end residential interior design and bespoke furniture. In my role as Senior Interior Architect, my responsibilities at DeMuro Das included handling all
46
sfoorti sachdev
entrance foyer
details of projects from initial conception to completion, client presentations, space planning, all technical drawings (civil, RCP, flooring, bathrooms etc), coordination with consultants and vendors, design of custom millwork and loose furniture, site meetings, solutions for last minute issues, FFEs and BOQs. Also, in conjunction with the Architecture and Design Principal, I created drafting standards and procedures integrating all the furniture with the rest of the working drawings such that the interior architecture and furniture worked seamlessly together. In addition, for this project I coordinated with the landscape designer for the terrace and gave design direction to the bedding and carpet vendors.
living entrance foyer dining
bar
dining wall clad in grey veneer
bloom velvet on sofa cushions
black nickel on side table base
carpet
lapiz and brass
brass accents
patterned velvet on cushions
shagreen on wall greige unit velvet on back sofas
violet velvet on side chair
glossy dark grey oak veneer on centre table
ikat curtains
living and dining room plan, photos and material palette
professional work
47
bath
wardrobe
foyer
master bed
sfoorti sachdev master 48 bedroom plan, foyer and bathroom
grasscloth wallpaper
carpet
smk fig eucalyptus veneer
grey leather on bed back and bench
navy velvet on sectional
master bedroom photos and pallete
professional work
49
distressed olive leather on wall unit doors
den
carpet
entrance foyer library
wallpaper
beige leather
50
sfoorti sachdev
library and den area photos, plans and den pallete
walnut veneer
woven leather
stained veneer
carpet
burgundy leather walnut veneer walnut veneer
wallpaper
walnut veneer
guest bedroom guest bath
guest bed and bath photos, plan and pallete
professional work
51
RESIDENCE / PROFESSIONAL
new construction I Demuro Das
Project: 4000 sft apartment with 4 bedrooms and attached bathrooms. Views of entrance foyer, living, dining and den areas seen here. Look and Feel: Indian modern with jewel tones. Design Elements of Note: Graphic inlay on the floor that references Indian versions of Art Deco and plays a pivotal role in harmoniously linking spatial elements together. Role: As Senior Interior Designer, in addition to the regular work, in this project my responsibilities also included researching and developing vendors for wall mounted splits and ceiling mounted cassette ACs (as opposed to the standard HVAC systems) as per client requirements. I also assisted the client in buying accessories and art.
sketch view
kitchen living
den
living, sfoorti dining and sachdev den plan 52
entrance foyer
dining
breakfast area
gold velvet
boysenberry velvet stained veneer
swiss white flooring, black marquina inlay
peacock velvet
grey walls
mac eb veneer
living room sketch, breakfast area photo and material pallete, passageway flooring photo and screen to den area
professional work
53
RESIDENCE / PROFESSIONAL
TFIL
new construction I Demuro Das
Project: 8000 sft duplex with 4 bedrooms and attached bathrooms. Views of bar and powder bath seen here.
living
Look and Feel: Modern luxury Design Elements of Note: A sense of enclosure created by veneered and wallpapered bespoke sliding panels with brass strips as a form of discrete ornamentation. Crytalline form of mirrored center table offsets the more plush contours of the chesterfield in rich tan leather.
bar
LIFT
Role: As Senior Interior Designer, in addition to the standard work, my responsibilities included researching and sourcing new finishes and incorporating automation into lighting and AV into the RCP for this project.
wallpaper on sliding doors
tan leather on chesterfield
dark grey oak veneer with forest green velvet on brass strips side chairs
54
sfoorti sachdev
material palette and plan
center table clad in mirror
black grey powder stone flooring vanity
gold leaf on powder mirror frame
powder room and bar
professional work
55
RESIDENCE / PROFESSIONAL
new construction I The Holistic Design Agency
Project: 3500 sft condominium with 3 bedrooms and attached bathrooms. Views of living area and den seen here.
taupe accent wall and center table glass top black mirror
Look and Feel: Modern minimal with an emphasis on warmth and texture.
Role: As lead designer in collaboration with my partner at The Holistic Design Agency, I handled all stages of high-end residential and office projects.
den
dining
living
plan, area and pallete sfoorti sachdev 56 living
carpet in living area
brown glass SS mirror polish accents
Design Elements of Note: Clean lines and simple shapes complimented by a warm, neutral backdrop of taupe, white and grey and an interplay of contrasting materials both reflective and textured which add interest to an otherwise Zen-like space.
grey linen on curved sofa
wallpaper in dining area
grey leather on sofas
carpet in living area
off-white leather and glass hardwood flooring
den and dining room
professional work
57
OFFICE / PROFESSIONAL
new construction I The Holistic Design Agency
Project: 2300 sft office in a corporate building for an investment banking firm. Look and Feel: A warm, reassuring, relaxed and confident feel with an emphasis on tactile materials. Design Elements of Note: Open plan with natural sunlight streaming into all recesses of the office. Warm natural materials like brick and leather used to give the space a rich yet earthy feel. Glass partitions create privacy while maintaining an open feel. Role: As lead designer in collaboration with my partner at The Holistic Design Agency, I handled all stages of the project.
brown leather on desks
walnut veneer brick cladding on walls
curves wall clad in oak veneer
grey carpet tiles on floor
plan, sfoortiand sachdev view from entrance 58 pallete
informal gathering area and sectional elevation
professional work
59
designed by sfoorti sachdev projects instructors micheal grugl, heinrich hermann, markus berger, eduardo benamorte special acknowledgements smriti sachdev, kanu agarwal, liliane wong paper back and front cover: cardstock from Brown Copy Center, 164 Agnell St. Providence RI inside pages : 70s uncoated from Brown Copy Center, 164 Agnell St. Providence RI printing & binding Brown Copy Center, 164 Agnell St. Providence RI
SFOORTI SACHDEV design portfolio 2019