Portfolio Stany Babu by stanybabu

ARCHITECTURE

PORTFOLIO

STANY BABU

CURRICULUM VITAE

STANY

BABU

Architect

C O N T A C T: Address: No 12, 7th Cross, Hennur main road, Kacharakkanakali, St Thomas Town, Bangalore 560084 Mobile: 0091 6282189418 Email: stanybabu1992@gmail.com

SKILLS: Autocad 2D Revit 3DS Max Sketch Up

PROFILE

April 2016- September 2016 Architect at Al Jazeera Engineering, Kingdom of Bahrain

Completed MA in Architectural Design from the Univeristy of Sheffield with special interest in reuse and conservation in urban development contexts. Will describe self as sincere, adaptable, determined, self motivated and a team player.

- Worked on several high rise buildings in the design as well as the municipality and the working drawing stages. - Represented the company in consultant and client meetings for design presentations.

E D U CATI O NAL Q UALI FI CATI O N September 2016- September 2017 University of Sheffield - MA in Architectural Design - Distinction - Undertook modules specialising in Conservation, Urban Studies, Environment and Technology. - Successfully completed a Live Project dealing with schemes and systematic regeneration of the Sheffield Castle and the surrounding Castlegate Area for the Friends of the Sheffield Castle (FOSC). The project is now being carried forward under FOSC and the Sheffield City Council. . Developed schemes for the regeneration of the Goitside Conservation Area in the city of Bradford to bring in footfalls and interest to Goitside by investigating the concept of urban acupuncture. - Completed thesis studying the role of architecture during and in post conflict environment with distinction under Dr Nishat Awan.

Illustrator Indesign

Urban Design Conservation Participatory Architecture HOBBIES:

July 2010- May 2015 SRM University, Chennai - Bachelor of Architecture - CGPA: 8.277

Sketching

- Represented SRM University in National and Zonal NASA (National Association for Students of Architecture) showcasing my project as well as participating in competition projects. - Dealt with several projects such as housing development in Chennai, urban regeneration of Chintadripet (Chennai), village study of Arapakkam (Tamil Nadu) , local traditional house (mana) study in Kerala, institutional building designs and commercial building designs. - Conducted a thesis on the development of cruise terminal and its economical potential in Cochin, Kerala under associate professor and Head of Department CT.Lakshmanan.

Reading

WORK EXPERIENCE Photoshop

INTERESTS:

September 2017 - December 2017 Associate mentor at Sheffield School of Architecture, University of Sheffield - Assisting the live project mentor John Sampson in guiding the students during the duration of the project and in organising and assisting workshops for MA Architectural design students

Writing

- Involved in studying and documenting the heritage architecture in Thiruvananthapuram - Kuthiramalika Palace and Napier Museum. - Attended workshops in low cost housing - Involved in rural housing projects, rehabilitation projects, pilot urban waste management Project in Kowdiar, institutional, residential, resort and hospital projects. - Role involved personally handling projects including client discussion

May 2012 - June 2012 Trainee Architect at EBDAA Engineering, Kingdom of Bahrain - Assisted in producing working drawings for apartment buildings - Role involved assisting the architects in producing design and working drawings and sat in for discussions with clients.

E XTRAC U R R I C U LAR PO S ITI O N S September 2016- May 2017 - Marketing team leader for outgoing global talent in AIESEC Sheffield Role involved organising the members under my team to promote outgoing global talent to University students and to create marketing materials for AIESEC Sheffield. Also involved in talking to potential candidates for selection.

Traveling

September 2016 - May 2017 - PGT officer for Sheffield Univeristy Architecture Society

Listening to Music

Role involved representing the Post Graduate Taught students in the Sheffield School of Architecture and communicating and keeping the PGT students upto date about the events and lectures organised by the society.

LAN G UAG E S KN OWN : English (IELTS:8) Malayalam Hindi

June 2013 - November 2013 Trainee Architect at Habitat Technology Group, Kerala, India

September 2016 - September 2017- Academic representative for MAAD course students Role involved raising the students issues towards the departmental faculty and attending the staff student meetings and representing the students and their opinions and feedbacks.

December 2013 - Volunteer for Indian Institute of Architects NATCON Role involved managing the front desk registration and information desk

Tamil References can be provided on request

A selection of works by Stany babu Through this portfolio Iâ&#x20AC;&#x2122;m hoping to demonstrate my interest in social architecture, political architecture, urban design and conservation. The selection of projects that is being showcased here draws on these interest fields. Incorporated along with these projects are some of the projects carried out during my employment period with Al Jazeera engineering, Bahrain.

CONTENTS

REVEALING THE CASTLE

GOITSIDE REGENERATION

REUSE - PROVIDENCE MILL

THE POLITICS OF DESTRUCTION

AL JAZEERA ENGINEERING

Live Project

Reuse Studio Project

Module Time Project

Postgraduate Dissertation Brief

Selected works

REVEALING THE CASTLE

01. REVEALING THE CASTLE Group live project

Role: Site historic research, precedent study, strategy development, client discussions and strategy diagrams

Sheffield Castle was the birth place of Sheffield lying along river Sheaf. It has been significant in the history books in several instances, to cite, the castle where Mary Queen of Scots was held. It has had its up and downs, from damages and renovations to ultimately being on the wrong side of the civil war. With the passing of time several events and decisions led to the gradual disappearence of the castle. Currently only a few remaining structures are visible to bear the weight of the history of Sheffield. And with the expense of an archaeological dig not in the councilâ&#x20AC;&#x2122;s immediate neccessary plans, the land that gave birth to Sheffield lies abandoned and ignored and barely in the minds of its citizens, save a few. A group of people from various backgrounds who shared the love and willingness to bring Sheffield castle back into the memory formed a non profit committee called the Friends of Sheffield Castle (FOSC) and are working towards restoring Sheffield castle and the surrounding area to give the site the prominence it deserves.

Revealing the Castle, the team under The Live projects programme ( the live projects programme, an initiative introduced by the School of Architecture at the University of Sheffield, is a form of educational and professional engagement which connects masters students of architecture with real projects and real clients), has developed and presented their ideas between September and November 2016. The team consisted of 12 masters students of architecture across a range of courses within Sheffield School of Architecture. Located on the former castlegate market site in the centre of Sheffield, the project team worked with clients Friends of Sheffield Castle to develop and propose a regeneration strategy which celebrated the history of castlegate and the medieval ruins of Sheffield castle.

Live project 2016

The existing - The derelict site

REVEALING THE CASTLE

Figure 2: The modular strategy

Live project 2016

Our project brief from the Friends of Sheffield Castle was to use design and research to develop a creative vision for the Sheffield Castle site and the surrounding area. It was crucial to not only conserve the physical and historical fabric but to also ‘build purposefully’ for the benefit of local communities and the wider city. Our client requested that the vision should avoid the generif and use creativity to celebrate the qualities of Sheffield. A number of themes were highlighted for exploration: Makers / Art / Gateway / Catalyst / Meanwhile Use The current inactivity on the site and the expense of archaeological investigations has meant that the site is an unattractive prospect for developers. This situation has been identified as a position of ‘stalemate’. The finalised brief for this project is therefore to provide strategies and identify tools to unlock this stalemate and continue the site’s development while revealing the medieval ruins of the Sheffield Castle.

The phased strategy Scenario

The night event

Scenario

Clean up and trenches

The deculvert begins

Scenario

The first event

Stairs completed

REVEALING THE CASTLE

Scenario

Bastions burnt

Bailey begins

Scenario

Park opens

Bastions reconstructed

Scenario

Bastions revealed

Castle revealed

Live project 2016

Scenario

Riverside development

The end but not the end

From 6 weeks to the future

Revealing the castle

Scenario 5 vision: Community garden

REVEALING THE CASTLE

Live project 2016

Scenario 6 vision: Bastions burning

REVEALING THE CASTLE

Scenario 11 vision: A creative village

Live project 2016

The future - Castlegate - The vibrant creative quarter

GOITSIDE REGENERATION

02. GOITSIDE REGENERATION Group studio project Role: Site historic research, precedent study, on-site surveys, stakeholder mapping, strategy development and strategy diagrams

Bradford is a vibrant city that is in its transition phase towards becoming a modern city of global importance. It is Britian’s 6th largest city. The city has enjoyed a reputation as a world leader for innovation since the industrail revolution. Set amidst Yorkshire countryside, the former centre of the wool industry features some of the UK’s finest victorian architecture. Goitside is one of the 3 main conservation area in the city of Bradford. Goitside has etched its name in the history books of Bradford as the heart of Bradford’s industrial revolution with many mill and factory buildings as evidence of its importance to the city. But with the decline of the industrial revolution, Goitside and its significance to the city has also declined and this led to the stagnation of Goitside’s existence and hence the area now exists still in its industrial era make up. While this existence has also led to Goitside being a conservation site of industrial revolution prominence, this itseld attributes to its stagnation and unwillingness of investors into the area.

Hence these mill buildings exist in a much needed boost and growth to meet the current environment and its needs. This project tries to tackle how best to give back Goitside a prominent position in Bradford through small scale interventions that can help attract investors to the area and fund the larger scale conservation of the buildings and its future usage and to give Goitside a new image and industry.

MILL HO SO

ED AS OFFICES US RE

T EN

LONIAL BUIL CO DI N

SED AS APA REU RT M

ILL DM IEL SF

Key buildings in Goitside PROVIDENCE M IL L

IRE, ABAN HT F DO UG N CA

ED AS APARTM US EN E R T

AB A

NED DO N

12 STUDIO project 2017 LINGS M HOL ILL

HO LM

GOITSIDE REGENERATION The Key Terms received from the Survey were : Dirty, Unsafe, High Crime Rates, Industrial Heritage, Historic. Several important clues were discovered while conducting the surveys. One of the main one being that people were unaware of the conservation area. Another being that people actively avoided this part of the city. The dark pockets in Goitside encouraged anti social behaviour such as drug abuse and one of the main streets of Goitside - Thornton Road is considered as the red light area. All these indicates a general unfavourable attitude towards Goitside. What becomes astonishing is that a few minutes walk from the quite and dangerous part , that is Goitside, the atmosphere changes to lively, crowded and energetic in the City Centre and towards the University.

Problems discovered through surveys conducted

STUDIO project 2017 Goit: 1. To establish Goitside identity as the centre for film industry to reinvigorate Bradford as a UNESCO film city 2. Create more social public spaces 3. More public services such as cafes, restaurants, visitorsâ&#x20AC;&#x2122; centre 4. More accessible visually and physically for both locals and tourists Sunbridge: 1. New pedestrian friendly road 2. Public social spaces 3. Establish a stronger relation to the city centre 4. Serves students, film makers and visitors

Design strategy Summary

Result: The vision is for a regenerated new Goitside that brings togther a new film industry, commercial spaces, entertainment, public spaces and services that makes it attractive and thereby providing more opportunities for development. Relationship between Goitside and film

GOITSIDE REGENERATION PHASE

1- 2 years

STUDIO project 2017

PHASE

02 2-5 years

GOITSIDE REGENERATION PHASE

03 5-10 years

STUDIO project 2017

PHASE

04 10-20 years

GOITSIDE REGENERATION

Phase 1: New footpath developed along the goit connecting a series of open spaces generating interest and activity

Phase 2: Reuse and develop old mill buildings as spaces for galleries, workshops, museums and exhibitions

Phase 3: Sunbridge road develops as a pedestrian street with increased activitiesspilling on to the roads

STUDIO project 2017

Phase 4: Goitside prospers as a new film industry within the folds of its original industrial setting generating activity, interest and footfalls, thus becoming a crucial thriving centre of the city of Bradford

Goitside is now recognised as the Film Industry Centre of Bradford. Goit runs through Goitside connecting the various activities along its bank. Hollings mill functions as film studios and spaces for post production film activities. Other Mill buildings are reused as galleries, museums and exhibitions along the Goit. A series of squares creates active pockets for various functions. The slope is now a major square inviting various people to spend time and use the functions provided by the new structure. The ground floors open up along thornton and sunbridge road generating more activity and investors by using as shops, cafes and restaurants.

REUSE - PROVIDENCE MILL

03. REUSE - PROVIDENCE MILL Environment and technology module time project Role: Design evolution, precedent study, material study, details drawing

The now abandoned providence mill stands in the Goitside conservation area of Bradford. The Goitside is known today in equal measures for its illustrious past and the decaying , derelict surroundings of the present. Keeping the necessity for the regeneration, it is being proposed that the area be developed into an artâ&#x20AC;&#x2122;s and entertainment district with a focus on cinema (as cited in the previous project - Goitside Regeneration). In this scheme, the providence mills have been ear marked to be developed into multipurpose space with its primary purpose being that of a gallery. After the existing structure had been extensively studied, the most glaring issue to be addressed seemed to be buildingsâ&#x20AC;&#x2122;s facade on Vincent Street. This could be viewed as crowded and irregular owing to the existence of multiple windows (many of which had been haphazardly filled) whihc were randomly punctured according to the prevalent requirements as the use of the building chnaged with time.

The other issue plaguing the existence of a potential gallery on this site was the lack of a strong entrance as all the existing entrances to the building are situated on a narrow side alleys, restricting access to the wider public. Also, the building has no presence on the adjoining Sunbridge Road which is a main thoroughfare cutting through Goitside.Hence, a new entrance space has been added on an empty plot adjacent to the existing structure to serve as a more prominent access to the general public. To tackle the previous issue, as a means of creating harmony, the idea of a transparent secondary skin has been adopted so that a new image maybe created for the building while still being able to appreciate its long history.

The Providence Mills were constructed in mid 19th century and they

of Bradford Local Studies Reference map indicating location of Providence mills and chosen area of study 22 ENVIRONMENT AND TECHNOLOGY TIME PROJECT

functioned as mills that produced wool.

Ridge Tile Slate Tiles Slate Tiled Roof

Timber Strut Metal Plate

Daylighting from the north using rooflights (etched glass)

Timber Top Chord Metal Rod

Gutter

I - Beam

Rafters and battens to support tiles

Truss

Brick Wall

Exploded Isometric View

Brick Wall Stone to join the walls Gutter

Stone Wall

Exploded view of the existing providence mill shed Yorkshire Sandstone Facade

REUSE - PROVIDENCE MILL

DESIGN STRATEGIES

Environmental strategies

The materials being introduced into the existing structure have been carefully analyzed to ensure long life spans, recyclability and low embodied energy. The retention of the existing structure and the proposed reclaimed stainless steel mesh contribute to a considerable reduction in the total embodied energy of the building. The decision to use stainless steel was taken after studying the durability and long life of stainless steel, especially in comparison with other commonly used building materiqals. There is no loss in the quality and durability of stainless steel even after prolonged periods of use.

Detail A

Detail B

Sectional perspective

ENVIRONMENT AND TECHNOLOGY TIME PROJECT AGENDA OF THE PROJECT : OLD MEETING THE NEW

revitalising the old adding a new presence

Proposed assembly of the shed

Proposed exploded isometric view of new entrance building

REUSE - PROVIDENCE MILL

Shed wall section Scale: 1:25

All dimensions in ‘mm’

ENVIRONMENT AND TECHNOLOGY TIME PROJECT

This section of the wall illustrates quite literally the agenda of the project - Old meeting the new. The purpose of the opening is to showcase this mid 19th century building by offering a view of the original north lighting and roof system of the mill and also provides a view across Goitside. With this intervention the original exterior stone wall now serves as a showpiece in the interior.

Section through Old wall (Scale: 1:25)

Fixed window elevation (The portion visible from the road) Scale: 1:50

All dimensions in â&#x20AC;&#x2DC;mmâ&#x20AC;&#x2122;

REUSE - PROVIDENCE MILL

Details at A (Scale 1:5) Door Detail (Scale 1:5)

All dimensions in ‘mm’

Details at B (Scale 1:5)

U glass wall section (Scale 1:20)

U glass channel connection (Scale 1:5)

ENVIRONMENT AND TECHNOLOGY TIME PROJECT

Elevation along Vincent street Scale: 1:200

Incorporating the old into the new proved to be task where we have to be sympathetic to the old and not jeopardise what has stood for many years but rather to enhance what exists. In trying to tackle this avenue many areas of research opened up to further understand the concept of conservation and the many difficulties that lies within this field of work with the question of authenticity and heritage value while keeping the environmental impacts of our decisions as a guiding principle for the interventions.

THE POLITICS OF DESTRUCTION

04. BETWEEN MEMORY AND IDENTITY: THE POLITICS OF DESTRUCTION Masters Dissertation

‘Architecture has become a weapon of war rather than something that gets in the way of its conduct.’ (Bevan, 2006, P210).

This dissertation is an attempt to understand the various roles architecture can take during and in post conflict environments. It will attempt to compile the principle reasons for buildings acting as targets and the architectural response in post conflict situations. This dissertation explored the main reasons why architecture is targeted for destruction thus allowing an insight into the conflict itself as well as the perpetrators’ agenda for conflict. This analysis was followed by a study of the various responses towards architecture in a post conflict environment. The Hague convention, which is a set of officially accepted rules that apply in cases of violence to cultural heritage, was

studied in parallel so as to understand the different means of protection provided to cultural property by the international community. The cities of Berlin, Dubrovnik and London was taken as case studies in order to investigate the above. Through analysis, the various strategies that were adopted in each of the cities gave a comprehensive understanding of how cities responded to a conflict. This was then be applied to a scenario investigating what next for Syria focussing mainly on Palmyra and its built environment. This thesis hoped to understand what may be in store for this city that has withstood centuries of both manmade and natural forces.

Postgraduate DISSERTATION 2017

Understanding

1940-41 LondonGerman Bombing

1945 BerlinAllied Bombing

1991-1992 Siege of Dubrovnik

1961-1990 Berlin Wall

ISIS Capture of Palmyra

1938 BerlinKristallnacht

Events Investigated

WW II

WW I

Conflicts

Cold War

Yugoslav War

Syrian War

1947-1991

Lieber Code

1874

1899

1907

1914-18

Hague Convention Brussels Declarartion

Hague Convention

1935

1939-45

1949

1954

Roerich Pact

1977

1978

1991-95

1999

Geneva Convention Geneva Convention HAGUE CONVENTION Research area

Destruction is inherent in architecture- This is an aspect that most architects accept as a salient feature of the profession, as the old must pave way for the new. ‘Along with inception and construction, destruction is the essential component of any building’s life cycle’ (Bresnaham & Mancini, 2015, P1). In an age inundated with conflicts and strife, it then becomes natural to be fascinated and incited with imagery and this then lures the perpetrators of conflicts to create the spectacle of violence. What better serves this craze for the visible manifestation of conflict, as architecture does. In this line of reasoning we start understanding the luring power of the destruction of architecture in conflict. Architecture is no longer the victim of conflict but rather architectural destruction can be the very objective of conflict. No other means is capable of provoking the destructive visual power as architecture does. It is the very impression of permanence that architecture exudes which incites violence upon it.

1st PROTOCOL HAGUE CONVENTION

2nd PROTOCOL HAGUE CONVENTION

2011 - Till Date

International Regulations

1863

If conflict is to be discussed then memory, identity and power should be considered along with violence. Violence should not be seen as an independent phenomenon, but rather violence is but a symptom in a much larger struggle for power and identity. When these three terms links, one can start to understand the violence that is incited and perpetrated against the urban built environment, where architecture serves as a sadistic piece of physical showcase of power. It becomes the monumental showcasing of a society’s collective memory and the sense of belonging of individuals to society. Then it becomes quite natural that destruction is the answer to erase the sense of belonging in a conflict where the objective is to erase identity, ‘the buildings act as evidence of their history, continuing identity and as containers of memories’ (Bevan, 2006, P31).

THE POLITICS OF DESTRUCTION

CULTURAL CLEANSING AND TERROR

Architecture is not political but becomes politicised by ‘how and why’ they are built and construed by the people - we assign meanings and values to a non living entity which then essentially carries this information forward (Bevan, 2006, P12). Then when an opposing force has to choose a medium to erase the targeted values from tangible records, architecture becomes the most visible means to do so.

ARCHITECTURE DURING CONFLICT

It is this very ‘socially and collectively’ produced space that is being shaped by a community, that assigns memory to it, that is aimed to be destroyed. By erasing this memory, that legitimizes their present and their future, one essentially cleanse a culture that heralded the memory. The need to cleanse the culture is shaped by different political factors, which is not the aim of this thesis, but rather to see that certain buildings were targeted because of the value placed on to it by the community that is aimed to be erased.

TERROR AND PROPAGANDA Violence to buildings is sought as a means to instil fear. The destruction terrorizes and demoralizes the public - thus destruction becomes a propagandist mission to win war with fear and intimidation. ‘Victory is rarely expected from this act. Fear is the key- the weapon used to sow terror among population in order to lower morale and speed defeat’ (Bevan, 2006, P62). This act tends to serve the agenda of issuing a warning that is subtle in its magnificence. ‘Destruction was designed as an act of propaganda (architecture as scapegoat) and a way of creating a climate of terror’ (Bevan , 2006, P120).

postgraduate DISSERTATION 2017

LS IA R O

EM M

E VID E / S UIN R / IDS VO

MBER ME RE

REPLA CEME

CRI TI C

BY OM ISS IO

Role of architecture post conflict

REC ON STR UCT I

N/ AP P

RO PR

IAT

IO N

RE CONS T R UC T I O N

TO F O R GE T

ARCHITECTURE POST CONFLICT ROLES

ON TI UC TR S N O C W E

Immediately after a conflict a state of rapidness is witnessed in the architectural landscape. It becomes a pastoral ground for the re-emergence of a national identity that lies mostly in tatters post conflict. The post conflict architectural arena faces a platform to make decisions that dictates the attitude of those in power - a new purpose for a monument may illustrate the under significance given to its history, reconstructing a replica may show reverence for its pre war history while forgetting its narrative during the conflict era, or the completely new construction which may undermine the significance of the site both in pre war and war times or may lead to commemoration through remembering in the new. This then serves as an environment for the development of the identity, be it the re establishment of the old or the forging of the new, what is evident is that this becomes a period of rooting for a national identity while aiming for an economic recovery (Charlesworth, 2006, P9)

Please follow the link : https://www.behance.net/gallery/57565699/Postgraduate-dissertation-The-politics-of-destruction , for the complete dissertation

REFERENCE: Bewan, R. (2007), ‘The Destruction of Memory: Architecture at War’, Reaktion Books Mancini, J.M. and Brenahan, K. (2015), ‘Architecture and Armed Conflict: The Politics of Destruction’ , Routledge, NY, USA ruction of Memory: Architecture at War’, Reaktion Books Charlesworth, E. (2006), ‘Architects without Frontiers’, Architectual Press

9900

3900

6000

5090

950

1400

1500

3400 3150

3150

15200

4985

19500 10700 X 9800

PANTRY

19500

1000

100

4985

+12600

3805

200

1900

1500

1650

1900 900

1500

OPEN TERRACE

+8500

8635

1032

1800 200MM UPSTAND

+12300

1200 465

GLASS COVERING

1300

735

3665

3320

BEDROOM 6400x4530

3665

418

1000

SCREEN

2100

BOW WINDOW

6085

3390

3000

4520

+150

406

619

510

4560

918

4260

+900

930

338

4000

1000

700

100

2400

3400 150 1196

450

350

250 2300 1500 x 1400

200 1600

600

TOILET

290

15200 4985

5285

19500

1144

1500

1400 100 800

3600

180

3665

1050

1200

FAMILY LIVING

3700

2690 2000

1200

297

1450

2230

100

LAUNDRY

2200 X 3000

+8400

3100

VOID

BALCONY 2570x2690 37

620

950

200

4500

2400

05 690

2570

697 900

STORAGE

FAMILY GARDEN

+8300

WASHER

380

516

2000 3100

1200

2200

619

4570

2041

SHOE CUPBOARD

800

4100

400

FOYER

500

DRESSER 2050x2400

BATH 3150x2300

200

500

1600 1700

2700 X 2900

800

400

600 STORE

1600 X 1650

300

1890

3150 1400

500

338

734

0 00

+750

SITTING DECK 4530x3400

MAID'S ROOM 1300

2050

1950

600

BATH

4000

2400

1100 +4500

SHOWER

HT TILL 2100MM

3200

3400

3200 300 600 700

+4700

8 114

320

1500

600

1000

3900

3400

LIVING 4770x5000

500

200

1300 x 2000

1300

175

SEATING/STORAGE

6635

2729

520

1445 4

6200

600

VOID

ROOF DECK BELOW

CAT LADDER

800

605

FAMILY LIVING 5400x4900

4985

+900

1300

1200 1990

DRESSER 3900x3000

15200

3000

AQUARIUM 200MM BELOW SLAB

DINING 3730x3400 2729

CAT LADDER

1100

1209

1550 200

175 600

3900

12100

3400

1900

2000 2400 2390

100 900

300 600

5400

+4500

5700

CUPBOARD

1500

4070

800 800

70 200 600 4840

1000

SHOWER

1400

100

2000 700 400

1000

RISER- 165.00 MM TREAD- 300.00 MM

400

1200 1500

4700

OFFICE 2900x4070 2900

700

550

ROOF DECK (FOR SERVICES)

SEATING

100

1200

750

600

1500x1300

700

3150

2200

100 100

350

400

CUPBOARD

2200

900

9900

400

700

2100

690 1000

KITCHEN 4300x3100

2000

600

+900

1890

2290

500

4300

3170

4200

200 800

MASTER BEDROOM 5700x5190 5190

+450

4600

GAS TANK

BALCONY 2000x4890 5090

+300

ACCENT WALL

3400

3200

2800

GLASS RAILING ENTRANCE

2 6000

11900

3900

5700

2000

3900

12100

9900

6000

11900

3900

12100

9900

3000

6000

7169

ENTRANCE

Ground Floor

First Floor

GROUND FLOOR

1200 W5

ROOF FLOOR

ABZ-J 1017

EL.+12300.00 ROOF LVL

ST2

ST1

3800

ST2

Roof Floor

SECOND FLOOR

Second Floor

FIRST FLOOR 1

1000

AL JAZEERA ENGINEERING

EL.+8500.00 SECOND LVL

EL.+8500.00 SECOND LVL ST2

ST2

SLD1

3800

SLD

EL.+4700.00 FIRST LVL

3800

SLD

3800

ACCENT WALL

SCREEN

EL.+900.00 GROUND LVL

EAST ELEVATION

PAVING LVL

Front Elevation

PAVING LVL

EL.+000.00 ROAD LVL

150

750

FRONT ELEVATION

750

EL.+900.00 GROUND LVL

SITTING DECK

East Elevation

1000

1200

3 STOREY VILLA FOR MRS EMAN ALI ABDULLA MUNFAREDI, jid ali EL.+12300.00 ROOF LVL

EL.+12300.00 ROOF LVL

3800

EL.+8500.00 SECOND LVL

3800

ST2

Role: Design conception, client contact, municipality drawing and construction drawing Status: Under construction

EL.+8500.00 SECOND LVL ST2

SELECTED WORKS

7' 8'

10' 11' 12' '13

14'

15'

16'

'17

E N

2675

1900

1700 700

4600

5300

6665

2450

4290

5200

5800

6560

5440

2675

1900

1700 700

4600

'17

5300

6665

2450

35 72

+200.0

+500.0

PUMP RM D4

G.TOILET

CHILDREN'S PLAY AREA

+800.0

ST-1

11730

X +500.0

L.TOILET

16800x13845 MINI THEATER 8200x19350

STORE

LOBBY

ST-4

MEZZANINE FLOOR LVL ABOVE

OPEN TERRACE

5905

PUMP ROOM 4000x5800

16'

RAMP UP. TO FIRST PARKING SDB

FLOOR LVL ABOVE

15'

WATER METER ROOM 8815x5850

14'

10' 11' 12' '13

700 1725

4800

K' 35

WATER TANK AREA

F K'

7' 8'

POLICE STATION

700 1725

4800

5440

6560

5800

5200

G SE

4290

5905

11730

PARAPET WALL (1000 MM)

D4 D3

SDA

+300.0 ST-2A

35 4515

H' G'

UP 11

13 14 15

18 19

LOBBY 2385x2400

VOID

+650.0 D

6000 x 12000

VOID

+800.0

13 14 7

18 19 2

LOBBY 2385x2400

TEL.RM

E' D'

SDA

GLASS

S.POOL

S.POOL DECK AREA

2100x4400

MEZZANINE FLOOR LVL ABOVE

2200x4400

LOBBY 4185x4400 +17200.0

STEAM RM. 3500x4000

D D4 D4 12

13 14 15

18 19 5

23 24

G.CH

LOBBY 2385x2400 D

GLASS

2.4M CORRIDOR

4540

7280

+150.0

VOID

2200x4400 LOBBY 4185x4400

4475

2100x4400

730 1970

GD1

VOID

SAUNA 5300x6450

D2 D2

WASH

LOBBY D

SHOW ROOM 2

SHOW ROOM 3

OPENING -02

4475

REFER EDD DRG NO- A/BA/730-R2

OPEN TERRACE

TOILETS

2.4M CORRIDOR

TOILETS

+150.0

GLASS

2.7M CORRIDOR

DRIVE WAY

GAMES ROOM 3500x4000 S.POOL DECK AREA

1 2

JACUZZI

FLOOR LVL ABOVE

1990 730

35 72

4540

GENERATOR ROOM 4700x4000

+000.0

730 1970

SDB

ENT. LOBBY

+800.0

1.2 M HEIGHT WALL

1990 730

4515

H' G'

ST-3

SHOW ROOM 1

DRIVE WAY

CH. ROOM 4000x4700

GARBAGE ROOM

S.POOL DECK AREA

GD1

GENTS / LADIES GYM JACUZZI 4050x5600

X 11750

DRIVE WAY

ST-1

MAIN ROAD

11750

PARAPET WALL (1000 MM)

ST-1A

GD1

A' 00

GD1

ST-2

GD1

+650.0

3 2

+150.0

+000.0

GROUND FLOOR PLAN Ground Floor Plan

INSULATED WALL

Recreational Floor Plan (4th floor)

16 storey building for mr hassan abdulla bokhuwa, manama Role: Elevation design, municipality drawing and construction drawing Status: Under construction

7' 8'

10' 11' 12' '13

5440

700 1725

4800

2675

4600

5300

6665

VOID

W3 D1

KITCHEN 4000x2550

D4 11

MAID RM 2015x1730

13 14 15

18 19

LOBBY 2385x2400

BATH 2000x2800

VOID

KITCHEN 2350x3000

BEDROOM 4400x5000

VOID

KITCHEN 3400x2400

VOID

2100x4400

2200x4400

LOBBY 4185x4400 +24950.0

LIVING /DINNING 6300x3935

WASHER

BATH 2800x2100

TOILET 2210x2100

KITCHEN 3400x2400

M. BEDROOM 4500x3950

13 14 15

18 19 4

VOID

LOBBY 2385x2400

KITCHEN 4000x2500

BATH 1400x1730

BATH 1500x2630 D4

BEDROOM 5700x4400

KITCHEN 2400x3000

2M CORRIDOR

H' G'

VOID

MAID RM 2015x1730

G.CH

4540

SD1

BATH 2000x2800

D1 WASHER

BATH 1500x2200

LIVING /DINNING 4050x10100

MAID RM 2015x1730

TOILET 2100x2210

108.60 SQ.M.

KITCHEN 2400x3400

LIVING /DINNING 4050x10100

BATH 2100x2800 BATH 2630x1500

D4 W4

KITCHEN 4000x2550

VOID

118.60 SQ.M.

BATH 1400x1730

TOILET 1600x1500

LIVING /DINNING 6300x3935

11730 72

VOID

OPEN TERRACE +61700.0

M. BEDROOM 3950x3800 LIVING /DINNING 4050x10100 108.60 SQ.M.

VOID

88.70 SQ.M.

BATH 2800x2000

BATH 1500x2200

118.60 SQ.M.

KITCHEN 2400x3000

M. BEDROOM 3950x3800

TOILET 1500x1600

4540

88.70 SQ.M.

BALCONY

WASHER

VOID

1.4M CORRIDOR

TOILET 2210x2100

BATH 2800x2100

LIVING /DINNING 6300x3935

VOID

1.4M CORRIDOR

BALCONY

4475

BATH 1500x2200

4515

35 4515

00 62

1990 730

2M CORRIDOR

730 1970

83 00

BATH 1500x2630

BEDROOM 4400x5000

00 62

M. BEDROOM 3950x3800 D3

2450

00 83

TOILET 1500x1600

SD1

6665

35 72

108.60 SQ.M.

88.70 SQ.M.

LIVING /DINNING 4050x10100

118.60 SQ.M.

KITCHEN 3000x2400

MAID RM 1730x2015

TOILET 2100x2210

5300

WASHER

4600

LIVING /DINNING 4050x10100

BATH 1400x1730

1700 700

TOILET 1600x1500

KITCHEN 2400x3400

BEDROOM 5700x4400

'17

BATH 2630x1500

BATH 1730x1400

KITCHEN 2550x4000

M. BEDROOM 4500x3950

1900

BATH 2100x2800

LIVING /DINNING 3935x6300

88.70 SQ.M.

VOID

M. BEDROOM 3950x3800

SD2

M. BEDROOM 3950x4500

BATH 2800x2000

118.60 SQ.M.

H' G'

LIVING /DINNING 4050x10100

2675

BEDROOM 5700x4400

BEDROOM 4400x5000

108.60 SQ.M.

BATH 1500x2200

16'

700 1725

LIVING /DINNING 4050x10100

4800

AL JAZEERA ENGINEERING

15'

SD1

5440

14'

M. BEDROOM 3950x3800

6560

SD2

BATH 1500x2200

BALCONY

M. BEDROOM 3950x3800

SD2

5800

OPEN TERRACE BELOW

BATH 1500x2200

10' 11' 12' '13

5200

SD2

7' 8'

OPEN TERRACE BELOW

4290

2450

1700 700

1900

72 35

6560

'17

62 00

5800

16'

1990 730

5200

15'

G 4290

14'

5905

4475

730 1970

5905

11730

OPEN TERRACE BELOW

M. BEDROOM 3950x4500

11750

BEDROOM 4400x5700

SD2

BEDROOM 4400x5000 D3

M. BEDROOM 3950x3800

SD1

BATH 1500x2200

M. BEDROOM 3950x3800

BATH 1500x2200

BALCONY

SD2

W3 W3

11750

SD2

OPEN TERRACE

Typical Floor Plan (6 to 12)

Upper Roof Plan A'

H' G'

D' C'

C' D'

G' H'

+61700.0 F.L

EL.+58700.00

SEE DRG # AR-21

+58700.0 F.L

LOBBY

CORRIDOR

BATH

LAUNDRY

LIVING/DINING

CORRIDOR

BATH

LAUNDRY

LIVING/DINING

3750

EL.+54950.00

+54950.0 F.L

BALC

LIVING/DINING

BALC

LIVING/DINING

LAUNDRY

BATH

CORRIDOR

LOBBY

LAUNDRY

BATH

CORRIDOR

LOBBY

14 TH FLOOR

BALC

3750

14 TH FLOOR

SEE DRG # AR-21

EL.+51200.00

+51200.0 F.L

13 TH FLOOR

BALC

3750

13 TH FLOOR

EL.+47450.00

+47450.0 F.L

12 TH FLOOR

TOILET

BEDROOM

TOILET

BEDROOM

TOILET

BEDROOM

TOILET

BEDROOM

TOILET

BEDROOM

TOILET

BEDROOM

12 TH FLOOR

BALC

3750

LIVING/DINING

EL.+43700.00

11 TH FLOOR

EL.+43700.00

+43700.0 F.L

11 TH FLOOR

BALC

3750

LIVING/DINING

EL.+39950.00

10 TH FLOOR

EL.+39950.00

+39950.0 F.L

10 TH FLOOR

BALC

3750

LIVING/DINING

EL.+36200.00

+36200.0 F.L

EL.+36200.00

9 TH FLOOR

BALC

3750

9 TH FLOOR

EL.+32450.00

LIVING/DINING

EL.+32450.00

+32450.0 F.L

8 TH FLOOR

BALC

3750

8 TH FLOOR

61700

EL.+58700.00

LOWER FLOOR

TERRACE

3750

LOWER FLOOR

UPPER ROOF

3000

1000

EL.+61700.00 TERRACE

3500

3000

1000

EL.+61700.00

UPPER ROOF

EL.+28700.00

LIVING/DINING

EL.+28700.00

+28700.0 F.L

7 TH FLOOR

BALC

3750

7 TH FLOOR

EL.+24950.00

6 TH FLOOR

LIVING/DINING

EL.+24950.00

+24950.0 F.L

CORRIDOR

LOBBY

CORRIDOR

TOILET D4

TOILET

BEDROOM

CORRIDOR

LOBBY

CORRIDOR

TOILET D4

TOILET

BEDROOM

LOBBY

CORRIDOR

LOBBY

DRIVEWAY

LOBBY

DRIVEWAY

LOBBY

6 TH FLOOR

BALC

3750

EL.+21200.00

5 TH FLOOR

TERRACE

LIVING/DINING

EL.+21200.00

+21200.0 F.L

5 TH FLOOR

TERRACE

4000

+17200.0 F.L

EL.+17200.00

4 TH FLOOR

GENTS / LADIES GYM

EL.+17200.00

CORRIDOR

MINI THEATRE

4 TH FLOOR

TERRACE

4000

EL.+13200.00

+13200.0 F.L

EL.+13200.00

DRIVEWAY

THIRD FLOOR

3000

THIRD FLOOR

+10200.0 F.L

EL.+10200.00

DRIVEWAY

EL.+10200.00

SECOND FLOOR

3000

SECOND FLOOR

+7200.0 F.L

EL.+7200.00

DRIVEWAY

EL.+7200.00

FIRST FLOOR

DRIVEWAY

3000

FIRST FLOOR

EL.+4200.00

MEZZANINE

+4200.0 F.L

MEZZANINE

EL.+4200.00

MEZZANINE FLOOR

MEZZANINE

150

800

ROAD LVL

Elevation LEFT Left SIDE Side ELEVATION-H

-H

SHOW ROOM -03

LOBBY

EL.+800.00

GROUND FLOOR

PUMP ROOM 800

PAVING LVL EL.+000.00

WELL COMPACTED DESERT FILL (AS PER APPROVAL)

R.C. FOOTING REF. TO STRUCTURAL DET.

SECTION-BB

Section BB

BLINDING REF. TO STRUCTURAL DET.

150

+800.0 F.L

EL.+800.00

GROUND FLOOR

OPENING-02

3400

SDB

OPENING-02

3400

MEZZANINE FLOOR

PAVING LVL EL.+000.00

ROAD LVL

SELECTED WORKS

5600

2250

3500

F 37890 5695

5695

5850

5350

B 5600

3950

C 2250

3500

37890 5695

5695

5850

5350

3950

1 STORE 2600x2900

U/G WATER TANK D4

KIDS.POOL

JACUZZI

OPEN TERRACE

SWIMMING POOL 1.5 M DEPTH

6400

+150.0

S.POOL DECK

PUMP RM. 2600x2900

W5 W4

+300.0

OPENING -03

WASH

LIFT LOBBY

SD-B

GENERATOR 2645x4770

7 6 5 4

LIFT

LIFT LOBBY 4000x2470

16 17

19 20

4 3

BILLIARDS HALL 11600x8800

WASH

2 M WIDE CORRIDOR

+300.0

METER RM. 2100X2600

OPEN TERRACE

7000

+150.0

DRIVEWAY

LOCKER 3000x4400

LOBBY

ENTRANCE

GAMES ROOM 11600x8800

BATH

D4 V

BATH

AD1

LOCKER 3000x2600

BATH

4450

SD-A

+150.0

+300.0

CAR PARKING

D3 W1

STEAM 2200x2600

LOBBY 5345x3000

SUBSTATION 6200X4000

+600.0

SAUNA 2200x2600

AD1

+300.0

S.POOL DECK

OPENING -02

RECEPTION

7000

BATH

WATCHMAN 4000X2100

4450

RECEPTION HALL

+9800.0

+300.0

GARBAGE ROOM 2400X2800

TOILET 1600x2400

LIFT

+300.0

V RISER- 160.00 MM TREAD- 270.00 MM

OPENING -03

22600

13 12 11 10

LIFT

CUT OUT

LIFT

4750

OFFICE 4145x4770

11 12

OPENING -03

RISER- 160.00 MM TREAD- 270.00 MM

TOILET 1400x2200

22600

FLOOR LVL ABOVE

CUT OUT

RAMP GOING TO FIRST FLOOR

16 DRIVEWAY

6400

+300.0

G.TOILET 5400x4950

L.TOILET 5400x4950

DRESS D4

BATH BATH 1600x2400

+150.0

FLOOR LVL ABOVE

BATH

BATH W4 W5

+000.0 ROAD LVL

GROUND FLOOR PLAN

FLOOR LVL ABOVE

INSULATED WALL

THIRD FLOOR PLAN - RECREATION

Ground Floor Plan

FLOOR LVL ABOVE

Third Floor Plan (Recreation floor)

14 storey building for mr fouad hussian mohâ&#x20AC;&#x2122;d showaiter, BUSAITEEN Role: Design conception, municipality drawing, 3D modeling and construction drawing Status: Under construction

AL JAZEERA ENGINEERING A

5600

2250

3500

F 37890 5695

5695

5850

5350

3950

5600

2250

3500

F 37890 5695

5695

5850

5350

3950

18 19 20

KITCHEN 2500x2600

TOILET 1400x1200

KITCHEN 2300x2800

2 M WIDE CORRIDOR

OPENING -01

LOBBY

KITCHEN 2500x2800

TOILET 1400x1200

BATH 1600x2200 DET-H

BED ROOM 4000x3800

LOBBY

4450

TOILET 1600x2000

M.BED ROOM 4000x5400

LIVING/DINNING 5600x6000 M.BED ROOM 3600x4350

M.BED ROOM 3600x4350

VOID

M.BED ROOM 4000x4400

VOID

+41800.0

LIVING/DINNING 7000x4200

TOILET 1400x1200 KITCHEN 2500x2600

LOBBY

CORRIDOR

KITCHEN 2300x2800

TOILET 1400x1200

BATH 1600x2200

BED ROOM 4000x3800

D5 AD2

AD2

W11

VOID

WALL HEIGHT UP TO 2.1 M PRIVATE LANDSCAPED AREA

PRIVATE LANDSCAPED AREA

M.BATH 1600x2400

DET-F

ROOF DECK AREA

BALCONY

SD1 W4 W6

BALCONY V

GLASS FLOOR LVL ABOVE

Floor Plan (4-6-8) TYPICALTypical FLOOR PLAN - 4 - 6 - 8 - 10TH

Lower RoofFLOOR Floor PlanPLAN LOWER ROOF

EL.+45000.00

ROOF FLOOR AD2

W11

EL.+41800.00

13TH FLOOR

3200

13TH FLOOR

EL.+38600.00

12TH FLOOR

3200

12TH FLOOR

EL.+35400.00

11TH FLOOR

3200

11TH FLOOR

EL.+32200.00

10TH FLOOR

3200

10TH FLOOR

EL.+29000.00

9TH FLOOR

3200

9TH FLOOR

EL.+25800.00

8TH FLOOR

3200

8TH FLOOR

EL.+22600.00 45000

EL.+19400.00

6TH FLOOR

3200

6TH FLOOR

EL.+16200.00

5TH FLOOR

3200

5TH FLOOR

EL.+13000.00

4TH FLOOR

3200

4TH FLOOR

EL.+9800.00

THIRD FLOOR 3000

3000

EL.+9800.00

THIRD FLOOR

EL.+6800.00

SECOND FLOOR 2700

2700

SECOND FLOOR

EL.+4100.00

FIRST FLOOR W1

RAMP

EL.+600.00

3500

AD1

3500

FIRST FLOOR

EL.+600.00

FRONT ELEVATION

GROUND FLOOR 450

PAVING LVL EL.+000.00

Left Side Elevation

600

150

450

Front Elevation

600

GROUND FLOOR ROAD LVL

7TH FLOOR

3200

45000

EL.+22600.00

7TH FLOOR

150

3200

AD2

ROOF FLOOR

3200

AD2

PAVING LVL EL.+000.00

ROAD LVL

LEFT SIDE ELEVATION

STORE 1400x1200

CAT LADDER

DRESS

STORE 1400x1850

M.BED ROOM 4000x4400

LIVING/DINNING 5600x6000

SD1 W4

LIFT LOBBY 4000x2470

DRESS

DET-G

M.BATH 1600x2400

TOILET 1600x2000

DET-E

LIVING/DINNING 5600x6000

DET-D

BATH 1600x2600

SD2

LIVING/DINNING 5400x4950

KITCHEN 2500x2800

7000

DET-B

STORE 1400x1200

OPENING -03

TOILET 1400x1200

VOID

OPENING -01

DET-C

BED ROOM 4000x3800

STORE 1400x1200

KITCHEN

BED ROOM 4000x3800

BATH 1600x2200

D5 D1

KITCHEN

7000

BATH 1600x2500

W10

FLOOR LVL ABOVE

STORE 1400x1200

VOID

LOBBY

6 5

LIFT

STORE 1400x1850

DRESS

4450

22600

TOILET 1400x1200

LIVING/DINNING 7000x4200

+13000.0

LIFT

OPENING -03

OPENING -01

3 2

D4 OPENING -03

LIFT LOBBY 4000x2470

TREAD- 270.00 MM

CUT OUT

M.BATH 1600x2400

RISER- 160.00 MM

BED ROOM 3645x4000 OPENING -03

4750

22600

TOILET 1500x2400 M.BED ROOM 4100x4000

OPEN TERRACE BELOW

M.BED ROOM 4000x4400

LIVING/DINNING 5600x6000

7 6

OPENING -01

DRESS

LIFT

CUT OUT

OPENING -03

4750

LIFT

BATH 1500x2400

M.BATH 1600x2400

TREAD- 270.00 MM

A/C BALCONY BELOW V

AD3

RISER- 160.00 MM

BED ROOM 3645x4000

DET-A

CUT OUT

BATH 1500x2400 M.BED ROOM 4100x4000

BATH 1500x2400

W4 V

A/C BALCONY V

CUT OUT

OPEN TERRACE BELOW

6400

S POOL DECK BELOW

S.POOL BELOW

SELECTED WORKS

Views of Busaiteen Building

Stany Babu Email ID: stanybabu1992@gmail.com