TM
JOHANNESBURG | 21 & 22 NOVEMBER 2017 | KING LEAR
JOHANNESBURG 21 & 22 NOVEMBER 2017 #KING LEAR
"ART IS NOT WHAT YOU SEE, BUT WHAT YOU MAKE OTHERS SEE" - Degas
www.stephanwelzandco.co.za
TM
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FINE ART & DESIGN AUCTION
JOHANNESBURG | 21 & 22 NOVEMBER 2017 | KING LEAR Killarney Country Club 60 5th St Lower Houghton Johannesburg 2198 TUESDAY | 21 NOVEMBER 2017 Session 1 | 11h30 Lots 1 - 77 Books Clocks Carpets Furniture Session 2 | 14h00 Lots 91 - 257 Decorative Arts Silver Judaica Collection
FRONT COVER Walter Whall Battiss (South African 1906 - 1982) FIGURES CROSSING A RIVER Lot 399
INSIDE FRONT COVER Maurice Charles Louis van Essche (South African 1906 - 1977) PORTRAIT OF A WOMAN Lot 390
PAGE 2 Bettie Cilliers-Barnard (South African 1914 - 2010) ABSTRACT COMPOSITION Lot 419
PAGE 4 William Joseph Kentridge (South African 1955 - ) HEAD Lot 401
PAGE 14 A SILK HEREKE RUG, TURKEY, MODERN Lot 35
INSIDE BACK COVER Ephraim Mojalefa Ngatane (South African 1938 - 1971) MUSICIANS Lot 391
BACK COVER Gerard de Leeuw (South African 1912 - 1985) FLIGHT Lot 368
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Session 3 | 19h00 Lots 301 - 437 Paintings WEDNESDAY | 22 NOVEMBER 2017 Session 4 | 10h00 Lots 451 - 619 Pocket Watches and Wristwatches Jewellery
EXHIBITION | VIEWING 17 - 19 November | 10h00 - 17h00 20 November | 10h00 - 13h00 Jewellery, Wristwatches and Silver viewing will close at 16h30 each viewing day Buyer’s premium is calculated at 14% plus VAT at the prevailing rate for items selling over R10 000 and 17% plus VAT for items selling under R10 000 at the prevailing rate. 10% plus VAT at the prevailing rate for collectable cars 15% plus VAT at the prevailing rate for auto memorabilia SHIPPING COSTS BETWEEN OUR JOHANNESBURG AND CAPE TOWN OFFICES The packing and transport costs will be calculated as follows (one bulk shipment between offices): Invoice value over R100,000 – free Invoice value below R100,000 – minimum of R500 + VAT Insurance is not included *All images can be viewed on our website This catalogue may be referred to as (SA1706) - KING LEAR
CONTENTS 2
AUCTION DETAILS
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WHO WE ARE
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ANTON WELZ
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HIGHLIGHTS FROM PREVIOUS AUCTION
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SEEN AT STEPHAN WELZ & CO.
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HOW TO BUY
14 SESSION
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28 SESSION
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48 SESSION
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86 SESSION
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Books, Africana Pictures, Anglo-Boer War & Military Memorabilia Coins & Medallions, Carpets, Rugs And Runners, Clocks, English, South African Furniture & Continental Furniture
European & English Ceramics, South African Ceramics, Oriental Ceramics And Works of Art, Electroplate, English Silver, Foreign Silver, Judaica
Works of Art, South African & International Paintings, Watercolours, Drawings, Photography, Prints & Sculpture
Pocket Watches and Wristwatches, Antique, Period & Contemporary Jewellery
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Important Notice to Prospective Buyers
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Absentee and Telephone Bidders Form
106
Guide for Absentee/Telephone Bidders
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General Information Cape Town
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General Information Johannesburg
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Catalogue Subscription Order Form
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Payment and Despatch of Purchases
120
Auctioneer's Announcements
122
Terms & Conditions of Business and Rules of Auction
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Artists' Index
TM
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Who We Are Founded in 1968, Stephan Welz & Co. has entrenched itself at the forefront of the South African auction industry for nearly 50 years. With salerooms in Johannesburg and Cape Town, we offer you the most convenient way to consign and auction your valuables. We are the most experienced auction house in Africa, making us the premium choice when looking to achieve the best prices on your valuables. Specialising in a variety of departments including fine art, jewellery, furniture and classic cars, we have consigned nearly 325,000 items in over 700 auctions. Our wide range of categories also includes watches, silver, clocks, carpets, ceramics, books, maps and coins. We have specialists nationwide to consign your items to our auctions. We continue to uphold our integrity with our clients and assist them through the thrilling world of auctions. Corporate Collection Stephan Welz & Co. offers clients the opportunity for our specialists to value their corporate art collections. We have a team available to travel throughout South Africa to help our clients discover the true value of their collections. House Sales Our specialists will travel to your home to value your items. Stephan Welz & Co. strives to make every auction experience as enjoyable and hassle free as possible. Trusts & Estates Our specialists offer a probate valuation of items required for Trust and Estate to assist families and attorneys.
JOHANNESBURG T | +27 (11) 880 3125 F| 086 603 3805 jhb@stephanwelzandco.co.za Killarney Country Club 60 5th St Lower Houghton Johannesburg 2198
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CAPE TOWN T | +27 (21) 794 6461 F| 086 506 5748 ct@stephanwelzandco.co.za The Great Cellar Alphen Estate Alphen Drive Constantia 7806
ANTON WELZ Division Head & Auctioneer
Dear Collector, As we approach the end of another year it is worth reflecting on the highlights of our past sales, proving once again that quality items, well displayed and catalogued always seem to achieve good results. From a Maggie Laubser in February that sold at R950 872 to a Ron Arad Bad tempered chair that achieved R81 172 in June we have had too many highlights to mention. This Johannesburg sale has a number of lots that should prove to be of interest. Notable amongst the furniture are the teak and inlaid corner chair (lot 73), the set of eight wishbone chairs by Hans Wegner (lot 76) and perhaps the most interesting of all, the teak armchair designed by Pierre Jeanneret (lot 77). The Jeanneret chair is one of a series of furniture items designed by Jeanneret for Chandigargh, a city in Punjab designed by le Corbusier. Jeanneret embraced life in India and was appointed chief architect of Chandigargh in 1955. After his death in 1967 his ashes were scattered on Sukhna Lake in Chandigargh. This is a rare and unusual piece of furniture which deserves to be in the collection of anyone who has an interest in mid-century design. Lots 151 and 152, the Agathon Leonard bronzes are another good example of the rare and unusual pieces that come to auction. One of the benefits of being in the auction industry is the opportunity to handle things which we may never see again, often items of museum quality or of such rarity that when they are sold it is with great sadness that they go to their new home. Lot 368, the Gerhard de Leeuw sculpture is a fine example of work from an artist who deserved more recognition for the quality of his work during his lifetime. A selection of ten vintage prints by JĂźrgen Schadeberg taken during his tenure at Drum Magazine headline the photographs on the sale. These images, printed in the 1950s and early 60s have become recognised as works that helped define Schadeberg as a photo journalist. An important and well-priced Kentridge (lot 400) rounds off the evening session. Exhibited in 2011 at the Goodman Gallery it is a fine example of work from an artist who is arguably our greatest artistic export. I have mentioned just a few of the lots in this sale that pique my interest, I do hope that there are more in the catalogue that will attract you to the sale. All that remains is for me to wish all of you a happy and peaceful festive season, wherever you may find yourselves. See you in the saleroom.
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JOHANNESBURG | 25 & 26 JULY 2017 | AUCTION HIGHLIGHTS
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Lot 37 A Scottish Basket Hilted Broadswood of the mid 1700s Sold for R 19 000
Lot 121 A Hereke Silk And Metal Rug Sold for R 19 000
Lot 154 A Cape Stinkwood And Yellowwood Jonkmanskas, 19th Century Sold for R 24 000
Lot 615 A Diamond Necklace Sold for R40 000
JOHANNESBURG | 25 & 26 JULY 2017 | AUCTION HIGHLIGHTS
Lot 375 Pieter Van Der Westhuizen, Yellow Field And Row Of Trees Sold for R35 000
Lot 484 Gerard Sekoto, Men Around A Fire Sold for R170 000
Lot 331 A 19th Century German Electroplate Samovar, Circa 1860 Sold for R60 000
Lot 625 A Sapphire And Diamond Ring Sold for R22 000 7
City Lights & Shadows | Art Exhibition
Jurgen Schadebürg | The Way I See It Book Launch
KwaZulu Natal Society of Art
SEEN AT TM
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Stephan welz & Co. - Killarney Country Club Opening Launch
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CATALOGUING TERMS & ETIQUETTE
JOHANNESBURG | 21 & 22 NOVEMBER 2017 | KING LEAR AUCTION: “Auction” means any private treaty or auction sale at which a lot is offered for sale by the Company. AUCTIONEER: “Auctioneer” means the representative of the Company conducting an auction. BIDDER: “Bidder” means any person making, attempting or considering to make a bid or offer to buy a lot at an auction, or private treaty sale. BUYER: “Buyer” means the bidder who makes the bid or offer for any lot that is finally accepted by the auctioneer (after determination by the auctioneer of any dispute that may exist in respect thereof) at a sale of that lot, and (where the Buyer is an agent acting for a principal), the Buyer and the Buyer’s principal jointly and severally. BUYER’S PREMIUM: “Buyer’s premium” means the premium payable by the Buyer of a lot to the Company on the sale of that lot, calculated on the hammer price of that lot at the relevant current rates. CATALOGUE: “Catalogue” means any advertisement, brochure, estimate, pricelist, condition report and other publication (in whatever medium, electronically or otherwise) published by the Company in respect of any auction. CIRCA: “Circa” is commonly used when the date of events is not known, such as publication dates or when the artist completed his/her work. HAMMER PRICE: “Hammer price” means the bid or offer made by the Buyer for any lot that is finally accepted by the auctioneer (after determination by the auctioneer of any dispute that may exist in respect thereof) at a sale of that lot, together with VAT thereon (if any). LOT: “Lot” means any item or items to be offered for sale by the Company at an auction or private treaty sale. PURCHASE PRICE: “Purchase price” means the hammer price of any lot at a sale thereof, plus the applicable Buyer’s premium for that lot, plus all recoverable expenses for which the Buyer is liable in respect of that lot. RESERVE: “Reserve” means the confidential minimum hammer price (if any) at which a lot may be sold at an auction as agreed between the Seller of that lot and the Company in writing. SALE: “Sale” means the sale of any lot at an auction, whether done by private treaty or auction sale, and “sell” and “sold” shall have corresponding meanings. SELLER: “Seller” means the person named as the Seller of any lot, being the person that offers the lot for sale. TELEPHONE BIDDER: “Telephone bidder” means any person making, attempting or considering to make a bid or offer to buy a lot at an auction, who is not physically in the auction location at the time of the auction. VAT: “VAT” means value added tax levied in terms of the Value Added Tax Act, 1991.
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DRAFT 2 - 21/06
SPECIALISTS & SERVICES
JOHANNESBURG | CAPE TOWN JOHANNESBURG jhb@stephanwelzandco.co.za +27 (11) 880 3125
Alan Demby
Monique Weston
EXECUTIVE CHAIRMAN alan.demby@stephanwelzandco.co.za
SILVER, CARPETS, FURNITURE & CLOCKS monique.weston@stephanwelzandco.co.za
Chris de Klerk PAINTINGS, DRAWINGS, PRINTS & SCULPTURE chris.deklerk@stephanwelzandco.co.za
Christa Swart PAINTINGS, DRAWINGS, PRINTS & SCULPTURE christa.swart@stephanwelzandco.co.za
Luke Crossley PAINTINGS, DRAWINGS, PRINTS & SCULPTURE luke.crossley@stephanwelzandco.co.za
Laurie Sher ADMINISTRATION laurie.sher@stephanwelzandco.co.za
CAPE TOWN ct@stephanwelzandco.co.za +27 (21) 794 6461
Paula Schreuder SILVER, CARPETS, FURNITURE & CLOCKS paula.schreuder@stephanwelzandco.co.za
Peter Digby BOOKS, MANUSCRIPTS & MAPS peter.digby@stephanwelzandco.co.za
Sharne Edelson JEWELLERY & WRISTWATCHES sharne.edelson@stephanwelzandco.co.za
Tanya Demby DECORATIVE ARTS & VINTAGE FASHION tanya.demby@stephanwelzandco.co.za
Anton Welz
Linda Patterson
DIVISION HEAD & AUCTIONEER FURNITURE, COLLECTABLE CARS, CLOCKS & AFRICAN ART
CARPETS & RECEPTION linda.patterson@stephanwelzandco.co.za
anton.welz@stephanwelzandco.co.za
Monique Kleynhans
Carol Kaufmann
FURNITURE, CLOCKS & COLLECTORS’ ITEMS & DECORATIVE ARTS monique.kleynhans@stephanwelzandco.co.za
PAINTINGS, DRAWINGS, PRINTS & SCULPTURE carol.kaufmann@stephanwelzandco.co.za
Kayleen Wrigley PAINTINGS, DRAWINGS, PRINTS & SCULPTURE kayleen.wrigley@stephanwelzandco.co.za
Rayda Becker
Sophie-Louise Fröhlich OFFICE MANAGER & AUCTIONEER FURNITURE, PHOTOGRAPHY, CLOCKS & COLLECTORS’ ITEMS sophie-louise.frohlich@stephanwelzandco.co.za
Susie McRae ADMINISTRATION & SHIPPING susie.mcrae@stephanwelzandco.co.za
TRADITIONAL AND CONTEMPORARY AFRICAN ART rayda.becker@stephanwelzandco.co.za
Lani Roux
Justin Heim
BOOKS lani.roux@stephanwelzandco.co.za
PAINTINGS, DRAWINGS, PRINTS & SCULPTURE justin.heim@stephanwelzandco.co.za
Kerry Hawkins JEWELLERY, WRISTWATCHES, SILVER & METALWARE kerry.hawkins@stephanwelzandco.co.za
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Please note that you are only able to bid at one of our auctions if you have registered. Registration forms are available from our offices. You can also register to bid online or via telephone for any of the auctions if you are unable to attend on the day.
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I T E M S
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LOT 23 - A SENNE RUG (DETAIL) 14
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BOOKS | AFRICANA PICTURES | ANGLO-BOER WAR & MILITARY MEMORABILIA | COINS & MEDALLIONS CARPETS, RUGS AND RUNNERS | CLOCKS | FURNITURE
TUESDAY | 21 NOVEMBER 2017 | 11H30 | LOTS 1 - 77
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BOOKS | AFRICANA PICTURES MILITARY MEMORABILIA | COINS AND MEDALLIONS
BOOKS
MILITARY MEMORABILIA
1 Fitzpatrick, Percy Sir
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JOCK OF THE BUSHVELD London: Longmans, Green & Co,1907 First edition 8vo col. plates & b/w illustrations by E Caldwell pictorial cloth, original pictorial spine, has been trimmed and laid down on a new spine, new endpapers, initial slight foxing, front corner board slightly rubbed with original pictorial cover laid down on new cover. R 2 000 - R 4 000
AFRICANA PICTURES
A FRENCH CAVALRY SWORD Brass hilt, knuckle bow with three side bars brass wire binding that decorates the leather covered wooden hand grip is largely absent, steel scabbard with two hanging rings with rust. A good blade with a bit of age darkening. Reu du Klingenthal pattern, 1814, 1870 Blade length: 96cms PART ILLUSTRATED OPPOSITE PAGE R 2 000 - R 3 500 5
2 Battiss, Walter W.
A FRENCH INFANTRY OFFICER’S SWORD 1892
MR ICARUS I PRESUME AND BIRD FLIGHT
Steel scabbard with one suspension ring, spotting to a good blade, brass belt with scrolled foliated decoration in the hand guard with wire bound grip. Manufactured by d’Armes de Chat, 1845 pattern Curved blade length: 76cm
Two silkscreens produced side by side, printed in colour, each signed by Battiss and numbered 16/125. One miniscule fox mark on border. R 8 000 - R12 000
8 AN AUSTRIAN CAVALRY SWORD, CIRCA 1910 Stirrup hilt guard, discoloured steel scabbard, black composition wire bound handgrip, single edged nickel plated blade. Blade length: 93cm PART ILLUSTRATED OPPOSITE PAGE R 1 500 - R 2 000 9 AN AUSTRIAN HEAVY CAVALRY TROOPERS SWORD, CIRCA 1870 Stirrup belt, steel scabbard and hilt with discolouration, wire bound handgrip, blade with a few stains. Hilt Marked AMXVII.2.42 Blade length: 83cm PART ILLUSTRATED OPPOSITE PAGE R 1 500 - R 2 000
PART ILLUSTRATED OPPOSITE PAGE
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ANGLO-BOER WAR MEMORABILIA
R 1 800 - R 2 500
A CONTINENTAL TROOPER’S LIGHT CAVALRY SWORD, 1870-1910
3 Eekhout, C W E J
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THE ANGLO-BOER WAR DOCUMENT ARCHIVE OF C W E J EEKHOUT a - Registration document from the Superintendent van Naturellen, Pretoria of 1883 b - Naturalisation of Eekhout as a subject of His Majesty King Edward VII, signed and dated Irene Camp, Pretoria 11 December 1901 c - Marriage certificate of Eekhout as issued by The Z A Republiek, 10 January 1901 d - The Terms of Surrender 3 June 1902 (Times of Natal Special Edition) e - Despatch by Gen. Lord Kitchener re Military Operations in S A, 1st June 1902 f - Correspondence with the Presidents of the S A Republic and O F S, March 1900 g - Letter from Comdt Louis Botha to Lord Kitchener, 1901 h - Papers relating to Negotiations between Commandant Louis Botha and Lord Kitchener, March 1901 i - Further Papers relative to subject (h) July 1901 Note: (e) and (i) were printed by Majesty’s Stationery Office, London, all preserved in plastic sleeves in unread condition. R2 000 - R4 000
AN IRREGULAR INDIAN CAVALRY SWORD, CIRCA 1850 Brass scabbard by R Johnson, late Bland and Foster of London with two suspension rings, engraved coronet and monogram at top of scabbard ferrule
PART ILLUSTRATED OPPOSITE PAGE
the gilt that plates the lion handgrip is worn, one of the side bars to the basket is missing steel damascened Indian blade with surface dirt Blade length: 83cm
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PART ILLUSTRATED OPPOSITE PAGE R 1 500 - R 2 500 7 A FRENCH CAVALRY SWORD, CIRCA 1870 Brass hilt, black composition hand grip, steel scabbard with old dark discoloration and two suspension loops, good blade with a little surface dirt. Manufactured by du Klingenthal: pattern 1814 Curved blade length: 86cm PART ILLUSTRATED OPPOSITE PAGE R 2 000 - R 3 500
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Good blade but steel scabbard and stirrup handguard have black discolouration. Blade length: 83cm
R 1 500 - R 2 000
A PAIR OF CONTINENTAL LIGHT CAVALRY SWORDS, 1870-1910 A steel scabbard and hilt of the first is dented with rust and the wire binding to the handgrip is missing, scabbard suspension rings missing. The second has a discoloured steel scabbard. The blade is etched but markings are indistinct because of age darkening, wire handgrip binding loose. First blade length: 87cm - Second blade length: 81cm (2) PART ILLUSTRATED OPPOSITE PAGE R 1 500 - R 2 000
BOOKS | AFRICANA PICTURES | MILITARY MEMORABILIA
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BOOKS | AFRICANA PICTURES MILITARY MEMORABILIA | COINS AND MEDALLIONS
12 A MISCELLANEOUS COLLECTION OF COINS AND MEDALLIONS comprising: a Mandela 1oz Gold Coin 2004, a Mandela 5oz Liberian Gold Coin 1994, a Mandela 1/2oz Platinum 90th Birthday Twin 2008, a Mandela Nobel Laureates ½ oz Platinum & 1oz Silver Twin Set 2011, a Mandela Capture Site 50th Anniversary 1/2oz Gold 2012, a Mandela Liliesleaf 1/2oz Gold 2012, a Liliesleaf Memory+Legacy 2 X ¼ oz Gold and 1oz Silver 3 Coin Set 2013, a Mandela Father of a Nation 5oz Gold 2013, a Mandela Presidential 1/4oz Gold 3 Coins Set 2013, a World Heritage-Robben Island Fence 1/2oz Gold 1996, a Mandela Day 1/4oz Gold Medallion 2014, a Mandela 20 Year Democracy 1oz Gold 2014, a Mandela 20 Year Democracy 1 X R5 Bimetal Alloy, 1 X 1oz Gold & R2 Sterling Silver Crown X 3 Coins Set 2015, a Mandela Hope 1/2oz Gold Medallion 2015, a Vilakazi Street 1/4oz & 1/10oz Gold Premiere Set 2015; And A Mandela Capture Site 175g Gold Bar 2015 ILLUSTRATED R 900 000 - R 1 200 000 NO LOTS 13 -20
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BOOKS | AFRICANA PICTURES | MILITARY MEMORABILIA
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RUGS, CARPETS & RUNNERS
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CARPETS, RUGS AND RUNNERS 21
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A SUZANI, UZBEKISTAN, CIRCA 1900
A SENNE RUG, WEST PERSIA, CIRCA 1900
A NAIN RUG, IRAN, MODERN
condition: good 241 by 169cm ILLUSTRATED
condition: good 193 by 130cm R 25 000 - R 30 000
R 27 000 - R 30 000 24 22 A SENNE RUG, WEST PERSIA, CIRCA 1900 condition: repair, wear 190 by 125cm R 8 000 - R 12 000
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A SALOR BOKHARA RUG, TURKAMAN, CIRCA 1900
condition: fair, some moth damage 230 by 155cm R 12 000 - R 16 000 26 AN ISFAHAN RUG, PERSIA, MODERN condition: good 147,5 by 224cm
condition: good 170 by 94cm
PART ILLUSTRATED OPPOSITE PAGE
R 10 000 - R 15 000
R 25 000 - R 30 000
RUGS, CARPETS & RUNNERS
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RUGS, CARPETS & RUNNERS
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35
A NAIN RUG, IRAN, MODERN
A TABRIZ CARPET, NORTH WEST PERSIA, MODERN
A SILK HEREKE RUG, TURKEY, MODERN
condition: good 156 by 108cm
condition: fair 473 by 303cm
R 10 000 - R 12 000
R 15 000 - R 20 000
28 A KURDI KELIM, PERSIA, CIRCA 1960 condition: good 416 by 171cm
A MOUD CARPET, EAST PERSIA, MODERN condition: wear 368 by 256cm
R 8 000 - R 10 000
R 8 000 - R 12 000
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A CHOBI RUG, MODERN
A MOUD CARPET, EAST PERSIA, MODERN
condition: fair 282 by 179cm
condition: fair 310 by 210cm
R 6 000 - R 8 000
R 6 000 - R 8 000
30 A KESHAN CARPET, PERSIA, MODERN condition: good 386 by 287cm
34 A MAHAL CARPET, WEST PERSIA, MODERN condition: wear 417 by 325cm
R 15 000 - R 20 000
R 8 000 - R 12 000
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condition: good 118 by 84cm ILLUSTRATED R 15 000 - R 20 000 36 A SILK HEREKE RUG, TURKEY, MODERN condition: good 127 by 81cm R 15 000 - R 20 000 37 A FINE QUM SILK RUG, PERSIA, MODERN condition: good 197 by 130cm R 30 000 - R 40 000 NO LOTS 38 - 50
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CLOCKS CLOCKS BUYERS ARE ADVISED THAT A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASED 51
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AN ENGLISH MAHOGANY LONGCASE CLOCK, PROBABLY WILLIAM HEATH, NEWCASTLE, EARLY 19TH CENTURY
A BLACK FOREST RAHMENUHR, LATE 19TH CENTURY
A JAEGER LE COULTRE ATMOS CLOCK, SWITZERLAND, 20TH CENTURY
the 12,5cm circular white dial with Roman hour numerals within a reverse painted surround depicting figures at various pursuits, wood plate movement, counter weights, within a gilt frame, set into a rectangular glassed case, restorations 39cm high
the dial with a 12cm chapter ring with gilt Arabic numerals and raised triangular batons inscribed F.A.B. Suisse, Jaeger-Le Coultre, the movement with oscillating pendulum set in a glazed five-glass gilt-brass rectangular case with presentation plaque 23cm high
R 9 000 - R 12 000
R 5 000 - R 8 000
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NO LOTS 56 - 60
the 36cm dial with a painted chapter ring, with Roman hour and Arabic minute numerals, subsidiary seconds dial and date aperture, indistinctly inscribed Heath, Newcastle, the arch depicting two ladies and a gentleman in conversation, bell striking movement, the arched hood with a broken swan neck pediment centred by a ball and eagle finial, glazed door flanked by columns, the trunk centred by a shaped and panelled door, on a plinth base, on bracket feet, distress 224cm high R 16 000 - R 18 000 52 A REGENCY MAHOGANY AND BRASS INLAID MANTEL CLOCK, 19TH CENTURY the 17cm white enamelled circular dial with Roman hour numerals, indistinctly inscribed Chichester, double fusee movement striking on a bell, the backplate engraved with a geometric pattern, the conforming case with a brass inlaid motif below the dial within a shaped cartouche, the sides applied with lion mask carrying handles, fretwork panels below, on a stepped plinth base, on bun feet, restorations 35cm high
A FRENCH EMPIRE ORMOLU MANTEL CLOCK, 19TH CENTURY the 8,5cm white enamelled circular dial inscribed a Pรกris, within a floral surround, the anchor movement striking the hour on a bell, depicting Orpheus with musical instruments, possibly depicting Eurydice with chained dogs below, on a plinth base depicting cherubs playing music and classical Greek symbols, on bun feet 45cm high ILLUSTRATED R 20 000 - R 30 000
ILLUSTRATED R 18 000 - R 20 000
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FURNITURE
ENGLISH FURNITURE 61
65
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A GEORGE III MAHOGANY EXTENDING DINING TABLE
A VICTORIAN WALNUT AND EBONISED WORK TABLE
A MAHOGANY PEMBROKE TABLE, 19TH CENTURY
each D-end above a plain frieze, on square section tapering legs on spade feet, terminating in brass caps on castors, two leaf insertions, stringing throughout 76cm high, 122cm wide, 237,5cm long fully extended
the hinged octagonal top enclosing compartments in sizes, on a faceted tapering support, drum socle on hipped carved outswept legs 68cm high, 42cm wide, 42cm deep
the shaped hinged reeded rectangular top above a frieze drawer and an opposing dummy drawer, on turned tapering legs 70,5cm high, 95cm wide, 84cm deep
R 3 000 - R 5 000
R 8 000 - R 10 000 66 62 A REGENCY MAHOGANY PEMBROKE TABLE
A VICTORIAN MAHOGANY BOOKCASE
the shaped hinged moulded rectangular top above a frieze drawer and an opposing dummy drawer, turned tapering support, drum socle on hipped outswept legs on brass hairy paw feet on castors 70cm high, 92cm wide, 91cm deep
in two parts, the outswept moulded cornice above a pair of glazed doors flanked by corbels and enclosing two shelves, the lower section comprising a rectangular top above a long ogee drawer, a pair of arched panelled doors below enclosing a shelf, on a plinth base 190cm high, 104cm wide, 39cm deep
R 2 000 - R 3 000
R 7 000 - R 10 000
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A REGENCY MAHOGANY SOFA TABLE
A VICTORIAN MAHOGANY CHEST OF DRAWERS
the shaped hinged reeded rectangular top above a pair of cockbeaded frieze drawers, on shaped pierced supports, joined by a turned stretcher, on reeded outswept legs terminating in brass caps, on castors 72cm high, 149cm wide, 55,5cm deep
the outswept top above six ogee drawers, on four turned bun feet, mother-of-pearl keyholes, distress 149cm high, 106cm wide, 53cm deep R 7 000 - R 10 000
R 4 000 - R 6 000 68 64 A VICTORIAN MAHOGANY AND INLAID TEA TABLE the quarter-veneered hinged top centred by an inlaid floral motif, each corner with foliate inlay, surmounted by a gallery, above a plain frieze, on turned tapering legs 72cm high, 80,5cm squared R 2 500 - R 3 500
A MAHOGANY CHEST OF DRAWERS, 19TH CENTURY the reeded rectangular top above a pair of short cockbeaded drawers, three graduating long cockbeaded drawers below, reeded apron on shaped bracket feet 103,5cm high, 96cm wide, 47,5cm deep R 8 000 - R 10 000
R 2 000 - R 3 000 70 A MAHOGANY BREAKFAST TABLE, 19TH CENTURY the shaped hinged rectangular top on a ring-turned tapering support, drum socle on four hipped outswept feet, terminating in brass caps on castors, distress 75cm high, 138cm wide, 99,5cm deep R 6 000 - R 8 000 71 A SET OF SIX MAHOGANY DINING CHAIRS, LATE 19TH/EARLY 20TH CENTURY each plain top and mid-rail above a carved and pierced splat, shaped bottom rail, padded back, stuff-over seat, on ring-turned tapering legs, on bun feet; And A Pair Of Mahogany Side Chairs, each carved, shaped top and bottom rail between curved supports, padded back, stuff-over seat, on upturned baluster legs (8) R 8 000 - R 10 000 72 AN OAK LEGAL BOOKCASE, MANUFACTURED BY GLOBE WERNICKE LTD LONDON, 20TH CENTURY the rectangular top above a plain frieze, comprising three compartments in sizes, each compartment with glazed hinged sliding doors, on a plinth base, manufacturer’s plaque 120,5cm high, 86,5cm wide, 26,5cm deep R 4 000 - R 6 000
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73
SOUTH AFRICAN FURNITURE 73
74
A TEAK AND IVORY INLAID CORNER CHAIR, 19TH CENTURY
A CAPE STINKWOOD SPLIT-SPLAT CHAIR, 19TH CENTURY
the curved toprail surmounted by a shaped ivory block, turned supports, upholstered seat on ring-turned tapering legs on pad feet, joined by a box stretcher
the shaped top rail and plain bottom rail joined by a pierced splat, caned seat, on square-section tapering legs, joined by an H-stretcher
ILLUSTRATED
R 3 000 - R 4 000
R 60 000 - R 80 000
25
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FURNITURE
75
CONTINENTAL FURNITURE 75 A DUTCH MAHOGANY ARMOIRE, 19TH CENTURY the moulded gabled pediment centred by a scrolling foliate crest, above a pair of panelled doors enclosing three shelves, three graduating bombé drawers below, on c-scroll feet, distress 237cm high, 190cm wide, 53,5cm wide ILLUSTRATED R 60 000 - R 90 000
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76
76
77
A SET OF EIGHT DANISH BEECH CH24 WISHBONE CHAIRS, DESIGNED BY HANS WEGNER IN 1949, MANUFACTURED BY CARL HANSEN
A TEAK EASY ARMCHAIR DESIGNED BY PIERRE JEANNERET, CIRCA 1960
each curved toprail on shaped supports, rattan seat on turned tapering legs, joined by a box stretcher, manufacturer’s stamp, distress (8)
the rawhide back and seat within a rectangular frame, shaped arms on V-shaped legs R 15 000 - R 20 000
ILLUSTRATED R 90 000 - R 120 000
NO LOTS 78 - 100
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LOT 151 & 151 - AN ART NOUVEAU FIGURAL BRONZE 28
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DECORATIVE ARTS | SILVER | JUDAICA
TUESDAY | 21 NOVEMBER 2017 | 14H00 | LOTS 91 - 257
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DECORATIVE ARTS
EUROPEAN & ENGLISH CERAMICS 91
94
97
A MINTON ‘HADDON HALL’ PART DEMITASSE SET, 1948 - 2011
A STAFFORDSHIRE FIGURE OF A WOMAN, 19TH CENTURY
A GROUP OF THREE NYMPHENBURG GLAZED HUNTING FIGURES
designed by John Wadsworth in 1948, each piece printed with intricate and colourful sprays against a white ground with green rim, comprising: six demitasse cups, six saucers, a slop bowl, a large milk jug and a medium milk jug (15)
modelled standing, holding a vase, with a goat to her left, crazing and losses to enamel throughout, BADA stamp 37cm high
naturalistically modelled, comprising: a lady on horseback, a gentleman on horseback and a gentleman standing beside his horse blowing a hunting horn, each raised on shaped C-scroll base, stamped factory mark, incised numbers the tallest 22cm high (3)
R 2 000 - R 3 000
95
ILLUSTRATED
A PAIR OF FIGURAL MEISSEN CANDLESTICKS, LATE 19TH CENTURY
R 6 000 - R 9 000
92
each modelled as a maiden draped in robes holding flowers, standing amongst rockwork next to a seated putti resting a bird on his hand, the candlestick built up against a tree with roses climbing upwards, BADA stamp, painted Meissen marks, incised numbers, small losses to flowers, leaves and a cherubs fingers, repairs, a sconce is loose, rim to one base with significant losses each 28,5cm high (2)
SOUTH AFRICAN CERAMICS
A ROSENTHAL ‘ROMANCE’ PATTERN PART DEMITASSE SET DESIGNED BY BJORN WIINBLAD, 1961 - 2005 all white, covered overall in embossed design, comprising: six demitasse cups, six saucers, a coffee pot with cover, a milk jug and a sugar bowl with cover the coffee pot 20,5cm high (15) R 2 000 - R 3 000 93
R 2 000 - R 3 000
R 4 000 - R 6 000 96
A STAFFORDSHIRE FIGURE OF A FARMING COUPLE, 19TH CENTURY modelled standing, the lady holds a vase, with a goat to her left, the man with his arm around her waist, crazing and some losses to enamel throughout, BADA stamp 37cm high R 1 500 - R 2 000
AN ASSEMBLED COLLECTION OF DELFT WARES, 19TH CENTURY comprising a foliate shaped jar with cover, 2 cauldron shaped tea strainers with metal mounts, 2 round wall plates, and a sectioned plate with pierced and incised metal handle, some chips and crazing throughout, various painted factory marks the handled plate 20,5cm wide (6) R 4 000 - R 6 000
97
30
98 A KALAHARI TERRACOTTA PART DINNER SERVICE, 1950’S pea green glaze, earthen border with geometric shapes, comprising: 13 dinner plates, 12 side plates, 12 leaf shaped side plates, 13 butter dishes, 7 heart shaped bowls, 3 candlestick holders and 4 egg holders, each signed Kalahari the leaf shaped bowl 27cm wide (64) R 4 000 - R 6 000
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DECORATIVE ARTS ORIENTAL CERAMICS AND WORKS OF ART 99
104
106
A CHINESE BLUE AND WHITE PLATE
A PAIR OF CHINESE BLUE AND WHITE VASES
A CHINESE PORCELAIN BLUE AND WHITE PLAQUE
tapering ovoid with everted rim, depicting figures at various pursuits, between bands of blossoms, triangles and scallops, below a tree against a full moon, and a Greek-key border, the sides applied with archaic style dragonshaped handles, small areas of pitting to interior rim the taller 35,5cm high (2)
depicting storks amongst rockwork, foliage and text within a wood frame, some scratches and pitting throughout 53 by 32cm
R 8 000 - R 12 000
107
105
A CHINESE PORCELAIN BLUE AND WHITE PLAQUE
the central rondel depicting figures at various pursuits before a blossoming tree, surrounded by an intricate border of butterflies, flowers, symbols, spirals, and hatching, two small areas of pitting 23cm diameter R 1 500 - R 2 000 100 A CHINESE BLUE AND WHITE PLATE the central rondel depicting a pagoda amongst trees and rockwork, enclosed within a band of alternating symbols and a diaper ground, double ring mark to base, some pitting to base, small losses to enamel 21,5cm diameter R 2 000 - R 3 000 101 A CHINESE BLUE AND WHITE PLATE
A PAIR OF CHINESE BLUE AND WHITE JARS tapering ovoid, the scalloped cartouches painted with scholar’s objects and vases containing peonies, all reserved on a blue ground painted with prunus blossoms, between Greek-key and lappet borders, the covers similarly decorated, pitting throughout 46,5cm high including cover
ILLUSTRATED R 10 000 - R 15 000
depicting rockwork, mountainous landscapes, foliage and text within a wood frame, some scratches and pitting throughout 53 by 32cm ILLUSTRATED R 10 000 - R 15 000
R 6 000 - R 8 000
the central rondel depicting figures at various pursuits before a pagoda, within a band of foliage, the reverse with double ring mark, pitting throughout, losses to enamel 22cm diameter R 1 500 - R 2 000 102 A CHINESE BLUE AND WHITE BARBER’S BOWL the oval centre depicting peonies and scholars objects surrounded by a border, diaper ground, with scalloped cartouche, some pitting 30,5cm wide R 3 000 - R 5 000 103 A CHINESE BLUE AND WHITE CENSER the bulbous body flaring to a brown rim, painted with dragons in pursuit of flaming pearls and phoenixes amongst clouds all beneath a band of scrolls, the sides applied with lion-mask handles, the foot below a double blue band, pitting and staining throughout 22,5cm diameter
106
107
R 3 000 - R 5 000
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DECORATIVE ARTS
108
112
116
A CHINESE BLUE AND WHITE VASE
A CHINESE FAMILLE JUANE REVOLVING TWO PIECE PORCELAIN VASE
A CHINESE BROWN OVERLAY PEKING GLASS SNUFF BOTTLE
the central core vessel encased within the tapering ovoid and reticulated vase, decorated overall with scrolling lotus and vine decoration against a yellow ground, pierced with trigrams depicting wind, applied with masks, the base with pseudo Qianlong mark, repairs 22cm high
depicting dog of fo, bats, flaming pearl and a figure against a blue ground, green stopper and metal mount 8cm high
R 6 000 - R 8 000
117
113
A CHINESE ENAMELLED WHITE GLASS SNUFF BOTTLE
the tapering globular body, covered overall with a dragon chasing a flaming pearl, the shoulders with a band of alternating panels depicting flaming pearls and precious objects, the bottom band with lappet border filled with flowers, pitting throughout, some losses to enamel 43cm high PROVENANCE Previously sold on auction at Stephan Welz and Co April 2015 R 22 000 - R 28 000 109 A CHINESE BLUE AND WHITE VASE the trumpet shaped neck with globular body, on a spreading foot, the centre depicting a dragon chasing a flaming pearl against clouds, between lappet borders, below depicting a lion-dog and a flying horse amongst rockwork, the top panel with dense scrolling foliage with lotus above a band of triangles enclosing a band of leaves 43cm high PROVENANCE Previously sold on auction at Stephan Welz and Co April 2015 R 12 000 - R 18 000 110 A CHINESE FAMILLE ROSE VASE of tapering ovoid form, depicting a dog of fo in shades of orange, and cub against a white ground with applied masks, the reverse with text, pitting throughout, pseudo stamped mark 23cm high R 2 000 - R 4 000 111 A CHINESE FAMILLE ROSE MOON FLASK depicting dragons and clouds in shades of blue and white, the central rondel depicting figures at various pursuits before willow trees, Greekkey border, gilt edge rim, small hairline crack to rim, pseudo Qianlong underglaze blue mark 35,5cm high R 7 000 - R 10 000
A CHINESE FAMILLE ROSE PORCELAIN VASE of tapering ovoid form with everted neck, depicting the five peach pattern, bats and shou medallions throughout, between a lappet border, in shades of pink, orange, and green against a white ground, pseudo tongzhi mark 28cm high R 7 000 - R 10 000 114 A CHINESE FAMILLE ROSE ‘NINE PEACH PATTERN’ VASE the globular body, with tapering cylindrical neck, depicting peaches, blossoms and bats against a white ground, slight discolouration to rim, pseudo Yongzheng mark 36,5 cm high R 5 000 - R 7 000 115 A NEAR PAIR OF CHINESE FAMILLE VERTE VASES each baluster body with everted rim, depicting figures at various pursuits between bands of triangles, palm leaves amongst others, in shades of green, yellow, red and blue against a cream ground, some pitting and crazing throughout each 46,5cm high including stand (2) R 3 000 - R 5 000
R 2 000 - R 3 000
painted in blue, depicting a figure before a blossom tree, rock work and mountainscape, the reverse similarly decorated, blue stopper with metal mount, pseudo Qianlong mark 7,5cm high R 2 000 - R 3 000 118 A CHINESE WHITE OVERLAY PEKING GLASS SNUFF BOTTLE depicting figures at various pursuits amongst a flaming pearl, blossom tree and pseudo stamp against a green ground, orange stopper with metal mount 9cm high R 2 000 - R 3 000 119 A CHINESE FAMILLE ROSE SNUFF BOTTLE depicting bamboo, blossoms and birds against a pale blue ground, the reverse with text, gilt stopper, the base with four-character mark, spoon lacking 6cm high R 1 500 - R 2 000 120 FIVE CHINESE ENAMELLED SNUFF BOTTLES each depicting warriors on horseback, the reverse with text, against a white ground, enclosed within a cartouche, the ground with black and stippled gold, with associated stopper, the base with four-character mark, all lacking spoons (5) R 5 000 - R 10 000
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121
126
129
A PAIR OF CHINESE CELADON GROUND UNDERGLAZE BLUE VASES
A CHINESE BRONZE WATER POT
TWO DRAGON HARDSTONE DISCS
tapering ovoid with narrow mouth, inlaid with a band of dogs of fo and geometric shapes 7,5cm high
both carved and incised depicting dragons each 7,5cm diameter (2)
R 2 000 - R 4 000
R 2 000 - R 4 000
of bulbous form with tapering cylindrical neck, decorated overall with dogs of fo amongst clouds, against a celadon ground each 46,5cm high (2) R 12 000 - R 18 000 122
127 A GILT BRONZE BUDDHA
of circular form, small repair to rim, six-character mark 22,5cm diameter
seated on a double lotus throne in varada mudra position, hair arranged in tight curls rising to a domed ushnisha, pendulous earlobes, eyes downcast, worn gilding throughout 20cm high
R 3 000 - R 5 000
R 8 000 - R 12 000
123
128
A CHINESE SANG DE BOEUF VASE
A BRONZE BUDDHA
tapering ovoid with everted rim, moulded in low relief with dragons and clouds, between a band of scrolling foliage, the sides applied with masks, crazing throughout 30cm high
seated in dhyansana on a double lotus throne with hands in bhumisparsha mudra, hair arranged in tight curls rising to a domed ushnisha, pendulous earlobes, eyes downcast, robes densely engraved with scrolling foliage, the base covered throughout with beaded rim, symbols, Greek-key border and scrolling foliage, possible repair to a finger, scratches and wear to patination throughout 47,5cm high
A CHINESE COPPER RED PLATE
R 3 000 - R 6 000 124 A PAIR OF CHINESE SANCAI-GLAZED TANG-STYLE HORSES covered overall in shades of blue, green and mustard on a rectangular base, crazing and losses to enamel throughout, chip to one ear each 28cm high
PART ILLUSTRATED R 15 000 - R 20 000
R 5 000 - R 8 000 125 A PAIR OF CHINESE SANCAI-GLAZED TANG-STYLE DOGS OF FO each modelled standing on foursquare, applied in yellow and green glaze, raised on a reticulated rectangular plinth secured on a wooden base each 32cm high including base (2) R 5 000 - R 8 000 128 DETAIL
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DECORATIVE ARTS
130
133
135
A JADE DISC
A CHINESE IVORY NECKLACE NOT SUITABLE FOR EXPORT
A JAPANESE IMARI PLATE
etched in relief with dragons and phoenix surrounding a square with circle, gilt border, some wear to gilding 13cm diameter R 2 000 - R 3 000 131 TWO JADE PIECES both carved and incised, depicting figures at various pursuits each 8cm wide (2) R 4 000 - R 6 000 132 A CHINESE IVORY FIGURE OF AN EMPRESS NOT SUITABLE FOR EXPORT standing upright, dressed in robes, flanked by phoenix on either shoulder, holding a Ruyi in her hand, missing two fingers, age crack to the front robe approximately 7cm long 21cm high
composed of 79 round beads, 2 rose carved beads and a doctors lady, carved as a nude woman lying in recumbent position, supporting her head with her left arm, her right arm resting demurely on her body, wearing bangles, her black hair tied back in a knot the necklace approximately 57cm in length
with asymmetrical design depicting flowers, clouds, and scrolling foliage in shades of red, gold, blue and green against a white ground, with scalloped rim, pitting throughout, painted pseudo mark to underside 25cm diameter R 1 500 - R 2 500
R 2 000 - R 3 000
136
134
A JAPANESE HEXAGONAL IMARI VASE AND COVER, MEIJI, 1868 – 1912
A CHINESE IVORY CARVING OF A DOCTORS LADY NOT SUITABLE FOR EXPORT carved as a nude woman lying in recumbent position supporting her head with her left arm, her right arm resting demurely on her body, wearing bangles, earrings and embellished necklace, her black hair tied back in a knot, her face with delicate features, repair to foot 37cm long
covered overall with blossoming trees, flora, fauna and scrolling foliage, domed cover similarly decorated with shi shi finial, some wear to gilding 36cm high R 2 000 - R 4 000
ILLUSTRATED R 7 000 - R 10 000
R 7 000 – R9 000
134
In traditional Chinese society, particularly among the upper classes, the separation of the sexes was strictly enforced, these prohibitions applied even to medical doctors who could not directly examine a female patient. Although the doctor might be granted permission to enter the woman’s quarters, it was unthinkable that the woman would expose any part of her body below her collar, above her wrists or her ankles. During the Ming Dynasty (1368-1644), the diagnostic figurine, or Doctors Lady, was developed to aid physicians. Ordinarily depicted as completely naked except for her shoes, the ‘’lady’’ reclines on her side or back, her upper leg crossed over her lower one, one arm supporting her head and the other casually draped across her chest. Created from a variety of different materials such as amber, resin, ivory, soapstone or gemstones – These figures catered to a range of social classes. The Physician would carry such a doll with him on his visits, and pass it through the curtains to the patient, who would mark the afflicted part with charcoal or India ink. A wealthy lady might have her own figurine, which she would send to the doctor, and thereby completely avoid the embarrassment of a physical examination. - Tanya Demby
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DECORATIVE ARTS 137
140
A JAPANESE BRONZE FIGURE OF A FISHERMAN, MEIJI, 1868 - 1912
AN INDIAN FIGURAL BRASS OIL LAMP, 19TH CENTURY
modelled as an elderly man holding a fish in his left hand, and fishing rod in his right hand, barefoot atop a rocky base, dark brown patina with detachable fishing rod 18,5cm high
of hollow form, depicting a two-headed chicken with incised decoration, oxidisation and patination throughout 22cm high
COLLECTORS’ ITEMS AND WORKS OF ART 143 A DRESSING TABLE MIRROR, LATE 19TH CENTURY
R 4 000 - R 6 000
the armorial shaped plate within a conforming wooden frame, swivel mechanism, acorn finial 40cm high
GLASS
R 2 000 - R 3 000
A GROUP OF THREE JAPANESE CARVED IVORY NETSUKE NOT SUITABLE FOR EXPORT
141
144
A FLYGSFORS GLASS TABLE LAMP
A CONTINENTAL BRASS TAZZA
comprising: a fisherman, a man holding an axe and a man holding a basket; And An Ivory Buckle Modelled As A Deity the buckle 6,5cm long (4)
green core encased in clear glass, designed by Paul Kedelv, signed Flygsfors 40cm high including later shade
circular, the broad rim mounted with six micro mosaic lozenges, depicting architectural ruins, between two twist turn applied borders, raised on a circular spreading foot rim, some pins and screws lacking 28,5cm diameter
R 6 000 - R 10 000 138
R 3 500 - R 5 500
R 3 500 - R 5 500 139 A COLLECTION OF INDIAN BRONZE TEMPLE TOYS, 19TH CENTURY each modelled uniquely, depicting horses on wheels, all with patination and oxidisation throughout the tallest 14cm high (4) R 6 000 - R 9 000
142
R 2 500 - R 3 500
A PART SUITE OF GEORGE III DRINKING GLASSES
145
each flared bowl engraved with a ‘G III’ surmounted by a crown flanked by sprays of foliage, raised on a double-knopped baluster stem, on a circular spreading foot rim, comprising: 6 large goblets, 5 champagne glasses, 4 orange glasses, 3 large port glasses and 5 small port glasses, 4 glasses with minor chips (23) R 10 000 - R 15 000
AN ENGLISH COPPER MEASURE, CIRCA 1880 applied with handles, inscribed with ‘Standard Bushel’, ‘Potter Poultry London’ 64cm over handles PART ILLUSTRATED R 60 000 - R 80 000
144 DETAIL
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146
149
151
AN ALABASTER BUST OF A YOUNG WOMAN
PIERRE-JULES MENE (1810 – 1879): A FRENCH BRONZE FIGURAL SCULPTURE
AGATHON LEONARD (1841 – 1923): AN ART NOUVEAU FIGURAL BRONZE
modelled with eyes downcast and delicate features, wearing robes and a garland in her hair, on an octagonal marble base, small chips to garland 21cm high
depicting hunting dogs chasing a pheasant amongst foliage and rockwork atop a stepped oval base, green patina, signed P. MENE 20cm high
R 2 000 - R 3 000
R 10 000 - R 15 000
147
150
PIERRE LE FAGUAYS (1892 – 1962): AN ART DECO BRONZE FIGURINE
A TREFOLONI: A PATINATED BRASS BUST, ITALY, CIRCA 1920
depicting an oriental dancer, standing barefoot on demi-point, leaning backwards with arms outstretched to the sides, face turned to the left looking out, head adorned with a cloche, wearing a dress with full skirt and embellished torso, and bracelets on her arms, on a stepped square atop a tapering stepped black and white marble plinth, signed A LEONARD, repairs to both arms and pinky finger, chip to marble base 49,5cm high including base
depicting a dancer on demi-pointe, arms extended, eyes downcast, wearing draped robes and short styled hair, modelled on a stepped circular marble green base, signed FAYRAL 37cm high including base
depicting a young woman, eyes downcast, dressed in a typical 1920’s jacket and turban, modelled in a gold patina, on a stepped oval green marble base, signed 30cm high including base
R 8 000 - R 10 000 148 GILL WILES (1942 - ): A BRONZE FIGURAL SCULPTURE naturalistically modelled as a horse in mid stride, brown patina, attached on a rectangular bronze plinth, atop a rectangular black marble base, signed G Wiles 8/10 22,5cm high R 8 000 - R 12 000
R 8 000 - R 10 000
PART ILLUSTRATED OPPOSITE PAGE R 55 000 – R85 000 152 AGATHON LEONARD (1841 – 1923): AN ART NOUVEAU FIGURAL BRONZE depicting an oriental dancer standing upright on demi-point, the right arm outstretched, face turned to the left looking downwards, wearing embellished harem pants, vest with blouson sleeves and a cloche, on a raised stepped square atop a tapering stepped black and white marble plinth, signed A LEONARD 48,5cm high including base PART ILLUSTRATED OPPOSITE PAGE R 60 000 – R90 000 NO LOTS 153 - 181
Leonard Agathon van Weydevelt otherwise known as Agathon Leonard was born in 1841 in Lille, France. As a young man he moved to Paris to study sculpture at the Ecole Des Beaux – Arts de Paris under Eugene Delaplanche. He became a member of the Societe de Artistes Francais in 1887, and a member of the Societe des Beaux-Arts in 1897. He regularly exhibited across France and was made a chevalier of the Legion d’Honneur in 1900. Possibly his greatest success was Jeu l’écharpe - The Scarf Dance - in 1898, consisting of fifteen unglazed figures manufactured by Sevres. These depicted female figures dancing and playing music based on the popular scarf dances of the time made famous by the American female dancer Loie Fuller. Fuller was a pioneer of modern dance who came to embody the Art Nouveau movement. She incorporated natural movement and improvisation along with billowing silk costumes into her dances. The set captured the zeitgeist of the times, exemplifying the artistic interest in the ideals of female beauty during the period that Leonard contracted the Parisian Foundry Susse Freres to produce bronze editions. These are the most collectable of Leonard’s works, with a complete set housed at the Hermitage Museum in Saint Petersburg, Russia. - Tanya Demby
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151 DETAIL
152 DETAIL 37
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SILVERWARE
ELECTROPLATE 182
184
186
A PAIR OF OLD SHEFFIELD PLATE ENTRêE DISHES AND COVERS, CIRCA 1820
AN ART NOUVEAU ENGLISH PEWTER BEAKER, CIRCA 1910
A FRENCH ELECTROPLATE “COLBERT” PATTERN TEA AND COFFEE SERVICE, CHRISTOFLE, FRANCE, MODERN
of circular form with a wavy gadroon border, the tapering stepped cover surmounted by a foliate finial and with a let-in silver panel engraved with an armorial, some minor dents and wear, 14,5 cm high, 25,5cm diameter (2)
tapering cylindrical, moulded with curvilinear decoration and applied with turquoise enamel stones, based stamped “ENGLISH PEWTER 0967”, leaf-capped handle, lacking one stone and raffia to handle 12,3cm high R 3 000 - R 4 000
PART ILLUSTRATED
comprising: a teapot, coffee pot, milk jug and covered sugar basin, of cylindrical octagonal form with reeded border, hinged cover and wooden handle, coffee pot 24cm high and An Electroplate Tea Strainer, Christofle, France, modern, the pierced circular shaped bowl suspended above a drip-tray (5)
R 10 000 - R 15 000
185
ILLUSTRATED
A SET OF TWELVE FRENCH ELECTROPLATE BONBONNIERE SPOONS, CHRISTOFLE, 20TH CENTURY
R 6 000 - R 8 000
183 A PAIR OF ELECTROPLATE CORINTHIAN COLUMN CANDLESTICKS, LATE 19TH/EARLY 20TH CENTURY the fluted column on a square stepped base with beaded borders, the columns with Corinthian capitals and beaded detachable nozzles, loaded, 30,5cm high (2)
each gilt bowl of rounded ‘spade’ form shaped, the tapering stem terminating in a flowerhead and leaf finial (12) R 2 000 - R 3 000
187 A FRENCH ELECTROPLATE “MALMAISON” PATTERN TWO-HANDLED TRAY, CHRISTOFLE, FRANCE, MODERN oval with palm leaf and beaded border, 64,5cm wide over handles R 3 000 - R 4 000
R 4 000 - R 6 000
182 DETAIL
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186
SILVERWARE
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188 A FRENCH SET OF ELECTROPLATE “PERLE” PATTERN CUTLERY, CHRISTOFLE, FRANCE, MODERN comprising: 12 dessert knives, 12 dinner knives, 12 soup spoons, 12 dessert spoons, 12 dessert forks, 12 dinner forks, 12 espresso spoons, 12 teaspoons, 12 cake forks, 12 fish knives, 12 fish forks, a carving knife, fork and steel, a cake slice, a pair of serving spoons, a pair of salad servers, a cheese knife, a pickle fork, a paté knife, a sauce ladle, a pair of fish servers, a pair of large serving spoons and a large serving fork, in a Christofle fitted canteen (149) ILLUSTRATED R 40 000 - R 50 000
ENGLISH SILVER 189 A GEORGE III SILVER “OLD ENGLISH” PATTERN SHELL-FORM LADLE, RICHARD CROSSLEY, LONDON, 1782 the terminal engraved “Avancez”with a lion’s head crest below, 45g, 16,5cm long; A Victorian Silver “Apostle” Spoon Toddy Ladle, Rowland Hill, London, 1882 with twist-turn handle, the gilt bowl with beaded floriform rim and moulded with further bands of beading, 29g, 15,2cm long (2) R 2 500 - R 3 500 190 A GEORGE III SILVER VINAIGRETTE, JOSEPH WILLMORE, BIRMINGHAM, 1817
188
rectangular, the hinged cover moulded in relief with a border of flowerheads enclosing a stippled cartouche, thumbpiece, gilt interior fitted with a hinged and pierced foliate grille, 27g, 4,2cm wide R 3 000 - R 4 000
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SILVERWARE
191
193
194
A PAIR OF GEORGE IV SILVER DISHES, EDWARD FARREL, LONDON, 1824
A GEORGE III SILVER SNUFF BOX, MAKER’S MARK T.S, BIRMINGHAM, 1797
of shaped circular shallow form, the sides moulded and chased with panels of various fruit amongst foliage, two minor dents, 777g, 25,5cm diameter (2)
rounded rectangular with reeded sides and engine-turned base, the hinged cover and rims chased with scrolling foliage enclosing a presentation inscription, gilt interior, 105g, 8cm wide; A George IV Silver Snuff Box, Maker’s Mark T.S, Birmingham, 1827, with reeded sides, the base and hinged cover with engineturned decoration and foliate thumbpiece, gilt interior77g, 7,5cm wide; A Victorian Silver Snuff Box, Nathaniel Mills, Birmingham, 1839, rounded rectangular with reeded sides and base, the hinged cover and rims chased with scrolling foliage and thumbpiece, gilt interior, 8,5cm wide, 129g; A Victorian Silver Vinaigrette, Nathaniel Mills, Birmingham, 1846, shaped rectangular with overall engine-turned decoration enclosing a vacant cartouche, the interior with pierced foliate grid, 27g, 5,3cm wide; A Victorian Silver Double Sovereign Case, Israel Sigmund Greenberg, Birmingham, 1896, rounded rectangular with overall foliate decoration, 37g, 6cm wide, And A Continental Silver Case, marks indistinct, probably French, 19th Century, of rectangular form with canted corners, the whole with engine-turned decoration, cover with initialled cartouche, 118g, 9cm wide (6)
A VICTORIAN SILVER-GILT “APOSTLE” SPOON SUGAR SIFTER, GEORGE ADAMS, LONDON, 1866
PART ILLUSTRATED R 8 000 - R 10 000 192 A GEORGE IV SILVER THREE-PIECE TEA SERVICE, CHARLES GORDON, LONDON, 1829 NOT SUITABLE FOR EXPORT comprising: a teapot, two-handled sugar basin and milk jug, of lobed, squat melon shape with acanthus-leaf rim, the lobes chased with various pairs of birds and a vacant cartouche on each side, leaf-capped scroll handle, hinged teapot cover with detachable squirrel finial, handle with ivory fillets, gilt interior to milk jug and sugar basin, raised on four shell bracket feet, pins to teapot handle are loose, 1586g, teapot 14,5cm high (3) ILLUSTRATED R 15 000 - R 20 000
R 5 000 - R 6 000
with circular pierced bowl and twist-turn reptilian handle, 64g, 17cm long;, A Pair of Early Victorian Scottish Silver “Fiddle” Pattern Dinner Forks, James Howden & Co., Edinburgh, 1841, 153g; An Early Victorian “King’s” Pattern Fiddle Thread Dinner Fork, George Adams, London, 1841, 106g; A Silver-gilt “Apostle” Spoon, pseudo Continental marks, the tapering stem with “Madonna and Children” finial, 54g, 18,5cm long, And A Pair of American Sterling Silver Servers, Gorham Manufacturing Company, late 19th Century, the terminals moulded with scrolling foliate decoration, 130g (7) R 3 500 - R 4 500 195 A VICTORIAN SILVER CARD CASE, SAMPSON MORDAN, LONDON, 1877 rounded rectangular, the whole with overall engine-turned flowerhead and scrolling foliate decoration, one side enclosing a cartouche engraved with initials, the other with flowers, the interior fitted with turquoise fabric, blue paper concertina divider and pencil, one side of case and pencil stamped S. MORDAN & Co., 121g all inclusive, 10,7cm long R 2 500 - R 3 500
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A VICTORIAN SILVER CIGARETTE CASE, GEORGE UNITE, BIRMINGHAM, 1883
A GROUP OF FIVE MISCELLANEOUS SILVERMOUNTED CUT GLASS PERFUME BOTTLES, VARIOUS MAKERS AND DATES, LATE 19TH/EARLY 20TH CENTURY
AN EDWARDIAN SILVER BELT, MAKER’S MARK J T & S, BIRMINGHAM, 1902
rectangular, with overall flowerhead, shell and foliate decoration, the hinged cover enclosing an armorial shaped cartouche engraved with initials “CS”, velvet-lined interior, 72g all inclusive R 1 000 - R 1 500 197 A VICTORIAN SILVER-MOUNTED CLARET JUG, RICHARD MARTIN & EBENEZER HALL, SHEFFIELD, 1890 the bulbous glass body cut with diamond lozenges and star-burst detail, mounted with a cylindrical collar bright-cut with foliate latticework decoration, the hinged cover and loop handle with conforming decoration, 21,5cm high, And A Victorian Silver Helmetshaped Cream Jug, Florence Warden, Chester, 1896, the body divided by a gadrooned band and embossed above and below with a hunting scene depicting a fox and hounds, with leafcapped double scroll handle, raised on three leaf-capped pad feet, repair to handle and repair to one foot, 153g, 10cm high (2) R 3 500 - R 4 500 198 A VICTORIAN SILVER PAIR OF BINOCULARS, HENRY CHARLES KERLY, BIRMINGHAM, 1893 of typical form with double focusing mechanism, the whole chased with scrolling foliate decoration, 10cm long fully extended; A Victorian Silver-mounted Claret Jug, James Dixon & Son, Sheffield, 1895, the ovoid body cut with panels of diamond decoration, star-cut base and the cylindrical mount with angular handle, 20cm high, And An American Silver Bowl, Hickok-Matthews Company, Newark NJ, .925 STD, circa 1930, shaped circular, the rim pierced and engraved with urns, swags and foliage, 306g, 25,5cm wide diameter (3) R 2 500 - R 3 500 199 A GROUP OF NINE MISCELLANEOUS SILVER CIGARETTE CASES AND A CARD CASE, VARIOUS MAKERS AND DATES, LATE 19TH/EARLY 20TH CENTURY of rectangular form, with various engine-turned decoration, dents, 1145g all inclusive (10) R 3 200 - R 4 200
of various shapes and sizes, the largest 14,5cm high (5) R 2 500 - R 3 500 201 AN EDWARDIAN SILVER DISH RING, ISRAEL SIGMUND GREENBERG, BIRMINGHAM, 1901 the spool shaped pierced body chased with flowerheads, foliage, scrolls and two vacant cartouches, 9cm high, 285g R 4 000 - R 6 000 202 AN EDWARDIAN SILVER GOBLET, WITH CONTINENTAL PSEUDO MARKS, IMPORT MARKS FOR LONDON, JOHN GEORGE PERRY, 1901 the bowl of lobed hexagonal form, on a knopped stem applied with stylised foliage, on a conforming domed footrim, 373g, 20,5cm high R 3 000 - R 4 000 203 AN ART NOUVEAU SILVER TROPHY CUP, MAKERS’S MARK RUBBED, LONDON, 1902 circular, the bowl moulded with leaves and sides applied with curvilinear leaf-capped handles, on an openwork cylindrical stem, raised on a spreading conforming circular footrim, engraved “ALEX CLARK MFG.CO. LONDON”, small hole to base, 422g, 21cm high R 3 500 - R 4 500
the shaped square links pierced and engraved with stylised foliage, 66cm wide, 106g inclusive; Another, Colen Hewer, Chester, 1900, similar, 62cm wide, 116g; An Art Nouveau Electroplate Example, circa 1900, each link moulded and chased with the head of a maiden amongst flowerheads, 64cm wide, And A Miscellaneous Group of Four Silver Belt and Shoe Buckles, various makers and dates, Victorian and Edwardian, variously pierced and chased, one shoe buckle converted into a brooch, 181g all inclusive (7) R 2 500 - R 3 500 205 A PAIR OF GEORGE V SILVER CORINTHIAN COLUMN CANDLESTICKS, FLORENCE WARDEN, TOWN MARK FOR CHESTER, BIRMINGHAM DATE MARK 1913 the fluted column on a square stepped base with beaded borders, the columns with Corinthian capitals and beaded detachable nozzles, loaded, 26cm high (2) ILLUSTRATED ON PAGE 42 R 10 000 - R 15 000 206 AN EDWARDIAN SILVER HIP FLASK, G & J W HAWKSLEY, SHEFFIELD, 1903 of typical form, the lower half encased in a monogrammed sleeve, the body engraved with a presentation inscription, 147g; A Set of Three Wine Labels, South Africa, Modern, each of stylised banner design, engraved for Gin, Whisky and Brandy, suspended on a chain, one chain broken, 36g, And Two Silver Goblets, .935 STD, 273g (6) R 2 000 - R 3 000 207 A PAIR OF GEORGE V SILVER CORINTHIAN COLUMN CANDLESTICKS, MAKER’S MARK K&L WITHIN DIAMOND CARTOUCHE, BIRMINGHAM, 1934 the fluted column on a square stepped base with beaded borders, the columns with Corinthian capitals and beaded detachable nozzles, loaded, 30,5cm high (2) ILLUSTRATED ON PAGE 42 R 15 000 - R 20 000 41
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A GEORGE VI COMMEMORATIVE SILVER TROWEL, TURNER & SIMPSON LTD, BIRMINGHAM, 1938 NOT SUITABLE FOR EXPORT
A SET OF SEVEN FRENCH SILVER TEASPOONS, MASSAT FRERES, PARIS, 1885 - PRESENT
A MISCELLANEOUS GROUP OF RUSSIAN SILVER “FIDDLE” PATTERN SPOONS, VARIOUS MAKERS, MARKS FOR 1908 - 1917
with an ivory handle, inscribed: Presented to Mrs D Macintyre by The Municipality of Bulawayo of the occasion of The Laying of the Foundation Stone of the “Gertrude Macintyre Native Girls’ Hostel” Bulawayo on the 6th January 1944, 24,5cm long; And A George IV Silver Double Sovereign Case, Birmingham, 1938, the rounded rectangular body with an engine turned thumbpiece, 38g, 3cm high, 6cm long, And An Elizabeth II Silver Cigarette Case, John Rose, Birmingham, 1960, rectangular with canted corners and overall engine-turned decoration, thumbpiece, gilt interior, 146g, 10cm wide (3) R 3 000 - R 4 000 209 A GROUP OF THREE SILVER TOASTRACKS, VARIOUS MAKERS AND DATES, MODERN of typical form, the largest 19cm wide, 11,5cm high, 265g all inclusive; An Electroplate Example, 15,5cm high; An Electroplate Wine Coaster, late 19th Century, circular with pierced and fruiting vine rim, 20cm diameter, And An Electroplate Soup Ladle, late 19th Century, 30cm long (6) R 2 000 - R 3 000 FOREIGN SILVER 210 A FRENCH SILVER-GILT STRAWBERRY SERVING SPOON, LEON LAPAR, PARIS, 1878 - 1897 bowl moulded to resemble a St. Jacques coquille shell, the terminal with ribbon and flowerhead decoration, 111g, 23,5cm long R 2 500 - R 3 500 211 A CONTINENTAL SILVER BEAKER, PSEUDO 18TH CENTURY FRENCH HALLMARKS, IMPORT MARKS FOR LONDON, EDWIN THOMAS BRYANT, 1891 of cylindrical flared form the whole chased with four panels of figures in various pursuits enclosed with scrolling foliage and flowerheads, flat base with beaded rim, 133g, 9cm high
each with bright-cut decorated handle, initialled, 137g; Two French Silver Teaspoons, V. Boivin, Paris, circa 1900, each glared handle chased with various motifs, 30g; A French Silver Fiddle-thread Pattern Grapefruit Spoon, Laurent Labbe, Paris, 1829-1852, 13g; Two French Electroplate Teaspoons, probably Adolphe Frenais, Paris, And A George IV Silver Cigarette Case, W.H. Haseler Ltd, Birmingham, 1919, curved rectangular with overall engineturned foliate decoration, enclosing an initialled cartouche to hinged cover, gilt interior, 89g, 8,8cm wide (13) R 2 000 - R 3 000 213 A CHINESE SILVER CARD CASE, CIRCA 1900 one side embossed with a dragon and vacant shield, the other with a dragon and flaming pearl amongst clouds, stamped “85” and Chinese Signature, small split, 66g, 9,3cm long R 3 500 - R 4 500 214
comprising: a set of five teaspoons and three miscellaneous serving spoons, 389g (8) R 2 500 - R 3 500 217 A SET OF AMERICAN SILVER “STRASBOURG” PATTERN CUTLERY, GORHAM, EARLY 20TH CENTURY comprising: 6 soup spoons, 6 fish knives, 6 fish forks, 6 dinner knives, 6 dinner forks, 6 dessert forks, 6 dessert spoons, 6 dessert knives, 6 pastry forks, 6 pastry knives, 6 teaspoons and a pair of servers, 1974g of weighable silver (68) R 25 000 - R 35 000 218 A DANISH SILVER CIGARETTE CASE, MODEL NO. 712, DESIGNED BY SIGVARD BERNADOTTE FOR GEORG JENSEN, COPENHAGEN, CIRCA 1935
rectangular, the hinged cover and sides moulded with strawberry, flowerhead and foliate decoration, base with hammered finish, cedar-lined interior, 11,5cm wide
rectangular with reeded sides and thumbpiece, the base applied with four bracket feet and the interior cover engraved with an inscription and date: “HAVE A SMOKE, DAVE, AND IMAGINE YOURSELF WITH GOOD FRIENDS IN COPENHAGEN, 11th DEC. 1935”, base engraved with Sigvard Bernadotte signature”, 279g, 13,5cm wide
R 800 - R 1 000
R 15 000 - R 20 000
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A RUSSIAN SILVER CIGARETTE CASE, HALLMARKS FOR 1908 -1917
A DANISH SILVER “PYRAMID” PATTERN BOWL, MODEL NO. 600A, DESIGNED BY HARALD NIELSEN FOR GEORG JENSEN, COPENHAGEN, .925 STANDARD, CIRCA 1935
A CONTINENTAL SILVER CIGARETTE BOX, .800 STD, CIRCA 1900
rounded rectangular, the hinged cover moulded and chased with three Cossacks on horseback and a signature, clasp with turquoise cabochon, gilt interior, 247g all inclusive, 12,5cm wide R 5 500 - R 6 500
circular, the sides applied with stepped handles and the interior engraved with an inscription: “MAY YOUR NEW VENTURE BE A LUCKY STRIKE”, 209g, 17,5cm wide over handles R 12 000 - R 15 000
NO LOTS 220 - 240
R 1 500 - R 2 000
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DECORATIVE ARTS
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JUDAICA Interest in Biblical texts, together with the Humanists pursuits during the Renaissance, made it mandatory for ambitious Princes to collect prominent libraries, preferably including the manuscripts available.
The Third Reich not only aimed to wipe out the Jewish race, but also its history. Silver ritual objects were stolen and melted for their scrap value, manuscripts and books burnt to ash. Most of the existing objects came about from mass immigration from Eastern Europe, which makes any piece a survivor.
The Age of Enlightenment, and its interest in other cultures and religion, together with the rise of Jewish and Biblical Studies as academic disciplines in the 19th Century led to further acquisitions of books and manuscripts devoted to Jewish culture and history.
Artifacts that miraculously survived exile and destruction are now seeing new light, preserving the work of the artisans and craftsmen of yesteryear.
Collecting Judaica in the 21st Century has become less about personal libraries, and more about personal and cultural identification. The essence of Judaism has never changed, and despite variety, there is a unifying thread that has been woven through the fabric of Jewish religion and tradition over time.
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Collecting Judaica safeguards Jewish history, culture and memory and provides spiritual enrichment for those who value the importance of preservation. - Tanya Demby
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SILVERWARE
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A 17TH CENTURY GERMAN PEWTER SEDER PLATE, TOUCHMARKS FOR 1674 - 1708
A 19TH CENTURY PEWTER TORAH POINTER
A GERMAN SILVER FILIGREE TOWER FORM SPICE CONTAINER, EIFORT, BERLIN, LAST QUARTER 18TH CENTURY
circular, the rim engraved with the “Order of the Seder” and the centre engraved with the “Washing of the Master of the House Hands”, 29,5cm diameter
of typical form, 24,5cm long; A 19th Century Pewter Fish Plate, touchmarks rubbed, the centre engraved with a six pointed star and fish, 21cm wide diameter, And A German Pewter Oil-burning Lamp, touchmark for 1806, 27cm high (3)
ILLUSTRATED R 2 000 - R 3 000 242 AN 18TH CENTURY GERMAN SILVER TORAH SHIELD, HANNOVER-NEUSTADT, CIRCA 1780 of cartouche form, chased and applied with pillars, lions, a crown and other traditional symbols, one bell and fitted with a compartment containing a plaque engraved with a festival, the whole suspended from a chain, bell replaced, 702g, 34,5cm high, 23cm wide ILLUSTRATED ON OPPOSITE PAGE R 8 000 - R 10 000 243 AN 18TH CENTURY GERMAN PEWTER SHABAT BLESSING PLATE, J MOSSIDER, STRASBOURG, 1762-1797 circular, the rim engraved in Yiddish: ‘Shabas Benshing’, the centre engraved with a scene of a Father giving the children the Shabat Blessing, 33,5cm diameter R 2 000 - R 3 000 244 AN EASTERN EUROPEAN PEWTERED BRASS HANUKAH LAMP, PROBABLY LATE 18TH/EARLY 19TH CENTURY the backplate cast with a central eight-pointed star within a crowned medallion, a stylised lion on either side, fronted by a row of eight oil receptacles and flanked by two servant lights, 21cm wide, 16,5cm high
ILLUSTRATED
the cylindrical central section with hinged door, raised on a domed circular foot chased with a band of flowerheads, surmounted by a spire stamped with foliage and a pennant, loaded, 25,5cm high R 6 500 - R 7 500
R 3 000 - R 4 000 246 A POLISH BRASS OIL-BURNING HANUKAH LAMP, CIRCA 1850 on a shaped circular floriform base with a tripartite central column surmounted by two leaf-capped scroll arms supporting a plate with two sets of four oil receptacles, centred by a higher detachable servant receptacle, repairs, 32cm high R 2 500 - R 3 500
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247 A CASED SET OF THREE ‘LEARNING ENNOBLES LIBERTY MEDAL” (JEWS FREE SCHOOL) presented to the scholar David Isaacs and engraved with the following dates: 1861, 1862 and 1863 respectively, the back of each medal engraved: “JEWS’ COMMEMORATION SCHOLARSHIP Founded to Commemorate the admission of Jews into Parliament in the Person of Baron de Rothschild, July 26th 1858” (3) 244
R 8 000 - R 10 000 248 A 19TH CENTURY DUTCH SILVER PLATED JUDANSTERN SHABBAT HANGING LAMP, CIRCA 1860
ILLUSTRATED
the central knopped column fitted with seven detachable candle holders, a seven-branched Judanstern suspended beneath with an oil drip tray, five detachable brass oil overflow panels, 56cm high, 33 cm wide
R 6 000 - R 8 000
ILLUSTRATED ON OPPOSITE PAGE R 10 000 - R 15 000 245
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SILVERWARE
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252
A RUSSIAN SILVER KIDDUSH CUP, MAKER’S MARK INDISTINCT, MOSCOW, LATE 19TH CENTURY
A PAIR OF AUSTRIAN SILVER TORAH FINIALS, MAKER’S MARK F.T., 1921
A DUTCH SILVER PRESENTATION TRAY, ZILVERFABRIEK VOORSCHOTEN, AMSTERDAM, 1925
the baluster body with bright-cut decoration, on a stepped spreading foot, 9,3cm high, 41g, And Another, Israel, Modern, cylindrical with flared rim, the body with bright-cut decoration, on a domed circular footrim, 33g, 9,5cm high (2) R 800 - R 1 200
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of circular openwork crown form, pierced and engraved with scrolling foliage and hung with three rows of bells, crown finial surmounted by a flag, on a conforming circular footrim, 1200g all inclusive, 36cm high (2) ILLUSTRATED R 40 000 - R 60 000
shaped oval with a pierced ovolo gallery and beaded border, the centre engraved: “Parnasfin Ambestuurders der Portugeesch Israelietische Gemeente aan het Nederlandsch Israelietisch Armbestuur Amsterdam” and the dates: “1825” and “1925” R 2 500 - R 3 500
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PAINTINGS PAINTINGS 253 John Henry Amshewitz (South African 1882 - 1942) THE LEARNED ONES
signed and dated ‘39 pencil and watercolour on paper 34 by 21cm R 2 000 - R 4 000 254 Rudolph Klingsbögl (Austrian 1881 - 1943) THE PIOUS MONEY LENDER signed oil on canvas 15,5 by 14,5cm R 5 000 - R 8 000 255 F Lettau (Germany 19th Century - ) RABBI HOLDING A LULAV AND ETROG signed oil on panel 60 by 44cm R 20 000 - R 30 000 256 Wilhelm Wachtel (Ukranian 1875 - 1952) RABBI STUDYING TORAH BY CANDLELIGHT signed oil on canvas 60 by 50cm
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R 18 000 - R 24 000 257 Hugo Wilhelm Kauffmann (German 1844 - 1915) RABBI STUDYING TORAH signed oil on canvas 59 by 48cm R 15 000 - R 20 000 NO LOTS 258 - 300 256
257
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397 - Maggie (Maria Magdalena) Laubser HORSES AND CART
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PAINTINGS, WATERCOLOURS, DRAWINGS, PHOTOGRAPHY, PRINTS AND SCULPTURE
TUESDAY | 21 NOVEMBER 2017 | 19H00 | LOTS 301 - 428
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PAINTINGS
301 Hendrik van Leeuwen (Dutch 1825 - 1915)
304 Giuseppe Arigliano (Italian 1917 - 1999)
307 Alberto Zardo (Italian 1876 - 1959)
COTTAGE WITH CHICKENS
PORTO FINO I and PORTO FINO II, two
PLOUGHING THE FIELDS
signed oil on canvas 38,5 by 29cm R 3 000 - R 5 000 302 Hendrik van Leeuwen (Dutch 1825 - 1915) WINDMILL signed oil on canvas 39,5 by 59,5cm R 4 000 - R 6 000 303 Continental School ( 17th/18th Century - ) STILL LIFE oil on canvas 66,5 by 48,5cm R 4 000 - R 7 000
signed oil on canvas 43,5 by 57cm
signed oil on board each: 16 by 23cm (2)
R 6 000 – R 9 000
R 6 000 - R 9 000
308 Irene Carter (Australian 1900 - 1955)
305 Vittorio Gussoni (Italy 1893 - 1968)
BIG BEN
BACON
signed watercolour on paper 44 by 33cm
signed oil on board 29 by 39,5cm
R 7 000 - R 10 000
R 5 000 – R 8 000
309 Jacob van Stry (Dutch 1756 - 1815)
306 Vittorio Gussoni (Italy 1893 - 1968)
MILK MAID
PLUMS
signed oil on panel 36,5 by 51,5cm
signed oil on board 29 by 38,5cm
R 7 000 - R 10 000
R 5 000 – R 8 000
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313
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PAINTINGS
310 Alfred Montague (British 1832 - 1883)
315 Cecil Edwin Frans Skotnes (South African 1926 - 2009)
OLD PARIS
FIGURE
signed and dated 1877 oil on canvas 61 by 40cm
woodcut, signed and dated 73 in pencil sheet size: 50 by 33cm, unframed
R 8 000 - R 12 000 311 Ernest Howard Shepard (English 1879 - 1976)
R 4 000 - R 7 000 316 Norman Clive Catherine (South African 1949 - ) FOOK BIRD
THE SOCIETY BALL signed and dated 1859; accompanied by two letter’s from the artist ink and pencil on card 36 by 25,5cm R 10 000 - R 15 000 312 J Francis Murphy (American 1853 - 1921) LANDSCAPE signed oil on board 27,5 by 35cm ILLUSTRATED ON OPPOSITE PAGE R 16 000 - R 20 000 313 Dame Laura Knight DBE, RA, RWS (English 1870 - 1970) PASTORAL SCENE signed watercolour on paper 24 by 34cm ILLUSTRATED ON OPPOSITE PAGE R 15 000 - R 20 000 314 Stanhope A Forbes RA (English 1857 - 1947)
photolithograph, signed and numbered 41/100 in pencil in the margin sheet size: 48,5 by 70cm, unframed R 3 000 - R 5 000 317 Norman Clive Catherine (South African 1949 - ) LUMINOUS FOOK TERRIER
320 John Ndevasia Muafangejo (Namibian 1943 - 1987)
photolithograph, signed and numbered 41/100 in pencil in the margin sheet size: 48,5 by 70cm, unframed
PREPARATION FOR THE FLOOD
R 3 000 - R 5 000 318 Walter Whall Battiss (South African 1906 - 1982) BIRD FLIGHT and MR ICARUS, I PRESUME screenprint, each signed, titled and numbered 77/125 in pencil in the margin sheet size: 30 by 42cm, unframed Literature Siebrits, W. Walter Battiss: I Invented Myself, The Ampersand Foundation, Johannesburg, 2016 R 8 000 - R 12 000 319 Pieter van der Westhuizen (South African 1931 - 2008) OP DE STOEP
RAINY STREET SCENE signed oil on canvas laid down on board 25,5 by 34cm R 15 000 - R 20 000
320
etching, signed , dated ‘97, inscribed ETS and numbered 48/120, stamped with the artist’s studio stamps hand-coloured etching sheet size: 44,5 by 60cm
linocut, signed, dated 1979 and numbered 37/150 in pencil in the margin; titled in the plate sheet size: 66 by 50cm ILLUSTRATED R 12 000 - R 18 000 321 John Ndevasia Muafangejo (Namibian 1943 - 1987) EVANGELICAL LUTHERAN CHURCH WOMENS MEETING linocut, signed, dated 1974 and numbered 37/150 in pencil in the margin; titled in the plate sheet size: 52 by 47cm R 12 000 - R 18 000 322 Emma Schlangenhausen (Austrian 1882 - 1947) DIE SCHÖPFUNGSTAGE PORTFOLIO ten woodcuts, each signed and titled in pencil, dated 1920 and 1921 sheet size: 39 by 29cm, each R 15 000 - R 20 000
R 8 000 - R 12 000
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PAINTINGS
323 William Joseph Kentridge (South African 1955 - ) NOSE V etching, sugarlift, aquatint and drypoint, signed, inscribed Printers Proof II/II in pencil in the margin and impressed with the David Krut Print Workshop chopmark sheet size: 40 by 35cm R 40 000 - R 60 000 324 William Joseph Kentridge (South African 1955 - ) ARTIST AND MODEL sugarlift aquatint and drypoint, signed and numbered AP VI/X in pencil in the margin sheet size: 40 by 53cm ILLUSTRATED R 30 000 - R 40 000 324
325 William Joseph Kentridge (South African 1955 - ) BRAZ CUBAS (HEAD AND STONE) lithograph, signed and numbered 1/28 in pencil in the margin; impressed with the Artist’s Press chopmark sheet size: 28 by 33cm ILLUSTRATED R 20 000 - R 30 000 326 Sybil Andrews (Canadian 1898 - 1992) HAYSEL linocut, signed, numbered 8/60 and inscribed with the title in pencil sheet size: 24 by 25cm ILLUSTRATED ON OPPOSITE PAGE R 60 000 - R 80 000
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PAINTINGS
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326
Sybil Andrews was born in Bury St Edmunds, Suffolk, England in 1898 and died in Canada in 1992. She is internationally renowned for the linocuts she produced from the late 1920s until 1988. In 1947, Andrews and her husband, Walter Morgan, moved from England to Campbell River, Canada, located on Vancouver Island where they lived for the remainder of their lives. From an early age Andrews wanted to attend art school; however, this was not possible as her family lacked the funds to pay the tuition. Instead, she apprenticed as a welder in an airplane factory during World War I and took an art correspondence course during her time there. At the end of the war, Andrews returned to Bury St Edmunds where she became an art teacher at the Portland House School. In 1922, she finally registered as a student at Heatherley’s School of Fine Art in London. Thereafter she went on to work as a secretary at the Grosvenor School of Modern Art. It was there that the artist developed an interest in coloured linocuts. From 1929 to 1938, she created a number of linocuts depicting the agricultural life of Bury St Edmunds and Suffolk; her subject matter often containing working men, engaging in hard physical labour and people involved in recreational pursuits. -Christa Swart Reference: Anthony A Akelaitis. 2014. Sybil Andrews, A Noble Life. [O] http://www.sybilandrews.com/biography ACCESSED on the 16/10/2017
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PAINTINGS
327 Erich (Ernst Karl) Mayer (South African 1876 - 1960)
331 Michael Maimane (South African 1961 - )
335 Christopher Tugwell (South African 1938 - )
TREES IN WINTER, THE WOODS and TWO TREES, three
REFLECTIONS
HOUSE IN A LANDSCAPE
signed acrylic on canvas laid down on board 33 by 24,5cm
signed oil on board 44 by 60cm
R 5 000 - R 8 000
R 8 000 - R 12 000
332 Michael Maimane (South African 1961 - )
336 Gabriel Cornelis de Jongh (South African 1913 - 2004)
BUILDINGS
DIE BOT RIVIER, KAAP
signed acrylic on canvas laid down on board 15,5 by 33cm
signed; inscribed with the title on a label adhered to the reverse oil on canvas 31 by 46cm
each signed watercolour over pencil on paper each 15 by 10cm (3) R 10 000 - R 15 000 328 Sydney Carter (South African 1874 - 1945) LANDSCAPE signed watercolour on paper 19,5 by 26,5cm R 3 000 - R 5 000 329 George Boys (South African 1930 - 2014)
R 4 000 - R 6 000 333 Gordon Frank Vorster (South African 1924 - 1988)
R 8 000 - R 12 000 337 Frances Russell Flint (British 1915 - 1977)
GEMSBOK FLOWERS AND FABRIC signed oil on paper 69 by 49cm R 6 000 – R 9 000 330 Andre Francois van Vuuren (South African 1945 - )
THE BELL TOWER signed watercolour on paper 29 by 55cm R 7 000 - R 10 000 334 Leo Auguste Francois (South African 1870 - 1938) TREES BY A RIVER
authenticated by a family member on the reverse watercolour on paper 53 by 76cm R 10 000 - R 15 000 338 Edward Roworth (South African 1880 - 1964)
GARDEN signed and dated 94 oil on canvas 50 by 75cm R 6 000 - R 10 000
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signed oil on board 59 by 42cm R 8 000 - R 12 000
MOUNTAINS signed oil on board 38 by 55,5cm R 10 000 - R 15 000
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PAINTINGS
339 Edward Roworth (South African 1880 - 1964)
343 Ben Macala (South African 1938 - 1997)
347 Michael Maimane (South African 1961 - )
THE MOUNTAINS OF STELLENBOSCH
FIGURE
LAKE’S EDGE
signed and dated 1955; inscribed with the title on a label on the reverse oil on board 59 by 84cm
signed and dated 74 mixed media on card 100 by 60cm
signed acrylic on canvas laid down on board 40 by 50cm
R 2 000 - R 3 000
R 6 000 - R 9 000
344 Hendrik Christiaan Niemann (South African 1941 - )
348 Ignatius Marx (South African 1963 - )
CLOWN
FEMALE STUDIES, three
signed and dated 16 oil on handmade paper 29 by 20cm
each signed and dated ‘99 charcoal and pastel on paper 28,5 by 20,5cm, 20,5 by 28,5cm and 28,5 by20cm (3)
R 10 000 - R 15 000 340 Gabriel Cornelis de Jongh (South African 1913 - 2004) CAPE HOMESTEAD IN MOUNTAINOUSLANDSCAPE signed oil on canvas 59,5 by 90,5cm R 15 000 - R 20 000 341 Martin (Martinus Stephanus) Koch (South African, 1940 – ) BUSHVELD signed and dated 81 oil on canvas 60 by 90cm R 15 000 – R 20 000 342 Marino Marini (Italian 1901 - 1980) MAN AND HORSE etching, spitbite and aquatint, signed in the plate, signed and numbered 68/90 in pencil in the margin sheet size: 60 by 48,5cm R 9 000 – R 12 000
R 3 000 - R 5 000 345 Michael Maimane (South African 1961 - ) FACE signed and dated 2015 acrylic on canvas laid down on board 30 by 25,5cm R 4 000 - R 6 000 346 Michael Maimane (South African 1961 - ) SINGER signed acrylic on canvas laid down on board 30 by 25,5cm R 5 000 - R 8 000
R 5 000 - R 8 000 349 Armando Baldinelli (South African, 1908 – 2002) THE NURSE signed and dated 1992 acrylic on paper 108 by 73cm R 20 000 – R 30 000 350 Armando Baldinelli (South African, 1908 – 2002) FIGHT signed and dated 1996 acrylic on paper 38,5 by 59cm R 40 000 – R 60 000
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PAINTINGS
351 Jean Max Friedrich Welz (South African 1900 - 1975)
354 Sanell Aggenbach (South African 1975 - )
357 B*** Moyo (South African 20th Century - )
STUDY OF A WOMAN HOLDING A GLASS
MONKEYDOO
WOMAN IN TRADITIONAL DRESS
signed, dated 1998 and inscribed with the title oil on board 100 by 61cm
signed and dated 12 oil on canvas 60 by 44cm
signed, dated 74 and indistinctly inscribed charcoal on card 45 by 57,5cm R 5 000 - R 8 000 352 Gregoire Johannes Boonzaier (South African 1909 - 2005)
R 9 000 - R 12 000 355 Adriaan Hendrik Boshoff (South African 1935 - 2007)
R 20 000 - R 30 000 358 Mbongeni Buthelezi (South African 1965 - ) BARROW BOY
CHILDREN ON THE BEACH CHRISTIAAN DE WET lithograph, signed and dated 1945 in pencil sheet size: 50 by 38cm, unframed R 6 000 - R 9 000 353 Hennie Griesel (South African 1931 - )
signed oil on board 22 by 17cm R 10 000 - R 15 000 356 Thomas Mwasangwale (Zimbabwean 1989 - )
signed and dated 2016 plastic on board 114 by 89cm, unframed ILLUSTRATED R 25 000 - R 45 000 359 Mbongeni Buthelezi (South African 1965 - )
SEATED MAN WOMAN FEEDING GEESE signed and dated 2000 oil on canvas board 31 by 67,5cm R 7 000 - R 10 000
I AM BLACK AND WHITE signed oil on board 83,5 by 60cm R 20 000 - R 30 000
signed and dated 2013 plastic on board 120 by 86cm, unframed ILLIUSTRATED R 40 000 - R 60 000
358
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PAINTINGS
360
360 Mbongeni Buthelezi (South African 1965 - )
362 Marie Vermeulen Breedt (South African 1954 - )
364 Marie Vermeulen Breedt (South African 1954 - )
MINERS
SUMMER GIRLS
ANGEL, two
signed and dated 2017 plastic on board 147 by 200cm, unframed
signed oil on paper 68,5 by 48,5cm
ILLUSTRATED
R 20 000 – R 30 000
signed, dated 1999, accompanied by a signed and inscribed catalogue: Marie Vermeulen Breedt: A Celebration of Paint, Light and Colour (1998) oil on canvas laid down on board 116 by 85,5cm (2)
R 50 000 - R 70 000 361 Marie Vermeulen Breedt (South African 1954 - ) COMPOSITION WITH TWO WOMEN AND A DOG signed oil on canvas 101,5 by 81,5cm R 25 000 - R 35 000
363 Marie Vermeulen Breedt (South African 1954 - ) LADY IN GREEN signed oil and pastel on paper 96,5 by 66cm R 20 000 – R 30 000
R 35 000 - R 50 000 365 Marie Vermeulen Breedt (South African 1954 - ) BALLERINAS signed oil on canvas 103 by 81cm R 20 000 - R 30 000 57
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PAINTINGS
366 Conor McCreedy (South African 1987 - ) JAYNE’S HAIR signed; signed, dated 10/08/09 and inscribedwith the title on the reverse oil on canvas 121,5 by 91cm, unframed R 35 000 - R 45 000 367 Conor McCreedy (South African 1987 - ) WINSTON CHURCHILL STUDY signed; signed twice, dated twice 2017 and inscribed with the title on the reverse oil and pigment on Belgian linen 120 by 100cm, unframed ILLUSTRATED R 100 000 - R 150 000 367
According to art historian Elena Süllwald, “this painting forms part of a series of paintings by Conor McCreedy titled the “The Study of Winston Churchill’”. “The painting was created originally as a fine painting with a detailed portrait followed by the intense layering of oil paint. It was scraped in a controlled and highly developed technique which allows the artist to capture the distorted and pulsating effect that showcases this fading imagery. McCreedy is recognised for his ability to capture iconic portraits in his unique, monochromatic style. He created three different original paintings for this series, this painting is the last of the series and showcases Mccreedy’s haunting and powerful techniques with one of the artist’s favourite historical subject matters. The world would be a very different place if it was not for Churchill, a product of his birth, family, upbringing, education, morals, values and true sense of Britishness. Churchill was indeed the man for the hour.” - Text courtesy of the Artist
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PAINTINGS
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SCULPTURE
368 Gerard de Leeuw (South African 1912 - 1985) FLIGHT signed bronze height: 134cm, excluding base ILLUSTRATED R 100 000 - R 150 000 Gerard de Leeuw was born in Amsterdam in 1912. He moved with his family to South Africa in 1932. De Leeuw had decided early on in his life that he wanted to be a sculptor and as a result he attended various prestigious art schools in Holland where he spent some time studying under Isidore Opsomer at the Royal Academy of Fine Arts in Antwerp. He also attended various art schools in Paris, including the studio of André Lhôte where he learned the fundamental principles of bronze casting; it was there that he encountered the work of the French sculptor and animalier Francois Pompon. The encounter with Pompon’s work had a lasting influence on de Leeuw who went on to create several studies of animals and birds throughout his career. Despite his fervour and enthusiasm to learn from the masters in Europe during his studies, de Leeuw remained very modest throughout his career and rarely approached art dealers to exhibit his artworks. Instead he found greater pleasure in formulating stories and mythologies that he could present alongside his works to his friends. In his lifetime he enjoyed the positive and endearing encouragement from his friends and academics in the arts like Dr. F.P. Scott, Prof Lippy Lipshitz and Uys Krige among others. According to them De Leeuw was a purist, who valued fundamental approaches to modelling that could be compared to the likes of Auguste Rodin and Marino Marini. - Christa Swart References: 1. Freschi, F. The Rainmaker: Pragmatism, Myth, and Magic in the work of Gerard de Leeuw. Published in Gerard de Leeuw: A Centenary Exhibition – 100. 2012. Published by the University of Johannesburg Art Gallery & Sanlam Art Gallery, Belville. 2. Strydom, M, J. Gerard de Leeuw. 1979. Published by SuidkaapUitgewery, George.
368
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PHOTOGRAPHY
PHOTOGRAPHY
369 Alf Kumalo (South African 1930 - 2012)
370 Colin Jones (British 1936 - )
371 Colin Jones (British 1936 - )
OUMA
RUDOLF NUREYEV
THE WHO
archival print, signed, dated 08 and numbered 1/15 in pencil in the margin sheet size: 100 by 80,5cm
archival print, signed and inscribed A/P in pencil in the margin plate size: 50 by 34cm
archival print, signed, inscribed with the title and A/P in pencil in the margin plate size: 51 by 34cm
R 10 000 - R 15 000
ILLUSTRATED
ILLUSTRATED
R 30 000 – R 50 000
R 40 000 – R 50 000
370
371
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PHOTOGRAPHY 372 Jürgen Schadeberg (German/South African, 1931 – ) MIRIAM MAKEBA, 1955 signed, inscribed with the title, DRUM page 16 COVER (sic) in ink on the reverse, inscribed ‘print 1958’ in pencil on the reverse, stamped with the artist’s copyright stamp, impressed with the artist’s chopmark sheet size: 24 by 18cm JOHANNESBURG, 1950 signed, inscribed with the title and ‘print 50’ in pencil on the reverse, stamped with the artist’s copyright stamp sheet size: 12 by 12,5cm HOMICIDE HANK LIGHTWEIGHT KING stamped with the artist’s copyright stamp (3), inscribed with the title, ‘The Fifteen people 1952, p.139, 29’, in pencil on the reverse, inscribed ‘Printed 1952’, ‘P139’, and ‘485x550’ in ink on the reverse sheet size: 19 by 13cm THE TOT SYSTEM signed, inscribed with the title, 1952, ‘A Cape vineyard worker takes his ration of wine, (Picture Jürgen Schadeberg), The Cape, 1952’ in pencil on the reverse, stamped with the artist’s copyright stamp and Drum Photo copyright stamp, inscribed with the artist’s name and ‘Printed 1952’ in ink on the reverse sheet size: 20 by 26,5cm SINGER RUTH MALETI, 1953 signed, inscribed with the title, printed 1953, 31½ems (sic), stamped with artist’s copyright stamp and the Drum Photo copyright stamp, other inscriptions indistinct sheet size: 17,5 by 13cm DOROTHY MASUKA signed, inscribed ‘Dorothy Masuka, Blues Singer, 1953’ in ink on the reverse, inscribed ‘print 64’ and ‘23’ in pencil on the reverse, stamped with the artist’s copyright stamp sheet size: 22 by 21,5cm HENRY NXUMALO signed, dated 1953, inscribed ‘Return to (A*** S***)’ in ink on the reverse, inscribed ‘printed 1953’ in pencil on the reverse, stamped with the artist’s copyright stamp sheet size: 21,5 by 16cm DAM-DAM signed, inscribed with the title, ‘print 52’ and ‘Manhattan Brother 1952’ in pencil on the reverse, stamped with the artist’s copyright stamp sheet size: 21 by 15,5cm DOLLY RATHEBE ON A MINE DUMP signed and dated 52 in pencil on the reverse, stamped with the artist’s copyright stamp and Drum Photo stamp, inscribed ‘printed 1952’ in ink on the reverse sheet size: 21,5 by 16,5cm SERGEANT MAJOR SOUP TESTING (sic) inscribed with the title and ‘South African 1960 (Emergency), print 1964’, stamped with the artist’s copyright stamp sheet size: 30,5 by 22cm ILLUSTRATED (10) R 450 000 - R 550 000
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PHOTOGRAPHY
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PAINTINGS
375 Pieter van der Westhuizen (South African 1931 - 2008) PATCHES signed and dated ‘98 pastel on paper 58 by 70cm ILLUSTRATED R 40 000 - R 60 000 376 Gordon Frank Vorster (South African 1924 - 1988) LANDSCAPE WITH WILDEBEEST signed oil on canvas laid down on board 96,5 by 177cm ILLUSTRATED R 40 000 - R 60 000 377 Piet van Heerden (South African 1917 - 1991)
375
NAMAQUALAND signed oil on canvas laid down on board 34 by 49cm R 35 000 - R 50 000 378 George Enslin (South African 1919 - 1972) FARMHOUSE WITH TURKEYS signed and dated ‘57 oil on board 40,5 by 51cm R 18 000 - R 24 000 376
373 Amos Langdown (South African 1930 - 2006)
374 Pieter van der Westhuizen (South African 1931 - 2008)
CHILDREN WITH CHICKENS
SHEEP GRAZING
signed oil on canvas laid down on board 58 by 43cm
signed and dated ‘97 pastel on paper 36 by 50cm
R 30 000 - R 40 000
R 35 000 - R 50 000
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379 Alexander Rose-Innes (South African 1915 - 1996) FACTORY signed oil on board 69 by 74cm ILLUSTRATED ON OPPOSITE PAGE R 40 000 - R 60 000
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PAINTINGS
380 Titta Fasciotti (South African 1927 - 1993) LANDSCAPE WITH HOUSES signed oil on board 28.5 by 39cm R 15 000 - R 20 000 381 Tinus (Marthinus Johannes) de Jongh (South African 1885 - 1942) RIVER IN A MOUNTAINOUS LANDSCAPE signed oil on canvas 48 by 32,5cm R 20 000 - R 30 000 382 Gabriel Cornelis de Jongh (South African 1913 - 2004) BRIDGE AND COTTAGE signed oil on canvas 60 by 90cm R 15 000 - R 20 000 383 Gabriel Cornelis de Jongh (South African 1913 - 2004) SMALL HOUSE IN THE MOUNTAINS signed oil on canvas 59,5 by 90cm
379
385 George Enslin (South African 1919 - 1972)
387 Otto Klar (South African 1908 - 1994)
TREES AND HOUSES
HOUSES IN A LANDSCAPE II
signed and dated ‘58 oil on board 45,5 by 55,5cm
signed oil on board 36 by 52cm
R 20 000 - R 30 000
R 25 000 - R 35 000
386 Otto Klar (South African 1908 - 1994)
388 Willem Hermanus Coetzer (South African 1900 - 1983)
HOUSES IN A LANDSCAPE I
VELD FIRE AT MEIRINGSPOORT
signed oil on board 32 by 46cm
signed oil on canvas laid down on board 29 by 39cm
R 25 000 - R 35 000
R 30 000 - R 50 000
R 15 000 - R 20 000 384 Errol Stephen Boyley (South African 1918 - 2007) SUNSET SCENE: FRANKLIN KZN signed; inscribed with the title and L.D.R 1960 on the reverse oil on board 35 by 50,5cm R 18 000 - R 24 000
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PAINTINGS
389
389 Gregoire Johannes Boonzaier (South African 1909 - 2005)
390 Maurice Charles Louis van Essche (South African 1906 - 1977)
WOMAN IN RED
PORTRAIT OF A WOMAN
signed and dated 1960 oil on board 29 by 29cm
signed oil on board 29 by 26,5cm
ILLUSTRATED
ILLUSTRATED ON OPPOSITE PAGE
R 50 000 – R 90 000
R 50 000 – R 90 000
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PAINTINGS
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390
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PAINTINGS
391
391 Ephraim Mojalefa Ngatane (South African 1938 - 1971)
392 Pieter Hugo Naudé (South African 1868 - 1941)
MUSICIANS
RIVER SCENE
signed oil on board 38 by 29cm
signed oil on board 18,5 by 27,5cm
ILLUSTRATED
R 30 000 - R 50 000
R 80 000 - R 120 000
68
PAINTINGS
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393
393 Pieter Hugo Naudé (South African 1868 - 1941) SPRING MORNING, WESTERN CAPE signed oil on canvas 44,5 by 60cm ILLUSTRATED R 120 000 - R 180 000
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PAINTINGS
394 David Botha (South African 1921 - 1995)
395 Paul du Toit (South African 1922 - 1986)
396 Keith Alexander (South African 1946 - 1998)
LATE AUTUMN WELLINGTON
ABSTRACT TREES
SANDBLASTED WALL, KOLMANSKOP
signed, dated ‘63 on the reverse of the frame oil on canvas 75 by 50cm
signed oil on canvas 57,5 by 79cm
signed and indistinctly dated; inscribed with the title on the stretcher oil on canvas 60 by 90,5cm
ILLUSTRATED
ILLUSTRATED ON OPPOSITE PAGE
R 100 000 - R 150 000
R 50 000 - R 80 000
ILLUSTRATED ON OPPOSITE PAGE R 80 000 - R 120 000
394
David Botha was born in Graaff-Reinet in the Eastern Cape in 1921. He qualified as an art teacher from the Cape Town Teachers Training College in 1941. His first solo exhibition was held in Cape Town in 1944 and prompted a very prolific career, including 55 solo exhibitions, and participation in over 100 group exhibitions in South Africa and abroad during his lifetime. His most celebrated works are his paintings of distinctive Cape winter and ‘wet street’ scenes – usually painted on site in Paarl and Stellenbosch. Oil paintings such as this are typically filled with white-washed houses and dark, bare oak trees outlined in black and impressed against a grey winter sky – a characteristic often adopted by the Cape Impressionists such as Naudé, Wenning and Spilhaus. - Christa Swart References JohansBorman Fine Art. 2017. David Botha. [O] http://www.johansborman.co.za/artist-biographies/botha-david/ ACCESSED on the 16/10/2017
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395
396
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PAINTINGS
397 Maggie (Maria Magdalena) Laubser (South African 1886 - 1973) HORSES AND CART signed with the artist’s initials oil on card 36 by 61cm ILLUSTRATED R 250 000 - R 350 000
397
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PAINTINGS
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PAINTINGS
398 Adriaan Hendrik Boshoff (South African 1935 - 2007) LANDSCAPE WITH FARM AND HORSES signed oil on canvas laid down on board 84,5 by 121cm ILLUSTRATED R 300 000 - R 500 000
398
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PAINTINGS
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399 Walter Whall Battiss (South African 1906 - 1982) FIGURES CROSSING A RIVER signed oil on board 30 by 35cm ILLUSTRATED R 250 000 – R 350 000 Marion Arnold (1985:61) describes how Walter Battiss’ paintings from the late 50s and 60s appropriated stylistic elements which he had encountered during his study of rock art. In the painting of FIGURES CROSSING A RIVER, Battiss creates a sense of uninterrupted, communal activity through his arrangement of figures and lines. The painting is alive with colour and movement; however the figures are stylised into a uniform size and narrative - serving to strip each character from an individual identity but rather assigning a cultural whole and spirit to the painting. Battiss’ thick application of paint with paletteknife and his use of vivid colour and lines in this painting demonstrate the boundless inspiration that he drew from the local markets and the combinations of African and Muslim culture, which the artist experienced during his explorations of East Africa, Southern Arabia and Greece between 1960 and 1967 (Siebrits 2016:70). In another painting from 1964 titled AFRICAN WOMEN (Siebrits 2016:63) we see how Battiss makes use of the same pictorial iconography seen in FIGURES CROSSING A RIVER, where he also generously layers paint using a palette knife, Siebrits (2016:70) quotes Battiss: “I painted with a palette-knife because the Wits art school said you should never paint with a palette-knife. So, I loved painting with a palette-knife. I loved being a rebel, doing what they said I mustn’t.” - Christa Swart Reference: 1. Arnold, M. 1985. Confronting Paintings In WALTER BATTISS edited by Skawran, K. & Macnamara. M. Published by AD. Donker (PTY) LTD, Craighall. Pages: 55 – 74. 2. Siebrits, W. 2016. Walter Battiss: I Invented Myself. Published by the Ampersand Foundation, Johannesburg.
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PAINTINGS
PAINTINGS
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399 77
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400 William Joseph Kentridge (South African 1955 - ) BUILDING VIEW signed charcoal and pastel on paper 28,5 by 79cm Exhibited Other Faces, 2011, Goodman Gallery ILLUSTRATED R 250 000 - R 350 000
PAINTINGS
William Kentridge’s film Other Faces was on show at Goodman Gallery Johannesburg in 2011 alongside a group of drawings that he used in the film’s animation, as well as drawing fragments and prints. As with other films in his Drawings for Projection series, the artist used a 35 mm movie camera to film the continued stages of charcoal drawings that he progressively altered through erasure and overdrawing. BUILDING VIEW is one of the drawings that formed part of this exhibition. The Other Faces series returns to the figure of Soho Eckstein, the industrialist and developer who is the key protagonist of the series. Within a cycle of nine films created from 1989 to 2003, Kentridge addressed themes of doubling and opposing sides of the self, personified in the entrepreneur/capitalist Soho and his foil, the poet/ lover Felix. In the film, the changing city of Johannesburg - desperate, desiring, and impenetrable – appears not so much as the context as it does subject, in images of streets, facades, landscapes, and people. Familiar and recent attributes of the city appear; with one image in reference of another, a perpetuating cycle occurs anddemonstrates anassemblyof displaced emotions and displaced histories. In the imagery we find references to the street corner civil wars of daily life, and to the xenophobic violence of recent years. - Christa Swart References: Goodman Gallery.2016. William Kentridge / Other Faces / 2011. [O] http://www.goodman-gallery.com/exhibitions/235 ACCESSED on the 17/10/2017
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PAINTINGS
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400
79
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401
401 William Joseph Kentridge (South African 1955 - ) HEAD signed charcoal on card 52,5 by 69,5cm ILLUSTRATED R 350 000 - R 450 000
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PAINTINGS
PAINTINGS
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402
402 Adriaan Hendrik Boshoff (South African 1935 - 2007) STILL LIFE WITH COSMOS signed oil on board 80 by 100cm ILLUSTRATED R 150 000 - R 200 000
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PAINTINGS 403 Hendrik Christiaan Niemann (South African 1941 - ) STILL LIFE WITH WINE AND FRUIT signed and dated 14 oil on board 49,5 by 60cm R 20 000 - R 30 000 404 Frank Sydney Spears (South African 1906 - 1991) STILL LIFE WITH BOTTLES AND LEMONS signed oil on board 44,5 by 58,5cm R 16 000 - R 20 000 405 Alfred Frederic Krenz (South African 1899 - 1980) STILL LIFE signed and dated 1969 oil on canvas 60 by 50cm R 10 000 - R 15 000 406 Angel Haro (Spanish 1958 - ) BALLAD OF THE COLD SOUP archival digital print with ink and coffee, signed, dated 16, inscribed with the title and E.V 1/4 in pencil in the margin, impressed with the Res Gallery chopmark sheet size: 71 by 114,5cm R 30 000 – R 50 000 407 Angel Haro (Spanish 1958 - ) UNDER MISTERY archival digital print with ink, coffee and collage, signed, dated 16, inscribed with the title and E.V 1/4 in pencil in the margin, impressed with the Res Gallery chopmark sheet size: 114 by 66,5cm
407
ILLUSTRATED R 30 000 – R 50 000
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PAINTINGS 408 Angel Haro (Spanish 1958 - )
413 Sipho Ndlovu (South African 1968 - )
WORSHIPPERS OF UTOPIA
KOO II
archival digital print with ink and cofee, signed, dated 16 and inscribed with the title and E.V 1/4 in pencil in the margin, impressed with the Res Gallery chopmark sheet size: 63 by 163cm
signed and dated 17 oil on shaped canvas 34 by 49cm
R 30 000 – R 50 000 409 Angel Haro (Spanish 1958 - )
ILLUSTRATED R 8 000 - R 12 000 414 Sipho Ndlovu (South African 1968 - ) SPARLETTA
412
MUSICIANS OF HELL archival digital print with ink and coffee, signed, dated 16, inscribed with the title and E.V 1/4 in pencil in the margin, impressed with the Res Gallery chopmark sheet size: 113 by 67cm R 30 000 – R 50 000 410 Yaacov (Jacob Gibstein) Agam (Israeli 1928 - ) AGAIN ink on paper 30 by 22cm R 3 000 – R 5 000 411 Tamara Osso (South African 20th Century - )
signed and dated 17 oil on shaped canvas 48 by 53cm ILLUSTRATED R 10 000 - R 15 000 415 Lambert Moraloki (South African 1972 - ) WORLD’S PIETA, diptych signed and dated 2005: signed and titled on the reverse oil on board each: 78 by 59cm (2)
413
R 30 000 – R 50 000 416 Kagiso Patrick Mautloa (South African 1952 - )
DIPTYCH GREY LOOKING BACK signed and dated 2013 on the reverse oil on canvas each 100 by 80cm
signed and dated 11 mixed media on paper 76 by 109cm
R 5 000 - R 8 000
R 20 000 - R 30 000
412 Sipho Ndlovu (South African 1968 - )
417 Kagiso Patrick Mautloa (South African 1952 - )
KOO I
BLUE GHOST
signed and dated 17 oil on shaped canvas 34 by 46cm
signed mixed media on paper 76 by 109cm
ILLUSTRATED
R 20 000 - R 30 000
R 8 000 - R 12 000
414
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PAINTINGS
420
418 Kagiso Patrick Mautloa (South African 1952 - )
419 Bettie Cilliers-Barnard (South African 1914 - 2010)
420 Bettie Cilliers-Barnard (South African 1914 - 2010)
VIOLET HAT
ABSTRACT COMPOSITION
WINDOW OF MAN
signed and dated 11 mixed media on paper 76 by 109cm
signed and dated 1966 oil on canvas laid down on board 75,5 by 50,5cm
signed and dated 1972 oil on canvas 122 by 122cm
R 20 000 - R 30 000
R 30 000 - R 50 000
ILLUSTRATED R 60 000 - R 90 000
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PAINTINGS 423 Errol Stephen Boyley (South African 1918 - 2007) HARBOUR SCENE signed oil on board 32,5 by 52,5cm R 20 000 - R 30 000 424 Barbara Everard (British, 1910 – 1990) THREE BOTANICAL STUDIES, three
signed watercolour over pencil on paper each: 34,5 by 24cm (3) R 5 000 – R 8 000 425 Cecil (Edwin Frans) Skotnes (South African -, 1926 – 2009) WOOBLOCK I carved and incised woodblock 25 by 30cm R 20 000 – R 30 000 426 Cecil (Edwin Frans) Skotnes (South African, 1926 – 2009) WOOBLOCK II carved and incised woodblock 25 by 30cm R 20 000 – R 30 000 427 Nelson Makamo (South Africa, 1982 – ) YOUNG BOY 421
charcoal and pastel on paper signed and dated 09 100 by 70cm
421 Lucky Madlo Sibiya (South African 1942 - 1999)
422 Victor de Lima (Mexican 20th Century - )
ABSTRACT COMPOSITION
STREET SCENE
signed carved, incised and painted wood panel 86 by 47,5cm
signed oil on canvas 39,5 by 50cm
428 Nelson Makamo (South Africa, 1982 – )
R 5 000 - R 8 000
YOUNG GIRL
ILLUSTRATED R 60 000 - R 90 000
R 40 000 – R 60 000
signed and dated 07 monotype with pastel 100 by 70cm R 40 000 – R 60 000
NO LOTS 429 - 450
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LOT 507 - A PAIR OF DIAMOND AND GREEN TOURMALINE PENDANT EARRINGS 86
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POCKET WATCHES & WRISTWATCHES | JEWELLERY
WEDNESDAY | 22 NOVEMBER 2017 | 11H30 | LOTS 451 - 619
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POCKET WATCHES AND WRISTWATCHES
POCKET WATCHES AND WRISTWATCHES 451
453
A GENTLEMAN’S STEEL WRISTWATCH, BELL & ROSS
A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, LONGINES EVIDENZA
reference: BR123, automatic, the circular black dial with Arabic numeral and baton hour markers, subsidiary dial for seconds and date aperture at 6 o’clock, the case with black carbon coating, on a tan leather Bell & Ross strap, diameter of bezel approximately 40mm, accompanied by case, outer box, information booklet and warranty
the cushion-shaped cream dial with black Roman numerals, date aperture at 6 o’clock, three subsidiary dials indicating constant seconds, 30-minute and 12-hour registers, on a later black leather strap, width of bezel 33mm
R 22 000 - R 28 000
R 4 500 - R 6 000
452
454
A GENTLEMAN’S TITANIUM WRISTWATCH, BREITLING CHRONOMETRE AEROSPACE REPETITION
A KRUGER RAND POCKET WATCH/ PENDANT, OMEGA the circular gold dial, applied with black baton and Roman numeral hour markers, impressed 18k and 750, the dial encased in two hollowed out Kruger Rand coins, accompanied by an international guarantee, display case and outer card box
reference: F75362, quartz, the circular grey dial with Arabic numeral and baton hour markers, with analog and digital display for alarm, chronograph, second time zone, timer and minute repeater, with outer calibrated ring, on a two tone titanium and gold-plated bracelet with folding clasp, case back numbered 598764, diameter of bezel approximately 40mm
ILLUSTRATED R 50 000 - R 60 000
R 16 000 - R 20 000 NO LOTS 435 - 440
454
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JEWELLERY JEWELLERY 461 AN ART DECO STYLE DIAMOND RING set to the centre with a round brilliant-cut cognac diamond weighing approximately 1.1cts, flanked above and below with a white round brilliant-cut diamond weighing approximately 0.53cts for each, the Art Deco openwork frame pavĂŠ-set with round brilliant-cut diamonds weighing approximately 0.53cts in total, impressed 18ct, size N R 44 000 - R 50 000 462 AN AMETHYST BRACELET composed of circular cabochon-cut amethyst, interspersed with infinity sign links, impressed 9k, approximately 190mm in length; and A 9ct Gold ring, centred with a purple gem, acid tested at 9ct carat
466
469
AN 18CT GOLD BROOCH
A MORGANITE AND DIAMOND RING
of stylised design decorated with scrolls and foliage, suspending a hollow gold bead, impressed 18k, approximately 6cm in length
claw-set to the centre with an oval mixed-cut morganite weighing approximately 7.34cts, the conforming surround and bifurcated shoulders highlighted with round brilliant-cut diamonds weighing approximately 0.67cts in total, impressed 18ct, size N½
R 3 800 - R 5 000 467 A DIAMOND RING, BROWNS centred with a round brilliant-cut diamond weighing approximately 0.69cts in total, the conforming surround and shoulders embellished with round brilliant-cut diamonds weighing approximately 0.39cts in total, the gallery with openwork detail, impressed 18ct and BROWNS, size H
470 - NO LOT
ILLUSTRATED
each of circular form engraved with a monogram, with chain and bar fitting, impressed 9ct, approximately 2cm in length (2)
R 2 500 - R 5 000
R 12 000 - R 15 000
463
468
A DIAMOND BRACELET
A PAIR OF MORGANITE AND DIAMOND EAR STUDS
designed as two rows of herringbone-links splitting to the centre to form two oval openwork sections, embellished with round brilliant-cut diamonds weighing approximately 0.28cts in total, impressed 18ct, approximately 190mm in length R 5 000 - R 10 000
471 A PAIR OF 9CT GOLD CUFFLINKS
R 1 900 - R 2 200
each claw-set with a mixed-cut morganite weighing approximately 3.99cts in total for the pair, the conforming surround claw-set with round brilliant-cut diamonds weighing approximately 0.64cts in total for the pair, acid tested as 18ct gold, butterflies impressed 375, approximately 1.3cm in length (2)
464
ILLUSTRATED
AN AMETHYST AND DIAMOND RING
R 18 000 - R 24 000
centred with a square step-cut amethyst weighing approximately 1.53cts, in a conforming surround of twenty-eight round brilliant-cut diamonds weighing approximately 0.17cts in total, impressed 750, size M
ILLUSTRATED6 R 26 000 - R 32 000
467
R 10 000 - R 15 000 465 AN AMETHYST AND DIAMOND RING centred with an emerald-cut amethyst, the conforming surround embellished with round brilliant-cut diamonds weighing approximately 0.42cts in total, acid tested as 18ct gold, size P
469
R 9 000 - R 12 000
468
89
S|4
JEWELLERY
472
475
479
AN ORANGEY PINK TOURMALINE AND DIAMOND RING
A 15CT GOLD CHAIN
A SAPPHIRE AND DIAMOND RING
composed of link bar chain, impressed 15ct, approximately 1520mm in length
the knife edge band claw-set to the centre with an oval mixed-cut sapphire weighing approximately 2.23cts, the conforming surround claw-set with round brilliant-cut diamonds weighing approximately 0.80cts, impressed 18ct, size N
centred with a claw-set oval mixed-cut orangey pink tourmaline weighing 7.415cts, within a conforming surround of round brilliant-cut diamonds weighing approximately 0.32cts in total, impressed 18ct, size N½. The tourmaline accompanied by a gemstone identification certificate from The Gem Lab, no. ID17074575M, stating it to be orangey pink colour.
R 3 000 - R 6 000 476 A 9CT GOLD BROOCH designed as an English Pointer, acid tested as 9ct gold, approximately 45mm in width
R 26 000 - R 30 000
R 1 200 - R 1 500
473 A DIAMOND RING
477
the stylised band highlighted with round brilliant-cut diamonds impressed 750, size L
AN 18CT GOLD TIE PIN the rectangular bar with beading embellishment, impressed 750
R 6 000 - R 10 000
R 2 300 - R 4 000
474 A DIAMOND RING, ORPHEO
478
tension-set to the side with a modified oval-cut diamond weighing 0.72cts, the flat band set to the side with six round brilliant-cut diamonds weighing approximately 0.12cts in total, impressed 18K and ORPHEO, size M.
A PAIR OF COIN CUFFLINKS
Accompanied by a diamond report from E.G.L. no. 90302514/58409, stating the diamond to be an Intense Fancy Yellow colour and VS2 clarity.
R 8 000 - R 12 000
R 30 000 - R 40 000
each set with a 1/2 Pond coin, with chain and bar fittings (2)
R 22 000 - R 28 000 480 - NO LOT 481 A RUBELITE TOURMALINE AND DIAMOND RING centred with claw-set cushion-cut rubelite tourmaline weighing approximately 3.52cts, flanked above and below with round brilliantcut diamonds weighing approximately 0.68cts in total, further highlighted on either side by round brilliant-cut diamonds weighing approximately 0.18cts in total, impressed 18ct, size O R 24 000 - R 30 000 482 A DIAMOND RING designed as a row of channel-set baguette-cut diamonds weighing approximately 0.98ct in total, flanked above and below with a row of pavĂŠ-set round brilliant-cut diamonds weighing approximately 0.44cts in total, impressed 18ct R 10 000 - R 20 000 483 A PAIR OF DIAMOND EAR STUDS each claw-set with a round brilliant-cut diamond weighing approximately 0.32cts in total for the pair, acid tested as 18ct gold, butterflies impressed 395 (2) R 2 500 - R 5 000
491 90
S|4
JEWELLERY 484
489
494
A SAPPHIRE AND DIAMOND RING
A RUBY BEAD NECKALCE
A SAPPHIRE AND DIAMOND RING
the bifurcated band separated by an oval cabochon sapphire, the one band highlighted by baguette-cut sapphires weighing approximately 0.72cts in total, the other embellished with round brilliant-cut diamonds weighing approximately 0.76cts in total, partially impressed 14ct, acid tested as 18ct gold, size Q
composed of graduated ruby beads weighing approximately 60cts in total, suspending a faceted pear-shaped sapphire drop weighing approximately 18.02cts in total, approximately 44cm in length; and A Ruby Bead Necklace, composed of a single strand of faceted ruby beads, weighing approximately 61cts in total, approximately 46cm in length (2)
the broad band set to the centre with five round brilliant-cut diamonds weighing approximately 0.65cts in total, highlighted above and below with circular mixed-cut sapphires and round brilliant-cut diamonds, further embellished with rope design detailing, acid tested as 9ct gold and white rhodium plated, size T
R 9 000 - R 12 000 485 A DIAMOND BRACELET designed as a series of polished openwork square links, alternated with an elongated rectangular pavĂŠ-set link, impressed BROWNS and 9ct, approximately 17cm in length R 3 000 - R 6 000 486
R 2 200 - R 3 000 490 A RUBY AND DIAMOND RING claw-set to the centre with an oval mixed-cut ruby weighing approximately .90cts, the shoulders highlighted with round brilliant-cut diamonds weighing approximately 0.50cts, impressed 750, size N R 15 000 - R 20 000
A SAPPHIRE PENDANT BROOCH
491
in the form of a fish, the body and tail embellished with circular mixed-cut yellow, pink and blue sapphires, further highlighted with circular mixed-cut diamonds, with later brooch attachment, impressed 750, approximately 3cm in length
A PEARL, RUBY AND GREEN DIAMOND BRACELET
R 15 000 - R 20 000
composed of three strands of pearls, centred with an oval shaped openwork plaque , centred with a claw-set oval mixed-cut ruby weighing approximately 11cts, highlighted with princesscut green diamonds weighing approximately 2.70cts in total, approximately 15cm in length
487
ILLUSTRATED ON OPPOSITE PAGE
A PAIR OF RUBY AND DIAMOND EAR STUDS
R 82 000 - R 90 000
each centred with an oval mixed-cut ruby weighing approximately 0.87cts for the pair, the conforming surround embellished with round brilliant-cut diamonds weighing approximately 0.31cts in total, acid tested as 18ct gold, butterflies impressed 750, approximately 1cm in length (2)
492
R 15 000 - R 20 000 488 A RUBY AND DIAMOND RING centred with an oval mixed-cut ruby weighing approximately 0.52cts, the conforming surround claw-set with round brilliant-cut diamonds weighing approximately 0.16cts in total, impressed 750, size Q½ R 9 000 - R 12 000
R 10 000 - R 15 000 495 A GARNET AND DIAMOND RING set to the centre with a rhodolite garnet, flanked on either side by a line of three round brilliant-cut diamonds weighing approximately 0.12cts in total, impressed 750, size N R 9 000 - R 12 000 496 A MANDARIN GARNET AND DIAMOND RING centred with a circular mixed-cut mandarin garnet weighing approximately 2.16cts, the conforming surround and shoulders claw-set with round brilliant-cut diamonds weighing approximately 0.62cts in total, giving a scalloped effect, impressed 18ct, size L R 16 000 - R 22 000 497 A PAIR OF SAPPHIRE AND DIAMOND EAR STUDS
composed of three silver rope bands, highlighted with 9ct gold accents, terminating in faceted garnet cabochons
each centred with a circular mixed-cut sapphire, the conforming surround highlighted with round brilliant-cut diamonds, acid tested as 18ct gold, butterflies impressed 750, approximately 0.7cm in length (2)
R 9 000 - R 12 000
R 12 000 - R 18 000
493
498
A PAIR OF GARNET AND DIAMOND EAR STUDS
AN EMERALD AND DIAMOND RING
A SILVER AND GARNET BRACELET
each centred with a cushion-cut garnet, within a conforming surround of round brilliant-cut diamonds weighing approximately 0.16cts in total, impressed BROWNS and 375, butterflies impressed 375, approximately 0.7cm in width (2) R 2 400 - R 4 000
the bifurcated shank centred with a cluster of round brilliant-cut diamonds weighing approximately 0.08ct in total and circular-cut emeralds, acid tested as 9ct gold, And A Miscellaneous Collection of Gem-Set Rings, of various designs and sizes, including an aquamarine, smoky quartz and amethyst, all impressed 9ct (4) R 3 000 - R 5 000 91
S|4
JEWELLERY
499
504
509
A PAIR OF 14CT GOLD CUFFLINKS
A MISCELLANEOUS GROUP OF GOLD JEWELLERY
A PAIR OF DIAMOND EARRINGS
designed as a rectangular abacus with moving beads, with rivet backs, impressed 14K; and A 14ct Gold Tie Pin, of matching design, impressed 14K (3)
including: a citrine-set tie pin, impressed 9ct, two 9ct gold floral brooches and a 9ct gold ring set with cubic zirconias (4)
each designed as an articulated line of marquise, circular and bar shapes, embellished with round brilliant-cut diamonds weighing approximately 0.26cts in total, acid tested as 9ct, the butterflies impressed 9ct, approximately 2.5cm in length (2)
R 1 400 - R 2 000
R 2 500 - R 4 000
500
505
AN EMERALD AND DIAMOND BRACELET
AN EMERALD AND DIAMOND RING
510
set with twenty-seven round emeralds weighing approximately 2,16cts in total, and twenty-six round brilliant-cut diamonds weighing approximately 1,3cts in total, in 18ct white gold, approximately 17cm in length
centred with an emerald-cut emerald weighing approximately 1.10cts, the shank and square surround highlighted with round brilliant-cut diamonds weighing approximately 0.60cts in total, impressed 750, size M
A TSAVORITE AND DIAMOND RING
R 18 000 - R 22 000
R 15 000 - R 25 000
501
506
AN EMERALD BEAD NECKLACE
AN EMERALD AND DIAMOND RING
511
composed of two strands of faceted emerald beads weighing approximately 106cts in total, approximately 51cm in length; and An Emerald Necklace, composed of a single strand of graduated faceted emerald beads, weighing approximately 70ct in total, approximately 62cm in length (2)
centred with an oval mixed-cut emerald weighing approximately 0.60cts, the shoulders highlighted and embellished with round brilliant-cut diamonds weighing approximately 0.30cts in total, the shank further highlighted with millegrain and bead detail, impressed 18ct, size L
A GREEN TOURMALINE AND DIAMOND RING, BROWNS
R 2 000 - R 3 000 502 AN EMERALD AND DIAMOND PENDANT centred with a round modified brilliant emerald weighing 3.03cts, the conforming surround embellished with round brilliant-cut diamonds 0.53cts in total, acid tested as 18ct gold.
R 9 000 - R 12 000
R 12 000 - R 16 000
centred with a faceted cushion-cut green tourmaline weighing approximately 1.66cts, the conforming surround and bifurcated shoulders embellished with round brilliant-cut diamonds weighing approximately 0.47cts in total, impressed 14ct and BROWNS, size M, accompanied by a Browns box R 21 000 - R 28 000
A PAIR OF DIAMOND AND GREEN TOURMALINE PENDANT EARRINGS
512
The emerald accompanied by an Identification certificate from AGL, no. C01709003349, stating it to be Bluish Green colour and Lightly Included clarity. R 30 000 - R 40 000
R 26 000 - R 32 000
503
508
AN EMERALD AND DIAMOND BROOCH
A JADE-LIKE BANGLE
in the form of a leaf with textured matte finish, highlighted with circular mixed-cut emeralds, the stem embellished with round brilliant-cut diamonds weighing approximately 0.20cts in total, impressed 18K, approximately 5.5cm in length
of plain circular form, inner diameter approximately 60mm
92
the band centred with knotted design pavĂŠ-set with round brilliant-cut diamonds, set to the side with a pear-shaped tsavorite weighing approximately 0.62cts, acid tested as 18ct gold, size K
507
designed as an articulated line of alternating round brilliant-cut and baguette-cut diamonds weighing approximately 1.16cts in total and 0.95cts in total respectively, terminating in an emerald-cut green tourmaline weighing approximately 7.82cts in total for the pair, acid tested as 18ct gold, butterflies impressed 375, approximately 5cm in length (2)
R 12 000 - R 18 000
R 2 800 - R 4 500
R 2 000 - R 3 000
A TOURMALINE AND DIAMOND BROOCH of abstract design, highlighted with two emerald-cut green tourmalines weighing approximately 2.37cts in total, further highlighted with round brilliant-cut diamonds weighing approximately 0.15cts in total, impressed 18ct, approximately 3.8cm in width R 10 000 - R 15 000 513 A SILVER OPEN HEART PENDANT, ELSA PERETTI FOR TIFFANY & CO. the large open heart pendant suspended from a silver mesh chain, impressed 925, TIFFANY & CO and Peretti, approximately 67cm in length R 3 500 - R 5 000
S|4
JEWELLERY
518
516
514
517
515 519
514 A TANZANITE PENDANT the surmount claw-set with a round brilliantcut diamond weighing approximately 0.10cts, suspending a trillion-cut tanzanite weighing approximately 6.14cts, acid tested as 18ct gold, approximately 2.3cm in length; and A 9ct Gold Chain, composed of wheat-link chain, impressed 375, approximately 44cm in length (2)
516 A SAPPHIRE AND DIAMOND PENDANT
518 536
centred with a circular mixed-cut sapphire weighing approximately 1.94cts, within a conforming surround of round brilliant-cut diamonds weighing approximately 0.48cts in total, acid tested as 18ct gold, approximately 1.5cm in length, suspended on a rolo link chain, impressed 750 ILLUSTRATED
centred with a claw-set heart-shaped pink tourmaline weighing approximately 2.7cts, the conforming surround highlighted with round brilliant-cut diamonds weighing approximately 0.28cts in total, the bail clawset with a diamond, acid tested as 18ct gold, approximately 2cm in length; and An 18ct Gold Necklace, composed of rolo link chain, impressed 750, approximately 44cm in length (2)
R 28 000 - R 32 000
ILLUSTRATED
ILLUSTRATED R 12 000 - R 18 000 515 A TANZANITE, EMERALD AND DIAMOND PENDANT the surmount of step design channel-set with a princess-cut and two baguette-cut diamonds weighing approximately 0.23cts, 0.320cts and 0.30cts respectively, centred with a cushion-cut tanzanite weighing 5.107cts, bezel-set below with a half moon-shaped emerald weighing 0.929cts, approximately 2.5cm in length, suspended on a rolo link chain, impressed 375, approximately 20cm in length. The emerald and tanzanite accompanied by Gemstone Identification Reports, no. ID6123418 and CSM17072521 respectively, stating the emerald to be Slightly Bluish Green colour and the tanzanite to be Violet Blue colour and Very Good (AAA) saturation.
A PINK TOURMALINE AND DIAMOND PENDANT
517 A TOURMALINE AND SOUTH SEA PEARL PENDANT claw-set with a pear-shaped rubellite tourmaline weighing approximately 1.78cts, suspending two clusters of three round brilliant-cut diamonds weighing approximately 0.48cts in total, separated by a baguette-cut diamond weighing approximately 0.28cts, terminating in a white South Sea Pearl, acid tested as 18ct gold, approximately 5cm in length; and an 18ct Gold Chain, composed of wheat-links, approximately 42cm in length ILLUSTRATED
R 16 000 - R 22 000 519 A SAPPHIRE AND DIAMOND PENDANT in the form of a cross, set throughout with circular mixed-cut sapphires weighing 3.141cts in total, centred with a princess-cut diamond weighing approximately 0.40cts, acid tested as 18ct gold, approximately 3.8cm in length, suspended on a snake link chain, impressed 9K, approximately 28cm in length ILLUSTRATED R 16 000 - R 20 000
R 15 000 - R 20 000
ILLUSTRATED R 26 000 - R 32 000 93
S|4
JEWELLERY 529 A MULTI-STRAN PEARL NECKLACE
524 A MULTI-STRAND PEARL NECKLACE
522
composed of four strands of peals, the clasp centred with an oval mixed-cut blue zircon, the conforming surround of round brilliant-cut diamonds weighing approximately 0.26cts in total, further surrounded by circular mixed-cut yellow sapphires, approximately 41cm R 18 000 - R 24 000
520 A DIAMOND TENNIS BRACELET, BROWNS designed as a line of sixty-four claw–set brilliant–cut diamonds weighing approximately 4.48cts in total, impressed BROWNS and 18ct, approximately 18cm in length
composed of six strands of freshwater seed pearls, the oval clasp with fluted design embellished with round brilliant-cut diamonds weighing approximately 1.0ct in total, impressed 18K, approximately 42cm in length R 15 000 - R 20 000 530 A CITRINE AND DIAMOND RING the broad band, centred with a claw-set oval faceted citrine, the gallery and shoulders highlighted with round brilliant-cut diamonds weighing approximately 1.56cts in total, impressed 750, size L
525
R 27 000 - R 30 000
A PAIR OF DIAMOND AND SOUTH SEA PEARL PENDANT EARRINGS
531 A GEMSTONE RING
521
each designed as a graduated line of round brilliant-cut diamonds weighing approximately 1.70cts for the pair, terminating in a silvery grey South Sea pearl, acid tested as 18ct gold, butterflies acid tested as 9ct, approximately 3cm in length (2)
A SAPPHIRE BEAD NECKLACE
R 16 000 - R 20 000
532
R 25 000 - R 35 000
composed of two strands of graduated sapphire beads, weighing approximately 244.39cts in total, with matte silver bean shaped clasp, shortest strand approximately 35cm in length R 2 200 - R 3 000 522 AN EMERALD AND DIAMOND PENDANT centred with a pear-shaped emerald weighing approximately 0.80cts, the conforming surround highlighted with round brilliant-cut diamonds, further highlighted with ten round brilliant-cut diamonds weighing approximately 1.60cts in total, approximately 3cm in length, impressed 18ct, suspended on a snake chain, impressed 750 ILLUSTRATED R 28 000 - R 32 000 523 A CARNELIAN NECKLACE
526 A TURQUOISE AND SEED PEARL NECKLACE centred with a crescent shape extending into a branch and floral design, embellished with circular cabochon turquoise and seed pearls, acid tested as 9ct gold, approximately 380mm in length
R 1 400 - R 2 400
A GEM-SET RING, BROWNS the broad tapered band centred with three rows of channel set princess-cut gemstones, including amethyst, citrine and garnets, impressed 14ct and BROWNS, size P R 3 000 - R 5 000 533
R 1 000 - R 1 500
A MISCELLANEOUS GROUP OF GEM-SET RINGS
527
each of various design and size, impressed 9ct, including a button pin, acid tested as 9ct gold (4)
A BLACK SPINEL AND PEARL NECKLACE designed as a single strand of faceted black spinel beads, interspersed with cultured pearls, approximately 120cm in length R 1 500 - R 3 000 528 A SEED PEARL NECKLACE
composed of faceted carnelian beads, with a silver trigger clasp, approximately 66cm in length
designed as stylised rolo-link chain, suspending thirteen graduated fan designs each embellished with seed pearls, acid tested as 18ct gold, approximately 40cm in length
R 1 000 - R 1 500
R 11 000 - R 18 000
94
centred with a circular mixed-cut gemstone, possibly citrine, impressed 9ct, size O
R 2 200 - R 3 200 534 AN ART DECO DIAMOND AND ONYX PENDANT centred with a rectangular onyx plaque embellished to the centre with a platinum openwork overlay, centred with a line six old-cut diamonds, flanked on either side with platinum plaques of openwork design highlighted with old and round brilliantcut diamonds, acid tested as platinum, approximately 6cm in length R 30 000 - R 60 000
S|4
JEWELLERY 535
539
A SAPPHIRE AND DIAMOND PENDANT
A TANZANITE AND DIAMOND CHOKER
centred with a cushion-cut sapphire weighing 2.517cts, the bale and conforming surround claw-set with round brilliant-cut diamonds weighing approximately 0.42cts in total, acid tested as 18ct gold, approximately2.2cm in length.
designed as a fringe pavé-set with round brilliant-cut diamonds weighing approximately 5.90cts in total, the alternating fringe drops terminating in circular mixed-cut tanzanite’s weighing approximately 5.88ct in total, the centre drop embellished with a pear-shaped tanzanite weighing approximately 1.70cts in total, acid tested as 18ct gold, approximately 32cm in length
The sapphire accompanied by an Identification Certificate stating it to be Blue in colour with signs of heat enhancement. R 30 000 - R 40 000
543
R 95 000 - R 100 000 543 A DIAMOND NECKLACE designed as an articulated line of claw-set round brilliant-cut diamonds, graduated in size, set to the centre, weighing approximately 7.5cts in total, continued with polished circular links, acid tested as 18ct gold, approximately 43cm in length
536
540
A TANZANITE AND DIAMOND PENDANT
A DIAMOND AND SAPPHIRE BRACELET
centred with an oval mixed-cut tanzanite weighing 5.386cts, within a conforming surround of round brilliant-cut diamonds weighing approximately 1.32cts in total, the bale set with a tapered baguette-cut diamond weighing approximately 0.35cts, acid tested as 18ct gold, approximately 2.8cm in length, suspended on a rolo link chain necklace, impressed 375.
composed of two rows of round brilliant-cut diamonds weighing approximately 4.50cts in total, highlighted with three emerald-cut sapphires weighing approximately 1.88cts in total, with push clasp and safety catch, impressed 18k
The tanzanite accompanied a Tanzanite Report from E.G.L., no. 170511415/115545, stating it to be blue Violet colour with Vivid+ (AAA+) saturation and eye clean clarity.
541
ILLUSTRATED ON PAGE 93 R 28 000 - R 32 000 537
R 39 000 - R 42 000
ILLUSTRATED R 60 000 - R 80 000 544 A TANZANITE BRACELET deigned as a line of claw-set circular mixed-cut tanzanite’s weighing approximately 13.06cts in total, impressed 750, approximately 16cm in length R 35 000 - R 45 000
A PAIR OF TANZANITE EAR STUDS
545
each claw-set with a circular mixed-cut tanzanite, acid tested as 18ct gold, no butterflies (2)
A TANZANITE AND DIAMOND RING
R 1 500 - R 2 000
centred with a mixed-cut tanzanite weighing approximately 2.87cts, flanked on either side by three round brilliant-cut diamonds weighing approximately 0.10cts in total, impressed 750, size L
A DIAMOND FULL ETERNITY RING
542
R 12 000 - R 18 000
claw-set throughout with round brilliant-cut diamonds weighing approximately 0.98cts in total, acid tested as 18ct gold, size M
A PAIR OF LAPIS LAZULI AND DIAMOND EAR STUDS, SCHWARTZ
546
R 12 000 - R 18 000 538 A DIAMOND HALF ETERNITY RING set to the centre with round brilliant-cut diamonds weighing approximately 0.16cts in total, impressed 18ct R 2 000 - R 3 000
each centred with an oval cabochon lapis lazuli, the conforming surround pavé-set with round brilliant-cut diamonds weighing approximately 0.32cts in total, impressed SCHWARTZ and 750, approximately 1.3cm in length (2) R 6 000 - R 10 000
A PAIR OF TANZANITE AND DIAMOND EARRINGS each centred with an oval mixed-cut tanzanite weighing approximately 1.36cts in total for the pair, the conforming surround claw-set with round brilliant-cut diamonds weighing approximately 0.60cts in total, with clip and post backs, impressed 750, approximately 1.2cm in length (2) R 15 000 - R 20 000 95
S|4
JEWELLERY
547
551
555
A PAIR OF MABÉ PEARL AND DIAMOND EAR STUDS
A PAIR OF TANZANITE, DIAMOND AND PINK TOURMALINE PENDANT EARRINGS
A MISCELLANEOUS COLLECTION OF 9CT GOLD JEWELLERY
each centred with a pinkish blue mabé pearl, within a conforming surround of round brilliantcut champagne-coloured diamonds weighing approximately 1.61cts in total, acid tested as 18ct gold, butterflies acid tested as 9ct gold (2)
each surmount claw-set with a circular mixedcut pink sapphire, suspending a cushion-cut tanzanite weighing 3.31cts in total for the pair, within a conforming surround of round brilliantcut diamond weighing approximately 0.56cts in total, acid tested as 18ct gold, butterflied impressed 9ct, approximately 2cm in length.
including: various 9ct gold rings, impressed 9ct and acid tested as 9ct gold, and two pairs of 9ct gold cufflinks, impressed 9ct (8)
The tanzanites accompanied by a Tanzanite Report from E.G.L., no. 130103569/516159, stating them to be blue Violet colour with Vivid+ saturation. (2)
556
ILLUSTRATED R 14 000 - R 18 000 548 A PAIR OF EMERALD AND PINK SAPPHIRE PENDANT EARRINGS each surmount claw-set with a princess-cut emerald weighing approximately 1.37cts for the pair, suspending two oval and one emeraldcut emerald weighing approximately 5.22cts in total, interspersed with circular pink sapphires weighing approximately 1.80cts In total, acid tested as 18ct gold, butterflies impressed 9ct, approximately 4.5cm in length (2)
ILLUSTRATED R 22 000 - R 28 000 552 A TANZANITE AND DIAMOND PENDANT
R 3 000 - R 6 000
A MISCELLANEOUS COLLECTION OF GOLD RINGS including: an 18ct gold band and two 18ct gold settings with stones removed (2) R 2 000 - R 3 000 557 A MISCELLANEOUS COLLECTION OF 9CT GOLD NECKLACES AND BRACELETS
ILLUSTRATED
centred with an oval mixed-cut tanzanite weighing approximately 4.61cts, within a conforming surround of round brilliant-cut diamonds weighing approximately 0.46cts in total, impressed 750
R 20 000 - R 30 000
R 33 000 - R 40 000
549
553
A PAIR OF DIAMOND AND SOUTH SEA PEARL PENDANT EARRINGS
A PAIR OF TANZANITE AND DIAMOND EAR STUDS
each surmount bezel-set with a round brilliantcut diamond weighing approximately 0.82cts for the pair, suspending a South Sea pearl, acid tested as 18ct gold, butterflies impressed 375 (2) ILLUSTRATED
each of flower form, centred with a circular mixed-cut tanzanite weighing approximately 1.2cts in total or the pair, the flower outline surround highlighted with round brilliant-cut diamonds, acid tested as 18ct gold, butterflies impressed 18ct, approximately 1cm in width (2)
composed of elongated links, of textured bark design, impressed 18ct, clasp impressed 9ct, approximately 63cm in length; and An 18ct Gold Bracelet, of similar design, impressed 18ct, clasp impressed 9ct, approximately 20cm in length (2)
R 16 000 - R 22 000
R 8 000 - R 12 000
R 13 000 - R 18 000
550
554
559
A PAIR OF DIAMOND EARRINGS
A TANZANITE AND DIAMOND PENDANT
A 14CT GOLD NECKLACE
each designed as a hinged hoop, channel-set to the front with five princess-cut diamonds weighing approximately 2.50cts for the pair, acid tested as 18ct gold, approximately 1.7cm in length (2)
centred with an oval mixed-cut tanzanite weighing approximately 4.46cts, within a conforming surround of round brilliant-cut diamonds weighing approximately 0.56cts in total, impressed 750
composed of bar and rope links, impressed 14K, approximately 45cm in length
R 33 000 - R 40 000
560
ILLUSTRATED R 17 000 - R 20 000
including: five 9ct gold bracelets, various designs and lengths and two 9ct gold necklaces, various lengths, all impressed 9ct (7) R 2 000 - R 4 000 558 AN 18CT GOLD NECKLACE
R 2 500 - R 5 000
A BLACK DIAMOND RING centred with a round brilliant-cut diamond weighing approximately 1.04cts, embellished on either side with round brilliant-cut diamonds weighing approximately 0.10cts in total, impressed 18ct R 9 000 - R 12 000
96
S|4
JEWELLERY
547
549
548 540
541
97
S|4
JEWELLERY
561
566
570
A TANZANITE AND DIAMOND RING
A DIAMOND RING
A TANZANITE AND DIAMOND RING
the tapered band centred with an elongated cushion-cut tanzanite highlighted on either side by a baguette-cut diamond weighing approximately 0.1cts in total, acid tested as 18ct gold, size Q
channel-set to the centre with five princess-cut diamonds weighing approximately 1.25cts in total, impressed 750, size N
ILLUSTRATED
R 12 000 - R 18 000
centred with a rectangular cushion-cut tanzanite weighing 2.854cts in total, the conforming surround and shoulders embellished with round brilliant-cut diamonds weighing approximately 0.58cts in total, impressed 18ct, size L.
R 6 000 - R 8 000
ILLUSTRATED
567
562
A DIAMOND RING
A DIAMOND RING
centred with a radiant-cut diamond weighing 2.098cts, the conforming surround and shank embellished with round brilliant-cut diamonds weighing approximately 0.56cts in total, impressed 750, size N.
set to the centre with five old-cut diamonds weighing approximately 0.39cts in total, acid tested as 9ct gold, size P ILLUSTRATED R 3 500 - R 5 000
The centre diamond accompanied by a Diamond Report from IDL, no.J11035304, stating it to be Brown ECG (Q) colour and I1 clarity.
563
ILLUSTRATED
A DIAMOND RING
R 30 000 - R 40 000
claw-set to the centre with four round brilliantcut diamonds weighing approximately 0.97cts in total, impressed 18K, size I
568
ILLUSTRATED R 9 000 - R 12 000 564 A BLUE TOPAZ AND DIAMOND RING centred with an oval checkerboard blue topaz, flanked above and below with five round brilliant-cut diamonds, weighing approximately 0.60cts in total, acid tested as 18ct gold, size N ILLUSTRATED R 8 000 - R 12 000 565 A DIAMOND RING the tapered band, set to the centre with eight tapered baguette-cut diamonds weighing approximately 0.48cts in total, designed to form a bow, acid tested as 18ct gold, size M
AN AMETHYST AND DIAMOND RING centred with a claw-set oval mixed-cut amethyst weighing approximately 3.37cts in total, the conforming surround claw-set with round brilliant-cut diamonds weighing approximately 0.30cts in total, acid tested as 18ct gold, size Q½
The tanzanite accompanied by a gemstone report from The Gem Lab, no. CS17052320, stating it to be violet blue in colour, Very Good (AAA) colour grade and eye clean clarity. ILLUSTRATED R 24 000 - R 30 000 571 A SOLITAIRE DIAMOND RING centred with a claw-set round brilliant-cut diamond weighing approximately 0.48cts in total, the conforming surround and stylised band embellished with round brilliant-cut diamonds 0.12cts in total, acid tested as 18ct gold, size L ILLUSTRATED R 10 000 - R 15 000 571 A THREE-QUARTER DIAMOND ETERNITY RING
ILLUSTRATED
composed of five rows, embellished with round brilliant-cut diamonds weighing approximately 1.60cts in total, impressed 18K and 750, size M
R 8 000 - R 10 000
R 25 000 - R 30 000
569 A SAPPHIRE AND DIAMOND RING set to the centre with an oval cabochon sapphire, flanked on either side by a baguetteand round brilliant-cut diamonds weighing approximately 0.48cts in total, acid tested as 18ct gold, size L
573 A SAPPHIRE AND DIAMOND BRACELET
ILLUSTRATED
claw-set with nineteen oval mixed-cut sapphires weighing approximately 24,32cts in total, alternated with thirty-eight round brilliantcut diamonds weighing approximately 4,18cts in total, in 18ct white gold, length approximately 186mm
R 4 000 - R 8 000
R 200 000 - R 220 000
ILLUSTRATED
574
R 9 000 - R 12 000
A STAR SAPPHIRE AND DIAMOND RING the broad tapered band bezel-set to the centre with an oval cabochon star sapphire weighing approximately 9.76cts, the conforming surround and shoulders highlighted with round brilliant-cut diamonds weighing approximately 1.14cts in total, acid tested as 18ct gold, size M
98
R 23 000 - R 28 000
561
S|4
JEWELLERY
562
563
564 571
565
570
567 568
566
569 99
S|4
JEWELLERY
575
579
584
A TSAVORITE AND DIAMOND RING
A RHODOLITE GARNET AND DIAMOND RING
A DIAMOND SOLITAIRE RING
composed of three bands, the centre clawset to the centre with a cushion-cut tsavorite weighing approximately 0.55cts in total, flanked on either side by a claw-set princess-cut diamond weighing approximately 0.47cts in total, the band above and below channels-set with round brilliant-cut diamonds weighing approximately 1.92cts in total, impressed 18K, size N ½ ILLUSTRATED R 18 000 - R 22 000 576 A TOURMALINE AND DIAMOND RING centred with a cushion-cut Cuprian tourmaline weighing 6.403cts, flanked on either by a cluster of three round brilliant-cut diamonds weighing approximately 0.66cts in total, impressed 18ct, size N½. The Cuprian tourmaline accompanied by a gemstone identification certificate from The Gem Lab, no. ID1707457M stating it to Slightly Bluish Green. ILLUSTRATED R 32 000 - R 40 000 577 A PINK TOURMALINE AND DIAMOND RING the tapered band bezel-set to the centre with an oval mixed-cut pink tourmaline, the conforming surround with round brilliant-cut diamonds weighing approximately 0.40cts in total, impressed 18ct, size N
bezel-set to the centre with an oval mixedcut rhodolite garnet, weighing approximately 0.63cts, the conforming surround embellished with round brilliant-cut diamonds weighing approximately 0.25cts in total, the broad band with fluted detail, impressed 18ct, size L ILLUSTRATED R 6 000 - R 8 000
claw-set to the centre with a round brilliant-cut diamond weighing 0.966cts, impressed 750, size J. The diamond accompanied by a diamond report from E.G.L., no. 170410489/114954, stating it to be J colour and VVS2 clarity. R 35 000 - R 40 000 585
580
A DIAMOND RING
A GREEN TOURMALINE, PINK SAPPHIRE AND DIAMOND RING
bezel-set with a marquise-cut diamond weighing approximately 0.14cts, the shank composed of three stylised bands, two embellished with round brilliant-cut diamonds weighing approximately 0.30cts in total, impressed 18K, size Q½
centred with a claw-set cushion-cut green tourmaline weighing approximately 2.21cts, within a conforming surround of round brilliantcut diamonds weighing approximately 0.60cts in total, further surrounded by circular mixedcut pink sapphires weighing approximately 1.23cts in total, acid tested as 18ct gold, size L½ ILLUSTRATED R 12 000 - R 16 000 581 AN EMERALD AND DIAMOND RING the broad tapered band centred with a row of channel-set princess-cut diamonds weighing approximately 0.33cts in total, flanked above and below with a row of channel-set 0.56cts in total, impressed 750, size O ILLUSTRATED
R 8 000 - R 10 000 586 A DIAMOND HINGED BANGLE claw-set to the centre with round brilliant-cut diamonds weighing approximately 0.40cts in total, with openwork design on the side, with safety catch, impressed 18ct, inner width approximately 5.8mm R 9 000 - R 12 000 587 A PAIR OF DIAMOND EAR STUDS
ILLUSTRATED
582
each claw-set with a round brilliant-cut diamonds weighing approximately 0.56cts for the pair, acid tested as 9ct gold, butterflies acid tested as 9ct (2)
R 13 000 - R 18 000
A SOLITAIRE DIAMOND RING
R 13 000 - R 18 000
578
centred with a round brilliant-cut diamond weighing 1.59cts, impressed 750, size N.
588
AN ART DECO STYLE DIAMOND AND EMERALD RING centred with a round brilliant-cut diamond weighing approximately 1.53cts, within a square surround of circular mixed-cut emeralds weighing approximately 0.64cts, the shoulders highlighted with pavé-set round brilliant-cut diamonds weighing approximately 0.42cts in total, impressed 18ct, size M ILLUSTRATED R 46 000 - R 52 000
R 9 000 - R 12 000
The diamond accompanied by a Diamond Certificate from DIA, no. 12110414, stating it to be R ECG in colour and SI3 clarity. R 12 000 - R 18 000 583 A DIAMOND HALF ETERNITY RING claw-set to the centre with five round brilliantcut diamonds weighing approximately 0.75cts in total, impressed 18ct, size N R 10 000 - R 15 000
100
A DIAMOND PENDANT bezel-set with a round brilliant-cut diamond weighing 0.637cts, acid tested as 18ct gold, approximately 0.8cm in length; and An 18ct Gold Chain, of stylised ball chain, impressed 750, approximately 43cm in length. Accompanied by a diamond report from E.G.L. South Africa, no.150110154/100922, stating that the diamond is H Colour and SI1 Clarity. (2) R 19 000 - R 22 000
S|4
JEWELLERY
575
576
577
578
579
570
581
101
S|4
JEWELLERY
589
594
600
A DIAMOND BRACELET
A DIAMOND TENNIS BRACELET
A DIAMOND PENDANT
claw-set to the centre with twenty-five round brilliant-cut diamonds weighing approximately 0.66cts in total, flanked on either side with a plain curved bar, with safety chain, impressed 375, approximately 16cm in length
designed as a series of four claw links each set with a round brilliant-cut diamond weighing approximately 6.7cts in total, impressed 750, approximately 18cm in length
in the form of a ‘circle of life’, set with round brilliant-cut diamonds weighing approximately 0.52cts in total, acid tested as 18ct gold, approximately 2.5cm in length, suspended on an necklace, composed of box-link chain, impressed 750, approximately 44cm in length
R 3 000 - R 5 000 590 AN AMBER NECKLACE comprised of graduated irregular and oval amber beads, with a gold-pated silver clasp, approximately 43cm in length; and An Amber Necklace, comprised of irregular shaped amber, with a gold-plated silver clasp, approximately 43cm in length (2) R 2 000 - R 3 000 591 AN OPAL BEAD NECKLACE composed of a single strand of opal beads, weighing approximately 78cts in total, suspending a pear-shaped mixed-cut sun stone drop, weighing approximately 15.27cts in total, approximately 43cm in length R 1 500 - R 2 000 592 AN OPAL AND DIAMOND PENDANT centred with a pear-shaped opal, within a conforming surround of round brilliant-cut diamonds weighing approximately 0.47cts in total, further highlighted with a scalloped edge, impressed 18K, approximately 3cm in length, suspended on a rolo link chain, impressed 750, approximately 42cm in length R 16 000 - R 22 000 593 A DIAMOND RING claw-set to the centre with a round brilliant-cut diamond weighing approximately 0.60cts, the domed tapered band embellished with round brilliant-cut diamonds weighing approximately 0.18cts in total, impressed 750, size M R 14 000 - R 18 000
R 30 000 - R 35 000 595
R 8 000 - R 10 000
A DIAMOND PENDANT
601
in the form of a cross, set throughout with round brilliant-cut diamonds weighing approximately 1.65cts in total, acid tested as 18ct gold, approximately 3.5cm in length
A 9CT GOLD RING
R 13 000 - R 18 000 596 A DIAMOND BRACELET designed as a series of alternating grooved and diamond links, impressed 750, approximately 18cm in length
the broad band with textured design centred with an emerald-cut gemstone, acid tested as 9ct gold, size T R 1 100 - R 2 000 602 AN IVORY BEAD NECKLACE NOT SUITABLE FOR EXPORT
597
composed of circular ivory beads, with an amethyst bead clasp, approximately 44cm in length; and An Ivory And Amethyst Bracelet, composed of circular ivory beads, interspersed with circular amethyst beads (2)
A DIAMOND TENNIS BRACELET
R 1 000 - R 2 000
R 10 000 - R 15 000
designed as a line of claw-set round brilliantcut diamonds weighing approximately 2.50cts in total, acid tested as 18ct gold, approximately 18cm in length R 20 000 - R 30 000 598 A BLACK AND WHITE DIAMOND TENNIS BRACELET designed as a line of claw-set circular black diamonds weighing approximately 1.9cts in total, interspersed with round brilliant-cut diamonds weighing approximately 0.30cts in total, impressed 750, approximately 17.5cm in length
603 A DIAMOND FULL ETERNITY RING claw-set with eighteen round brilliant-cut diamonds weighing approximately 2.70cts in total, acid tested as 18ct gold, size L R 12 000 - R 20 000 604 A DIAMOND FULL ETERNITY RING claw-set throughout with round brilliant-cut diamonds weighing approximately 0.98cts in total, acid tested as 18ct gold, size M
R 25 000 - R 35 000
R 12 000 - R 18 000
599
605
A GEM SET RING
A DIAMOND RING, CARTIER
the broad band bezel-set to the centred with a circular cabochon red stone, unidentified, impressed 750, size M½
claw-set with eleven round brilliant-cut diamonds weighing approximately 1,76cts in total, in platinum, numbered 77578b, size J, accompanied by the original Cartier red leather-bound box with outer cover and a Cartier Certificate
R 6 000 - R 8 000
R 35 000 - R 40 000 102
S|4
JEWELLERY 606
611
616
A DIAMOND RING
A PAIR OF DIAMOND EAR STUDS
the domed tapered band centred with a bezel-set round brilliant-cut diamond weighing approximately 0.35cts, impressed 18ct, size N
each bezel-set with a round brilliant-cut diamond weighing approximately 0.40cts for the pair, acid tested as 18ct gold, butterflies impressed 750 (2)
A MISCELLANEOUS COLLECTION OF UNMOUNTED OVAL MIXED-CUT EMERALDS
R 6 000 - R 10 000 607
R 4 000 - R 6 000
A DIAMOND RING
612
claw-set to the centre with six round brilliantcut diamonds weighing approximately 0.72cts in total, impressed 750, size J½
A DIAMOND RING
R 15 000 - R 20 000 608 A DIAMOND PENDANT centred with a cushion-cut fancy yellow orangey brown diamond weighing 1.11cts, the bale and conforming surround embellished with round brilliant-cut diamonds weighing 0.36cts in total, acid tested as 18ct gold. The centre diamond accompanied by a Diamond Certificate from AGL, no. D01508000110, stating it to be Fancy Yellow Orangey Brown in colour and I1 clarity. R 35 000 - R 40 000 609 A DIAMOND PENDANT in the form of a cross, claw-set throughout with round brilliant-cut diamonds weighing approximately 0.80cts in total, impressed 750, approximately 3cm in length R 8 000 - R 12 000 610 A PAIR OF DIAMOND HOOP EARRINGS each hinged hoop set to the front with round brilliant-cut diamonds 0.38cts in total, acid tested as 18ct gold, approximately 2cm in length (2)
pavé-set to the centre and either side with round brilliant-cut diamonds weighing approximately 1.20cts in total, impressed 18ct, size L
weighing approximately 9.55cts in total R 1 000 - R 2 000 617 THREE UNMOUNTED OPALS including: two pear-shaped and one oval shaped opal, weighing approximately 5.33cts, 3.95cts and 5.43cts respectively (3) R 10 000 - R 15 000
R 15 000 - R 20 000
618
613
A MISCELLANEOUS COLLECTION OF UNMOUNTED OVAL AND CIRCULAR MIXED-CUT ORANGE SAPPHIRES
A DIAMOND RING
weighing approximately 10.73cts in total
the trifurcated band in white, yellow and rose gold, each set with three round brilliant-cut diamonds, acid tested as 9ct gold, size O
R 1 200 - R 1 800
R 10 000 - R 15 000
619
614
A MISCELLANEOUS COLLECTION OF UNMOUNTED OVAL MIXED-CUT SAPPHIRES
A MISCELLANEOUS COLLECTION OF UNMOUNTED CHAMPAGNE COLOURED ROUND BRILLIANT-CUT DIAMONDS various sizes, weighing approximately 10.02cts in total
weighing approximately 30.61cts in total R 1 000 - R 1 500 END OF SALE
R 15 000 - R 20 000 615 A MISCELLANEOUS COLLECTION OF UNMOUNTED OVAL, PEAR AND CIRCULAR MIXED-CUT AMETHYSTS weighing approximately 73.01cts in total; and A Miscellaneous Collection Of Oval Mixed-Cut Aquamarines, weighing approximately 5.50cts in total (2) R 1 000 - R 1 500
R 8 000 - R 12 000
103
IMPORTANT NOTICE TO PROSPECTIVE BUYERS Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)
GLOSSARY OF CATALOGUING TERMS The following are examples of the terminology used in this catalogue. Please note that any statement made in this catalogue as to authorship, attribution, period, date, age, culture, source, provenance, condition or origin for any property are qualified statements, not to be taken as a statement of fact, and are made subject to the provisions of the Conditions of Business and Terms of Sale by Auction printed in this catalogue. We reserve the right in forming our opinion, to consult and rely upon any expert or authority considered by us to be reliable. CERAMICS Fine Meissen Cup and Saucer; circa 1735 This title states three things: the cup and saucer are in excellent condition, both pieces were made at the Meissen factory, and they were made around the year 1735. The adjective ‘fine’ is the only adjective used in a title to describe condition of important lots. Meissen Cup and a Saucer, circa 1735 This states that the cup and saucer were made at the Meissen factory around 1735, but it also indicates that the cup and saucer may not have been ‘born’ together. Meissen Cup and Saucer, 1730-50 This states that the cup and saucer were made at the Meissen factory some time between 1730 and 1750. Meissen Cup and Saucer, dated 1735 This states that the cup and saucer were made at the Meissen factory and that the date 1735 appears within the decoration, although it may not be the actual year of manufacture. Only in the case of factories such as Sêvres, Frankenthal and Vienna, which incorporated date letters or numbers into their marks, does the term ‘dated’ mean the actual year of manufacture. Meissen Cup and Saucer, 19th Century This states that the cup and saucer are of Meissen type, and although of the date specified, not necessarily made at the Meissen factory. Meissen Cup and Saucer This title without a date simply states that the pieces were made at the Meissen factory, but does not specify when, implying that their age is questionable. WORKS OF ART 1 Thomas Baines In our opinion, a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. 2 Attributed to Thomas Baines In our opinion, probably a work by the artist, but less certainty as to authorship is expressed than in the preceding category. 3 Studio of Thomas Baines In our opinion, a work by an unknown hand in the studio of the artist which may or may not have been executed under the artist’s direction.
104
4 Circle of Thomas Baines In our opinion, a work by an as yet unidentified but distinct hand, closely associated with the named artist, but not necessarily his pupil. 5 Style of ...: Follower of Thomas Baines In our opinion, this is a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. 6 Manner of Thomas Baines In our opinion, a work in the style of the artist and of a later date. 7 After Thomas Baines In our opinion, a copy of a known work of the artist. 8 The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9 The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10 Dimensions are given height before width. 11 Pictures are executed in oil on canvas and framed unless otherwise stated. SCULPTURE Casts in bronze, terracotta and other material are catalogued with the full name and dates of the artist who created the original model. In most cases, however, this does not mean that the cast is by the hand of the artist of that precise date, but rather cast after the model by that artist. UPHOLSTERED FURNITURE Whilst every care is taken in cataloguing these items, no guarantee can be given to the originality of the timber covered by upholstery or fabric. CONDITION OF LOTS OFFERED FOR SALE We are pleased to give a condition report on request. Nevertheless, prospective buyers are reminded that all lots are sold as shown and their attention is drawn to Clause B.5 of the Conditions of Business. The absence of reference to condition of the lot in the catalogue description does not imply that the lot is free from faults or imperfections. OVERSEAS BIDDERS Overseas bidders are advised that courier companies such as RAM, Fedex and DHL do not insure jewellery being sent between South Africa and overseas countries. Insurance will therefore become the responsibility of the buyer.
Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”) Registration number 2006/028395/07
Bidder Number
(for office use only)
Sale: Fine Art & Design – Johannesburg Sale Name: KING LEAR Sale No.: SA1706 Sale Date: 21 & 22 November 2017
ABSENTEE BIDDER
TELEPHONE BIDDER
Please see the important information regarding absentee/telephone bidding on the reverse of this form. Forms should be completed in ink and emailed or faxed to the Bid Department. Fax: 086 603 3805 Email: jhb@stephanwelzandco.co.za Buyer’s Premium: 14% plus VAT for items selling over R 10 000 | 17% plus VAT for items selling for R 10 000 or less | 10% plus VAT for Collectable Cars Title:
First name:
Surname:
Identity number (Passport number for overseas bidders): Company Name:
VAT No.
(if the invoice must be in a Company’s name)
Address: Postal code: Telephone (home):
(work):
Cell:
Fax:
Email: In the case of a telephone bid, please call me at either 1)
or 2)
Please fax or email my invoice to: Bids should be submitted in SA Rands by close of business on Monday, 20 November 2017 First time buyers must provide the Company with a copy of their identity document or passport and a photocopy of the front and the back of a valid credit card. A sum of R5 000 may be reserved prior to the auction.
Lot Number
Title/Description
R Bid Price (excluding premium and VAT) R R R R R R R
PLEASE COMPLETE
I will collect my purchases in person from the JHB office Kindly have my purchases sent to your CT office for collection (The buyer to pay 100% of the shipping costs - one bulk shipment between offices) SHIPPING COSTS BETWEEN OUR JOHANNESBURG & CAPE TOWN OFFICES The packing and transport costs will be calculated as follows (one bulk shipment between offices): Invoice value over R100,000 (excluding buyer’s premium) – free Invoice value below R100,000 (excluding buyer’s premium) – minimum of R500 + VAT. Insurance is not included. I will settle my account via
credit card EFT
Please forward the shipping document together with my invoice. The transport and insurance costs are for my account.
Cut here and fax
Kindly provide me with a quotation for the delivery of my purchases to the following alternative address
_________________________________________________________________ See Payment and Despatch of Purchases which is published in the catalogue. 105
GUIDE FOR ABSENTEE / TELEPHONE BIDDERS Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)
If you are unable to attend an auction in person, you may give the Company’s Bid Department instructions to bid on your behalf by completing the Absentee/Telephone Bidders form. This service is confidential and available at no additional cost. BEFORE THE AUCTION Buyers are solely responsible to satisfy themselves prior to the auction as to the condition of each lot and should exercise and rely on their own judgement as to whether the lot accords with the description or not. The Buyer, before buying, must read the Rules of Auction. Please request condition reports from the respective department prior to finalising your absentee/telephone bids. The Company takes no responsibility for any incorrect, inaccurate or defective description of the goods listed for auction in the catalogue or in any condition report as per the terms and conditions of business. Please place your bids as early as possible, as in the event of identical absentee bids the earliest received will take precedence. Bids must be submitted at least 24 hours before the auction. CITES PERMITS, IMPORT, EXPORT, COPYRIGHT RESTRICTIONS & LICENCES TheThCompany suggests that buyers check with their own government regarding wildlife import requirements prior to placing a bid. It is the Buyer’s sole responsibility to identify and obtain any necessary export, import, endangered species or other permit for the lot. COMPLETING THE FORM The Absentee/Telephone Bidders form should be used for one sale only. Please tick the appropriate box – Absentee Bidder or Telephone Bidder. Please record accurately the lot numbers, descriptions and the maximum hammer price you are willing to pay for each lot. Instructions to “buy” or unlimited bids will not be accepted. Bids must be numbered in the same order as the lots appear in the catalogue. Alternate bids for items can be made by placing the word “OR” between lot numbers. This means if your bid on an early lot is successful, we will not continue to bid on subsequent lots for you. Or, if your early bids are unsuccessful, we will continue to execute bids for the remaining lots listed on your absentee bid form. If you are arranging a telephone bid, please clearly specify the telephone numbers on which you can be reached at the time of the sale, including the country code. We will call you from the sale room shortly before the relevant lot is offered. We will try and purchase the lot(s) of your choice for the lowest price possible (dependent on the reserve price and other bids) and never for more than the maximum bid amount you indicate. Where appropriate, your bids will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments. Telephone Bids – we suggest you leave a maximum bid which we will execute on your behalf in the event that we are unable to reach you by telephone. Because this method cannot be entirely free from risk of communication breakdown, the Company cannot be held responsible for losses arising from missed bids. The Company reserves the right to record telephone bidding and all bidders consent to such recording. 106
CLIENT INFORMATION Anyone that intends to bid at the auction as an absentee or telephone bidder must register on the Absentee/Telephone Bidders form prior to the commencement of the auction and such registration must meet the requirements of FICA (Financial Intelligence Centre Act, 2001) in respect of the establishment and verification of identity of the person and the person must sign the registration entry and in particular must include the following information: Your full names; identity/passport number; physical address; postal address; contact numbers; fax number; email address; copy of your identity document, as per requirement of the Consumer Protection Act 68 of 2008. First-time buyers must provide the Company with a copy of their identity document or passport and a photocopy of the front and back of a valid credit card. A sum of R5,000 may be reserved prior to the auction. Any person who intends to bid on behalf of another person (i.e. on behalf of a company) must produce a letter of authority that expressly authorises him or her to bid on behalf of that person and that person and the person bidding on his or her behalf must meet the requirements set out above. Where a person is bidding on behalf of a company the letter of authority must appear on the letterhead of the company and must be accompanied by a certified copy of the resolution authorising him or her to bid on behalf of the company. CONDITIONS OF ABSENTEE AND TELEPHONE BIDDING Such bids are executed at the bidder’s risk and undertaken subject to the Company’s other commitments at the time of the auction. The Company therefore cannot accept liability for any error or failure to place such bids. All bids are subject to the Conditions of Business applicable to the sale printed in the sale catalogue. Buyer’s premium, at the stated current rates will be added to the hammer price, plus VAT and any other applicable expenses. All bidders are deemed to have read the Rules of Auction prior to any bidding. AFTER THE AUCTION AND PAYMENT In the event that you are successful, payment is due immediately after the sale unless otherwise agreed in advance. Successful absentee/ telephone bidders will receive an invoice detailing their purchases together with the Company’s banking details for payment. A shipping document will accompany the invoice. This document is to be completed and returned to the shipping department. Payment is due immediately after the auction and may be made by the following methods: Electronic Funds Transfer – only bank transfers or electronic funds transfer will be accepted. No cheque or cash payments will be accepted. Wire Transfer Credit Cards – we accept all major credit cards.
I ALWAYS GET WHAT I WANT
Register today for our Absentee Bidder Form service and be able to say, “I always get what I want” - no matter where. Complete the form in this catalogue or on our website. Alternatively you may use the bidding platform www. the-saleroom.com
TM
Online bidding managed by ATG Media SA through www.the-saleroom.com Europe’s leading portal for live art and antiques auctions.
www.stephanwelzandco.co.za 107 SW2431
From The World’s Foremost Authority in Gemology ™
Learn more about GIA laboratory grading and identification services for diamonds, colored stones and pearls. Contact us today.
GIA.edu
108
CARLSBAD NEW YORK ANTWERP BANGKOK DUBAI GABORONE HONG KONG JOHANNESBURG LONDON MUMBAI RAMAT GAN SEOUL TAIPEI TOKYO
LEARN THE BUSINESS OF ART ."45&3ō4 %&(3&&4 Ŕ 4&.&45&3 */ -0/%0/ Ŕ 46..&3 456%: 4)035 $0634&4 Ŕ &9&$65*7& &%6$"5*0/ Ŕ 0/-*/& $0634&4
109 SOTHEBYSINSTITUTE.COM 143 SOTHEBY’S INSTITUTE OF ART IS A DIVISION OF CAMBRIDGE INFORMATION GROUP
Jubilee Auction Series December 5-9, 2017 in Geneva
All World and Collections including British Empire
Finland Grand-Prix Collection
Mauritius
Tibet
French Levant Grand-Prix Collection
Indian States
Rarities of the World
represented in South Africa by
Browse the lots and bid on www.davidfeldman.com 110
w w w. s t e p h a n we l z a n d c o . c o . z a
50 th
Consign with us We have been entrusted to sell the World’s greatest philatelic treasures – Trust us to sell yours!
The Famoun Unused Error of Colour Estimate ZAR 1’950’000, result ZAR 3’280’000
We are always looking for valuable single stamps, specialised collections and estates. We only sell properties consigned by third parties, and for that reason, every vendor can be assured that our interests are aligned to achieve the best possible result.
Contact us today ! David Feldman SA 59, Route de Chancy, 1213 Petit Lancy, Geneva, Switzerland Tel. +41 (0)22 727 07 77 Fax + 41 (0)22 727 07 78 Email info@davidfeldman.com
111
EXCELLENCE LASTS
TM
112
Stephan Welz & Co.™ has entrenched itself at the forefront of the South African auction industry since 1968. Trust us to unlock the true worth of your collectables.
www.stephanwelzandco.co.za
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JOHANNESBURG OFFICE Killarney Country Club | 60 5thAStRD | Houghton Estate | 2198 | Johannesburg AVE D DR ISWOL
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GPS Coordinates: Latitude: S 26º 06’ 9” | Longitude: E 28º 02’ 48”
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ALPHEN ESTATE
CAPE TOWN OFFICE The Great Cellar | Alphen Estate | Alphen Drive | Constantia | 7806 | Cape Town 114
10TH AVE
GPS Coordinates: Latitude: S 34º 0’ 32.24” | Longitude: E 18º 26’ 52.7”
GENERAL INFORMATION JOHANNESBURG Stephan Welz & Co. a division of Scoin Trading (Pty) Limited (“The Company”) Registration Number Street Address
Postal Address Telephone Fax Email Website
2006/028395/07
Killarney Country Club 60 5th Street Lower Houghton 2198 Johannesburg P O Box 52431, Saxonwold, 2132 011 880 3125 086 603 3805 jhb@stephanwelzandco.co.za www.stephanwelzandco.co.za
Executive Chairman
Mr Alan Demby Director (British) B. Com (Hons)
Article Credits
Tanya Demby, Christa Swart
Photography & Design
Lukas Nel
Printing
Paarl Media
Please note that all lots are sold subject to our Terms and Conditions of Business and Rules of Auction on pages 122 - 124
ABSENTEE & TELEPHONE BID REQUESTS Bids should be submitted in SA Rands by close of business on Monday, 20 November 2017 jhb@stephanwelzandco.co.za PAYMENTS accounts@stephanwelzandco.co.za Laurie Sher 011 880 3125 SHIPMENTS Please email/fax shipping instructions by midday on Thursday, 23 November 2017: email: jhb@stephanwelzandco.co.za fax: +27 (0)86 603 3805 The company will arrange competitive quotations for your perusal and approval. Buyers preferring to make use of their own shipping arrangements should advise us accordingly. SHIPPING COSTS BETWEEN OUR CAPE TOWN & JOHANNESBURG OFFICES The packing and transport costs will be calculated as follows (one bulk shipment between offices): Invoice value over R100,000 – free Invoice value below R100,000 – minimum of R500 + VAT. Insurance is not included.
GENERAL INFORMATION CAPE TOWN
Stephan Welz & Co. a division of Scoin Trading (Pty) Limited (“The Company”)
Registration Number Street Address Postal Address Telephone Fax Email Website
2006/028395/07
FORTHCOMING AUCTION
20 & 21 February 2018 Call the relevant specialist for an obligation-free auction appraisal.
The Great Cellar | Alphen Estate | Alphen Drive | Constantia | 7806 PO Box 818 | Constantia | 7848 021 794 6461 086 506 5748 ct@stephanwelzandco.co.za www.stephanwelzandco.co.za
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With notes of old world charm and more than a hint of history, Muratie is a destination for real wine lovers to savour. Our deliciously inviting Farm Kitchen, inspiring Art Gallery, world-class MTB Cycle Trails and our history-laden Cellar Tours & Tastings promise memories that will linger long after you’ve left. Tasting Room: 7 days a week / 10.00 to 17.00 Farm Kitchen: Wed to Sun / 12.00 to 15.00 (Booking advised) www.muratie.co.za | tel: 021 865 2330 | email: info@muratie.co.za
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A. HOW TO GET STARTED ON THE-SALEROOM.COM A. HOW TO GET STARTED ON THE-SALEROOM.COM
1. Create an account on www.the-saleroom.com 1. Create an account on www.the-saleroom.com 2. You can do this by clicking on the ‘Create Account’ link on the site. 2. You can do this by clicking on the ‘Create Account’ link on the site. 3. Please enter all your details, including your email address and a password. Please remember to fill in all your address correctly. 3. Please enter all your details, including your email address and a password. Please remember to fill in all your address correctly. 4. The next screen will advise you that an email has been sent to your addressyou – once checkhas thisbeen emailsent you 4. The nextchosen screenemail will advise that you an email canyour complete registration canthis logemail into you the to chosen the email address – process once youand check Saleroom site using your details.process and can log into the can complete the registration Saleroom site using your details. 5. Once you are back on the site, click on the ‘Auctions’ link on the top leftare of back the page. 5. Once you on the site, click on the ‘Auctions’ link on the top left of the page. 6. You will see a list of all ‘Live’, ‘Timed’ and ‘Catalogue’ Auctions available onathe 6. You will see listsite. of all ‘Live’, ‘Timed’ and ‘Catalogue’ Auctions available on the site. 7. Option 1: You will see a ‘Country’ link on the left of your page – if you 1: click youlink canonsee list of your upcoming 7. Option Youon will‘South see a Africa’ ‘Country’ thea left page auctions. Stephan Welz listed –South if youAfrican click on ‘South The Africa’ you can see&aCo. list auction of upcoming will beAfrican listed here. South auctions. The Stephan Welz & Co. auction listed Option 2: Youhere. will see a smaller list of auctions on the left hand will be listed side of the page these are listed order. Option 2: You will–see a smaller list in of alphabetical auctions on the leftSelect hand side of the page – these in alphabetical Stephan Welz & Co. nearare thelisted bottom of this list. order. Select Stephan Welz & Co. near the bottom of this list.
B. SIGNING UP TO BID AT THE AUCTION B. SIGNING UP TO BID AT THE AUCTION
1. Click into the catalogue of the auction you wish to sign up to bid for. 1. Click into the catalogue of the auction you wish to sign up to bid for. 2. Click on the green ‘Sign Up To Bid’ button in this catalogue. 2. Click on the green ‘Sign Up To Bid’ button in this catalogue. 3. You will be prompted to ‘Add Card’ – you need to select and add will a card is accepted the auction house. 3. You be which prompted to ‘Addby Card’ – you need to select and add a card which is accepted by the auction house. 4. Once you ‘Complete’ the registration process, you will be returned the original the page. 4. Once youto‘Complete’ registration process, you will be returned to the original page. 5. If you are approved to bid by the auctioneer you should now green ‘Bid Live’ 5. Ifhave youaare approved to button. bid by the auctioneer you should now have a green ‘Bid Live’ button. 6. Click on the green ‘Bid Live’ button. 6. Click on the green ‘Bid Live’ button. 7. A smaller page will open which gives you the option to ‘Bid Live’ or ‘View Live’. 7. A smaller page will open which gives you the option to ‘Bid Live’ or ‘View Live’. 8. Please click on ‘Bid Live’ – you will be prompted to enter a password, will be the–password youprompted have set fortoyour new 8. Please clickwhich on ‘Bid Live’ you will be enter a account. which will be the password you have set for your new password, account. 9. You will now enter the live auction bidding page. 9. You will now enter the live auction bidding page. 10. Please note if you click ‘Watch Live’ or ‘View Live’ you will only be ablenote to view as click a guest and Live’ will not able to bid. 10. Please if you ‘Watch or be ‘View Live’ you will only be able to view as a guest and will not be able to bid. 11. If your screen shows a grey ‘Bid Live’ button it means you are approval to abid from theLive’ auctioneer. 11. Ifpending your screen shows grey ‘Bid button it means you are pending approval to bid from the auctioneer. 12. You simply need to contact the auction house via telephone to 12. You simply need to the auction request approval tocontact bid at their auction.house via telephone to request approval to bid at their auction.
13. First time buyers must provide Stephan Welz and Co. with 13. First time must provide Stephan Welz and a copy of buyers their identity document or passport andCo. a with aphotocopy copy of their identity orapassport andcard. a of the front document and back of valid credit photocopy of the front and back of a valid credit card. Email the above to bids@stephanwelzandco.co.za. Email above bids@stephanwelzandco.co.za. A sumthe of R5 000 to may be reserved prior to the auction. A sum of R5 000 may be reserved prior to the auction.
C. BIDDING ‘LIVE’ DURING THE AUCTION C. BIDDING ‘LIVE’ DURING THE AUCTION
1. Once you have entered the live auction bidding page (by 1. Once youthe have entered the live auction bidding page following afore-mentioned instructions) you will be able(by to following afore-mentioned be bidders able to view a list the of the lots on the rightinstructions) hand side ofyou thewill small view a list of the lots on the right hand side of the small bidders screen. screen. 2. On the left panel of the bidding screen you can see the Lot 2. On the left of Estimate the bidding you can see the Lot number, Lotpanel picture, and screen Description. number, Lot picture, Estimate and Description. 3. Once the auction starts you will see the words ‘New Lot’ appear 3. Once auction starts you will see the words ‘New Lot’ appear on thisthe screen. on this screen. 4. Once an ‘Asking’ price has been entered you will see a blue 4. Once an ‘Asking’ price has been entered you will see a blue ‘Bid’ button appear on your screen. ‘Bid’ button appear on your screen. 5. This button will be blue in colour and will have the word ‘Bid’ 5. This button will bewith blue in next colour and will have the word ‘Bid’ in white lettering the Auctioneer’s Increment/Asking in white visible. lettering with the next Auctioneer’s Increment/Asking amount amount visible. 6. If you want to bid the amount being asked on your blue bid 6. Ifbutton, you want bidtothe amount asked on your blue bid you to need click on thisbeing button. button, you need to click on this button. 7. Once you click on this button you will hear the auctioneer 7. Once you click your on this youbutton will hear auctioneer acknowledging bid,button your ‘Bid’ will the disappear and acknowledging bid, advising your ‘Bid’ button and you will see red your lettering ‘You are inwill thedisappear lead’. you will see red lettering advising ‘You are in the lead’. 8. However, if someone at the venue or someone else on the 8. However, if someone at your the venue or someone else on the internet bids against you, ‘Bid’ button will reappear asking internet bids you,next yourincrement ‘Bid’ button will reappear asking if you wish toagainst bid at the amount. If you wish to ifbid you wish to bid at the next increment amount. If you wish to at the next amount you will need to click on this button bid at the next amount you will need to click on this button again. again. 9. If you bid the same amount at the same time as a person at the 9. Ifvenue, you bid samewill amount at the same timeinternet as a person thethe ‘Room’ get priority over any bid. at the venue, the ‘Room’ will get priority over any internet bid. 10. When this happens you will see your bid button reappear 10. When yousaying will see yourthe bid reappear and willthis seehappens a message ‘Sorry bidbutton is in the room’. and see a be message saying ‘Sorry thetobid the‘Asking’ room’. You will again given the opportunity bidisatinthe You will again given the opportunity to bid at the ‘Asking’ amount if you be wish. amount if you wish. 11. If you are the winning bidder on the Lot, you will see a red 11. Ifmessage you areadvising the winning bidder onthis thelot’ Lot, you will see a red ‘You have won once the Auctioneer’s message advising ‘You have this lot’ once the Auctioneer’s hammer goes down and thewon lot is closed. hammer goes down and the lot is closed. 12. Please try to bid early and often to ensure the Auctioneer is 12. Please tryyour to bid early inand aware of interest theoften lot. to ensure the Auctioneer is aware of your interest in the lot. 13. If you have any technical issues or problems logging in to bid, 13. Ifplease you have any our technical issues problems in to contact support teamoron 0044 207logging 420 6671 or bid, please contact our support team on 0044 6671 or support@atgmedia.com. We can assist you 207 with420 any issue support@atgmedia.com. We can assist you with any issue that that you might be experiencing. you might be experiencing.
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LEADING BRANDS PARTNER TO PROVIDE PREMIUM AUCTIONEERING SERVICE FOR LUXURY PROPERTY Stephan Welz & Co.™ has partnering with Jawitz Properties to offer clients a premium auctioneering service in the residential property market. The partnership offers clients of both companies the opportunity to sell both their homes, fine art and collectables. The combined expertise, knowledge and outstanding reputations of both Stephan Welz & Co.™ and Jawitz Properties in their respective industries, is an exciting opportunity not only for the companies themselves but more importantly for their clients, who now have an additional platform for selling properties - a platform that understands and excels in the worlds of both auctioneering and residential property. Jawitz CEO, Herschel Jawitz says, “We are delighted to align our brand with such a prestigious name as Stephan Welz & Co.™ and look forward to a mutually beneficial association. Most importantly, however, is the value that this partnership will bring to the clients of both companies” Stephan Welz & Co.™ is able to offer their clients an intergrated auctioneering service not only to sell their luxury goods but also their residential property assets, using the expertise Jawitz Properties has attained over 45 years of operation. “We at Stephan Welz & Co.™ are very pleased that we tied up with one of the leading residential property companies in South Africa, Jawitz Properties. Both companies have been in business for over 40 years with a legacy of outstanding service delivery which still guides today,” says Alan Demby, Executive Chairman of Stephan Welz & Co.™ For more information on this premium offering contact: Herchel Jawitz - 011 880 3550 Darren Glazer - 011 784 8551
www.jawitz.co.za
WAM
PRESENTS DROWNING WORLD 18 October 2017 – February 2018
Gideon
Mendel
Christa and Salomon Raymond Fils,Decade Village. Haiti. September 2008 photographic print, 120 X 120cm.
A DRAIN ON OUR DIGNITY 25 October 2017 – February 2018
Masixole
Feni
The undrinkable water canal entrance to Khayelitsha, 2017, photographic print.
FOR ADDITIONAL INFORMATION AND IMAGES PLEASE CONTACT LEMISHKA MOODLEY ON LEMISHKA.MOODLEY@WITS.AC.ZA OR CALL 011 717 1446.
OPENING HOURS: WEDNESDAYS TO SUNDAYS 10H00 - 16H00 TEL (MON - FRI): 011 717 1365. TEL (SAT - SUN): 011 717 1358
VISIT OUR WEBSITE AND FOLLOW US ON OUR FACEBOOK PAGE AND TWITTER PAGE FOR REGULAR UPDATES. WITS ART MUSEUM ADDRESS: CORNER BERTHA (EXTENSION OF JAN SMUTS AVENUE) AND JORISSEN STREETS | BRAAMFONTEIN | JOHANNESBURG
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F i n d i t w i t h S t e p h a n We l z & C o . â„¢ , s u b s c r i b e t o o u r c a t a l o g u e s t o d a y.
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w w w. s t e p h a n we l z a n d c o . c o . z a
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Stephan Welz & Co Banking Details: STEPHAN WELZ & COMPANY STANDARD BANK OF SA LIMITED BRANCH: ROSEBANK, JOHANNESBURG BRANCH CODE: 004305 ACCOUNT NUMBER: 402-328-213 SWIFT CODE: SBZAZAJJ Reference your name and surname
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IMPORTANT ANNOUNCEMENTS 1.
2. 3.
4. 5.
All business undertaken at the sale of the auction is subject to the terms and conditions of business which are published in the catalogue, and the Rule of Auction as required by the CPA Act, which are published at the entrance of the auction room. The purpose of the auction, as required by the CPA Act, is a general purpose auction of the clients’ goods. The buyer by bidding for any goods at the auction, irrespective of whether or not the buyer has signed the buyer’s card, is deemed to have understood, agreed and consented to the terms and conditions of the business. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve, by placing responsive bids for a lot.
6.
Buyer’s Premium: 14% plus VAT for items selling over R 10 000 17% plus VAT for items selling for R 10 000 or less 10% plus VAT for Collectable Cars 15% plus vat at the prevailing rate for Auto Memorabilia Overseas bidders Overseas bidders are advised that courier companies such as RAM, Fedex and DHL do not insure jewellery being sent between South Africa and overseas countries. Insurance will therefore become the responsibility of the buyer Shipping Costs Between Our Johannesburg & Cape Town Offices The packing and transport costs will be calculated as follows (one bulk shipment between offices): Invoice value over R100,000 – free Invoice value below R100,000 – minimum of R500 + VAT. Insurance is not included.
7.
8.
PAYMENTS
Value Added Tax (“VAT”) The Company acts as agent on behalf of the Seller and should the Seller be registered as a South African VAT vendor and has informed the Company that his lots must be charged with VAT, then such lots will be indicated in the catalogue with the symbol “†” and VAT at the prescribed rate will be charged on the hammer price and will be payable by the Buyer. Payment is due immediately after the sale in order to meet our commitments timeously with the seller and may be made by the following methods: 1.
2.
Wire transfer
3.
We accept all major credit cards
4.
First-Time buyers must provide the Company with a copy of their identity document or passport and a photocopy of the front and back of a valid credit card. A sum of R5,000 may be reserved prior to the auction.
5. Post-Auction shipping between JHB and CT offices will be for the buyer’s account.
The Company no longer accepts cash and cheque payments from 1 August 2016.
THE COMPANY MAKES NO REPRESENTATIONS
Stephan Welz & Co., a division of Scoin Trading (Pty) Limited, makes no representations or warrantees to whether any lot is subject to import, export, copyright and licence restrictions including permission from SAHRA. Endangered Species - any item made of or incorporating animal material such as bone, etc irrespective of value, will require a specific permit from the Department of Nature Conservation prior to exportation. It is the buyer’s sole responsibility to obtain any copyright clearances or any necessary import, export or other licence
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required by law, including licences requires under the Convention of the International Trade in Endangered Species (CITES). The permit application costs R800. The refusal of an export permit shall not permit the recission of a sale. Customs have placed a ban on the importation of ivory worldwide. Lots which include ivory are therefore not suitable for export.
PAYMENT & DESPATCH OF PURCHASES Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)
METHODS OF PAYMENT Payment is due immediately after the sale and may be made by the following methods: Wire Transfer and accepted Credit Cards. 1. Electronic Funds Transfer Only bank transfers or electronic funds transfer will be accepted. No cheque or cash payment will be accepted. First-time buyers must provide the Company with a copy of their identity document or passport and a photocopy of the front and back of a valid credit card. A sum of R5,000 may be reserved prior to the auction. 2. Bank transfers in South African Rands These should be transferred to: Stephan Welz & Company STANDARD BANK OF SOUTH AFRICA LIMITED Branch: Rosebank, Johannesburg Branch code: 00 4305 Current account: 402 328 213 Swift code: SBZAZAJJ Please include your name and invoice number as a reference with your instructions to your bank. Purchases will not be released until payment has been cleared by the bank. 3. Credit Cards We accept all major credit cards. DESPATCH OF PURCHASES All purchases must be removed by 12 noon on the day following the sale, after which all purchased lots will be placed in storage and will be subject to removal, handling and storage charges. Purchases will be despatched as soon as possible upon receipt of the buyer’s written despatch instructions, full payment for the lots bought, and any export licences that may be required. Despatch costs will be at the buyer’s expense. Estimates and advice on all methods of despatch can be provided upon request and enquiries should be marked for the attention of our Shipping Department. Insurance cover must be arranged by the buyer and will be at the buyer’s expense. Lots will be released to the buyer or his/her authorised representative, herein duly authorised under deed of power of authority, only if full payment has been received by us together with settlement of any removal, handling and storage charges due. 1. Methods of despatch for overseas and neighbouring countries Buyers After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of Stephan Welz & Co. Where such assistance is rendered, no liability will devolve on Stephan Welz & Co. or its staff for any damage that may arise, from whatever cause, during such packing and/or loading.
Customs have placed a ban on the importation of ivory worldwide. Lots which include ivory are therefore not suitable for export. Overseas bidders Overseas bidders are advised that courier companies such as RAM, Fedex and DHL do not insure jewellery being sent between South Africa and overseas countries. Insurance will therefore become the responsibility of the buyer. Airmail Despatch via this method will depend upon the size and weight stipulated by the postal authorities. Quotations for packing and postage are available upon request. Surface mail Despatch is as for airmail but at a cheaper rate. Purchases take considerably longer to arrive at their destinations. Quotations for packing and postage are available upon request. Airfreight This is suitable for all items, worldwide. Unless otherwise specified, despatch is arranged by our nominated agent. Quotations for packing and despatch are available upon request. Seafreight This is often more economical for larger consignments, such as furniture. Unless otherwise specified, despatch is arranged by our nominated agent at your risk. Quotations for packing and despatch are available upon request. 2. Methods of despatch for local buyers After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of Stephan Welz & Co. Where such assistance is rendered, no liability will devolve on Stephan Welz & Co. or its staff for any damage that may arise, from whatever cause, during such packing and/or loading. Air and surface mail Despatch via this method will depend upon the size and weight stipulated by the postal authorities. Quotations for packing and postage are available upon request. Road This is suitable for all items too large or fragile for despatch by mail. Unless otherwise specified, despatch is arranged by our nominated agent at your risk. Quotations for packing and despatch are available upon request.
Applications for export permits The Buyer shall be responsible for obtaining any export licence that may be required. Endangered species Any item made of or incorporating animal material such as ivory, irrespective of value, will require a specific permit from the Department of Nature Conservation prior to exportation. The Buyer shall be responsible for obtaining the CITES certificates. 123
TERMS & CONDITIONS OF BUSINESS AND RULES OF AUCTION Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)
The Company carries on its business as auctioneers in accordance with these Terms and Conditions of Business and Rules of Auction. A. DEFINITIONS In these conditions of business, headnotes are for convenience only and shall not be used in their interpretation, any expression which denotes any gender shall include the other genders, any expression which denotes the singular shall include the plural (and vice versa), any expression which denotes a natural person shall include a juristic person (and vice versa) and the following terms shall have the following meanings: 1. “auction” means any private treaty or auction sale at which a lot is offered for sale by the Company; 2. “auctioneer” means the representative of the Company conducting an auction; 3. “bidder” means any person making, attempting or considering to make a bid or offer to buy a lot at an auction, or private treaty sale; 4. “Buyer” means the bidder who makes the bid or offer for any lot that is finally accepted by the auctioneer (after determination by the auctioneer of any dispute that may exist in respect thereof) at a sale of that lot, and (where the Buyer is an agent acting for a principal), the Buyer and the Buyer’s principal jointly and severally; 5. “Buyer’s premium” means the premium payable by the Buyer of a lot to the Company on the sale of that lot, calculated on the hammer price of that lot at the relevant current rates; 6. “catalogue” means any advertisement, brochure, estimate, pricelist, condition report and other publication (in whatever medium, electronically or otherwise) published by the Company in respect of any auction; 7. “current rates” means the Company’s current rates of commission, premiums and other amounts payable to the Company for the time being, together with VAT thereon (if any), all as published by the Company (whether in a catalogue or otherwise) or as agreed between a prospective Buyer or Seller (as the case may be) and the Company; 8. a “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source, which is not shown to be such in the description in the catalogue and which at the date of the sale had a value materially less than it would have had if it had been in accordance with that description and includes any misrepresentation made with intention of deceiving as to authorship, origin, date, age, period, culture or source; 9. “hammer price” means the bid or offer made by the Buyer for any lot that is finally accepted by the auctioneer (after determination by the auctioneer of any dispute that may exist in respect thereof) at a sale of that lot, together with VAT thereon (if any); 10. “lot” means any item or items to be offered for sale by the Company at an auction or private treaty sale; 11. “prime rate” means the publicly quoted base rate of Interest (percent, per annum compounded monthly in arrears and calculated on a 365 day year, irrespective of whether or not the year is a leap year) from time to time published by RMB Private Bank, or its successor-in-title, as being its prime overdraft rate, as certified by any manager of such bank, whose appointment, authority and designation need not be proved; 12. “private treaty” means the sale of any lot other than by auction sale at a price privately agreed on by the Buyer and Seller; 13. “purchase price” means the hammer price of any lot at a sale thereof, plus the applicable Buyer’s premium for that lot, plus all recoverable expenses for which the Buyer is liable in respect of that lot; 14. “recoverable expenses” includes all fees, taxes (including VAT), charges and expenses incurred by the Company in relation to any lot that the Company is entitled to recover from a Buyer or Seller; 124
15. “reserve” means the confidential minimum hammer price (if any) at which a lot may be sold at an auction as agreed between the Seller of that lot and the Company in writing; 16. “sale proceeds” means the amount due by the Company to the Seller of a lot in respect of the sale of that lot, made up of the hammer price of the lot, less the applicable Seller’s commission for that lot, less all recoverable expenses for which the Seller is liable in respect of that lot and any other amounts due to the Company by the Seller in whatever capacity and howsoever arising. 17. “sale” means the sale of any lot at an auction, whether done by private treaty or auction sale, and “sell” and “sold” shall have corresponding meanings; 18. “Seller” means the person named as the Seller of any lot, being the person that offers the lot for sale; 19. “Seller’s commission” means the commission payable by the Seller to the Company on the sale of a lot that is calculated on the hammer price of that lot at the relevant current rate; 20. “VAT” means value added tax levied in terms of the Value Added Tax Act, 1991. B. GENERAL TERMS AND RULES OF AUCTION Every auction and/or sale shall be governed by these terms, section 45 of the Consumer Protection Act 68 of 2008 (“the Act”) and the rules of auction and in accordance with the laws of South Africa. The provisions of section 45 reads as follows: 1. Auctions 1.1 In this section, “auction” includes a sale in execution of or pursuant to a court order, to the extent that the order contemplates that the sale is to be conducted by an auction. 1.2 When goods are put up for sale by auction in lots, each lot is, unless there is evidence to the contrary, regarded to be the subject of a separate transaction. 1.3 A sale by auction is complete when the auctioneer announces its completion by the fall of the hammer, or in any other customary manner, and until that announcement is made, a bid may be retracted. 1.4 Notice must be given in advance that a sale by auction is subject to – (a) A reserved or upset price; or (b) A right to bid by or on behalf of the owner, in which case the owner or auctioneer, or any one person on behalf of the owner or auctioneer, as the case may be, may bid at the auction. 1.5 Unless notice is given in advance that a sale by auction is subject to a right to bid by or on behalf of the owner or auctioneer: (a) The owner or auctioneer must not bid or employ any person to bid at the sale; (b) The auctioneer must not knowingly accept any bid from a person contemplated in paragraph B.1.5 (a); and (c) The consumer may approach a court to declare the transaction fraudulent, if this subsection has been violated. 1.6 The Minister may prescribe requirements to be complied with by an auctioneer, or different categories of auctioneer, in respect of: (a) The conduct of an auction; (b) The records to be maintained with respect to property placed for auction; and (c) The sale of any such property by auction. 2. The rules of the auction are those promulgated in terms of the Regulations promulgated by the Minister of Trade and Industry dated 23 November 2010 under Government Gazette No. 33818 on 1 April 2011 and any subsequent amendment and/or variation to the rules and these terms. 3. In the event of there being a discrepancy between the rules and
TERMS & CONDITIONS OF BUSINESS AND RULES OF AUCTION The Company carries on its business as auctioneers in accordance with these Terms and Conditions of Business and Rules of Auction.
4. 5.
6. 7.
the terms herein, the rules shall be operative and overriding. Every bid constitutes an offer, open for acceptance by the Auctioneer and such acceptance shall be signified by the fall of the hammer, or by the acceptance of the offer by the Company in the event of a private sale. Buyers are solely responsible to satisfy themselves prior to auction/ private treaty sale as to the condition of each lot and should exercise and rely on their own judgement as to whether the lot accords with the description or not. 5.1 Neither the Company, its servants, its employees, its agents and/or the Auctioneer shall be responsible whether directly or indirectly for any errors, omissions, acts of negligence, incorrect and/or inadequate descriptions or defects or lack of authenticity and/or inadequate descriptions or defects or lack of authenticity or lack of ownership or genuineness in any goods auctioned and sold. The Company shall not be held responsible for any incorrect, inaccurate or defective description of the goods listed for sale in the catalogue or in any condition report, publication, letter, or electronic transmission or to the attribution, origin, date, age, provenance, condition and description of the goods sold, and shall not be responsible for any loss, damage, consequential damages and/or patrimonial loss of any kind or nature whatsoever and howsoever arising thereout. 5.2 No warranty, whether express, implied or tacit is given by the Company, its servants, its agents, or its employees, or the Auctioneer or the Seller or the Buyer of any lot shall be binding or legally enforceable. 5.3 Any lot which proves to be a ‘deliberate forgery’ (which will only be the case if an expert appointed by the Company for such purposes confirms same in writing) may be returned by the Buyer (as his sole remedy hereunder or at law) to the Company within 21 days of the date of auction in the same condition in which it was at the time of the auction, accompanied by a statement of defects, the number of the lot, and the date of the auction at which it was purchased. If the Company is satisfied that the item is a ‘deliberate forgery’ and that the Buyer has and is able to transfer a good and marketable title to the lot, free from any third-party claims, the sale will be set aside and any amount paid in respect of the lot will be refunded, subject to the express condition that the Buyer will have no rights or claims against the Company if: 5.3.1 the description in the catalogue at the date of the sale was in accordance with the then generally accepted opinion of scholars and experts or fairly indicated that there was conflict of such opinion; or 5.3.2 the only method of establishing at the date of publication of the catalogue that the lot was a ‘deliberate forgery’ was by means of a scientific process not generally accepted for use until after publication of the catalogue, or by a process which was unreasonably expensive or impractical. 5.4 Buyer’s claiming under this condition will be limited to any amount paid in respect of the lot and will not extend to any loss or damage of whatsoever nature suffered, or expense incurred by him/her. 5.5 The benefit of this condition will not be assignable and will rest solely and exclusively in the Buyer who, for the purpose of this condition, will be and only be the person to whom the original invoice is made out by the Company in respect of the lot sold. The Company will have the sole, exclusive and absolute right, at its discretion, to refuse admission to any person to its premises or any other premises at which such auction is to be conducted. The Company has the sole and absolute discretion without having to give any reasons therefore, to refuse any bid, withdraw or reoffer
8.
9. 10. 11.
12.
13.
lots for auction (including after the fall of the hammer), cancel any sale if the Auctioneer and/or the Company believes that there may be an error or dispute of any nature whatsoever, and shall have the rights, as it deems fit, to divide any lot; to combine any two or more lots, or to put up any lot for auction again. Any notice required to be given in connection with this agreement: 8.1 if given by the Company, shall be delivered by hand, or sent by registered post; or by telefax or by email, provided such address is given in which event such address shall constitute the domicilium citandi et executandi of the person to whom notice must be given. Notice shall be deemed to have been received by the person who is required to receive such notice, whether given personally or to a third party or any other manner as envisaged by this clause: 8.1.1 on the date of delivery if delivered by hand or telefax or email; 8.1.2 on the fourth (4th) day from the date of posting, including the date of posting if posted by prepaid registered post from within the Republic of South Africa, which postage shall be deemed to have been sent on receipt of the post office of proof of posting. 8.2 if required by the Company, such written notification must be given to the Company at its telefax number and/or email address as published in the brochure, alternatively the Company’s published address and/or fax number. The Seller submits to the non-exclusive jurisdiction of the South African courts. The Buyer and/or Seller, as the case may be, hereby pledges the goods either sold and/or bought as security to the Company for all amounts which are owing to it. No variation, alteration, consensual termination, representation, condition, term or warranty, relaxation or waiver or release by the Company, or estoppel against the Company, or the suspension by the Company, in respect of these terms and conditions of business, or any part thereof, shall be of any force or effect unless reduced to writing and signed by the Company and the Buyer. The Buyer shall be responsible for the payment of the Company’s legal costs, calculated on the scale as between attorney and client incurred by the Company in enforcing any of its rights of its principal whether such rights are exercised by way of legal proceedings or not. Notwithstanding the nature or amount of the claim by the Company, the Company and the Buyer hereby consent to the jurisdiction of the Magistrate’s Court otherwise having jurisdiction; this consent is without prejudice to the right of the Company to institute proceedings and to obtain judgment or any order in the High Court of competent jurisdiction, the Company nevertheless still being entitled to claim on the High Court scale of costs and expenses, all as set out in this agreement.
C. TERMS RELATING TO BUYERS OF GOODS AT AN AUCTION OR BY PRIVATE TREATY 1. Buyer’s Registration 1.1 Buyer bidders must prior to the commencement of an auction register his/her identity on the Company’s Buyer’s card and such registration must with the necessary changes meet the requirements of Chapter 1 of the regulations in terms of the Financial Intelligence Centre Act, 2011, published in Notice No. R. 1595 in Gazette No. 24176 of 20 December 2002, in respect of establishment and verification of identity, and sign that entry. First time buyers must provide the Company with a copy of their identity document or passport and a photocopy of the front and back of a valid credit card. A sum of R5,000 may be 125
TERMS & CONDITIONS OF BUSINESS AND RULES OF AUCTION The Company carries on its business as auctioneers in accordance with these Terms and Conditions of Business and Rules of Auction.
reserved prior to the auction. 1.2 A Buyer who intends to bid on behalf of another Buyer must produce a letter of authority expressly authorising him/her to bid on behalf of that Buyer. 1.3 If a Buyer will be bidding on behalf of a company, a letter of authority must appear on the letterhead of the Buyer company and must be accompanied by a certified copy of the resolution authorising him/her to do so. 2.
Auction Bids 2.1 The goods (lots) sold shall be to the highest bidder whether the sum bid be equivalent to the real value or not. Where the sale is announced to be with reserve, the goods shall be sold to the highest bidder, either on or in excess of the reserve price. 2.2 No person shall, at any bid, advance less than the amount fixed for that purpose by the Auctioneer. Bids can be retracted before the fall of the hammer but the Auctioneer may refuse any bid. 2.3 Should there be a dispute as to the highest bid, even after the fall of the hammer, the auctioneer shall in his sole and absolute discretion, determine which bid shall be accepted and the Company and/or the Auctioneer shall be absolved of any liability of any nature whatsoever in regard thereto. In the event of a dispute the Auctioneer may determine the dispute in his absolute discretion, or the property may, at the Auctioneer’s option, either be put up again at the last undisputed bid, or be withdrawn.
3.
Minimum Bid The auctioneer shall have the sole and absolute discretion and right to refuse any bid which does not exceed the previous bid by at least 5% (five percent) or such other percentage as the Auctioneer, in his/her discretion deems acceptable.
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4.
Buyer’s Premium A Buyer’s premium, calculated at the applicable current rate of the hammer price, shall be payable by the Buyer to the Company in respect of the sale of each lot. The Buyer acknowledges that the Company, when acting as agent for the Seller of any lot, may also receive a Seller’s commission and/or other fees for or in respect of that lot. VAT at the prevailing rate is applicable on such Buyer’s premium.
5.
Value Added Tax (“VAT”) The Company acts as agent on behalf of the Seller and should the Seller be registered as a South African VAT vendor and has informed the Company that his lots must be charged with VAT, then such lots will be indicated in the catalogue with the symbol “†” and VAT at the prescribed rate will be charged on the hammer price and will be payable by the Buyer.
6.
Absentee Bids 6.1 Upon request, the Company shall execute absentee bids on behalf of intending Buyers. Absentee bids are a service provided by the Company for the Buyers’ benefit and the Company cannot be held responsible for errors or omissions with respect to the bidding process. Lots will be bought as cheaply as is allowed by other bids placed and the Seller’s reserves. In the event of identical bids, the earliest will take precedence. When absentee bids are placed by telephone they are accepted at the Buyer’s risk, and must be confirmed prior to the sale by letter or facsimile. 6.2 All absentee bids shall be registered with the Company in accordance with the Company’s procedures and requirements not less than twenty-four (24) hours before the auction and/or the private treaty sale. The Company reserves its rights, at its
sole and absolute discretion, to receive and/or reject such absentee bids and/or to receive and/or reject absentee bids if given less than twenty-four hours before the auction and/or private sale. 6.3 Absentee bidders must register his/her identity as per clause C.1 above. 7.
Telephone Bids 7.1 Subject to a Buyer arranging with the Company at least twenty-four hours before the published time of the auction and subject to a Buyer completing such documentation as the Company may require it to do, whether it be by fax or by electronic transmission, or any other form of transmission a Buyer, on making such telephone call, is deemed to accept these Terms and Conditions and to be bound thereby and shall be permitted to bid by means of a telecommunication. The right of a Buyer to bid is subject to a telecommunication line being available, fully functional and operative. The person who makes the bid on the telephone shall be deemed to be the Buyer and shall be deemed to be personally liable for the payment of the purchase price and other amounts as are required to be paid. In executing bids on the telephone, the Buyer waives and abandons any claim howsoever or whatsoever arising against the Company and/or the Auctioneer, including any act or omission and/or act of negligence and/or any act on the part of the Company and the Auctioneer, or in failing to have regard or failing to take cognisance of such bid. 7.2 The Company reserves its rights, at its sole and absolute discretion, to receive and/or reject such telephone bids and/ or to receive and/or reject telephone bids if given less than twenty-four hours before the auction and/or private treaty sales. 7.3 The Company reserves the right to record telephone bidding and the telephone bidder consents to such recording.
8.
Payment 8.1 The hammer price as defined in clause A.9 above, including further amounts payable in terms hereof such as Value Added Tax and the Buyer’s premium, shall forthwith become due, owing and payable to the Company in full immediately upon the knock down of the hammer and/or acceptance of the offer. 8.2 Any payment by a Buyer to the Company shall be applied by the Company towards any sums owing by the Buyer to the Company on any account whatever without regard to any directions of the Buyer or his/her agent, whether express or implied. 8.3 The purchase price shall be paid in South African rands. Foreign Buyers are required to make arrangements with their banking houses to transfer forex funds equivalent to the Rand value as stated on the purchase tax invoice. All fees relating to this transfer of funds from the foreign bank to the Company’s RSA account shall be for the account of the Buyer. 8.4 The Company accepts the following methods of payment: 8.4.1 Electronic Funds Transfer Only bank transfers or electronic funds transfer will be accepted. No cheque or cash payment will be accepted. 8.4.2 Bank Transfers in South African Rands Stephan Welz & Company STANDARD BANK OF SOUTH AFRICA LIMITED Branch: Rosebank, Johannesburg Branch code: 00-4305-17 The 8 digit branch code is required for international banking.
TERMS & CONDITIONS OF BUSINESS AND RULES OF AUCTION The Company carries on its business as auctioneers in accordance with these Terms and Conditions of Business and Rules of Auction.
The first 6 digit (00-4305) code is required for online banking. Swift code: SBZAZAJJ Current account number: 402-328-213 8.4.3 Credit Cards Payment by all major credit cards will be accepted.
9.
Credit terms No credit shall be given to any Buyer unless prior to the auction the Company has in its absolute discretion agreed in writing in response to a request to grant the Buyer credit. The Buyer shall make payment of such amounts of interest and other charges as are permitted in terms of the National Credit Act 34 of 2005. Ownership of the goods sold shall not vest and/or pass to the Buyer until such time as the full purchase price including VAT thereon and any other amounts have been paid in full.
10. Collection of goods 10.1 Ownership of the goods purchased by a Buyer whether credit or cash sales shall remain vested in the principal (and/ or the Company under circumstances where the Company sells its own goods), until such time as the Buyer has made full payment to the Company which payment includes the payment of the purchase price of the goods, the Company’s commission, Value Added Tax on the sale and any other amounts as provided for herein. 10.2 The Buyer shall, at his/her/its expense, collect the goods (“take delivery”) purchased by it at the auction and/or sale immediately after the auction, unless such goods due to their size and/or weight cannot immediately be removed in which event such goods shall be collected from the auction site by no later than 16h00 on the day following the auction unless such day is a Saturday or a Sunday or a public holiday in which event such goods will be collected by no later than 16h00 on the following business day. The Company shall not render any assistance to the Buyer to pack, remove, transport or store such goods on the Buyer’s behalf. The Buyer will be responsible for all packing, removal, insurance and storage charges. Goods not collected within 30 days of the auction will be dealt with as per clause C.11. 10.3 Should the Company render any assistance at all of any nature whatsoever to a Buyer in removing the goods from the auction site then and in such event the Company’s employees shall be deemed to be the agents and/or servants and/or employees of the Buyer and the Company is exempt from any liability or any culpability in respect of the Company’s employees and/or servants executing such work. 11. Uncollected Goods The Buyer will be responsible for the collection of all goods purchased on auction or private treaty and such collection of goods must be made within 30 days of the auction or private treaty sale. Goods not collected will be dealt with as follows: The Company will notify the Buyer that the goods must be collected within 30 days of such notice. The notice required to be given shall be in terms of clause B.8.1. 11.1 Should the Buyer not have collected the goods within 30 days of notification, the Buyer hereby irrevocably transfers ownership of such goods to the Company who shall retain ownership of such goods, whose ownership shall be indisputable. The Company shall then, in its sole and absolute discretion, dispose of such goods at the best price it can obtain from a willing and able Buyer. 11.2 Subject to paragraph C.11.1 above, if the Company is able to sell the lot at an auction and/or private treaty sale, the Company shall dispose of such goods at the best available price and shall deduct from the proceeds of such
sale, all amounts as were expended by the Company in insuring, storing, carrying, transporting, retaining and/or keeping such goods after the deduction of its commission, VAT, and any other expenses it incurred in respect of such goods. Should there be a shortfall, then and in such event the Buyer shall make payment to the Company, on demand, of such shortfall and all costs incurred by the Company in recovering such shortfall, including attorney and client costs shall be for the account of the Buyer. 11.3 The Company reserves the right to charge R25 (twenty five rand) plus VAT per day to store any one item not collected from the Company’s place of business from the time the Buyer has been notified and until such time as the item has been collected. 12. The Buyer’s Risk The Buyer shall be solely responsible for any loss of and/or damage to and/or diminution in value of and/or deterioration to any goods (lots) purchased at the auction or at a private treaty sale immediately upon the knock down by the Auctioneer to the Buyer of the hammer price. 13. Import, export, copyright restrictions and licenses and quality in the goods sold 13.1 The Company makes no representation or warranties whether express, implied or tacit pertaining to the authenticity, quality, genuineness, condition, value, origin, ownership of any goods or whether express, implied or tacit as to whether any Lot is subject to import, export, copyright and licence restrictions including permission from SAHRA. Endangered Species – any item made of or incorporating animal material such as ivory, bone, etc irrespective of value, will require a specific permit from the Department of Nature Conservation prior to exportation. It is the Buyer’s sole responsibility to obtain any copyright clearances or any necessary import, export or other licence required by law, including licences required under the Convention of the International Trade in Endangered Species (CITES). The refusal of an export permit shall not permit the rescission of a sale. 13.2 The sale of any firearm is subject to the express conditions of the Firearms Control Act 60 of 2000 and any amendments promulgated thereunder. No firearm will be delivered to any Buyer until he/she/it has produced a valid firearm license or a collector’s permit or any other document as required by the said Act. No sale shall be cancelled without proof to the Company’s satisfaction that the Buyer has the authority and license to receive such firearm. The onus to comply with the provisions of the said Act is solely on the Buyer. 14.
Breach by the Buyer 14.1 Should the Buyer breach any of the terms and conditions thereof, alternatively not make payment in full or collect the items bought as provided herein, or should there be any other breach, the Company, agent for the Seller (alternatively the Company in the event of it being the Seller of its own goods) will, and at its absolute and sole discretion, and without prejudice to any other rights it may have in law, be entitled to exercise on or more or all of the following remedies: 14.1.1 to institute proceedings against the Buyer for payment and/or damages for breach of contract; 14.1.2 to cancel the sale of that or any other lots sold to the defaulting Buyer at the same time or at any other auction; 14.1.3 to resell the goods (lot) or cause it to be resold by public auction or private sale;
127
TERMS & CONDITIONS OF BUSINESS AND RULES OF AUCTION The Company carries on its business as auctioneers in accordance with these Terms and Conditions of Business and Rules of Auction.
14.1.4 to remove, store and insure the goods at the sole expense of the defaulting Buyer and if such goods are stored either at the Company’s premises or any other place as the Company may require such goods to be stored at, the Buyer shall be responsible for all charges associated therewith; 14.1.5 to charge interest on such monies as are due, owing and payable in an amount of two percent (2%) above the prime rate granted to a customer by the Company’s bankers; 14.1.6 to retain that or any other lot sold to the same Buyer at the same time, or at any other auction and to allow the Buyer to take delivery of such goods after all amounts due, owing and payable have been paid by the Buyer to the Company in terms of this agreement, including interest, storage charges and any other charges; 14.1.7 to reject any bid made by or on behalf of the defaulting Buyer at any future auction/sale; 14.1.8 to exercise a right of retention over the goods sold and not to release such goods to the Buyer until full payment has been made to the Company in terms of this agreement. For such purpose and in so far as ownership of goods may have passed to the Company, the Buyer hereby pledges such goods to the Company as security for the Company’s claim; 14.1.9 to charge a rental charge of R25 (twenty-five rand) plus VAT per day for each item stored by the Company from the date of auction until the time of collection. 14.2 In the event of the Company reselling the goods at a subsequent auction or by way of private treaty sale and should such goods be sold for a lesser amount than the amount sold, the Buyer shall be liable for any loss (if any) being the difference between the initial sale price and the resale price if lower than the initial price and the Company shall be entitled forthwith to proceed against the Buyer for a claim for damages. 15. Rescission of the sale If before 21 days after the auction or within 48 hours of a private treaty sale, the Buyer makes a claim to rescind the sale under the definition of deliberate forgery or otherwise and the Company is of the opinion of the claim is justified, the Company reserves the right in its sole discretion to rescind the sale and refund the Buyer any amounts paid to the Company in respect of that sale and the Seller authorises the Company to do so.
128
16. Treatment and Condition of Gemstones The Buyer acknowledges that gemstones and precious stones and/or semi-precious stones may have been treated by a variety of techniques to enhance their colour, appearance and clarity. These or other techniques, such as dyeing, irradiation, coating and impregnation, may be used on other gemstones. Although it is widely believed that heat treatments are permanent, Buyers should assume that any treatment may not be permanent and that over time special care of the stone may be required. Prospective Buyers are reminded that, unless the catalogue description specifically states that a stone is natural, the Company have assumed that some form of treatment may have been used and that such treatment may not be permanent. To the extent that the Company has laboratory reports containing specific information on the treatment of a stone, these reports are made available for review by potential Buyers. Available reports from internationally recognised gemological laboratories will be noted in the description of the item. New forms of
treatments and new scientific methods to discern them are constantly being developed. Consequently, there may be a lack of consensus among laboratories as to whether gemstones have been treated, the extent of the treatment or the permanence of the treatment. References in the catalogue descriptions to certificates or reports issued by gemmological laboratories are included only for the information of Buyers, and the Company accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Statements in the catalogue regarding the condition of lots in this sale usually appear in the description. However, the absence of any such reference does not imply that a lot is in perfect condition or completely free from wear or imperfections. The Company will be pleased to offer condition reports on all lots of the sale to potential Buyers.
17. Wristwatches All wristwatches are sold as viewed and cannot be returned on the grounds that repairs have been carried out or parts supplied by anyone other than the named makers. Watches may not be taken apart whilst on view. Prospective Buyers or their agents wishing to do so should make an appointment with the Watch Department for a private view the week before the sale. Although condition reports may be given on request, such reports are statements of opinion only and may not specify all mechanical replacements or imperfections in the movement, case and dial. All dimensions are approximate. The Company offers no guarantees with regard to the working order of wristwatches, and will not be liable for any losses which may be incurred in this respect. As with all items included in the sale, it is the prospective Buyer’s responsibility to conduct a full inspection of the lot prior to the sale. Water-resistant cases may have been opened and no warranty is offered with regard to the water resistance of any watches. The Company does not guarantee the authenticity of any individual component parts, such as wheels, hands, crowns, crystals, screws, bracelets and leather bands, since subsequent repairs and restoration work may have resulted in the replacement of original parts. Straps made of material derived from endangered or otherwise protected species (i.e. alligator and crocodile) are not sold with the watches and are for display purposes only. The Company reserve the right to remove these straps prior to shipping. Furthermore, in reference to watch bands, the Company does not guarantee the material of manufacture. 18. Overseas Bidders Overseas bidders are advised that courier companies such as RAM, Fedex and DHL do not insure jewellery being sent between South Africa and overseas countries. Insurance will therefore become the responsibility of the buyer.
129
167
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ARTISTS’ INDEX
A
O
H
Andrews S
326
Agam Y
410
Aggenbach S
354
J
Alexander K
396
Jones C
Amshewitz J H
253
Arigliano G
304
B
Haro A
406, 407, 408, 409
Osso T
411
R 370, 371
Rose-Innes A
379
Roworth E
338, 339
K Kauffmann H W
257
S
Kentridge W J
323, 324, 325, 400,
Schadeberg J
372
Schlangenhausen E 322
Baldinelli A
349, 350
401
Battiss W W
318, 399
Klar O
386, 387
Shepard E H
311
Boonzaier G
352, 389
Klingsbogl R
254
Sibiya L
421
Boshoff A H
355, 398, 402
Knight L
313
Skotnes C E F
315, 425, 426
Botha D
394
Koch M
341
Spears F
404
Boyley E S
384, 423
Krenz A F
405
Boys G
329
Kumalo A
369
Buthelezi M
358, 359, 360
T Tugwell C
335
L Langdown A
373
V
Carter I
308
Laubser M M
397
van der
Carter S
328
Lettau F
255
Westhuizen P
Catherine N
316, 317
Cilliers-Barnard B
419, 420
M
Coetzer W H
388
Macala B
Continental School
303
Maimane M
C
van Essche M C L
390
van Heerden P G
377
343
Van Leeuwen H
301, 302
331, 332, 345, 346,
van Stry J
309
van Vuuren A
330 361, 362, 363, 364, 365
347 D
Makamo N
427, 428
Vermeulen
de Jongh G C
336, 340, 382, 383
Marini M
342
Breedt M
de Jongh T M J
381
Marx I
348
Vorster G F
de Leeuw G
368
Mautloa K
416, 417, 418
de Lima V
422
Mayer E
327
W
du Toit P
395
McCreedy C
366, 367
Wachtel W
256
Montague A
310
Welz J
351
Moraloki L
415
E Enslin G
378, 385
Moyo B
357
Z
Everard B
424
Muafangejo J N
320, 321
Zardo A
Murphy J F
312
Mwasangwale T
356
F Fasciotti T
380
Flint F R
337
N
Forbes RA SA
314
Naudé P H
392, 393
Francois L A
334
Ndlovu S
412, 413, 414
Ngatane E M
391
Niemann H C
344, 403
G
132
319, 374, 375
Griesel H
353
Gussoni V
305, 306
333, 376
307
133
The Killarney Country Club 60 5th St | Lower Houghton | Johannesburg | 2198 www.stephanwelzandco.co.za