18th/19th May Home and Garden Auction by Summers Place Auctions

Summers Place Auctions Ltd

SUMMERS PLACE BILLINGSHURST

HOME & GARDEN

THE WALLED GARDEN

Summers Place Auctions Ltd

WEST SUSSEX

+44(0)1403 331 331

www.summersplaceauctions.com

18th/19th May, 2021

RH14 9AB

Garden & Natural History 18th & 19th May 2021

SPECIALISTS AND AUCTION ENQUIRIES

Gavin Gardiner Limited ----------------------------------------------------------------------------------------------------------------

James Rylands Garden Statuary Specialist +44(0)1403 331 334 james.rylands@summersplaceauctions.com

Auctioneers of Fine Modern and Vintage Sporting Guns, Riﬂes and Accessories

Fine Sporting Guns at the Gleneagles Hotel Auction: 30th August 2021

Rupert van der Werff

Live Auction (Lots 1-224) Tuesday 18th May, 2021 at 1pm Sealed Bid Auction (Lots 400-836) Sealed bids must be with us by 4pm, Wednesday 19th May Please visit our website for additional images and videos of many of the Lots Viewing By appointment only

Entries Now Invited

Natural History Specialist +44(0)1403 331 333 rupert.werff@summersplaceauctions.com

Errol Fuller Curator for Natural History errol.fuller@summersplaceauctions.com

Administrators/Accounts/ Shipping Kate Diment +44(0)1403 331 335 kate.diment@summersplaceauctions.com

Lindsay Hoadley Please note there is a 5% surcharge for using this facility

+44(0)1403 331 337 lindsay.hoadley@summersplaceauctions.com

www.summersplaceauctions.com

We are now accepting entries for our auction of Sporting Guns and Riﬂes at the Gleneagles Hotel. To discuss consignments, or to make an appointment for a free valuation of your guns, call us now:

Tel 01798 875300 www. gavingardiner.com

1 An interesting and unusual early carved marble plaque 53cm high by 113cm long by 6cm deep Provenance: Ex The Robert Scull Collection, New York This interesting piece which may possibly date to the late Roman period may depict the adoration of the disciples with the figure of Judas on the right hand side slipping through a doorway. £2000-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

2 A rare carved white marble basin Italian, 16th/17th century 36cm high by 90cm long by 68cm deep Although heavily weathered, the carving on this piece with each corner sculpted with a different putto or grotesque head would certainly indicate an early date. These would probably have been designed for the courtyard or loggia of a Renaissance Italian Palazzo. £800-1200 3 A similar carved white marble basin 30cm high by 64cm square £300-500

4 A rare carved limestone armorial from La Suvera, Siena, country villa of Pope Julius II and the Ricci family carved in high relief with a hedgehog gazing at the sun Italian, mid 18th century 68cm high by 44cm wide Provenance: The Ricci family were established in Montepulciano, Southern Tuscany in the 12th century and owned La Suvera in 1123. Riccio de Ricci was an amateur weather forecaster, whose predictions were so accurate, he was believed to be a warlock engaged in the Dark Arts. To deflect the accusations, he claimed to make his predictions by observing the way hedgehogs scanned the sun. Since that time, the Ricci coat of Arms has incorporated a hedgehog gazing at the sun as in this rare Italian 18th century carved stone example. To this day the Italian for hedgehog is Riccio. This armorial which would have adorned another Ricci property was relocated to La Suvera following the repurchase of the villa by the Marquises Ricci who converted La Suvera to a Relais Hotel. Following its recent closure this and the marble baths were removed. See also footnote to the next lot. £6000-10,000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

5 A pair of important carved Rosso Verona marble baths from La Suvera, Siena, country villa of Pope Julius II and latterly the Ricci family Italian Renaissance, 16th century 74cm high by 172cm long Provenance: Removed from La Suvera, the country villa of Pope Julius II. Pope Julius II born Giuliano della Rovere; (1443 -1513) was head of the Catholic Church and ruler of the Papal

States from 1503 to his death in 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius Ibut in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States remained independent and centralised, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter’s Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campaign in Romagna against local lords. In 1508, he commissioned the Raphael Rooms and Michelangelo’s paintings in the Sistine Chapel. Julius II was described by Machiavelli in his works as an ideal prince. Pope Julius II allowed people seeking indulgences to donate money to the Church which

would be used for the construction of Saint Peter’s Basilica. After Pope Julius acquired La Suvera in 1508, the name deriving from the French word “Souveraine”, meaning Sovereign, he entrusted the famous Siennese architect and genius Petruzzi with the task of mitigating the severe Medieval style of the ancient fortress with sumptuous Renaissance taste. Petruzzi refined the building, joining the two original towers by means of a transept. The addition of a double portico and loggia completed his work, turning it into an imposing Renaissance villa. La Suvera was not simply one of the personal properties of the Pope, it was also the place Julius II retired to every now and again for a little rest far from Rome. La Suvera passed down the line from Julius II to his descendants, the Della Rovere family. From Julius’ nephew, Niccolò della Rovere, it then returned to the Sienna banking family, the Chigis. Marriage, inheritance, and acquisition caused it to pass through the hands of a number of prestigious Siennese and Roman families until it reached

the current owners, the Marquises Ricci, whose family had already owned La Suvera in 1123. In recent times Marquis Giuseppe Ricci Paracciani and his wife Princess Eleonora Massimo adapted La Suvera into a Relais where guests could enjoy the sumptuous state rooms and extensive gardens. Following the closure of the Relais, the villa is now for sale. These baths, which are of typically tapering form with a drainage hole, would originally have been incorporated into the villa before being moved to one of the courtyard gardens and planted out with flowers, probably sometime in the late 19th or early 20th century with the advent of modern plumbing and copper or cast iron baths. Although Rosso Verona marble is normally a deep pink in colour, over the centuries it mellows and becomes a lighter yellowy pink as in these baths which is a good indication that these date to the Renaissance period or shortly thereafter. £12,000-18,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

6 John Cheere: A rare lead figure of a fruit seller mid 18th century on later stone base and on stoneware pedestal the figure 130cm high, the pedestal 63cm high; 193cm high overall John Cheere was first in partnership with his brother Sir Henry Cheere, but took over John Nost’s yard and his moulds for lead figures in about 1739. Until his death in 1787 he was the leading producer of lead statuary as well as working in plaster. Contemporary accounts of his yard, which was situated on Hyde Park Corner indicate that his oeuvre was very varied and included rustic figures as well as classical statues and busts from antiquity. During the 18th century, masked balls or fete champetres set in Arcadian settings of country houses or in London’s Ranelagh and Vauxhall pleasure gardens, were immensely popular. These were attended by fashionable society dressed as milkmaids, fruit and flower girls or in the costume of the commedia dell’arte. This fascination with Arcadia was reflected in many art forms – for instance porcelain figures, but also in lead statuary in which numerous models were produced. Unlike porcelain however, the depredations of the weather and the intrinsic value of the material have resulted in very few period lead figures from the 18th century surviving. £5000-8000

7 A rare lead figure of Leda and the swan possibly by John Van Nost mid 18th century on stone base and later plinth the figure 110cm high, overall height 140cm Although it isn’t possible to make a positive attribution, this rare lead figure of Leda and the swan was produced by one of the leading producers of lead in the late 17th/early 18th century. Much of the lead sculpture of the time drew on the classics and this depicts Leda who was the daughter of the Aetolian King Thestius and was seduced by Zeus when the king of the Olympian gods took the form of a swan. The result of this union, which occurred on the banks of the River Eurotas, was an egg from which the beautiful Helen and Polydeuces were born. Leda is depicted wearing a crown as befitting her status as a princess, whilst the partial figure of the swan can be seen at the back of the piece. Stylistically it is reminiscent of the van Nost family who were of Flemish descent. The eldest, John van Nost, is first recorded working at Windsor Castle circa 1678. He had his own yard by about 1687 and there manufactured ‘Marble and Leaden figures, Busto’s and noble Vases, Marble chimneypieces and curious Marble tables’. He is best remembered as a supplier of lead garden statues. Records from Melbourne Hall, Derbyshire show that each of the supplied statues cost between £20-30. After his death (circa 1712) his yard at Hyde Park Corner was taken over by his nephew Gerard and then by John van Nost the younger in 1729 who continued until the mid 18th century. £8000-12,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

up and run by a woman. She was employed by all the leading late 18th century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled A Descriptive Catalogue of Coade’s Artificial Stone Manufactory. Then in 1799, the year she entered into partnership with her cousin John Sealy, she issued a handbook of her Pedlar’s Lane exhibition Gallery. The firm became Coade and Sealy from this date and following Sealy’s death in 1813, it reverted to Coade and in 1821 with the death of the younger Eleanor Coade, control of the firm passed to William Croggan, who died in 1835, following bankruptcy. Coade’s manufactures resembling a fine-grained natural stone, have always been famed for their durability. 8 A Coade stone boundary marker plaque depicting the seal of St Olave’s school and its foundation date 1571 circa 1780/90 the underside stamped COADE’S Lithodipyra LONDON 30cm high by 25cm wide

Provenance: St Olave’s School, Tooley Street, London Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769, and appointed the sculptor John Bacon as its manager two years later. It was highly unusual in the Georgian era and earlier for a business to be set

These plaques are stamped Lithodipyra which is a word put together by Mrs Coade from three Greek words meaning stone, twice and fire. The di (twice) element in the word refers to the grog part of the formula and also to the crushed glass which was included, both of which were fired twice, once to produce

them and a second time when kneaded into fresh clay to form the Coade body. This clever marketing ploy reinforced a major element of Coade stone’s desirability, namely its durability. Interestingly pieces stamped Lithodipyra were only manufactured in the 1780’s and 1790’s which gives us a pretty accurate timeframe in which they were made and since they are obviously very site specific, they would have been a one off commission. Henry Leeke, a Southwark brewer, left a will on 13 April 1560 which gave £8 a year towards the founding and maintenance of a new free school. On 25 July 1571 letters patent were obtained which established the school as a grammar school. The charter stipulated that the school be called: The Free Grammar School of Queen Elizabeth of the Parishioners of the

Parish of Saint Olave in the County of Surrey. Initially the school was housed in the old Vestry Hall of the church and its adjoining premises (on the west side of Churchyard Alley, a narrow lane off the south side of Tooley Street, running parallel with Borough High Street). Although the school was untouched by the Great Fire of Southwark, major renovation and extension was undertaken in 1676 after the fire. These unusual plaques bearing the date of the school’s founding in 1571, date to around 1780-1790, prior to the school’s relocation to Bermondsey in 1829. The school has subsequently moved a number of times and is now located in Orpington, Kent. Alison Kelly, the renowned doyenne of Coade stone charmingly remarks in her book, Mrs Coade’s Stone records under St Olave’s Tooley St School; “Oblong plaque found at New Malden and believed to be a boundary marker. Marked COADE’S LITHODIPYR, St OL, therefore probably 1780s-1790’s. Shows schoolmaster and boys in attempted Elizabethan scene representing school’s

date. Present whereabouts unknown” She further records the Architect of the school as Samuel Robinson 17521833. Mrs Coade appears to have taken as her inspiration an already existing circular engraved woodcut of the school, probably contemporary with its foundation which is still in use as the school seal today. (See engraving) Literature: Mrs Coade’s Stone, Alison Kelly ,SPA, 1990, pp 418 and 326 £500-800 9 A similar boundary marker plaque lacking Coade stamp 30cm high by 25cm wide £400-600

10 A similar Coade stone boundary marker plaque circa 1780/90 the underside stamped COADE’S Lithodipyra LONDON 30cm high by 25cm wide £500-800 12 11 A similar Coade stone boundary marker plaque lacking Coade stamp 30cm high by 25cm wide £400-600 12 A similar Coade stone boundary marker plaque lacking Coade stamp 30cm high by 25cm wide £400-600

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

13 A pair of rare Blanchard’s terracotta eagles late 19th century each with indistinct makers stamp Blanchard Terracotta London 64cm high Mark Henry Blanchard served his apprenticeship with the Coade Company and around 1839 established his

own manufactory in London. It is believed that in 1883 he moved his workshops to Bishops Waltham, to be nearer to the source of clay that he used. By the middle of the Century he had emerged as the leading manufacturer of terracotta in Britain, he was awarded prizes for his exhibit at the Great Exhibition of 1851. Amongst the many properties where his produce can be seen is the South Kensington Museum (now the Natural History Museum). £2500-4000

14 A pair of Coade style terracotta sphinxes late 19th/early 20th century one bearing the stamp Coade, Lambeth 80cm high by 102cm long This sphinx model appears in the Catalogue of Coade’s Artificial Stone Manufactory published in 1784. This pair, one of which bears the stamp Coade Lambeth would have been cast from a mould taken from an original pair probably around 100 years ago. £5000-8000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

15 A pair of impressive carved Portland stone seats 19th century 180cm long Provenance: Sold at Sotheby’s, Summers Place, Sussex, lot 204 and 205, 1st June 1993; Seago’s Pimlico Road, London £12,000-18,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

16 A pair of rare Regency reeded wrought iron curved seats early 19th century 270cm wide £4000-6000

17 A Regency reeded wrought iron games seat early 19th century with hinged footrest 154cm wide £1500-2500

18 A Regency reeded wrought iron seat early 19th century 240cm wide £1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

19 A pair of rare cast iron braziers mid 19th century makers plaque on bases missing 135cm high A number of these braziers originally lined London Bridge and are illustrated in a painting celebrating the arrival on 7th March 1863, of Princess Alexandra of Denmark in England for her marriage to the Prince of Wales, later Edward VII. The Times newspaper described the occasion and stated that “on London Bridge the decorators had broken out into ravens, elephants, tripods burning incense and figures of huge Danish Warriors.” £4000-6000 20 A pair of cast iron braziers mid 19th century one with makers stamp Addis. Leicester Street and with diamond registration mark 132cm high Provenance: Reputably removed from Bleak House, Broadstairs – the summer home of the novelist Charles Dickens See footnote to previous lot £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

21 A pair of impressive and unusual cast iron lidded finials on pedestals early 20th century 210cm high £3000-5000

22 A set of five Victorian carved sandstone urns mid 19th century 83cm high £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

23 A rare set of four wirework seats early 20th century £800-1200 24 An exceptionally rare rain recording gauge by Negretti & Zambra of London with serial No M/2004 early 20th century with maker’s plaque inscribed Negretti and Zambra, trademark London, together with a packet of original rain gauge papers 67cm high by 53cm wide by 34cm deep This records rainfall from a tilting seesaw cradle into two vessels at the back of the case which is attached to an anchor type escapement and calibrated silver dial supporting an arm with inked point recording the rainfall onto the printed rain gauge paper attached to a clockwork drum. The copper top with angled rain tube is removable and the body of the case is removed by 4 wing nuts on the base. A number of recording charts are included in original envelope. A similar example with anodised copper case may be seen in the Science Museum, London Object number 1921-322 Henry Negretti and Joseph Zambra founded their instrument manufacturing firm in 1850 at No 11 Hatton Garden in London. They occupied numerous other locations over the years. They were located at 38 Holborn Viaduct from 1869 to 1941, when the facility was destroyed in WWII bombing. Negretti died in 1879 and Zambra in 1897. The company went public in 1948, but profitability suffered, and they were taken over by Western Scientific Instruments in 1981. The company went into liquidation in 2000. £1000-2000 20

25 A large rectangular Cornish granite trough 70cm high by 175 wide by 108cm deep £2000-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

26 A G.E.C. Industrial Flame Proof Tripod Light 1940s an example of classic British lighting design, the lights are made up of a substantial three-part polished aluminium enclosure with its original flameproof glass lens and an impressive number of manufacturers details cast into the metal emphasising the heritage of the light. Now fully restored rewired and mounted on highly polished aluminium vintage theodolite stands from Swiss manufacturer Kern 70cm high by 70cm diameter This beautifully refined light was made by British manufacturer G.E.C and salvaged from the old de-commissioned Rolls Royce factory in Derby in the UK. Established in London in 1886, the General Electrical Company were to become the largest electrical manufacturing organisation in the British Empire and lived up to their description of Manufacturers of everything electrical, throughout their 100 year history. During the mass industrialization of the 1950s, GEC were often the supplier of choice for lighting the factories, workshops and mills of Britain with their huge range of light fixtures for every application. Rolls Royce built its Nightingale Road site to move production of the Silver Ghost car to Derby from Manchester in 1908. It later became synonymous with the Merlin engine, which powered the Lancaster Bomber, the Spitfire and the Mustang. These lights would have been in use during that war to illuminate the factory floor for the workforce. £1200-1500

27 An Arras wrought iron tree seat in two halves early 20th century with maker’s plaque 182cm diameter £1000-1500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

28 An over life size bronze figure of a kneeling man entitled ‘Suave’

the base signed and dated E. Girardin 1897 and stamped Fondu par P. Dufilhol/Tusey (Meuse)/1897

French, dated 1897

175cm high by 99cm wide by 66cm deep

cast by P.Dufilhol from a model by Eucher Girardin, verdigris patina

£4000-6000

29 Romanelli: A carved white marble figure of a girl last quarter 19th century signed Galleria Romanelli, Firenze and on marble pedestal the figure 90cm high, marble pedestal 77cm high; 173cm high overall Galleria Romanelli is one of the oldest sculpture studios still active in the world, having been founded in 1860. Its building is set in the Oltrarno, the artistic heart of Florence, and originally belonged to Lorenzo Bartolini, a great Italian sculptors of the 19th century. Sculptures made by several generations of the Romanelli family have long since been acknowledged worldwide. Today, the Gallery includes a team of skilled sculptors lead by Raffaello Romanelli. £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

30 An impressive bronze unicorn head modern variegated patina, mounted on iron base, from an edition of 5 143cm high This recently cast model from an edition of 5 was taken from a Coade stone original which formed half of a Royal Coat of Arms armorial and would have originally had the coat of arms in the middle and a lion on the other side. £6000-10,000

31 Brian Alabaster Livvy and Evie Bronze from a sold out edition of 20 Signed with artist’s monogram and number I out of XX Livvy reading her book, 113cm high £4000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

32  Helen Sinclair Rising for the Moon Resin, with monogram and numbered XI of XV 180cm high £1200-1800 33  Helen Sinclair Still sitting Resin, with monogram and numbers VIII of XV 190cm high This lot comes with a certificate of authenticity from Helen Sinclair dated 2003. £1500-2500

32 28

34 A painted hardwood frieze Indian, late 19th/early 20th century 90cm high by 182cm wide Provenance: Ex The Stephanie Skull collection £1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

The following 42 lots came from a private collection in Ireland which was acquired by an Irish businessman from the 1960’s onwards. From his house in the middle of Ireland he was able to cover all the large country house sales at a time when so many were being sold and their contents dispersed. The collection includes rare 18th century examples carved in Kilkenny marble, lots 35, 36 and 37 as well as works by the foremost producers of artificial stone, Austin and Seeley produced in the latter half of the 19th century, lots 59 to 61. Amongst the marble pieces and of particular note, are the carved white marble fountain, which formed the centrepiece of the garden, lot 44 as well as the now sadly weathered marble group lot 40. 35 A rare Kilkenny marble cistern of oval form on stand 18th/19th century on associated square plinth 69cm high by 76cm wide £2500-4000 Kilkenny marble or Kilkenny black marble is a finegrained very dark grey carboniferous limestone found around County Kilkenny in Ireland in the “Butlersgrove Formation”, a Lower Carboniferous limestone that

contains fossils of brachiopods, gastropods, crinoids and corals. The first and main source was the “Black Quarry” in the townlands of Archersgrove and Gallowshill just south of Kilkenny city, which was used from the 17th to the 19th century. Kilkenny is nicknamed “the Marble City”; the footpaths of the city streets were paved with Kilkenny marble flagstones, which were highly polished with wear glistened when wet. Large rough-hewn blocks were transported from the Black Quarry on horse-drawn drays the short distance to the River Nore, then onto small river floats or barges and brought about 3 kilometres down-river to Milmount where it was worked. A weir on the river provided water to drive reciprocating cross-cut saws to cut the larger blocks into the finished shapes required for the market. As well as in several local buildings, including Green’s Bridge, Kilkenny marble was used in Cobh Cathedral and Bowen’s Court in County Cork; Lissadell House, County Sligo; the headstone of Daniel O’Connell in Glasnevin Cemetery, Dublin; the altar of St Patrick’s Church, Belfast; and the plinth of the 2015 tomb of Richard III of England in Leicester Cathedral. In 1878, Bishop Thomas Francis Hendricken, a native of Kilkenny, and 1st Bishop of Providence, Rhode Island USA, laid a large block of Kilkenny marble as the cornerstone of his new cathedral. Cathedral of Saints Peter and Paul (Providence, Rhode Island).

It is rare to find smaller sculptural pieces in Kilkenny marble, not least because of its extreme hardness and propensity to fracture whilst being carved. This Kilkenny marble cistern has been carved to a remarkable degree of delicacy which is only less than 4cms deep at its narrowest point on the sides. If the purchaser of this lot chooses to have it polished, this should bring out the richness of the material with natural fossil inclusions. 36 A pair of carved Kilkenny marble gate pier tops 18th/19th century 64cm high £400-600 37 An extremely rare carved Kilkenny marble figure of Plenty late 17th/early 18th century 111cm high £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

38 An Italian carved white marble double sided bench circa 1900 176cm wide £5000-8000

39 A carved white marble Renaissance style table Italian, circa 1900 old damages 166cm wide £2000-4000

40 A carved white marble group of Apollo and a Muse English, 1st half 19th century possibly by an English sculptor working in Rome 190cm high £8000-12,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

43 A carved white marble portrait bust of a lady signed Simonds Fec Roma 1865 71cm high £500-800

An unfinished part worked carved white marble figure of Apollo

A carved white marble figure of a girl holding flowers

probably after the Antique

122cm high

150cm high

£300-500

£1500-2500

44 A carved white marble fountain Italian, circa 1900 surmounted by a lead fountain figure after Verrocchio 185cm high by 114cm diameter £10,000-15,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

After the Antique: A pair of cast iron Handyside Foundry Albani vases

A pair of rare cast iron urns, probably by Fiske

on associated stoneware bases

76cm high

square bases to urns missing 122cm high overall £2500-4000 46 A pair of rare cast iron pedestals Irish, 19th century with applied plaques inscribed with Gaelic 100cm high £1000-1500

American £800-1200

49 A pair of large cast iron urns on pedestals 48

2nd half 19th century

together with a pair of cast iron plinths (see website)

with later bronze dial

126cm high

104cm high

£2000-4000

An unusual cast iron sundial

£400-600 50 A pair of stoneware urns possibly Northern European, early 20th century 102cm high £1000-1500 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

51 A Coalbrookdale Laurel pattern cast iron seat circa 1870 foundry marks possibly obscured by old paint 120cm wide This design number 129358 was registered and patented at the Public Records Office on the 25th of May 1860 and is seat number 31 in their 1875 catalogue of castings section III page 263. (See engraving) £3000-5000

52 A Coalbrookdale pattern cast iron seat made for the Colonies circa 1870 with unusual oak apron and pierced metal seat, possible foundry stamps obscured by paint 183cm long Seats with metal slats, were those made for export to hot climates where wooden seat slats could be degraded by termites and beetles. The original design, number 119253, was registered and patented by the Coalbrookdale Iron Foundry at the Public Record office on 8th March 1859, and is seat number 30 in their 1875 Castings Catalogue. It was designed by the sculptor John Bell, one of Coalbrookdale’s principal designers, whose famous

Deerhound Centre Table was exhibited at the 1855 Universal Exhibition, and which is now in the Iron Bridge Gorge Museum, Shropshire. (See engraving) £2500-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A pair of Victorian carved red sandstone armorial gate pier beasts

After Canova: A carved Portland stone figure of Venus

circa 1860

178cm high

122cm high

When the Medici Venus was forcibly removed from the Tribuna of the Uffizi by Napoleon’s forces, King Louis I of Etruria commissioned Antonio Canova to replace the figure. True to nature, Canova submitted a wholly original figure to rival the antiquity, despite originally being asked to sculpt a copy. Canova’s Venus references the Medici Venus in the turn of the neck, but leans slightly forward, adding greater finesse to the proportioning of the figure. The Neoclassical composition also incorporates drapery which is used by Venus to conceal her nudity.

£2500-4000

late 19th/early 20th century

Canova subsequently made a number of versions, including examples for the Marquess of Lansdowne, the Marquess of Londonderry and, ironically, for Napoleon’s brother Lucien. It is unusual to find a model carved in Portland stone. £2500-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A rare lead figure of an allegorical figure

A lead figure of a bowler

Low Countries, 18th century

Northern European, early 20th century

155cm high

117cm high

£2000-4000

£1500-2500

A pair of Wimperis and Best lead urns

A pair of carved stone urns

early 20th century

19th century

69cm high

66cm high

This model is attributed to the firm of Wimperis and Best by Lawrence Weaver in his book English Leadwork 1909, fig 429

£800-1200

£1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

59 After the Antique: An Austin and Seeley composition stone figure of the crouching Venus mid 19th century 94cm high Felix Austin went into business in 1828 having bought moulds from a firm that had gone out of business. He established works in New Road, London, describing himself variously as an architect, statuary mason and sculptor as well as artificial stone maker. His material was not the same as the ceramic body used by Mrs Coade but made from Portland cement, broken stone, pounded marble and coarse sand (The Builder 1868). However, like Mrs Coade, he encouraged leading architects and designers to work for him. Around 1840 he entered into partnership with John Seeley. Seeley had trained at the Royal Academy Schools and also made an artificial stone which he called artificial limestone, before entering into partnership with Austin. In 1841 they published their first catalogue, Pleasure Grounds etc. from their address in New Road. The preface begins “Austin’s Artificial Stone is of a light tint, requires no painting or colouring, will not sustain injury from the severest winter, and being impervious to wet, is particularly applicable to all kinds of water works. Its superiority is now so thoroughly established, that the most eminent architects and scientific gentlemen have expressed, in their highest terms, their approbation of its durability, and close resemblance to the real stone”. £600-1000

60 A set of eight Neo-classical style composition stone finials possibly by Austin and Seeley mid 19th century 70cm high See footnote to lot 59 £7000-10,000 61 A pair of composition stone gate pier eagles possibly by Austin and Seeley 2nd half 19th century damages 80cm high See footnote to lot 59 £500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

An unusual carved Yorkstone bust of a girl with flowers on pedestal

After Canova: A composition stone figures of Venus

A composition stone figure of the young Bacchus perched on a wine barrel

2nd half 19th century

2nd half 20th century

North Country, mid 19th century

172cm high

71cm high

£300-500

£250-400

194cm high £1000-1500

65 A Haddonstone composition stone basketweave planter 2nd half 20th century 86cm high £400-600 66 A set of four composition stone putti musicians 2nd half 20th century 70cm high £300-500 67 A bronze bear late 20th century 183cm high £600-1000 68 A bronze three tier fountain with putto and entwined dolphins late 20th century 360cm high by 160cm diameter £600-1000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

69 A substantial Doulton stoneware urn on stand late 19th century 200cm high Although the firm of Doulton was established by John Doulton in 1815, it wasn’t until the latter half of the 20th century that the company expanded its line of ceramics into decorative wares including a range of garden ornaments including figures fountains and urns. Sir Henry Doulton died in 1897 and his son Henry Lewis Doulton took charge

of the company. A limited company was formed on 1st January 1899 called Doulton & Co. Ltd. The company was granted the Royal Warrant in 1901, which gave it the right to use the word ‘Royal’ in its title, hence Royal Doulton. £1500-2500 70 An rare Doulton stoneware urn late 19th century 91cm high £300-500

71 A pair of Pulham stoneware urns late 19th century stamped Pulham’s terracotta Broxbourne 61cm high The Pulham company was established in 1820 but made terracotta from around 1846 on into the 20th century, with workshops in Broxbourne, Hertfordshire. By the 1880’s the company was concentrating on garden and landscape ornaments. A catalogue of 1915, indicates that their wares were made of “Pulhamite” stone, which, is considered the best material for all designed stonework in connection with the garden for the following reasons: Pulhamite stone is more durable than natural stone, for it

never decays and never shells or flakes, cement is not used in its composition, it is a lighter substance, making more elegant productions than any other so called artificial stone. This is an important point, as the sides of a Pulhamite vase give more space for soil. It is the colour of light stone. There is nothing deleterious to plant life in it, in fact, owing to the nature of the material, the opposite may be said in its favour. We guarantee its durability, and can refer to work which has been exposed for 70 years. If desired we can reproduce in the antique style, and copies can be made from practically any existing examples. The company held appointments to H.M. King Edward VII, H.M. King George V and H.M. Queen Alexandria. £600-1000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A bronze angel late 20th century

A pair of bronze figural planters

104cm high

late 20th century

£400-600

102cm high £500-800

73 After the Antique: A bronze horses head

2nd half 20th century

late 20th century

74cm high

107cm high

£600-1000

£300-500

74 A pair of cast iron signal cannon 2nd half 20th century barrel length 97cm £600-1000

A pair of bronze deer

77 A set of four unusual bronze turtle fountains probably Italian, late 19th/early 20th century mouths plumbed for water 51cm long £7ä00-10,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

The Moore Collection

Dr Gerald Moore was a polymath, who ran a medical empire, a Safari Park and Motor Museum, while also painting, sculpting and writing novels, children’s books and poetry. Born in 1926, he spent his life in London, Kent, Sussex and retired to Devon where he died in 2018 at the age of 91. In 1993 he sold the contents of Heathfield Park and its Motor Museum at Sotheby’s with the BBC filming a documentary of the sale. Summers Place Auctions’ director James Rylands and Dendy Easton, former director of Sotheby’s Sussex and Antiques Roadshow expert, were both involved in the last sale and remember Gerry well. James said: “Despite his diminutive physical stature he more than compensated with his larger than life personality and passion for art. We are naturally delighted to be involved in organising an auction on behalf of his family nearly 30 years after the original Sotheby’s sale.” See our website www.summersplaceauctions.com for a full biography and details. 52

Gerald Moore

Standing stylised nude

Geometric abstract

Limestone

Ciment fondu with glazed ceramic finial

150cm high Featured on the front cover of Life Images. £300-500

130cm high £200-400

Gerald Moore

Totem head

Abstract totem figure

Janus head

Abstract totem figure

Ciment fondu on associated capital plinth

on pedestal

Ciment fondu

Fibreglass resin

145cm high

156cm high

105cm high

140cm high

£200-400

£400-600

£100-200

£200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

Gerald Moore

A pair of composition stone Egyptian style cats with blue finish

Egyptian cat figure

55cm high £200-400 86 Gerald Moore A composition urn with sprayed blue finish on column pedestal 127cm high £100-200

Painted resin 167cm high £300-500 88 Gerald Moore The Three Graces Fibreglass 100cm high £150-250

Gerald Moore

Two sheet metal abstract groups

Dancing figure

The largest 17cm high -

Painted sheet metal

James to check sizes

190cm high

£100-200

Gerald Moore Calder style abstract Painted sheet metal 195cm high £200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

Gerald Moore

Aphrodite

Bronze

Ciment fondu

Signed Gerald Moore, 1996, and foundry stamp Burleighfield

120cm high

115cm high

£300-500

£1500-2500

This is the maquette for the bronze Aphrodite

Gerald Moore

Totem figure

Cassandra

Ciment fondu

Bronze

142cm high

Titled and signed Gerald Moore and foundry stamp Burleighfield

£400-600

107cm high £1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

96 Gerald Moore A monumental standing stylised figure Bronze 322cm high £6000-10,000

97 Gerald Moore Abstract figure Bronze inscribed Morris Singer Foundry London 218cm high £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

98 Gerald Moore Man the Destroyer Bronze inscribed Gerald Moore, Tordown 1993 220cm high This piece is illustrated in Gerald Moore’s book Life Images, page 26 and shows Gerry Moore at the sculpture’s unveiling at Heathfield Park 1971. (see introduction to collection) £3000-5000

100

101

102

Gerald Moore

Totem figure with applied cherubs

Totem head

Abstract totem

Geometric totem

Ciment fondu

Painted fibreglass

115cm high

182cm high

104cm high

170cm high

£200-400

£400-600

£300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

103 Gerald Moore Marble totem on wooden base 248cm high £300-500

104

105

106

Gerald Moore

Agamemnon mask and helmet

Henge with incised decoration

Abstract

Ciment fondu and cast iron

Carved white marble

Ciment fondu, brick and granite tiles

148cm high

213cm high

170cm high

£400-600

£1500-2500

£150-250

110 Gerald Moore A pair of Egyptian style seated cats Resin 83cm high £200-400

107

108

109

Gerald Moore

Torso with hands

Abstract

Bronze

Nails and metal hinges on resin base

A slate panel carved in relief with a figure

with Morris Singer foundry stamp 70cm high £1000-1500

78cm high £100-200

80cm high by 52cm wide £100-200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

111 Gerald Moore Grate Expectations Recycled metal including a grate and hooks 91cm high £200-400 112 Gerald Moore Somewhere over the Rainbow 113

Bronze, barbed wire and nails On stone base

111

Titled 40cm high £200-400 113 Gerald Moore Memento Mori 20th century landscape with cow 54cm high £150-250 114 Edward Chiwawa A carved Serpentine figure Signed E Chiwawa 53cm high £200-400 112

116 After Charles Wheeler A resin figure of Spring 115

177cm high

Gerald Moore

Gerald Moore was a friend of Sir Charles Wheeler and the original bronze was gifted by Gerald Moore to his old school Eltham College and at that time this resin copy was made.

A resin dancing figure in the style of Charles Wheeler 195cm high This variation on the Wheeler figure of Spring was made at the same time as a companion piece to the following lot. £1500-2500

Sir Charles Wheeler KCVO CBE PRA 1892-1974 was a painter and who exhibited regularly at the Royal Academy summer exhibition from 1914 to 1970. ‘Spring’ was shown at the 1930 summer exhibition. The model was Marguerite Kelsey

who sat to Meredith Frampton in 1928. She holds a seed in her right hand symbolising her personification. Flowers bloom in relief on her feet and are indented on the rest of her body. Wheeler discovered the model at an evening sketch class and said that she brought spring into his studio when it was midwinter. Other sculptures by Wheeler include the Jellicoe Memorial Fountain in Trafalgar Square and figures on the Bank of England building. He was President of the Royal Academy 1956-66. £2000-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

117

118

119

A pair of composition stone urns on pedestals

A set of four composition stone urns

2nd half 20th century

After Botticelli: A pair of composition stone figures of Venus on pedestals

90cm

20th century, 120cm high

64cm high

£100-150

£150-250

£200-400

120

121

122

A composition stone group of Romeo and Juliet on pedestal

A similar group

A set of four composition stone urns on pedestals

£250-400

2nd half 20th century

110cm high

146cm high

£400-600

£250-400

124

123

126

A pair of composition stone armorial grotesque heads

A near pair of carved stone troughs

early 20th century

one measuring 17cm high by 85cm long, the other 17cm high by 71cm long, together with three decorative composition masks

58cm high £300-500 124

£200-400

A similar pair 58cm high

127

£300-500

A cast iron and wooden seat late 19th century

125 A terracotta oil storage jar late 19th/early 20th century 80cm high

210cm long, together with an aluminium suite of furniture (see website) £200-400

£150-250

128

129

A collection of three sandstone column bases

A collection of composition stone

the tallest 74cm high

including a pair of planters, an urn on pedestal, a pair of pedestals and a bird bath

£400-600

the urn on pedestal 84cm high

18th century

128 one of three showing (see our website)

2nd half 20th century

£200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

Gerry Moore was not only a sculptor but also a very talented artist. From his selection of paintings one can see how his style changed with the times from the late 1950’s through to the 2000’s from Abstraction through to pop art and figurative painting. His paintings have been arranged in chronological order to indicate the progression of his style.

130

132

134

Gerald Moore

Mediterranean harbour scene with moored boats, Oil on canvas

Abstract Composition

Abstract Construction

Signed and dated ‘62, Oil on canvas

Signed and dated ‘60

90cm by 119cm

Mixed Media including metal

£200-400

123cm by 120cm

Signed and dated with initials ‘61 60cm by 50cm £200-400

£200-400

131

133

135

Gerald Moore

Abstract with Metal Horse

Pop Art Rave

Initialled GM, Mixed Media

Initialled and dated Feb’66

121cm by 120cm

Collage, 75cm by 54cm

A set of eight illustrations from the Cuckoo who Flew Backwards

£200-300

£150-250

Crayon

41cm by 29cm (8)

Including a copy of Gerry Moore’s book, The Cuckoo Flew Backwards together with handwritten annotations by the author and other archival material relating to the book and pictures. (see website) £200-400

136

138

140

Gerald Moore

Study of a Cat

Birdman

Girl in sunlight

Signed with initials and dated ‘88

Oil on canvas

Greenwich Park, Signed and dated ‘84

54cm by 60cm

Signed with initials and dated ‘84

Oil on canvas, 91cm by 91cm

£200-400

60cm by 48cm

£300-500

£200-300

137

139

141

Gerald Moore

Europa and the bull, Oil on canvas

Church Scene, Oil on canvas

Woman and Cat, Signed and dated ‘83

Signed and dated ‘82

Initialled and dated ‘89

Oil on canvas

Titled and inscribed on reverse

90cm by 75cm

75cm by 59cm

79cm by 54cm

£200-400

£300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

142

144

Gerald Moore

Invitation to the Var

Cave paintings and head

Initialled and dated ‘81

Initialled and dated ‘86

Oil on board

Oil on panel

81cm by 60cm

60cm by 60cm

£200-400

143 Gerald Moore Europa and the Bull, Concept 1 Initialled and dated ‘82 Signed and titled on reverse Oil on board, 90cm by 60cm £200-400

145

147

Gerald Moore

Self Portrait as a Cardinal called Marilyn

Cats Head

Initialled and dated ‘84, Oil on board 122cm by 107cm £400-600

146 Gerald Moore Self-portrait with one horn Initialled and dated ‘84 Titled on reverse Oil on board 59cm by 89cm £200-400

Initialled and dated ‘83 58cm by 50cm £150-250

148 Gerald Moore The Venus of Greenwich Park Initialled and dated ‘80 Oil on board 120cm square £150-250

150

152

Gerald Moore

Entwined Heads and Hands

Popes

Initialled and dated 1980, a pair

Initialled and dated ‘ATGM ‘80, Black chalk

Mixed Media 76cm by 51cm £200-400

149

151

Gerry Moore

Gerald Moore

Haunted, Signed and dated 1980

Double Profile, Oil on canvas

Oil on canvas

Signed and dated 1993

109.5cm by 90cm

89cm by 59cm

£200-400

49cm by 37cm, and another Gerald Moore Female Nude Signed G Moore ‘80 42cm by 31cm (3) £150-250

153 Gerald Moore Dolly Says Hi, Oil on canvas Inscribed on old label on reverse 90cm by 60cm £200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

154 Gerald Moore Women taking her dogs for a walk, Sussex Oil on canvas, Signed and dated ‘92

156

158

Gerald Moore

Grotesque head

Walking the Dogs

64cm by 49cm

Oil on canvas

This picture painted 1992 which is the year before the Sotheby’s sale of Heathfield Park which appears to appear in the background of this picture in a truncated form.

60cm by 45cm £150-250

Initialled and dated ‘92 Signed and titled on reverse Oil on canvas, 122cm by 76cm £400-600

£300-500

155

157

159

Gerald Moore

Reclining Figure with Boat and Shark

Balloon Face

Pop Art

Initialled and dated ‘01, Oil on board

Initialled and dated ‘95, Oil on canvas

Oil on board, 152cm by 121cm

90cm high by 120cm wide

60cm by 44cm

£200-400

£150-250

164 Clifford Hall 1904-1973 160 Sir Alfred Munnings A signed photographic print of a lady holding a horse

162

90cm by 81cm

Still Life in Space

£500-800

Signed Heni-Hine and dated 1972

With a small vignette of a horse’s head drawn in pencil

Oil on canvas laid down

£200-400

Oil on board

Henry Horrible Hine

Signed in pencil and dated August 1925

36cm by 40cm

Women with beach towels

Oval, 49cm high by 79cm wide £200-300

161

163

165

Clifford Hall 1904-1973

Arthur Boyd 1920-1999

Charles Blackman 1928-2018

Girl sheltering under beach towel

Beauty and the Beast

Head Studies

Signed and dated ‘67

Black chalk and crayon

Black chalk

Oil on board, 63.5cm by 92cm

Signed and inscribed on reverse

Signed with initial B and dated ‘61

£800-1200

12.5cm by 18cm

The reverse with old label, 37cm by 27cm

£200-400

£600-900

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

166

168

Eric Souster

David Shanahan

Still Life of Flowers in a Vase

The Procession Conspiracy

Oil on canvas laid down

Oil on board, Signed Shan

60cm by 50cm, together with

78cm by 120cm

another still life by Souster, Landscape with Sun (see website)

£800-1200

56cm by 71cm £150-250

167

169

David Shanahan

Rupert Gatfield

In the Shadow of the Cross

Swallows, Oil on canvas

Oil on board, Signed

30cm high by 31cm wide

53cm by 77cm

£300-500

170

171

Rupert Gatfield

Surreal Landscape Signed R Gatfield

Surreal Landscape with upturned sugar bowl

Oil on canvas

Signed R Gatfield

130cm by 130cm

Oil on canvas

These three pictures appear to be part of a series and are numbered 1, 2 and 3

130cm by 130cm

£1000-2000

£1000-2000 172 Rupert Gatfield Surreal Landscape with Orchid and Giant’s hand Signed R Gatfield Oil on canvas 130cm by 130cm £1000-2000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

173

175

Rupert Gatfield

Fish Shoes

Orchid “Disyne”

Signed

Oil on linen

Gouache

Inscribed on label on back

35cm by 35cm

61cm square

£400-600

£500-700

174 Rupert Gatfield Flying fish Oil on canvas 60cm by 60cm £500-800

176

177

Billy Childish b.1959

portrait of a woman

portrait of a man

Signed Bill 91 on frame

Oil on wood

49cm by 37cm

51cm by 35cm

£600-1000

With exhibition label on back from Bromhill Art Hotel 2000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

178

Academy.

180

181

Sir Charles Wheeler

Heni-Horrible-Hine

A painted wood and iron mounted easel

Sold together with a black and white photograph of Sir Charles Wheeler

A Victorian cast iron stick stand

1st half 20th century

£200-400

220cm high This and the following Lot are reputed to have belonged to Sir Charles Wheeler, sculptor, painter and President of the Royal

Hippy Drogue Painted mannequin on iron stand Signed and dated 1972

179

147cm high

A similar easel

£150-250

200cm high £200-400

176cm high £300-500

Gerald Moore; The Studio Sale

FINE ART AUCTIONEERS

Timed Online Auction: 1st – 23rd May

An exceptional array of work from the last six decades.

bellmans.co.uk

For enquiries & appointments: 01403 700858 sussex@bellmans.co.uk Newpound, Wisborough Green, West Sussex, RH14 0AZ

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

182 A Campo di Cielo Meteorite 12cm £2100-2500

183 A Massive polished quartz freeform Madagascar 83cm, 240kg £4000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

184 A very large Megalodon tooth Indonesian, Miocene 16.2cm on the diagonal on stand £800-1200

185

186

A very large megalodon tooth

A very large Megalodon tooth

Indonesian, Miocene

Indonesian Miocene

15cm on the diagonal on stand

14.6cm on the diagonal on stand

£600-1000

£600-1000 187 An unusually small Megalodon tooth Indonesia, Miocene 7.2cm on the diagonal on stand £200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

188 A magnificent Capercaillie by Peter Spicer early 20th century with label to reverse 85cm high by 96cm wide £6000-10,000 189 A dome of two white winged cotingas 19th century 48cm high £2000-3000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

190 A pair of Little Owls and a Woodpecker by Spicer signed to rockwork and with label to rear 64cm high by 47cm wide This is an interesting and very decorative case by Peter Spicer. It is slightly unusual in that it contains a mixture of species whereas Spicer more often featured just a single species in his cases. It was featured in Robert Chinnery’s classic book A Record of Spicer’s (2001). £2000-3000 191 A Shag by Peter Spicer early 20th century with label to rear 74cm high by 63cm wide Peter Spicer of Leamington Spa is perhaps the most highly regarded of all the British taxidermists and his work is greatly sought after. Always decorative and brilliantly conceived his taxidermy shows not only great skill but also shows enormous understanding of the creatures that he worked with. £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

192 A magnificent pair of Sea Eagles by Duncan or Cullingford late 19th century 110cm high by 110 cm wide This magnificent pair of eagles was produced towards the end of the 19th century by one of the celebrated school of taxidermists that operated out of the north-east of England. This school specialised in placing their subjects against plain backgrounds so that the birds themselves could be focused on without any complication. This way of proceeding called for the highest level of skill as there was nothing to distract from the effect of the work. This particular case is by Cullingford or Duncan. Their work is very similar and it is often impossible to separate the two. £6000-10,000 193 A magnificent pair of Great Horned Owls by Waters late 19th century 95cm high by 73cm wide This wonderful case is by J.B. Waters a late 19th century taxidermist who operated out of Aboyne in Aberdeenshire. His work is always of a very high standard and he often used the device of shaping his cases in an unusual way. This case displays two very large Great Horned Owls (a North American species) and is featured in the legendary book produced by Christopher Frost in 1987 titled A History of British Taxidermy. Frost might be called the Godfather of the current vogue for taxidermy, and his business The Enchanted Aviary was a mecca for the older generation of collectors. Today both his book and the business have acquired an almost mythical status. £3000-5000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

195 A Red Legged Partridge by Spicer early 20th century with handwritten paper label to case 34cm high by 40cm wide Spicer’s cases are always of the very highest quality and are always in demand with collectors. £300-500 196 A Buzzard by Kirk of Glasgow late 19th century with label to rear 66cm high by 40cm wide

194 A Red Squirrel by Lowne, with label to rear early 20th century 34cm high by 28cm wide W. Lowne was a taxidermist from Great Yarmouth in Norfolk who operated from the 1870s until just before the outbreak of World War I. He specialised in East Anglian species but also often worked on exotic birds. £200-300

Kirk of Glasgow was a highly regarded taxidermist whose cases sometimes resemble those of Rowland Ward. They are always sought-after by those who collect antique taxidermy. £600-800

197 A rare pair of Bitterns by Hutchings of Aberyswyth with label late 19th century 90cm high by 87cm wide Hutchings operated in Aberystwyth and he is the best known of all the Welsh taxidermists who were working at the end of the 19th century and start of the20th. His work is characterised by its high quality and this quality is clearly demonstrated in this case of two bitterns. £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

198

200

An Icelandic falcon by Chawkley

A Victorian mixed case of British birds

late 19th century

circa 1870

with label to rear

96cm high by 79cm wide

71cm high by 47cm wide

£600-800

£600-800 199 A little Corella cockatoo in oval glass dome 19th century 44cm high £900-1200

201 A Red Kite by Cullingford late 19th century signed on branch 69cm high by 46cm wide This Red Kite was preserved by the north-east based taxidermist Cullingford in the last decade of the 19th century. It is in his typical style with a bare interior to the case and is another specimen that is featured in Chris Frost’s ground-breaking book A History of British Taxidermy (1987). £2000-3000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

202 An exceptional Pike in bow fronted case by Cooper early 20th century label to interior 57cm high by 138cm wide This enormous pike equalled the size of the largest that was ever stuffed by any of the famous Cooper family so celebrated for their fish taxidermy. It is featured in Fred Buller’s almost legendary book ‘The Domesday Book of Mammoth Pike (1979). In the book Buller named

the fish ‘John Bourne’s Pike’ and records its weight as 42lb with a length of 48 and a half inches and a girth of 25 and a half inches. It was caught in 1908 at Lough Arrow, Ireland and soon after its capture articles were written on it in the Angler’s News and the Fishing Gazette; these were produced because the catch was considered so remarkable. More recently the fish was featured in Barry William’s book ‘The Domesday Book of English Fish Taxidermists (2020).

Curiously, John Bourne, the man who caught the pike had no interest in having it stuffed and he gave the fish to a man fishing nearby, a Mr. Thomas Phillips, a public house owner from Birmingham. Phillips immediately dispatched the specimen to Coopers in London, and it arrived two days after its capture. After the fish had been preserved it stood for many years in the bar of the Crown pub in Ladywood, Birmingham. £8000-12,000

203 An Impressive Mallock barrel Salmon early 20th century 51cm high by 133cm wide P.D. Malloch was a celebrated Scottish taxidermist who operated out of Perth. During the last decades of the 19th century he realised that he could get a better result by casting fish (particularly salmon which are very oily and take months to degrease) rather than stuffing them. His productions are much sought-after and, like the present example, are usually placed in unusual barrel-shaped display cases.

204 A large Pike in bow fronted case Irish, Lough Erne, 1902 48cm high by 130cm wide £1200-1800

£4000-6000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

205 A massive Victorian dome of tropical birds including a Cock of the rock, Paradise Tanager, Spangled cotinga and racket tailed drongo 81cm high £4000-6000

206 An impressive Lesser bird of Paradise in mirrored case circa 1900 78cm high by 56cm wide £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

207 A Himalayan Monal under glass dome probably by Gardner circa 1900 64cm high £1200-1800

208 A Paradise Riflebird in a Victorian glass dome Victorian 50cm high With its iridescent plumage this Australian species is one of the few members of the bird of paradise family that is not found in New Guinea. £1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

209 A Victorian dome of tropical birds late 19th century 67cm high by 53cm diameter £1500-2500

100

210 A dome of colourful tropical birds late 19th century 66cm high £700-1000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

101

211 A magnificent Great Indian Hornbill 19th century in associated antique case 102cm high by 86cm wide £2000-2500

102

212

213

A green headed Amazon parrot

A very unusual Platebilled Mountain Toucan

circa 1900

South American

preserved under a Victorian glass dome

in earlier glass dome

48cm high

£2000-3000

68cm high

£500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

103

214 A full mount New Zealand Kea Victorian unusually mounted on a later stand with its wings open to show the flashes of red on the otherwise green plumage 61cm £1000-1500

104

215 Van Ingen: A Tiger skin circa 1920/30s 293cm long £2500-4000

216 Griffiths and McAllister A leopard skin felt backed rug 1st half 20th century 240cm by 165cm £800-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

105

217

218

A massive Greater Kudu trophy on shield

A large Lord Derby’s Eland trophy on shield with details 1977

early 20th century 130cm £400-600

late 19th/early 20th century 109cm high by 66cm wide £500-800

106

219

220

A Neapolitan Mastiff trophy on shield

A Lion trophy on shield

58cm high

£800-1200

63cm high

£3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

107

221 A full mount lion mid 20th century front paws on block stand 165cm long £5000-8000

108

222 Rowland Ward: A rare Indian Rhino trophy on shield with details Assam 1901 98cm high by 79cm wide Provenance: Heber Percy family, Hodnet Hall, Shropshire £35,000-50,000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

109

223

224

A large antique dome with composition green sea urchins as jellyfish with fish

A framed composition of Coelopleurus sea urchins

71cm high, the base 37cm diameter Originating from a late 19th century Belgium collection. £2000-3000

110

Unique composition of uncommon large Coelopleurus exquisitus, and rare longicollis and the smaller species maillardi, the frame 60cm by 40cm by 5cm £800-1500

GLOSSARY OF TERMS

In renaissance style

The following are examples of the terminology used in this catalogue. Any statement as to authorship, attribution, origin, date, age provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

In our opinion a work executed in the style of the renaissance but not necessarily of that period.

Please read carefully the terms of the Authenticity Guarantee and the Conditions of Business for Buyers set out in this catalogue. Antonio Canova In our opinion a work by the artist. In the case of 19th century sculpture this indicates that the work was made in our opinion either by the artist or by a foundry or editor who had the rights to reproduce the artist’s original model either during the artist’s lifetime or for a defined posthumous period. (When the artist’s forenames are not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not indicates that in our opinion the work is by the artist named). Attributed to Antonio Canova In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are original to the model or authorized by the sculptor’s studio or editor but not necessarily from the hand of the artist. The term bearing the signature and/or date and/or inscription means that in our opinion the signature and/ or date and/ or inscription have been added at a later date. Dimensions are given height before width Condition of lots Condition is only noted in the catalogue where an item is severely distressed. Prospective purchasers making commission bids without viewing the sale can be given condition reports on any lot on request. It is essential for buyers to satisfy themselves as to the condition of lots prior to the sale and to arrange their own insurance cover against loss and damage immediately after the sale. Please refer to the Conditions of Business for Buyers.

Manner of Antonio Canova In our opinion a work in the style of the artist and of a later date After Antonio Canova In our opinion a copy at a later date of a known work by the artist. In the 19th century this indicates that in our opinion the work was made by a foundry or editor at a later date and apparently without exclusive rights. Italian 18th century In our opinion a work from that region and of that date. Probably Italian 18th century In our opinion a work that is likely to be from that region and/or of that date but less certainty as to the region and/or date than is expressed in the preceding category.

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SUMMERS PLACE AUCTIONS AUTHENTICITY GUARANTEE If Summers Place Auctions Ltd sells an item which subsequently is shown to be a “counterfeit”, subject to the terms below Summers Place Auctions Ltd will set aside the sale and refund to the Buyer the total amount paid by the Buyer to Summers Place Auctions Ltd for the item, in the currency of the original sale. For these purposes, “counterfeit” means a lot that in Summers Place Auctions Ltd reasonable opinion is an imitation created to deceive as to authorship, origin, date, age, period, culture or source, where the correct description of such matters is not reflected by the description in the catalogue (taking into account any Glossary of Terms). No lot shall be considered a counterfeit by reason only of any damage and/ or restoration and/or modification work of any kind (including repainting or over-painting). Please note that this Guarantee does not apply if either:(i) the catalogue description was in accordance with the generally accepted opinion(s) of scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing at the date of the sale that the item was a counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical to use; or likely to have caused damage to the lot or likely (in Summers Place Auctions Ltd reasonable opinion) to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description. This Guarantee is provided for a period of five (5) years after the date of the relevant auction, is solely for the benefit of the Buyer and may not be transferred to any third party. To be able to claim under this Guarantee, the Buyer must:(i) notify Summers Place Auctions Ltd in writing within three (3) months of receiving any information that causes the Buyer to question the authenticity or attribution of the item, specifying the lot number, date

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of the auction at which it was purchased and the reasons why it is thought to be counterfeit; and (ii) return the item to Summers Place Auctions Ltd in the same condition as at the date of sale to the Buyer and be able to transfer good title in the item, free from any third party claims arising after the date of the sale. Summers Place Auctions Ltd has discretion to waive any of the above requirements. Summers Place Auctions Ltd may require the Buyer to obtain at the Buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Summers Place Auctions Ltd and the Buyer. Summers Place Auctions Ltd shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event Summers Place Auctions Ltd decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports.

GUIDE FOR PROSPECTIVE BUYERS 1. Buyer’s Premium Rates The buyer’s premium payable by the buyer of each lot is at a rate of 25% on the first £50,000, then 20% up to £250,000 and 12% on the amount by which the hammer price exceeds £250,000, plus an amount in respect of VAT thereon (see below).

2. VAT on Hammer Price and Buyer’s Premium and VAT Symbols in the Catalogue Property with no VAT symbol Where there is no VAT symbol, Summers Place Auctions Ltd are able to use the Auctioneer’s Margin Scheme and VAT will not normally be charged on the hammer price. Summers Place Auctions Ltd must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at 20% on this premium, which will not be shown separately on the invoice. Property with a † symbol These items will be sold under the normal UK VAT rules and VAT will be charged at 20% on both the hammer price and buyer’s premium.

Property with a @αsymbol

From 200,000.01 to 350,000 1%

It is assumed that items sold to buyers whose address is in the European Union (EU) will be remaining in the EU. The property will be invoiced as if it had no VAT symbol.

From 350,000.01 to 500,000 0.5%

It is assumed that items sold to buyers whose address is outside the EU, will be exported from the EU. The property will be invoiced under the normal VAT rules (see ‘Property with a † symbol above). Property sold with a ‡ or Ω symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Summers Place Auctions Ltd release such property to buyers in the UK, the buyer will become the importer and must pay Summers Place Auctions Ltd import VAT at the following rates on the hammer price: ‡ @ 5% Ω @ 20% Summers Place Auctions Ltd must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at 20% on this premium, which will not be shown separately on the invoice. VAT Refunds VAT may be cancelled or refunded on export if strict conditions are met and a fee of £30 plus VAT will be charged for this service. For advice, please contact us on 01403 331 331 Sales and Uses Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of items following purchase (for example, the Use Tax payable on import of purchased items to certain states of the USA). Buyers should obtain their own advice in this regard. Artist’s Resale Rightαα Purchase of lots marked with the following symbol  will be subject to payment of the Artist’s Resale Right, at a percentage of the hammer price calculated as follows: Portion of the hammer price (in) Royalty Rate From 0 to 50,000 4% From 50,000.01 to 200,000 3%

Exceeding 500,000 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to a maximum royalty payable of €12,500 for any single work each time it is sold. The maximum royalty payable of €12,500 applies to works sold for €2 million and above. Calculation of the artist’s resale right will be based on the Pounds Sterling / Euro reference exchange rate quoted on the date of the sale by the European Central Bank. Property with a ♠αsymbol. Some of these items require specialist dismantling and may not be available for immediate collection after the sale. Intending purchasers should check the status of these lots before the sale.

3. Before the Auction Pre-sale Estimates Pre-sale estimates are intended as a guide for prospective buyers but all lots can realise prices above or below the pre-sale estimates. Seller’s confidential reserves are set no higher than the low pre-sale estimates, except in the rare circumstance in which the reserve has been set in a foreign currency and the exchange rate has fluctuated. It is advisable to consult us nearer the time of sale as estimates can be subject to revision. The estimates printed in the auction catalogue do not include the buyer’s premium or VAT. Provenance In certain circumstances, Summers Place Auctions Ltd may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

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C.I.T.E.S.

Live Auctions

All the relevant lots in this sale have been carefully vetted, mindful of current C.I.T.E.S. regulations, concerning the sale of endangered species. We are happy to provide advice on any lots, to overseas buyers concerning export restrictions. However, it is ultimately the buyers responsability to satisfy themselves that the correct licenses can be obtained prior to bidding.

The auction takes place in the gallery with each lot displayed on a plasma screen as it is sold. Prospective purchasers are encouraged to attend the sale and must register their details with us beforehand. Bidding is by numbered paddle.

Condition of Lots All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 3 of the Conditions of Business for Buyers. Electrical and Mechanical Goods All electrical and mechanical goods are sold on the basis of their artistic and decorative value only, and should not be assumed to be operative. It is essential that any electrical system is checked and approved by a suitably qualified electrician, prior to use.

4. The Auction Auction speeds vary, and generally average between 50 and 120 lots per hour. The auctioneer will commence and advance the bidding at levels and in increments he considers appropriate (generally in increments of approximately 10% of the previous bid) and is entitled to place a bid or series of bids on behalf of the seller up to the reserve on the lots, without indicating he is doing so and whether or not other bids are placed. Please note Conditions 5 and 6 of the Conditions of Business for Buyers contain additional information on bidding. Bidding in Person To bid at auction you must register with us to obtain a bidding number. Before the auction, fill in the form at the registration desk, provide proof of identity, and you may be given a paddle showing your bidding number. This paddle should be used for bidding. The auctioneer will note this number when you purchase a lot.

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Absentee Bids If you cannot attend the auction we will be happy to execute written bids on your behalf, so long as you have registered your details with us beforehand. A bidding form may be downloaded from www.summersplaceauctions.com website. A bidding form is also printed in the back of the catalogue. This service is confidential. Lots will always be bought as cheaply as is consistent with other bids, the reserves and other commission bids. To avoid confusion, the sale date, lot number and a brief description should be filled in and signed. Commission bids by email without a signature will not be accepted. In the event of identical bids, the earliest received will take precedence. Always indicate a top limit, i.e. the highest price you would bid if you were attending the auction. Don’t forget that buyers premium and any VAT applicable will also be added onto your bid if you are successful. “Buy” and unlimited bids will not be accepted. Please refer to our conditions of business for buyers, which is also printed in the back of our catalogues. To ensure a satisfactory service please ensure that we receive your bids at least 24 hours beforehand. Telephone bids If you cannot attend the auction, it is usually possible to bid on the telephone. You will need to have registered your details with us 5 days before the auction. As the number of telephones is limited, it is necessary to make arrangements on which lots you wish to bid on, at least 24 hours before the sale. We also suggest that you leave a maximum bid which we can execute on your behalf in the event we are unable to reach you by telephone. Please refer to our conditions of business for buyers, which is also printed in the back of our catalogues. Online Bidding If you cannot attend the auction, you may wish to bid using the.saleroom.com, which will incur an additonal 5% of the hammer price plus VAT at the rate imposed

Sealed bid

Collection and Storage

For further information please see pages at the end of this section.

On receipt of cleared funds, lots can be collected from the Walled Garden, Stane Street, Billingshurst, West Sussex, RH14 9AB, Monday to Friday between 9.30am and 12.30pm and 2.00pm and 4.00pm. Collection of lots is strictly by prior appointment and must be arranged at least 48hours in advance. If Lots have not been collected within 35 days of the auction date then storage charges may be applied at a rate of £10 per Lot per day. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, Summers Place Auctions accept no responsibility for any damage which may occur, even in the event of Summers Place Auction staff assisting carriers during collection.

Sale by private treaty Summers Place Auctions shall, from time to time, be offering some lots for sale by Private Treaty in our architectural portfolio. These will usually comprise larger pieces of an architectural nature, which will require a longer period of planning and consultation than an auction can provide. Additionally if you are looking for a specific piece please let us know and we will use our worldwide network of trade and private clients to help source the most suitable item for you. Please contact us for further information. Payment Payment is due in sterling immediately after the sale and before purchases can be released. Payments in person can be made in the saleroom on the day of the auction using mobile banking, debit cards or by cheque. Thereafter payments may also be made by electronic transfer to our bank, by post or by debit card transactions by telephone. Cash will not be accepted.

Summers Place Auctions also reserves the right to charge storage fees of £10.00 per lot, per week, for any pieces left at Summers Place over a longer period than six months irrespective of whether they have been entered into a sale or not.

Sterling Banker’s Draft or Building Society Cheque and Electronic or Wire Transfer

We are happy to arrange shipping quotations and have extensive experience in working in conjunction with leading domestic and international shippers. There is no charge for arranging quotations.

Wire transfers can be made directly to our bank. Please contact us for further details. Sterling Banker’s Drafts and Building Society Cheques drawn on a recognised UK bank or building society are also accepted. Credit/Debit Card

Shipping

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

We are pleased to accept all major personal debit cards. Regrettably we are no longer able to accept credit cards

(a) The contractual relationship of Summers Place Auctions Ltd and Sellers with prospective Buyers is governed by:-

Sterling Cheque

(i) these Conditions of Business for Buyers;

Please note that we require seven days to clear sterling cheques where the amount exceeds the cheque card guarantee limit, unless special arrangements have been made with the auctioneer in advance of the sale (normally the presentation of a letter of guarantee from your bank). We always reserve the right to hold goods until a cheque is cleared.

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Summers Place Auctions Ltd (iii) Summers Place Auctions Ltd ‘s Authenticity Guarantee; (iv) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement. (b) As auctioneer, Summers Place Auctions Ltd acts as agent for the Seller. Occasionally, Summers Place Auctions Ltd may own or have a financial interest in a lot. 115

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; ““Buyer’s Expenses” are any costs or expenses due to Summers Place Auctions Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price or winning sealed bid price at the rates set out in the Guide for Prospective Buyers; “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot. The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable. 3. EXAMINATION OF LOTS (a) Summers Place Auctions Ltd knowledge of lots is partly dependent on information provided by the Seller and Summers Place Auctions Ltd is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions. (b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of Summers Place Auctions Ltd opinion and not representations of fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at Summers Place Auctions Ltd absolute discretion. 4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) Summers Place Auctions Ltd shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit, subject to the terms of Summers Place Auctions Ltd Authenticity Guarantee. 116

(b) Subject to Condition 4(a), neither Summers Place Auctions Ltd nor the Seller:(i) is liable for any errors or omissions in any oral or written information provided to Bidders by Summers Place Auctions Ltd, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by Summers Place Auctions Ltd in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against Summers Place Auctions Ltd and/or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither Summers Place Auctions Ltd nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of Summers Place Auctions Ltd or the Seller for death or personal injury caused by the negligent acts or omissions of Summers Place Auctions Ltd or the Seller. 5. BIDDING AT AUCTION (a) Summers Place Auctions Ltd has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as Summers Place Auctions Ltd requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case Summers Place Auctions Ltd’s prior and express consent must be obtained). (b) Summers Place Auctions Ltd advises Bidders to attend the auction, but Summers Place Auctions Ltd will endeavour to execute absentee written bids provided that they are, in Summers Place Auctions Ltd’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to Summers Place Auctions Ltd’s other commitments; Summers Place Auctions Ltd is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS Summers Place Auctions Ltd and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES). 7. CONDUCT OF THE AUCTION (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s) he reasonably deems necessary. (b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business. 8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until Summers Place Auctions Ltd has received the Purchase Price in cleared funds. Summers Place Auctions Ltd will not release a lot to a Buyer before payment. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots within 35 working days of the auction. Purchased lots are at the Buyer’s risk from the fall of the hammer. (e) All packing and handling of lots is at the Buyer’s risk. Summers Place Auctions Ltd will not be liable for any acts or omissions of third party removers or shippers.

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, Summers Place Auctions Ltd may in its sole discretion exercise one or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by Summers Place Auctions Ltd against any amounts owed to Summers Place Auctions Ltd by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at Summers Place Auction Ltd.’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer’s Property in Summers Place Auctions Ltd’s possession, applying the sale proceeds to any amounts owed by the Buyer to Summers Place Auctions Ltd. Summers Place Auctions Ltd shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings. 10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 35 days of the auction, the lot will be stored at the Buyer’s expense and risk at Summers Place Auctions Ltd’s premises or in independent storage.

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(b) If a lot is paid for but uncollected within 6 months of the auction, following 60 days written notice to the Buyer, Summers Place Auctions Ltd will re-sell the lot by auction or privately, with estimates and reserves at Summers Place Auctions Ltd’s discretion. The sale proceeds, less all Summers Place Auctions Ltd’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction. 11. DATA PROTECTION (a) Summers Place Auctions Ltd will use information supplied by Bidders or otherwise obtained lawfully by Summers Place Auctions Ltd for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i). 12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by Summers Place Auctions Ltd are the copyright of Summers Place Auctions Ltd. (b) These Conditions of Business are not assignable by any Buyer without Summers Place Auctions Ltd’s prior written consent, but are binding on Bidders’ successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of Summers Place Auctions Ltd.

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Sealed bid- How it works Our sealed bid auctions close at 4.oopm on the day after the live auction, but are on view at the same time and are included in the same catalogue with an illustration, description and estimate. Clients wishing to leave bids should do so in writing or by emailing a signed scanned page detailing lot numbers, brief description and the bid(s) which they wish to leave. All clients should also have registered with us beforehand and provided photographic identification. Sealed bids, when placed by telephone, are accepted only at the the caller’s risk and must be confirmed by letter or e-mail to info@summersplaceauctions.com. You can also e-mail the completed sealed bid form to sealedbids@summersplaceauctions.com Next give us your bid(s). This can be done by filling in the bidding slip found in your catalogue. If you are sending your bidding slip to Summers Place Auctions by post, please mark the envelope “Sealed Bid” so that we know it contains a sealed bid and do not open it accidentally. Bids and IDs may also be sent by e-mail. If you choose to send the bid electronically please email sealedbids@summersplaceauctions.com. This is a closed mailbox and will not be opened before the advertised time. However, we strongly recommend that if you have not viewed the sale in person, that you ask for condition reports on any lots you are thinking of leaving bids on. Sealed bid auctions differ from established auctions in that the bid left is the bid that will be exercised in full. Therefore, if you decide to leave a bid of, say, £900 on the lot estimated at £800-1000 and there is no higher bid (where two identical bids are received, the earliest received bid will take precedence), £900 will secure the lot subject to buyer’s premium and VAT on the premium. We will contact you if you have been the successful bidder to inform you of the lot or lots that you have purchased, so that you can make payment and make arrangements for delivery. We have had many years of experience dealing with both UK carriers and international shippers and are happy to obtain quotations and facilitate transport and shipping of single lots and multiple purchases to anywhere in the world. Bids will be opened on Thursday 20th May; and sales results will appear on the Summers Place Auctions website. Please be mindful that we will have to process a large number of bids, which does take time. However, we will endeavour to get this accomplished as quickly as possible and will expect to have the results of the sale posted by the end of the day. If you have never bid in a sealed bid sale before, here are some things to be aware of as regards leaving bids for this auction: Every lot in the sale has a fixed reserve, (the minimum price for which the lot can be sold) and this is never above the low estimate, it can be slightly below, but in the vast majority of cases it is the low estimate. The highest bid (as long as it is on or above the reserve) will be the winning bid. This is the ‘hammer price’ that the lot will be sold for. You should consider leaving a bid of an odd amount in pounds, for example, rather that bidding £1,000, try say £1,004, as many lots have been bought for the sake of the odd £1! You can tailor your bid in ways that are impossible to do in a live auction. For example, if you really like three lots, but only need one, and the piece you like the most is later in the sale, simply mark your order of preference. As long as your instructions are clear, having looked at any other bids left on the lots, we will do our best to comply with your preferences. In the event of two identically highest bids, the earliest bid received will take precedence. An auction price is made up of different components; the winning bid is called the ‘hammer price’; A commission, which is in addition to the ‘hammer price’ is payable to the auctioneers. This is known as the buyers premium, on which VAT is payable. Lots marked with  are subject to Artist Resale Right (ARR), which is 4% of the “hammer price”. All lots that have additional VAT are clearly marked in the catalogue with a †.

Sealed Bid Auction Lots 400-836 All sealed bids must be with us, at the latest by 4pm BST on the 19th May since the bids will be opened on the 20th May. The winning bid will be the highest left on each lot above the reserve. Bids are non sequential and the highest bid left is the price at which the lot is sold plus buyers premium and any VAT liable. In the event of two identical winning bids being left on the same lot, the earliest received bid shall take precedence. Summers Place Auctions decision on which is the winning bid shall be final. Winning bidders will be invoiced after the bids are opened. For further information on sealed bids and how they work see our conditions of business. The following 72 lots are from the personal collection of Tim Wonnacott and until recently were set out in the grounds of his country house, Whitefoots, near Ashington, West Sussex which has now been sold. Tim is a well-known TV presenter and auctioneer and for many years was a colleague of ours at Sotheby’s. His diverse media career has included appearing on and presenting well known programmes such as Bargain Hunt and Antiques Road Trip, but he also enthralled the nation a few years ago with his appearance on Strictly Come Dancing. As a charity auctioneer, he has raised a lot of money for various good causes over the years and this sale includes a painted resin cow (lot 463) presented to him by Esther Rantzen, after he raised over £600,000 selling sixty decorated cows in the first Cow Parade auction in London when he was Chairman of Sotheby’s Olympia 2002. Tim has kindly agreed to donate the proceeds of this lot to Childline, and Summer’s Place Auctions will not be charging Buyer’s Premium on this lot.

400

401

A carved stone trough 28cm high by 79cm wide by 53cm deep

A pair of Victorian carved sandstone hexagonal obelisks

(plants not included)

circa 1860

£150-250

200cm high £800-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

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402

403

405

402

404

A collection of glazed earthenware planters and flower pots together with two Greek-style amphorae

A large collection of terracotta flower pots, jardineres and trays

and three stands the largest 60cm high £200-400

19th century and later the largest 50cm high, together with three terracotta wall hung pochettes £200-400

403 Approximately 100 terracotta flower pots late 19th century onwards including some handthrown examples and some with maker’s stamp the largest 16cm high £60-100

404

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405 Approximately 100 terracotta flower pots late 19th century onwards including some handthrown examples and some with maker’s stamps, together with approximately 40 terracotta seedling pots the largest 16cm £80-120

407 A wrought iron three-tier plant stand with hinged back French, late 19th/early 20th century 160cm wide £300-500 408 A run of approximately 15 feet of late Victorian slatted white painted greenhouse decking with tin gravel trays £150-250 409 A collection of four galvanised metal rectangular planters modern

406

124cm wide and a similar smaller planter, 63cm wide

A carved stone finial

£200-400

17th/18th century supported on a millstone and column base 142cm high £250-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

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410

413

A carved stone trough

A stone bow front trough

32cm high by 59cm wide by 36cm deep

27cm high by 56cm wide by 58cm deep

(plants not included)

£100-200

£150-250

411 A carved stone trough 24cm high by 70cm wide by 41cm deep (plants not included) £120-180 412 A rectangular carved stone trough 9cm high by 130cm wide by 38cm deep, and another carved stone trough, 23cm high by 73cm wide by 34cm deep £220-400

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414

416

A carved stone trough

A roughly hewn rectangular stone trough

27cm high by 53cm wide by 61cm deep (plants not included) £150-250

29cm high by 55cm wide by 50cm deep, together with another rounded rectangular carved stone trough, 22cm high by 62cm wide by 43cm deep

415

£200-400

A D-shaped carved stone trough

417

28cm high by 67cm wide by 52cm deep, together with a similar smaller trough, 20cm high by 60cm wide by 46cm deep £250-400

416

A carved stone trough 20cm high by 112cm wide by 38cm deep (plants not included)

417

£120-180 418 A carved stone trough 19cm high by 91cm wide by 41cm deep (plants not included) £120-180

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

418

123

419

422

A Victorian slate water butt

A rounded rectangular copper vat

late 19th century 64cm high by 135cm wide by 51cm deep

with tap hole

(plants not included)

60cm high by 113cm wide

£300-500

£500-800

420 A carved rectangular trough 20cm high by 56cm wide by 40cm deep, and another carved stone trough, 20cm high by 65cm wide by 39cm deep £100-200 421 A collection of five composition stone planters 2nd half 20th century the largest 66cm wide £200-300

124

19th century

423

425

A copper bath

A set of four composition stone tazza urns

French, mid 19th century incorporating tap at one end and later castor 57cm high by 143cm wide

2nd half 20th century 50cm diameter £200-400

(plants not included) £600-800 424 A pair of glazed earthenware troughs with maker’s stamp 25cm high by 72cm wide by 46cm deep, together with a smaller stone trough 23cm high by 40cm wide by 26cm deep £100-200

426 A carved Cotswold stone staddlestone 67cm high, together with a carved sandstone mushroom group and a carved limestone relief carving of a stylised heart, 49cm high £300-500 427 A Georgian carved stone tablet early 19th century inscribed CSRB 36cm high by 38cm wide, together with a millstone, 40cm diameter £100-200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

125

428

430

A stainless steel table

A Victorian cast iron rustic seat

modern with rectangular pink Balmoral granite top 137cm long by 58cm wide £400-600 429 A teak garden suite of furniture comprising oval table 203cm long by 148cm wide, together with nine teak armchairs, green umbrella and marble lazy susan £600-1000

126

late 19th century with wooden slats, together with a similar smaller later chair the seat 120cm wide £250-400

431 A long Lister teak hardwood seat 2nd half 20th century stamped Lister 244cm wide £250-400 432 A pair of Coalbrookdale style Fern and Blackberry pattern cast iron garden seats 20th century 110cm wide £600-800 433 A near pair of AngloIndian teak Hepplewhite style armchairs 2nd half 20th century £150-250 434 A set of four AngloIndian hardwood chairs 2nd half 20th century original caning now replaced with hardwood slats £250-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

127

435

436

437

439

A collection of vintage garden tools including

A Victorian cast iron roller

A set of six wrought iron conical treillage frames

mattock, hayfork, wheeled edging shears, hoes, edging spades, slashers, billhooks, axe handle, sledge hammers, and other tools together with three galvanised watering cans

three brass rose sprays, shears, axes, hand drill, Hawes brass watering can, sieve, two baskets and a Sussex trug

late 19th century

modern

stamped J Hooley, Macclesfield

206cm high

£40-60

£80-120

50cm wide

£50-80 438 A group of nine Victorian cast iron sections of underfloor radiator pipe covers 18cm by 31cm wide and two 46cm wide, two pierced brass radiator grilles, six Georgian wrought iron veranda spandrel brackets, eight wrought iron brackets, 20th century, and a graduated set of three wrought iron plant pot holders, 41cm diameter, the tallest 92cm £200-400

128

£150-250

440

441

442

A set of three carved stone finial tops

A pair of hardwood columns

17th/18th century

Indian, 19th century

A Barbara Hepworth style stone sculpture

76cm high

220cm high

made-up

Only one showing in photograph

£300-500

comprising two early sandstone column sections, possibly 12th century, surmounted by a millstone

£400-600

240cm high £500-800 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

129

443

444

446

A collection of seven rectangular carved sandstone panels

The components of a foliate and acanthus carved architectural arch

late 17th/early 18th century

A collection of carved sandstone Victorian Gothic architectural fittings

carved in relief with foliage

2nd half 19th century

the majority 37cm high by 58cm long

£200-400

together with a quantity of Victorian lead down pipe fittings

2nd half 17th century

£300-500

£800-1200 445

A pair of circular wirework three tier planters early 20th century 115cm high (plants not included) £400-600

130

447

448

A harlequin set of four carved stone staddlestones

A harlequin set of three sandstone staddlestones

the tallest 96cm high

£500-800

£800-1200

the tallest 85cm

449 English School, 1st half 20th century A painted wooden mural of wood cutters Oil on canvas laid on board 184cm high by 244cm wide £300-500 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

131

453

450 450

452

Approximately 6 metres of wrought iron estate fencing

A wrought iron estate pedestrian gate

19th century

152cm high by 120cm wide

comprising two panels 140cm high by 230cm wide and one panel 140cm high by 140cm wide

451

453

451

A run of 7.3 metres of wrought iron estate railing

A pair of wrought iron gates 120cm high by 280cm wide, together with a pair of wrought iron panels with similar hooped tops, each 130cm high by 122cm wide and another pair of rectangular wrought iron panels with scrollwork decoration, early 20th century, 127cm by 84cm

132

£150-250

£200-300

late 19th century

452

19th century

£400-600

19th century comprising four panels including two on castors and two on bracket bases 118cm high £300-500

454

455

A pair of Doulton style painted lead pelicans

A set of four large Victorian carved limestone volute corbels

2nd half 20th century together with two similar painted lead pelicans 37cm high These pelicans are based on a model by Mark Villars Marshall for Doulton produced originally in terracotta and is illustrated in the Early 20th century Doulton catalogue page 5, figure 733. £600-800

19th century 71cm high by 51cm wide by 84cm deep £1200-1800 456 A washing copper 19th century with iron handles 70cm diameter £100-200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

133

458

461

462

A carved sandstone niche

A cast iron urn

Rajasthani, 19th century

20th century

457

38cm high

A carved marble pedestal

£100-200

66cm high, a similar smaller urn, 32cm high and a wrought iron basket

A wrought iron boot scraper on sandstone base

2nd half 20th century 94cm high

£200-400

£80-120 459

A collection of twelve Arts and Crafts terracotta wall plaques mid 19th century together with stainless steel wall fittings the rectangular ones 20cm high by 28cm wide £400-600 460 A Victorian cast iron table 52cm diameter, together with four Victorian style painted aluminium chairs £200-400

134

mid 19th century 44cm wide £100-200

463 463

464

A resin ‘Cow Parade’ Friesian cow circa 2000

A composition stone triangular fountain base

145cm high by 235cm long

2nd half 20th century

Presented by Ester Rantzen on behalf of Childline to Tim Wonnacott Chairman of Sotheby’s, Olympia saleroom following the successful first auction of Cow Parade items in October 2002 when a herd of sixty decorated cows realised in excess of £600,000 the highest charity auction total recorded at that time with an average price sold per cow of £10,000.

128cm high £200-400

Tim Wonnacott has kindly agreed to donate all of the proceeds to Childline and Summers Place Auctions will not be charging any buyer’s premium on this lot. £1000-1500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

135

465

467

A stone cheese weight with iron hook

A carved stone tribal style mask corbel

another cheese weight 38cm high, and two curling stones

late 19th/early 20th century

the cheese weight 28cm wide £100-200 466 Three river washed stone boulders

136

43cm high, together with another tribal style carved stone figure 40cm high, and a composition stone poodle, 45cm high £200-300 468

each approximately 60cm by 46cm, together with a quantity of rockery pebbles and tufa rocks

An Edwardian wirework plant stand

£100-200

£250-400

early 20th century 112cm wide

469

470

A lead figure of Pan circa 1920

A pair of Sankey and Sons terracotta rhubarb forcers

60cm high

early 20th century

£200-400

with maker’s stamp 60cm high

472

£200-400

A Handyside Foundry cast iron Borghese urn on pedestal

471 A Manifattura di Signa terracotta pedestal

150cm high overall

36cm high, together with a small marble urn, 30cm high and a marble mortar, 30cm diameter

This urn, appears in the mid 19th century catalogue of Andrew Handyside and Co., plate 64. (See engraving)

£120-180

£600-1000

early 20th century

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

137

Other properties

476

473

473 A wrought iron estate gate 19th century 146cm high by 270cm long £200-400 474 A substantial wrought iron gate early 20th century, with side panel and upright 474

the gate 150cm high by 140cm wide, the panel 124cm wide £400-600 475 A similar substantial wrought iron gate with side panel and upright measurements same as lot 474 £400-600 476

475

A wrought iron fence panel early 20th century 130cm high £250-400

138

477

478

477

480

A Victorian cast iron boot scraper

An unusual wrought iron boot scraper

circa 1880 37cm wide

late 19th/early 20th century

£150-250

124cm high

479 480

£300-500 478 A Victorian brass doorstep in the form of a swan late 19th century 39cm, together with a cast iron boot scraper, 35cm high (see website for additional image) £150-250 479 An unusual blacksmithmade door knocker in the form of a mythological beast

481 A rare carved Portland stone Georgian armorial unicorn 2nd half 18th century 76cm high This would either have been an individual commission as one of a pair of gate pier armorial figures or could possibly have formed one part of a Royal Coat of arms with the flanking figure on the other side being a lion. £800-1200

481

last quarter 20th century the backplate 64cm high £500-700 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

139

482

483

482

483

A near set of four carved stone Gothic finials 2nd quarter 19th century

A similar set of four carved stone Gothic finials

average height 100cm

2nd quarter 19th century

The modelling of these finials would suggest that they come from the early manifestations of the Gothic style architecture in the second quarter of the 19th century.

average height 100cm

For clients wishing to purchase all fourteen finials, a single bid should be entered and if the bid exceeds the total of the highest bids entered for the four individual lots, then that will be the winning bid. £800-1200

£800-1200 484 A similar set of four carved stone Gothic finials 2nd quarter 19th century average height 100cm £800-1200 485 A similar smaller pair of carved stone Gothic finials 2nd quarter 19th century

484

average height 85cm £400-600

140

486 A pair of zinc coated steel leaf balls modern 75cm high £800-1200 487 A pair of zinc coated steel artichokes on slate bases modern 53cm high £600-1000 488 A similar pair of zinc coated steel artichokes on slate bases modern 53cm high £600-1000 489 A stoneware corbel bracket circa 1870 stamped George Skey, Tamworth 53cm high by 30cm wide by 33cm deep £200-400 490 A 17th century carved stone gargoyle/ bust of a monkey 31cm high by 40cm deep £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

141

491 An impressive bronze mask of Hermes late 20th century 100cm high by 104cm wide £8000-12,000

142

492 A pair of painted wrought iron Gothic wall scones French, circa 1860 with hinged wall bracket 130cm high by 50cm deep £400-600 493 A carved oak bed tester 17th century with carved later giltwood bosses 145cm by 224cm Provenance: Angus McBean, Flemings Hall, Suffolk Angus McBean began his career in the theatre as maskmaker and scenery designer before turning to full-time theatre photography. McBean is renowned for his theatrical and inventive photography of the 1930s and 1940s. Imitated throughout his career, his influence especially in advertising is still prominent today. In 1935 he opened his own studio; and his prominent style was soon being published in glossy magazines. After the Second

World War he opened a larger studio in Covent Garden, and in the 1940s and 1950s was inundated with commissions from theatre companies. In the 1960s McBean photographed the Beatles for their first album as well as Audrey Hepburn, Vivien Leigh and Laurence Olivier. In the 1960s, he bought a Tudor manor house, Flemings Hall in Bedingfield, Suffolk, and undertook a major restoration. He lived there until his death in 1990.

494

£800-1200

80cm high by 59cm wide

A giltwood panel of a Buddha’s head Siamese, 20th century

£200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

143

495

496

A pair of rare cast iron lamps

An unusual wooden dog kennel

mid 19th century

modern

with later glass globes and on later carved limestone bases

raised on bronze feet

216cm high

The inspiration for this dog kennel comes from the Grade I listed kennel at Ightham Mote where is stands in the courtyard. It was made in 1890 for Dido a St Bernard. Apparently the dog was so large she was given her food in a washing up bowl.

£2000-3000

188cm high by 162cm long by 130cm wide

£1200-1800

144

497 An impressive Russian style glass chandelier modern 142cm high by 99cm diameter £20,000-30,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

145

499 A pair of carved hardwood West African tribal doors early 20th century each 176cm by 80cm wide £500-600 500 A small iron framed greenhouse 20th century with twin doors opening to one side and shelves within, all on a zinc covered wooden base and casters 163cm high by 138cm wide by 71cm deep £1000-2000 501 Two substantial carved sandstone staddlestone bases 85cm high 498 An unusual oak and horn stick stand Scottish, late 19th/early 20th century 190cm high This unusual piece incorporating various ram horns and on the lower section the horns are drilled and would originally have held a chain to hold sticks in position. £400-600

146

£80-120

503

504

502 An iron framed small greenhouse 20th century with lifting roof sections to either end and access door to one side, all on a zinc covered wooden base, with casters 145cm high by 224cm long by 71cm deep £1000-2000 503 A copper watering can French, early 19th century 39cm high £300-500 504 A copper watering can

505 An unusual pond yacht lugger late 19th century on later wooden stand

French, early 19th century

194cm high by 168cm long

37cm high

£400-600

506 A painted composition stone bird cage French, mid 20th century 195cm high £600-1000

£250-400 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

147

507

509

Chinese Room Divider

A large scale model of the tug boat ‘St Budoc’

Wood Unique 180cm high by 192cm wide by 56cm deep £1000-2000

well detailed and fitted with an electric motor (untested) 60cm high by 155cm wide by 34cm deep £600-800

508 A Nautilus light A unique fibreglass, glass and coconut wood segment composition nautilus sculpture, for use as a centrepiece lighting, (light fitting and wiring not included) 40cm high by 55cm wide £500-1500

148

510 A rare aluminium ski gondola 1950s 163cm high by 136cm long by 106cm wide This aluminium ski gondola is one of the earlier examples, when skiing in Europe was still in its infancy. A similar one from the Stubnerkogelbahn resort in Austria can be seen in the Technisches Museum, Vienna. £7000-10,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

149

150

511 A circular double sided bronze and cast iron fountain with bronze horses on either side the columns flanking the pool still have the stickers put on by visitors to the Camden Lock Market internal pool 245cm diameter; 510cm high by 350cm diameter Please note that only half of this fountain is photographed. The reverse side of the fountain incorporates a bronze standing horse. £12,000-18,000 512 An impressive cast iron pavilion 6 meters high by 330cm square These pavilions were recently removed from the world-famous Camden Lock Market in London, which is situated by the Regent’s Canal on a site formerly occupied by warehouses and other premises associated with the canal. Originally built as a horse hospital which served the horses pulling Pickford’s distribution vans and barges along the canal, Camden Stables Market makes up the largest portion of the famous Camden Lock Market complex. Horses injured pulling barges along the canals would come here for treatment and rehabilitation. The Grade II listed stables now house over 450 shops and stalls selling a variety of items from the unique to the exotic. Camden Lock market is now the fourth-most popular visitor attraction in London, attracting 28 million visitors annually. These pavilions which feature the Camden Lock coat of arms were installed during the extensive renovations of the early 1990’s. One of four available. £12,000-18,000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

151

later became the seat of the Government of India and where it is clear how Indian architecture inspired his designs. A lot of his fame is down to the then new lifestyle magazine Country Life, created by Edward Hudson, as it featured many of his house designs. Hudson commissioned Lutyens for several projects including the magazine’s headquarters on Tavistock Street and the refurbishment of Lindisfarne Castle. Most importantly he designed and built The Deanery in Sonning, Berkshire for Hudson between 1899 and 1901. Renowned garden designer Gertrude Jekyll designed the gardens and the house was essentially designed as a show home, which was featured in Country Life in 1921 and 1961.

opening height 223cm by 150cm wide

Sir Edwin Landseer Lutyens (29 March 1869 - 1 January 1944) is admired by many as one of Britain’s greatest architects. He designed many English country houses, war memorials and public buildings – adapting to the requirements of his era, while keeping hold of a more traditional style.

To be sold as an in situ lot. Viewing by private appointment near High Wycombe, Bucks

Internationally, he is most famous for his role in designing and building New Delhi, which

513 An important pair of wrought iron gates designed by Sir Edwin Lutyens and removed from The Deanery, Sonning overall height 234cm; overall width 229cm

152

During the 1980’s the deanery was owned by Stanley Seeger who made various changes, including remodelling the entrance with gates big enough to drive a car through and replacing the wall. Seeger knew that the vendor was a big Lutyens admirer and so gifted the original Lutyens gates and wall components to him rather than possibly disposing of them forever. The current owner now hopes that they will find a new, suitable home, perhaps with someone who shares his admiration for the architect. Lutyens was born in Kensington London, he was named after one of his painter father’s friends Edwin Henry Landseer and was brought up in Surrey and later studied architecture at the South Kensington School of Art. He set up his own private practice shortly after finishing college in 1888 and during his first commission of a private house in Surrey he met the garden designer Gertrude Jekyll which later led to a professional partnership that would create the “Lutyens-Jekyll” garden

look of many country houses. This combination of formal and informal style is still defined as the “English garden”. His early work was mainly private houses in an Arts and Crafts style, but after 1900 his style became a more conventional Classicism. Knighted in 1918, he received the prestigious RIBA Royal Gold Medal 100 years ago in 1921, which firmly established him as one of the greatest architects. £5000-8000

Gertrude Jekyll in the garden at The Deanery, Sonning, next to the wall

514 The carved stone and brick components from a wall designed by Sir Edwin Lutyens and removed from the Deanery, Sonning comprising 12 limestone pier caps, 80 meters of limestone coping stones, and 1300 curved bricks forming a tracery pattern. To be sold as an in situ lot. Viewing by private appointment near High Wycombe, Bucks. £4000-6000 The wall designed by Sir Edwin Lutyens for The Deanery, Sonning.

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

153

515 St John’s Barn A historic oak barn frame 18th Century and earlier, comprising approximately 300 timbers with full plans for reassembly and quote for re-erection within the UK 15.6m long by 6.2m wide by 8m tall approximately This lot is being sold in situ and can be viewed by prior appointment in Suffolk. Please see our website for further information £70,000-120,000

154

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

155

516

519

† A large beaten copper pot with ring handles

† A large beaten brass pot

early 20th century 66cm high by 87cm wide

45cm high by 96cm diameter

£900-1200

£800-1200

517 A pair of Hode Pottery Greek Pithos style clay planters modern inscribed Hode Pottery 57cm high £300-500 518 A pair of cast iron planters French, early 20th century 50cm wide, together with a pair of small cast iron urns, 43cm wide £100-200

156

early 20th century

520

521 520 A terracotta storage jar Mediterranean, late 19th/ early 20th century 66cm high, together with a cast iron hopper reputedly from Petworth House, 38cm (hopper not illustrated) £120-180 521 A terracotta storage jar early 20th century possibly by Compton, bearing two circular makers marks 82cm high Although this model does not appear in the Compton catalogue it is similar in style to the Ali Baba pot. The two circular stamps could possibly be

a Compton mark which was normally applied to the pot and quite often degrades over the years leaving a circular stamp with no discernible markings on it. £300-500 522 A pair of composition stone urns on pedestals last quarter 20th century 157cm high £1000-1500 523 † A pair of carved sandstone lug pots modern 74cm high £800-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

157

524 525

527 524

526

† A shallow carved sandstone bowl

† A carved stone bowl on stand

modern

63cm diameter

80cm high by 122cm wide

£400-600

£1200-1800

525

527

† A pair of carved sandstone shallow bowls

A Victorian Gothic carved stone font

modern

the centre section initialled HK and dated 1849

44cm diameter £500-800 526

158

103cm high £1000-1500

528

529

A pair of faux rattan Dedon planters

A set of four faux rattan Dedon planters

with yew topiary

the planter 90cm high

£200-400

£400-600 530 A set of three zinc coated steel planters modern each with topiary yew the planter 90cm high £450-700 531 A similar pair of zinc coated steel planters modern each with topiary yew the planter 90cm high £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

159

532 A pair of tapering square lead planters 2nd half 20th century 60cm high by 56cm wide £1000-1500 533 A pair of cast iron urns 48cm high £300-500 534 A pair of small cast iron campana urns 20th century 50cm high £150-250

160

535

A pair of rare Hope lead rectangular planters American, early 20th century 24cm high by 94cm wide by 20cm deep This model appears in the catalogue of Hope’s Leadwork for the garden in May 1932. Hope were based in Jamestown New York with offices on Park Avenue and in Montreal and Toronto and specialised in a wide range of leadwork including cisterns, planters and lead sculpture for the garden.

536

£600-1000 536 A similar pair of rare Hope lead rectangular planters £600-1000 537 A composition stone urn on pedestal 2nd half 20th century 128cm high £100-200 538 A large composition stone urn 2nd half 20th century 82cm high

537 538 £300-500 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

161

541 The components of a lead wall fountain early 20th century 540 A Georgian lead pump head late 18th/early 19th century 539 A rare Blanchard’s terracotta fountain circa 1870 68cm high Although not stamped, a similar fountain is illustrated in the Blanchard catalogue (see engraving) and footnote to lot 13 £800-1200

162

with wooden back plate and iron handle the pump head 88cm high £200-400

comprising three dolphins supporting a shell together with two earlier lead hoppers the shell 72cm wide £250-400

543 A pair of caved stone basins Indian, 2nd half 20th century 62cm high £250-400

542 A rare Coalbrookdale cast iron fountain last quarter 19th century 100cm high A similar single tier fountain is illustrated in the 1875 Coalbrookdale catalogue, Section III, no 32. £500-800

544 † A bronze urli Indian, 20th century 78cm diameter £1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

163

545 † An exceptionally large lingam stone 92cm high Lingam stones are symbols of worship, based on the scriptures and cultural traditions among the Hindus, particularly of the Shaivaites and Smartha Brahmins. Stones are ancient and connote divinity and are of smooth cylindrical form. All of the Lingams occur naturally in the Narmada River and are finished off by hand to enhance their egg shape. Shiva means auspiciousness and linga means a sign or a symbol. Hence the Shiva Linga is regarded as a “symbol of the great God of the universe who is all-auspiciousness.”, Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, “Narmada Ke Kanker utte Sankar” (a popular saying in the Hindi belt of India), which means that ‘pebble stones of Narmada gets a personified form of Shiva’. These lingam shaped stones (cryptocrytalline quartz, called Banalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. £3000-4000

164

546 † A riveted wrought iron kadai Indian, 20th century on later wrought iron stand 130cm diameter £800-1000 547 † A riveted wrought iron kadai Indian, 20th century with a later tripod and with hanging skillet 110cm diameter £400-600 548 † A painted wood and wrought iron door

549

Gujurate, India, early 20th century

Siamese, late 19th/early 20th century

203cm high by 118cm wide £1000-1500

A bronze figure of two warriors

on later wooden base 55cm high £200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

165

550 A David Harber smoked glass obelisk sundial

and shown with the stainless steel marker set in the ground.

552

£1500-2500

A wrought iron and zinc armillary on Louis XVth style composition stone base

inscribed with a poem and on stainless steel base originally wired with a light together with steel gnomen with drop in plaques denoting Spring and Autumn equinox and Summer solstice

551

late 19th/early 20th century

† A substantial column pedestal

160cm high

modern

£1000-1500

210cm high

£600-1000

modern

The length of the shadow cast by the obelisk at noon can be calculated

166

136cm high, diameter of top 62cm

553 A carved Portland stone curved seat circa 1900 173cm wide £2000-3000 554 A carved white marble bench Italian, circa 1900 with later veined marble top 183cm long £1000-1500 555 † A carved sandstone bench or low table Indian, modern 57cm high by 137cm long £800-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

167

558 † A carved sandstone table modern with black slate top 88cm high by 156cm long £2000-3000

557 A carved hardwood seat modern 184cm wide £300-500

556 An aluminium parasol table an aluminium urn, 47cm high and a wooden seat, 110cm wide £80-120

168

559

560

Alardus van den Bosch for Fawley Court

A pair of large hardwood chairs

“Wave”

modern

A marquetry and iron table, 2008

120cm high £800-1200

61cm diameter £800-1200

561 A wrought iron circular tree seat in two halves early 20th century 130cm diameter £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

169

562 A wrought iron tree seat 2nd half 19th century in two halves 170cm diameter £2500-4000

170

563 A wrought iron and mesh rocking chair modern with wooden foot and arm rests 172cm long £500-800 564

564 A similar rocking chair £500-800

563

565 A Regency style wrought iron bench made-up and incorporating some early elements 188cm long £500-800 566 A pair of Victorian cast iron tables possibly by Coalbrookdale 2nd half 19th century (lacking marble tops) but with two later iron mesh tops 69cm long £300-500 567 A similar cast iron table £150-250 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

171

568 A Coalbrookdale Water Plant pattern cast iron seat designed by Christopher Dresser possible marks obscurred by paint 190cm wide This design by Christopher Dresser no. 206162 was registered and patented by the Coalbrookdale Foundry at the Public Records Office on 18th February 1867 and is seat no. 45 in their 1875 Castings Catalogue, section II page 251 (see watercolour design). £600-1000 569 A rare Victorian cast iron seat end support with patent and registration stamps 185cm long £500-800

172

570 A strapwork iron tree seat modern 182cm diameter £1500-2500 571 A cast iron circular table early 20th century with later granite top 61cm diameter £200-400 572 A Victorian cast iron table late 19th century with circular marble top 69cm diameter £400-600

571 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

572

173

573 A suite of cast iron and wooden furniture by Benito modern each piece stamped with maker’s plaque the table 79cm square £800-1200

574 A suite of Dedon Barcelona range furniture designed by Richard Frinier modern comprising four faux rattan chairs and glass topped table the table 100cm square £600-1000

174

575 An aluminium framed pilot’s seat possibly from a 2nd World War bomber With chrome fixtures and later button-back leather upholstery, the back with indistinct maker’s stamp (photographs of this seat prior to restoration are available on request) £2500-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

175

576

578

After the Antique: A plaster bust of Laocoon

A plaster bust of Charles Dickens

modern

80cm high

66cm high

£300-500

£200-400

577

579

After the Antique: A white plaster bust of Diana

After the Antique: A resin bust of Venus

modern

76cm high

74cm high

£300-500

£250-400 577

176

579

578

modern

580

582

A composition stone statue of Diana the Huntress

After Canova: A carved white marble group of the three Graces

2nd half 20th century

135cm high

192cm high

£500-800

£7000-10,000

581 A composition stone figure of Hebe 2nd half 20th century 160cm high £300-500 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

177

583

585

A set of four carved limestone figures representing the Seasons

A simulated porphyry painted composition stone figure of Aurora

2nd half 20th century

modern

on pedestals

175cm high

172cm high

£100-200

£3000-5000 584 A composition stone group of mare and foal 2nd half 20th century 50cm high by 70cm long £500-800

178

586

588

A composition stone classical bust on pedestal

Two composition marble panthers

modern

2nd half 20th century

136cm high, together with a similar classical bust on pedestal, modern 136cm high

87cm high

£150-250 587 A set of four composition stone figures representing the Seasons

Possibly produced by Kenneth Lynch of Wilton Connecticut who sold a large range of composition stone, bronze and lead statuary through the last quarter of the 20th century. £1200-1800

late 20th century 145cm high £2000-3000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

179

589

590

591

A patinated fibreglass term figure representing Autumn

A pair of patinated fibreglass term figures representing Summer and Autumn

A Durenne foundry cast iron torchere figure of an Egyptian boy

modern 146cm high £250-400

180

modern 145cm high £500-800

the base stamped 127cm high Antoine Durenne set up in 1847 at Sommervoire Haute-Marne. He held a number of official posts

most notably being on the installation committee for the Exposition Universelle in 1878. The Durenne foundry was incorporated into the Val d’Osne foundry in 1888. £1500-2500

592

593

A composition stone urn on pedestal

After Jacquemart: A pair of composition stone dogs

137cm high

modern

2nd half of 20th century

80cm high

along with a composition stone figure of a girl

£500-800

140cm high together

594

see website for further images

An unusual composition stone figure of a deer with bronze antlers

£300-500

2nd half 20th century 155cm high £1200-1800

595 † A near pair of sandstone mythological lions Indian, early 20th century the larger 50cm high £1000-1500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

181

596

597

After John Cheere: A pair of lead figures of shepherd and shepherdess

After Van Nost: A lead figure of a kneeling North American Indian

2nd half 20th century

modern

598

the shepherd 132cm high

damages

£1500-2500

100cm high

A composition stone figure of Summer

The original model supporting a sundial plate was commissioned for Hampton Court in 1701. £800-1200

182

mid 20th century 151cm high £300-500

Image available on request

599

600

A carved Portland stone female torso

William Crozier (1942)

mid 20th century

Bronze

105cm high

Edition 1/9

From the estate of the late Rita Smith. TV Comedy actress from the late 50’s and 60’s including starring alongside Shelia Hancock in The Rag Trade and later doyenne of Britannia Antiques who with her husband Ian traded very successfully for many years with the largest stock of 19th century Majolica in the UK.

Debbie, 1979-1980

Signed and dated 76cm by 74cm by 125cm

601

Provenance: Ex The Robert Scull Collection, New York

Ian Gregory

Image available on request. Proof of age will be required.

Ceramic

£200-400

Dog Unique 81cm high by 39cm wide by 25cm deep £1500-2500

£300-500 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

183

602 Chang Feng Gallop Bronze Sculpture Signed Edition 54 of 99 40cm high by 62cm wide by 17cm deep £3000-5000 603 Ann Vrielinck, born 1966 Belgium Arrange Bronze 69cm high by 220cm wide by 70cm deep £4000-6000

184

604

605

pWalenty Pytel

Guido Deleu

Hawk Head

The Visitor

Steel

Bronze

Signed

180cm high by 75cm wide by 65cm deep

Unique 35cm high by 33cm wide by 12cm deep £1200-1800

£12,000-16,000 This popular piece has been cast in a number of sizes of which this is one of the largest

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

185

606

607

608

A bronze figure of a girl holding an apple

A similar bronze figure of a naked girl

Jonathan Wylder

3rd quarter 20th century

Bronze with marble base

on stone pedestal

figure 133cm high, 179cm high overall

180cm high

60cm high by 45cm wide by 30cm deep

£2000-4000

£2500-3500

£2000-4000

186

Ballerina

609

610

Alex Davies, born 1970

Jacques Vanroose

Kneeling Figure

Force

Bronze

Bronze, edition of 100

Signed and numbered 1 from an edition of 9

106cm high by 40cm wide by 30cm deep

50cm high by 25cm wide by 20cm deep

£2000-4000

£3000-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

187

611

612

613

614

Amos Supini

Puzzling

Munyaradzi Jeche

Toma Nenov

United Family

Bronze

My Imagination

Angel

Springstone

112cm high by 33cm wide by 33cm deep

Springstone

Bronze

94cm high by 24cm wide by 21cm deep

Signed and numbered 1 of 3

Unique 156cm high by 35cm wide by 25cm deep £3000-4000

188

£800-1200

£1200-1800

102cm high by 24cm wide by 18cm deep £1500-2500

615

616

Innocent Nyashenga

Carol Peace

Stronger Together

Tall Lady

Springstone

Bronze Resin

Unique

Signed ‘Carol Peace 2001’

43cm high by 37cm wide by 30cm deep

Edition 30 of 34

£1500-2500

36cm high by 14cm wide by 16cm deep £200-400 617 Victor Matafi Self-Introspect Opal Stone 160cm high by 75cm wide by 45cm deep £5000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

189

618

621

A bronze rhinoceros

Clive Fredriksson

modern

Tortoise

on marble base

Wood

38cm long

50cm high by 109cm wide by 61cm deep

£300-500

£400-600 619 A little bronze elephant 71cm high £400-600 620 B.C. Zheng Seated Pig Bronze on marble base Signed 23cm high by 34cm wide by 21cm deep £400-600

190

622

623

Paul Jenkins

Ptolemy Elrington Platy (born 1965)

Walking Fox Bronze, 16 of 22 47cm high by 69cm wide by 26cm deep £1200-1800

Hubcaps 52cm high by 20cm wide by 65cm deep £600-800 624 Paul Jenkins Sitting Fox Bronze 11 of 22 53cm high by 28cm wide by 21cm deep £1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

191

625

626

627

628

Martin Scorey

Red Chin

Neptune

Warrior

Wood, metal and glass

Red and White Checkered Mask

Wood, metal and glass

Wood and metal

Unique

Wood and steel

Unique

87cm high by 34cm wide by 20cm deep

Unique

75cm high by 31cm wide by 20cm deep

150cm high by 50cm wide by 30cm deep

£400-600

110cm high by 43cm wide by 24cm deep £400-600

629 Carole Peace Forward Fold Bronze resin Signed ‘Anime’ Edition 73 of 250 15cm high by 40cm wide by 15cm deep £200-400

192

630

631

Anon

Lady Godiva

Freya

Bronze

100cm high by 110cm wide by 27cm deep

100cm high by 28cm wide by 115cm deep

£1200-1800

£1200-1800 632 Ann Vrielinck, born Belgium 1966 Team spirit Bronze Signed and numbered from an edition of 49 126cm high by 135cm wide by 30cm deep £4000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

193

633 Isaac Kahn Repose Bronze Signed I.Kahn A.P Edition 3 of 4 116cm high by 50cm wide by 40cm deep £4000-6000

194

634 Maria Bayardo IL Bacio Bronze Signed edition P/A II of IV 180cm high by 38cm wide by 30cm deep £10,000-15,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

195

635

637

Jacques Vanroose

Harriet Mead, born 1969

The Swing

Hare on Shovel, Junk Hare on Shovel

Bronze Signed and numbered from edition of 75

Found steel objects

85cm high by 84cm wide by 20cm deep

49cm high by 26cm wide by 77cm deep

£1200-1800

£2000-4000

636 Ruth Moilliet Allium 1m diameter £3000-5000

196

Unique

638

639

Guy Buseyne, born 1961

Innocent Nyashenga

Samen

Sleeping Bird Bath

Bronze, variegated greenbrown patination

Leopard Stone

Foundry stamped

28cm high by 70cm wide by 45cm deep

58cm high by 65cm wide by 43cm deep

£1500-2000

£2000-3000

640 R Josarama Strong Family Springstone Signed 47cm high by 92cm wide by 28cm deep £1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

197

641

642

Martyn Barratt

Michael McManus

Wave

Burr Elm Angel

Kiln Formed Glass

Unique

91cm high by 62cm wide by 27cm deep

93cm high by 55cm wide by 20cm deep

£1500-2500

£4000-6000

198

643

644

645

643

645

A bronze stylised saxophone player

Chris Hindley

modern

Carved and painted wood

on marble base 60cm high

94cm high by 33cm wide by 12cm deep

£200-400

£400-600

644

646

Bob Oaks

Carol Peace

647

Bullrush

Waiting

Forged steel

Bronze Resin

Nicholas Moreton (b1955): Moses in the basket

Unique

35cm high by 15cm wide by 11cm deep

Ancester limestone with canvas awning

£200-400

27cm high by 71cm long

646

Heron

647

88cm high by 43cm wide by 28cm deep £400-600

The rope like appendage trailing down from he newly born child represents the umbilical cord (see website for additional image) £200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

199

648

650

Fungai Dodzo

Back to Back

Caring for young ones

Bronze

Opal Stone

Signed ‘JP’ and numbered

Signed

36cm high by 25.5cm wide by 8cm deep

136cm high by 80cm wide by 60cm deep

£400-600

£4500-5500 651 649

Katie Dixon

Art Deco Monkey

Angel

Bronze

Composition stone on pedestal

17cm high by 13cm wide by 9cm deep £400-600

Mongrammed KD 114cm high £250-400

200

652

653

Bob Campbell

Root Sculpture

Chain, hook and Tank Caterpilla track chair

Teak

Steel

190cm high by 165cm wide by 40cm deep

Unique

90cm high by 76cm wide by 55cm deep

£1500-2500

£1200-1800

654 Ruth Moilliet Bud - red and gold Stainless steel and anodised aluminium Original edition 1.2m high by 80cm wide by 80cm deep

£2000-3000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

201

655

656

657

Eighteen

Nineteen

pWalenty Pytel

Bronze, green patina

Hawk

Signed Guy

Bronze with a variegated green patination

76cm high

82cm high by 56cm wide

Unique

£1200-1800

74cm high by 30cm wide by 30cm deep

Steel

£800-1200

202

660

659 658

660

Frederick Andrews

Martin Scorey

Aeolus I - a sculptural instrument

Red Emperor

A combination of hand forged steel, aluminium, bronze and stainless steel

160cm high by 47cm wide by 30cm deep

130cm high by 50cm wide £1000-2000 659 Martin Scorey Red King Wood and metal 150cm high by 33cm wide by 20cm deep

Wood and metal

£400-600 661 John Cox Pheasant Bronze 49cm high by 71cm wide by 15cm deep £600-800

661

£400-600 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

203

662

664

An amethyst geode with calcite crystals

A large fossil wood sphere

Brazil

Indonesia

29cm by 27cm

29cm diameter

£800-1200

£1000-1500

663 A Pinolite disk Austria 29cm diameter £350-450

204

665

666

665

667

A large fossil wood sphere

A large fossil Lepidodendrom wood sphere

Indonesia 28cm diameter £1000-1500 666 A Preseli stone sphere 16cm diameter £600-800

Pensylvania, USA, Carboniferous, 18cm diameter Lepidodendrom was one of the commonest trees in the abundant forests of the carboniferous period but it is extremely rare to find an example with such fine detail £500-700

667 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

205

668

670

An amethyst sphere

A labradorite specimen

India

Madagascar

on metal stand

24cm high

15cm diameter

£500-700

£500-700 669 An agate specimen 24cm high £500-700

206

671

672

A fossil wood sphere

An ocean jasper freeform

Madagascar, Triassic, 225mya

Madagascar

23cm diameter, 18.7kg

£300-400

24cm, 7.2kg

£650-850 673 A malachite freeform Congo 20cm wide £350-450

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

207

674

677

A large red amethyst bowl

A red jasper freeform

36cm wide

37cm high

£500-700

£600-800

675 A jasper bowl 19cm £250-400 676 A collection of six mineral spheres including K” Cobra jasper and fossil wood the largest 10cm diameter £300-500 208

Southern Africa

678

679

A red jasper freeform

A large mookaite slice

Southern Africa

Australia

27cm high

44cm wide

£500-700

£500-700 680 Two mookaite slices Australia the largest 26cm wide £150-250

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

209

681

683

A pair of Amethyst slices on metal stands

A large amethyst bed

Brazil

47cm by 52cm

overall 121cm

£1250-1550

£1000-1500 682 A large amethyst bowl Brazil 39cm wide £250-400

210

Brazil

684

685

A crazy lace agate freeform

A set of four graduated Agate slices on stands

20cm high

Brazil

£500-700

39cm wide £500-700 686 A set of two amethyst shallow bowls Brazil each 39cm wide £500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

211

687

689

A large fossilised wood branch section

A large fossilised wood slice

Indonesia, Triassic

Arizona, Triassic

79cm

53cm wide

£1200-1800

£1300-1500

688 A unusual fossil wood branch Burma, approx. 100 mya 84cm long £500-800

212

690 An Amethyst “butterfly” on metal stand Brazil 83cm high overall £850-1250 691 An amethyst freeform on metal stand Indonesia 28cm diameter £1000-1500 692 A serpentine freeform Pakistan 27cm, 10kg £150-250 693 A banded ironstone freeform South Africa, approximately 2.5 bya 30cm, 9.5kg £400-600

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

213

694 A primitive rhino (Caenopus accidentalis) skull South Dakota, Eocene 51cm wide £5000-7000

214

695

696

A rare Hyenadon skull and paw on matrix

A large polished Phyloceras ammonite

Dakota, Eocene

Madagascar, Triassic

the skull 21cm wide

41cm

£1700-1800

£1200-1400 697 A cleoniceras ammonite Madagascar 25cm £500-700

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

215

701

698

700

An impressive amethyst and calcite specimen

A Desert rose specimen

Brazil

49cm wide

on metal stand

£100-200

Sahara

34cm wide £500-700

701 A moss agate freeform

699

32cm high

A nephrite jade freeform

£600-800

Pakistan 700 699

216

37cm, 20kg £500-800

698

702

703

A King cobra jasper sphere

A King cobra jasper pyramid

20cm diameter, 11.6kg

23cm by 23cm, 11.4kg

£500-800

£400-600 704 A collection of five mineral eggs the largest 15cm high £350-450

705 A serpentine bowl Pakistan 22cm diameter £50-80

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

217

706

708

A set of 8 mineral specimen spheres

A dinosaur egg, Oviraptor spp.

including Labradorite 16.3cm, Fluorite 15.2cm, polychrome jasper 14.5cm, Apatite 14.6cm and Kambaba jasper 16.3cm

China, Cretaceous

£800-1200 707 A dinosaur egg, Oviraptor spp. China, Cretaceous 15cm £500-800

707

218

708

15cm £500-800 709 A Chrysanthamum stone Chinese on wooden stand 44cm high overall £600-800

710 A very large agatized amethyst shallow bowl 79cm wide £400-600 711 A fossilised sharks tooth display in wall frame 85cm by 60cm £600-800 712 A sodalite and specimen mineral veneered table the top 60cm square £500-700 713 An agate phoenix bird carving modern 26cm £300-500 714 An agate dragon carving modern 26cm Both of these carvings came from the same geode. £400-600

713

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

714

219

715

717

A red amethyst sphere

A large fossil wood egg

Brazil

Madagascar, Triassic

on metal stand

20cm high

16cm diameter

£350-450

£600-800 716 A fossil lobster Indonesia, probably Miocene 23cm long £350-500

220

718

719

A set of three pink amethyst slices on metal stands

A malachite freeform

Brazil £1000-1500

Congo 14cm high £250-350

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

221

720 An extremely rare Hybodont skull Egertonodus Basandus Hastings, Lower Cretaceous 20cm high by 23cm wide by 23cm deep Hybodonts are an extinct group of sharks that flourished for hundreds of millions of years from the Devonian period to the late Cretaceous. This example came from Cretaceous deposits at Hastings and is unusual in that it is in a 3D preparation whereas most others occur flat. £10,000-15,000

222

721 A collection of juvenile Tyrannosaurus Rex bones Wyoming, Jurassic including partial Femur 61cm; partial Tibia 27cm; partial Ulna 33cm; partial Fibula 35cm T Rex is certainly the most iconic Dinosaur. Christie’s recently sold a full mount partial skeleton for £31,000,000 a record for any natural history specimen. £4000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

223

722 A crocodylus Siamensis lower Jaw Indonesia on metal stand 86cm long £4000-6000

224

723 A very large astroceras Stellare ammonite Scunthorpe, Jurassic 43cm £10,000-15,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

225

724

725

An antique letter box with 100 different marine curiosities

A composition of various purple and green sea urchins on a sea weed background in glass dome

with species of sea urchins, seashells and brachiopods from all over the world (Identification and locality of items available)

Unique composition of large green and purple tropical sea urchin species, and North Sea seaweed

£1250-1750

height 74cm Originating from a late 19th/early 20th century French church collection. £1500-2500

226

726

727

726

728

A framed composition of a colourful selection of Scallops Flexopecten flexuosus (Poli 1975)

A framed white regular and irregular sea urchins

Species of Pectinidae trawled South East off Chioggia, Italy at depths between 20 and 40m

white sea urchins, sand dollars and irregular urchins from around the world the frame 50cm by 40cm by 5cm

the frame 50cm by 50cm by 5cm

£400-800

£150-250

729

727

A framed composition of various uncommon green sea urchins

A framed composition of a colourful selection of Scallops Flexopecten glaber (Linnaeus, 1758) trawled SE off Chioggia, Italy at depths between 20 and 40m

728

species from around the world the frame 60cm by 40cm by 5cm £800-1600

Species of Pectinidae the frame 50cm by 50cm by 5cm

729

£150-250 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

227

732

733

730 730

732

A framed composition of various uncommon purple sea urchins from around the world

A framed composition of Victorian Dove shell (Columbellidae) collection

the frame 50cm by 40cm by 5cm £500-1000 731 A wallcase of crabs and starfish

Originating from late Victorian missionary/reverend collector Bloch in original pill boxes with glass lids the frame 40cm by 50cm by 5cm Many specimens were obtained by self collecting and exchanging with contemporaries such as A.H. Cooke, Pallary, Verkruzen etc. From the era, specimens originate from remote areas and were highly sought after.

£600-800

modern 731

57cm high by 67cm wide

733

£500-800

recent

A wall case of crabs 77cm high by 51cm wide £600-1000

228

734

735

A Triggerfish wall case

A very large and well preserved white sea fan Alcyonacea species of the genus Anella or Melithaea

modern 47cm high by 72cm wide £500-800

Sarawak, Indonesia mounted on black metal base 100cm high £1000-2000 736 A flying Gurnard fish skeleton in glass case recent 33cm high by 39cm wide £500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

229

737

739

A collection of shells with data labels in specimen boxes

A giant clam shell (Tridacna)

19th century

94cm wide

£250-400

£1000-200

738

740

A Hawksbill turtleshell (sp Eretmochelys imbricata)

A shell tower on stand

circa 1900

£400-600

62cm long by 50cm wide With A10 ref 595183/01 £400-600

230

late 19th century

modern 76cm high

741 A Marlin trophy modern resin 260cm long £500-800 742 A conger eel by Rowland Ward in glass case early 20th century

743

41cm high by 98cm wide

A boxfish skeleton in glass case

Ward was unusual in that he frosted the back glass to give an impression of the fish being underwater.

18cm £150-180

£600-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

231

744 Pashley of Norfolk: A case of three Razorbills

747

late 19th century

A full mount Brown Pelican

with label to rear 50cm high by 78cm wide Provenance: Ex Connop collection

late 20th century 72cm high £300-500

£500-800 748 745 A case of Guillemots

late 19th century

28cm high by 38cm wide

54cm high by 71cm wide

£150-250

£300-500 746 A full mount Otter early 20th century 78cm wide £150-250

232

A cased cuckoo

749

751

Deyrolle, Paris: A collection of beetles

A collection of world butterflies

early 20th century

36cm high by 26cm wide

21cm high by 34cm wide

£300-500

£150-250

750

752

A wall case of Hawk moths

An oval dome of nine butterflies

recent

modern

59cm square

53cm high

£500-800

£300-500 753 An oval dome of four butterflies modern 53cm high £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

233

754 A carved fallow deer head probably German, circa 1880 71cm by 102cm £400-600

757

755

A carved fallow deer head

A massive set of Red deer antlers on scull

probably German, circa 1880

recent

65cm by 82cm

126cm by 128cm

£400-600

£500-800 758 756 A set of Caribou antlers on plaque

mid 20th century

20th Century

110cm

91cm by 88cm

£300-500

234

A large Cape buffalo trophy

759

760

A massive set of Red deer antlers on shield

A set of Pere David’s deer antlers on shield

recent

modern

117cm by 84cm

115cm by 82cm

£500-800

£300-500 761 A large Cape Buffalo trophy on shield modern 83cm high by 90cm wide £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

235

762

763

A miniature Centaurs skeleton (made up)

A miniature full mount centaur

modern

(made up)

82cm high by 49cm wide

57cm high

£6000-8000

£3000-5000

236

764 A dromedary camel full mount 2nd half 20th century 210cm high £4500-6500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

237

765 A large replica Rhino head modern 114cm high by 122diameter £500-800 766 An Antler chair 2nd half 19th century in the manner of Hans Rampendahl 89cm high Provenance: Phillips Chester 2001, sold for £4,400. Rampendahl exhibited at the Great Exhibition and his designs inspired other furniture makers to produce similar antler furniture. £2000-3000

238

767 Rowland Ward: An elephants foot humidor circa 1900 with partial label to interior 21cm by 39cm by 32cm £500-800 768 A collectors’ cabinet made up from an early 20th century mahogany pot cupboard 82cm high by 59cm wide £600-800

769 Van Ingen: A large leopard skin rug early 20th century 240cm high by 150cm wide £1000-1500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

239

770

772

773

A full mount hybrid goose mid 20th century 62cm high £200-400 773 R Brookes: A carved salmon on plaque recent 85cm wide £600-800 771 774

774 770 R Brookes: A carved grayling on plaque

115cm high

63cm wide

£600-800

771 A Black swan full mount recent

240

recent

recent £600-800

772

A full mount mute swan on stand

74cm high £400-600

775

778

A Python skeleton in glass case

Two Mammoth molars

recent

the largest 25cm

60cm high

£250-400

Pleistocene, North Sea

£600-900 779 776 A set of 3 exploded beetles

A collection of small meteorite fragments £200-300

modern the largest 34cm high by 32cm wide

780

£300-500

A decorative display of Ostrich and Emu eggs on a platter

777

40cm diameter

A Dalmation puppy on stand

£200-300

modern 124cm overall £900-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

241

783

781 A Moose head mount recent

19th century or earlier

120cm high by 113cm wide

101cm high

£2500-4000

£250-400

782 A large replica crocodile modern 292cm long £500-800

242

A German hunting trophy possibly depicting an Aurochs

785 784

787

A Mouflon Ram full mount on base

A Punjab Urial on Rowland Ward shield

mid 20th century

early 20th century

113cm high

with label ‘Ibex (Goat Tribe), Shot in Central India about 1903 by Gen de O’Grady

Provenance: Ex Lodder collection £500-800

786

74cm high £400-600

785 A Sardinian Ram mid 20th century 87cm high Provenance: Ex Lodder collection

788

58cm high by 48cm wide £300-500

£500-800 789 786 A Barbary sheep

787

A Mouflon rams head with large horns, modern

789

Rowland Ward: A Reedbuck trophy on shield

20th century

label to verso with details Northern Nigeria

155cm high by 146cm wide

55cm high

£800-1200

£300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

788

243

790

791

A zebra skin

A Zebra head

modern

recent

260cm by 160cm

97cm high by 83cm deep

£300-500

£600-1000

244

792 A full mount Zebra recent 185cm high £3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

245

793

795

A case of a stoat reputedly by Ponchaud of Christchurch

Anthony Armistead: A Blue breasted kingfisher in wall case

circa 1900

recent

27cm high by 40cm wide

56cm high by 52cm wide

£250-400

£400-600

794 A stoat in ermine by Pratt & Sons of Brighton early 20th century label to rear 28cm high by 32cm wide £200-300

246

796 An unusual family of kingfishers circa 1910 64cm by 66cm

798

£250-400

A superb parrot on stand recent

797

40cm high overall

A pair of lovebirds in glass dome

£300-400

19th century 43cm high £400-600

799 A Monkey (Golden bellied mangabey) on bicycle recent 44cm £900-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

247

800 A full mount Honey Badger recent 80cm long £800-1200 801 A Nile Lechwe full mount probably by Zimmerman of Nairobi 2nd half 19th century 135cm high by 167cm wide £1000-1500

248

802 A wall mounted puma on a beam recent 140cm wide £1200-1800 803 A Ugandan Kob probably by Zimmerman of Nairobi 2nd half 19th century 160cm high by 175cm wide £1000-1500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

249

250

804

805

A Peacock wall mount

A white Peahen

modern

120cm

68cm high

£400-600

£600-800

806

807

An impressive case of two fighting cocks

A large Cockerel skeleton in case

circa 1980s

recent

50cm high by 120cm wide

58cm high

£600-800

£250-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

251

808

810

A preserved head of a Kangaroo on shield

An albino Bennett’s wallaby on stand

dated 1890

recent

29cm high

77cm high by 104cm wide

This highly unusual trophy is twentieth century in origin.

£400-600

£200-300 809 A cast of Thylacine skull by Luke Williams in an all glass case recent 36cm high by 35cm wide £300-500

252

811

812

813 811

813

A Red-flanked duiker head mount

Two Gerrard’s kob head mounts on shields

recent

circa 1900

35cm wide on shield

the larger 74cm

£200-400

£300-500

812

814

A female Kirk’s dik-dik

A cased Muntjac deer

recent

early 20th century

28cm high

60cm by 71cm

£200-300

£200-400

814

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

253

815 A South American Green Aracari toucan modern 38cm high £800-1200

254

816

818

Two unusual bleached full mount lizards

A Coyote full mount on stand

modern

99cm wide

in wall case

£400-600

recent

20cm by 15cm £200-300 817 Two Rosella parrots recent 23cm high overall These highly unusual and beautiful colour variants date from the early twentieth century, and are very different from normally coloured Rosellas. £400-600 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

255

819

820

A Grey-headed hanging bat in glass dome

A cast of a Great Auk skeleton by Luke Williams

recent

in a very large dome 85cm high

53cm high

The Great Auk is a brilliantly put together and scientifically important specimen achieved only after many hours of painstaking research. There are very few Great Auk skeletons in the museums of the world and this model had been constructed in an entirely convincing and scientifically accurate manner

£1000-1500

£1200-1800

256

821 A white Rhea chick in glass dome recent

822

50cm high

A young silver leafed Langur monkey in glass dome

£900-1200

recent 69cm high £2000-3000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

257

825

827 824

824

826

Rowland Ward: A Warthog wall mount

A pair of Rams head trophies on shields

early 20th century

40cm high by 33cm diameter

40cm high by 47cm diameter

826 823 A Gemsbok wall mount modern 107cm high by 32cm diameter £400-600

823

258

modern

(one showing)

£500-800

825

827

A Blesbok wall mount

A White tailed gnu wall mount

modern

94cm high by 53cm diameter

53cm high by 70cm diameter

£400-600

828

830 829

828

830

A Nubian Ibex trophy on shield

A large Sable antelope trophy on shield

dated 1911

modern

60cm high by 37cm wide

107cm high by 40cm diameter

£200-400

£300-500 829 Rowland Ward: A Sable antelope trophy on shield

831

early 20th century

85cm high by 55cm deep

103cm high

£300-400

A Siberian Ibex trophy 20th century

831

£400-600

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

259

832 835 836

836 A lion skull 19th century with wooden mount 36cm

833

£400-600 832 A mummified domestic cat possibly Medieval 44cm long £300-500 833 A camel and zebra skull recent the camel 54cm wide; the zebra 49cm wide £400-600

834 260

834 A large camel bone necklace Congolese by repute £200-300 835 A mummified cat English, possibly Medieval 65cm by 41cm £600-1000

FOR TELEPHONE BIDS

FOR WRITTEN/FIXED BIDS

DEBIT CARD NUMBER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXPIRY DATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ONLY)

LAST DIGIT OF SECURITY CODE

..............................

Signed _________________________________________ Dated ____________________________ Please send this form by post to Summers Place Auctions Ltd, The Walled Garden, Stane Street, Billingshurst, West Sussex RH14 9AB or by Fax to 01403 331340

Signed _________________________________________ Dated ____________________________

.............................. LAST DIGIT OF SECURITY CODE

3 ONLY)

Please clearly specify the telephone number or back up mobile phone number on which you may be reached at the time of the sale, including the country code. We will call you from the saleroom shortly before your lot is offered. Telephone bids are operated on a first come first served basis as lines are limited.

Where appropriate your written bids will be rounded down to the nearest amount consistent with the auctioneers bidding increments

“Buy” or unlimited bids will not be accepted and we do not accept “plus one” bids. Please place bids in the same order as in the catalogue. Alternative bids can be placed by using the word “or” between lot numbers

Please note that we may contact you to Request a bank reference. In addition we Will require sight of a government issued ID and proof of address prior to collection of purchases.

NAME ON CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ISSUE NUMBER..............(SWITCH

Please send this form by post to Summers Place Auctions Ltd, The Walled Garden, Stane Street, Billingshurst, West Sussex RH14 9AB or by Fax to 01403 331340

Lot No.

Payment is due immediately after the sale in pounds sterling. Full details on how to pay are included in our Guide for Buyers. If you wish to pay for your purchases by card please complete the details below and your Card will be charged.

New Clients:

GARDEN, DESIGN & NATURAL HISTORY

Please note that the execution of written and telephone bids is offered as an additional service for no extra charge ,and at the bidder’s risk. It is undertaken subject to our other commitments as the time of the auction. We therefore cannot accept liability for failure to place such bids, whether through negligence or otherwise.

Tel

SALE NUMBER

FOR TELEPHONE BIDS

(tel. bids only)

IMPORTANT

Address

First name

Summers Place Auctions Ltd

Title

TELEPHONE NUMBER DURING THE SALE

Bids will be executed for the lowest price as is permitted by other bids or reserve.

Maximum Sterling price (excluding premium & VAT)

ISSUE NUMBER..............(SWITCH

Lot Description

TELEPHONE NUMBER DURING THE SALE

Lot No.

(tel. bids only)

LIVE AUCTION BIDDING FORM

FOR WRITTEN/FIXED BIDS

Where appropriate your written bids will be rounded down to the nearest amount consistent with the auctioneers bidding increments

EXPIRY DATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please write clearly and place your bids as early as possible, as in the event of identical bids, the earliest bid received will take precedence. Bids should be submitted in (£) sterling at least 24 hours before the auction.

Please note that we may contact you to Request a bank reference. In addition we Will require sight of a government issued ID and proof of address prior to collection of purchases.

TYPE OF CARD AND NUMBER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Fax

NAME ON CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Mobile

Tel

Lot Description

Fax

Mobile

New Clients:

Postcode

Address

Postcode

Last name

IMPORTANT

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Bids will be executed for the lowest price as is permitted by other bids or reserve.

SALE DATEDESIGN 18th May, GARDEN, & 2021 NATURAL HISTORY

First name

Maximum Sterling price (excluding premium & VAT)

GS099

Title

LIVE AUCTION BIDDING FORM

SALE NUMBER

✂

Summers Place Auctions Ltd

GUIDE FOR ABSENTEE BIDDERS If you are unable to attend an auction in person, you may give Summers Place Auctions Bid Department instructions to bid on your behalf by completing the form overleaf. This service is free and confidential. Please record accurately the lot numbers, descriptions and the top hammer price you are willing to pay for each lot. We will try to purchase the lot(s) of your choice for the lowest price possible and never for more than the top amount you indicate. “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers. Bids must be placed in the same order as in the catalogue. This form should be used for one sale only - please indicate the sale number, title and date on the form. Please place your bids as early as possible, as in the event of identical bids the earliest received will take precedence. Wherever possible bids should be submitted at least twentyfour hours before the auction. Where appropriate, your bids will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments. Absentee bids, when placed by telephone, are accepted only at the caller’s risk and must be confirmed by letter to the Bidthe Department on letter or fax to Bid Department on +44 (0)1403 331 331 340. 340. +44 (0)1403 Please note that the execution of written bids is offered as an additional service for no extra charge at the bidder’s risk and is undertaken subject to Summers Place Auctions other commitments at the time of the auction; Summers Place Auctions

262

therefore cannot accept liability for failure to place such bids, whether through negligence or otherwise. Successful bidders will receive an invoice detailing their purchases and giving instructions for payment and clearance of goods. All bids are subject to the conditions of business applicable to the sale, a copy of which is available from Summers Place Auctions. Conditions of Business particularly relevant to buyers are also set out in the sale catalogue. We reserve the right to seek identification of the source of funds received. In connection with the management and operation of our business and the marketing and supply of Summers Place Auctions Companies' services, or as required by law, we may ask clients to provide personal information about themselves or obtain information about clients from third parties (e.g. credit information). If clients provide Summers Place Auctions with information that is defined by law as "sensitive", they agree that Summers Place Auctions may use it for the above purposes. Summers Place Auctions will not use or process sensitive information for any other purpose without the client's express consent. In order to fulfil the services clients have requested, Summers Place Auctions may disclose information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within the EU. It is Summers Place Auctions policy to require that any such third parties respect the privacy and confidentiality of our clients' information and provide the same level of protection for clients' information as provided within the EU, whether or not they are located in a country that offers equivalent legal protection of personal information.

By signing this Absentee Bid Form you agree to such disclosure. Clients will please note that for security purposes, Summers Place Auctions premises are subject to video recording. Telephone calls e.g. telephone bidding/voicemail messages may also be recorded.

Please to up to Please mail mail up or fax 17th May, 2021 The Walled Garden, Summers Place, Billingshurst, West Sussex, RH14 9AB.

For Bids only: Tel. +44 (0)1403 331 331

Lot Description

Sealed bid Sterling price (excluding premium & VAT)

New Clients Please note that we May contact you to request a bank reference. In addition we will Require sight of a government Issued ID and proof of address prior to collection of purchases

I agree to be bound by Summers Place Auctions Ltd “Condition of Business” as published in the catalogue which govern all purchases at auction, and to pay the published Buyer’s Premium on the hammer price plus any applicable taxes. I consent to the use of this information and any other information obtained by Summers Place Auctions I am aware that all telephone bid lines may be recorded. Payment is due immediately after the sale in pounds sterling. Full details on how to pay are included in our Guide for Buyers. If you wish to pay for your purchases by card please complete the details below and your Card will be charged.

NAME ON CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEBIT CARD NUMBER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

EXPIRY DATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ISSUE NUMBER..............(SWITCH

ONLY)

LAST DIGIT OF SECURITY CODE

..............................

Signed _________________________________________ Dated ____________________________

.............................. LAST DIGIT OF SECURITY CODE

Lot No.

SEALED BIDDING FORM

ONLY)

ISSUE NUMBER..............(SWITCH

EXPIRY DATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TYPE OF CARD AND NUMBER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

NAME ON CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Fax

Sealed bid Sterling price (excluding premium & VAT)

Mobile

Clients wishing to bid on an “either or” basis should list the lots they are interested in with the price they are prepared to pay in order of preference with “OR” written between each one.

Tel

Address

First name

Summers Place Auctions Ltd

Title

New Clients Please note that we May contact you to request a bank reference. In addition we will Require sight of a government Issued ID and proof of address prior to collection of purchases

Postcode

Lot Description

Clients wishing to bid on an “either or” basis should list the lots they are interested in with the price they are prepared to pay in order of preference with “OR” written between each one.

Tel

Last name

Lot No.

Fax

Mobile

Postcode

Last name

The winning bid will be the highest left on each lot above the reserve. Bids are non sequential and the highest bid left is the price at which the lot is sold plus buyers premium and any VAT liable. In the event of two identical winning bids being left on the same lot, the earliest received bid shall take precedence. Summers Place Auctions decision on which is the winning bid shall be final.

Address

IMPORTANT

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SEALED BIDDING FORM

BIDS MUST BE RECEIVED BY 19th May, 2021 by 4PM BST

Title

IMPORTANT

SALE NUMBER GE101

✂

Summers Place Auctions Ltd

GUIDE FOR ABSENTEE BIDDERS FOR SEALED BID AUCTION

SEALED BID AUCTION LOTS 400 to 836 All sealed bids must be with us, at the latest, by 19th May 4.00pm GMT since the bids will be opened on the 19th Mary. The winning bid will be the highest left on each lot above the reserve. Bids are non sequential and the highest bid left is the price at which the lot is sold plus buyers premium and any VAT liable. In the event of two identical winning bids being left on the same lot, the earliest received bid shall take precedence. Summers Place Auctions decision on which is the winning bid shall be final. Winning bidders will be invoiced after the bids are opened. Sealed bids, when placed by telephone, are accepted only at the caller’s risk and must be confirmed by letter or e-mail to the Bid Department. Successful bidders will receive an invoice detailing their purchases and giving instructions for payment and clearance of goods. All bids are subject to the conditions of business applicable to the sale, a copy of which is available from Summers Place Auctions. Conditions of Business particularly relevant to buyers are also set out in the sale catalogue. We reserve the right to seek identification of the source of funds received. In connection with the management and operation of our business and the marketing and supply of Summers Place Auctions Companies’ services, or as required by law, we may ask clients to provide personal information about themselves or obtain information about clients from third parties (e.g. credit information). If clients provide Summers Place Auctions with information that is defined by law as “sensitive”, they agree that Summers

264

Place Auctions may use it for the above purposes. Summers Place Auctions will not use or process sensitive information for any other purpose without the client’s express consent. In order to fulfil the services clients have requested, Summers Place Auctions may disclose information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within the EU. It is Summers Place Auctions policy to require that any such third parties respect the privacy and confidentiality of our clients’ information and provide the same level of protection for clients’ information as provided within the EU, whether or not they are located in a country that offers equivalent legal protection of personal information. By signing this Sealed Bid Form you agree to such disclosure. Clients will please note that for security purposes, Summers Place Auctions premises are subject to video recording. Telephone calls e.g. telephone bidding/voicemail messages may also be recorded.

Please mail to arrive before: 18th May, 4.00pm GMT. 19th The Walled Garden, Summers Place, Billingshurst, West Sussex, RH14 9AB. For Bids only: Tel. +44 (0)1403 331 331 Email for Sealed Bids only: sealedbids@summersplaceauctions.com

SPECIALISTS AND AUCTION ENQUIRIES

Gavin Gardiner Limited ----------------------------------------------------------------------------------------------------------------

James Rylands Garden Statuary Specialist +44(0)1403 331 334 james.rylands@summersplaceauctions.com

Auctioneers of Fine Modern and Vintage Sporting Guns, Riﬂes and Accessories

Fine Sporting Guns at the Gleneagles Hotel Auction: 30th August 2021

Rupert van der Werff

Entries Now Invited

Natural History Specialist +44(0)1403 331 333 rupert.werff@summersplaceauctions.com

Errol Fuller Curator for Natural History errol.fuller@summersplaceauctions.com

Administrators/Accounts/ Shipping Kate Diment +44(0)1403 331 335 kate.diment@summersplaceauctions.com

Lindsay Hoadley Please note there is a 5% surcharge for using this facility

+44(0)1403 331 337 lindsay.hoadley@summersplaceauctions.com

www.summersplaceauctions.com

We are now accepting entries for our auction of Sporting Guns and Riﬂes at the Gleneagles Hotel. To discuss consignments, or to make an appointment for a free valuation of your guns, call us now:

Tel 01798 875300 www. gavingardiner.com

Summers Place Auctions Ltd

SUMMERS PLACE BILLINGSHURST

HOME & GARDEN

THE WALLED GARDEN

Summers Place Auctions Ltd

WEST SUSSEX

+44(0)1403 331 331

www.summersplaceauctions.com

18th/19th May, 2021

RH14 9AB

Garden & Natural History 18th & 19th May 2021

18th/19th May Home and Garden Auction

Articles inside

Summers Place Auctions Ltd