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MIT Interstitial Housing looks to solve the harsh divide of academics and student living spaces. This design is an experimentation with spatial pairing through typically separate programs. Through the use of interstitial open spaces, both housing and acadmics live off of one another. This new building typology aims to create a healthier balance between academics and student living. These interstitial spaces are those that can revolve around student activities that take place on MIT’s campus. The four spaces are a gaming space, group study space, lounge space, and a public maker spaces. These programs float between both typologies while feeding off of the existing interstitial space on the site. The site on the other side of the MIT Chapel by Eero Saarinen is separated by a street that creates breathing room for a building on this site and the Chapel. My design challenges the under-utilization of the space by occupying it and using that space as the space between my double skin facade that ties back to the Chapel’s materiality of brick in a new way.
3: CHAPEL WALL EXTENSION EXISTING INTERSTITIAL SPACE 1: 1: EXISTING INTERSTITIAL SPACE
EXISTING INTERSTITIAL SPACE 4:PROPOSED PEELING UP THE EXTENSION FOOTPRINT INTERSTITIAL SPACE 2:1:2:1:EXISTING PROPOSED FOOTPRINT
PROPOSED FOOTPRINT PROGRAM BREAKDOWN CHAPEL WALL EXTENSION EXTENSION 2:5:2:PROPOSED FOOTPRINT 3:3: CHAPEL WALL
3:CHAPEL CHAPEL WALL EXTENSION PEELING THE EXTENSION 3: EXTENSION 4:4: PEELING UPUPWALL THE EXTENSION
4: PEELINGUP UP THEEXTENSION EXTENSION PROGRAM BREAKDOWN PEELING THE 5:5:4:PROGRAM BREAKDOWN
1:EXISTING EXISTING INTERSTITIAL SPACE Interstitial Space 1:1: EXISTING 1: Existing EXISTING INTERSTITIAL INTERSTITIAL INTERSTITIAL SPACE SPACE SPACE 1: 1: EXISTING INTERSTITIAL SPACE
2:PROPOSED FOOTPRINT 2: Proposed Footprint 2:PROPOSED 2:PROPOSED PROPOSED FOOTPRINT FOOTPRINT FOOTPRINT 2:2: PROPOSED FOOTPRINT
3:CHAPEL CHAPEL WALL EXTENSION Wall Extension 3:Chapel 3:CHAPEL CHAPEL WALL WALL WALL EXTENSION EXTENSION EXTENSION 3:3:3: CHAPEL WALL EXTENSION
4: THE EXTENSION 4:4: PEELING Peeling up the Extension PEELING 4:PEELING 4:PEELING PEELING UPUP UP THE UP THE EXTENSION THE EXTENSION EXTENSION 4: UP THE EXTENSION
5:Program BREAKDOWN 5:5: PROGRAM Breakdown PROGRAM 5:PROGRAM 5:PROGRAM PROGRAM BREAKDOWN BREAKDOWN BREAKDOWN 5: BREAKDOWN
6:CREATING CREATING VOIDS AND CHAPEL INTERSECTION OFINSERTION VOIDS 6: CREATING CREATING VOIDS EXTENSION INTERSTITIAL VOID INSERTION 6:7: VOIDS 6:WRAPPING VOIDS VOID 6:8:Wrapping Chapel Extension7:7:9:INTERSTITIAL Creating Voids 6:CREATING VOIDS 6:CREATING 6:CREATING CREATING VOIDS VOIDS VOIDS 6:6: CREATING VOIDS
Site Plan Rendering
INTERSTITIAL VOID INSERTION 8:WRAPPING WRAPPING CHAPEL EXTENSION 9:INTERSECTION INTERSECTION OFVOIDS VOIDS ANDSKIN SKIN1 SKIN 10: BUILDING INTERSTITIAL SPACE WRAPPING CHAPEL EXTENSION INTERSECTION OF VOIDS AND SKIN 10:10:9:NEW NEW BUILDING INTERSTITIAL SPACE 7: INTERSTITIAL VOID INSERTION 8:Void CHAPEL EXTENSION OF AND 8:8: WRAPPING CHAPEL EXTENSION 9:9: INTERSECTION VOIDS AND SKIN BUILDING INTERSTITIAL SPACE 8:7:NEW Interstitial Void Insertion 9: andOF Skin Intersection 10: New Interstitial Space
7:INTERSTITIAL VOID INSERTION 8:WRAPPING CHAPEL EXTENSION 9:INTERSECTION OF VOIDS AND SKIN NEW BUILDING INTERSTITIAL SPACE 7:INTERSTITIAL 7:INTERSTITIAL INTERSTITIAL VOID VOID VOID INSERTION INSERTION INSERTION 8:8: WRAPPING 8:WRAPPING 8:WRAPPING WRAPPING CHAPEL CHAPEL CHAPEL EXTENSION EXTENSION EXTENSION 9:INTERSECTION 9:INTERSECTION INTERSECTION OF OF VOIDS OF VOIDS VOIDS AND AND AND SKIN SKIN SKIN 10:10: 10: NEW 10:NEW NEW BUILDING BUILDING BUILDING INTERSTITIAL INTERSTITIAL INTERSTITIAL SPACE SPACE SPACE 7:7: INTERSTITIAL VOID INSERTION CHAPEL EXTENSION 9:9: INTERSECTION OF VOIDS AND SKIN 10: NEW BUILDING INTERSTITIAL SPACE
F
E
D
F
E
D 3-4
C
MANUFACTURING LAB
INTERIOR COURTYARD
STUDIO SPACE
B
A
ELEVATOR
ELEVATOR
CLASSROOM
CLASSROOM
C
C
B
B
A
A
OPEN TO BELOW
OPEN TO BELOW
B
E
A
ELEVATOR
ELEVATOR + STORAGE
PUBLIC LOUNGE SPACE
BATHROOM
CLASSROOM MENS BATHROOM
F
C
D
F
First Floor Plan
E
WOMENS BATHROOM
D
Second Floor Plan
F
E
D
F
E
D
LAUNDRY
PUBLIC MAKER SPACE
C
C
C
B
B
PUBLIC GAMING SPACE
COMPUTER LAB
OPEN TO BELOW
C
DORM ROOM
BATHROOM
BATHROOM
B
STORAGE
B
BATHROOM ELEVATOR
A
A
ELEVATOR
A
ELEVATOR
ROOF TERRACE
PUBLIC STUDY SPACE
BATHROOM OPEN TO BELOW
GROUP STUDY ROOMS DORMITORY
CLASSROOM
CLASSROOM
F
Third Floor Plan
E
D
F
Fourth Floor Plan
E
D
A
Section SECTION A
A - SCALE: 3/32” = 1’-0” SECTION A - SCALE: 3/32” = 1’-0”
SECTION E - SCALE: 3/32” = 1’-0” SECTION E - SCALE: 3/32” = 1’-0”
5-6
Section B
WEATHERPROOFING WEATHERPROOFING ROOF ROOF DRAINAGE DRAINAGE STEEL STEEL BEAM BEAM
WEATHERPROOFING WEATHERPROOFING Weatherproofing ROOF ROOF DRAINAGE DRAINAGE Roof Drainage 1: ROOF 1: ROOFDRAIN DRAINDETAIL DETAIL STEEL STEEL BEAM BEAM Steel Beam
SECTION SECTIOND D- -SCALE: SCALE:3/32” 3/32”= =1’-0” 1’-0”
WEATHERPROOFING
1:
Section DD -D SCALE: SECTION SECTION - SCALE: 3/32” 3/32” = 1’-0” = 1’-0”
ROOF DRAINAGE WEATHERPROOFING STEEL STEEL BEAM BEAM STEEL BEAM ROOF 1: ROOF DRAIN DRAIN DETAIL DETAILROOF DRAINAGE STEEL STEEL SUPPORT SUPPORT BEAM BEAM STEEL BEAM STEEL TENSIONED TENSIONED STEEL ROD ROD
1: Roof Drain Detail
1: ROOF DRAIN DETAIL
SECTION D - SCALE: 3/32” = 1’-0”
1: ROOF DRAIN DETAIL
SECTION D - SCALE: 3/32” = 1’-0”
STEEL STEEL FLASHING FLASHING SHELF SHELF STEEL STEEL BEAM BEAM
RELIEF RELIEF GAP GAP STEEL STEEL SUPPORT SUPPORT BEAM BEAM CHAPEL CHAPEL BRICK BRICK WALL WALL TENSIONED TENSIONED STEEL STEEL RODROD
2: 2:BRICK BRICKREVEAL REVEALDETAIL DETAIL
STEEL BEAM STEEL STEEL FLASHING FLASHING SHELF SHELF STEEL SUPPORT BEAM STEEL BEAM Steel Beam RELIEF RELIEF GAP GAP
SECTION SECTIONF F- -SCALE: SCALE:3/32” 3/32”= =1’-0” 1’-0”
TENSIONED STEEL ROD CHAPEL CHAPEL BRICK BRICK WALL WALL
SUPPORTBeam BEAM SteelSTEEL Support TENSIONED STEEL ROD Steel Tensioned Rod STEEL FLASHING SHELF 2: BRICK 2: BRICK REVEAL REVEAL DETAIL DETAIL
RELIEF GAP
STEEL FLASHINGShelf SHELF Steel Flashing CHAPEL BRICK WALL Relief Gap RELIEF GAP CHAPEL BRICK WALL Chapel Brick Wall 2: BRICK REVEAL DETAIL
SECTION SECTION F -F SCALE: - SCALE: 3/32” 3/32” = 1’-0” = 1’-0”
2: 2:BRICK BrickREVEAL Reveal DETAIL Detail
Section F F - SCALE: 3/32” = 1’-0” SECTION SECTION F - SCALE: 3/32” = 1’-0”
1 1
1 1 22 1 1 SECTION SECTION B B- B-SCALE: SCALE:3/32” 3/32”= =1’-0” 1’-0” Section
2 2 SECTION SECTION C C- C -SCALE: SCALE:3/32” 3/32”= =1’-0” 1’-0” Section
Upper Roof
7-8
SECTIO BRICK SCREEN FACADE
Building Skin
BUILDING STRUCTURE
Building Structure
Courtyard Rendering 1
Fifth Level
Fourth Level
Third Level
Second Level
Courtyard Rendering 2 First Level
Academic
Section SECTIONAdjacencies ADJACENCY DIAGRAMS
ACADEMIC
HOUSING
INTERSTITIAL
Housing
Building Axonometric BUILDING AXON
Interstitial
STRUCTURAL DETAIL 1
BUILDING BuildingSTRUCTURE Structure
STEEL SHELF Steel Shelf
LATERALBracing BRACING Lateral
DOUBLE Shelf STEEL SHELF Steel
FFACADE acadeSTRUCTURE Structure
FLANGE WideWIDE Flange
STRUCTURAL RODS Steel Rods
1
STRUCTURAL DETAIL 2 STRUCTURAL DETAIL 1
1
1: Brick Clipping System
2: Building Structure Detail BUILDING STRUCTURE
LATERAL BRACING
2
FACADE STRUCTURE
STRUCTURAL DETAIL 2
BRICK FACADE AXON Facade Structural Axonometric
Exterior Rendering
RODS RODS 1: STRUCTURAL 1: 1:FSTRUCTURAL acade Structure 2: STEEL SHELVING SYSTEM 2: STEEL SHELVING SYSTEM 2: 3:Steel Bracing STRUCTURAL RODS AND BRACKETS 3: STRUCTURAL RODS AND BRACKETS 3: 4:Structural Rods + FACADE Plates BRICK AND GLASS BRICK 4: BRICK AND GLASS BRICK FACADE 4: Brick Facade System
44 33
4 9-10
3 GLASS BRICK
22
GLASS BRICK Glass Brick
STEEL BRACKET
2
SteelSTEEL PlateBRACKET STEEL ROD
11
STEEL ROD Structural Rods
1 CONVENTIONAL BRICK
BRICK CONNECTION DETAIL
BRICK CONNECTION DETAIL
Interior Spine Rendering
CONVENTIONAL Brick
BRICK
11-12
^Interior Group Study Room Rendering
13-14
Structural Model Photos
Fabrication Lab Rendering Group Study Room Rendering
15-16
Brick Facade Detail Model
Brick Facade Detail Model
Brick Facade Detail Model
Brick Casting Process
17-18
The Boston University Art Museum was an addition and renovation project displaying MidAmerican art from the Jackson Polluck era. This project was a interdisciplinary team one with four total members, including two architecture students and two interior design students. Our goal was to reuse what was given to us within the existing building, an automoble row building by Albert Kahn at 808 Commonwealth Avenue. Our team looked at expanding Albert Kahns goals and strategies about displaying items, whether they be art or automobiles. This semester was our comprehensive studio as well so each detail down to egress, electrical, power, and handicap codes were all to be documented in our final presentation. Our process and final deliverables were spread out across several presentation boards as well as a five minute digital presentation.
Project Group: Cory Cook, Rachel Giorgi, Ritsa Konstantidis
V7 2017 Published Wentworth Architecture Review
ADJACENCY WITHIN ITS PROGRAM CATEGORY
ADJACENCY ACROSS PROGRAM CATEGORIES
ADJACENCY DIAGRAM
VESTIBULE
M (2)
A2
TICKET DESK
COLLECTION
A3
INFO DESK
A4
COAT CHECK
A5
LOBBY
A6
CURRENT SHOW INFO
A7
GIFT SHOP
JACENCY ACROSS PROGRAM CATEGORIES OBBY
COLLECTION
CTION
F CURATOR OFFICE
ICES (4)
STANT OFFICES (6)
CATION EDITOR
STAFF (3)
A8 GIFT SHOP STORAGE PROGRAM ADJACENCY DIAGRAM N STAFF (3) A9 RESTROOMS
AFF (3)
N DIRECTOR
AITING
B1
LECTURE AUDITORIUM
B2
AUDITORIUM LOBBY
B3
SEMINAR ROOM (2)
B4
LIBRARY
A1 VESTIBULE ROOM A2 TICKET DESK ROOMS (3) A3 INFO DESK ROOM A4 COAT CHECK UNCH ROOM A5 LOBBY RINT A6 CURRENT SHOW INFO
T
AREA
A7
GIFT SHOP
A8
GIFT SHOP STORAGE
A9
RESTROOMS
B1
LECTURE AUDITORIUM
C1
ADJACENCY WITHIN ITS PROGRAM CATEGORY
ENTRY COMMUNITY
PERMANENET COLLECTION
C2
TEMPORARY COLLECTION
C3
STUDY COLLECTION
D1
DIRECTOR/CHIEF CURATOR OFFICE
D2
CURATOR OFFICES (4)
D3
GALLERY ASSISTANT OFFICES (6)
D4
MUSEUM PUBLICATION EDITOR
D5
PUBLICATIONS STAFF (3)
D6
MEMBERSHIP
D7
MEMBERSHIP STAFF (3)
D8
CONSERVATION DIRECTOR
D9
CONSERVATION STAFF (3)
D10
RECEPTION/WAITING
D11
CONFERENCE ROOM
D12
STAFF WORK ROOMS (3)
D13
LARGE WORKROOM
D14
KITCHENETTE/LUNCH ROOM
D15
PHOTOCOPY/PRINT
D16
FILE AREA
ACROSS CATEGORIES B2 PROGRAM AUDITORIUM LOBBY GE B3 SEMINAR ROOM (2)
B4 LIBRARY ORAGE C1 PERMANENET COLLECTION NG STAGING C2 TEMPORARY COLLECTION STORAGE C3 STUDY COLLECTION NCE D1 DIRECTOR/CHIEF CURATOR OFFICE STORAGE PAINTINGS D2 CURATOR OFFICES (4) STORAGE PAPER D3 GALLERY ASSISTANT OFFICES (6) STORAGE 3D MEDIA D4 MUSEUM PUBLICATION EDITOR GE D5 PUBLICATIONS STAFF (3) CK D6 MEMBERSHIP VING STAGING AREA D7 MEMBERSHIP STAFF (3) Y STUDIO D8 CONSERVATION DIRECTOR URITY OFFICES D9 CONSERVATION STAFF (3) OM D10 RECEPTION/WAITING ROOM D11 CONFERENCE ROOM CKER ROOM D12 STAFF WORK ROOMS (3) XHIBIT STORAGE D13 LARGE WORKROOM N LAB 2D MEDIA D14 KITCHENETTE/LUNCH ROOM N LAB 3D MEDIA D15 PHOTOCOPY/PRINT HIBITON WORKSHOP D16 FILE AREA N WORK ROOM D17 STAFF LIBRARY CHASE SPACE D18 COAT CLOSET OOM E1 CAFE DINING AREA STORAGE E2 KITCHEN RESTROOMS E3 FOOD STORAGE NS RESTROOMS E4 TRASH ROOM OM E5 DRY FOOD STORAGE NTAIN E6 EVENT CATERING STAGING LOSET E7 EVENT SPACE STORAGE F1
STAFF ENTRANCE
F2
COLLECTION STORAGE PAINTINGS
F3
COLLECTION STORAGE PAPER
F4
COLLECTION STORAGE 3D MEDIA
D17
ENTRY
COMMUNITY
STAFF LIBRARY
D18
COAT CLOSET
E1
CAFE DINING AREA
E2
KITCHEN
E3
FOOD STORAGE
F5
CRATE STORAGE
F6
LOADING DOCK
F7
SHIPPING/RECEIVING STAGING AREA
F8
PHOTOGRAPHY STUDIO
F9
CENTRAL SECURITY OFFICES
F10
STAFF RESTROOM
F11
MENS LOCKER ROOM
E4
TRASH ROOM
F12
WOMENS LOCKER ROOM
F13
TEMPORARY EXHIBIT STORAGE
G1
CONSERVATION LAB 2D MEDIA
E5
DRY FOOD STORAGE
G2
CONSERVATION LAB 3D MEDIA
G3
MOUNTING EXHIBITON WORKSHOP
G4
CONSERVATION WORK ROOM
E6
EVENT CATERING STAGING
H1
E7 EVENT SPACE STORAGE MECHANICAL CHASE SPACE
H2
ELECTRICAL ROOM
H3
MAINTENANCE STORAGE
H4
PUBLIC MENS RESTROOMS
F1
STAFF ENTRANCE
F2
COLLECTION STORAGE PAINTINGS
F3
COLLECTION STORAGE PAPER
H5
PUBLIC WOMENS RESTROOMS
H6
TEL/DATA ROOM
H7
DRINKING FOUNTAIN
F4
COLLECTION STORAGE 3D MEDIA
F5
CRATE STORAGE
F6
LOADING DOCK
F7
SHIPPING/RECEIVING STAGING AREA
F8
PHOTOGRAPHY STUDIO
F9
CENTRAL SECURITY OFFICES
F10
STAFF RESTROOM
F11
MENS LOCKER ROOM
F12
WOMENS LOCKER ROOM
F13
TEMPORARY EXHIBIT STORAGE
G1
CONSERVATION LAB 2D MEDIA
G2
CONSERVATION LAB 3D MEDIA
G3
MOUNTING EXHIBITON WORKSHOP
G4
CONSERVATION WORK ROOM
H1
MECHANICAL CHASE SPACE
H2
ELECTRICAL ROOM
H3
MAINTENANCE STORAGE
H4
PUBLIC MENS RESTROOMS
H5
PUBLIC WOMENS RESTROOMS
H6
TEL/DATA ROOM
H7
DRINKING FOUNTAIN
H8
CUSTODIAL CLOSET
H9
FIRE STAIRS
H8
CUSTODIAL CLOSET
H9
FIRE STAIRS
ENTRY Entry
EXHIBITION SPACE
COMMUNITY Community
STAFF OFFICES
PROGRAM ANALYSIS PROGRAM ANALYSIS
BOSTON UNIVERSITY ART MUSEUM
A1
TORIUM
FOOD SERVICE ADJACENCY DIAGRAM RECEIVING & STORAGE
CONSERVATION LABS BUILDING SUPPORT
PROGRAM ANALY PROGRAM ANALYSIS
PROGRAM ADJACENCY DIAGRAM
W INFO
ORAGE
BOSTON UNIV
BOSTON UNIVERSITY ART MUSEUM
ADJACENCY ACROSS PROGRAM CATEGORIES
EXHIBITION SPACE
FOOD Food SERVICE Service
CONSERVATION LABS
STAFF OFFICES
RECEIVING STORAGE Receiving&and Storage
BUILDING SUPPORT
ADJACENCY DIAGRAM
ENTRY BOSTON UNIVERSITY ART MUSEUM ENTRY COMMUNITY
EXHIBITION SPACE FOOD SERVICE CONSERVATION LABS ADJACENCY DIAGRAM COMMUNITY RECEIVING & STORAGE STAFF OFFICES BUILDING SUPPORT STAFF OFFICES Staff Offices EXHIBITION Exhibition SPACE Space
EXHIBITION SPACE
FOOD SERVICE
STAFF OFFICES
RECEIVING & STORAGE
CONSERVATION LABS Conservation Spaces BUILDING Support SUPPORT Building
FOOD SERVICE
RECEIVING & S
Adjacency Diagramming
19-20
Site Plan Rendering What We Found
Building Diagramming
Revealing Kahn’s Conditions
Revealing Kahn’s Conditions
Proposed Footprint
Staff Offices Art Curation Spaces
Garden Gallery
Auditorium
Loading Dock
Temporary Gallery
Event Gallery Cafe
Lobby and Entrance
BU Library Study Collection
Courtyard New Gallery Gift Shop
Floor Plan Level 1 Programmatic Break Down
Building Diagramming
Programmatic Break Down
Programmatic Break Down
New Gallery
21-22
Cafe
Roof Deck
Floor Plan Level 2 Existing Grid Divison
Spatial Break Down
Programmatic Break Down
Secondary Grid Break Down
Circulation Connections
Full Circulation Network
Floor Plan Diagramming
SUSPENDED PAINTING
Concealed HVAC DUCTWORK
SUSPENDED Suspended Art PAINTING METAL DECKING WIDE FLANGE
Display RECESSED LightingLIGHTING Artwork INSET CHAIR DISPLAY
Study Collection Rendering
Gallery Wall Section DUCTWORK
1
TRAVERTINE STONE STEEL STUDS SUSPENDED PAINTING INSET WOOD PANELING EXPOSED TRAVERTINE EDGE
RECESSED LIGHTING
INSET CHAIR DISPLAY 2
1 ROOF FINS
LIGHT SHELF
New Gallery Building Section
23-24
Gallery Room Section
Museum Entry Rendering Main Circulation
Building Diagrams
Staff Circulation
Gallery Insertion + Addition Relationship
Existing Structure
EXISTING STRUCTURE STAIR SUPPORT 1
1
Ceiling Grid GD CEILING PATTERN
SUSPENDED STAIRCASE
Suspended Stair
Existing Ramp
EXISTING RAMP
25-26
Curved Roof
CURVED ROOF
GALLERY WALL INSERTION Gallery Walls
Ramp Connection
Grid Ceiling System
RAMP CONNECTION
GRID CEILING SYSTEM
Grid Ceiling System
GRID CEILING SYSTEM
Translucent Glass
TRANSLUCENT GLASS
Columns
COLUMNS
Gallery Walls
GALLERY WALL AS EXTERIOR
Existing Gallery EXISITNG GALLERY
Addition Gallery ADDITION GALLERY
Museum Axonometric Existing Gallery Wall System
Building Diagrams
Addition Gallery Wall System Parallel
Parallel of Ceiling Grid
New Gallery Rendering
2
1 1 27-28
TRAVERTINE STONE
ROOF AIRFINS VENT Air Vent ALUMINUM GRID LIGHT DIFFUSER Metal Shading Devices TRANSLUCENT GLAZING Glass Ceiling
STEEL STUDS
CONCRETE Concrete Panel PANELS
LIGHT SHELF
INSET WOOD PANELING
DUCTWORK Concealed HVAC
EXPOSED TRAVERTINE EDGE
GLAZING
SUSPENDED Suspended Art PAINTING MULLION
METAL DECKING Metal Decking RIGID WIDEINSULATION FLANGE Steel 2”Beam
CONCRETE FOOTING
New Gallery Wall Section
2
Exterior Approach Rendering Building Shift 3
Building Diagrams
Creating Green Spaces
Internal Views
29-30
Interior Public Garden Rendering Internal Views
Building Diagrams
External Views
Views Through
Transformative Housing Studio 4 - Summer 2015 - Prof. Aaron Weinert
Transformative Housing gives the user an experience of varying scales in coordination with the type of unit. The site the building is located on is directly on the Orange Line T stop in Boston, Mass. This location is in the middle of two very different scales, which becomes very apparent while passing through the site. This is when the transformation from one scale to the next becomes the most apparent. This concept is the driving force of my design. As the units proceed upward throughout the building they change in form and scale. The studio, one, two, and three bedroom all are at their appropriate scales on the bottom level. Once the units proceed to the next level they take on a transformation form of one and a half level units. This level acts as the site does within the city, which is why the level is home to public rooftop gardens, as well as a public cafe. The last level of units transform into scales opposite of the original at the bottom level of the building. Each level has a completely different experience for each user.
3
V7 2017 Published Wentworth Architecture Review
31-32
PUBLIC
URBAN SETTING DIAGRAM
URBAN SETTING DIAGRAM
UN
SITE PLAN DIAGRAM
SITE PLAN DIAGRAM
FORM ITERATION DIAGRAM
Form Progression FORM STUDIO ITERATION DIAGRAM
INVERSE
STUDIO
INVERSE
1 BEDROOM
Studio
GR
TRANSFORMATION
2 BEDROOM 1 BEDROOM
One Bedroom TRANSFORMATION 3 BEDROOM
NORMAL
2 BEDROOM
Two Bedroom UNIT TRANSFORMATION DIAGRAM
3 BEDROOM
Three Bedroom UNIT TRANSFORMATION DIAGRAM
NORMAL
Unit Transformation
PUBLIC
NIT TRANSFORMATION DIAGRAM TRANSFORMATION TRANSFORMATION
Green/Public Space Diagram 33-34
NORMAL NORMAL
REEN/PUBLIC SPACE DIAGRAM
GREEN ROOF SYSTEM DIAGRAM
Green Roof System Diagram
GREEN ROOF SYSTEM DIAGRAM GREEN ROOF SYSTEM DIAGRAM
Structure, Support Insulation, Moisture Barrier Filter Layer Capilary Layer Growing Media
B
ESTCODE
DW
BIKE STORAGE
2 BEDROOM #1 LEVEL 1
STUDIO #1 ADA
1 BEDROOM #1 ADA
A
3 BEDROOM #1 LEVEL 1
Floor Plan Level 1
B ESTCODE
1 BEDROOM #3 LEVEL 1
2 BEDROOM #2 LEVEL 2
ESTCODE
3 BEDROOM #2 LEVEL 2
PUBLIC SPACE ROOF TOP GARDEN
A STUDIO #2 LEVEL 2
1 BEDROOM #2 LEVEL 1
Floor Plan Level 3
B
2 BEDROOM #1 LEVEL 2
OPEN TO BELOW
2 BEDROOM #2 LEVEL 1
OPEN TO BELOW 3 BEDROOM #2 LEVEL 1
A
3 BEDROOM #1 LEVEL 2
STUDIO #2 LEVEL 1
Floor Plan Level 2
B
2 BEDROOM #3 ADA 1 BEDROOM #3 LEVEL 2 STUDIO #3 LEVEL 1 ESTCODE
OPEN TO BELOW
A 1 BEDROOM #2 LEVEL 2
ROOF TOP TERRACE
Floor Plan Level 4
35-36
1
1
Hold Down Occurence W/ Anchor Bolt Metal Decking Typ.
SB
Spider Clamp 12" Wrapped Structural Beam HOLD DOWN OCCURENCE W/ ANCHOR BOLT METAL DECKING TYP. Double Pane Glass W/ Argon Filling
Detail Section Drawings
SPIDER CLAMP
2
STRUCTURAL CABEL
SCALE: 1/4” = 1’-0”
12" WRAPPED STRUCTURAL BEAM
SCALE: 3/4” = 1’-0”
DOUBLE PANE GLASS W/ ARGON FILLING
Hold Down Occurence W/ Anchor Bolt 1/2" Sub Floor 2
3" Rigid Insulation Slab Pad Typ. HOLD DOWN OCCURENCE W/ ANCHOR BOLT Perforated Clay Drain 1/2" SUB FLOOR
1
3" RIGID INSULATION
3
SLAB PAD TYP.
PERFORATED CLAY DRAIN Wood Balustrade
3
Balustrade Bolted Connection Aluminum Trim 12" Wrapped Structural Beam 4" Wooden Cladding Cladding Mounting Layer WOOD BALUSTRADE Spray Foam Insulation BALUSTRADE BOLTED CONNECTION ALUMINUM TRIM
4
12" WRAPPED STRUCTURAL BEAM
Aluminum Trim
4" WOODEN CLADDING
Roof Deck CLADDING Stairs MOUNTING LAYER SPRAY FOAM INSULATION Wooden Handrail Bridge Stair To Facade Connection 4
Stairs Off Of Bridge ALUMINUM TRIM
5
Wood Cladding ROOF DECK STAIRS WOODEN HANDRAIL Window Pane Green RoofBRIDGE Truss System STAIR TO FACADE CONNECTION Truss Connection Through Facade 12" Wrapped Beam Bolted To Bracket STAIRS OFF OF BRIDGE
2 DETAILED SECTION A
Detail Section A 5
WOOD CLADDING
SPRAY FOAM INSULATION
4 ALUMINUM TRIM
ROOF DECK STAIRS WOODEN HANDRAIL
2
BRIDGE STAIR TO FACADE CONNECTION
DETAILED SECTION A
STAIRS OFF OF BRIDGE
5
WOOD CLADDING
37-38
WINDOW PANE
GREEN ROOF TRUSS SYSTEM TRUSS CONNECTION THROUGH FACADE 12" WRAPPED BEAM BOLTED TO BRACKET
5
4
DETAILED SECTION B
Detail Section B
3
1
5
5
2
3
1 7
Wood Cladding
2
Aluminum Trim
6
1
3 6 4
6
5 5 7
Structural Mounting/Weatherproofing 5
2
5
Steel Framing Structure 1
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Curtain Wall Structure
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Interior Wall Structure
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Steel Truss Structure
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2 1 Structural Exploded Axon
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Northwest View
39-40
Studio Type 1 Rendering
Studio Type 2 Rendering
41-42
Studio Type 3 Rendering
43-44
45-46
The Museum of the Senses project is located in Boston on Bolyston Street and sits above the overpass of route 95. It is also on the edge of the dense prudential center of boston, and an open section of Boston that is comprised of smaller apartments. The site was much more compelling and easier to understand once I was on top of the garage you see in the rendering. That third person perespective vs the first person perspective of walking on the site is the focus of my design. That relationship is how my building functions. The two cores of my building gesture towards the places that you can view onto the site, and those act as supports for the third person experience of my design. There are walkways at mid-floor plate that cut through the sensory spaces, and pass outside of the building to get a further understanding of the building and it’s spaces. The sensory spaces are eperienced initially without a sense, giving the user an incomplete first experience, until that third person experience.
47-48
FIRST TO THIRD SENSORY EXPERIENC
DIAGRAMMING: NT
FIRST TO THIRD SENSORY EXPERIENCE DIAGRAMMING: NTS
Urban Site Plan URBAN SITE DIAGRAM
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URBAN SITE DIAGRAM
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First to AXIS Third Perspective Diagrams CORE AXIS ORIGIN DIAGRAM CORE ORIGIN DIAGRAM
FIRST THIRD BUILDING DIAGRAM FIRST TOTO THIRD BUILDING DIAGRAM Building Diagrams
FIRST THIRD SENSORY DIAGRAM FIRST TOTO THIRD SENSORY DIAGRAM
CIRCULATION DIAGRAM CIRCULATION DIAGRAM
FIRST TO THIRD SENSORY EXPERIENCE PLANS: 1/8”=1’-0” DETAIL SECTION: 3/16”=1’-0”, 3/4”=1’-0”
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Lecture Hall Exterior Sensory Space Cafe
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C Office Storage Entry Lobby
Mech Rm.
Soundless Sensory Space
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Sightless Sensory Space
Gallery Space
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B
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First Floor Plan
FLOOR PLAN LEVEL 1
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FLOOR PLAN LEVEL 2 Second Floor Plan C
C A C Exterior Sensory Space
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Exterior Sensory Space B
A Gallery Space A
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Feel Sensory Space
Third Floor Plan C
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ROOF PLAN
FLOOR PLAN LEVEL 3
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Roof Plan
Exterior Sensory Space
Gallery Space
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FLOOR PLAN LEVEL 3
ROOF PLAN Fiberglass Insulation
1/2" Sub Floor
Hold Down W/ Anchor Bolt
3" Rigid Insulation
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Metal Decking Typ. 12" Wrapped Beam
Slab Pad Typ. Perforated Clay Drain
FIBERGLASS INSULATION HOLD DOWN W/ ANCHOR BOLT
51-52
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METAL DECKING TYP. 12" WRAPPED BEAM
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1/2" Sub Floor 3" Rigid Insulation Slab Pad Typ. 1/2" SUB FLOOR 3" RIGID INSULATION
Perforated Clay Drain
SLAB PAD TYP. PERFORATED CLAY DRAIN
2 DETAIL SECTION A
Detail Section A
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Mullion Stair Tread Stair To Glass Handrail
Handrail Clamp Rod To Beam Connection FIRST TO 12” Wrapped Beam THIRD SENSORY EXPERIENCE Glass Facade Web Truss Member DETAIL SECTIONS 1/4”=1’-0”, 3/4”=1’-0” Spider Clamp Pane Of Glass Structural Rod
HANDRAIL STAIR TREAD MULLION BOLTED STAIR TO GLASS
W 12 X 24 BEAM WEB TRUSS MEMBER STRUCTURAL ROD CONNECTOR
HANDRAIL CONNECTION GLASS FACADE
Detail Section B
SPIDER CLAMP CONNECTION PANE OF GLASS
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Clamp cade amp Glass
HANDRAIL CONNECTION GLASS FACADE SPIDER CLAMP CONNECTION PANE OF GLASS
Triple Pane Argon Glass Marble Panel Aluminum Honeycomb Structural Facade Clipping System
Triple Pane Argon Glass Neoprene Spacers Mullion Connection Bolted Transom Bar Joint
DETAIL SECTION B
TRIPLE PANE ARGON GLASS MARBLE PANEL ALUMINUM HONEYCOMB STRUCTURAL PANEL FACADE CLIPPING SYSTEM 53-54
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TRIPLE PANE ARGON GLASS
PRENE SPACERS
ION CONNECTION
ED TRANSOM JOINT
Detail SectionCC DETAIL SECTION
FIRST TO THIRD SENSORY EXPERIENCE
SUSTAINABILITY AXON: NTS STRUCTURE AXON: NTS
FIRST TO THIRD SENSORY EXPERIENCE
SUSTAINABILITY AXON: NTS STRUCTURE AXON: NTS
Sustainability Axon
1 SUSTAINABILITY AXON
1: STRUCTURAL CLIP 1
1:1 OPERABLE LOUVER SHADING Operable LouverDEVICES Shading Device 1: OPERABLE LOUVER SHADING DEVICES
2: STRUCTURAL CLIP 2
Structural Clip 1CLIP 1 1: STRUCTURAL Structural Clip 2 CLIP 2 2: STRUCTURAL
INTERIOR WALL STRUCTURE
Interior Wall Structure Honeycomb Aluminum PanelPANEL 3: HONEYCOMB ALUMINUM Marble Panel 4: MARBLE PANEL Expansion JointJOINTS 5: EXPANSION
MOUNTED GLASS FACADE
Mounted Glass Facade
55-56
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STRUCTURAL EXPLODED AXON
Structural Exploded Axon
57-58
59-60
This project was a precedent study for Nexus World Housing done by Rem Koolhaas. The project was an intensive 7 day project that required a group of four to do a 1/2” = 1’-0” scale section model as well as a presentation board with multiple diagrams explaining the design from our research. Our goal was to study this project in order to understand more unique ways of designing a housing project. The problem about gathering research is that it is in Fukuoka, Japan and has no concrete documentation with the exception of a study done by other students from a different school. With our limited information, the project became the staple of prototyping. The building has concrete structure and black preformed concrete for the facade. So we actually cast concrete by making molds. Then I CNCed a piece of wood and vacuum formed black plastic in order to represent the black preformed concrete facade of the real design. This was the first that machine was used for a studio project.
Project Group: James Fan, Micaila Sheridan and Nate Villemaire
V6 2016 Published Wentworth Architecture Review
61-62
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Unit Type Organizaton
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Unit type form diagram
Roof Form
open and green space
D C
Living Space Building Facade
Bathroom programmatic relationships residential
fenestration and light
circulation commercial
Unit Types
Building Structure
Unit A Exploded Axon
tectonic origins
tectonic relationships
connection
Interior Walls
micro
urban
Building Exploded Axon
nexus housing development
Bedroom
Vertical Physical Unit Connection
Green Space Open Above Terraces
63-64
Green and Open Space
Residential Circulation Commercial Programmatic Relationships
65-66
This precedent study project was the study of the Fogg Art Museum by Renzo Piano. Our goal of the project was to study a museum and how it can be about more than displaying art. This project was another intensive 7 day project in a group of 2. The requirements were a presentation board with multiple diagrams explaining the building and a 1/8” = 1’-0” scale section model. This model was enhanced by digital fabrication and the tools in our architecture fabrication lab. I modeled the vaulted archway using rhino and 3D printing to make the model more accurate and realistic. Most of the construction was done with CAD modeling and laser cutters. The other half of the building was done all by hand and going off of existing floor plan, photos, and on site measurements. What we took away from the project is how a museum can also be used to reflect on the existing architecture of the site. Making the museum just as much about the public who inhabit the site rather than just the users of the museum.
Project Group: Artem Batuyev
V6 2016 Published Wentworth Architecture Review
67-68
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Track
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Cladding Connection Glass Roof
Structure
Wooden Cladding
Insulation
Curved Ceiling Panel Ductwork Track Lighting Gallery Lighting Structure
Roof Connection
Gallery Lighting
Wooden Cladding
Insulation
Operable Panel
Structure
Mid-Wall Connection
Public
Floor Plate Wooden Cladding Intermediate Cladding Concrete Footing
Gallery
Base Connection
Courtyard Lighting
Employee
Programmatic Exploded Axon
Structural Exploded Axon
69-70
Operable Panel Rendering
71-72
Transformative Housing gives the user an experience of varying scales in coordination with the type of unit. The site the building is located on is directly on the Orange Line T stop in Boston, Mass. This location is in the middle of two very different scales, which becomes very apparent while passing through the site. This is when the transformation from one scale to the next becomes the most apparent. This concept is the driving force of my design. As the units proceed upward throughout the building they change in form and scale. The studio, one, two, and three bedroom all are at their appropriate scales on the bottom level. Once the units proceed to the next level they take on a transformation form of one and a half level units. This level acts as the site does within the city, which is why the level is home to public rooftop gardens, as well as a public cafe. The last level of units transform into scales opposite of the original at the bottom level of the building. Each level has a completely different experience for each user. Project Group: Dylan Bush, Jason Hasko, and William Toohey III
73-74
Gripper Tool Left Elevation
Gripper Tool Front Elevation
Gripper Tool Rear Elevation
Gripper Tool Right Elevation
Gripper Top View 1
Gripper Bottom View 2
Brick Hopper Exploded Axon
Gripper Exploded Axonometric
75-76
Gripper Axonometric
Robotic Arm Tool Exploded Axon
Parametric Brick Studies
Parametric Brick Wall Installation Render
77-78
This panelized mock up took place in a digital to physical elective in which we worked in groups of four. The project was a shading device that was aimed at diffusing light into a hallway space near our architecture studios. The concept behind our design was to create variations of the same mold. Our first step was to CNC a mold out of wood and then vacuum form the panel with white ABS plastic, which lastly went back on the CNC machine to make variations into the panel. The variations came in the opening size, which then paired with another one by flipping it on itself. This formed a cell with space inbetween one set. These then aggregated together to form our panelized system. Our intention was to create a double reading geometrtically and visually with the light transmitting through the system. As the light passed through the first the shadow appeared on the front panel, while also allowing light through it’s own opening. Project Group: Dylan Bush, Sam Fernandes, and Caleb Hawkins
V7 2017 Published Wentworth Architecture Review
79-80
ATHOUS AND SU NS Stefan Burnett | Dylan Bush | Samuel Fernandes | Caleb Hawkins
Cell Formation
Cell Formation
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Structural Cable 3d Printed Connector Zip Tie
3d Printed Connector
Rivet Folded Flaps Vaccum Formed Panel
Rivet Folded Flaps Coplanarities + Overlaps
Coplanarities + Overlaps
Vaccum Formed Panel
Structural Detail
Structural Detail
Panel Fabrication Steps
Structural Cable
Zip Tie
3d Printed Connector
Rivet Folded Flaps Vaccum Formed Panel
CNC’ed Panel
Coplanarities + Overlaps
Vacuum Formed
CNC’ed Plastic
Structural Deta
81-82
83-84
Concrete Chair Casting Mold Digital Fabrication- Fall 2016 - Prof. Chris Sledziona This project is also from the elective “Digitial to Physical�, in which we were tasked to design a concrete chair. Our intial prototypes consisted of conceptual chair models that were 3D printed in our fabrication lab. We used Rhinoceros and Grasshopper in order to found compund catenary curves into a dome like structure that formed the chair. The back of the chair then had the appearence of draping over the bottom half of the chair. The design had a maximum mother mold volume and a maximun material volume. The maximum total volume was one cubic foot of concrete. Our goal was to use as little as we could, which constituted the structure we designed. We ended up only using 550 cubic inches of concrete, the least in our class. The chair itself can support a full human man standing on the chair, if not more. The chair itself was created by cncing the negative mold, assembling the layers, and pouring the mold to sit for four days. Project Partner: Dylan Bush
6
85-86
Catenary Structure Mapping
Concrete Chair Mold Layers
Front Elevation
Right Elevation
Volume: 550 in3
Axonometric View
87-88
Rear Elevation
Top View
Cast Chair Photos
Electric Guitar Build Photos
This guitar build was also from an elective class called the History of American Folk Music. Our final was to produce a website on our topic as well as fabricate instruments to go along with the site. This Telecaster electric guitar was one of the two instruments we created. Our overall intent is to compare this with the banjo that we also fabricated. I was responsible for CNCing the body of the guitar out of Poplar plywood. After CNCing the guitar the guitar was drilled into in order to run the wiring through properly. Each of the other accessories, such as the strings, fretboard, and pegs were purchased. The neck of the guitar was reused from an older guitar, which was then bolted to the body we milled. The guitar itself is currently being used by one of our group members who plays in a band.
89-90
Project Group: Paul Arduini, Artem Batuyev, and Austin Drake
ABX Installation Fabrication Digital Fabrication - Fall 2016 - Stantec/Kiki Archi
This installation design is the winning design of the Architecture Boston Expo held yearly at the Boston Convention Center. Kiki Archi was the winning design firm, and Stantec was the hosting firm of the event. I was recruited by Stantec to lead a group of students in order to fabricate the design within a three week period, assemble it on site, and break it down. The design consisted of folding paper into these triangular shapes and connecting them with zipties. They were connected and supported through paper tubes that were run through a table saw in order to put slots at the quadrants of the cylinder. This allowed us to slip the tubes on the center point of the folded paper. These then tied back with rods in order to connect the system together, as well as to meet the ground. The system itself won for being the most modular, consistent, and easily transportable.
Design Architect: Stantec and Kiki Archi
7
91-92
93-94
AIAS Installation Fabrication Digital Fabrication - Fall 2016 - AIAS National Forum This installation I was also recruited for to celebrate the yearly AIAS National Forum in 2016, which was held in Boston, MA. The parameters of the project were to be a single shape that could aggregate together and resemble their “Revolution� themed logo. The vectorized shape was design by a student team, in which I was in charge of the connections between piece, as well as fabricated all of the pieces. These pieces had plus shaped slots to link together by press fitting wedges perpendicularly to the piece. This installation was the stage set all forum, which got high praise from the national office of AIAS. We then used this design and manipulated it to our Wentworth Architecture review journal launch party, which I was also part of curating. Their third life is to be cut down to form model shelves and storage containers. Project Team: Jeffrey Dike, Patrick Myers, Christian Roidt, Esit Shapiro, and Andrea Welsh
7
95-96
Wentworth Architecture review Installation
97-98
This installation was the work of Robert Trumbour, a professor and practicing architect in the Boston area. The installation was for the public art and light show event called “Illumination Boston�. This art and fabrication show demostrates various use of lights in public art. This particular installation suspended fabric cones and projected images of movement on them. These movements began to change their color, saturation, brightness, and speed through motion censors around the suspended fabric cones. These projects through the fabric began to overlap and create a unique relationship from the movement around the installation to the movement of light on the cones. I was responsible for designing and fabricating a piece to mount censors on a light pole, as well as help with the overall installation set up and break down. Architect: Robert Trumbour
99-100
One Dalton is a new high rise going up near the Prudential in Boston, MA. The project is a Four Seasons hotel with luxury apartments above. This 63 story tower had much to do while I was interning for Cambridge Seven Associates. I was involved in multiple interior designs and renderings for multi-million dollar apartments on the top three floors. I was also responsible for some Construction Administration on the project, seeing as it broke ground before I started at the firm. The interior renderings consisted of kitchen, power rooms, bedrooms, and living rooms. The renderings were done with Revit and Photoshop, but seeing as the renderings are private to the owners and the firm, I am not able to show these possible layouts and renderings of the units. These particular renderings are of the exterior of the tower
Architect: Cambridge Seven Associates and Pei Cobb Fried
V7 2017 Published Wentworth Architecture Review
101-102
103-104
105-106
One Greenway is a Mid Rise Mixed Use Residential tower with multiple amenity spaces. I was responsible for working with a Rendering Company out of China called LiFang. I edited the model, sent it to them for the base materials, then I would mark them up to redo. I was responsible for choosing materials, and then post processing their renderings with accessories, entourage, and lighting effects. This process took place on multiple renderings which were used for marketing purposes. The three spaces I worked on were this one, an eleventh floor public amenity space to residents of the building, and two others. The two others were the main lobby space as well as the kitchen and living space of a typical corner unit of the building. All of these steps were done with Revit, Photoshop, and Bluebeam.
Architect: Add Inc. (Now With Stantec) - Renderings: LiFang
107-108
109-110
111-112