Parsons 2015 暑期課程英文簡介

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PARSONS SUMMER PROGRAMS 2015

→ Register at www.newschool.edu/parsons-summer


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WELCOME Whether you want to explore art and design, develop a portfolio for college applications, or acquire skills and advance your career, Parsons has a course for you.

Pre-college students

in grades 3–12 can enroll in a noncredit Academy course in New York City. Students develop their creativity through projects and visit local design studios and museums.

Pre-college

students age 16 and older, college-age students, and adults can earn college credit in intensive studio-based courses offered in New York City, summer programs open house Saturday, February 14, 2015 2:00–4:00 p.m. Tishman Auditorium 63 Fifth Avenue, New York City RSVP at www.newschool.edu/p/rsvp.

Paris, and Mumbai. The Decorative Arts Graduate Seminars in Holland is offered for graduate credit. Dual City courses with Central Saint Martins are a noncredit option for adults who wish to study in New York City and London.


PRE-COLLEGE

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STUDENTS

summer intensive studies NEW YORK JULY 6–24, 2015 / Ages 16–18 –Architectural Design Studio –Design and Management -Design Studio –Drawing: Figure and Meaning –Explorations in Drawing –Fashion: Design Communication –Fashion: Explorations in Sewing and Construction –Game Design –Graphic Design –Illustration: Beyond the Page –Interior Design Studio –Motion Graphics –Painting –Photography: Analog –Photography: Digital –Printmaking –Products and Things –Silkscreen

→ SEE PAGE 26 FOR COURSE DESCRIPTIONS tuition: $3,047 housing (optional): $1,985 including the meal plan college credits: 3 class schedule and location: Students attend classes Monday through Friday from 9:00 a.m. to 4:00 p.m., with a one-hour lunch break at noon at Parsons’ Greenwich Village campus registration deadline: May 15, 2015

→ Register at www.newschool.edu/parsons-summer


PRE-COLLEGE

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STUDENTS summer intensive studies PARIS Jnue 29–July 22, 2015 / Ages 16–18 –Explorations in Drawing –Fashion Culture –Fashion Design Process –Introduction to Design and Management –Photography –Paris Trend Spotting

→ SEE PAGE 29 FOR COURSE DESCRIPTIONS

join→ tuition & housing $8,380 college credits: 3 class schedule and location: Monday–Friday, 9:00 a.m.–4:00 p.m., with a one-hour lunch break at noon at Parsons Paris, 45 rue Saint-Roch, in the 1st arrondissement. register: Pre-College Summer Program in Paris through API Study Abroad at http://www.apistudyabroad.com/programs/france/paris/parsons-paris-art-and-design-college-summer/

→ Register at www.newschool.edu/parsons-summer


PRE-COLLEGE

tuition: Grades 3–5 (half day): $547; grades 3–5 (two half days): $1,087; grades 6–8 (full day): $1,087; grades 9–12 (full day): $1,087; grades 9–12 Certificate status: $1,160 college credit: This is a noncredit program. class schedule and location: Students in grades 3–5 can choose to attend a half-day (9:00 a.m.–12:00 noon) or full-day (9:00 a.m.–4:00 p.m.) class. Students in grades 6–12 attend classes from 9:00 a.m. to 4:00 p.m., with a one-hour lunch break at noon at Parsons’ Greenwich Village campus. Housing is not available for this program. 8


STUDENTS

pre-college academy NEW YORK August 3–14, 2015 / Grades 3–5, 6–8, 9–12 GRADES 3–5 –Big Beat: Brazilian Drumming –Cartooning –Foundation Studio -Toy Design GRADES 6–8 – 3D Studio – Animation Studio – Design and Wear – Digital Video and Photography – Fashion Design – Game Design – Painting and Drawing GRADES 9–12 – Animation Studio – Architecture – Digital Video and Photography – Fashion Accessory Design – Fashion Design I – Fashion Design II – Game Design – Graphic Design – Illustration – Interior Design – Painting and Drawing –Portfolio Development (grades 11 and 12 only) – Printmaking: Design and Drawing – Product Design

→ SEE PAGE 24 FOR COURSE DESCRIPTIONS → Register at www.newschool.edu/parsons-summer


COLLEGE AND A STUDENTS

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ADULT

summer intensive studies NEW YORK Session I: June 1–19, 2015 Session II: July 6–24, 2015 Ages 19 and older or

18 with a year of college –Architectural Design: Digital and Physical Modelmaking (Session I only) –Design and Management –Design and Management: Business Models and Entrepreneurial Strategies (Session II only) –Design Process (Session I only) –Drawing: Figure and Meaning (Session II only) –Fashion: Design Communication –Fashion Merchandising (Session I only) –Fashion: Sewing and Construction –Game Design (Session I only) –Graphic Design I –Graphic Design II (Session II only) –Graphic Design: Letterpress –Illustration: Beyond the Page –Interior Design: Digital and Physical Modelmaking –Motion Graphics (Session I only) –Painting –Photography: Analog –Photography: Digital –Printmaking (Session I only) –Product and Industrial Design: Digital and Physical Modelmaking –Project Studio: 2D (Session I only) –Silkscreen –Urban Design: Designing the City (Session I only) → SEE PAGE 26 FOR COURSE DESCRIPTIONS

tuition: $3,047 housing (optional): $1,485 college credits: 3 class schedule and location: Monday–Friday, 9:00 a.m.–4:00 p.m., with a one-hour lunch at noon at Parsons’ Greenwich Village campus session I: registration deadline April 15, 2015 session II: registration deadline May 15, 2015

→ Register at www.newschool.edu/parsons-summer


COLLEGE AND A STUDENTS summer studies in constructed environments in NEW YORK June 22–July 24, 2015 / Students who have

completed at least one year of college

→ SEE PAGE 29 FOR COURSE DESCRIPTION

tuition: $4,562 housing (optional): $2,475 college credits: 4 class schedule and location: Monday–Friday, 9:00 a.m.–5:00 p.m., with a one-hour lunch at noon at Parsons’ Greenwich Village campus registration deadline: May 15, 2015 12


ADULT

Parsons MUMBAI June 1–19, 2015 / Students who have

completed at least one year of college

→ SEE PAGE 29 FOR COURSE DESCRIPTION

tuition: $4,295 college credits: 3 class schedule and location: Monday–Friday, 9:00 a.m.–5:00 p.m., with a one-hour lunch at noon. For more details contact Cynthia Lawson at lawsonc@newschool.edu registration deadline: May 15, 2015

→ Register at www.newschool.edu/parsons-summer


COLLEGE AND A STUDENTS

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ADULT

summer intensive studies PARIS Session I: June 5–27, 2015 Session II: June 29–July 22, 2015 Ages 19 and older or 18 with a year of college –Drawing and Imaging in Paris Today (Session I only) –Fashion Culture (Session II only) –Fashion Design Process –Food, Terroir, and Sustainable Tourism (Session I only) –Introduction to Design and Management (Session II only) –Introduction to Wearable technologies (Session I only) –Mies and Miles: Jazz, Architecture and Design (Session I only) –Paris Trend Spotting (Session II only) –Photography (Session II only) –Seventeenth and Eighteenth Century France: Châteaux and Gardens (Session I only) –Strategic Brand Design (Session I only)

this→

–The Flaneur in Paris: Multi-genre/ Multi-media writing (Session I only)

→ SEE PAGE 29 FOR COURSE DESCRIPTIONS

tuition & housing: $7,380 college credits: 3 class schedule and location: Monday–Friday, 9:00 a.m.–4:00 p.m., with a one-hour lunch break at noon at Parsons Paris, 45 rue Saint-Roch, in the 1st arrondissement register: College Summer Program in Paris through API Study Abroad at http://www.apistudyabroad.com/programs/france/paris/parsons-paris-art-and-design-college-summer/

→ Register at www.newschool.edu/parsons-summer


COLLEGE AND A STUDENTS Dual City Summer Courses with Central Saint Martins LONDON June 29–July 3, 2015, in New York and July 6–10, 2015, in London / Ages 18 and older –Fashion Communication and Promotion –New York – London: Luxury Branding – Strategic Design Management: Managing Innovation, Making Ideas Real

June 29–July 9, 2015, in New York and July 14–24, 2015, in London –Fashion Design, Process, and Practice

SEE PAGE 30 FOR COURSE DESCRIPTIONS. → For more information and to register, visit www.csm.arts.ac.uk/newyork-london. college credits: This is a noncredit program.

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ADULT


GRADUATE STU

decorative arts graduate seminar in HOLLAND July 13–24, 2015 Adults currently enrolled in an MA or PhD program or holding a BA or the equivalent

– Decorative Arts and Design from the Low Countries: Belgium and the Netherlands

→ SEE PAGE 39 FOR COURSE DESCRIPTION

tuition: $5,530 including all gratuities and course materials housing, meals, and travel: Participants are responsible for accommodations, meals, and transportation to and from the course. Full payment is required at the time of registration. college credits: 3 graduate credits

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DENTS

→ Register at www.newschool.edu/parsons-summer


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→ Register at www.newschool.edu/parsons-summer


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On the following pages are course descriptions for classes available to students in summer programs: Parsons’ Pre-College Academy, Summer Intensive Studies programs, Summer Studies in Constructed

urse iptions

Environments, Parsons Mumbai, Dual City Summer Courses, and graduate programs for students of decorative arts and design. Following the course descriptions are program details along with registration information and forms. You can also register online at www.newschool.edu/ parsons-summer.

→ Register at www.newschool.edu/parsons-summer


PRE-COLLEGE ACADEMY All classes run August 3–14, 2015.

big beat: brazilian drumming grades 3–5 (1:00–4:00 p.m.) PCAC 0050 Section A In this high-energy course, offered by The New School for Jazz and Contemporary Music, you explore the rhythms, songs, and dance of Brazil. Learn to play the alfaia (bass drum), caixa (snare drum), abê (shaker), and gonguê (bell) and sing traditional Brazilian songs. The class focuses on the parallels between 400–year-old Maracatu rhythms and New Orleans grooves that helped shape jazz, funk, and R&B. At the semester’s end, students perform with musicians from Nation Beat, an international recording group. Instruments are provided. (Students in grades 3–5 who would like to take a morning class can register for Cartooning, Foundation Studio, or Toy Design.)

cartooning grades 3–5 (9:00 a.m.–12:00 noon) PCAC 0015 Section A Develop basic skills in rendering characters and narrative sketches. Learn to use marks to change facial expressions or create a sense of motion in your drawings. Create storyboards that lay the groundwork for animation design. (Students in grades 3–5 who wish to take an afternoon class must enroll in Big Beat: Brazilian Drumming.)

foundation studio grades 3–5 (9:00 a.m.–12:00 noon) PCAC 0012 Section A Learn about observational drawing and the design process by working on twoand three-dimensional projects in which you examine and interpret everyday objects and places in new ways. Professionals visit your class, and you take field trips for research, inspiration,

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and discovery. (Students in grades 3–5 who wish to take an afternoon class must enroll in Big Beat: Brazilian Drumming.)

architecture

3D studio

grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0625 Section A Learn the fundamentals of threedimensional and architectural design. Develop professional skills in field research, schematic drawing, and model making as you complete studio projects that involve conceptual and concrete architectural problems. Heighten your awareness of scale, form, and spatial relationships, essential for interpreting the built environment. Trips to design firms and architecturally significant buildings help you understand what it means to be an architect. Drawing is incorporated in the projects of this daylong studio.

grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0109 Section A Explore interdisciplinary approaches to the design process using professional techniques. Learn about architecture and product design and build three-dimensional prototypes. Like most professionals, students work independently and in teams to find creative solutions to three-dimensional design problems.

grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0112 Section A With street fashion as inspiration, students design and make garments and accessories by deconstructing T-shirts and altering found items. Explore design through inventive exercises and repurpose everyday items and materials for your projects.

toy design grades 3–5 (9:00 a.m.–12:00 noon) PCAC 0016 Section A Invent and innovate your own toys and games through the exploration of ideas and materials in this fun workshop class. We will explore the use of color, texture, drawing, construction and experimentation with a variety of materials in the design and creation of original interactive projects.

animation studio grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0103 Section A grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0645 Section A Design your own characters and learn how to animate them. In this course, students create original characters, develop their visual storytelling skills, and learn the principles of traditional animation to make them move. Working with a professional animator, students experiment with both hands-on and digital animation approaches, explore the history of animation, and learn about animation as a career.

design and wear

digital video and photography grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0105 Section A grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0605 Section A New York City provides the visual inspiration for students as they explore themes and develop narratives using still photography and collaborate with classmates to create short films. Students view current exhibits and are visited by professionals working in the field. Students must have a DSLR camera.


fashion accessory design grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0630 Section A Use sketching as a design process to develop a collection of handbags, belts, wallets, and shoes with the help of a professional. Design and make a handbag. Deepen your understanding of the fashion and accessory world through field trips and lectures by guest speakers. Develop portfolio pieces through drawing.

fashion design I grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0107 Section A grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0607 Section A A professional designer helps you visualize and render fashion ideas, from research and concept development to the creation of final illustrations. In class discussions on the fashion industry, you learn to recognize the qualities of welldesigned garments. Field trips and visits by industry professionals inform you about processes, trends, and careers in fashion.

fashion design II grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0655 Section A Explore the role of fashion in society and the positive impact fashion designers can have on the world. Develop your skills in fashion drawing and garment construction. Hear guest speakers and take field trips to learn about socially and environmentally responsible design.

game design grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0120 Section A grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0620 Section A Creativity is key as you plan, produce, and test digital and analog games. Conduct experiments exploring game

design and interactive systems while learning about the processes involved in creating your favorite games. Develop skills in teamwork and systems thinking that can be applied in all types of creative projects.

graphic design grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0604 Section A Graphic design is everywhere around you—on subway posters, websites, T-shirts, candy wrappers. It is a medium in which words and images merge to communicate powerful messages. In this hands-on course, taught in a traditional studio, students learn creative problemsolving techniques and the basics of form and expressive typography.

painting and drawing grades 6–8 (9:00 a.m.–4:00 p.m.) PCAC 0110 Section A grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0635 Section A Develop your ability to draw and paint from observation, a skill essential to visual expression. Work in the studio, in museums, and throughout New York City to complete portraits, landscapes, and imaginative projects. Investigate line, value, form, color, and composition through structured assignments. Research, field trips, and visits from working artists deepen your understanding of the problem-solving methods used by artists in the past and today.

illustration

portfolio development

grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0615 Section A Illustrators are visual thinkers who create comics, computer and film animation, video games, children’s books, graphics for skateboards, images for magazines and newspapers, and many other kinds of visuals. This course introduces students to the types of projects contemporary illustrators work on and helps them develop their skills and style.

grades 11 and 12 only (9:00 a.m.–4:00 p.m.) PCAC 0660 Section A This course is designed for students interested in enhancing their college admission portfolios. Through skillbuilding exercises, experimentation, and research-based projects, students develop a personal vision and learn what is expected in a portfolio. Digital workshops inform students about best practices for documenting and presenting finished projects. Students gain skills in communicating about their work in group discussions and learn to offer feedback to peers through critique. Prerequisite: art and design experience.

interior design grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0609 Section A In this daylong intensive studio course, students work with a professional designer on a complete interior design project, from initial concept to final presentation. They develop skills in freehand sketching, manual drafting, collage, and model building to represent and test spatial and material ideas. Students consider clients’ needs and aesthetic preferences as they design a functional interior and choose appropriate finishes. Coursework focuses on spatial design applications and concepts rather than interior decorating.

printmaking: design and drawing grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0650 Section A In this introductory course, students explore graphics, color theory, drawing, design, and composition through various printmaking processes. They create portfolio-quality prints using professional techniques in a range of assignments, both representational and conceptual. The class covers etching, drypoint, and monotype as well as less

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conventional techniques. as well as less conventional techniques.

product design grades 9–12 (9:00 a.m.–4:00 p.m.) PCAC 0610 Section A Learn from a design professional about how a new product moves from a concept to the market. Invent your own product to solve a real-world problem by conducting research and creating a three-dimensional prototype. Students work in teams to find creative solutions while developing technical skills in drawing and model making.

SUMMER INTENSIVE STUDIES NEW YORK architectural design: digital and physical model making college/adult session I (June 1–19) PNNY 2205 Section A Today’s architect must have experience with digital and physical making as well as the language to work between both spaces. Digital modeling has evolved to become more than just another design tool. It is a device for enabling innovative project development. While there is a new focus on digital technology, physical model making also continues to be a crucial component of design. It has become increasingly reliant on a hybrid of hand fabrication and digital outputting, often combining processes to mimic the construction process. This course is designed to help students develop these model-making skills. It offers students a collaborative environment in which they can work together constructing architectural models.

architectural design studio pre-college (July 6–24) PNNY 1201 Section C Students develop an understanding of the basic vocabulary of architectural design and apply these concepts

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through individual and collaborative studio projects. They experiment with the architectural design process by investigating scale, space, and systems found in the constructed environment. Technical drawing and 3D modelmaking techniques are introduced.

design and management college/adult session I (June 1–19) PNNY 2301 Section A college/adult session II (July 6–24) PNNY 2301 Section B pre-college (July 6–24) PNNY 1301 Section C This project-based course introduces information theory and the various means of visually representing the world, with the aim of uncovering hidden realities and effects. Throughout the course, students explore, analyze, and reconfigure quantitative and qualitative data and use fundamental graphic principles to present their findings. Students engage with mapping as a creative activity that sets the stage for planning design interventions.

design and management: business models and entrepreneurial strategies college/adult session II (July 6–24) PNNY 2302 Section B In this course, students develop an understanding of the interrelationships between business model components and the ability to ask the questions and conduct the research that will enable them to start a business and/ or appraise business plans. Students identify the resources needed for their interventions and the associated costs, choose an operational configuration, and develop market entry strategies and launching plans to actualize their projects. Students must bring a current project or be prepared to take on a hypothetical brief for the duration of

the class. Registered students should send a CV and a paragraph about their previous experience and a project they would like to focus on in the class. An email with the subject line “Business Models and Entrepreneurial Strategies Applicant” and including these details should be sent to summer@newschool. edu upon registration for the course.

design process college/adult session I (June 1–19) PNNY 2111 Section A In this course, students explore the design process and the fundamental visual principles integral to all fields of design. They learn how to conduct design research, produce a series of concepts, execute a final project, and present their work professionally. Project outcomes can take the form of graphic design, typography, photography, bookbinding, and 3D design. Design history is explored through research inspired by the project assignments.

design studio pre-college (July 6–24) PNNY 1115 Section C If you are interested in learning more about the world of design or are planning to apply to an art and design school, Design Studio is for you. The criteria for admission to many of today’s most competitive art and design schools are changing. Students are now expected to display their work along with careful documentation of the entire design process. It is no longer enough to present a beautiful finished work of art; you must demonstrate how you formulate ideas, make decisions, and solve problems. This course introduces students to Parsons’ design methodology, including research, concept development, sketching and prototyping, iterative project development, and written reflection. Students then apply this process to projects in which they explore


disciplines including fashion, product, and graphic design. Students are also introduced to the fundamentals of drawing and are encouraged to experiment with sketching and illustration techniques, using digital tools in Adobe Creative Suite, digital photography, and 3D materials and processes. Project work is supplemented by weekly guest lectures by high-profile New York City designers and recent Parsons graduates and by visits to relevant exhibitions and events in the city. Students must bring a laptop.

drawing explorations pre-college (July 6–24) PNNY 1101 Section C This course combines the fundamental practice of observational drawing with conceptual strategies for constructing the drawn image. Emphasis is placed on drawing as an integral component of the design process. Students gain analytical skills through direct observation of studio setups as well as visits to museums and outdoor spaces throughout New York City. These skills are used to approach drawing as a way of thinking, as a critical tool, and as a means of observation, storytelling, and representation.

drawing: figure and meaning college/adult (July 6–24) PNNY 2102 Section B pre-college (July 6–24) PNNY 1102 Section C This course immerses students in the study of the human figure through drawing projects that investigate both its form and its capacity to carry meaning within various cultural contexts. Anatomy, motion, gesture, and a variety of techniques and media are used to explore the body as the site of messages ranging from the personal to the political.

fashion: explorations in sewing and construction college/adult session I (June 1–19) PNNY 2401 Section A college/adult session II (July 6–24) PNNY 2401 Section B pre-college (July 6–24) PNNY 1401 Section C Learn about the process of designing and making, particularly the creation of objects using soft materials. A variety of construction methods are explored, from hand and machine sewing to knitting, crocheting, draping, and patternmaking. Drawing and sketching are introduced as an integral part of the design process, allowing students to develop concepts in two dimensions before they begin making. Transposing visual ideas from sketching to fabricating, 2D to 3D, students are free to explore the techniques of patternmaking or draping to create the structure for their designs. Students familiarize themselves with design process methods through the development of a design sketchbook documenting research, fabric development, sketches inspirations, and reflections. Projects may include but are not limited to clothing and accessories.

fashion: design communication college/adult session I (June 1–19) PNNY 2402 Section A college/adult session II (July 6–24) PNNY 2402 Section B pre-college (July 6–24) PNNY 2402 Section C Learn how concepts in fashion can be communicated and promoted creatively through styling, photography, graphics, trend spotting, and branding. Students interested in having a voice in the fashion industry—whether through writing, design, blogging or staging—

will learn to create quality content in words and images, in forms including print, TV, film, and social media. We take an in-depth look at the history of fashion images in advertising and contrast the techniques used with current digital platforms and alternative venues for promotion. Students are introduced to various presentation methods that enable them to clearly communicate their ideas both visually and verbally. They are encouraged to work in a range of 2D media, which may include drawing, painting, photography, collage, and the Adobe Creative Suite..

fashion: merchandising college/adult session I (June 1–19) PNNY 2405 Section A This course is an immersive introduction to the fashion industry and the role of the merchandiser in a fashion apparel company. The course reviews merchandising principles and techniques used, including product development, planning, editing, sourcing, and decision making. Students also acquire a working vocabulary of industry terminology. The course offers a New York perspective: We explore the relationships between design, production, and marketing through an overview of the traditional New York Garment Center. We also examine the fashion incubators recently developed for area fashion designers and craftspeople.

game design I college/adult session I (June 1–19) PNNY 2121 Section A pre-college (July 6–24) PNNY 1121 Section C This course introduces students to principles of game theory and fundamentals of interaction design. Students explore methods for creating analog and digital games by experimenting with a variety of physical objects and digital interfaces. They

→ Register at www.newschool.edu/parsons-summer


develop an understanding of game structure, play experience, and the community aspect of gaming culture. Students are introduced to basic coding, enabling them to create their own games using a range of software and open source programs. Studio work is supplemented by analysis of existing games, guest lectures by game designers, and peer-to-peer play testing.

graphic design college/adult session I (June 1–19) PNNY 2110 Section A college/adult session II (July 6–24) PNNY 2110 Section B pre-college (July 6–24) PNNY 1110 Section C Graphic design is the visual language of everyday life, used in everything from magazine ads to film titles to product packaging. In this course, students are introduced to the fundamentals of visual research, composition, typography, and the organization of information. A key goal for all students is learning to develop powerful concepts. Students address a series of design problems through conceptdriven solutions that explore 2D and digital making. The role of typography in design is explored in depth, with an emphasis on the selection of the most appropriate typeface for each project. Students are introduced to digital tools, including the Adobe Creative Suite.

and implementation. Emphasis is placed on the relationship between individual creative and critical thinking skills and the designer’s role within the professional arena. Topics covered include creation of the elements of brand identity programs, such as logos, publications, advertisements, and websites. Students explore advanced techniques in the Adobe Creative Suite. By the end of the course, students will have learned to apply design principles and visual elements effectively in a wide variety of business identity and communication problems. Prerequisite: Graphic Design I or the equivalent and experience with Adobe Creative Suite.

is head and shoulders above the pack, possessing drawing skills; a keen sense of color, typography, and layout; and an interest in doing it all. Today’s new breed is poised for long and varied careers. Guest speakers who exemplify these qualities present case studies; slide show lectures provide inspiration; and practical assignments afford students opportunities to produce portfolio work. Assignments include a range of packaging, objects, logos, animation boards, and advertising, all created using a multidisciplinary approach.

graphic design: letterpress

college/adult session I (June 1–19) PNNY 2206 Section A college/adult session II (July 6–24) PNNY 2206 Section B Today’s interior designer must have experience with digital and physical making as well as the language to work across both spaces. Digital modeling has evolved to become more than just another design tool. It is a device for enabling innovative project development. While there is a new focus on digital technology, physical model making also continues to be a crucial component of design. It has become increasingly reliant on a hybrid of hand fabrication and digital outputting, often combining processes to mimic the construction process. This course is designed to help students develop these model-making skills. It offers students a collaborative environment in which they can work together constructing model interiors.

College/Adult Session I (June 1-19) PNNY 2118 Section A College/Adult Session II (July 6-24) PNNY 2118 Section B In this Printmaking course, students interested in design and fine arts will learn the basics of letterpress printing using lead and wood type. The course will focus on setting type, visual design on the press, printing on the Vandercook Proofing Press, and developing a thorough knowledge of letterpress through experimentation and practice. Students will work in groups to respond to visual design challenges. For the final project, each student will create and execute a printed work that builds on the skills and ideas developed in class.

graphic design II

illustration: beyond the page

college/adult session II (July 6–24) PNNY 2112 Section B Students build on their graphic design experience by investigating realworld applications of communication design, with an emphasis on concept development as applied to problem solving. Through projects, students learn to employ narrative and storytelling methods and engage in design research, analysis, documentation,

college/adult session I (June 1–19) PNNY 2106 Section A college/adult session II (July 6–24) PNNY 2106 Section B pre-college (July 6–24) PNNY 1106 Section C This class explores the ever-expanding territory where illustration meets design. The hybrid designer-illustrator

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interior design: digital and physical model making

interior design studio pre-college (July 6–24) PNNY 1202 Section C Students are introduced to the basic vocabulary, skills, and contexts of interior design through a series of small abstract projects. Human


scale, movement, circulation, and fundamental form making are explored. Students work both individually and collaboratively in a studio environment to create drawings and 3D models. Note: This is not an interior decoration course. Although decorative elements are considered, the primary focus is on the design process and spatial analysis.

motion graphics college/adult session I (June 1–19) PNNY 2120 Section A college/adult session II (July 6–24) PNNY 2120 Section B pre-college (July 6–24) PNNY 1120 Section C Students explore the fundamentals of time-based graphic motion, with a focus on integrating text with images. They learn how to take their ideas from concept to finished work using a combination of hand drawing techniques and Adobe After Effects. Students also apply basic principles of animation and storytelling to create short sequences as well as longer narrative works.

industrial and product design: digital and physical model making college/adult session I (June 1–19) PNNY 2206 Section A college/adult session II (July 6–24) PNNY 2206 Section B Today’s product designer must have experience with digital and physical making as well as the language to work between both spaces. Digital modeling has evolved to become more than just another design tool. It is a device for enabling innovative project development. While there is a new focus on digital technology, physical model making also continues to be a crucial component for design. It has become increasingly reliant on a hybrid of hand fabrication and digital outputting,

often combining processes to mimic the construction process. This course is designed to help students develop these model-making skills. It offers students a collaborative environment in which they can work together on industrial and product design projects.

painting college/adult session I (June 1–19) PNNY 2103 Section A college/adult session II (July 6–24) PNNY 2103 Section B pre-college (July 6–24) PNNY 1103 Section C This course focuses on the basics of painting, with an emphasis on technical paint handling, color, composition, and materials. Acquiring basic studio habits and practices, students undertake a visual and conceptual examination of painting today. Individual and group criticism, combined with field trips and discussion, expands perspectives within historical contexts. As students advance, they explore a variety of abstract and figurative possibilities for self-examination.

photography: analog college/adult session I (June 1–19) PNNY 2130 Section A pre-college (July 6–24) PNNY 1130 Section C This course is an introduction to photography as a visual language and teaches students techniques, aesthetics, and theories of photography through a variety of assignments, readings, and lectures. Students work primarily with analog media and darkroom techniques. They are encouraged to experiment with different modes of photography and are required to create a final project based on their own interests. Studio time and class critiques enable students to build a series of images that reflect aesthetic and technical exploration of analog techniques. All work is done in

black and white. Students must have a 35mm film camera with manual settings.

photography: digital college/adult session I (June 1–19) PNNY 2131 Section A college/adult session II (July 6–24) PNNY 2131 Section B pre-college (July 6–24) PNNY 1131 Section C New York City provides visual inspiration for students exploring digital photography. The class investigates the current practices, strategies, and materials used in digital photographic printing. Students refine and expand their image editing, file management, and workflow techniques to produce high-quality prints. They engage in print production, developing the ability to see and talk about color, tone, and material and the quality of the final output. Understanding color management—including color space, post-production methods, and the intersection of light and material—are fundamental to the course. Studio time and class critiques enable students to build a series of images reflecting aesthetic and technical exploration of digital output techniques. Students must have a DSLR camera.

printmaking college/adult session I (June 1–19) PNNY 2116 Section A pre-college (July 6–24) PNNY 1116 Section C This course is designed to give students an introductory exploration to a range of printmaking processes. Students explore graphics, color theory, drawing, design, and composition. They create portfolio-quality prints using professional techniques in a range of assignments, both representational and conceptual. The class covers etching, drypoint, and monotype as well as less conventional techniques.

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as well as less conventional methods.

project studio: 2d college/adult session I (June 1–19) PNNY 2105 Section A Whether you are looking to start a new project or further develop current work, this studio gives you space and focused time to explore with a group of likeminded peers. The course is intended for students who wish to dive deep into a 2D project under the guidance and support of a fine artist. Studio time is devoted to cultivating a concept to be developed through research and class critiques. Students can choose to work in a range of 2D media, including drawing, painting, and digital and mixed media. Guest artists and visits to museums and galleries allow students to further explore their creative practice in the context of New York’s contemporary art scene.

products and things pre-college (July 6–24) PNNY 1203 Section C In this introductory course, students engage in hands-on exploration of object design. The product design process is explored through problem solving, integration of essential skills such as drawing and rendering, and iterative prototyping of threedimensional forms. Students learn to identify where and how design can be best applied. They work both individually and collaboratively in a studio environment to create prototypes for utilitarian products and a project book documenting their research and process.

silkscreen college/adult session I (June 1-19) PNNY 2117 Section A pre-college (July 6-24) PNNY 1117 Section C This course explores the use of various screen-printing techniques emphasizing 30

compositional as well as technical skills for diverse applications. Projects are geared to specific needs and interests of the individual student. All basic methods will be demonstrated including hand-made and computer generated stencils. These techniques can be used to support other skills such as fashion design, graphic design or photography with the purpose of making presentation prints.

urban design: designing the city college/adult session I (June 1–19) PNNY 2303 Section A A studio project to design a small urban public space in New York City provides a comprehensive introduction to the field of urban design. Students learn to address complex site-based problems through field observation, measuring, drawing, model making, and relating small public spaces to the culture of the city. They build technical skills and develop the understanding of scale, form, and spatial relationships needed to interpret the urban environment. Students divide their time between designing in the studio, acquiring skills in the representation and analysis of space, and gaining on-site experience in New York City through field trips to public spaces.

SUMMER STUDIES IN CONSTRUCTED ENVIRONMENTS

college/adult (June 22–July 24) PNNY 0300 Section A College and post-college students explore architecture and interior design in preparation for advanced study. They develop design schemes for a complex site in New York City. They refine their skills in measuring, drawing, drafting, model making, and using digital spatial design and representation tools to create a portfolio project that can be used to apply to Parsons’ MArch, MFA Interior

Design, and other graduate programs. The course includes sections titled “Design Studio,” “Representation and Spatial Analysis,” and “In the City,” which bring students together to work in teams and with faculty members. Visits to institutions like the Architecture Center, Museum of Modern Art, PS1, and Storefront for Art and Architecture, along with galleries and design firms, help students consider New York City as a context for built environments and their relationship to nature and culture. Demonstrations are given of various tools related to project work, including ones for exploring daylighting. Students are strongly encouraged to bring a laptop. Studios are open in evenings for students to work on assignments. See examples of assignments and student work at summerconstructedenvironments. wordpress.com.

SUMMER INTENSIVE STUDIES PARIS drawing and imaging in paris today

college/adult (June 5–27) How is meaning constructed and communicated through visual images? In this course, students use traditional drawing and digital imaging methods to explore the conceptual, aesthetic, and formal qualities that inform the expression of ideas and impressions on a two-dimensional plane. Students examine visual organization, representational and abstract forms, and engagement through observational drawing, photography, digital image creation, and the integration of a variety of media. The class focuses on the city of Paris, considering the way historic spaces interact with our sense of place today. Projects encourage reflection on personal, private, public, and historical space.

explorations in drawing pre-college (June 29–July 22)


This course introduces students to drawing and its use in the design process and as a fundamental practice integral to media arts of all kinds. Traditional and nontraditional methods, media, and theories of drawing are explored. Students approach drawing as a way of thinking, a critical tool, and a means for observation, storytelling, and representation.

fashion culture college/adult and pre-college (June 29–July 22) Fashion Culture is an intellectual studio that offers students the opportunity to explore their creative and aesthetic vision through engagement with historical narrative and the resources of Paris. Lectures and readings in 20thcentury fashion history form the basis of an understanding of dress and the body as a site of social and cultural meaning. Museum visits and a close examination of costumes in museums and archives enable students to deepen their awareness of the growing relationship between dress, body, and form and the dynamic of the fashion design process.

fashion design process college/adult session I (June 5-27) college/adult session II (June 29–July 22) pre-college (June 29–July 22) This course introduces students to various approaches and techniques This course introduces students to various approaches and techniques involved in the design process for fashion products. Students are encouraged to experiment as they research and find inspiration for a fashion collection and devise innovative 2D and 3D production methods for their fashion pieces. Working on projects individually and in groups, students develop fashion concepts for which they draw on the unique resources of Paris and explore how fabrication

methods and color affect collections. Students are also introduced to branding and merchandising basics used to identify and create work for targeted markets and consumers.

food, terroir, and sustainable tourism college/adult (June 5-27) The course explores the role local foods and traditions play in global tourism, both as a threat in terms of environmental and social destabilization and as a potential tool for developing sustainable and socially just systems. In a series of lectures, the relevance of concepts such as authenticity, originality, cosmopolitanism, and exploration for culinary tourists is analyzed from cultural, social, and economic points of view. Students also familiarize themselves with the concept of terroir and the way it is applied in France and elsewhere from cultural, social, and legal points of view. As the connection between food and territory and its value for tourism expansion is discussed, students reflect on the potential of various locations—both rural and urban—to be developed as sustainable food tourism destinations. The outcome of the course is a series of short papers reacting to readings and on-site visits. Students are also asked to apply systemic design approaches to create new models of tourism that explore local food practices and products in order to promote sustainable development. Culinary encounters enable students to explore their sensory reactions to foods and their aromas.

skills and familiarity with design strategies through the application of research methods, prototyping, and quantitative analysis. Emphasis is placed on understanding a European setting and perspective and the way entrepreneurs, business innovators, and designers operate at the intersection of design and management. Students engage in design thinking and business strategy exercises, applying these approaches in a broad range of enterprises and real-world business contexts.

introduction to design and management college/adult (June 29–July 22) Students learn to approach management as a strategic process that combines design innovation and business knowledge. In collaborative projects, they develop problem-solving

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introduction to wearable technologies college/adult (June 5-27) Artistic practice is constantly evolving in tandem with technological innovations. In the 21st century, designers using analog and digital materials have already redefined our relationship to our environment by developing new types of interfaces with the material world. This studio class explores the way new materials such as smart textiles, conductive inks, soft circuits, and wearable computing challenge traditional ways of relating to objects, wearables, and space by allowing for new forms of interactions. We begin by examining how traditional crafting techniques (embroidery, ceramics, carving, etc.) can be combined with new materials and technologies to generate new behaviors and interactions. Students develop a range of computational skills that enable them to address contemporary notions of craftsmanship, usability, and aesthetic value. Throughout the course there will be an emphasis on project documentation and publication, technical construction, and aesthetic creation. Prior knowledge of physical computing or electronics is not necessary but may be helpful.

mies and miles: jazz, architecture and design college/adult (June 5-27) In this course, you explore jazz—a musical form that is notably transnational, adaptive, and inclusive— and draw parallels between the genre and international design. This threeweek course focuses on the expression of concepts, principles, and other elements common to the design of objects, particularly the work of Mies van der Rohe, and the composition and performance of music such as that of Miles Davis. The course includes visits to significant architectural sites and live musical events and performances. It

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also includes site visits in Paris, a city in constant dialogue with New York, where jazz has become an important form of cultural expression. A series of lectures introduce students to music history, beginning with the music of antiquity and concluding with today’s range of aesthetic modalities. Students are required to write several short papers and to develop a final presentation in which they can compose an orchestral work or explore intersections between music and other media and art forms, such as digital media, visual art, and film.

paris trend spotting college/adult session II (June 29–July 22) The social, cultural, and political systems of the day shape all forms of cultural expression, including music, art, film, and fashion. Fashion designers often track the zeitgeist in order to disrupt or comment on it, adding their own ideas about style, culture, and the prevailing mood. Students in this course examine fundamental concepts of fashion trends, analyze trends and their influence on the positioning of goods in the marketplace, and evaluate marketing decisions related to trends from theoretical and practical perspectives. Through workshops and observation, analysis, and applied design thinking, students identify and develop a trend concept and convey it in words and visuals. Students can focus on high fashion, collections, or contemporary consumer lifestyle trends.

photography college/adult and pre-college (June 29–July 22) This course is an introduction to photography as a visual language. Students learn photography techniques and the aesthetics and theory of photographic images through a variety of assignments, readings, field trips, and lectures. They are encouraged to experiment with different modes of photography and create a final project

based on their interests. Although students in the course look at the history of the medium and explore aspects of traditional film-based photography, all work produced in the class will be done with digital technology. Students must have a DSLR digital camera.

seventeenth- and eighteenthcentury france: châteaux and gardens college/adult (June 5-27) This course is an introduction to the history of châteaux in 17th- and 18thcentury France. Students learn about the château as an architectural type and the history of the gardens that surround them. The course includes visits to Chantilly, Vaux le Vicomte, and Versailles, offering students the opportunity to explore architectural history, landscapes, and decorative interiors dating from the Renaissance to the Rococo period. The course is structured as a series of critical readings and journal entries that lead to a final project in the form of either a paper or a multimedia project.

strategic brand design college/adult (June 5-27) This three-week course exposes students to the varied ways in which design functions in business contexts and helps them understand the roles designers play in today’s industries. In readings, lectures, and class discussions, students explore strategic brand design, investigating how brands help businesses face global challenges. Brand development and design thinking skills, first employed in studio environments, now play an integral role in corporate strategies, helping companies find success through approaches that disrupt, simplify, engage, and humanize. By examining a number of case studies, students develop an understanding of the implications of branding and


packaging for today’s society; they also gain insight into corporate organizations. The class is assigned to develop new brands and reinvent forms of packaging that reflect strategic design communication.

the flaneur in paris: multigenre/multimedia writing college/adult (June 5-27) Paris is perhaps the greatest of walking cities, and a uniquely Parisian form of literature has grown out of the activity of flanerie, or aimless strolling as a creative act of exploration and meditation. Through a series of walks paired with readings, we explore the historic center as well as the literary enclaves of the north and northeast of the city. We create a poetics of walking, a multigenre form of expression that includes literary analysis, ethnography, and autobiography, mapping discoveries of self and others through writing. We study authors such as George Pérec, Walter Benjamin, Charles Baudelaire, Blaise Cendrars, Jean-Jacques Rousseau, Abdellatif Laâbdi, and Paul Celan. These readings provide inspiration for your own texts documenting our walks through Paris and our responses to the literature of flanerie. Although the course focuses on a series of writings or journals, students are encouraged to explore the intersections between writing and other media and art forms, such as performance, digital media, visual art, film, and sound, documenting the unfolding and creation of their own Parisian landscapes.

DUAL CITY SUMMER COURSES WITH CENTRAL SAINT MARTINS, LONDON fashion design process and practice college/adult (June 29-July 9 in New York and July 14-24 in London) PSCP 1101 This course introduces students to innovative fashion design processes, fashion theory, and industry standards. Learn the principles of fashion design and advanced methods for developing fashion collections. Create a body of work for a stellar portfolio. Refine your personal vision by learning to find and apply sources of inspiration, discovering how strategic uses of material and color can strengthen a designer’s point of view, and developing ways of creating dynamic fabric stories that form well-merchandised groups. Students are also provided with professional preparation that includes portfolio development, how to write a CV, and successful interviewing techniques. In New York students will examine conceptual thinking, research methods, and visual presentations. In London students will earn about fashion construction, pattern cutting, draping, and sewing. Who should take this course: students and professionals who are interested in learning about extensive design processes, how to create a strong fashion portfolio, and the methods for building a more personalized approach to fashion design.

fashion communication and promotion college/adult (June 29-July 3 in New York and July 6-10 in London) PCSP 1005 New York Explore the business of communication design at the intersection of communication and promotion in the fashion industry, studying fashion brands, products and services. Students learn key strategies retailers and designers take in selling online, from merchandising, distribution and supporting technology to social communication strategies and tools. With a unique focus on the evolving relationships between fashion labels, lifestyle messaging, and bloggers this course will explore key promotional methods and their impact on new business models. As creative industries work to meet the instant demand and evolving culture of communication technology, students will have a first look at businesses and their creators as they learn how social media and public relations blur the lines of traditional media roles. London Expect lectures on brand identity, content marketing, innovative digital strategies and creative PR. Working in groups and on a solo project you will be expected to produce your own PR and marketing plan; drawing from instruction you will receive on writing press releases, biographies, creating look books, and launching events and digital plans that will get your brand noticed in an industry that is constantly evolving. Brand directors from emerging London-based companies, along with marketing and PR account managers for major High Street and designer brands, will present case studies from their first hand experience. To contextualize your learning, you will also receive a lecture on The British Fashion Press in the 20th and 21st century. You will leave this course with a clear idea of what makes a successful

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fashion brand and the different careers that available are in this dynamic industry. Who should take this course: The fashion literate, ambitious and observant individuals who are eager to study and communicate fashion, students or professionals interested in becoming writers, journalists, editors, stylists, photographers, art directors, set-designers, fashion show producers, illustrators, curators, archivists, researchers and fashion retailers.

strategic design and management: managing innovation, making ideas real college/adult (June 29-July 3 in New York and July 6-10 in London) PCSP 1003 New York Make a business idea a reality. Explore the cutting-edge fusion of design thinking paired with business logic, economic rationality and organizational reality combined to represent a novel way of approaching the creation of post-digital ventures with true design intelligence. Students begin the course at Parsons spending the first two days brainstorming business ideas in small groups. Examples of successful (and failed) startups will be presented along with a variety of small business structures and approaches drawn from three site visits to New York City’s “Silicon Alley”. The third day will be spent presenting ideas to a panel of visiting entrepreneurs, and the jury will choose 4-5 winning ideas. Groups will be formed to develop the winning ideas through concept stages and into actual business models, with definition of products, markets, and organizational structure, and a fiscal plan. The week will culminate with final presentations and critique.

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London Once in London the focus will be on refining ideas, with continued introduction to key strategic tools and approaches that could help ideate and plan a new business venture. Emphasis will be placed on how to develop a strong value proposition (what the business proposes of value to the consumer) that is aligned with the products or services that are delivered. The London sessions will focus on design and branding perspectives, emphasizing both analytical and creative approaches to developing a business. The course will conclude with two intense days focused on creating a full-blown business plan. Who should take this course: motivated career starters, advanced middle-management professionals, design consulting practitioners and business-management cadres interested in making a difference as Intrapreneurs.

new york – london: luxury branding (June 29-July 3 in New York and July 6-10 in London) college/adult PCSP 1004 Bring your ideas and concepts for entry into the luxury market and infuse them with New York and London’s vibrant edge. Elevate your business by appealing to the luxury market; generate specialized press interest, open up new markets and give your customers the confidence that comes from purchasing high end, top quality goods or services. Whether a fashion, jewelry, watch, furniture or product designer (or anything in between) this course will help you produce a plan that will help launch a new business or promote an existing one within the luxury sector. New York In New York the emphasis will be on learning lessons from businesses that began as creative start-ups

with their eye on the luxury market. You will have a weeklong intensive journey visiting and hearing from New York-based business owners who have successfully launched a brand with an impact on the luxury sector. Conducted in a think-tank format, this course will help your creative business grow from the experiences you gain in the field and from the daily exchanges you have with fellow students and your professor. You will meet founders of successful, young, brands that have established a strong position within the luxury market. You will learn about the trajectory each one of these entrepreneurs took and will have the opportunity to ask questions and understand first-hand about the pitfalls and opportunities that lead to their success. Back in the classroom you will work on your own business brand (real or imaginary) integrating what you’ve learned in the field with feedback from your professor and fellow students. Daily sessions will be a mix of collaborative think-tank, workshop, seminar, and guest lectures with time to work on your own brand. London In London, the focus will be to incorporate your understanding of the luxury sector gained in New York and the initial work you have done on your brand, into a practical plan that can be applied to your business. You will be encouraged to bring in samples of your product, service or experience ideas – (real or imaginary) and work to communicate your concept and successfully pitch it to your identified market of consumers. We will look at the difference in luxury markets worldwide to provide you with the information you need about where to place your product or service and what markets to target for optimal results. Conducted in a workshop style, you will undertake a range of practical exercises to get you thinking about the luxury sector and


its application to business; this will be supplemented by guest lectures and excursions. We will be taking trips to luxury stores, not the obvious Bond Street hangouts, which will help you to reconsider your definition of luxury. You will also develop an understanding of how London has interpreted the concept of luxury. Due to intensive nature of the course, time for trips during class time will be limited so you will also receive a list of optional places to visit outside class time to further your understanding of the luxury market. Who should take this course: entrepreneurs who are about to enter the design industry as professionals or who are already a part of the market and want to increase their understanding of the luxury sector. Ideally, attendees will have a concrete business idea so that they can work on its branding, developing it for the luxury market.

DECORATIVE ARTS SEMINAR IN HOLLAND decorative arts and design from the low countries: belgium and the netherlands college/adult (July 13–24) PGHT 5742 This two-week course presents a unique opportunity to explore design and domestic culture in Flanders (Belgium) and the Netherlands. Starting from the mediaeval city of Bruges with its rich Burgundian heritage, and then travelling to Brussels, the course will examine Belgium design through the centuries. Topics include Medieval and Renaissance Decorative Arts and architecture, such as the 14th century Bruges Town Hall and the Gruuthuse Museum, showing decorative arts from the 15th to the 19th century. In addition, the course in Belgium will also highlight Art Nouveau and Art Deco architecture and interiors as well as contemporary design. After three days

in Belgium, students will travel by train to the Netherlands where the course will focus on 19th and 20th century Dutch design. Based in the city of Amsterdam with its numerous museums and galleries, the course will take several day trips to Rotterdam, The Hague, Utrecht, and other places. Highlights include the Kröller-Möller Museum and the Sonneveld House, one of the best-preserved houses in the Nieuwe Bouwen style, the Dutch branch of the International School of Modernism. In addition, students will also visit the iconic Rietveld-Schröder House. Designers and architects to be covered include: the Belgian Victor Horta, Paul Hankar, Maarten and Fabiaan Van Severen, Danny Venlet, and the Dutch H.P. Berlage, Gerrit Rietveld, Gijs Bakker, Hella Jongerius, Marcel Wanders, Wim Crouwel, and many others. Also viewing masterpieces by artists like Memling, Van Eyck, Rembrandt, Vermeer and Van Gogh belongs to the program. In both countries a list with recommended places to visit during the weekend (and how to get there) will be provided.

use writing, photography, collage, InDesign, Illustrator, and Photoshop along with hand skills and book binding to tie together these experiences and observations in a compelling narrative and book package. Students can explore additional topics according to their interests, including urban planning, local history, juxtaposition, deconstruction, memory mapping, time, block printing, textiles, color, the grid, and book design. There are no prerequisites for this course; students gain the skills they need and build on those they already have. Questions can be directed to Cynthia Lawson at lawsonc@newschool.edu.

PARSONS MUMBAI mumbai: the street, urbanism, and design college/adult (July 1–19) PSAM 2000 Section A Every street has a purpose, whether it’s residential, industrial, a thoroughfare, or mixed use, and every street has a unique personality and focus. Mumbai, a seaside urban center full of contrasts, is one of the most rapidly developing global hubs in the world. Through a series of local walks and exploratory exercises, students experience, document, and interpret the small streets and the train stations in the neighborhood where ISDI/Parsons Mumbai is located. The class conducts daily site visits for observation, research, sketching, photography, and documentation and analysis of typography and signage. Students

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program details

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program details attendance, workload, and expectations Attendance at all class sessions is mandatory. Each class day consists of two sessions, a morning and afternoon. Students who miss more than two class sessions may fail the course. Independent work to be completed outside of class is assigned each day and is an important part of the program. Students who do not meet program requirement may be asked to leave the program.

faculty Courses are taught by Parsons faculty as well as visiting New York– and Paris-based artists and designers. Guest lecturers and critics speak on current professional practices and trends in their disciplines.

supplies and technology Students must provide their own materials and art supplies. They will receive a list of required and recommended materials from instructors two weeks before the course start date. Students are strongly encouraged to bring a laptop for use in the Summer Studies in Constructed Environments in New York and in the Pre- College and College/Adult Summer Intensive Studies: Paris programs.

housing, meals, and travel PRE-COLLEGE STUDENTS

Summer Intensive Studies: New York Students enrolled in the Summer Intensive Studies: New York program in July can live in supervised New School residence halls. Housing for pre-college students in New York is $1,985, including the meal plan. Housing is guaranteed only for students who apply by May 1, 2015. Only shared rooms are available. A link to the online housing application will be emailed to enrolled students in their course confirmation letter. All students under the age of 19 living in university housing abide by residence hall policies including a nightly 11:00 p.m. curfew and a zero tolerance drug and alcohol policy. Pre-college students living in university housing are automatically enrolled in the Dining Dollars program. Dining Dollars are loaded onto their New School ID cards when they arrive. Dining Dollars are similar to regular dollars but are used only in New School cafeterias. For 38

more information, including safety, security and the mandatory curfew and other residence hall policies, visit http://www.newschool.edu/student-housing/ summer/parsons/.

Pre-College Academy University housing is not offered for this program. Meal services are not available for this program. All students in grades 9–12 can eat off campus. Students in grades 6–8 who receive written parental permission can eat off campus. All students in grades 3–5 and those in grades 6–8 who require supervised lunch, as indicated by their parents, should bring their lunch. They will eat in the 6th floor design center at 2 West 13th Street. COLLEGE/ADULT AND GRADUATE STUDENTS

Summer Intensive Studies: New York Students enrolled in the Summer Intensive Studies New York program in June or July can live in New School residence halls. Housing in New York is $1,485. Housing is guaranteed only for students who apply by May 1, 2015. Only shared rooms are available. Students who are under the age of 19 must follow curfew rules. A link to the online housing application will be emailed to enrolled students in their course confirmation letter. Students living in university housing can enroll in the Dining Dollars program. Dining Dollars are loaded onto students’ New School ID cards. Dining Dollars are similar to regular dollars but are used only in New School cafeterias. For more information, including security and curfew in our residence halls, visit http://www.newschool.edu/studenthousing/ summer/parsons/.

Summer Studies in Constructed Environments Students enrolled in the Summer Studies in Constructed Environments program can apply to live in New School residence halls. Housing in New York is $2,475. Housing is guaranteed only for students who apply by May 1, 2015. Only shared rooms are available. Students who are under the age of 19 at the start of the program must follow curfew rules. A link to the online housing application will be emailed to enrolled students in their course confirmation letter. Students living in university housing can enroll in the Dining Dollars program. Dining Dollars are loaded


program details (continued) onto students’ New School ID cards. Dining Dollars are similar to regular dollars but are used only in New School cafeterias. For more information, including security and curfew in our residence halls, visit http://www.newschool.edu/studenthousing/summer/ parsons/

Entry requirements for US and EU passport holders: a valid passport Entry requirements for all other international students: consult your home country’s French Consulate

Summer Intensive Studies: Paris

Students enrolled in the Dual City Program can apply to live in New School residence halls. Housing for this program is $495 (one week in New York City) or $990 (two weeks in New York City). Housing is guaranteed only for students who apply by May 1, 2015. Only shared rooms are available. Students who are under the age of 19 at the start of the program must follow curfew rules. A link to the online housing application will be emailed to enrolled students in their course confirmation letter. For more information, including security and curfew in our residence halls, visithttp:// www.newschool.edu/studenthousing/summer/ parsons/.

Students will be housed in studio apartments in the Olympiades student residence complex. Olympiades is a newly constructed complex located in Paris’ 13th arrondissement, close to the Bibliothèque François Mitterrand, on line 14 of the Paris metro. Travel time to Parsons Paris is 15 to 20 minutes. Each studio contains a bed, desk, table, chair or couch, and bookcase and includes a bathroom and kitchenette with a refrigerator, stovetop, pantry, dishes, and utensils. Studios are 17 to 18 square meters (183 to 194 square feet) in size. FEATURES OF THE RESIDENCE COMPLEX • High-speed Internet and Wifi in common areas • Gym • Common room • Laundry facility • Bicycle garage • Outdoor green space • Reception desk and on-site manager • 24-hour video security There is no meal plan in Paris, but the accommodations has a kitchenette. The housing fee is included In the program cost . A link to the online housing application will be emailed to enrolled students in their course confirmation letter. Students are responsible for booking their flight to Paris. Session I students should arrive on Friday, June 5, 2015. Session II students should arrive on Monday, June 29, 2015 Students who do not arrive on the scheduled date are responsible for arranging their own transportation from the airport. We ask that those students still provide their arrival information to API. Students should fly into Paris and into the Charles de Gaulle airport (airport code CDG) and arrive at the airport in Paris by 12:00 pm, so that you are prepared to EXIT the airport no later than 1:00 pm.

Dual City Program: New York and London

Decorative Arts Graduate Seminar in Holland Participants are responsible for accommodations, meals, and transportation to and from the course. Full payment is required at the time of registration. Students are expected to attend all classes, site visits, and excursions. Classes and excursions begin promptly at the designated times; latecomers cannot be accommodated. Grades are based on class participation (20%) and a final slide identification and essay exam (80%). The course is moderately physically challenging and requires hours of walking and standing. The small size of these seminars precludes friends and family from joining the class for lectures, walks, or site visits.

student activities Students participate in a variety of activities that enable them to get acquainted and explore New York City or Paris. College admission– and career-related events include portfolio reviews and guest lectures by New York professionals. An activities calendar is distributed at orientation.

international students Parsons welcomes students from around the world to explore the abundant art and design resources of New York and Paris. Parsons values the unique perspective each student brings to the program and the academic

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program details (continued) richness of a culturally diverse student body. Language Students who are not native English speakers must score a minimum of 79 on the Internet-based TOEFL (Test of English as a Foreign Language) or 6.5 on the IELTS (International English Language Testing System). For more information about the TOEFL, visit www.toefl.org. Information regarding the IELTS can be found at www.ielts.org. Students must provide documentation of English proficiency as a substitute for the TOEFL or IELTS. Documentation should be emailed to summer@newschool.edu with “Language Requirement Documentation” in the subject line. If these documents prove sufficient, the TOEFL or IELTS requirement may be waived at the discretion of the program staff. Registration deadlines and visas International students can apply for an I-20 (F-1) or DS-2019 (J-1) from The New School’s office of International Student Services (ISS). A link to the online International Student Application Packet will be sent to students in their course confirmation letter. This packet includes information about applying for the I-20 or DS-2019 from The New School, which is required before you apply for the appropriate visa from the U.S. embassy or consulate in your home country. Because the approval process for student visas can be lengthy, students should submit their I-20 (F-1) or DS-2019 (J-1) applications to ISS by April 1 for Summer Intensive Studies (SIS) Session I and by April 15 for Summer Intensive Studies (SIS) Session II and Summer Studies in Constructed Environments (SSCE). In order to meet these deadlines, international students must register by March 15, 2015, for SIS Session I and by April 1, 2015, for SIS Session II and SSCE.

scholarships for summer intensive studies: new york Parsons offers a limited number of tuition-only scholarships for pre-college-level courses. Scholarship recipients are introduced to Parsons and receive instruction in art and design that develops their skills and helps them both enter and advance in colleges of art and design. We

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seek applications from motivated students who for financial reasons would otherwise be unable to attend. Scholarships do not cover housing fees, living costs, airfare, or expenses for supplies. Applicants must be citizens or permanent residents of the United States. The application deadline is February 1, 2015. To apply for a scholarship, visit www.newschool.edu/parsons-summer.

course credit Students who successfully complete a three-week Summer Intensive Studies course in New York are eligible to receive three college credits and an academic transcript from The New School. Students who successfully complete a three-week Summer Intensive Studies course in Paris are eligible to receive three college credits and an academic transcript from The New School. The Pre-College Academy program in August is a noncredit program. Students entering grades 9–12 who plan to apply to colleges of art and design can opt to register for certificate status and apply their coursework toward the certificate. For more information, visit www.newschool.edu/parsons- precollege-certificate. Students who successfully complete the five-week Summer Studies in Constructed Environments course in New York are eligible to receive four college credits and an academic transcript from The New School. Students who successfully complete the Decorative Arts Seminars in Holland are eligible to receive three graduate credits and an academic transcript from The New School. The Dual City Program with Parsons and Central Saint Martins is a noncredit offering.

transcripts Transcripts are not automatically generated upon completion of the program and must be requested by the student through the University Registrar’s Office if the program completed is a college-creditbearing course. More information on requesting an official transcript is available at www.newschool. edu/registrar/transcripts/ or contact the University Registrar’s Office at 212-229-5620 or reghelp@ newschool.edu.


program details (continued) Registration opens November 18, 2014. Students in the Summer Intensive Studies New York Session I program must register by April 15, 2015. Students in the Summer Studies in Constructed Environments, Summer Intensive Studies New York Session II, and Summer Intensive Studies Paris programs must register by May 15, 2015. Registration is on a first-come, first-served basis. International students should refer to the deadlines listed on the back of the brochure. Registration can be completed by mail, in person, or online at www.newschool.edu/parsons-summer.

Additonal Summer Opportunities at The New School THE NEW SCHOOL FOR DRAMA Program Title- New School For Drama Summer Acting Intensive Dates and times- July 6th-July 31st 2015 M-F 9-4 Course offerings- The Summer Acting Intensive- 4 College Credits Tuition & Fees- $4,550 Age level(s)- Ages 15 and up (Rising Junior or Senior) Is housing available/optional or required?- Yes, housing is available at an additional fee, but not required. Class location- 151 Bank St. in the West Village Program link to find more information and to register www.newschool.edu/drama/summer-actingintensive/ Contact details for questions from potential registrants: Email Stephanie Cunningham at dramasummerprograms@newschool.edu

TBD) Program link to find more information and to register: www.newschool.edu/public-engagement/school-ofmedia-studies-pre-college-summer-course/ Contact details for questions from potential registrants: Tracy Varites, varitest@newschool.edu, 212-299-8903 ext. 4118 EUGENE LANG COLLEGE THE NEW SCHOOL FOR LIBERAL ARTS Summer Intensive Seminars at Eugene Lang College May 26-June 18 Ages 19 and older or 18 with a year of college as of May 26, 2015 Course Offerings -Fiction Writing -Documentary Film -Interdisciplinary Visual Arts Performance -Journalism + Design tuition: TBD housing (optional): cost TBD college credits: 4 class schedule and locations: Monday-Thursday, 4 hour blocks at Eugene Lang’s Greenwich Village campus Register at www.newschool.edu/lang/summerintensives Questions: langsummer@newschool.edu

THE NEW SCHOOL FOR PUBLIC ENGAGEMENT Program Title: School of Media Studies PreCollege Summer Program Dates and times: July 6 - July 31; 9am - 3:50 pm Course offerings: Film, Art, Change: Making Movies to Make a Difference (NSPC 0101. A, CRN 2756) Tuition: $3,444 including all fees; (Tuition on the Course: $3,364 - University Services Fee: $80); 4 credit course Age level(s): High School Juniors and Seniors Is housing available/optional or required? Housing is available, but not required Class location: Greenwich Village (room/building

→ Register at www.newschool.edu/parsons-summer


registration policies REGISTRATION BEGINS NOVEMBER 18, 2014. Class registration requests are filled in the order in which they are received. Space in classes is limited, so students are encouraged to register early. If a course fills before the program application deadline, it will be listed as having zero seats available on the live registration system. Waitlists are not maintained for the summer programs. If the course you would like to register for becomes full you are encouraged to monitor the online registration site. If a student drops the course and a seat becomes available you can then enroll. Applications received after the program application deadline may be accepted for available openings, but course selection will be limited. Please read the Withdrawal and Refund Policy before registering. Parsons reserves the right to cancel courses. If a course is canceled, you will be notified and asked whether you wish to transfer to a different available course or receive a full refund of tuition and housing fees. The most efficient method of registration is through the online system in real time. Registration can be completed online, by mail, or in person. Matriculated New School and Parsons degree candidates must register through their academic advisors. register online at www.newschool.edu/parsons-summer You will be asked to create a username (NetID) and password. Please retain this information. register by mail or in person Complete the registration form and mail or bring it, along with full payment for tuition and fees, to 72 Fifth Avenue, fourth floor, New York, NY 10011 Make check or money order payable to The New School. Checks must be drawn on a U.S. bank, with routing number and payment in U.S. dollars. International money orders in U.S. dollars are acceptable. Please do not send cash. You can also authorize The New School to charge your Visa, MasterCard, Discover, or American Express credit card.

42

registration confirmation Registrations completed online will result in the course confirmation being sent via the email addressed used upon registration. Upon receipt of paper registration and payment, a registration confirmation will be mailed. Additional program information—supply lists, housing, and meal services— will arrive periodically prior to the program start date. housing registration Students in Summer Intensive Studies: New York, Summer Studies in Constructed Environments, and Dual City will be emailed a link to the online housing application in their course confirmation letter. Visit www.newschool.edu/student- services/studenthousing/summer-housing for more information. Contact the Student Housing Office with questions at 212.229.5459 x3610 or summerhousing@ newschool. edu. withdrawal and refund policy and instructions Students who registered online: Login to the online registration system and follow the instructions under the Manage Registrations tab. Students who registered in person or via mail: Submit your withdrawal request in writing and include your name, student ID number and course information. Send course withdrawal requests to Parsons SPACE 66 Fifth Avenue, room 200 New York, NY 10011 email: summer@newschool.edu Send housing withdrawals to Office of Student Housing The New School 79 Fifth Avenue, fifth floor New York, NY 10003 email summerhousing@newschool.edu Refund processing takes approximately four weeks. Refunds are prorated based on the following schedules and are calculated from the date and time the withdrawal request is received.


Summer Intensive Studies: New York Session I –Before April 1: full refund of tuition; refund of housing fees minus $250 –Before May 1: refund of tuition minus 20 percent; refund of housing fees minus $250 –May 1 or later: no tuition or housing refunds. Summer Intensive Studies: New York Session II, Summer Studies in Constructed Environments, Summer Intensive Studies: Paris, and Decorative Arts Graduate Seminars –Before May 1: full refund of tuition; refund of housing fees minus $250 –Before June 1: refund of tuition minus 20 percent; refund of housing fees minus $250 –June 1 or later: no tuition or housing refunds Pre-College Academy –Before June 1: full refund of tuition –Before July 1: refund of tuition minus 20 percent –July 1 or later: no tuition refund


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registration form

parsons summer programs 2014 You can register online at www.newschool.edu/parsons-summer. M  F Last Name

First Name

Gender

Date of Birth

Country of Citizenship

Permanent Home Address

NODG

N Student ID/Registration Use Only

City/State/Zip

Home Telephone

Work Telephone

Country

Fax

Email (Parsons SPACE will communicate via email. Please provide a primary email account that is active and is checked regularly.) Check here to indicate that the registered student meets necessary age requirements (Pre-College students will be age 16-18 by July 6, 2015. College/Adult students will be 19+ or 18 with a year of college by June 1, 2015 for Session I or by July 6, 2015 for Session II).

Please complete the appropriate row below for your program: Program

Course Number

Select one course and section number. Example: PNNY 0102 Section A

Course Title

Select one course title

Level

Select appropriate level

Enclosed Tuition and Fees Select amount

ummer Intensive S Studies New York

Pre-College College/Adult

$3,047 $3,047

Parsons Pre-College Academy

Grades 3–5 Grades 6–8 Grades 9–12 Grs. 9–12 Cert.

$5471 or $1,087 $1,087 $1,160

Summer Studies in Constructed Environments

PNNY 0300 Section A

Summer Studies in Constructed Environments

$4,562

Graduate Decorative Arts Seminar Registration Use Only

Bursar Use Only 1

$1,0872

$5,530 per course Registered $

Date

Init.

Personal data entered

Date

Init.

T#

Date

Init.

Half-day class  2Two half-day classes  3Full-day class

Payment Note: Many credit and debit cards have limits on how much can be charged. Your bank may deny approval for a credit card payment if the card is issued by a non-U.S. bank. To ensure a smooth registration process, please check with your bank before submitting your credit card information. Also make sure the expiration date of the card is more than two months after the date you submit payment. Check enclosed

Charge to MasterCard, Visa, Discover, or American Express

Card No. (Please print clearly and verify that the numbers are correct.)

Exp. Date

Cardholder Name (Please print.) Signature Housing (SIS and SSCE only): Will you submit an online application for university housing?  www.newschool.edu/summer-housing

Yes

No

Citizenship: Are you a citizen or permanent resident of the United States?

Yes

No

Mail Registration Form with payment to: Registrar’s Office, The New School, 72 Fifth Avenue, lower level, New York, NY 10011. Please read the Withdrawal and Refund Policy on page 40.

→ Register at www.newschool.edu/parsons-summer


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PARSONS SPACE, 66 Fifth Avenue, New York, NY 10011

the family educational rights and privacy act of 1974 The Family Educational Rights and Privacy Act of 1974, with which The New School complies, was enacted to protect the privacy of education records, to establish the right of students to inspect and review their education records, and to provide guidelines for correction of inaccurate or misleading statements. The New School has established the following student information as public or directory information, which may be disclosed by the institution at its discretion: student name; major field of study; dates of attendance; full- or part-time enrollment status; year level; degrees and awards received, including dean’s list; the most recent previous educational agency or institution attended; addresses, phone numbers, photographs, and email addresses; and date and place of birth. Students may request that The New School withhold release of their directory information by notifying the Registrar’s Office in writing. This notification must be renewed annually at the start of each fall semester. The Family Educational Rights and Privacy Act (FERPA) affords students certain rights with respect to their education records. These rights include the following: 1. The right to inspect and review the student’s education records within 45 days of the day the University receives a request for access. A student should submit to the registrar, dean, head of the academic department, or other appropriate official, a written request that identifies the record(s) the student wishes to inspect. The University official will make arrangements for access and notify the student of the time and place where the records may be inspected. If the records are not maintained by the University official to whom the request was submitted, that official shall advise the student of the correct official to whom the request should be addressed. 2. The right to request the amendment of the student’s education records that the student believes are inaccurate, misleading, or otherwise in violation of the student’s privacy rights under FERPA. A student who wishes to ask the University to amend a record should write the University official responsible for the record, clearly identify the part of the record the student wants changed, and specify why it should be changed. If the University decides not to amend the record as requested, the University will notify the student in writing of the decision and the student’s right to a hearing regarding the request for amendment. Additional information regarding the hearing procedures will be provided to the student when notified of the right to a hearing. 3. The right to provide written consent before the University discloses personally identifiable information from the student’s education records, except to the extent that FERPA authorizes disclosure without consent. The University discloses education records without a student’s prior written consent under the FERPA exception for disclosure to school officials with legitimate educational interests. A school official is a person employed by the University in an administrative, supervisory, academic or research, or support staff position (including law enforcement unit personnel and health staff); a person or company with whom the University has contracted as its agent to provide a service instead of using University employees or officials (such as an attorney, auditor, or collection agent); a person serving on the Board of Trustees; or a student serving on an official committee, such as a disciplinary or grievance committee, or assisting another school official in performing his or her tasks. A school official has a legitimate educational interest if the official needs to review an education record in order to fulfill his or her professional responsibilities for the University. 4. The right to file a complaint with the U.S. Department of Education concerning alleged failures by the University to comply with the requirements of FERPA. The name and address of the Office that administers FERPA is the following: Family Policy Compliance Office U.S. Department of Education 400 Maryland Avenue SW Washington, DC 20202–4605 the new school Parsons is part of The New School, a leading university in New York City offering degree, certificate, and continuing education programs in art and design, liberal arts and social sciences, management and urban policy, and the performing arts. Learn more about the university and all of its offerings at www.newschool.edu. The New School is committed to creating and maintaining an environment that promises diversity and tolerance in all areas of employment, education, and access to its educational, artistic, and cultural programs and activities. The New School does not discriminate on the basis of age, race, color, gender, or sexual orientation, religion, religious practices, mental or physical disability, national or ethnic origin, citizenship status, or veteran or marital status. parsons the new school for design Parsons offers a wide range of study options, including undergraduate and graduate degree programs, summer programs, and continuing education courses. Degree programs include bachelor of fine arts, bachelor of business administration, associate in applied science, master of fine arts, master of arts, master of science, and master of architecture. To receive catalogs and information, visit www.newschool.edu/ parsons. Parsons and The New School are fully accredited by the Commission on Higher Education of the Middle States Association of Colleges and Schools. Our credits and degrees are recognized and accepted by other accredited colleges, universities, and professional schools throughout the United States. The New School, a privately supported institution, is chartered as a university by the Regents of the State of New York. Parsons is also an accredited institutional member of the National Association of Schools of Art and Design (NASAD). PARSONS (USPS 760–830) Volume 31, Number 3, January 2014. PARSONS is published 4 times a year, in January, April, July, and December by The New School, 66 West 12th Street, New York, NY 10011. Periodicals postage paid in New York, NY, and additional mailing offices. Postmaster: Send address changes to PARSONS, 66 West 12th Street, New York, NY 10011. The information published herein represents the plans of The New School at the time of publication. The University reserves the right to change without notice any matter contained in this publication, including but not limited to tuition, fees, policies, degree programs, names of programs, course offerings, academic activities, academic requirements, facilities, faculty, and administrators. Payment of tuition for or attendance in any classes shall constitute a student’s acceptance of the administration’s rights as set forth in this notice. For important information regarding your rights as a student, visit www. newschool.edu/your-right-to-know. Published 2014 by The New School. The New School is an Affirmative Action/Equal Opportunity Institution. Photography by Paula Giraldo, John Haffner Layden, Adam Schwartz, Martin Seck, Michael Skinner, John Sturrock and Matthew Sussman. contact us: 212.229.8933 summer@newschool.edu


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