SUJIN SHIM
2014 - 2022 Selected Works M.S. Advanced Architectural Design, Columbia University GSAPP 2022, New York, USA Bachelor of Architecture, Yonsei University YA 2020, Seoul, South Korea
CONTENTS 01
Labyrinth in East Harlem
02 - 06
02
Post-flood In Manhattan
07 - 09
03
Tridecember : Edge of the Year
11 - 14
04
Resilient City
15 - 19
05
Flow of Publicity
20 - 22
06
Recycling for Integrity
23 - 25
07
Ether Ethernal
26
08
Angle of Exquisiteness
27
09
Stand Up
28
10
Architecture Banquet
29
_Public Housing NYCHA _Advanced Architectural Studio V_ Fall, 2021
_Futuristic Scenario with NYCHA _Advanced Architectural Studio IV_ Summer, 2021
_Guesthouse _Architectural Design Studio 2019_Graduation Project
_Expansion _UIA Student International Studio 2017
_Communal Housing _Architectural Design Studio 2017
_Community Center _Architectural Design Studio 2014
_Pavillion (Competition) _Advanced Architectural Design VI_Winter, 2022 _The Coolest Drawing Award _Pavilion _Architectural Design Studio 2014
_Renovation _Academic : Design Studio 2019_Final Project
_Curation _Yonsei Architecture Exhibition 2015
01 LABYRINTH IN EAST HARLEM
Now H YEAR : 2021.09 ~ 2021.12, Fall Semester TYPE : NYCHA Public Housing_Renovation INSTRUCTOR : Juan Herreros (juan@estudioherreros.com) ROLE : Collaborative Work with Seokhyun Kim Site Analysis(50%), Concept Design(80%), Interior Design(90%), Plan drawing(100%), Material Research(50%) SITE : East Harlem, Manhattan, NY, 10029
Urban design has been behind that tr blacks, and Latinos to this day. But the
In this project is b
Project Explanation and My Attitude
Harlem is a community that welcomes everyone. But at the same time, since the days of Langston Hughes, Malcolm X, Zora Neale Hurston, Duke Ellington, Harlem has been the jewel of Black Americans. Since the Harlem Renaissance, Harlem is a perpetual symbol of hope and prosperity and a loving neighbor.
ransportation that the trans expression of supremacy of powerful classes. Harlem continues its legacy as a residential area mostly for low-income Hispanics, e power of Lower Manhattan, dominated by white culture and privileged hegemony, is increasingly exacerbating and weakening Harlem culture and capital.
based on the fact that the city has been designed, as an economical force, social force (second intention to move the people from expensive areas of the city). By weakening the gentrifier, we want to maintain multi-ethnic culture and ultimately propose multi-scale spatial and environmental equality.
Racial Dots Map of Manhattan New York is a ‘Capitalism City’ and ‘Segregation City’. New York has always been a city of extremes. On one side we have what we called “Capitalism City”, a city that is ruled by the hegemony of the Real Estate, and White Culture. In comparison, the Upper Manhattan area, Harlem, became a residential district for low-income people, which is consists of Black and Latino most. Even within Harlem, East Harlem is a region where various cultural ethnicities and races are gathered while maintaining capitalism between black and white culture. This place is like a constantly withering barrier wall that most directly faces the influence of gentrification coming from the south.
ASIAN
WHITE
ITE WH
BLACK
THERS &O
ASIAN
IC
S
HIS PA N
According to the interview with a local president of East River House who has been living since 1971, they had suffered severe damage by Hurricane Sandy a few years ago. When the flooding hit every floor facing FDR Drive, they had to evacuate and move out of the house right away, but they didn't. The reason was simply, that this housing is heaven for them. Through this interview, we realized that people who live here don't want a nice, and luxurious life, they just want a life, costs as much possible as less. .
ANIC & OTHE SP R HI
ASIAN
Site Condition
NYCHA
ANIC & OTHE SP R HI
S
Reference : Mapping Segregation, NYtimes (July 8th, 2015)
EAST HARLEM
E HIT W
BLACK HISPANIC ASIAN WHITE OTHERS
K AC BL
BLACK
MANHATTAN
MAP KEY
One Dot = 40 people Census Group
Demographic Change (since 2000) The minority population in East Harlem has been steadily declining since 2000, in contrast to the population growth in the Bronx and Brooklyn. It can be seen that the residents of East Harlem, where the per capita income is low, have been displaced by high flood damage and rising rents to other areas. Taking a closer look at this place, especially around the green subway line, the resident population is increasing, but the East River NYCHA Houses, which was heavily damaged by the flood, have significantly increased the resident population. This illustrates the social structure that has no choice but to leave in search of affordable housing, despite the damage from a massive flood in the future.
There is no space inside the building where residents can gather and relax at all. So residents have to bring their own chairs to the outdoor space to take a rest, of course NYCHA never offered more chairs for the community. NYCHA has a lot to offer, but it doesn't create community facilities other than refurbishing and maintaining the building. They need more chairs to form consensus and share their daily lives with neighbors. .
Now East Harlem is a community that welcomes everyone. But at the same time, because of too many fences, parked cars, and trash heap, these NYCHA houses, operating as a soft space for the neighborhood, have been giving the feeling of insecurity and discomfort. The more resident has felt insecure, the more fences they have built. They need privacy rather than more fences.
Exterior : Contrast of Heaviness vs Lightness Section A-A'
1F-2F Platform : Coexistence of Connectivity but Irregularity Multiculturalism
1F Plan
The random shape and arrangement that create various widths and depth create a private circulation for reside provide high accessibility to the publ for various peoples and occupations communities by interacting with thin close to each other.
Unit B A View C
A'
Transition NYCHA Houses, as a soft space in the city, is open to the public to visit green spaces because of the low building coverage. Buffer zones will make residents feel more secure which gives them more opportunities to feel the slow transition of environmental stress. The lightness of the additional space in contrast to the existing building can have minimal impact while keeping the existing landscape uninterrupted.
2F Plan _Unit B
t of spaces hs not only ents, but also lic. Spaces create new ngs that are
Encounter Under and above the platform made of light panel and scaffoldings, various programs that can contribute to the lives of three generations are randomly scattered. The intricately twisted circulations create various types of encounters with neighbors.
View C
3F-8F Labyrinthine Housing : Variety of Types Conventional house types have been continuously changing to fit modern society, but all have been adapted to Western civilization. People living in this building can enjoy a variety of lives according to their individual needs with a minimum amount of space. Turning the corner reveals a new type of space, such as a narrow and long bedroom, an opposite hallway and kitchen, and an unexpected bathroom at the end of the hallway. Think about it, every time you open a moving door that acts like a wall, a different space emerges. The moment when I have to choose which door to open in which direction in my house. An open hallway built with cristal bricks and a closed living room that expands and shrinks.
N
3-6F Plan
0.5
2.5
5ft
N
7-8F Plan
0.5
2.5
5ft
MATERIALS Light materials offer many possibilities to continue their relationship while clearly dividing the space. Materials with high porosity, such as wire mesh, have low transparency when viewed up close and are perceived as a single surface when viewed from a distance. The wire mesh surrounding the terrace connected to the room allows sunlight and wind, while at the same time allowing pedestrians to show the identity of the building and the interests of the community as a graffiti or poster slogan.
pdlc film glass PDLC Film glass windows can control the transparancy. By changing the glass to transparent according to the nature of the program and the needs of the user, various interactions with pedestrians passing by are possible.
02 POST-FLOOD IN MANHATTAN YEAR : 2021.06 ~ 2021.08 Summer Semester TYPE : Futuristic Scenario_Renovation INSTRUCTOR : Nerea Calvillo (nc2006@columbia.edu) ROLE : Collaborative Work with Ralph Cheng, Sunghyun Kim Site Analysis(30%), Idea and Concept Design(70%), Material Research(30%), Photoshop(30%) SITE : RIIS houses, 178 Avenue D, New York, NY 10009
03 TRIDECEMBER ; EDGE OF THE YEAR YEAR : 2018 03 - 06 TYPE : Graduation Project (Architectural Design Studio 7)_Guesthouse INSTRUCTOR : Min Lee ROLE : Individual Work SITE : Donggyo-ro, Seodaemun-gu, Seoul “At the moment when December and January cross, the Guesthouse of the month 13th open.” The site along the border of Yonhei-dong and Yonnam-dong, and the train tracks and the intersection created an illusion as if it were in the gap between time and space. Using this site feature, I focused on the view of the neighborhood next to the train track and the view of the window from the room.
Front Facade The entrance that seems to suck in pedestrians induces them to experience various spaces inside the guesthouse. Pedestrians may take interest in things that take place on the curvy surface on the second floor.
1 : 50 model
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Railroad : GL. +8m Site : GL. +0m
ms
Interchange : GL. +7m
o ro
v
w ie
Site Condition This guesthouse is located in Yonnam-dong between Yonhei Interchange and Gyoung-i railroad. It can be disoriented when people are crossing this district because of the height of the railroad and interchange which blind the surround. This guesthouse can be a milestone by pointing the direction of the Yonnam-dong side.
1 : 50 model
Rear Facade I designed space with windows or structural frames applied as a medium for viewing the outdoor so that everyone can enjoy the events taking place in the park on the curved slab.
Neighbor Building
Neighbor Building
High Permeable Zone High Permeable Zone
Standard Opening Status
Low Permeable Zone
Angled Opening Status
Permeability to Follow the Angle of the Wall Depending on the size of the room, the degree of exposure of the line of sight connected to the outside is induced differently. On the floor plan, the outside area is seen from inside the room, and the degree of inside view seen from the outside is covered.
Private Spaces Rooms that avoid facing apartments by slanting walls. A Single Room B Double Room C Dormitory D Family Room
(5)
(2)
Since t in the can ac easily.
(5) Swimming Pool
(2) Cafe and Restaurant
(4)
(4) Lounge
Program In the middle of the city center, the guest house has many programs. It provides not only accommodation facilities for tourists, but also an attractive space to relax while passing train tracks and intersections.
(6)
Public Sharing Spaces
(3)
The public spaces where you can view the outside space through structural frames of various angles, depths and sizes.
(1)
(1) (2) (3) (4) (5) (6) (7)
(1) Reception
(3) Dining Hall Bridge
(7) Outdoor Catering Bar
(6) Sky Bridge
Reception Cafe & Restaurant Dining Hall Bridge Lounge Swimming Pool Sky Bridge Outdoor Catering Bar
(5) (4)
(7) (2)
(1)
Hallway Space A window frame looking over a curved surface where various events occur.
(6) (3) (7)
Circulation of Public Space Public Space can be used also by outsiders who are not staying at the place. Users can experience various frames and views while following the flow of movement.
the entrance is located taxi garage, tourists ccess transportation .
Many people gather on the curved plate and an event occurs. They scatter and then gather again.
1st floor plan
The Views Travelers are able to experience various views during their stay in this guesthouse. Space of Tridecember is like a space that has captured the time between December and January. The frame that gazes into two different neighborhoods makes you feel as if you are standing on the boundary between two different time zones. The structure that displays the views has various sizes and depths.
➎ Interchange
The Interchange v shows the view of ming pool and th the floor underne aesthetic structur above the swimm contains the peop on the pool, allow spectator to admi people who are go the gravity.
Sw im
min gP ool Dining
Hall
Reception
Lob by
➍ Courtyard View The courtyard frame viewed from the dining hall can overlook the center of the building. People feel the continuity of space through curved frames.
Ca fe
➊ Railroad View The size of frame occupying two levels is 9.3m x 6.7m which provides a wide view. As intended, by looking at other neighborhoods and a train passing through, you can see the relative position of the space in the cafe and the lobby.
e Caf
➋ Entrance View This frame is slightly larger than that of a normal window. Through this frame, you can face people who come in with a large suitcase.
➌ Alley View This frame is half the size of the railroad view frame. The frame facing the curved plate arouses the interest of people passing by the alley. People in the cafe can gaze at passengers boarding the curved surface.
Swimming Pool Design
Frame Structure
The swimming pool is designed for viewing village beyond the decorative frame of the pool, metaphorically symbolizing another dimension.
The facade of the building facin has frames of various sizes. Fram ous sizes form a sense of rhythm
Public
Semi-private
Private
e View
view frame f the swimhe lobby of eath. The ral frame ming pool ple floating wing the ire forms of oing against
ng the inside mes of varim.
➊ Railroad View _cafe & restaurant
➋ Entrance View _reception
➌ Alley View _cafe
➍ Courtyard View _dining hall bridge
➎ Interchange View _swimming pool
1 : 200 model
Facade Facing the Courtyard Both the inner facades are facing each other stood for their functional beauty. Horizontal louvers and inclined walls for the terraces prevent the building from weighing the bulky monotonous exterior facade. The external walls facing each other have access to the visual communication of the courtyard and enhance communal events that happen there. At the same time, it functions as privacy protection with appropriate density at different locations. tion
1 : 200 model
Fac
E ade
Semi-private
tion leva
iew eV
A'
ad Fac
Scen
B
B'
A
S ec
A
' A-A
Window Frame Structure Mullion 1st Fasteners Window Frame Glass 2nd Fasteners Wood Louvers
Scenery Mediator
The Function of Facade
The thick window frame with dept the aspect from which you look ou inside. The corresponding facades visual communication with the cou the communal episodes that take p Just like in the movies, it acts as a m produces intentional scenes.
Facade Facing the Outward Terraces and tilted walls form a three-dimensional appearance of the building, creating irregular shadows on the facade. The tilted wall cushions direct stimulation from outside. Intense sunlight, people talking, and gazes from the building in front require appropriate blocking and opening for those on vacation.
Private
Control External Stimulation
nery Receptor
B-B
A'
SINGLE
th determines ut from the help to enjoy urtyard and place there. medium that
DOUBLE
DORMITORY
FAMILY
' Se
ctio n
M
RA PROG
nce Reside ard Courty ant r Restau y Librar e t spac Pocke e Hall renc Confe nce Reside ard Courty afe C
R PROG
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ence Resid yard t Cour ercial m Com
space Open unity m Com Gym ry Libra r te Thea rk Pa
AM PROGR ace Open sp ity un Comm ne y zo Activit
Park Pocket Pathway ce Residen
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04 RESILIENT CITY
YEAR : 2017.02 ~ 2017.06 TYPE : UIA Student International Studio (Architectural Design Studio 5)_Expansion INSTRUCTOR : Sangyun Lee ROLE : Individual Work SITE : Wowsan-ro, Mapo-gu, Seoul
ITY
N MMU ST CO ARTI designer n Fashio r Barbe irector d Music ct e Archit Chef ter en Carp r Write
M
RA PROG
ence Resid ercial m m o C Gym Office d yar Court ibrary L
ence Resid tyard Cour eater Th
A L ARE NTIA NG E D I S RE DO NEW SANGSUE V O B A
R PROG
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1:1000 model
Understanding the changes of Sangsu-dong's 2050's environment, this project is mainly concerned with connecting future implications of high-density dust concentration with increasing demands for residence extension in the innovation district. While climate change continues to reveal our vulnerabilities as a species, increasing fine-dust concentration will come to the forefront as a crippling force that will compromise city infrastructure, unless we prepare.
Issue analysis Since smoke and dust from the Dangin-ri power plant blow in the opposite direction of the river, residents of this area have to clean the streets every morning. The dust from the power plant is still found in the alleys, which shows that the building landscape created by the alleys and the terrain is exacerbating air circulation.
3F
1F
2F
4F
Wind Wave Overlap
A
Issue
The difference in overlapping wind-wave shows that the t in different conditions. This is the reason that the dust clo Dangin-ri power plant accumulate only on B.
1990-1999
Before 1979
Resident
Artist
A 7
Bicycle
Microphone Recording Application
1
2
3 Cafe 4
5
6
Restaurant
7
8
9
10
Hair salon
11
12
13
14 Church
14
8
2
13 6
3 4
A
A'
1
5
9 10
12 11
3 2
1
B
4 5
6
11 12 13 14 10 7
8
Path A-A'
Path B-B'
1.7 km, 7 min (2pm)
1.6 km, 6 min (3pm)
B'
9
Experiment Of Wind Speeds In Sangsu-dong, a constant wind blows due to the influence of the South Han River. In Sangsu-dong, I experimented to measure wind speed and strength with two routes. The sizes of the recorded waveforms of the two routes were distinguished.
Local Airflow Feb, 20th, 2017, 10pm-12pm
Night Wind Blowing Southward on Site B
Wind Flow Simulation of Site B
Location : N37’ 32’ 45”, E126’ 55’ 11”, FEB 20th 2017 10pm
This analysis is the result of CFD investigating the behavior and function of airflow. It is the basis for developing a model for the smooth flow of ventilation and wind.
GL.+50m
B
two sites are ouds from the
GL.+40m
GL.+30m
B
GL.+20m
1e+06 6e+06 1.0e+07 1.8e+07
GL.+10m
m
Analysis
➊
➋
➌
➍
These four building arrangements are places where the wind stays long and ventilates slowly. Low-rise houses are lined along the curve of an alley, and the spacing is very narrow. When the wind comes in in a narrow and long alley, it stays in the space for a long time and then exits, making ventilation difficult.
Simulation and Solution Proposal 0(m)
20
40
85° 75°
0(m) 125°
60
80
100
120
140
Estimate direction of the
160
180
200
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260
280
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360(m)
Single
0°
15°
60° 45°
20 40
Mean Velocity Section for Case Sangsu Section A-A'
60
l nd ou Gr
Average direction 72° 80
tu el ev
100
Simulation of Wind Flow
u le rb e nc
120 140
85°
125°
75°
60°
45°
sA os Cr
160
lle
View D
ire
yd
180
ct n io
200
Conclusion
220 240
As the incid land), the air ticeable in th wind moves
260 0
85°
75°
60°
40
60
100m
5°
45
10 20
12
°
280(m)
Everage Wind Direction
Suggestion of Ideal Flow Axis The tendency in the wind direction of the upper layers is useful data to improve the wind flow of the lower layer. Overlapping representative ground wind angles 45°, 60°, 75°, 85°, 125°) on the ground floor, we can infer an ideal average axis (72°) similar to the direction of existing alleyways. Using this ideal axis of flow, I suggested the orientation of the new building.
th nd Pa i W New
125°
View E
85°
75°
60°
45°
Upper Layer Current simplified and analyzed the tendency of the upper wind.
Average WindVelocity : 1808320mm/s
A
e building and the wind 45°
60°
80°
90°
Array
0°
15°
45°
60°
80°
90°
The Direction
The smaller the difference between the wind direction and the direction of the building, the better.
u-dong
Section B-B'
Section C-C'
View E
View F
dental wind moves from south to north (from the river to the r changing rate increases for a single cube. This is most nohe isolated cross-flow scenario that resistance is less when the s perpendicular to the cubes. Similar results were found in the
case of an array. Since resisting patterns are less apparent, this high level of wind flow is predicted computationally. The final analysis presented in the following sections is found airflow features important for arraying mass models for natural ventilation analysis as CFD results.
View F
A'
B'
C' 1 : 500 model
3
4
2
1
B View D
C 1 2 3 4 Trensient Area
Design Process
Set up Wind Flow Axis
Windy Alley Formation
Mass Guide with the Wind Path
Base Mass Frame
Mass Development
The Volumes
Volumes that are arranged in 9 intersections have different formats depending on the program assembly method. 6 types that are derived from a cube form are again categorized into 16 types through the mass study. Various mass types can react to the curvy contour of the city.
Approach Located in an irregular plot of land, the design approach of the Sangsu-dong project is to turn this constraint into its unique character.
➋+➎+➊
➎+➍+➋
➊+➋+➌+➍+➎
A
➍+➎+➋+➌
➍+➌
The Plan of Type A Legerdary
➊ Cultural Space ➋ Green Space ➌ Art Space
➋+➌+➍
➍ Gathering Space ➎ Residence
Type A, located at the center of the south directi contains art and culture in its lower floors while floors encompass nature and living. Artists resid work here, hold exhibitions, and communicate t lectures. Resilience, one of the traits of theSangsu project, activates and continues the artist commu without harming the existing Sangsoo-dong atm
A
ion, the higher de here, through u-dong unity mosphere.
➍ Business Lounge
➎ Residence
➊ Performance Hall
➊ Theater
➌ Design Pathway ➋ Green Space
➌ Museum
➍ Office
➍ Book Lounge
➌ Exhibition Hall
➍ Cafeteria
➍ Office
Programs of Type A
Solar Inflows in Low-rised Residental Areas
Min imu mS ola r In M ax flow im s um So lar In flo ws
Truss format is used to limit and cut away building volume as to provide daylight (sunshine) to the lower living areas. Also, the mass arrangement based on simulation allows continuous ventilation in the neighborhood while taking care of sun radiation issues for the lower floor living space.
Sustainable Adaptation
Section A-A'
Museum
Apprentice’s Studio
The sustainable extending system can accommodate the surge of occupancy density of Sangsu-dong. The grid assembly megastructure on the neighborhood is effective as it is extended horizontally and vertically, which can be suggested as a new extevnsion system of future cities.
INDEPENDENT TOP LAYER TO PRESERVE EXISTING SITE
A
A'
Legendary
➊ Cultural Space ➋ Green Space ➌ Art Space ➍ Gathering Space ➎ Residence
Upper Mass Plan 01
5
10
20
Fabrication Room
Green Space
FACADE RHYTHM CHANGE IN TRUSS STRUCTURE
Imaginary Chamber
SUSTAINABLE UPWARD EXPANSION
2pm
10
am
m 5p
Da ily
Su n th Pa
in
r th No
Maker’s Space
2080 Vertical Expansion
Library
Broadcast Station
2020 Artist Community 2050 Horizontal Expansion
Tenant’s Space Sky Exhibition
Community Room
Farm
Theater Residence
Worker’s Space
Composer’s Studio
Hippodrome
Yoga Room
Banquet Hall
phere mis He
City Growth The continuous expansion will allow the development of them to the state that allows interaction with the town. Zoning was carried out so that each building plane would contain various programs. Numerous artists living in Sangsoo-dong were induced and this space allows the display of culture, leisure, and art. This megastructure, which has created a path for wind, helps Sangsu-dong grow into a resilient city.
05 FLOW OF PUBLICITY YEAR : 2017 09 - 12 TYPE : Architectural Design Studio 6_Communal Housing INSTRUCTOR : Sangdae Lee ROLE : Individual Work SITE : Yonhei-dong, Seodaemun-gu, Seoul
Spatial Sharing Relation
Spatial exposure for living unit build by the location of the outside space location that can face building walls unit buildings is recognized as a priv surroundings of the living unit build that can face two living unit buildin relatively public as the ownership is of facing the living unit building but considered as a shared one. The loca building belongs to the pedestrians.
Height According to Hierarchy The outer area is the remaining space artificially created by the architecture from the road. Also, the inner area is a centrifugal space that catches the eyes of a passerby. Therefore, the 'gaze' to the inside can coexist with 'exposure' from the outside. The paradox of housing is that low exposure in a private zone is a must for a house and that space with high exposure in a moderately private zone is also needed.
Legerdary
nship
dings is determined excluding houses. The s around the living vate area owned by the ding. And the location ngs’ walls is private and yet unclear. Also, in the case t located afar, this area is ation that cannot face any .
One-sided encounter with building
private
Double-sided encounter with building Encounter from a distance public
Not encountered Type A
a
b
c
d
Type B 1
2
B2b B2d 3
Type C 4
A1c
C3c
C4d
id or Co rr P Ro owd om er
M ain
En t ra nc e
Circulation ➊
D
in in gR
oo m
Circulation ➋
Publicity Order
11
Ba th ro om
Li vi ng R
1
lco ny Ba M Ro ast om er M ain
Se Ro con om d
En tra Po nc w e Ro d om er
8 6
5
Ba th ro om lco ny M Ro ast om er
12 13
4
3 2
01
12
Se Ro con om d
11 5
13
Ba
A
10
oo m
The more intense the color, the more public space is where it can be exposed to more people. In the personal living space, the living room can be such a space. The building floor plan will show a certain direction of movement that has a gradual difference in height.
9
2
7
A' 10
20
Co rr
id
1
or
1st Floor Plan
Section A-A''Perspective View
➊
3
➋
10
5
Level Variation
Li vi ng R
oo m
D
in in gR
oo m
UP
9
Depending on the spatial sharing relationship, public space is located on a lower height that can be freely exposed while personal living space is set for higher levels to avoid visual exposure. If the spatial height is assigned according to the degree of exposure to the inside, the gaze advantage that can be preempted in each space can vary.
4 One Unit
7
8
The Most Private Space
6
Base Plane
The Most Public Space
Floor Level Difference
PRIVACY ORDER Two living units begin from a different height so that they do not face each other from the same height. Such a system is a methodological interpretation that can control the gaze of apartment housing. A space used for passing away also has a different height from that of living spaces. Sometimes you see the ankle of someone on the upper floor, and sometimes you see the head of someone on the lower floor.
Unit A
(1)
(a)
(2)
(b)
(3)
(c)
(4)
(d)
(5)
(e)
(6)
(f)
Unit B
A
VIEW B
B Unit
Unit A
Section A-A' Level Difference
(2) (3) (1)
(6) (a)
(d)
A'
(4)
(5)
(b)
(e) (f)
2nd Floor Plan 0 1
2
5
10(m)
View B
Section A-A'
06 RECYCLING FOR INTEGRITY YEAR : 2014 09 - 11 TYPE : Architectural Design Studio 2_Community Center INSTRUCTOR : Sanghoon Yeom ROLE : Individual Work SITE : Nogosan-dong, Mapo-gu, Seoul
PLAST
META
GLA
We recycle trash, but most recyclables are incinerated as the recycling process is irrational. I propose a community center, which allows residents participation, by creating various types of bricks from discarded materials. This project will contemplate upon the process of recycling by gathering recyclable trash from the city and display the message of protecting our environment, positively contributing to society.
Mat
Crist
1. Put portio 2. The one bl a wait 3. A p throug 4. Ret them 5. Bric lated t 6. Stac height 7. The adhes 8. San
➊ ➍
➌
➋
HDPE, PS, LDPE, PVC VINYL, OTHER
SORTING
TIC
MELTING
STEEL ALUMINIUM COLOR TRANSPARENT
MOLDING
STACK CHOPPING
TAL
ANEALING SORTING
PRESSING WASHING
ASS
SANDING
WEAVE
ADHESION
terial Processing
ROTATE
DISPOSABLE CUP VODKA
COFFEE
WINE SHAMPOO BEER
DOG FOOD DETERGENT WHISKY
COKE LOTION TUNA
WATER SODA
SAKE
SODA RETORT FOOD
BEER
SOCIAL NETWORK FOR MATERIAL SUPPLY
SOJU
CUTTING
BEVERAGE
➎
SEALING
CAN
tal Brick Manufacturing Process
t the exact amount of computerized ingredient ons into a furnace and feed to them into a melter. e melter pumps out enough molten glass to make lock at a time, and the gob of glass then slides into ting mold. plunger pushes the gob down, spreading glass ghout the mold cavity. tractable arm extracts them from the mold and lays on a conveyor belt leading into an oven machine. ck travelS into an oven that cools the glass at regutemperatures over several hours. ck the blocks by shape, stacking them in parallel, t, arrangement, and width. e block is glued with a transparent adhesive, and the sive is hardened using UV rays. nd the hardened adhesive and the surface sealing.
RECYCLABLE WASTE TYPE
➏ 4 UNIVERSITIES AND RESIDENCE
Recycling For Integrity
GOLDEN RATIO 1:1.618
CURVED LINE
VARIATION1
VARIATION2
WALL LAYERING
SLAB LAYERING
AXIS
Urban Community Center This community center is derived from a variation of the basic golden ratio. The urban community center (Recycling for Integrity), which is central to the site, has programs such as an exhibition, open factory, and communal fabrication that can contribute to urban regeneration. In particular, the main program provides an open factory to show the people who live in the surrounding area, giving them a direct view of how waste is recycled, encouraging their environmental awareness. Also, it contributes to regional, cultural, and commercial development by focusing on the programs that can participate.
2nd Floor Plan 01 02 03 04 05 06 07 08 09 10 11 12 13 0
Exhibition Hall Restroom Lecture Hall Warehouse Workshop Lobby Heating Room Open Factory Reusable Material Storage Fuel Storage Factory Material Bunker Loading Space
Visitor's Machine Operation
Staff Management
15m
5m
Machine Maintenance
Operation Introduction
Repair Machine
Section A-A'
02 01
08 03
A A'
04
07
05 06
Resid Commun
S ROTATING
dent nication
A 02 03 SELECT AXIS
WALL PARTITION 08 07
09 10 04
06 05
01
A'
1st Floor Plan Data Custody
Material Storage
01 02 03 04 05 06 07 08 09 10
Lobby Office Machine Room 1 Community Hall Fabrication Room 1 Fabrication Room 2 Machine Room 2 Machine Room 3 Machine Room 4 Machine Room 5
Open Factory
13 09
10 11 12
l Hal n o iti hib
Ex
L ec
l Hal e r tu e ous h e r Wa
2M
p sho k r o rW o t i s Vi
AN AG E
R
Op
Community Users
There are three big categories for facility users. Managing partners manage most parts of factories, but the works created with recycled materials are mostly produced by the residents. Residents bring their trash here and can use the factories; trash is recycled as works, and the works are displayed for many to see. Materials coming in from schools nearby are sent to the big factory in the front; because as they are mass-produced, an entrance for huge transportation vehicles are required.
ry acto F en
ffice O t m en em on Roo g a n i Ma bricat a F
1V
ISIT OR
3M
AT E
RIA
L
Gar
eD bag
p um
R A
600 circular rotary ventilator
Fuel Tank Internal water paint on cement mortar Sealing and Adhesion Color hardener on cement mortar
Transportation
Sanding Strength Test
Washing and Drying Color hardener on cement mortar
s Reu
Site
Create the Square
Axis of the Site
Rotate Mass
Macro Flow
Bridge Mass
Micro Flow
Connect Programs
Free Arrangement of Mass
Circulation
A
Site Formation The geometric form that derived from the golden ratio is all over the site, forming unique rhythm and logical rules. This logic established the axis, macro, and micro flow of each site as well as the free arrangement of the mass. The outlines for a new building proposed on the site were created through the following process. A'
ater M e abl
ge ora t S ia l
ge ora t S l Fue
ry L o t c Fa
ine ter Ma
A'
r nke u B ia l g Sp din
ace
L oa
Factory line
Loading Space
Material Bunker
07 ETHER ETERNAL YEAR : 2022 01 TYPE : Advanced Architectural Design VI_ Pavilion INSTRUCTOR : Mario Gooden ROLE : Group Work (Howie Jiang, Lesley Li, Jo Hee Lee) SITE : Avery Hall, Columbia University in the City of New York "The Coolest Drawing" Award
Stratagies
1) By incorporating a stair-el that rises unevenly alongside vertical shaft, participants en this vertical space at selected
2) The integration of eco-bric bird nesting, alongside the m space, returns participants to and nature.
3) The entrance on the groun that serves as our primordial to enter and leave a space.
Runnin
Runnin & Eco-b
Rotated Alterna
lement e the ncounter d heights.
ck for main o light, air
nd plane l means
ng Bond
ng Bond bricks
d ation
Narrative Steeped in geological time, the installation recognises the Fayerweather-Avery courtyard as a space that transcends capitalism, conquest and construction. Framing a minute portion of the sky above, the proposal recognises it as an eternal constant of that space. Throughout all history occurring below on the ground plane, the ether above has retained a coherent presence aligned with forces of a global scale. All developments since our stewardship of Mana-hatta, bearing in mind the overgeneralization of ‘our’ within the temporal scale of human civilization, then begins to seem insignificant. Our ancestors understood and respected this, this propos- al serves as a reminder. As such, the design removes visibility of Avery and Fayerweather hall altogether and isolates participants within the vertical relationship between ground and sky. It diminishes products spawned through our acts of conquering & owning space, an aspect so pervasive in now New York City.
Ultimately, Ether Eternal removes our current determinations, demarcations and delineations of the ‘courtyard’ and returns us to an ongoing relationship originating well before us and likely extending long after our time here.
08 ANGLE OF EXQUISITENESS YEAR : 2014 09 - 11 TYPE : Architectural Design Studio 2_Pavilion INSTRUCTOR : Sanghoon Youm ROLE : Individual Work SITE : Nogosan-dong, Mapo-gu, Seoul
Recycling Landscape A pavilion located in Gwanghwamun square, Korea, that creates the half-circle frame, EXQUISITENESS OF ANGLE, produces a landscape filled with various forms of nature in the day. People gather at the center of the board, and through its turning, they reside in the various angles of the natural environment for a while. At night, it reacts to the nearby streetlamps and provides bright light onto the wide surrounding space, creating a city regeneration pavilion that provides vitality to the vast and empty Gwanghwamun square.
Section View
Facade Change
Occupancy Sensor
-90
-75
-60
2am
1am
12pm 11pm 10pm
-45
-30
-15
0
15
30
45
60
75
90
9pm
8pm
7pm
6pm
5pm
4pm
3pm
2pm
Streetlamp
Light range
Automatic light Sensors
Top View Light range
Solar panels PV cells
Streetlamp
Solar panels The panel that faces the center of the circle is covered by solar panels, taking advantage of an optimal southern exposure to sunlight by rotating according to the altitude of the sun. Taking advantage of the non-shaded plaza and maximizing sunlight exposure, most of the facade will feature solar PV cells to produce a great percentage of the consumed energy to light up at night.
Interlocking System The LED board senses the brightness of the streetlamps and adjusts the light intensity as time passes. Streetlamps and the reflection board together allow cultural activities in this pavilion (EXQUISITENESS OF ANGLE), which will contribute to increasing the city’s resilience for recovery.
LED lighting Efficient LED light fixtures will be used to further conserve energy and limit contribution to waste energy due to the long life of the lamps,. Automatic lighting controls with occupancy sensors and manual controls will be provided.Environmental screens with built in LED lighting systems ensure low energy consumption with an automatized illumination management that provides a long life lasting screen imagery projection.
Day & Night City Re
Narrow Ligh
2 pm 10 am
6 pm
Spining Along the Sun
Screen Elevation Change Interlocking system
ecovery System
ht Area
Brighter at Night
Rotating Along the Sun
Provide Natural Screen
09 STAND UP YEAR : 2019 09 - 12 TYPE : Architectural Design Studio 8_Renovation INSTRUCTOR : Woong Won Yoon ROLE : Individual Work SITE : Changcheon-dong, Seodaemun-gu, Seoul FORM
-ro
i nse Yo
STAND UP
FACE STREET
SEPARATE
PUSH
ORGANIZE FACADE
FUNCTION
CAFE & LIBRARY
FRANCHISE
DUPLEX ZONE
WORKSHOP
COLLABORATION
In Yonsei, the franchise that is famous for the gentrification phenomenon occupies the main road. As a result, the commercial power that has been maintained for a long time is gradually disappearing. Therefore, I would like to build a company and student collaboration shop where students can run at this age. Antenna Shop, Stand Up, is a shop that leads to fashion, art, and commerce by blending the trendy sense of young students with the reputation of the franchise. I classified the space as simply as possible, and created a buffer space to enable collaborative projects.
Ground 1 2 3 4 5 6 7 8
Lobby Cafe Library Shopper's Antenna Antenna Collabora Collabora
UP
EXTERIOR DESIGN
STRU
6 DN
Unlike the interiors, which vary in a variety of periodicities, the exterior of the building does not change often. The building, which appears to be cut and separated by massive plates, only looks at the front and back. The collaboration zone with a brick facade emphasizes that it is a shop, made with residents using the red brick, which is best used in Sinchon.
The w to red volum helps
4 5 UP 2nd FLOOR PLAN
SECTION B
UP
DN
DN 7 UP
3rd FLOOR PLAN
DN
DN 8
4th FLOOR PLAN
ELEVATION
1
2
FRANCHISE COMPANIES’ COLLABORATION WITH STUDENTS
5
Franchise companies can gain unprecedented competitiveness by encouraging and assisting students in inducing free ideas and trends. The floor plan of the building shows a buffer zone forming a collaboration zone between the student and the company.
UP
2
1
3
YONSEI UNIVERSITY Yonsei Pharmacy University Pharmacy Olive Young
A
Starbucks
A'
Hollys Coffee Mcdonald’s Baskin Robbins SK Telecom LG U plus GongCha BurgerKing
d Floor Plan
Subway
KFC
YONSEI -RO
0
KT Telecom Watsons Aritaum TacoBell Coffee Smith
Beansbins Coffee
s Lobby Shop A Shop B ation Zone 1 ation Zone 2
Desert Cafe
SHINCHON STATION
UCTURE
walls of the building seem to withstand the load, but they are converted into columns duce the amount of concrete used, and the use of basalt panels creates a massive me. The columnar structure makes the opening and closing of the space convenient and to connect the voids and slabs inside.
CEILING PANEL
SECTION A
CEILING PANEL
FLOOR OF MALL
FLOOR OF MALL
FLOOR OF HALL
FLOOR OF HALL
SECTION B
10 ARCHITECTURE BANQUET YEAR : 2015 03 - 06 TYPE : Extra Activity for Yonsei Architecture Exhibition INSTRUCTOR : Jooeun Sung ROLE : Design and fabricate as a display manager SITE : Changcheon-dong, Seodaemun-gu, Seoul
DIVERSITY A
When organizin we brought the c tables, various d joyed. The stron the exhibition in
BUDGET AND TARGET
Since it was the first time to curate the exhibition by students, the budget was not enough, but our aim and expectation were high. To solve the budgetary problem, we utilized previous exhibition materials and purchased only the necessary stuff, wooden panels, and steel frames to minimize the spending. Using a new way of assembling the existing furniture, the long leading table was created. By sorting the model tables in the group and placing the black steel frame, structural stability enhanced, and detail quality improves. Overall comments on the exhibition were exceptional, and the team is maintained to curate all exhibitions in the department.
AND UNIFORMITY
ng the diverse set of exhibiting materials, concept of ‘banquet.’ With big and core dishes (projects) are displayed and enng leading concept allowed us to visualize ntriguingly.
CUSTOMIZED TABLE
STEEL FRAME -REINFORCEMENT -NAME TAGS -ADDITIONAL SPACE (HEIGHT) CONNECTION BASE
CUSTOMIZED EXHIBITION CABLE FASTNERS
EXISTING MODEL TABLES
The central theme of the curation was to provide customized exhibition space for each graduating student since previous exhibition spaces were monolithic. Working as the leading curator of the exhibition, we went through several meetings and feedback with the exhibitors; more than 80 wooden panels (1.2m by 1.2m ) were customized using the CNC device.