Stonington GALLERY 2014 Holiday Catalog
Happy Holidays from Stonington Gallery If one could distill the essence of the Pacific Northwest Coast; its beauty, power, culture and history into a collection of material objects we believe it would look like something like this catalogue. The artists represented by the Stonington Gallery and featured in the pages of this digital catalogue are among the region’s most respected and appreciated. Their combined knowledge and experience could write and illustrate the definitive northwest coast art and culture book. We count our good fortune to be able to share their life’s work with you, our patrons, friends and visitors. For those of you who can not visit the gallery this season we have had the great joy of compiling this catalog for you to enjoy. May your life be touched by love, beauty, joy and peace this holiday season. From Rebecca Blanchard & Nancy Davenport and the Stonington Gallery Staff
Cover Image: Thomas Stream | Winter Call | Original Gouache on Paper, Conservation Framed 39”h x 31”w | $5,455 Right: Detail of “Eagle Clan Ancestress” by Christian White. pg. 48 Prices in this catalog are subject to change.
Winter Call, Original Gouache Painting, 30”h x 22”w
Trees become baskets. Fur becomes blankets. Roots become rattles. Weaving is an art of transformation, an alchemy performed by careful preparation, painstaking fingers, and an eye for perfection.
WEAVING
Detail of Salmon Bone Rattle Isabel Rorick pg. 9
High Heels | Woven Yellow & Red Cedar Bark | 6”h x 8”w x 3”d | $3,000
L
iberating or restricting? Western or Native? High fashion or high craft? Whatever your opinion, one thing is clear: Telford’s cedar heels are a remarkable feat of weaving.
New Weavings for 2014. Please see our website for prices of individual works. Baskets range from $220 - $4,000
Lisa Telford Haida
L
isa Telford creates contemporary garments, shoes and other objects using Northwest Coast style weaving techniques.Her work serves as a commentary on Native
identity, stereotypes and fashion. This is her first show with Stonington Gallery.
T
he fish-bone patterns
in this rattle honor
and commemorate the importance of salmon both historically and to the Haida people of the past.
T
he salmon patterns are
woven in dried, sun-
bleached wheat grass from Rorick’s garden, and applied in a process known as false embroidery. Inside the rattle are crystals and agates collected around the Haida Gwaii islands, off the coast of British Columbia, Canada.
Left: Salmon Bone Rattle Spruce Root, Sun Bleached Wheat Grass, Haida Gwaii Agates & Crystals, Yellow Cedar, Gourd, New Zealand Abalone, Goose Down, Feathers 10.25”h x 7”w x 4”d 7,600
Isabel Rorick Haida
Cockle Shell & Cresting Wave Rattle-Top Basket Spruce Root, Alder Bark Dyed Spruce Root, Sun-Bleached Grass, Haida Gwaii Agates 3.75”h x 3.5”w x 3.5”d $5,600
Raven Timelines Basket Spruce Root, Sun-Bleached Grass, Maidenhair Fern, Haida Gwaii Agates 3.5”h x 3.25”w x 3.25”d $5,600
Woven Cedar Bark Haida Hat | Red Cedar Bark | 7.5”h x 14.5”w x 14.5”d | $1,000
W
hat could be more urbane and sophis-
Paul Rowley Haida/Tlingit
ticated than a bowler, top hat, messenger cap or derby woven in cedar bark?
R
owley holds an MFA in creative writing from
Pacific University and has been weaving words and cedar since 2008. His work is in the permanent collections of the Peabody Essex Museum and the Autry museum.
Woven Cedar Bark Fedora - Medium | Red and Yellow Cedar Bark, Abalone Button | $500
Touching Bliss | Hand-plied Wool, Natural Dyes, Comes with Color Key | 50”h x 70”w |$9,500
Susan Pavel
Non-Indigenous
“
I have come to respect and value my husband’s Twana culture and tradition. I apprenticed under master Salish weaver subiyay (Bruce Miller) for six years. I
have been blessed with the opportunity to have learned Coast Salish weaving in the traditional way.”
-Susan Pavel
Silver, gold, buttons and beads. Glimmer, glint and chime. Find the perfect Northwest sparkle.
JEWELRY
Inclusion Necklace | Prehnite, Sterling Silver, Glass Seed Beads, Grout | $750 Literary Dragons Series (Octesian, Saphira, Gereth, Smaug) | Glass Seed Beads, Sterling Silver, Grout | $500 each
Shard & Remnant Cuffs | Sterling Silver, Glass Seed Beads, Grout | $500 each Green Beaded Dragonfly Pendant | Prehnite, Garnet, methyst, green pearls, Jade, Sterling Silver, Glass Seed Beads, Grout | $325 Coral Beaded Dragonfly Pendant | Turquoise, Spiny Oyster, Citrine, Carnelian, Yellow Jasper, Sterling Silver, Glass Seed Beads, Grout | $350
L
ipson’s micro-mosaic jewelry is always evolving, as her ever curious mind searches for new techniques and inspiration. This year the artist added
new silversmithing techniques to her arsenal, and continued to explore using precious stones and beads to augment and highlight her mosaic designs. Mosaic is an ancient technique that Lipson keeps fresh, hip and stylish.
Courtney Lipson
Non-Indigenous
Raven Holds the Moon
Raven Child Pendant
Sterling Silver, Paua
Sterling Silver, Paua
$390
$400
Haida Style Orca 3D Pendant Sterling Silver, Paua $420
Eagle with Frog Belt Buckle
Tree Frog Ring
Sterling Silver, 14K Gold, Paua
Sterling Silver, Abalone
$634
$280
Hummingbird Earrings
Frog Pendant
Sterling Silver, Paua
Sterling Silver, Paua
$124
$210
Jerry Hill
Non-Indigenous
H
ill’s
interest
Native
and
in
Alaskan
Canadian
First Nations art and culture was piqued by boat trips with his family as a child through SE Alaska and British Columbia. Spirit of the Woods Belt Buckle Sterling Silver, Paua $490
Mostly From My Dad’s Shirts | Beads, Buttons | $300
Flowers Forever | Beads, Charms | $450
Chloe French Tlingit
B
right colors, tinkling sounds and elegant draping are hallmarks of Chloe French’s bead, button and bell jewelry. Using a mix of antique and new materials, she
continues a Tlingit tradition of using beads and buttons for adornment in a graceful and playful way.
Mended Fish Net Necklace| Beads, Buttons, Shell | $550
Myers Hummingbird Cuff | Sterling Silver, Rose Gold | 1.25�w | $800
Owen & Janet Walker
Non-Indigenous
T
his husband and wife team create jewelry that is beautiful,
durable and accessible, illustrating some of the most beloved myths and stories from the Northwest Coast.
Raven & Sun Earrings | Sterling Silver | $175
Wolf Ring | Sterling Silver | $175
Bear Ring | Sterling Silver | $175
Hummingbird Ring | Sterling Silver | $175
Oranges Trade Beads Necklace and Fossil Walrus Tusk
Cornaline d’Aleppos and Blue Russians Trade Bead
Artifact Pendant with Leaf Scrimshaw | $250
Necklace & Earrings | $300
Fault Lines Earrings Posts with Oval Tops - Short Fine & Sterling Silver, Keum Boo (Fine Gold & Silver) 1.75”h | $695
Fault Lines Necklace Fine & Sterling Silver, Keum Boo (Fine Gold & Silver) 1.25”h x 17.5”w x .25”d | $2,275
O
ver the last year Tenenbaum allowed herself to range freely in her studio and to play with brand new techniques, and revisit old favorites. The result
are works that are tactile and textured, created by folding, pushing, flowing and striating -- the same processes that form our Earth and the metals within.
Joan Tenenbaum Non-Indigenous
Fault Lines Earrings - Hoops Fine & Sterling Silver, Keum Boo (Fine Gold & Silver) 1”h | $255
Tectonic Flow Earrings - Short Hoops Sterling Silver, 14kt Palladium White Gold, Sterling Ear Hoops | 1.63”h | $525
Ocean Waves Wedding Rings
Line Fold Earrings with Gold Tube
14K Gold, Mokume Gane 22K/Sterling Silver
Sterling Silver, 14kt Gold, Sterling Latching Earwires
Prices vary depending on size, please inquire
2.88”h x 1”w x .63”d | $225
Portrait Pendant | Fabricated Sterling Silver, Abalone
Haida Totem Argillite Bracelet | Argillite, Sterling Silver
1.5”h x 2.35”w x 1”d | $2,035
3.25”h x 2.88”w x .5”d | $50,000
S
ome of the most detailed jewelry on the Coast comes out of the studio of British Columbia-based Jay Simeon. His work in argillite maintains the
thread of his ancestral heritage, continuing what was handed down to him by his elders and honoring his people. His commitment, focus and vision-and the quietness with which he does things--is so delightful to see.
Jay Simeon
Haida
Above: Lovebirds Cuff | Sterling Silver | 1”h | $900 Right: Raven Bringing the Light | Sterling Silver | 1”h | $900 Right: Copper Cuffs | $250 each
Nicholas Galanin Tlingit/Aleut
G
alanin is a multidisciplinary artist working across genres, and he brings his eye for
drama and juxtaposition to his expertly engraved silver and copper cuffs. Over the past year he was a part of a major three-person exhibit at Seattle’s Frye Art Museum, and showed an installation at Bumbershoot Arts and Music Festival.
Sapphire Swirl Dangle Earrings Sapphire, Sterling Silver | $165
Jean Regal Westgate
Non-Indigenous
W
estgate loves to experiment with metals and continually tries new
ideas and processes, challenging herself to achieve pieces that exhibit flow and grace, harmony and power.
O Mexican Lace Agate Citrine Pendant on Chain Sterling Silver, Mexican Lace Agate, Citrine | $350
riginally from New York City, she also lived in Japan, France, and the
Washington DC area before moving to the Pacific Northwest.
Double Point Garnet Bracelet | Sterling Silver, Garnet | $395
Garnet & Iolite Bracelet | Garnet, Iolite, Sterling Silver $325
Double Swirl Bracelet | Sterling Silver | $365
Today’s Northwest Coast art comes in many forms: glass & metal, stone & wood, paint & print. From tradition to cutting edge, see where our artists are taking us now.
2D & 3D
Small Amber Tlingit Glass Berry Basket with Iridescent Purple Design | Blown & Sandblasted Glass | 4.88”h x 4.63”w x 4.63”d $3,000
R
aven Bringing the Sun is a myth shared by many Northwest Coast tribes, and
Singletary’s interpretations in glass are some of the most celebrated and well-known versions in contemporary art. Raven Steals the Sun | Blown & Sandblasted Glass | 19”h x 16”w x 6”d | $16,000
Preston Singletary Tlingit
L
ightning Snakes are collaborations between
Joe David and Singletary. The Lightning Snake is one of the most iconic images in Nuu-chah-nulth culture. Lightning snakes lived under the wings of the Thunderbird, and when Thunderbird was hunting whales--its favorite prey-it hurled the snakes down from the sky as harpoons. The snakes falling to the water are responsible for lightning we see in the sky.
Lightning Snake - Collaboration w/ Joe David | Kiln-Formed & Sandblasted Glass, Cedar Bark | 15”h x 22”w x 7”d | $25,000 each
Thunderbird Headdress (Deetskin) | Red Cedar, Red Cedar Bark, Craft Feathers, Hand-Mixed Acrylic & Dry Pigments 18” h x 14.5” w x 8.5” d | $10,000
J
oe David’s masterful carving is on display in this Thunderbird Headdress. The style is Tla-o-qw’-aht, David’s tribe within the larger Nuu-chah-nulth
nation. Deetskin is the word for “thunderbird” in Nuu-chah-nulth dialect.
Joe David
Nuu-chah-nulth
Northern Parula - Mini Limited Edition Original Gouache on Paper, Framed 18.63”h x 15.63”w | $925
S
tream’s
paintings
portray
wildlife as we’ve never seen it:
stylized creatures in brilliant flatcolor hues, set against a white backdrop that illuminates their elegant curves. All of his creatures wear the traditional steam-bent hunting visor of the Aleut people,
Thomas Stream
Sun’aq Aleut
connecting them to a cultural and geographic landscape.
Pine Sitter - Mini | Limited Edition Original Gouache on Paper, Framed | 18.75”h x 15.75”w | $935
Scott Jensen
Non-Indigenous
A
n Eagle sits at the bottom of this pole,
with a spirit face in the tail. Brown bear is in the middle with two cubs, one in human form and one bear form. At the top are three porpoises. One is sculptural and two are represented in formline. There is a face in the blowhole with hands and feet showing, and a spirit face in the tail. Eagle, Brown Bear and Porpoise Totem | Red Cedar, Pigments | 40”h x 4.75”w x 4.75”d | $19,000 Details on right-hand page and following page.
A
fter
watching
my
wife,
Courtney Lipson, research
and weave her first robe with Chloe Sk.wein French, my appreciation for all weavers past and present is what inspired this little mask. The title is a play on words. Roving is combed wool, ready for spinning. Roving also means to wander with no specific destination. I have seen many mountain goats; they are usually on the side of a cliff where it seems impossible to be.
Scott Jensen Mountain Roving Alder, Pigments 6.88”h x 4”w x 2.5”d $3,500
I
n this mask the shaman is illustrated in flight. He is in a some-
what contorted position. His spirit helper, “the spirit under the glacier,” is shown with a human-like face. It is wearing a headband of beaver fur and the bone nose decoration of a shaman. Its face is painted with white circles representing ice, hail and snow. The blue swirls on the cheek are the turbulent water at the base of a glacier when ice breaks off. The wisp of white hair emerging from the mouth indicates the visible breath in cold weather.
Scott Jensen Flight of the Shaman, Spirit Under the Glacier Alder, Pigments, Bone, Fur 9.25”h x 8.5”w x 7.13”d $8,500
Steelhead | Blown & Off-Hand Sculpted Glass, Metal Stand | 16.25”h x 24”w x 6.5”d | $12,800
S
ome of Skyriver’s most impressive techniques are on full display in this breathtaking
Steelhead. He adds silver foil and Iridescent powders while the glass is still molten to achieve the look of scales, and layers many different colored powders to achieve the colors of the fish. An avid fisherman, Skyriver says that steelhead are often his greatest challenge to land while out in nature -- but not this time.
Raven Skyriver Tlingit
Borealis (Walrus) Blown & Off Hand Sculpted Glass, Metal Stand 18.75”h x 12”w x 10.5”d $9,800
Woven Forest | Limited Edition Serigraph (2014) | 25.88”h x 41.38”w | $2,900
“Growing up Musqueam, our teachings reflect the relationship we have with all forests, as the Fraser River passes through many. In nearly all of our spoken legends, there are references to places within the forest; exemplifying how important our time-honoured connection is. The forests that inspired this colourful montage need to be preserved by each of us, as it is our own responsibility as beings of mother earth not to impede even one species survival.
Susan Point Musqueam
I have released this print to raise awareness to our invaluable future. awareness to our invaluable future.”
Summer Journey (2013) | Limited Edition Serigraph with Dome-Embossed Dichroic Foil | 17”h x 28”w | $300
Marvin Oliver
Quinault/Isleta Pueblo
O
liver was one of the earliest adopters of blown glass in the Northwest Coast genre,
starting to work in the medium in the 1980s. Today, he collaborates with notable glass blowers such as Raven Skyriver and Rich Royal to help bring his concepts to fruition. His Salish Clam Basket series continues to combine iconography of petroglyphs from the area with the form of woven clamcollecting baskets made by Salish weavers. Clam Basket | Blown & Fused Glass | 16.5”h x 17”w x 17”d | $8,500
Ron Russ Haida
Ron Russ was born in 1953 into the Eagle Clan in Masset BC on Haida Gwaii. His father Reynold Russ is the hereditary Chief of Old Masset and his mother June comes from the Nisga’a Nation. As a child Russ drew stories he heard from his family and elders. Ron was trained by his grandfather and educated himself by studying books about Haida art. The Song | Argillite, Shell | 10�h | $6,900
Luke Marston
T
Chemainus
his astonishing sculpture was created in 2003, and
was featured prominently in the book Contemporary Coast Salish Art, and is used as a prime example of
contemporary
Salish
carving by researchers at the Seattle Art Museum. We are proud to be able to offer this seminal work in our 35th Anniversary exhibit. Shaman’s Bowl | Wonderstone, 14k Gold, Ivory, Shell | 12”h x 8”w x 6”d | $15,000
Tripudio #3 | Mixed Media on Paper, Framed | 38.25”h x 30.25”w | $5,500 CAD
Michael Nicoll Yahgulanaas Haida
Y
ahgulanaas began working as an artist after many decades in the leadership of the Haida Nation’s successful campaign to protect its people’s indigenous culture
and environment. In the past decade, Yahgulanaas’ work has been presented in museums all over the world, including at international exhibitions in Asia, Australia, the Middle East and Europe. His Seattle debut begins this winter with Stonington Gallery, and continues in 2015 with a large piece on exhibit with the Seattle Art Museum.
Coppers From the Hood (2014.10.15) Laminated Copper Sheeting & Pigments on Automobile Hood | 14”h x 5”w x 34”d | $20,000 CAD
Eagle Clan Ancestress Argillite, Paua Shell, Mother of Pearl, Catlinite 14.5”h x 3.75”w x 4.75”d $28,000
Christian White
Haida
A
clan of frogs march their way up the sides and back of this extraordinary model pole, carved by White out of the black stone argillite. Argillite is a shale native to
the Haida Gwaii Islands, and may only be carved by members of the Haida Nation. White was inspired to carve this exquisite pole after seeing the recent Vancouver Art Museum exhibit on Charles Edenshaw, legendary Haida carver.
Robert Davidson, U and Eye, Limited Edition Serigraph, 40.25”h x 30.25”w, $2,100 CAD
T
his serigraph was released in November 2013 in honor of Davidson’s two Seattle exhibits. U and Eye brings him ever closer to his goal “to paint only one line and
have it be Haida art”.
Robert Davidson Haida
D
avidson’s major solo exhibition “Abstract Impulse” debuted last year at the Seattle Art Museum, and continued into 2014 with a successful run at the
NMAI satellite venue in Manhattan.
Golden Eagle and Black Bear Spirit Canoe | Limited Edition Bronze (#14/20) | 9.5”h x 15.75”w x 6.5”d | $4,000
S
abin carves his sculptures in the fragrant juniper wood native to the Southwest United States. But some sculptures are too perfect to do just
once, and that is where Sabin’s bronzes come in: cast in very limited editions in a foundry in Santa Fe, they are beautifully patinated and no two look exactly alike. Some say they even prefer the bronzes to the original wood sculptures.
Hib Sabin
Non-Indigenous
Dreaming Guardians | Limited Edition Bronze (#14/15) | 24”h x 28”w x 6”d | $8,400
Raven Circle | Open Edition Corten Steel 24”h x 23.5”w x .19”d | $800
Sea Wolf - Powder Coated Red Open Edition Mild Steel, Red Powder Coating, Base 36”h x 21”w x .5”d | $3,250
Barry Herem
Non-Indigenous
A
pioneer of many media, Herem works in paint, wood, glass, printmaking, steel, concrete, and paper. A voracious mind at work, he continues his many decades of experimentation with new techniques and
designs.
Bent Box | Corten Steel | 11”h x 12.88”w x 7”d |, $350
Autumn Loon | Limited Edition Serigraph | 17.5”h x 15”w | $185
H
igh’s designs have an elegant sense of motion that make her animals seem to leap off the page. Her subjects are always full of personality and charm, and she often pairs them with witty titles.
Allie High
Haida/Tsimshian/Aleut
Boreal Night Owl | Lim. Ed. Serigraph | 17.5”h x 15”w | $150
Foxy | Lim. Ed. Serigraph | 20”h x 15”w | $145
Allie High, Sushi, Limited Edition Serigraph, 15”h x 19.13”w, $145
Bear / Eagle Shaman Comb Alder, Paua Shell, Pigment, Metal Stand 4.63”h x 2.5”w x .25”d | $2,100
Brown Bear Mother | Alder, Copper, Mother of Pearl, Paua | 12”h x 8.5”w x 4.25”d | $4,200
Robert Barratt
Non-Indigenous
T
he hallmark of Barratt’s carvings
is the creamy, softly shining alder
that he chooses to carve in. His spiderweb-thin formlines are some of the finest we see pass through the gallery. Salmon Trout Head Mussel Rattle | Alder, Paua, Pigment | 4.63”h x 2.5”w x .25”d | $2,400
Raptoral Bentwood Box | Red Cedar, Pigments | 12”h x 7.5”w x 7.5”d | $4,200
O
ver the past forty years, Duane Pasco has become one of the most influential artists working in the genre of Northwest Coast art. His work has become the
standard for consistency in quality and innovation, and his commitment to the revival
Duane Pasco
Non-Indigenous
and continuation of the traditional technologies has been proven repeatedly through his impact as a teacher and practitioner.
Blue Raven Bundle | Limited Edition Lithograph
Red Raven Bundle | Limited Edition Lithograph
42.5”h x 30.5”w | $2,000
42.5”h x 30.5”w | $2,000
P
ersonal
experiences,
cultural
engagement
and
transformation stories animate Rick Bartow’s works.
Bartow’s work swings effortlessly from humorous and surprising to dark and challenging—and are often both simultaneously.
Rick Bartow
Wiyot
From One Come Another | Pastel & Graphite on Paper | 40”h x 26”w | $7,000
Shaun Peterson | Fin III | Hand Painted Corten Steel on Cedar Base | 21.25”h x 12”w x 3”d | $2,000
seahawk
Sealth’s Hawk | Limited Edition Giclee | 17”h x 22”w | $200
Shaun Peterson Puyallup
D
oes the Seattle Seahawk logo look a little different? That’s because it’s been reimagined by Peterson, using traditional Coast Salish design elements. We want to see this noble bird on Seahawk uniforms next season!
Shaun Peterson | Blood Moon - Set of 4 | Limited Edition Giclees | 9”h x 8.5”w | $550
J
ean Ferrier creates hand-calligraphed and illustrated books in every shape
and size. Her largest--the most recent Crow Book--comes in a gorgeous dyed paper folio, and talks about Crows in mythology and science.
Jean Ferrier Crow Book | Handmade Book, Wood Cover, Paper Folio | $800
Non-Indigenous
Whale Rider Drum | Deer Hide, Acrylic, Leather, Wooden Beater | 19.5”h x 19.5”w x 2.38”d | $3,000
A
figure clings to the dorsal fin of a surging Killerwhale in this drum design, and the motion and energy from this exhilirating ride draws us in to the action.
Boxley’s elegant, energetic lines are on full display here, as is the precision of his
David R. Boxley Tsimshian
painting.
Ookpik Spirit (Snowy Owl) | Red Cedar, Acrylic | 20.5”h x 22”w x 6.5”d | $6,200
A
hvakana was raised in Barrow and Anchorage, Alaska. He settled in Washington and has been a professional artist for over thirty years. His solo
exhibition at the Bainbridge Island Art Museum opened earlier this autumn, and runs through February 2015.
Larry Ahvakana Inupiaq
River Rock in Shadowed Sunlight, July 1986 | Black and White Silver Gelatin Print 9”h x 13.25”w
R
andlett’s monochromatic photographs figure prominently in the art and cultural history of Seattle. Raised on Bainbridge Island, Randlett spent much
time at Bloedel Reserve, where many of her images were taken. Now in her 90s, this important photographer celebrated the release of a new Portraits book, and the re-
Mary Randlett release of her Landscapes book this past year. Non-Indigenous
Waiting for High Tide, Crab Island | Cut Paper, Framed | 10.88”h x 9.38”w x 1.25”d | $950
H
ave you ever seen life from a crab’s perspective? In this cut-paper scene we are put in the position of a crab in a crevice, watching a person
out on the rocky shore. This is a small study for a book that McClure is writing about a family building a raft on the shore, and it speaks to the cycle of tides
Nikki McClure and time. Non-Indigenous
Edwin Nunguk (St. Lawrence Island Yup’ik) Whale Witch Ivory, Mammoth Ivory, Baleen, Walrus Jawbone Base 25”h x 4.38”w x 4”d | $13,500
E
ach year we have the pleasure of selecting new works by whalebone
and ivory carvings that come to us from the farthest reaches of Alaska. These expressive, graceful sculptures are created by Inupiaq and Yup’ik artists, many of whom live a hunt-and-gather lifestyle. We are proud to show these expressions of Arctic beauty and to help support these artists.
Edwin Nunguk (St. Lawrence Island Yup’ik) |
Richard Olanna (Inupiaq) | White Bone Hunter with Spear
Medium Cormorant on Jawbone Base | Ivory, Ba-
Whalebone, Baleen, Wood, Metal | 23”h x 6.5”w x 11.5”d |
leen, Walrus Jawbone | 20.13”h x 4”w x 3.88”d
$975
$1,200
Wagner Wongittilin (St. Lawrence Island Yup’ik) Layered Baleen Flying Loon on Stand Layered Baleen, Inlaid Ivory, Whalebone Stand 3.5”h x 6.5”w x 6.75”d | $450
Stonington Gallery 125 South Jackson Street Seattle, WA 98104 206.405.4040 email: art@stoningtongallery.com web: www.stoningtongallery.com Open Daily Catalog Design by Sarra Scherb © Stonington Gallery 2014 Image: Detail of “Fault Lines Necklace” by Joan Tenenbaum. pg 24. Photo by Doug Yaple.