Architectural Portfolio 2020

Page 1

STEFIA NISSI MULIA archi tec t ure p o r t fo l i o sel ec ted wo rks 2020


STEFIA NISSI MULIA 20 October 1997 Taman Permata Buana Jl. Kembangan Utama, L1 no. 8 Jakarta, Indonesia 11610 stefianissi@gmail.com +62 815 7414 2355


E D U CATI O N 2015 - 2017

S KIL LS University of Washington Bachelor of Arts in Architectural Design Cumulative GPA: 3.62 Tau Sigma Delta Annual Dean’s List (2015-2016, 2016-2017)

2014 - 2015

North Seattle College Associate of Arts - High School Diploma Cumulative GPA: 3.90 Phi Theta Kappa Dean’s List (2014-2015)

2009 - 2013

IPEKA International Christian School Preliminary High School Certificate

EXPE R I EN C E 10/2018 - present

8/2017 - 6/2018

9/2016 - 12/2016 6/2016 - 9/2016

W.Office Junior Architect

Rhinoceros SketchUp 3DS Max Grasshopper AutoCAD Revit Adobe Photoshop Adobe Illustrator Adobe InDesign V-Ray Flamingo Lumion Laser Cutter 3D Printing CNC Milling Plasma Cutting Woodworking

• Involve in all phase of project from schematic to construction • Undertake architecture/interior design, presentation materials, 2D/3D drawings, and construction documents • Undertake project coordination, contract administration works and shop drawing review • Attend site/project meetings with clients, consultants, and contractors

IN TEREST

VIA Architecture Junior Architect

O RG AN IZ ATIO N S

• Developed design and technical solutions for projects under the supervision of a lead architect • Produced construction drawings, presentational drawings and diagrams, and 3D models • Reached out, coordinated meetings, and maintained external relations with the civil engineering team, lighting consultants, and product distributors

9/2016 - 6/2017 Design Officer of Indonesian Students Association at UW

UW Architecture in Rome Study Abroad in Italy G70 International, Inc. Architectural Intern • Prepared preliminary studies, models, sketches, and renderings of buildings and structures under the supervision of an architect • Assisted teams in design drawings and working drawings for in-house presentations and promotional booklets for the community and City’s approval

Architecture - Interior Design - Graphic Design - Product Design Business - Writing - Photography - Travel - Music

• Took part in organizing the event Keraton 2017, the second largest annual Indonesian festival in the United States • Designed and created various marketing mediums such as booklets, flyers, brochures, and invitations • Documented all events by taking photographs and videos.

9/2015 - 6/2016 The American Institute of Architecture Students Member of UW Chapter • Attended quarterly meetings on topics such as portfolio workshop, job opportunities, career talk, company visit, and guest lectures • Assisted in preparing small annual event Festa Romana 2016



THE ORB

H YPERLOOP FUTURISTIC CAMPUS AT NEVADA DESERTS

As the future speeds in, we must make room for innovations and brace ourselves for technologies to come. With the emergence of hyperloop as today’s speed dream, we would be moving conveniently from one point to another in no time inside a capsule that moves inside a vacuumed tube. The impossible has become a possibility. Like the Hyperloop, inhabiting a harsh environment would not be out of the ordinary. In fact, when great innovation meets sustainability, comfort and refuge for the human life are possible. In the deserts of Nevada, “The Orb” represents an optimistic visualization of this future. It celebrates the invention of the hyperloop and fosters its numerous tests and simulations. Design Team: Ganesh Shresta Stefia Mulia Tracy Law


3. ENERGY PLANT TO PRODUCE ENERGY LOCALLY 8. CONNECTION TO THE OUTSIDE WORLD

4. ETFE FOR TRANSPARENCY, LIGHTNESS, AND INSULATION

1. SOLAR ENERGY PANEL

5. GREEN ROOF

6. PARK AND RE-CREATION 2. WASTE TREATMENT ROAD TRANSPORT

9. CLOSED ENVIRONMENT TO PREVENT THE INSIDE FROM HARSH TEMPERATURE

7. RAIN WATER FOR TOILETS, CLEANING, AND VEGETATION

TRAIN CONNECTING THE CITY OF LAS VEGAS

With the enveloping ETFE structure, “The Orb” is a conditioned environement that embraces the buildings within and provides thermal and visual comfort for its visitors, students, and residents. The geometry is based on its semi-spherical dome shell that consists of structural modules, which has allowed for a near column-free interior. The structural modules of the shell are also integrated with solar panels to provide both aesthetic beauty and sustainable power to support the life in it.


9 8

8

5 4 3 6

2

7 10

4 1

1 2 3 4

Hall / Reception Museum Arena Restaurants

6 7 8 9 10

Library Classrooms Apartments Gym / Pool Powerhouse

Scale 1:750 0

10

Section AA’ 20

50



THE FOLDING ROCK

NATURE RETREAT AT DISCOVERY PARK, SEATTLE, WA

The word “retreat” means to step back and withdraw from daily lives. Being away from the city could mean so much for people who’d like to start anew and refresh their minds. The nature retreat is dedicated for visitors to have a temporary place for work and rest away from the city. Situated on the beach of Discovery Park, the nature retreat is inspired by the existing conditions of the site. The folding shape of the walls is inspired by a person covering themselves for protection and refuge from the harsh winds. The building is wedged into the hill. The concrete walls are designed to blend with the ground. Upon entering the building, one foreshadows a sense of compression and protection. On the contrary, when they enter the building, the interior provides a sense of openness. The unity of spaces in the building gives a sense of rest as one can stand on different spots and still be in the same place.


SOUND WIND

ALUMINIUM CEILING

CEILING STRUCTURE

1/

32

”=

1’-

0”

Wood frames spaced 16” between each joist

LIGHTWEIGHT

Sub-ceiling: Wood Panels Overhangs 1’ over the whole structure

FREQUENCY OF SOUND AND WIND

WOOD SUBFLOORING LIG

HT

FLOOR STRUCTURE

WIN

D

Wood frames spaced 16” between each beam

DIRECTION OF WIND AND LIGHT

Load-bearing, double-height concrete wall, wedged into the ground Steel framing

HEAVY

CONCRETE WALL

EXTERIOR

INTERIOR

CONCRETE FLOOR Slab on grade concrete Elevates 2’ above the ground level RANGE OF FOCUS


REFLECTED CEILING PLAN Made up of roof joists that are spaced closely to each other, the ceiling resembles the branches of a tree. Whereas the concrete walls that surround the entire building represents stone.

LEVEL TWO: LIVING SPACES This level primarily serves as a resting and dining area that hovers the social area. Located behind the trees, an outdoor space that offers more privacy is accessible on the right-hand-side.

LEVEL ONE: SOCIAL SPACES Double-height living area with fireplace encourages social and outdoor interaction. Partially embedded into the eroding bluff, the working area provides a quite place that encourages deep contemplations. This level also serves a function of providing water closet and storage.





GSJ

GSB BEDROOM #02

UP

DN

CORRIDOR

BEDROOM #03

BATHROOM #03

WALK-IN CLOSET

VOID VOID

VOID

BEDROOM #01

GSJ

SKYLIGHT ABOVE

VOID

VOID

STUDY ROOM

VOID

The residence is designed to for a couple of newlyweds. Using light colored textured plaster and wood, the facade feels minimalistic but light by playing with the massing. The layout was designed to be functional and efficient. The interior design has a modern feel that soothes the residents. GSJ

GSB

PANEL & TRASH

AQUARIUM

GENSET

LEVEL ONE

TERRACE TERRACE

FOYER SHOE RACK

GARDEN

DAYBED

R. BERMAIN ANAK

MAID ROOM STORAGE

MAID BATHROOM

FOOD STORAGE

SERVICE KITCHEN

POWDER ROOM

LAUNDRY ROOM

STORAGE

BACKYARD

LEVEL TWO

TOILET DRIVER

LIVING ROOM

BATHROOM #01

UP

DAYBED

DN

PLAYGROUND

PANTRY AND DINING ROOM

NET

W.OFFICE | ALAM SUTERA, INDONESIA

DAYBED

GSB

LEVEL THREE

STAIRS TO DAYBED

BATHROOM #02

ALAM SUTERA RESIDENCE

Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Stefia Mulia


FOYER

LIVING ROOM


STAIRS

KITCHEN & DINING ROOM


LIVING & DINING ROOM


MASTER BEDROOM

TV WALL

MASTER BATHROOM



PARAMOUNT LAND HQ

W.OFFICE | GADING SERPONG, INDONESIA

The design concept for the lobby of Paramount Land’s office lobby embodies the company’s spirit as an effective and functional workspace while being sensitive to users, context, and culture. The goal is to create an open workspace environment -not merely limited to the building, but also the atmosphere, space, and quality of life inside. Inspired by minimalistic and aesthetic spaces, the intent is to have brighter and transparent ambience by playing with neutral colours and textured materials. Transparent materials such as glass and perforated panels make a great combination and, when juxtaposed with subtle tones of neutrals, achieve calming atmosphere for the lobby. Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Emilia Yustiana Stefia Mulia


06 

ELEVATOR

07 05 08 

01 04

LOBBY

03

02

01 Main Meeting Room 02 BOD Meeting Room 03 Pantry 04 Waiting Lounge 05 Receptionist Desk 06 Secretary Stations 07 Woman Restroom 08 Man Restroom

WAITING LOUNGE


BOD MEETING ROOM

ELEVATOR

RESTROOM 1

RESTROOM 2



CINERE ELDERLY HOMES W.OFFICE | CINERE, INDONESIA

A design concept that embodies the life and caters the needs and of its elderly residents. The goal for Cinere Elderly Homes is to create a safe haven, an environment, not merely limited to building and interior but more to the atmosphere, space and quality of experience for the residents. The shape represents sanctuary, relaxation and comfort but at the same time a place to gather, to be active and to share stories. It is a place that celebrates life. The design scheme is a layered approach where each levels has rooms for activities facing outwards for natural lights, view and supported with an outdoor area. Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Stefia Mulia


LEVEL 3

LEVEL 2

LEVEL 1

GROUND

BASEMENT

Rooms - 17 Units Nurse Station Core

Rooms - 17 Units Nurse Station Core Facilities

Rooms - 17 Units Nurse Station Core Facilities

BUILDING STRUCTURE

Rooms - 5 Units Core Kitchen Dining Area Lobby Dropoff Area Clinic Locker Swimming Pool Core Back of House MEP/Storage

SECTION


UNIT 32 sqm UNIT 32 sqm

CORE 48 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

NURSE STATION 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

CORE 32 sqm

UNIT 32 sqm

UNIT 32 sqm

OUTDOOR 84 sqm

UNIT 32 sqm

UNIT 32 sqm

LEVEL 3

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm PANEL ROOM 20 sqm

CORE 44 sqm

UNIT 32 sqm

UNIT 32 sqm UNIT 32 sqm

CORE 48 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

NURSE STATION 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

CORE 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

LIBRARY 60 sqm

TEA ROOM 24 sqm OUTDOOR 160 sqm

UNIT 32 sqm

LEVEL 2

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm PANEL ROOM 20 sqm

CORE 44 sqm

UNIT 32 sqm

UNIT 32 sqm CORE 48 sqm

NURSE STATION 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

CORE 32 sqm

UNIT 32 sqm

UNIT 32 sqm

YOGA 48 sqm

ARTS & CRAFTS 60 sqm

UNIT 32 sqm

GYM 64 sqm

OUTDOOR 176 sqm

UNIT 32 sqm

LEVEL 1

UNIT 32 sqm MEDITATION 48 sqm UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm PANEL ROOM 20 sqm

CORE 44 sqm

UNIT 32 sqm

WOMEN 16 sqm KITCHEN 120 sqm

UNIT 32 sqm

CORE 48 sqm

UNIT 32 sqm

MEN 16 sqm

UNIT 32 sqm

UNIT 32 sqm

UNIT 32 sqm

CORE 32 sqm

LOCKER 24 sqm

CLINIC 112 sqm

DINING 200 sqm

OUTDOOR DINING 96 sqm

LOBBY AREA 112 sqm

POND 30 sqm

DROPOFF 82 sqm

POOL 128 sqm

MOTOR PARKING 34 SPACES

LOADING 32 sqm GENSET 20 sqm

CORE 44 sqm

CAR PARKING 5 SPACES

OUTDOOR GARDEN 64 sqm

CAR PARKING 6 SPACES

GROUND



SAMA SAMA HOTEL

W.OFFICE | KUTA, BALI, INDONESIA

Sama Sama Hotel is a modern hotel destination that aims to accomodate outgoing and social-spirited visitors and tourists, particularly those who love to work remotely. The main challenge of this project is to repurpose an already-existing building. The building was previously a hotel chain, but had been sold to a new owner. In this project, we wanted to give the building a new identity and life by redefining its facade and main programs. The design of the facade is inspired by the compositions of bricks in conventional buildings in Bali. Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Stefia Mulia


Stone bricks are commonly used as foundation and walls in vernacular Balinese buildings.

Our interpretation of the stone brick arrangements and repetitions for the building facade.

Shift every alternating layer to create visual playfulness and dynamism.

The facade is a series of wooden boxes that mimick the stone bricks.

The arrangement is supported by a new structural system

Construction Progress


Project Name:

1900

2 1900

PT Buana Raya Cemerlang8b

1

I

Interior Design :

5650

3800

3000

17

3800

± 0.000

down to basement

1500

Corridor

FFL ± 0.000

NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.

UC

7

8

13

9

10

11

12

G

F

Issue

01

08/02/2019

02

10/04/2019

Schematic Design Design Development 01

03

23/05/2019

Design Development 02

04

06/08/2019

Design Development 03

05

02/09/2019

For Construction

Stamp :

TION

UC

TR

NS

3

4

4800

14

15

16

1

17

18

19

21

FO

2

22

20

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5

+ 1.08006

3500 5350 (VIF)

3050

1539

600

- 0.010

NS

CO

Date

3800

± 0.00

1145

4800

- 0.010

± 0.00

1

9

7

8

3

6

2

5

4

16

11

15

13

14

12

10

- 0.400

- 0.600

- 0.200

- 0.800

- 1.200

- 1.400

- 1.000

- 1.600

- 2.400

- 2.200

- 2.000

- 1.800

- 2.600

- 2.800

+0.00

1581.61

LEVEL 2

2050

G'

G'

Keyplan :

H

H -1.20

1581.62

21

Project Address : Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361

Job No :

20

3218.38

600

18 19

3800

1900

17

1900

16

3800

15

3800

14

3800

13

3650

12 EXISTING TREE

-0.60

Total Sheet :

10 11

Architect :

4650

W.Office

9

JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com

Project Address : Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361

1901 Starting Date : -

Drawn by : SN

-

Total Sheet :

80

Drawing :

Drawing :

FLOOR PLAN - GROUND 1 : 150

FLOOR PLAN - 1F 1 : 150 Sheet :

150

Job No :

1901 Starting Date : -

Drawn by : SN

A-106

- 3.000

LEVEL 3-5

01

9

- 3.200

Sheet :

- 3.400

-

FLOOR PLAN - 2F 1 : 150

01 A.107

800

2750

JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com

4650

10 11

Drawing :

FLOOR PLAN - 3F & 5F 1 : 150

11

150

10

3650

12

12

3800

13

service lift

3800

14

9

3800

15

13

1900

16

8

1900

17

14

3800

7

18 19

15

600

6

Total Sheet :

3218.38

16

1901 Starting Date : -

20

5

21

17

Job No :

Drawn by : SN

-

1581.62

Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361

B

E +1.30

2150

TR

R

FO

Alvin T Consultant 3 :

C

MEETING ROOM 2 (26 m²) 8 pax

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Interior Design :

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pl-pk shaft

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W.Office

Project Address :

4

9

18

10 11

FUNCTION HALL (85 m²) 25 pax

Architect :

JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com

4650

3

12

150

2

13

3650

PT Kosenda Hospitality Industry

1

14

3800

PT Buana Raya Cemerlang

21 20 19

15

3800

Owner :

22

16

3800

1 3800

up

1581.61

17

1900

4800

Total Sheet :

18 19

1900

3800

600

14

15

16

1

17

18

Drawn by : SN

Sheet :

19

1901 Starting Date : -

20

3800

Drawing :

01

20

21

Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361

Job No :

21

Project Address :

600

2 1900

2

9

22

4650

3

4

10 11

3218.38

3 1900

MEETING ROOM 1 (26 m²) 8 pax

Keyplan :

5

3650

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6

3800

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7

3800

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3800

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13

1900

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Architect :

JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com

4 3800

JAN

MEN

Issue

Stamp :

9

1900

17

10

1581.61

3800

4800

14

15

16

1

17

18

19

20

21

18 19

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2

22

1581.61

3218.38

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3

4

4800

14

15

16

1

17

18

19

20

21

2

22

20

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NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the J architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.

Date

TR

FO

SAMA SAMA

5 3800

WOMEN

E

TION

F

B

D

6450

12

5

6

3

4

1581.62

21

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+6.35

Keyplan :

7

8

13

5

6

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6 3800

I'

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+6.35

Stamp :

9

10

11

12

7

8

13

9

10

11

12

G'

Architect :

600

For Construction

7

Concept & Curated :

3800

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Keyplan :

Issue

02/09/2019

8

Consultant 3 :

3800

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600

600

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A

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Date

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Stamp :

3800

3800

7650

8b

Concept & Curated :

4800

For Construction

1900

PT Buana Raya Cemerlang

1

PT Kosenda Hospitality Industry

NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.

3800

3800

Issue

02/09/2019

2

up

C

J

Date

3 1900

I'

3800

3800

NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.

01

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4 3800

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Project Name:

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Interior Design :

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PT Kosenda Hospitality Industry

I

4800

Concept & Curated :

3800

1500

3800

3

694

3800

4

5545 (VIF)

3800

5

1500

3800

6

Concept & Curated :

3800

SAMA SAMA HOTEL

Owner :

7

4045 (VIF)

8

STORAGE

8a

2575

1

4800

2575

1900

8b

PT Buana Raya Cemerlang

2575

1900

2

2575

3800

3

3250

3800

4

1539

3800

5

1500

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6

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Owner :

7

2785

8

2565

8a

Project Name:

SAMA SAMA HOTEL

SAMA SAMA HOTEL

4800

2575

Project Name:

8b

A.105

Sheet :

01

GROUND

LEVEL 1

A.104

Project Name:

SAMA SAMA HOTEL Owner :

PT Buana Raya Cemerlang Concept & Curated :

PT Kosenda Hospitality Industry Interior Design :

Alvin T Consultant 3 :

NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared an developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.

01

FACADE AND ENTRANCE AS EXPERIENCE

Date

Issue

02/09/2019

For Construction

Stamp :

TION

UC

TR

R

FO

NS

CO

Keyplan :

Through a series of experiments, the facade is a composition of a thousand wooden boxes that elegantly floats on the building. The new entrance to the building is designed to be more experiential through the use of vernacular terracotta bricks and traditional Balinese patterns.

Architect :

SECTION

W.Office

JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com

Project Address : Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361

Job No :

1901 Starting Date : -

Drawn by : SN Drawing :

01

Sheet :

Total Sheet :

SECTION A-A 1:150 A-207

-



ATRIUM AS THE HEART OF THE BUILDING The corridors are on the perimeter of the building, making the guest rooms face the center of the building atrium. In the atrium, the restaurant and bar are built on a new structural system that shapes multiple levels of dining areas and a glasshouse. The windows of the guest rooms are treated to give the atrium dynamism and contrast.



E YESLER WAY

AP AR

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EN T

C O M

M

O N

AR

EA

E YESLER WAY

THE CONFERENCE 24TH AVENUE

C O EN T TM AR AP

23RD AVENUE

M

M

O

N

AR

EA

INNOVATION H UB AT CENTRAL DISTRICT, SEATTLE, WA

The building is inspired by the history of the Central District as Seattle’s biggest African American neighborhood. With the recent gentrification and rise in living costs, the AfricanAmerican population has significantly dropped. In collaboration with a group of clients and stakeholders, the innovation hub is designed to be a center for black communities in the greater Seattle area. Located in the intersection of E Yesler Way and 23rd Avenue S, the hub offers rental start-up office spaces, retails, and housing. Above the street level is the Catholic Community Services/Randolph Carter Center. Despite the great variety of programs in the building, the hub features a central courtyard to which every space in the building is centered. The hub is designed to promote social interaction through common spaces, porosity, circulation, and visual connection.


“TAKPEKPE (CONFERENCE)”, EL ANATSUI Made of metal tops of bottles of liquor and cans of evaporated milk, “Takpekpe” is an artwork displayed in the African Gallery of Seattle Art Museum.

AP AR TM EN

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The metallic appearance of the piece has inspired the copper envelope of the building. The colors and horizontal-vertical knitting pattern on the upper right part of the art piece have driven the color panels on the apartment balconies. The facade on top of the main entrance is made of perforated metal with a graphic that honors Martin Luther King, Jr. The wooden slats enveloping the upper ground level is inspired by the rhythm of jazz music.

CIRCULATION

POROSITY

AP AR TM

EN

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AP AR TM

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CO MM ON

CO MM

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VISUAL CONNECTION

VIEWS

OPEN GATHERING SPACES


WILLIAM GROSE CENTER 24TH AVENUE HOUSES

24TH AVENUE S

23RD AVENUE S

NORTH ELEVATION

MONICA’S VILLAGE LIBRARY

E YESLER WAY

WEST ELEVATION

MONICA’S VILLAGE LIBRARY

SECTION LOOKING WEST


DOUGLA-TRUTH LIBRARY

E YESLER WAY

COMPUTER LAB

COMPUTER LAB

CONFERENCE ROOM

RETAIL

RETAIL

MAIN COURTYARD

RETAIL

M/E

RETAIL

STORAGE FABRICATION LAB

W

RETAIL

CONFERENCE ROOM

LOADING DOCK

RANDOLPH CARTER CENTER STORAGE

BASEMENT LEVEL

STREET LEVEL

The lower ground level is where the start-up office spaces are. The offices are facilitated with two computer labs, conference rooms, and a two-story fabrication lab. Located across the main courtyard and the forum, the coworking space is a set up as a modern office where millennials can bring their laptops, pick open seats, and work. It also has a lounge and common kitchen for users to socialize and increase network. The forum is open to the public and can be used for events.

Located in the intersection of E Yesler Way and 23rd Avenue S, the main entrance is a curved two-story high space with large sliding copper panels. The walls are inscribed with the names that honor the African-American history. Entrances in between the retail spaces have connectivity to the buildings across the site. The Randolph Carter Center has a separate entrance on the south end of the building.

MONICA’S VILLAGE PLACE

24TH AVENUE S

MAIN COURTYARD

RETAIL

RETAIL

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23RD AVENUE S

COWORKING SPACE

RETAIL

APARTMENTS

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WILLIAM GROSE CENTER

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ONE BEDROOM D/W

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RANDOLPH CARTER CENTER

UPPER GROUND LEVEL The upper ground level is dedicated to the Catholic Community Services/Randolph Carter Center.

TYPICAL APARTMENT LEVEL The building is facilitated with a total of 100 housing units, a combination of studio, one bedroom, and two bedroom units.

TWO BEDROOM


R E TAIL TO CO URTYA R D


COURTYARD FORUM

UPPER GROUND APARTMENT TO COURTYARD

VIEW LOOKING SOUTH ON 23RD AVENUE S



TOTEM LAKE BRIDGE VIA ARCH ITECTURE | KIRKLAND, WA

The City of Kirkland hired the consultant team of COWI, VIA, and MIG/SVG to design a safe and memorable crossing over its busiest corridor. As the key link in the Cross Kirkland Corridor, the Totem Lake Connector will act as a structurally dramatic bridge, becoming an icon for the city and Totem Lake. Four distinct structual options were developed that engage the site in dynamic fashion. Through a strong public engagement process of three open houses and online voting, the structural form and expressions of the preferred alternative gained support. The design focuses on engaging the local context in a dynamic and memorable manner. Design Team: Eric Birkhauser, Project Manager /Lead Designer Stefia Mulia Dan Kennedy Guy de Lijster Justin Panganiban Brian O’Reilly w w w . v i a - a r c h i t e c t u r e . c o m


Concept Drawings by Eric Birkhauser

REST AREA INSPIRATION: THE SPLASH

PROJECT INSPIRATION: THE SKIPPING STONE

STRUCTURE AS ART

The rest area engages the metaphor at the traffic island, and the bridge deck is enlarged to emphasize the skipping of the stone. The gradient pixelization to express the ripple pattern creates a dynamic visual effect and allows for ease of application and installation.

The bridge incorporates fluid form, engaging the connection between Lake Washington and Totem Lake. The implied sense of motion of a skipping stone towards Totem Lake expresses the reconnection between the community and nature.

A sweeping radial serpentine form presents opportunity both in experience and visual opportunity requires exceptional resolution structural elements, as well as the handrail order to execute a bridge as Structural Art.

a dynamic form. This of various system. In


WALKWAY NARROWS TO 3 FT. AHEAD

RAILING KEY PLAN

OUTLOOK PLAN GUARDRAIL TYPICAL SECTION



BARNES HOUSE PATKAU ARCH ITECTS | PRECEDENT STUDY

As a team precedent study project, the Barnes House model served as an analysis of the structural system and materiality established by Patkau Architects. Barnes House is embedded on a rocky outcrop somewhere on the Strait of Georgia. The model-making process gave us the opportunity to explore the irregularity and variability of space and the massing of the design. We had the opportunity to examine the structural hierarchy and better understand how different materials - concrete facade, wooden structure, and steel roof - come together as one building. The use of natural elements as materials allowed the building to have connectivity with its natural surrounding and at the same time provide shelter to its occupants.


BELITUNG RESORT

W.OFFICE | MASTERPLAN DESIGN

Belitung Island has become a new popular holiday destination among tourists, with its beautiful beaches, blue waters, and natural landscapes. With the prospects of increasing visitors, the Belitung Resort Masterplan was made to fit future developments including hotel, villas, beach club, retail area, and event halls.


DOWNTOWN SEATTLE

VIA ARCH ITECTURE | 3D PRINTED SITE MODEL

Downtown Seattle is growing rapidly with new high-rise buildings. The site model is a two-month long 3D printing project in VIA Architecture to help the design process of the new residential high-rise tower. The site was printed one block at a time with wooden PLA filament and put together with custom attachment pieces. Future neighboring buildings that are under construction or development are detachable.






THANK YOU


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