Changing Seasons

Everyone sees the world differently. A season is a division of the year defined by certain weather patterns which we translate into our perceptions as a result of experience, memories, and activities of that season. Therefore, seasons allow me to explore the concept of perception through its complex range of emotions that can be felt. Take for example, a rainy day. Most might say that the rain dampers their day and makes people sad, but I would say that rain is very calming.

The art pieces chosen present each season in a different light using different materials to support the various perceptions and the memories associated with them.

I am mainly influenced by the weather and nature. Other times I am influenced by art styles that I find would fit well into my collection of art pieces such as Ebony Rose’s Pitch Dark (2019) which utilizes the solubility of ink to create a dreadful piece, or Shae Salmon’s art style.

In the beginning, I knew I wanted to make pieces related to nature – not exactly common topics like environmental damage, but more based on what I see. I eventually found my interest in seasons and the perceptions of each one. While doing so, I became interested in others’ views and how they differ. The pieces are arranged in seasonal chronological order starting with winter and ending with the interactive clock piece to reflect on experiences. Having a range of display styles, digital, sculptural, and hanging pieces, it allows for many different viewers to connect and understand each piece. Through the use of literal images, colour, and brightness, I can develop a relationship between the art piece and the viewer. The multiple views accumulated from the opinions of others allow for a wide range of opinions that are not bound to one person, therefore, the viewer will be able to understand the message and emotions behind at least one art piece.

Lastly, I want the audience to decide what they feel for themselves – whether it is happy, sad, nostalgic, or another emotion because I do not want to direct nor influence what people feel from my exhibition. If anything, I want the audience to consider their own opinions about the seasons and their memories associated with them as they enter and exit my exhibition.

VERONICA LEUNG

the gallerY