WAVE circle YUNTENG JIANG Rep 2, 2019 A1754408
TABLE OF CONTENTS SITE PLAN-----------------------------------------------1 ELEVATION---------------------------------------------2 Ground 3DVIEWs-------------------------------3-4 SHADOW AND PLAN-------------------------------5 AMBIENT LIGHT-SOCIAL AND CULTURAL----6 LUMINOCTY------------------------------------7-8 METAPHOR------------------------------------------9 IDEAS AND PROCESS OF IDEA---------------10 ROOM LAYOUT PLAN-----------------------------11 SECTION AND ELEVATION----------------------12 3D VIEW(AERIAL) ------------------------------13-14 REFLECTION--------------------------------------15-16 FORM----------------------------------------------17-18
3D VIEWs (AERIAL)--------------------------------------19-20 3D VIEW (OUTSIDE AND INSIDE)--------------------21-22 OPACITY----------------------------------------------------23-24 3D VIEW(INTERIAL)---------------------------------------25-26 CONSTRUCTION----------------------------------------------27 COMPOSITION---------------------------------------------28 Mobility------------------------------------------------------29-30 FILTRATION-------------------------------------------------31-32
SITE PLAN
Molecular Science
SANTOS Buliding
The Braggs
Ingkarni Wardll
Barr Smith Library
N
Site plan Scale 1:500
1
ELEVATION
Barr Smith Library Scale1:1000
Southern Facing Elevation Scale1:1000
Northern Facing Elevation Scale1:1000
2
3D VIEW
Image 2
Western Facing Southern Facing
Image 1
3
3D VIEW
Image 3
South-eastern Facing Western Facing
Image 4
4
SHADOW
SUMMER 9AM
SUMMER 12PM
SUMMER 3PM
WINTER 9AM
WINTER 12PM
WINTER 3PM
PLAN
Car Trafffic To Site
Access To Site Cars And Pedestrian
Social Areas Within the site
Possible Pedestrion Network
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AMBIENT LIGHT
SOCIAL AND CULTUREAL
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LUMINOSITY Linguistic definitions and Philosophical definitions Linguistics definitions Linguistics, the scientific study of language. The word was first used in the middle of the 19th century to emphasize the difference between a newer approach to the study of language that was then developing and the more traditional approach of philology. The differences were and are largely matters of attitude, emphasis, and purpose. The philologist is concerned primarily with the historical development of languages as it is manifest in written texts and in the context of the associated literature and culture. The linguist, though he may be interested in written texts and in the development of languages through time, tends to give priority to spoken languages and to the problems of analyzing them as they operate at a given point in time. The field of linguistics may be divided in terms of three dichotomies: synchronic versus diachronic, theoretical versus applied, and microlinguistics versus macrolinguistics. Philosophical definition It is arguable that the advance of science and technology, together with the global expanse of the languages of political and moral rights, are hallmarks of the modern spirit. To these, David Walsh proposes a third, and presumably equally momentous, trait: the philosophical revolution that has prioritized the horizon of existence within which we find ourselves. Not a sometime insight, as others have argued, but, on Walsh's reading, a sustained course of inquiry, the shift of perspective to our meditative participation in existence portends the only viable mode of philosophizing. He sets out the case for this claim in The Modern Philosophical Revolution: The Luminosity of Existence, the crown jewel of an unintended trilogy on the problem of 'modernity'. The first volume, After Ideology (1990), a study of the crisis evoked by totalitarianism, turns on the claim that the truth of the modern world can only be articulated from within it. From such a perspective, good and evil are the imprescriptable boundaries of our existence.
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LUMINOSITY Meaning in architecture De-constructive Lines of Decisive non-parallel lines mark the explosive energy of her first building: The Vitra Fire Station (Weil am Rhein, 1993)—a lucid expression of tensions with in-situ concrete walls. Light lines in the ceiling, or between wall and ground or between the wall and the flying roof reinforce the linear architecture with sharp edges. In the interior, the light gaps between the wall and ceiling deconstruct conventional building structures as well. Even the design of the distinctive sun blinds intensify the linear pattern language. The precise light lines emerge as built manifestations of her suprematist paintings. Although the edges of the interior luminaires echo the sharp concrete lines, the soft, diffuse inside and outside illumination in a way counteracts the energy of the building's forms. Introducing Shining Landscape Reflections The Nordpark Railway Station (Innsbruck, 2007) initiated a new period of light and fluidity in Hadid's oeuvre. Here, light is not absorbed by concrete but is instead reflected by glass. Inspired by local glacial moraines and ice formations, Hadid has significantly increased the reflectance of her surfaces for stunning mirror images.
Golden Glamor and a Splendid Starry Sky After a period of raw, cool, concrete buildings, Hadid turns for the first time to a warm, golden and glossy atmosphere with the Guangzhou Opera House (China, 2010). The design of the auditorium is driven by fluidity and seamlessness. Thousands of light pixels in the ceiling remind the audience of a dream-like starry sky. Light patterns on the cascaded balconies evoke the impression of reflections in waterfalls. These waves stand in a clear contrast to the crystalline exterior with the triangular façade pattern.
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METAPHOR Natural-Spider web
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IDEA 1
IDEA 2
IDEA 3
PROCESS OF IDEA GENERATIONN 10
PLAN
S1
S2
S2 S1
Floor plan Scale 1:300
N
Room layout plan Scale 1:300
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SECTION AND ELEVATION
S2 Eastern Facing Section Scale 1:1000
Western Facing Elevation Scale 1:1000
S1 Northern Facing Section Scale 1:1000
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3D VIEW Aerial
Image 1
Image 1
Western Facing summer 3pm
Image 2
Eastern Facing summer 4pm
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Image 3
South-Eastern Facing summer 1pm
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REFLECTION Linguistic definitions and Philosophical definitions Linguistics definitions reflection noun re·flec·tion Definition of reflection 1 : an instance of reflecting especially : the return of light or sound waves from a surface 2 : the production of an image by or as if by a mirror 3a : the action of bending or folding back b : a reflected part : FOLD 4 : something produced by reflecting: such as a : an image given back by a reflecting surface b : an effect produced by an influence the high crime rate is a reflection of our violent society 5 : an often obscure or indirect criticism : REPROACH a reflection on his character 6 : a thought, idea, or opinion formed or a remark made as a result of meditation 7 : consideration of some subject matter, idea, or purpose 8 obsolete : turning back : RETURN 9a : a transformation of a figure in which each point is replaced by a point symmetric with respect to a line or plane b : a transformation that involves reflection in more than one axis of a rectangular coordinate system Philosophical definition In the late nineteenth century the structure of knowledge was being defined in such a way as to suggest that philosophy could definitely disappear. In the course of the century some key disciplines of philosophy, such as logic and psychology (as a study of thought, or mind), had become autonomous sciences. Even anthropology, sociology, linguistics, political science, which once were part of the territory of philosophy, now boasted the status of specialized sciences. "If philosophy was something one could do without it", wrote Ortega y Gasset, "there is no doubt that in the late nineteenth century it would definitely be dead." Afterwards, the perspective of the 'end of philosophy' has been a favorite theme of the reflections of philosophers.
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REFLECTION Meaning in architecture Architectural Reflection is the computation performed by a system about its own software architecture An architectural reflective system is structured into several (potentially infinite) layers1 , called architectural layers, constituting an architectural reflective tower. Every layer is architecturally causally connected to the layer below i.e., in every architectural meta-layer entities work, called architectural meta-entities, which maintain data structures reifying the software architecture of the underlying system; every change made to these data structures reflects on the underlying system architecture, and vice versa. Therefore, according to the concept of domain as used by Maes in [15], the application domain of the architectural meta-entities is the software architecture of the computational system. Each architectural layer has the necessary hidden hooks that allow it to be linked to a potential new meta-layer above, but each layer is created only when needed, in order to avoid an infinite regression. Each architectural meta-layer operates on the architecture of the level below and adds new functionality to the original system. The property of transparency holds as in classical reflection i.e., each layer is unaware of the presence and behavior of the layers above. Based on our definition of topology and strategy as orthogonal aspects of software architecture, we can further refine the definition of architectural reflection by defining opological and strategic reflection. Topological reflection is the computation performed by a system about its own topology. Examples of topologically reflective actions include adding or removing components or connectors. Strategic reflection is the computation performed by the system about its own computation in the large i.e., observation of the abstract state of components and connectors and observationjmanipulation of the strategy. An example of strategically reflective action is changing priorities associated to transitions in a priority-based strategy. In the next sections we examine in more detail each layer of the architectural reflective tower. In particular we illustrate the agents working in each generic architectural base or meta-layer, their duties and the layers interconnection (the architectural causal connection).
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FORM Plans S1
S2
S2
N location plan Scale1:700 S1
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SECTION AND ELEVATION
S2 Eastern Facing Section Scale 1:1000
Western Facing Elevation Scale 1:1000
S1 Northern Facing Section Scale 1:1000
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3D VIEWs Aerial
Image 1
Image 1
Southern Facing Summer 9:30 am
Image 2
North Summ
Western Facing Summer 9:30 am 19
Image 3
Eastern Facing Summer 9:30 am
Image 4
hern Facing mer 9:30 am
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3D VIEWS Approach,Access,Movement: Outside
N
Access points to sites Main movements paths Access points to Structure from outside
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3D VIEWS Approach,Access,Movement: Inside
N
Main movement paths Movement to the smaller spaces Access and Exit points to structre Access points to exhabition spaces
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OPACITY Linguistic definitions and Philosophical definitions Linguistics definitions Opacity (pronounced "o-pass-ity," not o-pace-ity") describes how opaque an object is. While it is not specific to computer terminology, the term is often used in computer graphics software. For example, many programs include an "Opacity" setting that allows you to adjust the transparency of an image. To understand opacity, it is important understand what "opaque" means. An opaque object is completely impervious to light, which means you cannot see through it. For example, a car door is completely opaque. The window above the door, however, is not opaque, since you can see through it. If the window is tinted, it is partially opaque and partially transparent. The less transparent the window is, the higher its opacity. In other words, transparency and opacity are inversely related. Philosophical definition Phiosophical opacity is often the result of the counterfeeding or counterbleeding order of two or more phonological rules, which is called "counter-feeding opacity" or "counter-bleeding opacity". An example of both can be seen in the future-marking suffix -en in the Yokutsan languages. Its vowel is supposed to be an underlying high vowel, though it surfaces as a mid vowel. Vowel rounding always applies before vowel lowering. Due to this order of phonological rules, the interaction of the suffix vowel with rounding harmony is opaque. There is still vowel harmony between the suffix vowel and a preceding high vowel as these vowels agree in roundedness, while a vowel with the feature [-high] would usually be exempt from rounding harmony. As a result of counter-bleeding opacity, the apparent motivation for the vowel harmony has disappeared here. Moreover, as a result of counter-feeding opacity, it cannot be told from the surface structure of the suffix vowel.
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OPACITY Meaning in architecture Even as modernism promoted the transparency of glass architecture, many within the movement were conscious of the monotony of large glass facades, with even Mies van der Rohe using elements such as his trademark mullions to break up his facades. But in the years since, countless uniform structural glazing skyscrapers have emerged and bored urban citizens. In response to this, unconventional reinterpretations of facades have gained interest. Accompanied by the belief that light and brilliance could help in creating iconic architecture and a better human world, glass and metal have been innovatively transformed to create crystalline images. As a result, the locus of meaning in architecture has shifted from the internal space-form towards the external surface. Celebrating the expressive materiality of transparency and reflective imagery for entire building skins emerged during the early 20th century, when Paul Scheerbart and Bruno Taut envisioned a new glass culture made of “colored glass” “sparkling in the sun,” “crystalline shapes of white glass” which make the “jewel-like architecture shimmer.” Mies van der Rohe absorbed this vision when he discarded the rectangular tower in favor of a free-form glass skin in his proposal for the Glass Skyscaper in Berlin in 1921. In a 1968 interview, Mies explained his skepticism regarding the urban monotony of glass mirror effects: “Because I was using glass, I was anxious to avoid dead surface reflecting too much light, so I broke the facades a little in plan so that light could fall on them at different angles: like crystal, like cut crystal.” Norman Foster materialized this glass dream with his Willis Faber & Dumas Headquarters in Ipswich in 1975 and SOM presented it in its tallest manifestation with the Burj Khalifa Tower in Dubai in 2009.
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3D VIEWS Internal
25
26
CONSTRUCTION
27
COMPOSITION Exploded Axonometric
28
Mobility
29
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FILTRATION Linguistic definitions and Philosophical definitions Linguistics definitions filtration noun fil·tra·tion Definition of filtration 1 : the process of filtering 2 : the process of passing through or as if through a filter also : DIFFUSION Examples of filtration in a Sentence Recent Examples on the Web The new rules apply to outdoor workers and semi-indoor places, like auto body shops that aren’t completely enclosed and don’t have air filtration systems.— Peter Fimrite, SFChronicle.com, "New rules to protect workers when wildfires’ smoke fills the air," 29 July 2019 These icemen start with tap water, which flows through a five-step filtration system that peels away impurities. — Phillip Valys, sun-sentinel.com, "Nice ice, baby: Fancy ‘clear ice’ taking South Florida cocktails to cooler heights," 26 July 2019 Philosophical definition Phiosophical opacity is often the result of the counterfeeding or counterbleeding order of two or more phonological rules, which is called "counter-feeding opacity" or "counter-bleeding opacity". An example of both can be seen in the future-marking suffix -en in the Yokutsan languages. Its vowel is supposed to be an underlying high vowel, though it surfaces as a mid vowel. Vowel rounding always applies before vowel lowering. Due to this order of phonological Z rules, the interaction of the suffix vowel with rounding harmony is opaque. There is still vowel harmony between the suffix vowel and a preceding high vowel as these vowels agree in roundedness, while a vowel with the feature [-high] would usually be exempt from rounding harmony. As a result of counter-bleeding opacity, the apparent motivation for the vowel harmony has disappeared here. Moreover, as a result of counter-feeding opacity, it cannot be told from the surface structure of the suffix vowel.
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FILTRATION Meaning in architecture Filtration is any of various mechanical, physical or biological operations that separates solids from fluids (liquids or gases) by adding a medium through which only the fluid can pass. The fluid that passes through is called the filtrate.[1] In physical filters oversize solids in the fluid are retained and in biological filters particulates are trapped and ingested and metabolites are retained and removed. However, the separation is not complete; solids will be contaminated with some fluid and filtrate will contain fine particles (depending on the pore size, filter thickness and biological activity). Filtration occurs both in nature and in engineered systems; there are biological, geological, and industrial forms. For example, in animals (including humans), renal filtration removes waste from the blood, and in water treatment and sewage treatment, undesirable constituents are removed by absorption into a biological film grown on or in the filter medium, as in slow sand filtration. Filtration is used to separate particles and fluid in a suspension, where the fluid can be a liquid, a gas or a supercritical fluid. Depending on the application, either one or both of the components may be isolated. Filtration, as a physical operation is very important in chemistry for the separation of materials of different chemical composition. A solvent is chosen which dissolves one component, while not dissolving the other. By dissolving the mixture in the chosen solvent, one component will go into the solution and pass through the filter, while the other will be retained. This is one of the most important techniques used by chemists to purify compounds. Filtration is also important and widely used as one of the unit operations of chemical engineering. It may be simultaneously combined with other unit operations to process the feed stream, as in the biofilter, which is a combined filter and biological digestion device. Filtration differs from sieving, where separation occurs at a single perforated layer (a sieve). In sieving, particles that are too big to pass through the holes of the sieve are retained (see particle size distribution).
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YUNTENG JIANG Rep 2, 2019 A1754408