STACY KRIEG
Professional + Graduate Student Portfolio
Professional Work [03-16]
EXPLORATIONS IN STONE RUHL WALKER ARCHITECTS Boston, USA
[17-28]
SINKING HOUSE RUHL WALKER ARCHITECTS Cambridge, USA
[29-32]
IMPACT SEVEN SNOW KREILICH ARCHITECTS Rice Lake, USA
[33-36]
ARKIPELAGO ASYMPTOTE ARCHITECTURE Helsinki, Finland
[37-40]
EOS EDGEWATER ASYMPTOTE ARCHITECTURE Miami, USA
[41-44]
DUO ATELIERS JEAN NOUVEL Paris, France
[45-46]
IGUATEMI CARBONDALE São Paulo, Brazil
[47-48]
BMW CARBONDALE Paris, France + London, UK
Graduate School Work [51-62]
FAX IST Istanbul, Turkey
[63-78]
EMERGING TRANSFORMATIONS New York City, USA
[79-84]
AGRI-MARKET London, UK
[85-88]
MATTER OF FACT London, UK
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PROFESSIONAL WORK
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EXPLORATIONS IN STONE
RUHL WALKER ARCHITECTS Boston, Massachusetts, USA
Although the renovation of this mid-rise condominium on the Boston Commons did not start with this intension, the natural beauty of both locally sourced and imported stones soon became a driver for several interventions within the unit. Stone slabs were cut, mitered, carved, and back-lit to achieve different effects for both vertical and horizontal surfaces. Fabrication techniques such as book matching and pattern matching were utilized to impart illusions of solidarity, as though the objects were carved from singular blocks of stone. By doing so, we also exploited the relationship of contrasts between the organic patterns within the stone and the precise, machined cuts used to make the stone perform. The renovation also includes significant work outside the realm of stone. The now 2900 SF condominium was originally two separate units. The units were combined and renovation work was required of roughly 50% of the entire space. The new spaces to be designed were the entry hall, living room, billiards room, family room, office, and guest bathroom. The layout was greatly driven by the playful clients, who wanted a space to entertain and play in. A minimal aesthetic was invoked and achieved through a high level of attention to all details. Passage doors were finished as frameless and closet doors were camouflaged within their surrounding so as to hide in plain sight. The clients’ love of wine inspired the creation of the wine bar area, which includes a refrigerator with a back-lit marble wall which was fabricated in Italy using special technology to greatly reduce the thickness of the marble. Further refrigeration is provided in drawers located within the flanking dark wood veneered millwork. A sink and dishwasher drawer are also hidden within to support any entertaining cleanup. The marble wine tasting table accompanies the wine wall and directs those sitting towards the magnificent view of the Boston Commons and Boston city skyline.
Explorations in Stone Ruhl Walker Architects 2016-2018 Project Director: Bradford Walker Project Manager + Project Designer: Stacy Krieg Supporting Designer: Kristen Bender Daaboul General Contractor: The Lagasse Group Photographer: Jared Kuzia
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Page 05: Stone slab shower wall and ledge lit from ceiling niche above. Page 06: Guest bathroom vanity wall with double sinks carved into stone vanity, tiled walls, and shelf. Page 07: Circular sink carved from singular stone slab paired with faucet. Page 08: Detail sections of the vanity wall show the multiple elements coordinated between trades for the construction of the vanity, including the concealed but accessible plumbing, the wall brackets, shelf, and carved stone vanity.
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Pages 09-10: Entry foyer with living plant wall in front and wood veneer panels to the side. Second wood veneer panel acts as a hidden door to the entry coat closet and mechanical services. Page 11: Large centered photo shows the main living space fireplace surround made of coated black metal and a dark brown stone slab with mitered corners. Below the bottom portion of stone rests a custom black metal grille which serves to allow ventilation for the two electric fireplace units. Page 12: Small detail photo below shows corner detail and reveals.
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Page 13: Day time photo of the wine bar area, including marble tasting table, refrigerator with marble wine wall, wood veneer cabinetry, and flanking white pocket doors. Page 14: Photo of the wine bar area at dusk with the back-lit marble refrigerator wall lights on and the Boston sunset reflected on the cabinetry.
Page 15: Day time photo of the wine bar area, including marble tasting table, refrigerator with marble wine wall, wood veneer cabinetry, and flanking white pocket doors.
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2
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5
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Entry Hall Living Room Billiards Room Family Room Wine Bar Office Guest Bathroom
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SINKING HOUSE
RUHL WALKER ARCHITECTS Cambridge, Massachusetts, USA
Founded upon unstable soil, this historic two-family house in Cambridge sank significantly since its 1857 construction. The limited bearing capacity of the site soil along with other factors caused differential settlement in some areas of the house of up to 9�. Significant structural work was needed to lift and stabilize the sinking house. An added challenge is that the entire building comprises two structures joined down the middle with a brick party wall, with a different owner on each side. Structural work began with the clients’ foundation being removed and their side of the house being temporarily placed upon needle beams for support. The house was then carefully lifted to help even out some of the sag. Helical piles were driven under the shared party wall and a new foundation was poured. The two family structure is listed as an historical property within the local municipality, thus extra steps and measures were taken during the design and construction phases to appease the necessary requirements. This though, did not stop the Dutch clients from introducing the clean contemporary lines that they so love into the interior spaces and some limited exterior spaces. A large portion of the budget was given to the structural rehabilitation of the house. The entire house was renovated, with special attention paid to the new kitchen, backyard space, and bathrooms.
Sinking House Ruhl Walker Architects 2015-2017 Project Director: William Ruhl Project Manager: Sandra Jahnes Designer: Stacy Krieg General Contractor: Sea-Dar Construction Photographer: Richard Gayle Photography
STACY KRIEG | 19
Page 19: These photos show the conditions of the house before and during construction. The left most photo highlights the effects of differential settlement via grossly out of plumb walls, floors, and doors. The remaining two photos document various stages in the old foundation removal and new foundation pouring. The void under the floating house later became a finished basement. The helical piles used to reinforce the party wall’s structural integrity are seen in the bottom right photo. Page 20: Front and side facades of the newly renovated house.
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Bi-folding doors can be opened completely to directly connect the kitchen to this duo level deck. The Ipe-clad deck gradually transitions one from the level of the kitchen to that of the back yard. The lower level deck provides a large platform for entertaining while the upper level deck acts as a landing and grille space with access to mechanical equipment, trash, and recycle bins below. Different board dimensions of Ipe were strategically used to create continuous horizontal lines.
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Hallway Master Bathroom Master Bedroom Music Room Guest Bathroom Guest Room
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Vestibule Entry Hall Powder Room Living Room Kitchen Upper Deck Lower Deck Office TV Room
01 02 03 04 05 06
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Guest Room Guest Bathroom Laundry Room Main Room Mechanical Room Gym
SECOND FLOOR PLAN
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FIRST FLOOR PLAN
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BASEMENT FLOOR PLAN
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1
Located off the main entry, the expansive living room showcases some of the client’’s contemporary design sensibilities with whimsical light fixtures and thoughtful accents of color. The pictured oversized pocket door with minimal trim and handle details, replaces a former, historical door.
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Taking the location of the former addition, this kitchen has become a central gathering space for the family. Interior partitions were demolished to create an expansive room with highly contrasted monochromatic color palette pulled together with a warm wood surfaces throughout.
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Page 27: This guest bathroom contains walls treated in a gray polished concrete finish. The finish acts as a protective barrier within wet locations. The monochromatic color palette with moments of warm light wood continues into this room as well. Page 28: The same polished concrete application that was used for the guest bathroom was also utilized in the master bathroom, with color being the only change. Pictured is the vanity and toilet wall which shares a continuous niche with the shower.
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IMPACT SEVEN SNOW KREILICH ARCHITECTS
Rice Lake, Wisconsin, USA
The Rice Lake office development for Impact Seven includes a 7000 square foot office building and a 4000 square foot tenant building. Located adjacent to the Red Cedar River, the site is covered in a variety of deciduous and coniferous trees ranging from small and young to mature and large. The project takes advantage of the site’s forested character and is designed for the optimization of views. Due to the rich and complex palette of textures already existent on site, the forms are kept clean and simple as the sliding bars combine and separate according to programmatic need. The materiality of the project creates a beautiful contrast between the earthy charred wood siding and reflective stainless steel details and glass.
* With the exception of the site plan, all images shown for this project were done personally
Impact Seven Snow Kreilich Architects Summer 2015 Project Director: Julie Snow Project Manager: John Montgomery Designer: Stacy Krieg Landscape Consultants: Oslund and Associates
EAST ELEVATION
I TH W
SOU NE
SCO
TY lI PER
NSIN
PRO
K BAC
AVE
SET
ICLE
H Y VE ENC
E
T ROU
INE
EL
ZON
A
OD FLO
22 PARKING STALLS
DA TE
D
RG
EME
BE
STORM WATER MANAGEMENT 8% SLOPE
EDAR RED C
TO
B
INE
14 PARKING STALLS
NCY L ERVA CONS
6% SLOPE
UP
DECK
RIVER
STACY KRIEG | 31
WEST ELEVATION
FLOOR PLAN
MAIN ENTRY
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ARKIPELAGO GUGGENHEIM HELSINKI ENTRY
ASYMPTOTE ARCHITECTURE Helsinki, Finland
The Guggenheim Helsinki Design Competition was an open competition that attracted 1,715 submissions from 77 countries. Entries for Stage One were completed by September 10, 2014. The design focuses on many aspects of Finnish design history, Helsinki urban life, and art museum experiences. Finnish materiality is implemented through the extensive use of wood and glass. While the exhibition galleries are lifted to the first and second floors, the ground floor is developed into a public open living room for Helsinki, enclosed by glass to activate the boardwalk and connect the park with the city. The formal driver of the project revolved around the three individual gallery forms which are connected by a central glass atrium and glass fissures which act as the major circulation routes for the visitor’s journey. The fissures are all oriented towards major views of Helsinki - thus we utilize these moments to allow for visual breaks in the art viewing experience. * All images shown for this project were done by colleagues or by outside render companies (Visual Arc, Damjan, and Luxigon)
‘Arkipelago’ - Guggenheim Museum Helsinki Asymptote Architecture Summer 2014 Project Directors: Hani Rashid + Lise Anne Couture Project Manager: Mo Zheng Designers: Stacy Krieg, Paul Chan
BOX GALLERY POCKET GALLERY PERFORMANCE HALL
BOX GALLERY
PUBLIC GROUND
CAFE UNDERGROUND ACCESS TO NEW PORT TERMINAL
PA R K
Page 35: (Above) This perspective section shows the different program moments, highlighting the gallery spaces, glass atrium, and open public ground floor. (Adjacent) Concept diagram explaining major moves in relation to urban context. (Lower) Render of gallery space. Page 36: The top image shows the ground floor plan in relation to the urban context. The render below shows the glass atrium and glass fissures from the ground floor.
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I CE SKATI NG FERRY
W AT
ERF
RON
T PR O
CITY MEN
ADE
HA R BO UR CO NCERT SPACE
TAHITORNIN VUORI PARK
SKATING RINK/ SKATE BOARD PARK
PARK BRIDGE
FESTIVAL PLAZA
ACCESS TO UNDERGROUND PARKING AND SERVICING
16
OLYMPIA TERMINAL
11 12
4
6
7
13 2
8 3
10
14
9
14
5 1
15
PEDESTRIAN ACCESS 1. INFO/ TICKING 2. ATRIUM 3. MUSEUM DESIGN STORE 4. CAFE/ KITCHEN 5. COATCHECK/ VISTOR SERVICE 6. SCULPTURE LOUNGE 7. CAFE SEATING 8. AMPITHEATER 9. NEW PORT TERMINAL ENTRY 10. NEW PORT TERMINAL 11. OFFICE 12. STAFF ENTRY 13 RESTAURANT 14. STORAGE 15. VIP DROP OFF 16. MUSEUM LOADING AND PARKING ENTRY
OUTDOOR PERFORMANCE
WATERFRONT PROMENADE
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EOS EDGEWATER
ASYMPTOTE ARCHITECTURE Miami, USA
EOS Edgewater is a residential development located in the Edgewater neighborhood of Miami, Florida. The project consists of one 649’ tower, a plinth, and a parking garage with a roof amenities area. EOS Edgewater started as a competition between three firms. After Asymptote was selected to move on in the design and development of the project, it has gone through many iterations and is still currently in the schematic design phase.
* The facade axon was done personally for Asymptote Architecture ** The floor plan and all renders shown for this project were professionally done by Nephew and colleagues at Asymptote
EOS Edgewater Asymptote Architecture Summer 2014 - Ongoing Project Directors: Hani Rashid + Lise Anne Couture Project Managers: Rob Eleazer + Jennifer Mujat-Kearns Project Architect: Oliver Kienzi Designers: Stacy Krieg, Ivy Wang, Jesse Cui
DICHROIC GLASS TRANSLUCENT GLASS
TRANSLUCENT HANDRAIL GLASS
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CORE STUDIES sCHeMe a
9
3/11/2015
03/11/15
Page 39: The top image is an initial study of the facade system. The render below it shows the bay walk terrace. Page 40: Above is a sample floor plan of a typical tower floor. The image below is a render of a typical apartment unit.
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DUO
ATELIERS JEAN NOUVEL Paris, France
Duo is a pair of mixed-use towers located on the Rive Gauche in the 13th arrondissement of Paris. Programs within the leaning buildings include offices, a hotel, restaurants and bars, public ground floor amenities, and a new metro stop planned for the future extension of current lines. Construction completion is set for 2020. During a two month summer internship at Ateliers Jean Nouvel, I had the opportunity to spend the duration of the internship working on the development of the faรงade systems of Duo. Almost every faรงade of the two towers is composed of a different system, including double skin, vegetal, and complex louver system faรงades. The project was in a post-competition phase which meant that it was at a more thorough design development stage where matters of construction, material, and detail were the focus.
* The detailed axons are drawings done personally for Ateliers Jean Nouvel ** All renders shown for this project were professionally done by colleagues at Ateliers Jean Nouvel
Duo Ateliers Jean Nouvel Summer 2013 - Ongoing Project Director: Jean Nouvel Project Managers: Didier Brault + Kirsi Marjamaki Mas Direct Supervisor: Bernard Duprat
DUO 1 - FAÇADE NORD EST
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3 7 4
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LÉGENDE 1 2 3 4 5 6 7 8
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DALLE BÉTON - CF 2H PLANCHER TECHNIQUE FAUX PLAFOND SUPPORT DE CONSOLE AVEC RUPTURE THEORIQUE CONSOLE SUPPORT CONTENEUR MUR TRIPLE VITRAGE - 150 L x 300 H MUR RIDEAU - PANNEAU ISOLÉ «SHADOW BOX» - PF 1H - 150 L x CONTENEUR BAC PLANTÉ
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8
DUO 1 - FAÇADE SUD OUEST - DOUBLE PEAU VENTILÉE
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3 1
2
4 8
5
9
6
LÉGENDE 1 2 3 4 5 6 7 8 9
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DALLE BÉTON - CF 2H POTEAU BÉTON FAUX PLAFOND MUR RIDEAU - DOUBLE VITRAGE - 150 L x 300 H MUR RIDEAU - PANNEAU ISOLÉ «SHADOW BOX» - PF 1H - 150 L x COURSIVE DE MAINTENANCE - PF 1H RECOUPEMENT VERTICAL STRUCTURE SECONDAIRE - RAIL GUIDE DE NACELLE PANNEAUX VITRAGE FEUILLETÉ AGRAPHÉ - 300 L x HAUTER
OUVRANT DE DESENFUMAGE DE SECOURS - 1
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Row 01
Row 02
Row 03
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IGUATEMI CARBONDALE S達o Paulo, Brazil
The Iguatemi shopping center in S達o Paulo, Brazil is the oldest operating Brazilian mall, dating back to 1966. It is located in the Jardins neighborhood on the famous, Brigadeiro Faria Lima Avenue. With a wide range of stores, Iguatemi S達o Paulo serves as a major point of reference for Paulistas. Other shopping centers in the Iguatemi franchise have proliferated, including JK Iguatemi, a recently completed shopping mall located in the Parque do Povo neighborhood of S達o Paulo. While at Carbondale I worked on many projects for both Iguatemi and JK Iguatemi. Projects for Iguatemi included: the schematic design of the new 3590 sqm rooftop garden, entry, 9th floor lobby, Apple flagship proposal, as well as the Abercrombie & Fitch flagship proposal. For JK Iguatemi I worked on the design of the rooftop lobby space as well as the furniture design for the interior lobby spaces. Row 01 | Iguatemi atrium showing a proposal for an Apple flagship store. Row 02 | Iguatemi rooftop project. Row 03 | JK Iguatemi interior lobby spaces and furniture design. ** All renders shown for this project were professionally done
Iguatemi Carbondale 2011-2012 Project Director: Eric Carlson Project Managers: Valerie Vaudoyer + Tam Vo Phi
Row 01
Row 02
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BMW
CARBONDALE London + Paris
Carbondale was commissioned to design and manage the renovations of both BMW George V in Paris, France and BMW Park Lane in London, UK. The projects are both unique to their site and consist of strong moments of LED lighting, while incorporating BMW’s signature design elements. My personal responsibilities for the two projects included aiding in the schematic design for both stores. Row 01 | BMW George V, Paris. Row 02 | BMW Park Lane, London
** All of the images were professionally photographed
BMW Carbondale 2011-2012 Project Director: Eric Carlson Project Managers: Pierre Marescaux
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GRADUATE STUDENT WORK
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FAX IST
Farming Extreme in Istanbul Istanbul, Turkey
This project focuses on the development of a new architectural building typology in response to the emerging vertical farm program. The majority of the program is dedicated to the necessary elements of an urban farm. Additional programs include a culinary school and restaurant, resident chef/student housing, a green market, and store. Hydroponics are utilized to create efficient growth systems and loops throughout the tower, providing edible crops for the various programmatic needs. The semester-long project included a nine day site visit to Istanbul, Turkey. The site of the tower is located along the north-east division of the Golden Horn, allowing the project to proliferate in the incorporation of both human and plant-based water systems. Minimal surfaces and fractal growth strategies comprise the basis for the formal language development throughout the project. The emphasis on scalar shifts in geometries and spaces reflects the programmatic needs of both user types: human-culture and plant-culture.
Graduate Research Studio University of Pennsylvania Spring 2014 Critics Sulan Kolatan + Robert Cervellione In Collaboration with Arman Hosseini
MINIMAL SURFACE UNIT SET 01 A B
TOP TOP SIDE BACK ITERATION OUTER CENTER MIDDLE BOTTOM A1 A2 A3 A4 A5 B1 B2 B3 B4 B5 C1 C2 C3 C4 C5 D1 D2 D3 D4 D5 E1 E2 E3 E4 E5
0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0.99 0.99 0.99 0.99 0.99 0.75 0.75 0.75 0.75 0.75 0.50 0.50 0.50 0.50 0.50 0.25 0.25 0.25 0.25 0.25 0.01 0.01 0.01 0.01 0.01
1 2
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MINIMAL SURFACE UNIT SET 02 F G
TOP TOP SIDE BACK ITERATION OUTER CENTER MIDDLE BOTTOM F1 F2 F3 F4 F5 G1 G2 G3 G4 G5 H1 H2 H3 H4 H5 I1 I2 I3 I4 I5 J1 J2 J3 J4 J5
0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99
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0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1.00 1.00 1.00 1.00 1.00 0.75 0.75 0.75 0.75 0.75 0.50 0.50 0.50 0.50 0.50 0.25 0.25 0.25 0.25 0.25 0.01 0.01 0.01 0.01 0.01
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
H I J
1 2 3 4 5
MINIMAL SURFACE UNIT SET 03 K
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TOP TOP SIDE BACK ITERATION OUTER CENTER MIDDLE BOTTOM
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K1 K2 K3 K4 K5 L1 L2 L3 L4 L5 M1 M2 M3 M4 M5 N1 N2 N3 N4 N5 O1 O2 O3 O4 O5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0.00 0.25 0.50 0.75 1.00 0.00 0.25 0.50 0.75 1.00 0.00 0.25 0.50 0.75 1.00 0.00 0.25 0.50 0.75 1.00 0.00 0.25 0.50 0.75 1.00
0.99 0.99 0.99 0.99 0.99 0.75 0.75 0.75 0.75 0.75 0.50 0.50 0.50 0.50 0.50 0.25 0.25 0.25 0.25 0.25 0.01 0.01 0.01 0.01 0.01
MINIMAL SURFACE UNIT SET 04 P Q R S T
1 2
TOP TOP SIDE BACK ITERATION OUTER CENTER MIDDLE BOTTOM
3 4 5
P1 P2 P3 P4 P5 Q1 Q2 Q3 Q4 Q5 R1 R2 R3 R4 R5 S1 S2 S3 S4 S5 T1 T2 T3 T4 T5
0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99 0.00 0.25 0.50 0.75 0.99
1.00 1.00 1.00 1.00 1.00 0.75 0.75 0.75 0.75 0.75 0.50 0.50 0.50 0.50 0.50 0.25 0.25 0.25 0.25 0.25 0.00 0.00 0.00 0.00 0.00
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
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FORMAL TRANSFORMATION
SYSTEM 01 VARIATIONS
ROOT DEPTH
PLANT-CULTURE
ROOT DEPTH
Voluminous
SYSTEM 02 VARIATIONS
FORMAL TRANSFORMATION
Skeletal State
12”
0” Basil Chinese Cabbage Lettuce
Opening/Closing Phase
10
Kohlrabi
2
Strawberries Watercress
Central Node Growth
Herbs 8
Beans
4
Bell Peppers Cantaloupe Okra
6”
Onions
6”
Peas Radishes Turnips Cucumbers 4
Melons
8 Branch Growth
Parsnips Sweet Potatoes Opening/Closing Phase
Skeletal State
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Taro Tomatoes 2
10
0”
12”
Voluminous State
Solid Wall Panel System
System 1 Tanks
System 2 Plant Growth
System 2 Plant Growth 12’
12’
System 1 Tanks
System 1 Plant Growth
System 2 Plant Growth 12’
System 1 Tanks
System 1 Plant Growth Light Penetration
System 1 Plant Growth
Page 55: The diagram categorizes the relations between geometries, formal transformations, and their relationship with different plant types. Page 56: These membrane systems studies explore the range of possible transformation strategies and the associated effects.
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AGREGGATION LANGUAGE | Base Geometries
4-Sided
6-Sided
8-Sided
5-Sided
7-Sided
AGREGGATION LANGUAGE | Fractal Tesseract Growth
1 | Hexagonal
2 | Surrouding Tesseract
Base
Containers
3 | Tesseract Fill
4 | Surrounding Tesseract Containers
5 | Tesseract Fill
AGREGGATION LANGUAGE | Fractal Vertical Growth
1 | Hexagonal Base
2 | Level One 0.50 Scale Reduction
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3 | Level Two 0.50 Scale Reduction
4 | Subterranean Levels 0.50 Scale Reduction
5 | Mirrored Stacking
558 546 534 522 510
FL 40
498 486 474 462 450 438 426 414 402 390
FL 30
378 366 352 340 328 316 304 292 280 268
FL 20
256 244 232 220 208 196 184 172 160 148 136 124 112 100 88 76 64 52 40 28
GROUND
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CROP CONCENTRATION
FL 10
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Lecture Space Work Station Harvesting Zone Vertical Circulation Restrooms
03
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CLASSROOMS [Levels 09-18]
124’ - 136’
FL 10
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148’ - 172’
184 - 196’
208’
220’
232’
244’
256’
FL 20
268’ - 280’
292’ - 304’
316’ - 328’
340
0’
01 01
01
02
02
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01 | Harvesting Zone 02 | Vertical Circulation
01
GARDEN ZONE [Levels 19-28]
352`
366’ - 378’
FL 30
390’ - 402’
414’ - 426’
438’
450’
462’
474’
486’
498’
510’ - 522’
534’
546’
558’
FL 40
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Powder printed 3D section model showing the interior and exterior conditions of a portion of a typical workstation, adjacent harvesting space, and the plant-holding membrane. The interweaving dual systems show both the spatial conditions as well as the water flow system.
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EMERGING TRANSFORMATIONS New York City, USA
This project examines emergence and the formulation of architecture through the growth of patterns and the development of form. It explores the possible effects of stasis versus rates of change, thus examining the potential of transformation within a building and a site. Set in the neighborhood of Chelsea in New York City and encompassing a portion of the High Line, the program is a unique combination of mixed use space and an auction house. The emphasis of structural integration is one of the driving forces of the building formation. The structure, spaces, and surface-void relations are all defined by transformative moves which act in response to parameter changes in program and site. Apertures open and close at various rates and to various extents depending on noise control, program exposure, and day lighting needs. As angles of structural members shift and rotate, their girths and sizes are adjusted accordingly, thus exploring the transformative possibilities of structure and its effects on space.
Graduate Architecture Studio University of Pennsylvania Spring 2013 Critic Hina Jamelle Structural Engineering Consultants Matt Jackson + Daniel Brodkin, ARUP In Collaboration with Fatima Al Doukhi
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seeding
transplantation
leaf expansion
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pH Levels
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Time [most acidic]
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STACY602 KRIEG | 65 ARCH Auction House
Fatima Al Doukhi + Stacy Krieg
The project commenced with an investigation into the growth patterns of a romanesco broccoli. This diagram explores the two dimensional interpretation of various stages of the broccoli’s life, incorporating the effects of outside variables interpreting the geometry changes based on specific parameters.
on
8
heading phase heading phase
1009
1110
1211
1312
1413
full maturation full m
1514
1615
1716
1817
1918
2019
20
Time [weeks] [weeks]
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Skeletal Restaurant - 10%
Auction
Room
STRUCTURAL MAKEUP
Main
10th Ave.
West Side Hwy Public Gallery - 10%
Solid / Surfacial
Open
Closed
DEGREE OF APERTURE OPENING
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Page 67: This program diagram shows the prominent relationship of specific formal, spatial, and site related transformations in relation to the major programmatic elements. Below is an interior render of the main auction room. Page 68: Exterior render of the building from a north/east perspective.
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Exterior render from north east of the site at the intersection of the West Side Highway and 18th Street. | 70
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East/West section cut of the building cutting through the High Line and showing the main auction space.
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STRUCTURAL ANALYSIS | East-West
STRUCTURAL ANALYSIS | Bay System
STRUCTURAL ANALYSIS | West-East
120’-0”
100’-0”
80’-0”
60’-0”
40’-0”
20’-0”
0’-0”
Page 73: (Upper Left) Image of one of the fourteen northsouth oriented structural bays. (Upper Right) Structural analysis results showing the strength and stability of the steel structure system. Page 74: Detailed wall section of the building showing the construction detailing of the northern façade.
NORTH-SOUTH SECTION STACY KRIEG | 73
1" 3'-84
1" 10'-42
1" 3'-84
1" 11'-34
A
Horizontal Profile 1/4” Glacier White Corian Panel 1/2” Glacier White Corian Panel Vertical Profile Ventilation Gap Insulation Tyvek Rain Shield Adjustable Clamp
1" 3'-84
10'
1'-2"
KEIL Locking Screw 1" 3'-84
A
Section Detail
25'-11"
1" 134'-62
Horizontal Profile 1/4” Glacier White Corian Panel 1/2” Glacier White Corian Panel Vertical Profile Ventilation Gap Insulation Tyvek Rain Shield Adjustable Clamp
1" 3'-84
1'-2"
KEIL Locking Screw
1" 27'-84
B
Section Detail
C
Section Detail
1" 3'-84
B Horizontal Profile 1/4” Glacier White Corian Panel 1/2” Glacier White Corian Panel Vertical Profile Ventilation Gap Insulation Tyvek Rain Shield Adjustable Clamp
1" 27'-24
1'-2"
KEIL Locking Screw
C
1" 2'-52
1" 21'-92
Wall Section
DETAILED WALL SECTION
Scale : 1/4”
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18th Street
H Side
10th Avenue
t Wes ay
ine hL Hig
ighw
17th Street
310.17 24.12
24.05
24.12
24.12
24.12
24.12
24.12
24.12
24.12
24.20
24.11
21.77
34.07
24.13
GROUND FLOOR STRUCTURE PLAN
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147.77
24.12
20.67
45.20
24.12
319.77
150.54
169.84
05
01 02 03 04 05
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Lobby Gallery Offices Main Auction Hall Terrace
148.08
01
01
163.51
04
03
02
THIRD FLOOR PLAN
333.01
238.86
02
03
01
42.54
94.15
03
07
06
105.23
147.15
05
04 02
01 02 03 04 05 06 07
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East Lobby West Lobby Gallery Offices Café Lounge Service Area
GROUND FLOOR PLAN
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This laser cut, manually folded and assembled paper model highlights the undulating structural bay system as well as the transforming facade.
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AGRI-MARKET London, UK
The project is focused on creating an integrated agriculture “Farm-to-table” system, where crops will be grown to directly supplement the Brixton Markets and restaurants. Doing so cuts through the dense urban regions and provides “breathing room” as a public amenity. The system plays at the balance between surfaces for growth and surfaces for light penetration, creating a variable gradient of light conditions for the public spaces while providing ample growth plots. The system allows crop space and occupant space to exist as a continuum, that suggests growth and expansion beyond the immediate site to feed to a larger belt of green space. Ultimately, the project narrates the balance between farming to consumption through the fluctuations of structural depth and spacial depth, considering the ambiance and implications these have for light and air.
Graduate Architecture Studio Architectural Association Fall 2013 Critic Homa Farjadi In Collaboration with Arman Hosseini
SITE
Circulation Underground Victoria Line Overground National Rail Lines Bus Stops
TYPE 01
Market Systems Main Commercial Corridor Covered Markets
TYPE 02a
TYPE 03
5m
3m
1m 7m 5m
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Zone 03
15'
3'
2'
1'
Zone 02
Zone 01
9' 6"
3'
38' 26' 9"
26' 9"
16'
Concert Hall / Theatre
Club / Lounge
Restaurant / Bar / CafĂŠ
Markets
Crops
TYPE 02b 0.1 m
7m
Page 81: This site analysis of Brixton shows the proximity of the site to multiple transport nodes as well as the strong surrounding market culture. Page 82: This diagram pairs the project’s programs with their specific lighting conditions, exploiting the range of light dependent programs. Pages 81-82: Different quantitative values relating to material thicknesses and spatial heights emphasize the different types of spaces at an architectural scale in this diagram.
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Canopy
Light Well Light Well Canopy
Upper Seating Light Well
ROOF
Café
+2 A
Viaduct Entrance Restaurant Café
+1 Service
GROUND
Lower Market / Mushroom
Lounge Theatre
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-1
Lig
ht
De
ns
ity
op Cr ity
ns
De
Fie
ld
De
ns
ity
Irrigation Channels Re
ce
Hydroponic Gravel Medium Planting Trough
de
st oW alk
wa y
Crops Divider
DETAIL A
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MATTER OF FACT London, UK
This short media studies course taken at the Architectural Association focused on quantifiable data abstraction, parametric pattern generation, materials experimentation, and digital fabrication. We examined fabrication techniques as potential activators of material systems while working at the interface between fact and matter. The course utilized the complex geometric designs found in rose windows to explore the techniques of quantifiable data abstraction. Material experimentation exploiting both heat modification and compository reactions lead to an interest in exploring a particular soap, due to its color gradient changing nature. The texture of the soap allowed for a strong geometry hold during the CNC milling process. The geometries were specifically designed for the material dimension restrictions and thus a modular system was developed. The different modules vary according to certain parameter changes and are meant to allow for aggregation variability.
Coordinates: (55.6 mm, 62.5 mm, 32.5 mm)
Coordinates: (35 mm, 8 mm, 15 mm)
Coordinates: (55.6 mm, 62.5 mm, 32.5 mm)
Media Studies Elective Course Architectural Association Fall 2013 Critic: Shany Barath
Circle Type [Quantity]
Centroid XY Coordinate
Radius
0,0
19.0
-8 , -20
8.0
0 , -11
8.0
0 , -1.5
1.0
1.5 , 8
1.0
1 , 14
0.75
4.5 , 16 . . .
0.5 . . .
Type A [1] Type B [8] Type C [4] Type D [4] Type E [16] Type F [4x4] Type G [3x4x4] . .
29 28 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0 -1 -2 -3 -4 -5 -6 -7 -8 -9 -10 -11 -12 -13 -14 -15 -16 -17 -18 -19 -20 -21 -22 -23 -24 -25 -26 -27
ROTATION CYCLE 01
-28 -27 -26-25 -24-23 -22-21 -20 -19 -18 -17-16 -15-14 -13 -12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28
Circle Type [Quantity]
Rotation Centroid XY Coordinate
Rotation Degree
Type B [8]
0,0
22.5°
. . .
. . .
. . .
Type F [4x4]
0 , 13
45°
29 28 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5
ROTATION CYCLE 02
4 3 2
Circle Type Cluster [Quantity]
Rotation Centroid XY Coordinate
Rotation Degree
Type B [8]
NA
NA
. . .
. . .
. . .
Type F [4x4]
0,0
45°
1 0 -1 -2 -3 -4 -5 -6 -7 -8 -9 -10 -11 -12 -13 -14 -15 -16 -17 -18 -19 -20 -21 -22 -23 -24 -25 -26 -27
-28 -27 -26-25 -24-23 -22-21 -20 -19 -18 -17-16 -15-14 -13-12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28
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SELF AGGREGATION CENTRAL ELEVATION SIDE ELEVATION PLAN SOAP PROTOTYPE
MODULE 04
MODULE 03
MODULE 02
MODULE 01
Page 87: (Above) Analysis of the quantified centroid locations and radii. (Below) Analysis of the multiplied and mirrored geometries. Page 88: Table of the four module prototypes.
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