Nov-Dec 2013 CBS Newsletter by Steve Jones

2013/2014 Blues in the Schools Off to a Hot Start Just Goods was well attended and received and was also quite enjoyable! Bryan Lee and the Blues Power Band were in Byron for two school shows on October 2nd and then at the Hope and AnGerry Hundt and Ronnie Shellist kick of new BITS year chor in Loves for CBS at Eisenhower MS, Harlem ES and Just Goods Six programs by some of our favorite BITS artists have given 2013 a superb start! Crossroads is up to 122 shows with 38,000 students now officially having gotten the blues from us! Acoustic favorite Gerry Hundt returned for two shows and this time accompanied by harp master Ronnie Shellist from Colorado. Their evening show at

The Jimmy’s were the first to register and played the first set for us. It was a swinging good time with Mr. Voegeli and his band. The Mark Avey Band was second to register and performed second and gave the crowd a great per-

2014 BITS are being planned, with Freeport kicking things off in January! Stay tuned for info!

Park for a dinner show. Over 75 people attended that show and it was a great new venue for us with great food and beverages and a good sounding room. Brent Johnson’s pink guitar “matches” his admirer’s wheelchair at Mary Morgan ES

Alex Wilson is Headed Back to Memphis! October 13th marked the date for the first Crossroads Blues Challenge, where three bands competed for the right to represent us at the International Blues Challenge (IBC) in Memphis next year. The IBC runs from January 21st to 25th and it is always a great event.

Hawkeye Herman returned after a six year gap with us did two programs in Rockford on October 28th. Another great Hope and Anchor dinner show rounded out the day nicely! Hawkeye has now done 19 school programs for us, more than any other artist!

formance of their rocking blues style! Last up was the Alex Wilson Band and they also gave the crowd there a performance to remember. The judges conferred and scored the bands. The results were tallied and the IBC weighting system was applied to their scores. The math was checked a few times and when it was all said and done Alex Wilson was the unanimous choice of the judges. All three of the bands would have done us proud in Memphis– it was a fantastic competition!

Alex will be back at the Adriatic Saturday, November 16th to showcase his music and help raise funds to go to Memphis. Please come out and support our IBC entry!

November-December 2013

Keeping the Blues Alive Important Crossroads Information Our post office box and address have changed. Please note our new address is at: Post Office Box 840 Byron, IL 61010 Annual dues remains at only $15 for individuals and $25 for families. You get six great issues of this newsletter and help support our BITS efforts by maintaining your membership current. Email Crossroads at sub_insignia@yahoo.com if you are uncertain as to your membership status. Use the membership form on the back page or go online at our news blog to renew online. Online donations for Al McNary can be made at: http://crossroadsbluessciety.blogspot.com Inside this issue: News Music Reviews Playlist Membership Application Upcoming Events

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Crossroads Blues Society Newsletter

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Recent Images from BITS, Shows and More

Bryan Lee at Mary Morgan ES in Byron captivates the students

Thirteen Year Old Justin Bates joins Bryan Lee on guitar and harp at the Hope & Anchor

Bobbty Messano stops in at Christyâ&#x20AC;&#x2122;s in Freeport for a show

Storm Cellar from Sydney, Australia wowed the crowd at the 2013 Post-Fest Volunteer Party

Al McNary recovering at home with Harvey Wilhelms and other friends

Cindy Wilhems and Annette Jones prepared food, painted and kept the guys In line at Alâ&#x20AC;&#x2122;s house

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Crossroads Blues Society Newsletter

Helping Hands Reach Out to Assist Al McNary Crossroads long-time Treasurer and member Al McNary was stricken with a stroke in August, leaving him with huge medical bills. He is finally home after recovering enough to be independent but he has renovations and repairs needed to his home and mounting medical bills with no insurance available. This has put him in dire straits. Crossroads is holding a benefit for him on Sunday, November 3rd at the American Legion on Alpine Road in Rockford (formerly LT’s Pub). Please come put and support this cause. We do lots of fundraising and now it’s for one of our own! There are a lot of great local blues artists coming out for the event. It will be a fun time for all! There will be lots of great silent auction items along with a 50-50 raffle. Friends, neighbors and Crossroads members are also stepping up to help with some of the work needed at Al’s house. A group of members and friends went out on Saturday, October 19th and many other days of volunteer help have occurred from his friends in Freeport and brother Dave from Chicago. Work to give Al access to kitchen and bathroom had to be contracted out, but friends and family have pitched in to assist where they can. Al has spent a lot of time managing the club’s finances, volunteering at festivals and events, and running fundraisers for artists and friends in need. Now it is time for us to give back to him so please come out and support this event. If you cannot make it, please consider making a donation. Send donations to Crossroads via our new PO box or go online to make donations on our news blog.

On Line donations for Al can be made at: http://crossroadsbluessociety.blogspot.com

Working Party at Al McNary’s House

Al is making good progress with his recovery and sends thanks to all his friends and well –wishers. He is regaining the use of his left arm and leg and improving n dexterity (he is a lefty which has made this more difficult for him). His home has been re-layed out to allow him to live on the first floor so he can maneuver about and avoid the stairs.

Al is also planning on being at the benefit, so he can visit with his many friends. Make some time to stop by on Sunday, November 3rd from 2 to 6 PM. It’s a great cause for a good friend of ours!

Crossroads Blues Society Newsletter

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Music Reviews Dangerous Sugaray Rayford Delta Groove Music, Inc. www.sugarrayblues.com 14 tracks/67:48 In a June posting on Facebook, Randy Chortkoff, owner of Delta Groove Music, mentioned being in the final stages of mixing the tracks for an upcoming release and added, “…by far the best album I’ve produced to date.” His ringing endorsement was directed at the label’s first solo effort from singer Caron “Sugaray” Rayford, who garnered acclaim for his contributions to the award-winning Mannish Boys Double Dynamite project. Chortkoff was so impressed by Rayford’s talent that he made the decision to give the singer featured billing in the group. Many artists would fade into the woodwork while recording with top-rank blues veterans like Kim Wilson, Sugar Ray Norcia, Monster Mike Welch, Kid Andersen, Anthony Geraci and Fred Kaplan on keyboards, Willie J. Campbell and Bill Stuve on bass with Jimi Bott on drums. Rayford sounds right at home; his mighty voice riding any rhythm the all-star aggregation throws at him. He never overplays his hand, proving to be equally adept at rendering a downhome blues or letting his voice ring out on an up-tempo barnburner. “Country Boy” bursts out of the gate with Rayford’s dynamic vocal commanding your attention. Taking his time on Pee Wee Crayton’s “When It Rains It Pours”, Rayford generates a slow-burning heat that contrasts nicely with Franck Goldwasser’s fluid guitar picking. One of Rayford’s originals, “Stuck for a Buck”, has him taking a bemused look at his precarious financial status with Rob Dziubla doubling on tenor and baritone sax plus Mark Pender on trumpet. Norcia joins the host for a duet on “Two Times Sugar” as the duo slides effortlessly through a celebration of their good lovin’ ways.

Chortkoff penned two of the highlights. “Goin’ Back to Texas” gives Rayford the chance to slow the pace while waxing nostalgic over the land where he grew up. Kim Wilson’s harp echoes the singer’s every move and Goldwasser adds to the country-inflected feel with some biting slide guitar. Wilson’s harmonica mastery is on full display on “Surrendered”, establishing the moody atmosphere while Rayford utilizes a gritty edge with his meticulous phrasing to testify to power of the human spirit. The enormous depth of the singer’s voice is showcased on “Depression Blues” and Junior Parker’s “In the Dark”, capturing your attention over the combined weight of the horns and Andersen’s distinctive fretwork. On the latter cut, Chortkoff gives listeners a taste of his reed-bending skills. Another Rayford original, “Need a Little More Time”, has a stripped-down acoustic arrangement with Goldwasser on a National Steel guitar supporting the singer as he pleads for some relief from life’s pressures.

The tougher side of Rayford’s nature comes out on “I’m Dangerous” and “I Might Do Somethin’ Crazy”, the second cut a Wolf-like primal declaration of warning ignited by Andersen’s scorching licks. “Keep Her Home” sports a raging boogie beat with Big Pete on harmonica. Rayford finishes with “Preaching Blues”, a song from Son House. His forceful interpretation, over Goldwasser’s dancing slide guitar runs, highlights one last time the power of his voice in addition to his uncanny ability to capture the emotional heart of each song. One listen to this recording makes it clear that Chortkoff wasn’t indulging in some form hyperbole with his praise for Dangerous. This disc is full of scintillating performances, particularly from the big man pictured on the cover. It took a while for Sugaray to get to this point in his career. It was time well spent as he is in full command of his voice, delivering one stirring moment after another on a disc that will undoubtedly receive plenty of attention come awards time. Highly recommended! Reviewed by Mark Thompson

Crossroads Blues Society Newsletter Account to Me Hank Mowery Old Pal Records www.hankmowery.com 10 tracks/38:12 This recording revives the legacy of the late Gary Primich, a brilliant harp player, exciting singer and skilled songwriter. Hank Mowery has always had a deep respect for Primich and his music. In recent years, Mowery has developed a friendship with JV & Darsha Primich, Gary’s parents, who came to him to suggest making a recording that would include a handful of Gary’s songs. Two of the songs had never been recorded. JV had found them among Gary’s personal effects. Mowery is a fine choice for the project. His smooth vocal style easily captures the essence of the Primich sound, as you can hear on “Put the Hammer Down”. Troy Amaro lays down a swinging guitar line that is full of twist & turns while Mowery blows some country-style blues harp. On “My Home” , Mowery once again treats us to some dynamic harp playing while Amaro again impresses with a succinct, flowing solo with Junior Valentine on rhythm guitar. Primich incorporated elements of jazz into his material and the band shows they can nail that style on “Pray for a Cloudy Day”, with Mowery’s resonant voice riding the mellow shuffle beat. The title track is the first of the unrecorded songs. Mowery’s soulful singing grabs at your heartstrings as he pours out his plea for honesty while John Large on drums and Patrick Recob on bass & acoustic guitar lay down an understated rhythm while Chris Corey adds some piano accents, making this track a definite highlight. Corey’s rolling, New Orleans-style piano is featured on “Tricky Game”, the second new tune. Mowery utilizes a reflective vocal tone to ponder to intricacies of human relationships. The rousing opener, “Spend a Little Time”, is a Mowery original that mixes Corey’s acoustic piano with a distorted Wurlitzer electric piano, creating a hard-driving sound devoid of guitars. Mowery blows up a storm on his harp, then goes deep into the traditional style on another original, “If I Knew What I Know”, a gut-bucket blues full of outstanding reed-bending from the leader. Mowery and Corey on organ shine on the instrumental “Banana Oil” while Recob handles the singing on one of his songs, “Target”, a chilling portrayal of

Page 5 a down-bound life punctuated by the thick tones Mowery pulls from his harp. Rev. Robert Wilkin’s “That’s No Way to Get Along” gets an acoustic performance featuring Jimmy Stagger on vocal &National resonator guitar with Mowery pulling train sounds out of his harp. It is a fitting ending for this fine recording that reminds us of Gary Primich’s talent while serving as Hank Mowery’s coming out party. Make sure that you check this one out. Between the powerful material, Mowery’s inspired performances and the strong ensemble work from the band, there is plenty to enjoy through repeat listens. Strongly recommended! Reviewed by Mark Thompson Birds Above Guitarland Pete Anderson Little Dog Records www.peteanderson.com 11 tracks/43:03 There are a lot of great musicians that most people have never heard or heard about. It is rare to be a musician that most people have heard without realizing who they are listening to. Pete Anderson falls into that category. He is a household name despite the fact that he spent seventeen playing guitar for country superstar Dwight Yoakam, appearing on recordings that sold millions of copies. Anderson also helped with the arrangements and production as the duo brought the traditional twang back to country music. But Anderson loves blues music, a passion that started when he attended the 1968 Ann Arbor Blues Festival. Hearing Lightnin’ Hopkins, Muddy Waters, and Howlin’ Wolf created an indelible impression on the young musician. Since he left Yoakam’s band, Anderson has been cutting solo records that find him digging deep into the music that once captured his heart. On his latest, Anderson handles the vocals and guitar parts in addition to playing bass, harmonica and percussion. Michael Murphy plays keyboards. Key bass, strings and adds some harmony vocals. Five different drummers are used with Herman Matthews appearing on five tracks. The horn section is comprised of Lee Thornberg on trumpet, French horn & trombone plus Ron Dzibula on saxophones.

With the horns urging him own, Anderson shows he learned plenty of lessons from T -Bone Walker on the smoldering “I Got Mine”, laying down a magnificent guitar full of deft improvisation. He delivers a gripping confession on “Rock in My Shoe”, his voice full of heartache. The horns ride the loose-limbed rhythm on “36 Hour Day” as Anderson provides another brief glimpse at his prodigious guitar skills. He stretches out a bit on “Talkin’ Bout Lonely”, mixing blue notes with his trademark twang in a solo of mesmerizing beauty. “Red Sunset Blues” comes across as a Duane Eddy meets the spaghetti western soundtrack with a little surf action thrown in to keep things interesting. And right in the middle is another guitar solo full of exciting twists and turns. Murphy turns an equally interesting jazz-influenced solo on piano. Anderson breaks out the shuffle rhythm on “Outta The Fire”, his voice taking on a harder edge over the blaring horns. His meticulous phrasing is highlighted on the swinging “Talkin’ My Baby Done” as he wrings pure magic out of his instrument. Jake Maeby’s swirling organ chords set a moody tone on “For You”. Anderson twists a haunting solo out of his fretboard over an arrangement with a hint of reggae. Things shift south to Louisiana on “Empty Everything” with Anderson crying the blues accompanied by Dennis Gurwell on accordion and Steve Nelson on upright bass. The bonus track at the end of the disc is a reprise of “Rock in My Shoe”, this time with the soulful Bekka Bramlett on lead vocal. Her stirring performance points out Anderson’s limits as a singer. But his calling card is his inventive guitar playing. He never overplays or falls victim to the “faster-louder” school of indulgence. He succinct solos avoid clichés in favor of refreshing, playful that leave wanting to hear more. And that is reason enough to check out this little gem! Reviewed by Mark Thompson

Our post office box and address have changed. Please note our new address:

Crossroads Blues Society Post Office Box 840 Byron, IL 61010

November-December 2013

Page 6 Mule Port City Prophets Self released http:// portcityprophets.bandcamp.com 10 tracks

at least, with a good little minute intro before the band hits it hard and drives the CD to a rousing finish on a super instrumental. Guitar and organ trade the lead, the bass and drums again go beyond worldly and they deliver a remarkable finish to a remarkable album.

I try not to prejudge a CD by it’s cover. Just like a book, you don’t really know what’s inside until you listen. Well, I set myself up with this CD. A huge mule nostril stares at you on the cover of this CD and I must say I had low expectations. When I played it, things rapidly changed.

I loved this CD. It has songs with great lyrics, great vocals, and great musicianship. I want to see these guys live– the unleashed version would have to be even more amazing. Most highly recommended!!!

The band starts out with a driving swing song called “Close Your Eyes.” Stinging guitar, great lyrics and vocals and a big back beat told me maybe I should not have pre-judged this. When the slide guitar lit off to open “Jesus Saved My Soul But…” I knew that certainly had been hasty. A gritty, slow and mean slide song with equally dirty vocals. The “but” is that, “Jesus Saved my soul, but my money belongs to my wife. It’s a good thing that heaven’s free because that lady she sure is tight.” Tim Kirkendall’s testifying and Troy Tolie’s guitar made me a believer. Maybe mule nostrils aren’t so bad...what a cut! Organ work added by Bill Nance takes us a little bit to church as “I Already Know” begins. A slow and quiet song that builds and build so well, it really displays soul-felt emotions. “Mule In A One Horse Town” is some rocking blues. More grit and dirt in the vocals and a big guitar and organ sound make this one really sweet. “When The Lights go Down in St. Louis” may hearken back to bassist and vocalist Tim Kirkendall’s home town, but these guys are low country blues men with the port and swamps of South Carolina percolating in their souls. The trio and occasional friend sitting in continue the charge with “Done Changed My Mind.” A blistering guitar opens the song and then Kirkendall continues his vocal onslaught by giving us the blues done so convincingly right. Henry Ancrum’s drums here are simple yet effective. The beat makes the tune feel much more earthy and gusty. On “Let Me Breathe” we get more beautiful and soulful blues with thoughtful organ and guitar work. “No Time” is more rocking and has some more passionate vocal work. “I Used To Love You” opens o some bass licks and cool keys and then the guitar and drums add to the primal nature of this. More deep gutsy blues with poignant lyrics delivered extremely effectively. They close with “Pluff Mud,” the only light and airy number on this otherwise down and dirty blues CD. Light and airy as it starts,

Reviewed by Steve Jones Come On Down David Gogo Cordova Bay Records www.davidgogo.com/ 11 Tracks David Gogo met Stevie Ray Vaughan backstage at the Royal Theatre in Victoria, British Columbia at the age of 15, which was one of the events that inspired him to pursue a career in blues. By the time he was 16, he had assembled his first band called The Persuaders. His band had shared the stage with blues legends Johnny Winter, Buddy Guy, Albert Collins, Johnny Winter, Otis Rush, and Bo Diddley, and opened for George Thorogood, ZZ Top, The Tragicially Hip, Buddy Guy, Little Feat, and Jimmy Vaughan. After performing in support of The Fabulous Thunderbirds in Europe, he was able to sign a solo record deal with EMI Records. It was shortly after that he performed at the Montreux Jazz Festival with B.B. King, Otis Rush and Blues Traveler. For his critical acclaimed debut album in 1994, David Gogo, he received his first nomination for a Juno Award. The Juno Awards, presented by the Canadian Academy of Recording Arts and Sciences, has nominated Gogo for a total of four times. The Maple Blues Awards honoring, the best in Canadian blues, nominated David 14 times, with him winning guitarist of the year in 2002 and 2004. He was also nominated twice for the INDIE Music Awards, happening in Toronto as part of Canadian Music Week, twice for The Western Canadian Music Awards ceremony for music in the western portion of Canada, winning in 2012 for his album Soul Bender, once for the Great Canadian Blues Award, winning Best Canadian Blues Musician in 2004, and once for the West Coast Music Awards, winning Musician of the Year in 2000. With credentials like that, it is easy to see why David Gogo is one of Canada's rising stars in the blues world. His 13th album

titled Come On Down features 12 tracks with six new original tunes and six classic covers redone with his own signature, as a result of a recent trip along the "Blues Trail" in Memphis, Mississippi and Alabama. The album is a collection of both his rollicking music with a tribute to traditional blues and a stronger influence from the early rock 'n' roll. Including himself, David calls on the expertise of 15 singers and musicians throughout the 12 tracks. Gogo opens with some blistering slide guitar and solid vocals on "Bad 'n Ruin," a tune written by Small Faces keyboard player Ian McLagan and lead singer Rod Stewart. Gogo's lyrics and guitar solos are very strong on the title track "Come On Down," with gospel background vocals added on this haunting original song. "Call Your Name," the second original number, is another tune showcasing Gogo's superb guitar work, vocals, and songwriting expertise. He slows things down on the soulful, original tune "Worth It," a song cowritten by David Gogo. More of the Louisiana Delta comes out on the original tune "Natchez Dog" in both Gogo's guitar riffs, Shawn Hall's harmonica, and the addition of superb keyboards. Gogo really explodes on guitar with his rough, roadhouse rocker "Kings," another original tune added to this new release. On a lot of the tunes on Come On Down, he blends his vocals and background vocals extremely well. He follows up with series of covers starting with an extraordinary version of "So Into You," one of best tunes written by the Atlanta Rhythm Section keyboard player Dean Daughtry, Buddy Buie, the band's manager and producer, and Robert Nix, the drummer. The last original tune on the album is a high powered, no holes barred rocker "Blue Eyed Daisy" and as the lyrics indicate, he put the petal to the metal much like the legendary Jimi Hendrix. The album continues as Gogo shifts gears with the classic R&B tune "Let's Go Get Stoned," a tune often performed by Ray Charles and written by Josephine Armstead, Nicholas Ashford, and Valerie Simpson. Gogo's vocals and guitar riffs are some of the best of the album on this tune. David continues with the Robert Palmer song "Looking For Clues." The album concludes with a Christine McVie tune "Spare Me A Little Of Your Love" and "World Turning" a song co -written by Lindsey Buckingham and Christine McVie of Fleetwood Mac. If you have ever heard one of David Gogo's albums, you will understand why he has been labeled the hardest working blues artist in Canada. You will find Come On Down, his latest release is no exception to that statement. Reviewed by Rick Davis

November-December 2013

Page 7 trade off solos and blend together beautifully. Gabriel opens with a swinging jump blues that feature Gabriel, Robillard and theHorns prominently. It’s a great starter. Following that is “Ride, Ride, Ride” with more great guitar,Folstrom on piano and a driving beat, The covered song is Chris Kenner’s “Something You Got,” a Big Easy classic where Gabriel and Duke both put on a show. There are a couple of very cool instrumentals here, too. Gabriel ‘s “328 Chauncey Street,” a jazzy and swinging cut where he picks out some great solos along with the Duke and Bruce Bears impresses on organ. “C.M.C.” is the other instrumental in a similar vein, but this time with Fallstrom on B3 and Bears on piano. Very thoughtful and jazzy. Two of the tracks are a bit tongue in cheek, :Devil’s Daugher” and “Fine At’tire.” The former describes the women he tenuously got involved with and the latter is a trendy throwback with Gabriel singing an Naftalin on piano without the rest of the musicians. Well done! I enjoyed the CD overall. One area that I was least impressed were the vocals. The delivery is sort of monotone at times, where Gabriel gets a bit nasal and breathy. It’ not bad, but it just doesn't vary a lot in his approach to singing. But other than that minor criticism, if you are a Robbilard/Roomful of Blues aficionado then you will enjoy this CD. Gabriel gives us some great new songs and guitar work and the backing players are all in synch and support each other to the max. Another New England jump blues success story!

What’s The Chance Paul Gabriel Shining Stone Music Group www.paulgabriel.net 13 tracks The disciples of Duke Robillard continue to grow and produce interesting CDs for the blues world to enjoy. Robillard has produced this CD and appears along with Mark Naftalin on piano, Steve Pastir on guitar and the Roomful of Blues Horns (Rich Lataille and Mark Earley on sax and Doug Woolverton on trumpet. Hailing from Connecticut, this guitar player is also backed by a band comprised of Billy Bileca on bass, Nick Longo on drums and

Larry “Buzzy” Fallstrom on keys. A local success, Gabriel emerges on a grander scale with this release. Having played and recorded with Harry Chapin, Rory Block and Michael Bolton, Gabriel is the real deal. He has been associated with Duke for twenty years and the styles are certainly similar as he learned at the feet of his master, even working together for long periods at Duke’s house. Mixing the blues with R&B and jazz, Gabriel has a cool and effusive style of play. He also wrote all but two of the tracks here and covers one song. I really enjoyed the guitar interplay and the bigger band feel of this CD. These guys are great accompanying each other and are very together. They seamlessly

Reviewed by Steve Jones

Date Set for 2014 Field of Blues Festival The Frontier League Baseball schedule has been announced for 2014 and the date requested for the Second Annual Field of Blues Festival has been confirmed. The festival will be held on Saturday, June 28, 2014 at Rockford Aviators Stadium in Loves Park! We will once again be working with the Aviators staff to utilize their great venue to hold our second event in their stadium. Stay tuned for more news about the festival!

Crossroads Blues Society Newsletter

Page 8 Road Dog's Life Smokin' Joe Kubek & Bnois King Delta Groove Music http://www.smokinjoe -kubek.com 12 Tracks When Smokin' Joe Kubek and Bnois King joined to form the group Smokin' Joe Kubek & Bnois King over twenty years ago, it was a match that brought the essence of Texas style blues to audiences world wide. With the aggressive guitar style of Smokin' Joe Kubek, heavily influenced by the hard-rocking blues of the '60s and '70s, and Bnois King's smoother, more soulful, jazzier style influenced by the sounds of the 1950s and '60s, they have forged superb material since they met in the 80s. Kubek's roadhouse style guitar and King's jazz style guitar and deep roots vocals offer a perfect musical balance. King keeps the music directed in a traditional vein, while Kubek pushes the blues boundaries. As a follow up to the their new approach to the blues, with their unplugged CD, Close To The Bone, they have returned to a format more typical of the earlier hard driving roadhouse studio albums, with the latest release Road Dogs Life on the Delta Groove label. With the exception of two cover songs, you are in for a real treat with this brand new collection of original material, along with a host of guest artists who have jumped aboard to create an allstar supporting cast. Joining Smokin' Joe Kubek and Bnois King are Kid Andersen from Rick Estrin and the Nightcats on guitar, Randy Chortkoff and Kim Wilson on harmonica and vocals, Patrick Recob and current bass player from Mannish Boys Willie J. Campbell on electric bass, and Jimi Bott on drums. The album opens with the hard driven original tune about the legendary gambling king "Big Money Sonny" from Paducah, Texas, the Crossroads of America. Kubek's signature in-your-face guitar licks continue with "Come On In." They continue with the shuffle "Nobody But You," with Kim Wilson adding his superb harmonica and sharing vocals with Bnois King. "Road Dog's Life" rips into that hard rockin' Texas blues style, describing life on the road for a blues musician. The traditional blues song "K9 Blues" describes his treatment as a "K9" expressed by his fiancĂŠe as a result of a terminated relationship. Kubek electrifies his listeners with his guitar solos and Jimi Bott maintains a Latin beat on the original tune

"That Look On Your Face." King likes to deal one on one or as he explains it on the hard driven tune "Face To Face." They defiantly put their own signature on "Don't Bother Me," a song written by George Harrison and appearing on the Beatles album With The Beatles. "I Ain't Greasin'" features once again the unsurpassed Kim Wilson on harmonica, delivering a style familiar with the group The Fabulous Thunderbirds. "Talking Bout Bad Luck" stirs in a little Louisiana swamp beat along with some slide guitar delivered by Smokin' Joe. Randy Chortkoff is featured on harmonica covered on the Rolling Stones hit "Play With Fire." The album ends on a light note with the tune "That Don't Work No More." Once again the extraordinary songwriting and stellar performance of the dynamic duo from Dallas have teamed up to create a chart topping album. The seasoned veteran musicians on this CD assist to make it one of best offered from Smokin' Joe Kubek and Bnois King. Reviewed by Rick Davis Down On My Luck Jon Zeeman Membrane Records http:// www.jonzeeman.com 11 Tracks Jon Zeeman is not a stranger to the music world particularly to the blues. If his name does not sound familiar, you have seen and heard him record and perform with the Allman Brothers Band, Susan Tedeschi, Janis Ian, The Burns Sisters Band, and Chris Spedding. At an early age 8, Jon became infatuated with any type of guitar equipment and was influenced by artists like, Jimi Hendrix, Eric Clapton, The Beatles, B.B. King, The Rolling Stones, Johnny Winter, B.B. King. He decided at the age of 13 to make music his career, starting by studying classical piano. Jon spent two years studying music at Ithaca College in New York before moving to New York City where he began producing, writing music, doing session work, and working in his "Studio Z." From there he went to Scandinavia to record and perform with various groups. By the 90's, Jon started to perform his own music, releasing his highly acclaimed debut album Still Life in Europe in 2003. It was followed by his second album Zeeland in 2008.

His aggressive jazz-blues-funk-fusion guitar style is created with his most utilized guitars that include a Sadowsky and a '63 Brown Deluxe, creating his own unique sound with amp distortion. He has really developed as a blues/rock guitar player since starting guitar in 1969. He guitar handling expertise is quite prevalent in his latest release Down On My Luck, where he also features his daughter Zoe on base. Also on bass is Phil McArthur, with George Lilly on drums, and Tom Regis sharing keyboard assignments with Bob Taylor. 2013 marks a new direction for Jon with his singing debut included on the list of 10 new original tracks. The only cover song is Johnny Winter's "I love Everybody," a tune Jon handles with ease, making it his own. With this new release, he seems to be moving away from the jazz/funk direction that can be heard on his earlier albums and more into the blues/rock style. The CD opens with an original Texas style blues tune titled "You're Right, I'm Wrong," with Jon as the driving force on guitar and vocals. The title track "Down On My Luck" is a powerful, slow, shotgun blues number. "Hangman's Bridge" is an explosive blues rock tune similar in style to a Walter Trout style. "Waitin For The Storm" is one of most soulful blues tunes on the album. "I Got News" features Jon Zeeman's vocals as much as his superb guitar solos. "Money" establishes a very funky rhythm guitar underlying the tune. The pace is picked up with "Got The Gun," a hard drivin' rock 'n' roll tune similar those by the Fabulous Thunderbirds and Jimmy Vaughan in the 70's. "Can't You See Me" and "So Bad" is a strong parallel to some of Stevie Ray Vaughan's material. The album concludes with "Better Off Dead" displaying once again the talent Jon Zeeman possesses both vocally and instrumentally. Jon could be one of the most underrated musicians in the blues field today. As difficult and expensive as it is to tour today, Jon is one blues artist every blues fan should have the opportunity to hear live or at the very least on CD. With his skills he, is bound to gain attention world wide in no time. Reviewed by Rick Davis

November-December 2013 The Lily Layla Zoe Self released www.layla.ca www.cablecarrecords.com 11 tracks/63:43 "The Lily" is the seventh album for Victoria, British Columbia born Layla Zoe and was released August 30, 2013. The Montreal-based singer and song-writer has been singing since she was four years old. She began performing to audiences with her father's band when she was only 14. The 30-something Zoe has been compared to Janis Joplin by fans and critics alike due to her raw vocals and emotional on-stage performances. Zoe has toured Europe and Canada and performed with numerous musicians including the late Jeff Healey, Danny Marks, David Gogo and Pistol Pete. "The Lily" pairs Zoe's lyrics and vocals with German guitarist Henrik Freischlader's music on most of the tracks. I liked two tracks best: the title track "The Lily" and the Neil Young/Jeff Blackburn number "Hey, Hey, My, My". Listen to this album when you have a quiet hour plus and the opportunity to curl up with lyrics in hand and soak up Zoe's storytelling and Freischlader's guitar. Reviewed by Diane Mandell Loosen Up! RB Stone Self released www.rbstone.com 10 tracks/35:35 "Loosen Up!" Is the 16th album for Nashville-based blues veteran RB Stone. Released on June 18, 2013 on his own music label, Middle Mountain Music, the singer, song-writer, guitarist and harmonicist Stone and his band serve up their brand of blues. Stone was born in Huntingburg, IN, and raised in Ohio. Both his parents were music-lovers, so Stone was exposed to a wide variety of music like BB King, Elvis, The Beatles, Jerry Lee Lewis, Little Richard, Janis Joplin, Johnny Cash, Herb Alpert and a host of others. By age 12, his mother had showed him some piano chords and Bill Withers'" Lean On Me" became the first song he learned to play. After high school he worked on the

Page 9 railroad and later managed a plumbing, heating and electrical store. By 23, he sold almost everything he owned and drove to Colorado to become a cowboy. He wrangled horses and led Rocky Mountain camping trips by day and entertained the campers with his guitar and vocals at night. Soon he formed his first band and started Middle Mountain Music which survives nearly 30 years later when he couldn't find a record label to take his first blues recording in 1985. Since then he has toured five continents, sold over 40,000 albums mostly at his shows, and performed with musicians like The Marshall Tucker Band, The Burrito Brothers, Tricia Yearwood, Little "Joe" and Chris Ledoux, to name a few. Stone is clearly an interesting fellow. His lyrics and vocals combine with accomplished guitar and harmonica to produce some nice blues with a little country flavoring. My favorite tracks are "High Horse", the title track "Loosen Up" and "I Ain't Buyin' That Bull". I enjoyed the album and think you will too. Reviewed by Diane Mandell . Live In Concerts Henrik Freischlader Band Self released www.henrikfreischlader.com www.cablecarrecords.com 4 disc set/32 tracks with 3 intros/266:04 The 4-disc album "Live In Concerts" by Henrik Freischlader Band was selfproduced by German guitarist and songwriter Henrik Freischlader and released August 30, 2013 on Cable Car Records. The album consists of two live shows from two tours: one show in Arnsberg, Germany on May 21, 2011; and the other show in Hannover, Germany on November 8, 2012. All but six tracks were written by Freischlader. Freischlader, an autodidactic (self-taught) multi-instrumentalist (guitar, bass and drums to name a few) from Wuppertal, Germany self-produced the album under his own label, Cable Car Records. The band formed in 2004 and has toured with mostly sold-out shows throughout Germany and Europe, opening for other blues performers like BB King, Peter Green, Johnny Winter, Joe Bonamassa and the

late Gary Moore. The four-disc album has over four hours of blues recorded at two live shows. The band writes and sings in English so you forget they are German until they speak to the audiences between numbers. Some tracks are heavy, almost metallic electric blues while others are sweet and yearning. With over 30 tracks, there are too many to individually mention but the album is definitely worth a listen. Try it on a rainy day while you do housework or simmer homemade soup and soak in this band's blues. I'm sure we'll hear more in the future from these talented musicians. Reviewed by Diane Mandell

Hope and Anchor English Pub Saturday Blues Starting in January 2014, Crossroads has worked an agreement with the Hope and Anchor English Pub in Loves Park, IL, to host a monthly blues night one Saturday a month. Generally on the 2nd Saturday of each month (with some exceptions), we will help the Hope and Anchor will bring in a great blues act to the Rockford Area. Here is the tentative schedule: January 11 The Jimmy's February 15 The Alex Wilson Band March 8 Bobby Messano April 12 Reverend Raven and the Chain Smokin' Altar Boys with Westside Andy May 10 The Cashbox Kings June 14 Aaron Williams and the Hoo Doo July 12 Joel Patterson with Jim Liban Admission to these shows is free! The Pub offers a great selection of beers and traditional pub fare. Showtime for each show will be 8 PM. This is an exciting idea for Crossroads and Blues Fans so please mark your calendars and come out and support live music! The Hope and Anchor is at 5040 N. Second Street Loves Park, IL 61111

Crossroads Blues Society Newsletter

Page 10 Stepchild Of The Blues Howard Glazer Lazy Brothers Records www.howardglazer.com 9 tracks/42:51 Released on September 17, 2013 on Lazy Brothers Records, "Stepchild Of The Blues" is comprised of all original tracks self-engineered and produced by Glazer. The well-known Detroit-based song writer, vocalist and guitarist is frequently featured with another Detroit bluesman, Harmonica Shah, who returns the favor with his harp licks on tracks 3 and 9. Glazer has played blues for over 20 years with the likes of Johnny Winter, Savoy Brown, BB King and David "Honeyboy" Edwards, to name a few. He has toured in the US, Europe, Japan and Canada. He was nominated for both the 2013 Downbeat Critics Choice Award for Best Rising Star-Guitarist and Best Blues Artist. My favorite tracks are the two with Harmonica Shah, "Gas Pump Blues" and "Hurtful Feeling". I also really liked "Liquor Store Legend" but the rest of the tracks hold their own, too. I give it an enthusiastic thumbs up especially for those who prefer their blues more on the "traditional" blues club side. Reviewed by Diane Mandell House Call Marshall Lawrence www.doctorblues.com www.marshalllawrence.com 13 tracks/44:16 Edmonton, Alberta native Marshall Lawrence's fourth album released on May 21, 2013 is a real gem. Called the "Doctor of the Blues" and Canada's " best acoustic slide and fingerstyle blues and roots artist", Lawrence actually has a doctorate in psychology and uses music in his practice to connect with patients. Lawrence asked his dad for a guitar when he was 10 years old in 1996. By the time he was 14 he was doing live performances. Influenced by music greats like Chuck Berry, BB King, Johnny Winter and Eddie Hazel, Lawrence was drawn to acoustic guitar and mandolin.

There are 11 original tracks on the album. Electric guitar is absent but not missed at all. Deft finger-picking and sweet harmonica blend with good storytelling for some toe-tappin' blues. All tracks are under four minutes in length so the music and message doesn't get lost in translation. My favorite tracks include the toe-tapping "Mean Momma Blues", "Factory Closing Blues" which is a commentary about hard economic times relevant to current times and "Biscuit Rolling Daddy" with its great finger-picking. Definitely recommended! Reviewed by Diane Mandell Solo Live From The Meisenfrei Blues Club Kirsten Thien Screen Door Records www.kirstenthien.com 15 tracks with 14 introductions/65:20 Recorded live at the Meisenfrei Blues Club in Bremen, Germany on October 30, 2012 and released on Screen Door Records on June 4, 2013, this is Thien's first live solo release after three prior studio albums. Born on an army base in Berlin, Germany and later raised in Maine, Thien grew up singing in a northern Baptist church. Other early musical influences were Linda Ronstadt, Aretha Franklin. New Orleans jazz and 1920's women blues singers. After graduating from Georgetown University School of Business, Thien gave up a career in banking and began her career as a blues artist, settling in New York City. She has toured the U.S. and Europe and has opened for Dickey Betts, Buddy Guy and Shawn Colvin. The 15 tracks are an eclectic mix of original and borrowed covers. Thien's acoustic guitar provides the backdrop for the mostly poignant lyrics carried well by her strong voice. Although my favorite original cover is "Nobody's Ever Loved Me Like You Do", I liked the borrowed tunes the best, especially Bob Dylan's "It Takes A Lot To Laugh, It Takes A Train To Cry", Ida Cox's "Wild Women Don't Have The Blues", Leon Russell's "I'd Rather Be Blind", Elvin Bishop's "Fooled Around And Fell In Love" and Sippie Wallace's "Women Be Wise". I was impressed by the courage Thien had to muster to do a solo tour and per-

formance at the 300-seat club and the good fortune to receive the souvenir recording from the club's sound man that she said "...captured this moment in time that already had a special place in my heart and mind." Worth a listen. Reviewed by Diane Mandell Cobalt Holland K. Smith Eller Soul Records www.ellersoulrecords.com www.hollandksmith.com 14 tracks/56:28 Texas-native singer, song-writer and guitarist Holland K. Smith's fourth album "Cobalt" was released on August 20, 2013 on Eller Soul Records after nearly a decade wait. The album has 13 original tracks melding good vocals, witty lyrics and polished instrumentals including sax and keyboards. As a five and six-year-old growing up in Texas, Smith sang acapella in his church choir. By age 10 he was in front of the congregation leading the choir. He started listening to blues in the 60's on AM radio thinking the bands he heard were actually playing down at the Arlington radio station. A friend's Mom gave him a guitar when he was nine and he's played the blues on his own guitar ever since. Smith got serious about playing guitar in his 20's and focused on rock but never felt he quite fit in. In 1990 he formed his first blues band and he has been playing blues ever since with his debut album released in 1997. Smith credits many major music influences including Chet Atkins, George Harrison, Wes Montgomery, Junior Watson, Les Paul, Buddy Guy and T-Bone Walker, among others. He says one of his proudest accomplishments was writing "Rock Party" recorded by George Thorogood and used as Thorogood's show opener for his tours. Smith has performed with a who's-who list of musicians including Junior Watson, Bugs Henderson, George Thorogood and Buddy Miles. "Cobalt" is a great mix of Texas-style blues and R&B with a splash of jazz and Latin flavors. I liked every track on the album and expect to listen to it again and again. I would definitely recommend this album with two thumbs up! Reviewed by Diane Mandell

November-December 2013 Q.E.D. Jim Allchin Sandy Key Music http:// www.jimallchin.com/ 13 Tracks During Jim Allchin's humble childhood in rural Florida, he learned at an early age to pursue goals in life with perseverance. Having to work in fields at a young age, he would miss school to meet family needs. It was music by Jimi Hendrix, and Southern rock groups Lynyrd Skynrd and the Allman Brothers that send him in the direction of a musical career. As a starving artist, he decided to return to school to pursue a career in computer science, and eventually worked his way to a top level position in Microsoft. Allchin became part of the Senior Leadership Team at Microsoft, an elite group responsible for developing Microsoft's core direction with team members Steve Ballmer and Bill Gates. After being diagnosed with cancer in 2002, he took a leave of absence in 2003, until he left Microsoft in 2007 completely to return to music. With the same enthusiasm and drive that motivated him his entire life, Allchin now writes and performs music today with that same passion. His first album Enigma, was released in 2009. His second blues CD Overclocked, which was released in 2001, received much interest among blues fans. His latest blues CD Q.E.D., released this year, is a collection of thirteen new tracks containing blues, rock, salsa and jazz, and soul all written by Jim Allchin. Rock and Roll Hall of Fame member Ben Smith, the drummer for the group Heart, and Jim Allchin produced the new album. Joining Allchin on the album are Ben Smith on drums, Dan Dean on bass, Brooke Lizotte on the keyboard, Owen Gurry on strings, Martin Ross on background vocals, Mycle Wastman and Keely Whitney on background and lead vocals, with New York Brass heading up the horn section. The best description I can give for Allchin's guitar style is a blend of Randy California, lead guitar for Spirit, Joe Satriani, and Stevie Ray Vaughan with vocals that parallel Robben Ford. The CD opens with fiery fretwork from Allchin on the boogie tune "Stop And Go," also featuring the powerful New York Brass horn section and hard driving keyboard solos from Brooke Lizotte. It is followed by the shuffle "Gettin Old" featuring again the York Brass horn section and even more keyboard solos from Brooke Lizotte. "Chime Blues" is an instrumental

Page 11 with jazz infused keyboards having a soothing effect on the audience. "Reap What You Sow" picks up the pace with guitar riffs similar to the late great Stevie Ray Vaughan. "Trust Me" is more on the soulful side, featuring vocals by Mycle Wastman, the incredible horn section, and stellar piano solos. "Thinking Of You" is an almost hypnotic blues tune with quiet jazz elements and a string section, showing just how versatile Allchin can be on the guitar. The band members return back to a hard drivin' roadhouse brand of blues on the song "Trash." The blues tune "Runnin Away" opens with an acoustic twist that is blended later on with both keyboards and the dynamic horn section. "Tried And True" is another up tempo jump blues number with Allchin playing an aggressive style guitar. Chicago blues takes center stage on the blues tune "Drownin" with a Walter Trout guitar style. Allchin really nails both guitar solos and vocals on the tune "Evil Minded Woman." They take trip to the Mississippi Delta on "Come On Home." What a way to end with a powerful flamenco style finale. You can almost envision Paco de Lucía and Jim Allchin playing guitar side by side in concert. This is a CD with many styles of music relating to the blues with a hint of international grandeur. It is a brilliant collection of music exposing the talent of Allchin and Smith to produce a CD of this magnitude. Reviewed by Rick Davis When It Comes To The Blues JC Crossfire Bluzpik Media Group, Inc. www.jccrossfire.com 9 Tracks JC (Joseph Cannizzo) is a guitar player now based in South Florida, but originally from New York. He played in rock bands around the NY area and put together the Stevie Ray Vaughn tribute band ‘Crossfire’ in 1994. He moved to Florida in 2003. I believe this is his 3rd disc. This disc contains 9 originals written by JC and other band members. The five piece band gives a full sound. It is a modern blues sound, which is not trying to recreate the past. The CD opens with the title cut. It’s a slow groove with some nice harmonica fills from Niles Blaize. It’s a pretty strong piece of music. “Deliza” follows with some

extended keyboard fills. “Grand Ole Girl” fires out more with some snappy rockier guitar and some harmonica fills. Track 4 ‘Blues. Bleus, Blues” could be more powerful. This song could jump out at you, but feels tethered a bit. The band slow it down with some nice soulful vocals on “Tell Me Why” There are some powerful riffs near the end of this five minute effort. Bernie Rose supplies some nice piano work on “One More Time”. Vocals again could be a bit more out in front on this cut. JC makes a political statement with “American Way” It might be a good song for Congress to listen to! JC cranks up his guitar on “Chosen One”. He has some chops. The final cut is “”I Wonder” slows back down a bit. I suspect this one might get an extended play in a live setting. This is a disc we all can relate to. No gimmickry in the guitar work, and a full sound. He vocals are not great, but the will suffice. Reviewed by Mark Nelson

2013/2014 Crossroads Election Results An election of officers and board members for 2013/2014 was held on Sunday, September 22nd our meeting in Byron that began at 3 PM. The following individuals were elected to a one-year term starting October 1st, 2013: Officers: President: Steve Jones Vice-President: Karl Dahlin Secretary: Bonnie Fox Treasurer: Terry Keller Board of Directors: Denny Barker Rick Davis Bob Haendler Ken Pearson Bill Graw A big thank you goes out to Al McNary who served for many years as Treasurer and to Rich Gordon who has spent many years on the Board! Terry moves to Treasurer from his Board spot and welcome to Ken and Bill who are new to the CBS Board! Also, Crossroads gives a thank you to those who ran for a position on the Board and to those who considered running!

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Crossroads Blues Society Newsletter

Phil Gates Live at the Hermosa Saloon Phil Gates DCT Productions www.philgates.com 11 Tracks

Luther’s Blues Walter Trout & His Band Provogue www.mascotlabelgroup.com 13 tracks

Phil Gates is originally from Chicago, but has been based for quite a while in Los Angeles. On this recording, Phil on guitar is joined by Ron Battle on bass, Keith Williams on drums, and Morris Beeks on keys. It is a live recording at the Hermosa Saloon, funded by a Kickstarter. Previously, the group has released 5 CDs. Phil has played on projects with the likes of Zac Harmon, Phillip Bailey, and Maurice White. He also earned production credits with Little Richard, Zac Harmon and others. There are two covers and nine originals on this disc.

Luther Allison produced 20 albums during his much too short lifetime. In 1986 at the Montreaux Jazz festival in Switzerland he and Walter Trout first met and the influence by Luther on Walter from that time until Luther’s death in 1997 was huge. Trout had never done a tribute album and at first was able to reduce potential songs for this project down to about 40. After much deliberation, the list shrank to the eleven we have here, with one spoken track and one original track added to close out the tribute.

“Addicted to the Blues” jumps out as the opening track. It is catchy with a nice organ solo by Morris Beaks and guitar work by Phil. Up next is a cover of “Messin’ With The Kid” with no harp. It is powerful and enjoyable. “Away I Go” gets into a funky beat that allows the vocals to slid nicely thru the song. A longer slower blues number “Used Me Up” is the next track. Nice vocals and good playing carry this tune. Track 5 is a bit more pop/ R&B but not too sweet. “Old School” shows some solid vocals and a tribute to the past. “Summer in the City” with a new funkier pace is an enjoyable cover tune. The band glides thru this oldie. “End of Time” has a Buddy Guy 60’s feel to it. Phil can handle the licks, with nice keyboard support….a good song for sure. A bit more country blues feel comes thru on “Evening Train” I like “Take It Out” as a catchy tune with fine lyrics about getting on with your life after issues. A long, almost 9 minute, tune called “I’m Lost” is up next. The band really cuts loose and extends itself on this one. They are a tight band. To close out the disc, the band plays “Get Around To Me”. Not sure this was the last number of a set, but it is a fine contemporary song. The jamming is not overdone, and they again display fine musicianship and vocals. Fans of the band will love this disc. Those of us new to them will love it, too. I’d certainly go see them if I had a chance. Reviewed by Mark Nelson

The album starts off with the driving “I’m Back” which really is a vibrant and rousing selection and Trout’s performance holds nothing back. One of my all time favorites is “Cherry Red Wine.” This is a visceral and emotion filled song and Walter really groans and growls this out as he blasts out riff after riff in spectacular fashion. “Chicago” Is another cut that will fascinate the listener and hopefully drive them to listen to Luther’s music. “Just As I Am” is a beautiful and moving cut with Walter “testifying” to us as the organ plays behind him. “Freedom” is perhaps the cut that everyone will remember most as it talks about the drive for freedom across the globe. Trout is passionate in his delivery here and it is a memorable performance. While these big and popular cuts deservedly must be commented on, there is a lot more here. “Bad Love” offers up one of the biggest and baddest guitar solos of the year and perhaps even the decade. “Low Down and Dirty” rocks out with the best of them. Trout finishes up with “When Luther Played the Blues” and it’s a dandy. The guitar work is impeccable, the song is biographical yet cool and it is just a great cut and way to close out the album. There is much to enjoy here! Trout is not trying to outdo Luther nor is he giving us Luther done in a new way. He serves this up as a tribute to a man whose life was cut short and whose work deserves notice and appreciation. He has done a fantastic job here in giving us more than a taste for Allison’s works. Luther’s fans will get the love and admiration expressed here as Trout delivers song after song in loving tribute. Those less familiar with Luther will get exposed to Allison’s exceptional song book and will want to delve more into his works. This is an out-

standing album by an artist who can play the blues and rock with the best of them. Highly recommended! Reviewed by Steve Jones

2013 Blues Blast Music Awards The 2013 Blues Blast Music Awards winners were announced at the gala awards ceremonies at Buddy Guy's Legends in Chicago on October 31st , 2013. Lifetime achievement awards were also received by Eddie Shaw and Bob Koester. Congratulations to all the nominees and the winners. Contemporary Blues Album Shaun Murphy - Ask For The Moon Traditional Blues Album The Cash Box Kings - Black Toppin' Blues Rock Album Albert Castiglia - Living The Dream Soul Blues Album Curtis Salgado - Soul Shot Song Of The Year “I Got a Right to Sing the Blues” written by Cee Cee James and Rob "Slideboy" Andrews - Blood Red Blues (Cee Cee James) New Artist Debut Release Southern Hospitality - Easy Livin' Male Blues Artist Doug MacLeod Female Blues Artist Shaun Murphy Blues Band of The Year Tedeschi Trucks Band Sean Costello Rising Star Award Doug Deming (pictured with presenter Linda Cain from Chicago Blues Guide)

Crossroads Blues Society Newsletter

Top Blues Releases October 2013 Sunday Morning Blues WKGL-FM 96.7 The Eagle Rockford, IL Guy Davis / Juba Dance / M.C. Records David Bromberg / Only Slightly Mad / Appleseed Recordings Johnny Rawls / Remembering O.V. / Catfood Zoe Schwarz Blue Commotion / The Blues Don't Scare Me / 33 Records Lou Pride / Ain't No More Love in this House / Severn Roosevelt Sykes / The Original Honeydripper / Blind Pig Frank Bey & Anthony Paule Band / Soul for Your Blues / Blue Dot Annie Mack / Baptized in the Blues / Annie Mack Music Birdlegg / Birdlegg / Dialtone Howell Devine / Jumps, Boogies & Wobbles / Arhoolie The Claudettes / Infernal Piano Plotâ&#x20AC;ŚHatched! / Yellow Dog Cyril Neville / Magic Honey / Ruf Holland K. Smith / Cobalt / Eller Soul This list submitted to Living Blues Magazine for inclusion in the October 2013 National Radio Chart. This list is compiled from actual radio airplay statistics. WKGL-FM broadcasts 2 hours of the blues per week.

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