Portfolio_MSc. Arch. Laurentiu Tiberiu Stancu

PORTFOLIO MSC. ARCH. LAURENTIU TIBERIU STANCU - ACADEMIC PROJECTS

GRADUATION PROJECT - ECUMENICAL CENTER

From Archetype to architectural project

INSTITUTION. “ION MINCU” UNIVERSITY OF ARCHITECTURE AND URBANISM, Faculty of Architecture, BUCHAREST, ROMANIA LOCATION: SINCA VECHE VILLAGE, BRASOV COUNTY, ROMANIA AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU SUPERVISING PROFESSOR: PH.D. PROF. ARCH. FLORIN BICIUSCA DESIGN PERIOD: JANUARY 2005 - JUNE 2005 Graduation project awarded with “ The medal of Ion Mincu University of Architecture and Urbanism” Description.

I am fascinated by religious architecture and, although it was little touched upon in my academic studies, I took the challenge to explore a religious program in my Thesis. I choose a little country village named Sinca Veche where authorities and non-profit organizations like “Caritas” where planning to build a religious center. It all started with a courtyard and a little house for scouts and summer schools that I decided to keep as a symbol of departure of the new project.

This place was not chosen by accident. It has a complicated history of religious misunderstandings, of violence but also of reconciliation, that dates back from the XIX century. It is a place where people of different religions have been trying to coexist under extreme political pressure. After almost 200 years people are learning to respect each other’s beliefs and share their faith in peace. This project was conceived as a symbol of this.

I thought of this project as a center that can provide a learning environment for people of the two religions common to the area-Greek Orthodox and Greek-Catholic. Both religious denominations are very close in terms of liturgical rite, thus the idea of a common liturgical space. Also, the center is destined for just anybody who wants to experience a peaceful space or wants to take part in the different events that would be organized here.

It is a monastery, a school, a place where people can come and celebrate their religious traditions or just come to have a peaceful time.

The project consists of: • A monastery with accommodations for resident monks and for visiting religious figures, with facilities for conferences and study • A school provided with study rooms, conference rooms and administrative facilities • An area for accommodating visitors and students • Areas for accommodating different workshops for traditional practices • Areas for organizing outdoor celebrations.

Together with my teacher we chose to concentrate in the project on these programs. The church was for further study…work in progress.

Concept The idea was to use a basic archetype as a core for the conceptual development of the project. I was thinking that every convent is seen as a projection of the Heavenly Jerusalem on Earth.

The starting point was an enclosed ideal structure that defines the basic structural elements that will shape the spaces of the ecumenical center. I thought of the entire architectural program as a growing system that has it’s roots in this primordial element. The rule for the articulation of the spaces was the different level of intimacy and privacy of each functional program, the site characteristics and another powerful symbolic fact: I thought that the entire building should be under the sign of a pathway toward knowledge and God-the spaces should articulate in order that they symbolically form The Path of the Cross–a path that is constantly rising. All the elements that form the program are articulated around courtyards that stretch along this pathway from the most public area to the most intimate. The path is not unidirectional. It comes to a turning point-the Library courtyard. Here is the “Free Will”. You may choose right to the school which is more profane, or left to the Monastery. Thus the Library becomes a symbolic element for the project-it is a link between the two worlds.

I choose to think at the program as an “ Imago Mundi”-a small village in a shell. Despite its dimensions I tried to keep the overall height as low as possible in order to avoid surpassing the height of the houses commonly found in the near village. The building aims to impose its presence as a landmark but to continue organically the scale of the built environment.

The only vertical lines are the bell tower, the church and the beadle towers. Just like a traditional village you could see the stone, the wood joints the roofs of the houses and the religious landmarks.

I chose the materials and the constructive methods in order to experiment with traditional building techniques. Overall working at this project was a learning experiment.

Representation of The Heavenly Jerusalem taken from a manuscript of the 11th century, the socalled “Apocalypse of Saint-Sever”.

John of Patmos watches the descent of the New Jerusalem from God in a 14th century tapestry.

Votive painting at the church of Sucevita Monastery, Romania-the King Ieremia Movila offers God a model symbolizing the constructed church.

Sucevita Monastery-the church, Romania, end of the 16th century.

West elevation

The paraclisers and The Entrance Courtyard with the bell tower -”The Announcement Garden”

The courtyards-”The Path of the Cross”

The Conference Hall

Functional scheme

Ground floor plan Transverse section conference hall

Typical transverse section

MASTER THESIS - AlpArk INSTITUTION: UNIVERSITY OF LIECHTENSTEIN, Institute of Architecture and Planning, VADUZ PROGRAM: MASTERPLAN FOCUSED ON THE PROMOTION OF TRADITIONAL ALPINE VALUES LOCATION: TRAUNSTEIN, GERMANY AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU SUPERVISORS: DIPL. ETH / SWB CONRADIN CLAVUOT, DIPL. ING. ROBERT MAIR DESIGN PERIOD: SEPTEMBER 2014 - JANUARY 2015 (WINTER SEMESTER) Graduation project awarded with THE “EUROPEAN ARCHITECTURAL MEDAL FOR BEST DIPLOMA PROJECT 2015” Description The general theme of the project subscribes to the topic of contemporary architecture in Alpine environments and the sustainable development of Alpine settlements. The aim of the project is the research of the relationship between vernacular alpine architecture and architecture in an alpine urban environment. The main focus of the project is a house for craft and the aim of the project can be summarized in questioning if we can we keep alive traditional crafts of the alps by translating them in an institutional environment typical for urban context.

The site in the City of Traunstein close to the Chiemgauer Alps. We find here a typical Bavarian city located in the flatland and framed by the presence of the Alps. The former use of the site left traces that mark the morphology of the site and tell about its vocation to be central and in the same time marginal within the city while being “cut” from it. The current state of the place that rests in a state of abandonment speaks about its vocation to be marginal.

Concept The task of the project called for a thematic master plan. From the start the topic is governed by a strong general idea: bringing people together to celebrate traditional crafts and alpine culture. My concept tries to coagulate all the requirements of the master plan in a single building that creates a specific dialogue with the limitations of our particular site in Traunstein. As in the vernacular alpine houses the idea of a growing organism is brought into the project scheme but in a formally planned way.

The project is a “line” that stretches within the site like a ruler. It should act as a presence between architecture and landscape that splits the reality of the site between an urban space to the North and a natural park to the South that brings into the building the fresh smell of grass.

The idea behind the urban presence of the project draws from the traces and the history of the site. There is a strong caesura within the site already marked by the presence of the street that makes a division between a territory with strong functional roots that deal with the presence of the railways and one that situates itself at the threshold between city and industry, characterized by the two buildings used for storing wheat. The overall strategy of the project tries to integrate all the existing buildings and bring them to the life of the city while creating a dialogue with the history of the site emphasizing its dichotomy. Thus, the proposed building situates itself on the same spot as former buildings that followed the line of the road while creating a strong division between the two parts of the site.

The “line” will be defined by its section which becomes a representation of “Imago Mundi”-working and living together under a roof.

The design strategy behind the architecture of the building draws from the idea of the archetype. The building in its entirety should be an expression of a condensed form that holds in it all the principles of design. In the end the entire building should speak about its very unit of construction. This idea makes the entire building a growing system that deals with few basic constructive principles. This generates opportunities for staging the construction itself and offers the tool of a great flexibility of use.

The defining constructive elements of the building will be the main structure made in concrete and the secondary structure and the enclosures made in wood. The basic section of the “line” creates a diversity of spaces defined only by material, scale and degree of enclosure. For the most spaces there will be no clear functional assignment. The indoor climatic characteristic and the structure of the spaces will define the use.The entire building should act as a generous frame that accommodates life by offering shelter, light, warmth, accessibility, diversity of spaces.

The intention following the design of the AlpHouse is to give it an expression that makes it similar to an Ark that carries the remnants of Alpine life and landed in Traunstein. It is metaphor of the Imago Mundi and the Noah’s Ark as imagined in the Christian Bible.

Inspirations from Bavaria, Traunstein and the site of the project

From Archetype to architectural project

The architecture of a house and its model The main house of the household from Wellhausen, Thurgovia, 18th Century, mirrors the constructive and aesthetic principles of a basic constructive unit.

Space, structure and music The design process for Alp Ark was an opportunity to experiment with an alternative design method that tries to relate the three fundamental aspects of architectural design. This opened new perspectives in understanding the architectural drawing and the constructed space as generator of emotions.

Link to a piano piece composed by me and my friend msc. arch. bence grocz using my studies of structural plans as music notation: https://www.youtube.com/watch?v=fpjPcjsrQQ0

Vertical connectivity

The steps of construction and the urban situation

Energy concept

Material concept

TRANSIT CENTRE LOWENBERG

Theoretical framework

INSTITUTION: UNIVERSITY OF LIECHTENSTEIN, Institute of Architecture and Planning, VADUZ PROGRAM: TRANSIT CENTRE FOR REFUGEES LOCATION: SCHLUEIN VILLAGE, GRAUBUNDEN CANTON, SWITZERLAND AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU SUPERVISORS: DIPL. ETH / SWB CONRADIN CLAVUOT, DIPL. ING. ROBERT MAIR

T h e

i n f i n i t e

l i n e

o f

t h e

r e f u g e e s

t h a t

l e a v e

t h e i r

h o m e.

e n d l e s s

r o w s

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DESIGN PERIOD: SEPTEMBER 2012 - JANUARY 2013 (WINTER SEMESTER) Description The task of the project was to extend and rehabilitate the transit center for asylum seekers in Schluein village, Graubunden canton. The center is hosted by the existing structure of the Lowemberg castle. The aim of the project was to create more space for accommodations and, in the same time, create proper conditions for asylum seekers in their temporary staying at the center. This includes rethinking the old facilities and building new ones.

Concept

T h e i n f i n i t e l l l i f e.

l i n e t h e n

t r a n s fo r m s i n

s h e l t e r s.

P e o p l e

f i n d

a s p a c e

t o

d w e l l

w h e r e

t h e y

c a n

f i g h t

f o r

a

p e a c e f u

n e g o t i a t i n g

b e t w e e n

My approach started with the idea of the infinite line of the refugees that leave their home countries to find a place to make it a home.

Secondly, i considered the site in Schluein as a temporary location , only a compromise in dealing with this issue.

In the third place, I chose that the project should have an archetypal value that could make it as a prototype in dealing with this kind of brief.

T h e

a b s o l u t e c a p a c i t y

T h e

b e a u t i f u l

o f

m a n

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c o n s t r u c t i n g

s h e l t e r.

D o

i t

y o u r s e l f!

Fourth, i thought of the importance of the house archetype in any of us and tried to use this as a starting point of the project.

Fifth, i had to find an archetypal architectural form to deal with the idea of house. So i took the Greek temple as a reference, as an illustration of an idea of “a house inside a house” that will enable me to play with the spaces in between the houses.

Sixth, i choose to work with the idea of a “make it yourself architecture” that could involve each individual in constructing the necessary shelter.

l o n e l y

c h a l e t s

a n d

c a b a n s

i n

t h e

A l p s.

A s m a l l

c o v e r e d

s p a c e

t o

f i n d

s h e l t e r.

Seventh, i thought that any of us has of the strong and beautiful cultural heritage that is independent of any hardship that one my face in a certain moment. So it will be fascinated if one can bring into a project this idea of personal identity and culture.

Eighth, i brought into the project the iconic appearance of the small wooden huts that are scattered across the alpine scenery, as an archetype of shelter in the difficult terrain and climate of the region. In the background of all these ideas was also the feeling of uncertainty and ephemeral that characterizes this in-between existence.

As a result of all the thoughts above mentioned part of my project consists of an endless rows of houses that stretches on the mountains ending at the Schluein castle that becomes a gate to the a new culture and maybe to a new home. All this houses will be modules made out prefabricated wooden structure that can be assembled on site. Each module is composed of a frame structure that becomes the outer shell of the house and a flexible module placed inside the structure. In between there a space that can be used freely. The connection with the ground is minimal allowing the houses to almost float in the landscape.

The idea was to have a shift between a rule-the structure and freedom- the inside space.

This is symbolically connected to the idea of a refugee that has his own identity having to deal with the rules of a new land, of a new life.

T h e h o u s e i n s i d e t h e h o u s e. T h e i n s i d e a n d o u t s i d e i n y o u r w a y.

g r e e k

t e m p l e

a s

a

m o d e l

f o r

a n

a r c h e ty p a l

w a y

o f c o n s t r u c ti n g

a

h o u s e

The house

Module family house-A+B+B

Module family house-A+B

Module family house-A+A+B

Module kitchen 1-A+A+B

Module kitchen 2-A+A+AB

The sports hall

The school

LIVING IN PLANKEN

Masterplan with density created along the main street and on the meadow

PROGRAM: DENSIFICATION OF AN ALPINE VILLAGE LOCATION: PLANKEN VILLAGE, LIECHTENSTEIN AUTHOR: ARCH LAURENTIU TIBERIU STANCU SUPERVISING TEAM: PROF. CONRADIN CLAVUOT, ASSIST. PROF. ROBERT MAIR DESIGN PERIOD: FEBRUARY 2013-JUNE 2013 (SUMMER SEMESTER) Description The task was to propose a formula of density for the village of Planken while enhancing social cohesion .

The aim was to create conditions for doubling the population of the village while maintaining the historical, architectural and natural condition and the particular atmosphere of the village.

The site is the village of Planken that is situated on a natural platform in the Alps, in Liechtenstein, close to the capital city Vaduz. The city has about 1000 inhabitants and is historically a “ Valser” village. The Valsers are ancient communities of farmers and craftsmen that scattered along the Alps creating villages corresponding to the typology of the “ Street Village”-a relatively dens conglomerations of one or two story houses along a main street.

While still maintaining some of the old buildings and the prevalence of the mains street as a linear center most of the build environment is made out of private residences and gardens.

The village has lost his traditional functioning mechanism and had become a kind of residential suburbia.

Concept The Master plan.

First, I divided the limited area of the village into two parts: the main street and the meadows.

Secondly I proposed an intense densification along the main street continuing the Valser tradition. For the meadows I proposed building regulations that allow for a fragmentation of the building volumes and a reduced footprint of the building- thus the meadow will maintain is natural flow through the houses.

The houses.

Scheme with the public and semiplublic spaces along the main road.

For the architectural project I focused on the main street.

The second step was defining two typologies for intervention-the house up the hill and the house down the hill.The two typologies respond differently to the landscape and the street but keep the same principles.

These principles are: -The typologies work with the abstract concepts of the cave and the nest.

-The articulation of the houses is made in such a way to create semiprivate common spaces – a king of clusters that are shared by the residents.

-Each unit contains two apartments that respond to the two basic typologies of “the room to the garden” and “the room under the sky”.

-Each apartment has a separate room and services connected to the street level. Thus the rooms act as a social connector.

The result is that the space of the street insinuates itself into the scenery negotiating between the openness to the landscape and protected cave like patios, and also between public space and the intimacy of the houses.

The houses become themselves a threshold between the meadow (garden) and the sky…

The meadow.

General masterplan for the densification of the main road.

The street.

House “A” - “the house up the hill”

House “B” - “the house down the hill”

The ensemble

A TRANSITORY REALITY INSTITUTION: KU LEUVEN, Faculty of Architecture, CAMPUS SINTLUCAS, GHENT, BELGIUM PROGRAM: MIXED USE DEVELOPMENT LOCATION: ANTWERP, BELGIUM AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU SUPERVISOR: M ARCHITECT / M TOWN PLANNER CHRISTOPHE POLACK DESIGN PERIOD: OCTOBER 2013 - JANUARY 2013 (WINTER SEMESTER) Description The task of the project was to make a proposal for a area in Antwerp, characterized by a lost of urban consistency, which would consist in a mixed use development that would increase the density of the area.

The site is characterized by caesuras between the different realities. The boundaries between them become abrupt are abrupt and violent. This realities coexist in juxtaposition not in interdependence. Each reality is alienated from the other. There is no dialogue or a sense of harmony and connection. They are autistic realities. This is translated clearly in the two dimensional visual realities by this continuous horizontal lines that split the views. The reality of the site has become an abstraction.

A collection of infrastructure, connection routes, traffic nodes, building codes, and regulation defines in an abstract way the context for the project. Thus, the intevention acts between different realities each with its own rhythm, atmosphere, scale, proportions and boundaries. The key is understanding this realities and see how they are coexisting and if they can do this in a way that they work together in creating a good living environment-as a reflection in a window that brings together all in one specific reality. The next step is to define what is a good living environment and how this realities can coexist in harmony?

As a starting point of the project we identified few elements of the existing reality dividing them into global and local in order to asses the problems and beauties to address.

Elements of global reality -The highway -The car -The warehouse -The industry -The supermarket -The parking spaces -The emerging emigrant communities -The homeless people -The drug addicted people Elements of local reality -Row house typology -The secret garden -The walled garden -The basement part of the streetscape -The interior space of the house divided in two-the street space and the garden space -Winter gardens as transitional spaces -Gardens as a space of freedom -The roofscape -The particular place of fire in the house -The natural landscape -Climate -Canals and harbors as part of the urban scenery -The boat as part of the anthropic landscape Concept The Master plan.

The idea behind the entire development was driven by the overlapping of layers within and around the site which called for a regulatory structure In the meantime i choose to approach the entire planning as a compression of all the realities identified in the surrounding area. The development will act as an infrastructure like an artificial forest that offers different categories of spaces ready to be inhabited.

The unit.

At the basis of the master plan is an archetypal module that grows and unfolds giving the entire ensemble a unity of vision. The basic structure of the archetype allows for a multitude of ways of inhabiting the spaces which encourages changes and makes the whole neighborhood as an organic entity that changes with its inhabitants.

Context and inspirations

The project The grid

The “space of freedom�

The dwelling mass and courtyards level +0.00

Masterplan level +0.00

The coutyards level -1

The structural and infrastructural elements

The modular units Exemple of a one family house

General layout

FREYA INSTITUTION: KU LEUVEN, Faculty of Architecture, CAMPUS SINTLUCAS, GHENT, BELGIUM PROGRAM: BOAT REPAIR WORKSHOP LOCATION: GHENT, BELGIUM AUTHORS: MSC. ARCH. ADRIANA STROJEK, MSC. ARCH. LAURENTIU TIBERIU STANCU, MSC. ARCH. DORAS ALVER, MSC. ARCH. JOACHIM BEKKERS SUPERVISOR: ARCH. CRISTOPHER PAESBRUGGHE DESIGN PERIOD: FEBRUARY 2014 - MAY 2014 (SUMMER SEMESTER) Description This project is made within the framework of the design studio at KU Leuven, Faculty of Architecture, campus Sint-Lucas. Ghent, Belgium.

The theme of the studio-�As found�-called for a free intervention in the city of Ghent. The site and programme where free of choice.

Our intervention focused on a boat building workshop where together with the master craftsman, Hendrik, we tried to solve the constructive and administrative problems of the site while working at the threshold of poetic discourse.

Concept This project revolves around the themes of Melancholia and Nostalgia and tries to identify possible connections with architecture leading to the specific intervention within the site chosen for the studio project.

The place of intervention is a functioning boat repairing workshop with a history of more than 70 years sheltered underneath two hangars that are fading away under the weight of their own structure due to complicated bureaucratic regulations while the boats are still being renewed in an act of pure resistance.

The hero is Hendrik, the owner that gives us the necessary story to be tied to the place itself. His story is in fact a collection of many stories of boats and people and to enter his world is like entering in a nostalgia museum of sailing.

Moreover, the place, which lies at the threshold of canals, is swept away by the running water, fading together with the line of boats that are slowly sinking around the site.

The mere substance of the soil is a mixture of debris, tools, and boat pieces that transforms in a continuous matter that can tell so many stories by itself. he condition of the site speaks clearly of melancholia: the incompleteness of the traces in the ground that are themselves decaying day by day, the inevitable departure of Hendrik from the place that can no longer host him, the decaying structures and the fading land. But not the least the heroic resistance of the owner itself that is fighting for the revival of old boats that hold in them, at their turn, so many stories.

The proposal takes into account an important boat that waits to be repaired in the existing workshop. Its dimensions makes this very difficult considering the specific conditions of the existing space. Due to building regulations that prohibit any interventions on the exterior of the building our proposal focused on the inside space.

Thus, we lowered the working level within the existing structure with a concrete shell embedded into the ground. In the lower perimeter created we placed an adjustable insulated shell that makes possible the work on the valuable boat. In addition we added a tool house that provides functionality the scheme. he two structures are movable and they are to be taken away when the owner lives the site.

The remaining concrete shell will keep the traces of the place while acting in the space of time as an artifact.

Moreover, the condition of the soil that is changing with the low of water will interact with the presence of this artifact by changing and renewing the morphology of the island. his leads to an idea of a place, a perfect island that renews itself by the passing of waters and time and waits each time to have its secrets rediscovered.

Link to the presentation movie: https://www.youtube.com/watch?v=FclwwN9Abbs

The site and its artefacs

The project

PORTFOLIO MSC. ARCH. LAURENTIU TIBERIU STANCU - PROFESSIONAL PROJECTS

HOUSE M PROGRAM: SINGLE FAMILY DWELLING LOCATION: CRAIOVA , ROMANIA CLIENT: PRIVATE ARCHITECTURE: SC. SPIELRAUM S.R.L. AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU STRUCTURE: SC. PROIECT INTERCONSTRUCT U S.R.L. AUTHOR: ING. ADRIAN STANESCU INSTALLATIONS: SC. CAT DESIGN, STELIAN STEFAN PFA. SITE AREA(SQM): 336 TOTAL BUILT AREA(SQM): 340 DESIGN PERIOD: 2008 STATUS: BUILT Description A house for a family of medics: a cardiologist, a radiologist, and two boys that were attending medical school. A quiet neighborhood in my hometown, with houses surrounded by gardens and trees.

The task was to design a house filled with light. Also, the owner wanted the house to be as independent as possible in terms of utilities.

One thing that drew my attention was that Ms. M has great memories from her childhood in the countryside where people used to make bricks out of clay shaping them with their own hands and then cooking them in outdoor ovens. She also likes to grow plants and she required a terrace on the second floor where she can bring them to light when is hot outside. The two boys wanted a playroom in the basement.

The final design of the house was born starting with the idea of using a brick wall for the outer shell, having an important source of natural light in the center of the house and trying to make the house as passive as possible. The design process was a good exercise in terms of studying the basic features for a passive house construction as: insulation techniques, passive use of solar energy, regenerative energy use for hot water supply, energy efficient glazing, passive ventilation techniques etc.

Working with this family was a great experience. The entire process from the initial discussions to the final result was based on genuine dialogue and trust. We had to make some changes to the project along the way but i think the final result keeps the architectural idea intact.

Concept The idea was to create an outer shell of bricks, a protective wall that seems to encapsulate the interior space of the house. The terminus point that keeps the wall together is the entrance. When designing this outer shell of bricks I was thinking of a little child that snuggles in his bed holding his favorite toy. A symbolic image of safety and comfort.

The house opens to the south and the light fills a central space, two story height, where the fireplace gathers the family around it. The center of the house is a place of light and firethe heart of a cardiologist’s house. This space also marks the spatial relation between the three floors. In addition, I tried to create a ambiguous space along the north wall which acts like a spatial limit for the interior space-i wanted to dissimulate the feeling of a spatial boundary. This buffer space acts like a slit in the interior space of the house and allows the view to penetrate from the front yard to the backyard when one opens the door of the front room or walks up and down the stair between the basement and the ground floor. It is the central space that expands like a flow of light all along the north wall.

The basement receives zenithal light from slits in the concrete floor, like small surprises of light. The ground floor is structured so there is constant visual relation between the front yard and the backyard and in such a way to create a division of light intensity throughout the space. The upper floor hosts the bedrooms that open towards two terraces. These will be filled with flowers in the summertime and will appear as suspended gardens-the bedrooms will have their own private gardens. The shape of the house marks the entrance in such a way that it appears hidden and has to be discovered. There’s a pathway from the entrance of the courtyard to the center of the house where the light is. Also, the shape allows for a more complex way of articulating the space of the courtyard.This is in direct relation to the way typical courtyards are shaped in this particular area of the city-houses are built along one side of the plot and have an irregular shape that creates a special relation with the exterior space dividing the courtyard in areas with different spatial characteristics, dissolving the boundaries between the front yard and the backyard.

Plan level +0.00

Section A-A

Plan level +3.50

Section B-B

Section C-C

PRIMARY SCHOOL PROGRAM: PRIMARY SCHOOL LOCATION: PERSANI VILLAGE, BRASOV COUNTY, ROMANIA CLIENT: MINISTRY OF EDUCATION, RESEARCH, YOUTH AND SPORTS ARCHITECTURE: SC. ASIX DESIGN S.R.L. AUTHORS: MSC. ARCH. LAURENTIU TIBERIU STANCU, ARCH. LUIGI IONESCU STRUCTURE: SC. INGINERIE SEISMICA S.R.L. AUTHOR: ING. CATALIN STEFAN INSTALLATIONS: SC. IPCT INSTALATII S.A. SITE AREA(SQM): 2264 TOTAL BUILT AREA(SQM): 812 DESIGN PERIOD: 2008 - 2009 STATUS: BUILT Description.

This primary school is part of a program aimed to provide villages across the country with learning facilities.

The brief was to design a school with 6 typical classrooms.

The site provided for the project was at the edge of the town, right near the main road.

The site has a declivity of 3 meters, the higher part to the North. In the North there’s also the high traffic road that is passing through the village. In the South there is a one floor building that stretches all along the length of the site. This building was once part of a farm and is now abandoned.

Concept The idea was to use a primordial house form and to repeat it in order to make the school appear as 3 houses.

I seldom use this fragmentation when working in country villages in order to conform to the scale of the built environment. There is also a certain rhythm that one can find watching the way these small villages are organized.

This fragmentation allowed me to divide the courtyard into 4 spaces. I think this is important in order to create an exterior space that is more complex and that can be used in many different ways by the kids playing.

South-West Elevation

It was also important to create a sound protections as well as a physical one from the street. Therefore the building is opaque to that side. Also, I used the declivity of the terrain in lowering the floor level of the building and the courtyard in relation with the street level. One intention was somehow to “hide” the entrance and to create a more gradual way of approaching the building. I think kids will feel more protected when entering the school and playing in the courtyard. This feeling is enhanced by the fact that the building that faces the school creates an enclosure of the exterior spaces. So the kids have a “secret” place to learn and play.

Also, I chose to place the classrooms in a way that they face each other so that the kids will see one another. Also, the classrooms face the more intimate and silent courtyards.

That allowed me to place more functional area towards the end of the house where is more noise.

The interior space of the classrooms is also shaped like little houses in order to create a more familiar and protective feeling for kids. I intended the school to be a place where children can feel at home. I hope there will be a lot of joy here.

North-East Elevation

Plan level +0.00

Section A1-A1

Section B1-B1

“KISELEFF” RESIDENCE

MASTERPLAN

PROGRAM: RESIDENTIAL COMPLEX LOCATION: BUCHAREST, ROMANIA CLIENT: PRIVATE ARCHITECTURE: SC. ASIX DESIGN S.R.L. AUTHORS: MSC. ARCH. LAURENTIU TIBERIU STANCU, ARCH. VALENTINA TIGARA, ARCH. RUXANDRA TEODORESCU STRUCTURE: SC. INGINERIE SEISMICA SRL AUTHOR: ING. CATALIN STEFAN INSTALATTIONS: SC. IPCT INSTALATII SA SITE ATEA(SQM): 8555 TOTAL BUILT AREA(SQM): 14595 DESIGN PERIOD: 2010 STATUS: IDEA Description.

Scheme for the ensemble

Ground floor plan

Roof terrace plan

The clients brief was to design a residential complex as dense as the regulations of the area allowed for, with 2 or 3 bedrooms apartments around 200sqm each.

The site: a hidden garden surrounded with trees in a wealthy neighborhood of Bucharest, one of the remaining areas of the 1920’s Garden city planning . There are two houses here that the client wanted to demolish and built the residential complex. We proposed to keep the houses and build around them, however the client refused. Ultimately we complied with the terms but we negotiated to keep all the trees and as much of the existing garden.

The idea was to think at the entire complex as a house with a garden. We approached the complex as separate buildings that are connected with a continuous space at the ground floor which is lower then the entrance level and opens to a semiprivate garden. The ground floor becomes a belt of common spaces for all the inhabitants. It is a transparent space: on one side the garden on the other a green embankment that makes a transition with the outer limit of the site. Thus we tried to dissimulate the limit of the garden-the green space becomes continuous throughout the ground floor. Also, we managed to bring additional light to the interior space.

The ground floor was conceived as a space for social interaction opened to the garden. The kids will play outside and the grandparents will watch them while sitting comfortably on an arm chair, in the shadow, smoking a pipe.

We thought of different typologies for the apartment blocks keeping the overall dimensions in order to comply with the regulations and with the scale of the surrounding buildings.

Also, we managed to keep all the secular trees that are present along the edge of the site.

They are a visual filter toward the buildings that surround the site and at the same time a curtain of green that offer privacy.

A residential complex surrounded by trees, organized around a private garden-a house with it’s interior courtyard and sheltering trees.

Concept for the apartments The idea was to create, for each apartment, a living space that is open to all four cardinal points. We thought of a central living space surrounded by all the additional spaces. For the next step we took as point of departure the “nine square grid” and play...

Each room will be a square and each servant space will be half a square. On one corner a square is reserved for the vertical circulation. The living space will be the remaining space that seems to be cut in stone in search of light. While these are the constants, each floor was an opportunity of playing a “Lego” game. This game allowed us to control the view of each apartment and its lighting conditions. The exterior volume seems like a sculpted monolith. A mountain with cave dwellings .

In terms of materials we experienced with different textures and we arrived at white bricks in order to enhance the reflection of light between the buildings and, also, to create a contrast between the delicacy of the material and the robustness of the volume. Also, the light has such a wonderful effect when playing with the rhythm of the bricks…

We used the game also for a second typology, this time a 3x5 square grid.

Section B-B

Section C-C

Section A-A

Concept for the housing units

HOUSE C PROGRAM: SINGLE FAMILY DWELLING LOCATION: DOBRITA VILLAGE, ROMANIA CLIENT: PRIVATE ARCHITECTURE: SC. SPIELRAUM S.R.L. AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU SITE AREA(SQM): 9000 TOTAL BUILT AREA(SQM): 390-CONCEPT 1 375-CONCEPT 2 DESIGN PERIOD: 2009 STATUS: IDEA Description A house for a Noble man in his home village. The land of the family was confiscated many years ago for political reasons. As they regained their land, they wanted to build a house as an emotional and symbolic sign of their roots. A man and a woman who want to spend their later years in the place that is defining for their family history.

The plot is located at the edge of a remote mountain village and stretches from the top of a hill all along the valley.

The brief had two particularities: the house had to have two separate living spaces, one functioning as a hall for receiving guests and a more private one, just for the owners. In addition there had to be two separate bedrooms for the two owners both connected to a space for reading.

Longitudinal section

Concept 1 The first idea was to conceive the house using the principle of nobleman houses from 19th century that can be found in the area where the village is located-they consisted of two monolithic and imposing volumes- the main house for the family and one smaller house for the staff. The houses are usually connected by different functional spaces.

Moreover, at the basis of this concept its also another typology of construction found in the southern part of Romania, that of the tower houses, structures used as fortified shelters. These construction are characterized by a strong monolithic presence in the landscape that i find a beautiful statement about the relation between artifice and nature.

Drawing from the two references I designed the house as two basic volumes - one for the family and one for the guest house - that can function independently. They are connected by a simple stone clad volume that is hidden from the access point of the house by using the slope and building it into the soil. This volume shelters all living spaces and opens toward the scenery and a private terrace.

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I wanted to create a dialogue between the landscape and the monolithic appearance of the apparent volumes of the house and, by rooting the house within the ground, to bring forth a symbolic connection with the land that is so precious to the family.

The color of the detail of the roof construction is intended to add a hint of newness to the house and to ground it into its time.

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Concept 2 The second idea was to approach this house as a landmark, a powerful presence in the landscape as a sign of the family regaining its rightful place in the community. Thus, I placed the house right at the edge of the site on the top of the hillside.

The house is organized around a central, two story high space. This is a hall for receiving guests and it is opened to the landscape, towards the 4 cardinal points and also to the sky-a symbolic space that defines the roots of the owners in this particular place.

The volume of the house is structured in the same way as the archaic traditional houses of the area-a stone ground floor with strong roots in the landscape and, an apparently light upper floor that floats onto the “rock� underneath. This floor is open towards the scenery just like a viewing tower and is clad in local wood to emphasize its lightness.

The overall idea of the house draws from the architecture of one of the traditional house types that are found in the area. This particular type is characterized by the dichotomy between the massiveness of the socle and the lightness of the first floor that is given by the encompassing wood porch.

Nevertheless, in contrast with the traditional building type, I used a flat roof instead of a pitched roof to emphasize the modernity of the house and give it a sense a strangeness that makes its presence more powerful.

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THE GODFATHER’S HOUSE PROGRAM: SINGLE FAMILY DWELLING LOCATION: PREAJBA VILLAGE, CRAIOVA , ROMANIA CLIENT: MY GOTFATHER’S SON ARCHITECTURE: SC. SPIELRAUM S.R.L. AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU SITE AREA(SQM): 4000 DESIGN PERIOD: 2011 STATUS: IDEA Description This is a study for a house for my Godfather’s son, his wife, and their daughter. There was no particular brief. Just the site and my thoughts of what kind of spaces and moods my relatives would enjoy.

The site is a plot of land near my hometown in an area that is planned for private residential developments.

I have always enjoyed spending time with my godfather’s family in times of celebrations.

They have a little old house in the countryside with an orchard that is mesmerizing in the springtime when all the trees are blooming.This is when we gather around the table that we lay outside. It is always full of good things that i use to prepare together with my godfather on an outdoor oven.

When i am thinking of different ideas for this house i have my heart full on this feeling of an emotional garden full of flowers where you gather with your family and celebrate life.

I am presenting here 4 ideas from my ongoing thoughts and work on the project.

Concept 1 A house “talking to the sun”.

The volume is cut in order to create a relation with the exterior courtyard. The transition space between the interior courtyard and the exterior is marked by a covered space with a fireplace for barbecues. The servant spaces are grouped in the corners of the volume centrifugally in relation with the courtyard. These spaces are less high than the served spaces.

The idea was to obtain a fluid space by creating a direct spatial connection between all the served spaces. This connection is further emphasized by the lighting effect created by using the difference between the ceilings heights.

From sunrise to sunset the space will become a kaleidoscope of lighting effects.

Concept 2 A house made to appear as three primitive huts-a collection of three main rooms, where fire, light and simplicity of form are the main elements.

The three archetypal volumes for the served spaces are connected by a less higher mass for the servant spaces. The idea was to create a house that relates in scale and proportions with traditional houses in the area that consist of many small volumes( one story high, sheltering 2-3 rooms) that are articulated or scattered within the space of the courtyard.

My aim was to create a recognizable spatial identity for the two bedrooms and for the living and dinning room. These spaces benefit from zenithal light and they are open to the garden as well as well as to the sky. They are primordial spaces filled with light. Also, the way these volumes are articulated results in the creation of an outdoor terrace, a space that filters the transitions towards the exterior space of the garden.

The volume of the house is lifted from the ground on a plinth that gives unity to the composition and contributes to the overall proportions of the house.

Primitive huts, by Norman Crowe, courtesy of MIT Press.

Reconstruction of a house at Kostenki, Khokholsky District of Voronezh Oblast, Russia.

Concept 3 A small citadel.

The house is composed of 3 layers that overwrap: an enclosed courtyard, a fluid living space that surrounds it and, on the outside, all the servant spaces and the bedrooms that are cave like-spaces for retreat. The idea was to create the feeling that these are spaces that are shaped from the inside just like you make shelter in the rock of a mountain.

The “living room” is a continuous space composed from four spaces each with its own characteristic-different type of ceiling, different type of zenithal light. These spaces are higher than the rest and are expressed in the volume of the house as white painted boxes that “disappear” into the light. In contrast, the outer layer of the house is covered with a more tactile material that enhances the iconic citadel or cave-like appearance.

The connection with the courtyard is made with breaches in the outer layer.

Concept 4 The idea was to create a house with a “secret garden”, an enclosed Paradise defined by a high wall. The spaces of the house are organized along this confining wall.

There are two types of spaces: spaces that are centrifugal in relation to the courtyard and spaces that are centripetal in relation to the courtyard. The latter are transparent and float within the space of the garden. They protrude the enclosing wall and become part of this secret place. The other spaces are related more with the exterior ”world”. They are box like spaces, less higher than the enclosing wall, that create an outer shell for the house. When one walks around the house these two types of spaces unveil a certain sense of promenade between two worlds; the world outside and the world inside.

In addition there is breach in the wall to create a relationship with the exterior courtyard.

This opening is marked by a covered space which will become the barbecue area. Thus the fire becomes a symbolic filter when entering the secret garden.

Concept 3 and 4 work with the dichotomy between Babylon, a symbol of the life on earth and the New Jerusalem, the symbol of paradise.

This two concepts deal with the idea that a house is positioned at the threshold between the laic and the sacred, balancing between a material presence and a spiritual one.

Moreover, each of these concepts could be understood as acting within these dichotomy.

They could be both negotiating between an image of the earthly construction and eh heavenly one.

The two images reference presented here are details from the Icon of the journey to the New Jerusalem, the ascent from earth to the Heavenly City ca. 1500, found at the Monastery of the Theotokos, Platytera, Corfu.

DUBAI GLOBAL ENERGY FORUM

The constructive archetype and the building unfolded

LOCATION: DUBAI, UNITED ARAB EMIRATES ARCHITECTURE: MSC. ARCH. LAURENTIU TIBERIU STANCU DESIGN PERIOD: DECEMBER 2013 - APRIL 2014 COMPETITION ON THE ARCHMEDIUM PLATFORM STATUS: HONORABLE MENTION Description The competition called for a building hosting an annual Global Energy Forum in the city of Dubai.

The purpose of the project is to strengthen the commitment that the city of Dubai i smacking towards environmental protection and sustainable development.

The new building should be a statement towards these goals, while becoming an icon for a new political paradigm towards energy consumption.

Concept The idea of the project starts with the definition of the two key words: forum and energetic.

First, the forum is treated as an infrastructure that allows a protected environment for formal and informal meeting and discussion. Second, the energy topic is treated as an infrastructural element that deals with the production of energy and the well thought usage of local environmental condition. The project brings together the two infrastructures in a complete system. The materialization of these ideas is done within the framework of the particular cultural context of Dubai taking into account also the available resources and the site conditions.

The inventory of the elements used in the project is: • Traditional Arab geometrical patterns as spatial grid and light filter.

• Earth as a building material and a source of coolness • Sun as an energy source.

• Water as a precious resource that is to be stored and used also for evaporative cooling.

• Steel as an expression of the industrial boom of Dubai.

• Wind as a resource for ventilation and cooling.

• Structure and light as main design “tools”.

The project brings all this elements together in an infrastructure that uses walls made of a mixture of earth and cement as elements that are organizing the space of the forum. The walls are orientated so all the spaces can be ventilated by the North cool sea wind while creating a relation to the Mecca direction. Also, the construction is taking advantage of the coolness of the earth by lowering the space into the ground-thus all the earth that is dug out is turned into the walls that protrude one level up the ground. The result is a cool and flexible space that offers space for big events but also intimates corners for private discussions.

All the spaces are covered by a three dimensional steel structure-a three-dimensional musharabyia- that supports a solar panel field while filtering the light from above and collecting the rain water in a basin that is set at the core at the complex providing evaporative cooling. The space between the energy infrastructure and the walls is also ventilated in order to create a buffer space that provides a cool cocoon for the interior spaces.

The entire complex is treated as an island taking from the characteristic of the site that is surrounded by traffic-thus the main access are done by underground tunnels accessed from strategic points in the surrounding-the access itself becomes a path of shadow and coolness awaiting for the shivering light of the main building filtered by the roof structure and the musharabyia.

Adobe walls

Connectors for the roof structure

Metal mushrabyia

Ventilated metal roof structure

Solar panels and water collectors

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“THE DOUBLE” PROGRAM: SINGLE FAMILY DWELLING LOCATION: PEIZEGEM, BELGIUM ARCHITECTURE: ARCHITECTURE OFFICE GISELE GANTOIS, Asse Ter Heide, Belgium AUTHORS: MSC. ARCH. LAURENTIU TIBERIU STANCU, ARCH. GISELE GANTOIS DESIGN PERIOD: APRIL 2014 - AUGUST 2014 STATUS: IN PROGRESS Description The task called for renovating and transforming a former farmhouse and its annexes that is now a residence for a family of four.

We where left to decide freely what could be done...

Concept The project started with acknowledging the fundamental question of the project: How to act with old farmhouse or similar programs that offered both spaces for living as for production, in the condition of change in lifestyle, when they will be used only as residences?

These structures are losing their internal logic and the whole connection with the productive land. If, as long as the farm was functioning, the house and where bounded together, now there is a strong caesura between the two. The productive landscape becomes just a leisure field and all the spaces dedicated for farming loose their purpose calling for intervention.

We decided to act in this contradiction and further enhance it. Thus, we decided to treat the volumes as abstract entities in the landscape, as “ghosts”, that will exist within a strong displacement relative to the once productive landscape. As a consequence we started with the shell that should speak about this idea. We chose a reflective metal surface that will blend within the environmental conditions while “dematerializing” the house.

As we where already thinking about the houses as surreal presences in the landscape we decided to go even further in this direction when dealing with the existing structures in detail. The existing layout of the ensemble brought forth the idea of a duality and a third presence-the other( the observer)-the main house is divided in two, as the small workshop while the barn is enclosing the ensemble as a third element.

As reference points, we turned to Magritte and his mysterious double figures.

The art of Magritte often comes forward when dealing with the surreal Belgian reality....

As a first design gesture we emphasized even further the duality of the architectural volumes by splinting in two the house and the workshop. In this way we opened the space in-between n even more to the landscape and the sun, while cutting from the inhabitable space which was already in abundance.

By dividing the two structure we act in the same paradigm of the double.

While the two volumes of the house are the same but directed one towards the meadow, the other towards the street, the two volumes of the workshop work with a dichotomy of function-one is dedicated to water( bathhouse) the other to fire.

Next, we doubled the structure of the barn with an exact shape but a light, metal structure hosting a pool that could be closed in the winter. In this way, we created another dichotomy dealing with materiality-the light, translucent structure of the pool opposed to the heavy, brick structure of the barn.

In addition, we treated the interior of the house as separate entities, using the “house in a house” principle to further emphasize the contradictions within the project and the idea of displacement. While designing the structures inside the shells we started with an abstract reference to the layout of the existing houses and ended, for the third concept, to maintain physical traces of it.

We wanted the project to be an investigation into the changing conditions of lifestyle and the relation between man and landscape in the traditional rural areas. Moreover, we wanted to bring forth a design that speaks as much about the subconscious and symbolic as about the pragmatic and rational.

concept

Variant 1

Variant 2

Variant 3

REHABILITATION AND REUSE OF GROENEDAAL TRAIN STATION PROGRAM: MIXED USE TURISTIC INFRASTRUCTURE LOCATION: GROENEDAAL, BELGIUM ARCHITECTURE: ARCH LAURENTIU TIBERIU STANCU, ARCH GISELE GANTOIS, ARCH CHRISTOPHE POLAK DESIGN PERIOD: APRIL 2014 COMPETITION STATUS: IDEA Description The competition brief asked for the renovation of the train station of Groenedaal which was affected by a fire. The renewal of the station was supposed to focus not only on restoring the function of the building but also bring additional uses that could make the existing building a touristic outpost for Groenedaal and its surroundings.

Concept We decided to treat the existing structure as a welcoming shell for a series of structures that would host different functions. For every function we proposed a different spatial container that will “inhabit” the the existing walls of the station.

The spaces created in this way will unfold along an enfilade that should recall the linearity and sequential character of train wagons.

Moreover, along a part of the existing walls we proposed to create an offset-ed underground that should emphasize the presence of the old structure as a separate entity while creating a more generous space for the required functions.

The overall architecture of the facades of the station is preserved and restored and should create a dialogue withe the new intervention.

The idea is to create a microcosm inside the old station while talking about the complete change in use and the mixed use character of the proposal.

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Ground floor plan

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AREAL PLAN FANAS PROGRAM: RESIDENTIAL AREA PLANNING LOCATION: FANAS, SWITZERLAND ARCHITECTURE: MSC ARCH LAURENTIU TIBERIU STANCU, DIPL ARCH ETH CONRADIN CLAVUOT, STUD ARCH OVIDIU SERGHE lANDSCAPE ARCHITECTURE: MÜLLER ILLIEN LANDSHAFTARCHITEKTEN GmbH ENGINEERING: CASUTT WYRSCH ZWICKY AG DESIGN PERIOD: AUGUST 2015-JANUARY 2016 COMPETITION STATUS: FIRST PRIZE Description The competition brief called for a proposal for a new residential area that would bring more inhabitants to Fanas, an idyllic Swiss village situated on a steep landscape.

The task for the invited architecture offices was to imagine a masterplan and propose a strategy for the development of the new area.

Concept Our design process started with an investigation of the qualities of the existing village and draw few outlines for our proposal.

Historically, Fanas is a “Valser” village. The specific cultural environment of the Valsers resulted in very compact settlements mainly due to the scarcity in productive landscape, and type of resources available. The dense building environments in the “Valser” villages allowed for as much free natural landscape as possible.

We decided to act in the same paradigm by massing our proposal close to the existing buildings and allowing for as much free space as possible.

In the end we proposed just a street that we used as a tool for defensing the area, organizing the residential units and creating social space due to its semiprivate character.

The overall concept of the masterplan is “ living in the landscape”.

For this we shifted the convention of the typical suburban Swiss living by creating strict rules regarding the use of the free landscape. The house will “flow” within the natural terrain without any enclosure or boundaries. Property will be defined only by the constructed masses without any sense of other kind of boundaries.

The overall development should integrate organically within the existing layout of the village allowing opportunities for a specific type of in-habitation at the threshold between artifice and nature.

STADT GARTEN

Inspirations

The site and the urban situation

PROGRAM: HOUSING LOCATION: CHUR, SWITZERLAND ARCHITECTURE: ARCHITEKTURBÜRO CLAVUOT, Chur, Switzerland AUTHORS: MSC. ARCH. LAURENTIU TIBERIU STANCU, DIPL. ARCH. ETH / SWB CONRADIN CLAVUOT, MSC. ARCH. GINO DE GIORGI BUILDING PHYSICS: PFLEGER STÖECKLI ARCHITEKTUR GMBH SITE ATEA(SQM): 11154 TOTAL BUILT AREA(SQM): 7965 DESIGN PERIOD: MARCH 2016 - MAY 2016 COMPETITION STATUS: IDEA Description The task for this competition was to propose new residential units in the city of Chur.

The site is situated at the threshold between a heterogeneous residential neighborhood and a urban garden area situated a the edge of a highway.

In addition to respecting the urban regulations of the city of Chur that required, among other, a maximum of 10 m height to the cornice, the organizers of the competition asked for an energy efficient building.

Moreover, one of the design tasks was dealing with sound pollution from the highway and allowing for pedestrian connection with the pedestrian paths along the highway.

Concept As a starting point we based our research on few main ideas: -Drawing from the general atmosphere of the urban garden area.

-Keeping the existing connections between the city, the garden area and the pedestrian paths along thh highway.

-Approaching the energetic issue from passive point of view-allowing for solar thermal gains, and natural ventilation.

Masterplan After deciding to create connections with all the existing pedestrian paths we treated the resulted perimeters as residential islands. Thus, the overall masterplan would consists of five islands each with a specific character.

The building mass will occupy one corner of the island, opening to the sun, while enclosing a semiprivate garden, each with its own specificity.

Building concept As a general concept for the layout of the building we worked with a dichotomy between fully opened, glazed spaces, towards West and South and more enclosed spaces towards East and North. These decision allowed for few advantages. First, we concentrated as much building mass as possible towards the source of sound pollution and enclosed the island that would become a silent area. Second , we turned as much spaces as possible towards the sun allowing for thermal gains in the cold months.

Apartment concept.

Our concept brings forth, within the conventional requirements for the design of the apartments, the concept of a “free room”. This space is highly flexible and works as a loggia that could be opened or closed, becoming a room, or just an outdoor terrace. Moreover, it acts as an access in the apartments and becomes an entrance court as well. The idea was to bring forth a concept that allows for customizing the apartments and brings some freedom for the inhabitants to create a specific lifestyle.

Overall, the idea was to imagine five apartment units, that would act more as villas connected with their own garden, each different, while maximizing the flexibility of the living units an minimizing the energy consumption from the grid.

Shadow study

The project

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Longitudinal section

SCHRITTSCHRITT FÜR SCHRITT FÜR SCHRITT Neubau Notfallstation/Akutpsychiatrie,Klinik Waldhaus Chur

PROGRAM: PSHYCHIATRIC CLINIC Städtebauliche Einfügung Das bestehende künstliche Plateau des Klinikareals mit seinen klassischen, zueinander in starken Geometrien LOCATION: CHUR, SWITZERLAND frei

eingestreuten

und Architekturen gesetzten Bauten und den

Bepflanzungen

sind

sehr

qualitätvolle,

in

der

weiten

Umgebung selten zu findende Raumkonstellationen.

Wir Switzerland wollen uns in diese ARCHITECTURE: ARCHITEKTURBÜRO CLAVUOT, Chur, einfügen und diese wo nötig ergänzen, zusätzlich stärken und AUTHORS: MSC.Charakteren ARCH. LAURENTIU TIBERIU STANCU, DIPL. ARCH. ETH vervollständigen. / SWB CONRADIN CLAVUOT, MSC. ARCH. BARTOSZ KOWAL, MSC. ARCH. Der Standort und die grundrisslichen Möglichkeiten im Bauperimeter legen eine GINO DE GIORGI volumetrische und architektonische Ergänzung zu den Bauten B, C und D sehr nahe. Die Bautypologie wird fortgesetzt. Der Neubau liegt als geometrische Insel

STRUCTURE: CONZETT BRONZINI PARTNER AG im Park und kann frei umgangen werden.

mögliche Zufahr Ost

Mit der Bildung eines Vorplatzes, der sich etwas zur Weite und zur Welt öffnet,

LANDSCAPE ARCHITECTURE: VOGHT LANDSCHAFTSARCHITEKTEN versuchen wir einerseits das Gefühl der Sicherheit, der Betreutheit und AG der

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Familie aber auch dasjenige des Wunsches nach Frieden, Freiheit und

DESIGN PERIOD:Normalität MAY 2017 - JULY 2017 zu kombinieren.

Das Gebäude wird von vielen Leute aufgesucht und benutzt werden. So ist es

COMPETITION

naheliegend, den Zugang zur Station aber auch denjenigen zur Garage gemeinsam an die einladende, im Areal mühelos zu findende Gebäudefront zu

legen. Eine Vermischung von Besuchern, Personal und Patient erscheint uns als STATUS: FIRST PRIZE ein Zeichen des normalen Lebens: alle sind auf Augenhöhe auf gleichen Wegen

Description

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unterwegs und es entsteht keine unnötige Separierung.

Der Neubau einer Notfallstation erfordert heute eine etwas freiere, offenere,

einladendere was und an vielen Bereichen transparentere Diese soll in auch The task for this competition to design the extension of theArchitektur. psychiatric clinic Chur, auf zukünftige Anliegen und Entwicklungen reagieren können. In diesem Sinne Switzerland. The program consisted of an underground parking for the entire clinic, inhaben wir eine klar strukturierte und in ihren Elementen separierte Bauweise cluding the service areas and an additional two functional groups for treatment and the gewählt, die in Bereichen auch spontan umgewandelt werden kann. patient’s residence; the emergency and intensive care group including an outdoor isolated Vergleicht man den Bestand mit unserem Neubauvorschlag, dann wird area, and a group with residential units for less severe patients. ersichtlich, dass wir mit Nuancen und Feinheiten die Freiheiten und die

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notwendigen Verbesserungen suchen.

The site is situated Wir on haben the “ high grounds” the city of Chur, part of an already estabversucht, Orte die of Mitmenschlichkeit und as auch Schönheit ausstrahlen lished ensemble build for the purpose of psychiatric careaufhält at thewie end thebeim 19thBaum, century. zu entwickeln, Orte an denen man sich gern derof Platz The ensemble itselfbeim wentBrunnen, through transformation throughout time, with major im several Schatten, auf der Holzbank, auf dem Kiesplatz, beia der Teegarten, Waldrand, am in derbuildings.

Loggia, intervention in theBeerenstaude, early 1960’s,im that saw theam replacement of Aussichtspunkt, the north-eastern im Landhauszimmer.

The new extension is to be situated on the north-eastern edge of the ensemble, connected Aussenraum with the already existent buildings on the eastern boundary.

Das Konzept für den Freiraum nimmt sowohl Bezug auf die bestehende Anlage,

Concept

den angrenzenden landschaftlichen Kontext und die künftigen Nutzer des Gebäudes.

Teil der on übergeordneten, parkartigen Gestaltung bzw. deren As a starting point Als we gestalterischer based our research few main ideas: Ergänzung fügt sich deras Neubau mit seiner in diethan Grundprinzipien -Treating the outdoor protected space a courtyard of Umgebung a home more an enclosed, fenced domain. ein, ist jedoch in kleinen Elementen ein separierter Teil. So hebt eine leichte Stufe das Gebäude und seine Umgebung vom übrigen Parkniveau ab und -Integrating the new building in the existing ensemble from a typological and construcsignalisiert einen anderen Grad der Öffentlichkeit bzw. Privatheit. tive perspective.

Das Element des geschnittenen Heckensockels aus der bestehenden Anlage -Dealing with the wird landscape planning as to emphasize the tensions that arise between aufgenommen und schafft um das Gebäude einen lokalen Horizont und the natural landscape, surrounding parts of the complex, and the artificial landscape-the einen Filter zu den Räumen im Erdgeschoss. park-which hosts the buildingsder of the clinic.

Der different zentrale Platzbereich Terrasse vor dem Haus an der Westseite, welcher ebenfalls durch eine Hecke gefasst ist, bietet einen eher introvertierten,

The nature of this blickgeschützten flat, artificial Aufenthaltsbereich park, carved from the sloping meadow, framed by the mit grosser Flexibilität in der Nutzung. impressive mountains, and the ever changingHeckensockel sky recall the romantic paintings, and the Öffnungen in den umgebenden vermeiden einen geschlossenen und at bieten Kombination mit the präzis positionierten BänkenThis inszenierte recurrent theme ofEindruck the ruin the inthreshold with natural landscape. building Ausblicke in atdie Landschaft. would become a construction theumgebende edge, between artifice Die and Breite nature.der Heckensockel ermöglicht unsichtbaren Einbau von zusätzlichem Substrat underzur Moreover, the nature of the zusätzlich program,den which splits the construction into a sizable von smaller kleinkronigen, blühenden Bäumen (z.B. ground space and aPflanzung considerably building appearing “out of the Lebkuchenbaum, ground” brings in mind an image of aFlieder). huge cellar, almost like a primitive cave, in contrast with the delicate Unterstrichen werden die Ausblicke durch Pflanzung von Gehölzgruppen, die wie nature of a park pavilion.

Throughout the design process, this dichotomy become one the Kulissen einen Mittelgrund vor der Umgebung bilden. Teil dieser Gehölzgruppen recurrent themes that led to the structural and material concept itself. ist auch die Einbindung der Tiefgaragenrampe, welche wie in einem Hohlweg

Situation plan

unter den Baumkronen abtaucht.

The two functionalImparts are expressed in different materiality and constructive techHof im Obergeschoss ist ein mehrstämmiger Strauch (z.B. Eisenholzbaum, niques. As such, the parking acts as a liquid stone mit mass carved underneath landscape, Zierkirsche) in einem Pflanzgefäss zusätzlicher Wasserstelle the vorgesehen. much like a Piranesi structure, extend upwards with a table-like floor Dieser bringt dietoJahreszeiten und Naturerlebnisse in den platform, ansonsten one gegen high, holding the “isolated” garden-an image ofAufenthaltsbereich. the Garden Of Eden-to then be enclosed Einblicke von Aussen geschützten in a light wooden structure sheltering the functions of the treatment clinic. In this way, the garden is treated not merely like a functional element, designed just to keep people in, an artificial boundary, but more as a “ hortus conclusus”, what could be an interior courtyard of a house, opened to the sky, to the weather and to the skyline of the mountain-a space where one is facing nature and oneself and what could be a therapeutic device. Thus, two upper floors would characterize the building, one opened to the park, for patients with less severe condition, and one opened to the sky, and more protected, for patients with a more severe one.

Situation 1:500

640.94 m.ü.M.

Positioning such a generous space in the middle of the building creates the problem of bringing natural light in the lower floor. As a consequence, we decided to create a slit of light surrounding the upper courtyard, that would emphasize the centric organisation of the space, while bringing a mild light to the space underneath, that becomes a “spielraum”, 634.12 m.ü.M. a multifunctional area, flexible to different organisation and functions. Moreover, this functional organisation complies with the specialist’s requirements of a plan with a fluid circulation and “walk around” spaces.

Fassadenansicht West 1:200

The “table” holding the garden solves the functionality of this complex program, provides for natural light and vertical spatial connection, while bringing symbolic ideas at the core of the a project of what we hope to become a good space for recovery.

640.94 m.ü.M.

Fassadenansicht Süd 1:200

SCHRITT FÜR SCHRITT

SCHRITT FÜR SCHRITT

Neubau Notfallstation/Akutpsychiatrie,Klinik Waldhaus Chur

Neubau Notfallstation/Akutpsychiatrie,Klinik Waldhaus Chur

Betrieb, Funktionalität, Ambiente Mit dem Kennwort “Schritt für Schritt” soll den Patienten die Möglichkeit gegeben werden, vom privatestem Rückzugsort (Schlafkoje) in kleinen, selbst wählbaren Stufen sich immer mehr der Öffentlichkeit anzunähern (Stadt) oder sich wieder zurückzuziehen. Jeder Ort, den wir schaffen, soll seine eigene Geborgenheit und aber auch die Möglichkeiten zur Weite haben.

Um dem Personal und den Patienten möglichst ideale Bedingungen zu schaffen, werden die Räume hell, natürlich, übersichtlich und grosszügig ausgebildet. Pflanzen, Naturholz, viel Glas, farbige Oberflächen, mäandrierende Korridorzonen in Form von Rundläufen mit Bezug zum Aussenraum und Sonnenlicht sollen eine dorfähnliche Landschaft kreieren. Sie sollen ein natürliches Leben und Arbeiten, ein Zuhause ermöglichen. Es soll Freude bereiten, in den Räumen auf Entdeckung und Kommunikation zu gehen.

Das Personal und die Patienten haben durchs Gebäude hindurch Übersicht und Transparenz; die Patienten kommen auf ihren Rundläufen immer wieder bei Mitarbeitenden vorbei (kleiner Schwatz, Austausch, Fragen…). Man trifft sich, ohne sich unter Kontrolle zu fühlen.

Es soll kein Gefühl des Eingesperrtsein, der Angst und Agression entstehen. So haben wir auf Gitter und Mauern verzichtet und dafür grosse Fenster mit - nach Erfordernis - Pflanzen und Brüstungen als Sichtschutz eingesetzt. Man kann beobachten ohne selbst gesehen zu werden und der Bezug zur Natur (beruhigend, normalisierend) wird überall gefördert.

Die rythmische Abfolge der Naturholzstützen und Träger sowie deren sichtbare Fügungen fördert das Verständnis zur Konstruktion und verhindert Konfusion. Die ausfachenden Wände können in Farben ausgestaltet werden und so das einfallende Naturlicht noch unterschiedlich betonen. Die Oberflächen sind massiv und robust ausgebildet. Putzflächen und Holzteile als einzige Materialien sind

auch

einfachst

zu

reparieren

nach

Beschädigungen.

Die

Überwachungszimmer erhalten speziell robuste Oberflächen.

Ground floor Erdgeschoss 1:200plan

Obergeschoss 1:200

Plan level 1 643.13 m.ü.M.

640.94 m.ü.M.

643.13 m.ü.M.

640.94 m.ü.M.

637.93 m.ü.M.

±0.00 = 634.20 m.ü.M. 640.94 m.ü.M.

637.93 m.ü.M.

637.85 m.ü.M.

±0.00= 634.20 m.ü.M.

637.93 m.ü.M.

634.20 m.ü.M.

640.94 m.ü.M.

Bestehendes Terrain 630.27 m.ü.M.

6

623.38 m.ü.M.

6

625.55 m.ü.M.

6

628.69 m.ü.M.

625.93 m.ü.M. ±0.00 = 634.20 m.ü.M.

634.16 m.ü.M.

623.17 m.ü.M.

Fassadenansicht Ost 1:200

Längsschnitt 1:200 Fassadenansicht Nord 1:200

Querschnitt 1:200

SCHRITTFÜR FÜRSCHRITT SCHRITT SCHRITT Neubau Notfallstation/Akutpsychiatrie,Klinik Waldhaus Neubau Notfallstation/Akutpsychiatrie,Klinik Waldhaus ChurChur

SCHRITT FÜR SCHRITT

Zimmertrakte Patientenzimmer Zimmertrakte undund Patientenzimmer einzelnen Zimmerclusters können innerhalb Gruppen im Korridorbereich abgetrennt warden.

Die Die einzelnen Zimmerclusters können innerhalb der der Gruppen im Korridorbereich abgetrennt warden.

Neubau Notfallstation/Akutpsychiatrie,Klinik Waldhaus Chur

Abtrennungen zugleich Fluchtwegabtrennungen Die Die Abtrennungen sindsind zugleich Fluchtwegabtrennungen

643.13 m.ü.M.

Patientenzimmer: in den 2-Bett Zimmern können Betroffene Privatsphäre Bettnachbarn Patientenzimmer: in den 2-Bett Zimmern können Betroffene ihreihre Privatsphäre zumzum Bettnachbarn mit mit Faltwänden zwischen Betten wahren.

Pflegenden bleibt Raum beim Betreten Faltwänden zwischen denden Betten wahren.

Für Für die die Pflegenden bleibt der der Raum beim Betreten dennoch überschaubar.

Auch Patienten selbst haben Übersicht zugleich dennoch gut gut überschaubar.

Auch die die Patienten selbst haben vomvom BettBett aus aus Übersicht undund zugleich Schutz, womit Schlafsituation entspannt (Angstminderung).

Schutz, womit die die Schlafsituation sichsich entspannt (Angstminderung).

Patientenzimmer auch gegen Osten plaziert: Morgensonne= Morgenenergie.

Patientenzimmer sindsind auch gegen Osten gut gut plaziert: Morgensonne= Morgenenergie.

Dachaufbau Herzziegel Ziegellattung Fichte 60x24 Konterlattung Fichte Unterdachbahn Weichfaserplatte Sparren mit Steinwolle ausgedämmt Dreischichtplatte (Dampfbremse) Abgehängte Decke Akkustikdecke

640.94 m.ü.M

80 mm 24 mm 60 mm 5 mm 60 mm 240 mm 19 mm 160 mm 85 mm

Wandaufbau aussen Innenputz Gipskartonplatten 2x125 OSB-Platte (Dampfbremse) Holzständer Steinwolle ausgedämmt Dreischichtplatte Weichfaserplatte Aussenputz

5 mm 25 mm 19 mm 160 mm 27 mm 60 mm 15 mm

Konzept Tragwerk Konzept Tragwerk leichter Holzbau steht einer mehrgeschossigen unterirdischen Parkierungsanlage.

Diese Ein Ein leichter Holzbau steht auf auf einer mehrgeschossigen unterirdischen Parkierungsanlage.

Diese Materialkombination ermöglicht tragenden Wände Leichtbaus auch unabhängig Materialkombination ermöglicht es, es, die die tragenden Wände desdes Leichtbaus auch unabhängig von von denden Achsen Parkings zu platzieren. oberste Decke Parkings besitzt variable Stärke Achsen desdes Parkings zu platzieren.

Die Die oberste Decke desdes Parkings besitzt eineeine variable Stärke undund

Überwachungszimmer

Aufenthaltszone / Korridor

Aufenthaltszone / Korridor

Aufenthaltsraum

ist dadurch problemlos in der Lage, auch exzentrisch zu den Stützenachsen angreifende Lasten ist dadurch problemlos in der Lage, auch exzentrisch zu den Stützenachsen angreifende Lasten aufzunehmen. aufzunehmen.

Im Hof Anlage “wächst” Betonkonstruktion noch Geschoss nach oben übernimmt Im Hof der der Anlage “wächst” die die Betonkonstruktion noch ein ein Geschoss nach oben undund übernimmt die die Lasten Erdschüttungen Pflanztröge Wassers.

Lasten der der Erdschüttungen der der Pflanztröge undund desdes Wassers.

Holzbau konventioneller Elementbau Dielendecken in Holz-Beton Verbundweise Der Der Holzbau ist ist als als konventioneller Elementbau mit mit Dielendecken in Holz-Beton Verbundweise

637.93 m.ü.M.

637.93 m.ü.M.

637.85 m.ü.M.

ausgebildet. dieser Konstruktion Grauenergie Gefühl Härte Abweisung ausgebildet.

Mit Mit dieser Konstruktion wirdwird die die Grauenergie undund ein ein Gefühl der der Härte undund Abweisung vermindert. vermindert.

+3.00

Brandschutz, Fluchtwege Brandschutz, Fluchtwege brandtechnischer “Beherbergungsbetrieb” einer Bautenhöhe unter Holzbau Als Als brandtechnischer “Beherbergungsbetrieb” mit mit einer Bautenhöhe unter 11m11m ist ist ein ein Holzbau

Zimmer Nachtarzt

Aufenthaltszone / Korridor

Kleine Teeküche

Reinigungsraum

Untersuchungszimmer

Aufenthaltszone / Korridor

Aufenthaltsraum

einfach ausführbar. gesamte Tragwerk in unbehandeltem Massivholz erstellt werden. einfach ausführbar.

DasDas gesamte Tragwerk darfdarf in unbehandeltem Massivholz erstellt werden.

Die Die

Wandaufbau innen EI60 | dB 66 Innenputz Gipskartonplatten 2x125 OSB-Platte Holzständer mit Steinwolle Gipskartonplatte Luftraum (Toleranz) Gipskartonplatte Holzständer mit Steinwolle 60 mm OSB-Platte Gipskartonplatten 2x125 Innenputz

ausfachenden Zwischenwände in den Korridoren/Aufenthaltsbereichen werden ohnehin Verputz ausfachenden Zwischenwände in den Korridoren/Aufenthaltsbereichen werden ohnehin mit mit Verputz

5 mm 25 mm 19 mm 60 mm 15 mm 10 mm 15 mm

belegt. erfüllen zugleich auch Brandschutvorschriften.

In den Zimmern dürfen belegt.

So So erfüllen sie sie zugleich auch die die Brandschutvorschriften.

In den Zimmern dürfen alle alle Oberflächen “brennbar” ausgeführt werden.

Gläser Schiebewände gegen innen in der Regel Oberflächen “brennbar” ausgeführt werden.

Gläser undund Schiebewände gegen innen sindsind in der Regel in EI30 auszuführen. in EI30 auszuführen.

19 mm 25 mm 5 mm

±0.00 = 634.20 m.ü.M.

±0.00 = 634.20 m.ü.M.

Durch Durch dasdas

Anbieten 2 Fluchttreppen Fluchtweglängen jeweils möglich.

In den Korridoren Anbieten von von 2 Fluchttreppen sindsind Fluchtweglängen von von jeweils 50m50m möglich.

In den Korridoren werden Möblierungen in RF2 vorgesehen. werden Möblierungen in RF2 vorgesehen.

Schallschutz Schallschutz

633.54 m.ü.M.

Überall im Haus werden erforderlichen Massnahmen Lärm 66dB getroffen (=maximale Überall im Haus werden die die erforderlichen Massnahmen für für Lärm bis bis 66dB getroffen (=maximale

633.19 m.ü.M.

Anforderung an einen überhaupt): Anforderung an einen BauBau überhaupt): - Decken in Holz-Beton Verbundkonstruktion - Decken in Holz-Beton Verbundkonstruktion - Doppelschalige Trennwände - Doppelschalige Trennwände - Abgehängte Akustikdecken - Abgehängte Akustikdecken - Verstärkte Fensterkonstruktionen 2schalig) - Verstärkte Fensterkonstruktionen (zT.(zT. 2schalig) Parkierung Parkierung Zufahrt Garagierung Norden erscheint betrieblich parkintern Bessere Die Die Zufahrt zur zur Garagierung von von Norden her her erscheint betrieblich undund parkintern klar klar die die Bessere zu zu

630.27 m.ü.M.

sein.

Zufahrt Osten - auch Besucherparkierung ist unserem in unserem Projekt sein.

Die Die Zufahrt von von Osten her her - auch für für die die Besucherparkierung - ist- in Projekt aberaber ebenso möglich.

Dabei würde 4.50m hohe Geschoss bergseits angelegt (Zufahrtsort siehe: ebenso möglich.

Dabei würde dasdas 4.50m hohe Geschoss bergseits angelegt (Zufahrtsort siehe: ---im Situationsplan 1:500).

---LinieLinie im Situationsplan 1:500).

Genaue Lage Ausbildung Garagierung: Genaue Lage undund Ausbildung der der Garagierung: 629.69 m.ü.M.

- Das maximal nutzbare Areal Unterniveaugarage ist nicht grösser - Das maximal nutzbare Areal für für eineeine Unterniveaugarage ist nicht viel viel grösser als als dasdas Baufeld oberirdisch.

Baufeld oberirdisch.

- Auf Fällen stattlichen Bäumen sollte nach Möglichkeit verzichtet werden.

- Auf dasdas Fällen von von stattlichen Bäumen sollte nach Möglichkeit verzichtet werden.

Querschnitt 1:50

- Um statisch neuen Notfallstation rationelle Einheit zu generieren, sollten - Um statisch mit mit der der neuen Notfallstation eineeine rationelle Einheit zu generieren, sollten die die

Detailed transverse section

Bauten möglichst passgenau übereinander stehen.

Bauten möglichst passgenau übereinander stehen.

- Eine Garagierung bedarf einer klaren geometrisch funktionellen Einteilung.

- Eine Garagierung bedarf einer klaren geometrisch funktionellen Einteilung.

- Eine kompakte Garagierung, ausgebildet Splitlevel berücksichtigt Besten - Eine kompakte Garagierung, ausgebildet als als Splitlevel berücksichtigt am am Besten die die 34 PP +627.31 AUF

unterschiedlichen Raumhöhen. unterschiedlichen Raumhöhen.

mögliche Abtrennung für Notfallzufahrt

- Esbraucht brauchteinige einigeUntergeschosse Untergeschossefür fürdie diegeforderten gefordertenca ca200200Plätze Plätzeundund - Es

+627.31 AB

70512 Nebenraum/ Recycling NF:32 m2

Umschlagsbereiche.

Umschlagsbereiche.

- Die Untergeschosse sollten möglichst wenige Aushübe bedingen.

Daher ist besser, es besser, - Die Untergeschosse sollten möglichst wenige Aushübe bedingen.

Daher ist es die die AB +625.93

bergseitige Wand möglichst steilen Böschungen zu planen bergseitige Wand möglichst weitweit wegweg von von denden steilen Böschungen zu planen

AUF +625.93 35 PP

Es klar, ist klar, dass Garagierung aufwendig werden wird.

In diesem Sinne es überlegen, zu überlegen, Es ist dass die die Garagierung aufwendig werden wird.

In diesem Sinne wärewäre es zu ob ob

29 PP

3.5%

+630.85

heutigen (Wiese an der Fürstenwaldstrasse) weiter bestehen bleiben. heutigen Ort Ort (Wiese an der Fürstenwaldstrasse) weiter bestehen bleiben.

+630.27 20504 Effekten-Materialraum

70509 Technikräume

NF:28 m2

AB

AUF

nicht das unterste Geschoss verzichtet werden kann dann entfallenden Parkplätze nicht auf auf das+630.85 unterste Geschoss verzichtet werden kann undund die die dann entfallenden Parkplätze am am 70513 Schmutzwäsche NF:37 m2

NF:56 m2

Bauperimeter Oberirdisch 70501 + 70502 IT-Raum + Notstrom-Installation

Longitudinal section

Obergeschoss 1:200 Obergeschoss 1:200

70503 Entsorgung NF:23 m2

Transverse section

NF:28 m2

70505 Wäschepool NF:76 m2 Oblicht

Tiefgarage -2. Untergeschoss 1:500 70511 Container NF:50 m2

m.ü.M. 643.13643.13 m.ü.M.

m.ü.M. 643.13643.13 m.ü.M.

AB

m.ü.M. 640.94640.94 m.ü.M.

AUF

m.ü.M. 640.94640.94 m.ü.M.

+628.69

m.ü.M. 640.94640.94 m.ü.M.

+628.69 Oblicht

m.ü.M. 637.93637.93 m.ü.M.

m.ü.M. 637.93637.93 m.ü.M.

m.ü.M. 637.85637.85 m.ü.M.

m.ü.M. 637.93637.93 m.ü.M.

21 PP

m.ü.M. 637.93637.93 m.ü.M.

m.ü.M. 637.85637.85 m.ü.M.

34 PP -+624.55 AUF

+624.55 AB

= 634.20 m.ü.M. ±0.00±0.00 = 634.20 m.ü.M.

±0.00= m.ü.M. ±0.00= 634.20634.20 m.ü.M.

m.ü.M. 634.20634.20 m.ü.M.

+623.17

Oblicht

m.ü.M. 628.69628.69 m.ü.M.

60502 Garderobe Personel für G1 und G2 NF:14 m2

TOTAL 190 PP 15%

m.ü.M. 625.93625.93 m.ü.M. 60502 Garderobe Personel für G1 und G2 NF:14 m2 m.ü.M. 625.55625.55 m.ü.M.

m.ü.M. 625.93625.93 m.ü.M. m.ü.M. 625.55625.55 m.ü.M. m.ü.M. 623.17623.17 m.ü.M.

Bauperimeter oberirdisch

m.ü.M. 623.17623.17 m.ü.M. 60501

60501

Längsschnitt 1:200 Längsschnitt 1:200

Tiefgarage -3. Untergeschoss 1:500

70504 Waschanlage m.ü.M. 628.69628.69 m.ü.M. NF:60 m2

70507 Fahrzeugunterhaltsraum NF:34 m2

m.ü.M. 623.38623.38 m.ü.M.

m.ü.M. 623.38623.38 m.ü.M.

Bauperimeter Oberirdisch

Bestehendes Terrain Bestehendes Terrain

m.ü.M. 630.27630.27 m.ü.M.

m.ü.M. 630.27630.27 m.ü.M.

37 PP

Sprinkleranlage NF:28 m2

m.ü.M. 634.12634.12 m.ü.M. 70506 Einstellplatz LKW Betrieb NF:43 m2

N EI

AUF

Bestehendes Terrain Bestehendes Terrain

0 .2 34 +6

S AU

±0.00= m.ü.M. ±0.00= 634.20634.20 m.ü.M.

Tiefgarage/Materialanlieferung 1:200

Personal-WC Personal-WC Querschnitt 1:200 Querschnitt 1:200 NF:6 m NF:6 m 2

2

70508 Treibstofflager NF:20 m2

70510 Disponibelraum Infrastruktur NF:17 m2

STUDIES HOUSES PROGRAM: SINGLE FAMILY DWELLING AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU DESIGN PERIOD: 2015 - 2016 STATUS: IDEA

STUDIES RELIGIOUS ARCHITECTURE AUTHOR: MSC. ARCH. LAURENTIU TIBERIU STANCU DESIGN PERIOD: 2005 - 2016

TO BE CONTINUED...