And I Still Miss You..., Issue 14

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Christie Ann Young Ludmilla Cerveny Gabriel Jones Yuji Yamada


Christie Ann Young Untitled

Tell us briefly about you and your work

Where do you find inspiration?

I’m an art director raised in Texas and now

I find inspiration in the unobservable, in the

living in Brooklyn. I work with photography

nature of relationships and the vernacular

because I like the balance of observation and

that develops from them. There’s a forced

participation, and reconciling between the

consciousness in processing what can’t be

two if not to find new understanding then to

quantified, both conceptually and physically,

reinterpret it. Lately, the notion of emergence

and for me, a good deal of thought and

has played a big part in my work—the idea that

inspiration comes from that place.

randomness and interaction of small parts can lead to something orderly and complex and whole. A big part of my interest in this is the fact that it’s not enough for individual parts to exist, but it’s the interaction of the parts from which emergent structures arise. For me this is very much about people and place and capturing these interactions.

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What were you just doing?

My favourite...

Making more coffee. Always more coffee.

My favourite Beach Boys song is “Farmer’s Daughter.” Followed by “Lana.” Actually, most of Surfin’ USA. My love for Brian Wilson knows no bounds.


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Christie Ann Young


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Christie Ann Young


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Christie Ann Young


Ludmilla Cerveny How to face reality ?

Tell us briefly about you and your work

Where do you find inspiration?

I am currently working on psychology

Inspiration comes from a living partner, in

of intimacy, friendship, affinity, affection

a specific situation; this experiment is based

between people, which are complex things.

again on the complexity of human psychology

For instance I experiment communication

and this interaction with the rest of the world.

and mind connection when I do a picture

Inspiration is not predictable it is not random

of somebody, giving a part of him/her hidden

neither. Anyway it is poping up and crashing

personality. I try to test that shooting of body

or colliding with other souvenir of past

communication with a person, that I previously

reference, pictures, ideas and hidden criteria.

know only little of her/him, and this must be done together without any witness, except the camera itself.

I walk around a lot of pictures website, paper printed issues and books. I digest web culture in the most interesting way, trying to find; what

Body and body language is a main part of my

is in it for me and finding it at the end.

work and even if my current job is studying

I want verity, trust, real things, raw material but

architecture, it is very exciting and marvelous

relevant and pleasant to behold.

to decipher human behavior, moving and living in a given place. In a sense, I think this is the right way to do, then every communication are necessarily based on mutual trust, therefore I don’t want to cheat when I’m recording a picture of an actual dramatic moment.

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What [are you] doing?

My favourite...

I am seeking currently into two major goals:

My favorite thing is human face.

first my architecture degree and second photography art. I have two big projects in stand by ready to start. I want to make it big.

I love strange beauty more than other things. I think I’m able to look to somebody’s face for hours. When I was a little girl, I used to do that all the time, fixing somebody. I’m in love with a lot of people. I really love them; some of them are really amazing. And I’m always finding new persons to love!


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Ludmilla Cerveny


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Ludmilla Cerveny


Gabriel Jones Irhann

Tell us briefly about you and your work

Where do you find inspiration?

At the risk of sounding clichĂŠ: Its about

My work seems to revolve around errance.

nowhere. Its about an absence of identity.

To be more precise, it seems to take place

About the difficulty to love and to relate

inside that specific and rare emotional state

to what surrounds us.

of mind created by errance. The moment which somehow permits an extra sensitivity towards objects, situations and people that surrounds us, during that privileged moment.

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What were you just doing?

My favourite...

Just a few minutes ago, I was at the cafĂŠ

My favorite moment is when I am dancing like

around the block from my studio, talking

crazy with people I love. When words are not

with a friend of mine about this film I decided

a necessity, when the brain functions on a

to make. My first film.

different level. When exchanges are possible without any social filters.


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Yuji Yamada Sports is Everything

Tell us briefly about you and your work

Where do you find inspiration?

I was born in 1985 in Japan. I currently lives

sports magazine, sports news site and Rapha

and works in Kawasaki.

products

I wanted to become Web designer, so I studied at a professional school in Tokyo after graduating from high school. but I becomes sick of digital design because all the work is done by PC. so I decided to become a painter or illustrator. I really like sports, I think there is nothing more realistic than sports. but I’m drawing a simple and static picture, because it’s not interesting if drawing in usual dynamic picture in the sports illustration.

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What were you just doing?

My favourite...

I’m just drawing. will be exhibit for the group

Sports: Cycling race, Triathlon, Football,

show in Cologne.

Boxing, Horse racing, Rugby, NBA, MLB, NFL, UFC Sportswear: Nike, Rapha, The North Face Painters: Jose Parla, Ian Francis, Allison Schulnik, Tomokazu Matsuyama, O JUN Illustrators: Yuta Onoda, Chris Ballantyne


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And I Still Miss You... is curated & published by Peter Skwiot Smith. All artwork is used with the kind permission of the artist.

This magazine is set in Bryant.

http://www.andistillmissyou.com/ http://www.skwiotsmith.com/


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