TheNation
April 15, 2012
| RENDEZVOUS |
50
things you didn’t know about
Mina Hasan | interview |
Energy Crisis:
Failure of governmental will | HOLLYWOOD |
titans in
3D
| STYLE |
The
Modern
Legacy
STYLE | TRENDS | BOOKS | INTERVIEWS | art | q&A | SOCIETY
inside this week April 08, 2012
08. Rendezvous
Mina Hasan talks about her decade old label and the legend behind her successful label.
18. Fashion
Fashion Pakistan Week 3 brought Pakistan’s most powerful and influential designers together all under one roof
The
Modern
Legacy 24. Heritage
Saman Burj is an ignored place that requires attention
34
Editor’s note We are back with another exciting issue of your very own Sunday Plus. This week we are in conversation with Mina Hasan, daughter of legendary singer Madam Nur Jehan who makes some elegant haute couture collections. We also present some of the finest showcased at the Fashion Pakistan Week 3 (FPW3). In the heritage section, re-visit Saman Burj, an ignored chapter of Jarral Rajputs. Also have a look at Shehla Farooq’s paintings entitled ‘Nature’s palette’ held at Royaat Gallery.On our style pages see designer Nina Hasan’s latest collection. Also don’t forget to check your astrological forecast and the best picks of the season. Send us your comments and feedback at splus@nation.com.pk and visit our Facebook page at Sunday Plus, The Nation
08.
Rendezvous
50 things you didn’t know about Mina Hasan
26.
interview Failure of governmental will
24
34. Style
Mina Hasan brings the modern legacy of her mother through her exquisite ensembles
40. Society
Report on the happenings and events in your metropolis
54. hollywood
18 16
Titan in 3D
TheNation
Sunday plus Editor-in-Chief Majid Nizami Deputy Managing Director Rameeza Nizami Editor The Nation Salim Bokhari
60. Horoscope
Astrological forecast for the week
64. Picks of the week
Go through the smart wish-list for the best buys and best picks for everyone
Editor Magazine: Emanuel Sarfraz Deputy Magazine Editor: Bishakha Khadka Kunwar Editorial Staff: Madiha Syedain, Sadaf Pervez , Faizan Hussain Creative Head: Faiz-ur-Rehman Creative Team: Talat Mahfooz Butt, Shoaib Qadir, Faisal Fazal, Hafiz Muhammad Nouman GM Marketing: Bilal Mahmood For advertising: Muhammad Zaeem: 0301 - 8463306 Salman Ahmed: 0300 - 4116792 Khalid Sheikh: 0345-5130728 Shiraz Akbar: 0333 - 2310851
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08 rendevous By Bishakha Kunwar
50 things
Sunday Plus April 15, 2012
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rendevous
There’s a reason why designer Mina Hasan is a cut above the rest? Apart from being the daughter Madam Nur Jehan, Mina confesses that she lives and thinks designs. Creativity comes naturally to her and it resonates elegantly in her haute couture collections that reflect the evolving sensibility of a modern woman, year after year, with much equal élan and panache. Mina Hasan’s design philosophy is to create regal outfits with classic silhouettes and fine embroidery integrated in a myriad of colours and styles.
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ith a penchant for intricate embroidery, Mina can be credited for her specialty in haute couture and exclusive semi-formal pret made from traditional fabrics using indigenous techniques and craftsmanship meshed with contemporary extravagance. The distinctive use of fabrics, stones, laces and quality of fabrics are all handpicked. Her innovative designs have created a new name in couture classism. She grew up under her mother’s guidance and her elegant taste and flair for classic fashion. Thus her love for silhouettes started at a very young age. Later, she honed her designing skills at the University College London where she received her Bachelor’s degree in Fine Arts from the prestigious Slade School of Design and started her label in 2002. Apart from her mother’s influ-
ence and limelight that Mina enjoyed since her childhood, she has acquired her own niche over the last decade. Nina later aims to expand her line of interiors, décor, and furniture as well. Mina Hasan’s latest haute couture and prêt-à-porter collections are available at her flagship stores in Karachi and the design house’s semi-formal pret-a-porter collection is available at their store in Lahore on M.M. Alam Road. Mina Hasan also designs an exclusive line, Noor-e-Armaan, for India which exhibits four times annually at the Jalsa exhibitions in Bombay and Delhi. Other international exhibitions include the annual Shimmer exhibit in Dubai and at the APPNA conference in America. Sunday Plus exclusively talks to Mina Hasan the legend behind her successful label.
you didn’t know about
Mina Hasan splus@nation.com.pk
April 15, 2012 Sunday Plus 09
rendevous Mina Hasan and her sisters pay tribute to their mother Madam Noor Jehan Mina Hasan outfits bring to you intricate hand-worked embroidery.
1.
Your design philosophy? Tell us about your designing process. Mina Hasan: I believe in femininity and confidence. I love the idea of being larger-than-life, opulent, regal and reflect this in every part of our lifestyle, including fashion. I design so people who wear my designs stand out and feel an aura of the Mina Hasan design sensibility around them. 2. How did your journey as a designer start? Do you have a degree in fashion designing? Mina: I have always had a keen interest in fashion, but I went to pursue a degree before decided to take it up. I feel that makes a world of a difference. 3. To what extent has your mother been a source of inspiration to you? Mina: My mother used to say God gives us 50%, and the other 50% has to be our effort (in the way we look). She also lived true to this and always took out those few minutes to make herself look presentable, even if she was staying at home. Style was not an outfit to put on when going to a particularly big party, it was daily life. I think, in a lot of ways, that has inspired me a lot. 4. How does that reflect in your designs? Mina: We always had an in-house tailor in my mother’s house. I remember being just an adolescent and going on shopping sprees with my mother and knowing the difference between ‘pure’ and ‘impure’ fabric, chamois silk and chiffons. Obviously nothing I do can be disconnected from the way she was – there’s a timeless elegance that I associate with my mother which I try to translate into my outfits. 5. How do you create a different niche for your clientele? Mina: My niche, I feel, is heavy pret wear. It didn’t start out like this but somehow it has evolved to become this way. 6.
What are you most comfortable
10 Sunday Plus April 15, 2012
designing; pret/formal or bridal? Mina: I’m probably most comfortable with
With a penchant for intricate embroidery, Mina can be credited for her specialty in haute couture and exclusive semi-formal pret made from traditional fabrics using indigenous techniques and craftsmanship meshed with contemporary extravagance.
pret. You think of something and it takes a couple of days to make it, that’s instant gratification. But like all things that require time and patience, the end result of formals and bridals is most exciting. 7. What should we expect from your latest collection and inspirations for it? Mina: There is a house on my street that has these trees with multi-color, bright flowers on them. The trees only have flowers in spring, but look exquisite against the green trees and blue sky. So this spring, I am doing a line of pastels and neutrals with a splash of highly pigmented colours. I’m also incorporating a lot of different fabrics and cuts. 8. What is your take on the rising number of fashion weeks happening in Pakistan? Why have you not participated in fashion weeks? Mina: I think it’s great because it forced the fashion industry to be creative and think outside the box. I feel a fashion show is a lot of work, and not just putting a bunch of clothes on a runway. So I haven’t had the time and resources to put one together yet, but I think I will doing one soon. 9. How competitive is the fashion market today? Mina: I’ve actually never felt any competition here. It is probably because everyone has their own niche and style, and there’s enough work to go around.
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rendevous Resham looks glam in Mina Hasan
any intention of joining the race? Mina: I think I am asked that question
We always had an in-house tailor in my mother’s house. I remember being just an adolescent and going on shopping sprees with my mother and knowing the difference between ‘pure’ and ‘impure’ fabric, chamois silk and chiffons. Obviously nothing I do can be disconnected from the way she was – there’s a timeless elegance that I associate with my mother which I try to translate into my outfits. 10. What does prêt and couture mean to you? When will couture come to mean more than just bridal in Pakistan? Mina: I think couture gets more individual attention and each piece is more unique. It has nothing to do with the amount of work on the outfit but the fabrics and rarity of it. I
12 Sunday Plus April 15, 2012
think couture already does mean more than bridals here, but a lot of it depends on the budgets people allocate to their clothes. In our part of the world, weddings are such a focal point of one’s life that people are willing to spend more on this day than any other, so it just happens by default that bridals are our highest amount of couture. 11. What does vintage fashion have that contemporary fashion never will have? Mina: Exaggeration 12. What is one change the fashion industry needs? Mina: Less plagiarism, more creativity. 13. Provided every designer is entering the lawn bandwagon, do you have
at least once a day. I want to do a casual line but not Lawn. Mostly because I personally don’t wear it so much. 14. As a fashion designer yourself, do you find it harder to buy clothes designed by other people? Mina: Not at all. If it’s something totally different to my work and I appreciate it, I don’t hesitate to buy it. 15. Most classic piece that you have created? Mina: I am probably the wrong person to ask. 16. Who is your favourite designer (Local and International)? Mina: I’d say Alexander McQueen for International. He has such a strong aura around his designs - I think that’s what every creative person aims for. And also Sabyasachi. 17. Your day starts with…. Mina: A cup of tea with my husband. 18. You are addicted to… Mina: My iPhone and Blackberry (yes, I am one of ‘those’) 19. The best thing that happened to you... Mina: Finding my husband. 20. An unknown fact about yourself… Mina: I wear glasses. 21. One thing you would like to change about yourself… Mina: Nothing 22. Style statement… Mina: Confidence 23. Style icons (locally and internation-
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rendevous
Mina Hasan and her sisters pay tribute to their mother Madam Noor Jehan
us together. It was a great feeling. 33. In life if given a second chance would you do anything differently? Mina: Probably not. 34. The best thing about being a Pakistani… Mina: Being Pakistani. 35. One thing you would change about Pakistan is… Mina: Security problems 36. Your journey so-far … Mina: Overwhelming (in a good way) rated designer? Mina: Well if they are over-rated, they’re
ally)… Mina: My mother would have to be my
ultimate style icon; I don’t think anyone matches up. But I also loved Princess Diana, I think she revolutionized fashion internationally. 24. Your favourite muse… Mina: I think it changes from time to time, but I don’t design things I would not wear myself. 25. Who do you think is the most over-
14 Sunday Plus April 15, 2012
doing something right. 26. Your first fashion creation… Mina: The first one I can recall is this kameez I made for my eldest sister, Zill-e-Huma when I was about 13. I was very excited to choose the colours and designs, have it embroidered and gift it to her. It was probably hideous but she pretended to love it. 27. Personal weaknesses and personal strengths… Mina: Strength would be my memory. I can’t think of a weakness. 28. Special childhood memory… Mina: My father came to our boarding school on my birthday for a surprise visit. It was very touching. 29. A city that inspires you… Mina: New York. 30. A person who inspires you the most… Mina: Any woman who is confident and has the drive to make things happen for herself. 31. Dream destination and why… Mina: I love Istanbul. I think it’s such a beautiful blend of the east and the west. Especially the way they have modernized Islam and made their identity in that fusion. 32. A crazy holiday memory… Mina: We used to take these annual family trips when my mother was alive. By the end of it our family had become so big there would be 30 of
CLOSET CONFIDENTIAL 37. Summer fashion list for you… Mina: Sandals, kurtas and lots of flowy chiffons and laces. 38. Most repeated labels in your closet… Mina: Zara and Massimo Dutti. 39. 3 must-haves in anyone’s closet … Mina: An oversized clutch, a pair of high heels that are also very comfortable, and a beautiful white outfit. 40. Recent purchases… Mina: I found this great pair of Swarovskistudded chappals last week. 41. Favourite items in your closet… Mina: My mother’s emerald green sari. 42. Current obsession… Mina: Nets and laces. 43. Oldest items in your closet Mina: This Chantilly lace sari my mother gave me at my wedding. 44. Fashion Faux pas Mina: Fur or feathers in desi wear. FAV-O-METER…. 45. My favourite gadget…iPhone 46. Your favourite musician...Rahat Fateh Ali 47. Your favourite colours…Fuschia and nude (at least for now) 48. Your favourite movie…Gone with the wind 49. Your favourite perfume…Chanel no.5 50. Your farewell line is… Live life | king size.
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16 en vogue 1
2
5
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IM thinkin howcase 2 print blou g wearing 012 se ZARA WO MAN med 3 Aysha U allion mer spotte d with a P olly me ba 4 Nida Az g war spotte d with a B 5 Andleeb otega Ven eta knot c Rana bea lutch ts the hea t in Chane l Camellia flip flops Sunday Plus April 15, 2012
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18 Fashion week Shameel
FPW3 brings its
Nomi Ansari
best Fashion Pakistan Week 3 (FPW3) brought Pakistan’s most powerful and influential designers together under one roof for one week only! Fashion Pakistan Week 3 is an experience for all those; who appreciate and understand high fashion at its best. FPW3 not only opened new vistas for the council but also reinforced the councils trust in the mantra that nothing is impossible. It has grown over time, and more and more designers keep joining the platform. This has encouraged the council to set sights higher and provide the impetus to organize another event that is even bigger in proportion from the last two. Here are some of the designers who rose to the occasion and presented their best:
SHEHLA CHATOOR
SHEHLA’S Spring Equinox Our very own Queen of Couture, Shehla Chatoor, presented a collection entitled "Spring Equinox" that tested the true mettle of this brilliant designer and my-oh-my how she shone amidst the rest. The pieces on the ramp ranged from western wear in suave jumpsuits, faux-casual wrap dresses and elegant and uber feminine cocktail dresses, to eastern wear with intricate kamdani and zardozi work with glistening sequins, diaphanous chiffons embellished with exotic leathers, metal mesh and chains. From the soft ivory of a pearl to the luminescent citrine of a lilly, and the brunt oranges and golds of sunshine reflected in her collection.
Sunday Plus April 01, 2012
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Fashion
Ayesha Hashwani
Bunto Kazmi
palate Sanam Chaudhry
Gulabo
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April 01, 2012 Sunday Plus 19
20 up&rising By Sohaib Siddiqui
Q: When did you start designing? Aisha: I first started designing back in 1997 when I joined Gul
Ahmed Textile Mills as their Textile Designer.
Q: What is your design philosophy? Aisha: My design philosophy is simple.....I ONLY make clothes
that I would wear myself.
Q: What colours do you particularly enjoy working with? Aisha: I love blacks and navy blues. Q: Do you feel minimalism is still in vogue? Aisha: Minimalism has always been there and for people like
me it never went really!
Q: Do you feel western culture has influenced your designs? Aisha: I prefer to wear western clothes all the time so I began
coming up with designs which were a mix of the two. This has been a major influence on my design philosophy. Q: Canary yellow seems to be the in-colours on international runways this season: are you also using this colours in your Spring/Summer collection? Aisha: Though Yellow is a colour which a lot of women are not
comfortable wearing, my spring collection has delicate shades of yellow which have been runaway hits. Q: Tights or churidars? Aisha: Hate both! I am a pants and jeans person. Q: Which local celebrity would you love to dress? Aisha: Mahira Q: Which senior designers do you look up to? Aisha: Bunto Kazmi and Faiza Samee
Aisha Alam: A new entrant
as they are style icons. The buzz is in the air in Karachi. Everyone who is anyone is yearning to get their hands on her clothes. Her vibrant color palette and sleek cuts have made her a hot favorite of women ranging from popular TV show host Ayesha Omar to Khushbakht Shujaat. Aisha Alam maybe a new entrant in the fashion industry of Pakistan but she has quickly carved out a niche for herself. Aisha Alam talks about her design aesthetics and the reason for her success.
Q: Which international celebrity would you like to dress up? Aisha: Nothing short of royalty for me,
so Kate Middleton it is! Q: Do you ever plan to expand into bridal wear? Aisha: My forte is pret so I will stick to
pret for now. I have way too much on my plate right now so thinking that far ahead seems out of question. Q: What do you find more challenging to design: prĂŞt or couture? Aisha: Pret I feel comes very naturally
to me so it’s hardly a challenge. So couture I would say. Q: Do you feel the tradition of buying loose fabric and getting outfits stitched is becoming obsolete? Aisha: In a society like ours the darzi
culture can never be obsolete but ready to wear AFFORDABLE clothes will always fly off the rack.
Sunday Plus April 15, 2012
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22 history
by Dr. Shaukat Mahmood
Tomb at Halicarnassus:
One of the
Seven Wonders
of Ancient World Hecatomnus (also Hekatomnus) lived 4th century BC, was the king of Caria in the reign of Artaxerxes II of Persia (404–358 BC). Hecatomnus continued to hold possession of Caria in a state of virtual independence until his death. The date of his death cannot be ascertained with certainty, but we learn from Isocrates that he was still ruling in 380 BC. He left three sons, Mausolus, Idrieus and Pixodarus – all of whom – in their turn, succeeded him in the sovereignty; and two daughters, Artemisia and Ada, who were married to their brothers Mausolus and Idrieus.
I
n 377 B.C., the city of Halicarnassus was the capitol of a small kingdom along the Mediterranean coast of Asia Minor. It was in that year the ruler of this land, Hecatomnus of Mylasa, died and left control of the kingdom to his son, Mausolus. Hecatomnus, a local satrap to the Persians, had been ambitious and had taken control of several of the neighbouring cities and districts. Mausolus during his rule extended the territory even further so that it finally included most of southwestern Asia Minor. Mausolus, with his queen Artemisia, ruled over Halicarnassus and the surrounding territory for 24 years. Mausolus, though he was descended from the local people, spoke Greek and admired the Greek way of life and government. He founded many cities of Greek design along the coast and encouraged Greek democratic traditions. Then in 353 B.C. Mausolus died, leaving his queen Artemisia, who was also his sister. It was the custom in Caria for rulers to marry their own sisters. Such incestuous marriages kept the power and the wealth in the family. The broken-hearted queen as a tribute to her late husband decided to build him the most splendid tomb in the known world. It became a structure so famous that Mausolus's name is now
Sunday Plus Apri 15, 2012
associated with all stately tombs. Every majestic, grand and monumental tomb is now generically called ‘mausoleum’. Mausolus’s name is now the eponym for all stately tombs. The building was so beautiful and unique in design that it became one of the Seven Wonders of the Ancient World. The tomb was located at present day Bodrum in Turkey. Unfortunately not a vestige of it remains. Nevertheless numerous accounts describing its glory and numerous conjectural drawings have come down to enhance our imagination about this Wonder of the World. Artemisia decided that no expense was to be spared in the building of the tomb. She sent messengers to Greece to find the most talented artists of the time. This included Scopas, the man who had supervised the rebuilding of the Temple to Artemis at Ephesus. Other famous sculptors such as Bryaxis, Leochares and Timotheus joined him as well as hundreds of other craftsmen. The tomb was erected on a hill overlooking the city. The whole structure sat in an enclosed courtyard. At the center of the courtyard was a stone platform on which the tomb itself sat. A staircase, flanked by stone lions, led to the top of this platform. Along the outer wall of
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hisyory
The tomb was erected on a hill overlooking the city. The whole structure sat in an enclosed courtyard. At the center of the courtyard was a stone platform on which the tomb itself sat. A staircase, flanked by stone lions, led to the top of this platform. Along the outer wall of this were many statues depicting gods and goddess. At each corner stone warriors, mounted on horseback, guarded the tomb.
this were many statues depicting gods and goddess. At each corner stone warriors, mounted on horseback, guarded the tomb. At the centre of the platform was the tomb itself. Made mostly of marble, the structure rose had a rectangular plan, tapering block to about one-third of the Mausoleum's 140 foot height (remember that Minar-i Pakistan at Lahore is 120 feet high). This section was covered with relief sculpture depicting scenes from Greek mythology. One part showed the battle of the Centaurs with the Lapiths. Another depicted Greeks in combat with the Amazons. The Amazons were a nation of all-female warriors in Greek mythology. The roof of the mausoleum which comprised most of the final third of the height was in the form of a stepped pyramid. Perched on top was the tomb's penultimate work of sculpture: Four massive horses pulling a chariot, quadrigas, in which images of Mausolus and Artemisia rode. Soon after construction of the tomb started Artemisia found herself in a crisis. Rhodes, an island in the Aegean Sea between Greece and Asia Minor, had been conquered by Mausolus. When the Rhodians heard of his death they rebelled and sent a fleet of ships to capture the
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city of Halicarnassus. Knowing the tricks of the trade Artemisia managed to defeat the invaders. Artemisia lived for only two years after the death of her husband. Both were buried in the yet unfinished tomb. The urns with their ashes (of Mausolus and Artemisia) were placed in the unfinished monument. As a form of sacrifice ritual the bodies of a large number of dead animals were placed on the stairs leading to the tomb, the stairs were filled up with stones and rubble, sealing the access. According to the historian Pliny, the craftsmen decided to stay and finish the work after their patron died "considering that it was at once a memorial of their own fame and of the sculptor's art." The Mausoleum overlooked the city of Halicarnassus for many centuries. It was still intact and in perfect shape when the city was conquered by Alexander in 334 B.C. It is reported that the building was still in good shape in 62 and 58 B.C. It stood above the city ruins for some 17 centuries. Then a series of earthquakes shattered the columns and sent the pyramidal roof and the stone chariot crashing to the ground. By 1404 A.D. only the very base of the Mausoleum was still recognizable and by 1500 the glorious tomb was gone completely.
Apri 15, 2012 Sunday Plus 23
24 heritage by talal Raza
Saman Burj An ignored chapter of Jarral Rajputs
have read a lot about Mughal emperor Jehangir in the history books better known for his romance with AnarKali. I knew he was the son of Akbar who was known for favouring Hindus. I had also read about Jahangir’s pious grandson Aurangzeb who earned his living by selling prayer caps. But, I had no idea about Jehangir and Aurangzeb’s association with Wazirabad until I went to see Saman Burj.
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Saman Burj is a small town located in the northern end of City of Wazirabad. It is believed to be the place where Jehangir often used to reside with his wife Noor Jehan while travelling to Kashmir. According to Irfanullah Raja, a resident, “It used to be the Royal Sarai built during Emperor Jehangir’s time in 1601
Sunday Plus April15, 2012
AD. While travelling to Kashmir from Lahore every year, Emperor Jehangir and Queen Noorjehan used to spend some days here when River Chenab had strong water current.” Irfanullah also told that Saman Burj was later seized by Charat Singh, Grandfather of Maharaja Ranjeet Singh when
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heritage Mughal Empire was in decline in 1752 who after renovation added some new structures and started living here. Then his son Maha Singh occupied it who was the father of Maharaja Ranjeet Singh. At present, it is interesting to note that neither Sikhs nor Mughals live in Saman Burj. In fact, the present residents claim to be the relatives of Mughal Emperor Aurangzeb Alamgir’s second wife Begum Bai, a Jaral Rajput hailing from Rajauri in Indian occupied Kashmir. Begum Bai was also the mother of Emperor Shah Aalam. Now the question comes, how did Jarrals move into Wazirabad? To find out, if we go back into the family history of Jarral Rajputs, we come to know that they had ruled northern India for centuries. Historians note that Jarral Rajas ruled Kalanaur (a place in Indian Punjab close to Gurdaspur) for 350 years as Hindu Rajas. In 1192, when Mehmood Ghaznavi moved in, Jarral Rajas accepted Ghaznavi’s suzerainty and embraced Islam as well. In 1194, Jarral Rajas occupied Rajauri (in the Jammu and Kashmir state) after defeating its ruler Amna Paul. Some historians note that since Jarral Rajas were not given the possession of Kalanaur after Ghaznavi’s invasion, they had to leave the place. However, the Jarral Raja of that time attacked Rajauri with his 1000 men and occupied it. Irrespective of what exactly happened, the Jarrals dwelled here for next 650 years and built a number of forts, mosques, sarais and baradaries. Historians note that Jarrals enjoyed good relations with Mughals and had even helped in the development of country. Jarrals were also conferred the title of “Mirza” by Mughals for their bravery and assistance to Mughal rule. In 1799, when Mughal Empire was in decline, Sikh empire under Ranjeet Singh was established in parts of Punjab and Kashmir and Rajauri also came under them. However Irfanullah notes, “Maharajah Ranjeet Singh of Punjab had occupied Rajauri and other Punjab Hills States in 1813. But, he had allowed the Raja of Rajaur (Aagar Khan) to rule the state.” Later when Britishers defeated Sikhs in the first Anglo-Sikh war, in 1846, Britishers sold Kashmir to Dogra Singh under the treaty of Amritsar and Jarral Rajas were forced to leave their own palaces and homes. Thus, dejected, engulfed in sorrow over the loss of the land they had ruled for six centuries, Rajas left Rajauri and moved towards Rehlu in Kangra, Punjab. Later, owing to a family dispute one of the members named Raja Fakirullah moved into Wazirabad Saman Burj after buying the land with Rs 6000 from Britishers. It is said that Faikirullah chose to stay in Wazirabad with the hope of eventually returning to Rajauri one day. That is how the Jarral Rajputs moved into Saman Burj in Wazirabad.
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Now let me take you all towards how I saw Saman Burj. Standing at the gate of Burj, nothing much fascinates you at first. You enter the community through a wooden sky blue door. Walking on the footpath few furlongs, soon one finds himself in the company of old buildings. As I moved around, I was shown the bricks that were used. Explaining the structural and area details, Irfanullah notes in his book “The Jarral Rajputs”, “It is comprised of approximately 7 acres enclosed by a huge wall with access through two huge gates. There are havelis and Bara Darri for use as residences and four acres of garden lies in the centre with walkways to reach the residences. On the northern end of Saman Burj flows tributary of River Chenab known as Pulkhu.” I got a chance to see what I was told the oldest structures of Saman Burj. The building had three floors, the basement, the ground floor and the top floor. I roamed around different parts of the building, fascinated by the paintings on the wall but at the same time saddened by the way the glorious art was in its present state of negligence. From the pillars on which the building rested to the paintings on the wall, everything resembled an art that was never seen in the construction of houses nowadays. On the top floor was the room where Jehangir and his wife lived. While looking at different structures, I came to know that the buildings were constructed differently than the way it’s done today. “Instead of cement, crushed limestone mixed with lentils and cotton was used in the construction. However Irfanullah pointed out that “owing to a lot of renovations and new constructions even within the house, the originality has been lost. While looking at the faint coloUred paintings on the wall, architecture being ignored, in wonder I asked Irfanullah, “Who do you blame for its present state?” He replied, “We blame ourselves for we had ignored it.” Whether the government or any other organization should help them in restoring the sites or not, one has to admit that the structures standing in the north of Wazirabad speak for themselves even when they are in shambles. Sites like Saman Burj are not just a bunch of old structures. Each brick on the wall, each grain of the soil and every painting has a story to narrate, that has intriguing things to offer to those who love subcontinent history. Nations preserve histories, whether it comes to Ghettos in Germany where Jews were slaughtered or the site of 9/11 attacks in New York, USA. The past has a lesson to teach to the future generations. So does Saman Burj. We as a nation have ignored our history to a great deal.
In 1194, Jarral Rajas occupied Rajauri (in the Jammu and Kashmir state) after defeating its ruler Amna Paul. Some historians note that since Jarral Rajas were not given the possession of Kalanaur after Ghaznavi’s invasion, they had to leave the place. However, the Jarral Raja of that time attacked Rajauri with his 1000 men and occupied it. Irrespective of what exactly happened, the Jarrals dwelled here for next 650 years and built a number of forts, mosques, sarais and baradaries.
April15, 2012 Sunday Plus 25
26 interview Energy Crisis:
Failure of governmental will Malik Abdul Qayyum, currently a member of PTI, is a senior parliamentarian and a former minister. He has served as the provincial minister in Punjab during both the tenures of Z.A Bhutto and as advisor local government Punjab during the government of Mohatarma Benazir Bhutto. He represented the government of Pakistan in various international conferences. S+ spoke talked to him about the crucial issue of energy crisis Q) Why is it that the people at the highest level in the government grandly announce ends to power and gas outages but each date passes unnoticed, unheeded? A) It has become a common practice for the President and Prime Minister to take “serious note” of the power and gas crisis and issue orders to end outages. However there continue to be increasingly more power outages which bring industry and business to a virtual standstill and ever more agonizing gas cut-backs for all segments. It’s clear they neither comprehend the gravity of the energy crisis nor they do have any intent of looking past their personal agendas as well as dubious objectives, corruption and political needs of its managers. They dictate everything from hiring of staff to the award of contracts that has resulted into the complete collapse of the energy sector. Just look at the RPPs program where in Rupees 22 billion has been doled out as ‘advance’ for generating 1200 MW although barely 150 MW are currently being generated, that too mostly on an interim basis. Q) How can we ascertain the reality of the energy crisis? A) The present crisis was absolutely a management issue as capacity of electric-
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ity generation existed even now. On paper we have the capacity to be a net exporter of power. The problem is that nothing on account of much required “reform agenda” has been implemented by the government, so much so that the concept of smart meters could not be introduced because the vested interests did not want to close avenues for corruption. As a result the monster of circular debt was mounting despite raising tariff up to 170 percent in the last four years. Experts are there for conducting audit on annual basis related to distribution companies (Discos) power generation companies (Gencos) and independent power producers (IPPs) but the regulator of the power sector, National Electric Power Regulatory Authority (Nepra) failed to discharge its obligations. Now let us count some of the projects which were sidelined because the Chinese companies refused to fulfill the personal demand of the government functionaries. Among these were the brick walling of the Nandipur 4-5 MW and the Chicho Ki Maliyan 5-5 MW both PEPCO initiated and commercially financed projects. The Guddu Power CCGT replacement project of 740 MW met a similar fate. As such these three projects having combined capacity of 1690 MW were
put in a cold storage leaving people in the darkness. Q) Circular debt is most often blamed for the energy crisis. Why have we not been able to sort it outyet? A) Let me explain it to you. In 2009-10 Ministry of Water and Power set-up Power Holding Company Ltd (PHCL) and transferred the entire debt of the power sector – Rs 301 billion at the time - from the books of the Discos and the NTDC to the PHCL. Unfortunately, neither the government nor the ADB (which supported the Power Sector Debt Resolution Plan) recognized or corrected the fundamental issues resulting in huge capital debt. The result is the piling up of additional Rupees 365 billion payables on power sector companies (which is matched somewhat with Rupees 320 billion Receivables) from the provinces, FATA, AJK and the federal government (Rupees 111 billion) KESE( Rupees 54 billion) and the private sector (Rupees 155 billion). Sadly
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interview
the Ministry of Finance seems to be doing little to reconcile or adjust the above accounts. In turn, this has resulted in non –payment to the IPPs, Oil/Gas companies, Refineries etc, resulting in short supply of Oil/Gas due to which 3000 MW generation capacity is unutilized. Another 1000 MW is offline due to mismanagement and poor operations and maintenance of PEPCO and the GENCOs. Q) Has OGDCL delivered? A) Look at the performance of OGDCL. Six MDs have been changed in four years but it has not managed to award field development contracts for 350 mmcfd gas. The first MD under the present government resigned because he was unwilling to follow unlawful dictates. The next four MDs came and went without achieving any success while current one continues on acting charge. During these years, lack of security cover inhibited MOL from bringing online an additional 150 mmcfd of gas. Thus SSGC and SNGPL have been
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deprived of much needed 500 mmcfd of gas. The situation was further aggravated with the Ministry of Petroleum and Natural Resources violating the integrated structure bids of the Mashal LNG project, which landed the case in the Supreme Court. Instead of following the courts clear directive to implement or reinitiate the project under integrated format as per original Request for Proposal, the ministry chose to shelf the project which deprived us 1000 mmcfd of additional gas. Q) Who is to blame for this crippling energy crisis? A) The Supreme Court in its eye opening judgment on March 30, 2012 has clearly put the blame on the relevant ministers, federal secretaries and the public sector organizations, which transgressed their authority and awarded projects in a dubious manner. Most notably an analysis of the Karkay project has revealed that loans were taken by Lakra Power Generation Company (Genco
4) which had a negative balance sheet of about Rs 5 billion. The NBP provided loan of about 6 billion for the 14 percent advance payment was clearly in violation of the State Bank’s prudential regulations as well as the company ordinance, which forbids lending to bank corrupt concerns. Further, the standard Rental Power Project contract was revised to put the onus of fuel oil supply on PEPCO/ Genco 4.Neither PEPCO nor Genco 4 had the capacity, finances or infrastructure to provide the Karkay power ship with fuel, with the result that instead of the contract capacity of 230 MW an average of just 30 MW was being produced. Meanwhile, Karkay was being paid the full capacity charge which resulted in an effective tariff of nearly Rs 50/kwh. In its detailed judgment, the SC has noticed these matters along with other issues related to Techno 1, Techno 2, Reshma, Young Gen and other RPPs.
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28 beauty Colour me
bright… The year 2012 marks the beginning of a new era in the world of beauty and glamour. The fashion trends in hair colours are all about revival and you will find some of the iconic hairstyles of the 21st century setting the basis for the prominent hairstyles of 2012.
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or Pakistani fashionistas, L’Oréal Professionnel Pakistan has come forward with their new collection of hair colours titled the ‘Somptuex’ which promises to present three dramatic looks for this season which includes Rich Chocolate Brown, Magenta Red and Blonde using Majirel colour treatment. Warm tones seem to be popular this season. Deep reds, rich browns and softer colours of blondes are all in demand. Some beauticians are also using two to four different shades of a colour to give your hair more volume and depth. Here are some shades that are presented at the local stores near you: Majirouge Intense: 5 shades of pure, vibrant and intense red and copper that provide sophisticated red tones with 100% coverage of white hair. Ask your professional hairdresser for an in-depth colour consultation to determine your perfect shade. Ionene G restores, protects and continuously conditions. Incell Complex strengthens and reinforces from the inside out. Ultimate MajiBlond Ultra: Achieve a glamorous, eye-catching blonde! From icy, platinum shades to pearly, champagne or golden tones, there is an unlimited range of stunning blonde choices for you.
Sunday Plus April 15, 2012
MajiBlond Radiant: A long-lasting, durable permanent color that lifts up to 4 1/2 levels of clean lightening, beautifully even from root to tip for pure, cool reflects or luminous warm shades. Majiblond has a complete palette of lightening shades, formulated with the hi.blond system for an optimal result: super-lightening blondes from the coolest neutral shades to the most radiant shades. MajiContrast Effect: If you have dark natural or dark colored hair and you desire a visible color result, then MajiContrast is your go-to product! MajiContrast has a range of shades with hi.chroma technology to create partial color effects which are intense and contrasted on natural or colored dark hair. Hi.Chroma colorants allow visible color results on dark natural or dark colored hair. You can attain these colours through L’Oréal Professional Majirel Hair Colors. Ionène G technology provides ultra-conditioning to hair along with high resistance to sun and water exposure. Majirel provides longer color protection for full as well as partial colors.
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30 art
by Bishakha Kunwar
Nature’s Palette
Recently, an exhibition of Shehla Farooq’s paintings, ‘Nature’s Palette’ was held at the Royaat Gallery, Lahore. 27 artworks were displayed on the occasion. Shehla is a nature painter, inspired by beauty, peace and culture which is what depicted in her work. Painting landscapes and cityscapes has been her forte. In her paintings, the artist has captured landscapes of the Old City, and endowments of nature at peaceful places, with doves as an essential part of the work, as they represent peace. While talking to Sunday Plus, Shehla commented, “To paint on location while experiencing the environment is a unique experience, incomparable to studio painting.” A large number of art lovers attended the exhibition, and appreciated her works.
Sunday Plus April 15, 2012
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art
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34 style
Sunday Plus April 15, 2012
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The
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Mina Hasan’s gorgeous ensembles are best worn with a sense of poise and grace, which doesn't just come with a beautiful outfit but with carrying it with confidence.
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Label: Mina Hasan Model: Ayaan Ali Photography: Nadir Firoz Khan Makeup: Natasha Khalid Styling: Natasha, Alisha & Sabrina at Natasha Salon Art direction: Maha Burney Hair: Hina at Natasha Salon
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‘SOMPTUEUX’ KARACHI:
The coveted Parisian House of hairdressing, L’OréalProfessionnel presented their Spring/Summer 2012 color collection ‘SOMPTUEUX’ through an innovative and visionary presentation by Nabila that drew parallels between haute couture and hairdressing, honoured artists, artisan-hairdresser and their savoir-faire, at the Indus Valley School of Art and Architecture 3
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6 Ayaz Anis & Rana Khan 7 Belal and Zohair 8 Sadia Shah 9 Iraj Manzoor and Nabila 10 Jamal and Kamal Mir
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18 Nabila with Emu 19 Nadia Hussain with her daughter 20 Nadia Hussain with her daughter 22 Wasim Akram 23 Shallum Xavier and Shamoon Sultan 24 Sadaf Malaterre 25 Tapu Javeri April 15, 2012 Sunday Plus 41
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magical celebration LAHORE: Leisure Club welcomed four thousand families to their Fashion Circus, in town for one day only, to celebrate the brands’ 15th anniversary! The event was managed by Lotus. 5
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3 Omar Zaman, Fatima Zaman & Waleed Zaman 6 Naiha & Hira
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11 Saira Agha with Shehryar Rizwan
4 Omer Chaudry with his wife Hina Chaudry
8 Mahmood Rehman
9 Rana Noman Haq with his son
12 Quadrum splus@nation.com.pk
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Insignia at Mall One LAHORE:
Footwear brand “Insignia” was recently launched at PFDC Mall One.The successful launch was managed by Bilal Mukhtar Events &PR . 3
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4 Asma Mumtaz 5 Alizeh
6 Hassan and Zahra
8 Gia Ali and Babloo 9 Noveen, Anam, Ridah and Madiha 10 Mona and Zafar
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11 Fiza and Rubab 12 Huma , Zara and Lubna 13 Salma and Hamza Tarar 14 Uzma and Jawaria 15 Rootaba and Rania 16 Musarat Misbah and Redah Misbah 17 Zain and Ayesha 18 Shomail 19 Sadia 20 Atif, Saad and Huzaifa 21 Rabia and Bilal 22 Uzma and Jawaria
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Kids Breakout LAHORE:
Kids Breakout was recently launched in Y Block DHA. This fun filled activity based event was organized by Bilal Mukhtar Events & PR. 2
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6 Aitsam, Imtisal and Ansab 7 Anusheh and Changaiz 8 Salman and Saira
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10 Mansoor and Sana
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11 Ashna, Amna and Alaina 12 Alina and Shahmeen 13 Uzma and Maliha 14 Malaika and Sabina 15 Kehkashan and Sobia 16 Sobia and Sana 17 Juggun Kazim and Bilal Mukhtar 18 Imran Rehan Musa and Adeel 19 Amna and Rabia 20 Asmaa and Rabia 21 Madiha and Anam 22 Ali
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Iffat Umar & Sonya launched their latest pret collection at Tehxeeb in Gulberg which was a sell out in the first hour. They excel in affordable clothes in silk, chiffons and cottons. The event was managed by Savvy PR & Events. Amongst those present were Shehzad Raza, Natty, Resham, Naila Ishtiaq & Babloo. 3
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9 Natty 10 Juggan 11 Mehdi 12 Rana Noman
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Special screening LAHORE: IMGC Global Entertainment and Nestle Fruita Vitals recently held a special screening of a film at DHA cinema. 3
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SHOWCASING FASHION KARACHI: Sky production’s showcase 2012 was held in Karachi recently. The creative director of the event was Rizwan Beyg, event setup was done by CKO events, media & PR was handled by Takell. 2
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8 Umar Sayeed, Kamal & Asim
4 Ayesha Varsey with Imran
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11 Zaheer Abbas splus@nation.com.pk
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15 Sajid & Zainab 16 Maanum, Shezreh & Honey Waqar
19 Asma & Ayesha 20 Sabeen & Munaf
21 Sayeda & Tazeen
22 Aslam with Omar with Hussain splus@nation.com.pk
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52 right off the shelf by SYED MOHAMMAD TAHIR
the trauma of 1947
There are many books which highlight the suffering and devastation of the partition of the subcontinent in 1947 and these are written both by Pakistanis and Indian authors who are considered to be an authorities on the subject.
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Title: Punjab bloodied, partitioned and cleansed |Author: Ishtiaq Ahmed | Publisher: Oxford University Press | Pages: 592 | Price: Rs. 2,100 | Genre: History
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he Hindu writers have always portrayed that the Muslims uprising as unjustified, as they not only parted ‘gao mata’ (subcontinent) but also ‘wrecked havoc’ on the lives of innocent Indians. On the other hand, Muslims under the leadership of Quaid-i-Azam, Mohammad Ali Jinnah, were of the view that the domination of the Hindu majority meant they were discouraged from political participation and religous freedom. Ishtiaq Ahmed, the author of the book, ‘Punjab bloodied, partitioned and cleansed’ was born in Lahore and is a Professor of Political Science in Stockholm University. He has written a book after a thorough research, which reflects his diverse interests in political Islam, ethnicity and nationalism, human and minority rights and on subcontinent partition studies. According to the author, the book unravels the tragedy of 1947 through secret British reports and first-hand accounts. According to him, the partition of the subcontinent resulted in the biggest forced migration in history – almost 14 million people including males, females, children and infants, of which the major chunk of 10 million belonged to Punjab province only. The book is a holistic study of the first major case of ethnic cleansing after the Second World War, and also contains photo copies of the original secret British reports that highlight the bloody events. The book also contains poignant and painful accounts by eye-witnesses, survivors and even participators in the carnage from both India and Pakistan. Ishtiaq Ahmad, further revealed that he has conducted in depth one-to-one interviews of people from both sides of the border for readers to understand the harsh and painful realities of the 1947 mas-
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right off the shelf The Good Psychologist Author: Noam Shpancer | Pages: 256 | Price: Rs. 795 | Genre: Psychology
sacre. Through these interviews, he has given a balanced account of the partition event and revealed the biggest reality that religious differences are, in fact, no bar to peaceful coexistence unless highlighted by divisive forces. It would be of immense interest to anyone, who wants to know the happening of most traumatic event in recent subcontinent history. The book further shows that the literature available on Punjab partition, is biased and shows facts, figures and details which portray one side of the border as ‘heroes’ while the other side as ‘villains.’ Ishtiaq Ahmad also stated that his research on Punjab partition first started when he was reading short stories and novels of prominent writers like Krishan Chander, Saadat Hasan Manto and Rajinder Singh Bedi, as their masterpieces the themes of painful partition. He said that after sixty-four years, partition of subcontinent still continues to be the subject of quality fictional writing and it is hoped that it would continue for a long time. The book revealed in-depth the sufferings of innocent people across the border, before and after partition. The pain and suffering was not limited to the time of partition, but is felt even today. The memories of those who were lost during the migration process still haunt those who reached either side of the border for the protection of their lives. For instance, an old man from other side of Punjab usually stands on the sidewalk, cursing. Street boys teased him, saying he was a Hindu. They knocked on his door and ran away when he came out. The old man was a Muslim, who lost his only son, who was killed in front of eyes during partition violence. He has never been the same since. Many stories like this one are part of this book. The book is an authentic manuscript, with countless interviews of the grieved people concerned. A ‘must read’ for students and for those with a passion for reading Indo-Pakistan history, particularly on the carnage of the Punjab partition.
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Synopsis: The good psychologist teaches the principles of control and objectivity, strategies by which we evade pain, memory and lies. Meanwhile in the Center for Anxiety Disorders he dispenses wisdom, and coaxes truth from one patient in particular: a vulnerable, frightened nightclub dancer whose life is haunted by secrets. But as he treats and guides and teaches, the good psychologist becomes increasingly disturbed by his own private torments: unrequited love, an unacknowledged child, growing loneliness and despair. Soon he is adrift as, softly, he leads the reader into the dangerous yet seductive territory of the human heart.
Nocturnal Music in the Land of the Sufis Unheard Pakistan Authors: Jürgen Wasim Frembgen | Pages: 168 | Price: Rs. 695 Synopsis: In Nocturnal Music in the Land of the Sufis, Jürgen Wasim Frembgen takes the reader along on his fascinating journeys into the world of mystic music in Pakistan. In rich descriptions, he relates his personal experiences and emotions during ecstatic nights of transcendental music at Sufi shrines. He also recounts trance rituals and the sublime rapture of classical music in private music rooms in Lahore. In his ethnographic narrative, he unfolds authentic cultural contexts and life-worlds in which music is deeply embedded, tracing how music is perceived and ‘tasted’ by listeners. He himself listens with all his senses, above all with the ‘ear of the heart’, to the nuances in sounds which seek to remove the veils between man and God. Thus, he experiences spirituality and discovers the enormous power of music in the land of the Sufis – experiences and discoveries that he shares with the reader in this volume.
Secrets of the Henna Girl Authors: Sufiya Ahmed | Pages: 288 | Price: Rs 695 | Genre: Fiction Synopsis: WLife as Zeba knows it could be over for good . . . Zeba Khan is like any other sixteen-year-old girl: enjoying herself, waiting for exam results . . . and dreaming of the day she’ll meet her one true love. Except her parents have other plans. In Pakistan for the summer, Zeba’s world is shattered. Her future is threatened by an unthinkable - and forced - duty to protect her father’s honour. But does she hold the secrets that will help her escape?
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54 hollywood
titans in Clash of the Titans took a grand scale, 3D look at the gods and goddesses of ancient Greece, from Zeus (Liam Neeson) to Hades (Ralph Fiennes). Mere mortals waged war against the deities, seeking to overturn those up on Mount Olympus. At the center of their mythical struggle was Perseus (Sam Worthington), demigod and son of Zeus. With Wrath of the Titans, Perseus has aged ten years and wants nothing more than a normal life. Of course, demigods rarely get such freedom. Perseus is joined by Poseidon’s half-human son, Agenor (Toby Kebbel), to fight the gods’ gargantuon enemies, the Titans. Sunday Plus April 15, 2012
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hollywood
Clash of the Titans took a grand scale, 3D look at the gods and goddesses of ancient Greece, from Zeus (Liam Neeson) to Hades (Ralph Fiennes). Mere mortals waged war against the deities, seeking to overturn those up on Mount Olympus. At the center of their mythical struggle was Perseus (Sam Worthington), demigod and son of Zeus. With Wrath of the Titans, Perseus has aged ten years and wants nothing more than a normal life. Of course, demigods rarely get such freedom. Perseus is joined by Poseidon’s half-human son, Agenor (Toby Kebbel), to fight the gods’ gargantuon enemies, the Titans. Sam Worthington & Liam Neeson Tell me how different this movie is. What did you do to improve the franchise? Because it seems it is definitely a much better movie than the first one. Liam Neeson: As much as we like the first one very much, it sort of set the tone, as it were – set the expanse of the world we’re going into here. But with this one, I know Sam very very much worked very closely with Jonathan Liebesman, the director. Myself to a lesser extent, but we’re more interested in the gods, the demigods being a dysfunctional family, which is what they are…and for the script to bring that out. Sam Worthington: That’s exactly right. You need a way in with these types of movies, and dealing with those family issues, and this family that’s struggling to find responsibility to each other within this weird world of monsters and the fact that they’re gods, they’re still essentially brothers and fathers and sons trying to connect. So you work harder on that, and then you ramp up the special effects and ramp up the 3D, and hopefully then it gels together and you have a substantial movie. Were you inspired a little bit by the videogame God of War as well? SW: I’ve played that game. I know Jonathan had seen it –
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however you get inspired, it just happens the characters are the same type of things, the same type of creatures. LN: I have no idea what it is. It’s an entirely different generation. What does the world of the gods and the Titans echo for you? And what parallel do you see with our world or society? LN: The thing about these ancient tales – let’s call them great mythology tales – they try to explain something about why we’re on this planet and what our relation is to the heavens, to the universe. That is essentially what they’re about, and they speak to every culture of every tribe in the world. You go up the Amazon, some little tribe surviving on monkey brains and birds and stuff, they have a story that’s similar to a Greek mythological tale. What scene do you think represents the best of the movie for you? Is there a particular scene in the movie that you think embodies what Wrath of the Titans is about? LN: For me, it was my first scene with Sam – with Perseus – and the beginning of the film, and trying to ask his help, having been an absentee father for many years. That encapsulates the film for me. SW: Mine would probably be the end scene with my son, so there’s the irony – the circle. Here’s a guy that, through all the war zone they’ve gone through, has learned the responsibility he has, not
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only to his own son, but the responsibility he had to his own brother, his father, and essentially the responsibility you have to yourself. So even after all the chaos and carnage and intimacy and doubts over your destiny, it still comes down to: where is your place in the world? And to me, that was a good message, of a man always trying to find where he fits. How do you see the director being different between Jonathan and Louis (Leterrier)? What do you think Jonathan brought to the movie? SW: I and he are the same age, and we had the same love of the same type of movies growing up, and he’s very movie-orientated, and he knows, therefore, what he wants going in visually. He can talk to you in a weird directing way because he can sometimes reference other films, but that makes it sometimes more visual for you, when he mentions another film. But he’s got a great energy about making movies. He loves the idea of making movies. And most directors do, but his is very vocal and very loud and boisterous. LN: Louis was the same too, I think. Louis had a wonderful energy. SW: Yeah, they have a passion for the world, which is infectious. Jonathan Liebesman How was it to come on board of a successful franchise? Did it help, having done such a big movie before? On the contrary, was it still a challenge? Still feeling the pressure because “we need to do it better”? Jonathan Liebesman: Of course. Actually, the first director,
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Louis Leterrier, and I are friends from before, so I’d sit down with him a lot and ask him a lot of questions about what he liked about the first one, what didn’t work on the first one. So I was able to take that experience and bring it to this to try to make things we both wanted to improve on. What do you think didn’t work in the first one and that you made work in this one? JL: I think the studio with the 3D – they wanted it 3D six weeks before the movie came out, so that was very difficult to make it work. So here we had an entire year to work on the 3D elements. Also, I think there was a great cast in the first movie that we just wanted to use more in this film and delve deeper. I think the thing that was great in Louis’s movie was the action and the spectacle and the challenges. Louis is really good at action and spectacle, so how can I do that? How can I make sure that we retain all of that and give more depth to the characters? EI: What do you think, for you, was the trickiest aspect of making this movie, beyond, obviously, the 3D? Was there something else? JL: To emotionally engage the audience in these characters was hard, and to make sure the relationships were logical. Because if you care about the characters, you’ll care about what happens to them in the action sequences. EI: When you have so many great stars, does it come with a little bit of extra pressure as well? Or, on the contrary, it elevates your game? JL: It definitely elevates your game, but there’s also that
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hollywood
pressure, because you’re working with guys like, say, Liam and Ralph, who have done such incredible work, and…you don’t want to f*ck their careers up. So instead of telling them what to do, it became: what can I ask them? What advice can I get? How can I tap into their minds to bring more to this movie? Do you think there’s a scene in Wrath of the Titans that really embodies the movie that kind of sums it up? JL: I think the Chimera scene, for me, has great action and emotion. It’s a guy chasing after his son to save him from a monster, and it has very gritty, realistic, kinetic action. So for me, that’s a good one. What was, for you, maybe the trickiest scene to put together? JL: I think the final scene, with Kronos, because he’s not there, and he wasn’t there for a long time because we had to generate him over so much time with computers that we couldn’t see what he looked like for a long time. So that was very tricky to put together. Between the first one and the second one, do you see the technology having evolved a lot? What do you think is different today? And are there still some limitations – something you couldn’t do? JL: Absolutely. There are always limitations, but where it’s evolved is there are so many photorealistic things now that, before, you would know were an effect. One of the most amazing effects to me are: there’s a door that Hephaestus is reconfiguring to get into the labyrinth, and to me, it looks so photorealistic. And a lot of the creatures, like the Chamera or the Cyclops, look really good compared
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to two years ago, what you could do and what you could render. So the technology is always evolving. EI: What does that world – the world of the Titans, the gods – represent to you? And how do you see it relevant with our society today? JL: In that world, you always have arrogant elders [laughs] who have to give way to the new generation and don’t want to, and try to hold on to their power, whether it’s the Titan holding on to his power from the gods who hold on to their power from the humans… and I think you see that everywhere. You always see an older guard holding onto their power as long as possible. Do you feel like you’d like to explore more of that universe and do a third one? JL: It depends if the audience wants one. If they see this and enough people see it and like it, sure, I’d love to. What would you like to explore? Because I asked Toby and he said, “Oh, that would be cool if we could explore the work of Hercules.” Is that the same storyline that you would…? JL: Well there are a lot of storylines to pick from. I’d like to just take these characters further, because these are the characters we love. And yeah, we would introduce some new ones. I don’t know. I haven’t even thought about it yet. What’s coming up for you next, after this one? A vacation? JL: No. Rebooting Teenage Mutant Ninja Turtles with Michael Bay, who is producing that. And then Julius Caesar sort of epic movie. So those two other things.
April 15, 2012 Sunday Plus 57
58 MOVIE
by SYED ALI NAQVI
Futility of fake effects
PLOT Sequel to the 2010 Clash of the Titans, not many were waiting for Wrath of the Titans with bated breath. In the sequel a decade older Perseus (Sam Worthington) is pursuing a quiet humanly life as a fisherman with his son Helius in a village, while a godly battle rages in the deep cavernous underworld of Tartarus. The three brothers, Zeus (Liam Neeson), Hades (Ralph Fiennes) and Poseidon (Danny Huston), together had overthrown their evil father Kronos but now
Sunday Plus April 15, 2012
the Gods themselves are in the danger of losing their Godliness due to humans’ lack of devotion which leads Hades, along with Ares, to strike a deal with Kronos to drain Zeus of all his powers and regain control over the titans. Perseus has no choice but to recognise and use his powers as a demi-god and rescue his father from Tartarus. Aided by the beautiful Andromeda (Rosamund Pike) and Agenor (Toby Kebbell) he embarks upon a dangerous quest to overthrow Kronos and save the human race.
BAD All this sounds interesting and who doesn’t like a good old film on Greek mythology, gods, war, monsters etc. right? Wrong. Wrath of the Titans is a good example of a potentially good film gone wrong. Though admittedly better than the first one, Wrath... still leaves much to be desired. There are cool mythological creatures, monsters, a few cool visual effects but that’s about it. Here’s a thought; if there aren’t enough visuals to make a decent 3D
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MOVIE film then let it be 2D, no one will judge you. Except for a few short scenes you will wish you could take those annoying glasses off. As far as the script is concerned, it feels a tad rushed. Too much happens in too little time and as a result, all of it fails to make an impression. In terms of performances, Worthington is average but just not majestic enough to carry the film solely on his shoulders. Most are forgettable but the ones who stand out are Kebbell and Bill Nighy as Hephaestus. Their witty and light characters are a welcome relief from the pseudo-serious plot and characters. That’s pretty much the plot. A search for a theme would say this is a tale of fathers and sons, but that would be stretching it. Not many will be disappointed if they put an end to the Titans series with the
Wrath. Skip it, not worth the headache or the dent on your nose. The only reason to see Wrath of the Titans is for the endless array of computergenerated boss fights. With titans that are ginormous and a fiery underworld that’s visually stunning, the production value impresses. As cool as some scenes are (a fiery mountain-size creature, a moving castle that shifts like a Rubik’s Cube) there’s no real sense of urgency. OVERALL The only reason to see Wrath of the Titans is for the endless array of computergenerated boss fights. With titans that are ginormous and a fiery underworld that’s visually stunning, the production value impresses.
Wrath of the Titans THE PLAYERS: Genre: Action | Adventure | Fantasy director: Jonathan Liebesman
Cinematography: Ben Davis Actors: Sam Worthington, Liam Neeson, Rosamund Pike & Ralph Fiennes writers: Dan Mazeau, David Johnson, Greg Berlanti & Beverley Cross Music: Javier Navarrete
RATING: 6.6/10
AT THE PREMIERE:
Jacqueline Jossa &Tony Discipline
Toby Kebbell
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Crystal Humphries, Sam Worthington Holt McCallany
Alejandro Naranjo
Liam Neeson
Russell Simmons
Jonathan Liebesman
Jay Manuel
April 15, 2012 Sunday Plus 59
60 zodiac
by dr. zaibun nisa
Aries The Ram (21 March to 19 April) Cardinal, positive, male, fire, planet: Mars, colors: red and white, gem: Diamond, day: Tuesday Mars turning direct on the 14th after nearly 3 months of retrograde motion will ensure rapid progress, contentment, financial abundance, enhanced capital, resources and improved intimacy. Personal clarity will be gradually achieved. Those connected with army, engineering, surgery, machinery, etc. will tend to excel. Your personal power will be at its peak from the 18th evening till the 20th. Monetary benefits will accrue on the 21st-22nd. Refresh your spirit, perform yoga, go on retreats, or take up a hobby from the 16th till the 18th evening till 9pm. General health will improve. Acute, sudden problems may still crop up.
Taurus The Bull (20April – 20 May) Fixed, negative, earth, female, planet: Venus, colors: greens and browns, gem: Emerald & Sapphire, day: Friday Retrograde Mars turning direct on the 14th will eliminate hindrances and confusions in matters concerning love and children. The Sun visiting your sign on the 19th at 9:12 pm will promote prominence, leadership potential, a true sense of identity, strong will power and overall success. Government officials, bureaucrats and authority figures will give their benediction and assistance. Long term partnerships will flourish on the 22nd. Political figures may achieve prosperity from the 22nd onward. Nonetheless, clashes with older individuals, union leaders and public figures are likely. Rules and regulations may be used against you. Friendships, social gatherings, membership of committees, etc will be in your favor on the 16th-17th. Behind the scene activities are indicated from the 18th evening after 9 pm till the 20th.
Cancer The Crab (21 June- 22 July) Cardinal, negative, water, female, planet: Moon, colors: white and silver, gem: Pearls and moonstones, day: Monday The new Moon on the 21st will bestow success in instigating new projects, setting a new set of goals and expanding luck. It heralds a period of increasing energy, instinct and new beginnings. Avoid major decisions during the void-of-course Moon on the 16th from 3:42 am till 10:38 am; the 17th from 7:34 pm till the 18th at 8:59 pm; the 21st from 12:35 am midnight till 9:05 am. Mars turning direct on the 14th will eliminate the negative influences related to your communication skills, travel plans and relationship with your siblings. Career entanglements will also dissolve. All of the aforementioned matters will improve tremendously. Education, law, religion and travel will be auspicious from the 16th till the 18th evening at 9 pm. Career elevation is likely from the 18th evening till the 20th.
Leo The lion (23 July – 22 August) Fixed, positive, fire, male, planet: Sun, colors: gold and orange, gem: Ruby, day: Sunday. Retrograde Mars turning direct on the 14th will remove financial crunches. Educational endeavors, spiritual pursuits, legal matters and overseas transactions or travel will improve greatly. The Sun moving into your career sector on the 19th at 9:12 pm will promote career success, pay rises and promotions. Monetary benefits, gifts, bonds, mortgages, borrowing, investments and insurance money are positively highlighted from the 16th till the 18th evening. The 18th from 9 pm onward till the 20th will promote matters pertaining to higher education, travel, religion and publishing. Career will prosper on the 21st-22nd.You will strive to maintain a good physique from the 20th onward. Sudden changes will be made in all spheres of life especially politically from the 22nd onward. A good business sense is common. Health will suffer on the 15th, 21st-22nd.
Sunday Plus April 15, 2012
Gemini The Twins (21 May – 20 June) Mutable, positive, air, male, planet: Mercury, colors: yellow, gem: Agate, Day: Wednesday Your ruler, Mercury moving into Aries on the 17th will expand your social life, circle of friends, probably making you an active member of a group. Professions connected to things ancient or futuristic, archeology, geology, paleontology, space travel, nuclear medicine, computer, etc. will be appealing as the week progresses especially from the 17th onward. Foolhardiness, risk-taking and perversity will be possible side-effects. Career prosperity is likely on the 16th-18th. Friendship support group will be needed from the 18th evening after 9 pm till the 20th. Secret funds, covert tactics and spiritual retreats are positively highlighted on the 21st22nd. From the 14th onward, conflicts, immediate family concerns or parental issues will be sorted out. For the past 3 months major shift in your ideals and friendships happened. Volatile social issues in the past will be resolved. Health will be delicate from the 16th-18th.
Virgo The Virgin (23 August – 22 September) Mutable, negative, earth, female, planet: Mercury, colors: navy and neutrals, gem: Peridot & Jade, day: Wednesday. Retrograde Mars becoming direct on the 14th after nearly 3 months of backward motion, will erase confusion and unnecessary conflicts. Matters concerning monetary transactions, loans, mortgages, borrowing, investments, gifts, legacies, joint finances and insurance money will be auspicious from the 14th onward. Partnership will benefit you from the 16th till the 18th evening at 9 pm. Monetary benefits will accrue on the 19th-20th. Educational endeavors, spiritual pursuits, legal matters and overseas transactions or travel will be auspicious on the 21st-22nd. Nervous system, arms, shoulders, hands and digestive system may be vulnerable from the 17th onward especially 16th till the 18th evening.
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zodiac
Libra The Scales (23 September – 22 October) Cardinal, positive, air, male, planet: Venus, colors: blues and pastels, gem: Sapphire, Jade & Opal, day: Friday. You will exude a magnetic appeal – as well as a tendency to distance yourself from a meaningful commitment. An outrageous image may come to the fore. With Mars turning direct on the 14th after nearly 3 months, you will overcome personal losses, expenditures and erase unnecessary fears. Your current relationship will strengthen. The potential for developing rapport with colleagues will be evident as well as a promising job scenario on the 16th till the 18th evening at 9 pm. Partnerships will be a source of support from the 18th evening till the 20th. Financial benefits will accrue on the 21st-22nd. Feet, toes and lymphatic system will be vulnerable from the 18th evening till the 20th.
Scorpio The Scorpion (23 October – 21 November) Fixed, negative, water, female, planet: Pluto, colors: dark reds and black, gem Red Coral, Opal, day: Tuesday. Government officials, bureaucrats and administrators will offer assistance. Fun, romance, sports, creativity, financial windfalls and children are positively highlighted from the 16th till the 18th evening. Job related success is likely from the 18th evening at 9 pm till the 20th. Your current relationship, marriage or business partnership will be a source of support on the 21st-22nd. Matters concerning work routine, co-workers, employers or employees will become favorable after the 14th. Friendships and social life will also blossom. Nervous system, arms, shoulders, hands and digestive system will be vulnerable on the 15th, 21st-22nd.
Aquarius The Water Bearer (20 January – 18 February) Fixed, positive, air, male, planet: Uranus, colors: electric blue, gem: Amethyst, black Pearl & Opal, day: Saturday. From the 14th onward, Mars turning direct after 3 months of retrograde motion will improve matters concerning travel, literary work, communication and dealing with siblings, relatives and neighbors. Financial opportunity will become numerous – and increased value of your assets, stocks, bonds and property is likely. Your power for personal aggrandizement will be at its peak on the 14th-15th. Monetary benefits will accrue on the 16th-17th Interaction with siblings, relatives, neighbors and friends via emails, phone calls, correspondence, etc. are favorably indicated from the 18th evening till the 20th. Parents, family and home will be a source of joy on the 21st-22nd. Health will improve.
Sagittarius The Archer (22 November – 21 December) Mutable, positive, fire, male, planet: Jupiter, colors: purple and blue, gem: Turquoise, day: Thursday. From the 14th onward, Mars will turn direct, improving matters related to love, parenthood, creative projects, children and speculation. For the past 3 months career had become a battle ground. From the 14th onward, career will flourish. Family matters will be favorable from the 16th till the 18th evening. Matters related to love, children, sports, leisure and finances will be favorable on the 19th-20th. Job related progress is likely on the 21st-22nd. From the 19th onward, the heart will be vulnerable. Health will suffer from the 16th-18th.
Pisces The Fish (19 February – 20 March) Mutable, negative, water, female, planet: Neptune, colors: sea green and lavender, gem: Aquamarine & Emerald, day: Thursday Since January 24th, retrograde Mars had caused disruptions in your marriage or long term relationship. Mars turning direct on the 14th will improve your marriage or long term relationship. Financial scenario will drastically change for the better. Your personal power for accomplishment will be at its peak from the 16th till the 18th evening at 9 pm. Financial benefits will accrue on the 19th-20th. Matters concerning travel, siblings, relatives, neighbors and friends will be auspicious on the 21st-22nd. Neck, ears and throat will be vulnerable from the 17th onward.
Capricorn The Goat (22 December – 19 January) Cardinal, negative, earth, female, planet: Saturn, colors: dark green and brown, gem: Diamond & black Onyx, day: Saturday. After the 14th, matters concerning parents, family, real estate and immovable possessions will steadily improve. Higher learning, travel and legal matters will be also become favorable. Interaction with siblings, relatives, neighbors and friends via emails, phone calls, correspondence, etc. are positively indicated from the 16th till the 18th evening at 9 pm. Parents, family and home will be favorable on the 19th-20th. A romantic love affair, leisure activities and children are favorable highlighted on the 21st-22nd. Speculation gain and financial windfall are indicated on the 21st-22nd. Head and face will be vulnerable from the 17th onward. Many of you will opt for elective surgeries and facial enhancements. Health will be delicate from the 18th evening till the 20th.
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April 15, 2012 Sunday Plus 61
62 report
By: Tabeena Tahir, Fatima Gull & Wajiha Khalid
... in the tradition of Horse and cattle show The people of Punjab are well known for celebrating spring. Punjab Rangers does not fall behind at such occasions. Along with their duty of guarding the borders they also organise annual spring festivals. This year Pakistan Punjab Rangers organised the three-day ‘Mela Jashan-e-Baharan’ at Punjab Rangers Polo Ground in Lahore where dog race, horse show, parades, special drill and other regional activities were presented. The festival was inaugurated by Rangers (Punjab) Director General Mian Muhammad Khalil on Friday. Balloons set loose and different national songs like Jewey Jewey Pakistan, Allah o Akbar, Ye Watan Tmhara Hai were presented by Punjab Rangers’ band at the inauguration ceremony.
T
Sunday Plus April 15, 2012
here were many interesting programmes in the threeday festival. In line was the ‘Flame Torch Parade’. In the moon light Ranger’s jawans entered the ground with flame torches in their hands and showed marvellous drills with the fire. They made different shapes like circles, stars, straight line, squares and zig zag. In the end they were standing in the formation “Love Pakistan”. Then many different stunts were presented in ‘Camel Show’. There was a man at the back of the camel balancing upside down while the camel was moving. In another show many camels entered into the ground with a number of men at their backs and all were in difsplus@nation.com.pk
report
People from all walks ferent formations. A man was also sighted who was of life along with families balancing himself with help of a rope which he was enjoyed various proholding tightly in his teeth. Special drill squads exhibited their captivatgrammes in the show. ing skills. It was also an outstanding and amazing In the moon light Ranger’s jawans entered They were very happy and talking to media about display of coordination with the Pakistan ranger’s the ground with flame torches in their how much they appreciatband. hands and showed marvellous drills with ed the outstanding event. There was luddi of folk dancers beautifully presented on the traditional dhol beat. Then there They stressed that more the fire. They made different shapes like were horses who danced on Punjabi song “Sonay such events would spread circles, stars, straight line, squares and zig the message of peace, love Di Tawetri”. Fire box game by horse riders was also zag. In the end they were standing in the and harmony. displayed by different groups in which Talat Rana’s formation “love Pakistan”. Patriotic and national group was successful. songs were sung in the Last but not least was ‘Candle Parade’. Soldiers entered in the ground with candles in their hands showing difconcluding ceremony on Sunday. Lahore Corps Commander Lt-Gen Rashid Mahmood and Bahawalpur Corps Commander Ltferent drills. It appeared beautiful at night; they were holding Gen Muhammad Haroon Aslam were the chief guests who were lamps of different colours. Thousand of spectators appreciated given Salami through the dancing horse. the performance of Pakistan Ranger’s soldiers with applause and hooting. Many in the audience were shouting Pakistan Zindabad! Punjab Rangers Zindabad! splus@nation.com.pk
April 15, 2012 Sunday Plus 63
64 picks of the week We at Sunday Plus are sharing our exclusive recommendations with all our readers. Read on for the best buys, the trendiest brands and the most enticing eateries that you need to know about. We slog through the jungle to bring you the hippest happenings and must-have information, right here in your copy of Sunday Plus: your essential weekend luxury.
QUIZ time CRACKLE The Color Studio Professional’s crackle nail color is just perfect to bring out the nail artist in you.
How many applications of crackle nail color are needed to create drama? 1. One 2. Two 3. Three Please email answers to: splus@nation.com.pk subject line Color Rush trivia. The winner, chosen at random, will win a Color Rush lipstick.
Sunday Plus April 15, 2012
Beat The Heat Cool off the summer with famous Mrs. Fields Cookie Chiller. Mrs. Fields have Introduced two new flavours of Mrs. Fields Cookies. Say hello to Coco Mac and Chocolate Lovers. Just out of the oven. GO beat the heat with a cookie chiller. LOCATION: 18-C-1 MM Alam Road, Lahore
V Limited Edition & V Luxury Print
This year Vaneeza’s Lawn launches V Limited Edition & V Luxury Print. This season’s aesthetic is bold and innovative, retaining the design philosophy and ethos of creating prints which are trendy, stylish and have a modern, contemporary feel to them. The collections’ colour palettes range from oranges to lemon and greens; which have been identified internationally as the colours of spring/ summer 2012. The V Luxury Prints, Limited Edition and V Lawn Prints collections will be launched in a series of exhibitions to be held in Karachi, Lahore & Islamabad from the 21st of April 2012 and will be available at retail outlets & select stockists across Pakistan.
Daaman splashes colour this season Looking for a trendy casual outfit which can be dressed down for work and dressed up for the evening? Look no further than Daaman’s Spring Summer collection. This collection is based on a vibrant and bright Spring/Summer palette and uses colors such as canary yellow, refreshing tangerine and bright red. In their current collection, emphasis is on chic designs and elegant embellishments leading to a product which is bound to draw stares and elicit praise. The Daaman woman is strong, confident and fashionable and is in love with Daaman’s minimal design philosophy. Check out Daaman’s collection at http://www. facebook.com/daamandesigns. You can also visit Daaman’s retail stores in Karachi at 6th commercial, Zamzama Street, L’Atelier, Islamabad and Z Block, DHA. splus@nation.com.pk