STEFIA NISSI MULIA archi tec t ure p o r t fo l i o sel ec ted wo rks 2020
STEFIA NISSI MULIA 20 October 1997 Taman Permata Buana Jl. Kembangan Utama, L1 no. 8 Jakarta, Indonesia 11610 stefianissi@gmail.com +62 815 7414 2355
E D U CATI O N 2015 - 2017
S KIL LS University of Washington Bachelor of Arts in Architectural Design Cumulative GPA: 3.62 Tau Sigma Delta Annual Dean’s List (2015-2016, 2016-2017)
2014 - 2015
North Seattle College Associate of Arts - High School Diploma Cumulative GPA: 3.90 Phi Theta Kappa Dean’s List (2014-2015)
2009 - 2013
IPEKA International Christian School Preliminary High School Certificate
EXPE R I EN C E 10/2018 - present
8/2017 - 6/2018
9/2016 - 12/2016 6/2016 - 9/2016
W.Office Junior Architect
Rhinoceros SketchUp 3DS Max Grasshopper AutoCAD Revit Adobe Photoshop Adobe Illustrator Adobe InDesign V-Ray Flamingo Lumion Laser Cutter 3D Printing CNC Milling Plasma Cutting Woodworking
• Involve in all phase of project from schematic to construction • Undertake architecture/interior design, presentation materials, 2D/3D drawings, and construction documents • Undertake project coordination, contract administration works and shop drawing review • Attend site/project meetings with clients, consultants, and contractors
IN TEREST
VIA Architecture Junior Architect
O RG AN IZ ATIO N S
• Developed design and technical solutions for projects under the supervision of a lead architect • Produced construction drawings, presentational drawings and diagrams, and 3D models • Reached out, coordinated meetings, and maintained external relations with the civil engineering team, lighting consultants, and product distributors
9/2016 - 6/2017 Design Officer of Indonesian Students Association at UW
UW Architecture in Rome Study Abroad in Italy G70 International, Inc. Architectural Intern • Prepared preliminary studies, models, sketches, and renderings of buildings and structures under the supervision of an architect • Assisted teams in design drawings and working drawings for in-house presentations and promotional booklets for the community and City’s approval
Architecture - Interior Design - Graphic Design - Product Design Business - Writing - Photography - Travel - Music
• Took part in organizing the event Keraton 2017, the second largest annual Indonesian festival in the United States • Designed and created various marketing mediums such as booklets, flyers, brochures, and invitations • Documented all events by taking photographs and videos.
9/2015 - 6/2016 The American Institute of Architecture Students Member of UW Chapter • Attended quarterly meetings on topics such as portfolio workshop, job opportunities, career talk, company visit, and guest lectures • Assisted in preparing small annual event Festa Romana 2016
THE ORB
H YPERLOOP FUTURISTIC CAMPUS AT NEVADA DESERTS
As the future speeds in, we must make room for innovations and brace ourselves for technologies to come. With the emergence of hyperloop as today’s speed dream, we would be moving conveniently from one point to another in no time inside a capsule that moves inside a vacuumed tube. The impossible has become a possibility. Like the Hyperloop, inhabiting a harsh environment would not be out of the ordinary. In fact, when great innovation meets sustainability, comfort and refuge for the human life are possible. In the deserts of Nevada, “The Orb” represents an optimistic visualization of this future. It celebrates the invention of the hyperloop and fosters its numerous tests and simulations. Design Team: Ganesh Shresta Stefia Mulia Tracy Law
3. ENERGY PLANT TO PRODUCE ENERGY LOCALLY 8. CONNECTION TO THE OUTSIDE WORLD
4. ETFE FOR TRANSPARENCY, LIGHTNESS, AND INSULATION
1. SOLAR ENERGY PANEL
5. GREEN ROOF
6. PARK AND RE-CREATION 2. WASTE TREATMENT ROAD TRANSPORT
9. CLOSED ENVIRONMENT TO PREVENT THE INSIDE FROM HARSH TEMPERATURE
7. RAIN WATER FOR TOILETS, CLEANING, AND VEGETATION
TRAIN CONNECTING THE CITY OF LAS VEGAS
With the enveloping ETFE structure, “The Orb” is a conditioned environement that embraces the buildings within and provides thermal and visual comfort for its visitors, students, and residents. The geometry is based on its semi-spherical dome shell that consists of structural modules, which has allowed for a near column-free interior. The structural modules of the shell are also integrated with solar panels to provide both aesthetic beauty and sustainable power to support the life in it.
9 8
8
5 4 3 6
2
7 10
4 1
1 2 3 4
Hall / Reception Museum Arena Restaurants
6 7 8 9 10
Library Classrooms Apartments Gym / Pool Powerhouse
Scale 1:750 0
10
Section AA’ 20
50
THE FOLDING ROCK
NATURE RETREAT AT DISCOVERY PARK, SEATTLE, WA
The word “retreat” means to step back and withdraw from daily lives. Being away from the city could mean so much for people who’d like to start anew and refresh their minds. The nature retreat is dedicated for visitors to have a temporary place for work and rest away from the city. Situated on the beach of Discovery Park, the nature retreat is inspired by the existing conditions of the site. The folding shape of the walls is inspired by a person covering themselves for protection and refuge from the harsh winds. The building is wedged into the hill. The concrete walls are designed to blend with the ground. Upon entering the building, one foreshadows a sense of compression and protection. On the contrary, when they enter the building, the interior provides a sense of openness. The unity of spaces in the building gives a sense of rest as one can stand on different spots and still be in the same place.
SOUND WIND
ALUMINIUM CEILING
CEILING STRUCTURE
1/
32
”=
1’-
0”
Wood frames spaced 16” between each joist
LIGHTWEIGHT
Sub-ceiling: Wood Panels Overhangs 1’ over the whole structure
FREQUENCY OF SOUND AND WIND
WOOD SUBFLOORING LIG
HT
FLOOR STRUCTURE
WIN
D
Wood frames spaced 16” between each beam
DIRECTION OF WIND AND LIGHT
Load-bearing, double-height concrete wall, wedged into the ground Steel framing
HEAVY
CONCRETE WALL
EXTERIOR
INTERIOR
CONCRETE FLOOR Slab on grade concrete Elevates 2’ above the ground level RANGE OF FOCUS
REFLECTED CEILING PLAN Made up of roof joists that are spaced closely to each other, the ceiling resembles the branches of a tree. Whereas the concrete walls that surround the entire building represents stone.
LEVEL TWO: LIVING SPACES This level primarily serves as a resting and dining area that hovers the social area. Located behind the trees, an outdoor space that offers more privacy is accessible on the right-hand-side.
LEVEL ONE: SOCIAL SPACES Double-height living area with fireplace encourages social and outdoor interaction. Partially embedded into the eroding bluff, the working area provides a quite place that encourages deep contemplations. This level also serves a function of providing water closet and storage.
GSJ
GSB BEDROOM #02
UP
DN
CORRIDOR
BEDROOM #03
BATHROOM #03
WALK-IN CLOSET
VOID VOID
VOID
BEDROOM #01
GSJ
SKYLIGHT ABOVE
VOID
VOID
STUDY ROOM
VOID
The residence is designed to for a couple of newlyweds. Using light colored textured plaster and wood, the facade feels minimalistic but light by playing with the massing. The layout was designed to be functional and efficient. The interior design has a modern feel that soothes the residents. GSJ
GSB
PANEL & TRASH
AQUARIUM
GENSET
LEVEL ONE
TERRACE TERRACE
FOYER SHOE RACK
GARDEN
DAYBED
R. BERMAIN ANAK
MAID ROOM STORAGE
MAID BATHROOM
FOOD STORAGE
SERVICE KITCHEN
POWDER ROOM
LAUNDRY ROOM
STORAGE
BACKYARD
LEVEL TWO
TOILET DRIVER
LIVING ROOM
BATHROOM #01
UP
DAYBED
DN
PLAYGROUND
PANTRY AND DINING ROOM
NET
W.OFFICE | ALAM SUTERA, INDONESIA
DAYBED
GSB
LEVEL THREE
STAIRS TO DAYBED
BATHROOM #02
ALAM SUTERA RESIDENCE
Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Stefia Mulia
FOYER
LIVING ROOM
STAIRS
KITCHEN & DINING ROOM
LIVING & DINING ROOM
MASTER BEDROOM
TV WALL
MASTER BATHROOM
PARAMOUNT LAND HQ
W.OFFICE | GADING SERPONG, INDONESIA
The design concept for the lobby of Paramount Land’s office lobby embodies the company’s spirit as an effective and functional workspace while being sensitive to users, context, and culture. The goal is to create an open workspace environment -not merely limited to the building, but also the atmosphere, space, and quality of life inside. Inspired by minimalistic and aesthetic spaces, the intent is to have brighter and transparent ambience by playing with neutral colours and textured materials. Transparent materials such as glass and perforated panels make a great combination and, when juxtaposed with subtle tones of neutrals, achieve calming atmosphere for the lobby. Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Emilia Yustiana Stefia Mulia
06
ELEVATOR
07 05 08
01 04
LOBBY
03
02
01 Main Meeting Room 02 BOD Meeting Room 03 Pantry 04 Waiting Lounge 05 Receptionist Desk 06 Secretary Stations 07 Woman Restroom 08 Man Restroom
WAITING LOUNGE
BOD MEETING ROOM
ELEVATOR
RESTROOM 1
RESTROOM 2
CINERE ELDERLY HOMES W.OFFICE | CINERE, INDONESIA
A design concept that embodies the life and caters the needs and of its elderly residents. The goal for Cinere Elderly Homes is to create a safe haven, an environment, not merely limited to building and interior but more to the atmosphere, space and quality of experience for the residents. The shape represents sanctuary, relaxation and comfort but at the same time a place to gather, to be active and to share stories. It is a place that celebrates life. The design scheme is a layered approach where each levels has rooms for activities facing outwards for natural lights, view and supported with an outdoor area. Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Stefia Mulia
LEVEL 3
LEVEL 2
LEVEL 1
GROUND
BASEMENT
Rooms - 17 Units Nurse Station Core
Rooms - 17 Units Nurse Station Core Facilities
Rooms - 17 Units Nurse Station Core Facilities
BUILDING STRUCTURE
Rooms - 5 Units Core Kitchen Dining Area Lobby Dropoff Area Clinic Locker Swimming Pool Core Back of House MEP/Storage
SECTION
UNIT 32 sqm UNIT 32 sqm
CORE 48 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
NURSE STATION 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
CORE 32 sqm
UNIT 32 sqm
UNIT 32 sqm
OUTDOOR 84 sqm
UNIT 32 sqm
UNIT 32 sqm
LEVEL 3
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm PANEL ROOM 20 sqm
CORE 44 sqm
UNIT 32 sqm
UNIT 32 sqm UNIT 32 sqm
CORE 48 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
NURSE STATION 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
CORE 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
LIBRARY 60 sqm
TEA ROOM 24 sqm OUTDOOR 160 sqm
UNIT 32 sqm
LEVEL 2
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm PANEL ROOM 20 sqm
CORE 44 sqm
UNIT 32 sqm
UNIT 32 sqm CORE 48 sqm
NURSE STATION 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
CORE 32 sqm
UNIT 32 sqm
UNIT 32 sqm
YOGA 48 sqm
ARTS & CRAFTS 60 sqm
UNIT 32 sqm
GYM 64 sqm
OUTDOOR 176 sqm
UNIT 32 sqm
LEVEL 1
UNIT 32 sqm MEDITATION 48 sqm UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm PANEL ROOM 20 sqm
CORE 44 sqm
UNIT 32 sqm
WOMEN 16 sqm KITCHEN 120 sqm
UNIT 32 sqm
CORE 48 sqm
UNIT 32 sqm
MEN 16 sqm
UNIT 32 sqm
UNIT 32 sqm
UNIT 32 sqm
CORE 32 sqm
LOCKER 24 sqm
CLINIC 112 sqm
DINING 200 sqm
OUTDOOR DINING 96 sqm
LOBBY AREA 112 sqm
POND 30 sqm
DROPOFF 82 sqm
POOL 128 sqm
MOTOR PARKING 34 SPACES
LOADING 32 sqm GENSET 20 sqm
CORE 44 sqm
CAR PARKING 5 SPACES
OUTDOOR GARDEN 64 sqm
CAR PARKING 6 SPACES
GROUND
SAMA SAMA HOTEL
W.OFFICE | KUTA, BALI, INDONESIA
Sama Sama Hotel is a modern hotel destination that aims to accomodate outgoing and social-spirited visitors and tourists, particularly those who love to work remotely. The main challenge of this project is to repurpose an already-existing building. The building was previously a hotel chain, but had been sold to a new owner. In this project, we wanted to give the building a new identity and life by redefining its facade and main programs. The design of the facade is inspired by the compositions of bricks in conventional buildings in Bali. Design Team: Joe Willendra, Principal Architect Stevanus Lim, Studio Manager Stefia Mulia
Stone bricks are commonly used as foundation and walls in vernacular Balinese buildings.
Our interpretation of the stone brick arrangements and repetitions for the building facade.
Shift every alternating layer to create visual playfulness and dynamism.
The facade is a series of wooden boxes that mimick the stone bricks.
The arrangement is supported by a new structural system
Construction Progress
Project Name:
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PT Buana Raya Cemerlang8b
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Interior Design :
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± 0.000
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FFL ± 0.000
NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.
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Project Address : Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361
Job No :
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JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com
Project Address : Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361
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FLOOR PLAN - 1F 1 : 150 Sheet :
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JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com
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Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361
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Project Address :
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FUNCTION HALL (85 m²) 25 pax
Architect :
JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com
4650
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PT Kosenda Hospitality Industry
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PT Buana Raya Cemerlang
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Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361
Job No :
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Project Address :
600
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MEETING ROOM 1 (26 m²) 8 pax
Keyplan :
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Architect :
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NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the J architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.
Date
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PT Kosenda Hospitality Industry
NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.
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NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared and developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.
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Owner :
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STORAGE
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GROUND
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Project Name:
SAMA SAMA HOTEL Owner :
PT Buana Raya Cemerlang Concept & Curated :
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Alvin T Consultant 3 :
NOTE: The drawings and specifications and ideas, designs and arrangements represented there by are and shall remain the property of the architect and no part thereof shall be copied, disclosed to others or used in connection with any work or project other than the specific project for which they have been prepared an developed without the written consent of the architect. Visual contact with these drawings or specifications shall constitute conclusive evidence of acceptance of these restrictions.
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FACADE AND ENTRANCE AS EXPERIENCE
Date
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For Construction
Stamp :
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Through a series of experiments, the facade is a composition of a thousand wooden boxes that elegantly floats on the building. The new entrance to the building is designed to be more experiential through the use of vernacular terracotta bricks and traditional Balinese patterns.
Architect :
SECTION
W.Office
JL. Tanjung Duren Utara XI No. 676 Jakarta Barat - 11470 T. +62.811.1676688 info.woff@gmail.com
Project Address : Jalan Raya Kuta No.83E Kuta, Kabupaten Badung, Bali 80361
Job No :
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Drawn by : SN Drawing :
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Sheet :
Total Sheet :
SECTION A-A 1:150 A-207
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ATRIUM AS THE HEART OF THE BUILDING The corridors are on the perimeter of the building, making the guest rooms face the center of the building atrium. In the atrium, the restaurant and bar are built on a new structural system that shapes multiple levels of dining areas and a glasshouse. The windows of the guest rooms are treated to give the atrium dynamism and contrast.
E YESLER WAY
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E YESLER WAY
THE CONFERENCE 24TH AVENUE
C O EN T TM AR AP
23RD AVENUE
M
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INNOVATION H UB AT CENTRAL DISTRICT, SEATTLE, WA
The building is inspired by the history of the Central District as Seattle’s biggest African American neighborhood. With the recent gentrification and rise in living costs, the AfricanAmerican population has significantly dropped. In collaboration with a group of clients and stakeholders, the innovation hub is designed to be a center for black communities in the greater Seattle area. Located in the intersection of E Yesler Way and 23rd Avenue S, the hub offers rental start-up office spaces, retails, and housing. Above the street level is the Catholic Community Services/Randolph Carter Center. Despite the great variety of programs in the building, the hub features a central courtyard to which every space in the building is centered. The hub is designed to promote social interaction through common spaces, porosity, circulation, and visual connection.
“TAKPEKPE (CONFERENCE)”, EL ANATSUI Made of metal tops of bottles of liquor and cans of evaporated milk, “Takpekpe” is an artwork displayed in the African Gallery of Seattle Art Museum.
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The metallic appearance of the piece has inspired the copper envelope of the building. The colors and horizontal-vertical knitting pattern on the upper right part of the art piece have driven the color panels on the apartment balconies. The facade on top of the main entrance is made of perforated metal with a graphic that honors Martin Luther King, Jr. The wooden slats enveloping the upper ground level is inspired by the rhythm of jazz music.
CIRCULATION
POROSITY
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VISUAL CONNECTION
VIEWS
OPEN GATHERING SPACES
WILLIAM GROSE CENTER 24TH AVENUE HOUSES
24TH AVENUE S
23RD AVENUE S
NORTH ELEVATION
MONICA’S VILLAGE LIBRARY
E YESLER WAY
WEST ELEVATION
MONICA’S VILLAGE LIBRARY
SECTION LOOKING WEST
DOUGLA-TRUTH LIBRARY
E YESLER WAY
COMPUTER LAB
COMPUTER LAB
CONFERENCE ROOM
RETAIL
RETAIL
MAIN COURTYARD
RETAIL
M/E
RETAIL
STORAGE FABRICATION LAB
W
RETAIL
CONFERENCE ROOM
LOADING DOCK
RANDOLPH CARTER CENTER STORAGE
BASEMENT LEVEL
STREET LEVEL
The lower ground level is where the start-up office spaces are. The offices are facilitated with two computer labs, conference rooms, and a two-story fabrication lab. Located across the main courtyard and the forum, the coworking space is a set up as a modern office where millennials can bring their laptops, pick open seats, and work. It also has a lounge and common kitchen for users to socialize and increase network. The forum is open to the public and can be used for events.
Located in the intersection of E Yesler Way and 23rd Avenue S, the main entrance is a curved two-story high space with large sliding copper panels. The walls are inscribed with the names that honor the African-American history. Entrances in between the retail spaces have connectivity to the buildings across the site. The Randolph Carter Center has a separate entrance on the south end of the building.
MONICA’S VILLAGE PLACE
24TH AVENUE S
MAIN COURTYARD
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RANDOLPH CARTER CENTER
UPPER GROUND LEVEL The upper ground level is dedicated to the Catholic Community Services/Randolph Carter Center.
TYPICAL APARTMENT LEVEL The building is facilitated with a total of 100 housing units, a combination of studio, one bedroom, and two bedroom units.
TWO BEDROOM
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COURTYARD FORUM
UPPER GROUND APARTMENT TO COURTYARD
VIEW LOOKING SOUTH ON 23RD AVENUE S
TOTEM LAKE BRIDGE VIA ARCH ITECTURE | KIRKLAND, WA
The City of Kirkland hired the consultant team of COWI, VIA, and MIG/SVG to design a safe and memorable crossing over its busiest corridor. As the key link in the Cross Kirkland Corridor, the Totem Lake Connector will act as a structurally dramatic bridge, becoming an icon for the city and Totem Lake. Four distinct structual options were developed that engage the site in dynamic fashion. Through a strong public engagement process of three open houses and online voting, the structural form and expressions of the preferred alternative gained support. The design focuses on engaging the local context in a dynamic and memorable manner. Design Team: Eric Birkhauser, Project Manager /Lead Designer Stefia Mulia Dan Kennedy Guy de Lijster Justin Panganiban Brian O’Reilly w w w . v i a - a r c h i t e c t u r e . c o m
Concept Drawings by Eric Birkhauser
REST AREA INSPIRATION: THE SPLASH
PROJECT INSPIRATION: THE SKIPPING STONE
STRUCTURE AS ART
The rest area engages the metaphor at the traffic island, and the bridge deck is enlarged to emphasize the skipping of the stone. The gradient pixelization to express the ripple pattern creates a dynamic visual effect and allows for ease of application and installation.
The bridge incorporates fluid form, engaging the connection between Lake Washington and Totem Lake. The implied sense of motion of a skipping stone towards Totem Lake expresses the reconnection between the community and nature.
A sweeping radial serpentine form presents opportunity both in experience and visual opportunity requires exceptional resolution structural elements, as well as the handrail order to execute a bridge as Structural Art.
a dynamic form. This of various system. In
WALKWAY NARROWS TO 3 FT. AHEAD
RAILING KEY PLAN
OUTLOOK PLAN GUARDRAIL TYPICAL SECTION
BARNES HOUSE PATKAU ARCH ITECTS | PRECEDENT STUDY
As a team precedent study project, the Barnes House model served as an analysis of the structural system and materiality established by Patkau Architects. Barnes House is embedded on a rocky outcrop somewhere on the Strait of Georgia. The model-making process gave us the opportunity to explore the irregularity and variability of space and the massing of the design. We had the opportunity to examine the structural hierarchy and better understand how different materials - concrete facade, wooden structure, and steel roof - come together as one building. The use of natural elements as materials allowed the building to have connectivity with its natural surrounding and at the same time provide shelter to its occupants.
BELITUNG RESORT
W.OFFICE | MASTERPLAN DESIGN
Belitung Island has become a new popular holiday destination among tourists, with its beautiful beaches, blue waters, and natural landscapes. With the prospects of increasing visitors, the Belitung Resort Masterplan was made to fit future developments including hotel, villas, beach club, retail area, and event halls.
DOWNTOWN SEATTLE
VIA ARCH ITECTURE | 3D PRINTED SITE MODEL
Downtown Seattle is growing rapidly with new high-rise buildings. The site model is a two-month long 3D printing project in VIA Architecture to help the design process of the new residential high-rise tower. The site was printed one block at a time with wooden PLA filament and put together with custom attachment pieces. Future neighboring buildings that are under construction or development are detachable.
THANK YOU