Capturing Light
AN UNDERSTANDING OF MUSIC THOUGH A PATH OF WATER AND LIGHT
Inspiracion
Seeing
Capturing Light
Inspiration
AN UNDERSTANDING OF MUSIC THROUGH A PATH OF WATER AND LIGHT
Inspiration
Existng Subject: J.S.Bach , Suite I, Violonchello
Inspiration
Inspiration Process Drawing An interpretation of a sheet of music: Exercising thought process by creating a representation of an existing subject in order to gain the ability to approach the conceptual development of an architectutral project with creative research and original thinking. The drawing attempts to represent the strings, creating an imaginary space suspended in the place between the opening and the conclusion of the music piece.
Inspiration
Developing an inspiraton by seeing and capturing an interactive structure designed by Bruce Nauman at The University of New Mexico campus named the “Center of the the Universe�, as a means to study space, gesture, contour, perspective, movement and light.
Inspiration
5 min. sketch of the greenhouse building in Taos, New Mexico
Inspiration
1 min. sketches of The Rancho the Taos, New Mexico church in Taos, New Mexico
Inspiration
ADITIVE DRAWING
SUBTRACTIVE DRAWING
Developing an understanding of light and shadow by drawing with two different techniques. Aditive Drawing: Taking a pencil and drawing lines in a light background in order to define space, form, or object in the emptiness of a black page. Subtractive Drawing: With a pencil drawing over a blank page so as to cover the page with graphite, then taking an eraser and erasing out the space, form, or object with light.
Inspiration
Perspective studies and figure ground studies of the Hacienda de los Martinez in Taos, New Mexico. Seeking to understand spacial relationships of a traditional pueblo court house, its relationship to the site and to the sun.
Inspiration
Perspective Sketch of the Hacienda de los Martinez in Taos, New Mexico. Seeking to understand light and shadow as a way of representing architecture. Seeing the decay of aged plaster as an interesting thing.
Seeing
When one travels and works with visual things -architecture, painting and sculpture - one uses one’s eyes and draws, so as to fix deep down one’s experience of what is seen. Once the impression has been recorded by the pencil, it stays for good, entered, registered, inscribed ... To draw oneself, to trace the lines, handle the volumes organize the surface ... all this means first to look, and then to observe and finally perhaps to discover ... and it is then that inspiration may come. Inventing, creating, one’s whole being is drawn into action, and it is this action which counts. _ Le Corbusier, Architect
Seeing
Hand Drafted Study of the “Center of the Universe”, at The University of New Mexico campus, Abuquerque. Understanding light through orthograpic drawing.
Seeing
Free-hand Study of the “Center of the Universe”, at The University of New Mexico campus, Abuquerque.
Seeing
Understanding how to read three-dimensional space through orthographic projection. Exploring architectural conditions and atmospheres through Precedent Study.
Seeing
PRECEDENT BUILDING HOUSE - N Sou Fujimoto
A home for two plus a dog. The house itself is comprised of three shells of progressive size nested inside one another. The outermost shell covers the entire premises, creating a covered, semi-indoor garden. Second shell encloses a limited space inside the covered outdoor space. Third shell creates a smaller interior space. Residents build their life inside this gradation of domain. I have always had doubts about streets and houses being separated by a single wall, and wondered that a gradation of rich domain accompanied by various senses of distance between streets and houses might be a possibility, such as: a place inside the house that is fairly near the street; a place that is a bit far from the street, and a place far off the street, in secure privacy.
structure, the inside is invariably the outside, and vice versa. My intention was to make an architecture that is not about space nor about form, but simply about expressing the riches of what are `between` houses and streets. Three nested shells eventually mean inďŹ nite nesting because the whole world is made up of inďŹ nite nesting. And here are only three of them that are given barely visible shape. I imagined that the city and the house are no different from one another in the essence, but are just different approaches to a continuum of a single subject, or different expressions of the same thing- an undulation of a primordial space where humans dwell. This is a presentation of an ultimate house in which everything from the origins of the world to a speciďŹ c house is conceived together under a single method.
That is why life in this house resembles to living among the clouds. A distinct boundary is nowhere to be found, except for a gradual change in the domain. One might say that an ideal architecture is an outdoor space that feels like the indoors and an indoor space that feels like the outdoors. In a nested
Understanding how to communicate a concept through media and representation techniques throught the use of Auto-Cad, Photoshop, and InDesign, throught an exploration of a Precedent in order to become familiar with the language of diagram and model making.
Seeing
Diagraming the ritual of “making tea� as a means to understanding human scale and proportion and its correlation with the built environment.
Seeing
Plan view of an interpretation of a“tea house” for one person as it relates to the diagrams of the ritual of making “tea” and connections, feeling and sensations captured through music. Sensation and feeling are reinterpreted from J.S.Bach Suite I, Violoncello. into warm and cool colors that capture the sensations of the strings as you listen to the music.
e Tea Room |FORMA
ARCHITECTURE
Arch-503 Assignm
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INTERIOR DESIGN
Unnam
Seeing
Inspiration process drawing
Seeing
The Tea Room
Rendeing of the interpretation of a “tea house� as it relates to connections made to music.
Arch-503 Assignment A02.2 Alex Rodriguez
Seeing
SOLID TO VOID STUDY
SUN PATH STUDY
EMPTYING OUT STUDY
VOID LIGHT STUDY
STEREOTOMIC STUDIY
SEATING DIAGRAM
SPACIAL STUDY
Developing a relationship to chiaroscuro (the play of light and shadow) as the substance that colors and animates this space and developing an understanding of stereotomics, looking at architecture as an act of emptying out rather than one of building up. The Abode of Vacancy. Diagraming the “emptying out” the thickness of the walls in order to make room for light and people to enter, expanding the void for light to then be poured in.
Seeing
Tea House Plan view of “solid to void�as it relates to connections made to music, J.S.Bach Suite I, violoncello. Re interpreting the sensations and feelings captured by the strings of the music thorough the use of space and light. Restriction and Openess mimic the tension as in the strings of music in order to find an asymetrical structure that enables the inhabitant to find balance in the space creatded.
Seeing
A
EXTERIOR PERSPECTIVE
INTERIOR PERPESPECTIVE
FLOOR PLAN - scale 1/2” = 1’-0”
SECTION PERSPECTIVE
A
STUDY MODEL
south ELEVATION
CHASHITSU Sensation + Feeling Arch 503 - A05.1
Infusion of self awareness & contentment as in the ritual of making tea, drinking tea, entering a tea house are all aspects behind the design. A feeling of warmth as in shelter, and comfort as in having the knowledge to choose. As beings in a given space, the feeling of comfort manifests itself by familiar sensations and disconecting from the world to achieve a hight state of conciousnes.
2nd Presentation of the “Tea Hose” concept
Seeing
PERSPECTIVE
RENDERING
AXONOMETRIC
A
SECTION A-A
study MODEL
study MODEL study MODEL
FLOOR PLAN
A
south ELEVATION
east ELEVATION
north ELEVATION
west ELEVATION
TEA HOUSE Sensation + Feeling Arch 503 - A03.1
Infusion of self awareness & contentment as in the ritual of making tea, drinking tea, entering a tea house are all aspects behind the design. A feeling of warmth as in shelter, and comfort as in having the knowledge to choose. As beings in a given space, the feeling of comfort manifests itself by familiar sensations and disconecting from the world to achieve a hight state of conciousnes.
1st Presentation of the “Tea House” concept.
CAPTURING LIGHT
A Light Study: Developing a casual connection with a quality of light within a space and the atmosphere it generates in that space.
Capturing Light
Developing an understanding of how the building is to relate to the site. Diagraming, and documenting important site features that have a direct influence on siting the building in relation to its context. This project is sited next the Rio Grande in El Bosque the New Mexico, Albuquerque.
Capturing Light
EXISTING BRIDGE
CAPTURING
L I G H T SITE IMAGE - COLOR STUDY
SITE NORTHWEST VIEW - TOWARDS BRIDGE
CONCEPT IMAGE PROJECT NORTH VIEW STUDY
CONCEPT IMAGE DISTANCE VIEWS STUDY
SITE IMAGE OF PROJECT NORTH
SITE LOWEST ELEVATION OF THE RIO GRANDE
SITE EDGE CONDITION
DY U T S
for site the pical”. ty ch is Bea om the y le fr ople Ting taway f pe est. e ico, re o Mex antic g ultu to its W hed. m New s ve c ue, little ro acti South cheri rq n e a g nd uqu use, “A and avelin nt a re a Alb hing iver) tr r prese sha live s ) of Tea Ho s fi a n e (r ve nd are the we nt. Rio ts a ed re e Gard ere boa nd the ent a ood ical ter wh s curre n (w le m it a ota ue add r arou viron y B and w along u osq n s, p h earb ls El B s yo bell ll cente esert e r. N en eart ir trave und ithin. rch a d in d ate e chu ling, e w wate t gro to a Situ ets e betw ark th and d cyc nship wha a word play of e in is m c m n a r. e in ng d tr foot a relatio arth the pla birds eeli reflect s by th e rive s n ilroa re e g th +F and , ra both o and it whe asizin on ay to renes d by irds on a sati w re ter db mph ecti Wa Sen you a ral aw captu refl um, e s an l s tu k is e c a ra ri t k u ta ua an atu tha of d of n an Aq and s feed H T nds G lace with se sou LI ap sen T he It’s urtyard ed anging ven co Enli ver-ch e
ENT
M
IT
AS
SITE WEST VIEW TOWARDS EL BOSQUE
CONCEPT SKETCH LIGHT STUDY
SS E S S EA
CONCEPT SKETCH SITE CONDITIONS DIAGRAM
CONCEPT SKETCH CAPTURING LIGHT THROUGH RICE FARMING BEDS
CONCEPT IMAGE VEGETATION IN BETWEEN PLATFORM DECKS
CONCEPT IMAGE CAPTURING LIGHT THROUGH RICE FARMING BEDS
IMAGES OF SITE CONTEXT
Capturing Light
views diagram
bosque boundary
project site
cotton trees (bosque canopy)
lowest elevation (wet ground)
Diagraming site conditions, views, circulation and activities as well as building’s siting among the canopy of cotton wood trees which are a main feature of the Bosque of New Mexico.
Capturing Light
Concept of raised beds influenced by the raised rice farms in China as a means to raise and capture light, making the building structure connect to its siting, and aligning planes of reflections in order to create a private space in a very public space.
Capturing Light
Material selections as they respond to the site and buildings intention to sing through light and shadow. The textured straided concrete captures the light throughout the day and plays a role in recording time as a thing of beauty that grows from the site to adorn and color the building. The Abode of Inperfection Timeless venetian plaster and polished marble captures light as it bounces off the walls and water ponds surrounding the structure. Wood to represent the canopy of cotton wood trees while capturing the play of light in contrast to the reflective surfaces.
Capturing Light
From inspiration to space
Capturig Light
Preliminary visual presention of the the Tea House concept,
Capturing Light
elevation E A S T - 1/4” = 1’-0”
elevation N O R T H - 1/4” = 1’-0”
elevation W E S T - 1/4” = 1’-0”
S I T E P L A N - 1/32” = 1’-0”
interior R E N D E R I N G
elevation S O U T H - 1/4” = 1’-0”
inspiration process D R A W R I N G
exterior R E N D E R I N G
A
A
model P H O T O G R A P H S + L I G H T S T U D I E S
spacial S T U D I E S
S I T E P L A N - 1/16” = 1’-0”
site C O N C E P T S K E T C H - capturing light
F L O O R P L A N - 1/4” = 1’-0”
entry ramp existing decking
capturing light R A I S E D W A T E R B E D S
TEA HOUSE inspiration
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feeling
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capturing light
Final visual presention of the the Tea House concept,
Capturing Light
A record of work produced during the Summer of 2015. by: Alex Rodriguez University of New Mexico, School of Architecture and Planning Instructors: David Schneider, David Mora, Mira Woodson, Arthur McGoey
