Catholic Songs for Children by St. Augustine Academy Press

Songs of the Religious Music Guild Arranged for Piano, Voice and Guitar

CS C

atholic ongs for hildren

written by

John Redmond with John Ward

Arrangements edited by

Deacon Timothy Woods

2016 St. Augustine Academy Press Hom er G len, I llinois

The following songs by John Redmond and John Ward were originally featured on the album “The Ten Commandments Song for Little Children; and Seven Songs on the Seven Sacraments,” with sheet music arranged by James McCormack, published as a booklet by the same name, ©1956 by the Religious Music Guild: The Ten Commandments Song for Little Children God Lives in Me Whose Sins You Shall Forgive The Living Christ For Better, For Worse The Sacrament of the Sick I’m a Soldier in Christ’s Army Why Do We Tip Our Hats to a Priest? The following songs by John Redmond were added at a later date to the above listed album, which was renamed “12 Songs for Home and School, including Seven Songs on the Seven Sacraments and The Ten Commandments Song for Little Children.” Sheet music for these songs was published individually, ©1961 by the Religious Music Guild: Anima Christi In the Eyes of God I Assist at Mass One Fold and One Shepherd The following songs by John Redmond were originally featured on the album “Twelve Songs on the Apostles’ Creed,” with sheet music arranged by John Redmond and published individually, ©1959 by the Religious Music Guild: Daniel in the Lion’s Den’ Who Made the World? Why Did God Make Us? Three Persons in One God Gather ‘Round the Crib at Christmas Mary is My Mother, Too Look Out, Little One! Jesus, Our Redeemer Easter Song I Believe in the Catholic Church The Works of Mercy The Apostle’s Creed What a Christmas Present That Would Be by John Redmond ©1957 by Hamar Music. Song of the CCD by John Redmond ©1961 by the Religious Music Guild. The Stable, the Crib and the Star by John Redmond and Hazel Houle ©1962 by the Religious Music Guild. The Best Christmas Present of All by John Redmond ©1965 by Religious Music Guild I Want to Be a Little Missionary by John Redmond ©1967 by Religious Music Guild I’m a Chosen Child by John Redmond ©1968 by Religious Music Guild

St. Augustine Academy Press Homer Glen, IL ISBN: 978-1-936639-86-1 ISMN: 979-0-800114-00-7

Nihil Obstat: John A. Goodwine, J.C.D. Censor Librorum Imprimatur: Francis Cardinal Spellman Archbishop of New York

The music on the album “Seven Songs on the Seven Sacraments” was granted the above imprimatur in 1956.

The music on the album “Twelve Songs on the Apostles’ Creed” was granted the same imprimatur in 1958.

Contents Foreword by Fr. Mark Mazza Editor’s Notes The Ten Commandments Song for Little Children (God’s Laws) God Lives in Me (Baptism) Whose Sins You Shall Forgive (Confession) The Living Christ (Holy Communion) For Better, For Worse (Marriage) The Sacrament of the Sick (Extreme Unction) I’m a Soldier in Christ’s Army (Confirmation) Why Do We Tip Our Hats to a Priest? (Holy Orders) Anima Christi (Soul of Christ) In The Eyes of God (Examination of Conscience) I Assist At Mass One Fold and One Shepherd (Unity) Daniel in the Lion’s Den (Faith) Who Made the World? (Creation) Why Did God Make Us? (Purpose of Life) Three Persons in One God (Trinity) Gather ‘Round the Crib at Christmas (Nativity) Mary is My Mother Too Look Out, Little One (Occasions of Sin) Jesus, Our Redeemer Easter Song (Resurrection) I Believe in the Catholic Church The Works of Mercy The Apostle’s Creed Song of the C.C.D. (Confraternity of Christian Doctrine) The Stable, The Crib and The Star What a Christmas Present That Would Be! The Best Christmas Present of All I Want To Be a Little Missionary I’m a Chosen Child

iv vi 2 5 8 11 14 17 20 22 25 28 32 36 40 44 48 52 56 60 62 66 68 71 74 77 80 82 84 87 90 93

Foreword My dear brothers and sisters in Christ, I am quite honored to share a few words as a modest introduction to this first-ever compilation of nearly all the known Catholic songs written by John Redmond (1906-1982). Redmond had a successful career as a songwriter in the ‘30s, ‘40s and ‘50s, with perhaps his best-known tune being “Christmas in Killarney,” made famous by Bing Crosby. In the early 1950’s, Redmond established the Religious Music Guild, writing a number of songs to help Catholic children respond to a good and loving God. He wanted to serve God, country, and his Church with his musical talents, in gratitude for all that he had received. I think he has more than succeeded, since it is now over sixty years since these songs first appeared, yet they are still treasured today. Parents of faith have passed on their fond memories of these songs to their children, grandchildren, even great-grandchildren. I can still remember sitting in my second grade classroom in the spring of 1962, under the patient direction of Sister Mary Carla, listening for the first time to these very records being played on a little phonograph. If I close my eyes even now I am transported back in time to the days when I was very young. Like children today, I almost immediately began to sing along with the recording in union with my young classmates. I have never forgotten “Daniel in the Lion’s Den,” “Mary is My Mother Too,” “The Ten Commandments Song,” and the march song “I’m a Soldier in Christ’s Army.” They made a lifetime impression that still brings joy to my heart after all these years. 1962 was the year of my First Holy Communion. I will never forget the loving preparation of the good sisters and my own parents for that special day. My dad woke me up early to tell me that the great day had arrived. During a beautiful High Mass we reverently approached the high altar of our little but lovely church, genuflected, and knelt at the top step to receive Our Lord for the first time. I fell immediately in love with Him, and He whispered in my ear that I should become a priest. I can’t begin to count all the times over the years that He has drawn near to me as my “Little White Guest.” Later that day my family, relatives, and friends gathered at home to celebrate the goodness of our loving Lord and the great gift of our Catholic faith. Of course, a lot has happened in our world, country, Church, and my own life since then. I was happily ordained a priest in 1980, and in 1985 I was assigned to my home parish and made the parish director of the Confraternity of Christian Doctrine. At that time the thought occurred to me to hunt down the John Redmond songs to supplement our program. I discovered a cassette version by the Catholic Mothers Exchange with 24 of the songs. In spite of the passage of time, the children took to them immediately. In 1992, I became pastor of a small rural parish in Indiana, where I prepared the children myself for First Holy Communion and Confirmation. As part of the instructions we again used the John Redmond songs. On the day of their First Confession my children would sing a few of them to their parents, especially the “Ten Commandments Song.” In my mind’s eye I can still see them swaying back and forth with big smiles on their faces. On completion of their preparation each child received his own copy on cassette as a keepsake.

After leaving Indiana for California in 2003, the possibility of using the Redmond songs no longer existed. Occasionally, in a letter from an old student or a parent I was reminded of those early days of my priesthood. Then this past year, while moving, I came across an old file with the words to the songs, some of the sheet music, and the old LPs. I thought I would do some research to see if I could put together a complete collection of all of Redmond’s known Catholic sheet music and recordings. Eventually, through the generous cooperation of the Clinton Historical Society in Massachusetts and the grand-niece of John Redmond, Mary Alice Kane, I was able to locate most of the sheet music and a few of the less well-known recordings. This done, it occurred to me that this sheet music should be gathered into a book for use in Catholic schools, CCD programs, and especially at home, before they were lost forever. Finally, I approached Lisa Bergman of St. Augustine Academy Press with the idea and found that she too was greatly endeared to Redmond’s music. After weighing the proposal for a few months, she decided to embrace both the publishing of the sheet music and the production of a newly remastered CD, incorporating those songs that had hitherto been forgotten. Without her you would not be holding this book in your hands. We all look forward to many more fine books from this small, courageous, publishing house. Therefore, I hope that this publication has a wide circulation. It is unique and a labor of love from start to finish. You will not find anything like it anywhere else. The original sheet music has been carefully examined and new or edited arrangements prepared, which, while faithful to the originals, managed to add elements from the beloved recordings as well, especially the vocal harmonies. Some of the sheet music had to be reconstructed from scratch using the recordings, since the originals could not be found. And all the recordings on the accompanying CD have been newly remastered from the original LPs and 45s I had collected. So do what you can to make this book and this music known. Get the word out there. Remember, our holy Catholic faith must be lived and loved. The surest way to hand on the faith is to be loved by people—especially mom and dad—who love the Lord and daily live out the Faith of all time. Let us lift up our heads and proudly proclaim: “I’m a soldier in Christ’s army, Confirmation made it so. As a soldier in Christ’s army I’ll profess my faith whereever I go. No! the devil shall not harm me, I’m the captain of my soul. I’m a soldier in Christ’s army Marching to my heavenly goal.”

”Faith of our Fathers! Holy Faith! We will be true to thee till death.” Yours in the Holy Family: Jesus, Mary, and Joseph, Fr Mark G. Mazza Christmas 2016

Editor’s Notes The collection of songs found in this volume is the fruit of our attempt to rebuild a complete collection of sheet music for the songs John Redmond wrote for the Religious Music Guild in the 1950’s and 60’s. Thanks to the efforts of Fr. Mark Mazza, we were blessed with copies of the original sheet music for most of these songs; however, for a few we had only the recordings to work from. In looking over this original sheet music, we found that, as they were clearly intended for use with children’s choirs, they were much simpler arrangements than those by Michael Colicchio which can be heard in the recordings. Yet it is these recordings which have become well-known and loved, and thus we hoped to create a happy medium between the two. Therefore the method our music editor, Deacon Timothy Woods, used in creating these arrangements was first to see if the original sheet music was adequate. In these cases, he preferred to allow these simplified arrangements to stand largely as-is, adding only vocal harmonies and guitar chords. In a few cases, he inserted his own ideas, and in others, especially where the recordings seemed superior to the sheet music, he tried to render elements from the recording in his edits. Because the expectation is that these songs will be sung primarily by children, wherever possible the melody line is supported in the piano part. However, some of the accompaniments found in the recordings—or in a few cases, in the sheet music—were so attractive that it was decided to use those despite the fact that they did not support the melody. If performers find it necessary to support the melody in the piano part rather than using the accompaniment in this book, they should do so without hesitation. The purpose of these songs is to teach the faith by singing, so anything that makes the singing easier is probably the path which should be followed. Chord symbols have been included in most of these songs so that a guitar or other chordal instrument can be used with—or instead of—the piano, or if the pianist is more comfortable reading chord symbols than the written accompaniment, this would also be an option. We hope you enjoy playing these edited arrangements, and that they do justice to the efforts of Mr. John Redmond, Mr. John Ward, and all the others originally involved in producing this music. In Christ, Lisa Bergman Editor-in-Chief Deacon Timothy D. Woods Music Editor Feast of St. Cecilia, 2016

We Lovingly Dedicate this Labor of Love to Our Lady in Blue... ...because Mary is Our Mother, Too...

The Ten Commandments Song for Little Children The TenWhy Commandments Song Children Do We Tip Our Hatfor to Little a Priest (God’s Laws) The Moderato Ten Commandments Song for Little Children John Redmond/ J. Ward Moderately = 120 John Redmond/John Ward (Holy Orders) q =q 124 The Ten Commandments Song for Little Children Arr. James McCormack/Deacon Timothy Woods F C F CF John Redmond/ J. Ward Moderately q = 120 GC 7

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Soprano Voice

Moderately q = 120 F

John Redmond/ J. Ward

God Lives in Me Why Do We OurinHat GodTip Lives Meto a Priest (Baptism) God(Holy Lives in Me JohnJohn Redmond/John Orders) Moderato = 124 Redmond and John Ward (Baptism) Moderato h =q64 God (Baptism) LivesArr.inJames MeMcCormack/Deacon Arr. Deacon Timothy Woods C G G John Redmond C and John Ward Moderato C h = 64 Moderato h = 64

& 44 Voice & 44 Voice &4 4 &4 & 44 Piano &4 ? 44 Piano Piano ?4 ? 44 GC7 Voice

C & Cœœœ ... 6  .. & hats me . 66&  .. œ me 6& me œ . 6 Œ & . & Œ . ? Œ ? œ ? 66 6

Pno. Pno. Pno.

10 11

Pno. Pno.

C F/C

(Baptism)

∑ G/C F/C ∑∑ ∑∑ G/C F/C ∑ ∑ ∑ ∑ ∑ ∑ œ œ œ œ œœ .. œœ œœ ∑ œ œ œœ .. œœ œœ∑ œ œ œ . œœ ∑œœ œœ œœ ∑ ∑ ∑   ∑ ∑ ‰œœœ ‰œœœ ‰ œ œ ∑œ  w‰ œ œ  w‰ œ  ‰w œ œ œœ  œœœ ‰wPed.œ œ w‰Ped.œœ œ œ w‰Ped. œœ w G7 w w d #mdim F/A C C

C C

Ped. Ped.

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Pno.

a Fm

G/C

wœœ œœ wwœ œ w call bide, ww him ww bide, œ œ bide, œw œœ œ œw œ œœ œwœ œ œ œœ œ œ œ œœ œ C œC C C

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Ped. Ped.

G/C

∑ G/C ∑ ∑ ∑ ww ∑ ‰ œ œ ∑œ  w‰  œ œ  œœœ w‰Ped. w œC G

.. œ œ œœœœœ œœ œœ . Cœ œ œœ Gœœ7 ..  œœ œ œœ Why in do welives .. God œœtip our  œ inœœ .. Godœ œ lives œœ inœœ œœ God  œ lives .. Œ  œ œœ ..   œ œœ Œ œ  œœ . œ . Œ   ..   ..   C 7G C C

John and JohnWoods Ward Arr.Redmond Deacon Timothy G/C Arr. Deacon Timothy C G7 Woods

Ped. Ped. C C

F/A G C G œ . . œ  œ œ œ œ œ . œ œ Gœ C œ œ œGœ # # œœ F/A œ - Christ, like œ reœ - nounced Fa - I've ther, vil andand my œ Hetheœ is De œ œ œ œ œ œœ œœ œœ I've re - nounced the De - vil and my œ . . œ  œ œœ - vilœœ and œmyœ # œ œ œ  . re - nounced theœœ De œ # œ œ I've Œ œ œ œœ Œ œ œŒ œ œ œœ œœŒ œ œ œœ œ œŒœ œœ œœ œœ œŒ œœ œ œœ œœ     b œ œ  œ œ     œCF  C  C G 7 C/B b F/A C/G b F/A œœ Fœœ C . œ œ Cœ œ C/B œœ œ C/G  œ b . œ œ œ  œ  œ œ œ œ . F C C C/B F/A C/G  œœ œœœœ. œ œ.. œ œ œœ œ œœ .. œœ œœœœ œœœœœ œœwhen I've  were small, œœ Fainœœœ- ther mebap.. - tized us'cause œœhe'llœœ bap so. lives we œœ  been œ œ  .. œ œ lives bap œ inœœ. œ meœ. œ œ'causeœ I've been œœœœ œ œ œ œ œ œ lives in me 'cause I've been  œ œœ Œœ  œœœ œ œœŒ .   bap  œ œœœ Œ ..  œœ   œ œœœ œœ Œ  œœ œŒ  œ œœœ    œ œ  œ œ b Œ  œœ œ    b œ œ    b œ œ

Whose Sins YouFor Shall Forgive For Better, Worse Whose Sins(Confession) You Shall Forgive JohnRedmond/ Redmond/John Ward (Marriage) Moderato h = 72 Whose Sins You Shall Forgive John John Ward Moderato h = 68 (Confession) Arr. James James McCormack McCormack WhoseG Sins You ShallCForgive John Redmond/ John Ward Moderato D (Confession) GC C Gh = 68 F

James McCormack John Redmond/ John Ward # C h = 68 Moderato (Confession) G F C C C  ∑ ∑ ∑ Œ James McCormack Voice & ∑ ∑  Œ œ .. Cœ œ œœ Voice G F C & 444 C ∑ # œ œ œ . ∑ ∑ ∑  Œ œ . œ œ œ Forœœ Voice & 44 œœ forœ œ you œ j#shall Voice & 4# CŒ Œœ ∑ œ‰ j œ œ œ ∑Œ ‰ jŒ ∑œ  Œ Œ ‰ œj œŒœ Whose œœ ..Œsins œœ œœœ ‰you œœœ #shall œœœ œ for & 4 wŒ œ œœ œg wœ œ œ œgg Œwwœ œ œ g Œw œ œ œWhoseœ .. sins œœ & 44 gg ww œ œ œ gg wwœ œ œ œ  gg ww œ œ Whose œ sins you shall for w g œ œ # œ g   g w . w w œœ œ ggg wwwœ œ œ œœ ggg Œwww œ  ggg Œwwœ œ & 44 gg wwwŒ œ .. œ œœ # œ œ Piano w g Piano ‰ ‰  ‰ œ ‰  ‰ œ ‰  ‰w œ ‰  g w œ g w . g . & 4# Cgg ww w œ œ w œ w g w w w g g ? œœ œœ # œ œœ w gg ww g g w Piano w g g ? 4 ggggg ww w . . gg g ww w w gg w .wœ œ # œ œ g 4 Piano g g g w w w ? 44 gg w # œ gg w gg gg w. ..  w g gg w gg w ? 44 ggg ww .. œ œ # œ œ ggg ww g g gg w G Fgg C C gg D F C G G7 C 5 gG g # 6 œœG  ..  G 7 œœ œœ  F .. C F C C œ œ œ œ œ # œ  œ 6& œ œ œ  œ œ œ œ Œ œ œ    œ . œ œ Gœœ7 œœ œ œ œ œ œ œ Cww & Fœ Cœ Fœ Cœ Gœœ œœ   œ œ œ œ œ 6   œpoorœœ- er œ œin œ sickœ - nessw and in Œ œœ bet - ter forœ worse, For ri - cher, œ for & œ œ œ œ œ œ œœ Aœ - pos œ œ w œœ œœa - go.   œœ - tles œœ long œ œ œ 5 give them, God to His œœ they œœ areœœ forœ - giœ - ven œ said Œ   ww œ 6& #œ œ œ œ œ œ œ œ œ œ . œ  œ œ   œ œ œ œ œ œ .    œ œ œ œ œ give they are for gi ven them, God said to His A pos tles long a go. œ .   œ œ œ œ  œ œ  œ œœ œ wœ # œ w œ 6& œ  . œ & give they œ areœ forœ - œgiœ - ven - tles long a - go. œ them,  Œ God œ toœ His œœ said œ Aœ - pos   6   œ œ œ œ ww œ & œ œ œ œ œ œ œ œ œ œ   Œ œ   w & ? #œ .. œ œœ œœ œ œ œ   Œœ œœœ œ œ œ œ œ œ œ œ wœœ # œ ww œ œ ? œ œ     œ  œ   œ       ? œ œ  œ    œ œ        ? œ œ       #    C 7  G  F  f dim D7 G 10 #  12 C7 F œ f # dim   œ œ œ œ & œ  .  œ œ œœ œ œ 12 Œ œ œœ œœ # œ œœ œœ œœ œ œœ œbCœœ7 œ b   F œ œfb#dim  &  . # œ us part, .. œœ œœ Weœœœ takeb œœœ thisb vow  in mar -riage 12 œ health Œ un - til œ deathœ do# œ and &  œ . b  œ œ œ  œ œ œ œ œ  # œ . 10 œ œ When I re ceive the sac ra ment of Pe nance The   œ Œ œ œœ œœ # œ œœ œœ œœ œœ b œœ b    .. 12& # b  œ œ  Œ  œ # œ .  œ œ   The When of Pe  - nance œ œ I œ re -ceive theœ sacœ - raœ - ment w 12& œ b œ b  œ œ  œ b  .  Œ œ &  œ œ œ    When I re - ceive the sac - ra - œment of œ Pe - nance The # œ œ œ œ œ œ œ # œ .. Œ œ œ œ b œ b  œ 12 œ  &  œ œ œ # œ œ œ œ œ œ b  # œ . œw œ œ b œ b  œ   ..  œ & ? # œw œ œ œœ w œœ # # œœœ œœœ  œ b    .  ?   œ  œ  œ #  œ.. Œ     . ?    #     Œ     ..  ?  #    Œ   7

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