ARCHITECTURE PORTFOLIO by Stella Kurniadi

STELLA KURNIADI

ARCHITECTURE PORTFOLIO

ABOUT ME Iâ&#x20AC;&#x2122;m proud to say that I am now an Architecture graduate from the University of Melbourne. Iâ&#x20AC;&#x2122;ve always been an art and crafts geek since I was a kid, but I was a full time science student during my highschool. It was a tough decision for me to choose between these two distinct interests before I studied design in UNSW Foundation Studies. However, life could have never been better than following where my passion is.

STELLA KA RYA D I KUR N I A D I Jalan Kencana Utama 1 block K5/16 Puri Kencana Jakarta 11610 +62 878 77242532 stellak.kurniadi@gmail.com

1 ABOUT ME

“ Design is where science and art break even.

”

ABOUT ME

C O N T E N T S HOUSE INTERIOR

TOWNHOUSE RENDERS

THE cONAN DOYlE MYSTERY THEATRE

WYNDHAM GATEWAY DESIGN PROPOSAl

THE BOATHOUSE

cUlTURAl DIScOVERY cENTER

THE STAGE

BODYSPAcE PROJEcT

RUKO FAcADE REFURBISHMENT

cHURcH DESIGN PROPOSAl

cONSTRUcTION DRAWINGS

PENcIl SKETcH

PEN SKETcH

GRAPHIc DESIGN

75 cONTENTS

H O U S E I N T E R I O R Year: Early 2014 Site: Tangerang, Indonesia Client: Hendrick Pangelelaâ&#x20AC;&#x2122;s Family

PR OJE cT D E S C RI PT I O N

A general interior design and arrangement of a three-storey landed house in Gading Serpong, Tangerang. The project focuses on the color selection of the wallpaper and furnitures. The renders are made basic, as they are only meant to show each roomâ&#x20AC;&#x2122;s character. The whole design is created using Sketchup and rendered using its Vray.

5 HOUSE INTERIOR

HOUSE INTERIOR

7 HOUSE INTERIOR

HOUSE INTERIOR

9 TOWNHOUSE RENDERS

T O W N H O U S E

R E N D E R S Year: Early 2014 Site: Sabah, Malaysia Client: SRI MORAINE SDN. BHD. (a member of G5 Group)

PROJ EcT DESC R I PTI ON

Proposed 99 units of 2 storey & 3 storey town house development on Kg. Mahandoi, Penampang district. The colors of the townhouse exterior were adjusted to express a soft, modrendered using Vray for Sketchup and edited using Photoshop.

TOWNHOUSE RENDERS 10

11 TOWNHOUSE RENDERS

TOWNHOUSE RENDERS 12

13 THE cONAN DOYlE MYSTERY THEATRE

THE CONAN DOYLE

M Y S T E R Y T H E A T R E Year: Mid 2013 Site: Melbourne, Australia Client: The University of Melbourne

PROJ EcT DESC R I PTI ON

located on the corner of Bourke and Spencer Streets in Melbourne’s cBD, the theatre is dedicated to the staging of murder mystery plays, consisting of a 500-seat proscenium theatre, a 250-seat experimental theatre, and a 250-seat cinema. The concept of MYSTERY BOxES underlies both the aesthetic and function of the proposed conan Doyle Mystery Theatre. Its relationship to the city of Melbourne is displayed through the boxes’ grid arrangement, which reference the cBD’s infrastructure planning. The push and pull effect of the boxes allows the spatial arrangement to be unique and mysterious as there are hidden spaces formed. As its exciting shape entertain the site, an outdoor coffee and dessert shops complement the program. “A space for crime setting, a stop for sweets, a place to pause from a busy day, an outdoor dining experience in the heart a civic presence for the people.” THE cONAN DOYlE MYSTERY THEATHRE 14

“Sometimes it’s only

an image or a word is all that is needed to trigger an architect’s imagination.

”

15 THE cONAN DOYlE MYSTERY THEATRE

MYSTERY BOxES

THE cONAN DOYlE MYSTERY THEATHRE 16

BO BOURKE ST ElEVATION

ST R

SEcTION YY

SPENcER ST ElEVATION

N lA EY

FFR

T RS

cE EN

SITE PERSPEcTIVE VIEW

SEcTION xx

17 THE cONAN DOYlE MYSTERY THEATRE

Ol lI

ST R

THE cONAN DOYlE MYSTERY THEATHRE 18

GROUND FlOOR PlAN

19 THE cONAN DOYlE MYSTERY THEATRE

BASEMENT 3 PlAN

BASEMENT 2 PlAN

BASEMENT 1 PlAN

FIRST FlOOR PlAN

SEcOND FlOOR PlAN

THIRD FlOOR PlAN

THE cONAN DOYlE MYSTERY THEATHRE 20

WYNDHAM G A T E W A Y DESIGN PROPOSAL Year: Early 2013 Site: Werribee, Australia Client: The University of Melbourne

PR OJ EcT D E S C RI PT I ON

Inspired by the cellular morphology of the posal is a uniquely corrugated semi-tunnel that cantilevers 60 meters from its support. This design is achieved using Grasshopper plugin in Rhinoceros 3D software. Using the insectâ&#x20AC;&#x2122;s wing and the projectâ&#x20AC;&#x2122;s natural site as the basis of the development of its overall form and pattern, this passion for nature. Anyone--designers or non designers--will be able catch the natural essence of this proposal through the pattern of voronoi and its form that smoothly appears from the ground. The transparency of its material further blends ing the colors of nature that surrounds it. The achievement of both lightweight outlook and properties will not just offer a quick attraction for the users, but also a thoughtful inspiration, awe and curiosity on what could possibly enable this installation to amazingly stand by itself. 21 WYNDHAM GATEWAY DESIGN PROJEcT

WYNDHAM GATEWAY DESIGN PROJEcT 22

VORONOI PATTERNS ARE MAPPED UNTO A SURFAcE USING GRASSHOPPER AlGORITHM

23 WYNDHAM GATEWAY DESIGN PROJEcT

VORONOI cEllS DEVElOPED USING SINGlE POINT ATTRAcTOR

WYNDHAM GATEWAY DESIGN PROJEcT 24

cONcEPTUAl DIAGRAM OF THE GATEWAY DESIGN cONcEPT

25 WYNDHAM GATEWAY DESIGN PROJEcT

Rigid

Flexible

DIAGRAM SHOWING THE VARIOUS TYPES OF POlYGON USED IN A DRAGONFlY WING’S PATTERN

DIAGRAM OF A DRAGONFlY WING’S VEINS AND MEMBRANE STRUcTURE

WYNDHAM GATEWAY DESIGN PROJEcT 26

PAT T ER N F I N DI N G 1. RIB SEcTION

2. REMAINING SEcTIONS

FO R M F I N D I N G 1. ROAD BOUNDARY

27 WYNDHAM GATEWAY DESIGN PROJEcT

2. SITE BOUNDARY

3. THIcKNESS VARIATION

4. VARIATION OF OPENINGS

3. TRAFFIc DIREcTION

4. lOcATION AND FORM OF INSTAllATION

WYNDHAM GATEWAY DESIGN PROJEcT 28

29 WYNDHAM GATEWAY DESIGN PROJEcT

Polypropylene

Stainless Steel

WYNDHAM GATEWAY DESIGN PROJEcT 30

31 WYNDHAM GATEWAY DESIGN PROJEcT

WYNDHAM GATEWAY DESIGN PROJEcT 32

33 THE BOATHOUSE

T H E BOATHOUSE Year: Early 2012 Site: Yarra Bend Park, Australia Client: The University of Melbourne

PROJ EcT DESC R I PTI ON

The Boathouse is a project done in a studio for learning from the masters: Kazuyo Sejima. The shape of the design was inspired by istic of the river. This is shown through the slanting and bending of the walls, which are also designed to guide the eye of the users toward the river. To maintain the simple cubic outlook of Sejima’s designs, the degree of bending is minimized. The form ing cubes. Using Sejima’s strategy of applying the grid system, the structure of the boathouse is divided according to a 1 x 6 grid. Following the grid lines, columns are placed around the main building to proand double-height ceiling are also used in reference to Sejima’s Design. While Sejima often locates a garden behind her design structure, the boathouse engages nature by exposing a beautiful river at the back of the building. The relationship with nature is also enhanced by placing windows facing the river. This idea of solid vs. transparent outlook is further designed to indicate private vs. public space within the boathouse. THE BOATHOUSE 34

35 THE BOATHOUSE

THE BOATHOUSE 36

SITE ANAlYSIS

37 THE BOATHOUSE

GROUND FlOOR PlAN

FIRST FlOOR PlAN

SEcOND FlOOR PlAN

THE BOATHOUSE 38

SEcTION AA

EAST ElEVATION

39 THE BOATHOUSE

SEcTION BB

NORTH ElEVATION

SOUTH ElEVATION

THE BOATHOUSE 40

41 cUlTURAl DIScOVERY cENTER

c U lT U R A l

DISCOVERY C

Year: Mid 2011 Site: Herring Island, Australia Client: The University of Melbourne

PROJ EcT DESC R I PTI ON

The cultural Discovery center holds four main discovery spaces: 1. An underground gallery as the “colonisation Discovery Space” 2. An outdoor stage called “contemporary cultural Space” 3. A corridor gallery of the “Displacement Discovery Space” 4. An “Indigenous Discovery the space is representing the theme of its own name. A treehouse, which was inspired by the term ‘nature’ and ‘settlement’, is used as the structural concept of the building. The dimension of the structure follows the orientation of a tree diagram. On the other hand, its design concept was developed from a parti inspired by an aboriginal dot painting. This is shown through the buildidity of movement.

cUlTURAl DIScOVERY cENTER 42

43 cUlTURAl DIScOVERY cENTER

cUlTURAl DIScOVERY cENTER 44

GROUND FlOOR PlAN

45 cUlTURAl DIScOVERY cENTER

cUlTURAl DIScOVERY cENTER 46

47 cUlTURAl DIScOVERY cENTER

cUlTURAl DIScOVERY cENTER 48

T H E S TA G E Year: Mid 2011 Site: Herring Island, Australia Client: The University of Melbourne

PR OJE cT D E S C RI PT I ON

The concept of a â&#x20AC;&#x153;treehouseâ&#x20AC;? is representing the idea of settlement from the reading The Shaping of Bearbrass as the play that will be perfomed on this stage design. The idea of having an elevated space and a semi-underground space is to support the story of how one could see the intimate view of Melbourne landscape, while the other enjoy being in a refuge from the environment. Inspired by the orientation of a tree, the treehouse design will function as an upper stage and a lower stage for two persons performing a monologue, which will be held on a Summer Festival. Yet, it will be used as a shelter for visitors of Herring Island as they could also feel the experience of the Pre-Bearbrass landscape, and as a place of recreation.

49 THE STAGE

THE STAGE 50

51 THE STAGE

“So close from a treehouse The river looks sparkling

”

in the warmth of nature

THE STAGE 52

BODYSPACE

P R O J E C T Year: Early 2011 Client: The University of Melbourne Award: Top Students Project to be exhibited on THE LIGHT IN WINTER FESTIVAL, Federation Square, Melbourne.

P ROJ EcT D E S C RI PT I O N

â&#x20AC;&#x153;What if architectural designs could grow like trees in a forest or shift as beach sand?â&#x20AC;? This BODYSPAcE project transforms natural form-making process of bread moulding into micro-architectural structures that can be worn on a human body and lit from within. Manipulation of circular fungi, moisture-related environment and growth direction of bread mould are digitized using Rhinoceros program and then fabricated by hand. The project was chosen as the top 10 lanterns to be displayed on BODYSPAcE 1 exhibition as a part of 2011 The light in Winter festival in Melbourne, Australia. It was the best selection from more than 250 unique wearable lanterns produced through an innovative digital design and chitecture, Building and Planning, University of Melbourne.

53 BODYSPAcE PROJEcT

BODYSPAcE PROJEcT 54

55 BODYSPAcE PROJEcT

TOP VIEW

PERSPEcTIVE VIEW

FRONT VIEW

RIGHT VIEW

BODYSPAcE PROJEcT 56

57 BODYSPAcE PROJEcT

BODYSPAcE PROJEcT 58

59 RUKO FAcADE REFURBISHMENT

F A C A D E

REFURBISHMENT Year: Mid 2013 Site: Bandung, Indonesia Client: Aunt Sien

P ROJ EcT D E S C RI PT I O N

This was a three-storey old ruko bought by my Auntie to serve as a new place for her garment business in Bandung. The idea is to create a simple, modern outlook that is distinctive from the neighborhood. Yet, it should not change the entire form of the building to minimize the renovation budget.

RUKO FAcADE REFURBISHMENT 60

C H U R C H

DESIGN PROPOSAL Year: Early 2013 Site: Balikpapan, Indonesia Client: GBI Balikpapan

PR OJE cT D E S C RI PT I O N

Proposed four-storey church with a school building at the back. The church itself holds a 600-seat auditorium, two meeting ing is a unit for the pastorâ&#x20AC;&#x2122;s residence. The design is intentionally modest and simple, it does not aim for an innovative and eyecatching outlook as it is located in a small city,

61 cHURcH DESIGN PROPOSAl

cHURcH DESIGN PROPOSAl 62

CONSTRUCTION D R A W I N G S Year: Early 2013 Site: Carlton, Australia Client: The University of Melbourne

PR OJ EcT D E S C RI PT I O N

Street, carlton. The basic plan and elevation hand-sketches are provided to be translated into a proper architectural drawings.

63 cONSTRUcTION DRAWINGS