11th/12th June Home & Garden Auction by Summers Place Auctions

Summers Place Auctions Ltd

Garden & Natural History

Viewing 9th & 10th of June 10a.m.- 4p.m. Auction starts at 1p.m. 11th June at Summers Place Auctions, The Walled Garden, Stane Street, Billingshurst, West Sussex, RH14 9AB For more information, videos and further images please go to

www.summersplaceauctions.com C.I.T.E.S.

Rupert van der Werff

James Rylands

All the relevant lots in this sale have been carefully vetted, mindful of current C.I.T.E.S. regulations, concerning the sale of endangered species. We are happy to provide advice on any lots, to overseas buyers concerning export restrictions. However, it is ultimately the buyers responsibility to satisfy themselves that the correct licenses can be obtained prior to bidding.

Specialist

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rupert.werff@summersplaceauctions.com

james.rylands@summersplaceauctions.com

Errol Fuller

Kate Diment

Curator for Natural History

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kate.diment@summersplaceauctions.com

Letty Stiles

Lindsay Hoadley

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lindsay.hoadley@summersplaceauctions.com

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1 A rare bronze door knocker in the form of a Cockatrice by Anton Dominik Fernkorn circa 1860 34cm high Anton Dominik Fernkorn (1813-1878) was born in Erfurt near Leipzig and studied sculpture under Johann Baptist Stiglmaier and Ludwig Michael Schwanthaler in Munich, from 1836 to 1840. His ﬁrst sculptural project, “Saint George and the Dragon” for the courtyard of the Montenuovo palace, attracted attention, and the Austrian government appointed him director of the imperial bronze foundry at Vienna, in 1840, where he was part of the movement against the Neo-Classicism. He rediscovered Baroque sculpture and used it as the basis for his equestrian statue of Archduke Charles (1859), who had defeated Napoleon at the Battle of Aspern in 1809. This unusual bronze door knocker, baroque in style, is virtually identical in modelling to a large scale cockatrice made for the medieval Trsat castle in modern day Croatia. (see picture) This cockatrice, the so-called Dragon of Trsat, was a mythical creature cast in bronze that grew to become one of the best known symbols of the city. There are two, both commissioned by Austrian Field-Marshal and Count Laval Nugent who purchased the castle in the 19th century. A big history buff, Nugent, originally of Irish descent, was particularly keen on the legacy of the Frankopan, one of the leading noble families in Croatia from the 12th to the 17th century. As Trsat Castle used to belong to the Frankopan dynasty, Nugent was happy to acquire the ediﬁce along with another similar estate, the Frankopan castle in Bosiljevo. The cockatrices, by Anton Dominik Fernkorn were installed in front of the central object on the castle grounds, guarding the gate to what is now Nugent’s mausoleum. For the Cathedral of Speyer, in 1858 he completed six of the eight free-stone statues of the German emperors buried there. He also made a statue of Prince Eugene of Savoy, but by unveiling in 1865 he was mentally ill and no longer able to work. He is well remembered for his portraits, and these include a bust of the Emperor Franz Joseph I of Austria and the funerary bust of Carl Ludwig Freiherr von Bruck in 1862. He was also a noted animalier, producing works such as the Lion of Aspern in Vienna. He died at the age of 65 in the hospital for mental patients in Saint Radengundu near Graz. Literature: Anton Dominik Fernkorn, Monument to Josipu Jelacic, a copy of which is included with this lot. He was also a noted animalier, producing works such as the Lion of Aspern in Vienna. £3000-5000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

3 A late medieval carved limestone architectural head English or French, 15th century 24cm high by 25cm wide ÂŁ1500-2500

2 A similar medieval carved limestone architectural head English or French, 15th century 24cm high by 25cm wide ÂŁ1500-2500

4 A Caen stone ďŹ gure of the Virgin and Christ child 133cm on later limestone pedestal, 180cm overall Provenance: The Countess of Midleton, Eastwell Park Estate; Thence by descent ÂŁ2000-4000

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5 A pair of carved white marble putti with dogs Low Countries, late 17th century the larger 48cm high by 48cm wide by 24cm deep ÂŁ15,000-25,000

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6 A rare Coade stone figure of a seated man stamped Coade, Lambeth 1840 60cm high by 56cm wide Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769, and appointed the sculptor John Bacon as its manager two years later. She was employed by all the leading late 18th century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled A Descriptive Catalogue of Coade’s Artificial Stone Manufactory. Then in 1799, the year she entered into partnership with her cousin John Sealy, she issued a handbook of her Pedlar’s Lane exhibition Gallery. The firm became Coade and Sealy from this date and following Sealy’s death in 1813, it reverted to Coade and in 1821 with the death of the younger Eleanor Coade, control of the firm passed to William Croggan, who died in 1835, following bankruptcy. Coade’s manufactures resembling a fine-grained natural stone, have always been famed for their durability.

This piece, made in the last years of Coade’s production would have formed part of a larger group, perhaps as an individual commission on a building. £1000-1500

7 A Porphyry and white marble bust of a Roman Emperor Italian, 19th century on green marble socle 76cm high by 56cm wide by 26cm deep ÂŁ5000-8000

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8 A pair of BrĂ¨che marble rosso antico and black marble pedestals late 19th century 131cm high by 37cm wide by 32cm deep ÂŁ2500-4000

9 A pair of white marble putti holding garlands of ďŹ&#x201A;owers Northern European, 19th century 64cm high by 33cm wide by 34cm deep ÂŁ4000-6000

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10 A white marble bowl on stand Italian, late 19th century 110cm high ÂŁ1000-1500

11 A carved white marble gueridon with circular red veined marble top 19th century 60cm diameter A similar but not identical gueridon is illustrated in Thomas Hopeâ&#x20AC;&#x2122;s Household Furniture and Interior Decoration, 1807, plate 15 (see engraving) ÂŁ2500-4000

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12 After Pietro Cipriano: A bronze dancing Faun Italian, last quarter 19th century on marble base the bronze 142cm high; 164cm overall Provenance: The Countess of Midleton, Eastwell Park Estate; Thence by descent Cipriani’s Faun modelled in 1722-24 is based on a Hellenistic statue that has been on display in the Uffizi Gallery in Florence since the second half of the 1600s. Such copies of Greco-Roman statuary were popular among contemporary wealthy art collectors who wanted their own versions of ancient art seen during their travels in Europe and Greece, on what was known as the “grand tour.” Many art historians consider Cipriani as the most gifted bronze sculptor of his generation in Florence. In 1709 Cipriani assisted his teacher, Massimiliano Soldani Benzi (1656-1740) in casting four figures for the Duke of Marlborough’s collection at Blenheim Palace in Oxfordshire. Like this faun, these works were inspired by ancient sculptures that had been on display in the Uffizi collection in Rome since the second half of the 1600s. This dancing faun is now more precisely identified as a satyr. Satyrs are roguish figures from ancient mythology and literature known for their love of wine, music, and mischief. This satyr holds metal cymbala in his hands and wears a kroupezion attached to his sandal. The latter is a device with a metal plate that would have made a noise rather like a modern tap shoe. His faunlike features are visible in the tiny horns above his forehead, and in the small goat’s tail at his rear. His head is bent over, absorbed in the music, and every muscle of his athletic body, from his deltoid muscles, his abdomen, to his calves, appears tense as he plays. £6000-10,000

13 After the Antique: A bronze figure of the Medici Apollo last quarter 19th century on fragmentary marble base 152cm high Provenance: The Countess of Midleton, Eastwell Park Estate; Thence by descent The Medici Apollo or Apollino is a Roman copy of a Hellenistic sculpture of the adolescent god Apollo of the Apollo Lykeios type. It is now in the Uffizi, Florence. Found complete in Rome in the 17th century, though its exact early provenance is obscure, it was originally in the Borghese collection, until it was moved to the Medici collection at Villa Medici, where it was recorded in 1704. Unlike many ancient sculptures in the Medici collection, it was not moved to Florence by Cosimo III de’ Medici, remaining in Rome until it was removed to accompany the Medici Niobe Group in 1769-70. In 1840 at the Uffizi it was broken by a painting falling on it and was restored by Lorenzo Bartolini, who covered the whole statue with a layer of paint to disguise the repairs. Much admired, it was extensively copied from the 17th century onwards and like the Dancing faun such copies of Greco-Roman statuary were popular among contemporary wealthy art collectors who wanted their own versions of ancient art seen during their travels in Europe and Greece, on what was known as the “grand tour.” £5000-8000

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14 An over-life size carved white marble ﬁgure of David after Michelangelo Italian, mid 20th century 220cm high The original Renaissance sculpture was created between 1501 and 1504 depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, Michelangelo was asked by the consuls of the Board to complete an unﬁnished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. £15,000-25,000

15 A carved white marble ďŹ gure of the Roman Emperor Augustus 1st half 20th century 190cm high by 70cm wide by 50cm deep ÂŁ6000-10,000

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16 A carved white marble ďŹ gure of Pan Italian, late 19th century on marble pedestal 168cm high ÂŁ2500-4000

17 After Canova: A carved white marble ďŹ gure of a dancer Italian, late 19th century inscribed Canova invenite 134cm high The original marble, known as Dancer with Cymbals, was executed by the famous neo-classical sculptor of the period, Antonio Canova between 1809-12 and is now in the Bode Museum, Berlin. ÂŁ3000-5000

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18 A pair of carved white marble ďŹ gures of children with monkeys one signed Francesco Bienaime, Roma, Scultore the other E. Ferrarini on later composition stone bases the larger 83cm high, overall 120cm Francesco Bienaime 1844-1871 was born in Carrara, where he ran a workshop that specialised in making marble copies of classical statues. His patrons included the 6th Duke of Devonshire who purchased eight statues and two vases for the gardens at Chatsworth. ÂŁ4000-6000

19 Adolfo Cipriani: A carved white marble ďŹ gure representing Navigation late 19th century signed A Cipriani on later marble plinth 198cm high overall by 63cm wide by 46cm deep ÂŁ5000-8000

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20 A pair of cast iron putti candelabra ďŹ gures French, last quarter 19th century on pedestals with seven branch ormolu candelabrae 216cm high ÂŁ8000-12,000

21 A Durenne Foundry cast iron torchère ﬁgure of a boy on pedestal late 19th century stamped A Durenne Sommevoire 240cm high Antoine Durenne set up in 1847 at Sommervoire Haute-Marne. He held a number of ofﬁcial posts most notably being on the installation committee for the Exposition Universelle in 1878. The Durenne foundry was incorporated into the Val d’Osne foundry in 1888. £6000-10,000

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22 Gottwalt Kuhse: An impressive terracotta ﬁgure of Rebecca on pedestal signed G Kuhse fec 1881 and with manufacturer’s stamp E March Söhne at Berlin the ﬁgure 168cm high by 72cm deep; the pedestal 91cm high by 62cm diameter; overall 256cm high The terracotta manufactory was started by Ernst March in 1846 and continued after his death by his widow Sophie March. From 1865, their sons Paul and Emil continued the business as Ernst March & Söhne Pottery Factory producing high-quality terracotta for well-known and prestigious buildings such as the Berlin Museum of Decorative Arts, Görlitzer Bahnhof or the Red Town Hall. The son Otto became an architect, as did his grandchildren Walter and Werner March. Around 1896, the Ernst March & Söhne factory employed 150 workers and consumed 1,500 tonnes of clay annually. Gottwalt Kuhse was active as a sculptor from 1870-1890. £15,000-25,000

23 ‡ Louis Hottot: A rare zinc ﬁgure of ‘The girl on the moon’ late 19th century signed L Hottot 144cm high by 94cm wide Louis Hottot (1829-1905) exhibited at the Salon from 1885. Much of his oeuvre concentrated on Eastern subjects such as Fille d’Egppte (1885) and Almee du Caire (1887) as well as the Negro Banjo Player, which was also cast in zinc. A similar group was reputedly made for the 1900 ‘Exposition Universelle’ in Paris. £10,000-15,000

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24 A rare Manifattura di Signa terracotta pedestal Italian, late 19th century with circular makers stamp 112cm high Manifattura di Signa produced copies of antiquities and renaissance models in terracotta from the late 19th century. The company had outlets in Florence, Rome and Turin and catered for wealthy patrons doing the Grand Tour of Italy. The manufactory was active at a time when remodelling English gardens, often in an Italian classical or renaissance style was particularly fashionable. The pedestal is illustrated in their catalogue, model no. 1492. ÂŁ1500-2500

25 A pair of rare polychrome painted wood sphinxes 1920’s 84cm high by 120cm long This unusual pair of painted wood sphinxes were most probably made in the 1920’s following the discovery in 1922 of Tutankhamen’s tomb by Howard Carter which fascinated the Western World and produced a fashion for Egyptian decoration. £3000-5000

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26 â&#x20AC;Ą A substantial carved sandstone sundial French, late 18th/early 19th century the octagonal top with bronze gnomen and points of the compass obelisk ÂŁ1500-2500

27 â&#x20AC;Ą A carved white marble bench Italian, circa 1900 120cm wide ÂŁ1000-1500

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28 A pair of carved veined white marble cherubs Northern European 18th century 92cm high ÂŁ20,000-30,000

29 â&#x20AC;Ą A pair of carved white marble urns Italian, late 19th century 86cm high, on later composition stone pedestals 163cm high overall ÂŁ3000-5000

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30 â&#x20AC;Ą Charles Sargeant Jagger (1885-1934): A pair of rare Portland stone groups of a nymph and satyr each in the form of a satyr carved with curly hair and cloven hooves squatting on a tapering square pedestal and leaning over a naked nymph, one with the nymph with ďŹ&#x201A;owing hair facing towards him and raising herself on tiptoe to offer a kiss, the other with the nymph leaning backwards the satyr grasping her arms and pulling her up towards his embrace 350cm high

Provenance: Melchett Court, Hampshire, 1927 Alfred 1st Lord Melchett Colworth, Bedfordshire 1936, Henry 2nd Lord Melchett, Beale Park, Berkshire, 1948 Charles Sargeant Jagger was born at Kilnhurst, Yorkshire on 17th December 1885, the second child of Mary (nĂŠe Sargeant) and Enoch Jagger, he had a younger brother David who later became a society portrait painter, and an older sister Edith, who also became a gifted painter. Their father was a colliery manager. In 1907 he was awarded a scholarship by West Riding county council to study at the Royal College of Art. Under Professor Lanteri he achieved considerable success including a major college travel bursary which enabled him to visit Italy and North Africa in 1911. For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

In 1914 he was awarded the Prix de Rome, with a relief entitled Bacchanalian Scene. The romantic classical feeling of his work at this time was not to be repeated until the late 1920’s when the Melchett Court groups were commissioned. Before he could take up his scholarship in Rome war was declared and Jagger made a considerable personal sacrifice by renouncing it and instead enlisting in the Artists Rifles. In 1915 he sailed with the British Expeditionary Force to Gallipoli. In the most appalling conditions, he was eventually shot through the shoulder and shipped out to a hospital in Malta. He was subsequently posted to the Front in France and in April 1918 was badly wounded at the Battle of Neuve Église. In recognition of his valour he was awarded the Military cross. Whilst he was convalescing a friend at the Royal college of Art told him that the British War Memorials Committee were about to employ sculptors. In 1919 Sir George Frampton (who had been on the panel judging the Rome scholarship) recommended him to design a memorial planned for Hoylake and West Kirby, Lancashire. This proved a turning point in his career, and between 1921 and 1923 he completed six war memorials and started on his most well-known work, the Royal Artillery memorial at Hyde Park Corner. All of these are characterized by the same brutal and grim, but also massively strong treatment of the soldiers or ‘Tommies’. His recorded comments on war memorials repeat the basic notion of ‘showing the Tommy as I knew him in the trenches’. There followed a number of other commissions both at home and abroad for the Imperial War Graves Commissions. By the second half of the 1920’s Jagger’s eminence as a sculptor had become established. The Royal Artillery Memorial had a somewhat mixed reception when it was unveiled in 1925, but nevertheless secured Jagger’s name as a public figure. In 1926 he became an associate of the Royal Academy and was awarded a medal by the Royal Society of British Sculptors. At this time Jagger also built up an influential circle of patrons, including Sir Edwin Lutyens, who also became a close friend, and Sir Stephen Courtauld, who commissioned two decorative plaques from him. He was also commissioned to do a statuette of H.R.H. the

Prince of Wales. The Prince was known to have admired Jagger’s work and commissioned a cast of one of Jagger’s bronzes. ‘Wipers’ in 1921. This informal portrait of the Prince portrayed holding a tennis racquet was considered one of Jagger’s finest works and helped him avoid being stereotyped as a war memorial sculptor. It was also at this time that Jagger began his association with Sir Alfred Mond, the first Lord Melchett, and his son Henry. Sir Alfred served on the council of the British School at Rome from 1925, but already knew Jagger’s work. It is likely that they got to know each other as a result of the work Jagger did for the British War Memorials commission. Mond was heavily involved in setting up the Imperial War Museum which took over the commissions made by the B.W.M.C. at the end of 1918 and so probably saw Jagger’s work at that time. Certainly, from the early 1920’s the Mond family were active supporters of Jagger’s work and from this association there emerged a close relationship between them. Charles Jagger and Henry Mond, who were almost the same age, were particularly close and the Jaggers often visited the Monds at their Hampshire home. Amongst the many commissions the Mond family gave Jagger, were the sculptures on Imperial Chemical House. This building, a well-known London landmark on the River Thames at Millbank, was designed by Sir Frank Baines to provide the central offices of I.C.I. when it was formed out of a merger between companies belonging to the Mond family and to Sir Harold McGowan in 1926. Jagger produced four massive sculptures typifying great industries of the world, Agriculture, Marine Transport, the Building Industry and Chemistry. At around the same time Jagger was commissioned by Lord Melchett to carve this pair of Portland stone groups of nymphs and satyrs for his home, Melchett Court, Hampshire. These form an important part of a small group of privately commissioned works on literary and classical themes. In a similar vein Jagger produced a relief based on Sheridan’s School for Scandal for Henry and Gwen Mond’s drawing room at Mulberry House, Smith Square, London. This features a man embracing a naked woman. Also, a pair of reliefs for Sir Stephen Courtauld c1930 feature a nymph and a satyr mocking an elderly satyr who is offering jewels to the young For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

The Courtauld reliefs and the Melchett Court nymphs and satyrs also reveal that Jagger’s romantic temperament, which is evident in this works prior to 1914, had not been entirely crushed by his experiences during the War. All the same, these later works are easily distinguishable from the earlier classical reliefs by their boldness and simplicity of form which is distinctly Art Deco. Jagger died in November 1934 at the early age of 48. Between 1918 and 1934 Jagger produced some 45 works, most of which were war memorials or commissions for large buildings. These groups are amongst the most important of the private commissions which he undertook. Following his death these two groups were exhibited in the Charles Sargeant Jagger Memorial Exhibition at the Royal Society of Painters in watercolours in Pall Mall, on 21st May to 20th June 1934. The chairman was Lord Melchett. The exhibition list also includes small bronzes of the nymphs and satyrs priced at 25 guineas each, which presumably were maquettes for the fullsize groups. Sadly, no price is given for these, however since they formed an integral part of Melchett Court in is doubtful whether they would have been for sale. A plaster maquette of one the groups was included in a sale Sotheby’s Sussex on 21st April 1998, lot 663.

nymph. The Melchett Court satyrs and nymphs are the only known work by Jagger in which he explores this romantic classical approach with its mildly erotic overtones in a large-scale three-dimensional way. The salacious expression of the squatting and kneeling satyrs contrasts brilliantly with the yearning expressions of the nymphs with their languid nubile bodies. The gentle satire employed in these works is striking because of the contrast it makes with the serious subject matter of much of Jagger’s work. It reinforces the view that he felt no obligation to be predictable concerning the content of his work.

The sculptures were moved to Colworth, Bedfordshire by Henry, 2nd Lord Melchett in 1936. This house was subsequently sold to Unilever as a research centre in 1947 and the following year the statues and other works of art were disposed of in a house sale, and subsequently acquired by Gilbert Beale for Beale Park. Then sold Sotheby’s Sussex, 26 September 2000, lot 391 Literature: Imperial War Museum, 1985, edited by Ann Compton Studio Magazine, Vol. 63, No.260, 14th November 1914. Charles Sargeant Jagger Memorial Exhibition catalogue, May/June 1935. £200,000-400,000

31 ‡ A rare Lion Foundry cast iron Seasons seat late 19th century with panels representing Summer and Autumn, the back fully stamped registered by W Roberts, Lion Foundry, Northampton and with diamond registration stamps 107cm wide The Lion Foundry was established in the early 1830’s. The owner, John Brettel went into partnership with William Roberts in 1849 and, three years later, Roberts took over the company. The design for this chair was registered on 24th May 1859. For a Spring and Summer seat see Sotheby’s Sussex Garden Statuary 23rd September 1987, lot 385, and for an Autumn chair see Sotheby’s Sussex Garden Statuary sale 28th May 1986. See also John Davis Antique Garden Ornament 1991, Antique Collectors Club, pp 272-5 £2000-4000

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32 A rare suite of Coalbrookdale Nasturtium pattern cast iron seat and two chairs last quarter 19th century the seat stamped CBDale, with diamond registration stamp and number 195629, 138cm long, the pair of chairs, stamped CBDale and Co with diamond registration, numbered 195629 and stamped 44 This design was registered and patented at the Public Records OfďŹ ce by Coalbrookdale on the 1st of March 1866 and is seat number 44 in their 1875 catalogue of castings. (See engraving) ÂŁ5500-8000

33 A Coalbrookdale Nasturtium pattern cast iron seat last quarter 19th century stamped CBDale with registration number and diamond registration stamp 182cm long (See engraving) ÂŁ3000-5000

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34 A Coalbrookdale Fern and Blackberry pattern cast iron seat late 19th century stamped CBDale and with diamond registration no 185cm long It is unusual to ďŹ nd a separate seat frame held together with dome headed brass nuts on this pattern. (See engraving) ÂŁ2500-4000

35 A pair of Coalbrookdale Fern and Blackberry pattern cast iron seats late 19th/ early 20th century each indistintly stamped CBDale and Co and with registration number 150cm long The original design, number 113617, was registered and patented at the Public Records OfďŹ ce on the 30th of April 1858 by Coalbrookdale and is seat number 29A in the castings catalogue of 1875, Section III page 254. (See engraving to lot 34) ÂŁ3000-5000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

36 A rare Coalbrookdale cast iron occasional table late quarter 19th century with diamond registration stamp and number with later marble top but with original bronzed ďŹ nish 60cm diameter This table is illustrated in the 1875 Coalbrookdale catalogue section II, page 199, No 50. (See engraving) ÂŁ2000-4000

37 A Val dâ&#x20AC;&#x2122;Osne foundry Gothic pattern cast iron seat French, circa 1870 102cm wide ÂŁ1000-1500

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38 A life-size carved white marble group of a lioness and her cubs indistinctly signed Antoniar***Giovanni and dated 1998 90cm high by 175cm long ÂŁ5000-8000

39 A carved white marble group of a lion indistinctly signed Antoniar***Giovanni and dated 1998 135cm high by 165cm long ÂŁ4000-6000

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40 S Ronald Cameron Whistlejacket Bronze 4 of an edition of 9 64cm high by 75cm long Ronald Cameron (19302013) was a proliﬁc sculptor whose work encompassed everything from making the puppets for Gerry Anderson’s Thunderbirds, Captain Scarlet and Joe 90, to larger scale works in bronze. He exhibited at the Alwin Gallery in Mayfair alongside works by Elizabeth Frink and Henry Moore. Whistlejacket was a famous racehorse, owned by the Marquess of Rockingham, immortalised in an oil painting of 1762, by the celebrated sporting artist, George Stubbs. £800-1200

41 An impressively large painted and brass 7inch astronomical telescope attributed to Cook of York late 19th century with sighting scope and additional lens in ďŹ tted box, on wooden tripod stand main tube length 160cm, the stand 176cm high ÂŁ3000-5000

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42 S Guy Taplin (b.1939) Running Curlew Painted and gessoed driftwood Signed and dated 1997 99cm wide ÂŁ300-500

43 S Guy Taplin (b.1939) Lapwing Painted and gessoed driftwood Signed and dated 1968 86cm wide ÂŁ400-600

S Guy Taplin (b.1939)

Small Curlew Pointing

Golden Plover

Carved and gessoed driftwood

Painted driftwood

Signed

51cm wide

48cm wide

£300-500

Signed and dated 1998

£250-400 46 S Guy Taplin (b.1939) Small Golden Plover Painted driftwood Signed and dated 1998 40cm wide £250-400

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47 S Raymond Harris Ching (born 1939) Brown Kiwi Pencil on paper Signed and dated 1989 Overall 89cm wide by 106cm high (includes frame) With Tryon Gallery label to verso ÂŁ2500-4000

48 A pair of unusual glazed mahogany obelisk display cabinets 20th century with glass shelves containing a collection of sea shells 20cm high in ďŹ tted carrying cases Provenance: Used as props in the forthcoming War of the Worlds TV series at the Palm House, Sefton Park, Liverpool. ÂŁ2000-3000

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49 A nickel iron meteorite Campo di Cielo fall, Argentina 17cm ÂŁ1800-2500

50 An iron meteorite Nantan, China 28cm, 12.7 kilos First recorded witnessed fall of a meteorite in 1516 ÂŁ2500-4000

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51 A large Kambaba jasper sphere Madagascar 23cm diameter ÂŁ1200-1800

52 A large moss agate sphere India 21cm diameter ÂŁ800-1200

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53 A massive red jasper freeform Southern Africa 66cm high, 82kg ÂŁ1450-1800

54 A large labradorite freeform Madagascar 37cm ÂŁ1200-1800

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55 A large septarian sphere on bronze stand 38cm high overall ÂŁ1500-2500

56 A fossil wood sphere Arizona, Triassic 18cm diameter ÂŁ700-900

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A prehistoric menhir type tool

A large stone Adze

Sahara, Neolithic

Sahara, Acheulian

on bronze stand

40cm

29cm high overall

ÂŁ1500-2500

ÂŁ1000-1500

59 A carved petroglyph Morocco, Neolithic on bronze stand 23cm high overall ÂŁ3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

60 An obsidian bowl Mexico 45cm high by 35cm wide £1800-2500

61 An unusually large Basalt basin Madagascar 44cm by 38cm £1500-2500

62 A large obsidian table top Mexico 82cm ÂŁ1800-2200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

63 A large ammonite on Portland limestone plinth Morocco, Jurassic 58cm high overall ÂŁ2500-4000

64 A Median spatchcocked Speentoniceras ammonite Russia, Jurassic on bronze stands 39cm high overall ÂŁ2500-4000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A Gogotte

A Lattissima pecten fossil plaque

Morocco, Oligocene

France, Miocene Period

on bronze stand

on bronze base

25cm high overall

32cm high

ÂŁ500-800

ÂŁ700-900

67 An important juvenile Spinosaurus Sp. Jaw Morocco, Cretaceous on bronze stand 20cm high overall ÂŁ5000-8000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

68 An Anoxypristis Sawfish mucrodens rostrum Morocco, Paleogene on bronze stand 85cm high overall £2500-4000 69 A Mene Rhombea fossil fish plaque Monte Bolca, Italy, Eocene period 45cm The fish: Mene Rhombea Fossil Fish, Monte Bolca, Italy. Monte Bolca is possibly the oldest worked fossil site in the world. Crusaders considered the fossils remains of the Last Supper. Emperors, kings and nobility made collections of them. The site has been in the possession of the same family for 400 years. The fossils are 49 million years old (Eocene period) from what was a tropical lagoon. They consist of a large variety of fish, as well as cephalopods, shells, insects and plants. The site is designated a Lagerstatte, referring to the unusually fine state of preservation of the fossils, including skin colour and internal organs.

The fossils are collected by boring tunnels deep into the hillside. Due to government restrictions fossil extraction has been spasmodic for most of the last century. No fossils have been dug in the 21st century. Mene Rhombea is the best known and most iconic fossil from Monte Bolca. They rarely come to market these days. This ďŹ ne example has been in the possession of the same Italian family since the 1930s. ÂŁ8500-12,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A quartz sphere Brazil

An ammonite on stand

13cm diameter

Moroccan, Devonian

£400-600

48cm wide £1000-1500

71 An unusual pair of fossil wood bookends made from Pentoxylon tree wood Permian, Australia 15cm high £250-400

A Harpoceras ammonite Holzmaden, Jurassic

A large stalactite on stand

on bronze stand

overall 156cm high

37cm high overall

Provenance: From the collection of Dame Elizabeth Frink by descent to the present owner

ÂŁ700-900

ÂŁ2000-3000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

75 A sunset jasper freeform Southern Africa 32cm high, 36kg ÂŁ650-800

76 A fossil wood slice Australia 56cm wide ÂŁ800-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

A large specimen of K2 Himalayas

A chrysanthemum stone on stand

58cm high

China

ÂŁ1200-1800

38cm high overall ÂŁ800-1200

A large collection of mineral spheres

A giant Mackerel shark tooth (Otodus obliquus) plaque

including pyrite, obsidian, jasper, quartz, golden calcite, labradorite & Indian pudding stone the largest 9cm

on bronze stand 23cm high overall ÂŁ400-600

ÂŁ600-1000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

An exceptionally rare elongate stalactite of copal with ﬂora and fauna inclusions, Madagascar

A sandstone freeform

on bronze stand

£700-900

53cm high overall £1200-1800

U.S.A 43cm high by 49cm wide

A pyrite egg Peru

A polychrome jasper specimen

19cm high

Madagascar

ÂŁ800-1200

40cm ÂŁ250-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

85 A fossil cockle bed Morocco, Jurassic on bronze stand 47cm high overall ÂŁ1500-2500

GLOSSARY OF TERMS

In renaissance style

The following are examples of the terminology used in this catalogue. Any statement as to authorship, attribution, origin, date, age provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

In our opinion a work executed in the style of the renaissance but not necessarily of that period.

Please read carefully the terms of the Authenticity Guarantee and the Conditions of Business for Buyers set out in this catalogue. Antonio Canova In our opinion a work by the artist. In the case of 19th century sculpture this indicates that the work was made in our opinion either by the artist or by a foundry or editor who had the rights to reproduce the artist’s original model either during the artist’s lifetime or for a deﬁned posthumous period. (When the artist’s forenames are not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not indicates that in our opinion the work is by the artist named). Attributed to Antonio Canova In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are original to the model or authorized by the sculptor’s studio or editor but not necessarily from the hand of the artist. The term bearing the signature and/or date and/or inscription means that in our opinion the signature and/or date and/ or inscription have been added at a later date. Dimensions are given height before width Condition of lots Condition is only noted in the catalogue where an item is severely distressed. Prospective purchasers making commission bids without viewing the sale can be given condition reports on any lot on request. It is essential for buyers to satisfy themselves as to the condition of lots prior to the sale and to arrange their own insurance cover against loss and damage immediately after the sale. Please refer to the Conditions of Business for Buyers.

Manner of Antonio Canova In our opinion a work in the style of the artist and of a later date After Antonio Canova In our opinion a copy at a later date of a known work by the artist. In the 19th century this indicates that in our opinion the work was made by a foundry or editor at a later date and apparently without exclusive rights. Italian 18th century In our opinion a work from that region and of that date. Probably Italian 18th century In our opinion a work that is likely to be from that region and/or of that date but less certainty as to the region and/or date than is expressed in the preceding category.

SUMMERS PLACE AUCTIONS AUTHENTICITY GUARANTEE

of the auction at which it was purchased and the reasons why it is thought to be counterfeit; and

If Summers Place Auctions Ltd sells an item which subsequently is shown to be a “counterfeit”, subject to the terms below Summers Place Auctions Ltd will set aside the sale and refund to the Buyer the total amount paid by the Buyer to Summers Place Auctions Ltd for the item, in the currency of the original sale.

(ii) return the item to Summers Place Auctions Ltd in the same condition as at the date of sale to the Buyer and be able to transfer good title in the item, free from any third party claims arising after the date of the sale.

For these purposes, “counterfeit” means a lot that in Summers Place Auctions Ltd reasonable opinion is an imitation created to deceive as to authorship, origin, date, age, period, culture or source, where the correct description of such matters is not reflected by the description in the catalogue (taking into account any Glossary of Terms). No lot shall be considered a counterfeit by reason only of any damage and/ or restoration and/or modification work of any kind (including repainting or over-painting). Please note that this Guarantee does not apply if either:(i) the catalogue description was in accordance with the generally accepted opinion(s) of scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing at the date of the sale that the item was a counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical to use; or likely to have caused damage to the lot or likely (in Summers Place Auctions Ltd reasonable opinion) to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description. This Guarantee is provided for a period of five (5) years after the date of the relevant auction, is solely for the benefit of the Buyer and may not be transferred to any third party. To be able to claim under this Guarantee, the Buyer must:(i) notify Summers Place Auctions Ltd in writing within three (3) months of receiving any information that causes the Buyer to question the authenticity or attribution of the item, specifying the lot number, date

Summers Place Auctions Ltd has discretion to waive any of the above requirements. Summers Place Auctions Ltd may require the Buyer to obtain at the Buyer’s cost the reports of two independent and recognised experts in the ﬁeld, mutually acceptable to Summers Place Auctions Ltd and the Buyer. Summers Place Auctions Ltd shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event Summers Place Auctions Ltd decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports.

GUIDE FOR PROSPECTIVE BUYERS 1. Buyer’s Premium Rates The buyer’s premium payable by the buyer of each lot is at a rate of 25% on the ﬁrst £50,000, then 20% up to £250,000 and 12% on the amount by which the hammer price exceeds £250,000, plus an amount in respect of VAT thereon (see below).

2. VAT on Hammer Price and Buyer’s Premium and VAT Symbols in the Catalogue Property with no VAT symbol Where there is no VAT symbol, Summers Place Auctions Ltd are able to use the Auctioneer’s Margin Scheme and VAT will not normally be charged on the hammer price. Summers Place Auctions Ltd must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at 20% on this premium, which will not be shown separately on the invoice. Property with a † symbol These items will be sold under the normal UK VAT rules and VAT will be charged at 20% on both the hammer price and buyer’s premium.

Property with a @ symbol

From 200,000.01 to 350,000 1%

It is assumed that items sold to buyers whose address is in the European Union (EU) will be remaining in the EU. The property will be invoiced as if it had no VAT symbol.

From 350,000.01 to 500,000 0.5%

It is assumed that items sold to buyers whose address is outside the EU, will be exported from the EU. The property will be invoiced under the normal VAT rules (see ‘Property with a † symbol above). Property sold with a ‡ or 1 symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Summers Place Auctions Ltd release such property to buyers in the UK, the buyer will become the importer and must pay Summers Place Auctions Ltd import VAT at the following rates on the hammer price: ‡ @ 5% 1 @ 20% Summers Place Auctions Ltd must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at 20% on this premium, which will not be shown separately on the invoice. VAT Refunds VAT may be cancelled or refunded on export if strict conditions are met and a fee of £30 plus VAT will be charged for this service. For advice, please contact us on 01403 331 331 Sales and Uses Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of items following purchase (for example, the Use Tax payable on import of purchased items to certain states of the USA). Buyers should obtain their own advice in this regard. Artist’s Resale Right Purchase of lots marked with the following symbol S will be subject to payment of the Artist’s Resale Right, at a percentage of the hammer price calculated as follows: Portion of the hammer price (in) Royalty Rate From 0 to 50,000 4% From 50,000.01 to 200,000 3%

Exceeding 500,000 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to a maximum royalty payable of €12,500 for any single work each time it is sold. The maximum royalty payable of €12,500 applies to works sold for €2 million and above. Calculation of the artist’s resale right will be based on the Pounds Sterling / Euro reference exchange rate quoted on the date of the sale by the European Central Bank. Property with a ♠ symbol. Some of these items require specialist dismantling and may not be available for immediate collection after the sale. Intending purchasers should check the status of these lots before the sale.

3. Before the Auction Pre-sale Estimates Pre-sale estimates are intended as a guide for prospective buyers but all lots can realise prices above or below the pre-sale estimates. Seller’s confidential reserves are set no higher than the low pre-sale estimates, except in the rare circumstance in which the reserve has been set in a foreign currency and the exchange rate has fluctuated. It is advisable to consult us nearer the time of sale as estimates can be subject to revision. The estimates printed in the auction catalogue do not include the buyer’s premium or VAT. Provenance In certain circumstances, Summers Place Auctions Ltd may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

C.I.T.E.S.

Live Auctions

All the relevant lots in this sale have been carefully vetted, mindful of current C.I.T.E.S. regulations, concerning the sale of endangered species. We are happy to provide advice on any lots, to overseas buyers concerning export restrictions. However, it is ultimately the buyers responsability to satisfy themselves that the correct licenses can be obtained prior to bidding.

The auction takes place in the gallery with each lot displayed on a plasma screen as it is sold. Prospective purchasers are encouraged to attend the sale and must register their details with us beforehand. Bidding is by numbered paddle.

Condition of Lots All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 3 of the Conditions of Business for Buyers. Electrical and Mechanical Goods All electrical and mechanical goods are sold on the basis of their artistic and decorative value only, and should not be assumed to be operative. It is essential that any electrical system is checked and approved by a suitably qualiﬁed electrician, prior to use.

4. The Auction Auction speeds vary, and generally average between 50 and 120 lots per hour. The auctioneer will commence and advance the bidding at levels and in increments he considers appropriate (generally in increments of approximately 10% of the previous bid) and is entitled to place a bid or series of bids on behalf of the seller up to the reserve on the lots, without indicating he is doing so and whether or not other bids are placed. Please note Conditions 5 and 6 of the Conditions of Business for Buyers contain additional information on bidding. Bidding in Person To bid at auction you must register with us to obtain a bidding number. Before the auction, ﬁll in the form at the registration desk, provide proof of identity, and you may be given a paddle showing your bidding number. This paddle should be used for bidding. The auctioneer will note this number when you purchase a lot.

Absentee Bids If you cannot attend the auction we will be happy to execute written bids on your behalf, so long as you have registered your details with us beforehand. A bidding form may be downloaded from www.summersplaceauctions.com website. A bidding form is also printed in the back of the catalogue. This service is conﬁdential. Lots will always be bought as cheaply as is consistent with other bids, the reserves and other commission bids. To avoid confusion, the sale date, lot number and a brief description should be ﬁlled in and signed. Commission bids by email without a signature will not be accepted. In the event of identical bids, the earliest received will take precedence. Always indicate a top limit, i.e. the highest price you would bid if you were attending the auction. Don’t forget that buyers premium and any VAT applicable will also be added onto your bid if you are successful. “Buy” and unlimited bids will not be accepted. Please refer to our conditions of business for buyers, which is also printed in the back of our catalogues. To ensure a satisfactory service please ensure that we receive your bids at least 24 hours beforehand. Telephone bids If you cannot attend the auction, it is usually possible to bid on the telephone. You will need to have registered your details with us 5 days before the auction. As the number of telephones is limited, it is necessary to make arrangements on which lots you wish to bid on, at least 24 hours before the sale. We also suggest that you leave a maximum bid which we can execute on your behalf in the event we are unable to reach you by telephone. Please refer to our conditions of business for buyers, which is also printed in the back of our catalogues. Online Bidding If you cannot attend the auction, you may wish to bid using the.saleroom.com, which will incur an additional 4.95% of the hammer price plus VAT at the rate imposed

Sealed bid For further information please see pages at the end of this section. Sale by private treaty Summers Place Auctions shall, from time to time, be offering some lots for sale by Private Treaty in our architectural portfolio. These will usually comprise larger pieces of an architectural nature, which will require a longer period of planning and consultation than an auction can provide. Additionally if you are looking for a speciﬁc piece please let us know and we will use our worldwide network of trade and private clients to help source the most suitable item for you. Please contact us for further information. Payment Payment is due in sterling immediately after the sale and before purchases can be released. Payments in person can be made in the saleroom on the day of the auction using mobile banking, debit cards or by cheque. Thereafter payments may also be made by electronic transfer to our bank, by post or by debit card transactions by telephone. Cash will not be accepted. Sterling Banker’s Draft or Building Society Cheque and Electronic or Wire Transfer

RH14 9AB, Monday to Friday between 9.30am and 12.30pm and 2.00pm and 4.00pm. Collection of lots is strictly by prior appointment and must be arranged at least 48hours in advance. If Lots have not been collected within 35 days of the auction date then storage charges may be applied at a rate of £10 per Lot per day. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, Summers Place Auctions accept no responsibility for any damage which may occur, even in the event of Summers Place Auction staff assisting carriers during collection. Summers Place Auctions also reserves the right to charge storage fees of £10.00 per lot, per week, for any pieces left at Summers Place over a longer period than six months irrespective of whether they have been entered into a sale or not. Shipping We are happy to arrange shipping quotations and have extensive experience in working in conjunction with leading domestic and international shippers. There is no charge for arranging quotations.

CONDITIONS OF BUSINESS FOR BUYERS

Wire transfers can be made directly to our bank. Please contact us for further details. Sterling Banker’s Drafts and Building Society Cheques drawn on a recognised UK bank or building society are also accepted.

1. INTRODUCTION

Credit/Debit Card

(i) these Conditions of Business for Buyers;

We are pleased to accept all major personal debit cards. Regrettably we are no longer able to accept credit cards

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Summers Place Auctions Ltd

Sterling Cheque

(iii) Summers Place Auctions Ltd ‘s Authenticity Guarantee; (iv) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement.

Please note that we require seven days to clear sterling cheques where the amount exceeds the cheque card guarantee limit, unless special arrangements have been made with the auctioneer in advance of the sale (normally the presentation of a letter of guarantee from your bank). We always reserve the right to hold goods until a cheque is cleared.

(a) The contractual relationship of Summers Place Auctions Ltd and Sellers with prospective Buyers is governed by:-

(b) As auctioneer, Summers Place Auctions Ltd acts as agent for the Seller. Occasionally, Summers Place Auctions Ltd may own or have a ﬁnancial interest in a lot.

Collection and Storage

2. DEFINITIONS

On receipt of cleared funds, lots can be collected from the Walled Garden, Stane Street, Billingshurst, West Sussex,

“Bidder” is any person making, attempting or considering making a bid, including Buyers; 81

“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;

(i) is liable for any errors or omissions in any oral or written information provided to Bidders by Summers Place Auctions Ltd, whether negligent or otherwise;

“Seller” is the person offering a lot for sale, including their agent, or executors;

(ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers;

““Buyer’s Expenses” are any costs or expenses due to Summers Place Auctions Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price or winning sealed bid price at the rates set out in the Guide for Prospective Buyers; “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot. The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable. 3. EXAMINATION OF LOTS (a) Summers Place Auctions Ltd knowledge of lots is partly dependent on information provided by the Seller and Summers Place Auctions Ltd is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions. (b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of Summers Place Auctions Ltd opinion and not representations of fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at Summers Place Auctions Ltd absolute discretion. 4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) Summers Place Auctions Ltd shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit, subject to the terms of Summers Place Auctions Ltd Authenticity Guarantee. (b) Subject to Condition 4(a), neither Summers Place Auctions Ltd nor the Seller:82

(iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by Summers Place Auctions Ltd in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against Summers Place Auctions Ltd and/or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither Summers Place Auctions Ltd nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of Summers Place Auctions Ltd or the Seller for death or personal injury caused by the negligent acts or omissions of Summers Place Auctions Ltd or the Seller. 5. BIDDING AT AUCTION (a) Summers Place Auctions Ltd has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as Summers Place Auctions Ltd requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case Summers Place Auctions Ltd’s prior and express consent must be obtained). (b) Summers Place Auctions Ltd advises Bidders to attend the auction, but Summers Place Auctions Ltd will endeavour to execute absentee written bids provided that they are, in Summers Place Auctions Ltd’s opinion, received in sufﬁcient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to Summers Place Auctions Ltd’s other commitments; Summers Place Auctions Ltd is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS Summers Place Auctions Ltd and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES). 7. CONDUCT OF THE AUCTION (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s) he reasonably deems necessary. (b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business. 8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until Summers Place Auctions Ltd has received the Purchase Price in cleared funds. Summers Place Auctions Ltd will not release a lot to a Buyer before payment. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots within 35 working days of the auction. Purchased lots are at the Buyer’s risk from the fall of the hammer. (e) All packing and handling of lots is at the Buyer’s risk. Summers Place Auctions Ltd will not be liable for any acts or omissions of third party removers or shippers.

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, Summers Place Auctions Ltd may in its sole discretion exercise one or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by Summers Place Auctions Ltd against any amounts owed to Summers Place Auctions Ltd by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at Summers Place Auction Ltd.’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer’s Property in Summers Place Auctions Ltd’s possession, applying the sale proceeds to any amounts owed by the Buyer to Summers Place Auctions Ltd. Summers Place Auctions Ltd shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings. 10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 35 days of the auction, the lot will be stored at the Buyer’s expense and risk at Summers Place Auctions Ltd’s premises or in independent storage.

(b) If a lot is paid for but uncollected within 6 months of the auction, following 60 days written notice to the Buyer, Summers Place Auctions Ltd will re-sell the lot by auction or privately, with estimates and reserves at Summers Place Auctions Ltd’s discretion. The sale proceeds, less all Summers Place Auctions Ltd’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction. 11. DATA PROTECTION (a) Summers Place Auctions Ltd will use information supplied by Bidders or otherwise obtained lawfully by Summers Place Auctions Ltd for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i). 12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by Summers Place Auctions Ltd are the copyright of Summers Place Auctions Ltd. (b) These Conditions of Business are not assignable by any Buyer without Summers Place Auctions Ltd’s prior written consent, but are binding on Bidders’ successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of Summers Place Auctions Ltd.

Sealed bid- How it works Our sealed bid auctions close at 4.oopm on the day after the live auction, but are on view at the same time and are included in the same catalogue with an illustration, description and estimate. Clients wishing to leave bids should do so in writing or by emailing a signed scanned page detailing lot numbers, brief description and the bid(s) which they wish to leave. All clients should also have registered with us beforehand and provided photographic identification. Sealed bids, when placed by telephone, are accepted only at the the caller’s risk and must be confirmed by letter or e-mail to info@summersplaceauctions.com. You can also e-mail the completed sealed bid form to sealedbids@summersplaceauctions.com Next give us your bid(s). This can be done by filling in the bidding slip found in your catalogue. If you are sending your bidding slip to Summers Place Auctions by post, please mark the envelope “Sealed Bid” so that we know it contains a sealed bid and do not open it accidentally. Bids and IDs may also be sent by e-mail. If you choose to send the bid electronically please email sealedbids@summersplaceauctions.com. This is a closed mailbox and will not be opened before the advertised time. However, we strongly recommend that if you have not viewed the sale in person, that you ask for condition reports on any lots you are thinking of leaving bids on. Sealed bid auctions differ from established auctions in that the bid left is the bid that will be exercised in full. Therefore, if you decide to leave a bid of, say, £900 on the lot estimated at £800-1000 and there is no higher bid (where two identical bids are received, the earliest received bid will take precedence), £900 will secure the lot subject to buyer’s premium and VAT on the premium. We will contact you if you have been the successful bidder to inform you of the lot or lots that you have purchased, so that you can make payment and make arrangements for delivery. We have had many years of experience dealing with both UK carriers and international shippers and are happy to obtain quotations and facilitate transport and shipping of single lots and multiple purchases to anywhere in the world. Bids will be opened on Thursday 13th June; and sales results will appear on the Summers Place Auctions website. Please be mindful that we will have to process a large number of bids, which does take time. However, we will endeavour to get this accomplished as quickly as possible and will expect to have the results of the sale posted by the end of the day. If you have never bid in a sealed bid sale before, here are some things to be aware of as regards leaving bids for this auction: Every lot in the sale has a fixed reserve, (the minimum price for which the lot can be sold) and this is never above the low estimate, it can be slightly below, but in the vast majority of cases it is the low estimate. The highest bid (as long as it is on or above the reserve) will be the winning bid. This is the ‘hammer price’ that the lot will be sold for. You should consider leaving a bid of an odd amount in pounds, for example, rather that bidding £1,000, try say £1,004, as many lots have been bought for the sake of the odd £1! You can tailor your bid in ways that are impossible to do in a live auction. For example, if you really like three lots, but only need one, and the piece you like the most is later in the sale, simply mark your order of preference. As long as your instructions are clear, having looked at any other bids left on the lots, we will do our best to comply with your preferences. In the event of two identically highest bids, the earliest bid received will take precedence. An auction price is made up of different components; the winning bid is called the ‘hammer price’; A commission, which is in addition to the ‘hammer price’ is payable to the auctioneers. This is known as the buyers premium, on which VAT is payable. Lots marked with S are subject to Artist Resale Right (ARR), which is 4% of the “hammer price”. All lots that have additional VAT are clearly marked in the catalogue with a †.

Sealed bid auction Lots 200-531 All sealed bids must be with us, at the latest by 4pm BST on the 12th June since the bids will be opened on the 13th June. The winning bid will be the highest left on each lot above the reserve. Bids are non sequential and the highest bid left is the price at which the lot is sold plus buyers premium and any VAT liable. In the event of two identical winning bids being left on the same lot, the earliest received bid shall take precedence. Summers Place Auctions decision on which is the winning bid shall be ďŹ nal. Winning bidders will be invoiced after the bids are opened. For further information on sealed bids and how they work see our conditions of business.

200 A pair of wrought iron gates early 20th century 334cm high by 348cm wide ÂŁ3000-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

201

203

A pair of painted wood and iron gates

A pair of wrought iron gates

Indian, 19th century

2nd half 20th century

103cm high by 98cm wide

together with cast iron uprights

£600-800

A pair of wrought iron gates

the gates 246cm high by 170cm total width; the uprights 296cm high including base rebate in to ground

early 20th century

£800-1200

125cm high by 124cm wide overall

(posts not shown)

202

£200-400

The Norwich Catholic Cathedral George Gilbert Scott Jr Bronze Gates 204 An important pair of Victorian bronze ecclesiastical gates late 19th century stamped Thos Potter & Sons Ltd, Putney Bridge Ironworks London, SW 223cm high by 280cm wide Provenance: Reputedly from St John the Baptist Church, Norwich, now the Roman Catholic cathedral, removed approximately 40 years ago during remodelling work. The cathedral was constructed between 1882 and 1910 as a parish church dedicated to John the Baptist, on the site of the Norwich City Gaol. The funds for its construction were provided by Henry Fitzalan-Howard, 15th Duke of Norfolk. He funded it as a generous gift to the Catholics of Norwich as a sign of thanksgiving for his ﬁrst marriage to Lady Flora Abney-Hastings. In 1976, it was consecrated as the cathedral church for the newly erected Diocese of East Anglia and the seat of the Bishop of East Anglia.

Built in early English gothic style, the architect was George Gilbert Scott Jr, 1830 -1890, known in later life as ‘Middle Scott’. He was the eldest son of Sir George Gilbert Scott, and father of Sir Giles Gilbert Scott and Adrian Gilbert Scott, all also renowned architects. During the 1860 and 1870s he worked for his father in his architectural practice before founding

Watts and Company in 1874. He masterminded the main buildings of Dulwich College in South London. Some of his ﬁnest works, the churches of All Hallows, Southwark (1877), and St Agnes, Kennington (1880) were destroyed by Second World War bombing. Often overshadowed by both his father, who had the largest and most prestigious architectural

practice in the country the last years of his life were marred by mental instability and excessive drinking. He died in the Midland Grand Hotel, St Pancras, a building designed by his father, of cirrhosis of the liver. For further images please see our website £15,000-25,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

205

206

207

205

207

A similar single gate

A similar gate

223cm high by 150cm wide

For further images see our website

£5000-8000

206 A similar gate £5000-8000

The interior of the cathedral showing identical bronze gates

208

209

† A pair of carved sandstone crowns

A pair of carved stone gate pier balls and caps

modern

late 19th century

42cm high

balls 30cm diameter, the caps 64cm square

£400-600

£150-250 210 † A set of three carved sandstone balls modern the largest 70cm diameter, 43cm diameter and 28cm diameter £700-1000 211 A composition stone gate pier ball on pedestal 153cm high £250-400 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

212

213

† A painted wrought iron bridge in the Japanese style modern

An impressive galvanised steel bridge made by blacksmith Bob Fuller, modern

with painted simulated bamboo ﬁnish and wooden slats 172cm high by 430cm long by 160cm wide

600cm long; internal width 120cm; handrail height 120cm

£5000-8000

£6000-10,000

214 A wooden shepherds hut made by Red Sky, Norfolk in 2010 the wooden superstructure on oak frame with iron bounded wooden wheels, the interior with barrel vaulted ceiling, two single beds with ﬁtted cupboards underneath, hinged part glazed double doors and windows at either end. 367cm high by 440cm long by 235cm wide excluding iron hitching bar

From the Victorian period through to the 1950’s shepherd huts were used extensively on sheep farms throughout the country and were moved around the higher pastures during the summer months. In recent years they have become popular and modern example made to be used as an outdoor study or spare bedroom as in this instance. Made in 2010 by Red Sky, this hut, called Betty, has been built to the highest standard. Please see our website for additional information including all of the technical speciﬁcations. £10,000-15,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

215

late 18th century

A pair of rare Georgian Portland stone architectural brackets

46cm high by 33cm wide £150-250

circa 1740 carved in high relief with green man masks 84cm high £800-1200

217 A set of six cast iron bollards from the City of Westminster 20th century

216 A set of three Georgian carved Portland stone corbels

stamped SLB Foundry SITT Kent 160cm high overall £1200-1800

218

219

† A pair of carved sandstone wall consoles

A pair of composition stone pedestals

modern

2nd half 19th century

77cm high

72cm high by 64cm square on base

£300-500

£200-400 220 A pair of carved white veined marble pedestals modern, 59cm high £200-400 221 A pair of veined white marble column pedestals modern, 117cm high £400-600 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

222

223

A pair of large pink granite columns

A pair of red granite column pedestals

2nd half 19th century

19th century

white marble Corinthian capitals and bases

with white marble caps and bases

259.5cm high, the capitals 53.5cm wide

112cm high by 46cm diameter (top)

ÂŁ2500-4000

ÂŁ800-1200

224

225

A pair of veined marble white column pedestals

A pair of Italian Verde Antico marble columns

modern

19th century

100cm high

202cm high by 35cm diameter

ÂŁ400-600

ÂŁ1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

226

late 17th/18th century

A pair of impressive veined marble columns

with acanthus carved capitals

19th century

260cm high

with ormolu Corinthian capitals and bases

ÂŁ2000-3000

330cm high; bases 46cm square

228

ÂŁ8000-12,000

A Venetian wrought iron glazed lantern on stand 19th century

227

220cm high

A pair of carved sandstone columns

ÂŁ1000-1500

229

230

Saraj Guha Industrial Wall Light

A pair of Cipollino marble columns

Forged steel and perspex

19th century

Unique

with bronze caps and bases

153cm high by 68cm wide by 66cm deep ÂŁ800-1200

216cm high by 38cm diameter ÂŁ5000-7000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

231 A G.E.C. Industrial Flame Proof Pendant Flood Light 1940’s 63cm high by 47cm diameter These beautifully refined lights were made by British manufacturers G.E.C and salvaged from the old de-commissioned Rolls Royce factory in Derby in the UK. An example of classic British lighting design. The light is made up of a substantial three-part polished aluminium enclosure with its original flameproof glass lens and an impressive number of manufacturers details cast into the metal emphasising the heritage of the light. Now fully refurbished and re wired for use as a pendant light. Established in London, in 1886 the General Electrical Company were to become the largest electrical manufacturing organisation in the British Empire and lived up to their description of Manufactures of everything electrical, throughout their 100 year history. During the mass industrialisation of the 1950’s, GEC were often the supplier of choice for lighting the factories, workshops and mills of Britain with their huge range of light fixtures for every application.

Rolls Royce built its Nightingale Road site to move production of the Silver Ghost car to Derby from Manchester in 1908. It later became synonymous with the Merlin engine, which powered the Lancaster Bomber, the Spitﬁre and the Mustang. These lights would have been in use during that ere to illuminate the factory ﬂoor for the workforce £1700-2200 232 A similar G.E.C. Industrial Flame Proof Pendant Flood Light, 1940’s £1700-2200

233 A set of salvaged Eagle Star “Bubble Back” Traffic Lights American, 1950’s the light supplied with 3 lamp holders, 2 meters of braided power cable, and a ceiling mount system 16cm high by 37cm wide by 103cm long These old signal lights that once adorned the highways of Midwest America have now been reconfigured and restored into a functional pendant light perfect for residential and commercial use over a table, Bar or kitchen counter. The polished aluminium body has a sleek profile and new etched glass has been fitted to provide a diffused light. The Eagle Signal and Signe Company is one of the oldest traffic light manufacturers in the U.S. and were founded in 1931 in Moline, Illinois. Eagle became one of the market leaders of traffic signal lights, competing with other brands such as Crouse-Hinds and Marbelite, for control of the mid west American market.

234 A Vintage ﬂoor standing Francis nickel plated brass searchlight 1950’s base 130cm high by 55cm wide A feature ﬂoor light with British heritage Francis Searchlights Ltd UK, has been making high-quality lighting products for the marine industry since 1901. The searchlight is now fully restored and mounted on a vintage British made Scopas sculptors stand, by designer and manufactures Alec Tiranti Ltd. £1000-1500

£2000-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

235

237

A 1920’s Ewart’s “Victory Geyser”

A brass Four Oaks Kent Gold Medal knapsack sprayer

now converted to a lamp 118cm high overall £300-400 236 A wall light constructed from a 1950’s Bill Royal Circuit breaker and two salvaged Buchanan Brothers of Glasgow brass water pressure gauges 90cm high by 42cm wide £400-500

100

now polished, lacquered and converted to a lamp 114cm high by 40cm wide £450-550

238

239

A cylindrical painted bronze hanging lantern

A carved white marble lamp

late 19th century

French, late 19th century

with stained glass panels

105cm high overall

38cm high

ÂŁ4000-6000

ÂŁ300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

101

240

242

242 Two copper glazed ships lanterns late 19th century one stamped GM Hammar the larger 52cm high £150-250

240

241

Two wrought iron hexagonal glazed lanterns

A set of four cast iron industrial light ﬁttings

early 20th century

38cm high

the larger 78cm high

£400-600

£200-300

102

mid 20th century

243

244

A set of three composition stone standing lamps

An unusual wrought iron stick stand

Italian, 2nd half 20th century

with lift out drip tray

103cm high £500-800

late 19th century 82cm wide £300-500 245 A Victorian cast iron stick stand in the form of the infant Hercules wrestling with a snake 2nd half 19th century the lift out drip tray with diamond registration stamp 88cm high £1000-1500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

103

246

247

A carved walnut Black Forest stick stand

A rare Coalbrookdale cast iron console table

Bavarian, 2nd half 19th century

last quarter 19th century

204cm high

with diamond registration stamp and number

Black Forest carvings are often humorous and whimsical - bears smoking pipes, reading books, and even skiing. Far from being ‘mere whimsy’ however, the carvings were exhibited at many international exhibitions such as London Great Exhibition of 1851, Chicago World’s Fair 1893, and Exposition Universelle Paris 1900. In Europe, they became a symbol of luxury and wealth. £3000-5000

104

155cm long by 54cm deep This rare example from the renowned Coalbrookdale foundry is illustrated in their 1875 catalogue section II no. 15 (See engraving) £1500-2500

249

250

251

248

249

mid 20th century

A wood painted template of Georges Remi` (Herge`) character Tintin and his companion Snowy

with softwood slats

106cm by 63cm

425cm long

These modern wooden templates painted in the ligne Claire (clear line) style made popular by Herge` were made by a stage artist from Pinewood studios.

A painted canvas covered and hardwood kayak

£250-400

250

252

A similar wood template 75cm by 52cm

A rare Victorian Bath chair

£80-120

circa 1860

251

ﬁnished in green and red painted livery, the button backed upholstered chair housing a seat compartment

A similar wood template 86cm by 35cm £80-120

183cm long £800-1200

£120-180 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

105

255 A Kenrick Foundry cast iron boot scraper circa 1840 on associated sandstone base the boot scraper 24cm wide. A virtually identical boot scraper is illustrated in the 1840 catalogue of Archibald Kenrick & Sons Ltd. £150-250 253

256

A carved limestone mounting block

A set of eight staddlestones

50cm high by 45cm wide £250-400

including six circular tapering ones and two with tapering square bases, one lacking top

254

£700-1000

Two carved staddlestones 73cm high £300-500 106

257

258

The following 5 lots of watering cans are from the collection of Alistair Morris, well known authority on watering cans and author of Antiques from the Garden published in 1996 by the Antiques Collectors club. 257

258

A copper watering can English, 19th century

A collection of four watering cans

with associated rose

19th/early 20th century

64cm long, together with two other brass watering cans, French or Dutch, 19th century and a rare small copper watering can stamped VR.

including one zinc, one copper and two small copper watering cans

This last watering can stamped VR is illustrated in Alistair Morris’s book Antiques from the Garden, published in 1996 page 91 in which he states that this can was probably made by Haws and the Royal cypher suggested that it was probably intended for use in the Royal or ofﬁcial residence. £150-250

259

the largest 79cm long £150-250 259 A zinc watering can with copper rose 260

French 19th century with makers plaque 60cm long, together with another French copper watering can and a smaller watering can with associated rose

260 An unusual brass watering can possibly late 18th century

with embossed decoration and associated rose. 83cm long £150-250

£150-250

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

107

261 A zinc watering can with copper rose French 19th century with makers stamp 60cm long, together with another painted zinc can with copper rose and a smaller can ÂŁ150-250 262 A collection of three copper watering cans 1st half 20th century the largest 60cm long, together with a French copper syringe pump with makers plaque ÂŁ200-300

263 An unusual wrought iron churn cart late 19th century 154cm long ÂŁ300-500

108

264

265

A cast iron and copper armillary

A cast iron and copper armillary sundial

19th century on composition stone pedestal 165cm high, together with a washing copper 68cm diameter, and two copper vessels ÂŁ300-500

1st half 20th century 96cm high by 78cm diameter ÂŁ600-1000 266 A composition stone sundial 1st half 20th century with 10ins dial 123cm high ÂŁ500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

109

267 A cast iron fountain late 19th/early 20th century 233cm high ÂŁ4000-6000

110

268

269

A Victorian carved limestone font

A carved stone wellhead

circa 1860

with later wrought iron overthrow

some elements missing 106cm high by 89cm wide ÂŁ400-600

French, 18th/19th century

270cm high by 110cm diameter ÂŁ2000-3000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

111

270 A carved limestone fountain mask of a bearded man and dolphins late 20th century mouth drilled for water 66cm high ÂŁ1800-2500 271 A composition stone wall fountain, modern the mask drilled for water 47cm high, the basin 170cm wide ÂŁ500-700

112

272

273

A veined marble bowl on stand

â&#x20AC;Ą A carved limestone two tier fountain

20th century

late 20th century

76cm high by 89cm long

with pool surround

ÂŁ1000-1500

240cm high, pool surround 270cm diameter, bowl diameter 134cm ÂŁ1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

113

275

277

A copper log bin/planter

Two washing coppers

late 19th century

19th century

274

£1000-1500

the larger one 72cm diameter, together with some copper and brass vessels, a cast iron garden pump and a sprayer

A composition stone bird bath

276

£400-600

modern

A blue patinated copper planter

with zinc liner 73cm diameter

the bowl centred with bronze armillary 130cm high by 78cm diameter

59cm high by 70cm diameter

£1800-2500

£600-1000

278 A pair of brass planters modern 60cm high by 75cm diameter £1200-1800

114

276

278

277 279

280

A patinated copper planished planter

Three washing coppers

modern 67cm high by 71cm diameter

279

including one with handles the largest 83cm diameter ÂŁ400-600

ÂŁ600-1000

280 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

115

281 281

282

‡ A set of three terracotta storage jars 2nd half 20th century each with similar maker’s plaque 91cm high £600-1000 282 ‡ A similar pair of terracotta storage jars £400-600

283 Three large washing coppers the largest 76cm diameter £600-1000

116

284 ‡ A pair of tapering cylindrical terracotta planters with maker’s plaques Italian, 2nd half 20th century 62cm high by 83cm diameter £300-500 285

its manufacturing operations in 1909. It is now a design company and a part of Iittala Group, which is also known for BodaNova, Rörstrand and Iittala design brands. This stylish mid-19th century stoneware urn has been extensively copied during the last quarter of the 20th century in both terracotta and composition stone.

the base stamped Höganas

It is rare to ﬁnd a period stoneware original and of such high quality, which predates the more common Höganäs Keramik products.

164cm high

£2000-4000

A rare Swedish stoneware lidded ﬁnial last quarter 19th century

Höganäs in Sweden began as a small ﬁshing village in the parish of Väsby. During the 19th century more industries were established using clay for making ceramic products. Höganäs Keramik began For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

117

287

288

286

287

‡ A pair of rare Galloway pottery glazed earthenware tapering cylindrical planters

‡ A set of four composition urns on pedestals

early 20th century

late 20th century

with makers stamp Galloway Pottery, Philadelphia

158cm high £1000-1500

56cm high by 70cm wide In 1876 the Galloway Terra-Cotta Company, won the Philadelphia 1876 exposition, the Chicago exposition, and the St. Louis Exposition. During that era, Galloway was one of the leading pottery companies in the United States. They provided some of the decoration for Grand Central Station, New York, which has subsequently been demolished. £400-600 118

288 ‡ A similar set of four urns on pedestals £1000-1500

289 ‡ A set of four composition stone tapering cylindrical planters early 21st century 52cm high by 64cm diameter £400-600

290 ‡ A similar set of four planters £400-600

291 ‡ A similar set of three planters £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

119

292 A pair of composition basket planters 2nd half 20th century 80cm high by 110cm diameter £500-800

293 ‡ A pair of substantial tapering cylindrical composition stone planters 2nd half 20th century 60cm high by 87cm diameter £300-500

294 A set of four composition stone urns 2nd half 20th century 76cm high £500-800 295 Two similar composition stone urns 2nd half 20th century the larger 76cm high £250-400 120

297 A carved marble water stoop 19th century 50cm wide, together with a later composition stone urn, 66cm diameter 296

£150-250

A Compton Pottery Apple pattern pot

298

early 20th century 43cm high (See engraving) Provenance: The Countess of Midleton, Eastwell Park Estate; Thence by descent

A pair of rounded rectangular marble planters modern 73cm long £400-600

£100-200 299 A pair of wirework plant stands 20th century 84cm high £200-300 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

121

300

301

An unusual pair of cast and wrought iron Versailles planters

‡ A pair of cast iron urns modern

late 19th century

78cm high, on late Victorian terracotta pedestals

with wooden liners

145cm high overall

62cm high by 78cm square

£400-600

£2000-3000 302 ‡ A pair of faux lead ﬁbreglass square planters 63cm high by 72cm square £200-400

122

303 A rare Handyside foundry cast iron bowl on stand 3rd quarter 19th century the base stamped Andrew Handyside, Britannia Foundry, Derby 170cm high Andrew Handyside started the foundry in 1806 and by 1851 the ﬁrm had expanded and was operating out of the Britannia Iron Works in Derby. At the Great Exhibition they exhibited a Medici vase, a bacchanalian vase and as well a bronzed iron example of this piece decorated with busts of Peel, Nelson, Watt, Wellington, Stephenson, Scott, Shakespeare and Milton. At the time, the foundry was described as being “from the magnitude of its operations, second to none in England”. The foundry produced a wide range of wares, from large engineering products such as bridges down to a range of garden ornaments including fountains and urns. They produced two catalogues in 1848 and 1874. This was one of the most elaborate of Handyside’s castings, as demonstrated by it being displayed at the Great Exhibition. Included in this lot is a volume of the Art journal Illustrated catalogue of the Industry of all Nations 1851, showing a number of pieces from the Great Exhibition at Crystal Palace, in which this urn on stand is engraved on page 6. £2500-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

123

304 A group of three terracotta pots Berber, Morocco 19th century or earlier the largest 56cm high £400-600 305 A large terracotta pot High Atlas, Berber Morocco 19th century or earlier 86cm £400-600 306 A four handled terracotta pot Anti-Atlas mountains, Skowra Morocco 63cm high £250-400

124

307

308

307

309

A carved wood pestle and mortar

A painted hardwood doorway

Anti-Atlas mountains, Berber Morocco 19th century or earlier

Ottoman, 19th century

87cm overall

205cm high by 150cm wide

£300-500

with bronze handles and iron ﬁxtures

£400-600 308 A massive hand carved wooden pouring cup “Halais & Ladle” for olive oil or milk

310 A rectangular carved marble panel

19th century or earlier

Turkish, 18th/19th century

Berber, Morocco

33cm high by 97cm long

overall 45cm

£100-200

£200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

125

311 † A large wrought iron kadai modern 132cm diameter, together with a pair of curved wrought iron and wooden benches en suite £1000-1500 312 An unusual polychrome painted wood Vihana Indian, late 19th century in the form of a mythical creature on integral wooden base 114cm high by 144cm long Pieces of this sort were used in wedding processions. £500-800

126

313

314

† A carved sandstone Tulsi planter

† An exceptionally large Lingum stone

Indian, late 20th century

86cm high by 36cm wide

63cm high by 62cm wide

Shiva Lingum Stones are so called because in the Hindu religion they symbolise the union between heaven and earth. These natural stones were collected from the Narmada river and it is believed that a meteorite coloured the jasper on its impact with the earth.

£400-600

£1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

127

315

316

315

316

A pair of impressive grey marble Dogs of Fo

A pair of composition stone dogs of Fo

Chinese

late 20th century

late 19th/early 20th century

89cm high

142cm high by 82cm long by 62cm deep

£400-600

Provenance: Reputedly removed from Whiteley’s department store, Bayswater, London. When the present building was opened in 1912, it was one of the largest department stores in the country.

£5000-8000

128

317

318

317

319

A Regency reeded wrought iron seat early 19th century 154cm wide £800-1200

318

319

An unusual wrought iron seat

‡ A Regency style wrought iron games seat

Scottish, mid 19th century

2nd half 20th century

140cm long

with hinged foot rest

£1000-1500

207cm wide £400-600

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

129

322 A rare reeded wrought iron table 19th century 92cm long

321 320

Seats of a similar construction were made in Regency times; however, it is extremely rare to ﬁnd a table constructed of reeded wrought iron. £200-300

320

321

323

A wrought iron and mesh rocking chair

A similar wrought iron rocking chair

A wrought iron seat

modern

£500-800

132cm wide

with wooden foot and arm rests 172cm long £500-800

130

French, circa 1900 £150-250

324

326

A strapwork wrought iron tree seat

A wrought iron and wooden seat

modern

early 20th century

182cm diameter

with applied brass plaque inscribed MCC Lords Cricket Ground C1908

£1500-2500 325 A pair of strapwork demi-lune seats modern 175cm wide £1500-2500

270cm long Provenance: During the 1990’s the MCC sold off a number of seats which had originally been in Lords cricket ground.

One of a pair showing

£500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

131

327 A Coalbrookdale Lily of the Valley cast iron seat circa 1870 with diamond registration stamp and pattern number. This design, number 171578 was registered and patented at the Public Records Ofﬁce on the 8th February 1864 by Coalbrookdale and was seat number 36 in their castings catalogue of 1875. 158cm long £3000-5000

328 A pair of Falkirk foundry cast iron seats late 19th century 117cm wide, together with a late Victorian cast iron table, with mahogany top, 106cm wide £300-500

132

329 A Victorian cast iron occasional table with mahogany top 55cm diameter, together with another similar smaller plant stand/table, with white marble insets, 37cm wide £150-250 330 A carved marble bench on associated composition stone supports late 20th century, 120cm long £300-500 331 A carved limestone seat 1st half 20th century, 173cm wide £500-800 332 A composition stone bench 2nd half 20th century 145cm wide, together with a ﬁreclay sundial, early 20th century, 96cm high £200-400 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

133

333

334

A carved hardwood chair by Adam Birch

A rare wooden skeleton chair

115cm high

American

Adam Birch grew up on a large farm outside Cape Town, South Africa and his love of trees began as a child, playing in the forests. He studied at the University of Stellenbosch, achieving a Bachelors degree in Fine Arts in 2000, majoring in Applied Graphics, but always dreaming of becoming a full time sculptor. After his studies, he became a tree surgeon, and began to work in his spare time with pieces from the dead trees he was cutting down, transforming them into innovative sculpted furniture.

Mixed woods,

ÂŁ350-550

134

19th century 120cm high Loosely based on the earlier memento mori skeletons and skulls, earlier examples of skeleton chairs were known in Russia and perhaps exported to rural America by immigrants. ÂŁ1000-1500

335 A carved hardwood table and four chairs by Bill Ayres the table top with applied copper sturgeon table 165cm long by 183cm wide Bill Ayres is based in New Zealand and specialises in making artefacts out of recycled materials. ÂŁ1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

135

336 A set of eight carved hardwood Cockpen chairs 2nd half 20th century £1500-2500 337 A kidney shaped free standing Tiki bar with two stools French, 1940’s constructed from bamboo and timber shelving with original laminated bar top and vinyl upholstery 107cm high by 135cm wide by 55cm deep The history of the Tiki Bar can be traced back to 1934 when Texas born Earnest Raymond Beaumont Gnatt also known as Don the Beachcomber opened the works ﬁrst Tiki bar in Los Angeles. He wanted to emulate the laid-back time he had experienced in the tropics. People including celebrities of the day ﬂocked to the bar for its escapist ambiance and potent tasty rum cocktails. £600-800

136

338 ‡ A suite of wicker furniture late 20th century sofa 185cm wide, together with two chairs and a stool £500-800 339 ‡ A similar suite of wicker furniture £500-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

137

341 An unusual Purbeck stone seat early 20th century 340 A Martins patent Aluminium ejector seat with maker’s plaque now mounted on turbine fan base with castors 160cm high £1500-2500

138

107cm square £1200-1800

342 A white marble ďŹ gure of an urchin Italian, circa 1900 indistinctly signed Achille de ***** 115cm high ÂŁ4000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

139

343 A composition stone fountain group of Venus and a putto on pedestal 1st half 20th century pitcher drilled for water 154cm high ÂŁ3000-5000

140

344 A composition stone lion, probably by Austin and Seeley 2nd half 19th century on later base 92cm high by 155cm long ÂŁ2000-3000

345 A pair of carved white marble sphinx late 20th century with inset veined marble faces 100cm long ÂŁ1800-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

141

348 After Canova: A pair of carved white marble lions modern 90cm long £1000-1500

346 A carved white marble ﬁgure of a girl holding a mandolin on pedestal Italian, late 19th century 200cm high £1200-1800

142

347 A carved marble lion modern 57cm high £200-400

349

350

351

A carved Caen stone ﬁgure of the Virgin Mary

A carved limestone ﬁgure of a musician in Renaissance style on pedestal

A composition ﬁgure of a Roman centurion

80cm high Provenance: The Countess of Midleton, Eastwell Park Estate; Thence by descent

2nd half 20th Century

mid 20th century on pedestal

204cm high overall

242cm high

£1000-1500

£200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

143

353 A lead fountain 1st half 20th century 352 After Giambologna: A lead ﬁgure of Mercury

the scallop shell plumbed for water 75cm high £250-400

2nd half 20th century 117cm high, on earlier granite pedestal, 284cm high overall £1500-2500

354 A pair of lead ﬁgures of musicians in 17th century dress early 20th century 60cm high £500-800

144

355

356

A bronze bust of a girl

A spelter ﬁgure of a ﬁsher girl, possibly by Miroy Freres

2nd quarter 20th century on oak plinth 34cm high £600-800

French, circa 1880 175cm high Provenance: Originally in the collection of Lady Brassey of Catsﬁeld, 1839-1887, a well-known writer, traveller and collector, this statue is illustrated in The Sussex County Magazine November 1955, a copy of which is included in the lot. £1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

145

357 After Ben Panting: A plaster horse’s head inscribed Ben Panting, 78cm high £400-600 358 † An over-life-size carved stone torso Indian, 2nd half 20th century on associated base, 120cm high £500-800 359 A pair of cast iron horses’ heads 2nd half 20th century, 62cm high £800-1200 360 A ciment fondue classical head of Minerva on composition stone base 75cm high on associated wooden plinth 135cm high overall £200-400

146

361

363

Christine Baxter

Two bronze hares

Looking Down Hare

2nd half 20th century

Iron resin

the jack 82cm high

66cm high

£1000-1500

£600-800 364 362

Chelsea Renton

Christine Baxter

Born to Run

Listening Hare

Bronze

Iron resin 68cm high

36cm high by 11cm wide by 28cm deep

£600-800

£1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

147

365

367

Linda Monk

Boxing Hares

Running Hares

Bronze

46cm high by 39cm wide by 18cm deep

Signed Number 7 from an edition of 125 21cm high £400-600 366 S John Cox Hare and Leveret Bronze 85cm high by 50cm wide by 53cm deep £1200-1800

148

£600-800

368

369

S Guy Taplin (b.1939)

Errol Tompkinss

Kingﬁsher in Flight

Mythological bird

Gessoed and painted driftwood

Sheet copper strips on oak base

Signed

85cm high

23cm wide

£1200-1800

£250-300 370 Anon Ball of Frogs Bronze 13cm high by 12cm wide by 12cm deep £400-600

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

149

371

373

Colin Kellam

David Meredith

Hermit Crab

The Thinker Frog

Stoneware, Unique

Bronze

Indistinctly signed

30cm high by 27cm wide by 17cm deep

19cm high by 30cm wide by 26cm deep £600-800 372 David Meredith Large Dancing Frogs Bronze 61cm high by 38cm wide by 25cm deep £2000-3000

150

£1200-1800

374 Bob Crutchley Greyhounds Bronze 10cm high by 33cm wide by 6cm deep £400-600 375 Celia Lewis Abstract bird Sycamore 59cm wide £300-500 376 S John Cox Buzzard Bronze 50cm high by 100cm wide by 35cm deep £600-800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

151

378 An unusual bronze stag beetle late 20th century dark brown and red patination 47cm long ÂŁ3000-5000

377 A rare bronze beetle 2nd half 20th century 46cm long ÂŁ5000-8000

152

379 Jeff Thomson Male Weta beetle Painted sheet metal 2008 130cm long Jeff Thomson is a New Zealand sculptor who specialises in making sculpture out of reclaimed corrugated iron and sheet metal. Born in Auckland, he graduated with a Bachelor of Fine Arts in 1981. His corrugated iron animals, birds, cars and people have established Jeff Thomson in the memory banks of most New Zealanders and many Australians, where he is known as the Corrugated Iron Man of Australasia. ÂŁ4000-6000 380 Lady M Kilauea Bronze on natural wooden base Unique Signed 23cm high by 54cm wide by 30cm deep ÂŁ1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

153

381 Harry Marinsky The Listener Bronze Signed, with foundry stamp Number 1 from an edition of 7 92cm high ÂŁ8000-12,000

154

382 Running Rabbits Bronze 17cm high by 54cm wide by 12cm deep £600-800

383 William Wilberforce Happy Family Springstone Unique Signed 110cm high by 39cm wide by 20cm deep £1200-1800 384 Two carved marble birds Zimbabwe, modern 110cm high £200-400

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

155

385

386

387

Derek Macheka

Innocent Nyashenga

An abstract couple

Lovers in The Wind

Circles of Life

late 20th century

Springstone

Marble

Unique

110cm high

Signed

99cm high by 49cm wide by 31cm deep, on black barley twist marble pedestal, 80cm high

£500-800

105cm high by 48cm wide by 55cm deep £1500-1800

156

£1200-1800

388

389

Anthony Magamba

Emmanuel Chagunda

Sweet Voice

Homage to Barbara

Cobalt stone

Opal stone

Unique

Indistinctly signed

Signed

100cm high by 50cm wide by 34cm deep

188cm high by 67cm wide by 56cm deep

ÂŁ3000-4000

ÂŁ10,000-12,000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

157

390

391

Victor Mataci

Abstract form

Love and Trust

late 20th century

Opal stone

Marble

Unique

165cm high

Signed

£1500-2500

160cm high by 70cm wide by 60cm deep £6000-8000

158

392

393

Shepard Deve

Victor Mataci

Lagoon Dance

Love Knot

Opal stone

Unique

Signed

83cm high by 90cm wide by 70cm deep

170cm high by 60cm wide by 50cm deep

ÂŁ4000-6000

ÂŁ6000-8000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

159

394

395

Charles Bran

S Wevner Groll

Adapt

Clonakenny Donkey

Stainless and corten steel

Carved oak

Signed

Unique

Number 15 from an edition of 23

122cm high by 81cm wide

215cm high by 110cm wide by 10cm deep £1200-1800

160

£2000-3000

396

397

S Wevner Groll

Endurance

Movement

Carved larch on wooden pedestal

Carved red deal

Unique

208cm high by 107cm wide

86cm high by 43cm wide by 43cm deep

Unique

ÂŁ3000-4000

ÂŁ1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

161

398

400

Lukasz Joniec

Carved Lychee Tree Face

Crown of Thorns

Wood

Bronze on oak plinth

Unique

Signed

190cm high by 217cm wide by 40cm deep

Number 2 from an edition of 9 14cm high by 28cm wide by 36cm deep £1200-1800 399 S Wevner Groll Symbiosis Carved sycamore Unique 84cm high by 66cm wide £1200-1800

162

£2000-3000

401 Martyn Barratt Coral Kiln formed glass Unique 65cm high by 85cm wide by 5cm deep ÂŁ4000-6000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

163

402

404

A white marble art deco bird

Errol Tompkins

early 20th century

Dancer

reputedly a gift by the sculptor to Dame Elisabeth Frink

Sheet iron strips

37cm high

£1200-1800

160cm high

£500-800 405 403

S Wevner Groll

Stylized shell

What Is This

Grey marble

Carved sycamore on pedestal

83cm high

Unique, Signed

£200-400

102cm high £2000-3000

164

406

407

A rootwood table with glass top

B C Zheng

180cm diameter

Bronze on marble base

£300-500

Signed

Seated Pig

23cm high by 34cm wide by 21cm deep £600-800 408 Two ﬁgures Modern Grey marble 101cm high £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

165

411

409

409 A burr wood silver beech bowl by Kemp Leniham signed and dated 2003 50cm wide £300-500 410 410

A burr wood silver beech bowl by Kemp Leniham signed and dated 2003

Kemp Lenihan from Nelson, New Zealand, is famous for his exquisite turned and carved wooden bowls and platters. He has a particular interest in turning burr wood in which the grain has grown in a deformed manner. It is commonly found in the form of a rounded outgrowth on a tree trunk or branch that is ﬁlled with small knots from dormant buds. It is extremely hard and is very difﬁcult to turn.

50cm wide £200-300 411 A burr wood red beech bowl by Kemp Leniham signed and dated 2002 23cm wide £150-250

166

412 A half section brass galleon in the style of Curtis Jere 125cm high by 160cm long £800-1200 413 An OKB-2 liquid fuel second stage rocket engine mounted on stand late 1950’s 104cm high Designed by the studio of Alexei Mikhailovich Isayev and built by the Soviet aircraft design bureau (OKB). Isayev was granted his own section of OKB in 1947 which

became known as OKB-2, these both came under the umbrella of the scientific research institute of the Ministry of Aviation. Isayev focused on small liquid fuel rockets which powered much of the soviet space programme between 1957-1967 and his engines powered the vehicles carrying the first artificial satellites, the first unmanned probes to the Moon and Venus and the world’s first unmanned spacecraft, the Vostok. He also worked in the development of surface to air missiles and air to sea missiles, his most famous being the R-11 “Scud”. Provenance: Ex Professor Roudakov Air and Space Collection. £2500-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

167

414

416

An unusual Cotswold stone henge

A similar Cotswold stone henge

in iron stand

260cm high overall by 140cm wide

190cm high by 94cm wide

£800-1200 415 A similar Cotswold stone henge in iron stand 150cm high by 190cm wide £800-1200

168

£700-1000

417

418

417

419

A jasper freeform Southern Africa

A “Mandani” quality lapis lazuli freeform

50cm, 48kg

Afghanistan

£500-800

29cm high, 1.2kg

419

£400-500

418 A serpentine freeform

420

Himalayas

A blue kyanite specimen

22cm, 2kg

Brazil

£400-500

25cm £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

420

169

170

421

422

A large pair of amethyst chimneys

A large lapis lazuli egg on stand

Brazil

Afghanistan

141cm

24cm high overall, 6.9kg

ÂŁ3000-5000

ÂŁ1000-1500

423

424

An unusual crystalline ﬂuorite specimen

A nephrite freeform

Mexico

26cm high, 5.1kg

37cm

£800-1000

Himalayas

£150-250

425 A desert rose Mexico 46cm £200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

171

426

428

A pair of amethyst chimneys

A lapis lazuli freeform

Uruguay

Afghanistan

75cm high

24cm high, 3.3kg

£1500-2500

427 A lapis lazuli bowl carved from one piece Afghanistan 19cm diameter £500-700

172

429 A large lapis lazuli sphere Afghanistan 25cm diameter, 26kg ÂŁ3500-5000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

173

430 A large mangano calcite freeform Himalayas 48cm, 39kg ÂŁ3300-5000

174

431 A very large K2 specimen Himalayas So called because it is found in the region of K2 the second highest peak in the world 56cm, 29.7kg ÂŁ3000-4000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

175

432

435

433

436

434

176

437

438

432

435

438

A pair of fossil wood bookends

A large and unusual polished onyx bowl

(monkey puzzle tree)

Two Australian mineral slices mookite and tiger iron

Madagascar, Permian

the largest 39cm

85cm by 53cm

15cm high

£500-800

£1200-1800

436

439

433

A lazurite specimen

A pair of Arizona fossil wood book ends

Afghanistan 13cm, 0.9kg

Three gilt edged mineral slices quartz and calcite

Triassic

£300-500

the largest 40cm

Mexico

£150-250

£800-1200

27cm high £100-200

437 A desert rose

434

on bronze base

An unusual nephrite slice with calcite inclusion

35cm £500-800

Himalayas, 18cm high £200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

177

440 An unusually deep onyx bowl Mexico 56cm by 51cm £900-1200

441 A banded onyx bowl Mexico 50cm £600-800

178

442

443

A banded onyx lamp

A pair of onyx lamps

Mexico

56cm

48cm

£600-800

£1200-1800 444 An unusual mookite specimen Western Australia 73cm £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

179

447 A set of three “Mandani” quality lapis lazuli cubes 445 A lapis lazuli freeform 31cm high £500-800

6.5cm £800-1200 448

446

A lapis lazuli freeform with unusually large pyrite inclusions

A resin and agate lamp

Afghanistan

modern

37cm high, 9.7kgs

33cm high

£1500-2500

£100-200

180

Afghanistan

449 A superb Mexican jasper veneered box 21cm by 15cm ÂŁ2500-3500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

181

450 A superb fossil wood veneered box 16cm by 12.5cm Â£2500-3500

182

451 A superb lapis lazuli and mother of pearl veneered box 18cm by 14cm ÂŁ6000-8000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

183

452

454

452 An octagonal lapis lazuli inlaid marble table top Afghanistan, 33cm £600-800 453 A collector’s hanging cabinet of worldwide mineral curiosities 50cm by 39cm £500-800 454 An Aventurine topped occasional table Brazil, 51cm wide £600-800 455 A geological collection mid 20th century housed in two display boxes £100-200

453

184

455

456 A glass singing bowl with striker modern, 30cm diameter £100-150 So called since it resonates when struck

457 A pair of malachite veneered black marble obelisks modern 77cm high ÂŁ800-1200 458 A pair of multi coloured veneered black marble obelisks modern 77cm high ÂŁ600-1000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

185

459

461

A marble casket veneered with specimen lapidary

A Levanto marble Roman style bath

including lapis lazuli, amethyst, blue john, jaspers, fossilised plum pudding coral stone, with gilt mounts

modern

14cm high by 27cm long ÂŁ800-1200 460 A pair of amethyst veneered white marble urns modern 50cm high ÂŁ600-1000

186

40cm long ÂŁ600-1000

462

463

Four fossil wood stools

A fossil marble square table with orthoceras specimens

40cm high ÂŁ2500-4000

Moroccan, Devonian 50cm square ÂŁ800-1200 464 A rounded rectangular fossil marble table with orthoceras and ammonite specimens Moroccan, Devonian 84cm long ÂŁ800-1200

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

187

468

467

465

467

A fossil starﬁsh plaque Morocco

A psychopyge spp. trilobite

Ordovician

Morocco

56cm

Devonian

£600-800

16cm overall £200-400

466

188

A fossil ammonite Psiloceras Pamorbis plaque

468

Somerset UK

Morocco

Jurassic

Devonian

41cm

overall 13cm

£150-250

£300-500

A Ceratarges zirgensis spp. trilobite

469 A starﬁsh plaque Morocco Ordovician

470

78cm

A large fossil ﬁsh plaque (Knightia Alta sp.)

£500-800

Green River, Wyoming Eocene 142cm by 86cm £1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

189

471 A Phareodus ﬁsh plaque Green River,Wyoming, Lower Eocene 58cm high by 89cm wide £1500-2500

472 A Notogoneus ﬁsh plaque Green River, Wyoming, Lower Eocene 52cm high by 95cm wide £800-1200

190

473 A large Pharedus spp. fossil Green River, Wyoming Eocene mounted by “rag & bone Tone” overall 66cm by 86cm £2500-4000

474 A Notogoneus osculus fossil plaque Green River, Wyoming Eocene 42cm by 77cm £1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

191

475 A fossil Crinoid plaque (seyphocrinites spp.) Morocco Devonian 74cm by 81cm ÂŁ2000-3000

192

476 A fossil leaf mosaic plaque Green River, Kemmerer Wyoming, Eocene various species on metal hanging frame 122cm by 183cm ÂŁ7000-9000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

193

477

479

A Dryosaurus Phosphatitius spp. crocodile skull

A polished Goniatite with Orthoceras display

Morocco

Devonian

95cm long

87cm high

£800-1200

£400-600

Morocco

480 478

194

An ammonite in two polished halves

A fossil shark tooth trophy panel various species

Madagascan, Jurassic

Morocco, Jurassic

59cm diameter

85cm high by 58cm wide

£500-800

481 A Stegosaurus tail spike Morrison formation, Wyoming Upper Jurassic 38cm long £1500-2500 482 An exceptionally large and rare giant squid fossil plaque Solnhofen, Germany, Jurassic 100cm long by 35cm wide £4000-6000

483

484

A Saurian group plaque

A crayﬁsh sp. plaque

Santana Formation, Cearra, Brazil

Solnhofen, Germany, Jurassic

40cm high by 51cm wide

£150-250

34cm high by 54cm wide

£200-300

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

195

485 A Heteromorph ammonite group Morocco, Cretaceous 50cm high ÂŁ3500-5000

486 An interesting collection comprising: A megalodon tooth, 11cm; a fossil wood section, 16cm diameter and an Irish elk jaw fragment, 17cm long ÂŁ300-500

196

487 A large Mammoth tusk Russian, Pleistocene 109cm on the outside of the curve 12.9kg £1200-1800

488 A left ilium bone of a whale North sea bed Pleistocene 81cm £300-500

489 A woolly mammoth lower jaw Pleistocene 53cm wide £300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

197

490 A Rowland Ward faux bamboo ﬁrescreen with engraved glass circa 1900 76cm high by 57cm wide Rowland Ward (1848-1912) the most celebrated of all taxidermists, operated from premises in Piccadilly. Here, he catered to Dukes and Duchesses, the rich and famous, and sportsmen the world over. He was so successful, and his reputation so great, that following his own death in 1912, the company he founded stayed in business for another 60 years,

despite the general decline in interest in taxidermy through the twentieth century. During this period, the ﬁrm employed hundreds of workers, and was always renowned for the high quality of the work produced and the top quality standards maintained by its employees. Ward himself made many innovations in terms of taxidermy, and always maintained that a good taxidermist was not simply a craftsman but an artist and that he or she should be regarded as nothing less.

£600-1000 198

491

492

An African rhinoceros foot by Rowland Ward

An African rhinoceros foot tobacco jar

brass rim stamped

circa 1900

18cm high

17cm high

£150-250

493 A collection of blue morpho butterﬂies under glass dome modern 54cm high £400-600 494 A dome of tropical birds late 19th century 70cm high £2000-3000

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

199

495

498

A case of chickens

Hutchings of Aberystwyth: A cased buzzard

modern 63cm high by 50cm wide £200-300

circa 1900 86cm high by 92cm wide

A case of red grouse by Aaron Forest

The family ﬁrm of Hutchings who operated between 1860-1940 were well regarded

circa 1800

£300-500

496

50cm high by 67cm wide £250-400 497 Peter Spicer: A chub in wall case circa 1920 30cm high by 58cm wide £100-200

200

499 A full mount shag in the style of Rowland Ward 1st half 20th century 48cm high by 54cm wide £150-250

501 A King bird of paradise wall dome circa 1880 148cm high ÂŁ800-1200 500 Williams of Dublin: A mixed tropical bird case circa 1890 label to verso 109cm high by 70cm wide ÂŁ1200-1800

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

201

504 A fang wooden and hide fan Cameroon/Gabon 34cm long 502 Two wooden tribal shields 20th century now mounted on iron stands the larger 133cm high £250-400 503 A small blonde turtle shell circa 1900 29cm £500-800

202

£150-250 505 A zebra skin table early 20th century 83cm diameter £150-250

506

507

A juvenile Nile crocodile skin

A Gaur head by Van Ingen

circa 1900

one limb detached

74cm wide

215cm long

ÂŁ800-1200

ÂŁ300-500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

203

508

510

A “Unicorn” head modern

A collection of colourful butterﬂies under glass dome

120cm high

modern

£1000-1500

41cm high overall £250-400

509 A Hyena head mount

511

modern

A reconstructed Aepyornis egg in glass dome

40cm high £500-800

Madagascar 55cm high overall £500-800

204

512 A baby giraffe 2nd half 20th century 167cm high ÂŁ1800-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

205

513 A tiger’s head by Gerrards of London circa 1900 61cm high £2000-3000

206

514 A hippopotamus head 20th century 122cm deep ÂŁ1500-2500

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

207

515 A Puma (Panthera) mounted by Rowland Ward on naturalistic base pre 1968 with Article 10 Certiﬁcate 140cm high by 148cm long £3000-5000

517

518

516

Edwin Ward: A mixed case of seabirds

A sword ﬁsh head on wooden plaque

A large whale vertebrae

circa 1870

early 20th century

43cm high

label to verso

60cm high by 67cm deep

With A10 ref 574788/01

85cm high by 92cm wide

£100-200

From old antique collection

£200-300

£400-600

208

The following lots come from the collection of Lt. Commander W.E Darwall who formed his collection during his numerous overseas postings in the ﬁrst part of the 20th century.

519

520

521

522

A box of assorted corals

A red coral specimen

A spider shell in dome

A collection of cowries

18cm

largest 10cm

£100-200

£250-350

£100-200

£120-180

523

524

525

526

A collection of large polished shells (various)

A collection of conus shells

A large collection of decorative small shells

A collection of murex

the largest 13cm

£60-100

£100-200

the largest 42cm

For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

209

527

210

529

530

527

529

A 9 point red deer trophy on shield

A 13 point red deer trophy on shield

dated 1934 label to verso

dated 1938 label to verso

124cm high overall

130cm overall

£200-300

528

530

A full mount fox by Derek Frampton

An impressive 12 point Wapiti trophy on shield

68cm high by 102cm wide by 39cm deep

dated October 1930

£100-200

£300-500

width of antlers 102cm

531 A Swoose by F. E. Gunn (1869-1950) 114cm high by 82cm wide by 44cm deep trade label on verso This case is conclusive evidence of a rare event in nature, a hybrid between a swan and a goose. As far as we know it is the only stuffed example in existence. Label reads swan & goose hybrid, hatched April 1910 died May 1924 Beeston Priory, Sheringham. ÂŁ2000-3000 For details of our buyers premium which is added onto the hammer price together with any other applicable charges please refer to our guide for prospective buyers

211

Gavin Gardiner Limited ----------------------------------------------------------------------------------------------------------------

Auctioneers of Fine Modern and Vintage Sporting Guns, es and Accessories

Sporting Guns at the Gleneagles Hotel Auction: 26th August 2019 Entries Now Invited

Forthcoming Free Valuation Days:

To discuss consignments, or to make an appointment for a free valuation of your guns, call us now:

Tel 01798 875300 www. gavingardiner.com

212

Paris, France Harrogate, N. Yorkshire Pulborough, Sussex Sotheby's London Tiverton, Devon Sotheby's Edinburgh Glasgow Scone Palace Gamefair

5 June 19 June 24 June 25 June 28 June 3 July 4 July 5 July

✂

Summers Place Auctions Ltd

Title First name

Last name

Address Postcode SALE NUMBER

GS083

SALE DATE 11 June GARDEN, DESIGN & 2019 NATURAL HISTORY

Tel

Mobile

Fax

Please write clearly and place your bids as early as possible, as in the event of identical bids, the earliest bid received will take precedence. Bids should be submitted in (£) sterling at least 24 hours before the auction.

LIVE AUCTION BIDDING FORM IMPORTANT Please note that the execution of written and telephone bids is offered as an additional service for no extra charge ,and at the bidder’s risk. It is undertaken subject to our other commitments as the time of the auction. We therefore cannot accept liability for failure to place such bids, whether through negligence or otherwise.

Lot No.

Lot Description

Maximum Sterling price (excluding premium & VAT)

New Clients: Please note that we may contact you to Request a bank reference. In addition we Will require sight of a government issued ID and proof of address prior to collection of purchases. FOR WRITTEN/FIXED BIDS

Bids will be executed for the lowest price as is permitted by other bids or reserve. “Buy” or unlimited bids will not be accepted and we do not accept “plus one” bids. Please place bids in the same order as in the catalogue. Alternative bids can be placed by using the word “or” between lot numbers Where appropriate your written bids will be rounded down to the nearest amount consistent with the auctioneers bidding increments

FOR TELEPHONE BIDS

4 4

Please clearly specify the telephone number or back up mobile phone number on which you may be reached at the time of the sale, including the country code. We will call you from the saleroom shortly before your lot is offered. Telephone bids are operated on a first come first served basis as lines are limited.

TELEPHONE NUMBER DURING THE SALE

(tel. bids only)

I agree to be bound by Summers Place Auctions Ltd “Condition of Business” as published in the catalogue which govern all purchases at auction, and to pay the published Buyer’s Premium on the hammer price plus any applicable taxes. I consent to the use of this information and any other information obtained by Summers Place Auctions I am aware that all telephone bid lines may be recorded. Payment is due immediately after the sale in pounds sterling. Full details on how to pay are included in our Guide for Buyers. If you wish to pay for your purchases by card please complete the details below and your Card will be charged.

NAME ON CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

DEBIT CARD NUMBER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXPIRY DATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ISSUE NUMBER..............(SWITCH

ONLY)

LAST DIGIT OF SECURITY CODE

..............................

Signed _________________________________________ Dated ____________________________ Please send this form by post to Summers Place Auctions Ltd, The Walled Garden, Stane Street, Billingshurst, West Sussex RH14 9AB or by Fax to 01403 331340

GUIDE FOR ABSENTEE BIDDERS If you are unable to attend an auction in person, you may give Summers Place Auctions Bid Department instructions to bid on your behalf by completing the form overleaf. This service is free and confidential. Please record accurately the lot numbers, descriptions and the top hammer price you are willing to pay for each lot. We will try to purchase the lot(s) of your choice for the lowest price possible and never for more than the top amount you indicate. “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers. Bids must be placed in the same order as in the catalogue. This form should be used for one sale only - please indicate the sale number, title and date on the form. Please place your bids as early as possible, as in the event of identical bids the earliest received will take precedence. Wherever possible bids should be submitted at least twentyfour hours before the auction. Where appropriate, your bids will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments. Absentee bids, when placed by telephone, are accepted only at the caller’s risk and must be confirmed by letter or fax to the Bid Department on +44 (0)1403 331 340. Please note that the execution of written bids is offered as an additional service for no extra charge at the bidder’s risk and is undertaken subject to Summers Place Auctions other commitments at the time of the auction; Summers Place Auctions

214

therefore cannot accept liability for failure to place such bids, whether through negligence or otherwise. Successful bidders will receive an invoice detailing their purchases and giving instructions for payment and clearance of goods. All bids are subject to the conditions of business applicable to the sale, a copy of which is available from Summers Place Auctions. Conditions of Business particularly relevant to buyers are also set out in the sale catalogue. We reserve the right to seek identification of the source of funds received. In connection with the management and operation of our business and the marketing and supply of Summers Place Auctions Companies' services, or as required by law, we may ask clients to provide personal information about themselves or obtain information about clients from third parties (e.g. credit information). If clients provide Summers Place Auctions with information that is defined by law as "sensitive", they agree that Summers Place Auctions may use it for the above purposes. Summers Place Auctions will not use or process sensitive information for any other purpose without the client's express consent. In order to fulfil the services clients have requested, Summers Place Auctions may disclose information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within the EU. It is Summers Place Auctions policy to require that any such third parties respect the privacy and confidentiality of our clients' information and provide the same level of protection for clients' information as provided within the EU, whether or not they are located in a country that offers equivalent legal protection of personal information.

By signing this Absentee Bid Form you agree to such disclosure. Clients will please note that for security purposes, Summers Place Auctions premises are subject to video recording. Telephone calls e.g. telephone bidding/voicemail messages may also be recorded.

Please post or e-mail up to 10th 2019 20th June October 2014. The Walled Garden, Summers Place, Billingshurst, West Sussex, RH14 9AB. For Bids only: Tel. +44 (0)1403 331 331

✂

Summers Place Auctions Ltd

Title First name

Last name

Address Postcode

SALE NUMBER GE084 BIDS MUST BE RECEIVED BY 12th June 2019, 4PM BST

Tel

Mobile

Fax

SEALED BIDDING FORM

IMPORTANT The winning bid will be the highest left on each lot above the reserve. Bids are non sequential and the highest bid left is the price at which the lot is sold plus buyers premium and any VAT liable. In the event of two identical winning bids being left on the same lot, the earliest received bid shall take precedence. Summers Place Auctions decision on which is the winning bid shall be final.

Lot No.

Lot Description

Sealed bid Sterling price (excluding premium & VAT)

Clients wishing to bid on an “either or” basis should list the lots they are interested in with the price they are prepared to pay in order of preference with “OR” written between each one.

New Clients Please note that we May contact you to request a bank reference. In addition we will Require sight of a government Issued ID and proof of address prior to collection of purchases

NAME ON CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

DEBIT CARD NUMBER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

EXPIRY DATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ISSUE NUMBER..............(SWITCH

ONLY)

LAST DIGIT OF SECURITY CODE

..............................

Signed _________________________________________ Dated ____________________________

GUIDE FOR ABSENTEE BIDDERS FOR SEALED BID AUCTION

SEALED BID AUCTION LOTS 200-531 All sealed bids must be with us, at the latest, by 12th June 4.00pm BST since the bids will be opened on the 13th June. The winning bid will be the highest left on each lot above the reserve. Bids are non sequential and the highest bid left is the price at which the lot is sold plus buyers premium and any VAT liable. In the event of two identical winning bids being left on the same lot, the earliest received bid shall take precedence. Summers Place Auctions decision on which is the winning bid shall be final. Winning bidders will be invoiced after the bids are opened. Sealed bids, when placed by telephone, are accepted only at the caller’s risk and must be confirmed by letter or e-mail to the Bid Department. Successful bidders will receive an invoice detailing their purchases and giving instructions for payment and clearance of goods. All bids are subject to the conditions of business applicable to the sale, a copy of which is available from Summers Place Auctions. Conditions of Business particularly relevant to buyers are also set out in the sale catalogue. We reserve the right to seek identification of the source of funds received. In connection with the management and operation of our business and the marketing and supply of Summers Place Auctions Companies’ services, or as required by law, we may ask clients to provide personal information about themselves or obtain information about clients from third parties (e.g. credit information). If clients provide Summers Place Auctions with information that is defined by law as “sensitive”, they agree that Summers

216

Place Auctions may use it for the above purposes. Summers Place Auctions will not use or process sensitive information for any other purpose without the client’s express consent. In order to fulﬁl the services clients have requested, Summers Place Auctions may disclose information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within the EU. It is Summers Place Auctions policy to require that any such third parties respect the privacy and conﬁdentiality of our clients’ information and provide the same level of protection for clients’ information as provided within the EU, whether or not they are located in a country that offers equivalent legal protection of personal information. By signing this Sealed Bid Form you agree to such disclosure. Clients will please note that for security purposes, Summers Place Auctions premises are subject to video recording. Telephone calls e.g. telephone bidding/voicemail messages may also be recorded.

Please mail to arrive before: 12 June, 2019, 4.00pm BST. The Walled Garden, Summers Place, Billingshurst, West Sussex, RH14 9AB. For Bids only: Tel. +44 (0)1403 331 331 Email sealedbids@summersplaceauctions.com

Invitation to consign to our next Home and Garden auction to be held on 1st/2nd of October 2019 closing for receipt of entries late July

Charles Sargeant Jagger (1885-1934) One of a pair of monumental Portland stone groups of Satyrs and Nymphs ÂŁ200,000-400,000 To be included in the June sale.

For further details or to ask for a valuation please do not hesitate to contact us on Tel: +44(0)1403 331 331 or E-mail info@summersplaceauctions.com

THE WALLED GARDEN SUMMERS PLACE BILLINGSHURST WEST SUSSEX RH14 9AB +44(0)1403 331 331