SpaceBreak The radical change of the intellectual form.
Sucheetra Pradhan Pid20360
The BIG Re-Think
Interior Techniques in Interior Design Practices
ID 4010 | Level 4 | PG Program
Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University
SpaceBreak
ID 4010 | Level 4 | PG Program
The radical change of the intellectual form.
The BIG Re-Think
Interior Techniques in Interior Design Practices Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University
Content
0. About Studio
The BIG Re-Think Interior Techniques in Interior Design Practices
1. Objectory
The study od accuray, precision and tolerance - Multipurpose Oil Can
2. Factory
Planning of making - Maganize stand
3. Developing the Argument
Matrics - Understanding various projects
4. Ideating Role 1 of Interior Designer Photomontage
5. Ideating Role 2 of Interior Designer Plan and Section
6. Ideating Role 3 of Interior Designer Isometric and Sectional perspective
The BIG Re-Think Interior Techniques in Interior Design Practices Master Tutor: Prof. Kireet Patel Studio Tutors: Rishav Jain and Aparajita Basu Assistants: Shail Sheth and Paramdeep Singh Dayani
Brief Outline: The intention of this studio is to develop a multitude of notions, approaches, positions and arguments with reference to interior techniques and its implications on the interior design practice. Here interior technique is defined as “A method, tool and medium that modifies, alters, conceals, exposes an interior element, thus transforming the transformable quality of the space.” The studio offers an opportunity to develop a design position in different contexts by questioning preconceived notions of interior design. It emphasizes the relationship between Interior techniques and its expression, identity and design outcome. The first four weeks are part of the common foundation program, where students from all streams work together to develop common skills and abilities. The later part of the studio is largely divided into two modules: the first module builds an argument on interior techniques through existing projects and the second module intends to develop a systematic approach to the application of the argument in three different contexts. It is an opportunity to develop an individual design position for disparate sites keeping the program constant.
Learning Outcomes: After completing this studio unit, the student will be able to: • Ability to develop a systematic argument/position/ approach on the interdependence between interior techniques and practice. • Ability to translate/represent the design argument/ position/approach through 3- dimensional and material based outcomes. • Ability to organize and evaluate the programmatic and pragmatic potential of derived design position. • Ability to build a design vocabulary and test it through the selected context (site/program).
(As per the studio proposal*)
Week 01-02 | FD PG Common Exercises
Objectory Process: The idea for this exercise was to start with identidying daily use oject and undergo observation and then study that bject in details. The drawing has to speak the assembly and manufacuring. The process of development of drawings are done through orthographic drawings , details and exploded isometric. The orthographic drafting is done by understanding the geometry and ergonomics of the elements. The object is dis assembled in order to understand its sequence of assembly of the object. In the later stage each dis assembled part of the kit of parts in understood with its functional use and explained in brief in form of exploded isometric.
OBJECT STUDY
Top view of the object
Dismantaled components of the object The mechanism of multipurpose oil can is “lever based�. As the lever is pushed downwards, the fulcrum provides support to lever to apply force. When forced applied on the lever it lifts the lower cylindrical valve through the spring. The lever arm is basically made stuck wit the lever plate. The lever plate is spot welded to the outercylindrical valve.
When the lever is in rest position
Captions So since it is one way system, the lower valve sucks the oil from the can and push passes it to the upper cylindrical valve.Due to air pressure the oil is pumped through the nozzle which helps in creating the pressure.
When the lever is pressed
Lever arm
Lever
Nozzle pipe Nut Nozzle holder
Handle
External components
Container cap Fulcrum Washer
Nut
Spring A
Lever arm spring
Ball bearing 1
Captions
Inner cylindrical valve
Internal components
Spring B
Ball bearing 2
Outer cylindrical valve
Lever plate
Oil container
Exploded isometric assembly drawing Scale 1:1
Oil cans come in a variety of designs, from a simple cylindrical disposable can opened with a churchkey (or with a combined spout-opener), to a hemisphere base and tapered straight spout to more intricate designs with handles and push-buttons, to the modern plastic bottle.
B
A
Section at B
Section at A
Orthographic projection drawing of the components ( plan , section , elevation ) Scale 1:1
COMPONENTS AND MANUFACTURING 1. CONTAINER Material - Metal sheet Manufacturing - Pressmoulding Swagging Two piece sealing
6. LEVER PLATE Material - Metal sheet Manufacturing - Cutting, Bending
9. NOZZLE HOLDER Material - Metal Manufacturing - Threading,
3. NOZZLE PIPE Material - Metal Manufacturing - Bending , Threading
7. CONTAINER CAP Material - Metal sheet Manufacturing - Punching Threading
5. COMPRESSION SPRING Material - Steel Manufacturing - Coiling Winding
Section at X
4. FULCRUM Material - Metal Manufacturing - Pressing Bending, Cutting
X
Week 03-04 | FD PG Common Exercises
Factory Process: A magazine rack for domus magazine is to be designed. The initial stage includes design development keeping the ergonomics of the product into consideration. In the later stage the kit of parts are designed which is out of a limited given materials. Further these kit of parts are drafted interms of orthographic and isonometric drawings which are then seggregated in terms of fabrication and carpentry drawings. These drawings are clear in enough for the fabricator and carpenter to understand and ultimately a sequence of assembly is provided to achieve the final product. The learning outcome of the project is to give shape and dimension to the given materials for its appropriate usage. It helps one understand the intensive design thinking required behind developing a product. It also lets one understand the stages of design to implementation.
41
STAGES OF DESIGN DEVELOPMENT Design Solution Stage : 1
0
Design Solution Stage : 2
Design Solution Stage : 3 0
41
°
60
0
40
847
Perforated sheet Wood(20x20) 75
M.S Rod 0
23
380
250
1250
Wood (75mmx40mm)
10
16
40
380
380
530
M S Sheet Wood(10mmX10mm)
By taking the wood and metal joinery ahead worked on the angles of the sheets and the most importantly on the base of the magazine holder for better stability.
387.5
Design Solution Stage : 4
Perforated sheet 8 47
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R39
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0
M.S Rod
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106
20
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Wood(20x20)
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Cylindrical wood
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Captions
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Slit Wood (750x40x5)
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So, incorporating the Idea of wooden bending or curved supporters for the base where the structure will be held together. With working on different thickness of wood and the process of bending.
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Design Solution Stage : 5 0
M.S Rod
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Wood 40mmx37.5mm
R44
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Perforated sheet Wood(20x20)
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Slit Wood (750x40x5)
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Wood(40x40) 37.5
Base and junction were change to achieve more stability to the struture with the external force acting the other way on the wooden strips.
THE FINAL DESIGN Perforated sheet Wood(20x20) M.S Rod Wood (40mmx37.5mm)
Slit Wood (750mmx40mmx1.2 dia)
M S Sheet Wood(10mmX10mm) ISO VIEW FROM FRONT Scale 1:10 ISO METRIC VIEW OF OJBECT AND JUNCTION
ISO VIEW FROM BACK Scale 1:10
Understanding the strength and the cracking of wood, it needed more support as to hold together with the main member of the product. Metal rod and wood joinery made more strong by the use of washers and spaces.
Component A = MS SHEET Component B = WASHER Component C = SPACER
Component D = 40MM X 750MM . 5MM THICK Component F = 40MM X 37.5 MM Component I = M S ROD Component G = MS SHEET Component H = CYLINDRICAL WOODEN MEMBER
JUNCTION TO BE MANUFACTURED Scale 1:10 0
364.5 46
35
70
20 20
70
20
50
417 250
417 40
150
40
40 40
40
150
40 150
40 150 40
10mm dia wooden section used to tie the components together
37.5
150
40
40
370
screws used to fix the wooden strips
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50 20
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20
150
370
37.5
PLAN Scale 1:10
50
40 40
37.5
37.5
250
35
10
370
370
10°
SIDE ELEVATION Scale 1:10
37.5
37.5
FRONT ELEVATION Scale 1:10
10°
10
417
417
50
50
Nut Bolt to tighten the ms rod inside the wooden section.
37.5
37.5
20
1000 176.5 50 50 50
M. S Sheet wrapped around in U shape upon the wooden section
37.5
70
204.9
14 204.9
1000 176.5 50 50 50
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40x37.5 wooden section carved out of 75x40 wood.
40x5 wooden section bent to form a support 37.5 system.
37.5 14
250
364.5
364.5
37.5
250 70
20
46
150
364.5
106
20
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20x20 wooden section, carved out of given 40x40 wood. used to fix10the perforated sheet. MS rod
150
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Perforated40sheet used to hold the book
0
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750
1000
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37.5
5
240 240
37.5 40
90
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40
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Component A = MS SHEET
450
450
Scale 1:10
Scale 1:10
M.S. SHEET (1.2MM THICK AND 450 MM X 600 MM )
1.M.S. ROD (10MM DIA AND 750 MM LONG)
PERFORATED SHEET (1.2MM THICK AND 450 MM X 600 MM ) 450
600
450
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14
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6
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Scale 1:10
40
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Component I = M S ROD
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37.5
15
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Component G = MS SHEET
37.5 75
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37.5
240 600
40 40 40
37.5
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1:10
Scale 1:10
40
750
106
Component F = 40MM X 37.5 MM
1:10
70
WORKSHOP DRAWING ( METAL )
90
106
33
10 10
40
240
10 10
20
10 10
750
40
70
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Component F = 40MM X 37.5 MM
750
33
40 20 40
40
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417
400
Scale 1:10
1:10 1:10 40
417
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10
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364.5
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Component H = CYLINDRICAL WOOD750 EN
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37.5 75 37.5
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WOOD (70X40X1000)
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WORKSHOP DRAWINGS ( WOOD) 30
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Scale 1:10
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Book holder
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SPACER
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1:101:10
WASHER
10
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WORKSHOP DRAWINGS
364.5 364.5
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20MM OUTER DIA SPACER STRIP 4
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R4 56 .4
STRIP 3
204.5 204.5
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R41 1.5
20MM OUTER DIA SPACER 465
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STRIP 2
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STRIP 1
2 2 2 2 2
20 190
20
2
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JOINING AND TIEING THE SUPPORTING MEMBERS AND MAIN MEMBERS TOGTHER
20
20
M S Sheet wrapped around
2
20
2 2
250
20
2
20
250
370
410 370 20 370
250
20
410
35
35
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DETAIL AT B
410
Nut bolt to tighten the ms rod inside the wooden section.
46
364.5
SIMULTANEOUSLY FIXING THE STRIPS TOGETHER AT THE BOTTOM WITH THE USE OF SCREW AND MS SHEET
90
DETAIL AT B
417
EXPLODED ISOMETRIC Scale 1:20
250
90
250 40
Screws used to fix the curved strips together.
90
90
Scale 1:10
417
90
90
90
MS Sheet to hold all the 4 slit member.
90
90
8.9
R44
9
8.
Scale 1:10
250
8.9 R44
8.9
9
9 51
8.
8.
R44
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DETAIL AT A
417
5
8.
TIEING THE TWO INDIVIDUAL ASSEMBLY TOGETHER
40
40 ASSEMBLY OF COMPONENTS 40 (FRONT ELEVATION)
40
Scale 1:10
40
THE ASSEMBLY OF THE TOP MOST PART OF THE OBJECT 20x20 wooden section, with groove to insert the sheet and chamfering it 10 deg to support the sheet properly.
Screws
20
70
50
ASSEMBLY OF THE BOOK Scale 1:10
MS sheet 50
100
50
50
150
Spacer
°
80
20
400
12
50
Wooden strips
150
10
8
50 5
Washer 20
MS Rod Screw
90
5
5 Scale 1:5
40mmx5mm wooden section bent to form a support system.
10 6
30 30 150
MS sheet Screws
225
30
Wooden strips
MS Sheet wraped around
106
5
Scale 1:5
DETAIL AT A
Scale 1:5
ASSEMBLY OF ALL COMPONENTS Scale 1:10
SEQUENCE OF ASSEMBLY OF THE JUNCTION 3D view showing how the junction assembly will be done of each component. Scale 1:10
Stage 6: Tight held the juction with washer
Stage 4: Assembly of the strip 3
Stage 2: Assembly of the vertical wooden member and the bended wooden member with washer and spacer.
Stage 7: Using the ms rod, connecting both the junctions to finally achieve the stand Stage 5: Assembly of the strip 4
Stage 3: Assembly of the strip 2
Stage 1: Assembly of vertical wooden member + cylindrical wood to fix support
SEQUENCE OF ASSEMBLY OF THE OBJECT 3D view showing the assembly of the entire object by each component.
Scale 1:10
Stage 12: Final stage. Perforated sheet inserted into the groove and and screws are used to fix. Stage 10: Cylindrical Wooden member at top to provide support
Stage 11: 20mm x 20mm wooden bar held at angle with the supporting wooden members
SEQUENCE OF ASSEMBLY OF THE OBJECT 3D view showing the assembly of the entire object by each component.
Scale 1:10
Stage 12: Final stage. Perforated sheet inserted into the groove and and screws are used to fix.
Stage 10: Cylindrical Wooden member at top to provide support
Stage 11: 20mm x 20mm wooden bar held at angle with the supporting wooden members
PRE- REQUISITES AND THEIR USAGE IN THE MAKING
Week 05 | FD PG Module 01
Developing the Argument Brief: Designing an interior intervention follows a strong process which involves a concept and its development. Here the argument is derived and the interior intervention needs to follow the argument in its final outcome. In order to develop an argument, there are few interior design projects which are studied. These projects are divided into maily 3 parts following as : An era based project , Standardised project and a specific style project. In these projects the interior design techniques are identified that are interpreted to be used as a design ideology by the designer. A matrix is prepared where a diagram is made as an interpretation of the interior design technique used against the function that is being performed. This process lets one understand the importance of design thinking behind an interior design project. After the projects are understood through matrix, an argument is developed through a process of
CRYSTAL HOUSES | HISTORICAL ERA Alters
Crystal Houses began its existence with the request of Warenar to design a flagship store combining both Dutch heritage and international architecture on the PC Hooftstraat, Amsterdam’s one and only luxury brand street that was previously primarily residential.
Conceals
Exposes
NEW FACADE INCREASE HEIGHT
GLASS BRICK FACADE ADD TRANSPARENCY
Modifies
Spatial Expansion Vertical height
REMOVAL OF THE OLD FACADE
MODIFIED VOLUME BRICK SEEMS TO FLOAT
Transparency Floating Effect Glass bricks dissolving into a traditional terracotta brick BRICK ALTERED BY GLASS BRICKS
ENCLOSED FROM WITHIN
INSIDE OUT
TRANSPERANCY TO INSIDE ALTER THE SEEING WAY AND ENHANCE THE SPACE.
ONE LEVEL CONCEALED FOR WORKFLOW WITHOUT GETTING EXPOSED
THE BEIGE AND BROWN INTERIOR PLAYS AROUND AND REPRESENTS THE HISTORY
Medium
Material
GLASS BRICK MODIFIES THE INTERIOR BY GIVING FLOATING SENSE.
Materiality Working both inside out.
MODERNITY WITH HERITAGE
CRYSTAL HOUSE | HISTORICAL ERA Tools
Spatial Expansion Vertical height
The near fullglass façade mimics the original design, down to the layering of the bricks and the details of the window frames.
Transparency Floating A facade made entirely Effect from glass. Glass bricks dissolving into a traditional terracotta brick
Materiality Transperancy of the Working both facade make it happen inside out. to get inside out view.
The glass facade
Waste materials from the project, such as imperfect bricks, could simply be (and were) melted down and remoulded or entirely repurposed
Method
The façade has been stretched vertically to comply with updated zoning laws and to allow for an increase in interior space.
• High-strength glue. • High-tech lasers • laboratory grade UVlamps
The glass bricks and the terracotta brick
The facade and the interior beige colour.
Towards the upper storeys, the glass elements merge with the original terracotta brickwork to create the illusion of a dissolving wall.
The interior space colour balance has been taken care of to provide prefect view of inside even looking from outside.
BIKANER HOUSE | HISTORICAL ERA Bikaner House is a princely house located in New Delhi, a sprawling building built in Edwardian Neo-Classic style Restored by Abha Narain Lambah
Alters
Conceals
Exposes
Modifies
THE ENTRANCE FACADE ALTERED
CEILING CREATES ENCLOSURE
THE HANGING LIGHT IS FOCAL POINT
ORNAMENTAL CHANGES THE SURFACES
DISTINCT SPACES
NOT CONNECTED ARE FOR VARIED PURPOSE
THE VAULTED PASSANGE CONNECT ALL THE SPACES.
INTRODUCTION OF NEW PURPOSE
FLOOR IS CONCEALED WITH A NEW LAYER
ORNAMENTATION DONE TO GIVE HEIGHT
USE OF SPACE FOR CULTURAL PURPOSE.
Visual Modification The elements which tends to affect the space and modified or replaced
Multiple spaces Distribution of spaces for different purpose
Physical alteration The surface modification according to their new use CEILING AND FLOOR MODIFIED
BIKANER HOUSE | HISTORICAL ERA Tools
Visual Modification The elements which tends Ornamental changes to affect the space and modified or replaced
Multiple spaces Distribution of spaces for different purpose
Plan to turn the property into a gateway to the land famed for its culture, heritage and palaces. A second reception room has been turned into a gallery for art shows and similar events.
Physical alteration The surface Highlighting the surface modification with their required. according to their new use Fix a few seepage issues, change the pipes, relay the lawn and give it a coat of paint.
Medium
Walls were painted with lime, and the jaalis were also restored. High ceiling , jallis and chajjas were redone.
New state of the art gallery, a conference room which is now open to the public and will be used as a boutique art and cultural hub.
Alterration of flooring and ceiling has been done.
Material
The use of traditional materials while the interior restoration.
Method
“The large chandeliers are the original ones, and some new ones had to be put with the same cut glass lamps and steel chains.
A limestone-based paint was used both on the exterior and the interior to combat dampness.
The Ground is mainly decdicated to all the Cultural program happening . The first floor as a business centre and a multipurpose space which is being designed as a flexible space catering to multiple uses
Hanging tube-lights, Aluminium and steel partitions Pan stains,
The ball room’s wooden flooring had to be repaired due to termite damage.
BOMBAY HOUSE | HISTORICAL ERA Tata Group’s global headquarters in Mumbai, the historic Bombay House
Alters
Conceals
Exposes
Modifies
ALTERATION OF FLOOR PLANS AND ENTRANCE
CONCEAL THE OUTER SURFACE BY REDOING THE FACADE.
REDONE DESIGN MAINTAINS CONNECTION THROUGHOUT
FLOOR PLATE ARTICULATE THE BRAND IMAGE
Refurbisment Depict the heritage with maintaining its valve.
Interacting Spaces More modern, collaborative and informal workplace PARTLY CONCEALED
PARTLY EXPOSED
COLLABORATE WHILE YOU MOVE
Visual Connectivity Enable seemless colaboration BREAKOUT SPACES / INFORMAL LOUNGE
PARTITION PARTLY CONCEAL
SPACES EXPOSED TO EACH OTHER
CONNECTS SPACES AND CREATE OPPORTUNITY
BIKANER HOUSE | HISTORICAL ERA
Refurbisment Depict the heritage with maintaining its valve.
Interacting Spaces More modern, collaborative and informal workplace
Tools
Medium
Material
Method
Existing space is modified to reperesent the expression of the building’s origin and value.
Recreating the same aura of the building with slight changes to the layout to introduce the new chapter.
Finishes were redone by keeping the look same . Elements were repeated. Focused on the theme Facade is redone entirely.
Dimension and the floor plates are the same with physical alterations to it .
Connecting spaces are introduced foe the better interaction . Defining spaces according to the usage.
Spatials connections using pathway ways, passage way.
Creating common tangible connect point of visual to get colaboration Visual Connectivity space well defined and Enable seem- also fullfill the function. less colaboration
Using furniture of decorative elements or creating a whole new space with visual elements.
Finishes were redone by keeping the look same . Elements were repeated. Focused on the theme Creating signature wall surface adding colour to it.
To see the separation of spaces as how it creates intreaction oppurtunity. Providing continuity to the space where the individual blocks interact.
Finishes were redone by keeping the look same . Elements were repeated. Focused on the theme Furniture and decorative items and light fixtures are added.
Defining the space and the usage and the elements to be placed so it create the visua connection.
OFFICE SPACE | AAMIR AND HAMEEDA | STANDARDIZATION Alters
Conceals
Exposes
Modifies
WORK STATION STRUCTURE CONCEALS THE FLOOR SURFACE
EXPOSED WALL MOUNTED SHELVES
INTERESTING CONCRETE LAYERS
VOLUME ADDED TO THE CEILING SURFACE
SCULPTURE CONCEAL THE SURFACE
SCULPTURE EXPOSED TO THE SPACE AND THROUGH THE WINDOWS.
VOLUME INSERTED BRINGS ABOUT CHANGE, FUNCTION AND FEEL LIKE FLUID
ALTERATION OF THE GEOMETRY
CONCEALS THE CEILING SURFACE
NEW VOLUME TO THE SPACE GETTING EXPOSED
Medium
Material
The layers of division The workstation placement in single space.
Fluid Spaces Futuristic form as a sculptural element
Geometry and materials Played withparametric struture and rectangles along with there colours
FUTURISTIC ENTITY
OFFICE SPACE | AAMIR AND HAMEEDA | STANDARDIZATION Tools
The layers of division The workstation placement in single space.
Layers to the rigid space to create a formall geometry
Fluid Spaces Futuristic form to break Futuristic through the rigid form as a space. sculptural element
Juxtaposed with To create the main Materials Played with focal point towards the concrete and structure. wood along with the vibrant red.
The open workstation of concrete acts as the layers.
Concrete walls Tandoor floor Grey tone walls
The ceiling surface of the rigid space acts to better fit the sculptural element.
Concrete walls Tandoor floor Grey tone walls
The concrete surface along with the vibrant sculpture.
Concrete walls Tandoor floor Grey tone walls
Method
In a orderly manner with proper back and forth arrangement layers of workstation is introduced.
The striking vibrant red wooden sculpture give a scope of fluidity to the rigid space. The sculpture is
The colour combination selected so is to create a visual interest to the formal office space
PARO | STUDIO LOTUS | STANDARDIZATION Alters
Urban Sanctuary Encourages visitors to pause, introspect, learn and truly engage.
Conceals
Exposes
ADDITION OF A EARTHY MEMBRANE
Modifies
SPACE BEHAVES AS A HABITAT IN ITSELF
Layered spatial environment
WALL ADDITION AS LAYERS
CONCEALED WALL HOLDS THE PRODUCT
SEPARATION OF SPACES FOR DISTINCTIVE ACTIVITY
CONCEAL WITHIN SPACES
Dilenated small spaces within large To have particular function or activity.
EXPOSED WALL ACT AS HANGING ENTITY WITH PRODUCTS TO DISPLAY
EXPOSED TO ALL SPACES
RAW LAYERS OF HABITAT
DISTRIBUTION OF SPACES KEEPS ENAGE WITH ITS OWN ACTIVITY
PARO | STUDIO LOTUS | STANDARDIZATION Tools
Medium
Material
The richly textured material palette, expressed without overlaid finishes, brings into focus the values of traditional well being.
Bricks salvaged from a demolished 18th century haveli create the interior shell. White walls and ceilings
Multi - spaced environLayered spatial envi- ment with many layers to seggregate the usage of ronment specific space.
Hand-painted environmental graphics on wall. Shelves on different walls to display the products .
Brick walls with perforation or else with hanging shelves to it. Wooden planks for the ceiling.
Dilenated small spaces The store is programmed within large to house a particular To have function or activity. particular function or activity.
Therapy rooms lab spaces to product displays a library that can host workshops and talks.
Brick walls. White wall paint Wooden planks for the ceiling.
Integration of materials Urban Sanctuary iand crafts into the Encourages space. visitors to pause, introspect, learn and truly engage.
Method
The amalgamation of the materials aland surfaces are done properly offer subtle contrast, introducing a sense of timelessness to the space.
Division of spaces into small ones. Addition of elements so as to maintain the flow between spaces.
Division of spaces into small ones. Addition of elements so as to maintain the flow between spaces.
EAU OBAR | SAMEEP PADORA | STANDARDIZATION Alters
Conceals
Exposes
Modifies
THE CENTRE PIECE - THE FOCUS
THE CENTRE PIECE CONCEAL A AMOUNT OF SPACE WITHIN ITSELF
EXPOSED TO SURROUNDING SPACE
VISUALLY DOMINANT
ALTERATION TO THE SURROUNDING OF THE COLUMN
THE WIRE STRUCTURE CONCEAL THE CEILING ALONG THE COLUMN
ANGULAR SHAPE EXPOSE ITSELF
THE STRUCTURE MODIFIES REST OF THE SPACE
SPATIAL BARRIER ALTERING THE SPACE INTO 2 SPATIAL ENTITY
THE GLASS BARRIER CONCEALS THE INTIMACY AND WARMTH OF THE PRIVATE SPACE
THE OUTBAR EXPOSED ITSELF TO ARABIAN SEA
Tools
Medium
Material
Dominant Centrepiece Golden foliage of an intricate metal tree.
Structured
Flanked Spaces Two spatial addition
EAU OBAR | SAMEEP PADORA | STANDARDIZATION
Dominant Centrepiece The central column is Golden the centrepiece. foliage of an intricate metal tree.
Structured
Flanked Spaces Two spatial addition
Spatial arrangement and adding the sculpted form to the space
Separation of space according to the requirements.
The brass wire is structured around the column.
a sunken lounge and a performance space under it. A velvet red fluting of fabric ensures a warm backdrop as well as perfect acoustics for live performances.
Using partition or ellemts or object to show the separation
Method
800 meters of brass foliage is used to built the entire structure A palate of fabric and metal, red and gold the and by landscapes both natural and articulated.
800 meters of brass foliage is used to built the entire structure
Custom designed chandelier Fluted glass partition Topiary of lush green planting
The central column acts as the holding the space together element.
The central column acts as the holding the space together element.
Chandelier fixed into the space extends the language of the Main Lounge into this discreet space while a fluted glass partition animates an impression of lights & movements.
BLACK PERCH | B V DOSHI | UNIQUE IDENTITY Black Perch is the extension and refurbishment of an existing, 40 year old bungalow, located in a tight urban fabric, using most of the permissible ground cover before the extension was added.
Alters
Conceals
Exposes
Modifies
EXPANSION OF SPACE
SENSE OF OPENNESS
ADDITION OF SPACE AND VOLUME.
LOUVERS TO ADD UNIQUE PROPERTY
CLOSED LOUVERS
OPENED LOUVERS
NEW PURPOSE AND INTEREST TO THE SPACE WHICH WORKS ACCORDING TO USER REQUIREMENTS.
TO ADD OPENNESS WITHIN THE SPACE
ENCLOSED WHEN REQUIRED
NATURAL LIGHT AND BALANCE
USE OF SLOPE ADD NEW DIMENSION AND VISUAL INTEREST
Medium
Material
Extension and Refurbishment
ALTERATION AS PER REQUIREMENT
Open and Closed Movable black shutters around the building, partly by overhangs.
Courtyard
BLACK PERCH | B V DOSHI | UNIQUE IDENTITY Tools
Extension and Refurbishment
Extension was added to the floor plate.
Open and Louvers are freehanging Closed in nature in the built Movable space. black shutters around the building, partly by overhangs.
The Court- The manupulation of the space is done so as to yard create space.
The extension is placed on top of the existing, split level building
All four outer sides of the cube are covered with movable wooden louvers, which allow the user to regulate the ingress of sunlight, and views from and to the surrounding.
The spatial separation between spaces is the medium to achieve the coutyard.
White oak is used for flooring, ceiling and furniture of the interior.
Charred wood White oak is used for flooring, ceiling and furniture of the interior.
White oak is used for flooring, ceiling and furniture of the interior.
Method
Extension is through increasing the existing space which seems to make it look like cantiliver structure.
The louvers were blackened following Shou Sugi Ban, an old Japanese technique for preserving wood, by charring it with fire. Once charred, the wood resists further burning, water, sun, or pests.
A large open to sky courtyard is made which has louvers sourrounding it , which steps down the existing sloping roof.
AUGIRA RESTURANT | UNIQUE IDENTITY Turning an old factory warehouse into a restaurant and nightclub By Sanjay Puri Architects.
Alters
Conceals
Exposes
Modifies
INSERTING GEOMETRY TO THE SPACE
STAIR ENFLODED WITH STRUCTURE
LIGHT FROM GAP BETWEEN THE PANEL
METAL STRIP ABSTRACT
LEVELS ALTERATION TO ACHIEVE VERTICAL SPACE
VISUAL ENCLOSURES
CONTRASTING LEVELS
Abstracted Geometry / Sculptural Space Partially open and partially enclosed.
Playing with levels
Fluid volume/ Sustainable Design By angular planes of thin wood strips. INTERPLAY BETWEEN GEOMETRY
DISPLAY THE ANGUAR PLANE
STRUCTURE AFFECTS THE SPATIAL ELEMENTS
SUSTAINABLE STRUCTURE
AUGIRA RESTURANT | UNIQUE IDENTITY Turning an old factory warehouse into a restaurant and nightclub By Sanjay Puri Architects.
Alters
Conceals
Exposes
Modifies
INSERTING GEOMETRY TO THE SPACE
STAIR ENFLODED WITH STRUCTURE
LIGHT FROM GAP BETWEEN THE PANEL
METAL STRIP ABSTRACT
LEVELS ALTERATION TO ACHIEVE VERTICAL SPACE
VISUAL ENCLOSURES
CONTRASTING LEVELS
Abstracted Geometry / Sculptural Space Partially open and partially enclosed.
Playing with levels
Fluid volume/ Sustainable Design By angular planes of thin wood strips. INTERPLAY BETWEEN GEOMETRY
DISPLAY THE ANGUAR PLANE
STRUCTURE AFFECTS THE SPATIAL ELEMENTS
SUSTAINABLE STRUCTURE
INDIGO DELI | SAMEEP PADORA | UNIQUE IDENTITY The ‘indigo deli’, a delicatessen and dine-in restaurant transforms a mundane retail space within the palladium mall in mumbai, india.
Alters
Conceals
Exposes
INSERTING ELEMENT TO THE SPACE
CONCEAL THE CEILING GEOMETRY
VISUALLY EXPOSE THE FORM
ADDING STRUCTURE
CONCEAL THE STRUCTURAL ELEMENTS HOLDING THE FORM
EXPOSE LIGHT
BALANCE BETWEEN THE STRUTURE AND THE INTERIOR SPACE
ALTERATION TO THE RIGIDITY
CONCEAL THE OVER HEADSTRUCTURE PART BY PART
EXPOSE THE DETAILS TO BE SEEN
VISUALLY CREATES CURIOSITY BREAKING THE RIGIDITY
Medium
Material
Method
Inserting Surface Resulting form give a raw space wiping out its rigid geometries.
Modifies
THE RECTILINEAR INTERIOR VOLUME IS REPLACED WITH SWOOPING STRUTURE
Juxtaposition of the program and spatial intent
Structure
INDIGO DELI | SAMEEP PADORA | UNIQUE IDENTITY Tools
The form’s constituent parts were first manufactured using a CNC routing Design process before being asIntervention sembled and hung within Resulting the the space using steel form give a all-thread rods secured to raw space RCC slabs which form the wiping out its building’s ceiling and roof. rigid geometries.
The form’s constituent parts were first manufactured using a CNC routing process before being asJuxtaposi- sembled and hung within tion the the space using steel Of Space all-thread rods secured to Formal Space RCC slabs which form the and The building’s ceiling and roof. Structure.
The form’s constituent parts were first manufactured using a CNC routing process before being assembled and hung within Structured the the space using steel all-thread rods secured to RCC slabs which form the building’s ceiling and roof.
The rigid geometry of the mall context with a structure swooping above the tables within the dining area. combining the qualities of a dome and surface.
The rigid geometry of the mall context with a structure swooping above the tables within the dining area. combining the qualities of a dome and surface.
The rigid geometry of the mall context with a structure swooping above the tables within the dining area. combining the qualities of a dome and surface.
Rough textured plywood Sleek copper lighting fixtures
Rough textured plywood Sleek copper lighting fixtures
Rough textured plywood Sleek copper lighting fixtures
The wooden sculpture is formed with rough textured plywood, contrasting the sleek copper lighting fixtures and built in details with parametric making.
The sections are hung in such a way as to make a double thickness skin which masks the mundane regularity that lies beyond, but also allows the subtle glow of light from without to seep through and into the dining space.
The design-build of parametric manufacturing of the unique sections began with CNC routing and systematic assemblaged once connected, the element was hung from the overhead RCC slab from threaded steel rods which have been affixed into a double thickness vertical plywood panel. this connection allows for accurate leveling through the entire length of the interior.
Ideating Roles of an Interior Designer
Week 06-07 | FD PG Module 02
Ideating Role 1 of Interior Designer Brief: Ruins was a very appropriate site that can be used to achieve the stated argument as ruins and dilapidated structures are often celebrated because, apart from nostalgic value, the natural dilapidation itself over time may offer a sculptural aesthetic to the structure. this phenomenon is unique due to its temporality often, in restoring these structures, I can incorporate crisp, contemporary materials to contrast the ruinous elements, celebrating the original structure in this way serves to highlight the ragged edges and deterioration. My basic role was to keep the site intact and make it retain its value without intervening any of the elements. So, inserting space making elements was best of the choice. The principles of design followed throughout was in order to create an eye-catching and effective space to break through the geometry of the volumetric space. Is space limited only to one shape? The concept was to design the space with even more exciting elements, break the monotony creating buffer for the eye in any space and giving that a striking shape, which can communicate an entirely different image or idea from what the existing was about yet keeping the standard space as it is. Geometry helped create bright and modern interiors, keeping the balance and harmony and adding an interesting touch to the interior. The important information is communicated keeping in mind the sensitivity the space already holds. It’s mainly the addition of space making elements that impact on the geometry of the volumetric space.
As Zaha Hadid famously quoted, “There are 360 degrees. Then why stick to one?�
Interior View 1
Old dilapidated double heighted room - Pedestal
Idea on paper
along with which backdrop and ceiling element which sits well with the existing pillar.
Image selection
Illustrated 3D model Photoshop Render
Captions
Interior View 2
Ruined narrow corridor like room Idea on paper
Pedestal along with ceiling element such to get new geometric princples.
Image selection
Illustrated 3D model Photoshop Render
Interior View 3
Idea on paper
Ruined corridor space Exhibits with backdrop for storyboard
Image selection
Illustrated 3D model Photoshop Render
Interior View 4 Hallway The undulating ceiling element accentuate the
Idea on paper
inside outside expression and also the surface no longer feels rectangle instead someother geometric parameters.
Image selection
Illustrated 3D model Photoshop Render
PRODUCED BY AN AUTODESK STUDENT VERSION
Interior View 5 PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
The basement segement The expression has been achieved by dressing the
Plan in Autocad PRODUCED BY AN AUTODESK STUDENT VERSION
dressing column by inserting a curvilinear sculpture into the space.
Image selection
3D modelling Photoshop Render
Week 08-10 | FD PG Module 02
Ideating Role 2 of Interior Designer Brief: The Project Displaying Dream machines by Leonardo da Vinci Focus : Planning and Organising The Premise Propose a solution as a critique of the practice of Interior Design using the argument derived by you, within a context/site that has been actualised out of a need for standardization. The role of the interior designer needs to be seen where space has been transformed using thetransformable qualities of the space. Space needs to cater to two essential functions: a)15 Dream machines designed by Da Vinci need to be exhibited (85%) b) additional space for selling/displaying/exhibiting/retailing books/souvenirs/artefacts. (15%) The idea of this project is to test the corrected, improved and evolved argument in the given site context. The project involves planning the space such that the argument about the interior technique transforms the given space. The focus of this exercise will be organization and planning. Organization and space planning involves the systematic laying out of space-making elements. Considering that some arguments and design intents involve an array of elements, while the rest require volumetric explorations - this exercise intends to discuss the ideas of zoningplanning and organising as key tools to developing an interior language. Constraints No structural changes are permitted, such as removal of the main load-bearing components of the building. Proposal include : - Visual change of space by using finishes - Civil additions, alterations or deletions. For slab cut-outs, only 20% of the slab area. - New proposed intervention demonstrating interior technique. - An additional program of a souvenir shop+bookstore which is 15% of the total proposed area.
Captions The site safal profitair is a commercial complex with a rigid stereotypical grid of beams and columns. The intervention to be made is for diplay spaces of Da Vinci models. The idea is to design inserted interiors in it. The selected part for the intervention is on a single floor.
STAGE OF DEVELOPMENT- 1
Circulation Layout - Define
Captions
Circulation Layout - Defy
Captions
STAGE OF DEVELOPMENT- 2
Planning and Circulation Layout - Define
SECTIONAL ELEVATION
STORYBOARDS
Exhibition Space Circulation 8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
SECTIONAL ELEVATION
STORYBOARDS
Exhibition Space Circulation 8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
Planning and Circulation Layout - Defy
SECTIONAL ELEVATION
STORYBOARDS
Exhibition Space Circulation 8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
SECTIONAL ELEVATION
ST OR YB
DS
OA R
DS
R OA
YB OR ST
Exhibition Space Circulation 8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
STAGE OF DEVELOPMENT- 3
SECTIONAL ELEVATION A-A’
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTIONAL ELEVATION B-B’
B PRODUCED BY AN AUTODESK STUDENT VERSION
A’
ENTRANCE
STORYBOARDS
DOUBLE HEIGHT
A
PRODUCED BY AN AUTODESK STUDENT VERSION
A
DOUBLE HEIGHT
STORYBOARDS
IR EN UV OP O S SH
STORYBOARDS STORYBOARDS
B’ 8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
Interior Technique -
Juxtaposition of rectangular form with angular planes.
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTIONAL ELEVATION A-A’
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTIONAL ELEVATION B-B’
B
STORYBOARDS
DOUBLE HEIGHT
ENTRANCE
STORYBOARDS
RECEPTION DESK
DOUBLE HEIGHT
A’
PRODUCED BY AN AUTODESK STUDENT VERSION
A
PRODUCED BY AN AUTODESK STUDENT VERSION STORYBOARDS
SOUVENIR SHOP
STORYBOARDS
B’
8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
PRODUCED BY AN AUTODESK STUDENT VERSION
STAGE OF DEVELOPMENT- 4
SECTIONAL ELEVATION
SECTIONAL ELEVATION A -A’
SECTIONAL ELEVATION B - B’
8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
LIGHT INTAKE INTO THE INTERIOR
PRODUCED BY AN AUTODESK STUDENT VERSION
STAGE OF DEVELOPMENT- 5
Appropriate Fastener
Suspended Carrier Steel Sheet Panel
DERIVATION OF THE ELEMENT WHICH LEADS TO THE CEILING AND ACTS A BACKDROP, THROUGH THE EXHIBIT DISPLAY IDEA.
Rivet Detail at X THE JUNCTION TO HOLD THE SUSPENDED CEILING AND THE WALL
INTERACTIVE SOLUTION BY INSERTING VOLUME
X PRODUCED BY AN AUTODESK STUDENT VERSION
INSERTION DETAIL INSERTING ELEMENTS TO CREATE CURIOSITY AND PROVIDE MOVEMENT TO TRAVEL.
8TH FLOOR LAYOUT PLAN WITH DA VINCI’S OBJECTS
STAGE OF DEVELOPMENT- 6
Part by part and segment by segment the elements are broken down to achieve the form which guides the user as that has been the basic aim of this project to the argument.
DEVELOPEMENT OF AUTODESK THE FINAL DESIGN CONCEPT PRODUCED BY AN STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
FLAT GEOMETRY OF A RECTANGLE
PRODUCED BYAN ANAUTODESK AUTODESK STUDENT VERSION PRODUCED STUDENT VERSION PRODUCED BYAUTODESK ANBY AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN STUDENT VERSION
AXIS LINES
CIRCULATION HELPING TO BREAK THE GEOMETRY
BLOCK FORMATION
CIRCULATION PLAN SCALE 1:150 PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION ARGUMENT DERIVATION THROUGH THE PLAN
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
The main idea of the exhibition centre was to deliver the utmost user experience to the public. As it comes under public spaces the footfall is higher and the space needs to be guided through angles. According to the argument the geometry of a cuboid is transformed to triangular surfaces interconnected to form a individual block which is deviated from x y and z axis to satisfy the needs of human experience as we walk through the space.The angles are derived in certain to ease the circulation to point without clustering the space.It will flow through the deviations hence letting people experience the flow of a public space.The concept of using metal mesh with aniodised metal beams and framework is to give the space a exhibitional warehouse of collectives.Hence ray tracing the natural diffused light on the MS perforated sheets.It creates a abstract niche form adding the value to mainly the circulation as the key property of the Design.
B
A
A’
B’ FLOOR PLAN SCALE 1:100
B
A
A’
B’ CEILING PLAN SCALE 1:100
Project 2
Project 2
L CLAMP MS BOX TOP VIEW PERFORATED SHEETS AT ANGLE TO EACH OTHER ELEVATION
SECTION
50MM X 50MM X 6MM L CLAMP
INTERIOR TECHNIQUES 1. Inserting elements to the plan along the grid that was obtained from the derivation and the path act as guide to user for their movement. 2. Deviating the lines to create interest for user to lead within and forward in the space. 3. Distorting form 3dimensionally to give a different spatial experiential meaning to the space. 4. Creating levels by overlapping the form so to create that expression of the new geometry. 5. The angles and the angular walls act as the guide as it lead the path through the space. MATERIAL TECHNIQUES 1.Formed entirely of triangular facets. 2. Volumes receives sculptural feature due to the perforated metal sheet. 3.Polished marble floor, intended to reflect the interior and structure.
IN THE PROCESS THE SOLIDPRODUCED GEOMETRY OF A CUBOID IS TRANFORMED BY AN AUTODESK STUDENT VERSION TO SURFACES THAT GETS INTERCONNECTED TO EACH OTHER TO FORM INDIVIDUAL BLOCKS WHICH BASICALLY DEVIATE FROM X, Y AND Z AXIZ. TO SATISFY THE NEEDS OF HUMAN EXPERIENCE AS THE USER WALK THROUGH THE SPACE.
B
4 3
5
2
A
A' 6 1 9
PRODUCED BY AN AUTODESK STUDENT VERSION 14
8 12
13
7 10
11
15
FLOOR PLANNING
B'
PRODUCED BY AN AUTODESK STUDENT VERSION
SCALE 1:150
PRODUCED BY AN AUTODESK STUDENT VERSION SECTION A-A” SCALE 1:150
SECTION A-A” SCALE 1:150
16
SECTION
ANGULAR SECTION
L CLAMP PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
CONSTRUCTION DETAILS
TOP VIEW
PRODUCED BY AN AUTODESK STUDENT VERSION
MS BOX
50MM X 50MM X 6MM L CLAMP
SECTION
L CLAMP
50MM X 100MM MS BOX
MS BOX
ODESK STUDENT VERSION
TOP VIEW
6 MM THK MS SHEET
50MM X 50MM X 6MM L CLAMP
SECTION
PRODUCED BY AN AUTODESK STUDENT VERSION
MS SHEETS AT ANGLE TO EACH OTHER
ANGULAR SECTION
ELEVATION
100 MM X 50 MM MS BOX SECTION
PRODUCED BY AN AUTODESK STUDENT VERSION
12 MM THK MS STRIPS
100 MM X 50 MM MS BOX SECTION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
METAL SHEET JOINERY DETAIL SCALE 1:10
12 MM THK MS STRIPS
PRODUCED BY AN AUTODESK STUDENT VERSION
12 MM THK MS STRIPS
CIRCULATION PLAN SCALE 1:150
THE CIRCULATION AND MOVEMENT FLOW THROUGH THE DEVIATED AN SPACE AND THIS HELP COMMUNICATE DIFFERENT ZONE LOCATIONS W
NGLES HENCE LETTING EXPERIENCE THE FLOW IN A PUBLIC WITHIN THE SPACE.
THE FINAL DESIGN (LAYOUT PLAN)
B
C
A
A’
D
D’
FLOOR PLAN
B’
C’
B
C
A
A’
D
D’
B’
C’
THE FINAL DESIGN (SECTIONAL ELEVATION)
SECTION A - A’ SCALE 1:100
SECTION B - B’ SCALE 1:100
SECTION C - C’ SCALE 1:100
SECTION D - D’ SCALE 1:100
SECTION E - E’ SCALE 1:100
Construction details 1.5 MM THICK PERFORATED METAL SHEET
50MM X 100MM MS BOX
PRODUCED BY AN AUTODESK STUDENT VERSION
X
PRODUCED BY AN AUTODESK STUDENT VERSION
ELEVATION SCALE 1:10
X
PRODUCED BY AN AUTODESK STUDENT VERSION PLAN SCALE 1:10
1.5 MM THICK PERFORATED METAL SHEET 50MM X 100MM MS BOX M6 HEX BOLT 6MM THICK METAL SHEET M6 HEX BOLT
CONCRETE FLOOR
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
METAL PERFORATED SHEET JOINERY SCALE 1:10
FLOOR MOUNTED DETAIL DETAIL AT X SCALE 1:5
SECTION
ANGULAR SECTION
Y
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
1.5 MM THICK PERFORATED METAL SHEET
50MM X 100MM MS BOX
PRODUCED BY AN AUTODESK STUDENT VERSION
Z
PRODUCED BY AN AUTODESK STUDENT VERSION
MS SHEETS AT ANGLE TO EACH OTHER SECTIONAL SIDE ELEVATION
1.5 MM THICK PERFORATED METAL SHEET 6MM THICK METAL SHEET 50MM X 100MM MS
L CLAMP MS BOX PRODUCED BY AN AUTODESK STUDENT VERSION
TOP VIEW
BY AN AUTODESK STUDENT VERSION
50MM X 100MM MS BOX
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION SCALE 1:10
M6 HEX BOLT
6 MM THK MS SHEET
50MM X 50MM X 6MM L CLAMP
ANGULAR SECTION
PRODUCED BY AN AUTODESK STUDENT VERSION
50MM X 100MM MS BOX 6 MM THK MS SHEET
DETAIL AT Z SCALE 1:5
1.5 MM THICK PERFORATED METAL SHEET 50MM X 100MM MS BOX M6 HEX BOLT
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTION
6MM THICK METAL SHEET
ANGULAR SECTION DETAIL AT Y SCALE 1:5 PRODUCED BY AN AUTODESK STUDENT VERSION
MS BOX FRAME DETAIL SCALE 1:10
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
ELEVATION
Construction details
PRODUCED BY AN AUTODESK STUDENT VERSION
PLAN
PLAN SCALE 1:10
PRODUCED BY AN AUTODESK STUDENT VERSION
MECHANICAL FASTENER MECHANICAL HOOK METAL ROD
PRODUCED BY AN AUTODESK STUDENT VERSION
B
L CLAMP
4 MM GALV WASHER
T CLAMP
ELEVATION PRODUCED BY AN AUTODESK STUDENT VERSION
CEILING HUNG TABLE AT THE BREAKOUTSPACE SCALE 1:10
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
A
Mechanical fastener Mechanical hook 10MM dia metal rod DETAIL AT A
10MM dia metal rod
6MM thick T clamp
DETAIL AT B
Mechanical hook
Week 11-14 | FD PG Module 02
Ideating Role 3 of Interior Designer Brief: The project focuses on role of an interior designer without having a given site. The idea is to understand the way an interior design intervention can be done without any references from the architecture. The challenge of the project is that the freedom is also a limitation at the same time. The represention of design is to be done in terms of isometric and sectional perspectives. This project make a designer understand the importance of three dimentional representation along with development in the design thinking. This project focuses on developing a design through specific design language of the designer that has been developed in the above two roles and the way designer expresses them in this project.The intervention needs to be explored with the utmost detailing and in the later stage an envelope is developed which responds to the intervention. The learning outcome of the project is the way a designer thinks without being in impression of existing space and designing an envelope around the interior intervention. It leads designer to do exploration in terms of material and detailing which ultimated leads the project as an outcome of design development through the argument.
INITIAL STAGE OF DEVELOPMENT
The interior elements are taken from the last project and has been incorporated to a siteless interior project or a hypothetical project. Stage 1
PRODUCED BY AN AUTODESK STUDENT VERSION
Stage 2
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
STAGE OF DEVELOPMENT- 1
50MM X 100MM MS BOX
6MM THICK METAL SHEET
SEATING SPACE WITH THE DOUBLE HEIGHT
50MM X 100MM MS BOX 6MM THICK METAL SHEET
SEATING SPACE WITH THE DOUBLE HEIGHT
STAGE OF DEVELOPMENT- 1
ISO VIEW 1
1.5 MM THICK PERFORATED METAL SHEET 50MM X 100MM MS BOX M6 HEX BOLT 6MM THICK METAL SHEET
M6 HEX BOLT CONCRETE FLOOR PLATE FLOOR MOUNTED DETAIL
DOUBLE HEIGHT DISPLAY WITH SEATING
ISO VIEW 2
DEVELOPMENT OF DESIGN CONCEPT
ISOMETRIC OF THE INTERVENTION
INTERIOR TECHNIQUES 1. Inserting elements to the plan along the grid that was obtained from the derivation and the path act as guide to user for their movement. 2. Deviating the lines to create interest for user to lead within and forward in the space. 3. Distorting form 3dimensionally to give a different spatial experiential meaning to the space. 4. Creating levels by overlapping the form so to create that expression of the new geometry. 5. The angles and the angular walls act as the guide as it lead the path through the space.
TWO SQUARE PLANE OVERLAP EACH OTHER TO ACHIEVE LEVEL
DEVIATING GIRD LINES WHICH DIVIDE THE SQUARE BY 1PART AND 1/4TH PART- THE BASIC APPROACH
INTERSECTING LINES FORMED TRIANGLES AND TRAPIZOIDS.
GIRD LINES FOR BOTH THE PLANE
DEVIATING GIRD LINES WHICH DIVIDEBY PART AND HELP ACHIVE A NEW GEOMETRY
BASE PLAN AND ALSO THE EVVELOPE
STAGE OF DEVELOPMENT- 2
Design:
ISO VIEW 1
ISO VIEW 2
ISO VIEW 3
ISO VIEW 4
WITH ENVELOPE- WHICH HELPS CREATE A TRANSPARENCY AND ALONG WITH IT ENCLOSE THE INSIDE SPACE WHICH PROPERTY HELPS BALANCE INSIDE OUTSIDE.
EXPLODED ISOMETRIC VIEW OF THE INTERVENTION AND THE ENVELOPE
STAGE OF DEVELOPMENT- 2
LEVEL 3
LEVEL 2
LEVEL 1
LAYOUT WITH THE CIRCULATION SCHEME
ISO VIEW OF THE LAYOUT WITH THE INTERIOR INTERVENTION
ISO VIEW OF THE LAYOUT WITH THE INTERIOR INTERVENTION AND THE ENVELOPE
PROCESS DETAILS MS SHEET FIXING AND MOUNTED TO THE FLOOR
DETAIL AT A
4 MM THICK SAND BLASTED METAL SHEET 8MM DIA COUNTERSUNK REVIT
50MM X 50MM MS BOX SECTION
METAL SHEET FIXING DETAIL
46 X 46MM MS BOX SECTION 50MM X 50MM S BOX SECTION
L-ANGLE REVIVETED TO FLOOR PLATE AND BOX SECTION 150X150X50 MM METAL SHEET SCREWED TO CONCRETE FLOOR PLATE
FLOOR MOUNTED DETAIL
I SECTION JUNCTION WHICH HOLDS THE ENTIRE CEILING AND THE CANTILEVER.
150 X 250 MM I SECTION
250 MM CONCRETE FLOORING TO WHICH THE JUNCTION IS FIXED BY CONCRETE CASTING
DETAIL AT B
150 X 250 MM I SECTION WHICH HOLDS THE CEILING TIGHT
150 X 250 MM I SECTION THAT ACTS AT THE COLUMN TO THE STEEL STRUCTURE
STAGE OF DEVELOPMENT- 3
Sectional perspective 1
Sectional perspective 2
THE ENVELOPE OR CEILING
THE ENVELOPE
INTERIOR INTERVENTION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
ISOMETRIC VIEW OF THE INTERVENTION
PRODUCED BY AN AUTODESK STUDENT VERSION
Construction details
GLASS PANELS TO GET DIFFUSED LIGHT INSIDE TO FALL UPON THE EXHIBIT SS GAZETTE PLATE OF 10MM FIXED TO CONCRETE
PRODUCED BY AN AUTODESK STUDENT VERSION
CUSTOMIZED SS COLUMN WITH 2 MEMBERS OF I SECTION FORM
CONCRETE FLOOR PLATE
SECTIONAL ELEVATION OF THE WINDOW PANEL AND THE COLUMN
ODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
CUSTOMIZED SS COLUMN WITH 2 MEMBERS OF I SECTION FORM
SS GAZETTE PLATE OF 10MM FIXED TO CONCRETE
CONCRETE FLOOR
PRODUCED BY AN AUTODESK STUDENT VERSI
ELEVATION
PRODUCED BY AN AUTODESK STUDENT VERSION
SPIDER WEB FITTING HOLDER FOR THE FRAMELESS PANEL DETAILS
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PLAN
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTIONAL ELEVATION OF THE WALL WITH I AND C SECTION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
C SECTION MOUNTED TO THECEILING
PRODUCED BY AN AUTODESK STUDENT VERSION
THE METAL SHEET IS FOLDED AT 90 DEGREE AND WITH THE HELP OF L ANGLE THE FOLDED SHEET IS SCREWED PRODUCED BY AN AUTODESK STUDENT VERSION
4 MM THICK SAND BLASTED METAL SHEET C SECTION MOUNTED TO THE FLOOR
PRODUCED BY AN AUTODESK STUDENT VERSION
C SECTION MOUNTED TO THECEILING 4 MM THICK SAND BLASTED METAL SHEET
PRODUCED BY AN AUTODESK STUDENT VERSION
C SECTION MOUNTED TO THEFLOOR
ELEVATION
Construction details
THE SLANTED GLASS PANELS SLANTED GLASS PANEL
SINGLE GLAZED GLASS PANEL
METAL ROD
SPIDER WEB HOLDER PRODUCED BY AN AUTODESK STUDENT VERSION
M16 SS ROD
ALUMINIUM FRAME
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
SPIDER WEB HOLDER FOR THE FRAMELESS PANEL SINGLE GLAZED 8MM GLASS PANEL FRAMELESS
CONCRETE FLOORING PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
SINGLE GLAZED 8MM GLASS PANEL FRAMELESS
METAL ROD THE HOLD THE CABLE PRODUCED BY AN AUTODESK STUDENT VERSION
M16 S S ROD
SECTIONAL PLAN
SILICON SHEET TO HOLD GLASS SINGLE GLAZED 8MM GLASS PANEL FRAMELESS METAL ROD THE HOLD THE CABLE M16 S S ROD
PLAN
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTIONAL ELEVATION OF THE PEDESTAL WITH THE EXHIBIT
PRODUCED BY AN AUTODESK STUDENT VERSION
LIGHT FIXTURE FOR EXHIBIT LIGHTING
COVE LIGHTING WHITE CORIAN DISPLAY SURFACE
SECTIONAL ELEVATION OF THE PEDESTAL
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
ALL THE OTHER PEDESTAL WITH SPECIFIC ORIENTATION BUT FOLLOW THE SAME DESIGN
CONCRETE STAIRS TO DIFFERENT LEVELS
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION SECTIONAL ELEVATION OF THE STAIRS PLAN
CONCRETE STAIRS WITH RISER AT AT ANGLE OF 75 DEGREE
CHAMFER FINISHES COATING CONCRETE
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTIONAL PRESPECTIVE
Sectional perspective showing the ex
Sectional perspective holding the
xhibition space along the book shop.
entrance and showing the levels.
ISOMETRIC VIEW OF THE INTERIOR INTERVENTION
Exhibition areaSandblasted metal sheet walls are so designed to express the deviation and off grid of the space.
Pedestal The abstract form creates contrast in the space
Pathway 2500mm wide path starts from the entrance and lead itself to the end of the space. The user guide to the space.
ROOF : THE TOP COVERING TO THE INTERVENTION AND THE INTERIOR SPACE.
THE OUTER SKIN TO THE INTERIOR - SLANTED GLASS PANELS
INTERIOR INTERVENTION
THE BASE AND THE CONCEPT TO THE INTERVENTION
EXPLODED ISOMETRIC VIEW OF THE INTERIOR INTERVENTION ALONG WITH THE ENVELOPE
CONCEPTUAL VIEW
FINAL DESIGN
Sectional perspective holding the entrance and showing the lev
vels. ( The spatial and volumetric organisation)
Sectional perspective showing the exhibition space along the b
book shop.(The interior intervention)
Isometric view of the interior intervention
Volumetric play-
Overlapping of levels, breaks the geometry in levels.
Exhibition area-
Sandblasted metal sheet walls to express the deviation and off grid
Concrete surface-
The material creates contrast with metal sheets
Pedestal -
The abstract form creates contrast in the space
Glass panels -
Intake of direct light , creates inside out expression
Pathway -
Starts from the entrance and lead itself to the end of the space. The user guide to the space.
CONCEPTUAL VIEWS
CONCEPTUAL VIEWS
ROOF : THE TOP COVERING TO THE INTERVENTION AND THE INTERIOR SPACE.
THE OUTER SKIN TO THE INTERIOR - SLANTED GLASS PANELS, FOR THE PROVISION OF NATURAL LIGHT FOR INSIDE OUT EXPRESSION
INTERIOR INTERVENTION - THE SANDBLASTED WALL MEMBERS ARE SO TO GUIDE THE VIEWER VERTICALLY DUE TO THERE DIRECTIONAL DEISGN PROPERTY
THE BASE AND THE CONCEPT TO THE INTERVENTION - WHICH HAS THREE LEVELS AND THAT GUIDE THE ENTIRE CIRULATION THROUGHOUT THE EXHIBITION
Exploded isometric view of the intervention along with the envelope
Sucheetra Pradhan Pid20360
The BIG Re-Think
Interior Techniques in Interior Design Practices Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University