Stephen Egan | Architecture Portfolio

Page 1

STEPHEN EGAN Architecture Portfolio




TABLE OF CON TENTS ABOUT ME I grew up surrounded by the construction industry and developed a fascination with building technologies ever since. Through this I have become captivated by the way buildings are put together and how they coincide with the built and natural world around them. I am a life-long learner, a self-starter, and a firm believer in collaborative design. I thrive from engaging a project through all phases and seeing how all parties can contribute.

SKILLS Revit

D I A G R I D L I G H T I N D U ST R Y

Comprehensive Design Studio | Spring 2017

UNION SQUARE HOUSING

Housing + Aggregation | Spring 2016

EAST BOSTON REDEVELOPMENT

Architecture, Infrastructure + the City | Fall 2015

AutoCAD Adobe Illustrator

B AUG R UP P EN P RO J E CT

Studio Abroad - Berlin | Spring 2015

Adobe Photoshop Adobe InDesign Microsoft Office SketchUp Rhino

G RA P H I C W O R KS

Various Classes | 2015-2018

FREELANCE WORK SAMPLE 2016 - Present

03 25 45 57 65 73



DIAGRID LIGHT INDUSTRY

Comprehensive Design Studio| Spring 2017 Revit, Rhino, SketchUp, AutoCAD, Illustrator, Photoshop, Indesign

project description:

PARK

U

IND

The studio has several scheduled opportunities for us to meet with practicing structural, MEP, and civil engineers as well as landscape architects as we developed our projects out from the initial detail. Emphasis was put on holistic design as well as traditional drivers such as sustainability, resiliency, programming, and site strategies. In the end this project focused on the development of a rigid, exterior, structural system that could prove as adaptable for light manufacturing as the former mill structures that this industry segment currently occupies. The idea being that when a hypothetical 3D printing start-up out grows the mill it resides in how can it design a new form of architecture as resilient as older manufacturing typologies.

RIVER

RIVER PARK

The Comprehensive Design Studio is designed to invert the usual studio design process from massing down to detail. Instead we started with a structural system of interest and iterated on creative ways to aggregate said system into a structural bay. From there the bay was assembled into a massing strategy on the given site - East Boston in conjunction with an Eversource redevelopment plan on a waterfront parcel.

RESIDENTIAL


PUBLIC PARK URBAN WILD

INDUSTRIAL DISTRICT FUEL TANKS

CHELSEA CREEK INDUSTRIAL WATERFRONT

RESIDENTIAL NEIGHBORHOOD

RIA

UST

IND L

RIA

UST L

L

RESIDENTIAL

SITE PLAN | Site Organization Process Diagram

4


RIVER PARK

SUNKEN WETLAND LAYER COONTAILS, HORNWORT, RIGID HORNWORT

FLOATING WETLAND LAYER IRIS, WATER HYACINTH, EICHORNIA, RATTAN FILTER LEAD, COPPER, ZINC, NICKEL, & CADMIUM, MANAGES TIDAL CONDITION

U

FILTER S HEAVY METALS, STRENGTHENS EDGE CONDITION THROUGH INTERCONNECTED STRANDS

IND

BORDER WETLAND LAYER CATTAIL, TYPHA LATIFOLIA, FONIO, BULRUSH, REEDMACE

PHYTOREMEDIATION

SUPPORT SMALL ANIMAL LIFE, STRENGTHEN MUD FLAT

RESIDENTIAL

BERM WETLAND LAYER PHRAGMITES AUSTRALLIS, COMMON REED, MISCANTHUS FILTERS NITROGEN FROM SEWAGE RUNOFF, PROMOTES BIRD HABITAT

HIGH RESILIENCY GRASSES SCUTCH GRASS, CYNODON, BERMUDA GRASS HANDLE HEAVY FOOT TRAFFIC, TOLLERATE MOIST SOIL, BOUNCE BACK QUICK, FROM TRUCK TIRES

CONDOR ST REET

EVERGREEN BUFFER HOLLY TREE, JUNIPER TREE, SPRUCE, PINE, CEDAR FILTER SMELL AND SIGHT OF INDUSTRIAL AREA

DECIDUOUS LAYER RED ASH, MAPLE, OAK, HAZEL, BEECH SUPPORT PASSIVE SUN SHADING, CONDITION AIR BEFORE IT REACHES STRUCTURE

EAST EAGLE STREET

5 LANDSCAPE PLAN| Planting Plan


L RIA

UST

L

LANDSCAPE SECTIONS | Seawall Lookout + Nature Walk Path

6


@ GRA DE

CLEAR STORY WINDOW S

CLEAR STORY WINDOW S

CLEAR STORY WINDOW S

@ GRA DE

7 GROUND FLOOR + FOUNDATION PLAN | 1/32” = 1’-0”


SECOND FLOOR STRUCTURAL PLAN + ROOF PLAN | 1/32” = 1’-0”

8


9 WEST + SOUTH ELEVATIONS | 1/64” = 1’-0”


SECTIONS | 1/64” = 1’-0”

10


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AXONOMETRIC

12


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GROUND STUDIES + WALL SECTION

14


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ONGOING GENTRIFICATION

INCREASE IN REAL ESTATE PRICES

CONDOS WITH LOBBY AND RETAIL AT GROUND FLOOR CREATE AMENITY SPACE

FLEXIBLE OFFICE SPACE & GROUND FLOOR RETAIL COMPARTMENTALIZE UPPER FLOORS

ACADEMIC FACILITY IN EAST BOSTON

COMFORT DIAGRAM

RESEARCH LABORATORY SECOND FLOOR BECOMES SERVICE SPACE LAB SPACE

SUMMER

FABRICATION SHOWROOM/PRODUCTION/ ADMINISTRATION

FABRICATION COMPANY GOES BANKRUPT

COMMUNITY AMENITY BUILDING IS SOLD BACK TO EAST BOSTON; USED FOR PUBLIC MARKET

NORTH INCREASED FLOODING SEA LEVEL RISE CAUSES STORM SURGES TO REGULARLY FLOOD BUILDING

DATA CENTER BUILDING BECOMES DATA CENTER WITH FLEXIBLE GROUND FLOOR

SOUTH

WINTER

2017

2040

15 FUTURE SCENARIO PLANNING | Resiliency, Programming, and Preparedness

2070

2100


_ )/(;,%/( 2)),&( 63$&( LARGE EXPANSES WITHOUT STRUCTURE ALLOW FOR OPEN FLOOR PLANS; LOADING DOCK REPURPOSED FOR PARKING GARAGE

_ &20081,7< $0(1,7< PROMINENT LOCATION AND FLEXIBLE LAYOUT ALLOWS FOR CHANGING FUCNCTIONS; DIFFUSED LIGHTING AND ATRIA ALLOW BASEMENT TO BECOME PERFORMANCE SPACE.

_ 5(6($5&+ /$% CURRENT HIGH MECH. & STRUCTURAL CAPACITY IS IDEAL FOR TRANSITION; LARGE EXPANSES EASILY SUBDIVIDE INTO CONTROLLED HABITATS; MORE MECH. SUPPORT SPACE READILY AVAILABLE

16


SYSTEMS DIAGRAM

SECOND FLOOR

SECTION

KEY FORCED AIR SUPPLY FORCED AIR RETURN PLUMBING/ ELECTRICAL

17 MECHANICAL SYSTEMS DIAGRAM


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AIR SUPPLY PASSIVE VENTILATION STRATEGIES

AIR RETURN

RADIANT FLOOR HEATING

LOADING & SHIPPING

GEOTHERMAL EXCHANGE

INTEGRATED SYSTEMS DIAGRAM

18


STRUCTURAL STEEL CURTAIN WALL SYSTEM DESIGNED TO MATCH & ATTACH TO SECONDARY DIAGRID STRUCTURE

SECONDARY DIAGRID STRUCTURE 6X6 TUBULAR STEEL TIED BACK TO PRIMARY 3'-0" I-BEAM STRUCTURE ATTATCHED TO CURTAIN WALL AND FLOOR AT 4'-3" INTREVALS

VARIABLE INFILL GLASS PANELS: DOUBLE GLAZED GLASS FRITTED GLASS TINTED GLASS BACK PAINTED GLASS COMPOSITE METAL PANELS

AIR SUPPLY DUCT 4 @ 18" DIA. PER FLOOR TRAVELS OUT FROM CORE AND UNDER TAPERED BEAMS AT FACADE

15" C-CHANNEL @ FACADE ATTACHED TO PRIMARY DIAGRID MEMBERS AND SECONDARY GIRD MEMBERS @ NODES 4'-6" O.C.

PRIMARY DIAGRID STRUCTURE 3'-0" DEEP I-BEAM ANCHORED AT FOUNDATION

AIR RETURN DUCT 4 @ 9"x30" PER FLOOR POCKETED IN I-BEAM RIM JOISTT ATRIA

30" I-BEAM RIM JOIST @ ATRIA ATTACHED TO CORE AND SPOT WELDED FOR MOMENT CONNECTION AT INTERSECTION

TAPERED BEAM 15" @ FACADE - 30" IN-FLOOR EXTEND 20'-0" FROM FACADE OR TO ATRIA/CORE IF CLOSER

7" CONCRETE SLAB ON METAL DECKING

RADIENT FLOOR HEATING ENCASED IN SLAB

30" I-BEAM SPANNIG RADIALLY FROM ATRIA TO FACADE

19 PEEL-AWAY FLOOR DETAIL


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EXPLODED SYSTEMS DIAGRAM

20


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ASSEMBLY PROCESS DIAGRAM

22


CHELSEA RIVER

23

URBAN BERM NATURE WALK


RENDERINGS + MODEL PHOTOS

24


UNION SQUARE HOUSING Housing + Aggregation | Spring 2016 AutoCAD, Revit, Rhino, SketchUp, Illustrator, Photoshop, Indesign

project description: The project was situated within the context of the Somerville redevelopement plan centered around the extension of the Green Line into Union Square. The studio had adjoing sites within the redevelopement overlay district and were taksed with designing multi-use housing projects while tracking developer driven statistics such as FAR, dwelling units per acre, floor efficiencies, and lot coverage. Personally I was working on an almost 50,000 sf site with an FAR just under 3.3. Additionally, we were challenged to respond to the designs of our adjacent classmates as necessary while designing for a given area of research. My research focussed on co-housing as an affordable solution to the displaced residents currently occupying the area.

25


Housing | 3 Bedrooms 1100 sq.ft. | 2 Units | 6 Floors Housing | 4 Bedrooms 1500 sq.ft. | 48 Units | 6 Floors

Commercial | Retail 13,758 sq. ft. | 1 Floor

Services | Parking 34,752 sq. ft. | 84 Spots | 1 Floor Services | Residence Services 8,317 sq. ft. | 1 Floor

GROSS FLOOR AREA

SITE AREA

FLOOR EFFICIENCY RATIO

FLOOR EFFICIENCY RATIO

LOT COVERAGE RATIO

DWELLING UNIT / ACRE

FLOOR AREA RATIO

SITE PLAN

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U GH RB RB TO N ts In be no liable eventRBfor shall any the damages, City of Somerville, be liable for any damages,INE ST ST RB Massachusetts RB direct n contained orRC consequential, in this map.from the use of the information contained in this map.

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Current CCD-55 zoning contains mostly tripple deckers. All of this is being rezoned to 5-MU

rrent CCD-55Current zoningCCD-55 contains zoning many contains tripple decker many housing tripple de u All of which is being All of which rezoned is being 5-MU rezoned 5-M 27 ZONING MAPS | Current vs Proposed


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units. ecker housing units. MU

DEMOLITION PLAN

85.29% of these structures contain some kind of housing

SITE MAPS

28


80

Rooms in renter-occupied apartments in Union Square

70 60

Union Square

50

Somerville

40 30 20 10 0

1 Room

2 Rooms

3 Rooms

4 Room

5 Rooms

6 Rooms

7 Rooms

8 Rooms

9+ Rooms

100

Who is this displacing?

Bedrooms in renter-occupied apartments in Union Square 80 Somerville

Somerville

Union Square

60

40

Median Age

33.9 Years

Average Household Income

$70,729

Average per Capita Income

$38,400

Median House/Condo Value

$454,300

20

0

30

No Bedrooms 1 Bedrooms

2 Bedrooms

3 Bedrooms

4 Bedrooms

5+ Bedrooms

Renters and Owners by Unit Type (%)

25

Renter Occupied Units

20

Owner Occupied Units

Median Gross Rent

$1,502

15

10

Average Rent/Sq.Ft.

$2.31

5

0

29 THE PROBLEM

1, detached 1, attached

Duplex

3 or 4

5 to 9

10 to 19

20 to 49

50 or more


$960

SF $2 .3 1 sq / .ft .

avg. income

8

$38,400

30% of Monthly Salary

41 8. 5

Union Square

400 SF

300 SF 40%

Communal Space

350 SF

1,662.34 SF

250 SF

THE SOLUTION | Affordable Sizing + Living Area per Occupancy

30


Maisonette Section

Attach Bedrooms

Create Green Space

Create Diveristy

height space

green space

and back zones as well as break up the facade

Units Aggregate Aggregate Units Group unitsblocks” into “double blocks” Group units into “double to further diversify unit distribution to further diversify unit distribution and addbetween connections and add connections frontbetween front and rear zones and rear zones

31 THE MODULAR PROCESS


Inner Facade

Auxiliary Mass

Three Zones

the double height space of the maisonette section is stamped with the interior facade of the bedrooms stacked one on the other

the “individual� space of each unit becomes a clear and distinct mass visibile from the exterior of the building

each unit contains three zones: one, the two story stacked bedrooms; two, a double height living space containing kitchen and entry; and three, a living room with direct acess to outdoor space

MODULAR PARTI DIAGRAM

32


33 MODULE PLANS


MODULE - EXPLODED AXON

34


Topography

Parking level -1

35 SITE PROCESS DIAGRAM

Commercial ground level

Maisonette 1 levels 1-3

Maisonette 2 levels 4-6


AXONOMETRIC

36


PARKING LEVEL

GROUND FLOOR PLAN

SECOND FLOOR PLAN

THIRD FLOOR PLAN


FOURTH FLOOR PLAN

FIFTH FLOOR PLAN

SIXTH FLOOR PLAN

SEVENTH FLOOR PLAN

BUILDING PLANS

38


39 BUILDING ELEVATION


BUILDING ELEVATIONS

40


41 RENDER | Terrace Roof Deck


RENDER | Interior Courtyard

42


43 RENDER | Rear Facade


MODEL PHOTOS

44


EAST BOSTON REDEVELOPEMENT PROJECT

Architecture, Infrastructure, & the City | Fall 2015 AutoCAD, Revit, Rhino, Illustrator, Photoshop project description: The project was based in the center of East Boston at a narrow point between the Chelsea River and Independence Beach. The program was an urban design proposal consisting of 1.1 - 3 million square feet of mixed use program on 12.6 acres. By far the largest of the projects I have worked on it measures 2.3 Manhattan city blocks. The challenge here was designing across multiple scales in a way that was coherent at every scale. The additional challenge was that of resiliency, since the site was infill, at low grade, and located so close to tidal waters the management of that water had to be considered carefully.

45


60’

SITE PLAN | Ground Level

46


N Through the identification of various street patterns in East Boston, certain intersection points and zones become clear. Pairing this analysis with the “one-sided� nature observed within the individual zones my design strategies could easily be expanded into a phasing strategy that would revitalize East Boston, strengthen its connections with both Chelsea and Boston Proper and protect against the ecological threats of flood levels and storm surges. Phase 3

Phase 1

Phase 2

phy pogra nt To Curre Sea Level His tor ic T op og rap hy

Through creative planning this project would also serve the area civically, economically, and asthetically. This effort is not only something East Boston could benefit fom but something it needs as well.

The one-sided The one-sided nature of East Boston extends through all of the zones, nature of East Boston extends including the site. through all of the zones, including the site. The Blue Zone has residential development buffered from an industrial

SITE

East Boston in Zones

The BLUE ZONEbyhas residential waterfront a small commercial area. developement buffered from an The Purple Zone industrial waterfront by a smallhas a sparse commercial area due to the lack of appeal commercial area.

of highway adjacent property. That will be the challenge of our site.

The PURPLE ZONE has a sparse commercial area Finally,of thehighway Orange Zone is one sided due due to the lack of appeal adjacent the challenge undevelopable topography on one property. That will betothe of our site.

side of the road.

Finally, the ORANGE ZONE is one-sided due to the undevelopable topography on one side of the street.

47 SITE ANALYSIS DIAGRAM | East Boston in Zones


GROUND LEVEL PLAN

UPPER LEVEL PLANS | +20’ + 40’

48


49


Square Footage by Program Program Commercial

O ce Residen

Civic

Recrea on

Parking

Typology

Square Footage

Retail Restaurant Convinence Total

20,000 sq. 4,986 sq. 2,022 sq. . 27,008 sq. .

Total

20,000 sq.

Small (1,000 sq.st.) Medium (1500 sq. .) Large (2,000 sq. .) Total

219,009 sq. . 1,347,433 sq. . 444,653 sq. 2,011,095 sq. .

O ce Community Total

8,842 sq. . 35,054 sq. . 43, 869 sq. .

Hardscape So Scape Total

89,693 sq. . 285,963 sq. . 375,656 sq. .

Total

209,440 sq. .

PROGRAM BREAKDOWN + ELEVATIONS

50


Section 4

Section 3

Section 2

Section 1

51 URBAN TRANSECT DIAGRAMS | Sectional Axonometric


Detail 1

SECTION 1 w/ detail 1

Detail 2

SECTION 2 w/ detail 2

Detail 3

SECTION 3 w/ detail 3

Detail 4

SECTION 4 w/ detail 4

URBAN TRANSECT DIAGRAMS | Sections

52


53 URBAN TRANSECT DIAGRAMS | Details 1 + 2


URBAN TRANSECT DIAGRAMS | Details 3 + 4

54


55 RENDERINGS


MODEL PHOTOS

56


BAUGRUPPEN PROJECT

Studio Abroad - Berlin | Spring 2015 AutoCAD, Revit, Illustrator, Photoshop

project description: This project was based in the Pankow neighborhood of Northern Berlin. Like much of Berlin it is still in a rebuilding phase more than 20 years after the fall of the Berlin Wall, providing our site with access off of two streets as well as multiple existing party walls. The “Baugruppen� program literally translates to group-build and is meant to solve the disconnect between developer and future residents of housing projects. The funding comes from residents who then have all the say in what they want their building to be. It creates a very close, and sometimes contentious, group environment but it is very popular and common in Berlin, as well as other German cities. The square footage and unit requirements were more relaxed but a list of clients and their demands were given to us. We were also encouraged to come up with our own clients as well based on our research of local demographic information.

57 FIGURE GROUND | Completing the Mietskaserne

Site Plan | 1 : 500


AXONOMETRIC

58


Level 3 UP UP

DN

DN

DN UP

DN

LEVEL 3

ROOF

LEVEL 4

UP

DN

UP DN UP

DN

UP

DN UP

DN

UP

GROUND LEVEL

59 FLOOR PLANS

LEVEL 1

LEVEL 2


Axonometric | 1:100

SECTIONS

SEC 60


61 CIRCULATION DIAGRAM | Shared Terraces + Informal Interaction


STRUCTURAL BAY

hardwood flooring on toungue-and-groove 3/4” plywood decking on I-beams supported by glulam beams supported by 6x6 columns with 1/2” strapping supporting drywall finish.

STRUCTURAL GRID

showing partywalls, walls, columns, beams, and joists.

STRUCTURAL AXON

showing the stacking of the structural gird

WALL DETAIL Level 3 - Roof

CONSTRUCTION DIAGRAMS | Sustainable Materials + Simple Construction

62


STUDENT LIVING

self-created group for the project, subsadized through other units, minimal sleeping areas with larger shared space. Placement in project due to lack of appeal due to lack of cross ventilation.

THOMAS & MICHAEL

gay couple, one is not always in Berlin, wanted a duplex, privacy and their books are very important to them. They have a balcony on their private bedroom level, as well as an office. (this is the unit rendered)

HOLTHAUS FAMILY

Family of 4 returning from 10 years in Ethiopia, desire for interaction and relationships with neighbors. They have a balcony on their public living level. Also requested 1.5 baths, 2-3 beds, office, and seperated kitchen.

63 UNIT DETAILS | Student Housing; Thomas & Michael / Holthaus Family


MARTIN BRUCHLATER

A plumber by trade but a chef by passion Martin didn’t need large living spaces but wanted a large kitchen for his dinner parties and dreamed of having an “in-house” baugruppen restaraunt a few nights a week. Placing that on the ground floor gave his dream the best chance at reality.

FRIEDRICH THE CONDUCTOR

conductor and music professor, his Cembalo piano was his one necessity. He wanted to be able to throw soirees in a large flexible apartment with living and service minimized and tucked away.

UNIT DETAILS | Martin Bruchlater; Friedrich the Conductor

64


15 MIN 30 MIN 30 MIN 45 MIN 60 MIN 60 MIN

MISC./ERRANDS BUSINESS DEV. DD PROPOSALS MANAGEMENT FIELD WORK

Hour Work Day

9.5

THE ARHITECT

How are devlopers educated?

How are they doing it?

Percent

30

Percent

of developers already have a background in architecture, engineering, or construction

Licensed architects have a higher level of education than the majority of developers at

51

The best markets to enter right now

MBA

60 MIN

45 MIN

45 MIN

45 MIN

45 MIN

30 MIN

E MS MR RE

BACHELOR DEGREE S

Where is this happening?

FIELD WORK

FINANCIALS

BUSINESS DEV

EXT. MEETINGS

INT. MEETINGS

CONTACTS

Hour Work Day

8.5

TOP STATES: 1. TEXAS 2. GEORGIA 3. ALABAMA 4. MONTANA 5. MISSOURI

TOP CITIES: 1. NEW YORK 2. LOS ANGELES 3. BOSTON 4. SAN FRANCISCO 5. CHICAGO

THE DEVELOPER

A/E

36%

COMMERCE

RESIDENTIAL

57%

PROJECT DEVELOPMENT +

42%

CONSTRUCTION

9%

360 HOURS | CONSTRUCTION + EVALUATION

1,520HOURS | PROJECT DEVELOPMENT + DOCUMENTATION

1,080 HOURS | PROJECT PLANNING + DESIGN

260 HOURS | PROGRAMMING + ANALYSIS

360 HOURS | PROJECT MANAGEMENT

160 HOURS | PRACTICE MANAGEMENT

Hours of experience by the time you become a licensed architect

3,740

The Architectural Experience Program or AXP

What do we already know?

SINGLE-DEVELOPER PROJECTS

7%

INDUSTRY


120 MIN 150 MIN

SD CD

Average Salary ($)

$36,900 MORE PER YEAR

22

48

90 MIN

90 MIN

60 MIN

Developers make more every year compared with PERCENT architects even though their relative investment is only: with this in mind you could take just your PERCENT increse in pay and develope a project valued at:

80 70 60 50 40 30 20 10

Design + Graphics | Fall 2017 Illustrator, Photoshop

ARCHITECT + DEVELOPER INFOGRAPHIC

Design + Graphics was a representational course offered in conjunxion between the School of Architecture and the School of Journalism. The class focussed on the basics of design from both an aesthetic and a psychological stand point and then moved into implementing these principals in design projects. The design projects ranged from a two-letter logo-type that was then implemented on a business card, a study of the effects of black and white lines which grew in complexity with every itteration, this infographic, and a bus stop ad. The bus stop ad was meant to work in conjunxtion with the infographic as a sort-of amrketign campaign.

project description:

22% AT RISK

Average Investment by Developer (%)

A/E/C

PLANNING

PROP MANAGEMENT

PRACTICE MANAGEMENT

5%

PROGRAMMING + ANALYSIS

7%

+ E VA L U AT I O N

Architect as Developer, Can You Do It?

PROJECT MANAGEMENT

9%

PROJECT PLANNING + DESIGN

28%

D O C U M E N TAT I O N

ARCHITECT + DEVELOPER INFOGARPHIC

66

For my infographic I focussed on the growing professional trend of architect as developer and analyzed the barriers to entry as well as the possible benefits. The language is meant to be sleek and eye catching with a pallette pulled from the architecture proffession. This combination creates a familiarity for the architect while instantly creating a feeling of professionalism. The bus stop ad then took this message and translated it into an eye catching display which manifested itself as portraits of famous architects standign in front of their works edited onto business-clad bodies with the simple call to action, “Architects Get to Business”

Stephen Egan | Design + Graphics | Karen Stein

ADVOCATE FOR YOURSELF

Why is the extra time and effort worth it in the long-run

Why take this next step?

20K

40K

60K

80K

100K

120K

when and how do they work

Who are the players?

60 MIN

CA


ARCHITECTS GET TO BUSINESS

ARCHITECTS

GET TO BUSINESS FIND OUT MORE AT: NORTHEASTERN.EDU/DES2DEV

FIND O

UT MO

67 BUS STOP ADS | Wright + Schinkle

RE AT:

NORTH

EASTER

N.EDU

/DES2

DEV


ARCHITECTS GET TO BUSINESS

FIND OUT MORE AT: NORTHEASTERN.EDU/DES2DEV_____________

BUS STOP AD | Banner

68


a l o n e


F R E E

LINE EXPLORATIONS | with Real World References

70



The purpose of this summer studio was not the design of an architectural project but rather the design of an architectural presentation. The site was Dewey Square in Boston’s South End and the goal was to create a single cohesive board to present a variety of information. This information included a perspectival site map from an angle of our choosing, a rendered perspective analyzing a system on the site, a data map visually displaying our research on the site, and demographic information. The final portion of the project was placing all of the components on a single board in a way where it read as one presentation and not multiple drawings.

project description:

Advanced Architectural Communication| Summer 2015 AutoCAD, Revit, Rhino, SketchUp, Illustrator, Photoshop

DEWEY SQUARE INFOGRAPHIC

Once across the tracks and through the doors of South Station the population disperses in all directions. Dewey Square acts as the key stone of the Leather District, Chinatown, Downtown Crossing, the Financial District, the Seaport District and the South End. With six major boston Neighborhoods within walkig distance, and all of the transportation options South Station and Dewey Square are clearly the pumping Heart of Boston.

South Station, and Dewey Square act as a funnel and a gateway to boston for the majority of the Eastern Coast of the United States. With the addition of the Silver Line access to Logan Airport thispoint on the map now becomes the entry way to city for most of the world. A buisnessman from Nashua, New Hampshire can come via commuter rail and red line; a political advisor can come from Washington DC via Amtrak; and a college studentcan come from his suburban home via the bus. Three people, three walks of life, three modes of transportation, and one building, South Station.

DEWEY SQUARE INFORAPHIC

72

My rendered perspective of the underground network of Dewey Square is meant to show how much is happening beneath people’s feet without them ever thinking about it. Because of this my perspectival base map became a worm’s eye view that orients the perspective to the heart of Dewey Square, and the heart of the underground network, South Station. My data map then focusses on the commuters coming into South Station with a careful analysis of who they are, where they’re coming from, and where they are going. More data collected on the site is presented in the form of pie graphs emerging like pipes from the ground that was cut from the perspective.


MODEL HOME 2018

project description: This project was for a model home in Abington, Massachusetts which added an interesting dynamic of not having a defined client beyond the developer. The house was to be part of a partially sold subdivision and would be used to show potential clients the possibilities of the lots before eventually being sold off itself. The house has a two-car garage oriented away from the front of the house as well as a partially finished basement. There is a front farmer’s porch as well as a rear deck off of the kitchen. The house has 3.5 baths including the master, as well as a mudroom, laundry hook up on the second floor, and a gas fireplace. There are three standard bedrooms as well as master suite over the garage. The attic is fully accessible. The style and massing is a highly unique craftsman style colonial that mediated the developers goal of an easily constructable “model” to go off of with perspective buyers desire for destinctiveness.


EXTERIOR RENDERING

74


    

    

  

















   





  



 





 









  



 





 





 





     













 

 





 



 

    





    



















 



 



 









   





    









 



  





 













  









  

 













 





























  









75 FOUNDATION PLAN





 




  



    

 

















   









 



  

























 

    





 

 



 

  



  

  

















 





  

 

     













  





 

















 





 

 







 

  

 









 



 









  









 



 

  

 















 





 











 

 













 



 



FIRST FLOOR PLAN

76


  

 

        

 



 



  







  













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 

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 

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 

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  

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 

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  

 

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  

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  

  

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

 

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  



 





 

 



  









  





  

 

  





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 

 

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 



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 

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 



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

 











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 



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 

 

 

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 

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 







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

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



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

77 SECOND FLOOR PLAN



 





  

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



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

 

   

  

   

    

 

   

   



 

 

   

  

  

   



 

 

   



   

 



   



 

   

   

  

 





 



 

  



  





 

 

       



 

   



 



 

 

 

  



















 





FRONT + REAR ELEVATIONS

78




 

 

    

   

   

   

   

   

  

  

 

   

 

   

 

  

  

  

  





  

 

   

   

   

   

  

 



   

 

  

 

   



 

     

   

  

 

 



 

 



 

   

   

 





 

























79 SIDE ELEVATIONS




   

    

 



 

   

 

   





   

 



  

  





 

 



  



 

 







 





 

 

 

 

  







  

 

 

 





 



 



 

  

 

    

  

 









 



  









 



















 







   



















STRUCTURAL SECTION

80



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