STILLS GALLERY - PARIS PHOTO 10-13 Nov 2016 | Stand A30
PAT BRASSINGTON RICKY MAYNARD TRENT PARKE JAMES TYLOR
PAT BRASSINGTON | RICKY MAYNARD TRENT PARKE | JAMES TYLOR
For Paris Photo 2016 STILLS will present a group exhibition of artists Pat Brassington, Ricky Maynard, Trent Parke, and James Tylor whose works address the concept of ‘Home’ through a diversity of perspectives and artistic approaches. With mass movements of people across the globe, the idea of a ‘Home’ or ‘a Homeland’ is more complex and fluid than ever before and these artists challenge us to consider the subject through a variety of lenses: symbolic, cultural, psychological and spiritual. Stills Gallery is one of Australia’s longest running commercial galleries and one of the few specializing in contemporary photography. The gallery supports both emerging and established artists working across the spectrum of photomedia. *** Pour Paris Photo 2016, STILLS présentera une exposition incluant les artistes Pat Brassington, Ricky Maynard, Trent Parke, et James Tylor dont les travaux, bien que proposant des approches très différentes, questionnent tous le concept de ‘foyer’. Avec les vastes migrations de populations à travers le monde, l’idée de ‘maison’ ou ‘patrie’ est plus que jamais fluide et complexe. Ces artistes nous invitent à penser le sujet selon une multitude de perspectives symboliques, culturelles, spirituelles et fictionelles. Grâce à un accrochage évolutif, chaque série pourra être réllement mise en valeur dans l’espace et donner lieu à des interractions étonnantes avec les autres oeuvres. Fondée en 1991, Stills Galerie est l’une des plus anciennes galeries commerciales d’Australie et l’une des rares spécialisée dans la photographie contemporaine. La galerie représente et accompagne des artistes émergents et reconnus tout en embrassant le médium dans ses multiples formes et expressions contemporaines.
| PAT BRASSINGTON Pat Brassington, one of Australia’s key artists working with photomedia, has a longstanding interest in the psychodynamics of family life and the uncanny in the domestic sphere. Her ‘Homes’ are like theatre sets, patterned by wallpapers and rugs, where strange bodily mutations take place. Inspired by Surrealism and psychoanalysis, Brassington combines analogue and digital techniques in order to present haunting, dream-like images, which lead the viewer to the edges of the imagination. Pat Brassington, une des principales artistes photographe d’Australie, s’intéresse depuis de nombreuses années à la psychodynamique de la vie familiale et à l’inquiétante étrangeté dans la sphère domestique. Ses “maisons” sont comme des décors de théâtre décorés de papiers peints et de tapis où d’étranges mutations corporelles prennent place. Inspirée par le Surréalisme et la psychanalyse, Brassington mêle des images trouvées à ses creations originales tout en combinant techniques analogiques et numériques pour présenter des images cauchemardesque et oniriques, qui emmènent le spectateur aux limites de l’imagination.
| RICKY MAYNARD Ricky Maynard is an Indigenous photographer with a commitment to representing his people and a belief in documentary photography as a tool to effect social change. For over 20 years, his work has encapsulated a poignant interpretation of his people and their connection to home and land. By offering alternative perspectives and cultural insights he aims to create an awareness of the enduring legacies and struggles of Indigenous people while also celebrating their indomitable spirit. Ricky Maynard est un photographe aborigène,animé par un profond engagement à représenter son peuple et par la conviction que la photographie documentaire se veut instrument du changement social. Depuis plus de 20 ans, son travail, caractérisé par une interpretation honnête et poignante, offre des perspectives et connaissances culturelles renouvelées. Ses portraits sont un témoignage au nom des communautés aborigènes et de leur longue relation à leur terre natale.
| TRENT PARKE Trent Parke, the only Australian member of Magnum, will present images from his acclaimed series The Black Rose (2015). This epic and moving body of work was created over 7 years and showcases his distinctive vision, which blurs the line between documentary photography and an esoteric exploration of the medium. Everyday objects and life moments are transformed to create a meditation on ‘Home’ and how life is shaped by chance and fate. He explains: “Autobiographical in nature, these letters and photographs narrate the story of my life past and present, but more importantly pose universal questions relating to our very existence.” À la suite de notre précédente presentation, en 2015, de l’oeuvre de Trent Parke, seul membre australien de Magnum Photos, nous proposerons les nouvelles oeuvres majeures de sa série The Black Rose (2015). Ce travail épique et émouvant, créé au cours de 7 années, exprime la vision unique d’un artiste qui brouille de plus en plus les lignes entre la photographie documentaire et une exploration ésotérique du medium. Les objets du quotidien et les instants de vie sont transformés en une méditation sur le sens du terme ‘maison’ et la question d’une vie façonnée par le hasard et le destin. Il explique: “Autobiographique de nature, ces lettres et photographes racontent l’histoire de ma vie, passée et présente, mais plus important encore, elles posent des questions universelles relatives à notre existence même.”
| JAMES TYLOR Emerging artist James Tylor makes his multi-cultural heritage— Aboriginal, Māori and European—a focus of his artwork. It presents his connection to physical and emotional Homelands, and recognizes the profound impact of colonization and migration. Tylor’s approach is critical and innovative, often alluding to the erasure of Indigenous cultures. In some cases he uses early photographic techniques, such as daguerreotype, and in other cases, manipulates new photographs by scratching and tearing them. Tylor’s work is already held in a small number of impressive national and international collections and STILLS is excited to be introducing global audiences to this powerful new voice in Australian photomedia. L’héritage multi-culturel, aborigène at maori de James Tylor, artiste emergent et prometteur, représente l’épicentre de son travail. Utilisant les techniques photographiques traditionnelles tel que le daguerréotype, il manipule aussi des images contemporaines en les colorant ou les déchirant, évoquant ainsi l’effacement des cultures aborigènes. Dans Aotearoa, my Hazaiki, Taylor a déchiré la partie inférieure des photographies, laissant apparaître des bords écorchés sous des montagnes qui atteignent le ciel. Par ce geste, les vides noirs deviennent absence et illustrent la profonde relation que l’artiste entretient avec sa terre natale malgré les impacts lies à la colonisation et aux migrations.
| EXHIBITED ARTISTS PARIS PHOTO 2016
| PAT BRASSINGTON
Untitled III, 1980-2002 pigment print, 36.5 x 23.5cm edition of 4 + 2AP €4340 + VAT (framed)
Untitled V, 1980-2002 pigment print, 36.5 x 23.5cm edition of 4 + 2AP €2740 + VAT (framed)
Untitled VI, 1980-2002 pigment print, 36.5 x 23.5cm edition of 4 + 2AP €4340 + VAT (framed)
Untitled VII, 1980-2002 pigment print, 36.5 x 23.5cm edition of 4 + 2AP €2740 + VAT (framed)
Untitled VIII, 1980-2002 pigment print, 36.5 x 23.5cm edition of 4 + 2AP €2740 + VAT (framed)
Untitled IX, 1980-2002 pigment print, 36.5 x 23.5cm edition of 4 + 2AP €2740 + VAT (framed)
Mouse Trap, 2005 from In the Same Vein pigment print, 85 x 63.3cm edition of 6 + 2AP €7750 + VAT (framed)
Pillow Talk, 2005 from You’re So Vein pigment print, 86 x 62.6cm edition of 6 + 2AP €7750 + VAT (framed)
House Guest 1, 2007 from Heat pigment print, 86 x 63cm edition of 8 + 2AP €7750 + VAT (framed)
The Tongue, 2016 from Just So pigment print, 80 x 70cm edition of 8 + 2AP €7750 + VAT (framed)
The Raveller, 2010 pigment print, 90 x 65cm edition of 8 + 2AP €7750 + VAT (framed)
Breath, 2014 pigment print, 55 x 40.5cm edition of 8 + 2AP €6650 + VAT (framed)
Band-aid, 2015 pigment print, 75 x 58cm edition of 8 + 2AP €7750 + VAT (framed)
Memory au Rebour, 1987 3 silver gelatin prints, 47 x 36.5cm each unique €20,500 + VAT (framed)
Curriculum Vitae Pat Brassington
Born 1942, Hobart, Australia. Lives and works in Hobart, Australia. Selected Solo Exhibitions 2016
Just So, Stills Gallery, Sydney, NSW Pat Brassington: A Rebours, University of Queensland Art Museum, QLD
2015
Pat Brassington: A Rebours, University of Queensland Art Museum, QLD Pat Brassington: A Rebours, Western Plains Cultural Centre, NSW
2014
Pat Brassington: The Brassington Affair, Plimsoll Gallery, TAS Pat Brassington: A Rebours, Tasmanian Museum and Art, TAS Pat Brassington: A Rebours, Horsham Regional Art Gallery, VIC
2013
Pat Brassington: A Rebours, Australian Centre for Photography, Sydney, NSW Quill, Stills Gallery, Sydney, NSW In search of the marvellous, CAST, TAS
2012
Pat Brassington: A Rebours, Australian Centre for Contemporary Art, Melbourne, VIC (touring nationally) Pat Brassington: It’s just a heartbeat away, Monash Gallery of Art, VIC A heartbeat away & The Pressings, Stills Gallery, Sydney, NSW
2010
A Perfect Day, Stills Gallery, Sydney, NSW A Perfect Day, Arc One Gallery, Melbourne, VIC
2009
A Perfect Day, Criterion Gallery, Hobart, TAS
2008
Pat Brassington, Lönnstrom Art Museum, Finland Pat Brassington, AMA Gallery, Helsinki Festival, Finland Pat Brassington, AMA Gallery, Helsinki Festival, Finland
2007
Pat Brassington - Cambridge Road, IMA, Brisbane, QLD Pat Brassington - Cambridge Road, Stills Gallery, Sydney, NSW Pat Brassington – Heat, ARC one Gallery, Melbourne, VIC
2006
Art Cologne 2006, Cologne, Germany In the Same Vein, Stills Gallery, Sydney, NSW Pat Brassington, Arc One Gallery, Melbourne, VIC Sweet Thereafter, Criterion Gallery, Hobart, TAS
2005
You’re So Vein, Stills Gallery, Sydney, NSW
2004
Pat Brassington, Stills South, Sydney, NSW
2003
A Little Waltz, Stills Gallery, Sydney, NSW Pat Brassington, Bett Gallery, Hobart, NSW
2002
Pat Brassington: Works in Progress, Ian Potter Museum of Art, University of Melbourne, VIC and Carnegie Gallery, Hobart, TAS Default Blue, Australian Centre for Photography, Sydney, NSW
2001
Gentle, Stills Gallery, Sydney, NSW and Australian Centre for Contemporary Art, Melbourne, VIC
1996
This is not a love song, Monash University Gallery, Melbourne, VIC
1993
Corporeal 2 – ‘Brassington: Book of Jonah, 1932’, The Basement, Hobart, TAS (Scenography by David McDowell and Edward Colless)
1991
Maybe you’ve seen it all before, Gertrude Street Gallery, Melbourne, VIC Things will tell you their names, Darwin Contemporary Art Space, NT
Selected Group Exhibitions 2016
MCA Collection: Today Tomorrow Yesterday, Museum of Contemporary Art, Australia, Sydney, NSW The Waiting Room, Artbank NSW Public Image, Private Lives,: Family Friends and Self in Photography, Art Gallery of South Australia, SA Redlands Konica Minolta Art Prize, National Art School, Sydney, NSW
2015
Lurid Beauty, National Gallery of Victoria, VIC
2014
Danger Will Robinson!, Airspace Projects, NSW Seventh Skin, Hatch Contemporary Art Space, VIC
2013
Bowness Photography Prize, Monash Gallery of Art, VIC Theatre of the World, Museum of Old and New Art, TAS Louise Bourgeois and Australian Artists, Heide Museum of Modern Art, VIC MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Australia, Sydney, NSW Images for Life Force, Stills Gallery, Sydney, NSW
2012
Flatlands: photography and everyday space, Art Gallery of New South Wales, NSW Parallel Collisions, Adelaide Biennale, SA
2010
A Generosity of Spirit: Recent Australian Women’s Art from the QUT Art Collection, Queensland University of Technology, QLD Snapshot, Contemporary Photography from the La Trobe University Art Collection, VIC Feminism Never Happened, IMA, Brisbane, QLD
2009
SEASON09, Stills Gallery, Sydney, NSW thirteen, Stills Gallery, Sydney, NSW Dark Dreams + Fluorescent Flesh, University of South Australia, SA
2008
Folded, Faculty Gallery, Monash Art & Design, VIC Wish you were here, Tweed River Art Gallery, NSW
2007
Season 07, Stills Gallery, Sydney, NSW Art Cologne 2007, Cologne, Germany Human, Hous Projects, New York, USA
2006
Girl Band, curated by Barbara Flynn, Deloitte’s, Sydney, NSW Light Sensitive: Contemporary Australian Photography from the Loti Smorgan Fund, National Gallery of Victoria, VIC 2006 End of Year Show, Stills Gallery, Sydney, NSW Art Cologne 2006, Cologne, Germany Melbourne Art Fair, Melbourne, VIC
2005
Art Cologne 2005, Cologne, Germany Uncanny, Artspace, Auckland, New Zealand Points of View, Australian Photography 1985 – 1995, Art Gallery of New South Wales, NSW MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Australia, Sydney, NSW
2004
Supernatural Artificial, The Tokyo Metropolitan Museum of Photography, Tokyo & touring throughout Asia On Reason and Emotion, Biennale of Sydney, Museum of Contemporary Art, Australia, and the Art Gallery of New South Wales, Sydney, NSW Pressing Flesh, Auckland City Gallery, New Zealand In Focus, Campbelltown City Gallery, NSW The Line Between Us, Monash University Museum of Art, VIC Penumbra, McClelland Gallery, VIC
2003
Jet: Digital Art Prints, Devonport Gallery and Art Centre, TAS Anxious Bodies, Art Gallery of New South Wales, NSW
2002
Photographica Australis, ARCO 2002, Sala del Canal de Isabel II, Madrid, Spain Love at First Sight, Contemporary Centre for Photography, Melbourne, VIC Fieldwork: Australian Art 1968-2002, Ian Potter Centre, National Gallery of Victoria, VIC Jet: Digital Art Prints, Carnegie Gallery, Hobart, TAS Ooze: Six Tasmanian Artists, Roar 2 Gallery, Melbourne, VIC, Chameleon Contemporary Art Space, Hobart, and University Gallery, University of Tasmania, TAS
2001
Poets and Painters, Dick Bett Gallery, Hobart, TAS The Lightness of Being: Contemporary Photographic Art from Australia, Monash University Gallery, Melbourne, VIC Pinhole to Pixel, The Sir Hermann Black Gallery, University of Sydney, NSW Australian Paper Art Awards 2001, The George Adams Gallery, Victorian Arts Centre, Melbourne,VIC
2000
Telling Tales: The Child in Contemporary Photography, Monash University Gallery, Melbourne, VIC (Touring exhibition) The Lightness of Being: Contemporary Photographic Art from Australia, Neue Berliner Kunstverein / NBK GERMANY (Touring exhibition: Dresden, Dusseldorf, Stuttgart) World without end: Photography and the 20th Century, Art Gallery of New South Wales, NSW
1998
Telling Tales, Ivan Dougherty Gallery, Sydney, NSW and Neue Galerie am Landesmuseum, Joanneum, Graz, Austria Shell Fremantle Print Prize, Fremantle Art Centre, WA Sixth Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne, VIC Respond Red or Blue, Royal Melbourne Hospital, Melbourne, VIC
1997
The Enigmatic Object: Photography and the Uncanny, Art Gallery of New South Wales, NSW Shell Fremantle Print Prize, Fremantle Art Centre, WA Geelong Print Prize, Geelong Art Gallery, VIC Launch, Stills Gallery, Sydney, NSW
1996
Photography is Dead! Long Live Photography! Museum for Contemporary Art, Australia, Sydney, NSW Hobart City Art Prize, Carnegie Gallery, Hobart City Council, TAS
1995
Half Light, (Touring exhibition: Arts Council of Tasmania venues) Bad Light, Tasmanian Museum and Art Gallery, Bond Store, Hobart, TAS, Australian Centre for Photography, Sydney, NSW and Contemporary Centre for Photography, Melbourne, VIC Art, Gender Identity: Works by Women artists from the Permanent Collection, Devonport Gallery and Arts Centre, TAS Colonial Pastime to Contemporary Profession, Tasmanian Museum and Art Gallery, TAS Home Body, Queen Victoria Museum and Art Gallery, Launceston, TAS and Carnegie Gallery, Hobart City Council, TAS Home Made, Plimsoll Gallery, Centre for the Arts, University of Tasmania at Hobart, (in collaboration with Geoff Parr), TAS Photographing Architecture: Spatiality, Ideology and the Body, University Gallery, University of Tasmania, TAS
1993
Pictograms: Aspects of Contemporary Photographic Practice (An AETA national touring exhibition) The Aberrant Object: Women Dada and Surrealism, Museum of Modern Art at Heide, Melbourne, VIC True Stories, Artspace, Sydney, NSW
1992
Blink, Contemporary Art Centre of South Australia, Adelaide, SA Camera Obscura, Darwin Contemporary Art Space, NT Psychosoma, Plimsoll Gallery, Centre for the Arts, University of Tasmania, TAS Medium Density, Australian National Gallery, Canberra, ACT
1991
Ooze: Six Tasmanian Artists, Roar 2 Gallery, Melbourne, VIC Chameleon Contemporary Art Space and the University Gallery, University of Tasmania at Launceston, TAS Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, SA Frames of Reference: Aspects of Feminist Art, A Dissonance Project organised by Artspace, Sydney, NSW Heterogeneity/Herterogeneity, A Dissonance Project organised by the Campbelltown City Art Gallery, NSW Subject/Object, Art House, Launceston, TAS
Selected Awards 2016
Winner, Redlands Konica Minolta Art Prize
2013
Winner, Bowness Photography Prize Prize
2001
Australian Paper Art Awards
1993
SHELL Print Award, Fremantle Arts Centre, WA Acquisitive Works on Paper Award, Geelong Art Gallery, VIC
1990
Maude Vizard-Wholohan Art Prize Purchase Award, Art Gallery of South Australia
Collections Artbank, Australia Art Gallery of New South Wales, Sydney Art Gallery of Western Australia Art Gallery of South Australia, Adelaide Australian Collection Burnie Regional Gallery, Tasmania Centre for Contemporary Photography Connors Family Trust Devonport Gallery and Art Centre, Tasmania Esk Collection Estate of A.M. McClelland Fremantle Arts Centre, Western Australia Geelong Art Gallery, Victoria Lawrence Wilson Art Gallery, University of WA McClelland Gallery and Sculpture Park, Victoria Monash University Art Collection Museum of Contemporary Art, Sydney National Gallery of Australia, Canberra National Gallery of Victoria Queensland Art Gallery, Brisbane Queensland University of Technology Art Museum Sotherbys Tasmanian Museum and Art Gallery, Hobart The Briar Art Trust University of Tasmania, Hobart University of the Northern Territory, Darwin University of Technology, Sydney Warrnambool Art Gallery Private collections in Australia and international
Selected Bibliography Twelve Australian Photo Artists, Blair French & David Palmer, Piper Press, 2009 Pat Brassington, Anne Marsh, Quintus, Hobart, 2006 Erotic Ambiguities: The Female Nude in Art, Helen McDonald, Routledge, 2001 Peripheral Vision: Contemporary Australian Art, Charles Green, 1970-1994, World Art Books, 1995 Pat Brassington, The Error of My Ways, Edward Colless, published by IMA, Brisbane, 1995 Indecent Exposures: 20 years of Australian Feminist Photography, Catriona Moore, published by Allen and Unwin, 1994 Pat Brassington: A Rebours, Australian Centre for Contemporary Art, 2012 On Reason and Emotion: Biennale of Sydney 2004, catalogue, published by the Biennale of Sydney, 2004 Anxious Bodies, Natasha Bullock, published by the Art Gallery of NSW, 2003
| RICKY MAYNARD
Leigh, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Ambrose, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Clyde, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Darrell, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Gig, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Jamie, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Kerry, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Mick, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Murray, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Philip, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Ronnie, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Sean, 2015 from Saddened Were the Hearts of Many Men sepia toned silver gelatin print 45 x 45cm edition of 10 + 3AP €5250 + VAT (framed)
Wik Elder, Arthur, 2000 from Returning to Places that Name Us silver gelatin print 95 x 120cm edition of 15 + 3AP Artist Proof 1/3 â‚Ź17,000 + VAT (framed)
Wik Elder, Gladys, 2000 from Returning to Places that Name Us silver gelatin print 95 x 120cm edition of 15 + 3AP Artist Proof 1/3 â‚Ź17,000 + VAT (framed)
Curriculum Vitae Ricky Maynard Born 1953, Launceston, Australia. Selected Solo Exhibitions 2016
Saddened were the hearts of many men, Stills Gallery, Sydney, NSW
2010
Ricky Maynard: Portrait of a Distant Land, Lawrence Wilson Art Gallery, Perth, WA Ricky Maynard: Portrait of a Distant Land, State Library of Victoria, Melbourne, VIC Ricky Maynard: Portrait of a Distant Land, Port Macquarie Hastings Regional Gallery, Port Macquarie, NSW
2009
Portraits, Stills Gallery, Sydney, NSW Ricky Maynard: Portrait of a Distant Land, Museum of Contemporary Art, Sydney, NSW Ricky Maynard: Portrait of a Distant Land, Pataka Museum of Arts and Cultures, Wellington, New Zealand Ricky Maynard: Portrait of a Distant Land, Cairns Regional Gallery, Cairns, QLD
2008
Ricky Maynard: Portrait of a Distant Land, Tasmanian Museum and Art Gallery, Hobart, TAS Ricky Maynard: Portrait of a Distant Land, French Embassy, Port Vila, Vanuatu Ricky Maynard: Portrait of a Distant Land, Tjibaou Cultural Centre, Noumea, New Caledonia
2007
Ricky Maynard 1986 - 2007, Australian Embassy, Paris, France In Response to Place, City Gallery, Melbourne Town Hall, VIC Portrait of a Distant Land, Billboard project, 10 Days on the Island Festival, TAS
2006
Indigenart, Fotofreo festival, Perth, WA
2005
Portrait of a Distant Land, Billboard project, Sydney, NSW
2001
Returning to Places that Name Us, Stills Gallery, Sydney, NSW
1999
The Survey, Melbourne Arts Festival, Linden Gallery, Melbourne, VIC
1997
Urban Diary, Manly Art Gallery and Museum, NSW No More Than What You See, Manly Art Gallery and Museum, NSW
1995
No More Than What You See, Stills Gallery, Sydney, NSW No More Than What You See, touring Exhibition: Adelaide and regional South Australia, SA The Moon-Bird People, Australian National Maritime Museum, Sydney, NSW
1994
Terra Novis, Futurewell Art Gallery, Adelaide, SA
1992
The Moon-Bird People, Tandanya: National Aboriginal Culture Institute, Adelaide, SA
Selected Group Exhibitions 2016
Resolution: New Indigenous Photomedia, a National Gallery of Australia touring exhibition Over the fence, University of Queensland Art Museum, QLD
20152017
Country & Western: Landscape Re-Imagined, a Perc Tucker Regional Gallery touring exhibtion
2015
The photograph and Australia, Art Gallery of New South Wales, NSW
2014
Remain in Light: Photography from the MCA Collection, a Museum for Contemporary Art, Australia touring exhibition
2013
Making Change: Celebrating 40 Years of Australia-China Diplomatic Relations, in association with Australian Centre for Photography, COFA, Sydney Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Art, Toledo Museum of Art, USA
2012
Making Change: Celebrating 40 Years of Australia-China Diplomatic Relations, in association with Australian Centre for Photography, National Art Museum of China, Beijing, China
2011
Photography & place: Australian landscape photography 1970s until now, Art Gallery of New South Wales, NSW
2010
More than my skin, Lismore Regional Gallery, QLD
2009
Messagesticks, Indigenous Film Festival, Sydney Opera House, NSW Littoral Drift, UTS Gallery, Sydney, NSW
20082009
Open Air: Portraits in the Landscape, National Portrait Gallery, Canberra, ACT Half Light: Portraits from Black Australia, Art Gallery of New South Wales, NSW
2008
More than my skin, Campbelltown Arts Centre, NSW
20072008
Culture Warriors, National Indigenous Art Triennial 07, National Gallery of Australia, ACT Touring: Art Gallery of South Australia, SA, Art Gallery of Western Australia, WA, Gallery of Modern Art, QLD
2007
Raised by Wolves, Art Gallery of Western Australia, part of the 2007 UWA Perth International Arts Festival Perth, WA
2006
Busan Biennale 2006: A Tale of Two Cities, Busan, Korea Art Cologne 2006, Cologne, Germany
2005
Interesting Times: Focus on Contemporary Australian Art, Museum of Contemporary Art, Australia, Sydney, NSW
2004
Our Place: Indigenous Australia Now, as part of the Cultural Olympiad, Benaki Contemporary Art Museum, Athens & National Museum of China, Bejing
2003
RAKA exhibition, Ian Potter Museum of Art, Melbourne, VIC & touring
2000
15 Australian Photographers, La Galerie Photo, Montpellier, France
1999
Retake: Indigenous Photography, a National Gallery of Australia touring exhibition
1997
Off Shore – On Site, Festival of the Dreaming International and National Artists’ camp and exhibition, Olympic Festival, Sydney Olympic Games Organising Committee, Casula Powerhouse, Sydney, NSW What is Aboriginal Art? Ivan Dougherty Gallery, University of New South Wales College of Fine Arts campus, Paddington, NSW Endangered Species, M.33 Photo Agency collective exhibition, Horsham Regional Art Gallery, VIC
1996
Power To Move, Queensland Art Gallery, Brisbane, QLD
1995
World Retrospective on Documentary Photography, Centro de la Imagen, Mexico City, Mexico
1994
Dear Mother, M.33 Photo Agency collective exhibition, Fitzroy Town Hall, Melbourne, VIC
1990
The Moon-Bird People, La Galerie Photo, Montpellier, France
Selected Awards 2003
Winner, Kate Challis RAKA Award for Contemporary Indigenous Creative Arts for Arthur from Returning to Places That Name Us
1997
Australian Human Rights Award for Photography
1994
Mother Jones International Documentary Photography Award, New York, USA
1990
Aboriginal Overseas Study Award, International Centre of Photography, New York, USA
Selected Grants 20042006
Australia Council Fellowship, Aboriginal and Torres Strait Islander Art
2000
New Works Grant, Stories from the Landscape, Aboriginal and Torres Strait Islander Arts Board, Australia Council for the Arts, Sydney NSW
1997
Project Grant, The Elders Album, Stage I & II, Arts Tasmania
1996
Project Grant, Urban Diary, Aboriginal and Torres Strait Islander Arts Board, Australia Council for the Arts, Sydney, NSW
1995
International exhibition promotion and travel grant (Mexico), Aboriginal and Torres Strait Islander Arts Board, Australia Council for the Arts, Sydney NSW
1990
Professional Development Grant (Photography), Aboriginal and Torres Strait Islander Arts Board, Australia Council for the Arts, Sydney NSW
Commissions Museum Victoria Aboriginal and Torres Strait Islander Commission Australian Heritage Commission Australian National Maritime Museum, Sydney NSW Australian Institute of Aboriginal and Torres Strait Islander Studies Community Aid Abroad M.33 Photo Agency Australian Film Commission The Quay Connection Production Agency, Sydney NSW Autograph Agency, The Black Photographers Association of England, UK
Collections Art Gallery of New South Wales Australian National Maritime Museum, Sydney Devonport Regional Gallery Launceston Museum and Art Gallery National Gallery of Victoria National Gallery Of Australia, Canberra National Museum of Australia, Canberra National Library of Australia, Canberra Queensland Art Gallery, South Brisbane Tasmanian Museum and Art Gallery Private collections in Australia and international
Selected Bibliography Ricky Maynard: Portraits of a Distant Land, Photographs & Interview (Ricky Maynard), Elizabeth Ann Macgregor, Keith Munro, Jim Everett, Marcia Langton, Paddy Neowarra, Peter Read (Text) published by Museum of Contemporary Art, 2008 Repossession of Our Spirit: the Traditional Owners of Northern Sydney, Dennis Foley with photographs by Ricky Maynard, Aboriginal History Incorporated, Canberra, 2001 Reversing the Negatives: a Portrait of Aboriginal Victoria, Tony Birch (text) and Ricky Maynard (images), Museum Victoria, Melbourne, 1999 Racism, Representation and Photography, Sandra Phillips (editor) & Andrew Dewdney (compiler), Inner City Education Centre Cooperative, Sydney, 1994 Ricky Maynard: No More Than What You See: Photographic Essay, South Australian Department of Correctional
Services, Adelaide, 1993 Visual Instincts: Contemporary Australian Photography, Max Pam (editor), AGPS Press, Canberra, 1989 After 200 Years: Photographic Essays of Aboriginal and Islander Australia Today, Penny Taylor (editor), Australian Institute of Aboriginal Studies, Aboriginal Studies Press, Canberra, 1988 Interesting Times: Focus on Contemporary Australian Art, Russell Storer, Museum of Contemporary Art, Sydney, 2005 The Power to Move: Aspects of Australian Photography, Anne Kirker & Clare Williamson, Queensland Art Gallery, South Brisbane, 1996
| TRENT PARKE
Storm, Adelaide, 2009 from The Black Rose silver gelatin print 120 x 150cm edition of 5 + 2AP €10,650 + VAT (framed)
Backyard, Adelaide, 2010 from The Black Rose silver gelatin print 120 x 150cm edition of 5 + 2AP €10,650 + VAT (framed)
Slippery Dip, Gundagai, New South Wales, 2007 from The Black Rose silver gelatin print 120 x 150cm edition of 5 + 2AP €10,650 + VAT (framed)
Tarot Cards, 2003-2015 from The Black Rose 36 pigment prints 20.5 x 17.5cm each edition of 10 + 2AP â‚Ź18,000 + VAT (framed)
Midnight self-portrait, Minendee, Outback NSW, 2004 from Minutes to Midnight pigment print 98 x 147cm edition of 5/5 â‚Ź24,800 + VAT (framed)
Curriculum Vitae Trent Parke
Born 1971, Newcastle, Australia. Lives and works in Adelaide, Australia. Member of Magnum Photo Agency, New York. Selected Solo Exhibitions 2016
WWI Avenue of Honour, Australian War Memorial, Canberra ACT
2015
The Black Rose, Art Gallery of South Australia, SA, curated by Julie Robinson and Maria Zagala The Camera is God (street portrait series), Monash Gallery of Art, VIC
2014
Trent Parke, Paris Photo Stills Gallery, Paris, France The Camera is God (street portrait series), Stills Gallery, Sydney, NSW
2013
The Christmas Tree Bucket: Trent Parke’s Family Photo Album, National Gallery of Australia, ACT The Christmas Tree Bucket, Wilhelm Hack Museum Ludwigshafen, Germany
2011
Borderlands, The Australian Embassy, Washington, USA Trent Parke: A Decade in Photography, Delmar Gallery, Sydney, NSW
2009
Please step quietly everyone can hear you, Stills Gallery, Sydney & Sydney Opera House, NSW
2008
The Christmas Tree Bucket, Australian Centre of Photography, Sydney, NSW and then touring nationally for three years
2007
Dream/Life, Gallery Ru, Moscow, Russia Minutes to Midnight – Trent Parke, Alice Austen House, Staten Island, NY, USA Coming Soon and Minutes to Midnight, Yours Gallery, Warsaw, Poland Dream/Life & Beyond – Trent Parke, Photofusion, London, UK
2006
Trent Parke, Le Château d’eau, Toulouse, France Trent Parke - Coming Soon & Minutes to Midnight, Foam Fotografiemuseum, Amsterdam, The Netherlands Trent Parke, Bengal Gallery of Fine Arts, Chobi Mela IV, International Festival of Photography, Dhaka, Bangladesh
2005
New Work, Stills Gallery, Sydney, NSW Minutes to Midnight, Australian Centre for Photography, Sydney, NSW and then touring nationally for three years
2004 2002
Minutes to Midnight - Part One, Leica Gallery, Germany Suspended States, Sydney Arts Festival, NSW Dream/Life & Beyond, Stills Gallery, Sydney, NSW
Selected Exhibitions with Narelle Autio 2016
Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne, VIC
2013
To The Sea, Stills Gallery, Sydney, NSW
2010
Trent Parke & Narelle Autio, Adelaide Perry Gallery, Sydney, NSW
2004
Dream/Life and The Seventh Wave, Ariel Meyerowitz Gallery, New York, USA FotoFreo Photographic Festival, ‘Dream/Life’ & ‘The Seventh Wave’, Western Australian Maritime Museum, Fremantle, WA
2002
Dva Pivo Prosim (Two Beers Please), Stills Gallery, Sydney, NSW Outback Races, Tamworth City Gallery, NSW Dream/Life and The Seventh Wave, Canvas International Art Gallery, Amsterdam, The Netherlands
2001
The Seventh Wave, Hazelhurst Regional Gallery, NSW
2000
The Seventh Wave, Stills Gallery, Sydney, NSW
Selected Group Exhibitions 2016
Public Image, Private Lives: Family, Friends and Self in Photography, Art Gallery of South Australia, SA Birds: Flight Paths in Australian Art, Mornington Peninsula Regional Gallery, VIC Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne, VIC
2015
Slow Burn, Delmar Gallery, NSW
2014
2014 Adelaide Biennial of Australian Art – Dark Heart, Art Gallery of South Australia, Adelaide, SA, curated by Nick Mitzevich Episodes: Australian Photography Now - 13th Dong Gang International Photo Festival, Dong Gang Museum of Photography, Korea Prudential Eye Awards, Suntec City, Singapore Australian Vernacular Photography, Art Gallery of New South Wales, Sydney, NSW WILDCARDS: Bill Henson Shuffles the Deck, Monash Gallery of Art, VIC Remain in Light: Photography from the MCA Collection – an MCA touring exhibition Melbourne Art Fair, Melbourne, VIC
2013
Compositions: A Musical Close Up, with Tyron Parke and the Adelaide Art Orchestra, Adelaide Cabaret Festival, Adelaide, SA Beasts, Paris Photo, France Olive Cotton Award, Tweed River Gallery, NSW Under My Skin: Contemporary Australian Photography from the Pat Corrigan Collection, Rockhampton Art Gallery, QLD Holiday & Memory, Penrith Regional Gallery, NSW Cartier-Bresson: A Question of Colour, Somerset House, The Courtalud Institute of Art, London, UK Sexualising the City: Imaging Desire and the Gold Coast Identity, Gold Coast City Art Gallery, QLD Night Visions, Lismore Regional Gallery, NSW Deep Space: New Acquisitions, Art Gallery of South Australia, Adelaide, SA Magnum Contacts, Stills Gallery, Sydney, NSW
2012
2011
Photoquai: 3rd Biennial Exhibition of World Images, The Australia Embassy, Paris, France
2009
China Pingyao International Photography Festival, Pingyao, China Spectrum, Light in Winter Festival, ACGA Gallery, Melbourne, VIC Wheels on Fire, Manning Regional Art Gallery, NSW thirteen, Stills Gallery, Sydney, NSW
2008
Streets of Gold, Gold Coast City Art Gallery, QLD Paris Photo, France Melbourne Art Fair, Melbourne, VIC Sydney Life, Hyde Park, Sydney, NSW Sydney Now, Museum of Sydney, Sydney, NSW National Photographic Portrait Prize, National Portrait Gallery, Canberra, ACT Grounded: Art, Activism, Environment, Campbelltown Arts Centre, NSW Art Cologne 2007, Cologne, Germany Moving Still, The Gus Fisher Gallery, Auckland, New Zealand Human, Hous Projects, New York, USA New Blood – Magnum 60th Anniversary Exhibition, Stills Gallery, Sydney, NSW and Magnum Print Room, London, UK
2007
2006
2005
Shoot: Five Australian Photographers in Focus, National Gallery of Australia, Canberra, ACT Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund, National Gallery of Victoria, Melbourne, VIC Group Show, Stills Gallery, Sydney, NSW Format06, Derby Photography Festival, UK So Now Then, Hereford Photography Festival, UK Earth Cry, Lake Macquarie City Gallery, NSW Melbourne Art Fair 2006, Melbourne, VIC Art Cologne 2006, Cologne, Germany Art Cologne 05, Germany
Paris Photo, France Traces and Omens, Noorderlicht Photofestival, Groningen, The Netherlands ABN AMRO 2005 Emerging Artist Award, ABN Amro Tower, Sydney, NSW This Urban World, Devonport Regional Gallery, TAS Great Escapes, Lake Macquarie City Gallery, NSW Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney, NSW 2004
Heavenly Creatures, Heide Museum of Modern Art, VIC Look, Newcastle Regional Art Gallery, NSW Witness: An Exhibition of Australian Photojournalism, a Monash Gallery of Art touring exhibition
2003
Second Sight: Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne VIX RePresenting the Real: Documentary Photography, Stills Gallery, Sydney, NSW Summer Life, ‘The Seventh Wave’, Alice Austen House Museum, New York, USA
20032012
Numerous Magnum group exhibitions, England, Germany, France, USA
2002
Witness: An exhibition of Australian Photojournalism, ‘Outback Races’, Australian Centre for Photography, Sydney, NSW Art Rotterdam & Amsterdam Art Fair, The Netherlands
2001
World Press Photo Award / Exhibition, ‘Mercy Street’, seventy locations worldwide, including State Library of NSW, Sydney, NSW Watermarks Exhibition, Maritime Museum, Sydney, NSW Leica / Centre for Contemporary Photography - Documentary Photography Exhibition & Award, Melbourne, VIC; CAS, Hobart, TAS; Stills Gallery, Sydney, NSW ; Geelong Art Gallery, Geelong, VIC; Phyllis Palmer Gallery, La Trobe University, Bendigo, VIC; Lovett Gallery, Newcastle Region Library, Newcastle, NSW; Logan Art Gallery, Logan, QLD; Mildura Art Centre, Mildura, VIC Sasakawa World Sports Award / Exhibition, Tokyo Metropolitan Museum of Photography, Japan Reportage, ‘Outback Races’ (with Narelle Autio)Twin Cinemas, Sydney, NSW
2000
World Press Photo Masterclass, The Netherlands Institute of Photography, The Netherlands World Press Photo Award / Exhibition ‘The Seventh Wave’, seventy locations worldwide Reportage, ‘The Seventh Wave’ (with Narelle Autio), Valhalla Cinema, Sydney, NSW Art at Work, Sydney Airport Project, NSW Thirty under Thirty up and coming photographers to watch, American Photo District News, New York, USA
1999
World Press Photo Award / Exhibition ‘Bathurst Car Races’, seventy locations worldwide On the Road, The Car in Australian Art, Heide Museum of Modern Art, VIC Leica / Centre for Contemporary Photography - Documentary Photography Exhibition & Award, Melbourne, VIC; Wagga Wagga Regional Art Gallery, NSW; Logan Art Gallery, Logan, QLD; Noosa Regional Gallery, QLD; Newcastle Regional Library, NSW; Swan Hill Regional Gallery, VIC; Gippsland Art Gallery, Sale VIC; Shepparton Art Gallery, VIC Reportage, Valhalla Cinema, Sydney, NSW, ‘Dream/Life’
Selected Awards 2016
Basil Sellers Art Prize, finalist (with Narelle Autio)
2014
Winner, Photography, Prudential Eye Award, Signapore
2013
Winner, Olive Cotton Award, for excellence in portraiture photography, Tweed Heads Regional Gallery
2007
Full Member, Magnum Photo Agency, Magnum Foundation 60th Annual General Meeting, New York, USA Moran Contemporary Photographic Prize, People’s Choice Award, Most Popular Photograph, Baker, Narrandera, NSW 2006
2006
Winner, ABN AMRO 2006 Emerging Artist Award, Motel, Pacific Highway NSW 2006
2005
World Press Photo Award, Aboriginal children, Wiluna. 3rd Prize Daily Life.
2003
Recipient, W. Eugene Smith Grant/Award (USA)
2002
Associate Member, Magnum Photo Agency, New York
2001
Winner, World Press Photo Award, Roadkill Australia, 1st prize ‘Nature & The Environment Stories’ Runner-up in the Leica Oskar Barnack Award, Europe for The Seventh Wave The Seventh Wave awarded second prize for ‘Best Photographic Book’ in the American Pictures Of The Year Awards Selected in the Leica / CCP Documentary touring exhibition
2000
World Press Photo Award, The Seventh Wave, 2nd prize ‘Daily Life Stories’ Dream/Life & Beyond awarded 2nd prize for ‘Best Photographic Book’ in the American Pictures Of The Year Awards Canon photo essay prize in the Sasakawa World Sports Award, Japan Selected by Australian Art Collector Magazine in the ‘50 Most Collectable Artists in Australia’
1999
World Press Photo Award, Bathurst Mountain Car Races, 2nd prize ‘Daily Life Singles’ Selected to participate in the World Press Photo MasterClass in Amsterdam ‘30 Under 30 Up-and-Coming Photographers to Watch’ Selected in the Leica / CCP Documentary touring exhibition
1996-8
Five Gold lenses from the International Olympic Committee sports award
Collections ABN Amro collection Art Bank Art Gallery of New South Wales Art Gallery of Western Australia Australian Centre for Photography Gold Coast City Art Gallery Horsham Regional Art Gallery Magnum London Magnum Paris Monash Gallery of Art Museum of Contemporary Art National Gallery of Australia National Gallery of Victoria National Maritime Museum Tweed River Art Gallery University of Sydney Union Private collections in Australia and international
Selected Bibliography Artist-initiated books The Black Rose Diaries, Steidl, Germany (forthcoming) Minutes to Midnight, Steidl, Germany, 2013 The Christmas Tree Bucket: Trent Parke’s Family Photo Album, Steidl, Germany, 2013 To The Sea, The Road Trip, Hot Chilli Press, 2013 To The Sea, The Life Saver, Hot Chilli Press, 2013 To The Sea, The Staircase to the Moon, Hot Chilli Press, 2013 To The Sea, The Beauty Queen, Hot Chilli Press, 2013 Bedknobs & Broomsticks, Little Brown Mushroom, 2010 The Seventh Wave, Hot Chilli Press, Kirribilli, 2000 Dream/Life, Hot Chilli Press, Kirribilli, 1999 Television Trent Parke: The Black Rose, ABC (filming 2012-2015), 2015‘Outback Races’ (with Narelle Autio) Trent Parke, Sunday Arts, ABC November 2008
| JAMES TYLOR
Aotearoa, my Hawaiki #1, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #2, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #6, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #7, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #9, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #10, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #11, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Aotearoa, my Hawaiki #14, 2015 from Aotearoa, my Hawaiki ripped inkjet print on Hahnemuhle paper 50 x 50cm edition of 5 + 2AP €1350 + VAT (framed)
Baudin and Flinders, 2016 from Karta (The Island of the Dead) scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
Hidden in the shadows, 2016 from Karta (The Island of the Dead) scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
Possum Trees, 2016 from Karta (The Island of the Dead) scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
The Island, 2016 from Karta (The Island of the Dead) scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
The trap, 2016 from Karta (The Island of the Dead) scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
1836 Rapid Bay Kaurna Nation, 2016 from Territorial Encounters scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
1839 Port Lincoln #2 Barngarla Nation, 2016 from Territorial Encounters scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
1849 Port Wakefield #1 Kaurna Nation, 2016 from Territorial Encounters scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
1849 Port Wakefield #2 Kaurna Nation, 2016 from Territorial Encounters scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
1852 Port Augusta Nukunu Nation, 2016 from Territorial Encounters scratched daguerreotype 10 x 12.7cm unique €1350 + VAT (framed)
Curriculum Vitae James Tylor
Born 1986, Mildura, Australia. Lives and works in Adelaide, Australia. Selected Solo Exhibitions 2016
Territorial Encounters, Contemporary Art Centre of South Australia, Adelaide, SA Un-Resettling, Alaska Projects, Sydney, NSW Aotearoa My Hawaiki, Centre for Contemporary Photography, Melbourne, VIC Aotearoa My Hawaiki, Stills Gallery, Sydney, NSW
2015
Un-Resettling, Photo Access, Canberra, ACT Erased Series (From an Untouched Landscape), Adelaide City Council Art pod, Adelaide, SA Un-Resettling, Northern Centre for Contemporary Art, Darwin, NT DeCookolisation, Stills Gallery, Sydney, NSW These are Our Objects, Greenaway Art Gallery, Adelaide, SA
2014
2013
Southern Window, Northern Centre for Contemporary Art, Darwin NT Un-resettling (Place), Constance ARI, Hobart, TAS Past the measuring stick, Marshall Arts Gallery, Adelaide, SA
Selected Group Exhibitions 2016
Silence Nature, JamFactory, Seppeltsfield, SA Un-resettling, European Month of Photography, Embassy of Australia, Berlin, Germany New Matter: Recent forms of Photographs, Art Gallery of New South Wales, Sydney, NSW Bowness Photography Prize, Monash Gallery of Art, Melbourne, VIC Alchemical Traces, Shimmer Photography Biennial, Red poles gallery, Adelaide, SA Our Mob, Coorong Council Gallery, Tailem Bend, SA Resolution: Contemporary Indigenous photo-media of NGA, Tweed Regional Gallery, Murwillumbuh, NSW Darkness on the Edge of Town, Artbank, Sydney, NSW Endless Circulation: TarraWarra Biennial, TarraWarra Museum of Art, Healesville, VIC National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, NT Our Mob, Walkway Gallery, Bordertown, SA Over The Fence, University of Queensland Art Museum, Brisbane, QLD Our Mob, Naracoorte Art Gallery, Naracoorte, SA Fleurieu Art Prize, Samstag Museum, Adelaide, SA Reframed, Incinerator Main Gallery, Melbourne, VIC Our Mob, Millicent Art Gallery, Millicent, SA Shadow Sites, Centre for Contemporary Photography, Melbourne, VIC Our Mob, Riddoch Art Gallery, Mount Gambier, SA Even Still, Adelaide Town Hall, Adelaide, SA Wyndham Art Prize, Wyndham Art Gallery, Werribee, VIC Cultural Revelations, Trinity Grammar School, Melbourne, VIC
2015
Cutting edge: 21st-century photography, Monash Gallery of Art, Melbourne, VIC Via Niu Wai Niu Coconut water, Caboolture Regional Art Gallery, Caboolture, QLD Wish You Were Here, Adelaide Central School of Art, Adelaide, SA The Alchemists, Australian Centre for Photography, Sydney, NSW Aboriginal and Torres Strait Islander Visual Arts Festival, Art Gallery of South Australia, Adelaide, SA Our Mob, Adelaide Festival Centre, Adelaide, SA Fringe Dweller, Sauerbier House Contemporary Arts Space, Port Noarlunga, SA Concrete, Istanbul Biannual, Istanbul, Turkey Victorian Aboriginal Art Awards, Ballarat Regional Art Gallery, VIC Salon Des Refusés, Stokes Hill Wharf Darwin, Darwin, NT Penumbral Tales, Flinder University City Gallery, Adelaide, SA Ghostly Nature, Adelaide Town Hall, Adelaide, SA Some Australian Photographs, Paul Mc Namara Gallery, Whanganui, Aotearoa/New Zealand The Skin Off Our Time, Contemporary Art Centre of South Australia, Adelaide, SA
2014
Our Mob contemporary, Adelaide Festival Centre, Adelaide SA
135 Meridian East, Australian Experimental Art Foundation, Adelaide, SA Archaeology of Descent, Marshall Arts, Adelaide, SA North, South, East, West, Vivien Anderson Gallery presenting at Fortyfivedownstairs, Melbourne, VIC Outlaws, Linden Contemporary Art Space, Melbourne, VIC 31st Telstra National Aboriginal and Torres Strait Islander Art Award, Muesum and Art Gallery of the Northern Territory, Darwin ,NT On Men, Canberra Contemporary Art Space, Canberra, ACT Victorian Indigenous Art Awards, Art Gallery of Ballarat, Ballarat, VIC National Work on Paper Prize, Mornington Peninsula Regional Gallery, Mornington, VIC Moriendo Renasor, SASA Gallery, Adelaide, SA Bay of Fires Art Prize, Gallery Parnella, St Helen, TAS Seen, Heard and Understood, Prospect gallery, SA Concrete’ Monash University Gallery, Melbourne, VIC Past Illusions and Present Realities, Nexus gallery, Adelaide, SA Grid Festival, Coffee Pot, Adelaide, SA 2013
The Analogue lab Exhibition: Alternative Photography on Paper,Glass and Metal, The Mill, Adelaide, SA Decoration and Design: The black object, Australian Academy of Design, Port Melbourne, VIC Distorted: Illusion through the camera lens, Tooth and Nail Gallery, Adelaide, SA & Constance Ari Gallery, Hobart, TAS Add On, Depot II Gallery, Sydney, NSW On What Grounds, Tandanya National Aboriginal Cultural Institute & Adelaide Town Hall, Adelaide, SA First Light, Canberra Contemporary Art Space, Canberra, ACT On Men, Feltspace, Adelaide, SA Our Mob, Adelaide Festival Centre, Adelaide, SA & Hong Kong, China Full circle: Visual Arts Graduate exhibition, South Australian School of Art, Adelaide, SA Felt Natural, Torrens River: public art project, Torrens River, Adelaide, SA Macquarie Group Emerging Artist Prize, Macquarie Group building, Sydney, NSW
2012
Kodak Salon, Centre of Contemporary Photography, Melbourne, VIC Honours and Master of Fine Art and Design exhibition, Plimsoll Gallery, Hobart, TAS Shimmer festival, Penny Hill Gallery, McLaren Vale, SA Black and white, Tasmanian School of Art, Hobart, Tas UP: Experimental photography of the sky, Tooth and Nail Gallery, Adelaide, SA Cliftons Art Prize, Adelaide, SA
2011
The Shadow Box, Liverpool St Gallery, Adelaide, SA Pingyao International Photography Festival, Pingyao, China 3 found media, Liverpool St Gallery, Adelaide, SA Rare: SASA Graduate Exhibition 2011, SASA Gallery, Adelaide, SA
2010
120 Artist in 12 Weeks, SASA Gallery, Adelaide, SA structural integrity, FELT space/Next Wave Festival ,Melbourne,VIC Kimberley Art Prize, Derby, WA Seed of change, Black Pearl Gallery, Port Adelaide, SA Exquisite corpse collaboration, The Reading Room, Adelaide, SA
2009
Indigenous art exhibition, Flinders medical centre, Adelaide, SA Turning point, Black Pearl Gallery, Port Adelaide, SA symbolic flora, Phat CafĂŠ, Adelaide, SA
Curator 2013
Distorted: Illusion through the camera lens, Tooth and Nail Gallery, Adelaide, SA & Constance Ari, Hobart, TAS The Analogue Lab Exhibition: Alternative Photography on Paper, Glass and Metal, The Mill, Adelaide, SA
2012
UP: Experimental photography of the sky, Tooth and Nail Gallery, Adelaide, SA
Workshops 2015
Narrative Witness, Indigenous Peoples: Australia-United States Writing and Photography Exchange, Iowa University, Iowa, USA
2014
Look-between Emerging Photography Workshop, Look-between Photography Festival, Charlottesville, Virginia, USA
2013
Will Wilson, Tintype photography Workshop, South Australian School of Art, Adelaide, SA Jerry Spagnoli, Becquerel Daguerreotype Workshop, Goldstreet studios, Trentham, VIC
Awards 2016
Wyndham Art Prize, Wyndham Art Gallery, Werribee, VIC (Finalist) Fleurieu Art Prize, Samstag Museum, Adelaide, SA (Finalist) 33rd Telstra National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery Northern Territory, Darwin, NT (Finalist) Bowness Photography Prize, Monash Gallery of Art, Melbourne, Vic (Finalist)
2015
Victorian Aboriginal Art Awards, Ballarat Regional Art Gallery, Vic (Finalist) Salon Des Refusés, Stokes Hill Wharf Darwin, Darwin, NT (Finalist)
2014
Victorian Indigenous Art Awards, Art Gallery of Ballarat, Ballarat VIC (Finalist) 31st Telstra National Aboriginal and Torres Strait Islander Art Award, MAGNT, Darwin, NT (Finalist) Bay of Fires Art Prize, Gallery Parnella, St Helen, TAS (Finalist) National Work on Paper Prize, Mornington Peninsula Regional Gallery, Mornington, VIC (Finalist)
2013
Cliftons Art Prize, Adelaide, SA (Finalist) Winner, Macquarie Group Emerging Artist Prize, Sydney, NSW
Collections Australia National Gallery of Australia, Canberra Art Gallery of New South Wales, Sydney Art Gallery of Western Australia, Perth National Gallery of Victoria, Melbourne Monash University Museum of Art, Melbourne Macquarie Group, Sydney Monash Gallery of Art, Melbourne City of Stonnington, Melbourne PhotoAccess, Canberra United States of America Kluge Ruhe Aboriginal Art Museum Embassy of Australia, Washington DC, USA Private collections in Australia, USA and Aotearoa (New Zealand)
Selected bibliography Art Monthly Australia, ‘Territorial Encounters’, Issue 291, Aug 2016 Landscape Stories, ‘Aotearoa my Hawaiki’, Issue 25, http://www.landscapestories.net. Aug, 2016 Runway, ‘Territorial Encounters’, http://runway.org.au, July 2016 A*Magazine, ‘James Tylor: Using Daguerreotypes to explore colonialism’, http://www.astar.tv, July 2016 Adelaide Matters, ‘Photo-Artist James Tylor’, Issue 184, Oct 2015, p25 Art Monthly Australia, Untitled, no 283, Sept 2015, p33 Artlink Indigenous, ‘Perceiving the distant’, no2 ,vol 35, June 2015, p10-13 Adelaide review, ‘Ghost stories’, May 2015, p43
Visual Arts Hub, ‘Indigenous art is more contemporary than you think’, http://visual.artshub.com.au, Apr 2015 Meanjin, ‘Representing Absence’, Vol 71, No1, 2015’ p138-150 Photofile, ‘Past the measuring stick’, Vol 96, Mar-May 2015, p104-111 Artzone, ‘James Tylor Hybrid cultural Identity’, Vol 58, Feb-Apr 2015 Aspire magazine, ‘Rising Up: James Tylor’, Feb- Mar 2015, p43 Art Collector, ‘Curators Radar James Tylor’, no 71, Jan-Mar 2015, p126-129 Art Monthly Australia, ‘Past the measuring stick’, no 274, Oct, 2014, p24-27 & 28-31 Artlink Indigenous, ‘Moments of Intersection’, no2 ,vol 34, June 2014, p64-66
36 Gosbell Street, Paddington NSW 2021 Australia tel 61 2 9331 7775 fax 61 2 9331 1648 email info@stillsgallery.com.au web stillsgallery.com.au .au